Podcasts about monsieur gustave

Nel 1932, il concierge del Grand Budapest Hotel, Monsieur Gustave, riceve in eredità da una ricca cliente e amante un prezioso dipinto. Ma la famiglia non accetta la decisione della defunta e per l'uomo e il suo assistente Zero Moustafa inizia una serie di rocambolesche avventure. Un film di Wes Anderson, con un cast stellare.See omnystudio.com/listener for privacy information.

La escena en la que Monsieur Gustave y Madame D. comen juntos en el restaurante, en "Gran Hotel Budapest". Una adaptación de la historia de Wes Anderson por Alejandra Arredondo y José Manuel Cuevas.

La escena en la que Monsieur Gustave y Madame D. comen juntos en el restaurante, en "Gran Hotel Budapest". Una adaptación de la historia de Wes Anderson por Alejandra Arredondo y José Manuel Cuevas.

In this episode, Andrew and Hash talk about how they spent Mothers Day, why Frankie & Jonny might just be the best romantic film ever, the North London derby and who could play Pep Guardiola in a film about his life. Hosted on Acast. See acast.com/privacy for more information.

Wes Anderson is like marmite; you either love him or you hate him.  The question is, "what did we think?"  Join your favourite transatlantic podcasting duo - Ian & Liam - as we take up residence in the 2014 Wes Anderson critical favourite, The Grand Budapest Hotel.  We're joined in the lobby by our two would-be lobby boys Ellie and Georgia to discuss an audience request which had us asking some rather unique questions.   It's an 18th Episode that borders on the absurd as we discuss:Just how severe is Wes Anderson's rule against adlibbing?Which scene required over 40 takes to get rightWhat is it with directors kicking their actors in the face.How much creepier is Monsieur Gustave if Anderson had his original choice for Tilda Swinton's partWhat's the difference between a cheap cut and a prime filletIs this the best Ralph Fiennes films that we've reviewed on the podcast?Can a film be too clever for its own goodWhat 2 moral stands does the podcast take during this episode.If "The Grand Budapest Hotel" is it the best film ever.

Episode 23! This week Benjamin and Joey talk in depth about 'The Grand Budapest Hotel' from 2014. This episode covers how Wes Anderson uses his unique style to create a viewing experience like no other, the complexities that make up the eccentric man known as Monsieur Gustave, and the stark contrast between Wes Anderson's whimsical worlds and violent realities. Join us for a conversation as we appreciate this great film. This is the second Wes Anderson film to be covered on this podcast (Episode 13 - Isle of Dogs). Have a comment about something we said? Email: AffableChat@gmail.com Twitter: @AffableChat Don't forget to rate, review, and listen on iTunes, Google, or your favorite podcast app. Piano & Sax by Joakim Karud https://soundcloud.com/joakimkarud Creative Commons — Attribution-ShareAlike 3.0 Unported— CC BY-SA 3.0 http://creativecommons.org/licenses/b... Music promoted by Audio Library https://youtu.be/wtnLH5HzGdQ

La escena en la que Monsieur Gustave y Madame D. comen juntos en el restaurante, en "Gran Hotel Budapest". Una adaptaci

I've always enjoyed the irresistible charm in movies that reflect a specific period of time: They are a good way to pass down history, sentiments and even techniques--"Grand Budapest Hotel" is one of the best examples. Based on the works of Austrian novelist Stefan Zweig, the movie tells the story of a hotel concierge at the Grand Budapest Hotel in the fictional Republic of Zubrowka. The popular and well-mannered concierge, Gustave, finds himself implicated in a murder case of his friend and former client, Madam D. During his quest to clear his name, he comes across soldiers, prisoners, greedy relatives of the deceased and a quite generous inheritance. The only company he has in this process is the loyal lobby boy of a friend named Zero. The story may be fictional, but still manages to offer a portrait of Europe before the outbreak of the Second World War. In Zweig's opinion, it was an age when humanity gave way to barbaric slaughtering. In a world marked by increasing military presence and overbearing thuggery, Monsieur Gustave, with his well-trained words, outfit and manners, is the last, but superficial, remainder of European propriety and cultural tradition. Early 20th Century Europe was not the best place to live in, especially for a sensitive artist such as Zweig, who was born in a Jewish family. Zweig's pessimistic worldview and artistic pride is perfectly translated in the movie by director Wes Anderson, especially in the highly literary narration. It is a great pleasure to listen to proper English, although the lavishly-constructed sentences can be a bit difficult to follow for non-native speakers. Anderson has done more than just adapting this literary work to the big screen; his bold experiment with the camera is perhaps the most commendable part of this movie. To showcase the story's multiple timelines, the director shot the film in three aspect ratios. And often he has integrated multiple dimensions in one shot, so each picture carries a multitude of messages for viewers to decipher. Meanwhile, the camera is frequently swung around; the movements lend much dynamism and flavor to the comedy. In such a weirdly comical story, not one actor or actress seems out of place. It is only natural because Anderson had at his command the most talented crew. Ralph Fiennes is the charming Monsieur Gustave, while Tony Revolori plays the clever lobby boy. While the performances delivered by a movie's stars are crucial to its success, even minor characters in The Grand Budapest Hotel are portrayed by big names like Tilda Swinton, Mathieu Amalric and Jeff Goldblum, among others. Lastly, I'd like to point out that the works of composer Alexandre Desplat, who also wrote the scores for "The Curious Case of Benjamin Button", "Argo" and "The King's Speech". He has just become the first composer to be selected to preside over the jurors at the upcoming Venice Film Festival. Let's hope his good sense in music can be extended to a more visual art form.

The most Wes Anderson-y movie starring Ralph Fiennes as the delicious Monsieur Gustave, concierge extraordinaire and old school ringmaster of the Grand Budapest Hotel. When his wealthy old amour dies, Gustave is accused of her murder and must fight to clear his name and reclaim his hotel.