Podcasts about Exhibition

Marion Tanau, Executive Director of the New Mexico Philharmonic, and violinist, also Carmelo De los Santos...Renowned Brazilian violinist, professor of violin at UNM, and Concertmaster of the NM Philharmonic, join TJ to talk about upcoming shows happening at the NM Philharmonic which include Music of the Knights, Pictures at an Exhibition, and one of the Harry Potter Series. All on News Radio KKOBSee omnystudio.com/listener for privacy information.

The Mind of a Serial Killer Exhibition in Dublin recently opened, but it ‘crosses a line' with its gory recre­ations of crime scenes and killers' liv­ing quar­ters, accord­ing to a prom­in­ent true crime pod­caster. Anton discusses this further with Nules Ní Chleirigh is host of the Ireland Crimes and Mystery Podcast.

The Mind of a Serial Killer Exhibition in Dublin recently opened, but it ‘crosses a line' with its gory recre­ations of crime scenes and killers' liv­ing quar­ters, accord­ing to a prom­in­ent true crime pod­caster. Anton discusses this further with Nules Ní Chleirigh is host of the Ireland Crimes and Mystery Podcast.

DO NOT ADJUST YOUR SETS! We are controlling transmission! In this shocking display of video voodoo, authors Matt Alt (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pure Invention: How Japan Made the Modern World⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Patrick Macias (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mondo Tokyo: Dispatches from a Secret Japan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) run amok through the recent MEGA BULLMARK TOY EXHIBITION held in Tokyo.Join the PURE TOKYOSCOPE Patreon!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You'll get access to full episodes, bonus content, our Discord server, and an archive of past episodes. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head over to Pure TokyoScope Patreon to subscribe today!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠INFO⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Matt Alt on Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patrick Macias on Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pure TokyoScope on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The podcast is produced by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠jaPRESS LLC⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠© and edited by Patrick MaciasTheme song by Marxy, v.o. by RInRin Doll

In this episode, host Victoria Barlow interviews Lionel Arsac about the recent exhibition at the Palace of Versailles: The Grand Dauphin (1661-1711). Son of a king, father of a king and never king. This exhibition shines a light on the relatively unknown life and career of Louis of France (son and heir of the famous Louis XIV). Their discussion outlines the importance of remembering this interesting figure and explores the organisation of such an extraordinary exhibition. Guest Bio:Lionel Arsac has been curator of sculptures at the Palace of Versailles since 2017 and, since 2019, head of preventive conservation of the collections. In addition to numerous articles on the sculptures of Versailles, Lionel has taken an interest in subjects as diverse as the uses of oriental carpets at Court, Proust and Versailles, and, more recently, the sculpture collections of Ange Laurent La Live de Jully. Lionel has curated several exhibitions at the Palace of Versailles: Rediscovered Masterpieces. Zephyr and Flora and Abundance (2022), Louis XIV by Bernini, Genius and Majesty (2025) and, recently, The Grand Dauphin. Son of a king, father of a king and never king. Follow Lionel on Instagram: @lionelarsac 

Fluent Fiction - Serbian: Bridging Time: A Valentine's Day Exhibition at Kalemegdan Find the full episode transcript, vocabulary words, and more:fluentfiction.com/sr/episode/2026-02-13-08-38-20-sr Story Transcript:Sr: Зимска снега нежно је прекривала Калемегданску тврђаву.En: The winter snow gently covered the Kalemegdan fortress.Sr: Камени зидови стајали су, величанствени и стари, као сведоци векова.En: The stone walls stood, majestic and ancient, as witnesses of centuries.Sr: Лепота панорамског погледа одузимала је дах.En: The beauty of the panoramic view was breathtaking.Sr: Петар, амбициозни кустос, гледао је преко река Саве и Дунава.En: Petar, an ambitious curator, looked out over the Sava and Danube rivers.Sr: Била је то савршена сценографија за изложбу коју је планирао месецима.En: It was the perfect backdrop for the exhibition he had been planning for months.Sr: За Дан заљубљених, Петар је желео да подари Београђанима изложбу која ће спојити прошлост и садашњост.En: For Valentine's Day, Petar wanted to gift the people of Belgrade with an exhibition that would unite the past and present.Sr: Његов циљ био је јасан: организовати културно значајну изложбу која чува традицију али и прославља модерну уметност.En: His goal was clear: to organize a culturally significant exhibition that preserves tradition while celebrating modern art.Sr: Међутим, свакодневица у организацији није била једноставна.En: However, the daily routine of organizing was not simple.Sr: Миодраг, историјски прецизан и традиционалан, није био одушевљен модернијим дизајном.En: Miodrag, historically precise and traditional, was not thrilled with the more modern design.Sr: „Треба да се држимо историјске веродостојности“, инсистирао је Миодраг.En: "We should stick to historical authenticity," insisted Miodrag.Sr: За њега је била важна безвременост тврђаве.En: For him, the timelessness of the fortress was important.Sr: С друге стране, Јелена, креативна дизајнерка, желела је да унесе савременост.En: On the other hand, Jelena, a creative designer, wanted to bring in modernity.Sr: „Морамо привући млађу публику, нова енергија ће оживети причу“, рекла је.En: "We have to attract a younger audience; new energy will revive the story," she said.Sr: На неколико дана пред изложбу, Петар се нашао у зеленој сали, окружен заклетвама, плановима и дискусијама.En: A few days before the exhibition, Petar found himself in the green hall, surrounded by vows, plans, and discussions.Sr: Миодраг и Јелена су разменили своје аргументе.En: Miodrag and Jelena exchanged their arguments.Sr: Соба је била испуњена тензијом као ваздушни фронтови који се сударе над земљом.En: The room was filled with tension like air fronts colliding over the land.Sr: Петар је морао донети одлуку.En: Petar had to make a decision.Sr: Заћутао је на трен.En: He fell silent for a moment.Sr: Размисао је о духу тврђаве.En: He considered the spirit of the fortress.Sr: Затим се сетио да се историја и модерност често испреплићу и да су, заправо, део исте приче.En: Then he remembered that history and modernity often intertwine and are, in fact, part of the same story.Sr: „Уредићемо просторије тако да сваки кутак буде део једне велике целине“, одлучио је на крају.En: "We will arrange the rooms so that every corner is part of one big whole," he decided in the end.Sr: Под Миодраговим водством, делови изложбе верно су представљали богатство прошлости.En: Under Miodrag's guidance, parts of the exhibition faithfully represented the richness of the past.Sr: Јелена је додала светла и модерну уметност која су истицала те историјске призоре.En: Jelena added lights and modern art that highlighted those historical scenes.Sr: Испало је савршено.En: It turned out perfectly.Sr: Посетиоци су били одушевљени, упијајући сваку нијансу изложбе.En: Visitors were delighted, absorbing every nuance of the exhibition.Sr: На крају, Петар је схватио да је тимски рад донео успех.En: In the end, Petar realized that teamwork had brought success.Sr: Поука коју је научио била је важна: савршенство се крије у споју историје и савремености.En: The lesson he learned was important: perfection lies in the blend of history and modernity.Sr: Калемегдан је добио још један сјај у својој раскошној књизи векова, а Петар је био задовољан.En: Kalemegdan had gained another shine in its lavish book of centuries, and Petar was satisfied.Sr: Изложба је обележила Дан заљубљених и донела топлину у ледени зимски дан.En: The exhibition marked Valentine's Day and brought warmth to a frosty winter day. Vocabulary Words:fortress: тврђаваmajestic: величанствениwitnesses: сведоциpanoramic: панорамскогcurator: кустосbackdrop: сценографијаexhibition: изложбаsignificant: значајнуroutine: свакодневицаprecise: прецизанauthenticity: веродостојностиtimelessness: безвременостcolliding: судареintertwine: испреплићуwhole: целинеfaithfully: верноrichness: богатствоnuance: нијансуteamwork: тимски радblend: спојуlavish: раскошнојvows: заклетвамаshimmer: сјајscenes: призореrevive: оживетиprediction: одлукуconsidered: размисаоattract: привућиyounger: млађуenergy: енергија

NHMU executive director and entomologist Jason Cryan highlights Bug World, a new blockbuster exhibition opening at the Natural History Museum of Utah. Built by the special effects studio behind “The Lord of the Rings” and “Avatar,” the exhibition brings the hidden genius of insects to life at a jaw dropping scale.

100 X Swissness: Members of the Swiss Club of Victoria present themselves in a photo exhibition under this title. - 100 X Swissness: Unter diesem Titel stellen sich Mitglieder des Swiss Club of Victoria in einer Fotoausstellung vor.

Shannon-based artist Asha Murray is making waves on the national stage, featuring in a major new exhibition opening this evening at the Royal Hibernian Academy in Dublin. Key Learnings from Cross-Market Synergetic Alignment brings together nine contemporary artists exploring everything from branding and packaging to consumer culture and the domestic space — and Asha's bold, cartoon-inspired work is right at the heart of it. Recently named one of the Irish Times Magazine's Top 50 Artists to Watch in 2026, it's an exciting moment in her career. Asha Murray joined Alan Morrissey on Thursday's Morning Focus. Photo (c) RHA Gallery

Bongani Bingwa speaks with Setlamorago Mashilo, Multidisciplinary artist on what to expect from the exhibition, all happening in Constitutional Hill. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio7See omnystudio.com/listener for privacy information.

A powerful exhibition featuring photographs and stories of Aboriginal and Torres Strait Islander people with disability has been called a milestone for inclusion and representation. First exhibited at the United Nations in Geneva more than a decade ago, it's now being shown again on home soil in its most accessible format. - Впечатляющая выставка фотографий и историй людей с ограниченными возможностями здоровья и из числа Коренных народов Австралии впервые показана в Австралии.

Dyana Hesson shares her inspiring journey as an artist, emphasizing the significance of hard work and planning in her recent exhibition at the Arizona Sonora Desert Museum. She reflects on how her passion for nature and art intertwined, leading to a remarkable career spanning over 35 years. Throughout the conversation, she highlights the joy of creating connections within the art community and encourages both emerging and established artists to not let fear hold them back. With a focus on collaboration and mutual respect, Dyana's insights offer valuable lessons for anyone in the creative field.Takeaways:Dyana Hesson shares her journey from a creative child to a professional artist, emphasizing the importance of following one's passion in the arts.Dyana Megan Wimberley highlights the significance of blending creativity with entrepreneurial skills for artists, suggesting that marketing can be a fun and creative outlet.Dyana discusses the challenges of copyright infringement and emphasizes the need for artists to protect their work legally.The podcast reveals how community connections among artists can foster support and growth, stressing that there's room for everyone in the art world.Dyana reflects on the emotional experience of exhibiting her work at the Arizona Sonora Desert Museum, noting how the right setting enhances the artist's vision.Megan and Dyana encourage artists to embrace their fears and pursue big goals, as overcoming challenges can lead to rewarding experiences in their careers.Links referenced in this episode:https://www.dyanahesson.com/https://www.instagram.com/dyhesson/arizonasonoradesertmuseumhttps://vimeo.com/1126277334cowgirlartistsofamericaCompanies mentioned in this episode:Arizona Sonora Desert MuseumPhoenix ZooCowgirl Up! at the Sigler Western Art MuseumBilly SchenkDennis ZeminskiWestern Art CollectorAmerican Art CollectorSouthwest ArtCowboys and Indians

The Formula One Grand Prix in Melbourne is just around the corner. An exhibition in Melbourne is currently showing the history of Formula One and the development of one of the most traditional races. Together with Oli Kerbler, who works behind the scenes at both the F1 Grand Prix and the exhibition, we take a tour. We talk about the development of Formula One, significant changes and the importance of the race for Melbourne. - Der Formel-1-Grand-Prix in Melbourne steht vor der Türe. Passend dazu zeigt derzeit eine Ausstellung in Melbourne die Geschichte der Formel 1und die Entwicklung eines der traditionsreichsten Rennen. Gemeinsam mit Oli Kerbler, der sowohl beim F1 Grand Prix als auch bei der Ausstellung hinter den Kulissen arbeitet, machen wir einen Rundgang durch die Ausstellung. Wir sprechen über die Entwicklung der Formel 1, prägende Veränderungen und die Bedeutung des Rennens für Melbourne.

Pippa Hudson speaks to Caroline Greyling, the director of the Norval Foundation, which will open a new Irma Stern exhibition this week. Lunch with Pippa Hudson is CapeTalk’s mid-afternoon show. This 2-hour respite from hard news encourages the audience to take the time to explore, taste, read and reflect. The show - presented by former journalist, baker and water sports enthusiast Pippa Hudson - is unashamedly lifestyle driven. Popular features include a daily profile interview #OnTheCouch at 1:10pm. Consumer issues are in the spotlight every Wednesday while the team also unpacks all things related to health, wealth & the environment. Thank you for listening to a podcast from Lunch with Pippa Hudson Listen live on Primedia+ weekdays between 13:00 and 15:00 (SA Time) to Lunch with Pippa Hudson broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/MdSlWEs or find all the catch-up podcasts here https://buff.ly/fDJWe69 Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Ashley Gallant from Lakeside Arts chats to Kev Castle about the Andy Warhol exhibition at Lakeside on Nottingham Hospitals' Radio.

Recorded live at Sundance, this episode features a wide-ranging roundtable on the current state of independent film exhibition. Host GG Hawkins speaks with festival programmers, exhibitors, and platform founders about what's broken in the exhibition ecosystem, what's actually working better than people realize, and how community-driven models—from art houses to new distribution tools—are reshaping how films are discovered, shown, and sustained beyond the festival circuit. In this episode, No Film School's GG Hawkins and guests discuss… Why art house cinemas and film festivals remain vital community hubs The realities of audience-building beyond “market festivals” and multiplexes How filmmakers can rethink distribution, touring, and self-exhibition New tools and platforms helping filmmakers navigate submissions and discovery The rise of alternative distribution models, including physical media reimagined Why shorts, community producers, and collaboration matter more than ever How filmmakers and exhibitors can work together more effectively What a sustainable film community could look like in 2026 Memorable Quotes: “Art house cinemas and independent exhibitors and film festivals are thriving because they build community.” “Making movies is like having a baby… then you've got to raise it.” “There is such an opportunity on both sides for filmmakers and exhibitors to learn how to work together.” “Independent film is rooted in community and curation.” Guests: Ash Cook – Programmer, Sundance Film Festival; Festival Director, San Francisco Jewish Film Festival; Founder & CEO, Video.Storage Tony Gapastone – Founder & Executive Director, Bravemaker Lela Meadow-Conner – Interim Executive Director, Art House Convergence; Co-founder, The Popcorn List Tyler Knohl – Co-founder, Hiike; Assistant Director, Boston Sci-Fi Film Festival Brynne Norquist – Co-founder & CEO, Hiike Aidan Dick – COO, Video.Storage; Programmer, Frameline Film Festival Resources: Bravemaker – https://bravemaker.org Art House Convergence – https://arthouseconvergence.org The Popcorn List – https://thepopcornlist.com Hiike – https://hiike.com/ Video.Storage – https://www.videostoreage.com Frameline Film Festival – https://www.frameline.org Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

Sight Village exhibitions are a great way to learn more about products and services designed for blind and partially sighted people in your area. Hywel Davies has been hearing all about plans for this year's Sight Village Scotland.

Send us a textThe NexusXp: The Connected Lab pavilion returns to SLAS2026 (Feb. 7-11), with an even sharper focus on integrative automation, seamlessly connecting devices, platforms and people to advance scientific workflows. In this episode, we speak with each participating NexusXp Integration Showcase sponsor to preview each company's innovative demonstration in the pavilion. Designed to spark collaboration between vendors and researchers, NexusXp highlights real-world lab automation scenarios that blend hardware, software and human ingenuity. See the timestamps for each course discussion below:00:00 — Ginkgo Bioworks (Jason Kelly, PhD)09:58 — Hamilton (Del Ray Jackson, PhD)17:15 — Thermo Fisher Scientific (Hansjoerg Haas, PhD)26:14 — Greiner Bio-One (Glauco Souza, PhD)Don't wait—Register for SLAS2026 International Conference & Exhibition today!Stay connected with SLAS:www.slas.org | Facebook | X | LinkedIn | Instagram | YouTubeAbout SLASSLAS (Society for Laboratory Automation and Screening) is an international professional society of academic, industry and government life sciences researchers and the developers and providers of laboratory automation technology. The SLAS mission is to bring together researchers in academia, industry and government to advance life sciences discovery and technology via education, knowledge exchange and global community building. SLAS2026 International Conference & Exhibition February 7-11, 2026 Boston, MA SLAS Europe 2026 Conference and Exhibition 19-21 May 2026 Vienna, Austria View the full events calendar

How do you design for all ages at the same time?What is “serious fun”? Does nature ever go out of style? How do you create content for both Native and non-Native audiences? What do education staff do when a gallery has no text panels? What are “Native sensibilities”? Why is Blue Deer blue?Shoshana Wasserman (Deputy Director) and Kimberly Rodriguez (New Media Specialist) from First Americans Museum, and Bill Smith (Principal, Storyline Studio) discuss “Serious Fun at the First Americans Museum” with MtM host Jonathan Alger (Managing Partner, C&G Partners | The Exhibition and Experience Design Studio).Along the way: a 12-foot hawk, rotary phones, and Grandma Turtle's Choctaw collar.Talking Points:1. What is FAM?2. What is the "FAMily Discovery Center" project? 3. Native Sensibilities Taking Center Stage4. Native and Human Values: Community, Respect, Resilience, and Stewardship5. We are all connected.6. The project is still growing.How to Listen:Listen on Apple Podcasts:https://podcasts.apple.com/us/podcast/making-the-museum/id1674901311  Listen on Spotify:https://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G  Listen at Making the Museum, the Website:https://www.makingthemuseum.com/podcast  Links to Every Podcast Service, via Transistor:https://makingthemuseum.transistor.fm/ Guest Bios:Shoshana Wasserman (Muscogee Creek/Thlopthlocco Tribal Town citizen) began with a vision to weave culture, education, and community into meaningful spaces. For over 20 years, she helped bring First Americans Museum to life. A founding team member and Deputy Director, she oversees operations, guest services, and the store supporting Native artists. As co-curator of the FAMily Discovery Center, she champions immersive storytelling, tribal collaboration, and joyful design—all anchored in her belief We Are All Connected.For 18 years, Kimberly Rodriguez (Muscogee/Oglala Sioux) has been part of the FAM journey—from name changes to documenting the site “from the ground to the mound.” A co-curator of two exhibitions and a proud member of the powerhouse Communications team, she blends professionalism with a Looney Tunes sense of humor. With deep pride in promoting the stories of 39 tribes in Oklahoma today, Kimberly brings heart, wit, and collaboration to everything she does—because like water, humor is life.Bill Smith, Principal of Storyline Studio, brings over 40 years of experience as one of the nation's leading exhibition designers. Formerly partner and design director at West Office Exhibition Design, he led award-winning projects for history, science, and cultural institutions. In 2003, he founded Storyline Studio to further his creative vision. His work has earned accolades from the Industrial Designers Society of America, AAM's CurCom, and the Society for Environmental Graphic Design.About Making the Museum:Making the Museum is a newsletter and podcast on exhibitions, written and hosted by Jonathan Alger. MtM is a project of C&G Partners | The Exhibition and Experience Design Studio.Learn more about the creative work of C&G Partners:https://www.cgpartnersllc.com/ Links for This Episode:Shoshana Waserman: shoshanaw@famok.orgKimberly Rodriguez: communications@famok.org Bill Smith: bill@storylinestudio.com First Americans Museum:https://famok.org/ FAMily Discovery Center:https://familydiscoverycenter.org/ Storyline Studio:https://www.storylinestudio.com/ Links for Making the Museum, the Podcast:Contact Making the Museum:https://www.makingthemuseum.com/contact Host Jonathan Alger, Managing Partner of C&G Partners, on LinkedIn:https://www.linkedin.com/in/jonathanalger  Email Jonathan Alger:alger@cgpartnersllc.com  C&G Partners | The Exhibition and Experience Design Studio:https://www.cgpartnersllc.com/  Making the Museum, the Newsletter:Like the show? You might enjoy the newsletter. Making the Museum is also a free weekly email about exhibitions for museum leaders and teams. (And newsletter subscribers are the first to hear about new episodes of this podcast.)Join hundreds of your peers with a one-minute read, three times a week. Invest in your career with a diverse, regular feed of planning and design insights, practical tips, and tested strategies — including thought-provoking approaches to technology, experience design, audience, budgeting, content, and project management.Subscribe to the newsletter:https://www.makingthemuseum.com/ 

Howard University announced that its Gallery of Art will lend three works by alumna and artist Elizabeth Catlett to the Banneker-Douglass-Tubman Museum in Annapolis, Maryland. The pieces will be featured in the exhibition “She Speaks: Black Women Artists and the Power of Historical Memory,” opening this weekend and running through January 2027. University officials say the collaboration will provide students with hands-on experience while highlighting Catlett's legacy as one of the most influential Black artists of the 20th century. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices

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A powerful exhibition featuring photographs and stories of Aboriginal and Torres Strait Islander people with disability has been called a milestone for inclusion and representation. First exhibited at the United Nations in Geneva more than a decade ago, it's now being shown again on home soil in its most accessible format.

This week on the Boxoffice podcast, co-hosts Daniel Loria, Rebecca Pahle, and Chad Kennerk cover the weekend box office and review the 2026 Oscar nominations. Then in the feature segment, Rebecca speaks with Wynn Salisch, the president of the Mid-South Theatre Association and Casablanca Payments, to preview the Mid-South Theatre Convention coming up in Memphis, TN from March 30 to April 1. Give us your feedback on our podcast by accessing this survey: https://forms.gle/CcuvaXCEpgPLQ6d18 What to Listen For00:42 Weekend Box Office Overview01:00 Mercy Takes #1 in Weak January01:35 Post-Avatar Box Office Slowdown02:00 Upcoming Releases & Tracking Forecasts03:00 Indie & January Action Releases04:15 Documentary Box Office Expectations05:00 UK & Ireland Box Office Forecast06:02 Oscar Nominations Overview07:04 Major Oscar Snubs & Surprises08:27 Best Picture Race Breakdown10:00 Supporting Acting Categories16:00 Lead Actor & Actress Races23:00 Director, Editing & Score Discussion39:39 International Feature Film Race42:00 Technical Awards & Visual Effects43:31 Best Picture Predictions48:57 Mid-South Theater Convention Promo50:04 Interview: Win Salish Begins55:00 Value of Regional Theater Conventions01:00:00 Future of Exhibition & Gen Z01:02:31 Registration Reminder & Wrap-Up

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Do you know the true narratives that shape the people, animals and lands of the Salish Coast?This episode of All My Relations explores Lushootseed creation stories as living knowledge, used to understand the past, guide us through the present and prepare us for an uncertain future.Make your face still and quit moving your tailbone as you listen to our conversation with Puyallup Tribal Language Director Amber Hayward and Tidelands co-curator Ashley Frantz (Makah). Amber Hayward walks us through how Lushootseed creation histories were documented in the English language, and only fully understood contemporarily through the movement to revitalize Lushootseed, the language of the Salish Coast. Through this episode we begin to understand the importance of these histories, how to tell and listen to them in a good way and even hear part of the creation story told in Lushootseed.Ashley Frantz joins the conversation to talk about the upcoming art gallery exhibition at All My Relations' home base Tidelands. A group exhibition co-created with the Puyallup language department and in collaboration with 8 other Tribal Lushootseed language departments (and Lummi).  The exhibition will be opening February 7th at 6 PM. All are welcome to the opening reception as well as to see the exhibition which runs through July 2026. Tidelands gallery hours are 11am - 5pm, Wednesday through Sunday, no stairs are required to enter Tidelands or to access the entire exhibition. We hope to see you relatives!Text us your thoughts!Support the showFollow us on Instagram @amrpodcast, or support our work on Patreon. Show notes are published on our website, Allmyrelationspodcast.com. Matika's book Project 562: Changing the Way We See Native America is available now! T'igwicid and Hyshqe for being on this journey with us.

Marco Barozzi is the Founder of Expo Consulting, with experience of over three decades in the exhibitions and events industry. His journey began with key roles in prestigious companies like the Blenheim Group, Miller Freeman, and Reed Exhibitions. Later, he founded Expo Consulting, helping organisations succeed in the complex and dynamic world of trade shows and events. Over the years, he has collaborated with numerous public institutions, SMEs, and event planners, sharing his expertise in trade show promotion, marketing strategy, project management, and exhibitor training. As the Country Manager of Fira Barcelona for the Italian market until 2022 and a faculty member of ICE/ ITA, he mentored numerous businesses and individuals, helping them navigate the intricacies of the event marketing landscape. When not immersed in the world of events, Marco enjoys travelling, reading, listening to music, and spending quality time with family and friends. Macro says that these experiences inspire and fuel his curiosity for discovering new ideas and perspectives. Marco Barozzi Event Marketing At Your Fingertips In this episode, Marco Barozzi talks about his book “Event Marketing At Your Fingertips” and topics from the book that can help exhibitors and organisers of trade shows to realise better returns from trade show participation. Marco explains many of the issues that exhibitors need to understand before planning or embarking upon participation in a trade show or event. These include actions such as setting objectives, researching the pros and cons of particular events, and training staff to have the correct approach in the booth. Exhibition organisers are often too obsessed with spaces and dimensions in a trade show, and do not pay enough attention to creating value for the exhibitor and the attendee. Exhibitors should get better education about trade shows and take the help of consultants and specialists to create better engagement at trade shows. Run time – 01:11:36 mins. Links for Subhanjan  subhanjan@pitch.link  https://www.linkedin.com/in/subhanjansarkar Links for Marco Barozzi: E-mail: mbarozzi@expoconsulting.it Company website: www.expoconsulting.eu X: @marco_mbarozzi IG: @event_marketer57 Linkedin: https://www.linkedin.com/in/marcobarozzi/ FB: https://www.facebook.com/marco.barozzi.39 Link to book – https://www.amazon.com/dp/B0F8VN4ZZQ?ref_=pe_93986420_774957520

The Smithsonian's National Museum of African Art in Washington, D.C. this week opens Here: Pride and Belonging in African Art, a new exhibition focusing on LGBTQ+ artists from across Africa and its diaspora. Ben Luke talks to its co-curator, Kevin Dumouchelle, about the exhibition and forthcoming book. We explore the cultural effects of the protests in Iran that began at the end of last year, and the brutal crackdown that followed, with Sarvy Garenpayeh, one of The Art Newspaper's reporters on the Middle East. Sarvy has attempted to contact art workers after the Iranian government cut off the internet two weeks ago. And this episode's Work of the Week is Louise Nevelson's Moon Garden Plus One (1958), a landmark installation first staged in New York that is being reprised, at least in part, in a new survey of the American sculptor's work at the Centre Pompidou-Metz in Metz, France. We speak to the curator of the exhibition, Anne Horvath.Here: Pride and Belonging in African Art, National Museum of African Art, Washington, D.C., 23 January–23 August. The related book, published by Smithsonian Books, will be available later this year.The London gallery Ab-Anbar, which was founded in Tehran in 2014, has announced that it has extended its solo exhibition of the Iranian artist Amin Bagheri's work until 22 February. The gallery has been hosting what it describes as “moments of togetherness for its London community: a space to gather, talk, and be together”, in solidarity with the people of Iran.Louise Nevelson: Mrs. N's Palace, Centre Pompidou-Metz, Metz, France, 24 January-31 AugustTo buy The Art Newspaper's guidebook The Year Ahead 2026, an authoritative look at the year's unmissable art exhibitions, museum openings and significant art events, visit theartnewspapershop.com. £14.99 or the equivalent in your currency. Hosted on Acast. See acast.com/privacy for more information.

A highlight from exceptional sessions at the 2025 Midyear Clinical Meeting & Exhibition, this episode dives into the critical management strategies for drug-induced hyperthermia, exploring the underlying mechanisms, clinical challenges, and evidence-based interventions. Listeners will gain practical insights into recognizing early warning signs, implementing rapid cooling techniques, and optimizing pharmacologic approaches to improve patient outcomes. The information presented during the podcast reflects solely the opinions of the presenter. The information and materials are not, and are not intended as, a comprehensive source of drug information on this topic. The contents of the podcast have not been reviewed by ASHP, and should neither be interpreted as the official policies of ASHP, nor an endorsement of any product(s), nor should they be considered as a substitute for the professional judgment of the pharmacist or physician.

The Art Museum of Eastern Idaho's development director, Amy Thompson, shares information on the new exhibition and the museum's future plans with BYU-Idaho Radio.

The art of sports, and sports as art. Two worlds collide and complement each other in an exhibition now traveling the country as the Winter Olympics are set to start soon. Senior arts correspondent Jeffrey Brown had a chance to take it in for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

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A highlight from exceptional sessions at the 2025 Midyear Clinical Meeting & Exhibition, this podcast explores dosing conundrums specific to agents in oncology chemotherapy, antimicrobials, and therapeutic heparin use in over and underweight patients. Listeners will understand the complexity given conflicting data and receive guidance for dosing considerations to implement in clinical practice.  The information presented during the podcast reflects solely the opinions of the presenter. The information and materials are not, and are not intended as, a comprehensive source of drug information on this topic. The contents of the podcast have not been reviewed by ASHP, and should neither be interpreted as the official policies of ASHP, nor an endorsement of any product(s), nor should they be considered as a substitute for the professional judgment of the pharmacist or physician.

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The Center of Southwest Studies at Fort Lewis College presents Constellations of Place, a powerful new exhibition rooted in the landscapes and layered histories of Southwest Colorado. Curated by Dr. Meranda Roberts (Yerington Paiute, Chicana), the exhibition brings together more than 60 works from the Center's permanent collections alongside contemporary pieces by 13 Native American, Indigenous, and Latinx artists. The exhibition will be open to the public until December 18, 2026. By Paige Sparks.Watch this story at https://www.durangolocal.news/newsstories/constellations-of-place-exhibition-opens-at-fort-lewis-collegeThis story is sponsored by Tafoya Barrett & Associates and Serious Texas Bar-B-Q.Support the show

Send us a textThank you to SLAS Europe 2026 Sustainability Sponsor, PulpFixin, for sponsoring this episode.In this special episode, host Emily Yamasaki, PhD, speaks with Chad Jenkins, CEO of PulpFixin, about the pervasive issue of plastics in laboratory settings, particularly single-use plastics. They discuss the environmental and health impacts of plastics, the need for alternatives, and the scientific community's role in addressing these challenges. Jenkins showcases the innovative products PulpFixin is developing to replace traditional plastic labware with sustainable alternatives, highlighting the importance of reducing plastic use and improving recycling.Key Learning PointsThe reliance on single-use plastics in laboratories poses serious health and environmental risks.Innovative alternatives, such as compostable materials and paper-based labware, are emerging to replace traditional plastics.Scientists must evaluate their plastic use and adopt practices that prioritize sustainability.Local recycling initiatives and community engagement are crucial for effective waste management.About PulpFixin:PulpFixin is a leading manufacturer of sustainable products and packaging. We are dedicated to eliminating single-use and other unnecessary plastics. Our expertise lies in designing and producing products and packaging from compostable or biodegradable sustainable materials to fully replace traditional plastics, and we welcome you to collaborate with us.Interested in lab sustainability? Join our Sustainability in Sciences Topical Interest Group!Stay connected with SLAS:www.slas.org | Facebook | X | LinkedIn | Instagram | YouTubeAbout SLASSLAS (Society for Laboratory Automation and Screening) is an international professional society of academic, industry and government life sciences researchers and the developers and providers of laboratory automation technology. The SLAS mission is to bring together researchers in academia, industry and government to advance life sciences discovery and technology via education, knowledge exchange and global community building. SLAS2026 International Conference & Exhibition February 7-11, 2026 Boston, MA SLAS Europe 2026 Conference and Exhibition 19-21 May 2026 Vienna, Austria View the full events calendar

Baseball Hall of Fame-caliber manager Bobby Valentine joins Neil Smith and Vic Morren for the premiere NHL Wraparound Celebrity Series episode. The former manager of the Texas Rangers (7 years), New York Mets (NL pennant), Boston Red Sox, and two-time champion in Japan shares a lifetime of stories. From playing for 17-year-old Lou Lamoriello in Cape Cod to the iconic 1999 mustache disguise, managing Mike Piazza's emotional 9/11 home run that healed New York, pioneering American success in Japanese baseball, teaching ballroom dancing exhibitions, and calling Shohei Ohtani the greatest athlete in a baseball uniform. Plus the 40-15 prediction he nailed exactly, George W. Bush partnership, Tommy Lasorda's influence, Sacred Heart University athletic director tenure, and philanthropic work with Special Olympics. This is Bobby Valentine uncensored.IN THIS EPISODE:[00:00] - Welcome to NHL Wraparound Celebrity Series premiere with baseball legend Bobby Valentine[01:00] - Fifth franchise: stepping outside hockey to learn from sports icons across disciplines[02:00] - Bobby joins from Valentine Sports Academy in Stamford, Connecticut on exercise bike[03:00] - 1994 Stanley Cup photo at Shea Stadium: Rangers or Devils cup with Doug Romano[04:00] - Age 17: playing for Lou Lamoriello in Cape Cod League 1967[05:00] - Lou's baseball background: Providence College coach, Pan-Am League player at 23-24[06:00] - First-generation Italian parents: couldn't spell Cape Cod, Bobby spent summer in Yarmouth[07:00] - Lou's discipline from day one: couldn't ride in trunk of car to road games[08:00] - Baseball vs hockey management: everyday grind, respect of opposition and teammates[09:00] - Accountability on ice same as diamond: only difference hockey players drink more (Canadian thing)[10:00] - Texas Rangers: seven years as manager with George W. Bush as GM/owner[11:00] - Bush made change 1992: "good idea, I was there long enough, time to move on"[12:00] - Japanese GM's mission: finding first non-Japanese manager for professional league[13:00] - Going to Japan: "right-eyed and bushy-tailed gonna teach everyone everything"[14:00] - Learning while teaching: rewarding experience understanding Japanese baseball culture[15:00] - Spectacular Japanese players: Ogasawara and others, closed society not up for change[16:00] - Hideo Nomo: first real MLB player, threw no-hitter when Bobby won championship[17:00] - Cross-section working: 1934 Babe Ruth/Lou Gehrig exhibition to modern day[18:00] - Cooperstown Hall of Fame: Ichiro Suzuki induction, US-Japan baseball exhibit[19:00] - Shohei Ohtani: best athlete in baseball uniform ever seen, either side of Pacific Ocean[20:00] - 2006 draft: wanted two-way player, first baseman/pitcher threw 95 mph, drank beer instead[21:00] - What Ohtani's doing is really tough: unprecedented two-way excellence[22:00] - Chiba Lotte Marines: attendance doubled, hosting ballroom dancing classes[23:00] - International ballroom dance champion: teaching chacha to community before games[24:00] - Exhibition in tuxedo with partner: full ballroom dress on field before national anthem[25:00] - Changed costumes during anthem, came out to manage game immediately after[26:00] - 2005 return to Japan: bringing American fan-friendly atmosphere post-1995 MLB strike[27:00] - Kids running bases, autograph sessions: opening up Japanese baseball culture[28:00] - June 1999 Mets: eight-game losing streak, GM fired three coaches instead of addressing players[29:00] - Predicted 40-15 in next 55 games or would quit: media ready to hold feet to fire[30:00] - Catcher's balk: Mike Piazza stepped outside box before Pat Mahomes (Patrick's father) released[31:00] - Randy Marsh call: read about it for years, never seen it

Listen to Me Now, Believe Me Later On is an invitation. A cultural call to action. A reminder that regular folk collect art too, and that we must normalize that fact. Through visibility, conversation, and shared knowledge, we can shift the narrative, reclaim the collector's role, and build a continuous cycle of cultural investment, reflection, and representation.”I had a chance to talk with curator Dwamina Drew (@enstrumental) | The DREW Collection as he discussed shifting the narrative, reclaim the collector's role, and building a continuous cycle of cultural investment.Instagram @enstrumentalInstagram @jamir_smithJamirSmith.com

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In the Front Row review programme, author Emily Itami and critic Tim Robey assess the steamy Canadian drama Heated Rivalry, which has caused a sensation in North America. Also, The British Museum's new exhibition Hawaiʻi: a kingdom crossing oceans, and Jose Ando's novel about racial and sexual identity in Japan, Jackson Alone.Are contemporary art prizes favouring identity politics over artistic quality? Guardian art critic Jonathan Jones and artist/editor Veronica Simpson are on to discuss.Presenter: Samira Ahmed

A highlight from exceptional sessions at the 2025 Midyear Clinical Meeting & Exhibition, this episode explores key points for establishing and adjusting anticoagulation management plans for complex patients. The episode discusses key considerations for anticoagulation management in multiple care settings, including ambulatory care and critical care.  The information presented during the podcast reflects solely the opinions of the presenter. The information and materials are not, and are not intended as, a comprehensive source of drug information on this topic. The contents of the podcast have not been reviewed by ASHP, and should neither be interpreted as the official policies of ASHP, nor an endorsement of any product(s), nor should they be considered as a substitute for the professional judgment of the pharmacist or physician.

A highlight from exceptional sessions at the 2025 Midyear Clinical Meeting & Exhibition, this episode debates the real clinical differences between ceftriaxone and cefazolin for MSSA infections. They challenge common assumptions, break down the latest evidence, and deliver practical pearls every clinician can use tomorrow. Tune in for sharp insights, spirited discussion, and a verdict that might just change your practice. The information presented during the podcast reflects solely the opinions of the presenter. The information and materials are not, and are not intended as, a comprehensive source of drug information on this topic. The contents of the podcast have not been reviewed by ASHP, and should neither be interpreted as the official policies of ASHP, nor an endorsement of any product(s), nor should they be considered as a substitute for the professional judgment of the pharmacist or physician.

This week, we talk to Hannah and Alex Guerrero, children of the late longtime New Canaan resident and prolific artist Ben Guerrero. A fixture in town for decades, Ben Guerrero created a wide range of art work in his life, much of it curated for a new exhibition, titled "Our Friend Ben," opening Jan. 29 at the New Canaan Museum & Historical Society.

New year, new intentions – but if you're in the northern hemisphere, January can feel less like renewal and more like the darkest, coldest stretch of endless winter. Maybe what you need isn't another resolution. Maybe you just need the right book.Ella Berthoud is an writer and an artist, but most importantly from our point of view a bibliotherapist. She has been prescribing fiction for life's ailments for over a decade. She co-wrote The Novel Cure, a brilliant guide that matches books to every psychological state and is packed with sound recommendations.Who better then to give me some great suggestions for avoiding the January blues. Join Kate and Ella as they talk about the questions that vex every reader: how do we find more time for reading? How do we escape reading slumps? And how can we read more deeply without it feeling like homework?Plus of course we're swapping lots of great book recommendations for January and the year ahead. Listen in for a shot of literary inspiration that might be just what you need.BooklistThe Novel Cure by Ella Berthoud Atmosphere by Taylor Jenkins ReedCursed Daughters by Oyinkan BraithwaiteJitterbug Perfume by Tom RobbinsThe Enchanted April by Elizabeth von ArnimA Place Called Winter by Patrick GaleNotes from an Exhibition by Patrick GaleMetamorphoses by Ovid Humanly Possible by Sarah BakewellThe Golden Ass by ApuleiusA Woman in the Polar Night by Christiane Ritter (Jane Degras)Dálvi by Laura GallowayThe Artist by Lucy SteedsThe Homemade God by Rachel JoyceThe Hounding by Xenobe PurvisCall Me Ishmaelle by Xiaolu GuoPerfection by Vincenzo LatronicoThings: A Story of the Sixties by Georges PerecSky Daddy by Kate FolkThe Count of Monte Cristo by Alexandre Dumas (Robin Buss)Find out more about Ella at ellaberthoud.comFind all the books mentioned in this episode in the Book Club Review Bookshop, on Bookshop UK, the online retailer that supports independent bookshops.PatreonHead to Patreon.com/thebookclubreview to join The Book Club Review community for book recommendations, readalongs, book club and, new for 2026, Kate's Reading Diaries. You can also buy someone gift membership at https://www.patreon.com/thebookclubreview/gift Serious ReadersTake advantage of the Serious Readers offer. Head to seriousreaders.com/bcr and use the code BCR at checkout for £150 off any HD light.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Fluent Fiction - Hungarian: A Canvas of Fate: The Flash Exhibition that Defied Odds Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hu/episode/2026-01-10-08-38-19-hu Story Transcript:Hu: A hideg téli este csendjét törte meg a Duna partján magasodó Magyar Nemzeti Galéria grandiózus látványa.En: The silence of the cold winter evening was broken by the grandiose sight of the Duna riverside's towering Magyar Nemzeti Galéria.Hu: A múzeum hatalmas termeiben meleg fények ragyogtak, melyek lágyan táncoltak a falakon lógó műalkotásokon.En: Warm lights shone in the museum's vast halls, softly dancing on the artworks hanging on the walls.Hu: István, a galéria lelkes kurátora, az igazgatóval beszélgetett. Izgalommal és egy kis aggodalommal keverte gondolatait.En: István, the gallery's enthusiastic curator, was talking with the director, mixing his thoughts with excitement and a bit of worry.Hu: A lehetőség váratlanul érkezett: Bence, a híres, titokzatos művész, épp most tette szabaddá lenyűgöző alkotásait egy villámkiállításra.En: The opportunity had arrived unexpectedly: Bence, the famous, mysterious artist, had just made his mesmerizing works available for a flash exhibition.Hu: István egy szempillantás alatt felismerte a lehetőséget.En: István recognized the opportunity in a blink of an eye.Hu: Ez lehetett az ő pillanata, hogy kitűnjön.En: This could be his moment to stand out.Hu: — Ez nagyszerű lehetőség, István — mondta az igazgató.En: "This is a great opportunity, István," said the director.Hu: — De kevés időd van.En: "But you have little time."Hu: A szó elhangzott, és István kinyitotta a jegyzetfüzetét.En: The word was spoken, and István opened his notebook.Hu: Eszter segít majd neki, ezt tudta.En: He knew Eszter would help him.Hu: Eszter mindig tudta, milyen részletekre kell figyelnie.En: Eszter always knew which details needed attention.Hu: De néha túlságosan is a tökéletességre összpontosított.En: But sometimes she focused too much on perfection.Hu: István éppen meg akarta beszélni a teendőket Eszterrel, amikor észrevette, hogy a nő már a festményeket vizsgálja.En: István was just about to discuss the tasks with Eszter when he noticed she was already examining the paintings.Hu: — Eszter, ez egy esély számunkra! Kevesebb mint három napunk van.En: "Eszter, this is an opportunity for us! We have less than three days.Hu: Tudom, hogy gyorsan kell cselekedni.En: I know we need to act quickly."Hu: Eszter figyelmes tekintetet vetett rá.En: Eszter gave him an attentive look.Hu: — De István, mindennek tökéletesnek kell lennie.En: "But István, everything needs to be perfect.Hu: Ez Bence munkája!En: It's Bence's work!"Hu: — Teljesen igazad van, de most gyorsaságra is szükség van — válaszolta István.En: "You're absolutely right, but we also need speed now," István replied.Hu: Elhatározta, hogy a legfontosabb feladatokat oszt ki Eszternek, míg ő az élőhely marketingjére összpontosít.En: He decided to assign the most important tasks to Eszter, while he focused on the exhibition's marketing.Hu: Alig volt idejük alapos tervet készíteni, de István érezte, hogy képesek lesznek áthidalni az akadályokat.En: They hardly had time to make a detailed plan, but István felt they would be able to overcome the obstacles.Hu: A kiállítás estéjén minden a helyére került, a meghívott vendégek szállingózni kezdtek.En: On the night of the exhibition, everything fell into place, and the invited guests started to arrive.Hu: Hirtelen a zene elhallgatott, és minden fény kialudt.En: Suddenly, the music stopped, and all the lights went out.Hu: István szíve hevesen dobogott.En: István's heart was pounding.Hu: — Mi történik? — kérdezte valaki a sötétből.En: "What's happening?" someone asked from the darkness.Hu: István gyorsan cselekedett.En: István acted quickly.Hu: — Gyertyákat! — kiáltotta az őröknek a hangja.En: "Candles!" his voice called to the guards.Hu: Néhány perc múlva gyertyák fénye árasztotta el a termet, a műalkotások árnyai mesésen táncoltak a falakon.En: Within a few minutes, the room was flooded with candlelight, the shadows of the artworks danced fabulously on the walls.Hu: Az emberek elhallgattak, a gyertyafény romantikája megragadta őket.En: The people quieted down, captured by the romance of the candlelight.Hu: István elképzelte, hogy a meghívottak csak a látott szépségre fognak emlékezni.En: István imagined the guests would remember only the beauty they saw.Hu: Amikor a világítás visszatért, István átölelte Esztert.En: When the lights came back on, István embraced Eszter.Hu: — Sikerült — mondta fáradtan mosolyogva.En: "We did it," he said with a tired smile.Hu: Eszter elnézően nevetett.En: Eszter laughed forgivingly.Hu: — Ez igazán elbűvölő volt.En: "It was truly enchanting."Hu: Ahogy a vendégek elhagyták a galériát, István elégedettséggel nézett körül.En: As the guests departed from the gallery, István looked around with satisfaction.Hu: Az igazgató odalépett hozzájuk, elégedetten bólogatott.En: The director approached them, nodding with approval.Hu: — Jól csináltátok.En: "You did well.Hu: Nem vártuk, hogy ilyen sikeres lesz ennyi megpróbáltatás után.En: We didn't expect it to be so successful after so many trials."Hu: István tudta, hogy most már másképp látják őt.En: István knew that now they saw him differently.Hu: A kihívás által tanult alázatot, csapatmunkát és kitartását semmi sem pótolhatja.En: The humility learned from the challenge, teamwork, and perseverance could not be replaced by anything.Hu: Ahogy kiléptek a hóborította lépcsőkre, ő és Eszter boldogan tekintettek egymásra azon a varázslatos téli estén, hőssé válva a galéria történetében.En: As they stepped out onto the snow-covered steps, he and Eszter looked happily at each other on that magical winter evening, becoming heroes in the gallery's history. Vocabulary Words:silence: csendbroken: törtegrandiose: grandiózustowering: magasodócurator: kurátorenthusiastic: lelkesopportunity: lehetőségmesmerizing: lenyűgözőunexpectedly: váratlanulrecognize: felismerattention: figyelemattentive: figyelmesassign: kiosztovercome: áthidalniobstacles: akadályokatflooded: elárasztottaenchanting: elbűvölőperseverance: kitartásmagical: varázslatosembraced: átöleltforgivingly: elnézőensatisfaction: elégedettséggelapproval: bólogatottperfection: tökéletességromance: romantikájamysterious: titokzatoscaptured: megragadtatrials: megpróbáltatáshumility: alázatdeparted: elhagyták

Episode 622: Listen as Brian Rutenberg comes on the pod to talk about his current exhibition, The Wild South at the Jerald Melberg gallery in Charlotte, NC. Brian is part philosopher and part magician [his childhood aspiration] I love talking to him because I always come away with a new perspective on things. LTAWB partners […] The post Another chat with NYC artist, Brian Rutenberg about the Wild South exhibition appeared first on Let's Talk Art With Brooke.

Ce contenu a été réalisée à l'occasion du tournoi d'exhibition Open Marques Avenue de Bourg-de-Péage, un événement unique courant décembre.

We spoke with Ren Yano, a Japanese calligrapher based in Sydney who runs his calligraphy school RENCLUB in Chatswood. Mr Yano began teaching calligraphy in Sydney 30 years ago in 1996. - シドニーの書家で、書道教室「RENCLUB」を主宰する矢野仁（れん）さんにお話を聞きました。

A highlight from exceptional sessions at the 2025 Midyear Clinical Meeting & Exhibition, this episode explores how pharmacists can bridge gaps in care for patients with opioid use disorder (OUD), highlighting strategies for prescribing and optimizing medications for OUD across primary, ambulatory, and acute care settings. We will discuss real-world examples, emerging practices like microdosing and direct-to-inject techniques, and ways pharmacists can make a tangible difference in improving patient outcomes. The information presented during the podcast reflects solely the opinions of the presenter. The information and materials are not, and are not intended as, a comprehensive source of drug information on this topic. The contents of the podcast have not been reviewed by ASHP, and should neither be interpreted as the official policies of ASHP, nor an endorsement of any product(s), nor should they be considered as a substitute for the professional judgment of the pharmacist or physician.

Reporter, Aaron McElroy visits the 2026 Stripe Young Scientist and Technology Exhibition which officially launches today.

THE 1874 EXHIBITION AND THE BIRTH OF IMPRESSIONISM Colleague Sebastian Smee. In the spring of 1874, a group of painters including Degas, Monet, Pissarro, and Renoir gathered at the studio of the photographer Nadar to exhibit their work outside the established "Salon" system. This group, organizing themselves as the "Société Anonyme," had grown tired of the Salon's hierarchical preference for large-scale history and religious paintings over landscapes and contemporary life. The movement received its name from a critic who wrote a parody of the exhibition, seizing upon the title of Claude Monet's painting, Impression, Sunrise, to mock the work as unfinished sketches lacking structure or deep meaning. While photography existed, these painters sought to tell the story of their times through a revolutionary style that defied convention. Notably absent from this founding exhibition was Édouard Manet, the group's "blood brother" and inspiration, who still believed success required acceptance within the official Salon. NUMBER 1 1849 MONET