Podcast appearances and mentions of lori ostlund

Lori Ostlund lives in San Francisco. Her story collection "Are You Happy?" came out in May 2025. It's about the specter of violence that hangs over women in the queer community, but with humor.

Wayne Goodman in conversation with Anne Raeff & Lori Ostlund, educators, award-winning authors, and proud parents

Podcast editor Daniel Schonning gives a glimpse of Josie Sigler Sibara's “The German Woman,” selected by Lori Ostlund as winner of the 2020 Nelligan Prize for Short Fiction, featured in the Fall/Winter 2020 issue of Colorado Review. Listen here!

A father searches for his addict son while grappling with his own choices as a parent (and as a user of sorts) Achingly funny and full of feeling, Eat Only When You’re Hungry follows fifty-eight-year-old Greg as he searches for his son, GJ, an addict who has been missing for three weeks. Greg is bored, demoralized, obese, and as dubious of GJ’s desire to be found as he is of his own motivation to go looking. Almost on a whim, Greg embarks on a road trip to central Florida—a noble search for his son, or so he tells himself. Greg takes us on a tour of highway and roadside, of Taco Bell, KFC, gas-station Slurpees, sticky strip-club floors, pooling sweat, candy wrappers and crumpled panes of cellophane and wrinkled plastic bags tumbling along the interstate. This is the America Greg knows, one he feels closer to than to his youthful idealism, closer even than to his younger second wife. As his journey continues, through drive-thru windows and into the living rooms of his alluring ex-wife and his distant, curmudgeonly father, Greg’s urgent search for GJ slowly recedes into the background, replaced with a painstaking, illuminating, and unavoidable look at Greg’s own mistakes—as a father, as a husband, and as a man. Brimming with the same visceral regret and joy that leak from the fast food Greg inhales, Eat Only When You’re Hungry is a wild and biting study of addiction, perseverance, and the insurmountable struggle to change. With America’s desolate underbelly serving as her guide, Lindsay Hunter elicits a singular type of sympathy for her characters, using them to challenge our preconceived notions about addiction and to explore the innumerable ways we fail ourselves. Praise for Eat Only When You're Hungry "[A] commanding narrative . . . A savage tale of parenthood and squandered hope from an author whose unsparing eye never ceases to subvert the mundane." —Kirkus "Hunter's absurd Floridian landscapes and darkly tender moments are keen and hilarious, exposing the complexities of addiction and an overweight man with a weak heart but unfailing love." —Booklist "The frailties of the human body and the human heart are laid bare in Lindsay Hunter’s utterly superb novel Eat Only When You’re Hungry. There is real delicacy, tenderness, and intelligence with which Hunter tackles this portrait of a broken family of people who don’t realize just how broken they are until they are forced to confront the fractures between them and within themselves. With this novel, Hunter establishes herself as an unforgettable voice in American letters. Her work here, as ever, is unparalleled." —Roxane Gay, author of Bad Feminist "This novel takes us on a road trip with an American Everyman into the heart of American hunger—for freedom, for connection, for junk food, for love. Hunter has a brilliant sense for the perfectly telling image, and her humor is so biting and smart it was almost a surprise, at the end of this engrossing book, to realize how thoroughly she had broken my heart.” —Garth Greenwell, author of What Belongs to You "Compassionate, claustrophobic, gut-wrenchingly observed, Eat Only When You’re Hungry probes the fine lines between hunger and addiction, addiction and desire. In perfectly nuanced prose, Lindsay Hunter observes the human ability to go on in the face of the unexpected, the unknown, the regretted, and, perhaps most important, the mundane." —Lori Ostlund, author of After the Parade Lindsay Hunter is the author of the story collections Don’t Kiss Me and Daddy’s and the novel Ugly Girls. Originally from Florida, she now lives in Chicago with her husband, sons, and dogs. Photo by Liliane Calfee Roxane Gay is the author of the novel An Untamed State, which was a finalist for the Dayton Literary Peace Prize for Fiction; the essay collection Bad Feminist; Ayiti, a multi-genre collection, the collection of stories Difficult Women and the memoir, Hunger. She is at work on a comic book in Marvel’s Black Panther series. Her writing has appeared in Best American Short Stories 2012, the New York Times, the Guardian, and many others. She is a recipient of the PEN Center USA Freedom to Write Award, among other honors. She splits her time between Indiana and Los Angeles. She can be found online at www.roxanegay.com and on Twitter @rgay. Event date:  Thursday, August 10, 2017 - 7:30pm

Eat Only When You're Hungry (Farrar, Straus, Giroux) A father searches for his addict son while grappling with his own choices as a parent (and as a user of sorts) Achingly funny and full of feeling, Eat Only When You’re Hungry follows fifty-eight-year-old Greg as he searches for his son, GJ, an addict who has been missing for three weeks. Greg is bored, demoralized, obese, and as dubious of GJ’s desire to be found as he is of his own motivation to go looking. Almost on a whim, Greg embarks on a road trip to central Florida—a noble search for his son, or so he tells himself. Greg takes us on a tour of highway and roadside, of Taco Bell, KFC, gas-station Slurpees, sticky strip-club floors, pooling sweat, candy wrappers and crumpled panes of cellophane and wrinkled plastic bags tumbling along the interstate. This is the America Greg knows, one he feels closer to than to his youthful idealism, closer even than to his younger second wife. As his journey continues, through drive-thru windows and into the living rooms of his alluring ex-wife and his distant, curmudgeonly father, Greg’s urgent search for GJ slowly recedes into the background, replaced with a painstaking, illuminating, and unavoidable look at Greg’s own mistakes—as a father, as a husband, and as a man. Brimming with the same visceral regret and joy that leak from the fast food Greg inhales, Eat Only When You’re Hungry is a wild and biting study of addiction, perseverance, and the insurmountable struggle to change. With America’s desolate underbelly serving as her guide, Lindsay Hunter elicits a singular type of sympathy for her characters, using them to challenge our preconceived notions about addiction and to explore the innumerable ways we fail ourselves. Praise for Eat Only When You're Hungry "[A] commanding narrative . . . A savage tale of parenthood and squandered hope from an author whose unsparing eye never ceases to subvert the mundane." —Kirkus "Hunter's absurd Floridian landscapes and darkly tender moments are keen and hilarious, exposing the complexities of addiction and an overweight man with a weak heart but unfailing love." —Booklist "The frailties of the human body and the human heart are laid bare in Lindsay Hunter’s utterly superb novel Eat Only When You’re Hungry. There is real delicacy, tenderness, and intelligence with which Hunter tackles this portrait of a broken family of people who don’t realize just how broken they are until they are forced to confront the fractures between them and within themselves. With this novel, Hunter establishes herself as an unforgettable voice in American letters. Her work here, as ever, is unparalleled." —Roxane Gay, author of Bad Feminist "This novel takes us on a road trip with an American Everyman into the heart of American hunger—for freedom, for connection, for junk food, for love. Hunter has a brilliant sense for the perfectly telling image, and her humor is so biting and smart it was almost a surprise, at the end of this engrossing book, to realize how thoroughly she had broken my heart.” —Garth Greenwell, author of What Belongs to You "Compassionate, claustrophobic, gut-wrenchingly observed, Eat Only When You’re Hungry probes the fine lines between hunger and addiction, addiction and desire. In perfectly nuanced prose, Lindsay Hunter observes the human ability to go on in the face of the unexpected, the unknown, the regretted, and, perhaps most important, the mundane." —Lori Ostlund, author of After the Parade Lindsay Hunter is the author of the story collections Don’t Kiss Me and Daddy’s and the novel Ugly Girls. Originally from Florida, she now lives in Chicago with her husband, sons, and dogs. Roxane Gay is the author of the novel An Untamed State, which was a finalist for the Dayton Literary Peace Prize for Fiction; the essay collection Bad Feminist; Ayiti, a multi-genre collection, the collection of stories Difficult Women and the memoir, Hunger. She is at work on a comic book in Marvel’s Black Panther series. Her writing has appeared in Best American Short Stories 2012, the New York Times, the Guardian, and many others. She is a recipient of the PEN Center USA Freedom to Write Award, among other honors. She splits her time between Indiana and Los Angeles. She can be found online at www.roxanegay.com and on Twitter @rgay.

Kevin Kramer Starts on Monday (Unnamed Press) Debbie Graber’s debut short story collection, Kevin Kramer Starts on Monday is a trenchant and searing satirical look at office life that is as astute and hilarious as Joshua Ferris’s And Then We Came to the End. These thirteen stories skewer corporate culture, as told through souls adrift in a khaki-clad purgatory. And Graber knows from what she writes – she has held a number of jobs in corporate America, which informed her gimlet-eyed writing. One of the aspects of the workplace that most interested her are the personas are forced to adopt. “It’s like they exist in a far flung area of the time space continuum where reason seems to always be taking a vacation day,” says Graber, “If we’re spending all these hours in make-believe land, what does that say about the work we are doing? What does it say about us?   In Kevin Kramer Starts on Monday, our hero Kevin Kramer is the new Senior Vice President of the Products Profit center at Production Solutions. He has worked hard for all his success, perfected the non-clammy handshake, and speaks “corporate” like a second language. But our Kevin Kramer harbors many dark secrets. As do many of the characters in Graber’s stories: An HR manager trying desperately to maintain order, even as the entire software department vanishes under mysterious circumstances. An estranged (and possibly deranged) sister devises her reunion by throwing together a DIY wedding shower. A man who wears a Chewbacca costume feels he is uniquely qualified to divide the world into winners and losers. And a call center representative tries to give himself a pep talk after a particularly egregious client interaction. With a wit and voice all its own, with Kevin Kramer Starts on Monday, Debbie Graber announces herself as a literary talent to watch. Praise for Kevin Kramer Starts on Monday “The stories in Kevin Kramer Starts on Monday are funny and funny-sad, formally bold, and a total delight to read. Graber captures perfectly the absurdities of contemporary, corporate America and her fabulous debut reminds us that we are all searching for meaning and human connection, whether it be from friends, family, or reply-all emails.”-Edan Lepucki, author of California “Debbie Graber's stories are crisp, sardonic, and funny—as antic and acerbic as they are intelligent and alert. A sly and incisive observer of human nature, Debbie Graber will win you over with this delightful debut.”-Sara Levine, author of Treasure Island!!! "Evil, evil, evil stories-- If you know the devil, you should buy him this for Christmas."-Ben Loory, author of Stories for Nighttime and Some for the Day “Kevin Kramer Starts on Monday offers satirical fiction that causes you to howl with laughter at the same moment its sharply exposed horrors cut into you. Debbie Graber's stories capture the absurdities of the 21st century corporate workplace in which white-collar millenials find their inboxes always brimming with new incentives for betrayal and self-betrayal. Neither the powerless nor the powerful outrun their demons in these brilliantly funny and bruising tales of American "enterprise."-Kevin McIlvoy, author ofThe Fifth Station “Kevin Kramer Starts on Monday skewers that place where so many of us spend our days and about which we spend the other hours of our lives complaining: the modern workplace. In this bitingly funny, precisely crafted collection, Debbie Graber takes on office excess: happy hours, overtime, trysts, and petty grievances. In doing so, she questions our societal notions of success and failure and invites us to laugh at our bosses and coworkers and, perhaps most of all, ourselves—knowing that if we don’t laugh, we just might cry. Kevin Kramer Starts on Monday is satire at its most incisive.”-Lori Ostlund, author of After the Parade "With laugh-out-loud humor and a wildly keen eye for detail, Graber doesn't just brilliantly satirize our heavily corporate and medicated world, she wonderfully eviscerates it."-J. Ryan Stradal, author of Kitchens of the Great Midwest Debbie Graber has performed at Second City, worked in an office, and received an M.F.A. in Creative Writing from U.C. Riverside at Palm Desert.  Her stories have appeared in The Nervous Breakdown, Harpers, Zyzzyva, Hobart, and elsewhere. Kevin Kramer Starts on Monday is her first collection of stories. She lives in Los Angeles with her husband. Matt Flanagan began his career as a writer for The Late Show With David Letterman, wrote movies you haven't seen, and several shows that were canceled after 13 episodes. He currently writes for Disney Channel's Stuck In The Middle and co-hosts a storytelling podcast called Tell It Anyway with his wife Jennie Josephson.

Award-winning author comments her book After The Parade. Advice on craft. Tragedy and humor, realism and nuance, dealing with difference... Lori Ostlund explains it all.

Lit Cast presents this live recording which features California fiction writers Lori Ostlund and Amelia Gray at our Off the Richter Scale series. This conversation, titled “Our Strange Skin,” ranges from readings to discussions about love, cages, and the freakishness of the human body. Recorded live at Z Below during the 2015 Litquake festival in San Francisco. https://www.facebook.com/litquake/  https://twitter.com/Litquake