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People sometimes call Jews "people of the book." And when they say that, they tend to be referring to the Bible, or the Torah (first five books of the Bible). But Eva Mroczek, the Simon and Riva Spatz Chair in Jewish Studies at Dalhousie University, thinks that Jews may actually have a relationship to far more books than we've realized -- including many "lost books," and even many "imagined books" that likely never existed. She joins Dan Libenson and Lex Rofeberg for a conversation about lost Jewish books, and about her upcoming class in the UnYeshiva entitled Lost Bibles, Fake Apocrypha: The Hidden History of Jewish Books.Learn more about Eva Mroczek's upcoming course in the UnYeshiva (and register for it!) here -- financial aid is available for anyone who needs it, via this link.To check out our other courses that are now open for registration in Judaism Unbound's UnYeshiva, head to www.judaismunbound.com/classes!Access full shownotes for this episode via this link. If you're enjoying Judaism Unbound, please help us keep things going with a one-time or monthly tax-deductible donation -- support Judaism Unbound by clicking here!
The discovery of the Dead Sea Scrolls revealed a world of early Jewish writing larger than the Bible, from multiple versions of biblical texts to revealed books not found in our canon. Despite this diversity, the way we read Second Temple Jewish literature remains constrained by two anachronistic categories: a theological one, Bible and a bibliographic one, book. The Literary Imagination in Jewish Antiquity (Oxford UP, 2016) suggests ways of thinking about how Jews understood their own literature before these categories had emerged. In many Jewish texts, there is an awareness of a vast tradition of divine writings found in multiple locations that is only partially revealed in available scribal collections. Ancient heroes such as David are imagined not simply as scriptural authors, but as multidimensional characters who come to be known as great writers who are honored as founders of growing textual traditions. Scribes recognize the divine origin of texts such as the Enoch literature and other writings revealed to ancient patriarchs, which present themselves not as derivative of the material that we now call biblical, but prior to it. Sacred writing stretches back to the dawn of time, yet new discoveries are always around the corner. Using familiar sources such as the Psalms, Ben Sira, and Jubilees, Eva Mroczek tells an unfamiliar story about sacred writing not bound in the Bible. In listening to the way ancient writers describe their own literature rife with their own metaphors and narratives about writing The Literary Imagination in Jewish Antiquity also argues for greater suppleness in our own scholarly imagination, no longer bound by modern canonical and bibliographic assumptions. The Literary Imagination in Jewish Antiquity is already making its mark on the study of Jewish Antiquity and biblical studies broadly conceived. A panel of scholars recently convened at the annual Society of Biblical Literature meeting to discuss the impact of the work on the study of Second Temple literature. And It was announced just this week that Dr. Mroczek's work was awarded the prestigious Manfred Lautenschlaeger Award for Theological Promise. The accolade if given by the University of Heidelberg. Please join me in congratulating Dr. Mroczek and welcoming her to the New Books Network. Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN. Learn more about your ad choices. Visit megaphone.fm/adchoices
The discovery of the Dead Sea Scrolls revealed a world of early Jewish writing larger than the Bible, from multiple versions of biblical texts to revealed books not found in our canon. Despite this diversity, the way we read Second Temple Jewish literature remains constrained by two anachronistic categories: a theological one, Bible and a bibliographic one, book. The Literary Imagination in Jewish Antiquity (Oxford UP, 2016) suggests ways of thinking about how Jews understood their own literature before these categories had emerged. In many Jewish texts, there is an awareness of a vast tradition of divine writings found in multiple locations that is only partially revealed in available scribal collections. Ancient heroes such as David are imagined not simply as scriptural authors, but as multidimensional characters who come to be known as great writers who are honored as founders of growing textual traditions. Scribes recognize the divine origin of texts such as the Enoch literature and other writings revealed to ancient patriarchs, which present themselves not as derivative of the material that we now call biblical, but prior to it. Sacred writing stretches back to the dawn of time, yet new discoveries are always around the corner. Using familiar sources such as the Psalms, Ben Sira, and Jubilees, Eva Mroczek tells an unfamiliar story about sacred writing not bound in the Bible. In listening to the way ancient writers describe their own literature rife with their own metaphors and narratives about writing The Literary Imagination in Jewish Antiquity also argues for greater suppleness in our own scholarly imagination, no longer bound by modern canonical and bibliographic assumptions. The Literary Imagination in Jewish Antiquity is already making its mark on the study of Jewish Antiquity and biblical studies broadly conceived. A panel of scholars recently convened at the annual Society of Biblical Literature meeting to discuss the impact of the work on the study of Second Temple literature. And It was announced just this week that Dr. Mroczek’s work was awarded the prestigious Manfred Lautenschlaeger Award for Theological Promise. The accolade if given by the University of Heidelberg. Please join me in congratulating Dr. Mroczek and welcoming her to the New Books Network. Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN. Learn more about your ad choices. Visit megaphone.fm/adchoices
The discovery of the Dead Sea Scrolls revealed a world of early Jewish writing larger than the Bible, from multiple versions of biblical texts to revealed books not found in our canon. Despite this diversity, the way we read Second Temple Jewish literature remains constrained by two anachronistic categories: a theological one, Bible and a bibliographic one, book. The Literary Imagination in Jewish Antiquity (Oxford UP, 2016) suggests ways of thinking about how Jews understood their own literature before these categories had emerged. In many Jewish texts, there is an awareness of a vast tradition of divine writings found in multiple locations that is only partially revealed in available scribal collections. Ancient heroes such as David are imagined not simply as scriptural authors, but as multidimensional characters who come to be known as great writers who are honored as founders of growing textual traditions. Scribes recognize the divine origin of texts such as the Enoch literature and other writings revealed to ancient patriarchs, which present themselves not as derivative of the material that we now call biblical, but prior to it. Sacred writing stretches back to the dawn of time, yet new discoveries are always around the corner. Using familiar sources such as the Psalms, Ben Sira, and Jubilees, Eva Mroczek tells an unfamiliar story about sacred writing not bound in the Bible. In listening to the way ancient writers describe their own literature rife with their own metaphors and narratives about writing The Literary Imagination in Jewish Antiquity also argues for greater suppleness in our own scholarly imagination, no longer bound by modern canonical and bibliographic assumptions. The Literary Imagination in Jewish Antiquity is already making its mark on the study of Jewish Antiquity and biblical studies broadly conceived. A panel of scholars recently convened at the annual Society of Biblical Literature meeting to discuss the impact of the work on the study of Second Temple literature. And It was announced just this week that Dr. Mroczek’s work was awarded the prestigious Manfred Lautenschlaeger Award for Theological Promise. The accolade if given by the University of Heidelberg. Please join me in congratulating Dr. Mroczek and welcoming her to the New Books Network. Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN. Learn more about your ad choices. Visit megaphone.fm/adchoices
The discovery of the Dead Sea Scrolls revealed a world of early Jewish writing larger than the Bible, from multiple versions of biblical texts to revealed books not found in our canon. Despite this diversity, the way we read Second Temple Jewish literature remains constrained by two anachronistic categories: a theological one, Bible and a bibliographic one, book. The Literary Imagination in Jewish Antiquity (Oxford UP, 2016) suggests ways of thinking about how Jews understood their own literature before these categories had emerged. In many Jewish texts, there is an awareness of a vast tradition of divine writings found in multiple locations that is only partially revealed in available scribal collections. Ancient heroes such as David are imagined not simply as scriptural authors, but as multidimensional characters who come to be known as great writers who are honored as founders of growing textual traditions. Scribes recognize the divine origin of texts such as the Enoch literature and other writings revealed to ancient patriarchs, which present themselves not as derivative of the material that we now call biblical, but prior to it. Sacred writing stretches back to the dawn of time, yet new discoveries are always around the corner. Using familiar sources such as the Psalms, Ben Sira, and Jubilees, Eva Mroczek tells an unfamiliar story about sacred writing not bound in the Bible. In listening to the way ancient writers describe their own literature rife with their own metaphors and narratives about writing The Literary Imagination in Jewish Antiquity also argues for greater suppleness in our own scholarly imagination, no longer bound by modern canonical and bibliographic assumptions. The Literary Imagination in Jewish Antiquity is already making its mark on the study of Jewish Antiquity and biblical studies broadly conceived. A panel of scholars recently convened at the annual Society of Biblical Literature meeting to discuss the impact of the work on the study of Second Temple literature. And It was announced just this week that Dr. Mroczek’s work was awarded the prestigious Manfred Lautenschlaeger Award for Theological Promise. The accolade if given by the University of Heidelberg. Please join me in congratulating Dr. Mroczek and welcoming her to the New Books Network. Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN. Learn more about your ad choices. Visit megaphone.fm/adchoices
The discovery of the Dead Sea Scrolls revealed a world of early Jewish writing larger than the Bible, from multiple versions of biblical texts to revealed books not found in our canon. Despite this diversity, the way we read Second Temple Jewish literature remains constrained by two anachronistic categories: a theological one, Bible and a bibliographic one, book. The Literary Imagination in Jewish Antiquity (Oxford UP, 2016) suggests ways of thinking about how Jews understood their own literature before these categories had emerged. In many Jewish texts, there is an awareness of a vast tradition of divine writings found in multiple locations that is only partially revealed in available scribal collections. Ancient heroes such as David are imagined not simply as scriptural authors, but as multidimensional characters who come to be known as great writers who are honored as founders of growing textual traditions. Scribes recognize the divine origin of texts such as the Enoch literature and other writings revealed to ancient patriarchs, which present themselves not as derivative of the material that we now call biblical, but prior to it. Sacred writing stretches back to the dawn of time, yet new discoveries are always around the corner. Using familiar sources such as the Psalms, Ben Sira, and Jubilees, Eva Mroczek tells an unfamiliar story about sacred writing not bound in the Bible. In listening to the way ancient writers describe their own literature rife with their own metaphors and narratives about writing The Literary Imagination in Jewish Antiquity also argues for greater suppleness in our own scholarly imagination, no longer bound by modern canonical and bibliographic assumptions. The Literary Imagination in Jewish Antiquity is already making its mark on the study of Jewish Antiquity and biblical studies broadly conceived. A panel of scholars recently convened at the annual Society of Biblical Literature meeting to discuss the impact of the work on the study of Second Temple literature. And It was announced just this week that Dr. Mroczek’s work was awarded the prestigious Manfred Lautenschlaeger Award for Theological Promise. The accolade if given by the University of Heidelberg. Please join me in congratulating Dr. Mroczek and welcoming her to the New Books Network. Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN. Learn more about your ad choices. Visit megaphone.fm/adchoices
The discovery of the Dead Sea Scrolls revealed a world of early Jewish writing larger than the Bible, from multiple versions of biblical texts to revealed books not found in our canon. Despite this diversity, the way we read Second Temple Jewish literature remains constrained by two anachronistic categories: a theological one, Bible and a bibliographic one, book. The Literary Imagination in Jewish Antiquity (Oxford UP, 2016) suggests ways of thinking about how Jews understood their own literature before these categories had emerged. In many Jewish texts, there is an awareness of a vast tradition of divine writings found in multiple locations that is only partially revealed in available scribal collections. Ancient heroes such as David are imagined not simply as scriptural authors, but as multidimensional characters who come to be known as great writers who are honored as founders of growing textual traditions. Scribes recognize the divine origin of texts such as the Enoch literature and other writings revealed to ancient patriarchs, which present themselves not as derivative of the material that we now call biblical, but prior to it. Sacred writing stretches back to the dawn of time, yet new discoveries are always around the corner. Using familiar sources such as the Psalms, Ben Sira, and Jubilees, Eva Mroczek tells an unfamiliar story about sacred writing not bound in the Bible. In listening to the way ancient writers describe their own literature rife with their own metaphors and narratives about writing The Literary Imagination in Jewish Antiquity also argues for greater suppleness in our own scholarly imagination, no longer bound by modern canonical and bibliographic assumptions. The Literary Imagination in Jewish Antiquity is already making its mark on the study of Jewish Antiquity and biblical studies broadly conceived. A panel of scholars recently convened at the annual Society of Biblical Literature meeting to discuss the impact of the work on the study of Second Temple literature. And It was announced just this week that Dr. Mroczek’s work was awarded the prestigious Manfred Lautenschlaeger Award for Theological Promise. The accolade if given by the University of Heidelberg. Please join me in congratulating Dr. Mroczek and welcoming her to the New Books Network. Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN. Learn more about your ad choices. Visit megaphone.fm/adchoices
The discovery of the Dead Sea Scrolls revealed a world of early Jewish writing larger than the Bible, from multiple versions of biblical texts to revealed books not found in our canon. Despite this diversity, the way we read Second Temple Jewish literature remains constrained by two anachronistic categories: a theological one, Bible and a bibliographic one, book. The Literary Imagination in Jewish Antiquity (Oxford UP, 2016) suggests ways of thinking about how Jews understood their own literature before these categories had emerged. In many Jewish texts, there is an awareness of a vast tradition of divine writings found in multiple locations that is only partially revealed in available scribal collections. Ancient heroes such as David are imagined not simply as scriptural authors, but as multidimensional characters who come to be known as great writers who are honored as founders of growing textual traditions. Scribes recognize the divine origin of texts such as the Enoch literature and other writings revealed to ancient patriarchs, which present themselves not as derivative of the material that we now call biblical, but prior to it. Sacred writing stretches back to the dawn of time, yet new discoveries are always around the corner. Using familiar sources such as the Psalms, Ben Sira, and Jubilees, Eva Mroczek tells an unfamiliar story about sacred writing not bound in the Bible. In listening to the way ancient writers describe their own literature rife with their own metaphors and narratives about writing The Literary Imagination in Jewish Antiquity also argues for greater suppleness in our own scholarly imagination, no longer bound by modern canonical and bibliographic assumptions. The Literary Imagination in Jewish Antiquity is already making its mark on the study of Jewish Antiquity and biblical studies broadly conceived. A panel of scholars recently convened at the annual Society of Biblical Literature meeting to discuss the impact of the work on the study of Second Temple literature. And It was announced just this week that Dr. Mroczek's work was awarded the prestigious Manfred Lautenschlaeger Award for Theological Promise. The accolade if given by the University of Heidelberg. Please join me in congratulating Dr. Mroczek and welcoming her to the New Books Network. Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN.
2015-16 Frankel Institute Secularization/Sacralization Fellow, Eva Mroczek Project Title: The Other David: Between the Tanach and the Palmach
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