Podcasts about Exhibition

The only British territory ever occupied by the Nazis was the Channel Islands. From 1940 to the end of the war, the Germans turned Jersey, and some of the islands around it, into an impenetrable fortress. It became a key strategic part of Hitler's defensive Atlantic Wall and a base from which he hoped to invade Britain. Under German occupation, islanders suffered under a repressive regime… Some were even sent to internment camps in Germany. In return, thousands of prisoners of war were brought over to work as slave labourers, building the Nazi's extensive defence network across the island. On the 80th anniversary of its liberation, Dan explores the island and tells the story of Jersey's suffering and resilience under enemy control. This episode was made in collaboration with Visit Jersey. You can find more information on all the places Dan visits in this episode here:Visit Jersey: https://www.jersey.com/Jersey Heritage: https://www.jerseyheritage.org/Jersey War Tours: https://www.jerseybunkertours.com/Jersey War Tunnels: https://www.jerseywartunnels.com/ArtHouse Jersey 'Structures & Memory' Exhibition: https://www.arthousejersey.je/our-work/structures-memory-a-place-called-wurzachWIth thanks to Lucy Layton, Lola Garvin & ArtHouse Jersey, Michael Billings, Chris Addy, Phil Marett, Jersey Heritage and BBC Jersey for the archive, Fishing Jersey and Aaron from Lakey Bikes. Produced by Mariana Des Forges and edited by Dougal Patmore. The production manager was Beth Donaldson and production support from Annie Woodman and Peta Stamper. 

SIGN UP –Be the first to know next episodes, get BOOK RECOMMENDATIONS, juicy facts + useful links.Episode......................................................................Contemporary artist Ed Atkins's survey at Tate Britain is best described as an existential theatre with avatars, CGI, motion capture technology, traditional figural drawing, Unreal Engine, filmed performance, experimental writing and much more. You wouldn't leave the shop without paying for your latte, right?Buy us a latte ;-) ⁠⁠https://exhibitionistaspodcast.com/support-us⁠Architect and first-time guest on the podcast, Nick Taylor, and I, get lost, fall into the temporary exhibition through a faulty door, rush through the show to watch the timed film, return a second time because one of us went to Tate Modern first, discuss exhibition-visiting methods, critique wall texts, and reflect upon our own relation with time, narrative, devotion and death.If you enjoyed the episode, you may enjoy my essays on Substack: ⁠⁠https://joanaprneves.substack.com⁠⁠Across all technologies, we've asked the same questions: …are we spectators or actors? …contemplative or engaged? …are images and the people in them dead? …and if so, why are they moving (both as a verb and an adjective)?Hailed as a pioneer of digital technology, Ed Atkins' work found its groove in early experiments with video-editing. These quickly migrated into the world of gaming, with its motion capture and CGI animation, and their striking similarity with live performance through timed duration, but with a complicated relation with the physical world and real, fleshy bodies. For behind the scenes clips and visuals follow us on Instagram: @exhibitionistas_podcastWe discuss: #parenting, #audience #engagement, #theatre spaces, fear, #vulnerability, #narrative building, #virtual realities, #self-representation, #identity, spatial dynamics, #modernism, #existentialism, #mortality, #parenthood, #theatre, #experimental film, emotional detachment, #intergenerational connections, #illness, #family dynamics.Instagram:   @exhibitionistas_podcast  Bluesky: @exhibitionistas.bsky.socialWebsite: https://exhibitionistaspodcast.comChapters00:00 Introduction and Setup02:31 Memories of Tate Modern07:07 Pivotal Moments in Ed Atkins' Career14:03 A Few Points Of Reference For Ed Atkins' Work18:21 When The Artist Writes Their Own Wall Texts22:35 Narratives On And Off The Screen(s)27:17 The Exhibition as Experimental Writing32:07 Narrative Building in Art Experiences37:33 Theatre Without Actors41:03 Self-Representation and Identity in Art46:19 Spatial Dynamics and Human Scale in Art53:23 Modernism and Its Absence in the UK55:31 Life As Utter Devotion, Art As Its Awareness 01:02:36 The Disconnect Between Generations in Art01:07:18 Reading Emotion: Ed Atkin's New Film With Real Actors01:11:40 The Journey Through Illness and Art01:16:51 The Mysterious Case of the Disappearing Spectators01:22:16 OUTROAbout us: If you enjoy the podcast If Books Could Kill and You Are Good, you will enjoy Exhibitionistas, where artists are unveiled through current and pertinent angles, and through thoughts and feelings. These podcasts were a great inspiration for our format because they're nerdy and engaging, researched and approachable. The co-host and the guest co-host engage in a conversation informed by an accessible and lively presentation of the subject, through which you can reflect on a show you've seen or discover it if you can't go, learn or re-evaluate artistic topics crossing over into our everyday lives.

Video version of this podcast - https://youtu.be/SHwixYEgnSsWelcome to another exciting X-Raid episode! In this video we were invited by Mr. Dilina Janadith (Lecturer, Dept. of Integrated Design, University of Moratuwa) to record this special episode at their design exhibition.We talk about Sri Lankan culture, love, and human behavior through the eyes of youth.Intro - 00:00What is this exhibition about? - 00:40Start the tour - 01:48Product 1 (Hoaxter) - 02:42Product 2 (Swaying Scale) - 04:04Product 3 (Chest beater) - 05:15Product 4 (Barred Claw) - 08:04Product 5 (Flood pot) - 10:17Product 6 (Polaroid juicer) - 11:07Product 7 (Affair Fryer) - 12:26Product 8 (Scorch slate) - 14:54Lost and found department - 16:26Restaurant - 17:10Survey - 20:14Our thoughts of the exhibition - 21:15Feedback from a visitor - 23:51Back to our thoughts - 24:58"Upek" the camera man - 25:16We talk with a Lecturer at University of Moratuwa - 25:31----------------------------------------------------------------------- Please consider supporting our production by becoming a patron. - https://www.patreon.com/dezeexOur new Telegram Channels*Join "The X-Raid Forum (Pre-Release)" on Telegram: https://t.me/XRaidForum*Join "X-Raid Comments" on Telegram: https://t.me/XRaidChat*Follow X-Raid Podcast on Telegram: https://t.me/XRaidPodcast*Telegram Resource Group - https://t.me/joinchat/4aiGNtiEYrowZjQ1Watch Full Podcast via All Podcast Platforms -https://podcasts.apple.com/lk/podcast/x-raid-podcast/id1495636866----------------------------------------------------------------------------TikTok -⁠ https://www.tiktok.com/@xraidpodcast⁠Facebook Group - ⁠https://web.facebook.com/groups/597579595524895/⁠Facebook Page - ⁠https://web.facebook.com/people/X-Raid-Podcast/100086341167506/⁠Podcast Subreddit එක - https://www.reddit.com/r/xraidpodcastDiscord එක - https://discord.gg/8pkAH4fLahiru ගේ Patreon එක (Free) - https://www.patreon.com/lhrsupun------------------------------------------------------------------------------------My Spotify PlaylistSinhala Drill Songs - https://open.spotify.com/playlist/4aeyAqTZVRimVC3OyfAhOD?si=ead929b1649f4302English - https://open.spotify.com/playlist/12kgsTzmRAdGgig3hFsqHV?si=JRrpLtcDTHSuMfJCHv_TqA&utm_source=copy-linkSinhala - https://open.spotify.com/playlist/6j1hHRG6zh4pFEGM9sz6Ca?si=mOu5VBaORZiXo7lSrduJFA&utm_source=copy-link-----------------------------------------------------------------අපිව Contact කරගන්න ඕනේනම් මෙන්න අපේ Social media.Dilan (Instagram) - https://www.instagram.com/xzeede/or (@dezeex)Lahiru (Twitter)- https://twitter.com/Lhr_SupunLike and Subscribe!✌#xraidpodcastX-Raid: The No 1 Sinhala Tech Podcast#SriLanka #CulturePodcast #UniversityOfMoratuwa #DesignExhibition #SriLankanArt #XraidPodcast #IntegratedDesign #HumanBehavior #SriLankanLove

#YorktonExhibition

On the 14th June Scottish Disability Sport (SDS), supported by The Motability Scheme, are hosting a national exhibition for people with a disability to find out what sports and physical activities they can get involved in. There will be opportunities to meet new people, learn about schemes and organisations that can offer support, and educational opportunities for people without disabilities to learn about inclusive practise and ways to make society more accessible. It's taking place from 10 am to 4pm at the University of Stirling and Amelia spoke to Para swimmer and SDS Board Member, Laura Pilkington, and Visually impaired athlete and VI Ambassador, Samantha Gough, to learn more. Learn more on the SDS website - National Exhibition Event 2025 - Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font. 

Lori Walsh & Cheyenne Quam with the Yorkton Exhibition chat with Danny Ismond on the GX94 Morning Show about the Yorkton Exhibition Summer Fair Entertainment Schedule.

Send us a textThe IEEE MTTS International Microwave Symposium attracts over 9,000 attendees and 500+ exhibitors to share cutting-edge developments in RF, microwave, and advanced packaging technologies. Tim Hancock and Jim Buckwalter from the IMS committee explain why this premier event, taking place in San Francisco's Moscone Center from June 15-20, has become increasingly relevant to professionals in advanced packaging and heterogeneous integration.• Approximately 15% of accepted papers directly address packaging and heterogeneous integration topics• Papers undergo rigorous double-blind review with an in-person committee meeting to ensure highest quality content• Technical focus includes laminate technology, chip stacking, thermal management, and other critical packaging technologies• Special workshops address 3D heterogeneous integration, millimeter-wave phased arrays, and advanced packaging solutions• Exhibition floor features 500+ companies providing networking opportunities and technology discovery• Student programs include design competitions, volunteer opportunities, and dedicated sessions for underrepresented groups• Early bird registration ends May 16th with regular registration continuing at ims-ieee.orgRegister at ims-ieee.org to secure your spot and book accommodations before they fill up.THE 2025 IEEE MTT-S IMSThe 2025 IEEE MTT-S IMS is the largest event for RF and microwave professionals in the world.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showBecome a sustaining member! Like what you hear? Follow us on LinkedIn and TwitterInterested in reaching a qualified audience of microelectronics industry decision-makers? Invest in host-read advertisements, and promote your company in upcoming episodes. Contact Françoise von Trapp to learn more. Interested in becoming a sponsor of the 3D InCites Podcast? Check out our 2024 Media Kit. Learn more about the 3D InCites Community and how you can become more involved.

In March, the Ronald Reagan Institute published its third annual National Security Innovation Base (NSIB) Report Card, a scorecard that uses 10 indicators such as 'Manufacturing Capacity and Industrial Base' and 'Innovation Capital' to measure the effectiveness and resilience of the U.S. defense innovation base. Join Rachel Hoff, Policy Director at the Reagan Institute, and Eric Snelgrove, CEO of Revere Federal Strategies, as they discuss how the scorecard is produced and indicators are chosen, why the private sector received higher grades than the government in key areas, which indicators are most important to keep an eye on, and how the NSIB can use streamlined talent pipelines and an "unmanned weapons systems-as-a-service" contract vehicle to improve its scores for next year.The Reagan Institute: https://www.reaganfoundation.org/reagan-institute2025 NSIB Report Card: https://www.reaganfoundation.org/cms/assets/1741105896-nsib-2025-feb26-web-1.pdfTo receive updates about the NDIA Emerging Technologies for Defense Conference and Exhibition on August 27-29, 2025 at the Washington D.C. Convention Center, please join our mailing list here: https://www.emergingtechnologiesinstitute.org/sign-uphttp://emergingtechnologiesinstitute.org https://www.facebook.com/EmergingTechETI https://www.linkedin.com/company/ndia-eti-emerging-technologies-institute https://www.twitter.com/EmergingTechETI

This week were are privileged to be joined by legendary architectural trio 'The Three Classicists' to celebrate the 15th anniversary of their seminal exhibition at RIBA (The Royal Institute of British Architects).In May 2010, friends Ben Pentreath, George Saumarez Smith and Francis Terry collaborated as 'The Three Classicists' on an exhibition that showcased their work and beliefs in the noble tradition of classical architecture, particularly through the power of drawing.Joining Geoff and Rory on the podcast this week, Ben, George and Francis reflect on the exhibition fifteen years on, discussing what has changed and what has remained the same... and sharing some stories about the wonderful country houses they've designed in the interim.

Episode 605: Listen to my fabulous chat with Mexico City painter, Gonzalo Garcia. We chat about his Interlace exhibit going on at Kates-Ferri Projects in NYC, curated by Charles Moore. These works are inspired by the 1970s Mexican film Los Cachorros. We talk about his inspirations and process. The exhibit goes through May 10th, 2025. […] The post My chat with Gonzalo Garcia about the Interlace Exhibition at Kates-Ferri Projects in NYC appeared first on Let's Talk Art With Brooke.

I am so excited to say that my guest on the GWA Podcast is one of the most exciting painters working in the world today, Michaela Yearwood-Dan. Hailed for her works that bloom, dance, and come alive when you are witness to them, with an abundance of textures, weathers, colours, mark-makings, and more, Yearwood-Dan intertwines the botanical with abstraction, and brings painting back to its natural-like essence. Never restricting herself to just one medium, Yearwood-Dan works across ceramics, sound, installation, performance, and all-encompassing paintings that can range from small to the colossal, with some measuring up to 8-metres-wide. See them in the flesh and it's like seeing an entire ecosystem unfold, embedded with hidden languages, whether it be the symbolism she uses or the small elements of text, poetry and song lyrics, that add another dimension to her rich, embellished worlds. Raised in London as the youngest of three girls, by parents and grandparents that taught her about craft, weaving, seamstressing, Yearwood-Dan completed her studies at Brighton from 2013–2016, where she graduated top of her class, before going onto experiment with an artistic language that has constantly been growing and reinventing, and pushing paint to its limits. While early work – at the time I met her in around 2019, when she invited me for a studio visit when we were both in our mid 20s – explored more interior images intertwined with house plants, it has been incredible to watch her work mould into spaces of abundance, possibility and exhilaration. And indeed, her work has been described by the renowned writer and curator Ekow Eshun as having “a sense of boundless possibility”, which feels apt for a time like today, when it feels more than ever for art to be our guide to expanding our imagination, and also joy in times of despair. This is exactly the topic of Yearwood-Dan's new exhibition, opening at Hauser & Wirth in London on 13 May, titled No Time for Despair, referencing a line from Toni Morrison's 2004 article for The Nation, which states, “in times of dread, artists must never choose to remain silent.” – and I can't wait to find out more… Exhibition page: https://www.hauserwirth.com/hauser-wirth-exhibitions/michaela-yearwood-dan-no-time-for-despair/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

In this episode, we sit down with Kate Käufer, former Majority Clerk of the Senate Appropriations Subcommittee on Defense and founder of KMK Global Strategies, to review past attempts at financial management reform within the Department of Defense. Kaufer discusses the successes and lessons learned from past attempts at acquisitions, PPBE, and requirements reform, and shares her recommendations for future attempts at change. Additionally, Kaufer highlights the relationship between the DOD and Congress in the quest for more efficient budgeting and appropriations systems. Check out our recent episode with Kate Käufer about the State of Defense Appropriations to learn more about the FY25 continuing resolution and status of the FY26 budget process.To receive updates about the NDIA Emerging Technologies for Defense Conference and Exhibition on August 27-29, 2025 at the Washington D.C. Convention Center, please join our mailing list here: https://www.emergingtechnologiesinstitute.org/sign-uphttp://emergingtechnologiesinstitute.orghttps://www.facebook.com/EmergingTechETIhttps://www.linkedin.com/company/ndia-eti-emerging-technologies-institute https://www.twitter.com/EmergingTechETI

Over the weekend, Melbourne's 26 Advantage Gallery opened an exhibition, Past. Present. Progress, by artists Julia Leontyev and Natalie Doubrovsky. Both artists grew up in the former Soviet Union, moved to Australia in the 1990s and started painting as adults after meeting at a literary club. Julia Leontyev creates abstract art, while Natalie Doubrovsky creates objective art. - В выходные в Мельбурнской галерее "26 Advantage" открылась выставка "Past. Present. Progress" художниц Юлии Леонтьевой и Наталии Дубровской. Обе художницы выросли в бывшем Советском Союзе, переехали в Австралию в 90-е годы и начали писать картины во взрослом возрасте, после того как встретились в литературном клубе. Юлия Леонтьева занимается абстрактным искусством, а Наталия Дубровская — предметным.

#YorktonExhibition #SummerFair

David Eickholt of 247 Sports Joins Heather and Lucas discussing the Fever's Exhibition in Iowa City; Lucas' Notebook - M H3

In this special episode, Jackye Clayton joins Bill Banham to preview UNLEASH America 2025, an event she describes as offering key solutions to the most pressing workplace challenges.UNLEASH AMERICA Conference & Exhibition, one of the fastest-growing HR event in the world, is a place where global HR Leaders come to do business and discover inspirational stories that change ways organizations think about HR and innovation.Jackye's passion for improving work experiences shines through as she shares her excitement for this Las Vegas conference happening May 6-8 at Caesars Palace. "What keeps me up at night really is the state of the world of work," she explains. "We all need jobs, we're all trying to make a living, we all want to take care of our family, and so I really want it to not suck." This refreshingly honest perspective frames her anticipation for the event's three major focus areas.First, the conference tackles AI in HR - examining both its promise and pitfalls. Jackye highlights Dr. Joy Buolamwini, founder of the Algorithmic Justice League, who will address algorithmic bias and preventing inequality in AI strategies. Second, human-centered leadership takes center stage, ensuring "that the technology serves humanity, not that we are serving the technology." Finally, inclusive talent strategies return to prominence with panels like "DEI at a Crossroads" featuring representatives from Alcon and the Canadian Olympic Committee. Additional highlights include a panel on redefining talent acquisition with remote work, featuring Active, Atlassian, and Toshiba.The massive UNLEASH expo hall will showcase cutting-edge HR technologies and innovative startups that represent "the future of HR and talent acquisition." If you're attending Unleash America, Jackye invites you to connect with her there—she's eager to meet fellow HR professionals passionate about transforming the world of work. Support the showFeature Your Brand on the HRchat PodcastThe HRchat show has had 100,000s of downloads and is frequently listed as one of the most popular global podcasts for HR pros, Talent execs and leaders. It is ranked in the top ten in the world based on traffic, social media followers, domain authority & freshness. The podcast is also ranked as the Best Canadian HR Podcast by FeedSpot and one of the top 10% most popular shows by Listen Score. Want to share the story of how your business is helping to shape the world of work? We offer sponsored episodes, audio adverts, email campaigns, and a host of other options. Check out packages here. Follow us on LinkedIn Subscribe to our newsletter Check out our in-person events

5/2/25: MTA Pres Max Page: May Day rally yesterday, MTA Annual Mtg tomorrow. Clare Higgins: Head Start & other Health & Human Services cuts. CEO Erika Kuester & Holly Mott: Treehouse Foundation 5K Fundraiser for kids/families in Foster Care. Salman Hameed: signs of life on a faraway planet? Donnabelle Casis w/ Sunny Allis & Alix Gerber: A.P.E exhibition "River Valley Radical Futures."

In this episode of GCMA Insights, the focus is on the upcoming Conference from 16th - 18th November 2025 at the stunning De Vere Cotswold Water Park, Wiltshire.

This episode of The Other Side of the Bell, featuring women's trumpet trailblazer, founder of the International Women's Brass Conference, and 40-year First Trumpet of the St. Louis Symphony Orchestra, Susan Slaughter, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Susan Slaughter trumpet interview"   About Susan Slaughter:   Born in McCordsville, IN, Susan Slaughter started playing trumpet at the age of 10. Graduating from Indiana University with a coveted performer's certificate, Susan auditioned for and won the Principal Trumpet position in 1967 with the Toledo, Ohio Symphony.   Susan then joined the Saint Louis Symphony Orchestra in l969 and four years later became the first woman ever to be named Principal Trumpet of a major symphony orchestra.   In 1992, Susan founded the International Women's Brass Conference, an organization dedicated to provide opportunities and recognition for women brass musicians. As a fund-raising effort to support the International Women's Brass Conference, Ms. Slaughter organized and produced the very popular Holiday Brass Concerts, which are now in their second decade, and are performed each December in the Cathedral Basilica of Saint Louis. Other cities in the United States are holding their own Holiday Brass Concerts to help support the ever-growing International Women's Brass Conference.   In 1996, Ms. Slaughter founded Monarch Brass, an all women's brass ensemble, which has toured in the United States and Europe to critical acclaim.   Susan appears regularly in area recitals and religious programs, and has been a frequent soloist with the Saint Louis Symphony Orchestra, as well as with several other ensembles throughout the country. Her work is represented on a number of Saint Louis Symphony releases, including the highly acclaimed recordings of Mahler's Symphony No. 2, Prokofiev's Symphony No. 5, Gershwin's Piano Concerto in F, Mussorgsky's Pictures at an Exhibition, Barber's Capricorn Concerto, and most recently, John Adams' Doctor Atomic. Many of these and other recordings have been nominated for or won Grammy Awards. Susan has performed with Wynton Marsalis, Kathleen Battle, Christine Brewer, Doc Severinsen, Al Hirt in duets, amongst others.   She has served on the faculty of the Grand Teton Orchestra Seminar and the National Orchestra Institute, and has been lecture/recitalist at the International Trumpet Guild, while also serving on its board of directors.   Since the 1980's, Susan has performed the National Anthem and “God Bless America” on an annual basis for the St. Louis Cardinals Baseball Club and, at the invitation of the Baseball Commissioner Fay Vincent, performed the National Anthem at Game 3 of the 1991 World Series, played in Atlanta between the Braves and Twins (link).   Some of the awards and recognition Susan has received over the years include nomination by Ladies Home Journal for its annual Woman of the Year award, a special Leadership Award in the Arts from the Young Women's Christian Association, the American Federation of Musicians, Local 2-197 Owen Miller Award for loyalty, dedication and fairness in actions and deeds, and the 2007 Arts and Education Council Award for Excellence in the Arts.   Susan has studied over the years with Herbert Mueller, Bernard Adelstein, Arnold Jacobs, Robert Nagel, Claude Gordon and Laurie Frink, and retired as Principal Trumpet from the Saint Louis Symphony on September 1, 2010.   Podcast listeners! Enter code "podcast" at checkout for 15% off any of our Gard bags! Visit trumpetmouthpiece.com for more info.     Episode Links: Holiday Brass Los Angeles Brass Alliance website https://www.instagram.com/losangelesbrassalliance/  International Women's Brass Conference, May 19-24, Hartford, Connecticut. Register: myiwbc.org Sign up sheet for valve alignments: bobreeves.com/iwbc International Trumpet Guild Conference, May 27-31, University of Utah, Salt Lake City. Sign up sheet for valve alignments: bobreeves.com/itg William Adam Trumpet Festival, June 19-22, Clarksville, Tennessee. williamadamtrumpet.com  Sign up sheet for valve alignments: bobreeves.com/williamadam Greg Wing, Reflections on a Grateful Journey, available on Apple Music   Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Art - Susan Slaughter Audio Engineer - Ted Cragg

In 2020, the DoD adopted the Adaptive Acquisition Framework (AAF), a major shift aiming to make DoD procurement faster, more flexible, and closer to commercial innovation models.Five years in, what progress has been made? Join GAO's Shelby Oakley and Robert Bullock as they break down the results of a new GAO study, covering how “iterative” acquisition is actually playing out, and the importance of modular contracts, agile funding, and digital support tools.To receive updates about the NDIA Emerging Technologies for Defense Conference and Exhibition on August 27-29, 2025 at the Washington D.C. Convention Center, please join our mailing list here: https://www.emergingtechnologiesinstitute.org/sign-up http://emergingtechnologiesinstitute.orghttps://www.facebook.com/EmergingTechETIhttps://www.linkedin.com/company/ndia-eti-emerging-technologies-institute https://www.twitter.com/EmergingTechETI

News, exhibition showing never-before-seen images of Antonín Dvořák, reconstruction of Prague square, the return of beavers to the Czech lands 

If you didn't make it to the 2024 Midyear Clinical Meeting & Exhibition or didn't catch all of the emergency medicine related content, we have you covered!  Presenters will give pearl-style recaps of their talks and provide additional insight into application and implementation into practice.   The information presented during the podcast reflects solely the opinions of the presenter. The information and materials are not, and are not intended as, a comprehensive source of drug information on this topic. The contents of the podcast have not been reviewed by ASHP, and should neither be interpreted as the official policies of ASHP, nor an endorsement of any product(s), nor should they be considered as a substitute for the professional judgment of the pharmacist or physician.

To celebrate the launch of our first ever IRL exhibition, Cursed Objects in Museum Shops (2 May-26 June), we have several events coming in May and June. All of them are FREE, all are at Birkbeck Uni, 5 mins from Euston/King's Cross, but booking a place is essential - for full details, see our vibey new website, cursedobjects.co.uk Exhibition private view - Thu 1 May, 6-8pm Book your place here. Cursed Objects Live #2 - Thu 8 May, 7-8.30pm Back by popular demand, this is our second-ever live show, for Birkbeck's Arts Week! Book your place here. Millennium Tat - Wed 28 May, 7-8.30pm Join Dan and Kasia and two special guests - artist Darren Cullen and writer Imogen West-Knights – as they explore the spirit of the millennium via the museum gift shop. Book your place here. War, Memory and Tat - Wed 11 June, 7-8.30pm Join Kasia, Dan and three special guests – historian Dr Charlotte Lydia Riley, author Luke Turner and curator Kate Clements – as they explore the presence of war in the museum shop. Book your place here. We hope to see some of you IRL in the next two months! And don't worry, the actual full podcasts are going to keep on coming - there will be recordings of the above on your feeds soon, and a new flurry of fresh episodes... now that we have a moment to breathe, and the exhibition is finally in place. For more Cursed Everything: https://www.patreon.com/c/cursedobjects

Russian pranksters against Zourabishvili, Salmonella in a chicken shipment, a far-right movement registered as a political party, the World Bank's predictions on the Georgian economy, demonstrators fined, and much more! Thanks for tuning in!Let us know what you think and what we can improve on by emailing us at info@rorshok.com You can also contact us through Instagram @rorshok_georgia or Twitter @RorshokGeorgiaLike what you hear? Subscribe, share, and tell your buds.Byron Smith's Exhibition: https://www.facebook.com/events/664603709611193/“April Is” Review: https://www.pastemagazine.com/movies/dea-kulumbegashvili/april-movie-review-dea-kulumbegashvili-georgia-abortion-drama-reproductive-rights We want to get to know you! Please fill in this mini-survey: https://forms.gle/NV3h5jN13cRDp2r66Wanna avoid ads and help us financially? Follow the link: https://bit.ly/rorshok-donateOops! It looks like we made a mistake. In 5:38, the reader should have said, "12%"Sorry for the inconvenience!

Excessive alcohol consumption in Czechia, new network monitoring health of trees around Czechia, what will Prague look like in 2050?

Irish artists Mainie Jellett and Evie Hone were lifelong friends who are credited with bringing modern art to Ireland. An exhibition which explores their lives and works is currently on show at the National Gallery of Ireland and is the first joint exhibition of their work since 1924. Niamh McNally is co-curator of The Art Of Friendship spoke to Seán.

Taking Tiffany ‘On Tour'.Based on a post by ron de, in 2 parts. Listen to the ► Podcast at Steamy Stories. We had another pizza at her house that night. Tiffany seemed very happy, and I patted my ego on the back thinking it was because I'd said she didn't belong in a rubber room. After two slices of pizza, Tiffany rubbed her tummy and said she couldn't eat anymore. Then she said she had to go do something, but she'd be right back."Right back" meant five minutes to me, but in my experience, a woman's clock works differently than a man's. I forgot all about clocks and experience when she did come back.Tiffany had changed from her jeans and blouse to a filmy, black nightgown that was held closed by one simple black sash. That in itself would have been erotic enough. It was nearly transparent, and her black lacy bra and black lacy panties were in such contrast to her skin, it didn't take any imagination to see them.Tiffany grinned."Your mouth is hanging open again."I shut my mouth, and then opened it again."Tiffany, what are you doing?""I'm going to flash you.""I think you already are."Tiffany put her hands on her hips, pulled back her shoulders and grinned again."I am not. I have clothes on and you can't see me, see."She turned all the way around slowly, slow enough I could see her bra was just thin straps attached to two lace cups, and her panties; well, in front they looked like panties, but in the back; there really wasn't a back, just one thin strap that disappeared between her soft cheeks at the bottom, and emerged at the top of her hips to make a little "Y" at the waist band."Tiffany, if you get any more naked, ; I don't know if you want that."Tiffany untied the string of her negligee and slipped it from her shoulders."Remember when I said showing myself was fun?""Yes, I remember."Tiffany unhooked the strap on her bra and then slipped the shoulder straps off her arms while holding the cups over her breasts."It was more than fun for me. It's something I've always wanted to do, but I was always too afraid. Having you tell me what to do was so nice. I was still afraid to do it, but it wasn't me telling me anymore. It was you."Tiffany slowly let the bra cups fall away from her breasts."I need to have you keep telling me what I should wear so I can keep doing it. It makes me so; well, just look at me."I was looking. Tiffany's nipples were long, stiff and thick with ridged sides and a little dimple in each beautiful tip.Tiffany hooked her thumbs in the waistband of her panties and pulled them down over one hip."It does more than that to me, too, things that never happened before. I get these feelings and they won't go away unless I; "Tiffany pulled the panties down over the other hip."unless I think about how the men looked at me and what they were thinking they'd like to do to me and then I have to; well; you know."Tiffany pulled the skimpy piece of black lace down to her knees. They fell to the floor and she stepped out of them."I was hoping that showing myself to you might make you want to take care of that for me. You liked it this afternoon."I was at a loss for words for a few seconds. Tiffany standing there, naked and beautiful and so very desirable, was wreaking havoc with my thoughts. Half of me wanted to pick her up, carry her to the bedroom, and show her exactly what I was thinking about. The other half said I needed to be sure that's what she really wanted."Tiffany, there's only so much of this I can take."She walked over and put her arms around my neck and pressed her bare breasts into my chest. She was trembling when she spoke."Promise you won't think I'm crazy?""I already told you you're not.""Then tell me what you were thinking this afternoon when I showed myself to you; and then I want you to make lo; to; to; to do me.""I'm quite a bit older than you. Are you really sure?"Tiffany grinned as she closed the distance between us. She stroked a finger down my chest."I've been meaning to tell you about that, but I didn't know how without you thinking I was crazy for being that way too. I like being with you. You make me feel safe even when I'm scared and you understand how I think. I'm sure. I'm as sure as I can get. Now, what were you thinking about when I flashed you?""Well, I was thinking about how sexy you are."Tiffany's fingers moved to the top button on my shirt."And what else were you thinking about? Maybe that you'd like to have me in bed with you?""Well, yes. I wouldn't be a man if I didn't think about that."The top button on my shirt slipped out of the buttonhole and Tiffany's slender fingers moved down to the second button."Tell me what you'd do to me.""It might be better if I just showed you."My shirt gapped open as the second button came undone, and Tiffany slipped her hand inside it."Then tell me while you're doing it.""Well, let's see; First I'd have to feel those big boobs of yours. I've wanted to do that for weeks."I stood up, lifted Tiffany's right breast, and squeezed gently. Tiffany caught her breath."Do you like the way I feel?""Oh yeah.""I like it too. What else would you do?""Something like this."I pushed Tiffany's stiff right nipple down and then let my fingertip slip off it. It popped back up, stiffer than before, and she caught her breath again.By this time, my shirt buttons were all undone, and Tiffany was stroking my bare chest. As she lightly raked her nails through my chest hair, her voice was low and soft."Do the other one."I was pretty sure her big breasts grew just a little firmer when I cupped them both and let my fingertips brush her nipples. Tiffany made a little gasp and pulled my shirt open and out of my jeans. I was still cupping her breasts when she put her arms around my neck and pushed them into my chest, then moved them back and forth. I had to chuckle."I did all that with just my fingers?""Yeah. Do more, a lot more, and tell me what you're doing.""I'm going to squeeze your hot little ass cheeks next. Think you'll like that?""I don't know. Do it and I'll tell you."I grabbed a very smooth, very female ass cheek in each hand, squeezed them and then lifted them apart. Tiffany shivered and I had to chuckle again."I think you did like it."Tiffany kissed my ear and then nuzzled it. Her whispered response raised my cock enough to be uncomfortable."Yes, I did. What comes next?"She pressed both breasts into me hard enough I could feel her rigid nipples trying to bore holes in my chest."Well, what comes next is I get out of these clothes before my cock rips open my jeans. Then, I'm going to lay you down on this couch.""Will you look at me; at my; my; between my legs?""Oh, you can count on that."It was hard to unbuckle my belt with Tiffany mashing her little rounded tummy into me, but I managed. Getting the jeans off was more of a problem. I had to take off my boots first and I couldn't bend over. I pushed her away gently, and after shucking the boots, jeans and my shorts pulled her back into my arms."Now, where were we."Tiffany nibbled my ear lobe."You were going to lay me down on the couch.""Ah, right. Here we go."As soon as I laid her down, Tiffany crossed her legs and put one hand over the dark bush on her mound. I grinned."Still bashful, I see."She grinned sheepishly."You have to tell me what to do.""Well, to start, take your hand away from that bush. I want to see it."I took Tiffany to the Lake, so she could have men look at her.Tiffany blushed bright pink, but she pulled her hand up to her tummy."Like this?""Yeah, like that. Now, open up, so I can see you."Tiffany got even pinker, and I thought her nipples got a little longer too."I can't. I'm not pretty down there.""I'll be the judge of that. Now open up those legs."Slowly, Tiffany spread her thighs. The hair was a little matted, but I could still see full, pouting lips, and just the hint of some very delicious looking inner lips peeking out from between them.I sat down between Tiffany's spread thighs, lifted one to the back of the couch, and eased the other to let her put her foot on the floor."You're wrong, Tiffany. You're gorgeous.""My ex thought I was too big there.""Then your ex was an idiot. I'll show you what I think."Tiffany moaned when I touched her mound."Don't forget to tell me what you're going to do.""I'm going to spread these gorgeous lips and have a look at what's inside, that's what I'm going to do."As my fingers gently separated the dark brown strands, Tiffany's hips rocked slightly. When I separated her outer lips with my thumbs, she moaned again.Her inner lips were full and rippled, and glistened with wetness. I'd been right about the act of exposing herself making Tiffany aroused. I'd just been a little off about how much. I ran a finger between her inner lips and she gasped."Are you going to do me now?""No, I want to do something else first. I think you'll like it.""What are you going to do?""I'm going to see if you taste as good as you look."Tiffany raised her head and looked at me."You're not going to; to put your mouth there, are you?""Oh yeah. I'm going to do that a lot."Tiffany's eyes opened wider."Tell me how you're going to do that.""I'm going to lick every little ripple and fold, and then I'm going to lick that little button I see at the top of your slit."I didn't wait for her to say anything. I just buried my face between her satin thighs and licked her from bottom to top. I thought she was going to buck me off on the floor when she heaved herself up off the couch."Oh God. Do that again."Without saying anything, I ran my tongue over both Tiffany's inner lips, and then slipped it between them. She gasped and I felt her hands touch the back of my head.There wasn't much talking after that for a while. I couldn't talk with my mouth full of Tiffany's inner lips or with my tongue stuck inside her as far as it would reach. She didn't seem to be in a talking mood either, but she was anything but quiet. Her little murmurs about how she felt turned into low moans that kept getting louder. When I pushed in my tongue and licked all around her entrance, she gasped and her hips rocked up again. When I finally licked beside her stiff little clit, Tiffany groaned and her fingers clenched in my hair."Oh God, put it in. Do me now."I raised up enough to look at her face, and I had to smile. What I'd often wished was becoming reality. Tiffany's face was flushed, her mouth was open and her breath was coming in quiet pants. Her nipples were rock hard and her nipple beds were pebbled and wrinkled so much they seemed to push her nipples even higher."Nope. I get to do this first."I slipped my hands around her ass and up to her breasts. After finding both nipples with my hands, I rolled them and then pulled them up. At the same time, my lips sealed around her stiff clit and I sucked.That was all it took. Tiffany cried out and arched her body off the couch. I went with her, sucking her clit and tugging on her nipples. Three more times she cried out as the waves of the orgasm swept her away. I could feel her clit moving in and out as I kept it trapped between my lips. With a final gasp, she fell back on the couch, and gently pushed my face away."No more. I can't."I pulled my hands from her breasts and gently stroked her mound."You wanted me to, what was it you said? Oh yeah, you wanted me to do you, remember? I haven't done you yet.""Yes, but I already; ""Just relax and let me drive. If you really can't, I'll stop.""What are you going to do?""I'm going to do what you wanted me to do.""Can I watch?"I helped Tiffany scoot back until her back was against the arm of the couch and she could look down her body without having to hold up her head. Her mouth fell open when I slipped my cock between her soft lips and probed for the entrance, As I entered her, she grimaced a little, so I pulled back out and then pushed in again. This time, I pushed in about half my length and pulled out again. Tiffany moaned as my third stroke bottomed out inside her.I figured she'd be too sensitive for a while, so I just stroked in and out slowly until I felt her hips begin rocking into each stroke. She was still watching, and with each stroke, her lips would purse and she'd suck in a breath. As I pulled back out, she'd exhale, though sometimes, the breath came out as a little moan. After her third moan, I decided to push her a little. I thought she might like it, and I knew it would make this better for both of us."Tiffany, I want to see you play with your nipples."She didn't say no or that she'd be too embarrassed. She just took her right nipple between two fingers and rolled it. Her little gasp told me I'd been right, and I told her as much."That's right. Do what makes you hot.."It was obvious Tiffany knew what that was. What started as gentle rolling of each nipple soon became tight pinches and then pulling on them enough she lifted her breasts into cones. It was working on her. I could tell because she was getting wetter, that warm, sticky wetness that meant she was getting lost in the sensations her body was feeling.When Tiffany began to thrust her hips into my strokes, I sped up a little. I could tell she was getting close because she was no longer watching my cock sliding in and out. Her face was rolled to the side, and she was beginning to pant again."Tiffany, play with your clit for me."Slowly, her hand slipped between us and I felt her finger moving in circles at the top of her slit. She gasped and moved the finger faster, and I followed by stroking faster.After a minute or so of that, Tiffany shrieked and arched high again. That drove my cock inside her a little more and I couldn't hold back. I groaned as seed raced through my stroking cock and splashed inside her rippling passage. She shrieked again as the second spurt made me gasp, and began to shake as the third drained me. I kept stroking until she sighed and eased back down on the couch.It took Tiffany a couple minutes to stop panting, and a couple more before the little contractions around my cock stopped. She looked up at me and smiled."Will you do me again tonight?"I chuckled."I take it you liked what I did?"Tiffany stretched, making her big breasts do some really erotic things, then pulled her legs to my sides and held me there."Everything; I liked everything.""Well, we'll see about doing it again. I need a little recovery time.""Just as long as it doesn't take a week, like with my ex."I chuckled."We could spend the week going places where you could show yourself some more.""What would you tell me to show?""Well, maybe you could wear some really short shorts; and not wear any panties."Tiffany gasped."I could never do that. Men would see my; my; ""Yes, they'd see it if you bent over just right.""Would that make them want to do things to me?""Tiffany, the only way it wouldn't is if they were too stupid to be alive."She giggled."I wouldn't want anybody like that doing me, but you can do me again.""Oh, I will, but one of these times we're going to try something different."Tiffany's voice was low and soft again."Tell me how we're going to do it.""Well; You're going to be naked so your neighbors could see if they looked.""They'd see my boobies, wouldn't they?""Yep.""Would that make the men get hard?""Yep. Just like they're making me hard again right now.""So, we're going to do that now?""No. The couch is OK, but I think we'll do it on your bed this time."Tiffany grinned."I have a window beside my bed. Somebody might see us."I smiled and bent down to inhale Tiffany's left nipple, then raised back up."Probably so. They might even see your hot little ass and see my cock going in and out of your tight little cunt."Tiffany grinned."Nobody ever told me it was tight before. Is it really?""I was snug as a bug in a rug. It was fantastic.""I think you better do me again before it gets too late. My neighbors go to bed really early sometimes."I'm not sure where we're going with this. Tiffany seems to be very happy with the way things are now, and I'd be lying if I said I didn't like it too. We'll see what we see, I guess. Until then, I'll keep telling Tiffany what to wear, and she'll keep getting excited. I'll keep doing her, as she says, when we get back to her place.Since it's gotten warm again, she wants to have a picnic this Saturday. I think she's going to wear a tank top with no bra and short shorts. Half way through the afternoon, I'll talk her into taking off her panties. That ought to be good for a fantastic evening, and probably a really fantastic morning too."Looks like he can. Looks like he's enjoying the view too.""He's coming this way. What does he want?""Well, he's probably just going to make a few casts at our dock. Fish like to hang out under a dock. Either that, or he wants a closer look at your big tits and bush. Nope; they both just put their rods down. Want me to invite them to swim with us?""Don't you dare. They'd probably want to touch me.""Well, if I was them, I sure would. I'd want to do more than just touch you. I expect they would too. Put your arms down at your sides so they can see what they'd be getting.""I can't do that. They might come closer.""Don't worry. I won't let them do anything to you except feel those big tits; and maybe finger your cunt; and maybe fuck you if they want.""You wouldn't.""If you don't put your arms down, I'll tell them you want to fuck them both. I know they'll want to then.""Oh God, don't do that.""Then let them see."Tiffany slowly lowered her arms and the guys grinned. The boat was only about twenty feet away by then. I yelled at the guys and asked how the fishing was going. The guy at the wheel yelled back, "the fishing is pretty good, but this is better. Looks like you caught yourself a keeper."Tiffany's chest had turned a bright pink and her nipples stuck out like rocks under the bra of the bikini. I knew she was having a ball even if she couldn't admit it.She looked at me."Make them leave.""I don't know. They seem like pretty friendly guys. Wave at them and show them you're friendly too.""No. He'll think I want him to do something to me.""Nah, he won't. He's more interested in fishing than fucking right now. I can ask him to come back once the tournament is over if you want.""Are you sure he won't want to do something with me?""I'm positive he'd like to, but I'm sure he won't. Go on, wave at him and make his day."Tiffany slowly raised her arm and waved her hand a little. The guy laughed then sat back down on his casting seat and started flipping his lure around the posts of the dock. He didn't catch anything, so about five minutes later he motored away.Tiffany's eyes were bright and shiny, and I thought she was breathing a little faster."Whew", she said. "I was afraid he was going to keep coming. I didn't know what I'd do if he had.""He'd have loved it if you'd asked him to fuck you.""No, I'm just for you, remember, nobody else.""He got you thinking about it though, didn't he?""Well, yes."I cupped Tiffany's hip and stroked it gently. She shivered, but she didn't pull my hand away."Let's to go back inside.""Nah, it's early yet. Let's sit on the dock and watch the water for a while.""Will there be more boats?""Probably, but your suit is already drying out. I can barely make out your nipples now."As I thought would probably happen, several more bass boats came by. Most didn't stop. They would have been the pros, and since their income depends on catching fish, they wouldn't have stopped fishing if Tiffany had been naked and holding a sign that said, "come fuck me now". There were several amateurs though, and they all got to see Tiffany in her bikini. Tiffany got to get really excited, and by the time we went in for lunch, she was stroking my cock through my trunks.I didn't let her do more, though. I wanted her so hot, so wet, that she'd do anything to get me to fuck her. That happened after lunch.We were back on the dock, just sitting there, when a small boat with one guy in it motored past. He didn't seem to see Tiffany and kept on going down the lake toward a little creek that wandered up the bank about fifty yards from the dock. I figured he was fishing for bream. Tiffany breathed a sigh of relief when he kept on going."I was hoping he wouldn't stop. I don't know what I'd have done if he had. I'm so hot I don't know if I could have stopped him from doing anything to me.""What do you think he would want to do to you?""Well, he'd probably want to feel my boobs."I stroked the bare side of Tiffany's left breast."Like this?""Yeah, and he'd probably want to touch my nipples too."I slipped my hand under Tiffany's bra, took her nipple between my thumb and forefinger, then pinched gently and rolled it."Like this?"Tiffany moaned."Yes, like that.""What else?""He'd want to feel between my legs.""You wouldn't stop him from doing those things?""I probably couldn't.""You're that hot, huh? Well, maybe you should do something about it."Tiffany looked at me."I hope you're not thinking about doing it right here.""No, I'm thinking you should do yourself right here.""What?""Just stick your hand in your bottoms and finger yourself until you cum. You've done that before, haven't you?""Well, yes, but I can't do that, not out here. Somebody will see me.""No, they won't. That boat is too far away for him to see anything. Come on, either pet the kitty or I'll yell at him to come back."Tiffany looked down the lake at the boat, then looked at me."You'll tell me if he gets too close won't you?""I'll tell you in plenty of time to stop before he can do anything. Now, lay back and get those fingers busy. I want to see you cum."Tiffany pulled the crotch of the bikini bottoms to the side and stroked her hair-covered lips a little, then laid back on the blanket we were sitting on and spread her legs. She slipped her middle finger between her cunt lips and rubbed gently, then murmured, "remember to tell me."Watching Tiffany finger her cunt was almost as exciting as doing it myself. I rearranged my stiff cock so it was pointing up and then stroked a fingertip over her nipples. She moaned and her hips lifted up off the blanket a little."If you keep doing that, I'll cum.""No, if you cum now, it won't be as good. Just go slow and make it last."A couple minutes later, Tiffany had closed her eyes and was slowly rubbing beside her clit. I wasn't kidding about her making it last. That was something I usually did for the first time. If I hurried, she'd come hard, but it I kept her dangling on the edge for a while, I'd have to hold on or she'd buck me off. I wanted to see that hard orgasm. I also wanted to give the guy in the boat time to get to us.He'd started working his way back up the shore with the trolling motor on his boat. Trolling motors are so quiet you can barely hear them if you're on the boat. If you're a ways away, they're almost silent, and so was this one.They guy was about twenty feet away when he realized what Tiffany was doing. I waved, and then held my finger to my lips. He nodded and kept coming until he was only about ten feet away. Tiffany still had her eyes closed and she was starting to rock her hips into the two fingers in her cunt.I never thought the guy would do what he did, but I thought Tiffany was going to like it. He stood up quietly in the boat, unzipped his pants, pulled out his cock, and started stroking it.I just sat there for a while watching him watch Tiffany and stroke his cock before reaching over and pinching Tiffany's nipple again. She moaned and her hips lurched up. I pulled the bra cups to the side so I could reach her nipples easier, then rolled each one between my fingers. Tiffany's fingers started moving faster.It took about another minute and some tugs to both Tiffany's nipples before she arched into her hand, gasped, and then came. I looked up at the guy in the boat, just as his cock spurted a shot of cum into the water.Tiffany cried out as the strong orgasm hit her. She jerked her body almost double, then gasped again. That happened four times before she opened her eyes and grinned at me."Umm; that was great. Now take me back inside and do me."I chuckled."I think the guy in the boat would rather you did yourself again so he can jack off again."Tiffany looked up and saw the guy slowly stroking his softening cock."He's still doing it. Did he do it because he saw me?""Yep, and he blew his load in the water at the same time you came. The way he's smiling, I think he liked it.""Oh God, I'm embarrassed to death. I have to go back in the cabin."Tiffany pulled the bra cups back over her breasts, stood up, and ran up the steps to the cabin. The guy in the boat stuffed his cock back inside his pants, then waved and started his outboard motor. He was going back up the lake as I gathered up the blanket and walked back to the cabin.Tiffany was sitting on the couch when I got inside, and her eyes were sparkling."Did he really see me have an orgasm?""Sure did. He seemed to like watching you.""And he was doing himself too.""Yep. He was watching you finger your cunt and stroking his cock. When you came, so did he.""Show me what he was doing."I dropped my trunks and stepped out of them, then started stroking my cock. I thought Tiffany's eyes got a little brighter."He got all hard like that from just looking at me?""Yeah.""Was he going fast or slow?""Well, slow at first, but when I started playing with your nipples, he got faster.""And he squirted?""Yep, just when you came, he shot his load into the water. I'll bet he was imagining filling that tight little cunt of yours though.""Was there a lot?"I grinned."Enough you'd have his cum dripping out of you when he pulled out.""Like when you do it inside me?"

March 2rd-5th of 2025, I preached the third annual King James Bible Seminar at Blessed Hope Baptist Church in Tahlequah, Oklahoma. This is PART FOUR! I show the history of English Bibles.

What can we learn from one of the most complex AI projects in any museum today?  What is the history of AI in museums? Can we add AI to our experiences without a complete renovation? How do you teach an AI about 775 different football teams? How can AI put visitors literally into a story? Is AI accurate enough for a museum? What about bias? Doesn't AI take away jobs? And how do you specify exactly what shade of college football orange you want to an AI — if you can only use words? Kimberly Beaudin (CEO, College Football Hall of Fame) and Geoff Thatcher (Founder & Chief Creative Officer, Creative Principals) discuss “A Museum Transformed with AI” with host Jonathan Alger (Managing Partner, C&G Partners | The Exhibition and Experience Design Studio). Along the way: Hypercinema, Salvador Dalí, and net promoter scores. Talking Points: 1. A College Football Museum Transformed with AI2. History of AI in Museums3. Adding, Not Redesigning4. Putting Visitors in the Story: Cheerleader, Coach, Player5. Accuracy, Inclusivity and Jobs6. What We Learned7. What Visitors Are SayingHow to Listen: Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/making-the-museum/id1674901311 Listen on Spotify: https://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G Listen at Making the Museum, the Website: https://www.makingthemuseum.com/podcast Links to Every Podcast Service, via Transistor: https://makingthemuseum.transistor.fm/Guest Bios: Kimberly Beaudin is the Chief Executive Officer for the Chick-fil-A College Football Hall of Fame, one of Atlanta's top attractions, and college football's mecca. Beaudin joined the College Football Hall of Fame in June 2015 as the Vice President of Marketing and Communications. With over 20 years of experience in leading brand development and marketing strategy, she was later promoted to oversee the sales operations of the business in March 2016. In April 2020, Beaudin was appointed CEO of the Hall of Fame, making her the first female leader of the storied attraction. In her role as CEO, Beaudin focuses on strategic marketing initiatives, community and public relations, group sales and event sales as well as philanthropic development and partnership sales and activation. Geoff Thatcher is an experienced creative director who excels at leading projects from concept to reality. These projects are most often about creating world-class experiences in corporate visitor centers, executive briefing centers, museums, theme parks and live events.Great experiences are distinguished by great story telling. Whether it's interviewing executives about the future of health care in America, walking the Fort Worth assembly line of the F-35 Lightning II or listening to a seventh-generation Hawaiian play ukulele in her living room, it all begins with finding the story and translating it into memorable experiences. Geoff's passion and experience in leadership development is ultimately about creating an environment where great work can get done together.About Making the Museum: Making the Museum is hosted (podcast) and written (newsletter) by Jonathan Alger. MtM is a project of C&G Partners | The Exhibition and Experience Design Studio. Learn more about the creative work of C&G Partners:https://www.cgpartnersllc.com/ Links for This Episode: Kimberly on LinkedIn:https://www.linkedin.com/in/kimberly-hartley-beaudin-a547933/ Kimberly by email:kbeaudin@cfbhall.com College Football Hall of Fame:https://www.cfbhall.com/Geoff on Linkedin:https://www.linkedin.com/in/geoffthatcher/ Geoff by email:gthatcher@creativeprincipals.com Creative Principals:https://www.creativeprincipals.com/Links for Making the Museum, the Podcast: Contact Making the Museum:https://www.makingthemuseum.com/contact Host Jonathan Alger, Managing Partner of C&G Partners, on LinkedIn:https://www.linkedin.com/in/jonathanalger Email Jonathan Alger:alger@cgpartnersllc.com C&G Partners | The Exhibition and Experience Design Studio:https://www.cgpartnersllc.com/ Making the Museum, the Newsletter: Like the show? You might enjoy the newsletter. Making the Museum is also a free weekly professional development email for exhibition practitioners, museum leaders, and visitor experience professionals. (And newsletter subscribers are the first to hear about new episodes of this podcast.) Join hundreds of your peers with a one-minute read, three times a week. Invest in your career with a diverse, regular feed of planning and design insights, practical tips, and tested strategies — including thought-provoking approaches to technology, experience design, audience, budgeting, content, and project management. Subscribe to the newsletter:https://www.makingthemuseum.com/

 In 2020, the DoD adopted the Adaptive Acquisition Framework (AAF), a major shift aiming to make DoD procurement faster, more flexible, and closer to commercial innovation models.Five years in, what progress has been made? Join GAO's Shelby Oakley and Robert Bullock as they break down the results of a new GAO study, covering how “iterative” acquisition is actually playing out, and the importance of modular contracts, agile funding, and digital support tools.To receive updates about the NDIA Emerging Technologies for Defense Conference and Exhibition on August 27-29, 2025 at the Washington D.C. Convention Center, please join our mailing list here: https://www.emergingtechnologiesinstitute.org/sign-up http://emergingtechnologiesinstitute.orghttps://www.facebook.com/EmergingTechETIhttps://www.linkedin.com/company/ndia-eti-emerging-technologies-institute https://www.twitter.com/EmergingTechETI

As we look ahead to some of the key themes for International HR Day 2025, this episode — recorded at the CIPD Annual Conference and Exhibition 2024 — explores what organisations need to be doing in practical terms to ensure AI becomes a force for good. How are skill requirements expected to evolve over the medium to long term? What role should the profession play in helping organisations navigate change? And finally, is ‘pleasanteeism' really a thing? CIPD Director of Profession David D'Souza is joined by Roisin Walsh, Head of Workforce Capability and Inclusion at Civil Service in Ireland, Radha Barj, Co-Founder and CEO at Rythmik, David Ducheyne, Vice President of European Association for People Management (EAPM). Recorded: CIPD Annual Conference and Exhibition, 7 November 2024

Send us a textShownotes - Episode 289General NewsSpine, The Legend of Zelda: The Wind Waker, screenshots of the Nintendo Switch 2 user interface, stockpiling millions of Nintendo Switch 2 consoles in the United States, The Legend of Zelda: Breath of the Wild – Nintendo Switch 2 Edition, Nintendo GameCube Controller. new US pre-order date for Switch 2, Donkey Kong Bananza cloud saves, Rune Factory: Guardians of Azuma, Switch 2 game cartridge notch, Mario Kart World Direct, Street Fighter VI: Year 1–2 Fighters Edition, Vampire Survivors Emerald Diorama update, DOOM + DOOM II Will it Run Edition, ESWAT, Streets of Rage, Super Thunder Blade for Sega Mega Drive | Nintendo Switch Online, Hyrule Warriors: Age of Imprisonment , Metroid Prime 4: Beyond, microSD Express card shortage, Nintendo Switch 2 Welcome Tour called Exhibition of Nintendo Switch 2 Secrets in Japan, Inazuma Eleven: Victory Road, The Knightling, Nintendo Switch 2 scalpers, analogue triggers, Katana ZERO's free DLC, Star Wars Outlaws, Nintendo Today app, The Legend of Zelda: The Wind Waker, SoulCalibur II, F-Zero GX , GoldenEye 007, Marvel vs. Capcom Fighting Collection , Split Fiction, The Witcher 3, ,Cyberpunk 2077: Ultimate Edition, Nintendo Music, Shotgun Cop Man, Hallmark Nintendo Christmas ornaments, Devolver Digital, Amiibo price bump, Super Mario Bros. Wonder Switch 2 Edition, Assassin's Creed Shadows, Fire Emblem Engage on Nintendo MusicSupport the show

Tiffany likes showing, as long as I tell her what to wear.Based on a post by ron de, in 2 parts. Listen to the ► Podcast at Steamy Stories.  I smiled to myself as I waited for Tiffany to come out of the ladies room at the restaurant. The short skirt I'd picked out for her was sexy all by itself. It wasn't sexy because it didn't cover her up. It was long enough to do that. The hem stopped at about the middle of her shapely, sexy thighs. The real threat was that the skirt was a tight fit, and when Tiffany sat down, she had to be careful. If she wasn't, the skirt would ride up, and anyone looking could catch a glimpse of her black boy short panties. It wasn't just the lacy edge around her thighs they'd see, either. If Tiffany didn't keep her thighs together, what people would see was the rounded contour of her mound and the little bulge between her thighs.Tiffany knew this would happen. I'd shown her in her bedroom mirror before we left. She blushed bright pink, but she still put the skirt on. The tight cotton blouse I'd picked out completed the picture. It didn't show anything except the seams of her bra, but then, Tiffany has big breasts and her bra had a lot of seams to show.The door to the ladies room opened just as I was remembering what Tiffany had inside that bra, and she quickly walked to our table. Her face was flushed, and as she walked she kept smoothing the skirt over her hips and looking around is if waiting for something to happen.She grinned when she slid into the chair beside me, then blushed and pulled down her skirt. I chuckled."You did it?"Tiffany nodded."Well, give them to me then."Tiffany reached in her purse, pulled out the black boy shorts and pressed them into my hand. I wadded the filmy nylon and lace into a ball and put my hands to my face as if to cover a yawn. Tiffany's scent wafted to my nose as I inhaled. I smiled as I stuffed the panties into the back pocket of my jeans and then put my hand between Tiffany's tightly closed knees."The guy at that table across from us was watching you when you came back. Wanna give him a little show?"I nudged Tiffany's knees apart just a little and slipped my hand up to the hem of her skirt. Tiffany was desperately trying to keep those knees together."Open up, just a little. I want to see his face when he looks again.""I; I can't. He'll see and think I'm some sort of slut.""Then cross your legs."Tiffany caught her breath."If I do that, he'll see all the way up to my; my; "I chuckled."Probably all he'll see is a little hair; probably; unless you leave your thighs open a little. Then, he'll see something that'll make him choke on his spaghetti."Tiffany's hand was shaking when she pulled mine from her thigh and crossed her legs.The guy was looking then, and while he didn't choke, he did grin.Tiffany tried to act as if she was just eating her dinner, but I knew different. She kept looking up from her steak to see if the guy was still looking. If he was, she'd quickly look away, but she'd be grinning as she did. Tiffany was getting a thrill out of knowing a strange man was looking up her skirt and seeing one of her most private places. Tonight would be a great night.I suppose some people might think Tiffany's a little different, and she is, but it's something I really love about her. I didn't know, of course, that day we met. It took a while for me to figure it out.We met, sort of, at Walmart of all places. I say we sort of met because it lasted only a few seconds. I rounded the end of the aisle with coffee, tea, and creamer and started down the aisle with soft drinks. Tiffany was standing on her tip-toes and trying to get a two-liter of soda down off the top rack. She's not very tall, and she was having trouble. I thought it would be nice to help her so I walked up and asked which one she wanted.She smiled the most beautiful smile I'd seen in a long time."The cola. I don't know why they have to put stuff up so high. I'm just not tall enough to reach."I pulled the bottle out of the rack and handed it to her."You just need one?"She smiled again."Yes, for now. Thanks."The woman put the bottle in her shopping buggy and walked away, but not before I determined several things about her. One, she had really great legs for a small woman, and her hips were fantastic. Her shorts were short enough and fit snugly enough for me to tell that. Two, though her loose top didn't show much of anything, it was pretty obvious the woman was well endowed. Three, she didn't wear any rings on her left hand, but did wear an engagement ring and wedding ring on her right ring finger. Patty, one of the women at work, wore her rings like that, and told me it was to signify she'd been divorced. I suppose it was to tell any man if he couldn't live with that to stay away. Patty sometimes wore a T-shirt that said "I am not a bitch, I am THE BITCH, and to you I am Ms. Bitch." I mostly stayed away from Patty. That shirt was very appropriate.Then there was that smile. It was devastatingly beautiful, and made the woman's face the same way. I honestly thought about trying to catch up to her and introduce myself, but I'm no kid anymore, and she looked pretty young. I figured she'd be polite, but that was about all that would happen.Saturday afternoon wasn't my usual time for grocery shopping, but I went back to Walmart at the same time the next Saturday. I suppose it was wishful thinking. A lot of people shop at Walmart at that time of day. It wasn't likely I'd see her again. I did though, in the canned goods aisle. I'd been thinking about the age difference through the week, and I knew some women like older men. I decided to find out if she was one of them. After taking a deep breath, I pushed my buggy up beside hers and started looking at the canned carrots.The woman looked up and smiled again."You're the man who helped me last week.""Huh; Oh, yeah; that would be me. Need any more help?"The woman smiled again, said, "Nope. I can reach these.", and bent over to pick up two cans of peas. When she straightened back up, she gave me an odd look. I suppose it was because I was standing there with my mouth hanging open. It was that way because when the woman bent over, her shorts rode up a little and I could see out the delicate curve where her hips met her thighs. She smiled again then, but the smile looked a little impish, and her face was a little flushed."Mister, are you all right?"I shook my head, and grinned. She had to know that would happen, and knowing she knew made her all that much more interesting."I'm fine. I was just having a daydream."I stuck out my hand."I'm Bill."The woman took my hand and shook it gently."I'm Tiffany."Well, after that day, I started buying my groceries on Saturday instead of Wednesday night. I usually saw Tiffany somewhere in the store. Sometimes she'd just wave when she saw me. Sometimes we'd talk for a couple minutes about nothing in particular. It took another two weeks before I asked if she ever dated men. Tiffany chuckled."I don't date other women if that's what you're asking.""No, nothing like that. I just thought maybe you'd like to have dinner some night.""So you're asking me out?""I haven't yet, but I was going to. Do you like pizza?"Over pizza the next Saturday night, I learned a lot about Tiffany. She was ten years younger than I, and had been divorced for a while. She didn't say much about her marriage, just that she was glad to be out of it. Even though I didn't know any details, I found myself not liking her husband very much. Tiffany was a pretty woman with a great figure, but she was much more than that. She was a very intelligent and interesting woman. Her outside appearance was just the icing on a very rich cake. I couldn't understand how any man could treat her so poorly that she'd leave him unless he was a complete ass. I don't have much patience for complete asses, and I told her that. She defended him a little."He wasn't like that. He just didn't understand what I needed. I guess he never learned from his dad, and he didn't want to listen to me.""Well, some guys are lucky to have someone to tell them. I guess he didn't. I didn't either. I had to learn it on my own.""How did you do that?""Trial and error in my old sixty Chevy mostly."She chuckled."Front or back seat?""Uh; front. Never made it all the way to the back seat. Girls would let a guy play a little, but except for a couple, they wouldn't let a guy get too far."Tiffany grinned."I was one of those girls - not the ones who got in the back seat -the other kind. It was a thrill knowing I had something guys wanted, and it was a real thrill teasing them, but Mom would have locked me in my room until I was twenty if she thought I was doing more than that.""I guess I never thought girls got off by teasing guys. They seemed pretty reluctant to let you even touch them.""My mom told me the touching would feel good, but nobody buys a used car if they can get a new one for the same price. She said it's better to leave something to the imagination. I got all excited thinking about what boys were imagining about me."I could sympathize with the guys Tiffany was talking about. If she looked anything then like she looked now, they'd have been fantasizing about all sorts of things; just like I was at that very moment. I thought just maybe Tiffany was a little excited by our conversation. I could just make out the rounded bumps of her nipples against her top. They hadn't been there before. I was liking those bumps way too much for a first date.I laughed."You got excited? What you girls did to us guys was a lot more than make us excited.""And what would that be?""Well, a guy can't really hide being excited very well, if you understand what I'm saying. I mean, it's bad enough that at that age it seems to happen all by itself a lot, but when a girl dresses up in little shorts or a tight T-shirt, well; "Tiffany gave me a sheepish grin."So, are you saying I'm doing that now?""Let's just say I need another cup of coffee before I take you back to your house."Tiffany giggled."OK, I'll try to be good. No; what I meant was, I'll try to make sure that problem go away. Oh; not that either. I'll just sit here until it does and not do anything else."My problem did go away about half way through the second cup of coffee, but only because Tiffany asked me about my job. Somehow, talking about being an engineer and erotic thoughts don't go very well together. The problem came back when I drove away from her house though. As she said goodnight, Tiffany touched my arm and thanked me for dinner. That was enough.We dated for the next three months about every weekend, and I noticed a gradual change in Tiffany. She started to ask if I liked what she was wearing. I knew better than to say anything except she looked great. She wouldn't let it go at that. She kept asking me if she looked sexy or not. I didn't have to make up that answer. Tiffany would have looked sexy in sweatpants and a sweatshirt.One night after we'd finished dinner, she asked what she should wear on our next date. I wasn't really sure what she was asking, so I decided to tease her a little and fulfill one of my fantasies at the same time, if only a little."Well, you know, every time I take you somewhere, guys are staring at you. Maybe you should be like you said and tease them a little."Tiffany blushed."You mean, show something.""Well, not everything, but a little peek wouldn't hurt."I waggled my eyebrows a couple of times and then grinned."I know I'd like it.""OK, so what should I wear."I thought about that for a minute. She'd probably never go for it, but;"OK, do you have a top that's sort of loose, and is made of some sort of knit?""I think so.""Well wear that next Saturday and we'll go to the zoo."Tiffany smiled."I don't see how that's going to show anybody anything.""It will if you don't wear your bra."Tiffany turned the cutest shade of pink."Why; why anybody could see how big I am and they could see my ; my; well you know. I'd be embarrassed to death."I laughed."Well, you asked, and I told you."There was that sheepish grin again."I suppose you'd make me wish I had dressed that way if I didn't, too."I hadn't really expected that, but since she'd asked;"I could probably think up some way to punish you, no hitting or anything like that, just something that might embarrass you more."I wasn't sure how she'd be dressed when I picked her up the next Saturday. She wore the top I'd asked her to wear, but she was also obviously wearing a bra. She didn't say anything when she got in my pickup, but she did smile at me, and she shrugged her shoulders.Later that afternoon, after I bought us some sodas, Tiffany chuckled."I guess you see I chickened out?""Yes, I'm not too surprised though. I figured you might.""So, when do I get punished?"I shrugged."Let's go to Opry Mills on Saturday and look around. You can wear the same outfit then, but that won't be your punishment. That'll come later.""What are you going to do to me?" she giggled."You'll see."I pulled my pickup into Tiffany's drive a little after lunch the next Saturday. When I knocked on her door, it took her a while to open it. When she did, she stood behind the door and just peered around it as she let me in."Tiffany, what's the matter?""I; I don't know if I can do this or not. That's what's the matter.""Do what?"Tiffany closed the door and then let her arms fall to her sides."I didn't put on a bra, and look."I was looking. Actually, I was staring. Tiffany had on the same loose top as the Saturday before, but what she was doing to it without a bra was fantastic. The thin material seemed to cling to her skin in places, and her big breasts stood out a lot. So did her nipples. They made big sexy bumps in the top.I chuckled."I don't see anything wrong. All I see is a woman, a really sexy woman, granted, but still a woman.""But my boobies stick out and they wobble when I walk and my nipples get stiff and they show and; "I cut her off."You can go put your bra on if you want, but you'll have to pay for it.""More than for last Saturday?""Oh, definitely more. I can hardly wait."Tiffany frowned."OK; I'll go this way, but don't you dare leave me alone, not even for a second."I had no intentions of leaving Tiffany alone. I wouldn't have strayed from her side for any reason. She was just too damned great to look at. The men sitting on the benches waiting for their wives to get done shopping thought so too. When Tiffany and I walked by, what had been frowns turned into grins, and they followed her every move. I could understand that, because Tiffany's every move caused her big breasts to do a seductive little dance under her top.If their wives happened to be sitting there beside their husbands when we walked by, those men grinned too. Their wives, not so much. I saw a couple women give their husband a whack on the arm, and some quiet, but animated conversation seemed to always followI was watching more than the way Tiffany's heavy breasts moved around under her top. It was obvious that while her face looked a little fearful, she was enjoying herself. Her eyes were always a beautiful part of her face, but as we walked past people going in and out of the shops, they were wide open and almost glittering. I didn't know if Tiffany was becoming aroused, but her eyes said she might be.Her nipples said the same to me. One man, an older gentleman, winked at her as she walked by. What had been two soft bumps in the front of her blouse quickly grew a lot bigger and longer. Where before from a distance, the bumps could have been only a shadow or fold in the material, now there was no question about their origin.We walked from one end of Opry Mills to the other and then back, and I think Tiffany probably turned on every man who saw her except for one guy who was obviously very in touch with his feminine identity. I know by the time we started back, the only thing keeping me from developing a tent in my jeans was watching the guys watching Tiffany as much as I was watching her. As it was, I only had the stiffness of anticipation, anticipation I knew I shouldn't press.Tiffany's eyes were still shining bright when we got in my truck to go home. As I pulled out onto the Briley, she looked at me and grinned."That was fun. I was terrified, but it was fun. Did you see how the men looked at me?"I laughed."Well, Tiffany, you made a whole bunch of guys really horny today. I thought you were enjoying it.""I tried not to show it. How did you know?""Well, your eyes got really big and bright, and your uh; nipples; they got stiff and pushed out the front of your blouse."Tiffany looked down and stroked the soft bump on each breast."I didn't realize they were doing that. I'd have been embarrassed to tears if I had.""Well, they were. They did every time a guy looked at you, well, almost every time anyway.""So, I did good?"I laughed again."If that wasn't good, I don't know what is.""Does this mean I don't get punished?""No, just that you did good today. You still have to pay for last Saturday.""What are you going to do to me?""Nothing. You're going to do it yourself. See that semi up there?""Yes.""I'm going to pull up beside his cab."The pickup responded to my foot on the accelerator, and we were soon cruising along beside the semi."OK, Tiffany, flash the nice trucker.""What!!!""I said, flash the nice trucker.""I'm not showing you my boobies.""You're not going to show them to me. You're going to show them to the guy driving that truck. Now, pull up your top and let him see you."Tiffany put her hands on the bottom of her blouse and lifted it a little, then touched my arm."Please don't make me do this. I've never shown anyone but my ex and my doctor my boobies."I chuckled."There's a first time for everything. Now up with that top or I'll think up some other way to punish you."Tiffany took her blouse in both hands again, looked up at the trucker, and quickly lifted the front over her breasts and then pulled it back down."There, I did it.""No, you didn't. He was looking down the road. You have to leave your top up for longer than a second. Come on, be a good girl and let the guy see what you have.""What if he decides to follow us and when we stop, he gets out and; well, he might do something to me.""I'm sure he'll want to, but I can outrun him; " I chuckled; "Probably.""Oh, I can't. I don't even know him.""Yes, you can; unless you'd rather flash him with something else. You do have a sweet bottom, you know.""Oh, no, not that. I couldn't ever do that.""Well, then up with that top. There are other cars coming up behind me."Tiffany took a deep breath, pulled up her blouse and leaned toward the side window. For a couple seconds, nothing happened. Then, I heard the blast of an air horn, three times. Tiffany giggled."I think he liked me."She hadn't yet pulled her blouse back down."I can see why."Tiffany looked down and then gasped as she yanked the blouse down to her waist."Oh, God, I flashed you too."I glanced over at Tiffany. Her face was pink again, and her eyes flashed with a gleam that could only mean she was enjoying herself."Yes, you did. It was pretty great too. You can flash me all you want."Tiffany giggled as I passed the semi."He waved at me, and blew me a kiss.""I figure that's not what he's wishing he was doing to you right about now.""So, am I done now?""Well; it took you a long time for this one. I think you'll have to do a couple more.""Two more? I was scared to death. That's why it took so long. I can't do it again."I looked over at Tiffany again, and grinned.."I see another truck up ahead. Get ready."Tiffany flashed the second truck a little faster and held her blouse up for almost half a minute before pulling it down."He stuck out his tongue and wiggled it at me. I guess he didn't like me."I had to laugh."Oh, he liked you. He's telling you what he'd like to do for you, that's all.""He'd like to lick my boobies?""Among other parts of you, I expect.""I never thought about that, I mean, I have, but not from a guy I don't even know.""Want me to pull over and introduce you to him?"There was a little tremor in Tiffany's voice."You wouldn't really do that; would you?""It might be fun to watch you flash him up close and then watch what happens. Ever been in the sleeper of a semi?""Oh no; in your truck in one thing. Close enough he could touch me is another. Getting in his truck; Don't you dare stop."I sighed."OK, but you better give a good show to number three. He's coming up in a bit.Trucker number three got an eyeful of Tiffany's big breasts pressed into my side window. It was touch and go for a second, so to speak. The semi veered off to the shoulder a little and then the driver overcorrected and started into my lane. I hit the accelerator and passed him by just as Tiffany shrieked."He was gonna hit us.""Well, you evidently made an impression on him."She giggled."Maybe it was my boobies flattened out on the window.""That'd do it for me.""Are we going home now?""Unless you want to make another trucker's day."Tiffany giggled again."I think I've had about all the excitement I can handle. Wanna get a pizza and eat at my house?"I was thinking I'd love to give Tiffany some more excitement, and when she asked if we could eat at her house, I briefly entertained the fantasy of her naked beside me after I'd shown her just how desirable she really was. She didn't seem to understand that, somehow. I supposed it was how her ex treated her, though I couldn't fathom how any man could see Tiffany as anything except a treasure to be kissed, caressed, and stroked until she became the lover I suspected she would truly be.I knew it was just a fantasy. Though I was pretty certain Tiffany had been aroused by what she'd done, I wouldn't take advantage of that. If and when it ever happened, Tiffany would tell me it was time. Until then, I'd just enjoy having her with me.After that day, Tiffany would usually ask me what she should wear when we went out. I kept her bra-less look for the times we went to a mall or to Walmart. If we went someplace else, I usually said she could wear her bra. I always asked her to wear either little shorts or tight jeans. I loved the way her sexyass looked in both, but of the two, the tight jeans were my favorite. She had a couple pair that were cut very low in the waist, and if she bent over, her panties would peek out. If she stooped down for something, sometimes the start of the separation between her cheeks would show just a little.I loved seeing both, and so did any guys who happened to be within a few feet. We spent a lot of time shopping on Saturday at Walmart where I could find reasons Tiffany should bend over or squat down. She knew why I was asking that, and always giggled when I asked."You know what's going to happen if I do that.""Yep, I do, but the guy coming down the aisle doesn't. Show him that sexy bottom."Tiffany would blush pink, and then try to argue."But he'll see my panties.""Yeah, I expect he will.""He'll be thinking I want him to do something to me.""Probably so. I could ask him if he'd like to go home with us if you'd like.""No, no, no; I could never do anything like that. Don't you dare say a thing to him.""Then bend over and pick up some cans of beans for me, or I will."Tiffany would blush again, but she'd bend over. Usually, the guy would stop, smile, and then push his buggy down the aisle. Once, an older guy said "nice ass, Honey" as he went by. Tiffany caught her breath when she heard that, and then turned around and put the cans in her buggy."Did you hear what he said?""Well, it's true, you know.""You really think so?"I chuckled."Why do you think I always walk behind you."When the weather started to cool off during the day, I had to change my strategy a little. Cold weather meant at least a jacket for both of us, and shorts were pretty much out of the question. Even Tiffany's low cut jeans didn't show anything because her jacket or coat covered half of her sensuous hips.It was on a trip to McMinnville that the idea hit me. I hadn't asked Tiffany to dress in anything special that day. We were just going to one of the nurseries to pick up some shrubs Tiffany wanted in her yard, and I didn't figure there would be many people there. As I drove down the highway, I was remembering how Tiffany reacted to flashing truckers that afternoon, and realized she could show more of herself now."Tiffany, how about taking off your coat.""Why would I want to do that? It's cold."I reached over and turned up the heater control a little."It's gonna be hard to take off your top if you still have your coat on.""I'm not taking off my top. I'll freeze.""No, you won't. You can put your coat back on afterwards, well, after you take off your bra too.""Then I'd be naked under my coat.""Yep. All naked and sexy.""And you're going to make me flash truckers again?""Nope. But you are going to flash somebody.""Who?""I don't know yet. Maybe some guy looking for an apple tree. You can show him your apples.""I don't have apples. Mine are more like grapefruits."I chuckled."I'm sure he'll enjoy them even more then. Now, off with the blouse and bra, unless you'd like a little more punishment. There are a lot of trucks on the road today. I'll bet they'd love getting mooned by your sexyass."Tiffany took a deep breath, undid her seat belt, and unzipped her coat. Once her coat was laying on the seat beside her, she unbuttoned her blouse and slipped it from her soft shoulders. About then, a car passed us. Tiffany grabbed her coat and covered herself up.I laughed."Tiffany, this is a four-wheel drive truck. We're too high up for anyone in a car to see you. You don't have to cover up.""I do if I'm going to take off my bra. Now, don't peek. If I have to flash somebody, I want to flash them, not have you staring while I get my bra hooks undone."I kept looking down the road until Tiffany said, "OK, I have my coat back on now."Except for her blouse and bra in the seat beside her, I couldn't tell any difference, and that was what I wanted. She'd feel safe and at ease until I asked her to do what I was going to ask.She wanted a barberry, and there were many from which to choose. They were all sitting in rows in their burlap root ball bags out in a large area beside the nursery office. Tiffany went from one to the next, looking at the prices. I watched to see if anyone was walking our way. There was one guy about twenty feet away and pretty soon, he started walking toward us. Tiffany was bending over to look at the tag on the shrub in front of her.In a quiet voice, I said, "Tiffany, open up your coat."Tiffany snapped upright."What!""I said, open up your coat.""Out here? In front of everybody?""Well, everybody is just one guy, and I don't think he'll mind. Of course, if you're too slow, I'll have you walk around a little with your coat open.""But this place is so open. Can I just show you instead?""Oh, all right. I suppose, but you better leave that coat open for more than a couple seconds."Tiffany stuck out her little pink tongue, but unzipped her coat. After taking a deep breath, she opened it a little. I saw beautiful, deep cleavage, and a little of the round lower part of her big breasts. After a couple seconds, Tiffany closed her coat, zipped it back up, and smiled."Satisfied now?"

Assassin's Creed Syndicate takes players to Victorian London. This was an age of massive social change through technological innovation and cultural exchange, as the industrialised British Empire extended around the world.Perhaps the greatest symbol of Britain's power and influence at this time was the Great Exhibition and its iconic venue, the Crystal Palace.Tom Furber, Research Fellow at the London Centre for Public History, returns to the podcast to give Matt Lewis a tour of the highlights of the Exhibition.Echoes of History is a Ubisoft podcast, brought to you by History Hit. Hosted by: Matt LewisEdited by: Michael McDaidProduced by: Matt Lewis, Robin McConnellSenior Producer: Anne-Marie LuffProduction Manager: Beth DonaldsonExecutive Producers: Etienne Bouvier, Julien Fabre, Steve Lanham, Jen BennettMusic by Austin Wintory.If you liked this podcast please subscribe, share, rate & review. Take part in our listener survey here.Tell us your favourite Assassin's Creed game or podcast episode at echoes-of-history@historyhit.com Hosted on Acast. See acast.com/privacy for more information.

Today's episode takes us from the fields to the heart of London to reflect on a truly unique and thought-provoking exhibition that has just wrapped up at Somerset House in London, marking its 25th anniversary. Titled Soil: The World at Our Feet, the exhibition brought together visionary artists to reframe how we think about the ground beneath us.Far from being “just dirt,” this exhibition invited visitors to see soil as a living, breathing system—one that underpins not only agriculture but culture, climate, and community. Bridget Elworthy and Henrietta Courtauld from The Land Gardeners came up with the concept for the exhibition and they speak to Ben in this episode They talk about how the exhibition came to life, what it revealed, and put their case as to why soil should matter to everyone—not just farmers.SOIL | Somerset HouseHome — the land gardenersSoil Home — the land gardeners 

Chuck Heinz and Jamie Lent talk about Patrick Monteverde making his MLB debut, The Republic of Texas, comments from Joey McGuire from the spring game, exhibition event for sports, and Texas Tech football.

For more than 50 years, architectural illustrator Frank Costantino has been bringing buildings to life with his meticulously hand-drawn project designs. A new exhibition of Costantino’s work is celebrated at one of Boston’s most storied institutions. Special correspondent Jared Bowen of GBH Boston takes a look for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders

In this powerful conversation, Kat sits down with artist Sarah Detweiler to explore the intersections of motherhood, identity, and creative evolution. Sarah opens up about her journey from commercial art to fine art, the deeply personal work in her Hidden Mother series, and her most recent solo show Unmasquerade—a vibrant, layered exploration of ADHD, selfhood, and unmasking in midlife. Together, they unpack the beauty and the bravery of allowing yourself to evolve as an artist—even when it feels risky. This is a raw, affirming episode for anyone navigating transitions and seeking deeper authenticity in their work.   Chapters: 00:00 – Introduction and Background 06:33 – Artistic Evolution and Personal Journey 13:33 – The Hidden Mother Series 17:21 – Unmasquerade: New Directions in Art 22:26 – Exploring Identity and ADHD 27:33 – Closing Thoughts and Future Directions 32:12 – Outro   ✨ CALL FOR ART Submissions for Create! Magazine's Summer Issue #52 are now open. Be part of our print + online issue, curated by an international jury. Submit by April 30: www.createmagazine.co/call-for-art  

Yvette's interview with Paul Jacques Keene and Lydia Williams, son and daughter of Philadelphia born artist, Paul Farwell Keene Jr. encourages investment in African American artist. Paul Farwell Keene, Jr. (1920-2009) was an artist and an American icon in the tradition of the African American community.    His art pulsates with vibrancy and with color explosion to depict his view of urban life, and his art functions as an outward expression of the genius of his inner world. He was born in Philadelphia, Pennsylvania where he began his art study and later studied at the Académie Julien in Paris, France. In Paris, he was nourished by the jazz music scene as well as the camaraderie of American expatriates. His work began to reflect this new urban setting, and his many paintings of street and jazz musicians have been shown around the world.    Most recently, Paul Keene's work is on exhibition at the Pompidou Museum in Paris from March to June, 2025. The exhibition, “Paris Noir,” traces 50 years of artistic expression in Paris of the work of African American, African, and Carribbean artists and explores the history of the civil rights movement in the United States, African independence and the fight for equality in France at the end of the 20th century.

Our guests, Dr. Evan Fortunato (President & CEO, Apogee Research), Kirk McConnell (retired Professional Staff Member on the Senate Armed Services Committee), and Robert “Otis” Winkler (Vice President, Kratos Defense & Security Solutions) join the podcast for a discussion on Modular Open Systems Architecture (MOSA). During this episode, they cover the operational advantages and acquisition risks, how recent legislation affects the Department of Defense's adoption of MOSA practices, and how to think about standards as a barrier or enabler of modular and open systems. The podcast also discusses potential tools for creating interoperable systems.To receive updates about the NDIA Emerging Technologies for Defense Conference and Exhibition on August 27-29, 2025 at the Washington D.C. Convention Center, please join our mailing list here: https://www.emergingtechnologiesinstitute.org/sign-up http://emergingtechnologiesinstitute.orghttps://www.facebook.com/EmergingTechETIhttps://www.linkedin.com/company/ndia-eti-emerging-technologies-institute https://www.twitter.com/EmergingTechETI

What makes people want to go to museum? How can they ensure they still remain relevant? I spend a lot of my time in museums.  They inspire me, inform me and put me into mindsets I wouldn't otherwise be in.  So I wanted to learn more about them.Episode Summary On this episode, I sit down with Matthew McNerney, Chief Creative Officer of Luci Creative, to explore the hidden psychology behind museum design. Matthew has worked on everything from the Lego House in Denmark to presidential libraries, science museums, and even the NASCAR Hall of Fame.Together, we dive into the ways museum spaces are meticulously crafted to shape how we learn, feel, and interact with history, culture, and ideas. We also discuss the challenges museums face today—from declining visitor numbers to evolving audience expectations—and what it takes to design experiences that are both educational and entertaining.Along the way, Matthew shares fascinating insights from his career, from how a single professor changed the trajectory of his life to the unexpected lessons learned from working on hospital play spaces. If you've ever been inspired by a museum visit or wondered why some exhibits engage while others fall flat, this conversation is for you.Guest Biography: Matthew McNerney Matthew McNerney is the Chief Creative Officer at Luci Creative, a museum and brand experience design firm that works at the intersection of curiosity and change. His work spans a vast array of projects, from designing experiences for the Lego House in Billund, Denmark, to working on presidential libraries, science museums, and the NASCAR Hall of Fame. Matthew's career in museum design began in an unexpected way — he originally considered becoming a wedding designer before a professor introduced him to the world of exhibition design.Since then, he has spent over 20 years in the field, crafting experiences that spark curiosity and create lasting impressions. His work is deeply influenced by behavioral science, storytelling, and the psychology of engagement, all of which help him transform physical spaces into immersive learning environments.Beyond museums, Matthew has also worked on brand experiences, including designing retail environments for New Balance and flagship stores for Tiffany & Co. His expertise lies in creating multisensory experiences that connect people with content in compelling ways. AI-Generated Timestamped Summary[00:00:00] Introduction[00:01:00] Introducing Matthew McNerney and his work in museum design[00:02:00] How Matthew got into museum design—pivoting from wedding planning[00:06:00] The role of museums in shaping collective memory and conversatio[00:08:00] How museums balance education and entertainment[00:11:00] The variety of projects Matthew has worked on, from LEGO to NASCAR[00:14:00] The complexity of designing exhibits that engage diverse audiences[00:17:00] Museums as the most trusted institutions—but with declining attendance[00:19:00] Competing for attention: Museums vs. other forms of entertainment[00:24:00] The challenges of working with subject-matter experts and overcoming "the curse of passion"[00:29:00] The Mona Lisa effect—why some artworks become pilgrimage sites[00:32:00] Designing for different visitor experiences and expectations[00:37:00] Using behavioral science to map visitor engagement strategies[00:40:00] The hidden barriers that stop people from visiting museums[00:45:00] The challenge of curating history while staying objective[00:50:00] Creating curiosity: Making museums a launchpad for deeper exploration[00:53:00] How Lego taught Matthew a lesson about designing for engagement[00:55:00] Gamifying museum experiences—how the Cleveland Museum of Art makes learning fun[00:57:00] The risks and security challenges of modern museum spaces[01:00:00] Matthew's favorite museum recommendations[01:02:00] Where to find Matthew's work and final thoughtsLinks & ReferencesLuci Creative – https://lucicreative.com/Matthew McNerney's Website – https://matthewmcnerney.com/Lego House, Billund, Denmark – https://www.legohouse.com/Tenement Museum, New York – https://www.tenement.org/Micropia, Amsterdam – https://www.micropia.nl/en/Cleveland Museum of Art – ArtLens Exhibit – https://www.clevelandart.org/artlens-galleryPrevious episode of the show featuring Professor Tom Schössler talking about museum innovation - https://www.humanriskpodcast.com/professor-tom-schossler-on-deploying/

Pablo Picasso artworks on show in Český Krumlov, a Prague primary school is transforming teaching of Czech to foreigners with innovative textbooks and a look at Prague's never-ending car problem. 

How is the Department of Defense faring with incorporating Modular Open Systems Architecture (MOSA) into its technology development processes? Recent legislation requires acquisition programs to implement a MOSA to the maximum extent practicable. Anne McDonough, Assistant Director at the Government Accountability Office (GAO), joins the podcast to describe what MOSA is, who owns the MOSA approach on a program, and what the benefits and risks are as well as how policy can affect implementation. In this episode, Anne covers a recent GAO report that evaluates the extent to which DoD is able to implement MOSA in its programs.GAO Report: https://www.gao.gov/products/gao-25-106931To receive updates about the NDIA Emerging Technologies for Defense Conference and Exhibition on August 27-29, 2025 at the Washington D.C. Convention Center, please join our mailing list here: https://www.emergingtechnologiesinstitute.org/sign-up https://www.emergingtechnologiesinstitute.org https://www.facebook.com/EmergingTechETI https://www.linkedin.com/company/ndia-eti-emerging-technologies-institute https://www.twitter.com/EmergingTechETI

On this episode of Sneaker History, Nick Engvall shares a personal story about his first pair of Air Jordans and how they connect to Michael Jordan's unexpected transition from basketball to baseball. He reflects on the hustle it took to earn the money for the shoes, the significance of the Air Jordan 9s, and the lessons learned from Jordan's journey in sports. The episode encapsulates themes of nostalgia, hard work, and the deeper meanings behind sneaker culture.--- SUPPORT THE SHOW ---Donate Through Venmo: https://venmo.com/u/sneakerhistoryJoin our Discord Community: https://discord.gg/xJFyWmWgzaEarly Access, Exclusive Videos, and Content On Patreon: https://patreon.com/sneakerhistorySubscribe on YouTube: https://youtube.com/sneakerhistory—–––– Check out our other shows: —––––For the Formula 1 Fans --> Exhaust Notes: https://exhaustnotes.fmFor the Fitted Hat Fans --> Crown and Stitch: https://crownandstitch.comFor the Cars & Sneakers Fans --> Cars & Kicks: https://carsxkicks.comFor the Creators --------> Outside The Box: https://podcasts.apple.com/id/podcast/outside-the-box-convos-with-creators/id1050172106—–––– EXCLUSIVE DEALS FOR YOU FROM OUR PARTNERS —––––[Links contain affiliate links, we may receive a small commission if you make a purchase after clicking a link. A great way to support the pod!]—––––—––––—––––—––––—––––—––––—––––—––––Our podcast is proudly...Livestreamed with StreamYard: https://streamyard.com?pal=6514386237915136Recorded on Riverside: http://www.riverside.fm/?via=sneakerhistoryDistributed By Captivate: https://bit.ly/3j2muPbGet in Touch: Robbie - robbie@sneakerhistory.comMike - mike@sneakerhistory.comRohit - rohit@sneakerhistory.comNick - nick@sneakerhistory.comFor advertising inquiries: podcast@sneakerhistory.comDisclaimer: The views and opinions expressed in this program are those of the speakers and do not necessarily reflect the views or positions of any entities they represent.This podcast uses the following third-party services for analysis: Spotify Ad Analytics - https://www.spotify.com/us/legal/ad-analytics-privacy-policy/

The Art Institute's Frida Kahlo's Month in Paris: A Friendship with Mary Reynolds explores a pivotal moment in Kahlo's career. Reset sits down with Caitlin Haskell, Gary C. and Frances Comer senior curator of Modern and Contemporary Art, one of the curators behind the exhibition to learn more about the two artists' friendship and their connection to the surrealist art movement. This exhibition will be open now until Sunday, July 13, 2025. Tickets are an additional $5 in addison to a general admission. For a full archive of Reset interviews, head over to wbez.org/reset.

I am so excited to say that my guest on the GWA Podcast is the acclaimed painter, Rose Wylie! Born in 1934, as the youngest of seven children to Victorian parents, Wylie spent her early childhood in India before coming to England aged 5. This was in 1939, in the midst of a bomb-filled Second World War and increasingly fractured world. She went on to study figurative painting, at Folkestone and Dover College of Art in Kent from 1952–56, at a time when tutors would say to her ‘It's no good bothering with you, you're a girl, you'll get married, have children and that'll be that.' … It was then to a teacher training programme at Goldsmiths before putting art aside to raise three children. This was, until 1979 when Wylie returned to the studio enrolling at the Royal College of Art, in her early 40s. Her first solo exhibition came a few years later in 1985, but despite Wylie working in her cottage-slash-studio in Kent for the last 50+ years – where we are very excitingly recording today – it was not until the last 10–15 years that her work has been given the attention and acclaim it has always deserved. Playful and fractured, featuring text overlaid with image, witnessing a Rose Wylie painting in person is to see the world in a different way. Wylie takes recognisable elements from pop culture, history, mythology, sport, even the Bible – from flowers, battenberg cakes, sportstars, queens, to the likes of Nicole Kidman and Emily Maitlis – and shows us them anew, in her paintings that are void of perspective to the point that there is no indication of where the work starts or ends. Her paintings are sometimes full of movement – like a football being kicked, almost balletically, with players, clad in yellow, darting across the dotty canvas that surrounds its viewer. At other times they remind me of a film playing out – like the blood-clad figure lying on the floor in Kill Bill – or even a script with stage directions featuring phrases like “getting dark” or “yellow” … Wylie's paintings are full of decisions, ideas, and the more I look at them, the more her world opens up… Now 90 years old, after a celebrity-filled birthday bash, Wylie is back better than ever for her exhibition at David Zwirner London “When Found becomes Given”, opening on April 3rd, and I couldn't be more delighted to be speaking to her at her Kent-based studio today. Exhibition: https://www.davidzwirner.com/exhibitions/2025/rose-wylie-when-found-becomes-given -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield