Podcasts about straus

Weirdos! For August's BONUS EPISODE we are focusing on an entity that has MANY faces and wears MANY hats: The bogeyman! For as long as people have been telling stories, these supernatural beings have been lurking in the woods, or in the dark alleys, or under the bed. They might look different depending on the culture they come from, or be called by another name, but their function in society is consistent: to invoke fear! References Briggs, Katharine. 1978. Encyclopedia of Fairies: Hobgoblins, Brownies, Bogies, & Other Supernatural Creatures. New York, NY: Pantheon. Carbonell, Ana Maria. 1999. "From Llorona to Gritona: Coatlicue in Feminist Tales by Viramontes and Cisneros." MELUS 53-74. Delsol, Christine. 2012. "Mexico's legend of La Llorona continues to terrify." SF Gate, October 9. Jones, Abigail. 2014. "The girls who tried to kill for Slender Man." Newsweek, August 22. Leddy, Betty. 1988. "La Llorona in Southern Arizona." Perspectives in Mexican American Studies 9-16. Newsroom. 2019. "Who was ‘Spring-heeled Jack' who scared the women of Scotland?" The Scotsman, April 29. Peck, Andrew. 2015. "Tall, Dark, and Loathsome: The Emergence of a Legend Cycle in the Digital Age." Journal of American Folklore 333-348. Polidoro, Massimo. 2002. "Return of Spring-Heeled Jack." Skeptical Inquirer 22-24. Simpson, Jacqueline, and Steve Roud. 2000. A Dictionary of English Folklore. Oxford, UK: Oxford UP. Strebel, Erika. 2015. "Judge says keeping Slender Man case in adult court will prevent repeat of crime." Wisconsin Law Journal, August 10. The Times. 1838. "Spring Heeled Jack - Outrage on a young lady." The Times, February 25: 7. Times, The. 1838. "The late outrage at Old Ford." The Times, March 2: 7. Vickery, Roy. 1983. "Lemna Minor and Jenny Greenteeth." Folklore 247-250. Warner, Marina. 1999. No Go, the Bogeyman: Scaring, Lulling, and Making Mock. London, UK: Farrar, Straus and Giroux. Young, Simon. 2019. Folklore Pamphlet: The Sources for Jenny Greenteeth and Other English Freshwater Faries. Pamphlet, Simon Young. Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Memoria (@memoriamatters) and the lads grab their tiny vests and make for Duloc as they cover the movie that launched a thousand memes: Shrek. Topics include William Steig's original book, the politics of Disney in the 90s, and what it means to discover the truth buried deep in the heart of Shrek. Memoria: YouTube // Twitch gl;hf podcast: the world's first podcast in video games Media Referenced in this Episode: Shrek. Dir. Andrew Adamson and Vicky Jenson. 2001. Shrek! by William Steig. Farrar, Straus, and Giroux. 1990. “The Agony and Shrekstasy: The Unlikely Legacy of America's Favorite Ogre” by Jonathan Parks Ramage. Vice. April 22nd, 2016. “The Epic Disney Blow-Up of 1994: Eisner, Katzenberg and Ovitz 20 Years Later” by Kim Masters. The Hollywood Reporter. April 9th, 2014. Fairy Tales Transformed? Twenty-First Century Adaptations & the Politics of Wonder by Cristina Bacchilega. Wayne State University Press. 2013. Shrek Retold TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com Interstitial: “The Exclusive Access Hollywood Interview of Shrek” // Written by Brian Alford and A.J. Ditty // feat. A.J. Ditty as “Billy Bush” and Brian Alford as “Shrek” Credits: Episode and Interstitial Edited by: Brian Alford Produced by Josh Boerman, A.J. Ditty, and Brian Alford. This podcast was recorded under a SAG-AFTRA Agreement.

In this episode, Dan and Lauren are joined by the three co-editors of the newest New Directions for Student Leadership issue: Dr. Kerry Priest, Professor and Director of Leadership Studies at the Staley School of Leadership at Kansas State University; returning guest Dr. Jason Headrick, Associate Professor of Leadership and Community Development at Texas Tech University; and Dr. Haley Traini, Associate Professor of Leadership Education at Oregon State University. Together they co-edited NDSL #188: Leadership Learning for Systems Thinking and Practice — the 20th episode in the TLE–NDSL partnership series. Kerry, Jason, and Haley trace the issue's origins from a 2023 keynote by Mary Uhl-Bien in Copenhagen to a call for submissions deliberately open to stories, case studies, and reflections. They walk through the three questions that structure the issue — how we develop systems capacities, how we teach them, and how we evaluate systems-level change — along with tools like Human Systems Dynamics and its "what, so what, now what" adaptive-action cycle. The conversation is full of classroom-ready metaphors, from tracing how ice gets made to why an iPhone is merely complicated while mayonnaise is truly complex. As Kerry reminds us, in systems work the goal isn't winning or losing — it's staying in the game.   Resources and works mentioned in this episode include: New Directions for Student Leadership, Issue #188: Leadership Learning for Systems Thinking and Practice Human Systems Dynamics Global, co-founded by Glenda Eoyang and Royce Holladay 21st International Studying Leadership Conference, Copenhagen Business School, December 2023 Complexity Leadership: Insights on Adaptability from Professor Mary Uhl-Bien Kahneman, D. (2011). Thinking, Fast and Slow. Farrar, Straus and Giroux.

Martin Daunton is one of Britain's most distinguished economic historians, Emeritus Professor of Economic History at the University of Cambridge, where he served as Master of Trinity Hall from 2004 to 2014 and twice as Head of the School of the Humanities and Social Sciences. Born in Cardiff in 1949, he studied economic history at the University of Nottingham, completed his PhD at the University of Kent, and was appointed lecturer at Durham in 1973 before moving in 1979 to University College London, where he was promoted to the Astor Professorship of British History. He held the Chair of Economic History at Cambridge from 1997 to 2015 and is currently a Visiting Professor at Gresham College in London.Daunton's scholarly work covers the economic and social history of Britain since 1700, the shifting boundaries between the market and the state, the politics of taxation and public finance, the relations between national and international economic policies, and debates over intergenerational equity. His many books include House and Home in the Victorian City (1983), Royal Mail: The Post Office since 1840 (1985), Progress and Poverty: An Economic and Social History of Britain, 1700-1850 (Oxford University Press, 1995), and a major two-volume history of British taxation, Trusting Leviathan: The Politics of Taxation in Britain, 1799-1914 (Cambridge University Press, 2001) and Just Taxes: The Politics of Taxation in Britain, 1914-1979 (Cambridge University Press, 2002), followed by Wealth and Welfare: An Economic and Social History of Britain, 1851-1951 (Oxford University Press, 2007) and State and Market in Victorian Britain: War, Welfare and Capitalism (Boydell Press).His most recent book, The Economic Government of the World, 1933-2023 (Allen Lane / Farrar, Straus and Giroux, 2023), is a sweeping history of the institutions and individuals who have built and managed the global economy over the last ninety years. It traces how one economic order breaks down and another is built, from the trade and currency warfare of the Great Depression, through the liberal Bretton Woods order that emerged after the Second World War, to the rise of neoliberalism, financialization and hyper-globalization in the late twentieth century, and ends with a call for a more just and sustainable economic government in the face of inflation, food insecurity, climate change and renewed geopolitical conflict. The book was named one of Foreign Affairs' Best Books of the Year.Beyond Cambridge, Daunton has served as President of the Royal Historical Society, Commissioner of Historic England, trustee of the National Maritime Museum, and Chair of the Leverhulme Trust Research Awards Advisory Committee, and has held visiting professorships in Japan and Australia.Jiří Zatloukal, financial journalist at Seznam Zprávy and contributor of PFI Talks, talked with Martin Daunton.

FOREWORDThe intricate interplay between culture and individual legacy forms a critical site of scholarly inquiry in the humanities and social sciences. The volume entitled The Right Excellent Sir Garfield St. Aubrun Sobers, NH, AO, OCC (1936–2026): An Interdisciplinary Investigation of Authorship, Media Representation, and Theological Vision via the Scholarly Perspective of Dr. William Anderson Gittens, Doctor of Divinity offers a seminal contribution to this discourse by foregrounding how cultural frameworks shape the interpretation of one of the Caribbean's preeminent figures. This work situates Sir Garfield Sobers not solely as an unparalleled athlete but as a profound cultural icon whose multifaceted legacy encapsulates the sociohistorical, theological, and media dimensions of Caribbean identity and postcolonial subjectivity.Culture, as theorized by Hall (1997), functions beyond mere customs or traditions; it constitutes a dynamic, interpretive process through which societies negotiate meaning, continuity, and historical memory. This conceptualization undergirds Dr. Gittens' interdisciplinary approach, which deftly integrates anthropology, sociology, media studies, cultural theory, and theology to illuminate Sir Garfield Sobers' enduring impact. Drawing from the rich vein of Caribbean scholarship—intersecting with postcolonial theorists such as Bhabha (1994) and cultural anthropologists like Geertz (1973)—the author articulates how Sobers' narrative transcends athletic achievement to embody broader questions of national identity, ethical leadership, and spiritual vision.Dr. Gittens advances a compelling thesis that authorship serves as cultural stewardship, whereby biography is more than historical recounting; it becomes a vital vehicle for preserving collective memory and fostering intellectual reflection. This aligns with Nichols' (2017) insights into narrative ethics and Sontag's (1977) explorations of representation, especially as mediated through contemporary platforms. The volume's rigorous analysis of media representations underscores the formative role of newspapers, broadcasting, and digital media in constructing public memory and shaping societal ideals surrounding excellence and humility, echoing Couldry's (2012) argument regarding media as constitutive of social reality.Perhaps most distinctive is the integration of theological reflection as an interpretive lens, situating moral virtue, vocation, and gratitude at the center of Sobers' public legacy. This theological dimension, informed by Dr. Gittens' own expertise in divinity, enriches the interdisciplinary dialogue and expands the contours of cultural inquiry. It invites readers to consider the ethical and spiritual dimensions that underpin leadership and cultural resilience, thus harmonizing with Wright's (2006) discourse on spirituality in postcolonial contexts.In sum, this volume stands as a testament to the power of interdisciplinary scholarship to deepen our understanding of culture as an active force shaping identity, memory, and historical consciousness. By elucidating Sir Garfield Sobers' multifarious legacy, Dr. Gittens contributes significantly to Caribbean studies while offering broader methodological insights relevant to scholars of biography, media, and theology. This work invites ongoing engagement with the ways in which extraordinary individuals become enduring cultural symbols—an engagement that is essential for sustaining the intellectual and cultural vitality of societies worldwide.It is with great scholarly admiration that I commend this volume to readers who seek to explore the intricate nexus of culture, history, and spirituality through the exemplary life of Sir Garfield Sobers.Dr. William Anderson Gittens, Doctor of Divinity ReferencesBeckles, H. (1998). The Development of West Indies Cricket. Pluto Press.Beckles, H. (2010). The development of West Indies cricket. Ian Randle Publishers.Beckles, H. (2010). The first black slave society: Britain's "barbarity time" in Barbados, 1636–1876. The University of the West Indies Press.Bhabha, H. K. (1994). The location of culture. Routledge.Brathwaite, E. K. (2022). Constitutional Developments in Barbados. Caribbean Journal of Political Studies, 14(2), 45-60.Couldry, N. (2012). Media, society, world: Social theory and digital media practice. Polity Press.Couldry, N. (2012). Media, society, world: Social theory and digital media practice. Polity Press.Geertz, C. (1973). The interpretation of cultures. Basic Books.Gittens, W. A. (2024). A Memoir of Dr. William Anderson Gittens, D.D. Academia.edu. https://www.academia.edu/123754463/A_MEMOIR_OF_Dr_William_Anderson_Gittens_D_D_2024_ISBN978_976_97385_0_8Gittens, W. A. (2026). The Right Excellent Sir Garfield St. Aubrun Sobers NH, AO, OCC (1936–2026): An interdisciplinary investigation of authorship, media representation, and theological vision. Devgro Media Arts Services Publishing®. ISBN 978-976-97997-5-2.Hall, S. (1997). Representation: Cultural representations and signifying practices. Sage Publications.Hall, S. (1997). Representation: Cultural representations and signifying practices. Sage.James, C. L. R. (1963). Beyond a boundary. Hutchinson.James, C. L. R. (1963). Beyond a boundary. Stanley Paul.Jenkins, H. (2006). Convergence culture: Where old and new media collide. New York University Press.Jenkins, H. (2006). Convergence culture: Where old and new media collide. New York University Press.New International Version Bible. (2011). Zondervan. (Original work published 1973)Nichols, B. (2017). Introduction to documentary (3rd ed.). Indiana University Press.Nichols, B. (2017). Introduction to documentary (3rd ed.). Indiana University Press.Sontag, S. (1977). On photography. Farrar, Straus and Giroux.The Holy Bible, New International Version. (2011). Zondervan.Tylor, E. B. (1871). Primitive culture. John Murray.Tylor, E. B. (1871). Primitive culture. John Murray.Wikipedia contributors. (2026). Garfield Sobers. Wikipedia. https://en.wikipedia.org/wiki/Garfield_SobersWilliams, R. (1981). Culture. Fontana Press.Wisden. (2000). Wisden Cricketers of the Century. Wisden Cricketers' Almanack.Wright, M. (2006). Spirituality and postcolonial literature. Palgrave Macmillan.Wright, N. T. (2006). Simply Christian: Why Christianity makes sense. HarperOne.Support the showCultural Factors Influence Academic Achievements© 2024 ISBN978-976-97385-7-7 A_MEMOIR_OF_Dr_William_Anderson_Gittens_D_D_2024_ISBNISBN978_976_97385_0_8Academic.edu. Chief of Audio Visual Aids Officer Mr. Michael Owen Chief of Audio Visual Aids Officer Mr. Selwyn Belle Commissioner of Police Mr. Orville Durant Dr. William Anderson Gittens, D.D En.wikipedia.org/wiki/Lifelong_learning Hackett Philip Media Resource Development Officer Holder, B,Anthony Episcopal Priest,https://brainly.com/question/36353773https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-19https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-:2-18https://independent.academia.edu/WilliamGittens/Bookshttps://scholar.google.com/scholar?hl=en&as_sdt=0%2C5&q=william+anderson+gittens+barbados&oq=william+anderson+gittenshttps://www.academia.edu/123754463/https://www.buzzsprout.com/429292/episodes. https://www.youtube.com/@williamandersongittens1714. Mr.Greene, Rupert

A leading social critic identifies our least-discussed major crisis, and sets out to solve it. As Americans debate President Biden's infirmities and President Trump's erratic behavior, we've neglected the bigger problem before us: a massive transfer of power and wealth to the oldest among us, and the curtailment of the prospects of the young. In Gerontocracy in America: How the Old Are Hoarding Power and Wealth—and What to Do About It (Farrar, Straus & Giroux, 2026), the historian and social critic Samuel Moyn offers a piercing diagnosis of our age divide and its consequences. Even apart from the presidency, in legislatures, businesses, and the courts, the average leader's age has risen dramatically. The elderly predominantly fund campaigns and dominate their agendas, often with the intent to block any challenge to their status. The tax code is rigged on their behalf, as is an economy geared to sheltering financial and housing assets. The United States was founded on the promise of generational renovation but has become an increasingly febrile country of old men. But it doesn't need to be this way. With understanding and wit, Moyn shows how elder power can be dismantled. With strong safety nets in place, mandatory retirement ages can be established. The early transfer of assets between generations could be encouraged and young voters can be granted more voice. In such a world, the elderly themselves would be freed from power games to confront the existential opportunities of aging, while the young would find their path to starting out in life unblocked at last. Samuel Moyn is the Kent Professor of Law and History at Yale University. His books include Humane: How the United States Abandoned Peace and Reinvented War, The Last Utopia, and Not Enough: Human Rights in an Unequal World. Cohost of the Digging a Hole podcast, he is a frequent contributor to The New York Times and many other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A leading social critic identifies our least-discussed major crisis, and sets out to solve it. As Americans debate President Biden's infirmities and President Trump's erratic behavior, we've neglected the bigger problem before us: a massive transfer of power and wealth to the oldest among us, and the curtailment of the prospects of the young. In Gerontocracy in America: How the Old Are Hoarding Power and Wealth—and What to Do About It (Farrar, Straus & Giroux, 2026), the historian and social critic Samuel Moyn offers a piercing diagnosis of our age divide and its consequences. Even apart from the presidency, in legislatures, businesses, and the courts, the average leader's age has risen dramatically. The elderly predominantly fund campaigns and dominate their agendas, often with the intent to block any challenge to their status. The tax code is rigged on their behalf, as is an economy geared to sheltering financial and housing assets. The United States was founded on the promise of generational renovation but has become an increasingly febrile country of old men. But it doesn't need to be this way. With understanding and wit, Moyn shows how elder power can be dismantled. With strong safety nets in place, mandatory retirement ages can be established. The early transfer of assets between generations could be encouraged and young voters can be granted more voice. In such a world, the elderly themselves would be freed from power games to confront the existential opportunities of aging, while the young would find their path to starting out in life unblocked at last. Samuel Moyn is the Kent Professor of Law and History at Yale University. His books include Humane: How the United States Abandoned Peace and Reinvented War, The Last Utopia, and Not Enough: Human Rights in an Unequal World. Cohost of the Digging a Hole podcast, he is a frequent contributor to The New York Times and many other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

A leading social critic identifies our least-discussed major crisis, and sets out to solve it. As Americans debate President Biden's infirmities and President Trump's erratic behavior, we've neglected the bigger problem before us: a massive transfer of power and wealth to the oldest among us, and the curtailment of the prospects of the young. In Gerontocracy in America: How the Old Are Hoarding Power and Wealth—and What to Do About It (Farrar, Straus & Giroux, 2026), the historian and social critic Samuel Moyn offers a piercing diagnosis of our age divide and its consequences. Even apart from the presidency, in legislatures, businesses, and the courts, the average leader's age has risen dramatically. The elderly predominantly fund campaigns and dominate their agendas, often with the intent to block any challenge to their status. The tax code is rigged on their behalf, as is an economy geared to sheltering financial and housing assets. The United States was founded on the promise of generational renovation but has become an increasingly febrile country of old men. But it doesn't need to be this way. With understanding and wit, Moyn shows how elder power can be dismantled. With strong safety nets in place, mandatory retirement ages can be established. The early transfer of assets between generations could be encouraged and young voters can be granted more voice. In such a world, the elderly themselves would be freed from power games to confront the existential opportunities of aging, while the young would find their path to starting out in life unblocked at last. Samuel Moyn is the Kent Professor of Law and History at Yale University. His books include Humane: How the United States Abandoned Peace and Reinvented War, The Last Utopia, and Not Enough: Human Rights in an Unequal World. Cohost of the Digging a Hole podcast, he is a frequent contributor to The New York Times and many other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

A leading social critic identifies our least-discussed major crisis, and sets out to solve it. As Americans debate President Biden's infirmities and President Trump's erratic behavior, we've neglected the bigger problem before us: a massive transfer of power and wealth to the oldest among us, and the curtailment of the prospects of the young. In Gerontocracy in America: How the Old Are Hoarding Power and Wealth—and What to Do About It (Farrar, Straus & Giroux, 2026), the historian and social critic Samuel Moyn offers a piercing diagnosis of our age divide and its consequences. Even apart from the presidency, in legislatures, businesses, and the courts, the average leader's age has risen dramatically. The elderly predominantly fund campaigns and dominate their agendas, often with the intent to block any challenge to their status. The tax code is rigged on their behalf, as is an economy geared to sheltering financial and housing assets. The United States was founded on the promise of generational renovation but has become an increasingly febrile country of old men. But it doesn't need to be this way. With understanding and wit, Moyn shows how elder power can be dismantled. With strong safety nets in place, mandatory retirement ages can be established. The early transfer of assets between generations could be encouraged and young voters can be granted more voice. In such a world, the elderly themselves would be freed from power games to confront the existential opportunities of aging, while the young would find their path to starting out in life unblocked at last. Samuel Moyn is the Kent Professor of Law and History at Yale University. His books include Humane: How the United States Abandoned Peace and Reinvented War, The Last Utopia, and Not Enough: Human Rights in an Unequal World. Cohost of the Digging a Hole podcast, he is a frequent contributor to The New York Times and many other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

A leading social critic identifies our least-discussed major crisis, and sets out to solve it. As Americans debate President Biden's infirmities and President Trump's erratic behavior, we've neglected the bigger problem before us: a massive transfer of power and wealth to the oldest among us, and the curtailment of the prospects of the young. In Gerontocracy in America: How the Old Are Hoarding Power and Wealth—and What to Do About It (Farrar, Straus & Giroux, 2026), the historian and social critic Samuel Moyn offers a piercing diagnosis of our age divide and its consequences. Even apart from the presidency, in legislatures, businesses, and the courts, the average leader's age has risen dramatically. The elderly predominantly fund campaigns and dominate their agendas, often with the intent to block any challenge to their status. The tax code is rigged on their behalf, as is an economy geared to sheltering financial and housing assets. The United States was founded on the promise of generational renovation but has become an increasingly febrile country of old men. But it doesn't need to be this way. With understanding and wit, Moyn shows how elder power can be dismantled. With strong safety nets in place, mandatory retirement ages can be established. The early transfer of assets between generations could be encouraged and young voters can be granted more voice. In such a world, the elderly themselves would be freed from power games to confront the existential opportunities of aging, while the young would find their path to starting out in life unblocked at last. Samuel Moyn is the Kent Professor of Law and History at Yale University. His books include Humane: How the United States Abandoned Peace and Reinvented War, The Last Utopia, and Not Enough: Human Rights in an Unequal World. Cohost of the Digging a Hole podcast, he is a frequent contributor to The New York Times and many other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

From Suzy Hansen, whose previous book, Notes on a Foreign Country, was a finalist for the Pulitzer Prize, From Life Itself: Turkey, Istanbul, and a Neighborhood in the Age of Erdoğan (Farrar, Straus & Giroux, 2026) is a story for a world out of joint. An absorbing account of one neighborhood in Istanbul that has seen profound change, it offers lessons for all of us who feel the pressure of the disorienting global forces remaking our lives. Karagümrük, a neighborhood once dominated by Ottoman-era homes, is now known for petty thieves, cheap apartment blocks, and an influx of Syrian refugees. It's here that Hansen went looking for the truth behind the Turkish president Recep Tayyip Erdoğan's authoritarian turn, a catastrophic regional war, and an accelerating geopolitical crisis. She asks: Was Turkey a harbinger of what would soon arise in other countries, the resurgence of authoritarianism? Or do the lives in this neighborhood, and the transformations of Erdoğan's Turkey, reveal a more complex story? During a decade spent reporting from Karagümrük, Hansen discovered the neighborhood's secrets and got to know some of its people: Ismail, the longtime muhtar, or neighborhood councilman; Huseyin, a loyalist in Erdoğan's Islamic nationalist AK Party; and Ebru, a real estate agent and mother with ambitions to unseat Ismail. Through these local perspectives, Hansen connects the events unfolding in Karagümrük to the forces roiling Turkey, the Middle East, and the world, capturing the sweep of the last ten years in microcosm.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From Suzy Hansen, whose previous book, Notes on a Foreign Country, was a finalist for the Pulitzer Prize, From Life Itself: Turkey, Istanbul, and a Neighborhood in the Age of Erdoğan (Farrar, Straus & Giroux, 2026) is a story for a world out of joint. An absorbing account of one neighborhood in Istanbul that has seen profound change, it offers lessons for all of us who feel the pressure of the disorienting global forces remaking our lives. Karagümrük, a neighborhood once dominated by Ottoman-era homes, is now known for petty thieves, cheap apartment blocks, and an influx of Syrian refugees. It's here that Hansen went looking for the truth behind the Turkish president Recep Tayyip Erdoğan's authoritarian turn, a catastrophic regional war, and an accelerating geopolitical crisis. She asks: Was Turkey a harbinger of what would soon arise in other countries, the resurgence of authoritarianism? Or do the lives in this neighborhood, and the transformations of Erdoğan's Turkey, reveal a more complex story? During a decade spent reporting from Karagümrük, Hansen discovered the neighborhood's secrets and got to know some of its people: Ismail, the longtime muhtar, or neighborhood councilman; Huseyin, a loyalist in Erdoğan's Islamic nationalist AK Party; and Ebru, a real estate agent and mother with ambitions to unseat Ismail. Through these local perspectives, Hansen connects the events unfolding in Karagümrük to the forces roiling Turkey, the Middle East, and the world, capturing the sweep of the last ten years in microcosm.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

From Suzy Hansen, whose previous book, Notes on a Foreign Country, was a finalist for the Pulitzer Prize, From Life Itself: Turkey, Istanbul, and a Neighborhood in the Age of Erdoğan (Farrar, Straus & Giroux, 2026) is a story for a world out of joint. An absorbing account of one neighborhood in Istanbul that has seen profound change, it offers lessons for all of us who feel the pressure of the disorienting global forces remaking our lives. Karagümrük, a neighborhood once dominated by Ottoman-era homes, is now known for petty thieves, cheap apartment blocks, and an influx of Syrian refugees. It's here that Hansen went looking for the truth behind the Turkish president Recep Tayyip Erdoğan's authoritarian turn, a catastrophic regional war, and an accelerating geopolitical crisis. She asks: Was Turkey a harbinger of what would soon arise in other countries, the resurgence of authoritarianism? Or do the lives in this neighborhood, and the transformations of Erdoğan's Turkey, reveal a more complex story? During a decade spent reporting from Karagümrük, Hansen discovered the neighborhood's secrets and got to know some of its people: Ismail, the longtime muhtar, or neighborhood councilman; Huseyin, a loyalist in Erdoğan's Islamic nationalist AK Party; and Ebru, a real estate agent and mother with ambitions to unseat Ismail. Through these local perspectives, Hansen connects the events unfolding in Karagümrük to the forces roiling Turkey, the Middle East, and the world, capturing the sweep of the last ten years in microcosm.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

From Suzy Hansen, whose previous book, Notes on a Foreign Country, was a finalist for the Pulitzer Prize, From Life Itself: Turkey, Istanbul, and a Neighborhood in the Age of Erdoğan (Farrar, Straus & Giroux, 2026) is a story for a world out of joint. An absorbing account of one neighborhood in Istanbul that has seen profound change, it offers lessons for all of us who feel the pressure of the disorienting global forces remaking our lives. Karagümrük, a neighborhood once dominated by Ottoman-era homes, is now known for petty thieves, cheap apartment blocks, and an influx of Syrian refugees. It's here that Hansen went looking for the truth behind the Turkish president Recep Tayyip Erdoğan's authoritarian turn, a catastrophic regional war, and an accelerating geopolitical crisis. She asks: Was Turkey a harbinger of what would soon arise in other countries, the resurgence of authoritarianism? Or do the lives in this neighborhood, and the transformations of Erdoğan's Turkey, reveal a more complex story? During a decade spent reporting from Karagümrük, Hansen discovered the neighborhood's secrets and got to know some of its people: Ismail, the longtime muhtar, or neighborhood councilman; Huseyin, a loyalist in Erdoğan's Islamic nationalist AK Party; and Ebru, a real estate agent and mother with ambitions to unseat Ismail. Through these local perspectives, Hansen connects the events unfolding in Karagümrük to the forces roiling Turkey, the Middle East, and the world, capturing the sweep of the last ten years in microcosm.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

From Suzy Hansen, whose previous book, Notes on a Foreign Country, was a finalist for the Pulitzer Prize, From Life Itself: Turkey, Istanbul, and a Neighborhood in the Age of Erdoğan (Farrar, Straus & Giroux, 2026) is a story for a world out of joint. An absorbing account of one neighborhood in Istanbul that has seen profound change, it offers lessons for all of us who feel the pressure of the disorienting global forces remaking our lives. Karagümrük, a neighborhood once dominated by Ottoman-era homes, is now known for petty thieves, cheap apartment blocks, and an influx of Syrian refugees. It's here that Hansen went looking for the truth behind the Turkish president Recep Tayyip Erdoğan's authoritarian turn, a catastrophic regional war, and an accelerating geopolitical crisis. She asks: Was Turkey a harbinger of what would soon arise in other countries, the resurgence of authoritarianism? Or do the lives in this neighborhood, and the transformations of Erdoğan's Turkey, reveal a more complex story? During a decade spent reporting from Karagümrük, Hansen discovered the neighborhood's secrets and got to know some of its people: Ismail, the longtime muhtar, or neighborhood councilman; Huseyin, a loyalist in Erdoğan's Islamic nationalist AK Party; and Ebru, a real estate agent and mother with ambitions to unseat Ismail. Through these local perspectives, Hansen connects the events unfolding in Karagümrük to the forces roiling Turkey, the Middle East, and the world, capturing the sweep of the last ten years in microcosm.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailMelting Point: Family, Memory, and the Search for a Promised LandA dusty, life-size portrait no one looked at. A family name no one could spell. And a single line in a 1941 obituary — "a household name for Jews across the Russian Empire." At 24, Rachel Cockerell started pulling that thread, and it led her from a messy house in North London to the docks of Galveston, Texas.I talk with Rachel in her home in London about Melting Point.As you'll hear, I'm a big fan of the book, of how it's put together, and of the way Rachel talks about it. I highly recommend both reading the book and listening to our conversation. I wish I could send a copy to everyone!Melting Point: Family, Memory, and the Search for a Promised Land (Weidenfeld & Nicolson, UK / Farrar, Straus and Giroux, US) is her first book — an experimental history told entirely through primary sources, following David Jochelman, Israel Zangwill, and the Galveston movement.Mentioned in this episode: East West Street by Philippe Sands • Lincoln in the Bardo by George Saunders • The Argonauts by Maggie Nelson • Orbital by Samantha Harvey • The Grocer on Elgin, Notting Hill • and, of course, an open invitation to the Henry Miller Library in Big Sur.>>>>>>>>>>>>>>More from Rachel: How I told my family's history through the words of early Zionists - The Jewish ChronicleZionism, the Melting Pot, and the Galveston Project (with Rachel Cockerell) - EconlibRachel Cockerell's 'Melting Point' revisits chapter of Jewish migration - The Washington PostSupport the show_________________________________________________This podcast is a production of the Henry Miller Memorial Library with support from The Arts Council for Monterey County! Let us know what you think!SEND US AN EMAIL! 

¿Cuándo fue la última vez que dijiste "no tengo tiempo"? Probablemente hoy. En este capítulo revisamos las ideas de dos pensadores separados por dos mil años que llegaron a la misma conclusión sobre por qué vivimos corriendo. Uno es Oliver Burkeman, periodista británico que pasó una década escribiendo sobre productividad para The Guardian y terminó concluyendo que todo el sistema está roto. El otro es Séneca, filósofo estoico que en el año 49 d.C. le escribió una carta a su suegro diciéndole exactamente lo mismo.Hablamos de:— Por qué mientras más eficiente te vuelves, menos tiempo tienes— Lo que pasa cuando una profesora de Harvard pone a sus alumnos a mirar una sola pintura durante tres horas— La lista de Warren Buffett que cambia la forma en que priorizas— Qué nos enseña el budismo y Thich Nhat Hanh sobre estar presente cuando todo te jala hacia "lo siguiente"Preguntas para reflexionar:¿Cuándo fue la última vez que tuviste un día sin prisa — no un día libre, un día sin la sensación de que deberías estar haciendo otra cosa?¿A qué le estás diciendo que sí esta semana que en el fondo sabes que no necesita tu tiempo?Si hicieras una lista de tus veinticinco prioridades, ¿cuáles serían tus cinco? ¿Y cuántas cosas de tu agenda pertenecen a las otras veinte?¿En qué momento de tu día estás realmente presente?¿Qué vas a soltar esta semana para hacer espacio a lo que realmente importa?Referencias: Burkeman, O. (2021). Four Thousand Weeks: Time Management for Mortals. Farrar, Straus and Giroux. · Séneca, L.A. (49 d.C.). De la brevedad de la vida. · Thich Nhat Hanh — enseñanzas sobre impermanencia y momento presente.Me encuentras en Instagram como @marisalazo.oficialKeywords: tiempo, productividad, prioridades, Oliver Burkeman, Séneca, estoicismo, Thich Nhat Hanh, meditación, impermanencia, presencia, Marisa Lazo, Compartiendo con Marisa Lazo

Hershfield, H.E., et al. (2011). Increasing Saving Behavior Through Age-Progressed Renderings of the Future Self. Journal of Marketing Research, 48(SPL), S23–S37. Kahneman, D. (2011). Thinking, Fast and Slow. Farrar, Straus and Giroux. Lusardi, A., & Mitchell, O.S. (2014). The Economic Importance of Financial Literacy: Theory and Evidence. Journal of Economic Literature, 52(1), 5–44. Madrian, B.C., & Shea, D.F. (2001). The Power of Suggestion: Inertia in 401(k) Participation and Savings Behavior. Quarterly Journal of Economics, 116(4), 1149–1187. Thaler, R.H. (2015). Misbehaving: The Making of Behavioral Economics. W. W. Norton & Company. Thaler, R.H., & Sunstein, C.R. (2008). Nudge: Improving Decisions About Health, Wealth, and Happiness. Yale University Press.

This week on ‘The Write Question,' host Lauren Korn speaks with Emily Haworth-Booth about motherhood and language in her debut novel, ‘Mare' (Farrar, Straus and Giroux).

This week on ‘The Write Question,' host Lauren Korn speaks with Emily Haworth-Booth about motherhood and language in her debut novel, ‘Mare' (Farrar, Straus and Giroux).

Bright on Buddhism - Feed Drop - Nihonshi, A Japanese History Podcast - 3/11 Fukushima Nuclear DisasterJoin me as I drop an episode of my forthcoming 2nd podcast, Nihonshi, a Japanese History Podcast. On this show, we will be discussing topics in Japanese history and diving deep into their circumstances, their context, and their significance. We will talk about who the major players were, what their agendas were, and why they did what they did. Hopefully, by the end of each episode, you will have a better understanding and appreciation of Japanese history, but also East Asian history in general. I hope you enjoy. Resources: Architectural Institute of Japan, ed. (2012). Preliminary Reconnaissance Report of the 2011 Tōhoku-Chiho Taiheiyo-Oki Earthquake. Geotechnical, Geological and Earthquake Engineering. Vol. 23. Springer. doi:10.1007/978-4-431-54097-7. ISBN 978-4-431-54096-0.Birmingham, Lucy; McNeill, David (2012). Strong in the Rain: Surviving Japan's Earthquake, Tsunami and Fukushima Nuclear Disaster. Palgrave Macmillan. p. 256. ISBN 978-1-137-05060-1.[Council for Central] Disaster Management, Cabinet Office, Government of Japan (March 2015). Disaster Management in Japan (in Japanese and English).Parry, Richard Lloyd (2017). Ghosts of the Tsunami: Death and Life in Japan's Disaster Zone. New York: MCD/Farrar, Straus and Giroux. ISBN 978-0-374-25397-4.McLaughlin, Levi (2013). "What Have Religious Groups Done After 3.11? Part 1: A Brief Survey of Religious Mobilization after the Great East Japan Earthquake Disasters". Religion Compass. 7 (8): 294–308. doi:10.1111/rec3.12057.McLaughlin, Levi (2013). "What Have Religious Groups Done After 3.11? Part 2: From Religious Mobilization to 'Spiritual Care'". Religion Compass. 7 (8): 309–325. doi:10.1111/rec3.12056_________________________________If you like our show and would like to support us, we encourage you to give your money or resources to a worthy cause. We can get through this. Our strongest weapon is solidarity. Stay strong and help where you can. Thank you.Do you have a question about Buddhism that you'd like us to discuss? Let us know by emailing us at Bright.On.Buddhism@gmail.com.Credits:Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-HostProven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host

“Age is the modality in which class is lived in America today.” — Samuel Moyn Yesterday we had 91-year-old Mordecai Kurz on the show. Tomorrow, it will be 84-year-old Sally Quinn. But today's guest, the Yale legal historian Samuel Moyn, has a bit of a problem with old people. His new book, Gerontocracy in America, argues that the old folks are hoarding power and wealth in America. For Moyn, Dylan's Sixties anthem of “Forever Young” has soured into today's reality of “Forever Old.” In some ways, it's hard to argue with Moyn's thesis. Donald Trump is the oldest elected US president in history. Congress has been ageing for decades — and several Democratic members died in the run-up to the One Big Beautiful Bill vote, thereby facilitating its passage. The progressive heroine Ruth Bader Ginsburg stayed on the Supreme Court through a pancreatic cancer diagnosis and died in office, handing the right a supermajority and the end of abortion rights. Clarence Thomas, the RBG of nutcase conservatism, is on track to become the longest-serving Supreme Court justice in US history. And then there's that alte kaker Joe Biden, former dodder-in-chief, the only pol who gives Trump a youthful glow. Even Bob Dylan — who I saw in all his morbid brilliance in Berkeley last week (“but me, I'm still on the road”) — just celebrated his 85th birthday. Forever old, America. Happy 250th. Five Takeaways •       What Is Gerontocracy? Not a Problem With Old People: Moyn is careful to distinguish gerontocracy from old people. He is in his mid-fifties and can't attack old people generally. His target is the system: the structural overrepresentation of old people in power, and the structural disadvantaging of the young that results. Old people can be great. Some are, some aren't — just like everyone else. The problem is that when we defer to old people automatically — as a system rather than as a judgement about individuals — we replicate their mistakes alongside their wisdom. And cognitive decline is real, as Biden proved. “Age is the modality in which class is lived in America today,” Moyn writes, riffing on Stuart Hall's formulation about race. •       The Congress, the Courts, and the Deaths That Passed the Bill: Trump is the oldest elected US president in history — and if JD Vance were to succeed him, Vance would be the youngest president since Teddy Roosevelt. But Moyn's focus goes beyond the presidency. Congress has aged dramatically: the average senator and representative are significantly older than at any point in US history, and there is now only one member of Congress in their thirties. Several Democratic members of the House died in the months before the One Big Beautiful Bill vote, facilitating its passage. The gerontocracy is quite literally voting itself into power through death. •       The RBG Problem: Selfishness and the Supreme Court: Moyn's account of Ruth Bader Ginsburg is unsparing. She had been diagnosed with pancreatic cancer — one of the deadliest — and allegedly survived it. She had become a progressive icon, “Notorious RBG.” But she chose to stay on the court rather than retire under Obama, and she died in office in 2020, allowing Trump to appoint Amy Coney Barrett and hand the right a supermajority that ended abortion rights. Moyn's verdict: she was selfish. He is also careful to note that the system should not depend on individual virtue — there will always be selfish people. The system must be reformed so that selfish choices are no longer possible. •       The Framers Designed Gerontocracy Into the Constitution: One of Moyn's most striking historical arguments: the framers deliberately empowered old people. The age minimums for federal office (35 for the presidency, 30 for the Senate) excluded 70% of the population at the time. The Senate was named after the Roman senatus — literally “old men” — and the concept went back to the Spartan council of elders. Alexander Hamilton argued in the Federalist Papers that federal judges should serve until they were “dodering” because the alternative was too much popular power. The gerontocracy is not an accident. It was designed. •       The Solutions: Vote at Six, Retire at Sixty, Tax the Family Home: Moyn's solutions are deliberately radical. On voting: lower the age, as David Runciman advocates to six, and reduce the number of elections because evidence shows the more elections, the greater the elder dominance. On political office: age limits, youth cohorts. On the courts: mandatory retirement — this requires creative interpretation of the constitution rather than amendment. On the economy: higher taxes on inherited wealth and housing assets — an incremental tax for staying in a large house you no longer need. On the title of the paperback: Andrew suggests “Forever Old.” Moyn will credit him if it's chosen. About the Guest Samuel Moyn is the Kent Professor of Law and History at Yale University. He is the author of Gerontocracy in America: How the Old Are Hoarding Power and Wealth — and What to Do About It (Farrar, Straus and Giroux, June 16, 2026), Humane: How the United States Abandoned Peace and Reinvented War, Not Enough: Human Rights in an Unequal World, and The Last Utopia: Human Rights in History. He is co-host of the Digging a Hole podcast and a frequent contributor to The Nation, The New Republic, and The New York Times. He lives in New Haven, Connecticut. References: •       Gerontocracy in America: How the Old Are Hoarding Power and Wealth — and What to Do About It by Samuel Moyn (Farrar, Straus and Giroux, June 16, 2026). •       Samuel Moyn, “The Old Guard: Confronting America's Gerontocratic Crisis,” Harper's Magazine, May 2026 — the excerpt from the book referenced at the opening. •       David Runciman — referenced for his advocacy of lowering the voting age to six. •       Stuart Hall — referenced for the formulation that class is lived through race, which Moyn repurposes for age. About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 3,000 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting. WebsiteSubstackYouTube

After his mother fell in love with a man she was chatting with online who turned out to be a Nigerian scammer, journalist Carlos Barragán decided to investigate the community of Nigerian romance frauds, and learn more about the conditions that have led to the prevalence of these scams. Barragán discusses his new book, The Yahoo Boys: Love, Deception, and the Real Lives of Nigeria's Romance Scammers. Plus, listeners share their own experiences with romance scammers.  Cover art courtesy of Farrar, Straus and Giroux Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today, we're putting The Tonearm's needle on George Grella, one of the sharpest music critics working today.George is the music editor of The Brooklyn Rail and has written for The Wire, the New York Times, and, luckily for us, The Tonearm.George just published Minimalist Music, part of Bloomsbury's 33⅓ Genre series. His central argument is that minimalism isn't defined by sparse materials or specific harmonies; it's defined by how it uses time. Understanding that distinction impacts how we approach and hear the music, and what happens to this music when its originators are gone.We talk about that thesis, the line between minimalism and post-minimalism, and what it takes to build a life in music writing. We also take a detour into John Zorn's visual art.The musical excerpts heard in the interview are Terry Riley - “In C” (performed by Bang on a Can All-Stars on the album In C ), Philip Glass - "Music in Twelve Parts: Part 1" (performed by The Philip Glass Ensemble on the album Music in Twelve Parts), and Steve Reich - “Drumming: Pt III” (performed by Steve Reich and Musicians on the album Drumming).—Dig DeeperGuest and BookVisit George Grella Jr. at The Brooklyn Rail where he serves as music editor, and on The Tonearm, where he is a contributorSubscribe to his Substack newsletter, Kill Yr Idols,, and follow him on BlueskyPurchase Minimalist Music (Bloomsbury Academic, 2026) from Bloomsbury, Bookshop.org, Powell's Books, Barnes & Noble, Amazon, or your other retailer of choiceRead Grella's Substack post "Minimalism at the End" — the piece discussed in this episodeGeorge Grella Jr.'s previous book: Miles Davis' Bitches Brew (Bloomsbury, 2015) — part of the 33⅓ seriesKey ComposersSteve Reich — official websitePhilip Glass — official websiteMeredith Monk — official websiteMorton Feldman — WikipediaLa Monte Young — WikipediaArvo Pärt — official websiteLouis Andriessen — WikipediaJohn Zorn — Tzadik websiteKey Works DiscussedMusic for 18 Musicians — Steve ReichElectric Counterpoint — Steve ReichDrumming — Steve ReichDifferent Trains — Steve ReichEinstein on the Beach — Ictus, Suzanne Vega, Collegium Vocale Gent (VLEK, 2025) — the recording discussed in this episodeGlassworks — Philip GlassPanthalassa: The Music of Miles Davis 1969–1974 — reconstructed and mixed by Bill Laswell (Sony, 1998)Kind of Blue — Miles DavisEnsembles and OrganizationsBang on a Can — including the Bang on a Can All-Stars and the annual Long Play FestivalSō Percussion — Grammy-winning percussion quartetIctus Ensemble — Brussels-based contemporary music ensembleReferenced BooksOn Minimalism: Documenting a Musical Movement — Kerry O'Brien and William Robin (University of California Press, 2023)Kerry O'Brien and William Robin on The Tonearm PodcastThe Rest Is Noise: Listening to the Twentieth Century — Alex Ross (Farrar, Straus and Giroux, 2007)ExhibitionJohn Zorn: Hermetic Cartography — The Drawing Center, New York (February 7–May 11, 2025). The exhibition featured drawings, graphic scores, and visual works spanning seven decades of Zorn's practice.—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, we're putting The Tonearm's needle on George Grella, one of the sharpest music critics working today.George is the music editor of The Brooklyn Rail and has written for The Wire, the New York Times, and, luckily for us, The Tonearm.George just published Minimalist Music, part of Bloomsbury's 33⅓ Genre series. His central argument is that minimalism isn't defined by sparse materials or specific harmonies; it's defined by how it uses time. Understanding that distinction impacts how we approach and hear the music, and what happens to this music when its originators are gone.We talk about that thesis, the line between minimalism and post-minimalism, and what it takes to build a life in music writing. We also take a detour into John Zorn's visual art.The musical excerpts heard in the interview are Terry Riley - “In C” (performed by Bang on a Can All-Stars on the album In C ), Philip Glass - "Music in Twelve Parts: Part 1" (performed by The Philip Glass Ensemble on the album Music in Twelve Parts), and Steve Reich - “Drumming: Pt III” (performed by Steve Reich and Musicians on the album Drumming).—Dig DeeperGuest and BookVisit George Grella Jr. at The Brooklyn Rail where he serves as music editor, and on The Tonearm, where he is a contributorSubscribe to his Substack newsletter, Kill Yr Idols,, and follow him on BlueskyPurchase Minimalist Music (Bloomsbury Academic, 2026) from Bloomsbury, Bookshop.org, Powell's Books, Barnes & Noble, Amazon, or your other retailer of choiceRead Grella's Substack post "Minimalism at the End" — the piece discussed in this episodeGeorge Grella Jr.'s previous book: Miles Davis' Bitches Brew (Bloomsbury, 2015) — part of the 33⅓ seriesKey ComposersSteve Reich — official websitePhilip Glass — official websiteMeredith Monk — official websiteMorton Feldman — WikipediaLa Monte Young — WikipediaArvo Pärt — official websiteLouis Andriessen — WikipediaJohn Zorn — Tzadik websiteKey Works DiscussedMusic for 18 Musicians — Steve ReichElectric Counterpoint — Steve ReichDrumming — Steve ReichDifferent Trains — Steve ReichEinstein on the Beach — Ictus, Suzanne Vega, Collegium Vocale Gent (VLEK, 2025) — the recording discussed in this episodeGlassworks — Philip GlassPanthalassa: The Music of Miles Davis 1969–1974 — reconstructed and mixed by Bill Laswell (Sony, 1998)Kind of Blue — Miles DavisEnsembles and OrganizationsBang on a Can — including the Bang on a Can All-Stars and the annual Long Play FestivalSō Percussion — Grammy-winning percussion quartetIctus Ensemble — Brussels-based contemporary music ensembleReferenced BooksOn Minimalism: Documenting a Musical Movement — Kerry O'Brien and William Robin (University of California Press, 2023)Kerry O'Brien and William Robin on The Tonearm PodcastThe Rest Is Noise: Listening to the Twentieth Century — Alex Ross (Farrar, Straus and Giroux, 2007)ExhibitionJohn Zorn: Hermetic Cartography — The Drawing Center, New York (February 7–May 11, 2025). The exhibition featured drawings, graphic scores, and visual works spanning seven decades of Zorn's practice.—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

内容简介本期聊“为什么要追求卓越”。增长往往不是线性的，真正的跃迁来自少数关键时刻；卓越工作不仅带来更高回报，更重要的是让人有机会提出更好的问题、完成更好的价值对齐。平庸的工作会被市场和记忆迅速遗忘，而卓越，是个体与组织面对世界最坦诚的行动方式。参考文献* Deutsch, D. (2011). *The Beginning of Infinity: Explanations That Transform the World*. Viking.* Christian, B. (2020). *The Alignment Problem: Machine Learning and Human Values*. W. W. Norton & Company.* Taleb, N. N. (2012). *Antifragile: Things That Gain from Disorder*. Random House.* Kahneman, D. (2011). *Thinking, Fast and Slow*. Farrar, Straus and Giroux.* J.P. Morgan Asset Management. (2024). *Guide to the Markets*. J.P. Morgan Asset Management.* S&P Dow Jones Indices. (2024). *S&P 500 Index Methodology*. S&P Global.

Bright on Buddhism - Episode 140 - Who is Bodhidharma? What is his significance to East Asian Buddhism? What are some legends about him?Resources: charya, Raghu (2017), Shanon, Sidharth (ed.), Bodhidharma Retold – A Journey from Sailum to Shaolin, New Delhi: Motilal Banarsidass, ISBN 978-81-208-4152-9Broughton, Jeffrey L. (1999), The Bodhidharma Anthology: The Earliest Records of Zen, Berkeley: University of California Press, ISBN 0-520-21972-4Buswell, Robert E., ed. (2004), Encyclopedia of Buddhism, vol. 1, Macmillan, ISBN 0-02-865718-7Cole, Alan (2009), Fathering Your Father: The Zen of Fabrication in Tang Buddhism, Berkeley, Los Angeles, London: University of California Press, ISBN 978-0-520-25485-5Dumoulin, Heinrich; Heisig, James; Knitter, Paul F. (2005). Zen Buddhism: India and China. World Wisdom, Inc. ISBN 978-0-941532-89-1.Faure, Bernard (1986), "Bodhidharma as Textual and Religious Paradigm", History of Religions, 25 (3): 187–198, doi:10.1086/463039, S2CID 145809479, archived from the original on 2007-09-28, retrieved 2007-02-13Ferguson, Andrew (2000), Zen's Chinese Heritage: The Masters and their Teachings, Somerville: Wisdom Publications, ISBN 0-86171-163-7Garfinkel, Perry (2006), Buddha or Bust, Harmony Books, ISBN 978-1-4000-8217-9Henning, Stanley (1994), "Ignorance, Legend and Taijiquan" (PDF), Journal of the Chenstyle Taijiquan Research Association of Hawaii, 2 (3): 1–7, archived from the original on 2011-02-23, retrieved 2019-10-19Henning, Stan; Green, Tom (2001), "Folklore in the Martial Arts", in Green, Thomas A. (ed.), Martial Arts of the World: An Encyclopedia, Santa Barbara, CA: ABC-CLIOJorgensen, John (2000), "Bodhidharma", in Johnston, William M. (ed.), Encyclopedia of Monasticism: A-L, Taylor & FrancisKambe, Tstuomu (2012), Bodhidharma. A collection of stories from Chinese literature (PDF), archived from the original (PDF) on 2015-11-06, retrieved 2011-11-23McRae, John R. (2000), "The Antecedents of Encounter Dialogue in Chinese Ch'an Buddhism", in Heine, Steven; Wright, Dale S. (eds.), The Kōan: Texts and Contexts in Zen Buddhism, Oxford University Press, archived from the original on 2012-07-25, retrieved 2006-11-30.McRae, John R. (2003), Seeing Through Zen. Encounter, Transformation, and Genealogy in Chinese Chan Buddhism, The University Press Group Ltd, ISBN 978-0-520-23798-8McRae, John R. (2004), Seeing through Zen: Encounter, Transformation, and Genealogy in Chinese Chan Buddhism, University of California PressPine, Red, ed. (1989), The Zen Teaching of Bodhidharma: A Bilingual Edition, New York: North Point Press, ISBN 0-86547-399-4Pine, Red, ed. (2009), The Zen Teaching of Bodhidharma, Farrar, Straus and Giroux, ISBN 978-0-86547-399-7Sekida, Katsuki (1996). Two Zen Classics. Mumonkan, The Gateless Gate. Hekiganroku, The Blue Cliff Records. Translated with commentaries by Katsuki Sekida. New York / Tokyo: Weatherhill.Shahar, Meir (2008). The Shaolin Monastery: history, religion, and the Chinese martial arts. University of Hawaii Press. ISBN 978-0-8248-3110-3.Sutton, Florin Giripescu (1991), Existence and Enlightenment in the Laṅkāvatāra Sūtra: A Study in the Ontology and Epistemology of the Yogācāra School of Mahāyāna Buddhism, Albany: State University of New York Press, ISBN 0-7914-0172-3.Williams, Paul (1989), Mahayana Buddhism: The Doctrinal Foundations, Psychology Press, ISBN 0-415-02537-0_________________________________If you like our show and would like to support us, we encourage you to give your money or resources to a worthy cause. We can get through this. Our strongest weapon is solidarity. Stay strong and help where you can. Thank you.Do you have a question about Buddhism that you'd like us to discuss? Let us know by emailing us at Bright.On.Buddhism@gmail.com.Credits:Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-HostProven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host

Writer and Frieze editor-in-chief Andrew Durbin talks about: His book tour for "The Wonderful World That Almost Was," which has been hectic; how he became familiar with Peter Hujar's work initially, and why his and Paul Tek's legacies really took off after their deaths; Peter's persona and personality as someone who could be as charming and engaging as can be, but also someone who flew off the handle with a volatile anger at some in his life, and how he actually using photography to deal with some of that anger; how Paul Tek appeared to be thoroughly charming and quintessentially hippie-ish from the various television footage of him in interviews, despite his ultimate distaste for and rebellion against the hippie archetype, and how he had an ongoing contradiction in wanting to be around people and then wanting to get away (he often questioned the love of those who loved him), which he did prolifically, from Miami right out of school to various parts of Italy throughout his adulthood; Peter's troubled relationship with his mother, who was emotionally abusive and neglectful, and whom was described by a boyfriend of Peter's at the time as "very good at being unsatisfied;" how Peter learned much of his photography skills working in commercial photos studios in the '60s and '70s (including that of Richard Avedon) and eventually applied and expanded them in the darkroom for his own work, and to what extent Gar Schneider, his friend and the printer of the work in his estate, will make prints posthumously from the estate;  In the 2nd half of the conversation, available to Patreon supporters, he covers: The legacies of Peter and Paul, including via Linda Rosenkranz's book "Peter Hujar's Day," which became a film by Ira Sachs, and how Andrew's book may just be part of the rise in their respective public profiles; how he was more interested in and relied on their own memories of their childhoods (and adulthoods) as opposed to thru the lenses of family; how Andrew melded with his subjects, and how consuming and  surprisingly somatic the experience of writing the book became, leaving him unsure how to re-fill his time once the writing finally ended; how thru writing the book he had to confront his own fears of AIDS, of death, and his insecurities, and the therapist who guided him gracefully through that process; how, despite the book being published by Farrar, Straus and Giroux, he still maintained his full-time job (editor of Frieze magazine), and in fact how much the book strained his finances, as biographies turn out to be expensive endeavors (with almost no opportunity for grants to support them); how the reason that Andrew's book and Ira Sachs' film (Peter Hujar's Day) are coinciding has to do with a hunger for authenticity, including especially a yearning for a time (the '70s) in New York when artists could live together in a community and scrape by financially on whatever they made, a time long-gone but one that even some young people are aware of; iconic writer/cultural critic Susan Sontag's relationships with Peter and Paul, the latter of whom became infatuated with her, and how Andrew showed her as 'an intoxicating' individual, and what that feels like; Paul's complex relationship with his sexuality, to the extent that he often pursued relationships with women, whom he dated quite often but never got serious with, and how sexuality was something he may have tormented himself over; how the actor who played Peter in "Peter Hujar's Day" could never fill Peter's robust shoes, but at the same time how happy Andrew is for how many people the film has brought to Peter's work; the differences between living in New York and London (where he lives now), including how London actually has more in common with Los Angeles in terms of its size and its more deliberate social dynamics whereas in New York you're constantly running into people everywhere; and how he'll finally be ready to transition to his next project once this one if finally done, as it's been such an immersive, somatic experience.

In October 1943, the Gripsholm—a Swedish ocean liner—and the Teia Maru—a Japanese troop ship—sat in Mormugao, a port in Portuguese India. There, the two ships exchanged their passengers: Allied civilians stuck in Japanese territory after Pearl Harbor , and an assortment of Japanese, Japanese-American, and other Japanese-ethnic people from the Americas.The trade capped a long and fraught diplomatic exchange between the U.S. and Japan, two countries at war. Evelyn Iritani's book Safe Passage: The Untold Story of Diplomatic Intrigue, Betrayal, and the Exchange of American and Japanese Civilians by Sea During World War II (Farrar, Straus and Giroux, 2026) tells the story of how this exchange came about: How U.S. civilians tried to survive in Japan or occupied Hong Kong, or how the U.S. government pressured Japanese Americans, housed in internment camps, to accept repatriation to Japan, a country many had never known. Evelyn is a Pulitzer Prize-winning journalist. Her previous book, An Ocean Between Us: The Changing Relationship of Japan and the United States Told in Four Stories From the Life of An American Town (William Morrow and Company: 1994), won a Washington Governor's Writers Day Award. Evelyn began her career at the Seattle Post-Intelligencer and moved to the Los Angeles Times in 1995 to cover international economics. Her reporting garnered numerous awards, including the 2004 Pulitzer Prize for National Reporting and the George Polk Award for Economics Reporting for a series she co-authored on Wal-Mart.She can be found on her website, Facebook, LinkedIn and Instagram. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Safe Passage. Follow on Twitter at @BookReviewsAsia.  Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In October 1943, the Gripsholm—a Swedish ocean liner—and the Teia Maru—a Japanese troop ship—sat in Mormugao, a port in Portuguese India. There, the two ships exchanged their passengers: Allied civilians stuck in Japanese territory after Pearl Harbor , and an assortment of Japanese, Japanese-American, and other Japanese-ethnic people from the Americas.The trade capped a long and fraught diplomatic exchange between the U.S. and Japan, two countries at war. Evelyn Iritani's book Safe Passage: The Untold Story of Diplomatic Intrigue, Betrayal, and the Exchange of American and Japanese Civilians by Sea During World War II (Farrar, Straus and Giroux, 2026) tells the story of how this exchange came about: How U.S. civilians tried to survive in Japan or occupied Hong Kong, or how the U.S. government pressured Japanese Americans, housed in internment camps, to accept repatriation to Japan, a country many had never known. Evelyn is a Pulitzer Prize-winning journalist. Her previous book, An Ocean Between Us: The Changing Relationship of Japan and the United States Told in Four Stories From the Life of An American Town (William Morrow and Company: 1994), won a Washington Governor's Writers Day Award. Evelyn began her career at the Seattle Post-Intelligencer and moved to the Los Angeles Times in 1995 to cover international economics. Her reporting garnered numerous awards, including the 2004 Pulitzer Prize for National Reporting and the George Polk Award for Economics Reporting for a series she co-authored on Wal-Mart.She can be found on her website, Facebook, LinkedIn and Instagram. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Safe Passage. Follow on Twitter at @BookReviewsAsia.  Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

In October 1943, the Gripsholm—a Swedish ocean liner—and the Teia Maru—a Japanese troop ship—sat in Mormugao, a port in Portuguese India. There, the two ships exchanged their passengers: Allied civilians stuck in Japanese territory after Pearl Harbor , and an assortment of Japanese, Japanese-American, and other Japanese-ethnic people from the Americas.The trade capped a long and fraught diplomatic exchange between the U.S. and Japan, two countries at war. Evelyn Iritani's book Safe Passage: The Untold Story of Diplomatic Intrigue, Betrayal, and the Exchange of American and Japanese Civilians by Sea During World War II (Farrar, Straus and Giroux, 2026) tells the story of how this exchange came about: How U.S. civilians tried to survive in Japan or occupied Hong Kong, or how the U.S. government pressured Japanese Americans, housed in internment camps, to accept repatriation to Japan, a country many had never known. Evelyn is a Pulitzer Prize-winning journalist. Her previous book, An Ocean Between Us: The Changing Relationship of Japan and the United States Told in Four Stories From the Life of An American Town (William Morrow and Company: 1994), won a Washington Governor's Writers Day Award. Evelyn began her career at the Seattle Post-Intelligencer and moved to the Los Angeles Times in 1995 to cover international economics. Her reporting garnered numerous awards, including the 2004 Pulitzer Prize for National Reporting and the George Polk Award for Economics Reporting for a series she co-authored on Wal-Mart.She can be found on her website, Facebook, LinkedIn and Instagram. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Safe Passage. Follow on Twitter at @BookReviewsAsia.  Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In October 1943, the Gripsholm—a Swedish ocean liner—and the Teia Maru—a Japanese troop ship—sat in Mormugao, a port in Portuguese India. There, the two ships exchanged their passengers: Allied civilians stuck in Japanese territory after Pearl Harbor , and an assortment of Japanese, Japanese-American, and other Japanese-ethnic people from the Americas.The trade capped a long and fraught diplomatic exchange between the U.S. and Japan, two countries at war. Evelyn Iritani's book Safe Passage: The Untold Story of Diplomatic Intrigue, Betrayal, and the Exchange of American and Japanese Civilians by Sea During World War II (Farrar, Straus and Giroux, 2026) tells the story of how this exchange came about: How U.S. civilians tried to survive in Japan or occupied Hong Kong, or how the U.S. government pressured Japanese Americans, housed in internment camps, to accept repatriation to Japan, a country many had never known. Evelyn is a Pulitzer Prize-winning journalist. Her previous book, An Ocean Between Us: The Changing Relationship of Japan and the United States Told in Four Stories From the Life of An American Town (William Morrow and Company: 1994), won a Washington Governor's Writers Day Award. Evelyn began her career at the Seattle Post-Intelligencer and moved to the Los Angeles Times in 1995 to cover international economics. Her reporting garnered numerous awards, including the 2004 Pulitzer Prize for National Reporting and the George Polk Award for Economics Reporting for a series she co-authored on Wal-Mart.She can be found on her website, Facebook, LinkedIn and Instagram. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Safe Passage. Follow on Twitter at @BookReviewsAsia.  Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

In October 1943, the Gripsholm—a Swedish ocean liner—and the Teia Maru—a Japanese troop ship—sat in Mormugao, a port in Portuguese India. There, the two ships exchanged their passengers: Allied civilians stuck in Japanese territory after Pearl Harbor , and an assortment of Japanese, Japanese-American, and other Japanese-ethnic people from the Americas.The trade capped a long and fraught diplomatic exchange between the U.S. and Japan, two countries at war. Evelyn Iritani's book Safe Passage: The Untold Story of Diplomatic Intrigue, Betrayal, and the Exchange of American and Japanese Civilians by Sea During World War II (Farrar, Straus and Giroux, 2026) tells the story of how this exchange came about: How U.S. civilians tried to survive in Japan or occupied Hong Kong, or how the U.S. government pressured Japanese Americans, housed in internment camps, to accept repatriation to Japan, a country many had never known. Evelyn is a Pulitzer Prize-winning journalist. Her previous book, An Ocean Between Us: The Changing Relationship of Japan and the United States Told in Four Stories From the Life of An American Town (William Morrow and Company: 1994), won a Washington Governor's Writers Day Award. Evelyn began her career at the Seattle Post-Intelligencer and moved to the Los Angeles Times in 1995 to cover international economics. Her reporting garnered numerous awards, including the 2004 Pulitzer Prize for National Reporting and the George Polk Award for Economics Reporting for a series she co-authored on Wal-Mart.She can be found on her website, Facebook, LinkedIn and Instagram. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Safe Passage. Follow on Twitter at @BookReviewsAsia.  Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Like the palm tree, the Everglades, Disney World, and the “Florida Man,” the orange is a classic symbol of the Sunshine State. But maybe not for much longer. Production has declined to catastrophic levels, a decrease of more than 95% in less than 25 years. It's a produce murder mystery—and Decoder Ring is tagging along with reporter Alex Sammon to crack the case. The suspects include insects, hurricanes, mortgage-backed securities, and the American habit of not reckoning with enormous, load-bearing flaws until it's way too late.In this episode, you'll hear from Alex, a feature writer at Slate, who visited Florida to check on the orange and write about its demise. You'll also hear from Gary Mormino, Florida lover, expert, and professor emeritus of Florida Studies at the University of South Florida.This episode was produced by Katie Shepherd and Evan Chung, Decoder Ring's supervising producer. It was edited by Josh Levin. Decoder Ring is also produced by Willa Paskin and Max Freedman. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.Sources for This EpisodeHamilton, Alissa. Squeezed: What You Don't Know about Orange Juice, Yale University Press, 2010.Hussey, Scott D. “The Sunshine State's Golden Fruit: Florida And The Orange,1930-1960,” USF Tampa Graduate Theses and Dissertations, Apr. 2, 2010.McPhee, John. Oranges, Farrar, Straus and Giroux, 1967.Mormino, Gary. “The enduring but endangered symbol of Florida,” The Gainesville Sun, Apr. 3, 2016.Sammon, Alex. “Who Killed The Florida Orange?” Slate, Apr. 20, 2026.Walkey, Will and Amory Sivertson. “The fall of Florida citrus,” On Point, Aug. 19, 2025Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

Like the palm tree, the Everglades, Disney World, and the “Florida Man,” the orange is a classic symbol of the Sunshine State. But maybe not for much longer. Production has declined to catastrophic levels, a decrease of more than 95% in less than 25 years. It's a produce murder mystery—and Decoder Ring is tagging along with reporter Alex Sammon to crack the case. The suspects include insects, hurricanes, mortgage-backed securities, and the American habit of not reckoning with enormous, load-bearing flaws until it's way too late.In this episode, you'll hear from Alex, a feature writer at Slate, who visited Florida to check on the orange and write about its demise. You'll also hear from Gary Mormino, Florida lover, expert, and professor emeritus of Florida Studies at the University of South Florida.This episode was produced by Katie Shepherd and Evan Chung, Decoder Ring's supervising producer. It was edited by Josh Levin. Decoder Ring is also produced by Willa Paskin and Max Freedman. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.Sources for This EpisodeHamilton, Alissa. Squeezed: What You Don't Know about Orange Juice, Yale University Press, 2010.Hussey, Scott D. “The Sunshine State's Golden Fruit: Florida And The Orange,1930-1960,” USF Tampa Graduate Theses and Dissertations, Apr. 2, 2010.McPhee, John. Oranges, Farrar, Straus and Giroux, 1967.Mormino, Gary. “The enduring but endangered symbol of Florida,” The Gainesville Sun, Apr. 3, 2016.Sammon, Alex. “Who Killed The Florida Orange?” Slate, Apr. 20, 2026.Walkey, Will and Amory Sivertson. “The fall of Florida citrus,” On Point, Aug. 19, 2025 Hosted on Acast. See acast.com/privacy for more information.

Like the palm tree, the Everglades, Disney World, and the “Florida Man,” the orange is a classic symbol of the Sunshine State. But maybe not for much longer. Production has declined to catastrophic levels, a decrease of more than 95% in less than 25 years. It's a produce murder mystery—and Decoder Ring is tagging along with reporter Alex Sammon to crack the case. The suspects include insects, hurricanes, mortgage-backed securities, and the American habit of not reckoning with enormous, load-bearing flaws until it's way too late.In this episode, you'll hear from Alex, a feature writer at Slate, who visited Florida to check on the orange and write about its demise. You'll also hear from Gary Mormino, Florida lover, expert, and professor emeritus of Florida Studies at the University of South Florida.This episode was produced by Katie Shepherd and Evan Chung, Decoder Ring's supervising producer. It was edited by Josh Levin. Decoder Ring is also produced by Willa Paskin and Max Freedman. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.Sources for This EpisodeHamilton, Alissa. Squeezed: What You Don't Know about Orange Juice, Yale University Press, 2010.Hussey, Scott D. “The Sunshine State's Golden Fruit: Florida And The Orange,1930-1960,” USF Tampa Graduate Theses and Dissertations, Apr. 2, 2010.McPhee, John. Oranges, Farrar, Straus and Giroux, 1967.Mormino, Gary. “The enduring but endangered symbol of Florida,” The Gainesville Sun, Apr. 3, 2016.Sammon, Alex. “Who Killed The Florida Orange?” Slate, Apr. 20, 2026.Walkey, Will and Amory Sivertson. “The fall of Florida citrus,” On Point, Aug. 19, 2025 Hosted on Acast. See acast.com/privacy for more information.

Lisa Wells is a poet, essayist, and documentarian. She is the author, most recently, of The Fire Passage, selected by Diane Seuss as the winner of the Levis Poetry Prize (Four Way Books, 2025). Her debut poetry collection, The Fix, won the Iowa Poetry Prize. She is also the author of Believers: Making a Life at the End of the World, (Farrar, Straus & Giroux), a finalist for the 2022 PEN E.O. Wilson Literary Science Writing Award. Her work has been published in Granta, The Believer, N+1, The New York Times, Harper's Magazine, and in The Best American Science and Nature Writing and The Best American Food and Travel Writing. She has taught for The University of Iowa, The University of Arizona, Portland State University, Yale-NUS and currently serves as co-editor of the Kuhl House Poets Series at the University of Iowa Press. Find more here: https://www.lisawellswriter.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. Submit your poems through Submittable by midnight Sunday for a chance to be invited: https://rattle.submittable.com/submit/269309/rattlecast-prompt-poems-online For links to all the past episodes, visit: https://www.rattle.com/page/rattlecast/ This Week's Prompt: Write an after poem to one of the Rattle Poetry Prize finalist poems. Make sure not to take the magic from the source poem. Instead, create your own transformation! Next Week's Prompt: Write a poem that's all about taste! Include a scent, but not the word “delicious.” The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

This episode continues our series on the aubade (a morning love song) with a dramatic turn. Larkin reinvents the tradition as waking to the fact that every new day brings a person one day closer to death. To see the tradition that Larkin reimagines, see our previous episode on John Donne, "The Sun Rising." For the text of Larkin's "Aubade" see the Poetry Foundation. For more on Larkin, see the Poetry Foundation. Thanks to Farrar, Straus, and Giroux, as well as Faber and Faber, for permission to read Larkin's "Aubade" for this episode. Photo by Barry Wilkinson/Radio Times via Getty Images

Suzy Hansen on “From Life Itself: Turkey, Istanbul, and a Neighborhood in the Age of Erdoğan” (Farrar, Straus and Giroux). The book focuses on Istanbul's Karagumruk to explore the everyday impact of geopolitical upheaval, economic turbulence and the arrival of Syrian migrants in Turkey. Please support Turkey Book Talk on Patreon or Substack. Supporters get a 35% discount on all Turkey/Ottoman History books published by Bloomsbury Academic, transcripts of every interview, and links to articles related to each episode.

What the Stone Did Not ForgetThe lineage of the sacred feminine from Neolithic Europe all the way to the Stardust Lineage.There is an image of a woman small enough to fit in the palm of your hand. She is less than four and a half inches tall, carved from Neolithic limestone over 28,000 years ago near the Danube River in what is now called Austria. She is all curved. A sacred feminine body with a round belly, full breasts, wide hips, a body in its fullness and generative power, honored in the most permanent material available.She has no face. She does not need one. She is not a portrait of an individual woman. She is every woman. And she is a statement about what the female body means, what it carries, what it represents, and the cosmology of the people who made her. She is, of course, the Venus of Willendorf.She was once tinted with red ochre, the same iron-rich pigment as human blood, and women's blood. Even in the act of carving, there was an awareness of the connection between body, earth, and cosmos. The stone itself was not incidental. The stone holds what time cannot otherwise keep. The stone holds the story and remembers.Across a vast arc of prehistoric Europe and Asia, from France to Siberia, archaeologists have uncovered hundreds of similar figurines spanning thousands of years of human creative life. Each one encoded the same understanding. The female body is sacred. It doesn't represent the sacred. It is the sacred and created from the sacred. She is the source. She is the organizing principle of human life.Honoring the feminine because of matriarchy was not something radical, was not feminism. It was not simply embedded into the fabric of early human cultures. It was actually what the fabric was woven from — not just embedded, woven from. It is the very fibers of the tapestry.And this story lasts for thousands and thousands and thousands of years before the eventual widespread emergence of organized warfare, before the legal and theological structures that would later declare the female body a problem to be managed and named, before the invention of land ownership.The stone did not forget, even as later cultures obscured, suppressed, and reinterpreted and renamed what these figurines meant. The stone holds the story. The clay holds the imprint.Marija Gimbutas and the Language of the Sacred BodyMuch of what we know about these ancient cultures comes from the work of Marija Gimbutas, the Lithuanian-American archaeologist, Professor Emeritus at UCLA, and one of the most important and most contested scholars in the 20th century. She spent decades excavating what she called Old Europe, the Neolithic cultures of prehistoric Europe that flourished before the arrival of the patriarchal peoples from the Pontic-Caspian steppes beginning around 4000 BCE. In the regions of what is now known as Ukraine, Moldova, and Romania, the Cucuteni-Trypillia era, she documented cultures that developed sophisticated symbolic systems over thousands of years, deeply rooted in agricultural art and the cyclical understandings of life.In thousands of figurines, burial sites, ceremonial objects, and symbolic markings, she identified a coherent visual language — circles, spirals, triangles, and the female form encoding an entire civilization's understanding of life, death, the regeneration cycle, and the sacred. This is not primitive decoration. These are not fertility charms made for male desire. These are acts of reverence and collaboration, a co-creative relationship, symbols encoded into stone and clay, telling a story about who we were and perhaps who we could be.And she found no weapons there until later.Her interpretation, by the way, has been challenged and debated by subsequent scholars. Her naming, her description of the archaeomythology of the ancient mothers — to this day, archaeologists are trying to disprove her theories and relabel her findings.And yet the figurines — it's even hard to call them that. The mother. She just exists. The symbols recur across vast distances and thousands of years with a consistency that really demands no explanation. We honored her and her body. Whatever the precise nature of the social structures that produced them, the female body represented in these artifacts is the power. She is the primary symbol through which a civilization found its meaning.That understanding did not disappear when the cultures that held it were disrupted. It went underground, literally, and it survived in objects and then modern day practices that the dominant culture wasn't successful in stamping out.So much they took from us. So much we remembered. The stone remembers, and the stardust bones remember.Lenore Thomas Straus — Choosing the MotherThis is how it leads into our Stardust Lineage.In 1937, sculptor Lenore Thomas Straus received a commission through the Public Works Administration — sometimes called the Works Progress Administration — in Greenbelt, Maryland. This is one of the New Deal communities being built during the Depression, supported by the Roosevelts' vision for an American public life. Lenore worked on multiple projects connected to this era of public art, and photographs document her alongside Eleanor Roosevelt in a hard hat.Lenore also made a note that these communities were being built for white people, but by Black people. That is part of the story. The untold story.For the Greenbelt commission, Lenore was given latitude to choose her subject. It was going to go in the town square. She chose a mother and child — not a warrior, not a statesman for the area, not an allegory of progress or industry. A mother kneeling, with her child holding a cup with both hands. It is carved across three four-foot limestone blocks from Indiana, twelve feet of stone placed in public space, and functional — a water fountain. Just like a woman, she wanted to make sure it made sense. Utility and reverence made inseparable, the act of offering water given permanent form in stone. The sculpture was commissioned in 1937 and completed in 1939.This is, of course, a conscious choice. With the full range of American civic iconography available to her, with the imprimatur of federal commission behind her, Lenore Thomas Straus chose to place the sacred feminine body in a public square — a mother and a child.She also carved in a separate commission the Preamble to the Constitution in stone, also in Maryland.She knew what she was doing. She was doing what the Neolithic carvers had done across thousands of years — inscribing the female body and the values of a society that honors life in the most permanent material available.She wrote of her relationship to carving stone as an artist: Quietly, I bow to the stone.To our community, this summarizes the root system of Intentional Creativity. The sentence holds an entire philosophy. The sculptor does not dominate the material. She listens to it. She honors what it carries. She brings her full devotion to bear before she raises a hand to shape it.Greenbelt, Maryland is where Lenore Thomas Straus is from — Prince George's County, Maryland.Lenore Thomas Straus became the teacher of a young artist named Sue Hoya Sellers. She recognized Sue when Sue was seventeen years old. Sue had ridden seven miles on dirt roads to find her, a portfolio strapped to her bicycle, clothes starched and ironed, two years of preparation. Lenore called her a young artist, and Sue was one.Among the things Lenore passed to Sue was an understanding that the sacred feminine image belonged in the hands of women — that carving was not decoration, that it was transmission, and honestly, a form of decolonizing the female body.Sue carried this forward in her own large-scale work, including a monumental pregnant woman carved in wood commissioned for Alice Walker that stands at Stardust Ranch in Sonoma — the sacred feminine body again in the most permanent material available, given to the woman who had sat at the table with Sue, given to the writer who told me that to be happy is one of the most revolutionary acts.And Sue passed this assignment to me when I was twenty-four. Sue co-mothered me, and this was among the most sacred things she passed forward.A Cold Day and a Palm-Sized PrayerI remember the day.It was cloudy and cold on the mountain. Sue and I, months before, had gone out to dig the very clay from the earth — red clay. She wanted me to understand the whole cycle of making. Finally, the clay was made. It was placed in my hands, and she said: make it fit the palm of your hand. For prayer. Put your intention into it.I brought the clay into my hands and began to shape it. I didn't know what it would become, but I knew that I was called to make the Sacred Mother. It was the first thing I ever made out of clay.Amazingly, years after Sue's death, Lenore's daughter Nora sent me a small figurine carved in stone — one of Sue's earliest works — a goddess figurine, small enough to fit in the palm of your hand. It was only then, holding that piece, understanding what Sue had been handed and what she handed to me, that I received the full weight of the assignment — not as an instruction, as a lineage, as a specific, unbroken transmission of an understanding that Lenore had carried from her own teachers, and they from theirs, all the way back to the women who pressed their hands into cave walls and shaped limestone into figurines small enough to fit in the palm of your hand.It makes me think of my recent visit to Malta — how the Sleeping Lady of Malta is so tiny she can almost fit in the palm of your hand. But there were also sculptures so huge they were claimed to be made by giantesses. Lenore and Sue did the same thing — made the tiny and the large.Lenore was a Norwegian woman. She decided to carve an enormous sculpture, a mother and child. She went on to carve the Preamble to the Constitution in stone. She taught Sue and Sue taught me — from hand to hand and really from heart to heart.And when I think of this teaching and share it with my students today, I feel the throughline of the sacred feminine image always emerging and becoming and arriving in and through our hands. Back at the beginning, right at the time I made that sculpture, I knew I wanted to change the way that women were treated and the way that the face of the feminine was regarded in my lifetime.Thousands of paintings are part of it. The carrying on of a Stardust Lineage — from Neolithic limestones to these stardust bones.Us. We.Footnotes(1) The Venus of Willendorf is housed in the Naturhistorisches Museum, Vienna, Austria. On the red ochre tinting and its connection to blood symbolism in prehistoric ritual contexts, see: Jill Cook, Ice Age Art: Arrival of the Modern Mind (British Museum Press, 2013); Marija Gimbutas, The Language of the Goddess (HarperCollins, 1989).(2) On the geographic distribution of similar prehistoric female figurines: Gimbutas, The Language of the Goddess (1989), Introduction; Cook, Ice Age Art (2013).(3) Marija Gimbutas, The Civilization of the Goddess: The World of Old Europe (HarperCollins, 1991). On the Kurgan hypothesis and the cultural transition beginning around 4000 BCE.(4) On the Cucuteni-Trypillia culture: Gimbutas, The Language of the Goddess (1989). See also: John Chapman, Fragmentation in Archaeology (Routledge, 2000) for a more recent treatment.(5) Gimbutas, The Language of the Goddess (1989). On the visual symbolic language of prehistoric European artifacts.(6) For scholarly critique of Gimbutas's methodology, see: Lynn Meskell, “Goddesses, Gimbutas and ‘New Age' Archaeology,” Antiquity 69 (1995): 74–86. For a balanced recent assessment, see: Douglass Bailey, Prehistoric Figurines: Corporeality and Representation in the Neolithic (Routledge, 2005).(7) Lenore Thomas Straus, Mother and Child, Indiana limestone water fountain, commissioned 1937, completed 1939, Greenbelt Homes Inc., Greenbelt, Maryland. Commissioned through the Public Works Administration / Works Progress Administration Federal Art Project. Photographic documentation of Straus with Eleanor Roosevelt held in the Stardust Lineage archive. For archival verification, consult Greenbelt Museum records.(8) Lenore Thomas Straus, Preamble to the Constitution, stone, Greenbelt, Maryland. Documented by personal visit. For archival citation, consult Greenbelt Museum records and WPA Federal Art Project documentation.(9) Lenore Thomas Straus, Stone Dust. Exact page number to be confirmed before publication. Get full access to Tea with the Muse at teawiththemuse.substack.com/subscribe

In this bonus episode, cohosts Jason Christian and Anthony Ballas speak with the literary critic Ryan Ruby about New German Cinema, particularly the directors Rainer Werner Fassbinder and Alexander Kluge, and the film movement's fascination with the Red Army Faction (Rote Armee Fraktion) A.K.A. the Baader–Meinhof Gang, an ultra-left militant group in West Germany that existed in various forms from 1970 to 1998.  Ryan Ruby is the author of Context Collapse: A Poem Containing a History of Poetry (Seven Stories Press, 2024) and The Zero and the One: A Novel (Twelve Books, 2017). For his essays and reviews, which have recently appeared in such venues as Harper's, Bookforum, and the New Left Review, he has received the Silvers Prize in Literary Criticism. He lives in Berlin, where he is working on a book of creative nonfiction about the city's mass transit system, tentatively titled Ringbahn: On Berlin Time, which will be published by Farrar, Straus and Giroux in late 2027. _____________________ Ryan Ruby's forthcoming book on the cultural history of Berlin, with particular interest in the music scene and cinema of the 1970s The films Germany in Autumn (1978) and The Third Generation (1979)  The Red Army Faction and 1960s/'70s militancy The political climate in Berlin today V.I. Lenin's critique of "adventurism"   _____________________ We love to give recommendations on the podcast, so here are ours for this episode:        Tony recommends the two-volume book The Magic of Robert-Houdin An Artist's Life The Watchmaker, Mechanician and Conjurer by Christian Fechner       Ryan recommends the books Baader-Meinhof: The Inside Story of the R.A.F. by Stefan Aust and Fassbinder: Thousands of Mirrors by Ian Penman       Jason recommends Bruce LaBruce's 2004 satirical RAF film The Raspberry Reich. [Warning: the film contains explicit sex scenes] _____________________ Find past guest Andrew Nette's Letterboxd list of films inspired by or about the Red Army Faction here. Check out our interview with Nette here. Like and subscribe to Cold War Cinema, and don't forget to leave us a review! Want to continue the conversation? Drop us a line at any time at coldwarcinemapod@gmail.com. To stay up to date on Cold War Cinema, follow along at coldwarcinema.com, or find us online on Bluesky @coldwarcinema.com or on X at @Cold_War_Cinema.  For more from your hosts and guest: Find Ryan Ruby's work at www.ryanruby.info Follow Jason on Bluesky @JasonAChristian.bsky.social, on X @jasonachristian, or on Letterboxed at @exilemagic. Jason also writes an occasional newsletter called Notes on Radical Cinema.  Follow Anthony on Bluesky @tonyjballas.bsky.social, on X @tonyjballas, or on Letterboxed @tonyjballas. Follow Paul on Bluesky @ptklein.com, or on Letterboxed @ptklein. Paul also writes about movies at www.howotreadmovies.com  Logo by Jason Christian  Theme music by DYAD (Charles Ballas and Jeremy Averitt).  Happy listening!

Meetinghouse 3:30, Justinian 16:07, Straus 27:57, Mildred Richard Loving 31:52, Snowshoe and Kettle 36:35, Bonny and Clyde 43:56, Fred and Rosemary West 53:57You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/twistedhistory

We talk American cuisine, European cuisine, wine, restaurants, cooking and more with Matt Straus, owner and operator of the Heirloom Lodge in Housatonic, MA. Ray Graf hosts.

Send us Fan MailEpisode 206Sorry I am late today -love yaThis week, I'm opening up a conversation that many of us avoid—but all of us feel.Money.Not the polished, curated version we see online… but the real, behind-the-scenes truth about what's coming in, what's going out, and the quiet stress it can carry.If things feel tight right now… if you've been avoiding your numbers… if you've ever wondered whether you need to earn more or spend less—but haven't wanted to face the answer—this episode is for you.We're not talking about complicated strategies or financial jargon.We're talking about honesty.The kind that changes everything.I'll walk you through the two levers we actually have, the one question that can shift your entire financial direction, and why understanding who you are with money matters more than any perfect plan.We'll also connect something we don't talk about enough:how money stress shows up in our bodies, our eating, our sleep, and our relationships.Because this isn't just about dollars.It's about your life.If you've been feeling the weight of it all…this conversation might be the place where things start to feel a little lighter.Press play when you're ready to tell yourself the truth.Quote of the Week“Do not save what is left after spending, but spend what is left after saving.” — Warren BuffettCitations Kahneman, D. (2011). Thinking, Fast and Slow. Farrar, Straus and Giroux.Consumer Financial Protection Bureau (CFPB). Research on financial habits and automatic savings systems.American Psychological Association (APA). (2023). Stress in America reports on financial stress and health impacts.Epictetus. Enchiridion (translated works on Stoic philosophy).Let's go, let's get it done.Get more information at: http://projectweightloss.org

Noam Scheiber, New York Times reporter focusing on white-collar workers and the author of Mutiny: The Rise and Revolt of the College-Educated Working Class (Farrar, Straus and Giroux, 2026), talks about the conditions leading young college-education workers to lead unionization efforts. Photo: Attendees cheer at the ''Union Now'' rally in New York City, United States, on April 12, 2026. The event features Sen. Bernie Sanders (I-VT) and New York City Mayor Zohran Mamdani. Organizers state the rally is planned to support union power and unite labor leaders. (Photo by Matthew Hoen/NurPhoto via Getty Images)

DescriptionYour media dashboard looks confident. Clicks up. Conversions tracked. Reach reported. But according to three years of evidence built on 1,265 global campaigns, that dashboard may be the single biggest obstacle standing between you and real business growth.Andrew Tindall is Chief Growth Officer at System1 and the author of The Creative Dividend, a landmark publication built on the Effie Awards global case library representing $139 billion in market share. His finding is blunt: the more short-term digital metrics you chase, the less profit and market share you report. Not because measurement is the problem, but because marketers have been measuring the wrong things and the platforms selling those metrics have every incentive to keep it that way.In this conversation, Marc and V dig into the data behind that claim: what Excess Share of Creativity (ESOC) actually measures and why it predicts profit growth exponentially, why all four dimensions of effective advertising: emotion, distinctiveness, showmanship, and consistency, are declining simultaneously, and why creator content outperformed TV as a builder of long-term brand demand in the research.If you've ever sat in a room where the digital dashboard was treated as gospel and felt something was off — this episode is the evidence you were looking for.Timestamps00:00: Introduction — The Wanamaker problem and why digital metrics created a vicious cycle11:35: Defending the research — methodology, the awards-database critique, and what the FE case library actually proves20:10: ESOC: Excess Share of Creativity — the new metric that pairs creative quality with media spend29:10: What marketers are actually measuring vs. what drives profit and market share35:50: The four creative qualities — emotion, distinctiveness, showmanship, consistency — and why all four are declining43:15: The non-negotiables — how to prioritise when budget is tight49:35: Super Touch Points and creators — why creator content beat TV for building future demand54:58: Closing — the one thing every marketer should take from The Creative DividendReferencesPrimary Source — Episode FocusTindall, A. (2026). The creative dividend: Advertising that pays back. System1 & Effie Worldwide. https://system1group.com/the-creative-dividendIPA Effectiveness ResearchBinet, L., & Field, P. (2013). The long and the short of it: Balancing short and long-term marketing strategies. Institute of Practitioners in Advertising.Field, P. (2019). The crisis in creative effectiveness. Institute of Practitioners in Advertising. https://ipa.co.uk/knowledge/publications-reports/the-crisis-in-creative-effectivenessField, P. (2016). Selling creativity short. Institute of Practitioners in Advertising.System1 ResearchWood, O. (2019). Lemon: How the advertising brain turned sour. Institute of Practitioners in Advertising.Agency EconomicsFarmer, M. (2019). Madison Avenue manslaughter: An inside view of fee-cutting clients, profit-hungry owners and declining ad agencies (3rd ed.). Lioncrest Publishing.Referenced in Discussion (Contextual)Kahneman, D. (2011). Thinking, fast and slow. Farrar, Straus and Giroux.

What actually happens inside the body during Gerson Therapy? In Part 2 of this conversation on Integrative Cancer Solutions, Dr. K continues his discussion with Margaret Straus, granddaughter of Dr. Max Gerson. This episode dives deeper into the science and principles behind the Gerson Therapy, including how nutrition, detoxification, potassium balance, and enzymes support the body's natural healing processes. Margaret explains the key components of the therapy including fresh organic foods, intensive juicing, coffee enemas, and targeted supplementation, and why restoring the sodium potassium balance is central to reversing chronic disease. She also shares remarkable real-life case stories, including patients with advanced melanoma and lymphoma who experienced dramatic recoveries through metabolic healing approaches. If you have ever wondered how detoxification therapies work, why pancreatic enzymes may play a role in cancer biology, and how restoring the body's internal environment can support recovery, this episode provides a deeper look into the philosophy and mechanisms behind one of the most well known nutritional cancer therapies. Key Takeaways: 0:00 Introduction 2:10 What the Gerson Therapy actually consists of 6:00 Why potassium and sodium balance is critical for healing 10:15 The role of enzymes in metabolism and immune function 12:10 The trophoblast theory and pancreatic enzymes in cancer 17:00 Differences between Gerson Therapy and enzyme based protocols 21:30 Dramatic melanoma recovery story using nutritional therapy 29:00 Why dental infections and root canals may affect cancer Resources Mentioned: Gerson Institute - https://gerson.org/ Healing The Gerson Way: Defeating Cancer and Other Chronic Diseases - https://www.waterstones.com/book/healing-the-gerson-way/charlotte-gerson/9781939438614 Cancer winner: How I purged myself of melanoma – Jaquie Davison - https://a.co/d/0eibTPo4 Medical Disclaimer: This content is for educational purposes only and is not intended to diagnose, treat, cure, or replace professional medical advice. Always consult your physician or qualified healthcare provider regarding any medical condition or treatment decisions. -----------------------------------------------A Better Way to Treat Cancer: A Comprehensive Guide to Understanding, Preventing and Most Effectively Treating Our Biggest Health ThreatGrab my book here: https://www.amazon.com/dp/B0CM1KKD9X?ref_=pe_3052080_397514860 Unleashing 10X Power: A Revolutionary Approach to Conquering CancerGet it here: https://store.thekarlfeldtcenter.com/products/unleashing-10x-powerPrice: $24.99100% Off Discount Code: CANCERPODCAST1Healing Within: Unraveling the Emotional Roots of CancerGet it here: https://store.thekarlfeldtcenter.com/products/healing-withinPrice: $24.99100% Off Discount Code: CANCERPODCAST2-----------------------------------------------Integrative Cancer Solutions was created to instill hope and empowerment. Other people have been where you are right now and have already done the research for you. Listen to their stories and journeys and apply what they learned to achieve similar outcomes as they have, cancer remission and an even more fullness of life than before the diagnosis. Guests will discuss what therapies, supplements, and practitioners they relied on to beat cancer. Once diagnosed, time is of the essence. This podcast will dramatically reduce your learning curve as you search for your own solution to cancer. To learn more about the cutting-edge integrative cancer therapies Dr. Karlfeldt offer at his center, please visit www.TheKarlfeldtCenter.com

Daniel Immerwahr, historian, contributing writer at The New Yorker, the Bergen Evans Professor in the Humanities at Northwestern University and the author of How to Hide an Empire (Farrar, Straus and Giroux, 2019) offers historical context on the war in Iran and Trump's overall foreign policy. Photo: The aftermath of a US-Israeli strike on Tehran, Iran on March 3, 2026. Credit: محمدعلی برنو/Avash Media via Wikimedia Commons/CC 4.0

On Today's Show:Daniel Immerwahr, historian, contributing writer at The New Yorker, the Bergen Evans Professor in the Humanities at Northwestern University and the author of How to Hide an Empire (Farrar, Straus and Giroux, 2019), offers historical context on the war in Iran and Trump's overall foreign policy.

More To The Story: Just a few years ago, historian and activist Ibram X. Kendi seemed to be everywhere. At the height of the Black Lives Matter movement, he became one of the leading voices on racism in America—and particularly what he described as antiracism. But over the last few years, as a backlash grew against the BLM movement, Kendi also came under attack. His ideas urging people to be actively antiracist were often the target of conservative critics fighting against DEI policies and the teaching of critical race theory. Kendi was also accused of mismanaging an antiracism center at Boston University, which laid off much of its staff before closing last year (BU cleared Kendi of financial mismanagement.) On this week's More To The Story, Kendi responds to the criticism he faced at BU and argues that the Trump administration's policies are harming both white and Black Americans.This is an update of an episode that originally aired in July 2025.Producer: Josh Sanburn, with help from Zulema Cobb and Julia Haney | Editor: Kara McGuirk-Allison | Theme music: Fernando Arruda and Jim Briggs | Copy editor: Nikki Frick | Digital producer: Artis Curiskis | Deputy executive producer: Taki Telonidis | Executive producer: Brett Myers | Executive editor: James West | Host: Al LetsonListen: Black in the Sunshine State (Reveal)Read: I'm Racist. You're Racist. We're All Racist. Here's How to Fix It. (Mother Jones)Read: Chain of Ideas: The Origins of Our Authoritarian Age (One World)Read: Malcolm Lives! (Farrar, Straus and Giroux) Donate today at Revealnews.org/more Subscribe to our weekly newsletter at Revealnews.org/weekly Follow us on Instagram and Bluesky Learn about your ad choices: dovetail.prx.org/ad-choices