Podcasts about Exhibition

How can exhibitions create positive change in the world?Why is play the key? How can we build trust with a community that doesn't know us? Why should exhibition makers preserve their “beginner's mind”? What can exhibitions do climate change, polarization and global conflict? How do we measure our impact?Femke Bijlsma (Partner, Kossmanndejong) discusses “Make Space for Change (The New Book)” with MtM host Jonathan Alger (Managing Partner, C&G Partners | The Exhibition and Experience Design Studio).Along the way: un-discipline, Santa Claus, and eating the story.Talking Points:1. Why Make Space for Change?2. PLAY3. ACTION4. REPRESENTATION5. CREATIVITY6. IMPACTHow to Listen:Listen on Apple Podcasts:https://podcasts.apple.com/us/podcast/making-the-museum/id1674901311 Listen on Spotify:https://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G Listen at Making the Museum, the Website:https://www.makingthemuseum.com/podcast Links to Every Podcast Service, via Transistor:https://makingthemuseum.transistor.fm/ Guest Bio:Femke Bijlsma is a partner and content developer at Amsterdam-based design firm Kossmanndejong, creating immersive, narrative-driven spaces globally. Her work distinctively connects design with social goals, fostering meaningful inclusion and community empowerment. This approach shapes major projects like the Museum of the Mind, "Our Colonial Inheritance" at the Worldmuseum Amsterdam, and the UAE Pavilion for Expo 2020, alongside high-profile US work at the La Brea Tar Pits. Committed to positive change, Bijlsma co-founded the Refugee Company, chaired the Dutch Design Awards, and shares her expertise as a thought leader through regular international university lectures and workshops.About Making the Museum:Making the Museum is a newsletter and podcast on exhibitions, written and hosted by Jonathan Alger. MtM is a project of C&G Partners | The Exhibition and Experience Design Studio.Learn more about the creative work of C&G Partners:https://www.cgpartnersllc.com/ Links for This Episode:Make Space for Change (New Book):https://www.japsambooks.nl/products/make-space-for-change Femke:femke@kossmanndejong.nl  Kossmandejong:www.kossmanndejong.nl Links for Making the Museum, the Podcast:Contact Making the Museum:https://www.makingthemuseum.com/contact Host Jonathan Alger, Managing Partner of C&G Partners, on LinkedIn: https://www.linkedin.com/in/jonathanalger Email Jonathan Alger:alger@cgpartnersllc.com C&G Partners | The Exhibition and Experience Design Studio:https://www.cgpartnersllc.com/ Making the Museum, the Newsletter:Like the show? You might enjoy the newsletter. Making the Museum is also a free weekly email about exhibitions for museum leaders and teams. (And newsletter subscribers are the first to hear about new episodes of this podcast.)Join hundreds of your peers with a one-minute read, three times a week. Invest in your career with a diverse, regular feed of planning and design insights, practical tips, and tested strategies — including thought-provoking approaches to technology, experience design, audience, budgeting, content, and project management.Subscribe to the newsletter:https://www.makingthemuseum.com/ 

Fluent Fiction - Hungarian: Triumph and Teamwork: Zoltán's Scientific Exhibition Success Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hu/episode/2026-06-21-07-38-19-hu Story Transcript:Hu: A nyári meleg napok különösen élénkek a Művészetek Palotájában Budapesten.En: The hot summer days are particularly lively at the Művészetek Palotája in Budapest.Hu: A modern épület csak úgy vibrál az élet energiájától.En: The modern building pulses with the energy of life.Hu: Turisták és helyiek is özönlenek, hogy részt vegyenek az új tudományos kiállításon, amelyet Zoltán, a kurátor, tervezett.En: Tourists and locals flock to participate in the new scientific exhibition designed by Zoltán, the curator.Hu: Zoltán sok éjszakát töltött azzal, hogy megtervezze ezt az eseményt.En: Zoltán spent many nights planning this event.Hu: Célja, hogy az emberek felfedezzék a fizika csodáit.En: His goal was for people to discover the wonders of physics.Hu: Interaktív és kreatív bemutatókat álmodott meg, hogy minden látogatónak maradandó élményt nyújtson.En: He envisioned interactive and creative displays to provide every visitor with a lasting experience.Hu: Az előkészületek közben azonban Zoltán szembesült néhány problémával.En: However, during the preparations, Zoltán encountered some problems.Hu: Nyáron a csapatának nagy része nyaralni ment, és az egyik kulcsfontosságú kiállítási darab késve érkezett.En: In the summer, most of his team went on vacation, and one key exhibit piece arrived late.Hu: Hosszú munkanapok vártak Zoltánra és megmaradt segítőire.En: Long working days awaited Zoltán and his remaining helpers.Hu: Zoltán erőforrásait újragondolta.En: Zoltán reconsidered his resources.Hu: Judit, a fiatal tervező, és Katalin, a logisztikai szakember, segítettek neki a helyben elérhető anyagok újrafelhasználásában.En: Judit, the young designer, and Katalin, the logistics specialist, helped him reuse locally available materials.Hu: Zoltán a helyi művészi csoportokat is megszólította, hogy legyen elég támogatás az installációkhoz.En: Zoltán also reached out to local artistic groups to ensure enough support for the installations.Hu: Végre elérkezett a kiállítás megnyitó napja.En: Finally, the opening day of the exhibition arrived.Hu: A díszteremben mindenki izgatottan várta a nagy pillanatot.En: Everyone in the grand hall waited eagerly for the big moment.Hu: Azonban, amikor az első látogatók beléptek, egy fontos darab meghibásodott.En: However, when the first visitors entered, an important piece malfunctioned.Hu: A fizikai bemutató központja nem működött úgy, ahogy kellett volna.En: The centerpiece of the physics display was not working as it should have.Hu: Zoltán szíve gyorsabban vert, de nem pánikolt.En: Zoltán's heart raced, but he did not panic.Hu: Azonnal cselekedett, és kis csapata segítségével sikerült gyorsan megoldani a problémát.En: He acted immediately, and with the help of his small team, they quickly solved the problem.Hu: Az eszköz újraindult, és a látogatók ismét elmerülhettek a tudomány varázsában.En: The device restarted, and visitors could once again immerse themselves in the magic of science.Hu: Zoltán sikeresen bemutatta a kiállítást.En: Zoltán successfully presented the exhibition.Hu: A vendégek méltatták a kreativitást és az újszerű megközelítést.En: Guests praised the creativity and novel approach.Hu: Sok fiatal inspirálódott, láthatóan hatással volt rájuk a bemutatott tudás.En: Many young people were inspired, visibly affected by the knowledge showcased.Hu: Amikor az utolsó vendégek is távoztak, Zoltán belső megnyugvással nézett körbe.En: When the last guests left, Zoltán looked around with inner peace.Hu: Rájött, mennyire fontos az alkalmazkodás és a csapatmunka.En: He realized how important adaptation and teamwork are.Hu: Bár a kiállítás nagy kihívások elé állította, az elért siker megérte a fáradozást.En: Although the exhibition posed great challenges, the achieved success was worth the effort.Hu: Zoltán tanult az esetből.En: Zoltán learned from the experience.Hu: Tudta, hogy jövőben okosabban kell időzíteni és előkészülni, de mégis elégedett volt azzal, amit elért.En: He knew that in the future, he needed to time and prepare more wisely, but he was satisfied with what he achieved.Hu: Az álommá vált kiállítással nemcsak másokat inspirált, hanem önmagát is megerősítette abban, hogy merjünk nagyot álmodni és dolgozni érte.En: The exhibition, which became a dream come true, not only inspired others but also reinforced in him the belief that we should dare to dream big and work for it. Vocabulary Words:lively: élénkekpulses: vibrálflock: özönlenekcurator: kurátorenvisioned: álmodott meginteractive: interaktívlasting: maradandóencountered: szembesültpreparations: előkészületekvacation: nyaralniexhibit: kiállítási darabawaited: vártakresources: erőforrásaitreuse: újrafelhasználásábanlogistics: logisztikaiinstallations: installációkhozgrand: díszterembencenterpiece: központjamalfunctioned: meghibásodottraced: gyorsabban vertimmerse: elmerülhettekpraised: méltattáknovel: újszerűvisibly: láthatóanadaptation: alkalmazkodásteamwork: csapatmunkachallenges: kihívásokworth: megértereinforced: megerősítettedare: merjünk

Julian Lennon: “Behind the camera I could be anybody, which is what makes me happy”, Rare Roman jug buried in 5th-century grave found almost intact in Moravia, Ukrainian veterans are helping build the future of drones in Czechia

Julian Lennon: “Behind the camera I could be anybody, which is what makes me happy”, Rare Roman jug buried in 5th-century grave found almost intact in Moravia, Ukrainian veterans are helping build the future of drones in Czechia

Roy L Hales / Cortes Currents - At the Old Schoolhouse Art Gallery: Meinsje's Uncanny Puppets and Sublime Paintings The “Uncanny and the Sublime” exhibition opens at the Old Schoolhouse Art Gallery at 6:00 p.m. on Friday, June 19, and runs until July 5. In this morning's interview, exhibiting artist Meinsje Vlaming discusses her puppets and paintings. Meinsje: "I've been involved with the Academy of the Wooden Puppets. That's a two-year education online by Bernd Ogrodnik, a German teacher, master puppeteer, and carver who lives now in Iceland. That's one of the good things that happened with COVID: we have a lot of things online now, and we don't have to go there. “Bernd put together a program on carving puppets—from the beginning, very simple puppets, to a very, very complicated marionette. Of course, being a puppeteer, that had my interest. So I enrolled.” “Well, actually, I first applied for a grant. I got it, I enrolled, and I started carving. I got all these puppets that are not really related, and I haven't put them in a puppet show, but it would be nice to hang them on the walls in a gallery and display them.” “So we thought about that, and then it's like, well, I don't have enough to fill the gallery. And then I also enrolled with a wonderful painter teacher, Michael Orwick, whose style is really resonating with my own style—my own work. So I thought, ‘Why don't I put those two together?' - But how do you connect the wooden puppets with the paintings that are about light?" “If you look through my work, it's very diverse—there's a lot of different styles and trying out styles. But the thing they all have in common is the light. So I took two elements from two different disciplines and tried to connect them. What they have in common is painting and puppets—then I started to dive a little deeper into what they have in common, which is the sublime in the paintings.” “The Romantics, the Tonalists, the Luminists—they've all used that. I personally think light is the most sublime thing on this planet. It's in paintings, and it's connected to the spiritual.” “That's how I came to decide: ‘Let's put puppets and the paintings together into the show.' And that works—I think, I hope.”

Tom and Sam sit down and talk about this week's news

From a refugee boat in 1978 to chapter president, Tiffany Trang's journey into construction finance is one of resilience & reinvention.On this episode of Voices of CFMA, sponsored by Premier Construction Software, Tiffany talks about the mentor who put her next to him in every meeting, what her CCIFP credential did for her practice, and how CFMA helped her find the confidence to speak up in rooms where she was often the only woman.Her advice for anyone sitting quietly in the background? Speak up. It's the only way you'll be heard.Recorded live on site at CFMA's Annual Conference & Exhibition in Phoenix.

A project aimed at improving the skills of students in several areas of technical and vocational studies came to an end here recently, with a graduation ceremony and exhibition at the School of Innovation and Technology in Anse Ger

The history of Japanese Australians goes back over 100 years. However, it was severely interrupted by the mass deportation in 1946, following the WWII. A photographic exhibition depicting Japanese immigrants from the late 19th to the early 20th century—the period before this break—is currently being held in Cowra, New South Wales, known as the ‘Town of Reconciliation'. It is an attempt to highlight the role and contributions of Japanese immigrants during the period when Australia was beginning to take shape as a nation. We spoke to Dr Tetsu Kimura, a cultural historian at Flinders University who curated the exhibition, and Dr Peter Prince, a legal historian and Research Affiliate at the University of Sydney Faculty of Law, who talks about his research on Jiro Muramatsu, an Australian who is buried in Cowra as a Japanese national. - オーストラリアの日系移民。戦後1946年の日本への大量強制送還で、その歴史がいったん途切れてしまったことを知っていますか？その途切れる以前の日系コミュニティーが、オーストラリアの近代国家形成に果たした役割を紹介する写真展「Unspoken Contributions」が、ニューサウスウェールズ州カウラの日本庭園で開かれています。SBSの日本語放送は火木金の午後１時からSBS3で生放送！火木土の夜10時からはおやすみ前にSBS1で再放送が聞けます。SBS日本語放送ポッドキャストから過去のストーリーを聞くこともできます。無料でダウンロードできるSBS Audio Appもどうぞ。SBS 日本語放送のFacebookとInstagramもお忘れなく。

Learn more at TheCityLife.org

In this special episode, we explore the theatrical history of the great Centennial Exposition – one of the biggest entertainment events ever mounted in Philadelphia.Our guests today are historian John Henry Hepp IV and the blogger and culture history maven TravSD!A blog post, with many of the images and buildings we talk about during the show, is HERE.Here is a link to Professor Hepp's book, Mystery and Marvel, Philadelphia's 1876 Exhibition.And this is a ling to TravSD's history of vaudeville: No Applause—Just Throw Money: The Book That Made Vaudeville Famous.Support the show"Adventures in Theater History: Philadelphia" the BOOK can be ordered from independent bookstores and at all online book retailers now! For a link, go to our website: www.aithpodcast.comOur email address is AITHpodcast@gmail.comFollow us on social media:Bluesky: @aithpodcast.bsky.socialFacebook: https://www.facebook.com/AITHpodcastInstagram: https://www.instagram.com/aithpodcast/ Support our work and get BONUS EPISODES on Patreon! GO HERE© Podcast text copyright, Peter Schmitz. All rights reserved.℗ All original voice recordings copyright Peter Schmitz.℗ All original music copyright Christopher Mark Colucci. Used by permission.

SpaceBuzz in action: Rocket shaped simulator enabling virtual journey to space touring Czechia, praying mantis named Czechia's Insect of the Year as the species spreads across the country, new Prague exhibition explores the hidden architecture behind Czechia's cottage culture

Did you know that in addition to saving the free world, Churchill was also an accomplished painter? In this episode of the Anglotopia Podcast, Jonathan Thomas sits down with Dr. Lucy Davis — curator of paintings at the Wallace Collection in London and co-curator of Winston Churchill the Painter, the first major retrospective of Churchill's art in over 60 years and the first substantial UK exhibition devoted to his paintings since his death in 1965. The exhibition brings together nearly 60 works, roughly half from private collections rarely accessible to the public, and traces the full arc of Churchill's artistic life: from the tentative canvases he made during the darkest moment of his World War I career, through the luminous Mediterranean harbors and Moroccan cityscapes of his mature period, to the bold late works of a man who found in painting one of the greatest solaces of his life. Lucy walks Jonathan through the story of how Churchill came to paint, the three major artists who shaped his style — John Lavery, Walter Sickert, and William Nicholson — the single painting he made during World War II, the extraordinary Hallmark Cards world tour, and why the Wallace Collection is the perfect home for this once-in-a-lifetime show. The exhibition runs until November 29, 2026. Book your tickets now. Lucy is very grateful to her colleagues at Hallmark Cards, Inc. for their research into the World Tour of Churchill's paintings, which she has referenced in this podcast. Links The Exhibition Winston Churchill the Painter — Wallace Collection (open until November 29, 2026 — book tickets in advance) The Wallace Collection, London Wallace Collection E-Newsletter (Over 60% of subscribers are US-based — talks and courses available remotely) Wallace Collection Events & Remote Courses The Wallace Collection at War — companion display (open until end of October) Gallery of Some of Churchill's Paintings in the Exhibition Books Painting as a Pastime by Winston Churchill — New Edition with intro by Paul Rafferty Winston Churchill the Painter — Exhibition Catalog, edited by Dr. Lucy Davis (Philip Wilson Publishers) Churchill's Citadel by Katherine Carter — Chartwell and the Wilderness Years Churchill Sites Chartwell, Kent — National Trust Blenheim Palace, Oxfordshire Churchill Archives Centre, Cambridge America's National Churchill Museum, Fulton MO Also Mentioned Darkest Hour (2017) — Gary Oldman as Churchill Friends of Anglotopia Club Takeaways Winston Churchill the Painter at the Wallace Collection is the first major retrospective of Churchill's art in over 60 years — nearly 60 works, roughly half from private collections that are rarely if ever accessible to the public. This is a genuinely once-in-a-lifetime opportunity. Churchill took up painting in 1915 at the lowest point of his life, following the catastrophic failure of the Dardanelles campaign. His wife Clementine later said she thought he would die of grief — and it was painting that gave him back his spark. Churchill was never formally trained, but worked closely with at least three leading professional artists: John Lavery (portraiture and plein air painting), Walter Sickert (modernist techniques and working from photographs), and William Nicholson (still life, tonal restraint, and simplified composition). Churchill's single painting during World War II was a view of Marrakesh, painted the day after he took President Roosevelt to see the sunset over the Atlas Mountains following the Casablanca Conference. He gave it to Roosevelt as a gift — it is in the exhibition, facing the painting he later gave to President Eisenhower. The Wallace Collection's connection to Churchill runs deeper than the exhibition: Odette Pol Roger was born Odette Wallace as great-granddaughter of Sir Richard Wallace, became Churchill's close friend, and reserved an entire vintage of Pol Roger champagne for him. A quarter-bottle believed to be one of the last he drank before his death in 1965 is on display in the exhibition. Churchill's paintings were the subject of a record-breaking world tour of North America, Australia, and New Zealand in 1958, masterminded by President Eisenhower and Joyce C. Hall, founder of Hallmark Cards. Churchill initially refused — until Eisenhower wrote him a personal letter about the wave of goodwill it would create. Churchill submitted paintings to competitions under the pseudonym "David Winter" and was given the title of Honorary Academician Extraordinary by the Royal Academy — only the second person ever to receive this honor, after Edward VII. The goldfish pool at Chartwell — Lucy's personal favorite painting in the exhibition — contains a detail invisible in photography: the ripple created by the fish on the surface, painted in a subtle mauve-grey. Lucy says it perfectly summarizes Churchill's playful, witty personality. Picasso, upon seeing Churchill's painting La Dragonnière, said (paraphrasing) that Churchill would have been a good professional painter if he hadn't had something else to do. The painting is in the exhibition. The new edition of Churchill's own book Painting as a Pastime — with an introduction by Paul Rafferty — has just been published and is the perfect companion to the exhibition. It explains in Churchill's own words why he took up painting and why everyone else should too. Soundbites "Clementine was looking on and she was so relieved to see him engaged in something. He talked about all this unwanted leisure — going from a really high-pressured executive job to suddenly watching the whole tragedy unfold. To see that spark lit up again." — Lucy on Clementine's reaction when Churchill first picked up a paintbrush. "He said painting was a complete distraction. He said: I know nothing which without exhausting the body more entirely absorbs the mind." — Lucy quoting Churchill on why painting worked when nothing else could. "He's painting the headquarters of the battalion as it was progressively being shelled and devastated. One of his young soldiers said he was unusually quiet and withdrawn and asked what was wrong — and he said: I've been really struggling to paint the craters." — Lucy on Churchill painting in the trenches at Plug Street. "He said it should be a joy ride in a paint box. Nobody should feel afraid or daunted by it. We don't have to aspire to masterpieces." — Lucy on Churchill's message to anyone who wants to paint. "A traveling exhibition of your paintings in the United States would not only attract a great deal of attention, but I am certain it would serve in a very definite way to strengthen the friendship between our two countries." — Lucy quoting Eisenhower's letter persuading Churchill to allow the world tour. "He submitted a painting in 1925 to an amateur painting competition and won first prize — although one of the judges wanted to disqualify it because he thought it must be by a professional painter." — Lucy on Churchill exhibiting anonymously under the pseudonym David Winter. "Picasso said — and I'm paraphrasing — that he would have been a good professional painter if he didn't have something else to do." — Lucy on Picasso's verdict on Churchill's painting La Dragonnière. "There's a particular detail that doesn't come out in photography — the ripple created by the fish on the surface that he's painted in this sort of mauve-grey color. It's just such a lovely finishing touch and really summarizes that playful, witty side of his personality." — Lucy on her favorite painting in the exhibition, the goldfish pool at Chartwell. "He made the gardener row back and forth across the moat to create ripples so he could try a different effect in the water." — Lucy on Churchill's obsessive dedication to capturing reflections accurately. "I think he would like to see us leaving the exhibition with smiles on our faces and with an urge to pick up a paintbrush." — Lucy on what Churchill himself would have wanted visitors to take away. Chapters 00:22 Introduction — Jonathan sets up the exhibition and introduces Dr. Lucy Davis 01:59 Lucy's Background — 15 years at the Wallace Collection, the Courtauld, the National Gallery, and Washington DC 03:09 What Is the Wallace Collection? — A world-class art collection in an intimate Marylebone townhouse 04:47 The Wallace Collection's Churchill Connection — The Artists Aid Russia exhibition, Clementine's charity, and the Pol Roger link 06:29 Churchill's Favorite Champagne — And the quarter-bottle of Pol Roger in the exhibition 07:14 How Churchill Came to Paint — Gallipoli, the darkest moment, Ho Farm in Sussex, and Hazel Lavery's advice 09:49 Did He Take to It Naturally? — Total ambition, total audacity, and the self-portrait painted at 40 13:00 Painting in the Trenches at Plug Street — Easels in the First World War and the crater problem solved 14:50 What Painting Gave Churchill That Nothing Else Could — Complete absorption, relief from anxiety, and seeing the world properly for the first time 17:12 Churchill's Message to Everyone — A joy ride in a paint box, and why no one should feel daunted 19:13 500 Canvases Alongside Everything Else — Chancellor, Prime Minister, Nobel laureate: where did he find the time? 21:12 The One WWII Painting — The Casablanca Conference, Roosevelt, the Atlas Mountains, and a gift that symbolized the Special Relationship 23:02 The Marrakesh Painting and the Gift to Eisenhower — Two paintings face to face in the exhibition 23:47 The Hallmark Cards World Tour — Joyce C. Hall, Eisenhower's persuasive letter, and a record-breaking global exhibition 25:49 How Did Brad Pitt End Up Owning the Marrakesh Painting? — Neither host quite knows 26:34 Churchill's Artistic Mentors — John Lavery, Walter Sickert, William Nicholson, and what each one taught him 32:20 Churchill's Influences — Monet, Cézanne, the Impressionists, and the tessellated pavement of dabs and lozenges 32:33 Walking Through the Exhibition — Six galleries from First Attempts to the Royal Academy 34:00 Gallery 1: First Attempts — Lavery, the self-portrait, and the Plug Street paintings 35:00 Gallery 2: Life and Hope — Chartwell in all seasons, Blenheim, and the wilderness years paintings 36:00 Gallery 3: Still Lifes — Nicholson's influence, the Magnolia painting, and thank-you gifts to friends 37:00 Gallery 4: Light, Atmosphere & Reflections — The Riviera, Morocco, La Dragonnière, and making the gardener row 38:19 Morocco — Six visits, the Red City, the Atlas Mountains, and the Eureka Valley picnics 39:30 Gallery 5 & 6: Recognition — The Royal Academy submission under a pseudonym, Honorary Academician Extraordinary 40:06 Chartwell as Inspiration — 50 years, built for the view, goldfish pools, and the changing seasons 41:45 How a Major Exhibition Comes Together — Loan negotiations, private collections, and 20 years in the making 43:34 The Exhibition Catalog — Six essays, new archival research, and what makes it more than a picture book 47:11 The Contributors — Andrew Roberts on soft power, Catherine Carter on Chartwell, Paul Rafferty on the Riviera, Alan Packwood on Churchill as a visual person 48:36 The Churchill Family's Involvement — Support from the very beginning and throughout 49:16 Why Americans Should Get on a Plane — A revelation, a personality revealed, and a zest for life 50:22 Rapid Fire Churchill Round — Favorite book, film, quote, and painting 53:44 Wrap-Up — Exhibition details, tickets, catalog, and Jonathan's August visit Video Version

In this special bonus episode, Phil talks to artist, author, broadcaster and frequent Exhibition on Screen contributor Lachlan Goudie about one of the world's most famous paintings, which features in his brilliant new book The Secrets of Painting.Published by Thames & HudsonSupport the show

One of the world’s greatest living artists. One of the most ambitious exhibitions Singapore has ever staged. Sugimoto’s “Form Is Emptiness” is a masterpiece — meditative, philosophical, and visually stunning. SAM Curators Amy Cheng and Angelica Ong walked us through the journey. If you care about art, perception, or time itself… go see this. On The Wide Angle, we explore one of the most significant art events of the year: Hiroshi Sugimoto: Form Is Emptiness, a major exhibition at the Singapore Art Museum running from 29 May to 4 October 2026 — and the first large‑scale solo exhibition of Sugimoto’s work in Southeast Asia. This ambitious project. Spanning five decades of Sugimoto’s practice, from photography and sculpture to architecture and conceptual art, the exhibition brings together over 60 works across 11 series, including Seascapes, Theatres, Sea of Buddha, Opticks, and Portraits. We discuss the curators’ experience working with Sugimoto’s team, the philosophical ideas behind the exhibition, and what audiences can expect from this immersive, meditative encounter with one of contemporary art’s most influential figures.See omnystudio.com/listener for privacy information.

Museum lobbies have a huge influence on visitor experience. But what makes a good lobby?What is a “liminal space” in a museum? How does research actually work? What does “peer-reviewed research” actually mean? What do researchers hope their outcomes will be? Which department of a museum is even responsible for the lobby, and all the other “spaces in between”?Dan Clevenger (Principal), Monika Smith (Principal), and Helen Ho (Senior Associate, Senior Design Researcher) from DLR Group discuss “Liminal Space Research” with MtM host Jonathan Alger (Managing Partner, C&G Partners | The Exhibition and Experience Design Studio).Along the way: wonder, awe, gaps in the literature, and all the spaghetti you can throw at a cupboard.Talking Points:1. DLR Group and the research team2. What is a “liminal space”?3. How research works4. The peer review process5. What the outcome will be6. Sneak peek: things learned so farHow to Listen:Listen on Apple Podcasts:https://podcasts.apple.com/us/podcast/making-the-museum/id1674901311  Listen on Spotify:https://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G  Listen at Making the Museum, the Website:https://www.makingthemuseum.com/podcast  Links to Every Podcast Service, via Transistor:https://makingthemuseum.transistor.fm/  Guest Bios:Dan Clevenger, AIA, LEED BD+C, Principal, Global Cultural + Performing Arts Leader, DLR Group. Dan Clevenger is an award-winning arts and cultural programmer, designer, and leader with more than two decades of experience across all phases of design and project development. His portfolio spans art museums, science centers, history museums, and natural history institutions, including the Heard Museum, Arizona Science Center, Chandler History Museum, C.N. Gorman Museum at UC Davis, the Sheldon Museum of Art at the University of Nebraska, Lincoln, and the University of Arizona Arts Master Plan. His work reflects a consistent commitment to institutions that strengthen their communities with purpose and longevity. Dan serves as a board member of the Western Museum Association and the Arizona State University Art Museum Creative Impact Board. Monika Smith, AIA, Principal, Cultural+Performing Arts Design Leader, DLR Group. Monika Smith brings a rigorous design craft to some of the most complex museum environments in the country. A senior designer with 28 years of experience in cultural facilities and historic preservation, she is known for technically demanding work across new construction, adaptive reuse, and landmark renovation. Her portfolio includes the Albany Museum of Art, Frontier Culture Museum of Virginia, Library of Congress Conservation Lab, and the Smithsonian Institution. Monika is a juror for the Mid-Atlantic Association of Museums Buildy Awards.Helen Ho, PhD, EDAC, Senior Associate, Senior Design Researcher, DLR Group. Helen Ho helps cultural institutions make informed, community-centered design decisions. With more than a decade of mixed-methods research experience, she connects stakeholder engagement, post-occupancy evaluation, and evidence-based frameworks to outcomes that matter: visitor wellbeing, spatial equity, and long-term institutional impact. She translates complex community needs into clear design metrics and research-informed strategies that support meaningful, people-centered spaces. Helen holds a Ph.D. in Communication Studies from the University of Michigan. She is an EDAC professional and an AIA Associate Member.About Making the Museum:Making the Museum is a newsletter and podcast on exhibitions, written and hosted by Jonathan Alger. MtM is a project of C&G Partners | The Exhibition and Experience Design Studio.Learn more about the creative work of C&G Partners:https://www.cgpartnersllc.com/  Links for This Episode:Dan Clevenger: dclevenger@dlrgroup.com  Monika Smith: msmith@dlrgroup.com  Helen Ho: hho@dlrgroup.com  The Cultural+Performing Arts / Museums Practice at DLR Group   Strategic Research Partnerships Yield Museum Design Insights, at DLR Group  Heard Museum by DLR Group  Albany Museum of Art Adaptive Reuse by DLR Group  Smithsonian American Art Museum's Renwick Gallery by DLR Group  Links for Making the Museum, the Podcast:Contact Making the Museum:https://www.makingthemuseum.com/contact  Host Jonathan Alger, Managing Partner of C&G Partners, on LinkedIn:https://www.linkedin.com/in/jonathanalger  Email Jonathan Alger:alger@cgpartnersllc.com  C&G Partners | The Exhibition and Experience Design Studio:https://www.cgpartnersllc.com/  Making the Museum, the Newsletter:Like the show? You might enjoy the newsletter. Making the Museum is also a free weekly email about exhibitions for museum leaders and teams. (And newsletter subscribers are the first to hear about new episodes of this podcast.)Join hundreds of your peers with a one-minute read, three times a week. Invest in your career with a diverse, regular feed of planning and design insights, practical tips, and tested strategies — including thought-provoking approaches to technology, experience design, audience, budgeting, content, and project management.Subscribe to the newsletter:https://www.makingthemuseum.com/ 

Gina Debinski has long held a special connection to Bondi, travelling there several times a year to paint its beach life and scenery. After the terror attack, Gina watched on television as Bondi's surfing community formed a huge memorial circle in the water - a moment that made her pick up her paints and recreate the scene on canvas. She spoke to SBS Hebrew about returning to Bondi after months of avoiding it.

News, Czech priests executed by communist regime beatified, Vamberk bobbin lace first Czech craft to receive European protected geographical indication status.Vojtech Naprstek exhibition in Prague.  

A unique new exhibition opening in Ennis next week is aiming to challenge perceptions, spark conversation and shine a light on the lived experiences of people with disabilities in Ireland today.   It's Not Me, It's YOU! is the culmination of a six-month creative residency at Glór by Ennis-based multidisciplinary artist Rachel MacManus.   Developed in collaboration with members of Clare Leader Forum and young adult service users from Clare Crusaders, the multimedia installation combines contemporary art, experimental drawing, disability rights and personal storytelling.  The exhibition opens on June 9th and explores themes of inclusion, identity and the barriers that people with disabilities often face, with organisers hoping it will encourage audiences to reflect on attitudes and assumptions in society.  To tell us more about the project, the creative journey behind it and what visitors can expect, Alan Morrissey was joined by artist Rachel Macmanus, Glór Programmes Manager Niamh Collins, and Peter Kavanagh from Clare Leader Forum. Photo (c) Clare FM

He's been described as a prodigy of African-American art. Khalif Tahir Thompson combines vibrant colours and family photos in portraits painted for his new exhibition, "Beautiful Land" at Paris' Zidoun-Bossuyt gallery. He talks to us about the two movements which inspired his work, Fauvism and the Harlem Renaissance and why Beauford Delaney inspired him artistically. He also talks about his upbringing and self-identity through his work.

After more than four years of conflict, the war in Ukraine has produced an unprecedented body of data on rapid innovation, emerging technology, and the evolving role of drone warfare and unmanned systems on the modern battlefield. The pressing question for U.S. defense planners is which of those lessons can be translated to the U.S. way of war, and which, if applied too directly, risk misdirecting future force development.In this episode, host Dr. Arun Seraphin is joined by Anna Kim, Associate Research Fellow at the Emerging Technologies Institute (ETI), and Matt Dooley, President and CEO of Fidelium and Chair of the NDIA Robotics Division, to discuss their ETI white paper, "Beyond Attrition: Interpreting the Limits of Lessons from Ukraine for Future US Force Development." The paper examines what full integration of drone technologies, autonomous systems, and emerging military technologies into the U.S. Joint Force would actually require.The conversation explores why Ukraine's battlefield innovation and drone-driven "iteration under fire" model cannot be copied wholesale into the U.S. statutory and industrial environment, the enduring importance of combined arms warfare, and why the future force depends on integrating attritable unmanned systems with legacy maneuver platforms rather than choosing between them. Kim and Dooley also discuss the Army's Transformation in Contact (TiC) and Human Machine Integrated Formation (HMIF) initiatives, Project Convergence, and the Pentagon's Drone Dominance program, along with the production, sustainment, and training challenges of fielding robotic, autonomous, and emerging technology-enabled warfare capabilities at the scale a future fight will demand.Read ETI's White Paper "Beyond Attrition: Interpreting the Limits of Lessons from Ukraine for Future US Force Development": https://www.emergingtechnologiesinstitute.org/publications/brief-series/beyond-attritionLearn more about NDIA's Robotics Division: https://www.ndia.org/divisions/roboticsFor updates on our content, sign up for our weekly mailer: https://www.emergingtechnologiesinstitute.org/sign-upSAVE THE DATE:2026 NDIA Future Force Capabilities Conference & Exhibition, June 8–10, 2026, at Caesars Forum in Las Vegas, NV — where Anna and Matt will continue the conversation: https://ndiaffc.org2026 NDIA Emerging Technologies for Defense Conference and ExhibitionSeptember 9-10, 2026, at the Walter E. Washington DC Convention Center: ndiatechexpo.orgBe sure to follow us on social media for updates, early access to upcoming events, inside scoops, & more:LinkedIn: https://bit.ly/4htROo0Twitter: https://bit.ly/48LHAx3Facebook: https://bit.ly/47vlht8And for more podcasts, articles, & publications on emerging technology, check out our website at: ndiaeti.org

In what's believed to be a first, a new exhibition underway in Nelson is dedicated entirely to the mountain daisy Tikumu. 

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on Twitter, Instagram, Facebook, and YouTube

In the 2nd installment of "The Goodness Factor with Shelley Wade - New York Edition," we share some incredibly uplifting, feel-good news straight from the streets of New York City. Plus...The World Cup is upon us, but soccer isn't the only thing taking over the New York Tri-State Area. This episode we interview The Bridge Art Gallery's Cheryl Mack about how they're curating culture in the midst of the World Cup crowd with their brilliant (and totally free!) new Global Canvas Initiative at American Dream Mall. Designed to bring high culture to the football masses, Mack shares the inspiration behind the initiative & the logistics of launching during a global tournament. Listen in for your double-dose of inspiration!

Not sure which part of your cycling training is actually working?Start with the SEMIPRO Training X-Ray:

We hear from several big cat witnesses at the Dean Heritage Centre, recorded at the Art & Science of British Big Cats event in April-May 2026. Key guests include Will, a 16-year-old investigator who has had three big cat encounters in the Forest of Dean area, and 10-year-old George, who travelled from Somerset with his mun Louise to take part. George looks for evidence in southwest England, and with his dad he recently observed a big cat skulk away at dusk as they were watching beavers.Artist Rob Amos describes chatting with visitors at the event while he produced his oil painting of a ‘Gloucestershire black leopard at dusk' to engage people for the final three days. See photos on Big Cat Conversations website Refs & Links page, and a video with snippets from the event will soon be available via the Big Cat Conversations YouTube  channel. Words of the week:   weird is cool   31 May 2026

The Topic: Marilyn Monroe’s life and career has been dissected and displayed for almost a century. But for such a pervasive and enduring figure, Monroe’s true internal life remains mysterious: was she forced into her “dumb blonde,” “bimbo” persona, or did she use it to her advantage? Perhaps the truth lies somewhere in-between. The exhibit: In honor of what would be her 100th birthday, the Academy Museum of Motion Pictures attempts to portray Monroe as she was with their exhibition Marilyn Monroe: Hollywood Icon. The exhibition displays Monroe’s most famous costumes and other paraphernalia from her most iconic films as well as personal items that may help reveal the woman behind the camera. Details: The exhibition opens May 31st and will run through February 28, 2027. You can find more information here. The guest: Sophia Serrano, associate curator for the Academy Museum of Motion Pictures who curated the Marilyn Monroe: Hollywood Icon exhibition. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency

Learn more at TheCityLife.org

After laying her own flowers at the site of the December 2025 Bondi terror attack, Dr. Ella Dreyfus was invited by her colleague, artist Nina Sanadze, to photograph the memorial bouquets she collected and stored in a warehouse. Those images later became part of the Holding Light exhibition at Bondi Pavilion.

In this episode, we're joined by Lorna Ewart, PhD, CSO of Emulate, to discuss the company's SLAS 2026 New Product Award-winning product: AVA™ Emulation System. AVA™ is a self-contained, benchtop organ-on-a-chip platform that runs 96 chips simultaneously.Lorna shares how the device was developed and its impact on drug discovery and organ-on-a-chip technology. Key Learning Points:Development of the AVA emulation systemApplications of the AVA platform in drug discoveryImpact of organ-on-a-chip technology on biomedical researchAbout EmulateEmulate, Inc. is the pioneer of Organ-on-a-Chip technology, enabling researchers to accurately replicate human tissue function and disease biology through next generation in vitro models. From target discovery to IND submission, Emulate aims to ignite a new era in human health research—one that reduces animal testing, cuts drug development costs, and accelerates the delivery of life-saving treatments. Emulate's Organ-Chip platforms, consumables, and organ models help the world's leading pharmaceutical, biotech, and academic teams generate human-relevant data that advance safer, more effective therapies.Stay connected with SLAS:www.slas.org | Facebook | X | LinkedIn | Instagram | YouTubeAbout SLASSLAS (Society for Laboratory Automation and Screening) is an international professional society of academic, industry and government life sciences researchers and the developers and providers of laboratory automation technology. The SLAS mission is to bring together researchers in academia, industry and government to advance life sciences discovery and technology via education, knowledge exchange and global community building.Upcoming Events:SLAS Europe 2026 Conference and Exhibition (19-21 May 2026 | Vienna, Austria)SLAS Meet-UpsChicago, Illinois (June 18, 2026)Leiden, Netherlands (10 September 2026)Tübingen, Germany (20 October 2026)SLAS 2026 Sample Management Symposium (October 21-22, 2026 | South San Francisco, California)SLAS2027 International Conference & Exhibition (January 30 - February 3, 2027 | San Diego, California)View the full events calendar

Learn more at TheCityLife.org

In John 4:46–54, Jesus encounters a desperate father whose son is at the point of death. The official travels a great distance, pleading for Jesus to come and heal his child. But instead of going with him, Jesus simply speaks a word—and the man is faced with a choice: will he trust what Jesus has said, or will he demand proof before he believes? This passage challenges us to consider the nature of genuine faith. Is our trust in Christ dependent on what we can see, or are we willing to take Him at His word? The official's faith grows from desperation to confidence as he learns that Jesus' power is not limited by distance, circumstance, or human understanding. This message explores what it means to trust God when we cannot yet see the outcome, and how faith is strengthened when we learn to rest in the promises of Christ rather than our own certainty. Sometimes the greatest miracles begin with simply believing what Jesus has said.

MoneyFM 89.3 Saturday Mornings Show host Glenn van Zutphen is joined in the studio by Robbie Hoyes-Cock and Joseph Bakhsh of Art Vault Asia to preview this extraordinary showcase — Leica’s first oil‑on‑canvas exhibition in Southeast Asia, timed with the auspicious Year of the Fire Horse. This week on Leaders in Action, we spotlight a landmark moment in Asia’s contemporary art scene: “Fire Horse – The Decisive Moment,” a major exhibition by internationally acclaimed Beijing‑based artist Ma Dongmin, presented by Art Vault Asia in partnership with Leica Singapore. The exhibition features 23 works from Ma’s celebrated Blue Fire Horse Collection, including new pieces like Twilight Ascension, Radiant Storm, Velvet Thunder, and Celestial Pulse. Ma Dongmin — a three‑time Venice Biennale honouree — is known for his “misty lens” technique, blending Eastern philosophical depth with Western conceptual rigour. We explore:

The Bondi Pavilion Art Gallery is hosting the 'Holding Light' exhibition, bringing together works by contemporary artists who creatively responded to the terrorist attack on Bondi Beach during the Hanukkah celebrations last December. The exhibition runs until June 28 and features 28 works. One of them belongs to artist Yelena Revis, a guest of our podcast. - В художественной галерее Bondi Pavilion идет выставка 'Holding Light', объединяющая работы современных художников, творчески отреагировавших на теракт на пляже Бондай во время празднования Хануки в декабре прошлого года. Выставка проходит до 28 июня, и в ней участвуют 28 работ. Одна из них принадлежит художнице Елене Ревис, которая стала гостей подкаста.

In this episode we explore the Revolution 250 exhibit at The National Archives in Kew, from 24 June 2026 to 29 November 2026: [Revolution 250](https://www.nationalarchives.gov.uk/whats-on/exhibitions/revolution-250-americas-independence-story-1763-1783/) America's Independence Story 1763–1783 Britain and America. One Story, Two Nations Topics include the following: -the story of the distribution of the Declaration first around the Colonies and then around the world -a description of the National Archive's collection of early prints of the Declaration, including the extremely rare Dunlap Broadsides -the fascinating stories of how these prints arrived in London, enclosed in letters from various British officials in the Colonies, such as Admiral Richard Howe and General William Howe -an overview of the historical scope of the exhibition from 1763 to 1783 -the practicalities of preserving, sorting, and storing records in the National Archives -the importance of intelligence gathering by Imperial officials in the Colonies, including the interception of letters and the creation of lists of likely rebels and loyalists -an overview of the intercepted letters at the exhibition and an assessment of the British intelligence operation during the run up to the war and the war itself -the Parliamentary debate in Britain in 1778 about the substance of the complaints in the Declaration of Independence -the experience of indigenous people and enslaved people during this period The cover image features a Dunlap broadside, printed in Philadelphia on the night of the 4th of July 1776.

In this episode of The Knight Report podcast, hosts Mike Broadbent, Richie O'Leary, and Alec Crouthamel discuss the latest commitment to Rutgers Basketball in transfer guard Rasheed Jones from Coastal Carolina. 0:00 – Intro & Today's Topic 3:15 – Rasheed Jones: Who Is He? 5:00 – How Rutgers Landed Jones 6:30 – Film & Stats Breakdown 10:00 – Advanced Metrics Deep Dive 13:00 – Roster Fit & Point Guard Concerns 16:00 – Building the Starting Five 21:00 – Bench Rotation Discussion 27:30 – Julius Mays Connection & Jones Family Background 29:00 – Dylan Harper Playoff Praise 32:00 – Football QB Recruiting: Logan Flaherty to Florida State 36:00 – New QB Board Reset & Targets 39:00 – Rutgers vs. Syracuse at Barclays Center 41:30 – St. John's Exhibition & NIL Incentives 43:00 – Rutgers Rowing Update Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Josh, Dustin, and Raul are back to cover an assortment of Duke-related topics: Home-and-home series with Illinois announced Exhibition with Tennessee in the works If Michigan can't secure permission from Big 10 to play on Amazon Prime, who should Duke replace them with? Final 247Sports rankings released for the class of 2026 Why Cam Williams has the clearest path to playing time of the incoming freshmen NBA Draft lottery results Best team fits for Cam Boozer and Isaiah Evans? Duke alumni show out at the NBA Draft Combine John Blackwell performs well in scrimmage Maliq Brown gets invite to work out with Dallas Mavericks To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

How do you build a museum?How do you build the right project team? How do you engage with community? What does it mean to plan a museum? What does it mean to design a museum? How do you align your budget with your purpose? How do you build the story of your museum project?Jamē Anderson, Monteil Crawley, Sarah Ghorbanian, and Chris Wood from SmithGroup discuss “Building a Museum: This is Not a Manual (the New Book)” with MtM host Jonathan Alger (Managing Partner, C&G Partners | The Exhibition and Experience Design Studio).Along the way: a one-year process that took ten years, a mystery fifth guest, and branching out to herbal supplements.Talking Points:1. Why a book like this?2. How do I build the right project team, and what does it mean to engage with the community?3. What does it mean to plan and design a museum?4. How do I align budget with purpose?5. How do you write a book?6. How do I learn more from my network?How to Listen:Listen on Apple Podcasts:https://podcasts.apple.com/us/podcast/making-the-museum/id1674901311  Listen on Spotify:https://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G  Listen at Making the Museum, the Website:https://www.makingthemuseum.com/podcast  Links to Every Podcast Service, via Transistor:https://makingthemuseum.transistor.fm/Guest Bios:Jamē Anderson is a vice president and director of SmithGroup's national team of architects, planners, and engineers who focus exclusively on cultural capital projects. Her career is dedicated to cultural institutions, having held roles at the National Gallery of Art and Smithsonian Institution in addition to her tenure at SmithGroup. Monteil Crawley is a senior principal at SmithGroup and a leading expert in the design of museums and cultural facilities, shaping a unique design vision for each facility and institution. He has spent his career with SmithGroup designing prominent spaces and places that celebrate and reveal the history and culture of the United States. Sarah Ghorbanian is a principal at SmithGroup who specializes in the planning and project management of complex cultural projects. She is an expert at coordinating the intersection of architecture and exhibition design to create compelling, holistic, and engaging experiences for museum audiences. Chris Wood is a vice president at SmithGroup and leads the firm's Washington, D.C., studio of design and engineering specialists devoted to cultural projects. He leads design teams for cultural capital projects of all scales and is a recognized expert in the planning and design of museums and collections facilities. About Making the Museum:Making the Museum is a newsletter and podcast on exhibitions, written and hosted by Jonathan Alger. MtM is a project of C&G Partners | The Exhibition and Experience Design Studio.Learn more about the creative work of C&G Partners:https://www.cgpartnersllc.com/ Links for This Episode:The Book: https://www.smithgroup.com/buildingamuseum  SmithGroup: https://www.smithgroup.com  Jamē Anderson: Jame.Anderson@smithgroup.com Monteil Crawley: Monteil.Crawley@smithgroup.com  Sarah Ghorbanian: Sarah.Ghorbanian@smithgroup.com  Chris Wood: Chris.Wood@smithgroup.com Links for Making the Museum, the Podcast:Contact Making the Museum:https://www.makingthemuseum.com/contact Host Jonathan Alger, Managing Partner of C&G Partners, on LinkedIn:https://www.linkedin.com/in/jonathanalger Email Jonathan Alger:alger@cgpartnersllc.com C&G Partners | The Exhibition and Experience Design Studio:https://www.cgpartnersllc.com/ Making the Museum, the Newsletter:Like the show? You might enjoy the newsletter. Making the Museum is also a free weekly email about exhibitions for museum leaders and teams. (And newsletter subscribers are the first to hear about new episodes of this podcast.)Join hundreds of your peers with a one-minute read, three times a week. Invest in your career with a diverse, regular feed of planning and design insights, practical tips, and tested strategies — including thought-provoking approaches to technology, experience design, audience, budgeting, content, and project management.Subscribe to the newsletter:https://www.makingthemuseum.com/ 

Creative Director of the Titanic Exhibition at the Park Expo joins Bo and Beth to share some insight into the exhibit. For more information and to purchase tickets, go to thetitanicexhibition.com/charlotteSee omnystudio.com/listener for privacy information.

Good Morning BT with Bo Thompson and Beth Troutman | Monday, May 18th, 2026. 6:05 Beth’s Song of the Day 6:20 Weekend Graduation speeches recap (Eric Church and Tom Brady) 6:35 Bo and Beth talk "best" commencement speakers 6:50 RAM Biz Update; Commencement speeches cont. 7:05 Remembering Jack Szoke | Aaron Rai wins PGA Championship 7:20 Radio Host and Producer replaced by A.I. In Andon Labs experiment 7:35 Steve's A.I. Show description for GMBT 7:50 GMBTeam included in A.I description 8:05 80 Pizza Hut locations to undergo major revival 8:20 Pizza Hut news cont. 8:35 Guest: Thomas Dismukes (SC Senate Candidate) 8:50 Guest: Thomas Dismukes 9:05 In-Studio Guest: Mark Lach (Creative Director of the Titanic exhibition at the Park Expo) 9:20 Mark Lach cont. - Inside the Titanic Exhibition 9:35 Mark Lach cont. - Titanic Exhibition 9:50 Mark Lach cont. | Show wrapSee omnystudio.com/listener for privacy information.

The stories that made the Ancient Egypt headlines over the third week of MayNew Discoveries in Dra Abu el-NagaTwo Tombs Opened in el-KhokhaThe Nile: Pulse of Egyptian Civilization ExhibitionLuxor Cache Hall Reopened in Luxor MuseumTreasures of the Pharoah's Exhibition to Tour U.S.Zahi Hawass and Piers MorganAncient Egypt News - a Weekly Catch-Up is #2 in the Top 5 Egypt History Podcasts according to FeedSpot.comhttps://podcast.feedspot.com/egypt_history_podcasts/These news stories are taken from various public internet sources including:http://english.ahram.org.eg/Portal/9/Heritage.aspxhttps://egyptianstreets.com/tag/cairo/http://www.egyptindependent.com/https://www.facebook.com/moantiquities/https://dailynewsegypt.com/https://see.news/category/antiques/https://khentiamentiu.blogspot.com/https://www.facebook.com/luxortimesmagazine/https://www.facebook.com/pg/CairoScene/posts/https://egymonuments.gov.eg/https://www.heritagedaily.comhttps://www.al-monitor.com/culture-societyhttps://www.asor.org/anetodayhttps://livescience.com https://newsweek.com https://www.archaeology.org https://www.sis.gov.eg/Home/EgyptTodayThese stories may have been edited.We are currently planning a tour for September/October 2026. For more info and to prebook visit https://gnttours.comThe GEM is open for visitors and we have added an extra day to accomodate that. But Egypt is not just museums and there is so much more to see. There are tombs that will blow your mind when you first walk inside. There are temples so magnificent you will be lost for words. It is indeed a magical place!We begin in Cairo with the first pyramids, then fly south to Luxor for 6 days before returning to Cairo for your chance to venture inside the Great Pyramid. Plus a day at the GEM.The tour cost (2,299USD) covers everything from your arrival in Cairo to your departure (Ts&Cs apply)  - and if you get on board as a couple or friends sharing; we will give you an extra discount each.It's an adventure you'll never forget! We are also offering the same tour as a group booking for dates that suit you (min 6 pax)More info and to book:https://gnttours.com This podcast is bought to you by Ted Loukes and GnT Toursted@tedloukes.comhttps://tedloukes.comFacebookGnTtours (@GnTtours) / X (twitter.com)Music: "Vadodora Chill Mix" Kevin MacLeod (in...

Do your boobs hang low, can you tie them in a bow? This is basically the energy levels we're bringing to you this week. Bex is fresh off her UK photography tour for our upcoming exhibition (although is far from being actually fresh) and the girls chat about the tour itself, the exhibition in October at the vagina museum & how you can get involved. It's a very lighthearted one, with LOTS of singing, bickering and LOL's. You can find details on our campaign and exhibition here: https://www.justgiving.com/campaign/justbecauseIf you would like to find out more about how you can get involved, please email info@twgge.co.uk with Exhibition in the subject line. We are also looking for sponsors & Partnerships xxxWe are The Worst Girl Gang Ever Foundation. We're all about bringing people together who are going through the tough stuff — baby loss, infertility, and everything in between — and making sure no one has to face it alone. Our community is full of honesty, compassion, and real talk, offering support, understanding, and hope when it's needed most. You can find out more and connect with us over at www.theworstgirlgangever.co.uk

Starting in the 1880s, Black performers, and those invested in telling stories centering Black people, attempted to counter the dehumanizing and harmful stereotypes used to portray Black characters. Shows began touting “All Colored Revues” to indicate that a cast was made up of actual Black performers rather than white people in blackface, and that these spectacles aimed to build stories around the perception of Black experiences. Although these performances were sometimes flawed, and even overly prejudiced, they represented a significant form of Black American cultural development and expression. Since theatrical performances were rarely recorded, and many of the movies that featured all Black casts are now considered “lost films,” films for which no copy is known to survive, advertising posters often provide the only remaining evidence of the most important productions featuring Black performers between the 1870s and 1940s. These posters, and the historic innovations of playwrights, composers, directors, producers, and the Black performers behind them, are the subjects of the exhibition, Act Black: Posters From Black American Stage and Screen, curated by our guest for this episode, Assistant Curator of Collections at New York City's Poster House museum, Es-pranza Humphrey. Act Black: Posters from Black American Stage & Screen is on view at Poster House through September 6, 2026. Exhibition resources are also available via the Bloomberg Connects app until September 6, and at the Poster House online exhibition archive thereafter. Es-pranza's recommended reading list is available at the Additions to the Archive Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Starting in the 1880s, Black performers, and those invested in telling stories centering Black people, attempted to counter the dehumanizing and harmful stereotypes used to portray Black characters. Shows began touting “All Colored Revues” to indicate that a cast was made up of actual Black performers rather than white people in blackface, and that these spectacles aimed to build stories around the perception of Black experiences. Although these performances were sometimes flawed, and even overly prejudiced, they represented a significant form of Black American cultural development and expression. Since theatrical performances were rarely recorded, and many of the movies that featured all Black casts are now considered “lost films,” films for which no copy is known to survive, advertising posters often provide the only remaining evidence of the most important productions featuring Black performers between the 1870s and 1940s. These posters, and the historic innovations of playwrights, composers, directors, producers, and the Black performers behind them, are the subjects of the exhibition, Act Black: Posters From Black American Stage and Screen, curated by our guest for this episode, Assistant Curator of Collections at New York City's Poster House museum, Es-pranza Humphrey. Act Black: Posters from Black American Stage & Screen is on view at Poster House through September 6, 2026. Exhibition resources are also available via the Bloomberg Connects app until September 6, and at the Poster House online exhibition archive thereafter. Es-pranza's recommended reading list is available at the Additions to the Archive Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Starting in the 1880s, Black performers, and those invested in telling stories centering Black people, attempted to counter the dehumanizing and harmful stereotypes used to portray Black characters. Shows began touting “All Colored Revues” to indicate that a cast was made up of actual Black performers rather than white people in blackface, and that these spectacles aimed to build stories around the perception of Black experiences. Although these performances were sometimes flawed, and even overly prejudiced, they represented a significant form of Black American cultural development and expression. Since theatrical performances were rarely recorded, and many of the movies that featured all Black casts are now considered “lost films,” films for which no copy is known to survive, advertising posters often provide the only remaining evidence of the most important productions featuring Black performers between the 1870s and 1940s. These posters, and the historic innovations of playwrights, composers, directors, producers, and the Black performers behind them, are the subjects of the exhibition, Act Black: Posters From Black American Stage and Screen, curated by our guest for this episode, Assistant Curator of Collections at New York City's Poster House museum, Es-pranza Humphrey. Act Black: Posters from Black American Stage & Screen is on view at Poster House through September 6, 2026. Exhibition resources are also available via the Bloomberg Connects app until September 6, and at the Poster House online exhibition archive thereafter. Es-pranza's recommended reading list is available at the Additions to the Archive Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Rather than simply bringing works by Japanese artists over, this is a new initiative in which young Japanese artists create works inspired by Australia and exhibit them in a Sydney gallery. We spoke to Kosuke Nagata, a multimedia artist from Kanagawa Prefecture, and Tomoya Iwata, a Tokyo-based curator, about the current exhibition, ‘Suddenly This Overview'. Why did Mr Nagata choose Cowra—a place known as a symbol of reconciliation between Japan and Australia—as his subject? - 日本の作家の作品をそのまま持ってくるのではなく、日本の若きアーティストがオーストラリアを題材に作品を制作し、シドニーのギャラリーで発表するという新しい試み。開催中の展覧会「Suddenly This Overview」より、神奈川県のマルチメディアアーティスト永田康祐さんと東京拠点のキュレーター岩田智哉さんにお話を聞きました。日豪和解の地として知られるカウラを題材に選んだのはなぜでしょうか。

Europe's most notorious art forger now exhibiting in Prague, new app to help cities adapt to climate change, history of Czechia's Šumperaky houses 

Starting in the 1880s, Black performers, and those invested in telling stories centering Black people, attempted to counter the dehumanizing and harmful stereotypes used to portray Black characters. Shows began touting “All Colored Revues” to indicate that a cast was made up of actual Black performers rather than white people in blackface, and that these spectacles aimed to build stories around the perception of Black experiences. Although these performances were sometimes flawed, and even overly prejudiced, they represented a significant form of Black American cultural development and expression. Since theatrical performances were rarely recorded, and many of the movies that featured all Black casts are now considered “lost films,” films for which no copy is known to survive, advertising posters often provide the only remaining evidence of the most important productions featuring Black performers between the 1870s and 1940s. These posters, and the historic innovations of playwrights, composers, directors, producers, and the Black performers behind them, are the subjects of the exhibition, Act Black: Posters From Black American Stage and Screen, curated by our guest for this episode, Assistant Curator of Collections at New York City's Poster House museum, Es-pranza Humphrey. Act Black: Posters from Black American Stage & Screen is on view at Poster House through September 6, 2026. Exhibition resources are also available via the Bloomberg Connects app until September 6, and at the Poster House online exhibition archive thereafter. Es-pranza's recommended reading list is available at the Additions to the Archive Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In this episode of The Truth In This Art, the guest is Douriean Fletcher!About Douriean Fletcher: An acclaimed jewelry designer and artisan whose work bridges adornment and storytelling. She was the specialty jeweler for Marvel's Black Panther and Black Panther: Wakanda Forever, and became the first jewelry artist to be part of an Academy Award–winning costume design team—an honor she achieved twice. Douriean has expanded into spacial adornment art, creating large-scale installations and immersive environments.In our conversation, Douriean Fletcher discusses her exhibition, Douriean Fletcher: Jewelry of the Afrofuture, at the Walters Art Museum and how a ring in the museum's collection became a touchstone for the show. Years ago, she found an ancient Egyptian brass and red jasper ring online—covered in hieroglyphics and telling a story of religious belief, culture, and tradition. She saved the image, not knowing it belonged to the Walters. When putting together the exhibition, she showed the curator that same image—and found out it was part of the museum's collection all along.Fletcher also talks about the parallels between her pieces and objects in the Walters' collection, including a sculpture of Isis and Horus that reminded her of the Dogon sculptures she referenced in the Ramonda dress for Wakanda Forever. She discusses her move from wearable jewelry to larger spacial adornment that transforms gallery spaces.Be sure to check out Douriean Fletcher: Jewelry of the Afrofuture at the Walters Art Museum — https://thewalters.org/exhibitions/douriean-fletcher/Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★