POPULARITY
Categories
191 episodes with Poster
157 episodes with Poster
134 episodes with Poster
75 episodes with Poster
34 episodes with Poster
45 episodes with Poster
32 episodes with Poster
25 episodes with Poster
44 episodes with Poster
44 episodes with Poster
40 episodes with Poster
15 episodes with Poster
27 episodes with Poster
9 episodes with Poster
13 episodes with Poster
9 episodes with Poster
9 episodes with Poster
9 episodes with Poster
28 episodes with Poster
13 episodes with Poster
6 episodes with Poster
5 episodes with Poster
6 episodes with Poster
5 episodes with Poster
3 episodes with Poster
7 episodes with Poster
4 episodes with Poster
4 episodes with Poster
5 episodes with Poster
6 episodes with Poster
12 episodes with Poster
6 episodes with Poster
22 episodes with Poster
5 episodes with Poster
4 episodes with Poster
7 episodes with Poster
7 episodes with Poster
3 episodes with Poster
5 episodes with Poster
11 episodes with Poster
7 episodes with Poster
9 episodes with Poster
3 episodes with Poster
5 episodes with Poster
5 episodes with Poster
4 episodes with Poster
7 episodes with Poster
11 episodes with Poster
4 episodes with Poster
2 episodes with Poster
3 episodes with Poster
2 episodes with Poster
3 episodes with Poster
6 episodes with Poster
3 episodes with Poster
4 episodes with Poster
4 episodes with Poster
4 episodes with Poster
4 episodes with Poster
3 episodes with Poster
4 episodes with Poster
3 episodes with Poster
4 episodes with Poster
3 episodes with Poster
3 episodes with Poster
7 episodes with Poster
3 episodes with Poster
6 episodes with Poster
2 episodes with Poster
3 episodes with Poster
3 episodes with Poster
3 episodes with Poster
4 episodes with Poster
3 episodes with Poster
4 episodes with Poster
4 episodes with Poster
4 episodes with Poster
2 episodes with Poster
2 episodes with Poster
2 episodes with Poster
6 episodes with Poster
The Sponsors We want to thank Underground Printing for starting this and making it possible—stop by and pick up some gear, check them out at ugpmichiganapparel.com, or check out our selection of shirts on the MGoBlogStore.com. And let's not forget our associate sponsors: Peak Wealth Management, Matt Demorest - Realtor and Lender, Ann Arbor Elder Law, Michigan Law Grad, Human Element, Sharon's Heating & Air Conditioning, The Sklar Brothers, Winewood Organics, Community Pest Solutions, Radecki Oral Surgery, Long Road Distillers, and SignalWire where we are recording this. Featured Musician: Jim Cherewick THE VIDEO: [After THE JUMP: Things discussable.] --------------------- 1. CMU Preview: Offense starts at noon They rotate a LOT. Get ready for two offensive lines, three quarterbacks, and a lot of Iowa from the former Army OL coach whose YouTube clinics have been a staple of my learning diet. Fullbacks! 2. CMU Preview: Defense starts around 15:02 MAC version of Hutch, or a poor man's Braden McGregor is Holdman, the SDE who has to play B-gaps because they don't have the size. They're in a 404 Tite and they're aggressive, so expect something like the Army 2019 game. 3. Oklahoma After Review: Offense starts around 26:10 What it looked like on first watch. Frustrating that we don't have answers for Dantonio stuff. Felt like Hoke era offense. OL was okay save for Zack Marshall; he wasn't ready and we missed Marlin Klein. RBs were not pressing gaps, Haynes missed blocks in pass pro. 4. Oklahoma After Review: Defense starts at 44:43 Couldn't fit the QB run game. A lot of that was unbalanced, and Michigan didn't use the same response to that as usual, probably because Jayden Sanders was at corner and they didn't want him to be the free safety. Some Dammit Wink but I expect Guy to chip. Weirdly bad games from Benny, Guy, Moore. A little worried that Tre Williams still thinks he's a Clemson d-tackle. Featured Artist: Jim Cherewick A local artist, writer, and musician, Jim Cherewick has been involved in a lot of projects around town—Gymsee, False Figures, Best Exes, Piner, Wicker Chairs, and Congress. I discovered him because I liked his watercolors, and then saw he's playing at the Pig with Cattywampus in October so I started checking out his stuff and have been writing to it all week. It's all indie but all sounds different—the best way I can describe it is you start with a guy and a Fender and add a My Bloody Valentine slider that goes all the way up (Congress) or down (Wicker Chairs). I chose a spread to show what I mean. I'm still in discovery mode here but hope you'll join me. Songs: "Death Wagon"—Jim Cherewick "Urgency"—Wicker Chairs "Pile of Me"—Congress Also because Across 110th Street will get our Youtubes taken down, the opener and outro: “The Employee is Not Afraid”—Bear vs. Shark “Ruska Vodka”—Motorboat
Stephen Scaia joins us to determine the best Drew Struzan Poster, once and for all...
Right People, Right Seats: The Hidden Profit Killer in Your Business with Pam Meissner When profit is slipping, most businsess owners look to cut costs or push sales harder. But what if your biggest drain isn't on the P&L at all—it's in your people? In this episode of Profit Answer Man, Pam Meissner—COO and CFO at CathCap—pulls back the curtain on why “right people, right seats” isn't just an HR slogan. It's one of the most powerful levers for profit growth that most companies ignore until it's too late. The Gap: Why Profit Leaks Hide in Your People: You can have a stellar product, growing sales, and tight cost controls—and still lose money. The reason? People issues that don't show up as a neat line item on your P&L. Pam sees it all the time: companies hanging on to team members who no longer fit, tolerating culture-killers because they perform well in one area, or promoting loyal employees into roles they can't succeed in. The Four Quadrants Every Leader Needs to Know: Pam breaks down the four categories of employees, based on competency and alignment with core values: Stars – High performers who live your values. Puppies – Aligned with values but lack skill; worth investing in if trainable. Rats – Low competency, no values alignment; they have to go—fast. Gremlins – Highly competent but toxic to your culture; they hold you hostage and quietly drain profit. Ignoring the “rats” and “gremlins” doesn't just hurt morale—it actively drives away your stars. Why Core Values Aren't Just a Poster on the Wall: Most companies have core values, but few hire, fire, and promote based on them. Pam's advice: Define your values clearly. Interview with them in mind (AI tools like ChatGPT can help craft questions). Involve peers in hiring to assess fit. Hold quarterly conversations so performance and alignment are never a surprise. The Real Cost of a Bad Hire: Replacing someone can cost multiple times their salary—especially if you use recruiters. But the hidden costs of keeping the wrong person are even higher: Lost productivity Star employee turnover Extra resources to “work around” problem employees Pam stresses: The cheapest solution is to hire right the first time—and act quickly when you don't. The Profit Plan: Align People, Process, and Purpose: To plug these hidden leaks: Audit your team using the four quadrants. Invest in “puppies” with clear timelines and training plans. Remove “rats” immediately and plan a strategic exit for “gremlins.” Keep your stars engaged and appreciated.
FEATURING: (00:05:00) Listener Mail - Games to introduce non-gamers to games.(00:25:43) Aging affecting our game-playing.(00:44:56) Radio Free Xenoblade.(00:52:29) What's so hard about attaining mascot dominance?(01:18:39) New Business - Shinobi: Art of Vengeance. Silksong is brought up.(01:53:24) Kirby and the Forgotten Land - Nintendo Switch 2 Edition + Star-Crossed World. Chibi-Robo!
Alpenhäfligers Ja Heute ist es ein guter Tag, zum Träumen, zum Nachdenken und zum Komponieren. Sich etwas regenieren. Today is a think Day ? A good day. Der Tag der ausgezogenen Seidenstrümpfe, ja es tanzund uf dinum wissu Tschebbäl, ja uf dinum wissuuu Tschaggu ja uf dinä schneewissu - dinäää Tschippolata weissen Beinen die Schlümpfe. Welche lieben deine ausgezogenen Seidenstrümpfe. Aus ausgenutzten Banana-Schalä entsteht ein Fairtrade Bio Gleitgel u Melba meint : A Slow Food Schnägguuu hinterlässt eine Schleimspur darauf bis zum nächsten Salatblatt. Sauglatt. Liebe Mobiliar - Liebe ValäiSANA - Beim Walliser Schwarz Nasen Schaf Woll Roll Kragen Bikini Song Contest haben sich mehrere Personen die Zunge, den Hals und den Nacken verrenkt. Und ich komponiere weiter am Fendärbörg Song. Das Intro vielleicht gesungen von Jodler:innen - dann Alphörner und Glocken - Trichläää u Glocken - es folgt feinster Alpenreggae - dort wo die Schneekanonen rauschen dann im Chor? Das Saaser-Lied? Darf ein Taugenichts nichts taugen? Untauglichkeit ? Sei mein Schaf mit Erdbeermund. / Eine berühmte Frau hat einmal gesagt - eine Rose ist eine Rose, ist eine Rose. Ich glaube sie hatte recht. ( Helge Schneider ) Dazu trinken wir nun ein feines Glas Walliser Rose - ob sprudlig oder still ? Natürlich sind wir heute hier und jetzt bei den Häfligers und ja Bau und Zeugungsjahr vom Gunti - 1975 ? Kraftstoff - Cornalin - ja wir erinnern uns dann das Inserat ? Zustand ? Vergesslich. Gunti hat ja für sich und Marie so ein Wachrüttelseminar gebucht und gerade gestern habe ich gesehen - in Naters gibt es eine Persönlichkeitswerkstatt - doch dazu vielleicht später einmal mehr im Hengert u ja neue Sendungen sind geplant - erste Woche Oktober = mim Deyrush - wir sind gespannt - dann vielleicht auch das Thema Denkmalpflege. Ja der gezähmte Tatendrang - Tatendrangdompteur - Tatendrangbesänftiger - Drachen - Gletscherfee - Aprikosenplantagen - Dollinoir. Wiederauferstehung und Kopf hoch - witär tanzu. Gerade arbeiten wir an einer Skulptur des Monats - eine auf dich gut Schulter kopflende Schulterklopf Maschine mit Applaus und so. Ja so eine Art - Kompliment Maschine für gute Mitarbeiter:innen. Könnte wohl jede Firma gut gebrauchen weil ja meistens der Chef nicht so wirklich….? Bauchpinselei von Melba und danke für deine Geschichte und wie das gerade alles so gut tut! Im Radio läuft gerade das neue Lied von Herbert Grönemeyer - FLIEG und ist er nicht gerade unterwegs mit seine Unplugged Tour, neue Platte? Bis es dann so weit ist - sing ich halt selber, filme mich, beobachte mich danach auf dem very big flat screen tv und könnte ja noch ein ultraleichtes Rennrad bestellen? Ja lieber selber kreieren anstatt nur konsumieren. Selbstlachattacke und wieso das besser ist als jede Therapie, der Gang in die Kirche? Gebet tut gut und Beichte erlöst aber wieso kreierst du keinen eigenen Podcast? Ich würde dir gerne zu hören. Die Idee - die Vorlesung - die Anfrage - keine Klage. Ja das wohl schönste an der Liebe ist der Anfang und das Ende. Auftritte, Fehltritte, Cremeschnitte. Ein Määäärchändising Shop am Konzert für eben so Pausenshopping oder danach und ja Freude herrscht - ich werde REICH ! Im Shop so Poster und Postkarten mit den besten Zitaten - das wohl schönste an der Liebe ist der Anfang und das Ende. Oder Zitat gemäss Wolfgang Lehnhof - ja jeder macht mal einen Fehler. Hochzeits-Cabaret. / Werbung an Hoch-Zeits Messen mit eigenem Wohl-Stand ? Fendäbörg-Schwarznasenschaf-Woll-Roll-Chragu Bikini - T-Shirts u Menschen zum Lachen bringen - nur ein unglücklicher Pessimist beginnt sich in der Hafen der Ehe? Ich habe ja keine Lösung zu Eheproblemen aber bewundere das Problem. ( Zitat angepasst !! ) Heiratuuuu? Heiratuuu? Jetzu schoo? De fahrät doch zerscht a mal zämu in d Ferie ? ( Mama ) Da werdet ihr danach dann schon sehen ob die Pfyfolträäää danach noch weiter tanzen? Ich persönlich habe ja drei Jahre zu früh geheiratet? Zielsetzung war ja - ich heirate nie vor 30 !!! Wichtig ist es eben am richtigen Zeitpunkt auch einmal NEIN zu sagen und auch dazu bieten unsere Dienststellen ja Workshops an. Ein Nein muss nämlich auf gut geübt sein. ! Ja und wie gesagt, an der Zeit gewöhnt man sich ANEINANDER, und habe sie gewusst, dass das Wort NEIN um Wort aNEINander wohnt? Dä lüeg doch grad sälbscht? Betreffend Freiraum und geplanten Fluchtversuchen und gerade letzte Woche versuchte Gunti aus den eigenen vier Wänden auszubrechen. Dies nach einem Argument zb : Säg Gunti - jetzt luegt di doch a mal a ! Machsch äu kei Gattig mi u sogar där Hosuladuriiisverschluss isch wit offu, u wemu genau luegt gseht mu nu durch dä Schlitz a dinä Unärhosäää u dini best lockig friend heicht ja da zum Ziiiig üs u der Gartuuu seltisch appa äu mal wider mähen? Säg Mariiieee - jetzt losabu - das hät alles einen Grund. Ä los Gunti - bei dir hat immer alles einen Grund. Nei Marie - hittu isch da Tag der offenen Tür…..! Doch zurück zu den geplanten Fluchtversuchen und Freiräumen in einem Ehe-Leben. Manch einer geht ja dann arbeiten. Nicht weil der das zb, finanziell nötig hätte aber so där ganz Tag binär Alta oder äbu bim ALTU ? Spätestens bei der Pensionierung … nun ja man rechne selber. Hilfreich sind dann auch so Vereinsmitgliedschaften und man ein Ehepaar ist dann in so sieben Vereine pro Woche? / Dies damit man ein bisschen der Käfighaltung entkommt und ja unser Gunti - betreffend Inserat und so Käfighaltung ist ja nicht wirklich verkaufsfördernd, eher freier Auslauf mit Fussfessel ( Ehering ? ) Gunti hat sich ja auch versucht zu OUTEN bei Marie und meinte er sei eigentlich schon seit seiner Jugend homosexuell - also schwul u so a richtige TUNTA. Gut das Marie in nicht immer so ernst nimmt? Dass er an einem Minderbeachtugsdefizit leidet ist ihr noch nicht aufgefallen und sicher war Narzissmus und Sucht schon Themen in der Eheberatung, aber eben. Nun arbeiten wir noch an der Playlist für EHE.2.6 Ein kleine Erflolgsmeldung aus dem Studio Supersaxo ? Nun gut ja viele Events sind geplant so sind wir nächste Woche vom DO-SO am Wine-Date in Luzern, aber eben, zurück zur kleinen Erfolgsmeldung. Kleine einfache Übungen an der Loop Station und ja der neue Verstärker macht wirklich Freude und was die Nachbarschaft so tanzt. Heute Abend koche uns einen feinen Salat mit geräucherter Ende - und Pfirsicht. Also Alphorn nun 4 Stimmig, auch Gesang top, dann Glocken und BEATF und ja das wichtigste mit der Loop Station ist der BEAT und ja damit auch alles im Takt. Taktgefühl. Weil Leute auch immer so im Takt tanzen und klatschen, und falls sie sich dann verklatschen und ich aus dem Takt gerate, davon habe ich am meisten Angst vor so Live Auftritten ja eben auch Hallenstadion. Frere Jaques - Ding Däng Dong - Ding -Däng Dong. Ja und noch gerade Gestern ist der Eilkurs der Schweizer Post so mitten durch die 30er Zone gebrettert. Laut Augenzeugen gab es nichts bemerkendes. Obwohl Leute auch aus Deutschland da waren, hatte die Bild under Blick nichts zu berichten. Im Radio läuft gerade das Lied - Love and Mariage. Und ja wir wollten doch noch zurück zu der Idee - Hörbuch - ja so ganz nüchtern schüchtern….? Darf ein Jude eine Rampensau sein? The Drum is the Most important Instrument. Takt. Herzschlag - ja auch als Puls bekannt? Nein obwohl, doch? Der Puls fühlt man ja ganz körperlich und Herz ist beim Herz? Takt - da der BEAT pulsiert durch die Lebensadern? Ä los z wichtigschta in dinum Löbe sind där doch dini Schaf? Früher war ich noch dein Seil - Gunti. Ja und ich dein Bähnli - Marie. Ja früher waren wir noch eine Seilbahn. Gemeinsam. Heute sind wir gemeinsam-einsam. So zogen sie von dannen - an ihre Arbeitsplätze und trafen auf wenig Fehlertoleranz. Wir erinnern und an den Refrain vom Lied - a chue kiiiit vam Himmel a briiii? Intoleranz, Rägu u Trachtunz, Akzeptanz, Arogganz eben neu noch FEHLERTOLERANZ ? Ein der grössten Fehler, die wir machen, ist zu erwarten, dass andere genau so denken wie wir !! Jetzt isch dä fertig lustig und zu wenig Sex in einer Ehe führt zu einem frühen Tod. Wieso sagt man so völlig wütend - jetzt isch dä fertig lustig. Also wenn ich das so den Hunden heuruuuu das finden sie dann immer wieder sehr belustigend. Einfach im Nichtstun, im Nichtssagen verweilen das hätte mir schon manch Ärger erspart, ein meinem Leben. ( Nino de Angelo ) Was gerade im Radio läuft ? Roger Witacker. Darf eine Veganerin auch mal eine beleidigte Leberwurst sein ? Gunti hat ja jetzt auch so ein Inserat geschaltet und darin steht - suche noch jemanden welcher sich gerade finanziell um mich kümmert. Dann hatten wir noch einen Hengert wegen eben Pointen wiederholen oder erklären. Aus der letzten Sendung wissen wir noch? Wir sind ja niemandem Rechenschaft schuldig. Entweder jemand versteht den Humor oder eben nicht? Wollte ja nur sicher gehen. Los - bisch ja nid bi där Securitas ! Äbu nu Playlist für Ehe.2.6 zusammen stellen? Schneewalzer finde ich auch gut. Tut gut. Nur Mut. Eigentlich darf ich je die Menschen nicht entmutigen eben betreffend auch mal zum richtigen Zeitpunkt NEIN sagen, wäre ja schlecht für mein Geschäft und die Idee fürs Hochzeitscabaret? Zum Schluss vielleicht noch eine Lied Idee? Also wiederum fittalblutt und ja dieses mal am Rhonesand-Stand - keis Gwand a u ja äu Fernanda wiederum im Hengert mit dum Bjorn Börg. Eine hausgemachte handgemachte Walliser Wasserstoff Granate fliesst gerade Richtung Genf, päding, pädäng und gerade springt ein romantischen Sätzlein - Poster und Postkarten Idee für den Määährchendasing Shop Dü misch mini Granata, u ich dinä Äpfel, zäum siwär a Granat-Äpfel. ? / Hammäääär - nid wahr ? Bi ja so romantisch veranlagt. Und gerade in diesem Moment fällt ein orthodoxer Jude vom Operations-Tisch nitschiiii !! Das frisch transplantierte Schweinsnierchen welches eigentlich in Herrn Müller rein hätte müssen tun sein hineinoperiert wurde eben nun in Herrn Avraham Friedmann transferiert doch diese Niere wurde vom Körper abgewiesen? Vielleicht muss man ein Schwein sein und ein Schwein zu sein? Also auch Schwein essen und so ? Medien aber berichteten doch aber gerade zuvor über erfolgreiche Versuchen an lebenden Menschen? Dies bringt mich gerade zur nächsten Idee. O - weh ! Im Nebenzimmer und diese nun sehr makaber - auch grüüsig und Leserinnen und Leser über 18 Jahren nun bitte alle Ohren und Augen auf ZU ! Die Tochter Friedmann vergnügt sich im Nebenzimmer mit beinahe Schwiegersohn Yaakov Horowitz. Sie spielen so ein an ein sadomasisches Spielchen - Pass the Pigis - verfolgen sich fittlablutt durchs Stationszimmer und wie gesagt, spielen Pig Chase ….. und sie schreit - ich liebe es wenn du so schweinehaft redest, stöhnst und grunzen tust. Er so : ich bissuuu der jetzt dä grad in dies Schwinshaxjiiii. Und nun wird es richtig eklig - und ich brunzuuu der dä grad uf dis Schwiiinsgsicht. O dini Schwinsöhrliiii si so knuspirg………………Oh - Oh - Oh - GRUNTZ - GRUNTZ Grunt - OH OH OH - Osso Buccooooooo!!! U jetzt chämäää wär da grad wirklich zum Schluss. Zum Schuss. Orgasmousse. Nein jetzt wird es richtig böse und es tut auch gut sich hier und jetzt mal den Schmerz von der Seele zu schreiben, von der Seele zu reden. Also bitte nimm mir das jetzt nicht persönlich. Jetzt nid fär besch u ich will ja deine Gefühle bei Gott nicht verletzten, aber du bist ein riesen Arschloch. Hoffe du wirst bald von Deinem Charakter-Aids erlöst. Darum sägiiii dä äu immer - c`est mieux de faire la Connerie que d`finir noyé dans la psyichatierie. A quack quack quack quack - bon tuir la cochonnerie, qu'avaler vos putain vacheries, Mon Cherie - Pandämiii - Magusiii - Pharmacie - Fendämie - ja liebär dini Seel a chli la fendale wa immer nur andelez - andelez ? La Verité, c`est qu`la tourberie - a plus de style que tout ta philosophie. La vache qui rit. Sophie, Sophie ou est tu ? Merde sans toi, c'est just la vache qui rit, un gout de saloprie, dans ma connerie . Ja allí mini Äntli, schwimmund nu immär ufum Mattmarksee, zämu mit der Gletscherfee wa Nachts wacht ubär Saas-Fee. Wir erinnern uns an die Quackantinos? KWAKANTINOS ? Aus Quackalsusien? Dottore Proffesore Äntufädär. Der Erfinder vom Enthophin? Sschinäää Figlio sich gerade vergnügt mit dum Chick Chicheria üs Nuggetanien? Fertig lustig.
g.o.d unveils ‘2025 g.o.d concert – iconic box' poster and ticket schedule.
In this episode, Sabaree, Vallal, Vaishu & Chriznill roast the shit out of the Pawan Kalyan starrer Hari Hara Veera Mallu. Ketutu unga feedback ah comments leh podunga. Please follow/ subscribe to our podcast. Follow us on Instagram in the below links
Britt and Chris dive into Part III: "The Poster," discussing glittery volcanoes, Haymitch feeling like a failure, labor unions, and child combatants. They also explore the POVs of Panache and mentors Mags, Wiress, and Beetee. Please tell a geeky friend about us and leave a review on your podcast app! If you really enjoy our content, become one of our amazing patrons to get more of it for just $1 per month here: https://www.patreon.com/geekbetweenthelines Every dollar helps keep the podcast going! You can also buy us a ko-fi for one-time support here: https://ko-fi.com/geekbetweenthelines Please follow us on social media, too: Instagram : https://www.instagram.com/geekbetweenthelines Pinterest : https://www.pinterest.com/geekbetweenthelines Facebook : https://www.facebook.com/geekbetweenthelines Twitter : https://twitter.com/geekbetween Website: https://geekbetweenthelines.wixsite.com/podcast Logo artist: https://www.lacelit.com
Featuring Matt Anderson and Ben De Bono In this episode, we review two books from The Book Poster. We start with “Under the Volcano” by Malcolm Lowry, and then discuss “The Day of the Locust”...
What major changes in Modesto's sports landscape could mean for the city's economic and cultural future. Exploring wineries and vineyards across Placer County. Finally, a Sacramento artist creates a winning 2026 World Cup poster.
Featuring Matt Anderson and Ben De Bono In this episode, we review two books from The Book Poster. We start with “Under the Volcano” by Malcolm Lowry, and then discuss “The Day of the Locust”...
In this episode we discuss about , movies of one of the most decorated recent directors Mr.Mari Selvaraj and the impacts it has on us. Ft. Senthil, Jawa, Durai, Kabilan.Show edited by Kabilan. Poster edited by ashn_01_.The feedback can be now given via the Google forms via the link, https://docs.google.com/forms/d/e/1FAIpQLSeGTyFioBVIydUPkeTOVsovwzEDATSeBEA9PbQCq8ziy2DxFg/viewform
Max and Roger talk about the Phillies, people on the bus, the big trade, and the Naked Gun reboot on Friday, August 29th 2025. Hosted on Acast. See acast.com/privacy for more information.
In this episode, Sabaree, Sathish, Vallal, Vaishu & Chriznill discuss about Migration and their experiences living abroad. Ketutu unga feedback ah comments leh podunga makkale. Please follow/ subscribe to our podcast. Follow us on Instagram in the below links
節目：勁歌金曲大雀局 主持：十五aka高人、Hugo 嘉賓：Sonic Zepplin 齊柏林熱狗十週年呈獻：Zep Fest音樂會 ！！！反應熱烈，8月31的單日飛，及兩日飛已經售罄，8月30單日尚餘少量！！！ 一連兩晚，樂團六隊，百味雜陳。 暗黑民謠、瞪鞋自賞 、龐克叛逆、器樂後搖。伴隨生命裡所有的起承轉合，照顧你所有的情緒。 環境再劣，內卷再烈，狂歡才是唯一出路。 名稱：Zep Fest 日期：Aug30、31, 2025(星期六、日） 時間：1930 open 場地：私人場地（IG DM for detail） 演出單位： Aug30 Gwenji、浮森、Wantamnam Aug31 小明的假日週末、Wellsaid、Arches 演出單位介紹 Gwenji（@gwenjibillie） Gwenji是來自香港的獨立民謠唱作歌手，擅長以真摯的旋律與流麗的結他演奏，描繪細膩的情感風景。首張EP《The Mole in My Eye》完整展現她將生活感悟轉化為動人歌曲的獨特視角。 這次演出，她將與完整樂隊合作，在原有的民謠基底上，加入更豐富的層次，為作品帶來全新的聆聽維度。 浮森（@fusenofficial） 純器樂(instrumental) , 後搖滾(Post-rock) 我們一直追求用聲音製造畫面，觀眾用想像力替我們譜寫故事，聆聽與被聆聽之間，舞台到底 在哪? “人與人之間難以完全理解，即使我們注定是孤獨的，但當音符與節奏響起的一刻，我想我們 會短暫的連結在一起。” Wantamnam 我地希望（@wantamnam） 成員深受Soul, Blues, Motown, Psychedelic Rock, Reggae, Jazz, Trip Hop, Post-rock 等音樂影響的港島青年，致力從創作中探索香港城市文化及生活的各種面向。 於2024年3月發布首張EP《木馬 Mukma》、9月發布第二張EP《想是南 Want Am Nam》、12月發布Live Session《牛頭角現場》。時而靜默、偶爾瘋狂的編曲極具張力，詩意的歌詞與配樂般的器樂環環相扣，其現場演出的感染力及氛圍深受樂迷所讚揚。 小明的假日週末（@ericsweekend） "小明的假日週末，五個人，音樂風格視乎心情，有混亂的，也有沒那麼混亂的。五個人平日在屎水打摔角，假日在音符與音符互相堆疊的世界裡，交換平常不會拿出來的血和肉。" Wellsaid（@wellsaidhk） Wellsaid is trying their best, whatever that means. Since releasing their debut EP in 2017, Wellsaid has performed around Asia, making friends and bridging the gap between their hometown Hong Kong and emerging scenes nearby. With the release of their 3rd album “REGRETOPIA” in 2024, the band has shed their midwest-emo roots, drawing more from punk and post-hardcore to embrace the power of simplicity. Arches（@___arches___） 成立於2020年秋季的香港，Arches是一支六人組成的另類搖滾和瞪鞋音樂樂隊，成員包括主唱/吉他手/詞曲創作人Jack Ip、鼓手Takuro Cheung、吉他手Hugo Fu、貝斯手Eququs Lee、吉他手/製作人Edward Chiu以及伴唱Wayne Ip。樂隊在2023年Clockenflap音樂節上表演，與Black Country, New Road等樂隊同台，並被納入Spotify Asia的Radar 2023計劃，標誌著他們在區域音樂界的崛起。 Poster design：Michael（@inknimitta）
Rory Stewart explores ideas of what it means to be a hero from the ancient world to the present day. How have these ideas changed? Why do heroes matter? Who are the heroes we need today?With the help of leading historians, psychologists, philosophers and theologians, he examines how heroism is continually questioned and re-invented in every age, and how these contrasting visions of the hero might speak to us in our own time. What does it mean for our moral life? How should we perceive and pursue human excellence?In this episode, Rory explores ideas of the hero from the middle of the 20th century.Presenter: Rory Stewart Producer and sound design: Dan Tierney Editor: Tim Pemberton Commissioning Editor: Dan Clarke
Poster 5 Pillars to an EPIC LIFE:
Recently, we had a conversation off the air about the posters that adorned our walls during childhood. We thought it would be fun to hear what you all displayed on your walls when you were kids too! Your responses were fantastic. From DC Talk and adorable Corgis to iconic Heavy Metal bands like Metallica and Motley Crue, it seems like you all enjoyed wonderful childhoods.The fun continues on our social media pages!Jeremy, Katy & Josh Facebook: CLICK HERE Jeremy, Katy & Josh Instagram: CLICK HERE
Our top news stories: We have some sad news regarding an iconic Superman actor, exciting new animated adventures for Krypto the Superdog, and all the latest details on how you can watch the new "Superman" movie at home right now! Superman news for the period August 13-19, 2025. Brought to you by SupermanHomepage.com. Hosted by Steve Younis. Visit our website: https://www.SupermanHomepage.com/ Visit our online store: https://www.SupermanHomepage.com/shop Featured Products and Links: Watch "Superman" at Home - https://www.supermanhomepage.com/movies/movies.php?topic=SupermanLegacy "Superman" 2025 Movie Merchandise - https://amzn.to/3AdxENy LEXiBOOK Superman Cyber Arcade Console - https://amzn.to/4moHI9K New "Superman" Movie Merchandise - https://www.supermanhomepage.com/new-superman-movie-merchandise/ This week's Superman comic books - https://www.supermanhomepage.com/superman-comic-books-available-this-week-august-20-2025/ Latest Comic Book Reviews - https://www.supermanhomepage.com/comics/2025-comic-reviews/c-review-2025.php
In this episode, Sabaree, Vaishu & Chriznill roast the shit out of the Rajinikanth starrer Coolie directed by Lokesh Kanagaraj and music by Aniruth. This movie features Shruti Hassan, Sathyaraj, Upendra, Nagarjuna, Soubin Shahir, Aamir Khan and many other favourite stars.Ketutu unga feedback ah comments leh podunga. Please follow/ subscribe to our podcast. Follow us on Instagram in the below links
Wednesday Season 2 Part 2 Trailer, Ghost of Yōtei Gameplay Trailer, Fallout Season 2 Poster, New Comics This Week. Hosted on Acast. See acast.com/privacy for more information.
Last time we spoke about the fall of Shanghai. In October 1937 a small battalion led by Colonel Xie Jinyuan transformed the Sihang Warehouse into a fortress against the advancing Japanese army. These men, known as the "800 Heroes," became symbols of hope, rallying local citizens who provided vital support. Despite heavy casualties, they held out against overwhelming odds until a strategic retreat was ordered on November 1. As Japanese forces intensified their assaults, they breached the Chinese defenses and captured strategic positions along Suzhou Creek. The fighting was fierce, marked by desperate counterattacks from the besieged Chinese soldiers, who faced an unyielding enemy. By November 9, the Chinese faced a full retreat, their organized defenses collapsing into chaos as they fled the city. Desperate civilians sought refuge in the International Settlement but were met with hostility, exacerbating the terror of the moment. Amidst the turmoil, remaining forces continued to resist in pockets, holding out as long as possible. By November 11, Japanese troops raised their flag in the last stronghold, marking a grim victory. #163 Crossing Nanjing's Rubicon Welcome to the Fall and Rise of China Podcast, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about the history of Asia? Kings and Generals have an assortment of episodes on history of asia and much more so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel where I cover the history of China and Japan from the 19th century until the end of the Pacific War. As the Japanese were mopping up Shanghai, Chiang Kai-Shek wrote in his diary on November 11th “I fear that they could threaten Nanjing”. Over In Shanghai, General Matsui Iwane was dealing with foreign correspondents, eager to learn what Japan's next move would be and to this he simply stated “For future developments, you had better ask Generalissimo Chiang Kai-Shek”. The correspondents were surprised by this response and pressed him further. He replied . “Chiang Kai-shek was reported to have predicted a five-year war, well, it might be that long. We don't know whether we will go to Nanjing or not. It all depends on Chiang.” At this point Shanghai was falling under Japanese control and now Matsui and his fellow field commanders were thinking, what's next? Nanjing was certainly the next objective. It was a common understanding amongst the Japanese leadership, that if the four main eastern cities of Beijing, Tianjin, Shanghai and Nanjing were lost, Chiang Kai-Shek's government would collapse. Three of these cities had been taken, Nanjing was dangling like fresh fruit. Matsui's staff believed the Chinese units departing Shanghai would mount a stand immediately west of the city, probably a defensive line running from Jiading to Huangduzhen. On the night of November 11th, Matsui issued a command to all units in the Shanghai area to advance west along the railway towards Nanjing. Their first objective would be a line extending from Taicang to Kunshan. Chiang Kai-Shek was not only reeling from military defeats, but also the gradual loss of his German allies. The Germans were increasingly aligning with the Japanese. Chiang Kai-Shek was looking for new external help, so he turned to the Soviets. It was a marriage of convenience, Chiang Kai-Shek signed a non-aggression pact with the USSR that year and wasted no time pleading for aircraft and pilots. Moscow began sending them before the ink touched the paper. 200 aircraft and pilots in return for some essential minerals, wolfram and tungsten. The Sino-Soviet friendship even drew in an unlikely source of support, Sir Winston Churchill. The Soviet envoy to the UK described how during a meeting with Churchill “he greatly praised our tactics in the Far East: maintenance of neutrality and simultaneous aid to China in weaponry.” Soviet pilots found themselves dispatched to Nanjing where they were briefed by Yakov Vladimirovich Smushkevich, the deputy commander of the Soviet Air Force. “The Japanese armed forces are technically superior to the Chinese. The Chinese Air Force is a particular concern. Soviet pilots who have rushed to China's aid are currently in Nanjing. They are fighting valiantly.” Meanwhile back at Shanghai discipline and order that had characterized previous Chinese withdrawal had collapsed. Simply put, there were hundreds of thousands of men trying to retreat across the lower Yangtze region, it was a shitstorm. Many units had to disengage during combat with the enemy and scramble to pull out. Huang Qixiang, the deputy commander of the Chinese right flank in Shanghai, executed a strategic withdrawal moments before his command post succumbed to the advancing enemy forces. Just fifteen minutes after his departure, the area was overrun by Japanese troops. In a desperate bid to avoid capture, another general had to cross a creek, nearly drowning in the process. Rescued while barely clinging to life and drenched in icy water, he was welcomed by a peasant family who aided in his recovery before he resumed his arduous journey westward. The scale of this withdrawal, occurring both day and night, could hardly escape the enemy's notice, and its complexity made the operation increasingly difficult. The execution of the withdrawal exacerbated the situation significantly. Orders to abandon their positions started to trickle down immediately after the upper command made the decision. However, these orders reached the units in a disorganized manner. Many telephone lines had been sabotaged, and when soldiers were sent to relay the orders in person, they faced severe disruptions in the transportation network. Consequently, many units only became aware of the withdrawal when they witnessed the mass movements of their comrades heading westward. Upon realizing what was happening, many soldiers fled in a state of panic. There were no comprehensive plans outlining the retreat, no designated routes for the various units, nor any established timetables. The outcome was a chaotic scramble for survival. Soldiers who had fought side by side for three months suddenly found themselves competing against one another in a desperate race to escape. At bridges and other chokepoints, weary soldiers exhausted their last reserves of strength, brawling with their fellow troops to be the first to cross. Meanwhile, officers traveling in chauffeur-driven cars attempted to assert their rank to gain priority access to the roads, adding to the growing disorder that ensued. The massive army was hindered by its sheer size, resulting in miles of congested roads filled with men unable to move in any direction. This made them easy targets for Japanese aircraft, leading to a bloody cycle of repeated attacks. Planes adorned with the red Rising Sun insignia would emerge from the horizon, swooping down to strike at these vulnerable formations. As commander Chen Yiding recalled “The lack of organization and the gridlocked roads resulted in far more casualties than could have been avoided,”. On November 12th, the newspaper Zhaongyang Ribao, published an editorial addressing the citizens of Nanjing, to remind them that tough times lay ahead now that Shanghai had fallen. The article stipulated they needed to prepare the city for the upcoming battle, “Now, all the citizenry of the capital must fulfill their duty in a way that can serve as a model for the entire nation.” Nanjing in 1937 was a city touched by the war, but not enough to change the social fabric just yet. Cinema's remained open, the shopping arcade was crowded as usual, traffic was heavy along Zhongshan Road, order remained. Telephones remained on, except during air raids. Connections to the outside world functioned as they should, given this was the capital. The region had seen a good harvest in 1937, no one was going hungry. However as the front 200 miles away drew closer, bombing raids more frequent, fear of the enemy increased. Contact with the outside world gradually declined. By mid November the train link from Nanjing to Shanghai was severed. While the fear amongst the populace increased, so did a newfound sense of common purpose against a common enemy. Poster calling for the Chinese to unite against the Japanese invaders were found throughout Nanjing. Residents were conscripted for various fortification efforts, with some receiving basic military training to help defend the city. Those who refused to cooperate faced severe penalties as “traitors,” while the majority willingly participated. Both military and civilian police were deployed throughout the city, diligently checking identities in an ongoing effort to root out spies and traitors. The authorities enforced a strict prohibition against discussing military matters in restaurants and other public venues. Then all the high ranking military officials and politicians families gradually began departing the city in secrecy. This was followed by said politicians and military officials. Twas not a good look. Nanjing soon saw its population decline from 1 million to half a million. Those who stayed behind were mainly the poor, or those anchored, like shopkeepers. Every day saw a steady stream of Nanjing citizens leaving the city over her main roads, fleeing into the countryside with carts full of belongings. On November 12th at 10am orders were issued for the Japanese to advance west. What had been a war of attrition, where inches of land were claimed with blood, suddenly it was a war of movement. As one Japanese soldier recalled “In the course of 50 days, I had moved only two miles. Now suddenly we were experiencing rapid advance”. As the Japanese came across small towns, they found large posters plastered on all the walls. These were all anti-japanese with some nationalist propaganda. The Japanese soldiers would tear them down and paint up their own messages “down with Chiang Kai-Shek!”. Towns and cities west of Shanghai fell rapidly one after another, each succumbing to a grim pattern: swift conquest followed by widespread devastation. Jiading, a county seat with a population of approximately 30,000, succumbed to a prolonged siege. When the 10st division captured Jiading on November 13, after relentless shelling had leveled a third of the city, they began a massacre, indiscriminately killing nearly everyone in their path, men, women, and children alike. The battle and its aftermath resulted in over 8,000 casualties among the city's residents and surrounding countryside. One Japanese soldier referred to Jiading as “A city of death, in a mysteriously silent world in which the only sound was the tap of our own footsteps”. On November 14, soldiers from the 9th Division reached Taicang, an ancient walled city designed to withstand lengthy sieges. As they crossed the 70-foot moat amid heavy fire, the Japanese troops confronted the formidable 20-foot-high city wall. After breaching the wall, their infantry swiftly entered the city and seized control. The destruction persisted long after the fighting ceased, with half of the city being devastated, including significant cultural institutions like the library, and salt and grain reserves were looted. It was as if the Japanese aimed to obliterate not just the material existence of the people but their spiritual foundation as well. Casual cruelty marked the nature of warfare along the entire front, with few prisoners being taken. Ishii Seitaro, a soldier in the 13th Division's 26th Brigade, encountered a mass execution while marching alongside the Yangtze River. Several headless corpses floated nearby, yet three Chinese prisoners remained alive. A Japanese officer, personally overseeing the execution, wore a simple uniform, but the two ornate swords at his belt indicated his wealthy background. Approaching one prisoner, the officer dramatically drew one of the swords and brandished it through the air with exaggerated flair. In an almost theatrical display, he held it aloft, the blade trembling as if he were nervous. The prisoner, in stark contrast, exhibited an unnerving calmness as he knelt, awaiting his inevitable fate. The officer swung the sword down but failed to deliver a clean strike. Although he inflicted a deep gash to the prisoner's skull, it was not fatal. The prisoner collapsed, thrashing and emitting a prolonged scream that sent chills through those present. The officer, seemingly exhilarated by the anguish he caused, began wildly slashing at the figure until the screams subsided. Ishii turned away in horror, his mind swirling with confusion. Why were the Chinese being executed? Had they not surrendered? Three months into the war's expansion to the Yangtze region, air raids had become an all too frequent menace in Nanjing. The first major raid came on August 15th and increased each week. On the night of August 27, approximately 30 bombs were dropped on Purple Mountain, specifically targeting the Memorial Park for Sun Yat-sen, aiming to hurt the morale of Nanjing's residents. As days melted into weeks and weeks stretched into months, the landscape of Nanjing transformed under the weight of war. Residents began constructing dugouts in courtyards, gardens, public squares, and even on streets. Foreigners painted their national flags on top of buildings and vehicles, attempting to avoid the risk of being machine-gunned by strafing aircraft. Each raid followed a predictable routine: sirens wailed loudly 20 to 30 minutes before the attack, signaling pedestrians to seek shelter and drivers to stop their engines. By the time a shorter warning sounded, the streets had to be cleared, leaving nothing to do but await the arrival of Japanese planes. Initially, the part-US-trained Chinese Air Force posed a considerable threat to Japanese bombers. The 4th and 5th Chinese Squadrons, stationed near Nanjing to defend the capital, achieved early success, reportedly downing six bombers during the first air raid on Nanjing. Much of the credit for these aerial victories belonged to Claire Chennault, a retired American Army Air Corps captain who had become an advisor to the Chinese Air Force, overseeing Nanjing's air defense. Chennault taught his pilots tactics he had developed in the US but had never fully implemented. His strategy was straightforward: three fighters would focus on one enemy bomber at a time. One would attack from above, another from below, while a third would hover in reserve to deliver the final blow if necessary. He instructed the Chinese pilots to target the engines rather than the fuselage, reasoning that any missed shots could hit the gas tanks located in the wing roots. This approach proved successful, leading to the loss of 54 Japanese planes within three days. For Chennault, it validated his belief that air superiority required a diverse range of aircraft, not just bombers. Nighttime raids, however, posed a greater challenge. Chennault, along with other commanders, sought solutions. Chinese General C.C. Wong, a German-trained artillery officer overseeing the country's anti-aircraft defenses, ensured that dozens of large Sperry searchlights were positioned throughout Nanjing in a grid pattern. This setup had a dual purpose: it would dazzle the Japanese bomber crews and highlight their planes in silhouette for Chinese fighters above to target. The bravery of the most skilled Chinese pilots occasionally gained media attention, making them local celebrities amidst an otherwise grim war environment. However, this bright moment faded quickly when the Japanese command decided to provide escorts for their bombers. Consequently, the elite of China's air force, its finest pilots and aircraft, were lost within weeks that fall. All air raids were brutal, but the worst assaults occurred at the end of September. As a radio broadcaster reported on September 25th “Gallons of civilian blood flowed today as Nanking endured three ferocious air raids”. In total, 96 Japanese sorties were launched on that day. Witnesses observed around a dozen Chinese aircraft retreating north across the Yangtze, initially believing they were fleeing, but some returned to confront the enemy. When Chinese fighters managed to down a Japanese bomber, the streets erupted in cheers as civilians momentarily forgot their fear. The primary aim of the September 25 attack appeared to be spreading terror among the civilian population. Chiang Kai-Shek wrote in his diary that day “The repeated Japanese air raids over the past several days have had no impact on our military installations. Instead, civilian property has sustained significant damage.” Around 20 bombs struck the Central Hospital, one of Nanjing's largest medical facilities, causing extensive destruction and prompting the evacuation of its staff. Two 1,000-pound bombs exploded nearby, leaving large craters. Had these bombs landed slightly closer, they could have resulted in mass casualties among the hospital's 100 patients, including a Japanese pilot who had been shot down earlier that month. The air raids at the end of September prompted protests from the Americans, British, and French governments to Japan. In response, Tokyo issued a statement on September 30, asserting that while they were not intentionally targeting non-combatants, it was “unavoidable” for achieving military objectives that military airfields and installations in and around Nanjing be bombed. The battle for Jiashan was among the fiercest in the southern Yangtze delta campaign in November 1937. Although Jiashan was a moderately sized town straddling a crucial railway connecting Shanghai to Hangzhou, the capital of Zhejiang province. For the Japanese, seizing Jiashan was imperative for their westward advance; without it, their military progress would be severely hampered. Jiashan had endured three days of relentless bombing by the Japanese Air Force, driving most residents to flee into the surrounding countryside. Only about 100 remained, those who were too old or too sick to escape, abandoned by family or friends who lacked the means to assist them. The Japanese troops brutally bayoneted nearly all of these individuals and buried them in a mass grave just outside the town's northern gate. Jiashan was captured by the 10th Army, a division fresh from victories and eager to engage in combat, unlike the weary forces of the Shanghai Expeditionary Force further north. With less than a week of combat experience, the 10th Army's soldiers were hungry for a fight. The martial spirit of the 10th Army was exemplified by its commander, Yanagawa Heisuke. Born near Nagasaki in 1879, he was among a group of retired officers called back to active service as the war in China escalated unexpectedly. Having served in the Russo-Japanese War of 1904-1905 and taught at the Beijing Army College in 1918, Yanagawa had considerable experience in military affairs. However, his past exposure to China did not cultivate any empathy for the enemy. He was determined to push all the way to Nanjing, and once there, he intended to blanket the city in mustard gas and incendiaries until it capitulated. While Japanese commanders debated the value of capturing Nanjing, the Chinese were equally preoccupied with whether it was worth defending. Most military professionals viewed the situation as a lost cause from the start. After the fall of Shanghai, Chiang Kai-shek summoned one of his top commanders, Chen Cheng, to Nanjing for discussions. “How can Nanjing be held?” Chen Cheng shot back “Are you ordering me to hold Nanjing?” Chiang replied “I am not”. Chen Cheng stated frankly, “I believe Nanjing should not be held at all.” By mid-November, Bai Chongxi, one of China's most respected generals, advocated for declaring Nanjing an open city. He argued that defending it was not only unnecessary but also impossible. All available forces had been deployed to Shanghai and were now exhausted. Furthermore, no reinforcements would be forthcoming if they made a stand in Nanjing. Instead of stubbornly clinging to fixed positions, he preferred a more flexible defensive strategy. Zhang Qun, Chiang's secretary, supported Bai's stance, believing that while Nanjing should ultimately be abandoned, political considerations were paramount. If the Chinese simply withdrew and allowed the Japanese to occupy the city, it would undermine China's position in any future negotiations. The Japanese would not be able to present themselves as victors who had triumphed in battle. Similarly, Chiang's chief military advisor, General Alexander von Falkenhausen, was against attempting to hold Nanjing. He deemed it “useless from a military perspective, suggesting it would be madness.” He warned that if Chiang forced his army into a decisive battle with their backs to the Yangtze River, “a disaster would probably be unavoidable.” Chiang's head of the operations bureau Liu Fei argued Nanjing could not be abandoned without a fight as it would crush the NRA's morale. He believed that defending the city could be managed with as few as 12 regiments, although 18 would be feasible. Most at the meeting agreed and Chiang understood Nanjing's international recognition necessitated some form of defense, doomed or not. A second meeting was formed whereupon, Tang Shengzhi, a general staff officer whose loyalties were, lets be honest very flip floppy. During the warlord era, he routinely switched sides, especially against Chiang Kai-Shek. At the meeting Tang stated in regards to Nanjing's international prominence and being the final resting place of Dr Sun Yat-Sen “How can we face the spirit of the former president in heaven? We have no choice but to defend the capital to the death.” Chiang's commanders were all well aware of his intentions. The generalissimo was eager for a dramatic last stand in Nanjing to serve propaganda purposes, aiming to rally the nation and convey to the world that China was resolute in its fight against Japan. His commanders also recognized the rationale behind fighting for Nanjing; however, very few were inclined to embark on what seemed a likely suicide mission. The third meeting occurred the day after the second. Chiang opened by asking, as many anticipated, “Who is willing to shoulder the burden of defending Nanjing?” An awkward silence followed. Then Tang Shengzhi stepped forward. “Chairman, if no one else is willing, I will. I'm prepared to defend Nanjing and to hold it to the death.” Without hesitation, Chiang accepted his offer. “Good, the responsibility is yours.”A little refresher on Tang, he had played a role in Chiang Kai-shek's efforts to unify China by force in the 1920s, when the nation was a patchwork of fiefdoms. However, their relationship had soured on two occasions, forcing Tang into temporary exile, first to Japan and then to Hong Kong. The Japanese invasion of northeastern China in 1931 prompted a loose reconciliation, and since then, Tang had held several important positions, notably organizing war games simulating a Japanese assault on Nanjing. However Tang had often suffered from illness, and crucially, he had not led troops in the field against the Japanese since the onset of full-scale war that summer. Hailing from Hunan province, he was a typical provincial soldier and would likely face challenges commanding respect among elite divisions loyal solely to the central government in Nanjing. He was definitely not the first choice for such a significant task. Amazingly, while tens of thousands of Chinese and Japanese were killing each other, while Japanese planes relentlessly bombarded Chinese cities including the capital, and while Japanese soldiers committed heinous atrocities against Chinese civilians, the two nations maintained diplomatic relations. China had a fully operational embassy in Tokyo, led by Xu Shiying, a 65-year-old diplomat. This surreal arrangement persisted because neither side was willing to officially declare war. In the fall of 1937, as Japanese armies were heavily engaged on two fronts within mainland China, Xu met with Japanese Foreign Minister Hirota Koki to propose a non-aggression treaty. The proposal was swiftly rejected in Nanjing. By November 1937, Xu was no longer at the forefront of events, and foreign observers shifted their focus from the capitals of the warring nations to Belgium. While large-scale battles raged along the lower Yangtze, representatives from 19 countries convened in Brussels to search for a way to end hostilities. Although China participated in the conference, Japan did not. Japan had received two invitations to join the talks, with its response to the second arriving in Brussels on November 12: a firm rejection. Japan asserted that it preferred direct bilateral negotiations with China, dismissing the Brussels conference held under the auspices of the Nine-Power Treaty, a pact signed in 1922 aimed at ensuring China's national sovereignty and territorial integrity. Japan argued that intervention by a collective body like the conference “would merely stir national sentiments in both countries and complicate efforts to reach a mutually satisfactory resolution.” The League of Nations had called for a Nine-Power conference a month earlier, which ultimately became a 19-power conference as other nations with interests in East Asia joined. From the outset, Japan opposed the assembly and was absent when the first plenary meeting commenced in Brussels on November 3. Japanese leaders feared that China might attempt to leverage the conference against Western powers, recalling how, in 1895, Japan had been denied its spoils following its first modern war with China due to the intervention of Russia, France, and Germany, who blocked Japan from claiming the strategic Liaodong Peninsula adjacent to Korea. China also exhibited a lukewarm attitude toward the conference. While Japan feared the potential outcomes, China was concerned about the lack of significant results. The proposal to transition discussions from the League of Nations, perceived as ineffective, to the even less authoritative Nine Powers, which lacked formal organization. Nonetheless, the Chinese chose to participate in Brussels, maintaining the pretense that something meaningful could be accomplished. Shortly after Japan's second rejection of the invitation, Wellington Koo made an impassioned plea in Brussels, stating, “Now that the door to conciliation and mediation has been slammed in your face by the latest reply of the Japanese Government, will you not decide to withhold supplies of war materials and credit to Japan and extend aid to China?” In reality, Koo understood that significant Western aid to China was highly unlikely, aside from token gestures. Previous international discussions had momentarily halted Japanese advances in the past; for instance, in 1932, Japanese troops had paused their movements in the Shanghai area just hours before the League of Nations General Assembly commenced. However, that was nearly six years earlier, and circumstances had changed dramatically since then. Rogue states had grown bolder, while democracies seemed increasingly timid. Thus, the Chinese agenda in Brussels was not primarily driven by hopes for substantial Western concessions. Instead, the delegates had been tasked by Nanjing to anticipate the post-conference landscape and to actively seek ways to encourage Europe and America to support Soviet military action against Japan. China, long reliant on Germany as a diplomatic partner, increasingly felt betrayed, not just by Germany, but also by its fascist ally, Italy. Consequently, it began looking more favorably upon the Soviet Union, Japan's archrival in Northeast Asia, as its main source of international support. The Soviet Union exhibited a firmer stance than the Western democracies at the Brussels conference, joining China in advocating for collective security in Europe and Asia. On November 15th, a small group of officers from the 10th Army gathered for late-night discussions in an abandoned building north of Hangzhou Bay, where they would effectively decide the fate of China. Yanagawa Heisuke, the commander of the 10th Army, presided over the discussions. Fresh from the battlefield since the beginning of the month, he was eager to escalate the fight, a sentiment echoed among the others. It was an unusual meeting, where officers as low in rank as major were making decisions typically reserved for the highest echelons of political power. The agenda included a pivotal question: Should they adhere to Order No. 600 received from Tokyo a week prior, which instructed them to halt their advance along a line from Suzhou to Jiaxing? Or, should they disregard these explicit orders and push forward to seize Nanjing? While the Japanese Army had failed to completely annihilate the Chinese forces around Shanghai, there was a consensus that their adversary was now reeling from recent setbacks, presenting an opportune moment to strike decisively and secure a swift victory. The only remaining question was how aggressively to pursue this goal. Colonel Terada Masao, a senior staff officer within the 10th Army, spoke first. “The Chinese Army is currently retreating toward the capital. We should cross that line and pursue the enemy straight to Nanjing.” Major Iketani Hanjiro, a staff officer recently attached to the fast-moving 6th Division, then offered his input “From a tactical perspective, I completely agree with Terada that we should cross the line, but the decision to attack Nanjing should be considered not just tactically, but also politically. It's not that field commanders can't create a fait accompli to pressure our superiors in Tokyo. However, we must proceed with great caution”. A staff officer raised this question “What if Tokyo orders us to pull back those smaller units?” Iketani responded “In that case, we will, of course, withdraw them to this side of the line”. Ultimately, Iketani's cautions were set aside, and Terada's aggressive approach prevailed. The majority agreed that the tactical circumstances presented a rare opportunity. Japanese troops in the Shanghai area were poised to advance west, not through small, individual skirmishes but with a substantial deployment of their forces. Officers estimated that if a decisive push was made immediately, Nanjing could fall into Japanese hands within 20 days. However Colonel Kawabe Torashiro, the newly appointed chief of the Army General Staff's Operations Section suddenly arrived at the theater. He was sent on a mission to assess whether the Central China Area Army should be granted greater operational freedom. It was well known in Tokyo that field officers were eager to capitalize on the momentum created by the collapse of Chinese defenses around Shanghai. Kawabe's task was to explore the possibility of allowing forces to cross the line from Suzhou to Jiaxing and move westward in pursuit of the retreating enemy. However, Kawabe was staunchly opposed to further military adventures in China. Kawabe was part of the dwindling faction of "China doves" within the Japanese military. As early as the summer of 1937, he had become alarmed by a letter from a civilian Japanese visitor to the Chinese mainland, warning that Japanese officers were attempting to engineer an “incident” with China to provoke open conflict. This would provide Japan with a pretext to expand its influence in northern China. Kawabe had attempted to alert his superiors, but his warnings fell on deaf ears. They had been lulled into a false sense of security by reports from China that dismissed all talk of war-mongering as baseless and alarmist. When he arrived to the front he stated “I am here to inspect conditions on the ground so that a final decision can be made on where to establish the operational restriction line”. Alongside him came General Akira Muto, recently appointed the commander of the Central China Area Army. He also happened to be one of the architects of the Marco Polo Bridge Incident. Muto responded promptly: “The line currently stretches from Suzhou to Jiaxing, but we should consider crossing it. This will help us achieve our overall objectives in the theater.” Muto continued, arguing that the 10th Army should be permitted to advance to Huzhou, south of Lake Tai, effectively cutting off communications between Nanjing and the strategic city of Hangzhou. He further claimed that the Shanghai Expeditionary Force should be allowed to capture the vital city of Jiangyin, suggesting, perhaps overly optimistically, that its loss could lead to the fall of Chiang Kai-shek. Ultimately, Muto insisted, Nanjing should also be seized, which he asserted would bring an end to the war. Kawabe listened patiently, a practice he would repeat in the following days as other field officers echoed similar sentiments, eagerly expressing their desire to advance all the way to Nanjing. Yanagawa and his 10th Army exemplified this aggressive mindset. Nevertheless, just as the hawks within the Japanese military and the nation's political leadership appeared to be prevailing in the struggle over China policy, they faced unexpected challenges from a different direction. Germany, a power with ambiguous sympathies in East Asia, was quietly engaged in negotiations aimed at bringing peace. Oskar Trautmann, Germany's ambassador to China, had maintained an objective and neutral stance when he met with Chiang Kai-shek in early November to relay Japan's conditions for initiating peace talks. These conditions included extensive concessions in northern China, such as the withdrawal of all Chinese troops to a line south of Beijing and the establishment of a pro-Japanese regime in Inner Mongolia, bordering the Soviet-controlled Mongolian People's Republic. Chiang dismissed these demands outright, but Trautmann and his superiors in Beijing continued their top-secret efforts. Germany's motivation for seeking an end to the Sino-Japanese War was not rooted in a genuine love for peace, but rather in their embarrassment over witnessing their old Asian ally, China, fighting against their new partner, Japan. Herman Göring, president of the Reichstag and a leading figure in the Nazi party, told a Chinese visitor, “China and Japan are both friends of Germany. The Sino-Japanese War has put Germany between Scylla and Charybdis. That's why Germany is ready to seize the chance to become a mediator.” Germany also feared that a prolonged conflict in China could jeopardize its commercial interests in East Asia and weaken Japan's capacity to confront the Soviet Union, potentially freeing Moscow to allocate more resources to a fight in Europe. In essence, continued hostilities could significantly harm Germany. Japanese field commanders were frustrated by Germany's mediation efforts. When news of Trautmann's mission leaked, the German diplomat faced severe criticism in the Chinese media, which deemed any negotiation with the "Japanese devils" unacceptable. Additionally, there was the matter of China's ties with the Soviet Union; employing a German mediator raised the possibility of cooperation among China, Japan, and Germany, potentially expanding the anti-Soviet bloc, which would, in turn, pressure Moscow to increase its support for China. By mid-November, however, the complexities of this diplomatic game started unraveling and then Japan took action. At 7:00 am on November 19, Yanagawa issued instructions to his troops in the field. “The enemy's command system is in disarray, and a mood of defeat has descended over their entire army. They have lost the will to fight. The main Chinese forces were retreating west of the line stretching from Suzhou to Jiaxing, and this withdrawal was soon likely to spiral into a full-scale retreat. We must not miss the opportunity to pursue the enemy to Nanjing.” I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. Shanghai had fallen, and the Japanese forces pursued their fleeing enemy further west. However they had orders to halt, but would they? Officers from top down deliberating on the issue, with the vast majority pushing for a drive to Nanjing. They thought it represented the end objective of the conflict. They would all be very wrong.
Vous vous prenez la tête pendant des heures pour savoir quoi poster sur Instagram ?Dans cet épisode, je vous partage ma méthode express en 15 minutes chrono pour choisir quoi publier sans stress ni perte de temps... Tout en restant stratégiques pour obtenir un max de résultats dans votre business (visibilité, conversions, ventes, etc.).Je vous montre :comment je trie mes idées en fonction de mes objectifs du momentles 3 questions que je me pose avant de valider un postet pourquoi la simplicité bat toujours la perfectionUn épisode coulisse + pratico-pratique, parfait si vous voulez arrêter de procrastiner et publier avec régularité (sans y passer vos journées).
"8 chuyện" về phim Tử chiến trên không, Cô dâu ma, Em xinh tinh quái, chuyện dùng AI trong Moana phiên bản live action cũng như quan điểm của đạo diễn James Cameron về AI.
In this episode, Sabaree, Vaishu & Chriznill talk about the Rajinikanth starrer Coolie directed by Lokesh Kanagaraj and music by Aniruth. This movie features Shruti Hassan, Sathyaraj, Upendra, Nagarjuna, Soubin Shahir, Aamir Khan and many other favourite stars.Ketutu unga feedback ah comments leh podunga. Please follow/ subscribe to our podcast. Follow us on Instagram in the below links
This is yet another traditional cringe family tales episode with an unusual twist , this time we have called 10 guests as follows (Refer Guests Name in the Poster). This time they all tell their own cringe family tales and y'all who listen get to vote for the best tale, the contest also concludes with Haashiraamaa Senju, Tobirama Senju, Kakashi Hatake and Kisame Hoshikage telling their own tales as closing ceremony. Muthu Cracker World:- Phone:8148842100 Branches:- Sivakasi,Salem Promo Code:- SVK KUDANKULAM Google Form Link to Vote for the Best Cringe Tales given below: https://forms.gle/CasVBEVfiSH2oTix6 SVK Brotherhood Form:https://forms.gle/9RxFJnT3KtS8C85fAUPI ID- schumyvannakaviyangal13@axlUPI ID- schumyvannakaviyangal13@yblUPI ID -schumyvannakaviyangal13@iblFully Flimy X SVK Merchandise:-https://fullyfilmy.in/collections/svk-collection---------------------------------Support Us----------------------------------------Support Schumy Vanna Kaviyangal if you feel like it
It's the last Friday before kids head back to school in the Treasure Valley, so there's plenty to talk about in the news. Hey Boise newsletter editor Blake Hunter joins host Lindsay Van Allen to review the headlines, starting with Idaho's growing OB-GYN exodus. Meanwhile, school walls are becoming political flashpoints thanks to a new poster ban, unless it's a very specific motto. And the Idaho sky is throwing a cosmic party with planets, meteors, and a Sturgeon Moon. Want some more Boise news? Head over to our Hey Boise newsletter where you'll get a cheatsheet to the city every weekday morning. Learn more about the sponsor of this August 8th episode: Summit Innovations Interested in advertising with City Cast Boise? Find more info HERE. Reach us at boise@citycast.fm.
5 Years. 100 Episodes. Multiple versions of us.
“The Jewish voice must be heard, not because it's more right or less right, but it's there. The suffering is there, the grief is there, and human grief is human grief.” As Jews around the world mark Tisha B'Av, we're joined by Columbia University professor and award-winning poet Owen Lewis, whose new collection, “A Prayer of Six Wings,” offers a powerful reflection on grief in the aftermath of October 7th. In this conversation, Lewis explores the healing power of poetry in the face of trauma, what it means to be a Jewish professor in today's campus climate, and how poetry can foster empathy, encourage dialogue, and resist the pull of division. *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC. Listen – AJC Podcasts: The Forgotten Exodus: Untold stories of Jews who left or were driven from Arab nations and Iran People of the Pod: Latest Episodes: An Orange Tie and A Grieving Crowd: Comedian Yohay Sponder on Jewish Resilience From Broadway to Jewish Advocacy: Jonah Platt on Identity, Antisemitism, and Israel Sexual Violence as a Weapon of War: The Dinah Project's Quest to Hold Hamas Accountable Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript of the Interview: Owen Lewis: Overheard in a New York Restaurant. I can't talk about Israel tonight. I know. I can't not talk about Israel tonight. I know. Can we talk about . . . Here? Sure. Let's try to talk about here. Manya Brachear Pashman: On Saturday night, Jews around the world will commemorate Tisha B'av. Known as the saddest day on the Jewish calendar, the culmination of a three week period of mourning to commemorate several tragedies throughout early Jewish history. As a list of tragedies throughout modern Jewish history has continued to grow, many people spend this day fasting, listening to the book of Lamentations in synagogue, or visiting the graves of loved ones. Some might spend the day reading poetry. Owen Lewis is a Professor of Psychiatry in the Department of Medical Humanities and Ethics at Columbia University. But he's also the award-winning author of four poetry collections which have won accolades, including the EE Cummings Prize and the Rumi Prize for Poetry. His most recent collection, A Prayer of Six Wings documents in verse his grief since the October 7 terror attacks. Owen is with us now to talk about the role of poetry in times of violence and war, what it's been like to be a Jewish professor on the Columbia campus, and a Jewish father with children and grandchildren in Israel. And also, how to keep writing amid a climate of rising antisemitism. Owen, welcome to People of the Pod. Owen Lewis: Thank you so much, Manya. Manya Brachear Pashman: So you opened with that short poem titled overheard in a New York restaurant. I asked you to read that because I wanted to ask whether it reflected how you felt about poetry after October 7. Did you find yourself in a place where you couldn't write about Israel, but yet you couldn't not write about Israel? Owen Lewis: Among the many difficult things of that First Year, not only the war, not only the flagrant attacks on the posters of the hostages one block from where I live, 79th and Broadway, every day, taken down every day, put back up again, defaced. It was as if the war were being fought right here on 79th and Broadway. Another aspect that made this all so painful was watching the artistic and literary world turn against Israel. This past spring, 2000 writers and artists signed a petition, it was published, there was an oped about it in The Times, boycotting Israeli cultural institutions. And I thought: artists don't have a right to shut their ears. We all need to listen to each other's grief, and if we poets and artists can't listen to one another, what do we expect of statesmen? Statesmen, yeah, they can create a ceasefire. That's not the same as creating peace. And peace can only come when we really listen to each other. To feel ostracized by the poetry community and the intellectual community was very painful. Fortunately, last summer, as well as this past summer, I was a fellow at the Yetzirah conference. Yetzirah is an organization of Jewish American poets, although we're starting to branch out. And this kind of in-gathering of like-minded people gave me so much strength. So this dilemma, I can't talk about it, because we just can't take the trauma. We can't take hearing one more thing about it, but not talk about it…it's a compulsion to talk about it, and that's a way to process trauma. And that was the same with this poetry, this particular book. I feel in many ways, it just kind of blew through me, and it was at the same time it blew through me, created this container in which I could express myself, and it actually held me together for that year. I mean, still, in many ways, the writing does that, but not as immediately and acutely as I felt that year. Manya Brachear Pashman: This book has been praised as not being for the ideological but for the intellectually and emotionally engaged. So it's not it's not something that ideologically minded readers will necessarily be able to connect to, or is it actually quite the opposite? Owen Lewis: Well, it's very much written from the gut, from the experience, from in a sense, being on the ground, both in Israel and here in New York and on campus, and trying to keep a presence in the world of poetry and writers. So what comes from emotion should speak to emotion. There are a few wisps of political statements, but it's not essentially a politically motivated piece of writing. I feel that I have no problem keeping my sympathies with Israel and with Jews. I can still be critical of aspects of the government, and my sympathies can also be with the thousands of Palestinians, killed, hurt, displaced. I don't see a contradiction. I don't have to take sides. But the first poem is called My Partisan Grief, and it begins on October 7. I was originally going to call the bookMy Partisan Grief, because I felt that American, Jewish, and Israeli grief was being silenced, was being marginalized. And I wanted to say, this is our grief. Listen to it. You must listen to this. It doesn't privilege this grief over another grief. Grief is grief. But I wanted ultimately to move past that title into something broader, more encompassing, more humanitarian. Manya Brachear Pashman: And did that decision come as the death toll in Gaza rose and this war kept going and going and the hostages remained in captivity, did that kind of sway your thinking in terms of how to approach the book and frame it? Owen Lewis: Yes, but even more than those kind of headlines, which can be impersonal, the poetry of some remarkable Palestinian poets move me into a broader look. Abu Toha was first one who comes to mind Fady Joudah, who's also a physician, by the way. I mean his poetry, I mean many others, but it's gorgeous, moving poetry. Some of it is a diatribe, and you know, some of it is ideological, and people can do that with poetry, but when poetry really drills down into human experience, that's what I find so compelling and moving. And that's what I think can move the peace process. I know it sounds quite idealistic, but I really think poetry has a role in the peace process here. Manya Brachear Pashman: I want to I want to unpack that a little bit later. But first, I want to go back to the protests that were roiling Columbia's campus over the past year and a half, two years. What was it like to be, one, writing this book, but also, teaching on campus as a Jewish professor? Owen Lewis: Most of my teaching takes place up at the Medical Center at 168th Street. And there I have to say, I didn't feel battered in any way by what was happening. I had a very shocking experience. I had a meeting that I needed to attend on, or that had been scheduled, I hadn't been quite paying attention. I mean, I knew about the encampments, but I hadn't seen them, and I come face to face with a blocked campus. I couldn't get on the campus. And what I'm staring at are signs to the effect, send the Jews back to Poland. I'm thinking, Where am I? What is this? I mean, protest, sure. I mean we expect undergraduates, we expect humans, to protest when things really aren't fair. But what did this have to do…why invoke the Holocaust and re-invoke it, as if to imply the Jews should be punished? All Jews. And what it fails to account for are the diversity of Jewish opinion. And you know, for some Jews, it's a black or white matter, but for most thinking Jews that I know, we all struggle very much with a loyalty to Israel, to the Jewish people, to the homeland and larger humanitarian values. So that was quite a shock. And I wrote a piece called “The Scars of Encampment,” in which I say, I can't unsee that. " And I go to campus, and, okay, it's a little bit more security to get onto campus. It's a beautiful campus. It's like an oasis there, but at the same time, I'm seeing what was as if it still is. And in a way, that's the nature of trauma that things from the past just roil and are present with almost as much emotion as when first encountered. Manya Brachear Pashman: So did you need to tune out those voices, or did that fuel your work? Owen Lewis: No, that fueled my work. I mean, if anything, it made me feel much more, a sense of mission with this book. And a commitment, despite criticism that I may receive, and no position I take is that outlandish, except to sympathize with the murdered on October 7th, to sympathize with their families, to resonate with what it must be like to have family members as hostages in brutal, brutal conditions. Not knowing whether they're dead or alive. So I really felt that the Jewish voice must be heard, not because it's more right or less right, but it's there. The suffering is there, the grief is there, and human grief is human grief. Manya Brachear Pashman: Owen, if you wouldn't mind reading another poem from the collection. Of course, many of us remember the news out of Israel on Thanksgiving Day 2023, right after October 7th. And this poem is titled, “Waiting for the Next Release, Reported by the New York Times, November 23 2023”. Owen Lewis: Waiting For the Next Release, Reported N.Y. Times, Nov. 23, 2023 Maybe tomorrow, if distrust doesn't flare like a missile, some families will be reunited. How awful this lottery of choice; Solomon would not deliberate. Poster faces always before my eyes, Among them, Emma & Yuli Cunio. Twins age 3, Raz Katz-Asher, age 4, Ariel Bibas, another four year old. What do their four year old minds make of captivity? What will they say? What would my Noa say? What will the other Noas say? Remembering Noa Argamani, age 26, thrown across the motorcycle to laughter and Hamas joy. I have almost forgotten this American day, Thanks- giving, With its cornucopian harvests, I am thinking of the cornucopian jails of human bounty. (What matter now who is to blame?) Manya Brachear Pashman: Really beautiful, and it really captures all of our emotions that day. You have children and grandchildren in Israel, as I mentioned and as you mentioned in that poem, your granddaughter, Noa. So your grief and your fear, it's not only a collective grief and fear that we all share, but also very personal, which you weave throughout the collection. In another poem, “In a Van to JFK”, you talk about just wanting to spend one more hour with your family before they fly off to Israel. And it's very moving. But in addition to many of the poems, like the one you just read, they are based on and somewhat named for newspaper headlines, you said that kind of establishes a timeline. But are there other reasons why you transformed those headlines into verse? Owen Lewis: Yes, William Carlos Williams in his poem Asphodel, says, and I'm going to paraphrase it badly. You won't get news from poems yet, men die every day for wanting what is found there. And I think it's a very interesting juxtaposition of journalism and poetry. And I mean, I'm not writing news, I'm writing where my reflections, where my heart, goes in response to the news, and trying to bring another element to the news that, you know, we were confronted. I mean, in any time of high stress, you swear off – I'm not watching any more TV. I'm not even gonna look at the newspaper. And then, of course, you do. I can't talk about Israel today. I can't not talk about it. I can't read the paper. I can't not read the paper. It's kind of that back and forth. But what is driving that? And so I'm trying to get at that next dimension of what's resonating behind each one of these headlines, or resonating for me. I mean, I'm not claiming this is an interpretation of news. It's my reaction, but people do react, and there's that other dimension to headlines. Manya Brachear Pashman: That seems like it might be therapeutic, no? Owen Lewis: Oh, totally, totally. You know, I'm very fortunate that having started a career in medicine, in psychiatry, and particularly in child and adolescent psychiatry. I always had one foot in the door academically. I spent, you know, my life as, I still teach, but I'm very fortunate to have, maybe 10+ years ago, been introduced to a basically a woman who created the field of Narrative Medicine, Rita Sharon. And now at Columbia in the medical school, we have a free-standing Department of Medical Humanities and Ethics, of which she's chairman. So I've had the fortune of bringing psychiatry and medicine and writing together in a very integrated way. And yes, writing is therapeutic, especially, I could say in medicine, which has given itself over to electronic medical record keeping, but our whole society is moving towards the electronic. And what happens when you sit and write, and what happens when you then sit and read, you reflect. Your mind engages in a different way that is a bit slower than the fast pace of electronic communications and instant communications and instant thinking. And now with AI, instant analysis of any situation you want to feed data from. So that's sorely lacking in the human experience. And the act of writing, the act of reading has huge therapeutic values, huge salutary benefits for humans in general, but particularly in times of stress. In a lot of work on Post Traumatic Stress Disorder, finding an outlet, an artistic outlet, it doesn't have to be writing, but that's often a way of transcending the trauma. And medicine is filled with trauma. People trying to come to terms with acute illnesses, chronic illnesses. Doctors and caregivers trying to come to terms with what they can and can't do. And you know, we're coming up against limitations. But how do you make peace with those limitations? And it's not that it's a magical panacea, but it's a process of engagement, not only with the subject, but with yourself in relation to the subject. Manya Brachear Pashman: I mean, I imagine dialogue is really the healthiest way of conversation and speaking through and interacting with a topic. And so I would imagine poetry, or, as you said, any art form, responding to news reports, it makes that a two way conversation when you're able to process and it's not just the headlines shouting at you, you're actually interacting and processing it by writing and reaction, or painting and reaction, whatever you choose to do. Owen Lewis: Exactly. Manya Brachear Pashman: You have said that poetry can serve a purpose during times of war. Is this one of the purposes to to be therapeutic or are you talking more in terms of what statesmen could learn from it? Owen Lewis: Well, yes, of course, what statesmen could learn from it, but it's human nature to want to take sides. I mean, that's kind of just what we do. But I think we can always do better than that. So I'm really talking about the people. I mean, there are also many Jews who are so angry at Israel that they can't listen to the story of Jewish grief. They should be reading mine and others poetries from this era. I wish the Palestinian poets were. I wish the Palestinian people. I mean, of course, in their current situation, they don't have time when you're starving, when you're looking for your next glass of fresh water. You don't have time for anything beyond survival. But once we get beyond that, how long are these positions going to be hardened. I mean, I think when the people of all sides of the dilemma really listen to the others, I mean, they're, I mean, if, unless as Hamas has expressed, you know, wants to push Israel into the sea, if Israel is going to coexist with the Palestinian people, whether they're in a nation or not in a nation, each has to listen to the other. And it's, you know, it's not one side is right, one side is wrong. It's far too complex a history to reduce it to that kind of simplicity. And I think poetry, everyone's poetry, gets at the complexity of experience, which includes wanting to take sides and questioning your wanting to take sides and moving towards something more humanitarian. Manya Brachear Pashman: You said earlier, you recommend Abu Toha, Fady Joudah, two Palestinian poets who have written some beautiful verse about– tragically beautiful verse–about what's happening. But there have been some really deep rifts in the literary world over this war. I mean, as you mentioned before, there was a letter written by authors and entertainers who pledged to boycott Israeli cultural institutions. Some authors have refused to sell rights to their books to publishers in Israel. So why not reciprocate? And I know the answer. I think you've already addressed it pretty well. What's wrong with that approach? Owen Lewis: In any conflict, there are at least three sides to the conflict. I mean, claims to nationhood, claims to who shoved first, who. I mean, you don't entangle things by aggressively reacting. I mean, if we learned anything from Mahatma Gandhi, it's what happens when we don't retaliate, right? And what happens when we go the extra mile to create bridges and connections. There are a host of people in Israel who continue to help Palestinians get to medical facilities, driving them back and forth, working for peace. I mean, there's a Palestinian on the Supreme Court of Israel, and well, he should be there. You know, that's the part of Israel that I am deeply proud of. So why not retaliate? I think it entrenches positions and never moves anything forward. Manya Brachear Pashman: So have you gotten any negative feedback from your writing colleagues? Owen Lewis: Some cold shoulders, yes. I mean not nothing overtly. I haven't been slammed in a review yet. Maybe that's coming. But when I publish pieces, I tend not to look at them. I had an oped in the LA Times. I've had some other pieces, you know, that precipitates blogs, and I started to read them. And the first blog that came off of the the LA Times oped was, God, is he an opportunist, just taking advantage of having a daughter in Israel? And trying to make a name for himself or something. And I said, You know what, you can't put yourself out and take a position without getting some kind of flack. So occasionally, those things filter back, it's par for the course. Manya Brachear Pashman: Right, not really worth reading some of those. You included Midrash in this book. You also spelled God in the traditional sense in the poems. Why did you choose to do that? Owen Lewis: Well, I felt it honors a tradition of Jewish writing. It mean we have yud, hey, vav, hey, you know, which in English comes down as Yahweh, but it's unpronounceable. The name of God is unpronounceable. And, you know, yud, hey, vav, hey is just a representation. It isn't God's name. And there's a tradition that the name of God, when it's written down, can't be destroyed. And it's a way of honoring that tradition. Millennium of Jewish writers, you know, it's similar to say Elokim, instead of Elohim when the text is written. To sort of substitute. We know what we're talking about, but really to honor tradition, to pay respect and sort of to stay in the mind frame that, if there is a God, he, she, they, are unknowable. And somehow it creates, for me, a little bit of that mystery by leaving a letter out. It's like, G, O, D, seems more knowable than G-d. It's leaving that white space right for something bigger, grander, and mysterious, for the presence of that right in the word itself. Manya Brachear Pashman: And what about including Midrash? Owen Lewis: That's a very interesting question. You know Midrash for me, when you steep yourself in traditional Midrash, there's stories that exemplify principles and they fill in gaps. I mean, some of the most important. I mean, we have this notion of Abraham breaking the idols of his father before he left. No. That's Midrash, thats not in the Torah. And yet, nine out of ten Jews will say that's in the Torah, right? So, it kind of expands our understanding of the traditional text. But it also very much allows a writer to creatively engage with the text and expand it. It's like a commentary, but it's a commentary in story, and it's a commentary in terms that evoke human responses, not necessarily intellectual responses. So frankly, I think it's every Jews' responsibility to write Midrash. That reinvigorates the stories, the texts, and the meanings, and then we write midrashes upon midrashes. And you know, we get a whole community buzzing about a single story. Manya Brachear Pashman: Which is very much what you've done with this collection, you know, writing poetry in response to news stories and engaging it in that way. It's very Jewish response, I would argue. Do you observe Tisha B'av? Owen Lewis: You know what I do. You're gonna laugh. My grandmother always warned us, don't go in the water on Tisha B'av, the sea will swallow you up. So I'm a big swimmer. I love swimming. I don't swim on Tisha B'av, because I hear my grandmother's voice, I'm going to be swallowed up. Manya Brachear Pashman: If you could please wrap up this conversation by sharing a poem of your choice from your latest collection. Owen Lewis: A poem I love to read again starts with a headline. 2000 Pound Bombs Drop, Reported N.Y. Times, Dec,, 22 2023. In Khan Younis, the call to prayer is the call of a dazed Palestinian child crying baba, standing at the brim of a cavernous pit of rubble biting his knuckles–baba, baba . . . It's so close to the abba of the dazed Israeli children of Be'eri, Kfar Azza. There is no comfort. From his uncles he's heard the calls for revenge– for his home and school, for his bed of nighttime stories, for his nana's whisper-song of G-d's many names. His Allah, his neighbor's Adonai, cry the same tears for death and shun more blood. No miracle these waters turning red. Who called forth the fleets of avenging angels? By viral post: Jewish Plagues on Gaza! A firstborn lost, then a second, a third. What other plagues pass over? Hail from the tepid sky? From on high it falls and keeps falling. Though we've “seen terrible things,” will you tell us, Adonai, Allah, tell us– do You remember the forgotten promise? From the pile once home of rubble stone, a father's hand reaching out, baba, abba crushed by the load. We know the silence of the lost child . . . G-d “has injured us but will bind up our wounds . . .” Mothers Look for us, called by the name yamma, calling the name imma. Our father of mercy, not the god of sacrifice. Our many crying heads explode. Manya Brachear Pashman: Owen Lewis, thank you so much for talking to us about how this book came about and for sharing some of these verses. Owen Lewis: Thank you so much. Manya Brachear Pashman: If you missed last week's episode, be sure to listen to my conversation with Israeli comedian Yohay Sponder on the sidelines of AJC Global Forum 2025. Hear how his Jewish identity shapes his work, how his comedy has evolved since the Hamas terror attacks, and what he says to those who try to silence him.
Featuring Matt Anderson and Ben De Bono In this episode, we review “I, Claudius” by Robert Graves, and then we discuss which books we will be reading next from The Book Poster. VOTE FOR AN...
Featuring Matt Anderson and Ben De Bono In this episode, we review “I, Claudius” by Robert Graves, and then we discuss which books we will be reading next from The Book Poster. VOTE FOR AN...
Featuring Matt Anderson and Ben De Bono In this episode, we review “The Sun Also Rises” by Ernest Hemingway, and then we discuss which books we will be reading next from The Book Poster. VOTE...
Featuring Matt Anderson and Ben De Bono In this episode, we review “The Sun Also Rises” by Ernest Hemingway, and then we discuss which books we will be reading next from The Book Poster. VOTE...
This episode is yet another close to the heart episode where we discussed about some wholesome moments we faced throughout in our life and few heart touching stories. Ft. Senthil, Jawa, Durai.Show edited by Vembuli.Poster design by ashn_01_.
07-21-25 - Revisiting Why We Had Sales Hitler In On Friday And The Poster That Spawned It - Mormon Wife Says She's Frightened To Have Sex So Is Letting Husband Get It ElsewhereSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
07-21-25 - Revisiting Why We Had Sales Hitler In On Friday And The Poster That Spawned It - Mormon Wife Says She's Frightened To Have Sex So Is Letting Husband Get It ElsewhereSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Tin tức mới về các phim Cô Đừng Hòng Thoát Khỏi Tôi, Cô Dâu Ma, Cảm Ơn Người Đã Thức Cùng Tôi và tin về nữ diễn viên Scarlett Johansson trở thành diễn viên có doanh thu phòng vé toàn cầu cao nhất Hollywood.
Talking: - Today's Headlines - MLB ASG - This is crazy! - Poster of the Decade - Jenny Is Mom and more! SUBSCRIBE ON TWITCH: https://bit.ly/BODTwitch SUBSCRIBE ON YOUTUBE: https://www.youtube.com/barryonsports?sub_confirmation=1 MERCH: https://barryondeck.com/shop ----------------------------------------------------------------------------------- INSTAGRAM ▶▶ https://instagram.com/barryondeck TIKTOK ▶▶ https://tiktok.com/@barryondeck FACEBOOK ▶▶ https://facebook.com/barryondeck TWITTER ▶▶ https://twitter.com/barryondeck PATREON ▶▶ https://patreon.com/barryondeck ----------------------------------------------------------------------------------- Thanks for watching
Our top news stories: "Superman" is the No. 1 movie in the world, the film's score is getting a special vinyl release, and there are more new figures available to pre-order. Superman news for the period June 4-10, 2025. Brought to you by SupermanHomepage.com. Hosted by Steve Younis. Visit our website: https://www.SupermanHomepage.com/ Visit our online store: https://www.SupermanHomepage.com/shop Featured Products and Links: "Superman" 2025 Movie Merchandise - https://amzn.to/3AdxENy Superman Premium Format Figure - https://shrsl.com/4xabl NECA "Superman" Movie 1/4 Scale Action Figure - https://store.necaonline.com/products/superman-2025-superman-quarter-scale-action-figure Superman Fortress of Solitude on Throne Statue - https://www.prime1studio.com/cdcsc-superman-fortress-of-solitude-on-throne/TLCDC-08UTS.html "Superman" Movie Decals, Stickers, License Plate Covers, Keychains and More! - https://www.supermanhomepage.com/superman-movie-decals-stickers-license-plate-covers-keychains-and-more/ New "Superman" Movie Merchandise - https://www.supermanhomepage.com/new-superman-movie-merchandise/ This week's Superman comic books - https://www.supermanhomepage.com/superman-comic-books-available-this-week-july-16-2025/ Latest Comic Book Reviews - https://www.supermanhomepage.com/comics/2025-comic-reviews/c-review-2025.php
Josh goes for a nice walk through Syracuse at 5am. Anyone else remember "Claire Danes Poster?" Some High Strangeness takes us back to the 1800's. Paul from Brushfest gets us ready for The Syracuse Nationals. Plus so much more on a Tuesdee!
On this episode we discuss Jason's poster at the Elite Basketball Rehab Conference 2025 in Las Vegas, NV. The Relationship Between Limb Length and Bodyweight-Normalized Hip Strength Testing Tuori J, Bunn A, Pontillo M. Poster presented at: Elite Basketball Rehab Conference; July 2025; Las Vegas, NV. Due to copyright laws, unless the article is open source we cannot legally post the PDF on the website for the world to download at will. Brought to you by our sponsors at: CSMi – https://www.humacnorm.com/ptinquest Learn more about/Buy Erik/Jason/Chris's courses – The Science PT Support us on the Patreons! Music for PT Inquest: “The Science of Selling Yourself Short” by Less Than Jake Used by Permission Other Music by Kevin MacLeod – incompetech.com: MidRoll Promo – Mining by Moonlight Koal Challenge – Sam Roux
start set the show00:05:00 Big Dumper wins the HR Derby00:13:00 Grizz hire Ryan Saunders to be lead assistant00:24:00 Mike Wallace00:53:00 Incredible poster at Summer League00:58:00 WNBA news and notes01:12:00 TV TUESDAYJessica's 'Love island' season 7 review'Too Much' review'Squid Game' review
Send us a textOn this edition of The Brief Case, presented by Spirit Mountain Casino, Trail Blazers beat reporter/Insider Casey Holdahl, on location in Las Vegas, discusses...• The Trail Blazers moving to 1-1 at the Las Vegas Summer League with a loss to the Grizzlies on Saturday• The difficulty of playing a Summer League Back-To-Back• Game running behind schedule (maybe due to the Summer League tournament tiebreaker)• Yang Hansen gets his first Las Vegas Summer League poster dunk • Hansen's post-game comments about fitness, rebounding and improvement• The Las Vegas Summer League standings as of the morning of July 13 and where the Trail Blazers stand in terms of making the tournament• The Trail Blazers adding another former player, James Posey, to a remade coaching staff• An interview with two-way rookie Caleb Love about when he got serious about basketball, his college career at North Carolina and Arizona, why he decided to sign with the Trail Blazers and his hopes for himself and the team at Summer League
Dave Kloc is a prolific artist who designs posters for a wide variety of artists, but when PRIMUS comes calling, he ups his game. Enjoy a peek behind his creative process and unique approach to making these lasting images. This episode is best experienced on video at patreon.com/primustracksFind Dave at www.davekloc.com and @davekloc on the socials. Get involvedInstagramFacebookEmailBurn your money
We are getting close to the 4th of July and that can only mean one thing...British and American!! On this amazing episode of the podcast we have Parker Subrin and Nick Poster on to tell us about the surprise B&A start, and our first few B&A events. We also touch on our counselor Volleyball game w/ Kawaga.
In this art-filled episode of I Want That Too, Jim Hill and Lauren Hersey dive deep into the colorful world of Disney posters—on screens, in parks, and behind the scenes. From the hand-painted brilliance of legendary artist Drew Struzan to the merchandising missteps that infuriated Robin Williams, this show explores how Disney uses poster art to sell stories and spark emotion. Jim explains how Fantasia's box office flop turned into a midnight movie cult hit, while Lauren shares her family's New Year's tradition of painting attraction posters. You'll hear: Why Robin Williams was furious about Disney's Aladdin poster The unlikely call that brought Harrison Ford's face back to Disney marketing A touching update on Drew Struzan's health and legacy The poster re-release that finally pushed Fantasia into the black Which attraction poster Lauren's family paints every year Why Disney cast services keeps an evolving gallery of ride posters This episode is packed with nostalgia, history, and a heartfelt look at how much meaning can be packed into a single piece of art. Unlocked Magic Unlocked Magic, powered by DVC Rental Store and DVC Resale Market, offers exclusive Disney & Universal ticket savings with TRUSTED service and authenticity. With over $10 MILLION in ticket sales, use Unlocked Magic to get the BIGGEST SAVINGS. Learn More Learn more about your ad choices. Visit megaphone.fm/adchoices
Helping everyday people tell the stories of what's happening in the US right now
© 2020-2025 Ivy Podcast Discovery LLC
