Podcast appearances and mentions of guy abrahams

Susie has always loved vermouth and has been banging on for six years about how underrated it is. She has never understood why the art of mixing botanicals has been so associated with gin making. Sigh! Obviously AJ hasn't a clue what she's talking about but starts to warm to the theme. They are joined by artisan vermouth makers Guy Abrahams and Gnina Balchin who talk them through the process. 

Grant Blashki, Associate Professor at the Nossal Institute and the Melbourne Sustainable Society Institute at the University of Melbourne and Lead Clinical Advisor for Beyond Blue, discusses the biggest threats to health posed by climate change; Guy Abrahams, Co-Founder and Ambassador for CLIMARTE, explores the role of art in facilitating behavioural change specifically in relation to climate change; and the team canvass some new medical inventions. With presenters Dr Mal Practice, Nurse Epipen, and Dr Motu.Website: https://www.rrr.org.au/explore/programs/radiotherapyFacebook: https://www.facebook.com/RadiotherapyOnTripleR/Twitter: https://twitter.com/_radiotherapy_Instagram: https://instagram.com/radiotherapy_tripler

This episode our two hosts will be heard only briefly, before we dive into a live conversation from the beautiful Australian Galleries in Fitzroy, Melbourne. This is a very on-topic conversation about living in the time of climate change, meaningful action, and mental health, all in the context of amazing artwork. You can see this artwork yourself and follow along with the discussion! Simply look at your podcast app while you're listening to see the art that's being discussed, or check out the accompanying YouTube video. If you've got thoughts about the episode, and would like to join in the conversation, check out our new Facebook group: https://www.facebook.com/groups/273154463431041 Credits:Caleb Fidecaro — ProducerRich Bowden — Co-FounderMark Spencer — Co-FounderAbigail Hawkins — DesignerGreg Grassi — Composer Special Guests: Dale Cox and Guy Abrahams. Support Climactic Links: Inner Logic - Australian Galleries — Inner Logic - Dale Cox Cold War Reliquary on Vimeo — The Cold War Reliquary is a vessel - a spacecraft, and a Holy Relic. What We Do | Climarte — CLIMARTE harnesses the creative power of the arts to inform, engage and inspire action on climate change.  Dale Cox See /privacy for privacy and opt-out information.

This episode our two hosts will be heard only briefly, before we dive into a live conversation from the beautiful Australian Galleries in Fitzroy, Melbourne. This is a very on-topic conversation about living in the time of climate change, meaningful action, and mental health, all in the context of amazing artwork. You can see this artwork yourself and follow along with the discussion! Simply look at your podcast app while you're listening to see the art that's being discussed, or check out the accompanying YouTube video.If you've got thoughts about the episode, and would like to join in the conversation, check out our new Facebook group: https://www.facebook.com/groups/273154463431041 Credits: Caleb Fidecaro — Producer Rich Bowden — Co-Founder Mark Spencer — Co-Founder Abigail Hawkins — Designer Greg Grassi — Composer Special Guests: Dale Cox and Guy Abrahams. Support Climactic Links: Inner Logic - Australian Galleries — Inner Logic - Dale Cox Cold War Reliquary on Vimeo — The Cold War Reliquary is a vessel - a spacecraft, and a Holy Relic. What We Do | Climarte — CLIMARTE harnesses the creative power of the arts to inform, engage and inspire action on climate change.  Dale Cox Support the show: https://www.climactic.fm/p/support-the-collective/

Climactic goes to the art gallery! This show features the artist Dale Cox, in conversation with Climarte founder Guy Abrahams, about his new exhibition all about life in the Anthropocene, Inner Logic.

This episode our two hosts will be heard only briefly, before we dive into a live conversation from the beautiful Australian Galleries in Fitzroy, Melbourne. This is a very on-topic conversation about living in the time of climate change, meaningful action, and mental health, all in the context of amazing artwork. You can see this artwork yourself and follow along with the discussion!Simply look at your podcast app while you're listening to see the art that's being discussed, or check out the accompanying YouTube video.If you've got thoughts about the episode, and would like to join in the conversation, check out our new Facebook group: https://www.facebook.com/groups/273154463431041 Credits:Caleb Fidecaro — ProducerRich Bowden — Co-FounderMark Spencer — Co-FounderAbigail Hawkins — DesignerGreg Grassi — ComposerSpecial Guests: Dale Cox and Guy Abrahams.Support ClimacticLinks: Inner Logic - Australian Galleries — Inner Logic - Dale Cox Cold War Reliquary on Vimeo — The Cold War Reliquary is a vessel - a spacecraft, and a Holy Relic. What We Do | Climarte — CLIMARTE harnesses the creative power of the arts to inform, engage and inspire action on climate change.  Dale Cox See /privacy for privacy and opt-out information.

Together with Guy Abrahams, the Co-founder of CLIMARTE, we discuss the anthropological influence on climate change and the success story of the message received from the arts outweighing the money value received from the big oil company.

Smithers and Samara chat to CEO and co-founder of CLIMARTE Guy Abrahams about the ART+CLIMATE=CHANGE 2017 festival, now running until May 14.See omnystudio.com/listener for privacy information.

The moment you have all been waiting for – the line-by-line story created by this season’s Art Smitten guests IS FINALLY UNVEILED! Da da duuuuuum. Read aloud by Lauren Klein: Starting line: Sitting in a crowded cafe, he checked his watch anxiously… Omrane Khuder: He then noticed that his date was running late Paul Knox, Hannah Vanderheide and Jorge Tsipos: He knew she couldn’t be, because of the thing they had discussed. It had been a long discussion with many twists and turns. As he pondered, he looked down into his hands and discovered something unusual Damian Hill: His hand had tattoos encrypted in letters that he did not understand Joel Gailer: That had was read and it picked up a terracotta brick Simon Abrahams: It vanished into thin air before materialising in South Africa Beng Oh: Deep underwater where it lay unseen for a good while, until it resurfaced one fine day. Josh Lynzaat & Tim Sneddon: Resurfaced, reborn, a renaissance. It proclaimed a new era in the local township’s art - “awesome access, awesome art”. Daniel Tobias: The electricity was felt in their big toe. Guy Abrahams & Thornton Walker: People are waiting for fossil fuels to end Emma Fishwick & Kyan Tan: So that we collectively reclaim the Earth Defron (Kieron Byatt): Grain after grain until we feel like we belong Aaron Trevaskis & Mitchel Edwards: Never follow the road until you feel like going home Lenka Vanderboom: She told me, she told me twice...why was it she didn’t want to go home with me?! Was this her excuse? Rose Riley: Alas, it was the shoes Andi Snelling: That would never fit any foot in the whole entire kingdom. Gabrielle Savrone & Marcus Molyneux: These shoes were obviously bought from an op-shop. But it wasn't just any op-shop, it was an entirely unmagical op-shop. Bede Nash & Maxine Gigliotti: Filled with magical dragons and pretty dwarves Christopher Brown: This disco was unlike any you had seen before. With a cranking sound system and a great lighting display, all the characters came into the centre and... felt good. Georgia Moore: The disco was being held at Theatre Works Theatre in St Kilda and all the Federation University company of 2016 were really enjoying themselves as they were surrounded by the Addams Family. Wednesday was looking at Lucas, Morticia at Gomez. The rest is kind of history - da da da dum *snap fingers* Shane Grant, Matt Adey and Lauren Simmonds: A darkness descended upon the moving child...it’s a square planet Kendall Jane Rundle: But I will be prepared to hold your hand and lift you - so that you are comfortable and free to make triangles, circles and rectangles Russ Pirie: And as you make your decisions, your choices will be celebrated and supported Kyle Page: Just remember, the grass is greener where you water it the most Callum Morton: Because the car is parked right next door. Thomas Caldwell: I was immediately suspicious of the daschund behind the wheel Scott Hollingsworth & Joshua Fielding: Simply because he was wearing a hat and smoking a pipe Gabi Barton: He found it difficult to masticate the spaghetti that was already in his mouth Declan Green: Riddled as he was with punishing anxiety about the hornets nest.See omnystudio.com/listener for privacy information.

Hosts Lauren and Andrew chatted to GUY ABRAHAMS, CLIMARTE CEO and co-founder & THORNTON WALKER, one of the 10 commissioned artists from CLIMARTE Poster Project 2016. The CLIMARTE Poster Project Forum is on Tuesday 17th 6pm at Carlton Connect Initiative LAB-14, 700 Swanston St Carlton, and the Exhibition is on at the same location until May 28th.See omnystudio.com/listener for privacy information.

Hosts Lauren and Andrew chatted to GUY ABRAHAMS, CLIMARTE CEO and co-founder & THORNTON WALKER, one of the 10 commissioned artists from CLIMARTE Poster Project 2016.   The CLIMARTE Poster Project Forum is on Tuesday 17th 6pm at Carlton Connect Initiative LAB-14, 700 Swanston St Carlton, and the Exhibition is on at the same location until May 28th.

“If the Anthropocene is how we label our current geologic epoch, then its cultural corollary is the Anthroposcenic, an era in which our understanding of nature and culture are re-integrated.” —William L Fox, director of the Center for Art + Environment, Reno, Nevada Before his address at NGV International, William L Fox took a seat at MPavilion for a chat with Guy Abrahams (co-founder and CEO of CLIMARTE) in a lunchtime discussion about how art and nature are merging in this Anthroposcenic age. Is it good for art? Is it good for Earth? Can art help us through the environmental challenges we face—and have, in an extraordinarily large part, created? And should it? Listen back on the conversation, as William and Guy explored creative human interventions on the environment—and questioned if we can, or should, harness art’s power for our own benefit.

Between 30 November and 11 December 2015, COP21—the twenty-first session of the Conference of the Parties, also known as the 2015 Paris Climate Conference—will, after twenty years of UN negotiations, aim to achieve a legally binding and universal agreement on climate, with the aim of keeping global warming below 2 degrees Celsius. While nation leaders will make the ultimate decisions at the conference, contributions (or interventions) to the negotiations can and should come from everywhere across the world, from every part of society, from every person, young and old. So what can Melburnians do to make an impact, to make a difference, to have our voices heard? What about big cities and country towns, artists and NGOs? And will any of it make any difference at all? Presented by Oceania’s division of the International Council for Local Environmental Initiatives (ICLEI Oceania), this panel included Cathy Oke, City of Melbourne councillor; Guy Abrahams, co-founder and CEO of CLIMARTE; and Victoria McKenzie-McHarg, climate change campaign manager at the Australian Conservation Foundation. Listen in and raise your hand as the discussion asks what climate action we can take to stay under the tipping point and how we can get our leaders to take notice—because what they decide to do about climate change affects us all.