Podcasts about The Addams Family

How can you build iconic characters that your readers want to keep coming back to? How can you be the kind of creator that readers trust, even without social media? With Claire Taylor In the intro, Dan Brown talks writing and publishing [Tetragrammaton]; Design Rules That Make or Break a Book [Self-Publishing Advice]; Amazon's DRM change [Kindlepreneur]; Show me the money [Rachael Herron]; AI bible translation [Wycliffe, Pope Leo tweet]. Plus, Business for Authors 24 Jan webinar, and Bones of the Deep. Today's show is sponsored by Bookfunnel, the essential tool for your author business. Whether it's delivering your reader magnet, sending out advanced copies of your book, handing out ebooks at a conference, or fulfilling your digital sales to readers, BookFunnel does it all. Check it out at bookfunnel.com/thecreativepenn This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Claire Taylor is a humour and mystery author, the owner of FFS Media, and a certified Enneagram coach. She teaches authors to write stronger stories and build sustainable careers at LiberatedWriter.com, and her book is Write Iconic Characters: Unlocking the Core Motivations that Fuel Unforgettable Stories. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Why Claire left social media and how she still markets her books and services What the Enneagram is and how core fears and desires shape character motivation Using Enneagram types (including Wednesday Addams as an example) to write iconic characters Creating rich conflict and relationships by pairing different Enneagram types on the page Coping with rapid change, AI, and fear in the author community in 2026 Building a trustworthy, human author brand through honesty, transparency, and vulnerability You can find Claire at LiberatedWriter.com, FFS.media, or on Substack as The Liberated Writer. Transcript of the interview with Claire Taylor Joanna: Claire Taylor is a humour and mystery author, the owner of FFS Media, and a certified Enneagram coach. She teaches authors to write stronger stories and build sustainable careers at LiberatedWriter.com, and her book is Write Iconic Characters: Unlocking the Core Motivations that Fuel Unforgettable Stories. So, welcome back to the show, Claire. Claire: Thank you so much for having me back. I'm excited to be here. Joanna: It's great to have you back on the show. It was March 2024 when you were last on, so almost two years now as this goes out. Give us a bit of an update. How has your writing craft and your author business changed in that time? Claire: One of the things I've been focusing on with my own fiction craft is deconstructing the rules of how a story “should” be. That's been a sort of hobby focus of mine. All the story structure books aren't law, right? That's why there are so many of them. They're all suggestions, frameworks. They're all trying to quantify humans' innate ability to understand a story. So I'm trying to remember more that I already know what a story is, deep down. My job as an author is to keep the reader's attention from start to finish and leave them feeling the way I hope they'll feel at the end. That's been my focus on the craft side. On the author business side, I've made some big shifts. I left social media earlier this year, and I've been looking more towards one-on-one coaching and networking. I did a craft-based Kickstarter, and I'd been focusing a lot on “career, career, career”—very business-minded—and now I'm creating more content again, especially around using the Enneagram for writing craft. So there's been a lot of transition since 2024 for me. Joanna: I think it's so important—and obviously we're going to get into your book in more detail—but I do think it's important for people to hear about our pivots and transitions. I haven't spoken to you for a while, but I actually started a master's degree a few months back. I'm doing a full-time master's alongside everything else I do. So I've kind of put down book writing for the moment, and I'm doing essay writing and academic writing instead. It's quite different, as you can imagine. It sounds like what you're doing is different too. One thing I know will have perked up people's ears is: “I left social media.” Tell us a bit more about that. Claire: This was a move that I could feel coming for a while. I didn't like what social media did to my attention. Even when I wasn't on it, there was almost a hangover from having been on it. My attention didn't feel as sharp and focused as it used to be, back before social media became what it is now. So I started asking myself some questions: What is lost if I leave? What is gained if I leave? And what is social media actually doing for me today? Because sometimes we hold on to what it used to do for us, and we keep trying to squeeze more and more of that out of it. But it has changed so much. There are almost no places with sufficient organic reach anymore. It's all pay-to-play, and the cost of pay-to-play keeps going up. I looked at the numbers for my business. My Kickstarter was a great place to analyse that because they track so many traffic sources so clearly. I could see exactly how much I was getting from social media when I advertised and promoted my projects there. Then I asked: can I let that go in order to get my attention back and make my life feel more settled? And I decided: yes, I can. That's worth more to me. Joanna: There are some things money can't buy. Sometimes it really isn't about the money. I like your question: what is lost and what is gained? You also said it's all pay-to-play and there's no organic reach. I do think there is some organic reach for some people who don't pay, but those people are very good at playing the game of whatever the platform wants. So, TikTok for example—you might not have to pay money yet, but you do have to play their game. You have to pay with your time instead of money. I agree with you. I don't think there's anywhere you can literally just post something and know it will reliably reach the people who follow you. Claire: Right. Exactly. TikTok currently, if you really play the game, will sometimes “pick” you, right? But that “pick me” energy is not really my jam. And we can see the trend—this “organic” thing doesn't last. It's organic for now. You can play the game for now, but TikTok would be crazy not to change things so they make more money. So eventually everything becomes pay-to-play. TikTok is fun, but for me it's addictive. I took it off my phone years ago because I would do the infinite scroll. There's so much candy there. Then I'd wake up the next morning and notice my mood just wasn't where I wanted it to be. My energy was low. I really saw a correlation between how much I scrolled and how flat I felt afterwards. So I realised: I'm not the person to pay-to-play or to play the game here. I'm not even convinced that the pay-to-play on certain social media networks is being tracked in a reliable, accountable way anymore. Who is holding them accountable for those numbers? You can sort of see correlation in your sales, but still, I just became more and more sceptical. In the end, it just wasn't for me. My life is so much better on a daily basis without it. That's definitely a decision I have not regretted for a second. Joanna: I'm sorry to keep on about this, but I think this is great because this is going out in January 2026, and there will be lots of people examining their relationship with social media. It's one of those things we all examine every year, pretty much. The other thing I'd add is that you are a very self-aware person. You spend a lot of time thinking about these things and noticing your own behaviour and energy. Stopping and thinking is such an important part of it. But let's tackle the big question: one of the reasons people don't want to come off social media is that they're afraid they don't know how else to market. How are you marketing if you're not using social media? Claire: I didn't leave social media overnight. Over time, I've been adjusting and transitioning, preparing my business and myself mentally and emotionally for probably about a year. I still market to my email list. That has always been important to my business. I've also started a Substack that fits how my brain works. Substack is interesting. Some people might consider it a form of social media—it has that new reading feed—but it feels much more like blogging to me. It's blogging where you can be discovered, which is lovely. I've been doing more long-form content there. You get access to all the emails of your subscribers, which is crucial to me. I don't want to build on something I can't take with me. So I've been doing more long-form content, and that seems to keep my core audience with me. I've got plenty of people subscribed; people continue to come back, work with me, and tell their friends. Word of mouth has always been the way my business markets best, because it's hard to describe the benefits of what I do in a quick, catchy way. It needs context. So I'm leaning even more on that. Then I'm also shifting my fiction book selling more local. Joanna: In person? Claire: Yes. In person and local. Networking and just telling more people that I'm an author. Connecting more deeply with my existing email lists and communities and selling that way. Joanna: I think at the end of the day it does come back to the email list. I think this is one of the benefits of selling direct to people through Shopify or Payhip or whatever, or locally, because you can build your email list. Every person you bring into your own ecosystem, you get their data and you can stay in touch. Whereas all the things we did for years to get people to go to Amazon, we didn't get their emails and details. It's so interesting where we are right now in the author business. Okay, we'll come back to some of these things, but let's get into the book and what you do. Obviously what underpins the book is the Enneagram. Just remind us what the Enneagram is, why you incorporate it into so much of your work, and why you find it resonates so much. Claire: The Enneagram is a framework that describes patterns of thoughts, feelings, and actions that tend to arise from nine different core motivations. Those core motivations are made up of a fear–desire pair. So, for instance, there's the fear of lacking worth and the desire to be worthy. That pair is the Type Three core motivation. If you're a Type Three, sometimes called “The Achiever,” that's your fundamental driver. What we fear and desire above all the other fears and desires determines where our attention goes. And attention is something authors benefit greatly from understanding. We have to keep people's attention, so we want to understand our own attention and how to cultivate it. The things our attention goes to build our understanding of ourselves and the world. Being intentional about that, and paying attention to what your characters pay attention to—and what your readers are paying attention to—is hugely beneficial. It can give you a real leg up. That's why I focus on the Enneagram. I find it very useful at that core level. You can build a lot of other things on top of it with your characters: their backstory, personal histories, little quirks—all of that can be built off the Enneagram foundation. Why I like the Enneagram more than other frameworks like MBTI or the Big Five is that it not only shows us how our fears are confining us—that's really what it's charting—but it also shows us a path towards liberation from those fears. That's where the Enneagram really shines: the growth path, the freedom from the confines of our own personality. It offers that to anyone who wants to study and discover it. A lot of the authors I work with say things like, “I'm just so sick of my own stuff.” And I get it. We all get sick of running into the same patterns over and over again. We can get sick of our personality! The Enneagram is a really good tool for figuring out what's going on and how to try something new, because often we can't even see that there are other options. We have this particular lens we're looking through. That's why I like to play with it, and why I find it so useful. Joanna: That's really interesting. It sounds like you have a lot of mature authors—and when I say “mature,” I mean authors with a lot of books under their belt, not necessarily age. There are different problems at different stages of the author career, and the problem you just described—“I'm getting sick of my stuff”—sounds like a mature author issue. What are some of the other issues you see in the community that are quite common amongst indie authors? Claire: One that comes up a lot, especially early on, is: “Am I doing this right?” That's a big question. People say, “I don't know if I'm doing this right. I'm going to mess it up. This person told me this was the way to do things, but I don't think I can do it this way. Am I doomed?” That's the fear. A lot of what I help people with is seeing that there isn't a single “right” way to do this. There's a way that's going to feel more aligned to you, and there are millions of ways to approach an author career because we're all constructing it as we go. You were there in the early days. We were all just making this up as we went along. Joanna: Exactly. There was a time when ebooks were PDFs, there wasn't even a Kindle, and there was no iPhone. We were literally just making it up. Claire: Right. Exactly. That spirit of “we're all making it up” is important. Some of us have come up with frameworks that work for us, and then we tell other people about them—“Here's a process; try this process”—but that doesn't mean it's the process. Understanding what motivates you—those core motivations—helps you see where you're going to bump into advice that's not right for you, and how to start making decisions that fit your attention, your life, your desires in this author role. Early on we do a lot of that work. Then there are the authors who started a while ago and have a bunch of books. They hit a point where they say, “I've changed so much since I started writing. I need to figure out how to adjust my career.” Joanna: Tell us more about that, because I think that's you and me. How do we deal with that? Claire: Well, crying helps. Joanna: That is true! There's always a bit of crying involved in reinvention. From my perspective, my brand has always been built around me. People are still here—I know some people listening who have been with the podcast since I started it in 2009—and I've always been me. Even though I've done loads of different things and changed along the way, at heart I'm still me. I'm really glad I built a personal brand around who I am, rather than around one genre or a single topic. How about you? How do you see it? Claire: I'm the same. I just can't stick with something that doesn't feel right for me anymore. I'll start to rebel against it. There's also that “good girl” part of me that wants to do things the way they're supposed to be done and keep everybody happy. I have to keep an eye on her, because she'll default to “this is the way it should be done,” and then I end up constricted. As we advance through our careers, positioning around what motivates us and what we love, and allowing ourselves to understand that it's okay to change—even though it's painful—is crucial. It's actually destructive not to change over time. We end up forfeiting so many things that make life worth living if we don't allow ourselves to grow and change. We end up in this tiny box. People sometimes say the Enneagram is very restrictive. “It's only nine types, you're putting me in a box.” It's like: no. These are the boxes we've put ourselves in. Then we use the Enneagram to figure out how to get out of the box. As we start to see the box we've put ourselves in with our personality—“that's me, that's not me”—we realise how much movement we actually have, how many options we have, while still being ourselves. Joanna: So many options. This kind of brings us into your book, because part of the personal brand thing is being real and having different facets. Your book is Write Iconic Characters, and presumably these are characters that people want to read more about. It uses the Enneagram to construct these better characters. So first up— What's your definition of an iconic character, as opposed to any old character? And how can we use the Enneagram to construct one? Claire: An iconic character, in my imagination, is one that really sticks with us after we've finished the story. They become a reference point. We'll say, “This person is kind of like that character,” or “This situation feels like that character would handle it this way.” It could be our friends, our enemies, someone we meet on the bus—whoever it is might remind us of this character. So they really get lodged in our psyche. An iconic character feels true to some fundamental part of the human condition, even if they're not strictly human. So, all the alien romance people listening, don't worry—you're still in! These characters take on a life of their own. With an iconic character, we may hear them talking to us after the book is done, because we've tapped into that essential part of them. They can become almost archetypal—something we go back to over and over again in our minds, both as writers and as readers. Joanna: How can we use the Enneagram to construct an iconic character? I'm asking this as a discovery writer who struggles to construct anything beforehand. It's more that I write stuff and then something emerges. But I have definitely not had a hit series with an iconic character, so I'm willing to give your approach a try. Claire: It works with whatever your process is. If you're a discovery writer, start with that spark of a character in your head. If there's a character who's just a glimmer—maybe you know a few things about them—just keep writing. At some point you'll probably recognise, “Okay, it's time to go deeper in understanding this character and create a cohesive thread to pull all of this together.” That's where the Enneagram becomes useful. You can put on your armchair psychologist hat and ask: which of the nine core fears seems like it might be driving the parts of their personality that are emerging? Thankfully, we intuitively recognise the nine types. When we start gathering bits for a new character, we tend to pull from essentially the same constellation of personality, even if we don't realise it. For instance, you might say, “This character is bold and adventurous,” and that's all you know. You're probably not going to also add, “and they're incredibly shy,” because “bold and adventurous” plus “incredibly shy” doesn't really fit our intuitive understanding of people. We know that instinctively. So, you've got “bold and adventurous.” You write that to a certain point, and then you get to a place where you think, “I don't really know them deeply.” That's when you can go back to the nine core fears and start ruling some out quite quickly. In the book, I have descriptions for each of them. You can read the character descriptions, read about the motivations, and start to say, “It's definitely not these five types. I can rule those out.” If they're bold and adventurous, maybe the core fear is being trapped in deprivation and pain, or being harmed and controlled. Those correspond to Type Seven (“The Enthusiast”) and Type Eight (“The Challenger”), respectively. So you might say, “Okay, maybe they're a Seven or an Eight.” From there, if you can pin down a type, you can read more about it and get ideas. You can understand the next big decision point. If they're a Type Seven, what's going to motivate them? They'll do whatever keeps them from being trapped in pain and deprivation, and they'll be seeking satisfaction or new experiences in some way, because that's the core desire that goes with that fear. So now, you're asking: “How do I get them to get on the spaceship and leave Earth?” Well, you could offer them some adventure, because they're bold and adventurous. I have a character who's a Seven, and she gets on a spaceship and takes off because her boyfriend just proposed—and the idea of being trapped in marriage feels like: “Nope. Whatever is on this spaceship, I'm out of here.” You can play with that once you identify a type. You can go as deep with that type as you want, or you can just work with the core fear and the basic desire. There's no “better or worse”—it's whatever you feel comfortable with and whatever you need for the story. Joanna: In the book, you go into all the Enneagram types in detail, but you also have a specific example: Wednesday Addams. She's one of my favourites. People listening have either seen the current series or they have something in mind from the old-school Addams Family. Can you talk about [Wednesday Addams] as an example? Claire: Doing those deep dives was some of the most fun research for this book. I told my husband, John, “Don't bother me. I need to sit and binge-watch Wednesday again—with my notebook this time.” Online, people were guessing: “Oh, she's maybe this type, maybe that type.” As soon as I started watching properly with the Enneagram in mind, I thought: “Oh, this is a Type Eight, this is the Challenger.” One of the first things we hear from her is that she considers emotions to be weakness. Immediately, you can cross out a bunch of types from that. When we're looking at weak/strong language—that lens of “strength” versus “weakness”—we tend to look towards Eights, because they often sort the world in those terms. They're concerned about being harmed or controlled, so they feel they need to be strong and powerful. That gave me a strong hint in that direction. If we look at the inciting incident—which is a great place to identify what really triggers a character, because it has to be powerful enough to launch the story—Wednesday finds her little brother Pugsley stuffed in a locker. She says, “Who did this?” because she believes she's the only one who gets to bully him. That's a very stereotypical Type Eight thing. The unhealthy Eight can dip into being a bit of a bully because they're focused on power and power dynamics. But the Eight also says, “These are my people. I protect them. If you're one of my people, you're under my protection.” So there's that protection/control paradox. Then she goes and—spoiler—throws a bag of piranhas into the pool to attack the boys who hurt him. That's like: okay, this is probably an Eight. Then she has control wrested from her when she's sent to the new school. That's a big trigger for an Eight: to not have autonomy, to not have control. She acts out pretty much immediately, tries to push people away, and establishes dominance. One of the first things she does is challenge the popular girl to a fencing match. That's very Eight behaviour: “I'm going to go in, figure out where I sit in this power structure, and try to get into a position of power straight away.” That's how the story starts, and in the book I go into a lot more analysis. At one point she's attacked by this mysterious thing and is narrowly saved from a monster. Her reaction afterwards is: “I would have rather saved myself.” That's another strong Eight moment. The Eight does not like to be saved by anyone else. It's: “No, I wanted to be strong enough to do that.” Her story arc is also very Eight-flavoured: she starts off walled-off, “I can do it myself,” which can sometimes look like the self-sufficiency of the Five, but for her it's about always being in a power position and in control of herself. She has to learn to rely more on other people if she wants to protect the people she cares about. Protecting the innocent and protecting “her people” is a big priority for the Eight. Joanna: Let's say we've identified our main character and protagonist. One of the important things in any book, especially in a series, is conflict—both internal and external. Can we use the Enneagram to work out what would be the best other character, or characters, to give us more conflict? Claire: The character dynamics are complex, and all types are going to have both commonalities and conflict between them. That works really well for fiction. But depending on how much conflict you need, there are certain type pairings that are especially good for it. If you have a protagonist who's an Eight, they're going to generate conflict everywhere because it doesn't really bother them. They're okay wading into conflict. If you ask an Eight, “Do you like conflict?” they'll often say, “Well, sometimes it's not great,” but to everyone else it looks like they come in like a wrecking ball. The Eight tends to go for what they want. They don't see the point in waiting. They think, “I want it, I'm going to go and get it.” That makes them feel strong and powerful. So it's easy to create external and internal conflict with an Eight and other types. But the nature of the conflict is going to be different depending on who you pair them with. Let's say you have this Eight and you pair them with a Type One, “The Reformer,” whose core fear is being bad or corrupt, and who wants to be good and have integrity. The Reformer wants morality. They can get a little preachy; they can become a bit of a zealot when they're more unhealthy. A One and an Eight will have a very particular kind of conflict because the One says, “Let's do what's right,” and the Eight says, “Let's do what gets me what I want and puts me in the power position.” They may absolutely get along if they're taking on injustice. Ones and Eights will team up if they both see the same thing as unjust. They'll both take it on together. But then they may reach a point in the story where the choice is between doing the thing that is “right”—maybe self-sacrificing or moral—versus doing the thing that will exact retribution or secure a power-up. That's where the conflict between a One and an Eight shows up. You can grab any two types and they'll have unique conflict. I'm actually working on a project on Kickstarter that's all about character dynamics and relationships—Write Iconic Relationships is the next project—and I go deeper into this there. Joanna: I was wondering about that, because I did a day-thing recently with colour palettes and interior design—which is not usually my thing—so I was really challenging myself. We did this colour wheel, and they were talking about how the opposite colour on the wheel is the one that goes with it in an interesting way. I thought— Maybe there's something in the Enneagram where it's like a wheel, and the type opposite is the one that clashes or fits in a certain way. Is that a thing? Claire: There is a lot of that kind of contrast. The Enneagram is usually depicted in a circle, one through nine, and there are strong contrasts between types that are right next to each other, as well as interesting lines that connect them. For example, we've been talking about the Eight, and right next to Eight is Nine, “The Peacemaker.” Eights and Nines can look like opposites in certain ways. The Nine is conflict-avoidant, and the Eight tends to think you get what you want by pushing into conflict if necessary. Then you've got Four, “The Individualist,” which is very emotional, artistic, heart-centred, and Five, “The Investigator,” which you're familiar with—very head-centred and analytical, thinking-based. The Four and the Five can clash a bit: the head and the heart. So, yes, there are interesting contrasts right next to each other on the wheel. Each type also has its own conflict style. We're going into the weeds a bit here, but it's fascinating to play with. There's one conflict style—the avoidant conflict style, sometimes called the “positive outlook” group—and it's actually hard to get those types into an enemies-to-lovers romance because they don't really want to be enemies. That's Types Two, Seven, and Nine. So depending on the trope you're writing, some type pairings are more frictional than others. There are all these different dynamics you can explore, and I can't wait to dig into them more for everyone in the relationships book. Joanna: The Enneagram is just one of many tools people can use to figure out themselves as well as their characters. Maybe that's something people want to look at this year. You've got this book, you've got other resources that go into it, and there's also a lot of information out there if people want to explore it more deeply. Let's pull back out to the bigger picture, because as this goes out in January 2026, I think there is a real fear of change in the community right now. Is that something you've seen? What are your thoughts for authors on how they can navigate the year ahead? Claire: Yes, there has been a lot of fear. The rate of change of things online has felt very rapid. The rate of change in the broader world—politically, socially—has also felt scary to a lot of people. It can be really helpful to look at your own personal life and anchor yourself in what hasn't changed and what feels universal. From there you can start to say, “Okay, I can do this. I'm safe enough to be creative. I can find creative ways to work within this new environment.” You can choose to engage with AI. You can choose to opt out. It's totally your choice, and there is no inherent virtue in either one. I think that's important to say. Sometimes people who are anti-AI—not just uninterested but actively antagonistic—go after people who like it. And sometimes people who like AI can be antagonistic towards people who don't want to use it. But actually, you get to choose what you're comfortable with. One of the things I see emerging for authors in 2026, regardless of what tools you're using or how you feel about them, is this question of trustworthiness. I think there's a big need for that. With the increased number of images and videos that are AI-generated—which a lot of people who've been on the internet for a while can still recognise as AI and say, “Yeah, that's AI”—but that may not be obvious for long. Right now some of us can tell, but a lot of people can't, and that's only going to get murkier. There's a rising mistrust of our own senses online lately. We're starting to wonder, “Can I believe what I'm seeing and hearing?” And I think that sense of mistrust will increase. As an author in that environment, it's really worth focusing on: how do I build trust with my readers? That doesn't mean you never use AI. It might simply mean you disclose, to whatever extent feels right for you, how you use it. There are things like authenticity, honesty, vulnerability, humility, integrity, transparency, reliability—all of those are ingredients in this recipe of trustworthiness that we need to look at for ourselves. If there's one piece of hard inner work authors can do for 2026, I think it's asking: “Where have I not been trustworthy to my readers?” Then taking that hard, sometimes painful look at what comes up, and asking how you can adjust. What do you need to change? What new practices do you need to create that will increase trustworthiness? I really think that's the thing that's starting to erode online. If you can work on it now, you can hold onto your readers through whatever comes next. Joanna: What's one concrete thing people could do in that direction [to increase trustworthiness]? Claire: I would say disclosing if you use AI is a really good start—or at least disclosing how you use it specifically. I know that can lead to drama when you do it because people have strong opinions, but trustworthiness comes at the cost of courage and honesty. Transparency is another ingredient we could all use more of. If transparency around AI is a hard “absolutely not” for you—if you're thinking, “Nope, Claire, you can get lost with that”—then authenticity is another route. Let your messy self be visible, because people still want some human in the mix. Being authentically messy and vulnerable with your audience helps. If you can't be reliable and put the book out on time, at least share what's going on in your life. Staying connected in that way builds trust. Readers will think, “Okay, I see why you didn't hit that deadline.” But if you're always promising books—“It's going to be out on this day,” and then, “Oh, I had to push it back,” and that happens again and again—that does erode the trustworthiness of your brand. So, looking at those things and asking, “How am I cultivating trust, and how am I breaking it?” is hard work. There are definitely ways I look at my own business and think, “That's not a very trustworthy thing I'm doing.” Then I need to sit down, get real with myself, and see how I can improve that. Joanna: Always improving is good. Coming back to the personal brand piece, and to being vulnerable and putting ourselves out there: you and I have both got used to that over years of doing it and practising. There are people listening who have never put their photo online, or their voice online, or done a video. They might not use their photo on the back of their book or on their website. They might use an avatar. They might use a pen name. They might be afraid of having anything about themselves online. That's where I think there is a concern, because as much as I love a lot of the AI stuff, I don't love the idea of everything being hidden behind anonymous pen names and faceless brands. As you said, being vulnerable in some way and being recognisably human really matters. I'd say: double down on being human. I think that's really important. Do you have any words of courage for people who feel, “I just can't. I don't want to put myself out there”? Claire: There are definitely legitimate reasons some people wouldn't want to be visible. There are safety reasons, cultural reasons, family reasons—all sorts of factors. There are also a lot of authors who simply haven't practised the muscle of vulnerability. You build that muscle a little bit at a time. It does open you up to criticism, and some people are just not at a phase of life where they can cope with that. That's okay. If fear is the main reason—if you're hiding because you're scared of being judged—I do encourage you to step out, gently. This may be my personal soapbox, but I don't think life is meant to be spent hiding. Things may happen. Not everyone will like you. That's part of being alive. When you invite in hiding, it doesn't just stay in one corner. That constricted feeling tends to spread into other areas of your life. A lot of the time, people I work with don't want to disclose their pen names because they're worried their parents won't approve, and then we have to unpack that. You don't have to do what your parents want you to do. You're an adult now, right? If the issue is, “They'll cut me out of the will,” we can talk about that too. That's a deeper, more practical conversation. But if it's just that they won't approve, you have more freedom than you think. You also don't have to plaster your picture everywhere. Even if you're not comfortable showing your face, you can still communicate who you are and what matters to you in other ways—through your stories, through your email list, through how you talk to readers. Let your authentic self be expressed in some way. It's scary, but the reward is freedom. Joanna: Absolutely. Lots to explore in 2026. Tell people where they can find you and your books and everything you do online. Claire: LiberatedWriter.com is where all of my stuff lives, except my fiction, which I don't think people here are necessarily as interested in. If you do want to find my fiction, FFS Media is where that lives. Then I'm on Substack as well. I write long pieces there. If you want to subscribe, it's The Liberated Writer on Substack. Joanna: Brilliant. Well, thanks so much for your time, Claire. That was great. Claire: Thanks so much for having me.The post Leaving Social Media, Writing Iconic Characters, and Building Trust With Claire Taylor first appeared on The Creative Penn.

Marc Shaiman is a renowned American composer, lyricist, arranger, and music producer known for his work across film, television, and theater. Shaiman began his career as a musical director and arranger for Bette Midler before expanding into film scoring. He gained prominence with his work on films such as When Harry Met Sally, The Addams Family, Sister Act, City Slickers, A Few Good Men, Sleepless in Seattle, The American President, and South Park: Bigger, Longer & Uncut, on television with SNL, and on recordings with Harry Connick Jr. and Mariah Carey. Shaiman earned widespread acclaim for co-writing the Broadway musical Hairspray alongside his longtime co-lyricist Scott Wittman. The duo has also co-created the musicals Catch Me If You Can, Charlie and the Chocolate Factory, Some Like It Hot, and Smash. He has been nominated for multiple Academy Awards and has won a Tony, two Emmys, and two Grammys. Marc Shaiman is celebrated for his versatile, emotionally resonant music and his ability to blend classic musical theatre sensibilities with modern storytelling. Born and raised in New Jersey, he currently lives in New York with his husband, Lieutenant Commander (ret) Lou Mirabal. For more information visit www.marcshaiman.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mark and Sam talk about The Addams Family (2019), a daisy daisy from the career of Charlize Theron Feedback to: info@thegoodthebadandtheodd.com Or chat with Mark who runs the facebook account athttp://www.facebook.com/groups/thegoodthebadandtheodd We are also on youtube: https://www.youtube.com/@GoodBadOdd

n this Comfy Chair, Sam and Mark talk about Scream (1994) Stranger Things Season 1 (netflix) Leprechaun (1993) Dark Angel (1990) Chopping Mall (1986) Addams Family 2 (2021) Lair of the White Worm (1998) Alien: Earth (Disney+) Timber Born (videogame) The Long Walk (2025) Risk of Rain 2 (videogame) Peacemaker Season 2 (tv show, streaming) Homeworld 1, 2, Emergence (videogame series) Mrs Davis (TV show, streaming) Also catch us on youtube:  https://www.youtube.com/@GoodBadOdd

Today, I'm thrilled to announce my interview with four-time Tony winning director Jerry Zaks. Tune in to hear some of the stories of his wonderful career, including creating a three-part comedic bit in A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, helping Swoosie Kurtz find her character in THE HOUSE OF BLUE LEAVES, his upcoming work on BOEING-BOEING, an audacious early audition, revising ANYTHING GOES for Lincoln Center, choosing the design for LEND ME A TENOR, how he collaborated with Christopher Durang, finding the heart of THE MUSIC MAN, what made him want to revive BIG FISH, the difficulty of working on THE CAPEMAN, how he avoids embarrassing actors, revising THE ADDAMS FAMILY for the national tour, the “Ma Nishtana” question in musical theater, commissioning a new book for SISTER ACT, bringing LITTLE SHOP OF HORRORS to Broadway, creating STAIRWAY TO PARADISE for Encores!, collaborating with Neil Simon on LAUGHTER ON THE 23RD FLOOR, making changes to FACE VALUE, finding out about the shutdown during MRS. DOUBTFIRE rehearsals, and so much more. Don't miss this candid conversation with one of Broadway's most brilliant directors. Tickets to Backstage Babble Live are available here: https://54below.org/events/charles-kirschs-backstage-babble-live-3/

This week on Mostly Horror, we are absolutely honored to be joined by the writer of Edward Scissorhands, The Nightmare Before Christmas, The Addams Family, Corpse Bride, Homeward Bound, The Secret Garden, Black Beauty and more... Caroline Thompson.Caroline is one of the quiet architects of our childhoods, a storyteller whose work shaped entire generations without ever being given or demanding the spotlight. In this conversation, she opens up about discovering her voice, meeting Tim Burton, crafting characters inspired by her animals, and the real Hollywood stories behind some of the most iconic films ever made.It's nostalgic, emotional, funny, and full of the kind of craft and career wisdom that only Caroline can give. If these movies meant anything to you growing up then this episode will feel like coming home...Sooo...COME HANG OUT!!! Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage (all socials)Sean: @hypocrite.ink (IG/TikTok), @hypocriteink (Twitter/X)Enjoyed this episode? Don't forget to subscribe, rate, and leave a review on your favorite podcast platform to help us reach more horror fans like you! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

 Bridge Engineering: Part 1Two broken, single parents find healing.Based on a post by Architect 23 94, in 3 parts. Listen to the Podcast at Connected.And so it began. The start of another school year. I pulled my Jeep into the school grounds and took my place in the waiting drop-off lane. Children scurried about the school grounds with crisp back-to-school clothes and brightly colored backpacks not yet soiled and tattered from use. I winced internally as numerous mothers hugged their little ones, sent them into the building, and tearfully departed.My Elizabeth unfastened her seatbelt and eagerly fidgeted on the edge of the seat as we crept forward in line. Upon arrival at the designated unloading zone, Lizzie contorted herself over the center console and gave me a tight, all-consuming hug. "I love you Daddy!" she shouted as a volunteer parent opened the car door. And with that, she was gone in a flash. The volunteer and I just smiled at each other and shrugged our shoulders.In a repeat of years past, I drove away with a feeling of emptiness. Lizzie and I spent every minute of the summer together and I grew accustomed to her as my constant companion. It seemed like just yesterday that I dropped her off for the first day of preschool. Today it's third grade. How fast will the remaining years fly by before she leaves me all alone?I spent the day in a nearby coffee shop distractedly conducting business via email on my laptop. It wasn't rational, but somehow it felt better knowing I was only a couple minutes from the school, and from Lizzie. Time passed excruciatingly slow and I struggled to resist going to the school and being one of 'those' helicopter parents. Well, school ends at 2:50. I held out until 2:15.I was third in the line of vehicles waiting for pick-up and my eyes anxiously scanned the mass of children emerging from the school doors. It wasn't long before I spotted Lizzie joyfully skipping hand-in-hand with a girl I didn't recognize. She was rail thin, had a very lightly tanned skin tone, and towered above Lizzie. That wasn't too surprising since Lizzie took after her very petite mother and also barely made the birthday cutoff for her grade, but this girl was quite a bit taller than the average third grader.The girls zig-zagged as they skipped down the sidewalk with swinging arms and bouncing hair. Lizzie's straight and amber brown, her friend's a loose mass of dark curls. Lizzie spotted my Jeep and pointed it out to her friend. They hugged goodbye with Lizzie's arms around her friend's waist, and her friend's arms around Lizzie's head. I smiled at the height contrast and felt a sense of relief as Lizzie ran toward the Jeep.She climbed in and frantically began telling me everything about her day, a flood of words pouring from her mouth as if a damn holding them back had burst, "My teacher is Mrs. Pierpont and she is really nice and she has red hair. A boy named Alex sits next to me and he has shiny shoes. I had a hot dog for lunch and; and; and;”My heart felt comfort as she sat next to me and I heard the happiness in her voice. I needed her near me and to know that everything was ok.Lizzie had talked non-stop for 10 minutes and was still going as we headed toward home. The small-town streets gave way to a rural two-lane road as we headed out of town, and eventually the tires crunched along the gravel road leading to our house in the woods. It was the tranquil setting that I needed when Lizzie and I moved here 8 years ago."; and I met a new friend. Her name is Toni, well it's really Antonia, but she wants to be called Toni. Kind of like my name is Elizabeth, but you call me Lizzie. She is really nice and really tall. She has a pet frog."I interrupted to ask, "Is that who you were skipping with after school?""Yes, she in my class but she doesn't sit next to me. I met her when we were in line for lunch and we sat together. She brought a salad from home and bought a milk in the lunch line. She just moved here from somewhere else. Can I bring lunch from home tomorrow?"I patted her knee with my hand and said, "Of course, you can sweetie." as we parked in front of the house.It wasn't a large house but was plenty of space for the two of us. There was a great room, kitchen and half bathroom on the main level; two bedroom-bathroom suites and a loft space on the second level; and a semi-finished basement that I had been slowly working on for several years. It had all the modern technology and conveniences but was built with a rustic charm complementing its setting in the woods.We kicked our shoes off in the mudroom and Lizzie discarded her backpack into the coat cubby by the door. Lizzie, or more accurately, I, survived the first day of the school year. Only 179 more to go.Getting In A Rhythm.Lizzie and I settled into the school year rhythm over the next couple weeks and I began to slowly let go of my separation anxiety. Every day, I dropped her off at school, worked from home, then picked her up from school. Evenings were filled with homework, dinner preparation, and some form of relaxing time together. Lizzie particularly enjoyed walking in the woods and making up imaginary games with sticks, leaves, rocks, or other things she would find along the way. The grand finale of her outdoor adventures was always spending some time on a rope swing that I had hung from a tall oak tree. Other nights we might occupy ourselves with board games, cards, or television as the mood struck us. At the end of every night, Lizzie would get ready for bed then we would spend about a half-hour talking and reading a book of her choice before turning off the lights.I also noticed another pattern forming in those first few weeks of school. Lizzie was talking more and more about her new friend, Toni. They waited for each other to arrive in the mornings before going into the school together and would always emerge side-by-side in the afternoons. They were quickly becoming inseparable and I was happy to see her form that kind of relationship. Like me, Lizzie had always been socially reserved with only a few limited friendships.I saw her reserved personality opening up more and more with Toni, so one evening when Lizzie asked if she could invite her to play at our house, I readily agreed. I wrote my name and cell phone number on a note pad before tearing it out and handing it to Lizzie, "Ask her to have her parents call me and we will see if we can setup a time to play."Lizzie squealed and bounced up and down in excitement. She continued bouncing all the way to the mudroom and safely deposited the note in her backpack.Introductions.It was a couple days later, mid-morning on Thursday, that I answered a call from a number I didn't recognize. Thinking it was likely a business call, I answered, "Hello, this is David."A friendly but hesitant female voice replied, "Hi, I'm Stefani, Toni's mom.""Hi Stefani. It's nice to meet you, well, over the phone at least. Lizzie has been so excited to play with Toni!""Yes, I've heard a lot about Lizzie over the last couple weeks. Toni is excited too."I got down to details and asked, "When is Toni available?""Would Saturday afternoon, maybe around 1:00, work for you?""Yes, that would be just fine." Not knowing how many facts about our home life found its way to Toni's parents, I tried to be understanding of the fact that people can be cautious of sending their children, especially girls, to a single father's house. I tentatively asked, "Where would Toni be most comfortable? Lizzie would love for her to come here, or we are happy to meet at Triangle Park. Whatever works best for you."Stefani thought for a brief second, then replied, "Would you be comfortable dropping Lizzie off at our house for a couple hours?"I noticed that she said, "drop her off for a couple hours," which clearly meant I was not invited to stay. However, I didn't think much of it since a dad hanging around during a play date in someone else's house would be awkward at best."Yes, I'm sure Lizzie would enjoy that."Stefani gave me the address, then we exchanged closing words and ended the call. I sat and reflected on the conversation for a few moments. It all seemed very normal. Stefani seemed "normal" and was pleasant enough, though I sensed a business-like tone in her voice. I shrugged it off thinking, "How much can you tell from a 2-minute phone call?"Getting Together.I told Lizzie the news when I picked her up from school. She shrieked with excitement, did a little dance in her seat, and began counting the hours until 1:00 Saturday. She definitely got that over-enjoyment of simple things in life, and the dancing talent, from her mother!Saturday eventually arrived, although much too slowly for Lizzie's liking. After lunch, we hopped into the Jeep and rode into town with Lizzie impatiently fidgeting in the passenger seat the whole way. We pulled onto Depot Street near downtown and Lizzie helped me scan for the mailbox with the correct house number. I saw it from a distance and slowed down so she could have the discovery."There it is! There it is! 2 1 5!" she screamed.I brought the Jeep to a stop in front of a small, well-kept bungalow style home with an impressive display of annual flowers by the front steps. As soon as we stopped, Toni burst out the front door and bounded down the porch steps in a single leap. Likewise, Lizzie unfastened her seatbelt and threw open the door in one fluid motion. They met midway across the yard in a full speed, shrieking embrace.I smiled at their innocent joy as I unbuckled my seatbelt and walked around the Jeep toward the house. As I did, the front door opened and a tall, slender lady stepped out onto the porch in bare feet, wearing fashionably weathered blue jeans and a buff color corded sweater. She appeared to be in her early 30s and looked like the identical, older version of Toni. She was maybe around 5 foot 10, tall and had the same slender build, with addition of modest womanly curves at her hips and chest. Her chiseled facial features and shoulder length dark curls were also a matured version of Toni's.I approached the porch and offered a cheery "Hello! I'm David, nice to meet you."She crossed her arms and somewhat coldly replied, "Hi David," then with a voice inflection that implied more of an assertion than a question said, "Would it be ok for you to pick Lizzie up at 3:00?"I sensed the invisible barrier she was erecting and halted my progress toward the porch."Yes, that would be fine. I'll see you then."As I turned away to walk back to the Jeep, she flatly said, "Please don't be late."I didn't reply to her, but turned my attention to Lizzie and said loudly enough for my demander to hear, "Have fun girls! I'll be back Before 3:00 to pick you up Lizzie."While the lady on the porch didn't introduce herself, the voice matched Stefani's from our phone call a few days ago, and was equally business-like in demeanor. It's difficult to describe. She didn't project a mean or nasty personality that would have made me wary of leaving Lizzie, but she was definitely keeping her distance. The mystery of it piqued my curiosity and made me realize that, as much as Lizzie talked about Toni, she hadn't told me anything about her family.I ran a couple errands around town and returned to Lizzie's house at 2:50, ten minutes early. When I pulled up I saw numerous toys strewn across the front yard and heard playing voices and squeals coming from behind the house. Since I was early, I leisurely wandered the front yard picking up hula-hoops, jump ropes, a bicycle, and a few balls. As I deposited the last couple items into a neat pile next to the driveway, I heard Stefani's voice behind me softly say, "Thank you, you didn't need to do that."I turned to face her as she stood on the porch in the same jeans and sweater she had on earlier, "No worries. I was a little early and didn't want to intrude."With her arms crossed in front of her, Stefani somewhat timidly said, "Thank you for that too; for being early."Just then, the girls came running around the corner of the house screaming, "Spider! Spider! Spider!"I looked at Stefani, smiled and shrugged my shoulders. I corralled Lizzie and said, "It's time to go, is there anything you need to clean up?"Toni answered for her, "No, we just had toys out in the front yard. I'll put them in the garage."The girls pleaded for another play date as they hugged. Stefani simply answered, "We'll see."I gave a quick wave goodbye as Lizzie and I climbed in the Jeep and pulled away.Drop-offs and Pick-ups.Over the next few days, the pattern of school drop-offs and pick-ups with Lizzie and Toni as an inseparable pair continued, and Lizzie begged me relentlessly for another out-of-school play date with Toni. Given Stefani's tepid response at the end of the last play date, I was hesitant to initiate. However, Lizzie's continued insistence eventually wore me down and I made the phone call that Thursday.Stefani answered the phone with a simple, "Hello.""Hi Stefani. This is Lizzie's dad, David. How are you today?"She answered somewhat suspiciously, "I'm fine."After a second of not receiving any more of a response, I stumbled a bit with my words and added, "Uh, Lizzie would really like to get together with Toni again. I; I was just calling to see if you would be open to that."Stefani questioned sharply, "Why are you asking if I'm open to it?"I stumbled some more, "Uh; well; you sounded a little hesitant at the end of the last play date and; and I didn't want to be presumptuous about them getting together again."She coldly answered, "I'm fine with it.""Okay, good. It seems Lizzie and Toni are becoming fast friends."In an ever-so-slightly warmer tone of voice, Stefani asked, "When and where are you thinking?""How about Saturday afternoon again? Wherever you would prefer is fine with us.""Yes, that works. Saturday afternoon at 3:00. How about our house again?"I replied, "Sounds good. We'll see you then." before we exchanged goodbyes. I ended the cell phone call and loudly exhaled my relief that the awkward conversation was over.Building Friendships.The beginning of the second play date went much like the first; screaming girls happy to see each other, a cold reception from Stefani, and a firm directive to be there on-time to pick up Lizzie. It also ended similarly to the first play date. I arrived early, exchanged a few short words with Stefani, and gently guided Lizzie to the Jeep as the girls begged for more time together. This same routine became standard procedure over the next several weeks and a half dozen more play dates.The only change to the pattern occurred after the first few play dates, when Stefani and I began texting each other to make arrangements rather than talking on the phone. The texting suited me just fine as it avoided the awkwardness of our previous telephone conversations.Eventually, Lizzie started asking if Toni could come to our house to play. I avoided the subject as long as possible since I wasn't sure how Stefani would feel about Toni coming to a single father's house or, for that matter, even how much she knew about our family situation. After an especially persuasive appeal from Lizzie one afternoon, I caved and picked up my phone to text Stefani.I wasn't sure how to best approach the question and, after several re-writes, settled on a minimal and factual approach, "Hi Stefani. Lizzie would like to invite Toni over to our house for a play date."A couple hours later my phone buzzed with the simple reply, "Okay. When?"After a few exchanges of date options, we settled on that Thursday after school. Stefani offered to drop her off and I sent her our address.I told Lizzie the plan and she immediately began formulating a list of all the things they would do. The two activities that kept rising to the top were to show Toni her bedroom and play on a bridge that she and I had built over a small creek in the woods.It was a simple bridge made by spanning a couple logs from bank to bank, then covering them with old rough sawn slab wood for a walking surface that was about 6-feet wide. It wasn't much, but it was sufficient to occasionally get my small tractor to the other side of the creek and it was one of Lizzie's favorite spots in the world; running over it, throwing stones into the water, looking for crayfish, watching the squirrels and chipmunks, sliding on the frozen stream in the winter, etc. If the weather was nice, she would sometimes do her homework laying belly down on the bridge with her elbows propping up her upper body.It was also her spot of solace when she was sad or upset. She would sit on the edge swinging her feet below her until the surrounding woods healed whatever was bothering her. Eventually, she would meander her way back to the house in a much better mood than she left.She and I were a lot alike in that respect. It was the very reason I bought the property when we moved here, to get away from life and let nature heal some wounds.Inseparable.Lizzie was positively giddy during the ride home from school on Thursday. She recapped the list of things she had planned to show and do with Toni. I reminded her to be a good host and do the things that Toni wants to do, though I suspected that would easily be worked out between the now inseparable friends.As Lizzie shed her backpack and shoes in the mudroom, she asked, "Can we make chocolate chip cookies before Toni gets here?""Sure, I think we have all the ingredients. Start getting everything out."We had made cookies together enough that Lizzie knew where everything was located. She rushed around pulling ingredients, mixing bowls, and baking sheets out of the pantry. After confirming everything needed was present, Lizzie started measuring ingredients into the mixing bowl. I stood by to lend assistance when needed and occasionally clarify a fractional measurement or the difference between teaspoons and tablespoons.Other than a little incident with the flour, Lizzie did a great job mixing the cookie dough. Together, we spooned balls of dough onto baking sheets and put the first tray into the oven. Lizzie set the timer and I suggested she go clean the flour off her arms and face while they were baking.I cleaned errant flour from the countertop and floor while Lizzie washed up. Just as I finished and began to load the dirty bowls and mixing utensils into the dishwasher, the oven timer chimed and there was a knock at the front door almost simultaneously.Lizzie heard it and ran full speed to the door. I quickly dried my hands and hit the button to silenc

A little late to the Thanksgivings table but who's counting? Today the boys review the Addams Family Values from 1993. The Addams are at is again, only this time Fester has his heart stolen by a femme fatale who has her eyes set on the Addams Family's riches.Support the showCatch new episodes of the Where to Stick It Podcast every Tuesday and Thursday. If you like the show, please consider supporting us on Patreon where we upload exclusive content each month for only $3 a month.

Send us a textThis week on Here's What We Know, Jonathan Kite joins us for a conversation that is equal parts hilarious, heartfelt, and deeply human. You may know him as Oleg from “2 Broke Girls,” but today he pulls the curtain back on the real craft of comedy and the unexpected moments that shaped his journey.We dig into what it takes to build a stand-up set, how crowd work has changed, and why impressions are more than funny voices. Jonathan shares stories from the road, reflections on early influences like Abbott and Costello, and a beautiful moment involving a phone call from a friend he thought he had lost forever.We also talk about the energy it takes to perform at a Jim Carrey level, the kindness behind Tom Hanks's gift of earnestness, and why laughter still feels like one of the most meaningful ways to lift someone's spirit.Tune in and enjoy this warm and wonderfully unexpected ride with Jonathan Kite.In This Episode: • How stand-up comedy evolves with every audience • The art and heart behind great impressions • A life-changing call that arrived at the exact right moment • What Jonathan learned from Robin Williams, Norm Macdonald, and others • Why laughter matters more than everThis episode is sponsored by:Bison Junk Removal (Effortless solution to your junk removal needs!)Bio:Jonathan Kite is a versatile actor, comedian, and master impressionist, famous for his role as Oleg the Ukrainian cook on the hit CBS sitcom 2 Broke Girls.Known for his quick wit and over 250 celebrity impressions, Jonathan has built a diverse career across television, film, voice acting, and stand-up comedy. His notable credits include starring opposite Jamie Foxx in the Netflix series Dad Stop Embarrassing Me and voicing characters in animated films like The Addams Family 2, as well as shows like Family Guy and American Dad.An alumnus of Second City and The Groundlings, he tours nationally with his stand-up and is currently producing his feature screenwriting debut. Jonathan is celebrated as one of today's most versatile comedic talents.Website: https://www.jonathankitecomedy.com/Instagram: https://www.instagram.com/jonathankite/Facebook: https://www.facebook.com/officialjonathankite/TikTok https://www.tiktok.com/@thejonathankiteYouTube: https://www.youtube.com/@JONATHANKITECOMEDYConnect with Gary: Gary's Website Follow Gary on Instagram Gary's Tiktok Gary's Facebook Watch the episodes on YouTube Advertise on the Podcast Thank you for listening. Let us know what you think about this episode. Leave us a review!

Snap twice and enter the gothic chaos! This week we're diving into the spooky, kooky masterpiece that is The Addams Family (1991). We're talking Gomez's romantic overdrive, Morticia's eternal hotness, Uncle Fester's electrical issues, and Wednesday well, just being Wednesday. Join us as we unpack the dark humor, the iconic one-liners, and the question on everyone's mind: why is this family so weird… yet somehow way healthier than ours?TikTok: https://www.tiktok.com/@wheel.of.horror7?is_from_webapp=1&sender_device=pc YouTube: https://www.youtube.com/@wheelofhorrorpodcast1802/videos Apple Podcast: https://podcasts.apple.com/us/podcast/wheel-of-horror/id1534102813 Spotify: https://open.spotify.com/show/3HnyAISG8Z8hvMFdSG60tE?si=9b785cf21c7f46a3 Instagram: https://www.instagram.com/wheel_of_horror/ Twitter/X: https://twitter.com/HorrorWheel

Happy Turkey Day! To celebrate, we're pivoting away from our Halloween theme to snap our fingers to the hilariously morbid 90s Thanksgiving classic, Addams Family Values (1993). We've got the whole spread: campiness done right, the enduring icon that is Joan Cusack's Debbie, satire that reflects with a sting, and what went down at Camp Chippewa. So whether you're cooking or on dish duty, press play and let us (and The Addams) keep you company!TimestampsNegronomicon - 6:50Crit - 18:46Final Curls - 1:08:30Gems from Ep. 115A Charlie Brown Thanksgiving (1973)Thanksgiving (2023)Addams Family Values (1993)The Real Housewives of Atlanta (2008)The Real Housewives of Beverly Hills (2010)Jersey Shore (2009)Love is Blind: UK (2024)Love & Hip Hop (2011)Love Island (2015)America's Next Top Model (2003)Chad Powers (2025)Survivor (1999)The Addams Family (1991)Sister Act (1990)A Nightmare Before Christmas (1993)V/H/S/Halloween (2025)The Muppet Christmas Carol (1992)The Bad Seed (1956)The Parent Trap (1998)The Parent Trap (1961)Heavyweights (1995)The Santa Clause (1994)Wednesday (2022, television series)The Addams Family (1964, television series)Riverdale (2017, television series)Columbo (1968, television series)Bewitched (1964, television series)Monk (2002, television series)School of Rock (2003)The Grim Adventures of Billy & Mandy (2001, animated television series)The Addams Family Reunion (1998)Scary Movie 6 (2026)Scary Movie 2 (2001)Support the show

Are they creepy? Are they kooky? Are they positively spooky? David, Craig, and Mary Muñoz talk all about everyone's favourite dark family as we discuss Addams Family Values from 1993! We talk about our struggles to fully remember watching any Addams Family media on top of our experience revisiting this 90s classic. How many scenes and lines do we fall in love with? What's the darkest joke? And what's with that end credit song?All this plus a heap of interesting trivia and fun in VHS Corner and this week's Endgame!#AddamsFamily #Gomez #Fester #Wednesday #Morticia #AddamsFamilyValues #90sMovies #TheAddamsFamily Hosted on Acast. See acast.com/privacy for more information.

In a belated Halloween episode, we look back at Saban's ill-fated attempt at adapting The Addams Family, in which the titular family crashes a posh family reunion and uncovers a secret murder plot. Featuring Tim Curry giving a spot-on performance in the wrong movie, a reformed RJ Fletcher, and a certain No Escape cowboy gone rogue... --- Edited by Jacob Miller Show theme by Tyler Green and Andy HG Show logo by Marissa Thorburn

Morgan James started her career as a Juilliard trained operatic singer. She performed on Broadway multiple times in shows like the Addams Family and Motown the Musical. She ultimately decided to go into music fulltime and since her debut album Hunter hasn't looked back. Earlier this year she released her album Soul Remains the Same. Before she came to Florida for several shows she was nice enough to stop by the show! Morgan and Doc talk about her first concert (Crosby, Stills, Nash and Young), going to Juilliard, performing on Broadway, working with a major record label, being independent, recording rock songs, and much much more. Meanwhile on the rest of the show Doc has determined that retirees can focus on moving to West Virginia. Make sure to listen! Introduction: 0:00:23 Birthday Suit 1: 12:31 Ripped from the Headlines: 17:30 Shoutouts: 31:17 Morgan James Interview: 37:00 Mike C Top 3: 1:18:33 Birthday Suit 2: 1:33:54 Birthday Suit 3: 1:36:51

We watched the first episode for the show, Wednesday. It's about the Addams Family but more about Wednesday growing up or doing something goth/viral.Check out links https://linktr.ee/kingsofkillpodcast

Yes, it's November, and we're still talking about horror. But let's take a break from the brutality and enjoy the family-friendly romp that is Addams Family Values (1993). Listen up as Corey guides Will through all the various incarnations of the Addams Family history, as well as the specificities of what director Barry Sonnenfeld brings to the table with his two live-action films.

Spooky season may have ended, but the spooky train continues here on the Where to Stick It Podcast! At least for the next 2 episodes. Today the guys review The Addams Family from 1991. The reboot that defined The Addams Family for a young generation not familiar with it's 60's predecessor. Support the showCatch new episodes of the Where to Stick It Podcast every Tuesday and Thursday. If you like the show, please consider supporting us on Patreon where we upload exclusive content each month for only $3 a month.

Join host Lionel as he debates the evolution of Halloween, noting how it has become "less cheery and more... death and skeletons". This episode dives into the changing traditions of the holiday, comparing nostalgic memories of potentially flammable devil costumes and unsupervised neighborhood trick-or-treating to modern, safer practices like "trunk-or-treating". Lionel and listeners discuss costume etiquette, strict rules (like age and time limitations), the weird candy people hand out (gravy mix, hot chocolate packets), and the classic fears of razor blades in apples. Plus, the conversation explores the seedy, dark underbelly of traveling fairs and examines classic monster themes, from Boo Radley to Frankenstein, as well as the strong family bonds of The Monsters and The Addams Family. It's a mix of cultural commentary, strong opinions, and "Ventilation Friday". Learn more about your ad choices. Visit megaphone.fm/adchoices

Happy Halloween!! Join us as we take a look at this 90s classic about an odd family who has been a pop culture icon since the 1960s! How did the 1990s do in revisiting our beloved Addams Family? Find out todayIntro song "Erase" by DiscipleFor more visit disciplerocks.com

In this week's mini-sode, we are shining the spotlight on Broadway's spooky classic, "The Addams Family Musical"! With a truly all star cast, this adaptation of everyone's favorite creepy, cooky family is a treasure trove of bops for all voice types, and an overall good time! *snap snap*Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

Happy Halloween! IFor your spooky enjoyment, we will be reposting an episode of our livestream collaboration with Pop Culture Makes Me Jealous. Still Comfy? is an in-depth look at our favorite comfort shows and movies. Enjoy our review of Addams Family starring Anjelica Houston and Christina Ricci.You can watch Still Comfy? By subscribing to the playlistFollow us at @menivetoleratedpod on Instagram! All ways to support the show can be found at https://linktr.ee/menivetoleratedpod. Join the newsletter so you never miss any update we have on Team Tolerator!

Welcome to IRM's Halloween episode! This year I'm covering the novelizations to the two 90s Addams Family movies; Addams Family and Addams Family Values.

Is the Munsters better than the Addams Family? Can Herman win us over or will we go crawling back to Gomez?"The Munsters” episodes watched for this F&L:*S1E1 - Munster Masquerade*S2E32 - A Visit from the TeacherMake show suggestions or tell us if your Team Addams or Team MunstersWEBSITE: https://anchor.fm/fandlpodcastEMAIL: FandLpodcast@gmail.comTWITTER: https://twitter.com/FandLpodcastINSTAGRAM: https://www.instagram.com/fandlpodcast

Annual seances, proverbial outcasts, and an undying sense of dark humor… Oh lawd, it's about to get pretty dark! Join these ‘90s kids on a romp to remember as they reacquaint themselves with the 1991 Addams Family, whose gruesome yet affectionate nature has perplexed, delighted, and influenced audiences for a nearly a century, earning their macabre place in the annals of pretty dark history.Email us at thatsprettydarkpodcast@gmail.comGive to our Patreon for extra content: patreon.com/tpdpodcastFollow us on Instagram and Facebook @thatsprettydarkpodcastMentioned in this episode:BetterHelp Online TherapyLet our sponsor BetterHelp connect you to a therapist who can support you - all from the comfort of your own home. Visit https://betterhelp.com/prettydark and enjoy a special discount on your first month. If you have any questions about the brand relating to how the therapists are licensed, their privacy policy, or therapist compensation model, check out this FAQ: https://www.betterhelp.com/your-questions-answered/

TELEHELL-O-WEEN Continues; as we take a look at the Distant Canadian cousin of a creepy, kooky, mysterious and spooky family...one that should've been disowned & put up for adoption from the family. CORRECTION: One of our listeners reminded me that the ORIGINAL "Addams Family" actually aired on ABC instead of NBC...Have we mentioned this is part of doing 3 shows in a week, and I'm incredibly burnt out from making them? Our apologies. SPONSORED BY: Dave's archives Annex 3 Kier's Nostalgia Corner Kev The Ripper and (of Course) our Patrons

We've been working in the lab late one night when our eyes beheld an eerie sight: Halloween/monster-themed fake bands we haven't discussed yet! So join us for a seasonal romp through "Monster Mash," The Munsters, The Addams Family, Mad Monster Party?, The Groovie Goolies and more!

It's getting close to Halloween and Kevin, Tony from Hack the Movies, and Ryan from MonsterFX are sitting down to discuss the single wave of Addams Family toys released by Playmates Toys in 1992 to accompany the cartoon show.#208 PegwarmersOrder I was a Teenage Monster Zine:https://www.etsy.com/listing/4391227298/pre-order-i-was-a-teenage-monster-zine Thanks to Ryan and Tony for being on this episode of Pegwarmers Monster FX: https://www.etsy.com/shop/mymonsterfx/ Hack the Movies: https://www.youtube.com/hackthemovies Pegwarmers is the codename for toys and collectibles with high supply and low demand. Join Kevin Jones, and his team of collector commandos, as they discuss popular and not-so-popular retro and current toy brands. Check back for new episodes each Wednesday.Follow Us https://twitter.com/pegwarmerspod https://www.facebook.com/pegwarmerspod Join our Patreon https://www.patreon.com/pegwarmers

Brendan Sagalow and Xia Anderson join Zac Amico and discuss theories about the Addam's Family, Beetlejuice 2, Xia wanting to cage dive with sharks, dogs dying during movie productions, the McDonald's customer beaten up for going behind the counter, their McDonald's orders, the criminal who puked on a deputy, Xia getting arrested for DUI, the NYPD detective who flashed his gun at a stripper, Ozempic vulva and so much more! (Air Date: October 22nd, 2025)Support our sponsors!BodyBrainCoffee.com - Use promo code: ZOO15 to get 15% off!Zac Amico's Morning Zoo plug music can be found here: https://www.youtube.com/watch?v=oMgQJEcVToY&list=PLzjkiYUjXuevVG0fTOX4GCTzbU0ooHQ-O&ab_channel=BulbyTo advertise your product or service on GaS Digital podcasts please go to TheADSide.com and click on "Advertisers" for more information!Submit your artwork via postal mail to:GaS Digital Networkc/o Zac's Morning Zoo151 1st Ave, #311New York, NY 10003You can sign up at GaSDigital.com with promo code: ZOO for a discount of $1.50 on your subscription and access to every Zac Amico's Morning Zoo show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!Brendan SagalowTwitter: https://twitter.com/brendansagalowInstagram: https://instagram.com/brendansagalowComedy Special: https://youtube.com/brendansagalowTwitch: https://www.twitch.tv/sags2richesXia AndersonTwitter: https://twitter.com/xia_landInstagram: https://instagram.com/xia_landZac AmicoTwitter: https://twitter.com/ZASpookShowInstagram: https://instagram.com/zacisnotfunnyDates: https://punchup.live/ZacAmicoSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

HAPPY HALLOWEEN!!!!  This week Gemma and James do a deep dive into the Spooky & all together kooky Addams Family & monsterous Munsters.  Get those fingers clicking (snap snap) on the play button and join us for the spooky fun.  Talking Codswallop can be found on ALL social media: @CodswallopPod and we are on YOUTUBE too!!! :)   Talking Codswallop is NOW part of the UNFILTERED Studios. Find out more about them here: unfpod.com & help support INDIE podcasts. 

Death iconography, spooky satire, and mid-century screa-ums… Oh lawd, it's about to get pretty dark! Join these ‘90s kids for the history behind everyone's favorite ooky, spooky family. Straight from the morbidly curious mind of Charles Addams, these characters and their macabre sensibilities sent shockwaves throughout the 20th century. They and their disquieting hospitality evolved (along with the public) all the way into our ‘90s living rooms, paving the way for alternative thinking, self-assurance, and those of us who have never fit into the boxes society would prefer.Email us at thatsprettydarkpodcast@gmail.comGive to our Patreon for extra content: patreon.com/tpdpodcastFollow us on Instagram and Facebook @thatsprettydarkpodcastMentioned in this episode:BetterHelp Online TherapyLet our sponsor BetterHelp connect you to a therapist who can support you - all from the comfort of your own home. Visit https://betterhelp.com/prettydark and enjoy a special discount on your first month. If you have any questions about the brand relating to how the therapists are licensed, their privacy policy, or therapist compensation model, check out this FAQ: https://www.betterhelp.com/your-questions-answered/

Steph Cherrywell, author of Unboxing Libby and The Ink Witch, joins us to talk about Wednesday, the rather Monster High-esque new Addams Family iteration. Jenna Ortega is finding her niche in a world with four different kinds of monsters and also whatever the hell the Addamses are supposed to be this time round.

A Few Updates: 0:00 - An Update on my Friend's ALS Fund raiser 2:00 - A Fan Letter 5:18 - A VERY Longwinded answer to our Fan's Question 15:15 - A Preview of TELEHELL-O-WEEN We'll see you Next Week!

▶︎ Watch This week on Superhero Slate, we've heard X-Men 97 could last 5 Seasons, an old Lanterns rumor gains traction, its Spooky Movie season, and more! The Addams Family (1991), Casper (1995), Send us YOUR Favorite Spooky Movies Drew Struzan passed away; artist for most iconic movie posters: Star Wars, Indiana Jones, Blade Runner, […]

What happens when a night of camping in the Utah mountains turns into an encounter with the past? One listener's story begins as a prank under the full moon—and ends with the discovery of a hidden mine, a carved message in Spanish, and the chilling sense that something unseen was standing behind him in the dark. But that was only the beginning. Years later, while serving as a volunteer minister in the South, he'd come face-to-face with something even more terrifying: a family cursed by dark magic, a room that shook as if alive, and a shadow hand crawling across the floor like something out of the Addams Family—only real. And as if that weren't enough, a final haunting ties it all together: a house built on top of an abandoned POW camp, guarded by a ghostly man in a derby hat. His story—and his land—refuse to rest. This is one of those rare collections of real ghost stories that bridge the line between history, faith, and fear. Because sometimes, the past doesn't stay buried… it waits. #RealGhostStoriesOnline #TrueHaunting #GhostMiner #UtahHaunting #CursedHouse #ShadowFigure #POWCampGhost #VoodooCurse #HauntedHistory #ParanormalEncounters #HauntedCaves #SupernaturalPodcast Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

This week, co-host Bella Efstratis is joined by Gimme Three Producer and LADFF Director Sonja Mereu to celebrate the holy trinity of family Halloween classics.They explore what makes these films endlessly rewatchable — from unforgettable characters and performances to the iconic production design, costumes, and quotable moments that defined a generation of Halloween movie nights.Sonja kicks things off with Beetlejuice (1988), Tim Burton's gothic comedy about the afterlife, suburbia, and one very chaotic “bio-exorcist.”Next, they discuss The Addams Family (1991), a stylish, darkly funny reimagining of America's most macabre family.Finally, Bella wraps up the episode with Hocus Pocus (1993), Disney's witchy cult classic that's become a seasonal essential.This episode is perfect for anyone who loves the spirit of the season but could do without the nightmares.❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

On this week's episode, the Coven dives into a mix of personal stories, wild discoveries, and big career updates. They kick things off with a body language expert's take on a recent lie detector test before opening up about health struggles and family losses. A spooky twist unfolds as they recount eerie experiences on a piece of land they're considering buying—complete with mysterious numbers and strange artifacts.Bunnie also shares a major announcement: she's officially leaving Patreon due to contractual issues and making the move to Kick, where even bigger things are coming. The crew lightens the mood with some fun horror-movie trivia, unpacking facts about The Conjuring, Psycho, Beetlejuice, and behind-the-scenes Addams Family moments. They wrap things up with excitement and fresh plans for their new streaming platform and future content.Watch Full Episodes & More:www.dumbblondeunrated.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Everyone loves a family of spooky perverts! Come join some ghoulish weirdos as they watch some shows about other ghoulish weirdos, specifically ones connected directly or tangentially to Tim Burton, the ultimate ghoulish weirdo.Today's Episode Sponsor: Plumber Onions™THIS WEEK'S EPISODES:The Addams Family Season 1 Episode 7, "Sir Pugsley"/”Festerman”/”Art to Art”Beetlejuice Season 4 Episode 7, "Pranks for the Memories"Join our Discord! https://discord.gg/StaYgR7HW2Support us on Patreon: https://www.patreon.com/satamtuesdays Our Website: http://www.satamtuesdays.com/The Hosts: Andrew Eric Davison, Austin Bridges, Rory VoieAudio Production: Andrew Eric Davison

On this week's episode, Cody kicks things off with an engaging discussion about a list he discovered that highlights the top 10 must-read DC Comic stories. This list is not just a random assortment; it encompasses a rich variety of narratives that have significantly influenced the DC Universe and captivated comic book fans for generations. Cody dives into the details of each story, exploring the themes, character development, and artistic styles that make these comics essential reads for both newcomers and seasoned enthusiasts alike. Following this, Joe shares his thoughts on the first few episodes of the new Netflix animated show, Haunted Hotel. He describes the show's unique premise, which revolves around a mysterious hotel filled with supernatural occurrences and eerie secrets. Joe elaborates on the animation style, voice acting, and the overall atmosphere that the show creates, discussing how it captures the essence of classic horror while appealing to a modern audience. He expresses his excitement about the character dynamics and the plot twists that keep viewers on the edge of their seats. In a seamless transition, Cody then reveals that he has recently started watching the first season of Wednesday, another Netflix original series that has garnered significant attention. He shares his impressions of the show, particularly focusing on the portrayal of Wednesday Addams, a character beloved by many. Cody discusses the show's blend of dark humor and mystery, highlighting how it brings a fresh perspective to the Addams Family legacy. He reflects on the show's cinematography and how it effectively sets the tone for Wednesday's adventures at Nevermore Academy, where she navigates the challenges of adolescence while uncovering a supernatural mystery. As the conversation unfolds, Cody shares exciting news he recently came across regarding the newly announced expansion to the iconic Stanley Hotel in Colorado. This hotel, renowned for its stunning architecture and rich history, served as the inspiration for Stephen King to pen one of his most popular and famous novels, The Shining. Cody delves into the historical significance of the Stanley Hotel, discussing its haunted reputation and how it has become a pilgrimage site for fans of horror literature. He provides insights into the planned expansion, which aims to enhance the visitor experience while preserving the hotel's unique charm and connection to King's legacy. The expansion promises to include new attractions that celebrate the hotel's storied past, ensuring that it remains a must-visit destination for both horror aficionados and casual tourists alike.Official Website: https://www.comesnaturallypodcast.comOfficial Merchandise: https://shop.spreadshirt.com/comes-naturally-podcast/iTunes: http://tinyurl.com/kqkgackFacebook: http://tinyurl.com/myovgm8Tumblr: http://tinyurl.com/m7a6mg9Twitter: @ComesNaturalPodYouTube: http://tiny.cc/5snxpy

The Addams Family (1964) - The 31 Days of Dread 2025

A listener asks if there are any comics that the comics dads think are essential reading for being a comic creator. They sure do... and it's not what you'd expect!Today's showRomance novels"Must-Read" Comics ListSummaryCartoonists Brad Guigar and Dave Kellett explore the value of romance novels in storytelling, contrasting their narrative preferences. Brad advocates for the insights gained from romance, while Dave expresses a preference for macro stories over micro narratives. Next, a listener asks if there are any comics that the comics dads think are essential reading for being a comic creator.This conversation delves into the evolution of comic storytelling, exploring influential works and characters that have shaped the medium. The speakers discuss the importance of understanding tropes, the impact of classic comics, and the significance of personal taste in appreciating the art form. They also touch on modern webcomics and the challenges of concluding long-running series, highlighting the diverse narratives and styles that continue to emerge in the comic world.TakeawaysReading romance novels can enhance storytelling skills.Different genres appeal to different narrative preferences.Tropes in romance are often embraced by writers.Macro stories focus on larger themes and movements.Personal experiences shape one's reading preferences.Humor and sentimentality play significant roles in storytelling.Comics can be a valuable medium for exploring complex narratives.Understanding comics can aid in effective communication.Readers should seek joy in their literary choices.Diverse genres offer unique insights into human experiences. Comic storytelling has evolved significantly over the years.Understanding classic tropes can enhance appreciation of modern comics.Influential collections like The Far Side and Bloom County shaped comic narratives.Characters like Wonder Woman and the Addams Family set standards for uniqueness.Empowered explores themes of self-confidence and societal expectations.Watchmen revolutionized the anti-hero narrative in comics.Garfield's early work showcased unique storytelling choices.Creative freedom allows for diverse comic styles and narratives.Personal taste plays a crucial role in comic appreciation.Cultural context influences how comics are received and understood.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

As you may have seen, I have a new video premiering this weekend about the 1985 film Kiss of the Spider Woman, which features an iconic performance from a then-obscure actor named Raul Julia. Thanks to my research into Raul's career, I've had another of his iconic roles on my mind lately — that of Gomez Addams in the Addams Family films. So for this week's Sewers of Paris, we're diving into the archives to hear from someone whose creative work was heavily inspired by the Addamses. Back in 2020, I spoke with Hamish Steele, whose graphic novel Deadendia had just been adapted into an animated series at Netflix. Drawing from his love of Dr Who, The Addams Family Values, and other queer-ish ensembles, Hamish's work in print and in animation has its own devoted cult following.We'll have that conversation in just a minute. First — if you're enjoying The Sewers of Paris, I hope you'll consider supporting the show on Patreon at Patreon.com/mattbaume. You may also enjoy my YouTube videos about the making of iconic movies and TV shows. I have a new video premiering this weekend about the movie Kiss of the Spider Woman. And check out my weekly livestreams on Twitch; also check out my book Hi Honey, I'm Homo!; and my email newsletter. There's links to all that in the episode shownotes, and at MattBaume.com.

Send us a textIt's the final showdown with the mad scientist, the hyde monsters and the scary rituals as the hosts review the season finale of season two's supernatural, horror-comedy series, Wednesday, starring Jenna Ortega and directed by Tim Burton. Join the hosts as they dive further into episode eight, breakdown the surprising twists and talk about what's in store for season three, in this live-action Addams Family spinoff from Netflix.Come listen and follow the hosts on their Instagram page and YouTube channel @the.gentlemenpodcast

The matriarch of the Addams family, Morticia Addams, contains (often dangerous) multitudes. We brush off her legacy when it comes to sexuality and mother-daughter relationships. See omnystudio.com/listener for privacy information.

Creepy, kooky, mysterious and spooky Wednesday Addams hates us and we love her for it. Why do we have a fascination with deadpan women? What does feminism and girlhood have to do with it? What about dancing and goth fashion?? We discuss in this classic episode.See omnystudio.com/listener for privacy information.

Nirvana Jalalvand, Francesco Pegoretti, and Lynn Johnston are the hair-and-makeup masterminds behind Netflix's hit show Wednesday. To celebrate the release of the show's highly anticipated second season, Who What Wear beauty editor Kaitlyn McLintock sits down with the team to discuss how they drew inspiration from the original black-and-white run of The Addams Family (1964) when designing the show's color palette. They get into the changes they made from season 1 to demonstrate how our favourite Nevermore Academy students have grown since we last saw them. Plus, they tell us what products they used to create Wednesday's signature gothic look on Jenna Ortega.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Wednesday Addams is the breakout star of Charles Addams' comic-strip-turned-multi-media-juggernaut: THE ADDAMS FAMILY! This week on Geek History Lesson, we are getting creepy and cooky, mysterious and spooky in celebration of Wednesday season 2, part 2 on Netflix! Learn all about Wednesday's comic strip origins, how cute she was, and her evolution into the dark dive we love to watch today! Did you know the iconic dance isn't just a TikTok trend, but reaches all the way back to the 1964 series with ties to both Lord of the Rings AND Batman 66?For exclusive bonus podcasts like our Justice League Review show our Teen Titans Podcast, GHL Extra & Livestreams with the hosts, join the Geek History Lesson Patreon ► https://www.patreon.com/JawiinGHL RECOMMENDED READING from this episode► https://www.geekhistorylesson.com/recommendedreadingFOLLOW GHL►Instagram: https://www.instagram.com/geekhistorylessonThreads: https://www.threads.net/@geekhistorylessonTik Tok: https://www.tiktok.com/@geekhistorylessonFacebook: http://www.facebook.com/geekhistorylessonGet Your GHL Pin: https://geekhistorylesson.etsy.comYou can follow Ashley at https://www.threads.net/@ashleyvrobinson or https://www.ashleyvictoriarobinson.com/Follow Jason at https://www.threads.net/@jawiin or https://bsky.app/profile/jasoninman.bsky.socialThanks for showing up to class today. Class is dismissed!

Is the Addams family Latino? Maria Hinojosa embarks on a quest to unravel this mystery. She interviews actor Luis Guzmán, who plays Gomez Addams in the hit Netflix show “Wednesday,” to discuss his character, the family values in the show and to get answers about the true origin of this iconic family. They also discuss Luis’ upbringing in New York City, why Latino men shifted toward the right in the 2024 US elections, Guzmán’s relationship with Bad Bunny and how the Addams family and their weirdness is also our own. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

Wednesday is one of the most popular Netflix shows of all time, and it helped make Jenna Ortega a star. It takes the breakout Addams Family character Wednesday Addams and breaks her out of her home environment. Gomez (Luis Guzmán) and Morticia (Catherine Zeta-Jones)  pack her off to their alma mater, the gloomy, gothy Nevermore Academy, and she's soon drawn into the investigation of a series of grisly murders. Wednesday is about to return for a second season, so today we are revisiting our conversation about the show.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy