Podcasts about Kiss Me

Intro : Get Ready For The Country A Thousand Horses: Over The Counter (The Outside-2024) Kensie Coppin : Texas In Me (Single-2025) Ian Munsick: Stampede (Eagle Feather-2025) Chaparelle: All Things Considered (Western Pleasure-2025) Joshua Martin: Find My Way (Second Chances-2025) Julien Baker & Torres: The Only Marble I've Got Left (Send a Prayer My Way-2025) Anthony Price: Trying to Make A Name (Single-2025) Dos Borrachos: This Beer is Making Me Awesome (Single-2025) Ward Hayden & The Outliers: Youngstown (Little By Little-2025) Richard Lynch: He'll Make Everything Alright (Pray On The Radio-2025) Amanda Kate Ferris: Are You a Real Cowboy ft Jenee Fleenor (Rope The Wind-2025) Hilde Fjørtoft: Kiss Me o'Clock (Single-2025) Kylie Frey: My John Wayne (Single-2025) Eric Diamond: Sioux City (They Call Me A Playboy-2024) John Howie Jr. and the Rosewood Bluff: She's Just Missin' Me (The Return Of …-2025) Terri Knight and Gabe Choate: Before There Was Her (Single-2025) Outro : Campfire

This week, Liberty and Danika discuss Sympathy for Wild Girls, Kiss Me, Maybe, Foreign Fruit: A Personal History of the Orange, and more great books! Subscribe to All the Books! using RSS, Apple Podcasts, or Spotify and never miss a book. Sign up for the weekly New Books! newsletter for even more new book news. Ready to level up your reading life? Become a Book Riot All Access member and explore our full library of members-only content, including must-reads, deep dives, and reading challenge recommendations. For a limited time, the first 50 new All Access annual members get a FREE copy of Automatic Noodle by Annalee Newitz courtesy of Tor Publishing! Join Book Riot All Access to level up your reading life and claim your free copy of Automatic Noodle. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Books Discussed On the Show: Sympathy for Wild Girls: Stories by Demree McGhee The Names by Florence Knapp Kiss Me, Maybe by Gabriella Gamez Foreign Fruit: A Personal History of the Orange by Katie Goh Old School Indian by Aaron John Curtis The Adventures of Mary Darling by Pat Murphy The Rebel's Guide to Pride by Matthew Hubbard For a complete list of books discussed in this episode, visit our website. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bill rambles about opening night of Glengarry Glen Ross, the state of baseball, and Val Kilmer. (00:00) - Thursday Afternoon Podcast (35:47) - Thursday Afternoon Throwback Thursday Afternoon Interlude: u2 - Hold Me, Thrill Me, Kiss Me, Kill Me Ava: Don’t let your credit hold you back another day. Grow your credit score fast with Ava. Download the Ava app today, and when you join using my promo code BURRFREE, you’ll get your first month free. Open Phone: OpenPhone is offering my listeners 20% off of your first 6 months at www.OpenPhone.com/BURR SimpliSafe: Head to www.squarespace.com/BURR for a free trial, and when you’re ready to launch, use code BURR to save 10% off your first purchase of a website or domain.

Rafael Nogueira e Bruno Leão conversaram com Hipólyto, o Fiyero da nova montagem de Wicked. Mas não para por aí! Ele também protagonizou Legalmente Loira como Emmett, participou de musicais como Cabaret, Marrom e Kiss Me, Kate, além de dublar o filme “Mufasa” da Disney. E isso é só um pouco! Venha escutar o bate-papo com ele e descobrir mais sobre o novo queridinho do teatro musical brasileiro (na nossa opinião, e nossa opinião importa!). Ajude o Musical Cast se manter vivo! Contribua no Catarse e assine nosso conteúdo. https://www.catarse.me/musicalcast

#621 And, really, you can't wear "Kiss Me, I'm Irish" buttons any more.

St. Patty's Day is today and lots of people will be wearing shirts that say "Kiss Me, I'm Irish" but you know who has a big problem with this?

Today, I'm thrilled to announce my episode with Tony winning librettist and performer Bob Martin, who is the author of two of this season's newest hits—SMASH and BOOP—both of which started previews on Broadway this week. Tune in to hear about the writing processes of those two musicals, and some of the other stories of his legendary career, including why he was sore every night after performing THE DROWSY CHAPERONE, the character he almost played in THE PROM, writing for the film adaptation of that musical, why he loves writing for Beth Leavel, the challenges of working on MINSKY'S, changing ELF between its three Broadway runs, what he learned from Charles Strouse and Thomas Meehan, revisiting unsuccessful musicals in HEY, LOOK ME OVER, how supply chain issues have affected Broadway, developing THE STING with Harry Connick, Jr., working with Kevin Kline on AMERICAN CLASSIC, his idea for a sequel to THE DROWSY CHAPERONE, revising KISS ME, KATE in London, and so much more. You won't want to miss this honest and fun conversation with one of Broadway's funniest and most prolific writers.

Marjorie Hache propose une soirée éclectique entre nouveautés et classiques du pop-rock. L'album de la semaine est "Faded" de The Limiñanas, un voyage psyché aux sonorités fuzzy, avec notamment leur collaboration avec Rover sur "Shout". Du côté des nouveautés, Horsegirl, trio indie de Chicago, se distingue avant sa tournée européenne, tandis que Naya Mo, artiste bordelaise, dévoile son EP "Dealing With Ghosts". Le live du jour est signé Prophets Of Rage avec "No Sleep Till Cleveland", clin d'œil aux Beastie Boys. La reprise de la soirée revisite un classique : New Found Glory reprend "Kiss Me" de Sixpence None The Richer. Côté légendes, on retrouve Prince, Depeche Mode et les Beatles avec "Let It Be". Skunk Anansie annonce son grand retour avec "Cheers", avant un concert à l'Olympia. L'émission se conclut sur une touche indie avec The Shins et les Dandy Warhols. La playlist de l'émission : The Doors - Roadhouse Blues Horsegirl - Switch Over Marvin Gaye - Got To Give It Up Liam Gallagher - Greedy Soul Komodrag And The Mounodor - Stone In The Field The Beatles - Let It Be FFS - Johnny Delusional The Limiñanas - Shout (Ft. Rover) Prince - Cream Last Train - One By One Depeche Mode - Dream On Perfume Genius - It's A Mirror New Found Glory - Kiss Me Beth Ditto - Fire Muse - Bliss Naya Mö - Reverb Boy Neil Young - Heart Of Gold Queens Of The Stone Age - Make It Wit Chu Prophets Of Rage - No Sleep Til Cleveland (Live 2016) Curtis Stigers - This Life The Smiths - Girlfriend In A Coma Skunk Anansie - Cheers Fatboy Slim - The Rockafeller Skank Free - All Right Now (Lp) The Shins - Heartworms The Dandy Warhols - Bohemian Like You Linkin Park - Heavy Is The Crown Radiohead - Daydreaming

Mzhiphop talking to the legendary Brooklyn-based Emcee Illa Ghee; WHO is the self-proclaimed, “Incredible Math-matics of Rap”. He has worked with Mobb Deep, Pete Rock, Sean Price and more. We discuss his hit track “KISS Me in The Morning “, how he felt when Prodigy passed away, his very first freestyle at 13, the importance of saying no & much more .Make sure you catch the live on IG @mvpv44 #speakyomind #talk #hiphop #beats #rap #producer #radio #legends #rhymes #lyrics

O LoGGadoCast está no ar! E nesta edição, Edu Sacer, Márcio Zanon, Mandy Aguiar, e Leo Oliveira comentam as últimas novidades da TV, cinema e streaming! Para ouvir, dê o play, aumente o volume e deixe seu feedback nos comentários!Comentado no Cast:05:08 - Notícias e Amenidades46:15 - The White Lotus50:56 - Yellowjackets01:04:00 - Ruptura01:17:27 - Good Cop/Bad Cop01:30:52 - Amor Offline01:48:25 - O Cartel da Marmita01:55:35 - Cidade Tóxica02:05:38 - A Dona da Bola02:27:08 - A História da Minha Família02:44:01 - Beleza Fatal03:08:46 - Comentários03:21:58 - DespedidasMúsicas do Episódio"Abracadabra" - Lady Gaga (Rock Cover by First To Eleven)"Kiss Me" - Sixpence None the Richer (Cover by First To Eleven)Links Relacionados:Apoie pelo Pix: contatologgado@gmail.comApoie no PatreonLoGGado no TelegramLoGGado no InstagramLoGGado no FacebookLoGGado no BlueskySeriadores AnônimosCompre AQUI os livros de Leozio!Arquivo de Episódios do LoGGadinLoGGadoCast 440 – Dia Zero, Entre Montanhas, Um Amor de Cinema, Newtopia e muito mais

On this episode, three kids — Layla (11), Liam (11), and Ariel (10)— talk about mistakes and learn that mistakes aren't just problems to fix; they're moments that can actually help us learn and create!The three guest kids talk about mistakes they've made and then travel with LKBH host Todd Loyd to the Land of Qook-a-lackas on magical air skates to help a Qook-a-lacka friend, Quippin, prepare for the Perfectly Imperfect Expo. The Perfectly Imperfect Expo is a big event here in the Land of Qook-a-lackas — all about trying new things, even when they feel tricky. It's a place where everyone walks, flies, or scoots around our big Qooka-Expo Center near the Qook-a-lacka Seaport to see the newest innovations in mistake-making. And at every single booth, attendees get a chance to make mistakes and discover something wonderful in the process. Quippin's friends are stranded on their way home from a Quibble Match, so the kids and Todd pitch in to help Quippin record the proposal for the selection committee. 

High School Musical icon Corbin Bleu joins The Art of Kindness with Robert Peterpaul to discuss navigating the industry with kindness from tv sets to Broadway stages. The performer gets a starry surprise (spoiler alert) from his DCOM co-star and friend Lucas Grabeel. CORBIN BLEU (Joe Ross) is a versatile actor, singer/songwriter, dancer, voiceover artist and host. Bleu is best known as Chad Danforth in the Emmy-winning HIGH SCHOOL MUSICAL franchise. Recently, Bleu starred in the TV movies Love, For Real and A Christmas Dance Reunion and special guest-starred in Seasons 3 and 4 of High School Musical: The Musical: The Series on Disney+. On Broadway, Bleu starred in the Tony-nominated 2019 revival of Kiss Me, Kate at Studio 54, earning a Drama Desk nomination. He headlined as Ted Hanover in Holiday Inn, winning the Chita Rivera Award, and also appeared in Godspell (Jesus) and In the Heights (Usnavi). Additional stage highlights include Hairspray (Seaweed) and Mamma Mia! (Sky) at the Hollywood Bowl. In 2018, he played Don Lockwood in Singin' in the Rain at The Muny and Billy Crocker in Anything Goes at Arena Stage, earning a Helen Hayes Award for Outstanding Lead Actor. That same year, he was named Entertainer of the Year at the Tremaine National Gala for his contributions to dance. Most recently, Corbin starred as Seymour in Little Shop of Horrors at the Westside Theatre in New York, completing a three-month run with Constance Wu followed by a three-month run with Jinkx Monsoon. Support Our Mom Barbara's Second Cancer Journey LA Fire Resources Follow Corbin: @corbinbleu Follow Lucas: @mrgrabeel Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

Originally Broadcast 2024/09/30: Sean gets to run down the Discovery episode of this multi-part story, on his birthday no less! INTERLOPER! We have an interloper in the podcast! It's Sean Corse of Famicom Dojo and Two Boobs Watch the Tube fame, here in the spirit of Nerd & Tie unification. This episode we're looking at the Unification trilogy, a multi-part story that spans multiple Star Trek series and over 800 years! First up, Picard and Data go to Romulus to hunt down Spock, who might have turned traitor! We also have Riker chatting up a multi-armed widow and a junkyard guy who has way too many face-folds. Then, we fast forward to Discovery in their grimdark future era and while unifying the Romulans and Vulcans is a good thing, this is actually still all about Michael. Oh, and Tilly, take the damn job already! 00:05:43 What non-Star Trek things we've been enjoying: House of the Dragon Season Two, Paddington 2, Taskmaster New Zealand 00:21:30 Star Trek: The Next Generation “Unification I & II” 01:13:26 Star Trek: Discovery “Unification III” Talking points include: Three Kingdoms, Third Doctor, Farscape, Sean paying for Twitter, Famicom Dojo, Two Boobs Watch the Tube, Quantum Leap (old and new), A World of Ice & Fire, the old Indiana Jones video game, Tom Bombadil, lengthy definitions of “Twee”, Ted Lasso, Kate Fox's Watching the English, Taskmaster New Zealand, Americans understanding Vic Reeves, Adam Adamant, Bono's Vertigo Comics look, Miles is coming for David Tennant, Actually liking a U2 track, our threat of a Lost podcast, the guy played by Cameron from Ferris Bueller's Day Off (also from Bunheads), some X-Men level convoluted BS, Come On Eileen, Romulan retirement plans, sleazy space bars, Hitchiker's Guide to the Galaxy, Riker deepfakes, are Bones and Spock married? Golden Landis Von Jones, Jimmy from Degrassi, Marion Morrison, Todd in the Shadows, two Brits out-awkwarding an American, Brexit, heists, Space: 1999, we're all about the cheese, Blake's 7, Fringe Season Five, Will Section 31 be Guardians of the Galaxy or will it be Borderlands the Movie? Oh, and occasionally Star Trek. Pedant's Corner: Vic Reeves was not on Taskmaster, but Bob Mortimer was We all butchered the name of U2's Hold Me, Thrill Me, Kiss Me, Kill Me The Enterprise switches the lights OFF, not on, when they pretend to be a wreck I have no idea where Sean got the thing about plant-based Vulcans Carbon Creek took place in 1957 Casual Trek is by Charlie Etheridge-Nunn and Miles Reid-Lobatto Music by Alfred Etheridge-Nunn Casual Trek is a part of the Nerd & Tie Network https://ko-fi.com/casualtrek Famicom Dojo: https://famicomdojo.tv Two Boobs Watch the Tube: https://www.nerdandtie.com/thetube/ Miles' blog: http://www.mareidlobatto.wordpress.com Charlie's blog: http://www.fakedtales.com Casual Trek is by Charlie Etheridge-Nunn and Miles Reid-Lobatto. Music by Alfred Etheridge-Nunn. https://ko-fi.com/casualtrek Casual Trek is a part of the Nerd & Tie Network

Rob Kassees of the 1001 Album Complaints podcast and The Chop Unlimited joins Jenn Tully to talk about his new music project the Beverly Crushers inspired by Star Trek: The Next Generation!@1001albumcomplaints@thechopunlimited @thebeverlycrushershttps://open.spotify.com/playlist/3Hb3kTF9GbmamZrLKkv4F1?si=0634d1f8ced6470a1. Kiss Me, Son of God by They Might Be Giants2. Boy Named Sue by Johnny Cash3. Rockman by mk.gee4. Space and Time by The Beverly Crushers

Warren Carlyle is a Tony Award-winning director and choreographer. His recent Broadway credits include Harmony (Director/Choreographer), The Music Man (Tony nomination for Choreography), and Hugh Jackman's The Man. The Music. The Show. world tour. He directed and choreographed After Midnight (Tony Award for Choreography, Tony nominations for Best Director and Best Musical), Chaplin, and Finian's Rainbow. Other Broadway choreography includes Hello, Dolly! (starring Bette Midler), Kiss Me, Kate (Tony nomination), She Loves Me, Follies, and A Christmas Story. Off-Broadway, he worked on Harmony, Cotton Club Parade, and Me & My Girl (City Center Encores!). In television, Warren has choreographed for The Tony Awards, So You Think You Can Dance, She Loves Me (BroadwayHD), and PBS's Great Performances. He has also directed and choreographed acclaimed productions for the New York Philharmonic, Carnegie Hall, and Radio City Music Hall. Warren has been recognized with a Tony Award, three Outer Critics Circle Awards, two Drama Desk Awards, and the Astaire Award for Choreography.

On this episode of Adventures In Vinyl we again visit the year 1994 and talk about this platinum album  by this Fort Worth, Texas band.  That band is the Toadies and the album is of course Rubberneck!Song of The Week!Beautiful Night - Burden Brothers - Buried in Your Black HeartJust Like Heaven - The Cure - Kiss Me, Kiss Me, Kiss MeStump The Barron!Clear My Head - Wool - BudspawnThe Toadies - RubberneckGenre:  Hard RockRelease Date:  August 23, 1994Studio(s):  Record Two Mendocino (Comptche, CA), The Sound Factory (Hollywood, CA)Producer(s): Tom Rothrock, Rob SchnapfLabel:  InterscopeLength: 36:21Number of Tracks:  11For more information on the band The Toadies you can check out their website at http://www.thetoadies.com .  IF you enjoyed this podcast be sure to check us out at our website at www.adventuresinvinyl.com where you can find links to our episodes and through our support section you can find a place to order you very own adventures in vinyl T Shirt.

Today, I'm thrilled to announce my interview with theater veteran Michael Berresse. Tune in to hear some of the stories of his legendary career, including his brief moment being directed by Jerome Robbins during FIDDLER ON THE ROOF, the process of bringing TITLE OF SHOW to Broadway, creating his version of “Bianca” in KISS ME, KATE, understudying the lead role in DAMN YANKEES, bringing Bob Mackie to the stage in THE CHER SHOW, how he became artistic director of The Weston Playhouse, staging a revival of THE GOLDEN APPLE at Encores!, his onstage accident during BUSKER ALLEY, the isolation of playing Zach in A CHORUS LINE, auditioning for Ann Reinking for CHICAGO, and so much more. You won't want to miss this in-depth conversation with one of Broadway's best actors and directors.

Hidden Streams wanted to finish the year with a celebration of the good and holy gift of love. Chad gives a beautiful meditation on the first chapter of the song of King Solomon, and Izzi Ray sings a beautiful song "Kiss Me". We wish all of our wonderful listeners a joy filled and Merry Christmas and may the peace of Christ be with you throughout the new year.  Show Notes: Support 1517 Podcast Network 1517 Podcasts 1517 on Youtube 1517 Podcast Network on Apple Podcasts 1517 Events Schedule 1517 Academy - Free Theological Education What's New from 1517: Broken Bonds: A Novel of the Reformation, Book 1 of 2 by Amy Mantravadi Junk Drawer Jesus By Matt Popovits Signup For Free Advent Church Resources for 2024 Clothed with Christ by Brian William Thomas More from the hosts: Chad Bird Lyrics to "Kiss Me" Song of Songs 1:1-15 I can hear You softly Singing out my name A Song of Songs  Like a burning flame The world's greatest love song That was ever penned A Song of the ages (Songs) And it will never end   Chorus Kiss me  with the kisses of your mouth Better than wine Your love is all mine Kiss me with the kisses of your mouth The sun burned my skin Touch me and heal my sin Deep within Deep within   Draw me near I'll come home to You Across the desert sands You carry me through The heart of the Father The wings of a dove A Song of Songs or the voice of my Savior Over the sea of love   Chorus Kiss me with the kisses of your mouth Better than wine Your love is all mine Kiss me with the kisses of your mouth The sun has burned my skin Touch me and heal my sin Deep within Deep within   Behold You are beautiful We will always be together The lover of my soul Now and forever

Let's go back in the Degrassi Kid vault and relive some Patreon bonus content. This video was originally released on January 25, 2023. You can find more bonus content at Patreon.com/DegrassiKid Original description: Did you know Caitlin's real dad worked on Degrassi? Stephanie Kaye was inspired by a real student? Or about the missing scenes from Degrassi you've never seen before? This month, we're sitting down to watch an episode of Degrassi Junior High together. I'll tell you all as many fun, behind the scenes facts that I can fit into one stand-out episode. And you can tell me about your favourite moments in the episode! Season 1, Episode 1: Kiss Me, Steph follows Stephanie Kaye on her first day of school as she campaigns to become Degrassi's Student Council President.  If you're a fan of Degrassi facts, you'll love this podcast!

Watch on Philo! - Philo.tv/DTHCozyEarth.com - promo code HALLMARK for up to 40% off your orderLucy is a hotshot divorce attorney who gets a letter with good news—she just made partner! She gets a call from her sister, who accuses her of avoiding their mom. Lucy isn't planning on going home for Christmas, but her mom tells her she's going to get her room ready, just in case. Her sister, Alexa, says she sent her a box of some random stuff—framed photos, including one from the first Christmas after their dad died. Alexa asks her one more time to please come home for Christmas. Lucy says she'll think about it. And she goes to think about it by playing pool with her assistant, but all she really wants to do is WORK!!!After a long day, she goes across the street to a diner. Right as she's about to go to town on some pancakes, a guy named Matt comes up to her and says, “LUCY?!?!” He sits down, and they catch up. They were friends in high school, and she gets an update on everything—from his failing Broadway career to his failing marriage. He asks if she's coming home for Christmas, and she says, “Oh no, I haven't been home in years.” He responds, “Same ol' Lucy.” She's like, “WTF does that mean?” He says, “Oh, you avoid the people who are closest to you, including me. I thought you knew that.” He asks if she ever thinks about what could have been had things turned out differently. She says, “No, I've literally never done that…YET!”After he leaves, a nosy waitress sits down and asks Lucy if she could do her life over again, would she? Lucy replies, “Nah, hard pass.” But as Lucy starts to look around the diner, she notices that everyone is with someone else but her. So, she looks up Matt on social media and accidentally likes an old picture. Her life is essentially over!She calls an Uber, and guess who the Uber driver is? NOSEY WAITRESS! The steering wheel is on the wrong side of the car, and Lucy's phone is set to military time… and that's just kind of the way things go sometimes.Lucy falls asleep in the backseat, and as they go over a bridge, her phone begins to glitch out. Suddenly, she's home. Not her current home, but her childhood home. In the moment of frenzy, she forgets her phone in the car.She goes inside and sees a dog that looks just like her childhood dog but thinks they must've just gotten the same breed. But when she wakes up the next day to “Kiss Me,” she knows something is off. She is fine without her glasses and has bangs… she runs outside to grab the paper… it's December of 1999!Her driver is out there and explains the rules: This is a Christmas gift for her, but she can't change anything or it will change her future. Enjoy 1999!She goes inside and sees her mom baking and realizes how much she missed that. She goes outside and runs into Matt, who is her boyfriend, and he tells her, “I'll see you tonight for the thing.” She has no idea what he's talking about, so she goes to talk to her old best friend, Nadine, who is also a sci-fi fan, and just tells her the truth. She convinces Nadine she's from the future, and Nadine is 100% on board for helping Lucy figure out why she's back. She thinks it's because she botched her first kiss with Matt. So Nadine encourages her to go kiss him ASAP!Lucy realizes that she might be sharing too much about the future when the letterhead of her partner letter goes away.So she goes to meet up with Matt and immediately kisses him, and more letterhead disappears. Her driver shows up and tells her to just relive the memories; don't try to change anything.And nothing says relive the memories like THE REINDEER GAMES! They win, ‘cause duh.Lucy realizes she's having an absolute blast with Matt, and it's causing more of her letter to disappear.She goes home and is shocked when her grandparents show up—she hasn't seen them in a long time and gets a little misty-eyed. Her grandparents warn her and her sister to prep for Y2K.Lucy goes to check on her mom, who is working like crazy in the kitchen, and she has to sit down. Lucy gives her mother great advice and lets her know that they're all in it together and grief isn't going to pass in a day. This causes more of her letter to vanish.Lucy keeps having heavy-hitting conversations one after another. When she sees her sister is struggling too, she goes and tells her that she knows she's into girls. She tells her to come out when she's ready, but her mom will be her biggest supporter. She apologizes for not being there for her when she needed her the most but tells her that she's proud of her. Naturally, this causes more of her letter to disappear. She goes to hang out with Matt, and they almost kiss again, but they don't. She sees that her letter is almost gone entirely.So she goes to talk to the driver and tells her that she wants to make sure she goes back to her life as it was—and she finds out that she just has to make it to Christmas Eve.She goes to see Matt in a play and quickly realizes why he didn't make it as an actor. He runs to meet up with her after the play and tells her that he really wants to make things work with her but can sense her pulling away.She goes to do what she always would do when she needed to think—she plays some pool with her grandpa. She asks if he would change anything about his life, and he says no—everything he's done, including the mistakes, has led to this moment right now. He wouldn't want to miss out on that.Lucy realizes she doesn't want to go back to her old life. She rushes to bring a mix CD to Matt and tells him that she loves him and wants to be with him forever. They kiss, and her entire new life flashes before her eyes—college, weddings, kids, Matt's surprisingly successful acting career. Suddenly, Lucy breaks the kiss and has her glasses back. She's back in the present, but everything is better than Lucy could have imagined—she's really with Matt! She's now an estate attorney. And she's so happy.As she's about to walk into her mom's house, she looks out and sees her driver, and she says THANK YOU!!!

Get all the nostalgia of a classic holiday romance with a heartfelt touch! In this episode, Jenny Bayliss joins me on the couch to talk about her new book, Kiss Me at Christmas. We talk about our protagonist, Harriet, an almost-empty-nester dealing with her daughter's extended holiday trip, a drunken one-night stand, and a rundown theater where she organizes a Christmas play with her students to appease a clever theater owner.Bayliss shares insights into her characters, the inspiration behind her holiday-themed novels, and the relatable challenges of middle-age life. We also talk about Jenny's personal holiday traditions, favorite books, and indie bookshops.If you love heartwarming tales filled with community spirit and holiday cheer, you won't want to miss this conversation!

We originally reviewed all episodes of Degrassi Junior High over four years ago, but decided that it was time to re-review some of those episodes now that we are so much older (true) and wiser (debatable). Let's get started with the very first DJH episode, Kiss Me, Steph! We're available on all of the standard podcasting platforms and can also be streamed on Spotify. Please give us a follow on Instagram @NarbosAndBroomheadsPodcast, and if you want to watch along, please send your comments to Narbosandbroomheads@gmail.com and we'll make sure to share them on future episodes. You can also join our Narbos And Broomheads Facebook group for information on live episodes being broadcast in the future. If you like the show, please shoot us a 5 star rating on iTunes, and tell all of your Degrassi loving friends!

We're back for one of our favorite episodes of the year. Tune in to this very special holiday extravaganza for holiday recipes, books, shows and the Soul & Wit you may have been missing.    LISTEN on Apple or Spotify   Favorite Things Bailey: 831 Stories and their debut Novella Big Fan Clean Towels    Favorite Things Courtney: Morning pages/coffee/meditation combo Soup. (making soup, buying soup, eating soup, listening to playlists about soup).   Shownotes: Sign up for 31 Days of Gifts here!   Gift Ideas 2024 Salted Roots Salt get the Breakfast Salt or Smoked Thai Basil Homemade hot sauce stocking stuffer Consumable gifts and clutter free gift idea episode (add ideas and share our clutter-free gift episode: https://podcasts.apple.com/us/podcast/140-consumable-clutter-free-gift-ideas/id1489742667?i=1000586940374 Listen to our gift guide episode from last year  If you want to send gifts to children, ask their parents what they need.  Subscriptions to learning opportunities locally and online like Masterclass or Nonna Live Pre-order books. It's the gift that keeps on giving.  Send a gift of no gifts.    Movies 2024 Netflix Meet Me Next Christmas Hot Frosty Our Little Secret The Merry Gentlemen:  That Christma  Hulu Nutcrackers A Sudden Case of Christmas  Other Christmas Eve in Millers Point The Best Christmas Pageant Ever Repeats  The Holiday Family Man  Elf Noelle Love Actually The Family Stone   Books 2024 Kiss Me at Christmas By Jenny Bayliss  Check out our podcast episode with the author! A Winter Wish A Novel By Emily Stone Most Wonderful by Georgia Clark The Merry Matchmaker by Shelia Roberts Recipes 2024 My grandmother's Danish Puff  Spiced Chocolate Marble Shortbread Mini baked alaskas - served in a coupe  Chocolate-Covered Marshmallow Cookies Roasted Brussels Sprouts With Gochujang Brown Butter Garam Masala Short Rib Roast With Pistachio Crust Dinner rolls Other 2024 Christmas games from this Reel. Paper Christmas trees from Walmart  Curtain String Lights  

U Guys, a true triple threat, and Seussical's original Gertrude McFuzz, Janine LaManna is here! This week's BroadwayWorld Recap is a short and sweet little roundup of Bway news. Then I am joined by a true Bway legend, Janine LaManna! From standing by for Chita Rivera in Kiss of the Spider Woman, to originating the role of Gertrude McFuzz in Broadway's Seussical, Janine has truly done it all. She made her Broadway debut as Evelyn Nesbit in Ragtime alongside the original company, and eventually went on to work with such legends as Anne Reinking and Harold Prince. She shares about her experience of being the wife of a military officer and traveling the country with her family living in new places, simultaneously being a mother and continuing to work as a performer. We talk about her time playing Nickie in the Broadway revival of Sweet Charity with Christina Applegate, as well as replacing Bway star Sutton Foster as Janet Van De Graaff in the original Broadway production of The Drowsy Chaperone. Her other Bway credits include Swing!, Kiss Me, Kate, and The Look of Love. A true triple threat, Janine's talent is only matched by her grace, humility, and humor. U don't wanna miss this episode! Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textOn this episode, Tom and Bert discuss their TOP 10 of the Greatest Make Out Songs of the decades (1950's-1960's) also with a sampling of the songs.From "Our Day will Come" by Ruby and the Romantics (1:05); to "Cupid" by Sam Cooke (2:55); "Since I fell for You"  by Lenny Welch (3:30); To "Hey Girl" by Freddie Scott (6:52); then "Under The Boardwalk" by the Drifters (7:20); they keep things rolling. Then some "classics" like "Louie, Louie" by the Kingsmen (12:00); Mel Carter's "Hold Me, Thrill Me, Kiss Me" (15:06); and The Rolling Stones "Satisfaction" (17:00);We continue on with these and many other hit songs that set the mood for the "Make Out" songs genre like "These Boots are made for Walking"  by Nancy SInatra (31:41); " Groovin' " by the Young Rascals (37:54);  "Everlasting Love" by Robert Knight (42:30); and "The Stripper" by David Rose (54:50); to close out the podcast.Enjoy the show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.

The original Sixpence None the Richer lineup came together for the first time in over two decades to release a new EP, Rosemary Hill, and put on the band's first tour in over ten years. Leigh Nash and Matt Slocum joined Billboard's Behind the Setlist to talk about getting the band back together, recording Rosemary Hill, the ending popularity of the band's hit song "Kiss Me," the interpolation of "Kiss Me" in Lisa's "Moonlit Floor," the band's cover of The La's "There She Goes," the time Lee Mavers of The La's showed up to the band's concert in London in 2015, and much more. Links: Sixpence None the Richer home page Sixpence None the Richer tour dates Jay Gilbert @ Label Logic Glenn Peoples @ Billboard Learn more about your ad choices. Visit megaphone.fm/adchoices

Jason Fraley interviews Sixpence None the Richer guitarist Matt Slocum as the band is ready to rock The Birchmere in Alexandria, Virginia on Nov. 3. They preview the show and reflect on the band's biggest ‘90s hits from the iconic “Kiss Me” to their cover of The La's “There She Goes.” (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jason Fraley interviews Sixpence None the Richer guitarist Matt Slocum as the band is ready to rock The Birchmere in Alexandria, Virginia on Nov. 3. They preview the show and reflect on the band's biggest ‘90s hits from the iconic “Kiss Me” to their cover of The La's “There She Goes.” (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Sweet Dreams (Are Made of This) by Eurythmics (1983)Song 1: Marquee Moon by Television (1977)Song 2: Taking Water by Billy Strings (2019)Song 3: Skate or Die by Teenage Bottlerocket (2009)Song 4: I Was Born to Love You by Queen (1995)Song 5: Kick, Push by Lupe Fiasco (2006)Song 6: Without a Leg to Stand On by Buckingham Nicks (1973)Song 7: Walk of Life by Dire Straits (1985)Song 8: Everything is Embarrassing by Sky Ferreira (2012)Song 9: Another Op'nin, Another Show by Annabelle Hill & Kiss Me, Kate Cast (1949)Song 10: Say You Won't Let Go by James Arthur (2016)

Send us a textOn a recent episode of the Midwest Mixtape Podcast, Leah and Matt dive into the exciting return of Sixpence None The Richer, the band behind the timeless hit “Kiss Me.” As the group reunites for the first time in 20 years, fans across the globe are eager to hear them live again. The podcast sheds light on their upcoming performance at City Winery St. Louis on October 26th at 7:30 PM, presented by KCLC 89.1 FM. This special show will feature Karen Choi as the opening act.Sixpence None The Richer, formed in the early '90s when guitarist Matt Slocum met vocalist Leigh Nash, achieved worldwide fame in 1999 with "Kiss Me," which was featured in movies and TV shows like Dawson's Creek and She's All That. The podcast delves into the band's rich history, from their early days in New Braunfels, Texas, to their GRAMMY®-nominated self-titled album, which is celebrating its 25th anniversary with a deluxe vinyl reissue.Leah and Matt also discuss the release of the band's new EP, Rosemary Hill, and their highly anticipated 50-city Anniversary Tour, which kicked off on October 11 and runs through December 16. The band's resurgence, including the new single “The Tide,” has already garnered millions of views and streams.Tune in to the Midwest Mixtape Podcast for a closer look at Sixpence None The Richer's incredible journey, and don't miss their live show at City Winery St. Louis!http://www.betterhelp.com/TheBarnThis episode is sponsored by www.betterhelp.com/TheBarn and brought to you as always by The Barn Media Group. YOUTUBE https://www.youtube.com/@TheBarnPodcastNetwork SPOTIFY https://open.spotify.com/show/09neXeCS8I0U8OZJroUGd4?si=2f9b8dfa5d2c4504 APPLE https://podcasts.apple.com/podcast/id1625411141 I HEART RADIO https://www.iheart.com/podcast/97160034/ AMAZON https://music.amazon.com/podcasts/7aff7d00-c41b-4154-94cf-221a808e3595/the-barn

Linktree: https://linktr.ee/AnalyticLISA's "Moonlit Floor" and Future PlansIn this segment, we delve into the world of LISA and her latest single, "Moonlit Floor." Released on October 2, 2024, the song showcases LISA's versatility as both a singer and rapper, incorporating a nostalgic interpolation of Sixpence None The Richer's "Kiss Me."We explore the lyrics and theme behind "Moonlit Floor," which hint at a romantic encounter and have sparked dating rumors. LISA's powerful performance of the song at the Global Citizen Festival has garnered positive attention from fans worldwide.Looking ahead, we discuss LISA's future plans, which include continuing her solo music career and potentially releasing a full album. Her growing influence in the fashion world is also highlighted, with her collaborations with Louis Vuitton and Bulgari.Beyond her music and fashion endeavors, we explore LISA's potential involvement in philanthropy and advocacy work, leveraging her global platform for social causes. Additionally, we discuss her continued involvement with BLACKPINK and her ongoing impact on the global music scene.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tiffany Graves recently took over as Mrs Wormwood in the West End production of Matilda The Musical.Having premiered in Stratford-upon-Avon in 2010, the Royal Shakespeare Company's musical has been seen by 11 million people across 100 cities worldwide. Written by Dennis Kelly, Matilda has music and lyrics by Tim Minchin and direction by Matthew Warchus. Tiffany's London and West End credits include: Roald Dahl's The Witches, A Funny Thing Happened on the Way to the Forum and NT: 50 Years on Stage (all National Theatre), Chicago (Cambridge & Adelphi Theatres), Sweet Charity (Theatre Royal Haymarket), Cats (Gillian Lynne), 101 Dalmatians (Regents Park Open Air), The Boyfriend (Menier Chocolate Factory), But, I'm a Cheerleader (Turbine Theatre), The Wild Party (The Other Palace), Mack and Mabel (Hackney Empire), The Snow Queen (Theatre Royal Stratford East) and Apocalypse Meow (Shakespeare's Globe).Her Regional & UK Touring credits include: The Artist (Theatre Royal Plymouth), Gypsy (Buxton Opera House), Top Hat (The Mill at Sonning), Kiss Me, Kate (Opera North), The Witches of Eastwick (The Watermill), Piaf (Leicester Curve), Wonderful Town (The Lowry), Love on the Links (Salisbury Playhouse), La Traviata and Anything Goes (Grange Park Opera), Follies (Royal Festival Hall) and UK Tours of We Will Rock You, Godspell, Tonight's the Night and The Producers.On screen, Tiffany has appeared in Blitz (Working Title Films & Apple), Andy & The Band (BBC), NT: 50 Years on Stage (BBC), Olivier Awards 2024 (ITV) and Strictly Come Dancing (BBC). In this episode, Tiffany discusses all-things Matilda, her path to becoming a renowned character actor and what it was like to return to the National Theatre for The Witches... plus lots more along the way. Matilda is booking at the Cambridge Theatre until 24th May 2026. Visit www.uk.matildathemusical.com for info and tickets. Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  7 Minute Stories w/ Aaron CalafatoAward-winning storyteller Aaron Calafato uses 7-minute story vignettes to share his...Listen on: Apple Podcasts Spotify

INTERLOPER! We have an interloper in the podcast! It's Sean Corse of Famicom Dojo and Two Boobs Watch the Tube fame, here in the spirit of Nerd & Tie unification. This episode we're looking at the Unification trilogy, a multi-part story that spans multiple Star Trek series and over 800 years! First up, Picard and Data go to Romulus to hunt down Spock, who might have turned traitor! We also have Riker chatting up a multi-armed widow and a junkyard guy who has way too many face-folds. Then, we fast forward to Discovery in their grimdark future era and while unifying the Romulans and Vulcans is a good thing, this is actually still all about Michael. Oh, and Tilly, take the damn job already! 00:05:43 What non-Star Trek things we've been enjoying: House of the Dragon Season Two, Paddington 2, Taskmaster New Zealand 00:21:30 Star Trek: The Next Generation “Unification I & II” 01:13:26 Star Trek: Discovery “Unification III” Talking points include: Three Kingdoms, Third Doctor, Farscape, Sean paying for Twitter, Famicom Dojo, Two Boobs Watch the Tube, Quantum Leap (old and new), A World of Ice & Fire, the old Indiana Jones video game, Tom Bombadil, lengthy definitions of “Twee”, Ted Lasso, Kate Fox's Watching the English, Taskmaster New Zealand, Americans understanding Vic Reeves, Adam Adamant, Bono's Vertigo Comics look, Miles is coming for David Tennant, Actually liking a U2 track, our threat of a Lost podcast, the guy played by Cameron from Ferris Bueller's Day Off (also from Bunheads), some X-Men level convoluted BS, Come On Eileen, Romulan retirement plans, sleazy space bars, Hitchiker's Guide to the Galaxy, Riker deepfakes, are Bones and Spock married? Golden Landis Von Jones, Jimmy from Degrassi, Marion Morrison, Todd in the Shadows, two Brits out-awkwarding an American, Brexit, heists, Space: 1999, we're all about the cheese, Blake's 7, Fringe Season Five, Will Section 31 be Guardians of the Galaxy or will it be Borderlands the Movie? Oh, and occasionally Star Trek. Pedant's Corner:  Vic Reeves was not on Taskmaster, but Bob Mortimer was We all butchered the name of U2's Hold Me, Thrill Me, Kiss Me, Kill Me The Enterprise switches the lights OFF, not on, when they pretend to be a wreck I have no idea where Sean got the thing about plant-based Vulcans Carbon Creek took place in 1957 Casual Trek is by Charlie Etheridge-Nunn and Miles Reid-Lobatto Music by Alfred Etheridge-Nunn Casual Trek is a part of the Nerd & Tie Network https://ko-fi.com/casualtrek Famicom Dojo: https://famicomdojo.tv  Two Boobs Watch the Tube: https://www.nerdandtie.com/thetube/ Miles' blog: http://www.mareidlobatto.wordpress.com Charlie's blog: http://www.fakedtales.com

Host Jason Schreurs brings Holly Minto of Crawlers onto the podcast to talk about intimacy and mental health. Holly explains that she had a turning point in her early 20s, after a mental health crisis, when she realized that she wasn't a side character in her love life. And how she found a "new normal" in her life and relationships. http://crawlersofficial.com Featured song clips: Crawlers - "Hit It Again" from The Mess We Seem to Make (Polydor Records, 2024) Crawlers - "Kiss Me" from The Mess We Seem to Make (Polydor Records, 2024) Crawlers - "Meaningless Sex" from The Mess We Seem to Make (Polydor Records, 2024) The SCREAM THERAPY BOOK is now available! Scream Therapy: A Punk Journey through Mental Health is a memoir-plus that has been heralded by New York Times best-selling authors. Like the podcast, it links the community-minded punk rock scene with the mental wellness of the punks who belong to it. ORDER A COPY OF THE BOOK! screamtherapyhq.com/book SCREAM THERAPY MERCH! teepublic.com/user/scream-therapy About this podcast: Scream Therapy explores the link between punk rock and mental health. My guests are members of the underground music scene who are living with mental health challenges, like myself. Intro/background music clips: Submission Hold - "Cranium Ache" Render Useless - "The Second Flight of Icarus" Contact host Jason Schreurs - screamtherapypodcast@gmail.com

We've been boppin' to the three singles that Lennox has released this past year. From "Shut Up and Kiss Me" to "Cake" and now her latest single, "When A Heart Breaks." We cannot wait to see her at Live & Local at The Linda with Buggy Jive on October 4th.

So because of a suggestion during our Kiss Me, Kate episode, Marc is back to prove (thanks to his Fozzie Bear how-to book) he's Top Banana.Marc's Instagram: @bwayghostlightMarc's YouTube: https://www.youtube.com/@broadwaybyghostlightPodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodTikTok: @butasongpodTwitter: @butasongpodNext episode: Star Trek: Strange New Worlds - "Subspace Rhapsody"!

Barry and Abigail discuss Cloud Eleven by Cloud Eleven and sample Margarita Sour, Mai Tai - Tiki Easy Collab, and Hi-Pitch Mosaic IPA from Hi-Wire Brewing in Asheville, North Carolina. Barry discovered this album while looking for music to use in a family video and discovering the song Tokyo Aquarium. You can check out the video Tokyo Aquarium on our YouTube channel.  Abigail compared the opening of Look of Sky to the opening of Iris by The Goo Goo Dolls. Barry played a bit of Blackbird by The Beatles for the comparison of the bird sounds and guitar (we have officially gone zero episodes without mentioning the White Album!). Barry compared Didn't Wanna Have to Do It to Twin Peaks Theme - Instrumental by Angelo Badalamenti. Lyrically, he compared the song to See You In September by The Happenings. Abigail compared Hole to Glass Onion by The Beatles and Wish I to Kiss Me by Sixpence None the Richer. Up next… GUTS by Olivia Rodrigo Jingles are by our friend Pete Coe. Visit Anosmia Awareness for more information on Barry's condition. Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic! Leave us a rating or a review on Apple Podcasts or Spotify! Facebook | Instagram | X | YouTube | Website | Email us | Virtual Jukebox

Diane and Sean discuss the first (and worst ?) Joel Schumacher Batman movie, Batman Forever. Episode music is, "Hold Me, Thrill Me, Kiss Me, Kill Me", by U2 from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the Show.

Brian Stokes Mitchell is a two-time Tony Award-winning actor who has always thought the universe chose him. Born on Halloween when “people dress up in costumes and pretend to be other people”, the stars have indeed decided. Aside from performing, he also writes, dances, produces his own music, and orchestrates, but out of all the things he can do, his best quality is being a really good student. He details his latest project, “HOPE”, realizing that sometimes creative works have their own timing - this video dropping exactly when we need to hear it the most. He presents a profound metaphor about life as a "long sentence" full of commas rather than periods, and what his “dead questions” are. With an upcoming role in “3 Summers of Lincoln” at the La Jolla Playhouse, he recounts how the project deeply resonated with him upon reading the script. Aside from all his projects, he always makes sure to give back to the community–from being chairman of the board for the Entertainment Community Fund for 19 years to providing entertainment from his balcony during the pandemic. Stokes shares how curiosity continues to motivate him, and why we should follow our heart in all our endeavors. Brian Stokes Mitchell is a two-time Tony Award-winning, Drama Desk Award-winning, and Outer Critics Award winning actor. He is renowned for his powerful baritone voice and dynamic stage presence with standout performances in Broadway productions like “Ragtime”, “Kiss Me, Kate”, “Man of La Mancha”, and “Shuffle Along”. He's become a celebrated figure in musical theater, but beyond Broadway, he has showcased his talent on television, including shows like “Vampirina”, “Wolverine”, “Billions”, “Mr. Robot”, and of course, “Trapper John, M. D.” He's also recognized for his philanthropic work, particularly for his 19 years of serving as chairman of the board for the Entertainment Community Fund, and is a member of the Theater Hall of Fame since 2016. Connect with Brian: Website: www.brianstokes.com Facebook: @bstokesmitchell Instagram: @brianstokesm Youtube: @brianstokesmitchell7280 X: @bstokesmitchell Listen: Brian Stokes Mitchell - HOPE (feat. Jason Robert Brown) “3 Summers of Lincoln” at La Jolla Playhouse What's Possible When the Arts Belong to Everybody | Lear deBessonet with Brian Stokes Mitchell | TED Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a super mini TART Talk. We are slowly making our way through U2's singles and releases that are not on a U2 album. This week, we tackle "Hold Me, Thrill Me, Kiss Me, Kill Me." We chat about the song and the video, too. Come play along! If you're on Spotify, be sure to use the survey to tell us who your favorite Batman is. www.thegardentarts.com SUPPORT: www.patreon.com/thegardentarts AND www.buymeacoffee.com/thegardentarts twitter: @the_gardentarts instagram: @the_gardentarts

This week we talk about dentists, Batman and U2 while discussing the song Cavity Search, Al's parody of "Hold Me, Thrill Me, Kiss Me, Kill Me" Learn more about your ad choices. Visit megaphone.fm/adchoices

Black Shirt Mixtape Episode 84                                                              U2   Join host Jesse Karassik aka @heyyyyy_jesse as he takes you on a 2 hour sonic journey playing mixtape inspired tracks in a variety of genres- all for your listening (dis)pleasure!   Tracklisting: 1.  Zoo Station 2. The Electric Co. (LIVE) 3. Pride (In The Name of Love) 4. Where The Streets Have No Name 5. One 6. Elevation 7. Wire 8. A Day Without Me 9. Two Hearts Beat As One 10. Acrobat 11. Trip Through Your Wires 12. Seconds 13. All I Want Is You 14. City of Blinding Lights 15. I WIll Follow 16. Who's Gonna Ride Your Wild Horses 17. All Along The Watchtower (LIVE) 18. Satellite of Love 19. Electrical Storm (William Orbit mix) 20. Running To Stand Still 21. Hold Me, Thrill Me, Kiss Me, Kill Me 22. "40" (LIVE)  

The Mousedebaters talk Disney Couple Mix-Ups --------- Welcome back, Mousedebaters! This week, Luke, Brittany, and Kami are stirring up the royal pot and swapping around those Disney princess couples like a tipsy fairy godmother on a Friday night. In our latest episode, titled "Kiss Me, I'm Mute!", we're playing unconventional matchmaker with the love lives of our favorite Disney characters. Ever wondered if Cinderella would be better off with a certain dashing goateed soldier? Or if Ariel would prefer a muscley jungle man in a loin cloth? Get ready for a rollercoaster of laughter, a sprinkle of sass, and just enough naughtiness to keep things interesting. We're diving into these hypothetical hookups with all the hilarity you've come to expect from us. So grab your glass slipper, your sea shell bikini, or your demi-dog (just you wait...), and tune in to find out if your favorite princesses might just need a different prince charming to live happily ever after. Rated PG-13 for some magically mature content and humor that's more "wicked stepmother" than "fairy godmother." See you there, Mousedebaters! --- Support this podcast: https://podcasters.spotify.com/pod/show/mousedebaters/support

Sixpence None the Richer formed in Texas in 1993 and released their first full-length album on REX music in 1994, "The Fatherless and the Widow." In this episode we discuss this amazing debut that brought a unique sound to Christian alt rock and set them up for stratospheric success a few years later with the song "Kiss Me."  Web: geeksrockcast.com IG: https://www.instagram.com/geeksrockcast FB: https://fb.com/christiangeeksrockcast geeksrockcast@gmail.com 

FBI Arresting Serial Killers, From Computer Data to Danger. Forget what you see in movies and on TV about serial killers and how they're caught. In this podcast interview we discuss the true realities of investigating these criminals and the crucial role of the FBI. The interview is available on Spotify, Apple Podcasts, and the show's website. A serial killer, or serial murderer, is someone who kills three or more people over a period, driven by psychological gratification. The FBI identifies motives like anger, thrill-seeking, financial gain, and attention-seeking. Serial killers often have specific victim profiles, such as demographic traits or gender. The FBI analyzes these patterns to track down the killers and understand their motives. Though distinct from mass murderers, spree killers, or contract killers, serial killers can share traits with these other types of criminals. FBI Arresting Serial Killers, From Computer Data to Danger. Listen to this for free in Apple Podcasts, Spotify, our website or most major podcast platforms. The term "serial killer" is often credited to former FBI special agent Robert Ressler, who used "serial homicide" in a 1974 lecture at the Police Staff College in Bramshill, England. Ann Rule, in her book Kiss Me, Kill Me, credits LAPD detective Pierce Brooks with coining the term and creating the Violent Criminal Apprehension Program (ViCAP) system in 1985. Criminologist Ernst Gennat first used the German term Serienmörder ('serial murderer') in 1930 to describe Peter Kürten. Peter Vronsky, in Serial Killers: The Method and Madness of Monsters (2004), notes that while Ressler popularized "serial homicide" in 1974, the terms "serial murder" and "serial murderer" appeared earlier in John Brophy's The Meaning of Murder (1966) and a 1967 Washington, D.C. newspaper review. FBI Arresting Serial Killers, From Computer Data to Danger. Our guest, Michael Harrigan, is a retired FBI agent, military veteran, and former police officer from Connecticut. He discusses the FBI's role in investigating serial killers and shares insights from his career, highlighting the differences between police work and FBI operations, from desk work to danger from Quantico to Washington, D.C. We discuss so much that people don't know about the role of the FBI in investigating and Arresting Serial Killers. You can listen to this in Apple Podcasts, our website, Spotify or most major podcast platforms. After retiring from the FBI Michael Harrigan is one of the key figures at the Pax Group LLC.  Operational Police Protective Services, provides professional, safe and effective security services in Maryland, Virginia, Delaware and Pennsylvania. And will be expanding to other States soon. Get more details at www.oppsprotection.com. Colonial Metals Group, helps with the goal of protecting your financial future. Being at the whim of the stock market or the current Administration doesn't not make many people feel safe, or secure. But having a self-directed IRA where they can safely store gold and silver, assets that have stood the test of time, no matter what the economy or the government policies are, makes sense. Colonial Metals Group helps create a Self-Directed IRA where people can have direct access to their assets. Learn more about a special offer for our audience - click on the link in the description below or call the special 800 number and you'll receive a safe and up to $10,000 in free silver. Call 800 898 1841, 800 898 1841, that's 800 898 1841 or go online to www.colonialmetalsgroup.com/letradio Background song Hurricane is used with permission from the band Dark Horse Flyer Find a wide variety of great podcasts online at The Podcast Zone Facebook Page, look for the one with the bright green logo. Follow us on MeWe, X, Instagram, Facebook. Be sure to check out our website. Get the latest news articles, without all the bias and spin, from the Law Enforcement Talk Radio Show and Podcast on the Newsbreak app, which is free. FBI Arresting Serial Killers, From Computer Data to Danger. Available on Apple Podcasts, Spotify, our website or most major podcast platforms. See omnystudio.com/listener for privacy information.

THE DAMNED "Dozen Girls" from Strawberries (Deluxe Edition) 1982THE STRANGLERS "The Man They Love to Hate" from La Folie 1981PINK TURNS BLUE "State of Mind" from If Two Worlds Kiss 1987THE MARCH VIOLETS "Deep" from Electric Shades 1985THE CURE "Perfect Girl" from Kiss Me, Kiss Me, Kiss MeTHE ESSENCE "Endless Lakes" from Purity 1985FURNITURE "Brilliant Mind" from The Wrong People 1986JULIAN COPE "Someone Like Me" from My Nation Underground 1988A-HOUSE "Don't Ever Think You're Different" from On Our Big Fat Merry Go Round 1988THE WOODENTOPS "Move Me" from Well Well Well 1986THE JAZZ BUTCHER "Death Dentist" from Bloody Nonsense - EP 1986SHRIEKBACK "Running On the Rocks" from Big Night Music 1986SCREAMING BLUE MESSIAHS "Wild Blue Yonder" from Gun-Shy 1986THE CALL "Delivered" from Scene Beyond Dreams 1984THE GODFATHERS "I Don't Believe In You" from More Songs About Love & Hate (Expanded Edition) 1989HUNTERS & COLLECTORS "Throw Your Arms Around Me" from Human Frailty 1986CRAZY HOUSE "Burning Rain" from Single 1987WIRE "Eardrum Buzz" from It's Beginning to and Back Again 1989SECTION 25 "Loose Talk (Costs Lives)" from Always Now 1982JOY DIVISION "Dead Souls" from Still 1981JESUS & MARY CHAIN "The Hardest Walk" from Psychocandy 1985ASYLUM PARTY "The Sweetness Of Pain" from Picture One 1988LOWLIFE "Reflections of I" from Permanent Sleep 1986RED LORRY YELLOW LORRY "Generation" from Singles Collection 1985CHRISTIAN DEATH "Romeo's Distress" from Only Theatre of Pain 1982KILLING JOKE "Complications" from Killing Joke 1980QUITE SIMPLE "Victims" from Single 1987THE NAMES "Nightshift" from Swimming 1982

TODAY: Alex encounters two separate MDC style coworkers in his UPS facebook groups using dead coworkers to promote their awful, reactionary politics. Let's see how this one plays out PLUS: Terrace K Williams has $25k stolen from him (?) but won't stoop to naming the guy who did it (??). We investigate. FINALLY: We look at the objects of two bizarre instances of nostalgic fascism: Sixpence None The Richer's “Kiss Me,” and Alien Ant Farm's cover of “Smooth Criminal.” Strong Men (Dawson) create good times (Dawson's Creek). Niko B - it's not litter if you bin it Jack Johnson- Flake Sign up at http://patreon.com/miniondeathcult for $5/month and get 2 bonus episodes a week   Subscribe to our youtube channel at http://youtube.com/miniondeathcult   

Prepare for a cosmic deep dive into the enigmatic world of black holes and stellar mysteries on this Q&A episode of Space Nuts. Andrew Dunkley and Professor Fred Watson answer burning questions from the Space Nuts community, starting with a head-scratcher about black holes and magnetic fields. Can these gravitational giants possess magnetic fields, and if so, how do they influence the spectacular jets seen emanating from quasars? The duo untangles the complex relationship between rotation, charge, and magnetism.Next, Pete from sunny Sheffield queries the stellar classification mnemonic "Oh, Be A Fine Girl, Kiss Me" and its implications. How do the proportions of these star types stack up in the Milky Way, and do these ratios hold true across other galaxies? The conversation illuminates the cosmic census of star types, from the rare, scorching O stars to the ubiquitous, cooler M dwarfs.Listeners also get a personal touch as Michael from Kent inquires about Fred's most standout project over his illustrious career. Fred shares insights into his contributions to groundbreaking surveys and reminisces about the influential projects that have shaped our understanding of the universe.Rounding off the episode, Rusty from Donnybrook seeks to understand why fogbows are white rather than exhibiting the vibrant hues of a typical rainbow. The answer lies in the intricate interplay of light refraction, dispersion, and the often-overlooked diffraction in tiny water droplets.From the nature of magnetic fields in the abyss of black holes to the distribution of stars across the cosmos, this episode of Space Nuts is a treasure trove of astronomical knowledge. Tune in as Andrew and Fred navigate the celestial curiosities that keep us gazing skyward with wonder.00:00:00 Professor Fred Watson answers your questions on this edition of Space Nuts00:02:31 Robert from the Netherlands says black holes do not have a magnetic field00:09:15 Three questions from Pete Ellinger on different types of stars00:15:08 Metallicity, the amount of iron in a star, varies across galaxies00:16:59 If there was a project that you could have worked on past or present, what00:25:21 The hippie telescope was a big leap forward from the existing telescope00:25:47 Final question, Fred, comes from Rusty in Donnybrook about fog bowsSupport Space Nuts and join us on this journey through the stars by visiting https://www.spreaker.com/podcast/space-nuts--2631155/support.Your contributions help us continue our mission to answer the universe's most perplexing questions.Clear skies and boundless curiosity await on Space Nuts, where we make the cosmos your backyard.

Leigh Nash and Matt Slocum of Sixpence None the Richer join Caroline Hobby for this episode of Get Real. Leigh and Matt share about being ‘two kids from New Braunfels, Texas' that went on to find massive success with iconic hits like “Kiss Me” and “There She Goes.” Leigh, lead singer of the group, grew up wanting to be the next (fellow Texan) Tanya Tucker. Leigh and Matt described not being ‘cool' enough to break into the Austin music scene, but they were accepted in the Dallas scene. Matt would get out of college classes and drive himself and Leigh, who was still in high school, up to Dallas to perform and that's how they got their start. The two detail their love / hate relationship with “Kiss Me” which was a massive hit early in their career, prompted by tv/movie placements like “She's All That” and “Dawson's Creek.” They discuss getting a massive break with David Letterman having them on his show to perform and then pulling them in for an unplanned interview. Leigh and Matt share about the pressures of fame and success and going through a season of burn out and more. Follow Get Real on IG: @GetRealCarolineHobby Follow Caroline Hobby on IG: @CaroHobby  Follow Sixpence None the Richer / Leigh Nash on IG: @leighbirdnash Have a question for Caroline?? You can leave a voice message and she may answer on a future episode! Click hereSee omnystudio.com/listener for privacy information.

On this week's episode, we have music manager Dave Rose (Lit, Marcy Playground, Stryper and many many more) and we discuss his journey starting out as a bassist and what it's like managing today vs. the pre-digital age. Tune in for so much more.Show NotesDave Rose Agency: https://www.deepsouthentertainment.com/Dave Rose on TikTok: https://www.tiktok.com/@daverosedeepsouthDave Rose on Instagram: https://www.instagram.com/daverosedeepsouth/ A Paper Orchestra on Website: https://michaeljamin.com/bookA Paper Orchestra on Audible: https://www.audible.com/ep/creator?source_code=PDTGBPD060314004R&irclickid=wsY0cWRTYxyPWQ32v63t0WpwUkHzByXJyROHz00&irgwc=1A Paper Orchestra on Amazon: https://www.amazon.com/Audible-A-Paper-Orchestra/dp/B0CS5129X1/ref=sr_1_4?crid=19R6SSAJRS6TU&keywords=a+paper+orchestra&qid=1707342963&sprefix=a+paper+orchestra%2Caps%2C149&sr=8-4A Paper Orchestra on Goodreads: https://www.goodreads.com/book/show/203928260-a-paper-orchestraFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptDave Rose:I'm so amazed that people pay me to do this. I was doing it long before I knew you could make money at it. And so the pinnacle for me is really that this continued joy of the business of musicMichael Jamin:You are listening to. What the Hell is Michael Jamin talking about conversations in writing, art, and creativity. Today's episode is brought to you by my debut collection of True Stories, a paper orchestra available in print, ebook and audiobook to purchase And to support me in this podcast, please visit michael jamin.com/book and now on with the show.Hey everyone, welcome back to another episode of What the Hell is Michael Jamin talking about conversations in writing, art, and creativity. And today I got a special guest for you. Musicians out there. You don't deserve any of this. This is a wonderful treat for all of you. Don't say I never gave you anything. I'm here with Dave Rose from Deep South Entertainment and he is a career music manager. But Dave, first of all, welcome. I got a billion questions for you, but did you start off, are you a musician as well?Dave Rose:Thank you. Good to be here, Michael. Man, mutual admiration all the way around. This is exciting to be here. But yes, I started out as a musician. I was a, yes, I started out as a musician. I mean, yes and no, there's a story, but I became a musician out of necessity.Michael Jamin:How does that work? No one becomes, that's like the last thing you become out of necessity.Dave Rose:I know. Isn't that funny? So I was managing, and I very much put that in air quotes. Say I was a freshman in college and I had a local band decide they wanted me to be their manager. I was showing up at all their gigs and selling merchandise and unloading the van and doing all the things that I thought I could do to help. I just loved being around music. One day they said to me, would you be our manager? And I didn't know what the hell a manager was. I still don't. But they said, well, you could start by getting us some gigs. And that's not what a manager does, by the way. But that's when you're in college, that's what you do.Michael Jamin:That's not what a manager does then. Okay, you have to elaborate on that when weDave Rose:Can get into that for sure. So I got 'em 20 gigs and we had it all booked up and we're all ready to go. And we were two weeks out from the very first gig, big string of shows, playing skate ranches and pool parties and all the places that you play when you're just starting out anywhere and everywhere that'll give you room. And they came me and they said, our bass player quit and he's moving, so we need to cancel these gigs and we can no longer, we will audition new bass players later. I said, like, hell, you are, I've been watching this. It doesn't look like it's that hard to play bass, so here's what we're going to do. I'm going to cram myself in the basement with you, Mr. Guitar player, and you're going to teach me all the parts to these songs.We're going to go play these 20 shows with me as the bass player, and when we come back, you can audition bass players. That's how. And they were like, yeah, that's not how that works. I said, well, that's the way this is going to go. And so they did. I crammed myself in the basement and learned to play bass in two weeks, and it was rock and roll. It was three chord rock and roll. Wasn't real hard, but apparently I picked it up pretty easily and I played bass in a band for the next 10 years, but that should have been my first indication that I was not a musician. I learned how to play just to keep a band.Michael Jamin:But you must, if you played for 10 years, you're good enough.Dave Rose:Yeah, I mean I figured it out along the way.Michael Jamin:Wow. But then at some point you went to full-time management.Dave Rose:Yeah. Yeah. I ultimately segued into full-time management, and that was, I started this company putting out compilation CDs. That was a big thing. I started in 1995 and in the mid nineties, these sort of mix tape CDs were a big thing. And I would find local and regional bands from around the area and put 'em on this compilation CD and put it out and see what happens. But from the very first CD we put out, we had one of the biggest hits of the nineties, a song called Sex and Candy by Marcy Playground. And my intention was I would stick my band right in the middle of all these big regional bands or bands that I thought was going to be big and maybe my band would get some attention too. And I think nine bands on that first compilation got record deals accept my band. So that was kind of my moment of realizing, yeah, I'm definitely not, I'm way better on the business side of things.Michael Jamin:So then tell me then what a manager music manager does exactly if they don't get you work.Dave Rose:Sure. It's very different, I would guess, than in the film and TV business. And I would love to learn this from you, but I'm guessing in the film and TV business, the person that gets you work is the agent. Is thatMichael Jamin:Yes, the agent and not the manager and I have Right,Dave Rose:And that's what it is here. So a manager in music, I'm put it in the simplest terms, but it's like if the entire career is a wheel, the manager and the artist are in the center of that wheel. And all these spokes are things like booking agents and publicists and record labels and publishing companies and people that do film and TV music and all the accountants, the crew, all the thing, the attorneys that make the machine, the wheel turn. The manager is making sure all of those things are working. So it's sort of like being, I compare it to this, it's being the CEO of a band, but if you're,Michael Jamin:I'm sorry, go on.Dave Rose:That's all right. The band is owned by the band or the artist is owned by the, they own their company, but they retain an artist manager commission, an artist manager to manage their career.Michael Jamin:But if that band is going on tour, are you expected to go with them?Dave Rose:Only if you're in country music.Michael Jamin:Okay. Why is that?Dave Rose:It is different. Country music is one of the few genres that still very much lives and dies by the radio, and so the relationships with local radio is very important. So a manager should be there to kind of nurture those radio relationships from town to town to town. Now, if you're in rock and roll or hip hop or almost any other genre, Americana folk bluegrass, most managers do not travel with the band,Michael Jamin:But a touring manager would No,Dave Rose:A tour manager. Exactly. A tour manager does. And the tour manager is exactly, it sounds, it's the manager of the tour. So it deals with getting the bus from point A to point B and where do we park and what do I mean? It's way more than that, but it's the finance of the tour and they report to the artist manager.Michael Jamin:Now over the years, I've heard you mention this, you have a very, very big it's successful TikTok page, which is how I found you. You've managed a bunch of really big acts, right?Dave Rose:I've had some, yes. I've had a lot of, and I still do have a lot of big acts. It's been just amazing. I keep waiting for somebody to knock on my door and go, okay, gigs up. Time to get a real job.Michael Jamin:Can you share some of 'em with us?Dave Rose:Oh, absolutely. Yeah. So I got my start with Marcy Playground, and I'm still with them 26, 7 years later. But one of my first big clients was the piano player, Bruce Hornsby, who was in the Grateful Dead, and he had a bunch of hits in the eighties and nineties, but he's had a very, very unique career. He is done albums with Ricky Scaggs and Jazz Records, but Little Feat, the classic rock band of, they're just so iconic. The band Lit who had one of the biggest rock hits of the nineties, that song, my Own Worst Enemy, some of the country acts that I've worked with, Laney Wilson, who just won a Grammy, and yeah, I worked with the band six Pence, none The Richer who had the mega hit Kiss Me. And so yeah, it's been not to just, one of the bands I've been with the longest 23 years is an eighties rock band from LA called Striper. They kind of came up in the ranks with Moley Crewe and Bon Jovi and that kind world of big hair and Sunset Strip and all the things of Hollywood, but they're a Christian man. They sing about Jesus. So they're very, very different than that.Michael Jamin:At this point. Are new bands finding you or are you reaching out to them? How does that work?Dave Rose:Yeah, they usually find me at this point, I don't develop a lot of new acts anymore, mostly because I've just been doing it a long time and developing a new act from garage to Grammy is not only risky, but it's a long runway. And when you've been sort of doing it for as long as I have, and I don't mean any disrespect to anything on this, but you don't need to take that risk anymore.Michael Jamin:But it seems like on TikTok, it seems like you're talking to those people.Dave Rose:I am taking my audience on TikTok is very much the audience that is sort of just trying to figure out the next steps of a very complicated career path.Michael Jamin:But then why are you talking to them now if that's not, I assume it's because that's what you're looking for, but No,Dave Rose:Yeah, no, that's a great question. The reason I'm doing it is very pure, because it is hard to do this, and there's a lot of bad advice flying around out there. And to some extent, I wanted to get on there and level the playing field and just let people know the reality of how the business works. No, I'm not at all seeking to manage sort of startup band. I do some coaching that I'm more than willing to help them in. I'll do these 30 minute sessions where I can really, really fast track things for them, help them avoid years and years of mistakes in a very quick conversation. It's a lot like the stuff that you do in the sense that I'll meet an artist from Topeka, Kansas or wherever and how they're learning stuff that they would not learn anywhere else, only because nobody's ever told 'em.See Michael, something I think we ought to talk about at some point in here is part of why it's difficult to get a manager in the music business is because of how a manager gets paid. Okay, how did they get paid? I think that's an interesting dynamic that a lot of just, certainly a lot of people, but even a lot of artists don't know how that works. So how does that work then? Yeah, so a manager is paid by commission, so it's strictly a commission base. So if you are an artist and you go out and you play a show or you sell a T-shirt or make some sort of income, a percentage of that income is paid to your manager, includes the record deal, includes everything. It typically includes, and sort of depending on where you are in that artist's career, it includes most every aspect of their entertainment career, including what about royalties?It does include royalties, particularly if those royalties were ones that you helped them earn. If you get them a record deal and they continue to earn royalties either through radio play or whatever, you would earn a commission on that. So you're earning commissions on these revenue streams, and that's typically about 15%. So if you think about managing, like we talked about the wheel, all those different spokes in the wheel, maybe for each act that I manage, that's probably 150 decisions a day that we're making on behalf of that artist. So you can't manage a lot of acts as an individual. You can have a company like we do that manages, has managers that manage acts, but generally speaking, you can't manage a lot of acts. There's a lot that goes into a typical day of that. So the commission, if you just break it down to making a living, an artist has to be making significant money for it to be worth that manager's time to spend the bulk of their day managing their career.So when you've got an artist that's just starting out, and I want to get to why it's hard to get advice when you've got an artist that's just starting out and they're making no money and are making very little money, I don't know, 20, 30, 40, $50,000 a year, you think about that 15% of that is $5,000 a year maybe for the manager. So it's really not enough to say, I'm going to dedicate my life to you, which is really what it takes. So as a result, it's almost impossible for an artist to meet a manager. It's really hard to meet a manager. Our time is paid by commission. So that's why I get on TikTok and talk about the things I talk about because I was that bass player in a band not knowing what the hell I was doing, making every mistake under the sun. And I'm very, I don't know, very genuinely just trying to help people not make those mistakes.Michael Jamin:Now, you said something a while ago on one of your tiktoks, and I was surprised you don't come down. I thought everyone was supposed to hate Spotify and streaming because of the way, in my opinion, in my point of view, artists are being raped. I mean, that's how I see it. But you don't feel that way?Dave Rose:I don't. I mean, do I think it's a fair payment system? No, I think there's a lot of improvement that needs to happen. Part of what I think is the imbalance is the payments between an artist, a songwriter, and the record label. You see, when a song is on Spotify, those are the three main parties that sort of have to get paid a record label, an artist and a songwriter. And the songwriters are the ones that are really struggling in this time.Michael Jamin:From what I pay on what people pay on Spotify, I gladly pay double for what? I mean, I get every album I want to listen to at any time through the month, almost anything. And if I pay double, I still feel like the artists wouldn't be making not even close to what they used to make.Dave Rose:Well, yes. Again, we got to remember, there's three buckets. We're dealing with the artist, the record label, and the songwriter. And in some cases, that's the same person in all three of those buckets. If you go out and self-release a record, and you've written that record and you performed on that record, and you do millions and millions of streams on that record, you're making very respectable.Michael Jamin:I thought, again, I come at this completely ignorant. I know so little about it, but I think I saw a video by Snoop Dogg saying his album was streamed a billion times and he made 10 Sense or something.Dave Rose:That's a famous video. That video circulated a lot. And what is missed most often in that conversation is the difference in those three buckets. My gut tells me, and I don't know Snoop Dogg's complete history, but he probably does not own that recording. So a big chunk of that money that's being earned probably went to his record label, and I don't know, maybe he wrote the song, maybe he didn't, if he didn't write the song, he's missing that bucket of income, or maybe he did write this. So my gut tells me there's more to that story. SoMichael Jamin:Misunderstand this, which is fine.Dave Rose:I dunno, the full snoop do the inner workings of his business, but my gut tells me there's more to that story because I know no shortage of independent artists making a great, great living, really. But the thing that's different, and the thing that we got to think about that's different from say 2005, say 20 years ago, the biggest difference is the revenue streams now are very multiple. I mean, I met a band the other day that's doing insane six figures just on YouTube.Michael Jamin:On YouTube ad. So they put their music and they make ads on YouTube. Exactly, because they're not sellingDave Rose:It. That's right. The ad revenue is making four members a living, a very good living.Michael Jamin:See, it was my impression that, okay, so 20 years ago, a band would go on tour and after the show, they'd sell okay, merch, but they'd also sell the cd. If you want to listen to music, they sell. But now no one's going to buy that cd.Dave Rose:They do. They very much buy, well, more so they buy vinyl. The vinyl buy vinyl. And what's crazy, I was just on the phone with a head of a record label and he was talking about the rapid increase in the number of cassettes they're selling, which is crazy. It's just such a, I tell people this all the time, but you can't autograph a stream, so you're going to always need to have something that people can take home. I mean, I read the other day of all the vinyls sold only like 37% get listened to, but vinyl cells are through the roof, really. They buy the product, they get it autographed, they keep it as a collector's item, and then they stream it on Spotify.Michael Jamin:But why do you feel vinyl as opposed to a cd, which is just vinyl, but smaller and better quality? Why is that?Dave Rose:Yeah, I think CDs, I mean, also depending on the genre, certain genres are very cd, like country. People still buy CDs. If you go into a Walmart and rural America, you're going to see a lot of country in there. But yeah, I think vinyl partially because it's just big and cool to hold, andMichael Jamin:Yeah, you right, because not a lot of people have record. A lot of people don't even how to use a record like we do, butDave Rose:Yeah. Well, I mean you'd really be surprised, Michael. The vinyl industry is insanely huge.Michael Jamin:Interesting.Dave Rose:And really among kids, I mean, the kids are buying vinyl. If you go into an Urban Outfitters, which is obviously geared toward 20 somethings, they have a whole record section in there, whole vinyl section in their stores, and they sell record players at Urban Outfitters.Michael Jamin:Right, right. I always thought that was ironic. I didn't realize that they're making money that way. I know. I thought they were museum pieces.Dave Rose:Well, probably to some they are. Wow. Yeah.Michael Jamin:Now, do you specialize in any kind of genre of music or does that matter toDave Rose:You? I'm a rock and roll guy at heart, but I've done a lot of work in sort of songwriter rock. I've certainly had my share of country acts, although it's not my preferred genre, I've not done a lot in bluegrass, and I've not done a lot in hip hop, which is strange because if this is a visual thing, I'm staring at a Tupac Black behind me. So I say I don't really work in hip hop, but then I got to Tupac Black up here.Michael Jamin:I have a question for you. I don't think you're going to be able to answer this one. I don't know if there's an answer. ProbablyDave Rose:Not.Michael Jamin:So Daryl Hall has a show that I happen to catch sometimes. I think he shoots in his basement or something. You must've seen it, where he brings in friends, like eighties stars or whatever, Darryl'sDave Rose:House,Michael Jamin:Darryl's house, and he looks cool. He's got a blazer on, he's got dark glasses, and I'm like, okay, he looks cool. But then sometimes he brings in other men his age, which is whatever, 70, whatever it is, I don't know. And they're dressed and they're stars from the eighties, and they're dressed like they used to dress in the eighties. I wonder, how are aging rockstar supposed to dress? Do you have to answer this to your clients? YouDave Rose:Talk about this. Oh, yeah. We talk about, I mean, I tell artists this all the time, including my big artists. The biggest mistake you can make with a tire fashion, whatever you want to call it, is to not talk about it. You have to talk about it. A matter of fact, I recommend a band sometimes, particularly new bands, take a night and don't bring your instrument, get in a room together and talk about what you want This look to look like. It is so incredibly important and,Michael Jamin:But do you have an opinion on what it should be then? Should it stay what it was, or should it evolve?Dave Rose:I think it's interesting, like this eighties band striper that I talked about that I manage from the eighties, that it's the same guys 40 years later. Back in the day, there was a lot of hair and makeup and spandex pants and all the things that, and so no, they don't wear that anymore, and they don't wear the makeup and the teased hair, but they do an age appropriate version of that rock and roll gear and rock. ItMichael Jamin:Seems weird because the fans are coming to see their band. The fans don't want the band to age, but unfortunately the band aged.Dave Rose:Yeah.Michael Jamin:How do you give them what they want? It seems like, it seems like a really hard thing to struggle with.Dave Rose:It is. It's a tough thing. And the good ones, the ones that are really good at this, are good at sort of making fun of the, well, sort of making the audience one with them and sort of we're all aging together and this is welcome to us 40 years later. What I think we don't want is our aging rock stars to show up in sweatpants and a hoodie. We want 'em to show up at least caring and some resemblance of days gone by without being a carbon copy of that, because you shouldn't try to be,Michael Jamin:For the most part though, I imagine they're playing whatever their greatest hits, the songs that made them big, and the people, the fans, that's what they want to hear. And I imagine if I were a musician who's played the same song 30,000 times, I might get tired of this.Dave Rose:You would think, and here's what happens to a lot of them. Some do, yeah. They usually don't get tired of it. They get tired of being known only for that. There are some artists that have two or three mega hits so big you can't even compare. And as a result, there's no way for their catalog of deep catalog of hundreds of songs to sort of surface. It's why the band little feat that I worked with, they never really had a radio hit, and they always talked about the best thing that ever happened to us was never having a radio hit because we never had this super high. Instead, our fans consume our entire catalog. It's a little bit like the Grateful Dead in that sense. Grateful Dead never had this mega hit. They just had a lifestyle.Michael Jamin:Do they complain to you about this, though? Is this something they talk about?Dave Rose:Yeah, I mean, one thing that's interesting is when you're on stage and you're playing a 60, 75 minutes set or whatever, and you're playing songs from your catalog, one thing that you don't think about a lot, but when they hit that big hit, when they go into playing that big song that everybody knows of any song in that, it's almost like it's for them, it's a welcomed break in the set. Meaning when you're playing a new song, you're sort of working really hard to try to win this audience over on this new material or this unfamiliar material. So maybe if you're a rock band, you're probably moving around a little more. If you're whatever kind of band you are, you're just really giving it all to win over this crowd. But when you kick into a mega hit that they've heard a million times over, it's a moment you can just breathe.Michael Jamin:I see.Dave Rose:And go, okay, I'm good for three and a half minutes here. They're going to go nuts. No matter what we do.Michael Jamin:I would not have thought of. That's interesting you brought that up. I would not have thought it, but I would've thought it the other way around that like, oh, fuck, I got to play this again. ButDave Rose:No. Yeah, no. I do have a few artists that feel that way. One of my favorite moments in that regard was Sean Colvin. She's a kind of a folk songwriter artist, and she did end up having a big hit called Sonny Came Home, and that came out, I guess in the, I'm going to get the dates wrong, but that was a huge hit. Sonny came home and I went and saw Sean Colvin one night in concert, and she comes out on stage packed amphitheater, and she says, we're going to go ahead and play this song for those of you that just came to hear this, so you can go ahead and leave and the rest of us can have a good time.Michael Jamin:Is that what happened though?Dave Rose:That's why she opened the show when Sonny came home, and then what happened? I'm paraphrasing what she said there, but it was generally that for those of you that just came to hear the hit, let's play it. You can go about the way and sort of the implication was the rest of us who came to hear the entire catalog can now enjoy the show. DoMichael Jamin:You think people walked out? I mean,Dave Rose:Nobody left nobody. I was there. Nobody left. And that's a bold move. Yeah. I love that about her. And that's kind of the way a lot of artists feel about a big hit is like they don't dislike it. They love what it's brought to their career. They just dislike it being the only thing people may want to consume.Michael Jamin:I think about art, and you must have these conversations with your artists is like, how do you reinvent yourself on the next album when audience, your audience doesn't really want you to reinvent you. They want what they have, but if you give 'em the same, it's also like, yeah, we already have this. It seems so incredibly daunting to come up with another album that works,Dave Rose:Man. It is. And I got to say, in your world, I would think the same thing. How do you write the next episode given the audience what they want, but still keeping itMichael Jamin:Well, that's when they get mad at you. That's when they say the shows jumped the shark. Or they say, the show died four years ago. JumpDave Rose:The Shark. Is that aMichael Jamin:Term? Oh, yeah. I'm sorry. You haven't heard it. That refers to an episode of Happy Days when Henry Winkler, they put him on water skis and he had to jump a shark tank. I rememberDave Rose:That.Michael Jamin:And he was wearing a leather jacket when you saw Fonzi jumping a Shark tank in a leather jacket. You go, all right, the show is Jump a Shark.Dave Rose:Oh, I got to remember that. Oh, yeah.Michael Jamin:It's a famous term. Yeah, I worked with Henry years ago and we spoke about that.Dave Rose:Oh, really?Michael Jamin:Yeah. Yeah. It's funny.Dave Rose:What did you work on with him?Michael Jamin:It was a show called Out of Practice with Henry Winkler and Stocker Channing and Ty Burrell, and they were the three main leads, and Henry's like the sweetest man in Hollywood. But we spoke a little bit about thatDave Rose:Being a child of sort of growing up in the eighties. I'm going to be remiss if we don't at least, and I'm sorry, man, talk about asking somebody about their hit. Please tell me about Beavis and Butthead for a minute. I mean, I don't care what you tell me aboutMichael Jamin:There's, there's very little I can tell you. So I was friend, this is when they brought the show back. It's been on three times already. And the second iteration, our friends, John Altro and Dave Krinsky, they were the showrunners. They created Silicon Valley and now they're running the second beavers. But that was so they needed freelance writers. It was a really low budget thing, and they reach out to us and the money was terrible, but we just had a break in our, we were in between shows, so the timing was perfect. They said, do you want to write some Beavis? But so we pitched them maybe 10 ideas. They bought four, but that was it. I mean, that was kind of the involvement. Then we went to see Mike Judge, we went to the record session. So we'll go to the booth and we're all watching videos, and we we're literally standing over his shoulders watching music videos, just pitching jokes about what beef is, and Bud would say, and then he would go into the booth, do the voice, and come back out. That was my involvement. So it was only we because wanted, it was just a fun experience. It was not forDave Rose:Sure. Absolutely. What a, but again, I bet coming into it sort of midstream like that, what an even harder job. You've got hits. You want to give the audience what they expect, but you also want to give them what they don't expect. I mean, how you do that as an artist is hard.Michael Jamin:And do you have these conversations with your bands?Dave Rose:Absolutely. Yeah. Yes. Because the funny thing about music is none of us, if we sit down and listen to our Spotify list or whatever, and we have our catalog of music, none of us listen to one kind of music. We listen to all kinds of music, jazz and reggae and rock and whatever. We all have a mixture of taste, and depending on our mood, we want to explore that music. It's the same with artists. They don't think in one genre. They're artists. They're thinking all over the place. So it's really hard for them creatively to stay in this lane. It's why you see so many artists, I'm going to try to do a country record, or I'm going to try to do some other exploratory record, and that's okay. If you're Prince, you look like a genius. If you're Prince, if you're just starting out, you look confused. I don't know what I want to do, so I'm going to do a jazz song. So yeah, we do talk a lot about trying to stay, it's a terrible term for art, but trying to stay on brand with both your look and your sound and your music and the audience. When they go to buy a Bruce Springsteen record, they don't want to hear a jazz record. They want to hear good American rock and roll songs,Michael Jamin:But they also don't want to hear, I think you too may struggle with this. I think they got their sound, and it's like, all right, but I've already heard it.Dave Rose:They do struggle with that. Yeah, they've had a couple, and almost any act has their moment of when they look back on it, it's kind of like, what was I thinking?Michael Jamin:Right. I mean, to me, it sounds like I haven't listened to it in a while, but at one point I got an album there. I just thought it just sounded like every other, and they were amazing in the, I don't know, it seems like a very hard balancing act. How do you do this? How do you ItDave Rose:Is. It's why bands like Kiss, for example. I don't, I can't remember when. I think 20, I don't know. It was over 20 years since they recorded new music, just because they didn't want to attempt, they didn't top what they had done.Michael Jamin:I heard an interview by Cures for Fears, and they were talking about, and I didn't know this because really, I don't know the inside of music at all, but they were talking about how at one point, the album, I guess mid-career, that they were assigned a music producer and the producer kind of determined the sound. And I was, I surprised. I really thought that that's what they did. I thought they wrote all their songs and it said they were hearing songs written for them. I did not know that. I was really surprised. They are songwriters.Dave Rose:They are songwriters. And sometimes when a band or an artist hits that moment of how do we feed our fan base, but stay ahead of things, sometimes a good producer, outside writer can help move that along.Michael Jamin:On their last album, they shunned all that. They did it themselves, and I thought the album was terrific.Dave Rose:Yeah, I mean, I haven't heard it, but I've heard people say that,Michael Jamin:Oh, you haven't.Dave Rose:It's probably because they really went for the middle lane that they developed all along with their fan base. I mean, they're a brilliant act with an incredible catalog.Michael Jamin:Yeah. I mean, in the management world, at least in tv, in film, and for agents as well, it's not untypical for atypical for a writer or an actor to get to some point. Then they leave their manager or their agent, maybe they outgrow them or something happen. And how do you reconcile that?Dave Rose:Yeah, that happens all the time. In the music business, we call it the revolving door of managers and artists. I've had some come and go and come back and go,Michael Jamin:Really? Do you not take it personally then, orDave Rose:One of the things you have to do is truly not take it personally. And sometimes it's sort of like I look at it like this. If you were to own a restaurant and that restaurant grows and changes and involves a different manager, has different skill sets. We're not all graded everything. We're good at certain things. And if you happen to be at the place in your career to where you're with a manager that is good at the things you need, that's a perfect relationship. If you happen to go outside of that, then you might need someone with a different skillset. And oftentimes a manager is the first to say, I feel like I've taken you as far as I can.Let's find something new here. It's no different than a football coach or a restaurant manager or any sort of leader of a company. Sometimes for a lot of reasons, the stars align and sometimes they just don't. And if they don't, it's usually pretty recognizable to both parties. And there's very rarely, I mean, you certainly hear the stories both online and elsewhere of manager artists fallout, but by and large, I'm friends with every artist I've ever worked with, and I've never had a, I mean, I don't manage Bruce Hornsby anymore, but I just went backstage, went to his show and hung out with him after the show. And we talked about old times and had a good hang together. But there was a point in his career where I was and a point in my career where we just weren't at the same place, and I don't even mind sharing that. Yeah, please. He had been on RCA records for about 25 years, and the top brass at RCA was kind of changing, again, the revolving doors of executives at a record label, it was Tom. And so his life at RCA, his deal and relationship at RCA started to come to an end.And I was really, really, I had two other bands at RCA. I was sort of really inside the walls of RCA records at the time, and so I wasn't really best suited for the next step in his career, which was to find a new label, a New York based label. I was very much Nashville centric at that point, and it was just, we came to a place where I felt like for him to go where he needed to go, he needed somebody else, and he felt the same. AndMichael Jamin:It was, but that's another thing, because I see with my management, they have relationships at studios, and as you do have relationships and there, at the end of the day, you have your interests, and it is not like you're going to burn bridges with these studio that you have relationships with. You can only fight so much because of what you have with your other clients, right?Dave Rose:That's right. Yeah. It is probably like your business. It's a very small business at a certain level, a very small business. There's not a lot of, you're going to run into everybody again, and at some point you're going to want your act touring with their act, or you're going to want their act being featured on a record of your act. And if you burn bridges, it's just going to, I mean, I know people that do burn bridges, but it's rarely good.Michael Jamin:You are listening to, what the Hell is Michael Jamin talking about? Today's episode is brought to you by my new book, A Paper Orchestra, a collection of True Stories. John Mayer says, it's fantastic. It's multi timbral. It runs all levels of the pyramid at the same time. His knockout punches are stinging, sincerity, and Kirker View says, those who appreciate the power of simple stories to tell us about human nature or who are bewitched by a storyteller who has mastered his craft, will find a delightful collection of vignettes, a lovely anthology that strikes a perfect balance between humor and poignancy. So my podcast is not advertiser supported. I'm not running ads here. So if you'd like to support me or the podcast, come check out my book, go get an ebook or a paperback, or if you really want to treat yourself, check out the audio book. Go to michael jamin.com/book. And now back to our show.What is then the pinnacle for, I mean, we know what the pinnacle for an artist's career would be, whatever, selling a ton of records playing the Super Bowl, whatever they aspire to do, but what's the pinnacle for your career?Dave Rose:Oh, that's a great question. Yeah, it's interesting. I was taking my son to school the other day and he said, daddy, work seems like it's really fun, is work really fun. And he's come to my office before, and I got thinking about that, and I've chosen a path that really is fun. Never, this sounds corny to say I've never felt like I've worked a day in my life, really. It just really has never felt like work. I am so amazed that people pay me to do this. I was doing it long before I knew you could make money at it. And so the pinnacle for me is really that this continued joy of the business of music.There's very few high level artists, celebrities I haven't met or come in contact with. And so none of that is really the moment for me. It's seeing an act like this band formerly that we're looking at. They're a country act. They've had four or five number one hits. They were playing in their garage in Greenville, North Carolina, small town where I grew up. I happened to just know them, and I took them to Nashville, one thing. So that's sort of what this business is for me. You see a band in a garage, and the next thing you know, they're accepting an award on stage, and it's just a beautiful feeling to know that you've helped an artist achieve those dreams.Michael Jamin:Interesting. It's interesting that that's where you take the joy in. I would think that part, you're not the one who wants that dream. You're not the one, the artist. You're not the one who wants that dream, your dream joy doing it for others.Dave Rose:I would think there's similar satisfaction in being a writer, I would think. I mean, maybe you were motivated to be on screen all the time or in front of the camera all the time, butMichael Jamin:No, not really. No, not really. But I think writers are worried about their career. I want to write this, I want to make a lot of money or whatever.Dave Rose:Yeah. Well, the money certainly an enjoyable part of it, but it's not the driving factor, and it can't be in music, so risky.Michael Jamin:But you also, I guess, arrange entertainment events,Dave Rose:Right? Oh, wow. Yeah, that's very, you did your homework. Yeah, so around the turn of the century, so I live in Raleigh, North Carolina. I'm in Nashville almost weekly, but I live in Raleigh, North Carolina, and in Raleigh, North Carolina, there are not a lot of artists management or record labels. It's a big, very creative music city, but there's not a lot of high level. So as Raleigh started to feel like they needed entertainment in their city and started thinking about amphitheaters and growth and expansion of their city, they kind of came to me saying, you've had artists play in these cities all over the country. Could you help us bring the good bad and the ugly of that to Raleigh and help us produce events? So yeah, over the past 20 years have become the kind of go-to, I produced the North Carolina State Fair and all the big festivals,Michael Jamin:But you keep it to this one region, though.Dave Rose:I do. I pretty much stay in the central, the Eastern North Carolina region. And it's funny because when bands go out on tour, I'm managing bands. I learned from Bruce Hornsby one time. I called him, I'd always check in after the show, and how did it go and whatever. And he went and played one show somewhere, and I said, how was the show? And he said, he kind of laughed while I said this, but he said, I was staring at a funnel cake sign the whole time. WhatMichael Jamin:Does that mean?Dave Rose:Funnel cakes? So you're playing this car almost like a carnival. Not that there's anything wrong with that, and there's plenty of respect in funnel cakes, but as an artist who played in the Grateful Dead Done Jazz records, not really his thing. So I kind of made a joke of always keep the funnel cake stand a little bit away from the stage, but I took all of this feedback from artists, what the backstage was like, what the stage was like, what the PA was like, what the lights were like. I took all the good, bad and the ugly from the artist, and I brought it back to my community to try to make the best concerts and events.Michael Jamin:I imagine there was a huge, not just a learning curve, but also financial risk in the beginning for you. No,Dave Rose:Yeah, I racked up a lot of credit cards.Michael Jamin:Oh, really? I mean,Dave Rose:Oh yeah.Michael Jamin:Wow.Dave Rose:Yeah. One of my, yeah, I sure did. We started this company on a credit card, and that's what got us going. We produced CDs on credit card. We racked up a lot of credit card debt hoping this would win.Michael Jamin:What do you, and it's paid off.Dave Rose:It's paid off,Michael Jamin:Right?Dave Rose:I paid it off last week.Michael Jamin:Just last week. You made a final payment, you got points for it. But what advice then, do you have for, I guess, new artists? I mean, maybe either musicians or, I dunno, artists.Dave Rose:Yeah. I think the hardest thing to do, particularly in this world of TikTok and YouTube and reels, is to really be authentically you, because it's so easy to want to try to be the person that just went viral,And that's never going to move the needle. That's never going to make a big splash. You might have a moment, I don't know if you remember, maybe three or four months ago, there was an artist on TikTok named Oliver Anthony that went massively viral. He is a bearded guy from the mountains and kind of just sang very, very pure songs, but went enormously huge. And within weeks, you've got every mountain guy with a beard trying to do the same thing. And it's really hard to not do that. When we're faced with that all the time, back in the day of Led Zeppelin, the Rolling Stones and everything else, one didn't really know what the other was doing.Michael Jamin:SoDave Rose:You went into your bubble and you created art in a way that you felt led to do, and now you're so pressured to try to be the next viral thing, and that's the hardest thing. So my advice is don't do that.Michael Jamin:Yeah. You also, it's funny because I am a fan of your tiktoks. You give such interesting, great advice. You gave one post, this was maybe half a year or maybe a year ago, I don't know. And I was like, yes, I wanted to stitch it, but I guess I just didn't have the balls. And then I forgot about it. The post you did was, I guess a lot of people come to you for advice, and they just think they can just, Hey, you pick your brain or buy you a cup of coffee cup as if your time is worth $5 an hour, because that's what coffee costs. But you handled it very gracefully and graciously, but I'm not sure. Did you get any blowback for it?Dave Rose:Yeah. You're on TikTok, the blowback key. I mean, you definitely get, but by and large, by and large, what I ended up getting is it's been beautiful actually. Ever since then, I've got a lot of artists coming to me saying, look, I'm not going to offer to buy you a cup of coffee. I know how you feel about that, but I would like 30 minutes of your time, and how would I go about doing that? That's a beautiful way, I mean, I really picked this up from an attorney one time, and I was on the three-Way call with an artist, an attorney, and myself, and the artist said to the attorney, Hey, I got this contract and I don't really have a lot of money to spend, but I was hoping you could read it over and I could buy you a cup of coffee and pick your brainMichael Jamin:On it. Yeah. What did the attorney say?Dave Rose:And the attorney said, look, I understand you mean well, but I only have two things to sell. I've got my time and my knowledge, and you have just asked for both of those things for free.Michael Jamin:Yes. That's a good way of saying it.Dave Rose:And I just thought, wow. That's right. And as a manager, that's what you have. You got your time, your knowledge, and your connections. And if you're picking my brain, you are asking for those things for free. And I don't have anything else to feed my family with, butMichael Jamin:I wonder, is it because, because people ask me the same thing, and I guess it's because some people are actually giving it to them for free. Do you thinkDave Rose:It is? Yeah. I mean, they must be, or otherwise they wouldn't be doing it, I guess.Michael Jamin:But then I wonder if you're only paying $5 for advice, and that advice is only worth $5, I mean, why would you want to take $5 advice?Dave Rose:Right, exactly. Yeah. But yeah, that's been a tough part of the music business because yeah, so thanks for noticing that. But I do think we, as a sort of service society, whether you're a screenwriter or whether you're a manager or an agent or whatever, all people really have is what's in their head and their time. And so to take that so lightly is to think that buying you lunch is going to somehow make it worthwhile. It just doesn't, not only doesn't make sense in a strange way, it's rude.Michael Jamin:Well, I don't think it's strange. I mean, I do think it's rude. Yeah, yeah.Dave Rose:But as I said, I think in that TikTok, I said, I understand you're offering to buy me something. So I understand that you're trying to be in your own way, polite, but let me just educate you. That's not a compliment to say that your time is worth a cup of coffee.Michael Jamin:Yeah, yeah. But I appreciated that video. I really did. I was like, doDave Rose:You get a lot of people asking to pick your brain?Michael Jamin:Yes. I guess less and less, butDave Rose:You do some consulting as well, right?Michael Jamin:Well, what I did was eventually I signed up for, there's this app where you can sign up to be an expert. And so people ask me a question, sometimes it's an autoresponder, and it says, if you want to book time with Michael, you can do it. So here, a half a dozen people have booked. Everyone's asking, but no one books time. So to me, interesting. And I didn't do it because that's to make money, but I was like, well, look, if you want it, you're going to have to pay. But they don't want it bad enough to pay. So,Dave Rose:Well, it's interesting. I'm on a platform called August managers.io, and that's where I do my 30 minute consultations. And I've partially used it as a filter. It's funny, I'll get artists that go out and spend $10,000 on recording and $10,000 on video and photo shoots, and then they'll come to me and say, can I pick your brain for a cup of coffee? And I'm thinking, you have just spent $20,000 making music, and now the most important part, getting it out to the public, that's worth a cup of coffee to you. So I sort of use this platform as a filter. It's like Chemistry 1 0 1 in college. If you're willing to just invest a tiny bit to spend a little bit of time with a professional, I at least know you're serious.Michael Jamin:Yeah. That's how I see it as well. So you're weeding people out. They don't really want, yeah, I guess that's how unserious they are. If they're getting caught up on booking a half hour with me, then they don't really want,Dave Rose:I would think in your world, people want you to read their script, isMichael Jamin:That, oh, there's a lot of that, but you got to pay me way more than, I mean, here's the thing. I don't even do it, but they all want it. They want me to spend an hour and a half reading their script, another hour assembling notes, and then another hour on a phone call them giving them my notes while they get angry and defensive telling me why I'm wrong and do it for free. I mean, oh, yeah, okay. That sounds like a ball to me. But it's not about the money. The answer is no, all around. But it also exposes me to liability side because I don't want to be sued for taking someone's idea. SoDave Rose:Totally. I mean, that's a big part of the music business a lot. You'd hear about unsolicited music, and a lot of people, myself included, will not even open an email with music attached if I don't know who it is. Is itMichael Jamin:Because for liability reasons?Dave Rose:Yeah. TheyMichael Jamin:Think you're going to steal their sound or their song.Dave Rose:I think Yes. I think they do think that. And I think in the history of the music business, that has happened maybe three times. I mean, it just doesn't happen. Interesting. So it's funny that that's a topic even, I don't know if it happens in the film and TV business, but in the music business that anytime you've heard of a lawsuit of one suing the other about a sound, it's very, very rarely actual theft. Most often, there's only eight chords, and you can arrange them in only so many ways. And if you're in a genre like hip hop or country where it's in some ways a little bit of a formula in the way your pop music is that way, you write very narrow melodies and chord progressions. It's bound to your, I mean, about the a hundred thousand songs released a day, you're bound to cross paths there in a close manner. It's very rarely malicious.Michael Jamin:So then how are you listening to new music, if at all? Is it because you see an act on stage or something?Dave Rose:Yeah, no, I will listen to it if it's coming to me from a vetted source or if it's coming to me in a way that I feel. But I get a lot of just very blind emails, never met, seen, heard of the person. And one of my favorite quotes was Gene Simmons said one time, look, if I'm hearing about you for the first time from you, you're not ready.Michael Jamin:You're not ready. Interesting.Dave Rose:Because we keep our ears to the ground. I mean, I'm hearing about artists all the time. I mean, I can't go to the dentist without hearing about five new artists. People know that we work in the music business. So no matter where I go, the coffee shop, the dentist, the pizza shop, whatever, they're going to tell me about their cousin that just released a song. That's the next Beatles. So I hear about stuff, and if I hear about it from 7, 8, 9 different places, I start to know there's something there.Michael Jamin:Right. I directed Gene Simmons, by the way, on an animated show. I had to yell. NoDave Rose:Way.Michael Jamin:Well, yeah. Well, he came into the studio like a rockstar, which is what he is, of course. And then he is holding court and, Hey, dude, we're paying for this thing. And I knew I was going to get yelled at by my boss, so I had to say, Hey, gene, we're recording now. I had to tell shot him, get onto the microphone.Dave Rose:Oh, that's awesome. He is a really interesting person. I've met him a couple of times. I really am amazed by his story.Michael Jamin:That's funny. Chrissy Hy came in. My partner had to direct Chrissy, and she came in also like a rockstar into the booth, and she's smoking a cigarette and you're not supposed to with the equipment. And he asked her to put it out, and she wouldn't. And he was like, that's fine with me. Whatcha going to do?Dave Rose:I love it. She'sMichael Jamin:Chrissy Hein. She gets to do what she wants. But that's so interesting. Yeah. I get that same sometimes when people ask me a question and I wonder if you feel the same way about breaking into the business or some kind of basic thing. They leave a comment and I'm like, all you got to do is just scroll down and all my videos are labeled. You're going to find it. I wonder how bad you want it. If you feel like you have to ask me without looking. This is literally the least you have to do to find an answer nowadays.Dave Rose:I did a video recently where one of the most common questions I get is, somebody will present their music to me and they'll say, do you think I have what it takes to make it? And that is without question, the hardest question to answer because I don't know your definition of make it. And to be honest, a lot of people don't know their definition of make it. I had a band come into my office one time, they finally, they've been wanting to line up a meeting. They came in and they said, I said, so what do you guys want to do? What are you hoping to do? And they said, well, we want to be successful. You know what I mean? And I said, well, no, I don't know what you mean. Tell me what success means to you. And they said, well, we want to make a living at music.I said, well, that's good. I can have you doing that within 30 days. And they kind of looked at me like, wow. We hit the jackpot coming to this meeting, and I said, here's what we're going to do. We're going to buy you a bunch of tuxedos. You're going to learn some top 40 songs. We're going to play the wedding and corporate cover circuit, make a great living. They kind of looked at you and they were like, no, that's not what we meant. Okay, let me change that answer. We want to make a living playing our music. I said, alright. Little bit harder to do, but we can still do it. There's sports bars around the country where you set up in the corner and they don't really care what you play, your background music, but you make a pretty decent living. You'll make good tips.We're like, no, no. Lemme think about this. They thought about it for a little bit more and they said, okay, we got it. We want to be on the radio. Then one other guy spoke up and he said, playing our music. I said, okay, I got you, my friend does the Sunday night local show on the radio station. He's a friend of mine. He'll play anything I send him. I'll send him your song, he'll play it on Sunday. You will have been successful. And they like, all right. And one guy spoke up at that point and he said, I see what you're trying to do. You're trying to confuse us. I said, no, no, no. You're quite confused on your own I'm trying to do is point out that I can't help you until you know what you want. And there's no wrong answer to that. Some artists come to me and say, I want world domination. I want to be the next big, huge thing. And others simply say, I just want to make great music and I don't really care if I make a living. I just want good quality music out there.Michael Jamin:Is that right?Dave Rose:Oh yeah. PeopleMichael Jamin:Really do. But I imagine, I mean, you got to pay your bills. That's not attractive to you. Right?Dave Rose:It's not attractive to me and that's okay, but there's still a place for that in this world. But yeah, and here's the other thing. A lot of people think they want that world domination and playing arenas, but the moment we start saying things like, well, let's say a country artist came to me and they said, I want to be the biggest country star in the world. First thing out of my mouth would be, you're going to need to move to Nashville. You don't need to do that in every genre, but in country, that's a must be present To Win town, you're going to have to be in Nashville. Well, I don't really want to do that. I got this and a job and whatever. So I tell people all the time, prioritize where music is in your life. It doesn't have to be number one, but just knowing where it is will help you make decisions on what's most important. When I give advice to artists, I often ask them, do you have kids and are you married? And tell me about your personal life. The truth is, the advice I give to someone with a two month old baby at home is different than a single 21-year-old that can go out and explore the world.Michael Jamin:What do you think it is that people like me, Hollywood, what do I get? What do we get wrong about the music industry when we portray it on TV and film?Dave Rose:Oh wow. Well, it's funny because in every music based show, I used to watch the show Nashville, which was produced very well, and it was done in Nashville, so it had a lot of authenticity to it. But I think what I don't think you get it wrong, I think you have to portray it this way because that's the way TV is made. But you can go from in one episode writing a song to going on tour with Bon Jovi all within a week or two's time, what seems like a week or two's time in a film or TV show. And it's a laborious, long as you know from any aspect of entertainment, it's years before you start to take off from that runway. It's a several year runway, but I think the public as a result of just all of our short attention spans shows and even movies have to be written. So that what seems like in a couple of months, couple of weeks, sometimes you go from writing this song to touring with Beyonce.Michael Jamin:Why do you think, and I say this selfishly, I want to know for myself, why do you think the runways is so long before you take off? Why does that mean, why does it take so long?Dave Rose:Well, I think a lot of it is because writing music, like writing anything takes a lot of hours to get good at it.Michael Jamin:Okay, but let's say you got your album out and it's a great album now it's going to take years beforeDave Rose:No, no, no, no, no. It's going to take years to get that greatMichael Jamin:Album. Right. Okay.Dave Rose:Right. Once that great album is assembled and together, it can be a relatively, I mean, it can be a relatively short runway to success once that great in Nashville, there's a saying when somebody comes into me with a publisher and a publisher is someone who oversees the copyrights of songs, but when someone comes to me with a publisher and they say, how many songs have you written? No matter what the answer is, they almost always say, come back when you've written your next a hundred. Really, there's kind of an unwritten seven year rule in Nashville. You should not expect success for at least seven years after you come to townMichael Jamin:With your first album,Dave Rose:With your first set of releases. It just takes that long to get really, really top level good at this in any genre. I think, I mean, if there was a comment section on this podcast, there would be tons of people giving me the exceptions to those rules right now, which is the beauty of the music business or any entertainment. There's exceptions to that rule. There's overnight sensations, but by and large, most of the big artists had a long runway.Michael Jamin:So you're listening, if you were listening to an album by a new artist, you're thinking, okay, maybe one or two songs has got something in the rest are just not there. You're sayingDave Rose:Sometimes. Yeah, sometimes. I mean, you take a band, it's funny, that first hit, I worked with Sex and Candy, the band, Marcy Playground, between the time they rode and recorded that and it became a number one hit was four years.Michael Jamin:Okay,Dave Rose:Four years.Michael Jamin:Right. Okay. So they had the goods, but it took four years before people discovered they had the goods.Dave Rose:That's right. That was a very interesting journey. They charted on college radio and then they tried to work to regular radio. It didn't happen, and they label problems and they tried again and it finally happened. Same thing with this band, sixpence On The Richer and the song Kiss Me. They had that song Kiss Me on a Record, and it did not become a hit for another two years.Michael Jamin:Wow. Okay. So then how do they do that? Is it just touring? Is it just getting it out there? Just having people listen,Dave Rose:In the nineties it was touring. It was just getting out there and touringMichael Jamin:Even. Not today. You're saying today's it's not like that today.Dave Rose:It's not. I mean, it's some touring is one aspect of it, but the beauty of Michael, you and I would not be here talking if it were not for TikTok. And as much as I love to hate on social media platforms for all the reasons they're easy to hate on there is I tell our assist all the time. There is someone in Topeka, Kansas right now that loves what you do. You just got to find them. And if you do, there'll be fans for life. But unless you plan on touring Topeka, Kansas this week, you're not going to find 'em. So get online and postMichael Jamin:How many, I've heard numbers and I if it's true, but how many crazy, what's the word, rabid fans, do you need think a band needs before they hit critical mass?Dave Rose:Well, critical mass is a subjective term, but I say this a lot. You only need a thousand fans. And I'm talking about real fans. Fans that would give the shirt off their back fans. I'm not talking about followers,Michael Jamin:I'm notDave Rose:Talking about likes or subscribes,Michael Jamin:Right? People who open their wallet,Dave Rose:A thousand fans that consume everything you put out. That's all you need to make a great living in music.Michael Jamin:But how is that possible? Okay, so if you've had a thousand fans, they're scattered all across the country and I don't understand, how does that make you a good living? You can put it on a new album to a thousand fans. How does that make you a living?Dave Rose:I'll tell you how that is because when I was 10 years old, I had a older cousin, cousin Rick and I went to his house and he had a wall of vinyl records, more vinyl records than you could ever imagine. And he reached and he had got a new stereo and he wanted to show me the stereo, and he pulled up a Boston record, the classic rock band Boston. They had just put out their first record and he put it on the turntable and he was telling me everything he needed to tell me about Boston, and I was just mostly fascinated by the fact that of a thousand records on his wall, he picked that one to tell me about it. And from there I went and bought the record. I consumed, I bought the T-shirts, I bought this. The thing about a thousand fans is they're your marketing arms. A thousand fans are not going to keep your music close to their chest and keep it over here in the corner. They're going to tell everybody that'll possibly listen. And if you've got a fan that it gets in the car with their friends and they got three minutes to the next drive and a billion songs to choose from, they're going to choose yours. And that's going to turn those fans, those friends into fans. So it starts with a thousand core fans and you can really take over the world.Michael Jamin:I wonder, and again, I say this selfishly, I put out a book, and so this is the first venture. I've done solo