Podcasts about Disney Channel

Also, why Morningstar thinks the Federal Reserve will cut interest rates earlier than projected.Dave Whiston, U.S. autos equity analyst for Morningstar Research Services, says the demands from the UAW strike could bankrupt the Big Three automakers.Apple's Innovation in Q3Smucker's is Growing Its Snacking PortfolioMorningstar Expects More Deals from Disney  An Unprecedented UAW StrikeWhat are the UAW Strike Counteroffers? Advantages and Disadvantages of a Standup StrikeWould Meeting the Strike's Demands Make the Big Three Automakers Less Competitive?UAW Strike Risks to Investors15:54 Ford and GM Stocks17:21 We Expect Faster Pace of Interest-Rate Cuts Than the Fed Read about topics from this episode.  Disney and Charter: A New Carriage Agreement Points to Improved Content Strategies https://www.morningstar.com/articles/1180340/disney-and-charter-a-new-carriage-agreement-points-to-improved-content-strategiesQualcomm: Supply Agreement With Apple Doesn't Alter Our Long-Term Valuation https://www.morningstar.com/articles/1180169/qualcomm-supply-agreement-with-apple-doesnt-alter-our-long-term-valuationSmucker: Price Paid for Hostess Looks Fair, but Past Execution Mistakes Worry Investors https://www.morningstar.com/articles/1180281/smucker-price-paid-for-hostess-looks-fair-but-past-execution-mistakes-worry-investorsWhat the First-Ever UAW Strike at All 3 Detroit Automakers Could Mean https://www.morningstar.com/stocks/what-first-ever-uaw-strike-all-three-detroit-automakers-could-meanWhen Will the Fed Start Cutting Interest Rates? https://www.morningstar.com/markets/when-will-fed-start-cutting-interest-rates  What to watch from Morningstar.3 of the Best Robo-Advisors, and One of the Worst https://youtu.be/BSoSdJdUFKU?si=4K7BciRIHIq7Run9Stocks to Consider as the U.S. Pushes to Reclassify Cannabis https://youtu.be/fME1Oyit2CY?si=XbvRY1fz-etDjn4o“Ripped Off” to a “Better Deal” – How Investors Fared Since the Market-Timing Scandal https://youtu.be/yqmEo6PN7V0?si=hpAqff9EiQ2EEI2-Economy Outshines ‘Uneventful Earnings' https://youtu.be/SCR-epYX0ts?si=MQWffECd7EFSGj1l Read what our team is writing:Ivanna Hampton https://www.morningstar.com/authors/2399/ivanna-hamptonPreston Caldwell https://www.morningstar.com/authors/2047/preston-caldwellDavid Whiston https://www.morningstar.com/authors/766/david-whiston Follow us on social media.Facebook: https://www.facebook.com/MorningstarInc/Twitter: https://twitter.com/MorningstarIncInstagram: https://www.instagram.com/morningstar... LinkedIn: https://www.linkedin.com/company/5161/

Larissa FastHorse (Sicangu Lakota Nation) is an award winning writer and 2020-2025 MacArthur Fellow. Her satirical comedy, The Thanksgiving Play, made her the first known female Native American playwright on Broadway at the Helen Hayes under the direction of Rachel Chavkin. Her new plays in 2023 are Wicoun (Cornerstone Theater Company), Democracy Project (Federal Hall), Fake It Until You Make It (CTG Mark Taper Forum), For the People (Guthrie), and the national tour of Peter Pan (Networks). Selected past plays include What Would Crazy Horse Do? (KCRep), Landless and Cow Pie Bingo (AlterTheater), Average Family (Children's Theater Company of Minneapolis), Teaching Disco Squaredancing to Our Elders: a Class Presentation (Native Voices at the Autry), as well as numerous productions of The Thanksgiving Play, making it one of the most produced plays in America. Larissa created the nationally recognized trilogy of community engaged theatrical experiences with Cornerstone Theater Company; Urban Rez, Native Nation, and Wicoun. She and her collaborator, Michael John Garcés, spend years on each project in an Indigenized community engagement process. “The engagement itself is the art form.” These projects have earned them national funding and an appointment to Arizona State University. Larissa's company with Ty Defoe, Indigenous Direction, recently produced the first land acknowledgement on national television for the Macy's Thanksgiving Day Parade on NBC and continues to consult for them. They also consult for the largest theater organizations in the country. Larissa also writes in film and television, most recently as a creator for NBC, Disney Channel, Dreamworks, Muse, Netflix and others. She is based in Los Angeles with her husband, the sculptor Edd Hogan, and represented by Jonathan Mills at Paradigm NY. She is especially honored to follow in the footsteps of the last known Native American playwright on Broadway, Lynn Riggs. Photo credit: Conor Horgan Website: http://www.hoganhorsestudio.com/ https://www.guthrietheater.org/shows-and-tickets/2023-2024-season/for-the-people/ IG: https://www.instagram.com/larissafasthorse/

NFL Week 2 recap. Three team fantasy football update. Thursday night football warrants a new NFL rule book. Jaguars can't get past the Chiefs (again). Could TJ Watt win NFL MVP? Colorado continues their Disney Channel movie storyline. Him Throw of the Week. Week 4 of college football is primed to entertain. First time users can download PrizePicks and use code ‘dunnanddrew' for a 100% instant deposit match: https://prizepicks.onelink.me/ivHR/DUNNANDDREW Join our Patreon for exclusive content and access to Dunn and Drew at Patreon.com/DunnandDrew.  --- Send in a voice message: https://podcasters.spotify.com/pod/show/dunn-and-drew/message

Today on Vulnerable, I am joined by a familiar Disney face, Matthew Scott Montgomery! Matthew is best known for his work on Disney Channel, most notably his role on So Random!. Matthew explains the difficulty of growing up as a queer kid in the South, and how a breakthrough theater role led him to out himself to his parents. With undeniable courage, Matthew pulls back the curtain on his experience with conversion therapy and how he broke free from it. What role did Demi Lovato play in Matthew's journey? Was he really electrocuted and hypnotized? Why did he feel like he deserved to go to conversion therapy? Join us for this heartfelt and brave conversation. You can follow Matthew at @matthew_scott_montgomery on Instagram and @matthewscottmontgomery on TikTok. Follow me, Christy Carlson Romano on Instagram @thechristycarlsonromano and TikTok @christcarlsonromano, subscribe to my YouTube channel. Be sure to follow Vulnerable @thevulnerablepodcast on Instagram and TikTok. You can watch the video version on my YouTube channel. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this chapter, Jillian and Jerry go to Beach University to relax for 4 years, but are interrupted by the murder of Shawn. It is a sad day today as Shawn Hunter has been taken from us by a sourpuss OCD cleanfreak who thinks she was good enough to be shoulder candy for big football man. Eric gets his moment, Cory gets laid and Topanga is let off the hook for being a no-good liar, even though she had zero reason to be. Also Hayden Panitieeriteerrreete, an unfunny and annoying Disney Channel-style "house mother" character and stealing 50 cent drinks - yeah, I'm phoning in the show notes today b/c they had no problem phoning in the episode. Find us on Twitter @StoryofCoryPod Or email us with your thoughts and opinions at StoryofCoryPod@gmail.com download (right click, save as...) WARNING: This episode contains adult language.

Do you ever wish horses could speak to you? Perhaps in the voice of outrageous funnyman Sinbad? Then what you need, friend, is la confianza de caballos, otherwise known as the confidence of horses. When 14 year old wannabe jockey Corrie gains this incredible gift, as well as her own racehorse, the self-doubting stallion Thunderjam, her whole world is turned upside down. But will Corrie and Thunderjam be able to weather the storms of a disapproving mother, an evil rival horse owner, and a literal clown to win the big race? Yes, obviously, this is a Disney movie. If you've watched Ready to Run and have your own thoughts, email them to us at momcantcookpod@gmail.com for a chance to have them read out on the show. With thanks to this week's other sponsor, Ravensburger jigsaw puzzles! Regardless of your preferences or skill level, you'll find a jigsaw puzzle that suits you perfectly, thanks to the wide range of imagery, themes, and piece counts available. Start small and work your way up to over 40,000 pieces. Are you up for the challenge? Shop Ravensburger on Amazon today! This episode is also sponsored by Zocdoc. If you're in the US, go to Zocdoc.com/mcc and download the Zocdoc app for FREE. Contact Multitude for Advertising Inquiries: multitude.productions/ads Check out the official Mom Can't Cook! store for sweet merch: momcantcookstore.com and check out Mom Can't Cook! Extra Helpings for bonus episodes!

Welcome to our very first "Best of Jiminy Crickets" episode, where every month we will bring to the forefront a past episode of the Jiminy Crickets Podcast from our back catalog of shows. This year being the 40th anniversary of The Disney Channel, we thought it would be timely to revisit our show from April of 2018, celebrating the 35th anniversary of The Disney channel. April 30, 2018 - In this jam packed episode Chris and Ruthie take an extensive look back to the early years of the Disney Channel. which went on the air 35 years ago this past April. Together they discuss the first five years of the premium cable network, highlighting the many original series, Disney Channel specials and made for TV movies spanning from 1983-1988. Lot's of rare theme songs are included as well! Download (right click / save as)  Visit our on-line store for exclusive Jiminy Crickets and DisneyChris Website Merch!!!! https://jcpodcast.threadless.com/​ If you would like to help support the Jiminy Crickets podcasts and DisneyChris.com - Please consider becoming a Patreon Subscriber and receive exclusive rewards every month. https://www.patreon.com/DisneyChris

Welcome to Media Made Me: Conversations About Media Consumption, Individuality, and Identity.Today, Felipe sits down with Lonnie to chat about the media that shaped him including comedy, music, and the Hollywood dreams.Lonnie Dangerous is a comedian, rapper, actor, and multi-hyphenate star who performs all around Los Angeles.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon Podcast Logo - Freddy Luna (StuckOnYouCartoons)Video Version - Brazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Feel free to support The Brazilian Dragon Podcast via PayPal. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! This episode is also available on the Brazilian Dragon YouTube Channel.

WHAT TEAM? WILDCATS! Get'cha head in the game with Felipe and Sam as we recap Season 4 of High School Musical: The Musical: The Series on our recap series called Pod, Talk, Jam & Break.In this episode, Felipe and Sam recap the fourth and final season of HSMTMTS. They discuss the music, storylines, characters, and legacy of the series. Plus, they discuss Olivia Rodrigo's new album GUTS. Have any questions for the podcast? Email them to brazildragonpod@gmail.com.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon Podcast Logo - Freddy Luna (StuckOnYouCartoons)Video Episodes - Brazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Feel free to support The Brazilian Dragon Podcast via PayPal. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website

It doesn't come from a jar, it comes from who you are! We're sending off summer by checking out the first two episodes of Disney Channel's 1997 unscripted reality show, "Bug Juice". Join us for all the summer camp memories, tween romance, and swim test drama your heart desires, plus our thoughts on Miley Cyrus's "Used To Be Young" TikTok series thus far. ----- Follow The Time Mousechine: Instagram Twitter TikTok Learn more about your ad choices. Visit podcastchoices.com/adchoices

If you have gamers in the house, you may have heard them talking about the new fantasy role playing video game, Baldur's Gate 3. The Plugged In team examines this game and reveals all you need to know before your family decides to play it. Adam Holz then talks with Kristin Smith about Olivia Rodrigo's newest release, "Bad Idea, Right?" and her evolution from Disney Channel star to reckless, vulgar recording artist.   Connect with us! www.ThePluggedInShow.com Connect on Facebook Find us on Instagram EMAIL: team@thepluggedinshow.com PHONE: 800-A-FAMILY (800-262-3459)   Read the full review: ·        Mass Effect ·        Baldur's Gate 3 ·        Olivia Rodrigo's Bad Idea, Right? ·        Super Mario Bros Movie ·        Silent Hill ·        Tetris   Listen to The Plugged In Show Episode 175 about Dungeons and Dragons   How You Can Make Wise Entertainment Choices for Your Family   Explore the Plugged In Tech Guide   We'd love to hear from you! Visit our Homepage to leave us a voicemail.   If you've listened to any of our podcasts, please give us your feedback.

Welcome to Media Made Me: Conversations About Media Consumption, Individuality, and Identity.Today, Felipe sits down with Alec to chat about the media that shaped him including cartoons, reality television, and Disney.Alec Hester is a content creator and podcaster best known for his YouTube channel Jester Bros Cartoon Theatre. He also has a degree in Sociology with a concentration in Positive Psychology (Happiness Science). *~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon Podcast Logo - Freddy Luna (StuckOnYouCartoons)Video Version - Brazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Feel free to support The Brazilian Dragon Podcast via PayPal. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! This episode is also available on the Brazilian Dragon YouTube Channel.

Singer, songwriter, actress, and influencer who just put out a six-song EP in late June. The title track from that release reached number 11 on the iTunes charts and she has gotten airplay on iHeartRadio. She lives in Los Angeles and is known for her roles as Olive on Disney Channel's “Sydney to the Max” and as Ava on Disney's Emmy-nominated “Girl Meets World.” She has also appeared in multiple major feature films. She is a Sony Electronics audio ambassador and has amassed a tremendous following, including 4.3 million followers on TikTok, one million followers on Instagram, and a combined total of more than 4.2 million video views on her official YouTube channel.

If television was your babysitter, this episode is for you! Audra & Raymond discuss sweet sweet cable TV, why it was invented and how we spent our childhoods (and beyond) parked in front of it. From Nickelodeon to MTV to Skinemax, Retrophilia unscrambles shows like "The Adventures of Pete & Pete," VH1's "Behind the Music," "USA Up All Night," and many more. Plus, listener memories! Join Retrophilia on Instagram and Facebook, and share your memories too.

Request A Customized Workshop For Your Company: https://www.americannegotiationinstitute.com/services/workshops/ Welcome to another exciting episode of Negotiate Anything, the number one negotiation podcast in the world. In this episode, we have a very special guest, Devan Leos, who shares his inspiring story of resilience and transformation. Devan, a former Disney Channel actor and someone who has experienced incarceration, opens up about the difficult conversations that have shaped his life. Find out how he overcame obstacles and turned his life around to become a successful entrepreneur in the public relations industry. Join us as we delve into the lessons learned from Devan's journey and explore the power of difficult conversations in personal and professional growth. Stay tuned for a captivating conversation filled with insights and inspiration. Let's jump right in! Email: dev@fc-ao.org Instagram: @thedevanleos Contact ANI Request A Customized Workshop For Your Company: https://www.americannegotiationinstitute.com/services/workshops/ Follow Kwame Christian on LinkedIn: https://www.linkedin.com/in/kwamechristian/ The Ultimate Negotiation Guide: https://www.americannegotiationinstitute.com/guides/ultimate-negotiation-guide/ Click here to buy your copy of How To Have Difficult Conversations About Race!: https://www.amazon.com/Have-Difficult-Conversations-About-Race/dp/1637741308/ref=pd_%5B%E2%80%A6%5Df0bc9774-7975-448b-bde1-094cab455adb&pd_rd_i=1637741308&psc=1 Click here to buy your copy of Finding Confidence in Conflict: How to Negotiate Anything and Live Your Best Life!: https://www.amazon.com/Finding-Confidence-Conflict-Negotiate-Anything/dp/0578413736/ref=sr_1_1?crid=2PSW69L6ABTK&keywords=finding+confidence+in+conflict&qid=1667317257&qu=eyJxc2MiOiIwLjQyIiwicXNhIjoiMC4xNCIsInFzcCI6IjAuMjMifQ%3D%3D&sprefix=finding+confidence+in+conflic%2Caps%2C69&sr=8-1

This week on Mom Can't Cook, Luke and Andy delve into a most perplexing mystery: just what the hell is going on in the 2002 Disney Channel Original Movie Get a Clue. The film stars Lindsay Lohan as Lexy Gold, an aspiring journalist whose scoop on a secret relationship between her teachers kicks off a twisty, intriguing mystery that lasts a good 45 minutes before it completely falls apart into Scooby Doo-style farce. Which honestly, is pretty good going! You'll get it next time, Disney Channel. If you've watched Get a Clue and have your own thoughts, email them to us at momcantcookpod@gmail.com for a chance to have them read out on the show. Great news, spooky season fans, we're doing a Halloween live show at the Prince Charles Cinema in London on the 29th of October, where we'll be recapping 1997's Tower of Terror movie, starring Steve Guttenberg and Kirsten Dunst! Visit tinyurl.com/MCCTowerOfTerror for tickets! This episode is sponsored by CreArt by Ravensburger, the ultimate painting-by-number experience. Easily explore Ravensburger's wide selection of enchanting designs on Amazon, ranging from majestic landscapes to adorable animals and everything in between. Let your imagination run wild and embrace the joy of painting with CreArt by Ravensburger. Shop CreArt on Amazon today! With thanks to this week's other sponsor, Insert Coin Clothing. Visit insertcoinclothing.com and use code YOUDONTMESSWITHTHELOHAN for 10% off online orders. Codes are not applicable on charity items, bundles, gift cards, postage and some products at launch. Codes cannot be combined with other deals or promotions and are valid until the end of 2023. Contact Multitude for Advertising Inquiries: multitude.productions/ads Check out the official Mom Can't Cook! store for sweet merch: momcantcookstore.com and check out Mom Can't Cook! Extra Helpings for bonus episodes!

Welcome to Media Made Me: Conversations About Media Consumption, Individuality, and Identity.Today, Felipe sits down with Deja & Di-V Kemp to chat about the media that shaped them including Mary Kate & Ashley Olsen, Final Destination 3, and content creation.Deja & Di-V Kemp are twin YouTubers and content creators. You can follow their content @dejaanddiv328. *~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon Podcast Logo - Freddy Luna (StuckOnYouCartoons)Video Version - Brazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Feel free to support The Brazilian Dragon Podcast via PayPal. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! This episode is also available on the Brazilian Dragon YouTube Channel.

This week the Bland Gays flash back to the 90s & 2000s as they talk High School Musical actors, smooch-able teen crushes from Disney Channel, fun Nintendo games from the 90s and reminisce on fun snacks & drinks from the early 2000s.Justin gets attacked at a drive-in zoo, Kevin warns of disease filled Florida, a woman gets catfished out of $10,000 and the Bland Gays discuss conning celebs out of money to fund the podcast.This weeks cocktail is the Sunny D Canned Cocktail! Listen now to see what we rated this cocktail.Grocery Shopping Made Easy With INSTACARTStock up on snacks for your movie night with Instacart! Go to the below link to get FREE SHIPPING on your first Instacart order of $35 or more! Click here to star shoppingSupport the showEnjoyed this episode? Don't forget to share with your pals and follow us on Instagram @TwoBlandGays

In this episode we discuss all of the fun we had at Fan Expo, our latest experience in the never ending Boston Pizza saga, the reality of #setlife, the most shocking piece of trivia regarding Emily Osment, Hannah's disguise which consists solely of Bono glasses, Maddy's infamous alter ego Faddy Moley, whether two adult women should criticize shows meant for babies, how to use being a secret popstar to get revenge, Tish and Blly Ray's recent weddings, Billy Ray as a security guard who is always gone taking a shit, corns that are cobbing, having a giant walk in closet full of Chinese slippers, and SO MUCH MORE!!!

Join Becca Luna and her 10 year-old little sister for an exclusive interview talking about everything from dropping out of high school to becoming the next Disney Channel star! You won't want to miss this! Become a Wealthy Web Designer for 25% off | Use code: WWDPODCAST Start for FREE → Creative Career Course Get social with Becca Luna & Willow Kai: IG: FOLLOW BECCA LUNA ON INSTAGRAM FOLLOW WILLOW KAI ON INSTAGRAM   TIKTOK: FOLLOW BECCA LUNA ON TIKTOK FOLLOW WILLOW KAI ON TIKTOK Youtube: SUBSCRIBE TO OUR YOUTUBE Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on iTunes, which exposes our show to more awesome listeners like you. If you have a minute, please leave a review on iTunes. Click here, scroll to the bottom, tap to rate with five stars, and select “Write a Review.” Then be sure to let me know what you loved most about the episode!

Happy birthday to me… To celebrate my special day, Tony suggested we watch the classic cult comedy TEEN WITCH. If you were a child of the ‘80s, you knew this movie—and quite well—due to it's heavy rotation on HBO, then The Disney Channel a few years later. On a dark and stormy night, Louise Miller (Robyn Lively) visits a local clairvoyant (Zelda Rubinstein), who warns her that as her 16th birthday approaches, “strange things will start to happen.” With the help of spells and incantations, Louise discovers the perfect way to handle an English teacher bent on humiliating her, how to attract the boy of her dreams (Dan Gauthier), and ultimately, how to become the most popular girl. As is the case with many of the movies featured on The Blind Rage Podcast, TEEN WITCH tanked at the box office, but found its audience on cable and VHS. Since then, it has gone on to be considered a quintessential ‘80s classic. Top that! --- Send in a voice message: https://podcasters.spotify.com/pod/show/blindragepod/message

In this episode of Diary of an Actress Rachel Bailit chats with Author, TV Writer and Producer Jenny Lee. Jenny Lee has written and produced on STARZ Run the World, IFC's Brockmire, BET's Boomerang, Freeform's Young & Hungry and Disney Channel's Shake It Up! She is the author oft he national bestselling YA book Anna K and Anna K Away, two middle grade novels, and four books of humor essays. She lives in Los Angeles with her husband and her two Newfoundland dogs.Watch the Podcast on YouTube | Read the DiariesHost, Author of Diary of an Actress,. Executive Producer: Rachel BailitEditor, Producer : Max BugrovYouTube: @diaryofanactresspodcastInstagram: diaryofanactresspodcastTikTok: @diaryofanactresspodcastFacebook: diaryofanactress

We're taking the Time Mousechine back through a Disney Channel history lesson and breaking down the timeline of Miley Cyrus and Selena Gomez, from feud to friends! Relive the infamous moments of Miley, Mandy, Nick, Demi, Selena, and even Taylor Swift, culminating in our thoughts on Miley and Selena's new singles "Used To Be Young" and "Single Soon". ----- Follow The Time Mousechine: Instagram Twitter TikTok Learn more about your ad choices. Visit podcastchoices.com/adchoices

Join us on a fascinating journey through time as we explore Bruce Miller's 44-year career in entertainment reporting, filled with on-set experiences from some of the most iconic TV shows and movies. This includes all of the various spinoffs of "Star Trek," the penultimate episode of "M*A*S*H" and beloved sitcoms such as "Cheers," "Frasier," "The Big Bang Theory" and "The Office." We also dive into the realm of TV set design, with stories from the sets of popular shows like "Grey's Anatomy," "The West Wing" and "Parks and Recreation." We also share a few stories about the 1982 film "Annie," which was shot on the campus of Monmouth University, which co-host Terry Lipshetz attended in the 1990s, and the 1978 film "Ice Castles," which included Bruce as one of the many extras. Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Adobe Premiere and may contain misspellings and other inaccuracies as it was generated automatically: Welcome everyone to another episode of Streamed & Screened, an entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz, senior producer at Lee and your co-host of a program with Bruce Miller, who we've pulled out of a time capsule this week from reporting. He's been doing entertainment reporting forever with the Sioux City Journal. But he's been everywhere. And we wanted to do a special episode. We are coming up on 44 years, 44 years. Can you believe that? But you know what? I thought it would be fun to talk about something that people always ask me about, which is do you get to actually go to the sets of these things? Do you get to talk to the movie stars? Oh, you're just making all that up, aren't you? Now, after this many years, you can't make it up because it's just too difficult to think about. Wait a minute. Didn't I use that line before? I can't use that line again. You need to have that one on one contact. And that's the thing I think has been the biggest joy of covering entertainment, is actually getting to meet people that you maybe admired at some point or you like their work or you think that they're different than their public persona. So yeah, that's been a really cool thing. And early on in 1980 was the first trip I took to the West Coast for pilot season, whatever you might want to call the new shows. And one of the things that's very common is they'll take you to the sets of various shows so you get a chance to watch them film things. You get a chance to walk around the set and look at all of that kind of fun stuff. You get to interview the actors. It is a really kind of head turning situation the first time you do it. I have been on the set of every Star Trek series except the first one, and I have sat in every captain's chair, which is interesting because all aren't comfortable. I've gotten to see, you know, some big back in the day they were mini series. They weren't limited series, but I've been on the sets of those. I was on the set of The Thorn Birds, which was like a it looked like a working sheep ranch in Australia, but it was actually in California and we had dinner on the porch of the of De Gaeta, which was the name of the the ranch and with the stars. And one of the stars, Rachel Ward, was really upset because one of the producers said that she was in she was a nine in looks and at three and acting up and she got all upset and started walking away from the set of this. And all you could think about is they're not done filming this thing and she's bailing because she doesn't like what the producer said. And they immediately ran after her and tried to smooth over this problem. And it was all happening before our eyes. Well, we were there to have dinner and watch him. She or sheep. So interesting kind of factor there. We went to Charleston for the filming of North and South, if you remember, that was the miniseries. John Jakes had a series of books and it was about the Civil War times and Patrick Swayze was one of the stars. Kirstie Alley was another star, and that we were there for several days and they had dinner with them every night. And they were very, very fun because they would tell you things that you you know, you didn't really it never came out any other way. But they said they had given everybody on the on the miniseries a whole name. So they were different kinds of POWs in this show. Okay. So Patrick Swayze, he because he was a dancer, was called Ho Down, and they went through the whole cast and told us all their different names. And they didn't like Lesley-Ann down who was one of the stars of it. And I said, well, what's what's her whole name? And they said, You got to go over and ask her herself, and she'll tell you what her whole name is. So we went over to Lesley-Ann down and I said, Well, now they said, Everybody has a whole name. What's your whole name? And she says, I'm a whole show. That's a kind of that's a stuff you don't get when you're just normally doing an interview over Zoom, or if you're calling somebody on the phone. But it's very fun to be in that environment and you see them shooting scenes and they'll do it over and over and you think, Wow, they're not never going to finish this thing because it's it's taking so long. And I was fortunate that I was at the last day of MASH. MASH did a big movie for their final episode, but that was not the final episode they shot. They did the episode before that on on the 20th lot. And it was about buried in a time capsule. And they were there and they they did it once and they said, Yeah, we got to do it again. We got to do it again. And so they did it again and the the guy said after that, that was good. That's it. That's the end of MASH. Thank you. And the actors all kind of fell into each other's arms and were crying. And I mean, it was a real emotional moving time and they had huge media coverage. I remember standing near Maria Shriver, who was covering it for NBC, and they said to us, You can take anything you want from the set when you leave. And I happened to be standing in the in the shower. And so I have a bar of soap from MASH. That's my memento from that. But it was it's it's that was such a momentous kind of thing. And even now, when you see it in reruns, it's like, wow, I can't believe I was there when they ended MASH. I sent you a bit of a list of shows that I was kind of interested in, and MASH is on my list because for me as a child, it was one of the first big shows I remember watching now. It started when the show started. I wasn't even born yet, but as it progressed, a great but as it progressed, I grew up watching it either in real time, but also we would see the reruns. My parents would just have the show on. So I remember watching mostly the later episodes, but what a big deal it was on TV to watch that final episode, that movie episode. It was. It was huge. It's up until recently was one of the the most still one of the most watched all time shows ever. You know, often I'll just happen to mention that I was on the set of MASH and you can't believe how this smokes out. People who are just hardcore MASH viewers. Yeah, that show early on when they started putting out DVDs of full seasons of of TV shows, it's one of the first shows that I bought on DVD because it was Watch it all. Yeah, I've I've watched every episode of MASH. Yeah, I love that show. See And for me, it's it's very hard to go back and watch them again. I don't think I'd ever buy a box set. I have box sets, but I, I don't watch them. Yeah, but it's also a little different for you too, because you're watching so much. Well, you're always looking at the next thing you've got to see, just to see, you know, what's happening, what's new, what's next. But yeah, and there there are fun little things. I was on the set of Gray's Anatomy and they had a party there. And in the operating room, they had this body on, you know, on an operating table. And it looked bloody. But what it was, was it was salsa inside the stomach and you could use, you know, there were chips all around it. So that was how they were serving the chips. It's just goofy things like that that happened. If you remember, E.R., E.R. had it looked like a really bad hospital. It looked like the last place you'd want to go because it looked so kind of worn down and everything. And they actually had a an el station outside the thing where they would use it for exteriors. But it basically was George Clooney's basketball court. And you could see where they would play basketball out there when they weren't shooting or weren't doing anything. But inside the the actual operating slash exam room, slash whatever hospital, you could see really great equipment. And what happened was after the show became a success, a lot of these providers would just send them the equipment so that then it was accurate, but it was like state of the art stuff. So that I'm sure that if you went to your own local hospital, you say, Well, now don't you have the XR 732, which they used in E.R. and the Thecable? No, we can't afford that. That's like 5 hours. I think it would be one of those things where people would ask for it or whatever. But it had really great equipment in there. And they said everything was as accurate as they could possibly be. They had a lot of advisors who are medical people who would tell them exactly how to hold things, how to do certain procedures. So they got really pretty good at it. And a lot of times when you have people who are playing doctors on TV, they are expected. A lot of times if somebody collapses on an airplane or whatever, well, come on, you know what to do. And they said it's very intimidating because people expect you to be that doctor, but you're not. But they do. They do learn a few things that might be helpful if they ever need it. So, yeah. And hospital shows are really it's a they're cheap because you can put everybody in scrubs. Oh yeah. And you have a lot of rooms that can be remade to look like another room because aren't all patient rooms the same? They're also. Yeah. And so, but they did have hallways and stuff in terms of something that was real big, like that. West Wing really did have those hallways where they did the walk and talks and they had the Oval Office. The Oval Office was cool to see. There were a lot of fun things. And then if you look closely, one of the the coolest places that I had where we could check out things, Parks and Rec. And I did see a little Sebastian, by the way, I met little Sebastian, the the miniature donkey hockey so thrilled. It was like, you have to see it. There is no star bigger than this. And he was cute. And I somehow I got my picture taken with him, so I was cute. Cool. But if you go inside that city hall, they have pictures and the pictures of past like councilmen, whatever, are people from their staff. So it was fun working on a show. You can easily get a relative's picture on the wall. And theirs was also one of those kind of sets where you walk around it and you felt like you were actually in a building. That's crazy. It's interesting you mentioned with the West Wing because it is a show where there's I mean, it's a Aaron Sorkin, right? So it's a lot of conversation. It's a lot of dialog. So I could only imagine the set being huge for a sense of just you have to do one continuous shot, even if you're just like spiraling through hallways, back and forth and weaving. They make sure that the walls are removable. So if they have to have a camera come in, they can or they shoot them through things. I mean, it's it's very fascinating to watch those kind of shows being put together because it's a different procedure than maybe if you saw a three camera show where you're sitting in the audience, you're just watching things happen. If you watch a show long enough, especially a show that's been on for a very long time, you'll see changes to the set. And I'm not necessarily talking about, you know, they just updated here and there or swap furniture. But sometimes when a show starts working on a shoestring budget, they don't know if it's going to get picked up beyond the pilot. They don't know if it's going to get picked up after season one. And then all of a sudden it's around for eight years and they really start changing up the set. Have you ever gone back to a set that you hit maybe early on during a season one and then you go back a few years later and you're like, Whoa, what has happened here? This is totally different. Sometimes they will shoot on that on an existing set. There have been a lot of shows that because they weren't they didn't want to save money. They didn't want to, you know, so they'll full house. They believe they use that set for a number of different things. So there are ones that they will go back and then when they start their own run they may upgraded or change things. But there is this kind of fear that if you have success and then you change the look, you could be inviting, you know, disaster or Mary Tyler Moore had that because remember how she had that apartment that was supposedly, you know, this whatever, Minneapolis apartment. And then they decided to move her to another place downtown that looked a little more cosmopolitan and whatnot. And they were freaked that if they did move it from one place to another, the show would would suddenly lose its charm. So they made sure to make a big point of her taking her big AM from the old place and putting it in a place of honor, in the new place. But yeah, they don't want to toy with that. But if you do have success, they will upgrade. You know, a lot of times look closely at countertops and kitchens. Yep. Because it's a faux painting that they do that looks like granite. And in granite it's painting. But if they have success, they may get real granite the next time they come around. So if they upgrade this head so it has to be reinforced a little bit. Not too long ago before they ended, I was on the set of This is US, and they had that old house, you know, that the house that they used for the things when the characters were kids. Yeah. Oh my God. It was like walking back into my childhood because they had all of these things that I remembered, the TV sets that were old and yeah, even the kitchen counter where I think wasn't a crockpot that caused a problem and yep, yeah, it was all they had. No crockpot, no crockpot. We don't have that, that kind of, you know. And the Goldbergs, I was on the set of that and it's filled with toys and crap that are, are unique to that era that they do watch it because if you're there visiting they don't want you swiping something because you like a Rubik's cube that you happen to see on a TV show and they will have things marked off or taped off. So you can't walk there if you try or a guard will be standing there. The Big Bang Theory has a comic book, right? And that had real comic books that were expensive. And they did have you could not touch anything. And there you could have your picture taken in there, but you couldn't look at the comic books or, you know, touch any of the statues that they had and all the crap that was in their their apartment. That was real stuff. And but you could I did sit in Sheldon's seat, you know, don't sit in my seat. Oh, and it was cool. It was big. But to see that they had, you know, if you lifted the cushions up, I didn't do this so don't. But they, I think they used it. There was an episode where they actually did put stuff down below and so everything isn't as it seems. There are ways to kind of cheat it so that then if they need to do something like if somebody was to emerge from the bottom of the couch, they would have a hole built and they could pop up from that. So there are things like the Frazier, the the chair that the dad sat in was it looked horrible on TV and you thought, Oh, my God. And it wasn't it wasn't when you saw it in person, they just added duct tape to the outside of it. And the cushions were really comfortable. John Mahoney, who played the dad, said it was like he loved just sitting there because he didn't have to do anything in the chair. But then Frazier also had this artwork that was original. It was not a duplicate or a facsimile of anything. It was real art, and they did not bring it out until the night of shooting, so that when they had an audience there, somebody would hand carry that Kahului bowl or vase or whatever it might be and put it on the set. And then as soon as they were done shooting, they would remove it and put it somewhere else. But they did not leave them out there just in case, because how would you replace it? You couldn't. That's fascinating, because I've always watched, you know, like I watch Frazier and I watch Big Bang Theory in those types of shows I would watch is like, wow, these are really good sets, especially with Big Bang Theory, because they're geeks and they've got all the toys and the other comic book type things, and I don't collect comic books. I never really got into them. But I know what a comic book looks like in when they hold them up on the show. I'm thinking like, Wow, that's that's a really good reproduction, but it's not a real thing. It's there. And I'm sure a lot of the people who work on the show are hardcore geeks like that, and they figure when the show ends, somebody's going to have to get that. I don't know, you know, unless they're just on loan. But I don't think they would be. I think they actually go and buy those. Yeah, but yeah. And so you usually ask the people, now when the show ends, what are you going to take, What do you want? And it's not necessarily the stuff you think Kaley Cuoco from that show had. There was a picture that she said she always stared at and she wanted that because she remembers that's what she'd look at whenever she was sitting in a seat. She was talking to somebody. It was and it was a big nothing picture. It was not something. You go, Oh my God, it's Spider-Man 1952 now. It wasn't anything like that. So there are things that mean something to them but don't necessarily mean anything to the show. I know that there were things on Friends that, you know, were iconic and certain people did get those, but boy, they still talk about it. Now, you say yeah, that she that Jennifer she got that and I'm still mad about it and you know, do they even put it in their house somewhere? Probably not. Yeah. I think somebody took the door or from the set of Seinfeld because it was it was so iconic, you know, like, like Kramer flying through the door. And I don't know who it was. It might it maybe it was Jerry. But I thought one of the big actors walked away with that. Did you ever make it to the set of Everybody Loves Raymond? But any chance I did. I did. They did. But it was like a just a regular house. Did you get to at least sit on the the couch that was covered in or zip zipped up in plastic? Yeah, well, but, you know, I was on Roseanne's couch, too, in case. Oh, yeah, Yeah. Usually they'll let you sit there so that then you can feel like you were at the show or you were part of this show or whatever. And you meander around the sets and you look at things and you see things that you don't see when you're watching, you know, And there and I'm not naming names because but there are actors who don't memorize their lines. And so they'll stash them and they'll have things like there might be magazines on the table, and if you open up the magazine, you might find a script in there that's crazy. So they would you know, they would act like they were reading a magazine when they were actually reading the scripts. Now, in recent years, some of these shows were done not not any big show that you know, but some of these cable ish shows, if you will, they would shoot three episodes in a week. And it was impossible for for the actors to memorize those scripts. So they had huge, big screen TVs like like they were teleprompters that would be behind the characters so they could just read the lines off them. And that's fun to see because you go, Oh, I thought they had to memorize all this stuff. Maybe I could be an actor. I, you know, I would worry about that. But yeah, so it it varies from where you go on the Disney campus, if you will. A lot of those Disney Afternoon shows that you'd watch on the Disney Channel or wherever were nearby each other. And it all got to be real good friends with each other. You know, they all knew Miley Cyrus. They all knew the Jonas Brothers. They all and they hang out together. They were actually friends and did things together. And it's it's amazing to see now, you know, when some of them moved on to other roles and other things, how what part that played for some it was for worse and for some it was better. I was with the Zack and Cody kids, the Sprouse kids deal and I'm blanking, but they took me back to their their dressing room and they show me where they actually studied with a tutor. You know, they have to have so many hours a day with a tutor if you're using a kid and they can only work so many hours a day. Though one of the boys said, you know, truthfully were able to, I think as actors were about a four. We're not that good, but we're trying to make money to get our college people. And so, you know, we buy into this. We see what this is all about. We know and they are far more sophisticated than you think on these kids shows. These are not kids who are, you know, just throwing it out there and wanting to be stars. Some are. They're just because it's a job. Yeah, I the money and both the Sprouse boys did go to college. Now one ended up on Riverdale and they're both working in the business now but it was never the goal that that was that's kind of a byproduct that they still get to work. And I always remember Demi Lovato telling me about kids today. I said, you know what don't they realize about being a young actor on a TV show? And she said they think it's all about the purse. I said, What? And she said, They think that you can have a really expensive purse and they don't realize what you're giving up or what you have to do. And it's not all about the purse. And I thought, well, that that was a very kind of fascinating way to kind of size it all up, because I think fans look at these things and they think it's much more glamorous than it is. It's not sets. Are you doing these huge warehouses, kind of barn facilities where mice can easily be running around? There's not a hesitation there. There's a huge craft services table, but you don't know whose touch that food or where that food's been, you know? So, I mean, there are a lot of things that don't make it seem like, Oh my God, here comes Greta Garbo and Clark Gable walking down the street. Not at all like that. It really is a factory. Yeah, Factory of entertainment. Yeah. And a lot of those Disney ish Nickelodeon, Nick Junior kind of shows to that. Not I'm not saying that the sets don't look good, but you see a lot more artificial grass on the shows, which clearly isn't crass. The production value isn't necessarily is as high as you would expect either. And they would talk about how there's a Disney style at all. But you know, where they have to do kind of those broad gestures and everything. And some of the kids really thought that that was wrong, that they didn't want to do that. And you can see where now they've shifted with some of these shows that they aren't as kind of obvious. Maybe that's a term for, but they are a little more adult and they talk about themes that are more contemporary than they did back in the day. Any shows you've been on because you mentioned Star Trek, some of those shows, especially the SCI fi shows, where there might be a lot of green screens and and other things. Any any one in particular that we watch on TV that looks like, Wow, that is impressive. You know, there's the deck of the enterprise, but you're on the set and you're like, what is this? What is this? This is the most unimpressive thing I've ever seen. Oh, well, Star Trek, The Next Generation. I mean, they had like an area that was basically every planet they visited. So it had parks and things and they just redressed it and put up a different. Yeah. So that that was what you're talking about. The Orville. Do you ever remember the Orville was on Fox for a while? No, I don't. I think it's still going to be honest with me. It was Boeing, but I'm I'm not going to vouch for that. But they had an actual ship that you walked on. You walked through the whole hallways. It seemed like it was the real deal. And that's because Seth Macfarlane, who was producing it, was able to, you know, say, I want the real thing. Okay. And you saw the costumes that were just bizarre. I got to shoot the guns that they they had. And it was like you were actually if it was a an amusement park, that's what it would be like. It was cool. But first of all, a lot of those ones, boy, they cheat a lot of stuff. You know, Star Trek was a real key one. And if you looked at the Paramount that you would say, Well, I think I've seen this place before. What I watch sometimes you'll see buildings that they love to do schools, and it's just the outside of the of the paramount lot. Yeah. Executives place and you go well that's there's no school like that but they'll dress it up and make it seem like it is another one that was like shot at a place. Scrubs okay. Scrubs was in a used to be a hospital and they just took it over and, you know, and there was a bet that they had going on that if anybody would spend time in the in the morgue, they would pay them extra. If they would go do that. But because it had been a hospital, they constantly had people coming in and acting like, I need help, I'm bleeding, can you help me? And they'd have to turn them away and say, no, this is this is not a real hospital. It's a movie set of these. Yeah, yeah, yeah. One's like that. The office was shot in a warehouse kind of situation with offices. It was real offices. So when you see them all sitting around like that, that's how it was. And you could walk around all of their desks, look at everything, and they said that their computers did work and they would do like one did Christmas cards. Mm hmm. Well, they were because they had to be on the set. You couldn't leave. You had to be there. Well, other scenes were shot because you're Mr. Right. Right. You're an actor, but you are also background. So they would do stuff like that or they'd chat to each other on their their screens and act like they were working. Sir, there was the warehouse that was attached to it, and this was out in some industrial area, you know, outside of Los Angeles. It wasn't, you know, there was a fence up and all of that. But the the, the storage area or the loading dock was actually filled with paper. Wow. Yeah. Cool to see. Very cool. You know, And yes, I do have a name, plaque that says I'm assistant to the assistant regional manager or whatever. But yeah, very fun because that I think those kinds of shows make it feel like you actually are. There is a lot of the ones where you're sitting in seats and they will do that If you happen to go to California and you want to see a show shot, there will be tickets available to the public. Now, usually if you go to Universal Studios, they have a ticket box or a counter or whatever that they will let you know which ones are available. Things like game shows have a lot of availability, so you could probably go to prices, right, and sit in the audience. You won't necessarily get picked, but you could go watch something like that. A sitcom could be a little more difficult because they have different nights that they shoot and they will suck up X number of tickets just to hand out. Or if they're really bad, they will hire people to sit in the seats and laugh. Yeah, well, and they say that they used to have prisoners that would come and sit at the. Oh, jeez. 0i1 thing I did meet was paid laughs. Or did you know that they have people who are paid to laugh? Well, I knew there was laugh tracks, but I didn't know there was paid laughs. And these were some of those series that do not have an audience. But the kids need to know when to hold for a laugh. And we had like five or six people honest to God, this was the strangest thing I've ever seen sitting at a table, and they would get her. Her? Oh, well, oh, different kinds of laughs. And then the directors say, Okay, tone it down a little bit here. We don't need that much. And it would it would help the actors learn how to react to this crazy this thing. But yeah, and they would like read they be reading the newspaper. Well, they're laughing or knitting or doing something else. But it was a job and I had paid laughter. I want that. I want to be somebody who's paid to laugh. Can you get me the gig? I'm there with my luck, though I'd be on the the absolute least funny show you can think of. Like, okay, we need you to laugh right now. Oh, my God. And that's the way it is. Yeah. Yeah. It's interesting to see how success changes people, because the first year of friends, nobody knew who they were. And they were very they were more nervous than I was to interview them. And we had, they had given us mugs that said friends on it, you know, those big latte mugs or whatever. Right. Right. And they were so thrilled that the name of the show that they were on was on a mug that they started grabbing up as many as they could. So they at least had a set of them. So here you see these big stars who, you know, went on to make what, millions of dollars serve this series, swiping mugs that were supposed to be swag that was given away to the media. And then when they had the last episode of Friends, we went to this set and they would not let us get down on the set. Isn't that all? They don't have taken anything or didn't want us touching anything. We could not talk one on one with the actors and the boys. It wasn't like it was covered or anything. It was just that's how the world had changed. These were big stars that did not. Unless it was cleared, you were not able to talk to them. And. Yeah, sorry, I don't have time for Bruce Miller. No, I'm not doing some low class person like Iowa. I'm speaking as the one from Iowa. Yes, I believe we have somebody who's serving coffee over here who's from Iowa to talk to him now. One of those kind of. Yeah, but it's for me, it's a fascinating thing to look at the sets and just see stuff close up, how they dress that and how they add all those things has really changed. In the old days, it was very kind of minimal. You wouldn't see much on the counters and stuff and now, boy, they pack this and to make sure that it matches, you know, the others, they'll shoot pictures and everything and make sure that every box is where it needs. And I went to how I met your mother or father, Both mother and father, but father. And it was such a mess on that set. It was like last year, this last year. And I thought, how would you keep track of all that stuff? Because it's just it's like litter, basically. But they, you know, they keep an eye on it. I was on the set of How I Met Your Mother just before it ended, and we were in the bar and I'm not sure what the bar. Claire MacLaren's Yeah, what it is, okay. Gloria Bar set. And we were sitting at the table where the, the group usually sits and Neil Patrick Harris had carved his initials on the table and then he and it had plus D be his husband's name, David Burtka, and drew a heart around it. And I thought that was really cool and the picture of that. But, you know, a little a little thing that you probably didn't know when you were watching it on on TV. Yeah. Because you would never see that. No, it wouldn't show. What's interesting to me too, is because all these shows generally have like real life exterior shots. Right? And I remember taking a trip to Boston and taking a walk to the Bull and Finch Tavern, which is where they shot the exterior shots for Cheers. And the bar inside was kind of used loosely to inspire the look of the real bar. And I remember how cool it was like, Whoa, you know, here's the sign. And at this point, too, they had put up a sign that said Cheers, you know, downstairs because they wanted you to to recognize it. And and they had the seafood restaurant was there, too, that you can walk into. But I remember walking down the steps to cheers and then opening the door. And then how unimpressed I was, because this is just this tiny little, you know, like eight seater of a bar. It's not anything impressive at all. And the real thing was huge. Really huge. Yeah. And it did work. So if you were there visiting, they could make you a drink. Do you know, was there alcohol in them or was it. Well, if there were if they're shooting, you couldn't have alcohol. But when you're there there's out there with alcohol. And I remember sitting in one of the booths that were on the side with the actors, you know, it was funny about Cheers. They sure didn't have faith in that when it started. Right? They did room. They did a room interview where you'd go in the room with the actors and they had just had five actors in the room with one reporter. And you're thinking, well, normally you'd kind of wouldn't you try to maximize size your exposure? Right? And I think we're just trying to blow it off. And then we went to a party on the set of it and we got to sit on Norm's stool and, you know, walk around and look at everything. And it had changed. It had really changed. Once success hit again, you never know what's happened there, but Cheers is fun. But yeah, if you go to the bar, the Cheers bar in Boston, it's not the same. No, no, definitely not any. Any other stories? I have one to share. Once we're ready to wrap, let's come on out. All right. I'm just going on. You got to shut me up. Okay, So I was sort of on the set of the movie. Annie. Do you remember Annie from 1982? Annie. Annie. Dust until come now. Tomorrow. Were you one of the authors? I know. So I went to college at Monmouth University in West Long Branch, New Jersey, and in the University. It's on it's kind of in this old neighborhood in West Long Branch, in the centerpiece of the campus is, I believe now they call it Shadow Lawn Mansion. They used to call it Wilson Hall. They use the mansion as Daddy Warbucks mansion in the movie. So they shot almost the entire movie on location at my college. And I remember taking, you know, before I before I decided on where I was going to go. And you take those campus visits and they bring you on tours and the big selling point at Monmouth at the time and probably still is, was this is where we filmed Danny in the hall, which is Wilson Hall when I was there. It's where the president's office is. It's where the registrar is. There's some classrooms in there, too, is always very cool. You would get a class because they didn't have a ton of classrooms in that building because a lot of them it's a lot of very small rooms. But you would you would go in there and occasionally have a class and it was very cool to have a class there. They would have receptions for, you know, honors students there. I worked in my freshman year. I was tutoring foreign language students who were they were struggling in English and I was helping tutor them. And the tutoring center was in the basement of Wilson Hall. And you would walk on the floor and you could sense there was something hollow beneath it. And it was because the big pool, if you remember the scene, was the pool in Annie. That's where the pool, the pools in the basement of Wilson Hall. But they had covered it over and converted into two classroom space. So yeah, so it was, it was very, very neat. And there is a scene, I think it's early in the movie when they're first bringing Annie to the mansion and you see the car turn down into the gates. But it's one of those scenes where if you look very closely, you could see the dorms across the street, but you wouldn't know it If you're watching the movie. You just see some building in the background. But it's like, oh, there is. There's the dorms, which is crazy. They ask anything, Well, where did you start seeing Hard Knock Life at some point? I did not know, but I did watch. I did actually watch the movie after I went to school there because I it wasn't high on my list of movies to see as a as a child, it didn't quite appeal to me. But once I got there, I watched it. It was it was fun to watch and then see the different locations and think, Oh, LA, you know, I've been there. I had to I had to register for my sophomore year there and I had to go pay a late book fee or something there. And yeah, that was crazy. So that's where we kind of relate to these things, is that we can find the real place that was used and go, What was that for? I know. And if you ever go on the Universal Tour or the Warner Brothers tour, anything, recycle these things all the time. So I, you know, like you, when I was in college, I was in a movie. They needed extras and they said, if you come, you know, maybe you'll get on camera, maybe you won't. It was Ice Castles, Ice Castles with Lin, Holly Johnson and Robby Benson, and it was about a figure skater who lost her sight. And we were supposed to be in the audience watching her. When you realize, Oh my God, she's blind. She can't see where she's skating. And then. Right. And Robby Benson comes out to greet her and everything. Well, I happened to have a camera with me because it you know, if you're not with the camera, are you anybody you need a camera. All, all situations. And these were not cell phone days. This was back in the days of a camera. And so they were they were thrilled that I had my camera there. And if you watch for a millisecond, you will see that I am in the movie Ice Castles because I happen to have a camera and it's me holding my camera. It captured that moment when they discover that she's blind. Wow. Is that not real? But there's my movie. Yeah, well, I don't think we can top anything else now that we know. Now we've done it. It's done it. Okay, well, we're going to do another episode like this sometime because this is fun. I enjoy story time with Bruce. Well, if anybody has shows that they're interested in or want to know about, if they want to drop us a line, we'll be glad to put them on a list and then we'll talk about them. Because like I say, 47 years I've been just about everywhere that you could go unless there was some ban put on people. And no, you can't talk to those people. And maybe I'll tell you my Zendaya story some oh, I want to hear that one. So you can you can reach out those podcasts at least dot net. I check the email regularly and I will screen those emails and we will get back you and talk about it in a later episode. That sounds great. All right, everyone. Well, thanks again for listening to this episode of Streamed & Screened.See omnystudio.com/listener for privacy information.

Colin Ford is an actor who stars alongside Dennis Quaid in the new movie "The Hill," in theaters August 25. Ford plays former pro baseball pitcher Rickey H ill and tells the extraordinary story of overcoming a degenerative spinal disease to become a baseball phenomenon.  Ford has been an actor since he was a child and starred as the voice of "Jake and the Neverland Pirates" on Disney Channel as well as Marvel's Captain Marvel and "We Bought a Zoo" with Matt Damon and Scarlett Johansson.  Today on the podcast, we talk to Colin Ford about training to be a baseball player for his new movie, the importance of his faith in God, the scripture he most clings to, being star struck acting alongside Matt Damon and his favorite sports movie. Sign up for our Sports Spectrum Magazine and receive 15% off a 1-year subscription by using the code PODCAST15 http://SportsSpectrum.com/magazine 

Hello again everyone!We're back from an unannounced hiatus that was necessary for many reasons! Travel, family, and the havoc that general late-stage capitalism is wreaking on our chosen industry!As the title has probably made you aware, SAG and the WGA is on strike! Now what does that mean for us? You'll have to listen to find out!Join us as we talk through reasons for the strike, where we stand (hint hint: we ain't no scabs), and a pivot or maybe rather a return to our roots! Plus bonus content if you make it all the way to the end!Can't wait to hear from all of you once you listen to this weeks episode of Disney Deviants(?)!

It's time to throw some shrimp on the barbie and pack your bags for Australia! We're covering our very first Disney Channel fiction book on the podcast, "Hannah Montana: G'Day, Sydney!" and all the chaos that comes with it, plus discussing the Jonas Brothers Yankee Stadium show and Miley's latest announcement. ----- Follow The Time Mousechine: Instagram Twitter TikTok Learn more about your ad choices. Visit podcastchoices.com/adchoices

Like a flightless pun-slinging pterosaur, ADVENTURES IN DINOSAUR CITY (1991) comes crawling up from way down in our collective memory holes. Maybe we caught it on the Disney Channel. Maybe it's just another piece of the omnipresent dinosaur media of the 90s. Maybe Forry is just the most Video High friendly character we've watched. But this group of friends who have nothing better to do than dive into a VHS sure did love this Teenage Mutant Ninja Turtle cribbing mess about a group of friends diving into a VHS. At least we'll always have Tar Town.

Patrons got this episode a day early. Sign up for our Patreon for monthly bonus episodes, shoutouts in our shows, movie recommendations, occasional early episode drops, and more!For its 25th anniversary, we're revisiting the skating rink to talk about Disney Channel's Brink!Starring Erik von Detten and Christina Vidal, Brink! was a landmark DCOM that AJ grew up admiring, but Trevor somehow missed. He quickly realized what a shame it was that it took him as long as it did to catch this one. Follow and support the show and the hosts!Support us on Patreon for as little as $1Subscribe on Apple (and write us a review!)Subscribe on Spotify (and leave us a rating!)Follow us on InstagramFollow us on TwitterFollow AJ on TwitterFollow Trevor on TwitterFollow AJ on LetterboxdFollow Trevor on LetterboxdSpecial shoutout to our upper-level Patrons:EmilTravis Beale Ben FranchiRay MunozTrever SprouseJohn Urbaniak Everyone who signs up for our Patreon at the $4 level will be given shoutouts in each episode and episode show notes.Next week: A Patreon preview on something completely unrelated to film and television. In two weeks: something cheesy lives under the sewers. 

This week we begin a quest to properly hydrate Andrew, we provide some updates on the SAG-AFTRA and WGA strike and talk about some interesting comments made by a former Disney Channel star, we talk about new comments from Bob Iger and the recent price increases to streaming services, quick updates on Disney Dreamlight Valley and Disney's latest game for the Switch Island of Illusion, more info on our Teamboat Willie fundraiser benefitting the Children's Hospital of Orange County (aka CHOC), and, we wrap things up with our history segment Great Moments with Mr. Andrew with some facts about 1987 and 1988. Listen now at: https://www.podketeers.com/478   Check out our series of Armchair Imagineering episodes here:  https://www.podketeers.com/armchair-imagineering/ --- Join the FGP Squad Family! Support for Podkeeters is provided by listeners and viewers like you! We like to call our supporters our Fairy Godparents (they call themselves the FGP Squad). You can find more info on how to become part of the FGP Squad family by going to:  https://www.podketeers.com/fgp --- We're on Discord! Join other members of our community and us on our Discord server! Use the invite link below to join us: https://discord.gg/gG8kJ2a --- Help us make a difference!  Teamboat Willie is the official charity team of the Podketeers Podcast. For more information on the charity that we're currently supporting, head to: http://www.teamboatwillie.com

Like a flightless pun-slinging pterosaur, ADVENTURES IN DINOSAUR CITY (1991) comes crawling up from way down in our collective memory holes. Maybe we caught it on the Disney Channel. Maybe it's just another piece of the omnipresent dinosaur media of the 90s. Maybe Forry is just the most Video High friendly character we've watched. But this group of friends who have nothing better to do than dive into a VHS sure did love this Teenage Mutant Ninja Turtle cribbing mess about a group of friends diving into a VHS. At least we'll always have Tar Town. INSTAGRAM | FACEBOOK | TIKTOK | TWITTER

Everybody loves lists, so let's do a whole podcast about them!Matt and Ryan spend this Productive Conversation breaking down many Top 5 lists. From food, to presidents, to movies, Netflix, Disney Channel, Cartoon Network, and Nickelodeon Shows, and a lot more where that came from!This is a classic. Check this episode out on all Podcasting Platforms & YouTube. (3:10) Check out this episode and more content from the Productive Conversations Podcast on Apple Podcasts, Spotify, Google Podcasts, Audible, Amazon Music, Audacy, Pandora, iHeartRadio, Listen Notes, TuneIN, and where all podcasting platforms can be discovered. As well as our YouTube Page! Links Below….LinkTree https://linktr.ee/productiveconversationsYouTube: https://www.youtube.com/user/mbrown3212Follow us on Instagram@ProductiveConversationsPodcast@MattBrown300Follow us on Twitter@ProdConvoPod@Mattbrown31Follow us on TikTok@productiveconversationsBest way to contact our host is by emailing him at productiveconversationspodcast@gmail.comTo Find Our Show on Various Podcasting Platforms And YouTube, click on the following links below!Apple PodcastSpotifyYouTubeGoogle PodcastsTuneIn PodcastsStitcher PodcastsPandoraAudacy Amazon MusicAudibleiHeartRadio:PocketCastBullhornPodcast Addict

Today on Vulnerable, I am joined by the wonderfully talented Isaak Presley! Isaak is best known for his roles in Fuller House and the Disney Channel series Stuck in the Middle opposite Jenna Ortega. He is continuing to pursue many things in the arts, including a successful music career. Isaak opens up about his experience navigating the industry as a child actor, why he made the decision to get sober, and how getting arrested changed his life. Who had drama on the set of Stuck in the Middle? How young was he when he was exposed to drugs and alcohol? What does he wish Disney had told him? Tune in to this honest and open episode. You can follow Isaak @IsaakPresley on Instagram, TikTok, and YouTube. Follow me, Christy Carlson Romano on Instagram @thechristycarlsonromano and TikTok @christcarlsonromano, subscribe to my YouTube channel. Be sure to follow Vulnerable @thevulnerablepodcast on Instagram and TikTok. You can watch the video version on my YouTube channel. Disclaimer: This content was produced prior to the recent SAG-AFTRA strike authorization. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Join us as we step into the magical realm of Disney movies with the Disney Movie Club! In this episode, we're diving deep into the enchanting world of Disney, discussing beloved classics and timeless adventures. From Disney Plus movies to unforgettable Disney Channel favorites, we're taking a nostalgic journey that will awaken your inner child. And if you haven't seen some of these, maybe they make it to your Disney plus movies list or your Disney movies on Netflix list. Get ready for a special segment where we're ranking our all-time favorite 90s non-animated Disney films. In our signature "Mount Rushmore" style, we're unveiling the top picks that defined our childhoods. From heartwarming tales like Homeward Bound: The Incredible Journey to the Jamaican coolness of Cool Runnings, we're celebrating the magic that only Disney can deliver. Join us for a laughter-filled podcast. Just two clean comedians putting a funny smile on your face. So whether you're a Disney Plus subscriber, a fan of classic movies, or simply looking for a dose of nostalgia, this episode is a must-listen for all Disney enthusiasts! Tune in and rediscover the joy of Disney with the Twerk Ethic Podcast.

Today's guest is Paul do Campo    Paul is a Investor with an active income as a copywriter, creating marketing systems and sequences for investors.   Show summary: In this episode, Paul do Campo discusses the significance of building relationships in the real estate industry. He emphasizes the need for personalized communication and shares his journey from wholesaling to becoming an investor and copywriter. Paul explains the psychology behind building relationships with investors and recommends using channels like email marketing to establish a personality-driven marketing approach. He also discusses the importance of authenticity in writing, citing examples from Stan Lee's success in Marvel Comics.  -------------------------------------------------------------- [00:00:00] Intro [00:00:58] Paulo's Journey from Pipeline Construction to Copywriter [00:09:41] Marketing to Investors through Personality-Driven Marketing [00:10:57] The importance of seller lead acquisition [00:11:59] The role of automation in real estate marketing [00:16:27] The messaging mistake of sounding too robotic [00:20:20] The Journey of Stan Lee [00:21:21] Applying Authenticity in Business [00:22:15] Closing -------------------------------------------------------------- Connect with Paul:  Web: www.reiOmnidrip.com   Connect with Sam: I love helping others place money outside of traditional investments that both diversify a strategy and provide solid predictable returns.     Facebook: https://www.facebook.com/HowtoscaleCRE/ LinkedIn: https://www.linkedin.com/in/samwilsonhowtoscalecre/ Email me → sam@brickeninvestmentgroup.com   SUBSCRIBE and LEAVE A RATING. Listen to How To Scale Commercial Real Estate Investing with Sam Wilson Apple Podcasts: https://podcasts.apple.com/us/podcast/how-to-scale-commercial-real-estate/id1539979234 Spotify: https://open.spotify.com/show/4m0NWYzSvznEIjRBFtCgEL?si=e10d8e039b99475f -------------------------------------------------------------- Want to read the full show notes of the episode? Check it out below: 00:00:00:01 - 00:00:24:05 Paul do Campo When you have a repeat transaction type business, I mean, you're going to sell. You're not going to sell one deal to investors. You might sell a second or a third deal. Hopefully that same investor, if he has a good experience with you. Yep. Now, that type of business requires relationship, acquirer requires procedure, rather than just like trying to trying to win the quick trying to, you know, butcher the kill and the one time thing and forget it and lay them to the curb.   00:00:24:06 - 00:00:34:20 Paul do Campo Right. So you so yeah, again, automation kind of slightly removes that, that relationship into when you're especially connecting with investors.   00:00:35:01 - 00:00:55:24 Sam Wilson Welcome to the How to Scale Commercial Real Estate Show whether you are an active or passive investor, we'll teach you how to scale your real estate investing business into something big. Part of Campeau is an investor with an an active income. As a copywriter, he creates marketing systems and sequences for investors. Paul, welcome to the show.   00:00:56:14 - 00:00:58:06 Paul do Campo Awesome man. Appreciate you having me on it.   00:00:58:10 - 00:01:05:10 Sam Wilson Absolutely. Paul, there are three questions I ask every guest who comes on the show in 90 seconds or less. Can you tell me, where did you start? Where are you now and how did you get there?   00:01:06:16 - 00:01:46:13 Paul do Campo All right. That's a long story, but how and where? When did I start? So back in 2015 started like everybody else was rich, had a poor dad, dove into the rabbit hole in bigger pockets dot com, all that sort of wholesaling. I was doing direct mail, lots of direct mail the time not this is my first entrepreneur venture going from going from working as a pipeline construction welder foreman in the utility business, natural gas utility and then moving into a whole different world of sales, marketing, business processes and systems.   00:01:46:22 - 00:02:15:09 Paul do Campo So when you jump into that, I mean, it's not it's never a clean, smooth transition. Transition. It's never, oh, I got to figure it out at least for at least for me. Anything new like that has never been a smooth, clean transition like that. And so I learned a lot back then. I, now I slowly, I mean, long story short, slowly started transitioning into flipping land, which did well for me, flipping land to notes, flipping mobile homes into notes as well.   00:02:16:09 - 00:02:43:08 Paul do Campo While I was doing that, I kind of accidentally fell upon another rabbit hole, which was corporate investor care. It became was my first client. I was in a lot of the concierge clients type of type of working on the phone with their clients, building out their pages for them, and then kind of slowly transitioned from that to being a full time copywriter, active, full time copywriter for clients in the space.   00:02:43:08 - 00:03:30:08 Paul do Campo And I say space, I mean, software vendors, services coaches, that type of thing. And then creating now today I, you know, I'm still investor and passive investor more so than having a volume business like I used to. I kind of escape that my from that being my active income to my activism as copywriting into passive income meaning I'm just looking I'm always looking for cash flow deals and those investing with local flippers around here or buying a deal, they find a and today I have my own offer that I sell to investors, which is basically taking all my knowledge of copy and and I merged together creating a, a complete follow up automated system in   00:03:30:08 - 00:03:46:23 Paul do Campo their CRM, everything from all the tactics and techniques of copy that I've done over the years and, and all the sequences into an actual system for follow up rather than just like a couple handful of drip, drip sequences that don't really mean much.   00:03:46:23 - 00:04:16:08 Sam Wilson So right now I'm inter, I'm interested. I mean, how did how did you figure out that? Because we I didn't quite hear the spot where you went from working. We say with pipeline construction. Yeah, work in pipeline construction to a copywriter. Those seem to be two totally different skill sets. Figure out that, hey, I'm actually a really good copywriter and maybe I can let welding go, right?   00:04:16:08 - 00:04:45:03 Paul do Campo Absolutely. You know, I actually enjoyed well, I actually enjoyed that job. It was. But there was limitations to it. I really hated just working for the man. Like I just just every day having to do, you know, knowing that, know, I really don't have that much freedom. And knowing that I have to if I want to go out on vacation, I got to grovel to somebody to ask for education.   00:04:45:03 - 00:05:08:07 Paul do Campo Right. And then now it was union based, so meaning it's seniority. And I was at the bottom of the totem pole. I was the youngest welder there. And so everybody else, you know, they take all the great time, you know, all this all the great vacation slots, all, you know. So I just I just hated that. And then I also hated I, I used to live in Southern California and a lot of people going to just think this is bizarre.   00:05:08:07 - 00:05:31:20 Paul do Campo But I hated living there. I personal reasons that just we didn't enjoy the weather, the people, the traffic, the congestion we enjoy that. So I was stuck there. I worked utilities. And so there's no way for me to get out unless I get a job somewhere else. And so one year I just decide I need to get out.   00:05:31:20 - 00:05:50:19 Paul do Campo And I was doing some copywriting and had it in my mind every day. I actually kept a card in my pocket that I was going to quit. I didn't know how in know how I was going to do it had I was actually had my own publishing business too. I had a course I was selling, had an email list and but I didn't know how I was gonna do it.   00:05:50:19 - 00:06:11:13 Paul do Campo I had some notes from land and mobile homes as well. And then a client, a couple of clients came by that that offered me a heck of a lot of money. And I took it and I took it. And it was more than more than what I got paid at that company that as a as a welder and.   00:06:11:13 - 00:06:13:02 Paul do Campo Yeah. And I never turned back.   00:06:13:02 - 00:06:34:00 Sam Wilson So so you made it out of Southern California and said, hey, look, I'm now a now a copywriter. What talk to me about the psychology of building, because you're more than just a copywriter. Like it's one thing. And I've employed various copywriters over the years where it's like, you know, I'd record the big idea or talk about it.   00:06:34:00 - 00:06:53:04 Sam Wilson It's like, Hey, this is what I'm talking about. This is the knowledge inside of my head. Now I need this synthesized into something meaningful. That's one copywriting skill set. And I was always impressed when a copywriter can take my ideas that I couldn't really synthesize in anything meaningful and turn it into a beautiful paragraph. Because, yeah, it's exactly what I wanted to say.   00:06:53:12 - 00:07:16:12 Sam Wilson Well done. That's one skill set. But it's another thing entirely to understand the the the psychology and a lot of people on this or that listen to this show are probably struggling, I would imagine. Maybe I'm wrong. I'm just projecting my own struggles, but the investor psychology kind of process, as they come in, they get an idea of, okay, who is that?   00:07:16:14 - 00:07:30:14 Sam Wilson What is it that you do? What's your business like? And then then moving them from that curious onlooker to now I want to invest with you in getting them through those drip sequences. That's a different skill set entirely. How have you built that out?   00:07:31:01 - 00:07:45:19 Paul do Campo Right. So as your your example is more so the target is is an investor is your your trying to get fund, fund or sell deals to them, right? Yeah.   00:07:45:19 - 00:07:54:21 Sam Wilson So well, in this case, it would be it would be an investor looking, looking to get that investor, you know, to be comfortable with us as sponsors and then come alongside invest.   00:07:55:05 - 00:08:25:06 Paul do Campo Yeah. Yeah. So with that, I'm going to say that I think the strongest element for that particular segment, I think it's going to be a relationship rather than, you know, you know, because there's nothing really I mean, it depends on what segment you're going after that's important, right? There's there's market awareness is market sophistication. So if you're if you can spread out your blanket, you're going to get all kinds of people to come on board and give it brand new people that just read Rich Dad, Poor Dad.   00:08:25:06 - 00:08:54:08 Paul do Campo And they're so excited about by buying a deal, but they probably won't. Right? So and then there's the season investors and that's the affluent class or you know, that's so there's a great book and I brought this up in another podcast I was in Dan Kennedy's Marketing to the affluent and and that that is a very interesting group that I'm trying to understand as well better because that's who I market to on the drip is my is my offer, my company.   00:08:54:14 - 00:09:15:06 Paul do Campo We actually when I say create sequences, I'm talking about off market investors who are who have lots of leads to buy to be deals from. Right. So in this case, I would have probably have a long sequence for an investor and said what I what I would do instead is have a channel that I'm consistently marketing to them with.   00:09:15:12 - 00:09:51:23 Paul do Campo I saw somebody has, has took me up on this challenge or not took on this challenge but kind of debated or argued with this idea that, you know, an investor is just looking for a deal. That's true. But it's also not true because you're you're marketing to the fool. And in fluent are more likely to to buy from somebody like rather than price shopping or looking for a deal and and the really good in the case study example of this is Brandon Turner speaking of bigger pockets Brandon Turner's open door capital.   00:09:52:04 - 00:10:16:02 Paul do Campo Right doing the same thing. They're going after investors. And so if you watch their advertising, it's just him. It's his personality. So it's personality driven marketing. So I so I what I'm saying here is, is think about how you can grow the relationship that really puts your personality, that is driven by your personality, and you can do it via email.   00:10:16:02 - 00:10:42:13 Paul do Campo You can do a verse versus social media versus ads like Open Door or in some type of influencer type person like Brandon Turner. My, my, my cup of tea is as email. I love doing email marketing. That's how I that is the channel I've used since 2016 to to build a personality driven marketing channel. So yeah, that's, that's my, my tip for marketing to investors.   00:10:43:05 - 00:11:17:07 Sam Wilson Man. That's cool. I like that. I like that a lot. What did you do? Because I'm looking through here at your your website here, which for those of you who are listening is REIT Omni Trip.com. So REIT omni drip dot com. And it looks like to me one of the one of the things that you've really helped real estate investors work through is I think you said it, but it is with the seller side and that's very important obviously on the commercial real estate side of things as well because we have them as two things.   00:11:17:07 - 00:11:32:15 Sam Wilson We need, we need we need money, we need deals without either one of those. Then we really don't have a commercial real estate business. So it sounds like you work more on the seller lead acquisition and or and getting deals closed side of things is that is that about a fair synopsis.   00:11:33:12 - 00:11:58:19 Paul do Campo Yeah. And that that site you're looking at that offer. Yeah. Just because it was just more of a need for that, it was just a lot of is more likely for when you're creating an offer. You know you got to look at what's what's more likely what's what do you fill in the gap with. So yeah like I mentioned earlier I don't answer for or investors LLC having a very complex type of automation in place.   00:11:59:18 - 00:12:20:20 Paul do Campo I'm a fan of automation, but there's a time and place you don't really need it, like having a rat's nest of all these little things. And so with a like we, we put in place for these flippers and wholesalers, we have 20 sequences in place has because there's there's it's the long sales process all kinds different avenues to go with.   00:12:21:08 - 00:12:44:13 Paul do Campo And these people are dealing with at least 100 leads per month. So you can't follow up with that when somebody has a smaller business and only dealing with with 30 leads per month, it's something that you don't really need a whole lot of automation with or it just gets becomes a rat's nest and then you kind of remove the whole relationship because in commercial business you have the advantage over the guy who's just looking for deals.   00:12:46:01 - 00:13:15:13 Paul do Campo When you're selling to investors. I mean, you have repeat transactions. When you have a repeat transaction type business, I mean, you're going to sell you're not going to sell one deal to investor. You might sell a second to a third deal. Hopefully that same investor, if he has a good experience with you. Now that type of business requires relationship, acquire requires procedure rather than just like trying to try to win the click, trying to, you know, butcher the kill and the one time thing and forget it and lamb to the curb, right.   00:13:15:13 - 00:13:26:10 Paul do Campo So yeah. So yeah. Again, automation kind of slightly removes that, that relationship into when you're especially connecting with investors. So yeah.   00:13:27:14 - 00:13:47:12 Sam Wilson No I hear you man. That, that, that's spot on. And that's one of the things I think in our drip campaigns when an investor signs up for the an investor Club, one of the things that they get early on is opportunities and I think they get them throughout the campaign. But it's instead of, hey, read one more email sequence, it is schedule a call with us.   00:13:47:13 - 00:13:54:18 Sam Wilson Get on the phone with us. Let's get to know each other. Let's talk. It's not just have one way one way communications. I think that.   00:13:54:18 - 00:14:11:20 Paul do Campo So I'm not saying at all to remove any drip or automation. I mean, at the bare minimum, I would have a welcome series that welcome serious goals intentions with us here. What are you trying to achieve? What's the first quote sale you have to make? You know, in your case, it's getting on a phone, getting a phone call.   00:14:12:18 - 00:14:32:06 Paul do Campo It could be it could be driving value by getting in with maybe educating. It can be whatever it is. So a bare minimum. I do have a welcome series. Everybody I think should have some sort of welcome series, but I think it might stop there depending on your business, right? If you have a whole lot of things itself, you're an e-commerce business.   00:14:33:00 - 00:14:46:14 Paul do Campo Yeah, you're going to probably have a little more with complicated segmentation on who's buying what, who's looking what and all that kind of stuff. Because you're dealing with lots of volume of leads coming in. Yeah. So it's all it's all business related, all, you know, case by case.   00:14:46:14 - 00:14:59:18 Sam Wilson So got it. I love it. What's the, what's the, what's the limits to what it is that you're doing and the number of industries that you feel like you can effectively serve?   00:14:59:18 - 00:15:22:21 Paul do Campo That's a good question. I don't know yet. So I know with with Army drip itself. I mean, you know, I've covered people with land and that that buy and sell land and they sell land to the consumer world. They don't really sell land to investors typically. And I've dealt with them. I've bought the build sequences for them. I get my limit.   00:15:22:21 - 00:15:46:02 Paul do Campo You know, I, I don't to, to be transparent. I'm like, I'm there writing for every single client. I built this so it's scalable for me and affordable for everybody. So I built I built it to where I have a library of different messages that fit different people, different scenarios. And then I have a software that pulls that all together so that it creates a sequence for them or the sequences.   00:15:46:02 - 00:16:03:14 Paul do Campo So yeah, if somebody comes in, I don't have any of that stuff, I'd have to either. I have to make a decision and say, Well, am I going to charge them a lot of money to create it? Can I resell it? Can I package it up and resell it if it's a one time thing or I'm never going be able to do anything about it, charge a lot more for it.   00:16:03:14 - 00:16:19:02 Paul do Campo So it's all running by case by case scenario. But if it's a single family resident flipper, wholesaler Def, I mean, that's an easy that's easy not out of the park type of thing. If it's somebody who's doing commercial, that's a little I got to see what I can do with that.   00:16:19:07 - 00:16:25:20 Sam Wilson Right. What do you feel like? The number one messaging mistake maybe people make is.   00:16:27:16 - 00:16:35:14 Paul do Campo Oh, that hey, what? What? Give me some what medium or what what kind of channel are we talking about here?   00:16:37:07 - 00:16:41:05 Sam Wilson Let's say it could be. It could be from the.   00:16:41:17 - 00:17:05:01 Paul do Campo Day I got one. Then that's a similar SMS email. Let's just start with that. I think that that the number one I think is sounding too robotic and h.r. Type. I give this tip a lot and i think people sound like they're they're a lawyer or they're from the department. Right? And so it's just dry, boring. They'll be it.   00:17:05:05 - 00:17:23:23 Paul do Campo So my, my tip to that is, is be a little talk like you're from you know, you're Joe Schmo from down the street talk like a normal person would I mean, you want to write I should say write like a normal person would. You know, you're not right. You're not there's nothing legal that you're writing about. You know, there's you're not a lawyer.   00:17:24:02 - 00:17:59:10 Paul do Campo You're not signing a contract. Right. That you're I should say you're not creating a contract for a you know, so just, you know, you're right, like any other person would. Then we get to evolved into into trying to sound professional that that actually just hurts just hurts you because there's a copywriting principle that that you you don't want here here's a really good analogy is if I if I saw a guy roll up in a in a Ferrari in front of my house wearing a slick suit, and he's coming to knock on my door.   00:17:59:24 - 00:18:24:20 Paul do Campo I have barriers immediately out like you're doing all right, says salesman. You know, he screams Salesman, as you approaches Utah. I have barriers. They come right up because he's put himself in a level that where he's looking down on me now. And so and that's the consumers going to have that. Everybody's going to have that barrier, rather, a guy who rolls up in a beat up pickup truck.   00:18:24:20 - 00:18:42:19 Paul do Campo I'm not I'm not saying this is what you do for your sales process. I'm just putting analogy. Your grows up in a pickup truck, comes knocking on door, kind of like almost like the Columbo type of figure. I don't think they Columbo you're just kind of, you know, just this weirdo, like not weirdo but but kind of aloof.   00:18:42:23 - 00:19:06:17 Paul do Campo And so when somebody rolls up like that, you're and he's now on a lower like level where you're looking down on him instead and, and so you put step of the person the same level as you two. Now it's more comfortable, it's more you're the bears are less. But that's an old negotiation strategy of this guy named Jim Camp.   00:19:06:24 - 00:19:27:17 Paul do Campo So I think I think Chris Voss learned from him. He's Jim Camp is long gone. But his book Start With No it's a great book on negotiation has those principles principles there where you don't you don't have to sound perfect at all. I mean, the soundtrack sound perfectly good works against you, so.   00:19:28:03 - 00:19:34:10 Sam Wilson Yeah. No, that's it. I like it. And what you what I hear you say in there is just be authentic, be yourself like.   00:19:34:10 - 00:19:54:21 Paul do Campo Yeah, and that's that's always yeah. And that's a buzz word lies be authentic. And I think a lot of people have trouble being authentic, which I mean, they try to be somebody else or trying to be authentic, which is like, you know, so and that's a hard thing to do. I get it. So one, one tip tip that I, I do, I write a daily email with my list.   00:19:54:21 - 00:20:29:02 Paul do Campo So, so trying to be authentic is a very Yeah. You know, so I don't try to think about I got to be authentic to be authentic and said there's a really good documentary on on Disney on Disney Channel on Stan Lee. I think if you just type in Stan Lee, you'll find it. So Stan Lee helped you didn't create ma why you're kind of created because he but he worked there at Marvel he was there editor and at the time in the fifties he was at comics where everybody was doing the same thing.   00:20:29:02 - 00:20:50:18 Paul do Campo It was all hate for the trans. For the trans just right when everybody was writing and it sells. Stan Lee changed gears and he started writing what he liked to what he wanted to write about, the sort that interests him. That's where Spider-Man is like what I create teenage superhero and which is art was unheard of at the time, teenage superhero with problems.   00:20:50:18 - 00:21:15:07 Paul do Campo And so he did that. And like Marvel took off after that, they were called Marvel. Marvel at the time. They changed the name after but took off it actually tapped into a new market. And that's been so to get back to authenticity, that's being authentic. So the day I just start, I just kind of write what goes against what everybody says I do, but I just write what what I have interest in at the time.   00:21:15:21 - 00:21:21:03 Paul do Campo And and you're going to hit this, you know, that is kind of being in a way, being authentic. So.   00:21:21:09 - 00:21:50:16 Sam Wilson No, it absolutely is. It absolutely is. Yeah, I like I like that a lot. Yeah. That's a that's a great a great clue. There are hint there, but we can certainly apply in our own businesses. Paul, this has been a lot of fun learning from you today. I love what you've done in the journey you've taken from working on the pipelines to making a business out of copyrighting and sequence building and really, you know, dial in in the back end of a lot of a lot of things that we as real estate investors certainly need and use.   00:21:50:16 - 00:22:14:08 Sam Wilson Thanks for taking the time to break down some of the more mechanics of how you do that, what you look for. You've given us some great book recommendations here start with no marketing to the the fluent the the the documentary called Stanley those are like fun fun things to to dig into there and certainly appreciate your time and expertize here today if our listeners want to get in touch with you or learn more about you, what is the best way to do that?   00:22:15:12 - 00:22:27:07 Paul do Campo Yeah just head over my website WWL dot RC omni com was mentioned earlier You can find me there just send me an email from there and I'll be glad to help and answer your questions.   00:22:27:14 - 00:22:36:15 Sam Wilson Awesome Paul, thank you again for your time. RFI Omni drip dot com. We'll make sure we include that in the show notes. Appreciate it and have a great rest you Debbie.   00:22:37:02 - 00:22:38:00 Paul do Campo Awesome man. Thank you.   00:22:38:07 - 00:22:59:18 Sam Wilson Hey, thanks for listening to the How to Scale Commercial Real Estate podcast. If you can do me a favor and subscribe and leave us a review on Apple Podcasts, Spotify, Google Podcasts or whatever platform it is you use to listen. If you can do that for us, that would be a fantastic help to the show. It helps us both attract new listeners as well as rank higher on those directories.   00:22:59:18 - 00:23:02:24 Sam Wilson So appreciate you listening. Thanks so much and hope to catch you on the next episode.  

Tuck chats with actress Nicole Maines (she/her). Topics include:  The long, slow process of transitioning in elementary school  Picketing with the WGA even before the SAG-AFTRA strike  Writing a trans superhero's origin story  Getting name inspiration from Nickelodeon & Disney Channel  Plus: vampire hot takes and Danny Phantom Tumblr discourse?! This Week in Gender: A moment from the O'Shae Sibley vigil Get your tickets to our August 28 live show!  2 Trans 2 Furious PDFs and physical copies available via BigCartel. Submit a piece of Theymail: a small message or ad that we'll read on the show. Today's message was from Genevieve Huffman. Join our Patreon (patreon.com/gender) to access our bonus podcast, newsletter, and other fun perks. Find us genderpodcast.com and @gendereveal. Senior Producer: Ozzy Llinas Goodman Logo: Ira M. LeighMusic: Breakmaster CylinderAdditional Music: “Damaroon” by Blue Dot Sessions Sponsors: Queer Candle Co. (promo code: GENDER10)

ABOUT HIP HOP TREASURES, PREMIERING AUGUST 12TH AT 10/9 CT ON A&E A&E NETWORK ANNOUNCES NEW SERIES "HIP HOP TREASURES" FEATURING LL COOL J AND ICE T AS THEY TRACK DOWN ICONIC MEMORABILIA PREMIERING ON AUGUST 12 AT 10PM ET/PT IN HONOR OF THE 50TH ANNIVERSARY OF HIP HOPIN PARTNERSHIP WITH THE UNIVERSAL HIP HOP MUSEUM, NEW SERIES SETS TO PRESERVE LEGACY FOR FUTURE GENERATIONSA&E Network announces the new series "Hip Hop Treasures" following the search for lost Hip Hop memorabilia set to premiere on August 12 at 10PM ET/PT. Led by LL COOL J and Ice T alongside field collectors and museum curators, the team tells the story of some of Hip Hop's greatest artists and the items they made famous such as The Notorious B.I.G.'s iconic jersey from the "Juicy" video, Flavor Flav's clocks, DMX's Aaliyah car, and more. This exclusive partnership between A&E, Pulse Films, LL COOL J's Rock The Bells and The Universal Hip Hop Museum honors these music legends and brings their items back to the birthplace of the culture, The Bronx."Hip Hop Treasures" provides a behind the scenes look at the people and items that gave birth to the cultural phenomenon that is Hip Hop. With the help of LL COOL J, Ice T, field collectors Cipha Sounds and Yo-Yo along with Chief Museum Curator Paradise Gray and curator Pete Nice, some of these elusive items are brought back to the archive and will be put on display at The Universal Hip Hop Museum. The museum is poised to become "The Official Record of Hip Hop" and is currently in the process of building the world's largest Hip Hop memorabilia collection. The permanent home of the Universal Hip Hop Museum will open to visitors worldwide in 2024.Throughout the series, viewers will get a nostalgic look at the memorabilia, which is brought to life through personal stories from LL COOL J and Ice T along with unprecedented access to some of the biggest names in Hip Hop such as DMC (Run DMC), CeeLo Green, Flavor Flav, Fat Joe, Treach (Naughty by Nature,) Master P, Soulja Boy and many more. The series also features tributes to The Notorious B.I.G., DMX, Biz Markie and Coolio's last on-camera appearance before his passing in 2022.*Join the conversation by following @AETV and using #HipHopTreasures* "Hip Hop Treasures" will be available and on demand to stream on the A&E app and aetv.com"Hip Hop Treasures" is produced by Pulse Films and Rock The Bells for A&E Network. Executive producers for Pulse Films are Erica Hanson, Tracey Baker-Simmons, Andrena Hale and Mira King. Paradise Gray and Pete Nice are executive producers. Serving as executive producers for A&E Network are Elaine Frontain Bryant, Shelly Tatro and Jonathan Partridge. A+E Networks holds worldwide distribution rightsHere's the promo: https://www.youtube.com/watch?v=X-QFdx_UuNg ABOUT DR. YOLANDA "YO-YO" WHITAKERDr. Yolanda "Yoyo" Whitaker is a Grammy-nominated hip hop entertainer, actress, educator, and philanthropist. The cast member of VH1's popular "Love & Hip Hop Hollywood" series is affectionately known as Auntie Yo-Yo. Raised in the South Central district of Los Angeles, her big break came when she appeared on Ice Cube's 1990 debut, "It's A Man's World," representing her gender in admirable style. Her own debut "Make Way for the Motherload" introduced her confident attitude along with the formation of the Intelligent Black Women's Coalition organization, which is now expanding into the virtual space to continue its work helping young girls learn to love themselves. Her songs "You Can't Play With My YoYo," "Bonnie & Clyde Theme" with Ice Cube and her iconic features on Jamaican goddess Patra's hit song "Romantic Call" and Brandy's "I Wanna Be Down" remix with MC Lyte and Queen Latifah are classics.As an actress, she has appeared in the Oscar-nominated film "Boyz N the Hood" as well as several television shows including '90s sitcom "Martin" where she portrayed the memorable, comical recurring character Keylolo. Yo-Yo can be seen on Disney Channel's series "Saturdays" as roller rink owner Duchess and coming soon as a field collector on "Hip Hop Treasures" (an A&E and Rock The Bells production). She also served as a co-host of VH1's "Miss Rap Supreme."Throughout her 30 years in entertainment, service has been synonymous with her work, whether mentoring young girls with the IBWC (Intelligent Black Women's Coalition), teaching youth about the music business with the YoYo School of Hip Hop, educating students on "How to Get A's in English Through Hip Hop" as an ambassador for the National College resource Foundation and Black College Expo and Latino College Expo, or other efforts. As a testament to her humanitarianism, in 2021, Yo-Yo received a Presidential Lifetime Achievement Award from President Biden for her philanthropic work, national-wide, in the community. In 2022, she received another Presidential Lifetime Achievement Award from the Biden Administration and presented an Honorary Doctor of Philosophy in Humanitarianism from Leaders Esteem Christian Bible University. In partnership with the National College Resource Foundation and Black College Expo, Yo-Yo has awarded over $60,000 in scholarships and continue to promote education through hip hop. This work is dear to Yo-Yo's heart.Yo-Yo also makes her mark on the airwaves as co-host of Café Mocha, the #1 nationally syndicated radio show for women of color, alongside Emmy Award Winner Loni Love and broadcast veteran Angelique Perrin. The 4-time Gracie award-winning show is heard in over 40 markets across the United States and on SiriusXM Channel 141. A true musical legend, Yo-Yo serves as ambassador of The National Museum of African American Music in Nashville, Universal Hip Hop Museum in the Bronx and the city of Little Rock, Arkansas. Yo-Yo is a proud mother of two beautiful, intelligent daughters Tiffany and Sanai along with her G-baby Kai.“Hip Hop Treasures” follows the search for lost Hip Hop memorabilia. Led by LL COOL J and Ice T alongside field collectors and museum curators, the team tells the story of some of Hip Hop's greatest artists and the items they made famous such as The Notorious B.I.G.'s iconic jersey from the “Juicy” video, Flavor Flav's clocks, DMX's Aaliyah car, and more. This exclusive partnership between A&E, Pulse Films, LL COOL J's Rock The Bells and The Universal Hip Hop Museum honors these music legends and brings their items back to the birthplace of the culture, The Bronx. #HipHopTreasures Subscribe for more A&E shows: http://aetv.us/subscribe-ae Check out exclusive A&E content: Website - http://www.aetv.com/ Facebook: https://www.facebook.com/AETV/ Twitter: https://twitter.com/aetv Instagram: https://www.instagram.com/aetv TikTok: https://www.tiktok.com/@aetv

Welcome to Media Made Me: Conversations About Media Consumption, Individuality, and Identity.Today, Felipe sits down with Mike Bloom to chat about the media that shaped him including The Simpsons, Robin Williams, and improv.Mike Bloom is an entertainment journalist, pop culture enthusiast, and beautiful soul who podcasts about scripted content on Post Show Recaps and reality television on Rob Has A Podcast.Have any questions for the podcast? Email them to brazildragonpod@gmail.com.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon Podcast Logo - Freddy Luna (StuckOnYouCartoons)Video Version - Brazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Feel free to support The Brazilian Dragon Podcast via PayPal. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! This episode is also available on the Brazilian Dragon YouTube Channel.

Would you consider yourself a freak? Being freaky means you are open and willing to experiment and experience a variety of sexual activities.  That's what we are getting into this episode. Where do you scale on the levels of freaky? I'm joined by Andrea Lewis whom you may recognize from Degrassi or if you are a 90s baby then you may remember her for role in Cadet Kelly on the Disney Channel. Andrea's latest starring role is “Three Ways”  which you can watch now on Hulu.  I am also joined by Tyomi,  a sexologist and sex therapist with over 12 years of experience.  She specializes in unlocking pleasure for clients and has over 140 million views on her youtube channel and she's here to tell us about her definition of a freak. Thanks to the sponsors of this episode! Hello Fresh! Try out America's #1 meal kit for yourself! Get 50% off plus free shipping! https://www.hellofresh.com/50lovers Zocdoc Download the app for free and find yourself a top-rated doctor! https://www.zocdoc.com/lovers Follow Shan: https://www.instagram.com/shanboodram https://www.tiktok.com/@shanboody https://www.youtube.com/channel/UCSE2Lr9RfYXiFtiX1jk5qng loversfriendspodcast@gmail.com Follow Andrea:  https://www.instagram.com/andrealewis https://www.instagram.com/blackbeautyeffect/ Watch Three Ways on Hulu:  https://www.hulu.com/movie/three-ways-7afd18f4-5b2c-4097-b532-bd956aa21bd4 Follow Tyomi:  https://www.instagram.com/realglamazontyomi/ https://www.youtube.com/glamerotica101

WHAT TEAM? WILDCATS! Get'cha head in the game with Felipe and Sam as we recap High School Musical: The Musical: The Series on our series called Pod, Talk, Jam & Break.In this episode, Felipe heads back to East High to revisit the first three seasons of the Disney+ series before the final season premieres. Have any questions for the podcast? Email them to brazildragonpod@gmail.com.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon Podcast Logo - Freddy Luna (StuckOnYouCartoons)Video Version - Brazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Feel free to support The Brazilian Dragon Podcast via PayPal. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! This episode is also available on the Brazilian Dragon YouTube Channel.

Today three people find out the difference between Lizzie McGuire & Hannah Montana "Lizzie McGuire" episodes watched for this F&L: *S1E1 - Rumors *S2E34 - Magic Train Make show suggestions or tell us about your Disney Channel favs. WEBSITE: https://anchor.fm/fandlpodcast EMAIL: FandLpodcast@gmail.com TWITTER: https://twitt er.com/FandLpodcast INSTAGRAM: https://www.instagram.com/fandlpodcast FACEBOOK: https://facebook.com/fandlpodcast

Before she was the queen of Disney Channel, Brenda Song was on just about every hit TV show. In this episode, we continue our deep dive into her early career.

Al and Val are joined by some of members of the Improvised DCOM cast to break down the highest rated DCOM of 2006! Let's wish on a shooting star and head to Barcelona!We know we were supposed to do Read It and Weep...Al got Covid so our recording schedule got a little wonky! But we'll get to that next!***TWO SPECIAL ANNOUNCEMENTS IN THIS EPISODE - ONE AT THE BEGINNING AND ONE TOWARD THE END***Cheetah Girls 2 (August 25, 2006)IMDB WikipediaDirected by Kenny Ortega (started as a music video director, Newsies, Hocus Pocus, HSM 1-3, Descendants 1-3)Written by Bethesda Brown (1 other credit), Alison Taylor (Cheetah Girls, Married with Children, Just Jordan, lots of Disney shows), Deborah Gregory (Cheetah Girls 1-3)Starring: Raven-Symoné as Galleria "Bubbles" Garibaldi (Zenon, Cheetah Girls 1&2, That's So Raven, Raven's Home, Tinkerbell series)Adrienne Bailon Houghton as Chanel "Chuchie" Simmons (Cheetah Girls 1-3, Coach Carter, Buffalo Dreams, 3LW Music Videos, mostly music videos)Sabrina Bryan as Dorinda "Do" Thomas (Cheetah Girls 1-3, random things)Kiely Williams as Aquanette "Aqua" Walker (Cheetah Girls 1-3, 3LW Music Videos, The House Bunny, Stomp the Yard 2)Belinda as Marisol Durán (Camaleones, Music Videos, Welcome to Eden)Kim Manning as Lola Durán (Manos a la obra)Lynn Whitfield as Dorothea Garibaldi (Cheetah Girls, Heartbeat, The Cosby Mysteries, Stepmom, A Time for Dancing, Greenleaf)Lori Alter as Juanita Simmons (Cheetah Girls, Power Play, Family Biz)Golan Yosef as Joaquin (first movie)Peter Vives as Angel (Velvet, La Riera, Night & Day, Jo també em quedo a casa, Supernormal, Sentimos las molestiasAbel Folk as Luc (Secrets de família, Laura, Raquel busca su sitio, Vicky Cristina Barcelona, Ventdelplà, Synopsis: A teenage vocal group, whose members are also best friends, continue their crusade to become a top pop group. One member decides to enter the group in a Barcelona music festival, and the girls are thrilled. It's Viva Espana as they set off for the adventure of a life-time.Fun Facts: Their premiere outdid HSM with 8.3MM viewersPeter Vives Newey (Angel) is an accomplished pianist, but for the film he had to learn to play the guitar which took him three weeks to practice.The entire movie was filmed in Spain, even the NYC scenesNext Movie: Read it and Weep ★ Support this podcast on Patreon ★

Ten hut, maggots, this week Mom Can't Cook! is off to military academy, with all the discipline, uniformity and wild, flamboyant gun twirling that that entails. That's because we're talking about Cadet Kelly (2002), a film in which feisty, artistic teen Kelly Collins (Hillary Duff) is forced to attend military school after her new stepdad is made Commandant. Along the way she'll face tough commanding officers, struggle to maintain her individuality, and for some reason, become extremely good at gun dancing, which is apparently a highly prized skill in the US military. Who knew? If you've watched Cadet Kelly and have your own thoughts, email them to us at momcantcookpod@gmail.com for a chance to have them read out on the show. With thanks to this week's sponsor, Ravensburger's premium quality jigsaw puzzles. Share the joy of puzzling with family and friends, knowing that your cherished puzzles will stand the test of time. Shop Ravensburger on Amazon today! This episode is also sponsored by Birddogs! Go to birddogs.com/mcc to check out their fabulous and improbably named shorts, and get a free Yeti style tumbler with your order. Contact Multitude for Advertising Inquiries: multitude.productions/ads Check out the official Mom Can't Cook! store for sweet merch: momcantcookstore.com and check out Mom Can't Cook! Extra Helpings for bonus episodes!

Call us, beep us! For Bekah's birthday pick this year, we're discussing the Kim Possible soundtrack! We gush about the impact of Christy Carlson Romano's "Say The Word" and The Naked Mole Rap, hear tracks from Disney mainstays like A*Teens and LMNT, react to some updated tracks from the live action Kim Possible, and build our dream soundtrack for a Disney Channel show that never had the chance to hit the airwaves. ----- Follow The Time Mousechine: Instagram Twitter TikTok Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to Media Made Me: Conversations About Media Consumption, Individuality, and Identity.Today, Felipe sits down with LaTonya Starks to chat about the media that shaped her including music, prestige television, and Bozo the Clown.LaTonya Starks is a debate coach, pop culture enthusiast, and loving aunt who podcasts about scripted content on Post Show Recaps and Top Chef on Rob Has A Podcast.Have any questions for the podcast? Email them to brazildragonpod@gmail.com.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon Podcast Logo - Freddy Luna (StuckOnYouCartoons)Video Version - Brazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Feel free to support The Brazilian Dragon Podcast via PayPal. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! This episode is also available on the Brazilian Dragon YouTube Channel.

This week's interview with musical artist and host Franklin Jonas ain't no bonus. Franklin was kind enough to wear an entire rat mascot costume to a Brooklyn firing squad on his Wiki Feet score, stretchy nipples, ge