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Villa Müller reopens to visitors, exhibition showcasing work of artist Kamil Lhoták opens in Prague and Czechs have developed a way to help cereal crops make better use of water and nutrients
Topics include: What stood out from Clark Lea's Tuesday press conference. Is Jared Curtis a little banged up? What Luke liked about the basketball scrimmage win about Georgia, and some observations on a good bit of the roster. We take your mailbag questions. And more! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Send us Fan MailLost and Found with Pamela Fernandez on WaterFire AccelerateBill Bartholomew speaks with artist Pamela Fernandez about WaterFire Accelerate, the professional development program for artists 30 and under, and the culminating group exhibition Lost and Found at the WaterFire Arts Center. The conversation moves from Providence's creative ecosystem to Fernandez's Dominican and Providence roots, and how both shape her work in textiles, printmaking, and painting.In this episode, Fernandez reflects on community, institutional support, and the challenge of making art that is both personally meaningful and socially responsive.Key topicsPamela Fernandez explains that WaterFire Accelerate is a professional development program for artists 30 and under, offering mentorship, studio space, and a final group exhibition.The conversation highlights how the cohort became a real support network, with artists helping one another professionally and personally through an active group chat and shared resources.Fernandez talks about being born in the Dominican Republic and growing up in Providence since age five, and how that identity deeply informs her work.She describes Providence as a place where she wants to stay and create, while also noting that London has long felt like an interesting art destination to her.Bill and Fernandez discuss the role of Providence institutions and nonprofits in shaping artists' careers, including WaterFire, RISD Museum workshops, libraries, New Urban Arts, and Project Open Door.Fernandez emphasizes that artist communities matter just as much as institutions, especially when peers offer studio access, screen printing space, or a wood shop for free.Her work is rooted in questions of Dominican history, Dominican presence in Providence, family history, and what it means to feel both connected to and distanced from culture.Fernandez says she is currently negotiating what her art should be about now, moving between printmaking, painting, and a return to textiles.She explains why textiles remain meaningful to her, especially because fabric can carry history through clothing, curtains, and inherited materials.The interview closes with a deeper discussion of art and politics, including how Fernandez balances making work in a difficult moment with staying intentional, authentic, and humane.Timestamps00:00 - WaterFire Accelerate and the Lost and Found exhibition 00:39 - How the artist development program works 01:41 - Why cohort support extends beyond the studio 02:47 - Fernandez's Providence and Dominican roots 03:42 - Why Providence feels like the right art city for now 05:21 - Building a career through nonprofits and local institutions 07:35 - How Dominican identity and Providence shape her work 09:28 - Choosing what her art should say now 10:56 - Why textiles still matter in her practice 12:17 - Artist panel details and exhibition closing date 13:12 - Balancing political responsibility with personal expression 15:51 - Why artists still matter in social movements 17:46 - Closing thoughts on WaterFire and the exhibitionNotable quotesCopy“I feel like community is what is gonna keep us all afloat, especially in these times.”Copy“I feel like for me, Providence to me is the place where I wanna be.”Copy“I feel like you gotta figure out how you wanna show up, even if it's not in your work, like how are you showing up in your day to day?”Support the showFollow Bill on Instagram and YouTube
The group exhibition Inspiration Forum Lab 2025/26: Trajectories presents the year-long work of nine artists and researchers from across Europe. Through stone, sand, and steel, the three resulting projects bring to the fore the trajectories of materials, landscapes, memories, and stories, as well as their shifting relationships between the human and more-than-human worlds.I like it when u sand transforms sand into a process of movement, change, and connection. ( ) in stone follows the traces of sacrificial stones in Estonia, exploring ways of listening to them and forming relationships with the more-than-human world. Kladno Steel Stories Telling traces, through the memories of Kladno residents, how steel, labour, and the legacy of Poldi are inscribed in bodies, landscapes, and collective memory.The exhibition was developed as part of the year-long Inspiration Forum Lab artistic research programme.
James, Tom and Sam sit down and discuss this weeks news and exhibition diary
Why can't we just ask our visitors what they want?Why bother evaluating our design ideas? Which type of evaluation is the biggest bang for your buck? Why is “timing and tracking” a great way to find out if your exhibition works? What is the “button-mashing code?”Jessica Sickler (Principal, J. Sickler Consulting) discusses “Testing the Right Thing at the Right Time” with MtM host Jonathan Alger (Managing Partner, C&G Partners | The Exhibition and Experience Design Studio).Along the way: Lego, dinosaurs, and Monets.Talking Points:1. Reasons (plural) to evaluate in museums2. Mapping evaluation stages to project stages3. Visitors can't suggest a story they've never heard4. Formative evaluation: the biggest bang for your buck5. Timing, tracking, & the button mashing code 6. So. Many. Methods.How to Listen:Listen on Apple Podcasts:https://podcasts.apple.com/us/podcast/making-the-museum/id1674901311 Listen on Spotify:https://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G Listen at Making the Museum, the Website:https://www.makingthemuseum.com/podcast Links to Every Podcast Service, via Transistor:https://makingthemuseum.transistor.fm/ Guest Bio:Jessica Sickler has spent 20 years as an evaluator, helping museum and education teams turn their questions and hunches about what's working into real evidence. As Principal of J. Sickler Consulting, she leads studies across the full arc of projects – from gauging visitor interest, to testing prototype ideas, to understanding what people actually take away from the experience. With training as a museum educator, classroom teacher, and in-house exhibit evaluator, Jessica approaches evaluation as a way to help designers and interpreters see their work through visitors' eyes. She holds an M.S.Ed. in Museum Education from Bank Street College of Education.About Making the Museum:Making the Museum is a newsletter and podcast on exhibitions, written and hosted by Jonathan Alger. MtM is a project of C&G Partners | The Exhibition and Experience Design Studio.Learn more about the creative work of C&G Partners:https://www.cgpartnersllc.com/ Links for This Episode:The Evaluation Therapy Newsletterhttps://www.jsickler.net/newsletter Jessica on LinkedInhttps://www.linkedin.com/in/jessicasickler/ Evaluation Firm: J. Sickler Consultingwww.jsickler.net “When is it worth evaluating an exhibit?” Graphic & Articlehttps://www.jsickler.net/updates/make-evaluation-worthwhile-in-exhibit-design “Every step they take: Three things we've learned from Timing & Tracking” Article https://www.jsickler.net/updates/every-step-they-take Links for Making the Museum, the Podcast:Contact Making the Museum:https://www.makingthemuseum.com/contact Host Jonathan Alger, Managing Partner of C&G Partners, on LinkedIn: https://www.linkedin.com/in/jonathanalger Email Jonathan Alger:alger@cgpartnersllc.com C&G Partners | The Exhibition and Experience Design Studio:https://www.cgpartnersllc.com/ Making the Museum, the Newsletter:Like the show? You might enjoy the newsletter. Making the Museum is also a free weekly email about exhibitions for museum leaders and teams. (And newsletter subscribers are the first to hear about new episodes of this podcast.)Join hundreds of your peers with a one-minute read, three times a week. Invest in your career with a diverse, regular feed of planning and design insights, practical tips, and tested strategies — including thought-provoking approaches to technology, experience design, audience, budgeting, content, and project management.Subscribe to the newsletter:https://www.makingthemuseum.com/
Europe has won the Laver Cup, but what should we make of it? Is this a fiercely contested team event that deserves its place on the tennis calendar, or does it still feel like an exhibition? On this week's ATP Weekly, we discuss Europe's victory, the appeal of the Laver Cup format and how much the result tells us about the players' form. Then we turn to the Asian swing as the tour gathers pace: who is building momentum, and who has the most to prove in the weeks ahead? Follow Talking Tennis and rate the podcast wherever you listen. We'd love to hear your view: is the Laver Cup a serious competition or an exhibition? Learn more about your ad choices. Visit podcastchoices.com/adchoices
College Hockey West LIVE! Se 6 Ep 9 Sept 27, 2026 Tonight we talk exhibition games in NCAA hockey; including a historic weekend for Maryville University! Plus we get ready for the regular season start this weekend! Listen now: IceTimeHockeyWest.com or wherever you get your favorite podcasts!
A new art exhibition at a gallery in Milwaukee's Bronzeville neighborhood highlights Milwaukee's Black Arts Movement of the late 1960s to the early 1980s.
INTERVIEW: Lily Frewen on Dunedin Dream Brokerage 'Between Us' Exhibition by Lily Jane on Radio One 91FM Dunedin
Biography enlightens the work of an artist but, in rare occasions, it can obliterate it. A polemic curatorial choice in Ana Mendieta's exhibition at Tate Modern illustrates this puzzling question. This unexpected curatorial twist may lean into anti-feminism if we stay on the surface of the discourse. Dive into it with our host Joana P. R. Neves, a curator and an art writer. What decision did Valentina Umansky and Michael Wellen, the curators of the show make, and what third person, instrumental in delivering the work, helped them? To tell or not to tell? Did you enjoy the episode? Think about supporting Exhibitionistas by leaving a small donation: https://buymeacoffee.com/exhibitionistaHave you ever wondered what it's like to curate a big, blockbuster exhibition? If you have, this episode is for you. It unveils certain ethics of curatorial work, an extremely important aspects of the job, especially when the artist is no longer alive.Sign up for a tiered monthly support: https://www.buzzsprout.com/2624749/monetization/supporter_settings Your contribution keeps us going.Jingle: "Wunder", experimental poem by Joana P. R. Neves.Did the episode stir Art Wonderment memories? Share them via text or voice message.Support the showCreated & Hosted by Dr. Joana P. R. Neves, art curator and writer with over 20 years of experience in the contemporary art field. Artistic director of Drawing Now Paris since 2018, she has worked across the industry, from the art market to education. She co-launched the art residency and project space Worlding in 2020. Exhibitionistas' first year offered exhibition discussions with guest co-host Emily Harding; organically, it grew into a more experimental show exploring art topics, stories and interviews complemented by Joana's publication Art Thinkosaurus on Substack. She champions ‘Art Wonderment's' embrace of complexity against the lure of ready-made opinions. A polyglot, she grew up in Lisbon, studied and lived in Paris, to finally settle in London with her artist husband, four children and two cats. READ JOANA'S TEXTS:Joana on Substack: https://joanaprneves.substack.comWhere you find the Exhibitionistas Files, our Newsletter: ...
Episode 247 and we are excited to launch "Bushranger'27" a new scale model exhibition! Christiaan O'Dea joins the show to explain to us what Bushranger 2027 is all about. But first we have a whopping mail bag to get through. Don't forget to support the sponsor of our show Scott from the Scale Modellers Supply https://www.scalemodeller.com.au/ Leave us a message, comment or even ask a question, we would love to hear from you! Write to Onthebench64@gmail.com. If you would like to support our show please go to www.patreon.com/onthebench Check out Bushranger 2027 here
In this episode of The Truth In This Art, accomplished actress, artist, writer, director, and New York Times bestselling author Victoria Rowell is here!About Victoria Rowell: Victoria Rowell is a multi-disciplinary creator widely known for her television roles on Diagnosis Murder and The Young and the Restless. Driven by an innate love of movement and a childhood immersed in the arts by her foster mother, she has built a dynamic creative life spanning classical ballet, acting, and independent filmmaking. She is the artistic force behind "A Woman Becomes," a solo photography exhibition at the Maryland Institute College of Art (MICA) exploring the timeline between girlhood and womanhood, as well as the invisible strengths of the female anatomy.In my conversation, Victoria revisits how her early years on a working farm in Maine and a pivotal ballet scholarship shaped her resilience in the face of the entertainment industry's hustle. She walks through her transition from classical ballet into television — and why maintaining a diverse "bouquet of friends" is exactly what is needed to navigate the highs and lows of a creative life.Victoria gets into the experience she is crafting with "A Woman Becomes..." — expanding beyond standard photography in favor of incorporating mixed media, found street objects, and inherited items like rosary beads that honor her foster mother, Agatha. She speaks to how a chance drive past MICA led to a partnership with the institution, giving her exhibition a home that matches the artistic vision she has been building toward.Be sure to follow Victoria Rowell on Instagram at @victoriarowell to stay up with her work. For everything regarding Victoria Rowell: A Woman Becomes…, running from September 25th through October 11th, visit the Maryland Institute College of Art website and check out the show notes for more details. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
Fluent Fiction - Korean: Autumn Awakening: A Team's Journey to a Stellar Exhibition Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ko/episode/2026-09-26-22-34-01-ko Story Transcript:Ko: 서울의 자연사 박물관은 가을의 색으로 물들어 있었다.En: The Seoul Natural History Museum was imbued with the colors of autumn.Ko: 박물관 입구에는 단풍이 내려앉아, 방문객들에게 따뜻한 환영을 전하고 있었다.En: Leaves had fallen at the museum entrance, warmly welcoming visitors.Ko: 이곳에서는 오래된 화석부터 인터랙티브한 과학 전시까지 다채로운 전시가 펼쳐지며, 학생들과 가족들로 늘 활기가 넘쳤다.En: A wide variety of exhibits, ranging from ancient fossils to interactive science displays, filled the space with enthusiasm, especially among students and families.Ko: 지호는 팀을 이끌며 이번 연례 프로젝트 전시에 대한 엄청난 기대를 품고 있었다.En: Jiho led the team with a great deal of anticipation for the annual project exhibition.Ko: 그는 이번 기회에 박물관 관장의 인정을 받고, 승진을 얻고 싶었다.En: He hoped to earn the recognition of the museum director and receive a promotion.Ko: 그러나 그의 야심은 팀원들에게 부담이 되기도 했다.En: However, his ambition sometimes became a burden for his team members.Ko: 민서는 창의적인 디자이너였다.En: Minseo was a creative designer.Ko: 하지만 추석이 다가오며 부산에 있는 가족이 그리워졌다.En: With Chuseok approaching, he missed his family in Busan, which made it hard for him to concentrate.Ko: 그래도 민서는 그리움을 넘고 열심히 참여하려고 노력했다.En: Nevertheless, Minseo tried his best to participate despite his yearning.Ko: 효진은 철저한 연구가였다.En: Hyojin was a meticulous researcher.Ko: 하지만 그녀의 노력은 지호의 주도적인 리더십에 가려져 있었다.En: However, her efforts were overshadowed by Jiho's dominant leadership.Ko: 효진은 팀과의 소통에서 점점 나몰라라 여겨져 화가 났다.En: Hyojin felt increasingly sidelined in team communications, which frustrated her.Ko: 그녀는 자신의 입장을 밝히려 했지만, 팀 분위기가 나빠질까 봐 걱정되었다.En: She wanted to express her position but worried that it would worsen the team atmosphere.Ko: 장식이 거의 다 끝나갈 즈음이었다.En: The decorations were almost complete.Ko: 다음 날이면 공식적인 오픈인데, 전시물들이 땅에 엉망으로 떨어졌다.En: The official opening was the next day, but the exhibits fell to the ground in disarray.Ko: 모든 것이 무너져 내린 순간, 팀원들은 서로를 원망할 수도 있었다.En: At that moment of collapse, team members could have blamed each other.Ko: 그러나 그들은 고개를 들었다.En: But instead, they looked up.Ko: 지호는 드디어 자신의 실수를 인정했다.En: Jiho finally acknowledged his mistake.Ko: "팀의 의견을 더 들었어야 했어요. 미안합니다." 그는 고개 숙인 채 팀에게 사과의 말을 전했다.En: "I should have listened more to the team's opinions. I am sorry." He bowed his head and apologized to the team.Ko: 그러자 민서는 그의 마음을 담아 새로운 예술 작품을 내놓았다.En: Then Minseo, with sincerity, presented a new piece of art.Ko: 그것은 추석 전통을 반영하는 특별한 작품이었다.En: It was a special work reflecting the traditions of Chuseok.Ko: 효진도 자신이 연구한 자료로 전시 주제를 더욱 풍부하게 만들었다.En: Hyojin also enriched the exhibition theme with her researched materials.Ko: 결국, 그들은 함께 힘을 합쳐 전시를 멋지게 완성했다.En: Ultimately, they worked together to beautifully complete the exhibition.Ko: 지호는 팀원들의 힘을 인정하고,En: Jiho recognized the power of his team members.Ko: 민서는 추석의 아름다움을 느끼며 이를 작품으로 표현했다.En: Minseo felt the beauty of Chuseok and expressed it through his work.Ko: 효진은 자신감을 얻고, 팀 내에서의 존중을 다시 느꼈다.En: Hyojin regained confidence and felt respected within the team.Ko: 마침내 전시가 성공적으로 열렸고, 관람객들은 그들의 노고에 칭찬을 아끼지 않았다.En: At last, the exhibition opened successfully, and the visitors praised their efforts.Ko: 지호는 이제 알았다. 팀의 의견과 협력이 얼마나 중요한지, 그리고 자신의 야망만이 전부가 아니라는 것을.En: Jiho realized now how important the team's opinions and cooperation were, and that his ambition wasn't all that mattered.Ko: 마지막으로 모두 함께 웃으며 추석 명절을 맞이했다.En: Finally, they all smiled together, celebrating the Chuseok holiday. Vocabulary Words:imbued: 물들어anticipation: 기대recognition: 인정ambition: 야심creative: 창의적인yearning: 그리움meticulous: 철저한overshadowed: 가려져sidelined: 나몰라라frustrated: 화가 났다disarray: 엉망collapse: 무너져blamed: 원망sincerity: 마음enriched: 풍부하게recognized: 인정regained: 얻고praised: 칭찬efforts: 노고cooperation: 협력burden: 부담dominion: 주도적인worsen: 더 나빠지다atmosphere: 분위기acknowledged: 인정했다opinion: 의견respected: 존중interactive: 인터랙티브project: 프로젝트expressed: 표현했다
The Mayor's Trophy Game was a charity exhibition born out of civic pride and old-fashioned New York baseball rivalry — a way to let the city's teams settle bragging rights in a low-stakes summer game while funneling gate proceeds into sandlot baseball for city kids. It started in 1946 as a Yankees-Giants series for a trophy named after Mayor William O'Dwyer, with the Dodgers joining in occasionally, and it carried real stakes for fans even if teams often didn't send their best arms (rosters were frequently padded with Triple-A call-ups to spare the real staffs). The series died when the Giants and Dodgers left for California after 1957, had a quiet interlude of occasional Yankees exhibitions against out-of-town clubs, then found new life in 1963 once the Mets arrived to become New York's "other" team. It ran with real regularity through 1979, went dark for two years when the two clubs just wrote checks to charity instead, came back briefly in 1982-83, and then died for good — a casualty of dwindling attendance and, fittingly, a 1983 finale so troubled that regular umpires refused to work it and college umps had to fill in. Throughout, the game's charm was its low-stakes, oddball nature: rain delays that pushed dates around, home run derbies as a preliminary event, players who'd have brief and otherwise forgettable careers becoming the story of the day, and moments of real civic sentiment (the 1948 game paused for news of Babe Ruth's death; the 1960 Dodgers-Yankees game benefited an injured Roy Campanella). The 1977 game specifically: Played at Shea Stadium on June 23 (rescheduled from a rained-out May 9 date), it drew just 15,510 fans — by far the smallest crowd since the Mets-Yankees version of the series resumed in 1963, a sign of how much air had gone out of the event by the late '70s. The Mets won 6-4, with home runs from Joel Youngblood and Ron Hodges providing the offense. Fittingly for a series that often saved its regulars, both pitchers of record were Triple-A farmhands rather than established major leaguers: Tom Makowski took the win for the Mets, and Roger Slagle took the loss for the Yankees — a small, forgettable footnote of a game that nonetheless captured exactly what the series had become by then: a charity obligation more than a real rivalry showcase.
Oilers players and their coach responded to some rather scathing comments about Mike Babcock from former player Mark Messier. The Oilers/Condors defeated the Vancouver Canucks in Exhibition action by a score of 2-1. Ryan Rishaug, Jason Strudwick & Rob Brown break it down.See omnystudio.com/listener for privacy information.
Slam Frank—the satirical play about a Latina “Anita Franco” stuck in the attic with a colorblind cast (à la Hamilton) of daft identitarians—reopened last week Off-Broadway at the Orpheum Theatre in Manhattan. While some audience members have reportedly been shocked by its irreverent take on a child hero of the Holocaust, some viewers on both the left and the right are convinced that the play reflects their sensibilities and political leanings. The play's author, Andrew Fox, has declined to say anything about his personal politics, but touchstone books of Jewish reactionary grievance like David Baddiel's Jews Don't Count and Dara Horn's People Love Dead Jews are part of the show's dramaturgy.On this episode of On the Nose, Arielle Angel talks to theater critic Alisa Solomon and New York Times columnist M. Gessen about their differing interpretations of the play. The three argue about what the play actually intends to say about the contemporary left, whether the playwright's own political leanings matter to the read of the play itself, and whether the proliferation of interpretations is a feat or a liability.Thanks to Jesse Brenneman for editing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”Links and Further Reading“‘Slam Frank,' a Daring Satire, and ‘Crooked Cross' Demand Our Attention,” Laura Collins-Hughes, The New York Times“The Composer Making a Hip-Hop Musical About Anne Frank,” Kelefa Sanneh, The New YorkerInformation on Gazi Kodzo, the author of the original “Anne Frank/white privilege” tweetJews Don't Count by David Baddiel, People Love Dead Jews by Dara Horn, and a Jewish Currents review of both books by Linda Kinstler“Actress Dasha Nekrasova Fired By Gersh, Dropped From Movie Amid Backlash Over Podcast Interview With Far-Right Political Commentator Nick Fuentes,” Matt Grobar, DeadlineAndrew Fox on i24Slam Frank reviews in the Times of Israel and the Jewish Journal“Springtime for Hitler,” The ProducersSlam Frank's Bondi post and Andrew Fox's apology“Campus Politics Takes the Stage in ‘The Ally,'” On the Nose, Jewish Currents“Anne Frank, the Exhibition” at the Center for Jewish History“Nosegate,” On the Nose, Jewish CurrentsRegister for JC Live!Register for the New Jewish Institutions Skill-building Boot Camp!Transcript forthcoming.
The guys discuss the first stanza of the 2026 season, North Texas, Howard and Western Kentucky games, and look forward to the Big Ten opener against Northwestern. Support the show
For the first time in over 30 years, a new major exhibition on Picasso is coming to Auckland Art Gallery. The October exhibition encompasses pivotal points throughout the artist's career, such as the Blue and Rose periods and Cubism. Here to tell us more is Sophie Matthieson, Senior Curator of International Art at Auckland Art Gallery
Un homme ivre frappe une pharmacie fermée à coups de pied pour un mal de crâne, une cliente allemande crache du lait au comptoir avant de voler 100 euros, et un adolescent de 17 ans sort son sexe en pharmacie pour demander de l'aide à enfiler un préservatif.
John Maytham speaks to Johan Louw Stegmann, artist and curator of "WE ARE THE GOOD GUYS," about bringing together South African artists in Washington, D.C., the ideas behind the exhibition, and its attempt to challenge competing narratives around violence, grief, segregation and the experiences of Afrikaners and other South Africans. Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.
Mona Saad, Events and Programs Executive-Team Leader at Sharjah Public Libraries, talk about the University Majors Exhibition, which is a seven-day event at the Sharjah Book Authority headquarters designed to help high school students choose academic majors and careers. Running from September 21 to September 29, 2026, the exhibition features 23 top UAE universities, interactive skill-assessment screens, and 36 career workshops tailored for different student demographics throughout the week. You can find more information about the University Majors Exhibition. Listen to #Pulse95Radio in the UAE by tuning in on your radio (95.00 FM) or online on our website: www.pulse95radio.com ************************ Follow us on Social. www.facebook.com/pulse95radio www.twitter.com/pulse95radio www.instagram.com/pulse95radio
Bongani Bingwa speaks to Johan Stegmann, curator of We Are the Good Guys, about the group exhibition opening in Washington, D.C., featuring 18 South African artists. The exhibition explores fear, violence, segregation, identity, grief, and historical memory, while examining the Afrikaner experience within the broader realities of South Africa’s history and ongoing inequality. The conversation looks at the narratives surrounding white South Africans’ experiences of violence, the rejection of separatism, and how art can create space for a more complex conversation about South Africa’s past and present. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg-based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team brings you all you need to know to start your day Thank you for listening. Listen live on Primedia+ weekdays from 6 am to 9 am (SA Time) https://buff.ly/gk3y0Kj For more from the show and catch-up podcasts, visit Primedia+ here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Let’s keep the conversation going online: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702See omnystudio.com/listener for privacy information.
Mandy Wiener speaks to Pastor in Dutch Reformed Church, Reverend Rudi Swanepoel about "We Are The Good Guys" group exhibition. The Midday Report with Mandy Wiener is 702 and CapeTalk’s flagship news show, your hour of essential news radio. The show is podcasted every weekday, allowing you to catch up with a 60-minute weekday wrap of the day's main news. It's packed with fast-paced interviews with the day’s newsmakers, as well as those who can make sense of the news and explain what's happening in your world. All the interviews are podcasted for you to catch up and listen to. Thank you for listening to this podcast of The Midday Report Listen live on weekdays between 12:00 and 13:00 (SA Time) to The Midday Report broadcast on 702 https://buff.ly/gk3y0Kj and on CapeTalk https://buff.ly/NnFM3Nk For more from The Midday Report go to https://buff.ly/BTGmL9H and find all the catch-up podcasts here https://buff.ly/LcbDdFI Subscribe to the 702 and CapeTalk daily and weekly newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.
Bongani Bingwa speaks to Johan Stegmann, curator of We Are the Good Guys, about the group exhibition opening in Washington, D.C., featuring 18 South African artists. The exhibition explores fear, violence, segregation, identity, grief, and historical memory, while examining the Afrikaner experience within the broader realities of South Africa’s history and ongoing inequality. The conversation looks at the narratives surrounding white South Africans’ experiences of violence, the rejection of separatism, and how art can create space for a more complex conversation about South Africa’s past and present. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg-based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team brings you all you need to know to start your day Thank you for listening. Listen live on Primedia+ weekdays from 6 am to 9 am (SA Time) https://buff.ly/gk3y0Kj For more from the show and catch-up podcasts, visit Primedia+ here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Let’s keep the conversation going online: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702See omnystudio.com/listener for privacy information.
Tom and Sam sit down and discuss this week's news
Mary Cremin, co-curator of Technologies of Peace, takes us through the new exhibition at IMMA.See omnystudio.com/listener for privacy information.
The world's only known triceratops herd is coming to Auckland Museum. It's a chance to come face-to-face with five fossil skeletons of one of the most iconic dinosaur species. Victoria Travers is the head of audience engagement at the Auckland Museum and spoke to Ingrid Hipkiss.
Matt Swaim joins with highlights from The Journey Home, and to talk the Beatification in "Sheentember". Kimberly Bird talks about euthanasia in the news with her Live Action Update. T's Two Sense celebrates the Feast of St. Matthew. Plus, Ewa Krepsztul discusses St. Francis & her art; Canticle of the Sun Exhibition, and Royce Hood talks about the exciting week ahead for the Diocese of Peoria leading up to and during the Beatification.
Training camps opened this week and two days later they were playing exhibition games. It's a shorter preseason this year as the league has added 2 regular season games. Connor Hellebuyck decided he didn't like the contract he signed two years ago so sits at home sulking forcing the Jets to suspend him. Plus, some young players sign long term lucrative contracts before the new CBA kicks in. Listen Here: Apple Podcasts Direct MP3 iHeart Radio Spotify GET YOUR SCUTTLEPUCK MERCH AT SCUTTLEPUCK'S DASHERY STORE Title Player:Pat Flatley News Exhibition games start Hellebuyck holding out Kreider agrees to terminate contract and give up $1.85MM to sign with Montreal Cutter Gauthier signs Guess the 5th - Leafs overhaul from the top down. Oilers changes. Canucks overhaul front office Connections Last week - Craig Simpson, Jimmy Carson, Kevin Haller, Brian Benning This Week - Red Kelly, Gordie Howe, Marcel Dionne, Dylan Larkin Next Episode: Regular Season Predictions
We talked with Director, Chris Scott about this new work called "35MM: A Musical Exhibition" at Shelterbelt Theatre to find out what this unique show is about! Written by Ryan Scott Oliver, this production uses music, movement, dance, and the photography of Matthew Murphy. Each song and picture tells it's own unique story. Hear all about it here! Performances: September 17 - October 4 Tickets and Website: https://shelterbelt.org Shelterbelt Theatre, 4383 Nicholas Street, Ste 204, Omaha, NE HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on You Tube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!
5 different goal scorers and 4 assists from Evan Bouchard capped a solid exhibition debut for the Edmonton Oilers in a 5-2 victory over a travel-squad version of the Winnipeg Jets. Ryan Rishaug and Rob Brown break it all down and then we're joined by Rob Brown for his season debut!See omnystudio.com/listener for privacy information.
The World of Wearable Art is going international. The long running fashion show's expanding from its original format and launching a landmark exhibition in celebration of its 40th year. Initially set for Wellington's Takina next year, it'll feature more than 50 rarely seen archived pieces in a large-scale, immersive experience. WOW Chief Executive Meg Williams says from there, the world is WOW's oyster. She told Mike Hosking thanks to social media they have a growing fanbase in the United States, particularly New York, and Asia. Williams says they can't take the show everywhere, but they can take the exhibition. LISTEN ABOVE See omnystudio.com/listener for privacy information.
"78 Life Stories" is an interactive art installation at the ANU-Museum of the Jewish People that shares 78 personal stories of Israel's fallen, spanning the years of Israel's independence, told through the unique lens of their surviving brothers and sisters. Created in collaboration with the Our Brothers organization, founded in 2017 as a supportive framework for bereaved siblings, and the Ministry of Culture and Sport, the life stories present a human mosaic of grief, memory and resilience. Ahead of the September 29th opening, Ophir Yisraeli, whose brother Rami Yisraeli, a Prison Services officer, fell in the 2010 Carmel fire disaster, spoke to KAN reporter Naomi Segal. (Art: Elyasaf Miara)See omnystudio.com/listener for privacy information.
For artist and poet Ruth Dorrit Yacoby, who lived and created in southern Israel, exposure to the desert elements was an integral part of her work. A new exhibition at the Askila Gallery in Jaffa presents her works, including some never shown before, in a path through pain to hope. Curator Etay Gabay spoke to KAN reporter Naomi Segal (Photo: Screenshot, Askila Gallery) See omnystudio.com/listener for privacy information.
Graham Laycock talks with Caroline Cass from Walton Art Club with news of their Pop-Up Exhibition in the Heart Shoppong Centre, on now and util 4pm opn Sunday 20th September. The exhibition showcases original pieces by 38 local talented artists and a range of greetings cards.
Fashion designer Joanne Hynes celebrates ten years with Dunnes Stores with a new entry-free exhibition, raising funds for Féileacáin, a charity close to her heart. See omnystudio.com/listener for privacy information.
[ASTC 2026 Special] Science changes fast. How can science museums keep up?What's a “technology toolkit”? Can one interactive turn into another? Can you do that same trick with a whole room? What about a whole exhibition? What's “Wizard of Oz-ing”? Do constraints make for better design? How could museums work together to solve the challenges they all face? A special episode for ASTC 2026, where Mike will be speaking about this and more.Mike Horvath (Vice President of Exhibits, Museum of Science, Boston) discusses “Innovation Secrets of the Museum of Science” with MtM host Jonathan Alger (Managing Partner, C&G Partners | The Exhibition and Experience Design Studio). Along the way: Star Wars, Powers of Ten, and a lot of squirrels.Talking Points: 1. The Current Science Problem2. Transformative Technology Toolbox3. The F.A.S.T. Table Project4. The A.I.M. Initiative5. The “Always On” Presentation Area6. Changing the “Changing Landscapes” Project How to Listen:Listen on Apple Podcasts:https://podcasts.apple.com/us/podcast/making-the-museum/id1674901311 Listen on Spotify:https://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G Listen at Making the Museum, the Website:https://www.makingthemuseum.com/podcast Links to Every Podcast Service, via Transistor:https://makingthemuseum.transistor.fm/ Guest Bio:Michael Horvath began his museum career as a designer at the Museum of Science in 1998. Today, as Vice President of Exhibits, he leads exhibit development for the Museum, which welcomes more than 1.3 million visitors annually.Over the course of his career, Horvath has led the design of numerous high-profile exhibitions, including The Science of Pixar, which received the American Alliance of Museums' Excellence in Exhibition Award for Planning Process and the Association of Science-Technology Centers' Roy L. Shafer Leading Edge Award for Visitor Experience. More than a decade after its debut, two versions of The Science of Pixar continue to tour science centers and museums around the world. He also led the design of Star Wars: Where Science Meets Imagination, which toured internationally for more than ten years and became one of the Museum's most successful traveling exhibitions.In 2005, while promoting the Star Wars exhibition, Horvath made national headlines when he threw the ceremonial first pitch at a Boston Red Sox game dressed as Chewbacca. The image was featured in Sports Illustrated and picked up by media outlets across the country. Fortunately for him, few people recognized the person behind the Wookiee costume. About Making the Museum:Making the Museum is a newsletter and podcast on exhibitions, written and hosted by Jonathan Alger. MtM is a project of C&G Partners | The Exhibition and Experience Design Studio.Learn more about the creative work of C&G Partners:https://www.cgpartnersllc.com/ Links for This Episode:Mike Horvath:mhorvath@mos.org Mike on LinkedIn:https://www.linkedin.com/in/michael-horvath-529b7712/ Museum of Science, Boston:https://www.mos.org/ The F.A.S.T. Project (Flexible, Accessible Strategies for Timely Digital Exhibit Design):https://informalscience.org/research/the-fast-table-a-new-approach-to-developing-timely-and-accessible-exhibit-experiences/ The A.I.M. Initiative (Alliance for Immersion in Museums):https://www.museumimmersion.org/ Links for Making the Museum, the Podcast:Contact Making the Museum:https://www.makingthemuseum.com/contact Host Jonathan Alger, Managing Partner of C&G Partners, on LinkedIn: https://www.linkedin.com/in/jonathanalger Email Jonathan Alger:alger@cgpartnersllc.com C&G Partners | The Exhibition and Experience Design Studio:https://www.cgpartnersllc.com/ Making the Museum, the Newsletter:Like the show? You might enjoy the newsletter. Making the Museum is also a free weekly email about exhibitions for museum leaders and teams. (And newsletter subscribers are the first to hear about new episodes of this podcast.)Join hundreds of your peers with a one-minute read, three times a week. Invest in your career with a diverse, regular feed of planning and design insights, practical tips, and tested strategies — including thought-provoking approaches to technology, experience design, audience, budgeting, content, and project management.Subscribe to the newsletter:https://www.makingthemuseum.com/
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His week that was – Kevin HealyMary Kostakidis speaking after the court case brought against her by Zionists was dismissed. A case which threatened freedom of speech and expression in Australia and the silencing of journalists.Executive member of APAN, Australian Palestine Advocacy Network, Hiba Farra on Albanese and Europe's movements on settlers.Part 2 of the GeneEthics report with Bob PhelpsChairperson of the International Coalition For Human Rights In The Philippines Peter Murphy on the cases against Sarah Duterte, etc. in the Philippines.The reaction by 2 WA politicians to the Wall of Tears exhibition, featuring the names of 18,000 Palestinian children killed in Gaza, in WA parliament. Speaking with the President of the Medical Association for the Prevention of War Dr Sue Wareham.John Lander from IPAN, Independent Peaceful and Australia, explaining the need for the National Day of Action on 20 September in Melbourne and throughout Australia
CapeTalk’s Sara-Jayne Makwala King is joined on Weekend Breakfast by Photographer and curator Shani Judes. Weekend Breakfast with Sara-Jayne Makwala King is the weekend breakfast show on CapeTalk. This 3-hour morning programme is the perfect (and perky!) way to kickstart your weekend. Author and journalist Sara-Jayne Makwala-King spends 3 hours interviewing a variety of guests about all things cultural and entertaining. The team keeps an eye on weekend news stories, but the focus remains on relaxation and restoration. Favourites include the weekly wellness check-in on Saturdays at 7:35 am and heartfelt chats during the Sunday 9 am profile interview. Listen live on Primedia+ Saturdays and Sundays between 07:00 and 10:00 am (SA Time) to Weekend Breakfast with Sara-Jayne Makwala-King, broadcast on CapeTalk: https://buff.ly/NnFM3Nk For more from the show, go to https://buff.ly/AgPbZi9 or find all the catch-up podcasts here https://buff.ly/j1EhEkZ Subscribe to the CapeTalk Daily and Weekly Newsletters: https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.
World record exhibition shooter Steve Gould joins Ryan Gresham to break down the 201-yard clay shot that broke the internet, why choke selection gets weird at extreme distances, what target focus actually means, and why your shotgun skills and your rifle skills fight each other at the range. Plus honest shotgun reviews from $350 to $50,000 — and why he refuses to answer the one-gun question.This Gun Talk Nation is brought to you by Savage Arms, Shooting Sports Life, Colt, Remington Ammunition, Leupold, MTM Case-Gard, and Ruger.About Gun Talk NationGun Talk Media's Gun Talk Nation with Ryan Gresham is a weekly multi-platform podcast that offers a fresh look at all things firearms-related. Featuring notable guests and a lot of laughs. Gun Talk Nation is available as an audio podcast or in video format.For more content from Gun Talk Media, visit guntalk.com or subscribe on YouTube, Rumble, Facebook, Instagram, and X. Catch First Person Defender on the new Official FPD YouTube channel. Watch Gun Talk Nation on its new YouTube channel. Catch Gun Talk Hunt on the new dedicated YouTube Channel. Listen to all Gun Talk Podcasts with Spreaker, iHeart, Apple Podcasts, Spotify or wherever you find podcasts.Copyright ©2026 Freefire Media, LLCGun Talk Nation 09.10.26Become a supporter of this podcast: https://www.spreaker.com/podcast/gun-talk--6185159/support.
Can you help me make more podcasts? Consider supporting me on Patreon as the service is 100% funded by you: https://EVne.ws/patreon You can read all the latest news on the blog here: https://EVne.ws/blog Subscribe for free and listen to the podcast on audio platforms:➤ Apple: https://EVne.ws/apple➤ YouTube Music: https://EVne.ws/youtubemusic➤ Spotify: https://EVne.ws/spotify➤ TuneIn: https://EVne.ws/tunein➤ iHeart: https://EVne.ws/iheart XIAOMI LAUNCHES SKY NOMAD EREV SUVS IN CHINA https://evne.ws/w6nth LI AUTO PLANS 5C BATTERY ROLLOUT ACROSS RANGE https://evne.ws/mmdqw WULING REVEALS STARLIGHT M PLUG-IN HYBRID MPV https://evne.ws/8el0n AUDI PLAN WOULD SHIFT FOUR-RING BUSINESS TO FAW https://evne.ws/vecob BEIJING TO HOLD SPECIALIZED 2027 EXHIBITION https://evne.ws/6t4yo BYD SEEKS 2.5 MILLION OVERSEAS SALES IN 2027 https://evne.ws/57kmb FANG CHENG BAO TI 6 SPOTTED IN CHINA https://evne.ws/3kre6 STELLANTIS IN MASERATI TALKS WITH HUAWEI AND JAC https://evne.ws/ugz4n
The 1901 Exhibition Cup is one of Celtic's strangest trophy successes.It involves a cup won by Rangers but displayed by the Celts.This latest podcast describes the full story.Every week, you can listen for free to more tales from Celtic's past, as told by Matthew Marr (Hail Hail History).From next month, you can also buy the two-part book series ‘Green, white and silverware' by Matthew Marr, describing Celtic's less well-known trophy wins.To get details, follow Hail Hail History on Twitter/X and Bluesky or keep listening to the Celtic Underground.Enjoy…Apple podcastsSpotifyAmazonPlayer.fmSpreakerAudioboomYoutubeThanks for reading The Celtic Underground Substack! This post is public so feel free to share it. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit thecelticunderground.substack.com/subscribe
What does it look like when local artists try to capture living through this particular moment in Washington? That's the idea behind “Tomorrow The Sun Will Rise,” a new exhibition at the Phillips Collection featuring 56 works from 48 artists across the DMV. The exhibition is open through September 20th. Today we're speaking with Tie Jojima, the Phillips Collection's curator of global contemporary art, and one of the people tasked with narrowing 1,500 submissions down to the works on the walls. Want some more DC news? Then make sure to sign up for our morning newsletter City Cast DC. You can text us or leave a voicemail at: (202) 642-2654. You can also become a member, with ad-free listening, for as little as $10 a month. Learn more about the sponsors of this September 8th episode: District Bridges DC Department of Behavioral Health Mosaic Theater Company Washington National Opera The Peabody Institute of The Johns Hopkins University Signature Theatre Interested in advertising with City Cast? Find more info HERE.
Miss Texas Regan Hutsell has won Miss America 2027'Blue Heartstrings' honors babies born with heart defects --> archwaygallery.comAlmost 80% were bummed about everything costing more - how have you adjusted?
What does the artist's body do? No one pushes us to ask this more than the Cuban-American artist Ana Mendieta. Her excavated silhouettes in the landscape, where her body would at times lie, covered with petals or feathers, are but one of the actions and rituals that she performed during her short career. What did occur in her own body? Community? Communion? What was the origin and the purpose of her embodied art? And what is the medium for this kind of art, happening in and with the body of the artist? Did you enjoy the episode? Think about supporting Exhibitionistas by leaving a small donation: https://buymeacoffee.com/exhibitionistaCelebrated for being a visionary eco-feminist, an activist against violence women, Ana Mendieta's work is often obliterated by the sensationalism around it. The exhibition at Tate Modern feels like meeting the artist for the first time. For more info: https://www.tate.org.uk/whats-on/tate-modern/ana-mendieta Sign up for a tiered monthly support: https://www.buzzsprout.com/2624749/monetization/supporter_settings Your contribution keeps us going.Art Etiquette Segment guest: Esther Stanford, is the co-host of award winning podcast Limited Time Only (with Susie Riddell, WINNER: ‘BEST COMEDY MOMENT' International Women In Podcast Awards 2025 sponsored by BBC SOUNDS), she is a sketch and TV writer. You can find her on Instagram, on YouTube, March House, a channel she has just launched where you can also find her podcast Conversations with Creatives. Or simply her website: ww.estherstanford.co.uk. Soon: Bonus – full length Art Etiquette episodes.Segment: Brainstorm in a Teacup:Come for the art, stay for the creative writing segment, where Joana reads short texts from her notebooks exposing her inner thoughts and unexpected fictional / poetic / non-fiction / flash writing.Jingle: "Wunder", experimental poem by Joana P. R. Neves.Did the episode stir Art Wonderment memories? Share them via text or voice message.Support the showCreated & Hosted by Dr. Joana P. R. Neves, art curator and writer with over 20 years of experience in the contemporary art field. Artistic director of Drawing Now Paris since 2018, she has worked across the industry, from the art market to education. She co-launched the art residency and project space Worlding in 2020. Exhibitionistas' first year offered exhibition discussions with guest co-host Emily Harding; organically, it grew into a more experimental show exploring art topics, stories and interviews complemented by Joana's publication Art Thinkosaurus on Substack. She champions ‘Art Wonderment's' embrace of complexity against the lure of ready-made opinions. A polyglot, she grew up in Lisbon, studied and lived in Paris, to finally settle in London with her artist husband, four children and two cats. READ JOANA'S TEXTS:Joana on Substack: https://joanaprneves.substack.comWhere you find the Exhibitionistas Files, our Newsletter: ...
Fluent Fiction - French: Balancing Innovation and Tradition: A Museum's Grand Exhibition Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2026-09-06-22-34-02-fr Story Transcript:Fr: Le musée des sciences était en effervescence.En: The science museum was buzzing with activity.Fr: Sous les plafonds de verre hauts et modernes, l'air vibrait d'excitation.En: Under the high, modern glass ceilings, the air vibrated with excitement.Fr: Les écrans interactifs brillaient sur le sol poli, où les visiteurs circulaient curieux et enthousiastes.En: The interactive screens shone on the polished floor, where visitors moved about curiously and enthusiastically.Fr: À travers les grandes fenêtres, les feuilles d'automne ajoutaient une touche de couleur vive et chaleureuse.En: Through the large windows, the autumn leaves added a touch of bright and warm color.Fr: Luc, le coordinateur d'exposition ambitieux, était au centre de l'animation.En: Luc, the ambitious exhibition coordinator, was at the center of the animation.Fr: Passionné de sciences et d'innovation, il rêvait de faire de l'inauguration de l'exposition un événement inoubliable.En: Passionate about science and innovation, he dreamed of making the exhibition's opening an unforgettable event.Fr: Pour lui, c'était l'occasion de se faire un nom dans la communauté muséale.En: For him, it was an opportunity to make a name for himself in the museum community.Fr: Il voulait que tout soit parfait.En: He wanted everything to be perfect.Fr: Les lumières, les sons, tout devait impressionner.En: The lights, the sounds—everything had to impress.Fr: Marion, la curatrice expérimentée, observait Luc avec un regard attentif.En: Marion, the experienced curator, watched Luc with keen attention.Fr: Elle respectait les grands rêves de Luc, mais elle tenait à ce que l'exposition reste avant tout éducative.En: She respected Luc's big dreams, but she insisted that the exhibition remain primarily educational.Fr: "Luc," dit-elle doucement, "je crains que l'on n'oublie notre mission principale : instruire."En: "Luc," she said softly, "I'm afraid we might forget our main mission: to educate."Fr: Luc comprenait ses préoccupations, mais il était convaincu que l'innovation pouvait être une force éducative.En: Luc understood her concerns, but he was convinced that innovation could be an educational force.Fr: Cependant, il sentait ce tiraillement entre ses rêves ambitieux et les conseils judicieux de Marion.En: However, he felt the tension between his ambitious dreams and Marion's wise advice.Fr: Finalement, il dû prendre une décision : suivre Marion et calmer ses ardeurs, ou avancer avec ses idées audacieuses.En: Ultimately, he had to make a decision: follow Marion and temper his enthusiasm, or move forward with his bold ideas.Fr: La veille de l'inauguration, lors de la répétition générale, un problème technique survint.En: On the eve of the opening, during the final rehearsal, a technical problem arose.Fr: Les projections visuelles, élément central du spectacle, ne répondaient pas correctement.En: The visual projections, a central element of the show, were not responding correctly.Fr: Luc sentit la panique monter.En: Luc felt panic rising.Fr: Son rêve risquait de s'effondrer.En: His dream was at risk of collapsing.Fr: Marion, malgré ses réserves initiales, vint à la rescousse.En: Marion, despite her initial reservations, came to the rescue.Fr: Ensemble, ils discutèrent des adaptations possibles.En: Together, they discussed possible adaptations.Fr: Elle proposa des ajustements qui non seulement résoudraient le problème, mais qui renforcerait également le message pédagogique de l'exposition.En: She proposed adjustments that would not only solve the problem but also strengthen the educational message of the exhibition.Fr: Étonné, Luc accepta l'aide de Marion.En: Amazed, Luc accepted Marion's help.Fr: Le jour de l'inauguration arriva enfin.En: The day of the inauguration finally arrived.Fr: L'exposition, légèrement différente de ce que Luc avait imaginé, fut un succès.En: The exhibition, slightly different from what Luc had envisioned, was a success.Fr: Les visiteurs étaient captivés, tant par l'aspect visuel que par le contenu éducatif enrichi grâce à Marion.En: The visitors were captivated, both by the visuals and by the enriched educational content thanks to Marion.Fr: Luc comprit alors la valeur de trouver un équilibre entre nouveauté et tradition.En: Luc then understood the value of finding a balance between novelty and tradition.Fr: Il avait non seulement réussi son pari, mais il avait aussi gagné le respect de Marion.En: He had not only succeeded in his endeavor, but he had also earned Marion's respect.Fr: Ensemble, ils avaient créé un événement qui marierait pour tous le plaisir et l'apprentissage.En: Together, they had created an event that would blend enjoyment and learning for everyone.Fr: L'automne continua de tapisser l'extérieur de ses couleurs brillantes, tandis qu'à l'intérieur du musée, une nouvelle amitié s'était forgée grâce à un travail commun bien mené.En: Autumn continued to blanket the outside with its brilliant colors, while inside the museum, a new friendship had been forged thanks to a well-executed collaborative effort. Vocabulary Words:buzzing: effervescenceceiling: le plafondpolished: policuriously: curieuxenthusiastically: enthousiastescolor: la couleurambitious: ambitieuxcoordinator: le coordinateurexhibition: l'expositionunforgettable: inoubliableopportunity: l'occasioncommunity: la communautélights: les lumièresimpress: impressionnercurator: la curatricekeen attention: un regard attentifeducational: éducativemission: la missioninnovations: l'innovationtension: le tiraillementrehearsal: la répétitionproblem: le problèmeprojections: les projectionspanic: la paniquerescue: la rescousseadjustments: les ajustementsmessage: le messagebalance: l'équilibresuccess: le succèsexperience: le plaisir
Pete Hegseth's entire life has been leading to this moment. A war for the very soul of our nation. But can he save the institution responsible for his sense of self from the woke mind virus, or is it too late? — A production of BRINK Website: thisispropaganda.show Instagram: instagram.com/thisispropagandashow Email: propaganda@brink.com — CREDITS Written, Produced, and Hosted by Malcolm Critcher and Joshua Belhumeur Co-Producer: Reed Chandler __ Some dialogue and quotations have been condensed, paraphrased, or reconstructed based on contemporaneous accounts, interviews, and other source material. All archival clips from film and television used under fair use, for educational purposes only. 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Daniel Magen) Licensed from Artlist Quick Boudicca Licensed from Artlist No Man's Land Written and Performed by Joshua Belhumeur Too Many Steps Oran Loyfer Licensed from Artlist Tempted The Hazelnuts Licensed from Artlist American Dream Written and Performed by Joshua Belhumeur Moon Mother Richard Farrell (feat. Zephyr Gold) Licensed from Artlist A Propagandist Walks into a Piano Bar Written and Performed by Joshua Belhumeur Samizdat Written and Performed by Joshua Belhumeur
What if the most radical thing an artist can do right now is… take their time? This week on Bad at Sports, Duncan MacKenzie and Brian Andrews sit down with curators Abigail Winograd and Dieter Roelstraete, a.k.a. DRAW, to talk about their recent GRAY Chicago exhibition, IT'S ABOUT TIME: Counterproductive Conceptualisms in Chicago. Originally conceived under the much more dangerous title "Slacker Conceptualism," the exhibition gathers ten Chicago-based or Chicago-trained artists around a shared suspicion of productivity, professionalism, polish, legibility, self-branding, and the endless demand that artists explain themselves. The conversation starts with artists who take years to finish paintings, lean things against walls rather than attach them, make objects that seem almost perversely uninterested in becoming commodities, and cultivate what Abigail and Dieter call a kind of "studied nonchalance." From there, things get bigger. What does it mean to make political art without making your politics immediately legible? What happens when opacity becomes an act of resistance? Can refusing productivity itself be political? Why does Chicago—with its strange combination of universities, affordable-ish space, artist-run culture, deep pedagogical histories, and relative distance from the market machinery of New York—make this particular kind of artistic life possible? Along the way we get Pope.L, Iñigo Manglano-Ovalle, Michael Asher, Bas Jan Ader, Josef Strau, Cologne in the 1990s, Gen-X slackerdom, cringe comedy, unfinished paintings, unopened packages, boats, sawhorses, kitchen cabinets, artist losers, artist attitudes, the fetish of identity, the problem with virtue signaling, and the revolutionary possibility of simply refusing to hustle. And then the radio turns off. In the web-only afterparty, the conversation expands into earlier generations of Chicago conceptualism, center-versus-periphery arguments, the weird provincialism of assuming New York remains the center of American art, and finally the uncomfortable relationship between art schools, enormous tuition bills, professionalization, and the economic pressure placed on young artists to turn artistic practice into a viable career. Is the artist supposed to produce? Explain? Sell? Educate? Perform an identity? Change the world? Or can you just be an artist? Apparently, in Chicago, you can at least try. NAME DROPS / FURTHER READING The exhibition IT'S ABOUT TIME: Counterproductive Conceptualisms in Chicago — GRAY Chicago, July 10–August 22, 2026. Exhibition text, artists, checklist, installation views, and curatorial essay: GRAY — IT'S ABOUT TIME DRAW — the curatorial collaboration of Abigail Winograd and Dieter Roelstraete. The exhibition page includes biographies of both curators: DRAW / GRAY exhibition page Curators Abigail Winograd — independent curator and writer; co-curator/co-commissioner of Jeffrey Gibson's 2024 U.S. Pavilion and former Neubauer Collegium Visiting Fellow: Abigail Winograd — Neubauer Collegium Dieter Roelstraete — curator at the Neubauer Collegium for Culture and Society, University of Chicago; former MCA Chicago curator and documenta 14 curatorial team member: Dieter Roelstraete — Neubauer Collegium Artists in IT'S ABOUT TIME Alex Chitty: alexchitty.com Shir Ende: shirende.com Max Guy: maxguy.studio Jinn Bronwen Lee: jinnbronwenlee.com Dave Lloyd — see the GRAY exhibition page for works and installation views: Dave Lloyd in IT'S ABOUT TIME Iñigo Manglano-Ovalle: Iñigo Manglano-Ovalle — artist information and website Devin T. Mays — see the GRAY exhibition page: Devin T. Mays in IT'S ABOUT TIME Pope.L: Pope.L — MoMA Nick Raffel — see the GRAY exhibition page: Nick Raffel in IT'S ABOUT TIME Miao Wang — see the GRAY exhibition page: Miao Wang in IT'S ABOUT TIME Conceptual-art ancestors, fellow travelers, and troublemakers Michael Asher — conceptual artist and legendary CalArts teacher whose practice becomes an important reference point in the conversation: Michael Asher — CalArts / MOCA overview Bas Jan Ader — particularly In Search of the Miraculous and Ader's subsequent association with failure, romantic conceptualism, and the mythology of the "artist loser": Bas Jan Ader — Estate / Meliksetian | Briggs Josef Strau — artist and author of "The Nonproductive Attitude," one of the central intellectual reference points for the exhibition: Josef Strau — Whitney Museum Christopher Williams - https://www.davidzwirner.com/artists/christopher-williams Lawrence Weiner - https://www.mariangoodman.com/artists/70-lawrence-weiner/ Günther Förg - https://www.hauserwirth.com/artists/19427-gunther-forg/ Martin Kippenberger - https://www.maxhetzler.com/artists/martin-kippenberger Albert Oehlen - https://gagosian.com/artists/albert-oehlen/ Bennett Simpson - https://heni.com/news?artist=Bennett%20Simpson Hannah Arendt - https://hac.bard.edu/about/hannaharendt/ Sigmund Freud - https://www.freud-museum.at/en/ Dan Peterman - http://www.danpeterman.com/ Michelle Grabner - https://www.jamescohan.com/artists/michelle-grabner Josh Kline - https://www.lissongallery.com/artists/josh-kline Institutions / places GRAY Chicago Renaissance Society Neubauer Collegium for Culture and Society University of Chicago Northwestern University University of Illinois Chicago School of the Art Institute of Chicago Columbia College Chicago Art Institute of Chicago MCA Chicago ICA Boston Regards Gallery Image: Dieter Roelstraete and Abigail Winograd Photo by Robert Chase Heishman. Image courtesy of GRAY Chicago/New York