Podcast appearances and mentions of Tilda Swinton

Madeline, Julian, and Emilio continue their cycle of New York City movies with a "Suggestion Box" entry covering "Problemista," the film debut of director, writer, and actor Julio Torres, known previously for his writing on Saturday Night Live, HBO special "My Favorite Shapes," and co-creating and starring in the supernatural comedy "Los Espookys." Like other films the group have discussed in this cycle, "Problemista" depicts a recent immigrant's struggle to get by in New York City, but through a distinctly contemporary lens that stands out for its surrealism and vivacious humor. In discussing Alejandro "Ale" Martinez's journey towards steady employment and a work visa, the group look in depth at the magical realism throughout (with emphasis on "Craigslist" and "Bureaucratic Limbo"), how people with power use or abuse their privilege, and the enigma that is Elizabeth, Alejandro's erratic presumed employer played by a tour-de-force Tilda Swinton. And perhaps they'll match some databases in FileMakerPro in the process...If you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats  

No episódio de hoje, Tiago Meira e Fabio Fernandes conversam sobre O Corpo Alienígena, capítulo 9 do livro Arqueologias do Futuro de Fredric Jameson. Afinal, por que é tão difícil criar um corpo alienígena que não seja semelhante ao corpo humano?Filme Last and First Men sem a narração de Tilda Swinton, o link comentado no programa não está mais disponível: https://www.youtube.com/watch?v=_0M98BpmnnUApoie o podcast: ⁠⁠⁠https://apoia.se/vivascifi⁠⁠⁠ Siga o Viva Sci-Fi no Instagram: ⁠⁠⁠https://www.instagram.com/vivascifi/⁠⁠⁠Canal no youtube do Fabio Fernandes: ⁠⁠⁠https://www.youtube.com/@TerraIncognitaBooksNStuff ⁠⁠⁠ Site do Fabio Fernandes: ⁠⁠⁠https://fabiofernandeswriter.com/ ⁠⁠⁠ Arte e produção: Carolina Meroni Agradecimento especial aos apoiadores: Vinicius Moreli João Vitor Neto Erick Ricco Hoelzle Elvis Soriano Rodrigues Otavio Venturoli Alysson Fábio Ferrari Ana Julia Poletto Yannic Kappes Áquila Teófilo Karol Lima Daniel Landi Wilson Brancaglioni da Silva Esdra Souza Samuel Cunha Soares Jairo Matos Jr Léo Pimentel Guilherme Baccari Priscila Morais Titi Bayarri Josiene Vieira

link 01. Motörhead — The Ace Of Spades 02. Duran Duran — What Happens Tomorrow 03. Röyksopp — The “R” (True Electric) 04. Paris Paloma — LABOUR — the cacophony 05. Matia Bazar — Brivido Calo 06. Wham! — Club Tropicana 07. Orbital feat. Tilda Swinton — Deepest 08. Tom Morello, Portugal.The Man, Whethan — … Продолжить чтение Lofstrom loop 404 (12.04.2025)

En este episodio hablamos de “Vinagre de manzana” de Netflix miniserie basada en la vida real de dos influencers australianas. “Memorias de un Caracol” nominada a mejor película animada también de la tierra de los canguros (Todavía la pueden ver en cines). Y, por último, la primera película en inglés de Pedro Almodóvar “La habitación de al lado” con las increíbles Tilda Swinton y Julianne Moore, disponible en Netflix.

Look to your left, look to your right, one of those people is Tilda Swinton

Dal rosso sangue di Argento al grigio Berlino di Guadagnino.Suspiria, regia di Luca Guadagnino, con Dakota Johnson, Tilda Swinton e Mia Goth, prodotto da K Period Media e Frenesy Film Company, disponibile su Prime Video.Mi trovi anche su Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.instagram.com/fumetti.e.dintorni/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Se ti piace il mio podcast, offrimi un caffè ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/fumettiedintorni⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Qui c'è il mio piccolo mercatino su Subito⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.subito.it/utente/16653861⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠E qui quelloVinted⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.vinted.it/member/

In this week's episode the Unqualified Observers, Kelham and Thomas, sit down to discuss the Jim Jarmusch meta-zombie film, "The Dead Don't Die." What happens when Bill Murray, Adam Driver, Tilda Swinton, Danny Glover, and a whole host of other characters find themselves in a zombie uprising in a small town? Is this a hidden gem that people need to see, or does this film somehow miss the mark and not add up to the sum of its parts? I guess the only way to find out is to tune into the episode. So come join in the fun and stop waiting to find out.As always, please rate, review, subscribe, and share this podcast to help it continue to grow and find new audiences.Contact Us:Email - unqualifiedobservers@gmail.comSocials- @observecast @unqualifiedobserversKelham - @coolgollumThomas - @stimpyisking

Tilda Swinton talks about her role in Joshua Oppenheimer's post-apocalyptic musical film The End, and about her intention to take a break from acting, Actor and artistic director of the new Welsh National Theatre Michael Sheen, and screenwriter Russell T Davies reveal plans for the company's first season. Plus we discuss the influence of schoolmaster Philip Burton on the legendary actor Richard Burton, as a new book, and a film starring Toby Jones, explore the impact of the teacher on Burton's life. Presenter: Kirsty Wark Producer: Mark Crossan

This episode features a conversation with film director, Joshua Oppenheimer. It was recorded in March 2025.Joshua gained notoriety through his documentaries The Act of Killing and The Look of Silence, which, amongst their many accolades, gained him Academy Award and BAFTA nominations. In fact, back in 2012, it was his extraordinarily beautiful and bizarre film, The Act of Killing, which follows former Indonesian death-squad leaders in reenacting their mass-killings through cinematic set pieces and lavish musical numbers, that put Joshua on my radar. The Guardian called it “The most compelling thing you'll ever see.” I tend to agree. His latest film, entitled The End, hit cinemas in the UK and Germany last week.The End stars Tilda Swinton, Michael Shannon, and George MacKay, as a wealthy family living isolated lives in a luxurious bunker, two decades after an environmental catastrophe renders Earth's surface uninhabitable. But this isn't your run-of-the-mill, seen-it-before disaster take, The End is a genre-bending tale that urges us to reconsider the illusions we hold about the fate of our planet and, perhaps crucially, our role in shaping that fate. Amongst other things, Joshua and I discussed The End, why we often find living in lies a more comforting situation than facing reality, and the need to challenge the silence and the self-deception that is all around us when it comes to climate.Additional links: The End is out now in Germany and the UK. Get tickets to cinemas near you here. Find out where to stream The End in your location by going here. Watch the trailer for The End.Get a sense of Joshua's inspiration from The Umbrellas of Cherbourg.Check out the trailers for The Act of Killing and The Look of Silence.Here's the panel discussion I mentioned, discussing silence around fossil fuels in Norway.Creatives for Climate is the largest and most diverse network of change-agents using creativity to drive climate action.Read George Lakoff's book, Don't Think of An Elephant.

Tilda Swinton - RTÉ Short Story Competition 2025 judges - Film reviews

Vanguardistas have more fun—so if you don't already subscribe to the podcast, join the Vanguard today via Apple Podcasts or extratakes.com for non-fruit-related devices. In return you'll get a whole extra Take 2 alongside Take 1 every week, with bonus reviews, more viewing recommendations from the Good Doctors and whole bonus episodes just for you. And if you're already a Vanguardista, we salute you. A smashy crashy action movie double bill on the review slate this week. First up, ‘Novocaine'—the action comedy where Jack Quaid plays Nathan Caine, a man born with a disorder that leaves him unable to feel pain. When the bank he works in is robbed and the girl of his dreams taken hostage, he discovers his physical quirk can be a superpower. But will it make Mark wince? Plus, The Stath returns in ‘A Working Man'--where he's Jason Statham, doing Stath things. That's probably all you need to know... but Mark will tell us where it's at in the Stath stakes. Our guest this week is none other than Gorgeous George MacKay, who plays ‘Son' in Josh Oppenheimer's post-apocalyptic bunker-musical (yes, you read that correctly) ‘The End'. Set 25 years after an environmental catastrophe leaves the earth uninhabitable, MacKay and his ‘Mother' (Tilda Swinton) and ‘Father (Michael Shannon) carry on a life of luxury and denial in their opulent underground shelter—where Son was born and raised, never having known life before. As Father writes a memoir nobody will read, and the family sing and dance their way through their bizarre existence in Golden-Age style, their brittle harmony is broken by the arrival of an unexpected guest. George tells Simon all about singing, dancing, having the most arthouse onscreen parents evs, and how his own new fatherhood has made him feel differently about the end of the world. Plus more correspondence on Flow from our Latvian listeners, the Milennium Bug from ‘Y2K' defenders, and of course Snow White--including a message from a young critic giving Mark a run for his money. Timecodes (for Vanguardistas listening ad-free): Novocaine Review: 09:04 George MacKay interview: 29:14 The End review: 42:54 Laughter Lift: 51:55 A Working Man Review: 56:13 You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com And to find out more about Sony's new show Origins with Cush Jumbo, click here Learn more about your ad choices. Visit podcastchoices.com/adchoices

Just before he lands at the Melbourne International Comedy Festival Julio Torres joins Alexei Toliopoulos to explore the Last Video Store. Julio Torres is one of the great modern masters of surrealist comedy. Julio made his bones writing now classic sketches at Saturday Night Live (including PAPYRUS starring Ryan Gosling), he’s also the creative force on tv series LOS ESPOOKYS & FANTASMAS. Now Julio has directed his feature film debut, the brilliant comedy PROBLEMISTA, starring Tilda Swinton. JULIO’s comedy festival show link PROBLEMISTA screening with Julio & Alexei BOOK TICKETS for Alexei’s comedy fest show REFUSED CLASSIFICATION with Zach Ruane in MELBOURNE, SYDNEY, PERTH and BRISBANEFollow ALEXEI TOLIOPOULOS on Letterboxd for all the rental combo lists. Here’s Julio’s list. GUEST PICKS: PROBLEMISTA (Comedy), WHERE IS THE FRIEND’S HOUSE (Art House), BIRTH (Cult)STAFF PICKS: T BLOCKERS (Horror), LOVE SERENADE (Cult)See omnystudio.com/listener for privacy information.

The End | Dystopischer Abgesang bis zum bitteren Schluss Anfang der 2010er Jahre sorgte der Filmemacher Joshua Oppenheimer mit seinen beiden erschütternden Dokumentarfilmen „The Act of Killing“ und „The Look of Silence“ für großes Aufsehen. Das brachte ihm neben zwei Oscarnominierungen auch die Gelegenheit, ein lang ersehntes Herzensprojekt endlich in die Tat umsetzen zu können, das rund eine Dekade später tatsächlich Realität geworden ist. Mit „The End“ legt Oppenheimer aber nun nicht bloß seinen ersten Spielfilm vor, sondern wagt sich damit gleich an eine Endzeit-Dystopie, die obendrein auch noch als Musical mit Hollywood-Starbesetzung daherkommt. Ob der Film mit unter anderem Tilda Swinton, Michael Shannon, George McKay und Moses Ingram in den Hauptrollen aber auch darüber hinaus etwas zu sagen hat und inwiefern „The End“ seinem Titel gerecht wird, das erfahrt ihr wahlweise ab dem 27. März in den deutschen Kinos oder schon vorab in unserer Besprechung mit Johannes und Dom. Und die hat zwar ein Ende, aber ebenso einen Anfang, den ihr zu hören bekommt, sobald ihr auf Play drückt. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

"Beyond the Frame: Sarah Demeestère's Journey from Paris to Hollywood" Join Two Mics Up as we sit down with the multi-talented Sarah Demeestère, the French-American actress and producer making waves in Hollywood. From her early roles in "Without A Trace" to her recent breakthrough in Pedro Almodóvar's "The Room Next Door" alongside Julianne Moore and Tilda Swinton, Sarah shares her inspiring journey. Discover how Sarah transitioned from producing award-winning shorts like "DuElle" to starring in critically acclaimed films. Sarah also gives us a sneak peek into her latest project, the children's show "The Chin Show," where she's both creator and producer. Don't miss this episode packed with deep connections, career advice, and Sarah's unique perspective on the differences between European and American cinema. - #SarahDemeestere #hollywoodjourney #twomicsup #AlmodovarFilm #actingcareer #FrenchAmericanTalent #childrenstv #indiefilmmaking

Memoria (2021), the most recent feature from Palme d'Or-winning filmmaker Apichatpong Weerasethakul, follows Scottish orchid farmer Jessica Holland (Tilda Swinton) over the course of a trip to visit her sister in Bogotá, Colombia. After Jessica is startled awake by a loud bang that only she is able to hear, she becomes afflicted with a mysterious sensory syndrome. Sound editor Javier Umpierrez joins moderator Greg Siegel of UCSB's Film and Media Studies Department for a discussion of Umpierrez's work on Memoria. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40531]

Memoria (2021), the most recent feature from Palme d'Or-winning filmmaker Apichatpong Weerasethakul, follows Scottish orchid farmer Jessica Holland (Tilda Swinton) over the course of a trip to visit her sister in Bogotá, Colombia. After Jessica is startled awake by a loud bang that only she is able to hear, she becomes afflicted with a mysterious sensory syndrome. Sound editor Javier Umpierrez joins moderator Greg Siegel of UCSB's Film and Media Studies Department for a discussion of Umpierrez's work on Memoria. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40531]

Memoria (2021), the most recent feature from Palme d'Or-winning filmmaker Apichatpong Weerasethakul, follows Scottish orchid farmer Jessica Holland (Tilda Swinton) over the course of a trip to visit her sister in Bogotá, Colombia. After Jessica is startled awake by a loud bang that only she is able to hear, she becomes afflicted with a mysterious sensory syndrome. Sound editor Javier Umpierrez joins moderator Greg Siegel of UCSB's Film and Media Studies Department for a discussion of Umpierrez's work on Memoria. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40531]

Memoria (2021), the most recent feature from Palme d'Or-winning filmmaker Apichatpong Weerasethakul, follows Scottish orchid farmer Jessica Holland (Tilda Swinton) over the course of a trip to visit her sister in Bogotá, Colombia. After Jessica is startled awake by a loud bang that only she is able to hear, she becomes afflicted with a mysterious sensory syndrome. Sound editor Javier Umpierrez joins moderator Greg Siegel of UCSB's Film and Media Studies Department for a discussion of Umpierrez's work on Memoria. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40531]

It's The Credits Due Memorial Pick of the month this week of Tilda Swinton and it's Cole's pick, so he goes the comedy route with the Amy Schumur flick, Trainwreck.  Will this Judd Apatow flick tickle our funny bones?  Tune in and find out!!!

“I know I'm not one of your favorites. I'm not even welcome in your house. But I could use a little attention.” Pete's sister Amy joins us to talk about our favorite leading man, Keanu Reeves, in "Constantine", which just had its 20th anniversary last month. We know this movie is hardly perfect, but this cast, though. Keanu Reeves was directly after he made the Matrix sequels, and Rachel Weisz has a face card that none of us can deny. We'd gladly go to Hell and back for these two. Truly a fever dream of the mid-00s. Tilda Swinton plays a gender-fluid fallen angel, Gabriel. Peter Stormare from Fargo plays Satan dressed in white linens, and Shia LaBeouf may or may not be playing his exact same character from Charlies Angel's: Full Throttle. Truly a moment to be alive. We discuss Francis Lawrence's intimidating music video background, Amy and Pete's journey through Catholic school, post-Passion of the Christ Hollywood, and pre-MCU comic book movies.   Thanks for listening and don't forget to subscribe, rate and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Bluesky: @MTMUGPod.bsky.social Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram Peterlasagna

This episode features excerpts from the February 8th performance of Dennis Hensley's The MisMatch Game at the Los Angeles LGBT Center's Renberg Theatre. The panelists are Danny Casillas as Reba Areba, Jackie Beat as Bea Arthur, Sherry Vine as Rue McClanahan, Melissa Peterman as Rena Z., Felix Pire as Antonio Banderas and Tom Lenk as Tilda Swinton. The questions cover everyone from Jonathan Bailey to Betty White to Benson Boone. The evening was a bizonkers blast and raised over $4,100 for the Center. After the MisMatch Game clips, there's a super-sized So This Happened...where Dennis talks about the Oscar party he attended where he missed a trivia question about Centerstage, a delightful candle-making class he took at General Wax in North Hollywood, going dancing at the Kylie XCX night at Precinct hosted by past guests Mark Nubar and DJ Shyboy and attending the 25th Anniversary benefit screening of Coyote Ugly with most of the cast in attendance. It was true in 2000 and it's true today: you really can't fight the moonlight. 

Hello everyone and welcome to an all new episode of Some Like It Scott! This episode rounds out the last movie review before the two Scotts finalize their Top 10 lists for 2024, and it is a review of the Spanish auteur, Pedro Almodovar's, first feature film in the English language: THE ROOM NEXT DOOR. After discussing Tilda Swinton's and Julianne Moore's performances, whether Almodovar's writing and style translate seamlessly to the English languages, and the rather dour themes of the film, the co-hosts turn their attention to give another outdated awards update regarding this year's guild nominees, as well as discuss the news that Greta Gerwig's upcoming Narnia film with Netflix will be receiving a theatrical release in IMAX theaters. See time codes below:   4:21 - THE ROOM NEXT DOOR review 50:53 - Awards update 1:06:49 - Greta Gerwig's Narnia movie to get an IMAX theatrical release   Next time: Top 10 Movies of 2024   Patreon: www.patreon.com/MediaPlugPods

In this episode, Olivia and Emily dive into the significance of Bong Joon-ho's work in contemporary cinema with a look back at the film Snowpiercer. The sisters explore its themes of classism, originality in storytelling, and the philosophical implications of society as a prison. They reflect on their first impressions of the film, discuss the adaptation from graphic novel to screen, and analyze the social commentary embedded in the narrative. In addition, they touch on Tilda Swinton's performances, and delve into intriguing film theories connecting Snowpiercer to Willy Wonka and the Chocolate Factory.Finally the conversation touches on the anticipation for Bong Joon Ho's upcoming film Mickey 17 and the importance of films that provoke thought and discussion. Snowpiercer was directed by Bong Joon Ho, starring Chris Evans, Song Kang-Ho, Ed Harris, and Tilda Swinton and premiered in South Korea on July 29, 2013. Chapters00:00 Introduction to Snowpiercer and Bong Joon Ho03:15 First Impressions of Snowpiercer04:37 Adaptation and Originality in Film10:28 Themes of Classism and Society12:56 Bong Joon Ho's Unique Storytelling14:02 Philosophical Reflections on Society17:40 Hope and Despair in Snowpiercer19:17 How Artsy is Snowpiercer?20:10 Emily is Squeamish and Nervous for Mickey 1721:10 Appreciation for Bong Joon Ho's Vision24:20 Art and Interpretation in Film29:39 The Power of Acting: Tilda Swinton's Impact32:20 Praise for Diverse Actors and Amazing Acting Performances 34:40 Actors Not Needing to be Pretty on Screen38:44 Film Theories: Snowpiercer and Willy Wonka42:34 Quick Thoughts on TV Show46:02 Anticipating Future Works: Mickey 17 and BeyondJump into the conversation: Instagram: @sistersandthestarsYoutube: @sisterandthestarsEmail: sistersandthestars@gmail.com

Friday 2/14/25 The MCU'S Bleeding Edge and friends are LIVE tonight breaking down 2015's Superhero Horror Film Constantine featuring Keanu Reeves, Rachel Weisz, Tilda Swinton, and Shia LaBeouf. With Co-host and veteran content creator Cyberneticshark leading the discussion and Co-host Jeff S($TrueKnowledge), Andres The Pop Culture Guy, Allan of The Black Lincoln Collective Comedy Podcast, and Ryan Isaacson of Beyond The Cape Podcast on the guest panel. Please consider supporting us by liking, subscribing, and leaving us a comment!! Cybers LINKS- https://www.youtube.com/@cyberneticshark all his links can be found on YT!! Andres LINKS- https://www.youtube.com/@PopCultureguy https://www.youtube.com/@DCMarvelPlusTalk All The MCU'S Bleeding Edge's LINKS https://www.facebook.com/profile.php?id=100090571329875 https://www.twitch.tv/themcusbleedingedge https://podcasters.spotify.com/pod/show/the-mcus-bleeding-edge https://rumble.com/c/c-1009757 https://www.youtube.com/channel/UCREPsCRvzjH0ggYL_Larq1A https://www.tiktok.com/@UCREPsCRvzjH0ggYL_Larq1A https://twitter.com/mcusbleedingedg Co-host Cyberneticshark is using a Logitech BRIO along with Skullcandy headphones, a Audio- Technica AT2020 Condenser Studio Microphone, going through a 2021 Flagship Lenovo Legion 5 Gaming laptop. Co-host Jeff S(TrueKnowledge) is working with a Audio- Technica ATR2100 Condenser Studio Microphone, along with a pair of Audio- Technica Headphones, Logitech BRIO- C920-C922-Streamcam, going through a 2023 MacBook Pro along with using a ACER Nitro 5.

Throwback Thursday time!This week, we're taking you back to our chat with the brilliant Blaine brothers and their pick, Young Adam starring Ewan McGregor and Tilda SwintonGive it a listen!Original air date: 23/02/2021·       Please note, this is an un-altered release of the original episode. All references and content are accurate and relevant as of the original release date but may now be out of date.All the usual links below:Apple/iPhone:https://podcasts.apple.com/gb/podcast/films-n-that/id1470141261Spotify:https://open.spotify.com/show/1C4LiOrMZTD90e9tbB5EQOAcast:https://feeds.acast.com/public/shows/6071ac061216e55e7a95b11bYouTube: https://www.youtube.com/channel/UCIZopXPQHmlSnpgwtr2_ROQIf you'd like to get in touch, then the email is filmsandthatpod@gmail.com and we're on all the usual social media platforms  if just search for Just Films & that and you should find us!If you want to check out more from Chris and Ben then click the link below and enjoy some of their brilliant work!https://www.blainebrothers.co.uk/Our Website ishttps://www.justfilmsandthatpod.com/Our Patreon is:https://www.patreon.com/justfilmsandthatCheers!The Just Films & That team   Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Die Oscar-bekroonde aktrise, Tilda Swinton, het die Berlynse filmfees se Goue Beer-toekenning vir haar lewenslange bydrae ontvang. Sy het byna vier dekades lank ʼn noue verbintenis met die fees gehad en hoofrolle vertolk in 26 flieks wat die fees se lys gehaal het. Vanjaar se fees het Donderdag afgeskop met die wêreld-première van The Light. Dis die verhaal van ʼn disfunksionele Duitse gesin en ʼn Siriese vlugteling. Swinton het in haar toespraak kritiek gelewer op politieke ekstremisme, die verval van die omgewing en die wêreldwye toename in outoritêre regerings:

Trump anuncia ‘tarifas recíprocas’ e etanol brasileiro é citado como exemplo. Desvio de emendas parlamentares no RS tinha ‘contrato de propina’ e taxa de 6%. Ao lado de Lula, Alcolumbre diz que preservação é decidida por ‘filhos do Amapá’. Estudo sugere que Ozempic pode ajudar a reduzir consumo de álcool. ESO revela imagem de ‘berçário’ de estrelas no espaço. Embaixada em Berlim repudia livro que retrata brasileiro como menino que come lixo. Apple apresenta novo iPhone SE em 19 de fevereiro. Festival de Cinema de Berlim tem Brasil em destaque e Tilda Swinton faz discurso político. Essas e outras notícias, você escuta No Pé do Ouvido, com Yasmim Restum.See omnystudio.com/listener for privacy information.

Burg, Susanne www.deutschlandfunkkultur.de, Studio 9

“This is a version of New York that died immediately on 9/11” - Steve, on the film's vibe On this episode, WAIT-WHUT-uary continues with a chat about the early-aughts Cameron Crowe psychological thriller, Vanilla Sky! How amazing is all this New York City cinematography? Was this one of the last times Tom did some super-serious dramatic acting? Can we get more Kurt Russell characters like this doctor guy? Can we also just get Jason Lee back in movies in general? Has Cameron Diaz ever been better? And how creepy is that mask? PLUS: Coming this Fall to Paramount+, Klingon Frasier! Vanilla Sky stars Tom Cruise, Penélope Cruise, Cameron Diaz, Jason Lee, Noah Taylor, Timothy Spall, Tilda Swinton, Michael Shannon, and Kurt Russell as Dr. McCabe; directed by Cameron Crowe. This episode is brought to you in part by Rocket Money. Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Go to RocketMoney dot com slash WHM today. That's RocketMoney dot com slash WHM! Don't forget to snag your tickets for the replay of our Ghostbusters: Frozen Empire show and the After Party Q&A that followed! The replay's available now through Thursday, February 13th!   Tickets are on sale now for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20, doing shows like WHM, W❤️M, The Nexus, The Gleep Glossary, and Animation Damnation! Tickets are going fast, so friends over there, snag your tix!  Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

SOCIALSBen and Rob hire ‘The Killer' to finish off their series covering every David Fincher movie EVER! Starring Michael Fassbender, Tilda Swinton and Charles Parnell, ‘The Killer' was released and funded by Netflix as part of the directors ongoing deal with the streaming platform, and follows an assassin dealing with the fallout of a job gone wrong. Released to fair reviews but widely considered a weaker entry in Fincher's filmography, ‘The Killer' was nonetheless praised for its stellar performances and gritty action - when it had it. But what is this film really about? Why does the Killer's face twitch like that at the very end of the film? Who is Felix Unger? And why has Ben become so obsessed with salamanders all of a sudden?CONSUUUME to find out all of this and much, much more!PLUS! We have a Patreon with EXCLUSIVE content just for you starting at just ONE POUND a month - click the link below!Find us on your socials of choice or WATCH this episode at www.linktr.ee/everymovieeverpodcast

Big Tilda Swinter comes to its thrilling conclusion with Luca Guadagnino's Suspiria! Ben, Bree, and Sam discuss the 2018 remake of Dario Argento's classic. Directed by Luca Guadagnino and starring Dakota Johnson, Tilda Swinton, Mia Goth, Tilda Swinton, Elena Fokina, Tilda Swinton and Chloë Grace Moretz.

HORROR WITH SIR. STURDY EPISODE 534 THE DEAD DON'T DIE REVIEW

Show Notes This week we watch Bong Joon-Ho's dystopian masterpiece – no not that one, the other one – Snowpiercer. Chris Evans doesn't want to be a hero, and can he truly be if he know what people taste like? We argue yes, when the villain is capitalism, any man can be a hero. Tilda Swinton puts in a grounded and naturalistic performance (her words) and Allison Pill is just a delight while Kang-ho Song plays his normal hilarious druggie. Bong has an innate ability to entertain and make you laugh while spotlighting the horrors of society. This movie rocks and you need to watch it.   Recommendations: The Straight Story (Disney+) and The Elephant Man (available in physical format only)   Next up: Gone Girl (2014) (Hulu)     Email us at latecomers@gmail.com Find Amity @ www.amityarmstrong.com Our Facebook group is here for those who consent: https://www.facebook.com/groups/1754020081574479/

Send us a textKatie and Bridget come out of a wardrobe looking like Macklemore as they re-watch the fantasy adventure - The Chronicles of Narnia: The Lion, the Witch and the Wardrobe! It's a magical movie all about war, Nazis, the enslavement of people, Jesus dying for our sins... And fun talking animals! Wee! Come along as we meet the four siblings: There's Peter, the one who is allowed to be the main king because a wolf fell onto his sword; Susan, the one who is given a bow and arrow but is never taught how to use it/nobody lets her fight in the war anyway because she's a woman; Edmund, the one that ruins everything and seriously needs to get his shit together!!!!; and Lucy, the best of them all who should have been the leader of the army with her 1 inch switchblade. When the four of them stumble into Narnia they set out on a grand adventure that reminds us all how we don't really remember most of those bible stories despite going to church for years and years. And don't worry - Mr. Tumnus is there too! Released in 2005, it was based on the novel by C.S. Lewis and stars Tilda Swinton, James McAvoy, Georgie Henley, William Moseley, Skandar Keynes, Anna Popplewell, and Liam Neeson.

Big Tilda Swinter, AKA We Need to Talk About Tilda rolls along with the 2007 legal thriller Michael Clayton! Ben, Greg, Lindsey, Marshall, and Ray discuss George Clooney's starring role in Tony Gilroy's acclaimed directorial debut. Written and directed by Tony Gilroy and starring George Clooney, Tom Wilkinson, Tilda Swinton, and Sydney Pollack.

From his ‘Orgasm Portraits' for Lars von Trier's Nymphomaniac to shooting the likes of Harry Styles, Tilda Swinton, Willem Dafoe and Kirsten Dunst (to name a few), Danish-born Casper Sejersen is known for creating iconic visuals for brands including Alexander McQueen, Gucci and Burberry, and editorial platforms such as Dazed, and Beauty Papers… as well as publishing zines, directing a TV series, and that's just for starters!In this episode, we journey into his psycho-visceral world, as he shares how he found his photographic feet in commercial photography before transitioning into fashion editorial, cinema and fine art, where he found creative freedom. You'll also hear about the poetry and pianist that inspires him, the deeply personal reason why he began taking more risks, and how – with meticulous preparation and by allowing them to share in his artistic vision – he gets the best out of his creative collaborators – both behind and in front of his lens.“When I shoot Cate Blanchett with, you know, a banana, she's still wearing Gucci. And for me, that kind of cultural icon with the reference to Andy Warhol's Velvet Underground cover — that's fashion to me”Link to references from this episode include:Images Casper curated for this episode here – or for those listening on platforms (other than Spotify), you will find the images appearing on your phone's lock screen as we discuss them. Watch Tilda Swinton recite All Kinds of Love,  the Claes Oldenburg poem that inspired Casper for his Numéro China shoot with the actor. And find out more about composer August Rosenbaum.Until next time, Farvel!Follow @caspersejersenstudioAnd a big thank you to Julia at MAP for bringing us all together!Episode Insights:How a well-prepared, safe space leads to beautiful ‘mistakes'Why having plans A, B, and C is key when working with clientsThe reward of pitching bold ideas to the right peopleHow commercial, editorial, and personal work all feed into each otherThoughts on the episode? DM us @creativebloodworldEPISODE CREDITSHosted by Laura ConwayProduced by Scenery StudiosEpisode music by Ben Tarrant-Brown

With Betterman the Robbie Williams biopic, and The Bob Dylan biopic coming soon.. Who would you love to see a biopic based on and who would you get to play them?Ed Sheeran as Bryan Adams? Tilda Swinton as David BowieSee omnystudio.com/listener for privacy information.

Just before a ceasefire was reached between Israel and Hamas, Christiane sat down with Biden's top diplomat, outgoing Secretary of State Antony Blinken for his final television interview. She asked him about the details of the deal, calls from Israeli ministers to resettle Gaza, criticism of IDF conduct, and America's role in Vladimir Putin's all-out invasion of Ukraine. Blinken also shares his concerns about passing the baton to Trump and Marco Rubio, just days before Donald Trump takes the oath of office for a second term. Then, Hanako Montgomery reports on a surge of crime among female pensioners in fast-aging Japan, landing themselves in prison where they are taken care of in their old age. And, oscar-winning, Spanish director Pedro Almodóvar joins Christiane to discuss his new film "The Room Next Door," his first English language feature portraying death among friends, starring Julianne Moore and Tilda Swinton. When it comes to the Israeli-Palestinian conflict, much of the focus is on Gaza. From her archive, Christiane revisits her 2007 report exploring the alliance between Christian evangelicals in the U.S. and Israel's settler movement. She highlights that evangelicals continue to influence president-elect Donald Trump and Republican politics to this day. Finally, “Babygirl” Director Halina Reign speaks to Christiane about the bold erotic thriller stirring up conversation and awards buzz, starring Nicole Kidman.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

"The Brutalist" and "The Room Next Door" had their world premieres at the 2024 Venice International Film Festival, where they received critical acclaim, with the former winning the festival's Best Director prize while the latter won the coveted Golden Lion. Both films have something in common, though; they each starred acclaimed character actor Alessandro Nivola. Revered for many years for his performances in film, television, and theater, the 52-year-old actor starred opposite Golden Globe winner Adrien Brody in Corbet's film as Attila, a Hungarian Jew who has assimilated into America and is helping Lazslo get settled in with his custom furniture business. In Almodovar's film, he plays a policeman who confronts Ingrid (played by Julianne Moore) about the apparent suicide of her friend Martha (played by Tilda Swinton). Nivola was kind enough to spend some time speaking with us about his work on both films, which you can listen to or watch below. Please be sure to check out "The Brutalist," which is now playing in theaters from A24 and will expand nationwide on January 24th, while "The Room Next Door" is now playing nationwide from Sony Pictures Classics. Both films are up for your consideration at this year's Academy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

We are tracking how the Los Angeles fires are impacting awards season and beyond — and share our thoughts on whether awards season should be postponed entirely. But with things currently moving forward, EW Oscars expert Joey Nolfi joins Awardist host Gerrad Hall with Oscar nomination predictions for Best Picture, Director, Lead and Supporting Actor and Actress. And Gerrad chats with The Room Next Door stars Tilda Swinton and Julianna Moore about the movie that explores death — and life. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tilda Swinton stars as a woman with cancer who decides she wants to end her life in the new Pedro Almodóvar film The Room Next Door. She asks a friend to stay with her for her last weeks. She spoke with Terry Gross about the role and her own experience bearing witness to the deaths of loved ones.Also, we hear from award-winning actor Adrien Brody. He stars in the film The Brutalist as a Hungarian-Jewish architect and Holocaust survivor who seeks a fresh start in post-WWII America. Brody tells Tonya Mosley how drew from his mother and grandfather's experience as Hungarian immigrants for the role. Also, film critic Justin Chang reviews the new Mike Leigh film Hard Truths.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Joshua Oppenheimer, the director of the recent apocalypse musical The End, starring Tilda Swinton and Michael Shannon, joins us to discuss musicals and his past work crafting brilliant documentaries. Plus, we'll hear a direct dispatch from our friend Meghan Daum, whose house was destroyed in the Southern California fires. And I think we can safely say that Donald Trump won't be waging war on Greenland, even if he won't say it clearly. Listen to Meghan's full story from The Unspeakable Podcast at her substack, and consider becoming a paid subscriber. She's a friend of The Gist, a fantastic writer, and a person who could use your support. Voices and Votes: The State of Free Speech After the Election Harry's: harrys.com/gist for a $13 trial set for just $3 Prolon Life: prolonlife.com/gist for 15% off Produced by Joel Patterson and Corey Wara Email us at thegist@mikepesca.com To advertise on the show, visit: https://advertisecast.com/TheGist Subscribe to The Gist: https://subscribe.mikepesca.com/ Subscribe to The Gist Youtube Page: https://www.youtube.com/channel/UC4_bh0wHgk2YfpKf4rg40_g Follow Mikes Substack at: Pesca Profundities | Mike Pesca | Substack  Learn more about your ad choices. Visit podcastchoices.com/adchoices

The enigmatic Scottish Oscar winner, who doesn't consider herself an actress, reflects on her formative collaborations with Derek Jarman, how she wound up juggling the artiest of art house films with the biggest of big studio films and why she was so drawn to working with Pedro Almodóvar. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Pedro Almodóvar's film The Room Next Door, Tilda Swinton plays a woman with late-stage cancer who wants to end her life. She asks a friend, played by Julianne Moore, to stay with her for her last month on Earth. Swinton's performance draws on her experiences supporting and bearing witness to loved ones at the end of their lives. "A life spent considering how we're going to spend our end is not wasted time," she tells Terry Gross. "We're all going that way, and the sooner we accept and embrace that, then the ice melts and we're kind of informed of a kind of living, I think, that we wouldn't otherwise be." Swinton also talks about growing up in a military family, her sense of fashion, and being a "queer fish."Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Many Americans say they're tired of following political news, Stephen celebrates some lesser-known details about the life of President Jimmy Carter, and there are shocking new details in the case of South Carolina's missing research lab monkeys. Oscar-winner Tilda Swinton, who had a fabulous time at the Golden Globes parties this year, shares her secret to having a little fun during red carpet interviews. Watch her film, “The Room Next Door,” in select theaters now and opening nationwide on January 17th. Learn more about your ad choices. Visit megaphone.fm/adchoices

Guest host: Lee Cowan. In our cover story, David Pogue explores the increasingly popular screenings of films where orchestras perform the music live. Also: Seth Doane sits down with actress Tilda Swinton, starring in the new film “The Room Next Door”; Tracy Smith profiles actor Adrien Brody, star of “The Brutalist”; Susan Spencer looks at the unique world of child prodigies; Luke Burbank visits an Oakland center where disabled artists create their work; Rita Braver looks back at the remarkable life of former President Jimmy Carter, who died at age 100; and Bill Flanagan discusses Carter's love of American music in all its varied genres. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Introducing Julianne Moore at the New Yorker Festival, in October, the staff writer Michael Schulman recited “only a partial list” of the directors Moore has worked with, including Robert Altman, Louis Malle, Todd Haynes, Paul Thomas Anderson, Lisa Cholodenko, Steven Spielberg, the Coen brothers, and many more legends. It seems almost obvious that Moore co-stars (alongside Tilda Swinton) in Pedro Almodóvar's first feature in English, “The Room Next Door,” which comes out in December. Moore has a particular knack with unremarkable characters. “I don't know that I seek out things in the domestic space, but I do think I'm really drawn to ordinary lives,” she tells Schulman. “I've never been, like, I'm going to play an astronaut next. . . . A lot of these stories [are] domestic stories—well, that's the biggest story of our lives, right? How do we live? Who do we love? . . . Those are the things that we all know about.”New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts.

It's our last episode of 2024! If you're out and about running those final few errands and buying last-minute gifts, we'd be delighted to keep you company with some movie reviews here at Breakfast All Day. First, we catch up with "Carry-On," a lean, mean thriller from Spanish action director Jaume Collet-Serra ("Unknown, "Orphan," "The Shallows"). Taron Eegrton stars as a TSA agent stuck working at LAX on Christmas Eve. Jason Bateman is the menacing voice on an earpiece who makes him put a suspicious suitcase through security -- or else. Hopefuly your travels are less hectic. Streaming now on Netflix. Then, we review the latest from another Spanish director, the legendary Pedro Almodóvar. "The Room Next Door" is his first English-language feature. Julianne Moore and Tilda Swinton star as old friends who reconnect after many years. When Swinton's character asks Moore's character for a major favor, it tests their bond. In theaters now in limited release, going wider in upcoming weeks. Thank you so much for being a part of things here all year long. We're about to hit 1 million downloads, and we deeply appreciate having you spend some time with us. Keep an eye (and an ear) out for our top 10 lists at the start of January. Merry Christmas, Happy Hanukkah, Happy New Year, and we can't wait to see you in 2025. Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/  

  What is this Movie? A musical, set in an apocalyptic world covered in snow and ice, where a small collective has been surviving very well off in a luxurious bunker.  While attempting to live out the rest of their days with silver-spoon syndrome an outsider separated from her family stumbles into their home and begs them to let her stay.  They reluctantly allow her to stay where-in she and their only son develop a romantic relationship.  But for everyone else, this outsider is a living reflection of their own shame and the atrocities they've committed and buried deep down in hopes to never resurface.   What is this Film? It's an apocalyptic musical.  It's whimsical Silo.  It's Blast from the Past if Adam never actually went back to the surface but instead contracted a strong case of jungle fever.  And then finds out his pompous parents are cowards and liars.  The End is a story about a group of people who delusionally parade about their aristocracy to distract themselves from the fact that the world has ended, and they might be responsible for it.  And this they were fine with, this disgrace all their own they had come to accept even maybe forgotten until one of the offspring of the last living survivors they abandoned decades ago forces them to wake up and remember who they really are and the horrible things they did for their own self-preservation.  Billions of people died, and these people all just buried their guilt and survivor's remorse in walls of snow and ice surrounding themselves with meaningless privilege.  In a world with no poor, how can there be any rich.  What is power if there is nothing left to rule?  If you leave humanity to die, are you still human? I couldn't get enough of Moses Ingram as Girl, yes that's her name, in this movie.  I had no idea the woman could sing.  Her duet “Catch Fire” with romantic co-star George MacKay has been living rent free in my head for days now.  Her conviction on screen is palpable as she struggles with her own survivor's remorse after growing up in the cold is heart-wrenching.  Every time she sings I think I started melting away into a big ball of man tears.  Your boy is not a big musical fan but in an interview, George MacKay said something to the tune of “this was made for the big screen” and I have to agree.  This film deserves your full attention from the moment MacKay as Boy reveals his desire to experience anything of the world he never got to know.  He longs for the outside, longs to feel the sun, longs to express his emotions and talk about his feelings with his family, in hopes they reciprocate.  But this is just not to be.  Dad, played by Michael Shannon, has an established order.  He treats Boy as if he's preparing him for the world, a world where you work on manifestos and read them aloud in your study, because this bunker has a damn study.  Mom, Tilda Swinton, floats about from room to room nitpicking in the name of perfection.  You never know when guest might be coming over.  We must make sure there's enough soup spoons for everyone.  And yet, you can see she's unstable and full of contempt.  Everyone else in the house is just playing the role that keeps them sheltered. A Doctor, a Butler, a Friend, and Mary in addition to are all that makes up of what's left of humanity in this world.  They even put on performances for entertainment where you can clearly see these people used to be people.  They used to have real worth but now have been reduced to props.  Beautifully, the real story here is told through the music.  All of the emotions come out through song, which took me a while to pick up on.  At first I thought they would just randomly sing short snippets of songs depending on where they were standing in the house.  These aren't long ballads but instead short melodies, where the vocalist through subtle metaphors reveal their internal conflicts.  They don't really sing and then cut to the next season as a way of transitioning through the plot poin...

The Academy Award-winning actress discusses her lifelong quest for connection, humanity's innate goodness and the point of being alive.Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.