Podcasts about Argo

Argo Bounce Podcast is a weekly independent (non-affiliated) live talk show devoted to the Canadian Football League's 19-time Grey Cup Champion Toronto Argonauts in 2026 with co-hosts Nick Small and co-host (Producer) Chris Pomay as we break down the Canadian Football League's Toronto Argonauts previous games both at home (BMO Field) and on the road and preview their upcoming opponents from around the Canadian Football League with special guest(s) from time time to time. #argobouncepodcast #torontoargonauts #chrispomay #nicksmall #canadianfootballeague https://beacons.ai/chrisdpomayhttps://podcasts.apple.com/ca/podcast...https://www.paypal.com/paypalme/chris... (tip the host) https://www.argonauts.ca/https://x.com/Nick_Small_38https://x.com/ChrisDPOMAYWant to create live streams like this? Check out StreamYard: https://streamyard.com/pal/d/54200596..

Episode 404 is no error message as Cal & Liam kick off their month's long celebration of the Girl of Steel's first solo film in almost four decades by looking back (and forward) at Supergirl's appearances in the DCAU! Kicking things off the Good Brothers take a second look at the Last Daughter of Argo's debut appearance in the Superman The Animated Series episode "Little Girl Lost." In part one of this first appearance the hosts break down an origin story that skips the origin and puts Kara right in the line of fire. The hosts also talk about the visual design that has its' origins in the DCAU, but would later show up in mainline comics. Also discussed in depth is the Supergirl theme and a rather large voice cast and whether the hosts feel their original scores track thus far with how they would score the episode in present day. All of this and more await on this second look re-review episode of the DCAU Review!Please Consider Supporting the Podcast:Become a monthly or one time supporter of the pod at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://⁠⁠⁠⁠buymeacoffee.com/DCAUReview⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to the pod on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Spotify or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠and please consider leaving us a 5-star review⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our new YouTube Channel ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the pod by picking up some merch at our shop ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dcaureview.myspreadshop.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us: Twitter/X ⁠⁠⁠⁠⁠⁠⁠⁠@DCAUReview⁠⁠⁠⁠⁠⁠⁠⁠ Instagram ⁠⁠⁠⁠⁠⁠⁠⁠@DCAUReview⁠⁠⁠⁠⁠⁠⁠⁠

In this episode of Supergirl Radio, Morgan Glennon and Rebecca Johnson discuss and review Supergirl's Family Vacation (2026)! Issue Description: Kara Zor-El is an excellent superhero who is just not appreciated by the people of Metropolis. Summer's coming, and she's ready to visit Argo, a floating city in space where the last survivors of Krypton live. These are her people, and since Clark grew up on Earth, she can teach him a thing or two for once. It's the perfect plan! And it gets even better when Lois invites along Kara's best friend, Natasha. But when their road trip through space is interrupted by an old friend of Clark's, the family gets diverted to a strange and beautiful planet with a dark secret that only Superman can save them from. Kara's plans get pushed aside. Again. What's a cranky preteen to do? Hang out at the pool, meet a cute boy, and save the day, of course! Watch the Live Stream Episode Links: Supergirl: Woman of Tomorrow Cosmic Hoodie KFC Krypto Bucket KFC Ultimate Meal Supergirl Popcorn Buckets You can find Supergirl Radio on: Social Media: Facebook – X – Instagram  Subscribe: Apple Podcasts – DC TV Podcasts - Multivese of Color - Spotify Playlist - iHeartRadio Support: DC TV Podcasts TeePublic Store – Patreon

In this episode of Supergirl Radio, Morgan Glennon and Rebecca Johnson discuss and review Supergirl’s Family Vacation (2026)! Issue Description: Kara Zor-El is an excellent superhero who is just not appreciated by the people of Metropolis. Summer's coming, and she's ready to visit Argo, a floating city in space where the last survivors of Krypton live. These are her people, and since Clark grew up on Earth, she can teach him a thing or two for once. It's the perfect […] The post Supergirl’s Family Vacation (2026) | Comic Book Review appeared first on Multiverse Of Color.

We get more awkward sex scenes, some dangling shoes, and a ghost?! We talk about: 2KXO And Strive, Neverwinter Nights, Jazz, Ace Attorney Investigations, Argo, Mechagodzilla Against Godzilla, Lego Batman, Life is Strange, Echo Point Nova, French Beauty And The Beast, Corpse Guy, Auto-Erotica, Back Stabbing Syndrome, Bound Copy, Wipe Away The Debt, Note: Ashley had really bad internet so there might be some weirdness, I tried my best to clean it up.

Send us Fan MailA corrugated box looks simple until you try to print something different on every single one, at speed, with the same reliability you expect from industrial production. We're joined by Charles Tonna, CEO at Buskro, and Christophe Merlier, VP of Research and Innovation, to explain how their 50-year heritage in mailing and high-throughput variable data is powering a new push into direct-to-box inkjet printing for packaging, pharma and food applications. We talk about what customers are really asking for right now: shorter runs, fast changeovers, start-stop capability, and less day-to-day printhead fuss. From there we get into the Argo platform and the idea of a modular printer that can scale as your needs grow, plus the practical value of being a fully integrated OEM that designs the transport, electronics, software, ink delivery and controls in-house. That approach matters when you want one accountable supplier for a complete print solution rather than a chain of vendors. You'll also hear the story behind Buskro iconic Blue Door, and why it represents more than a colour. We explore modern printhead capability, real trade-offs around speed, and a show-floor “shoebox printer” demo that makes personalisation feel tangible. Finally, we look at RFID printing and encoding workflows that link a unique tag to a unique box, opening the door to better tracking, inventory accuracy and customer experience. If you care about industrial inkjet, water-based printing, variable data, corrugated packaging and end-of-line personalisation, this conversation is built to spark ideas. Subscribe, share this with a colleague, and leave us a review with your take: where should packaging print go next?Listen on:Apple PodcastGoogle PodcastSpotifyWhat is FuturePrint?FuturePrint is a digital and in person platform and community dedicated to future print technology. Over 20,000 people per month read our articles, listen to our podcasts, view our TV features, click on our e-newsletters and attend our in-person and virtual events. We hope to see you at one of our future in-person events:FuturePrint Packaging, Labels & DTS, 29-30 September '26, Valencia, SpainFuturePrint Leaders Summit, 29 September '26, Valencia, SpainFuturePrint Industrial Print, 14-15 April '27, Munich, Germany

The Mighty Argo Cable Car opened up this weekend in Idaho Springs and Carson took the family! The views are amazing and they have an Outpost with food and snacks! The mountain bike courses look intense!

Argo Bounce Podcast is a weekly independent (non-affiliated) live talk show devoted to the Canadian Football League's 19-time Grey Cup Champion Toronto Argonauts in 2026 with co-hosts Nick Small and co-host (Producer) Chris Pomay as we break down the Canadian Football League's Toronto Argonauts previous games both at home (BMO Field) and on the road and preview their upcoming opponents from around the Canadian Football League with special guest(s) from time time to time. #argobouncepodcast #torontoargonauts #chrispomay #nicksmall #canadianfootballeague https://beacons.ai/chrisdpomayhttps://podcasts.apple.com/ca/podcast...https://www.paypal.com/paypalme/chris... (support our show) https://www.argonauts.ca/https://x.com/Nick_Small_38https://x.com/ChrisDPOMAYWant to create live streams like this? Check out StreamYard: https://streamyard.com/pal/d/54200596..

Skepsis styrelse vill ej sälja, Storytel förvärvar och lite iGaming. Så klart tittar vi till lite bolag som Freetrailer (00:29:05), Angler (00:55:33) och Argo Defence (01:13:00).————————Vi har med oss vår sponsor: Montrose – årets bank 2025. En modern sparplattform med allt vi gillar: månadssparande i fonder, automatiska courtageklasser, brett utbud och kickback på fondavgifter. Dessutom AI-stöd, fördjupad bolagsanalys och uppdaterade grafer i appen.Med koden GÖTTJÖT får du Premium i 3 månader!

He has come to take what is yours... Iolkos, Thessaly. 1230 BC. King Pelias has grown paranoid, tormented by his murderous past and a prophecy of the man who will one day destroy him. When a strang... Uitgegeven door SAGA Egmont Spreker: Andrew Kingston

V 54. díle podcastu týdeníku Respekt Dělníci kultury spolu Jindřiška Bláhová, Pavel Turek a Jan H. Vitvar – mimořádně živě na festivalu Svět knihy Praha - debatují o tom, co je v uplynulém týdnu v kultuře zaujalo a o své aktuální práci. Tentokrát došlo na: spor literárních komisí s ministerstvem kultury a nového Klempířova náměstka Jiřího Bubeníčka hrozbu zániku pražského kulturního centra Stalin 40. výročí premiéry filmu Top Gunvýstavy Andreje Dúbravského The Rest Interval (Galerie Villa Pellé), Václava Špály Kytky (Museum Kampa) a Václava Sokola Hojnost (Museum Kampa)knihy Georgije Gospodinova Zahradník a smrt (Argo), Hanse Beltinga Obraz a kult (Books & Pipes) a Saó Ičikawy Hrbačka (Vyšehrad)filmy Alejandra Iňárrita Digger, Adama Rybanského Dovolená v českém ráji a Šimona Holého Chica Checa animovaný seriál Rickyho Gervaise Alley Cats koncerty Trickyho, Gorillaz a Manic Street Preachers Když už člověk jednou je, tak má sledovat kulturu v Respektu.

-37 like, in a row?!Mojo World: Ben Affleck Movies!AaronDogma, Clerks, Reindeer GamesParkerGoodwill Hunting, Argo, Smokin AcesBrandonMallrats, Armageddon, The Accountant

The Onramp team sits down for a full walkthrough of Onramp Finance, the unification layer tying the entire client experience together. Michael, Brian, Jackson, and Cam break down why custody had to be solved first, why the rest of the industry is sprinting toward speculation while Onramp builds for sound financial planning, and how dollars, bitcoin, and gold finally live in one account anchored by Multi-Institution Custody. Bram Kanstein joins to bring the international operator's view on what it actually takes to live and run a business on a Bitcoin standard.

Show 332 – Sven, Tony and JK hit the backroom at Amrophic Beer to test the Nomono recording set up. How did it go? You guys tell me! How does it sound? https://youtu.be/POThHN9wqHg The Milwaukee Minute (or 5) Tour de Towner – May 24th in Milwaukee – Fat-bike friendly. The ARGO sound is great. If there is a band you like playing there treat yourself! Bay View Rollout 2026 is May 29th RW24 registration Green Mile recap Talkin' Schmack  Todd Poquette Lake Ehfect EX fat-bike project. Born to adventure. Old story on the V1 – https://madeupeh.com/pages/lake-ehfect Weekly Dose of Fat Podcasts moved to Beehiiv – https://news.fat-bike.com/podcast Decorah is an IMBA Trail Town – Mason City too! No Wisconsin towns though. What gives? – https://www.imba.com/trail-towns Highlights of Decorah’s Designation: Official Recognition: Named a 2026 IMBA Trail Town due to its high-quality trail infrastructure, community engagement, and economic commitment to trails.Community Support: The designation is a result of collaboration between the City of Decorah, Decorah Human Powered Trails, Northeast Iowa RC&D, and other local partners Trail Access: Known for a high concentration of trails easily accessible for residents and visitors, supporting local outdoor recreation. Legacy of Cycling: The community has a long history of supporting mountain bike events, dating back to 1983, fostering a strong, local, and sustainable trail culture. Thanks Deke, Chewy, Spinner etc! The Thirsty Cow in Bailey's Harbor with the pour by the ounce. Lite .24 Chaos Pattern .54. Foods OK but not great.  Mert Lawwill passed away on May 6th – his impact on MTB was profound. Check out this story from Mountain Bike Action in 2021 –  Fat-bike.com news Join our Fat-bike Lab community at https://fat-bike.com/community Subscribe to the Weekly Dose of Fat Newsletter at https://fat-bike.com/newsletter  Mert Lawill passed – https://mbaction.com/mert-lawwill-a-man-with-a-mountain-bike-mission/  Riese and Muller leaving the US market. – https://www.r-m.de/en-us/press/press-releases/riese-mueller-us/  Doom and Gloom in the Bike Industry? Lynskey Chapter 11 – https://www.bicycleretailer.com/industry-news/2026/05/06/lynskey-performance-products-files-chapter-11  The Bike Farmer's shop, Gib's Bike Shop, is closing – https://www.youtube.com/watch?v=lG-FMJP52g4&t=770s I like the bit at the end about “The Bike Surplus Problem” Porsche closing its eBike Group – https://www.bicycleretailer.com/international/2026/05/08/porsche-closing-its-ebike-performance-group  It's not ALL Doom and Gloom A Directory of builders and shops that do disc brake tabs and frame repair – https://www.stridsland.com/disc-tab-directory/ Omniterra – John and Mira – https://bikepacking.com/news/john-and-mira-world-tour-update-xtracycle-omnitierra-mid-tail-video/  Show Beer – Kettlehouse Brewing Co.'s FRESH BONG WATER – Hemp Pale Ale – 5.0% ABV https://kettlehouse.com/Beer/fresh-bongwater/ If you like this show PLEASE Subscribe in Apple Podcast – https://podcasts.apple.com/us/podcast/full-spectrum-cycling/id1569662493   Stuff for sale on Facebook Marketplace Shit Worth Doing Fat Tire Tour of Milwaukee Fat Tire Tour of Green Bay Bay View Rollout 2026 is 5-29-26 Strummerfest Sept 12th at Club Garibaldi's Bikes! Large Schlick Cycles 29+ Custom Build – Black Medium Schlick Cycles 29+ Custom Build – Orange Large Schlick Cycles Tatanka, Orange. 29+ Schlick Cycles frames for custom builds Contact info@everydaycycles.com =============================Equipment we use during the production of Full Spectrum Cycling:============================= Cameras Mevo Core – https://amzn.to/3VpGzmJ – (Amazon) Mevo Start – https://amzn.to/3ZG2B7y – (Amazon) Panasonic 25mm 1.7 lens – https://amzn.to/3OH8Ph0 – (Amazon) Olympus 12mm-42mm lens – https://amzn.to/4iiEyCO – (Amazon) Audio Rode Podcaster Pro II – https://amzn.to/3xKbRfI  (Amazon) Microphones Earthworks Ethos Microphone – https://amzn.to/4eR6kEC  (Amazon) MXL BCD-1 Dynamic Microphone – https://amzn.to/3Yigjx9  (Amazon) Rode Wireless Go II – https://amzn.to/3Su114D  (Amazon) Audio Technica BPHS1 Headset Mics – https://amzn.to/4cXebi2  (Amazon) Blue Compass Boom Arm – https://amzn.to/4cClJr1  (Amazon) Accessories Ulanzi Crab Tripod – https://amzn.to/3WIxWVk  (Amazon) Neewer Camera Desk Mount with Overhead Camera Mounting Arm and 1/4″ Ball Head, 17″ – 41″ Adjustable Tabletop Light Stand with C Clamp – https://amzn.to/3Wuo5Bc  (Amazon) =============================Disclosure: Some of the links on this page may be affiliate links. Clicking these and making a purchase will directly support Full Spectrum Cycling. Thanks!=============================

Argo Bounce Podcast is a weekly independent live talk show about the Canadian Football League's 19-time Grey Cup Champion Toronto Argonauts in 2026 with co-hosts Nick Small and co-host (Producer) Chris Pomay as we break down the Canadian Football League's Toronto Argonauts previous games both at home (BMO Field) and on the road and preview their upcoming opponents from around the Canadian Football League with special guest(s) from time time to time. #argobouncepodcast #torontoargonauts #chrispomay #nicksmall #canadianfootballeague https://beacons.ai/chrisdpomayhttps://podcasts.apple.com/ca/podcast...https://www.paypal.com/paypalme/chris... (tip the host) https://www.argonauts.ca/https://x.com/Nick_Small_38https://x.com/ChrisDPOMAYWant to create live streams like this? Check out StreamYard: https://streamyard.com/pal/d/54200596..

Tragedi kecelakaan kereta api di Bekasi Timur kembali membuka luka lama dalam sistem transportasi Indonesia. Insiden yang melibatkan rangkaian KRL dan Argo Bromo Anggrek itu menewaskan 16 orang, sekaligus memunculkan pertanyaan besar tentang keselamatan perlintasan sebidang yang hingga kini masih menjadi titik paling rawan di jalur perkeretaapian nasional.

Idag blir det vidare röj för det händer saker. Vi tittar till Pierce (00:34:02), Argo Defence Group (00:58:17), Premium Snacks (01:33:14) och Cheffelo (01:52:39). Argo är med oss som sponsor till dagens avsnitt.————————Vi har med oss vår sponsor: Montrose – årets bank 2025. En modern sparplattform med allt vi gillar: månadssparande i fonder, automatiska courtageklasser, brett utbud och kickback på fondavgifter. Dessutom AI-stöd, fördjupad bolagsanalys och uppdaterade grafer i appen.Med koden GÖTTJÖT får du Premium i 3 månader!

In this episode, host Daniel Raimi talks with Deborah Gordon, a senior principal at the Rocky Mountain Institute and senior fellow at the Watson School of International and Public Affairs at Brown University. Together, they discuss the hit television show “Landman,” which exposes an up-close view of working and living in the oil and gas industry. “Landman” portrays some of the major risks and complications that arise when working for an oil company in the Permian Basin of Texas: injuries, accidents, contaminants, reckoning with automation and climate change, and more. Gordon pulls from her expertise to separate the “frack” from the fiction of working in oil and gas. She also expands on the future-facing questions of the fossil fuel industry and its role in shaping society and addressing climate change. With a third season on the way, Gordon and Raimi riff on some ideas for what the next plotline in “Landman” could be, and the off-screen realities for the oil and gas industry. References and recommendations: “Landman” television show; https://www.paramountplus.com/shows/landman/ “There Will Be Blood” film; https://en.wikipedia.org/wiki/There_Will_Be_Blood “Argo” film; https://en.wikipedia.org/wiki/Argo_(2012_film) “Dallas” television show; https://en.wikipedia.org/wiki/Dallas_(TV_series) “Private Empire” by Steve Coll; https://www.penguinrandomhouse.com/books/303537/private-empire-by-steve-coll/ “Lessons of Darkness” documentary film; https://en.wikipedia.org/wiki/Lessons_of_Darkness Subscribe to stay up to date on podcast episodes, news, and research from Resources for the Future: https://www.rff.org/subscribe/

The Argo Hotel was built to welcome travelers, but over time, some guests never left. From sealed-off floors to bones hidden in the walls, this historic Nebraska landmark may be holding onto more than just memories… and one spirit is still searching for what she lost.   YouTube -  https://www.youtube.com/@HauntedAmericanHistory hauntedamericanhistory.com Patreon- ⁠⁠⁠⁠⁠⁠https://www.patreon.com/hauntedamericanhistory⁠⁠⁠⁠⁠⁠   LINKS FOR MY DEBUT NOVEL, THE FORGOTTEN BOROUGH Barnes and Noble -   https://www.barnesandnoble.com/w/the-forgotten-borough-christopher-feinstein/1148274794?ean=9798319693334 AMAZON: https://www.amazon.com/dp/B0FQPQD68S EbookGOOGLE: https://play.google.com/store/books/details?id=S5WCEQAAQBAJ&pli=1 KOBO: https://www.kobo.com/us/en/ebook/the-forgotten-borough-2?sId=a10cf8af-5fbd-475e-97c4-76966ec87994&ssId=DX3jihH_5_2bUeP1xoje_   SMASHWORD: https://www.smashwords.com/books/view/1853316 !! DISTURB ME !!   APPLE - https://podcasts.apple.com/us/podcast/disturb-me/id1841532090   SPOTIFY - https://open.spotify.com/show/3eFv2CKKGwdQa3X2CkwkZ5?si=faOUZ54fT_KG-BaZOBiTiQ   YOUTUBE - https://www.youtube.com/@DisturbMePodcast   www.disturbmepodcast.com   TikTok- @roadside.chris Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week we dive into Argo! Trent Miller pick of the month - had to do it right. True story. Listen NOW!

North Carolina based MC Julian Argo joined me this week for episode 305 once again courtesy of Dom. With over 15 years of experience in the space I knew that Julian would have some awesome insight to share and he didn't disappoint. He spoke about his early love for writing and poetry and the ways it helped shape his pen and style as an artist when first starting out. From there he began releasing a long string of projects over the years and formulating his sound which has led all the way to his recent single titled “Skin Freestyle” that dropped in February. He revealed to me his plans to stay consistent with new music over the next several months while continuing to push supporting content via social media and work with great individuals like Dom along the way. I really enjoyed hearing about Julian's journey and his overall perspective for the future. I'm excited to see where he goes from here and eagerly await what's to come musically as well!Consider donating to the show via our Ko-Fi profile here

Today on Too Opinionated, we're joined by actor Jack Topalian, who is joining the cast of HBO's hit series:

Originally aired on Joe Consorti's "Over the Horizon" podcast.Watch the full episode on Joe's channel.Michael Tanguma joins Joe Consorti to break down the launch of Onramp Finance, the macro setup heading into the next leg of Bitcoin's run, and why custody remains the most underappreciated risk in the entire digital asset stack. The conversation covers the institutional groundwork being laid across Wall Street, the case against digital credit products marketed to retail, and how AI plus Bitcoin are converging into the most asymmetric business opportunity of this cycle.Over the Horizon: https://www.youtube.com/@JoinHorizonJoe Consorti on X: https://x.com/JoeConsortiMichael Tanguma on X: https://x.com/MTangumaOnramp Finance: https://onrampbitcoin.com/finance00:00 — What's behind the rally04:17 — Institutional groundwork falling into place11:31 — ETFs as the on-ramp to MIC15:30 — Why custody is existential for Bitcoin19:36 — How MIC works24:47 — Announcing Onramp Finance33:45 — Why everyone is converging on this architecture44:44 — Stretch and the digital credit problem53:26 — The custody question nobody asks about DATs55:05 — AI, credit air pockets, and the Treasury market1:06:08 — Bitcoin + AI as the asymmetric opportunity1:12:19 — Closing thoughtsTopics CoveredThe macro setup heading into the back half of 2026, including Morgan Stanley's MSBT launch, Charles Schwab opening Bitcoin trading, Goldman's premium income ETF as a trial balloon, the Iran conflict's impact on commodity settlement, and Hank Paulson's call for a Treasury demand backstop.The Onramp Finance launch — a unified platform combining a cash-earning account paying up to 5%, the lowest-cost Bitcoin brokerage, an earn card with up to 1.5% rewards, IRAs, lending, and spot gold exposure through Argo with optional physical delivery from the Royal Canadian Mint. Built on Stripe-powered settlement infrastructure, with the Genesis founding cohort capped at 210 members.Why multi-institution custody is the inevitable end state for serious Bitcoin holders, the limits of single-custodian ETF structures, and the case that DATs holding billions across three custodians without addressing custody-layer risk are building on a faulty premise.A direct take on Stretch and the digital credit category — why retail-driven preferreds priced at marginal spreads over real inflation are not compensating holders for the risk being taken.The convergence of Bitcoin and AI as the two defining technologies of the next decade, and why bootstrapped Bitcoin-denominated businesses leveraging AI tooling have the structural advantage over fiat-funded incumbents carrying bureaucratic overhead.

Människoliknande robotar med artificiell intelligens är på väg ut i bilfabriker. Men AI-robotarna kan behöva mycket övning i det fysiska rummet. Lyssna på alla avsnitt i Sveriges Radios app. Programmet sändes första gången i februari 2026. En robot som ska fungera i verkligheten måste tränas i verkligheten. Det är robotforskaren Henny Admoni från Carnegie Mellon University och datavetenskapsprofessorn Amy Loutfi vid Örebro universitet ense om.Att träna en AI-robot kan påminna mycket om att utbilda en människa, vilket väcker tankar om vad det gör med vår relation till robotarna. Samtidigt är åtminstone en sak väldigt annorlunda mot att utbilda människor.Vi har besökt AI-forskningsprogrammet WASP:s vinterkonferens och träffar också laboratorieingenjören Kewin Borowiecki, som snabbguidar bland de robottyper som lett fram till Örebro universitets nyliga inköp av den människoliknande och AI-utrustade roboten Argo.Reporter: Camilla Widebeckcamilla.widebeck@sverigesradio.seProducent: Lars Broströmlars.brostrom@sverigesradio.se

Lo sponsor di questo episodio è Shopify! Prova adesso Shopify per 1 euro al mese: www.shopify.it/mitologia Vent'anni lontano da casa. E adesso, finalmente, la strada che scende verso il palazzo è quella giusta. Odisseo la conosce a memoria: ogni curva, ogni ulivo storto, ogni sasso. Ma percorrerla oggi è diverso da tutte le altre volte. Questo episodio è dedicato alla fedeltà. Quella che resiste al tempo, all'abbandono, alla dimenticanza. Quella che non chiede niente in cambio. Omero sapeva già, tremila anni fa, che certe cose non si spiegano. Si raccontano. Vuoi saperne di più sull'episodio? Vai qui e leggi gli approfondimenti: https://it.tipeee.com/mitologia-le-meravigliose-storie-del-mondo-antico/news .-.-. Per avere informazioni su come puoi supportare questo podcast vai qui: https://it.tipeee.com/mitologia-le-meravigliose-storie-del-mondo-antico/ Se ti va di dare un'occhiata al libro “Il Re degli Dei”, ecco qui un link (affiliato: a te non costa nulla a me dà un piccolissimo aiuto): https://amzn.to/3Q50uFR Se ti va di dare un'occhiata al libro “Eracle, la via dell'eroe”, ecco qui un link: https://amzn.to/46dAFYZ Altri link affiliati: Lista dei libri che consiglio (lista in continuo aggiornamento): https://amzn.to/3Q3ZYI9 Lista dei film che consiglio (lista in continuo aggiornamento): https://amzn.to/3DoqTa7 Lista hardware che consiglio per chi è curioso del mondo per podcast (lista in continuo aggiornamento): https://amzn.to/44TYKTW Uso plugin audio da questa Software House: Waves. Se vuoi dare un'occhiata, anche questo è un link affiliato: https://www.waves.com/r/1196474 Ami musiche rilassanti e i suoni della natura? Iscriviti a questo meraviglioso canale  https://www.youtube.com/channel/UCbRZLgwT37437fYK4YYKhXQ?sub_confirmation=1 Learn more about your ad choices. Visit megaphone.fm/adchoices

Andy May discusses how Earth's energy imbalance and ocean heat content relate to solar radiation versus greenhouse-gas downwelling IR. He argues IR photons are lower energy and absorbed in the ocean's top micrometers–millimeter (thermal/electromagnetic skin), so it cannot directly heat the mixed layer; instead it may reduce upward heat loss by altering the skin-layer temperature gradient, while sunlight penetrates meters to greater than 100 m and warms the bulk ocean. He critiques NASA-style energy-flow diagrams for confusing one-way radiative fluxes (e.g., 340 W/m²) with net heat (e.g., 58 W/m²). He highlights large uncertainties in EEI and OHC due to sparse, inconsistent datasets, cool-skin effects, short Argo-era records, and oscillations like AMO/ENSO, making partitioning of causes uncertain.00:00 Sun vs CO2 Setup00:35 Why IR Differs02:52 Ocean Skin Layers05:48 Photon Energy Debate07:55 Cool Skin Impacts10:01 Energy Diagram Myths13:33 EEI and OHC Limits18:17 Ocean Data Disagreements23:55 Surface EEI Variability26:38 IR Cannot Heat Deep29:51 Bottom Line Uncertainty31:18 Q&A and Critiques34:52 Modeling and Coverage36:41 Regional Trend Map41:21 Closing Takeawayshttps://x.com/Andy_May_Writerhttps://andymaypetrophysicist.com/=========Slides, summaries, references, and transcripts of my podcasts: https://tomn.substack.com/p/podcast-summariesMy Linktree: https://linktr.ee/tomanelson1

The DEN welcomes hip-hop artist Julian Argo.https://www.instagram.com/julian_argo?igsh=eGdpeWI4Y3NmNXgx

Here's our interview with Kyle Smith (writer/director) and Jeff Powers (cinematographer), the team behind 'SYLVANIA,' which is part of the "Narrative Features Competition" selection at the 2026 Florida Film Festival. -----About the film:In Kyle Smith's Sylvania, a marriage on the brink becomes the backdrop for a sharply observed and deeply human road trip. Stewart (Morgan Beck) and Gracie (Kerry Bishé, Argo) load their four-month-old baby and 17-year-old, basketball-obsessed son into the car and head to St. Louis to convince Gracie's estranged father, Frank (Paul Dillon), who is in the early stages of dementia, to accept help. But Stewart has his own coping mechanism: he's abandoned his iPhone and moves the family from Chicago back to his childhood home, committed to living as if it's the 1990s—complete with mixtapes, period-specific groceries, and analog nostalgia. For Gracie, already stretched thin by sleepless nights and emotional distance, the retro experiment feels less like a reset and more like regression. She's resolved to leave him after the trip. Once they arrive, her father is mean-spirited and stubborn, but still lucid and with plenty to say about the current family chemistry. Though dementia clouds his present, it sharpens his recollections of the past, offering Gracie fragments of the mother she barely knew. Beautifully acted and emotionally resonant, Sylvania blends road movie and dramedy into a smart, funny, and tender meditation on family, memory, and the ways we cling to the past—set against a perfectly curated '90s soundtrack. Director BioKyle Smith (Sylvania) (he/him) was raised in Columbia, Missouri. His previous films include Turkey Bowl and Blue Highway. He lives in Los Angeles with his family.

This week on the podcast, we're saying goodbye to Mikel Fury and hello to Ben Affleck — because we're watching the Uchū Sentai Kyuranger episode "Space.21: Farewell Scorpio! The Day The Argo Revives!" Who is a cake and a plushie and a guy? How can hair create a false mystery? And — bwuuuuuuh? The answers to these questions (and more!) await, on this episode of the Ranger Danger Kyuranger podcast!

Hop in the ARGO as we continue our "Lanita Watches Trek for the First Time" series with a no-holds-barred review of Star Trek: Nemesis—and let's just say… we have thoughts. A lot of them. Joined by guest co-host Leigh Ellen, we break down everything from questionable plot choices and missed character opportunities to the chaotic energy of Shinzon and that very intense final act. For Lanita, it's a first-time voyage into one of Trek's most divisive films—and her reactions do not disappoint. Expect laughs, hot takes, and a healthy amount of "wait…why did they do that?" as we dig into what works, what really doesn't, and whether Nemesis deserves its reputation… or a second look. Support us: https://ko-fi.com/hailingfreqopen 

How reliable are the measurements behind climate claims? In this episode of Sanity Check, David R. Legates examines the data systems used to estimate Earth's energy imbalance—particularly ocean temperature measurements from Argo floats. While widely treated as authoritative, these measurements rely on sparse sampling, interpolation, and assumptions that introduce significant uncertainty.The result: the margin of error may exceed the signal itself, raising serious questions about the precision of current climate estimates and the confidence placed in them. https://www.aoml.noaa.gov/argo/https://zenodo.org/records/18936064https://zenodo.org/records/18943232Visit our podcast resource page: https://cornwallalliance.org/listen%20to%20our%20podcast%20created%20to%20reign/Our work is entirely supported by donations from people like you. If you benefit from our work and would like to partner with us, please visit www.cornwallalliance.org/donate. 

Editor - Joel Negron ACE, Sound Designers - Erik Aadahl and Ethan Van der Ryn Project Hail Mary editor Joel Negron says that one of the first calls that he makes when he signs on to a new film is to his trusted colleagues in audio post, Erik and Ethan.  And for more than fifteen years the trio has collaborated on a wide variety of films, including the Transformers franchise, Jungle Cruise and Cocaine Bear.  But their latest film with directors Phil Lord and Christopher Miller would prove to be one of their greatest challenges, but also one of their biggest hits! Based on the bestselling novel by Andy Weir, Project Hail Mary is a high-stakes sci-fi thriller centered on Ryland Grace, a scientist who wakes up aboard a spacecraft with no memory of who he is or how he got there. He soon discovers he is humanity's sole hope for survival, tasked with solving a cosmic mystery to save Earth from an extinction-level threat. As his memories slowly return, Grace must utilize his scientific ingenuity and form an unlikely alliance in the vast loneliness of deep space to complete his desperate mission. JOEL NEGRON, ACE Joel Negron is a highly accomplished film editor known for his versatile work across high-octane action blockbusters and visually inventive features. He has a long-standing reputation for managing large-scale productions, with notable credits including Thor: Ragnarok, The Nice Guys, and Transformers: Dark of the Moon. Negron's ability to balance complex visual effects with rhythmic storytelling has made him a frequent collaborator for top-tier directors, consistently delivering polished, high-energy cinematic experiences. ERIK AADAHL Erik Aadahl is a premier sound designer and supervising sound editor whose innovative approach to sonic world-building has earned him multiple Academy Award nominations. He is perhaps best known for creating the distinct mechanical "voices" of the Transformers franchise and for his evocative work on films like Argo, A Quiet Place, and Godzilla. Aadahl's philosophy centers on using sound as a narrative tool to evoke emotion and tension, often blending organic and synthetic textures to create immersive, award-winning soundscapes. ETHAN VAN DER RYN Ethan Van der Ryn is a titan in the world of sound design, boasting two Academy Awards for his contributions to The Lord of the Rings: The Two Towers and King Kong. Throughout his prolific career, he has played a pivotal role in defining the auditory identity of major cinematic universes, frequently partnering with Erik Aadahl through their post-production house, E² Sound. From the roaring intensity of Godzilla to the intricate details of the Kung Fu Panda series, Van der Ryn is celebrated for his technical mastery and his ability to elevate storytelling through sophisticated sound editorial. Visit Extreme Music for all your production audio needs Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

SUPERMAN CAMEO ALREADY?! Greg Alba, Coy Jandreau, and Roxy Striar react to the brand-new Supergirl trailer from DC Studios and James Gunn's DCU! This new look gives us a much better sense of the movie's tone, scale, and emotional core, including our best trailer look yet at Milly Alcock's Kara Zor-El / Supergirl, Jason Momoa's Lobo, the destruction and trauma tied to Argo, the intergalactic revenge quest with Ruthye, and the major role Krypto plays in kicking off the story. Director Craig Gillespie has described the film as a sci-fi epic inspired in part by True Grit and John Wick, with Kara helping Ruthye track down Krem after Ruthye's family is murdered and Krypto is poisoned. In this trailer reaction, we talk about the melancholy vibe, the heavier emotional weight compared to Superman, the cosmic scope, the action, the visual style, and how much more tragic and battle-worn this version of Supergirl feels. We also get into Lobo's presence, how important Ruthye looks to the story, the destruction of Argo City / Kryptonian life, and what the movie seems to be setting up for Kara emotionally as she moves through this revenge-driven DCU adventure. Craig Gillespie said the film digs deep into Krypton's culture and Argo specifically to shape Kara's personality and pain, which is all over this footage. We also discuss the Superman connection / cameo angle, since David Corenswet's Superman is expected to appear alongside Kara in the film after her DCU debut path was tied to Superman, and the trailer continues to make this feel like a true extension of the new shared universe James Gunn and Peter Safran are building. Supergirl stars Milly Alcock, Jason Momoa, Eve Ridley, Matthias Schoenaerts, David Krumholtz, and Emily Beecham, and it hits theaters and IMAX on June 26, 2026. As for the upcoming DCU movie slate under James Gunn, the current theatrical lineup includes Supergirl (June 26, 2026), Clayface (September 2026), and Man of Tomorrow (July 2027), while other DCU film projects in development include The Brave and the Bold, Swamp Thing, The Authority, Teen Titans, and Wonder Woman Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter:  https://twitter.com/roxystriar Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Ben Affleck's Argo (2012) In 2012 Ben Affleck would co-write and direct Argo, winning the Best Picture of the Year at at that year's Academy Awards celebration. Although a skillful and professional job it's - quite simply and obviously - a hack job, typical of the US's need to paint itself in the proper light while also giving Hollywood the opportunity to congratulate itself yet again (as well as short-changing the Canadian Government). An obvious and simplistic piece of political propaganda, Affleck's film continues the pattern of white-washing a serious topic while also reinforcing the idea that the US is the guardian, victim, and champion of the free world (whatever the hell that means). Democracy is safe because of the US's continued struggle against dissident elements throughout the world (in this case the Iranian Revolution). This week Mr. Chavez & I discuss the propaganda of this film, the role of the C.I.A. as saviour, dishonesty in storytelling and the note by note moments that make up a rescue mission movie. Take a listen, it's an interesting and relevant talk. Questions, Comments, Complaints & Suggestions: gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

The Blooming Court Ch. 3We find Galahad at an establishment called The Old Pickaxe, where he meets the owner, Ron, and they bond over Dwarven whisky and rare steak. Galahad is given some behind-the-scenes information about the city and how things truly operate, and is even asked whether he and the party would be up for another job to overthrow a corrupt figurehead, given their resume, but has to mull it over, given their tight schedule at the moment. The party sans the tea crew meets up with Galahad to discuss how things were after he left, explain the peculiar game they played and the smell, and think about whether there is even enough time for a new quest, given their ever-growing to-do list. Later on in the week, while the group makes their preparations for Uscana, Zechs goes out to find information about his bow, Jack of All Trades. Zechs meets a man named Hollis Breckthane, the owner of the Hollow String shop, who informs him that his bow is made of a special and extremely rare metal called ghost silver. He had come across it once before at the Silver Static Drift in the Astral Sea, a place where gods go to die, and he acquired it from a dead god's tooth to make arrows that were confiscated. Zechs gets an in-depth lesson on how his bow truly works and is appreciative of the insight, realizing he has a long way to go but a clear path to fully grasping the bow's capabilities. He buys an elven saber for Argo and heads out. At the same time, Galahad picks up his newly reforged sword, Kanna's Blazing Fury, and purchases the thunderstrike mace as he's grown attached to the weapon. He's informed that the rest of the crew's orders will be ready later that week, and thanks him for the time and excellent work, getting to see just how the newly forged blade works and feels. He's impressed and excited to test out this improved beast of a weapon.There's so much happening, and that's where we pick up…Find out what happens next in this episode of the Medusa's Cascade: Collateral Damage! Theme Music is written and performed by EfflorescenceMixed by Thomas Lapierre IIITitle Card by Pierce Graphics Check out the show at themedusascascade.com Hosted on Acast. See acast.com/privacy for more information.

Episode 220 of Ready 2 Retro brings you a conversation with working actor Rob Brownstein. Rob is an acting coach and professional actor who has been in projects including "Curb Your Enthusiasm", "Blonde", "Modern Family", "Straight Outta Compton", "Argo", "The Office", "The O.C.", "Gimore Girls", dozens of commercials (some running even now) and so many more!Join us as Rob Brownstein shares his love for community, basketball, coaching actors and the importance of connecting with others. ready2retro.com Visit Rob Brownstein's Acting Class here Rob Brownstein's IMDB Page

The Oscars are over, and we're breaking down everything from the biggest winners and biggest surprises to our personal Top 10 movies of 2025. In this episode, we recap the biggest moments from the 2026 Oscars, including Amy Madigan's surprise win for Weapons, Sean Penn taking home another Oscar for One Battle After Another, Michael B. Jordan winning Best Actor, and Paul Thomas Anderson dominating the night with Best Picture and Best Director. Before the awards talk, we also review the movies we watched over the weekend, including Undertone, Argo, Dracula (2025), and The Great Santini. Then we each reveal our Top 10 films of 2025, featuring titles like Bugonia, Frankenstein, Sinners, Bring Her Back, One Battle After Another, Chainsaw Man: The Movie, Rental Family, and more. If you love Oscars reactions, movie rankings, film analysis, and year-end best-of lists, this episode is for you. Topics covered:

What happens when a multimedia entrepreneur and a concert venue owner sit down for a live podcast? A good conversation – with a couple beers – about creativity, grit, and what it really takes to build something that lasts. In the first live episode of the year, recorded at The Argo in Milwaukee as part of Manufacturing Happy Hour's 10-year anniversary, host Chris Luecke sits down with two longtime friends: Andrew J. Coate, co-founder of The Argo (a 700-capacity venue his team transformed from a historic 1950s cinema in under seven months), and Michael O'Sullivan, Creative Director at Motivation Media. Together they dig into the creative process, building businesses from the ground up, co-founder dynamics, and the long-term friendships that shape your best work. Later in the episode, manufacturing veterans and friends of the show, Kyle Mahan (Former Vice President and General Manager of the Automation Division at Wauseon Machine) and Bill Berrien (CEO at Pela Global Precision) join the stage to bring it all back to the shop floor.In this episode, find out: How Michael O'Sullivan and Andrew J. Coate have known each other since high school on the south side of Chicago, and how their paths kept crossing through business and creativity over more than two decadesWhat it means to build a creative business in industries you wouldn't expect, and why B2B and manufacturing are some of the most exciting places to be creativeTurning creativity into a daily habit. Why practice, not talent, is the real shortcut, and how both guests built their creative muscles over timeHow constraints drive better creative decisions, and why that's one of the most transferable lessons to the manufacturing floorThe “done is better than perfect” mindset: balancing flexibility with process discipline when you're building something newWhat the manufacturing industry looks like from behind a camera lens, and why storytelling is one of the industry's most underused assetsHow Kyle Mahan (EP235) and Bill Berrien (EP160 & EP268) would apply the night's creative lessons directly to industrial sectorEnjoying the show? Please leave us a review here. Even one sentence helps. It's feedback from Manufacturing All-Stars like you that keeps us going!Tweetable Quotes:"Creativity really often needs constraints to be the maximum of what it can be." - Andrew J. Coate "Networking doesn't just happen at an event. It's something that can happen over years and decades." - Chris Luecke "I did not start out to form a video production company. Having those people who believed in me along the way gave me that space to keep practicing, to keep pushing it." - Michael O'Sullivan Links & mentions:The Argo, concert venue, bar & kitchen, and event space located in the historic Fox Bay Theater in Whitefish Bay, WI, minutes from downtown Milwaukee Motivation Media, making videos that make a difference for nonprofits, businesses, commercials, fundraising, and so much more Women in Manufacturing (WiM), a global trade association committed to supporting, promoting, and inspiring women across all the manufacturing industry. We've portion of the ticket sales from this show to WiM to support its missionEpisode 160: Buying a Manufacturing Company and Reimagining Upskilling with Bill Berrien, CEO of Pindel Global Precision, where Bill shares his thoughts on upskilling your team and continuous learning in the manufacturing industryEpisode 235: How to Find Automation Talent Anywhere with Kyle Mahan, VP & GM of Wauseon Machine, where Kyle discusses what it takes to find the best automation talent in the manufacturing industry in today's industryEpisode 260: Innovations Transforming Automotive Manufacturing featuring STÄUBLI, RAM Solutions, and More, a look what's transforming automotive manufacturing with interesting takes from eight industry expertsMake sure to visit http://manufacturinghappyhour.com for detailed show notes and a full list of resources mentioned in this episode. Stay Innovative, Stay Thirsty.Mentioned in this episode:Mfg Happy Hour's Rust Belt Renaissance TourManufacturing Happy Hour is hitting the road this spring, hosting live shows Cleveland on 3/24, Rochester on 3/25, and Pittsburgh on 3/26. Get your tickets today.

Listen, we are all trying to make sense of our being led into another war, this time in Iran, and SHOCKINGLY have the complete imbeciles who run our country be woefully unprepared for the repercussions. Well, when former Deputy National Security Adviser and co-host of Pod Save the World, Ben Rhodes called us up and asked to come talk about it with us, we jumped at the chance! Plus we talk the Oscar winning Ben Affleck Iranian conflict classic, Argo. Do not miss this ep.Chapters Introduction (00:00:00) Hatch News (00:28:32) Argo Roundtable (00:36:49) Your Letters (01:52:28) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

Neste vídeo, mergulhamos na complexa cronologia política entre Washington e Teerã. Antes das sanções e das ameaças nucleares, o Irã era o principal posto avançado da cultura e dos interesses ocidentais no Golfo Pérsico. Exploramos desde a "Operação Ajax" em 1953, que derrubou Mohammad Mossadegh para restaurar o poder do Xá Reza Pahlavi, até a modernização acelerada da "Revolução Branca". Entenda como a repressão da polícia secreta SAVAK e a negligência com as tradições islâmicas pavimentaram o caminho para o retorno do Aiatolá Khomeini. Analisamos os fatos reais que inspiraram o filme "Argo", a crise dos reféns que durou 444 dias e como o apoio dos EUA a Saddam Hussein na guerra Irã-Iraque selou uma inimizade que molda a geopolítica atual, incluindo o financiamento de grupos como Hezbollah e Hamas. Um raio-x necessário sobre o Estreito de Ormuz e a segurança energética global.

Show Notes This week on MSB we cover G Gundam Episode 5 and a shocking revelation about how Rain got her position on Team Neo Japan, the cunningly-disguised real inspiration for Argo's prison, Foucault's Gundam Fight, a reasonable critique of Domon's problem solving methods, and much more. Ready? Go! Mobile Suit Breakdown is written, recorded, and produced within Lenapehoking, the ancestral and unceded homeland of the Lenape, or Delaware, people. Before European settlers forced them to move west, the Lenape lived in New York City, New Jersey, and portions of New York State, Pennsylvania, Delaware, and Connecticut. Lenapehoking is still the homeland of the Lenape diaspora, which includes communities living in Oklahoma, Wisconsin, and Ontario. You can learn more about Lenapehoking, the Lenape people, and ongoing efforts to honor the relationship between the land and indigenous peoples by visiting the websites of the Delaware Tribe and the Manhattan-based Lenape Center. Listeners in the Americas and Oceania can learn more about the indigenous people of your area at https://native-land.ca/. We would like to thank The Lenape Center for guiding us in creating this living land acknowledgment. You can subscribe to Mobile Suit Breakdown for free! on fine Podcast services everywhere and on YouTube, visit our website GundamPodcast.com, follow us on Twitter, Instagram, and Facebook, or email your questions, comments, and complaints to gundampodcast@gmail.com. Mobile Suit Breakdown wouldn't exist without the support of our fans and Patrons! You can join our Patreon to support the podcast and enjoy bonus episodes, extra out-takes, behind-the-scenes photos and video, MSB gear, and much more! The intro music is WASP by Misha Dioxin, the recap music Window by 1000 Handz, and the outro is Long Way Home by Spinning Ratio, all licensed under Creative Commons CC BY 4.0 licenses. All music used in the podcast has been edited to fit the text. Mobile Suit Breakdown provides critical commentary and is protected by the Fair Use clause of the United States Copyright law. Gundam content is copyright and/or trademark of Sunrise Inc., Bandai, Sotsu Agency, or its original creator. Mobile Suit Breakdown is in no way affiliated with or endorsed by Sunrise, Bandai, Sotsu, or any of their subsidiaries, employees, or associates and makes no claim to own Gundam or any of the copyrights or trademarks related to it. Copyrighted content used in Mobile Suit Breakdown is used in accordance with the Fair Use clause of the United States Copyright law. Any queries should be directed to gundampodcast@gmail.comRead transcript

This week, your favorite former puppeteers blast off into the strange, slimy, and spectacular universe of Farscape—the cult sci-fi show that boldly asked the question: what if space opera had more puppets… and weirder ones?Created by Rockne S. O'Bannon and brought gloriously to life by Jim Henson's Creature Shop, Farscape filled its galaxy with unforgettable alien characters—like the towering warrior "definitely-not-a-Klingon" Ka D'Argo and the delightfully grumpy Dominar puppet Rygel XVI.We dive into how the show fused ambitious science fiction storytelling with jaw-dropping creature work, why Rygel might be the most expensive fart joke in television history, and what it's like to act opposite a co-star who's operated by five puppeteers and a small miracle. Along the way, we celebrate the show's fearless weirdness and the way it pushed puppetry far beyond children's television and into the outer limits of adult sci-fi.It's tentacles, tyrants, and top-tier animatronics—a reminder that sometimes the most alien thing in the galaxy… is sculpted foam latex.Send a textJoin the discussion on our discord! https://discord.gg/JDtWJrhPF6Follow us on twitter @PMoNPodcast and on Instagram and Threads @puppetmastersofnoneFind out more about the puppet masters on our website: https://puppetmastersofnone.wixsite.com/puppetmastersofnoneOriginal Music Composed by Taetro. @Taetro https://www.taetro.com/

THE BILLY STEWART DISCOGRAPHY  Singles:Chess 1625: "Billy's Blues" / "Billy's Blues"Argo 5256: "Billy's Blues" / "Billy's Blues"Okeh 4-7095: "Baby, You're My Only Love" / "Billy's Heartache" (1957 with Bo Diddley, backed by The "Marquees")Chess 1820: "Reap What You Sow" / "Fat Boy" (1962) – No. 18 R&B, No. 79 popChess 1835: "True Fine Lovin'" / "Wedding Bells" (1962)Chess 1852: "Scramble" / "Oh My, What Can the Matter Be" (1963)Chess 1868: "Strange Feeling" / "Sugar and Spice" (1963) – No. 25 R&B, No. 70 popChess 1888: "A Fat Boy Can Cry" / "Count Me Out" (1964)Chess 1905: "Tell It Like It Is" / "My Sweet Senorita" (1964)Chess 1922: "I Do Love You" / "Keep Loving" (1965) – No. 6 R&B, No. 26 popChess 1932: "Sitting in the Park" / "Once Again" (1965) – No. 4 R&B, No. 24 popChess 1941: "How Nice It Is" / "No Girl" (1965)Chess 1948: "Because I Love You" / "Mountain of Love" (1965)Chess 1960: "Love Me" / "Why Am I Lonely" (1966) – No. 38 R&BChess 1966: "Summertime" / "To Love, to Love" (1966) – No. 7 R&B, #10 popChess 1978: "Secret Love" / "Look Back and Smile" (1967) – No. 11 R&B, No. 29 popChess 1991: "Every Day I Have the Blues" / "Ol' Man River" (1967) – No. 41 R&B, No. 79 popChess 2002: "Cross My Heart" / "Why (Do I Love You So)?" (1968) – No. 34 R&B, No. 86 pop / No. 49 R&BChess 2053: "Tell Me the Truth" / "What Have I Done?" (1968) – No. 48 R&BChess 2063: "I'm In Love" / "Crazy 'Bout You, Baby" (1969)Chess 2080: "By the Time I Get to Phoenix" / "We'll Always Be Together" (1969) Albums:Chess 1496: I Do Love You (1965) (Billboard No. 97)Chess 1499: Unbelievable (1966) (Billboard No. 138)Chess 1513: Billy Stewart Teaches Old Standards New Tricks (1967)Chess 1540: Cross My Heart (1969)Chess 1547: Remembered (1970)Sugar Hill/Chess CH-8401: The Greatest Sides (1982)

The tale of Jason and the Argonauts is one of the biggest and boldest stories in Greek mythology. And it involves some of the greatest heroes, many of whom are depicted in the stars – from the twins of Gemini to mighty Hercules. The boat itself was placed in the stars as well. But even it was too big. Astronomers eventually split it apart. The original constellation was Argo Navis. It was first drawn almost 3,000 years ago. It was far larger than any of the other ancient western constellations. And for a long time, that was just fine. But as astronomers began studying the stars with telescopes, the Argo was just too big – there were too many stars and other objects within its borders to catalog. In 1756, French astronomer Nicolas Louis de Lacaille decided to do something about it. He split the Argo apart. He kept the references to the boat, though. So his new constellations were Carina, the keel; Vela, the sail; and Puppis, the poop deck – the deck at the back of the boat. And those constellations are still in use today. Carina is best known for its brightest star, Canopus. It’s the second-brightest star in the night sky. And from the southern latitudes of the United States, it crawls low across the south in early evening at this time of year. As night falls, it’s just above the horizon, almost directly below Sirius, the brightest nighttime star. We’ll have more about Canopus tomorrow. Script by Damond Benningfield

Do jaké míry Češi kolaborovali s Hitlerem? Dokázali projít obdobím Protektorátu Čechy a Morava se ctí? A jak se vlastně lidem tehdy žilo? Polský historik Piotr Majewski, odborník na české dějiny, napsal další skvělou knihu. Jmenuje se Jenom ať si nemyslí, že jsme kolaboranti: Protektorát Čechy a Morava, 1939-1945. V roce 2025 ji vydalo nakladatelství Argo.

What happens when a childhood dream refuses to let go? In this episode, I sit down with cartoonist and Lum and Abner historian Donnie Pitchford to explore how old-time radio, comic strips, and a love for storytelling shaped his life. Donnie shares how he grew up inspired by classic radio shows like Lum and Abner, pursued art despite setbacks, and eventually brought the beloved Pine Ridge characters back to life through a modern comic strip and audio adaptations. We talk about creativity, persistence, radio history, and why imagination still matters in a visual world. If you care about classic radio, cartooning, or staying true to your calling, I believe you will find this conversation both inspiring and practical. Highlights: 00:10 Discover how a childhood love of Lum and Abner sparked a lifelong dream of becoming a cartoonist. 08:00 Hear how college radio and classic broadcasts deepened a passion for old time radio storytelling. 14:33 Understand how years of teaching broadcast journalism built the skills that later fueled creative success. 23:17 Learn how the Lum and Abner comic strip was revived with family approval and brought to modern audiences. 30:07 Explore how two actors created an entire town through voice and imagination alone. 1:00:16 Hear the vision for keeping Lum and Abner alive for new generations through comics and audio. Top of Form Bottom of Form About the Guest: Donnie Pitchford of Texas is a graduate of Kilgore College, Art Instruction Schools, Stephen F. Austin State University and the University of Texas at Tyler. He has worked in the graphic arts industry and in education, teaching at Hawkins High School, Panola College, and Carthage High School at which he spent 25 years directing CHS-TV, where student teams earned state honors, including state championships, for 20 consecutive years. In 2010, Donnie returned to the endeavor he began at age five: being a cartoonist! The weekly “Lum and Abner" comic strip began in 2011. It is available online and in print and includes an audio production for the blind which features the talents of actors and musicians who donate their time. Donnie has created comic book stories and art for Argo Press of Austin, illustrated children's books, written scripts for the "Dick Tracy" newspaper strip, and produced the science fiction comedy strip "Tib the Rocket Frog." He has collaborated with award-winning writers and cartoonists George Wildman, Nicola Cuti, John Rose, Mike Curtis, Joe Staton, and others. In 2017, Donnie began assisting renowned sculptor Bob Harness and currently sculpts the portraits for the Texas Country Music Hall of Fame plaques. Awards include the 1978 Kilgore College "Who's Who" in Art, an Outstanding Educator Award from the East Texas Chapter of the Texas Society of CPAs in 1993, the CHS "Pine Burr" Dedicatee honor in 2010, and a Distinguished Alumnus Award in 2018 from Spring Hill High School. In 2024, Donnie was inducted into the City of Carthage Main Street Arts Walk of Fame which included the placement of a bronze plaque in the sidewalk and the Key to the City. Donnie and his best friend/wife, Laura, are members of First Methodist Church Carthage, Texas. Donnie is a founding officer of the National Lum and Abner Society and a member of Texas Cartoonists, Ark-La-Tex Cartoonists, Christian Comic Arts Society, and the National Cartoonists Society. Ways to connect with Michaela**:** https://www.facebook.com/groups/220795254627542 https://lumandabnercomics.com/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:21 Well, hi everyone, and welcome to another episode of unstoppable mindset. I've been looking forward to this one for a while. We have Donny Pitchford as our guest today. You're probably going, who's Donnie Pitchford? Well, let me tell you. So years ago, I started collecting old radio shows. And one of the first shows that I got was a half hour episode of a show called Lum and Abner, which is about a couple of characters, if you will, in Pine Ridge, Arkansas. And I had only heard the half hour show sponsored by frigid air. But then in 1971 when ksi, out here in Los Angeles, the 50,000 watt Clear Channel station, started celebrating its 50 year history, they started broadcasting as part of what they did, 15 minute episodes of lemon Abner. And I became very riveted to listening to lemon Abner every night, and that went on for quite a while. And so I've kept up with the boys, as it were. Well, a several years ago, some people formed a new Lum and Abner society, and Donnie Pitchford is part of that. I met Donnie through radio enthusiast of Puget Sound, and yesterday, USA. And so we clearly being interested in old radio and all that, had to have Donnie come on and and talk with us. So Donnie, or whatever character you're representing today, welcome to unstoppable mindset. Donnie Pitchford  02:58 Huh? I'm glad to be here. Michael Hingson  03:00 He does that very well, doesn't he? It's a Donnie Pitchford  03:04 little tough sometimes. Well, I'm really glad to be here. Thank you. Michael Hingson  03:10 Well, I appreciate the audio parts of lemon Abner that you you all create every week, and just the whole society. It's great to keep that whole thing going it's kind of fun. We're glad that that it is. But let's, let's talk about you a little bit. Why don't you start by telling us about the early Donnie, growing up and all that. I'm assuming you were born, and so we won't worry about that. But beyond that, think so, yeah. Well, there you are. Tell us about tell us about you and growing up and all that, and we'll go from there. Donnie Pitchford  03:42 Well, I was born in East Texas and left for a little while. We lived in my family lived in Memphis, Tennessee for about seven years, and then moved back to Texas in 1970 but ever since I was a kid this I hear this from cartoonists everywhere. Most of them say I wanted to be a cartoonist when I was five years old. So that's in fact, I had to do a speech for the Texas cartoonist chapter of the National Cartoonist Society. And that was my start. I was going to say the same thing, and the President said, Whatever you do, don't do that old bit about wanting to be a cartoonist at age five. Everybody does that, so I left that part out, but that's really what I wanted to do as a kid. And I would see animated cartoons. I would read the Sunday comics in the Memphis Commercial Appeal, and then at some point, my dad would talk about radio, and my mother would talk about listening to radio. We would have the reruns of the Lone Ranger television show and things like Sky King and other programs along those lines, and my parents would all. Way say, Well, I used to listen to that on the radio, or I would hear Superman on the radio, or Amos and Andy or whatever was being rerun at that time, and that fascinated me. And I had these vague memories of hearing what I thought were television programs coming over the radio when I was about two years old. I remember gunshots. I remember, you know, like a woman crying and just these little oddball things. I was about two years old, and I kept thinking, Well, why are we picking up television programs on my mother's radio? Turns out it was the dying gasps of what we now call old time radio. And so at least I remembered that. But when I was about, I guess eight or nine we were, my dad took me to lunch at alums restaurant in Memphis, and I saw that name, and I thought, What in the world? So what kind of name is that? And my dad told me about London Abner, and he said it reminds me. It reminded him of the Andy Griffith Show or the Beverly Hillbillies. I said, I'd love to hear that. He said, Ah, you'll never hear it. He said, those were live they don't exist, but years later, I got to hear them. So yeah, but that's how I grew up wanting to be a cartoonist and coming up with my own characters and drawing all the time and writing stories and that sort of thing. Michael Hingson  06:24 So when did you move back from Memphis to Texas? Donnie Pitchford  06:28 July 2, 1970 I just happened to look that up the other day. How old were you then? I was 12 when we came back. All right, so got into, I was in junior high, and trying to, I was trying to find an audience for these comic strips I was drawing on notebook paper. And finally, you know, some of the kids got into them, and I just continued with that goal. And I just, I knew that soon as possible, you know, I was going to start drawing comics professionally. So I thought, but kept, you know, I kept trying. Michael Hingson  07:06 So you, you went on into college. What did you do in college? Donnie Pitchford  07:11 Well, more of the same. I started listening to some old time radio shows even as far back as as high school. And I was interested in that went to college, first at a college called Kill Gore College, here in East Texas, and then to Stephen F Austin State University. And I was majoring in, first commercial art, and then art education. And I thought, well, if I can't go right into comics, you know, maybe I can just teach for a while. I thought I'll do that for a couple of years. I thought it wouldn't be that long. But while I was at Stephen F Austin State University, the campus radio station, I was so pleased to find out ran old time radio shows. This was in 1980 there was a professor named Dr Joe Oliver, who had a nightly program called theater of the air. And I would hear this voice come over the radio. He would run, he Well, one of the first, the very first 15 minute lemon Abner show I ever heard was played by Dr Oliver. He played Jack Benny. He played the whistler suspense, just a variety of them that he got from a syndicated package. And I would hear this voice afterwards, come on and say, It's jazz time. I'm Joe Oliver. And I thought, Where have I heard that voice? It was, it's just a magnificent radio voice. Years later, I found out, well, I heard that voice in Memphis when I was about 10 years old on W, R, E, C, radio and television. He was working there. He lived in Memphis about the same time we did. Heard him on the campus station at Nacogdoches, Texas. Didn't meet him in person until the late 90s, and it was just an amazing collection of coincidences. And now, of course, we're good friends. Now he's now the announcer for our audio comic strip. So it's amazing how all that came about. Well, I Michael Hingson  09:16 I remember listening to sort of the last few years of oval radio. I think it was, I don't remember the date now, whether it's 57 or 50 I think it's 57 the Kingston Trio had come out with the song Tom Dooley, and one day I was listening to K and X radio in Los Angeles. We lived in Palmdale, and I heard something about a show called suspense that was going to play the story of Tom Dooley. And I went, sounds interesting, and I wanted to know more about it, so I listened. And that started a weekly tradition with me every Sunday, listening to yours truly Johnny dollar and suspense, and they had a little bit of the FBI and peace and war. Then it's went into half and that that went off and Have Gun Will Travel came on, and then at 630 was Gun Smoke. So I listened to radio for a couple of hours every week, not every Sunday night, and thoroughly enjoyed it. And so that's how I really started getting interested in it. Then after radio went off the air a few stations out in California and on the LA area started playing old radio shows somebody started doing because they got the syndicated versions of the shadow and Sherlock Holmes with Sir John Gielgud and Sir Ralph Richardson. And I still maintain to this day that John Gielgud is the best Sherlock Holmes. No matter what people say about Basil Rathbone and I still think Sir John Gielgud was the best Sherlock Holmes. He was very, very good. Yeah, he was and so listen to those. But you know, radio offers so much. And even with, with, with what the whole lemon Abner shows today. My only problem with the lemon Abner shows today is they don't last nearly long enough. But that's another story. Donnie Pitchford  11:11 Are you talking about the comic strip adaptation? Okay, you know how long, how much art I would have to 11:21 do every week. Michael Hingson  11:25 Oh, I know, but they're, they're fun, and, you know, we, we enjoy them, but so you So you met Joe, and as you said, He's the announcer. Now, which is, which is great, but what were you doing then when you met him? What kind of work were you doing at the time? Donnie Pitchford  11:45 Well, of course, there was a gap there of about, I guess, 15 years after college, before I met him. And what ended up happening my first teaching job was an art job, a teaching art and graphic arts at a small high school in Hawkins, Texas, and that was a disaster. Wasn't a wasn't a very good year for me. And so I left that, and I had worked in the printing industry, I went back to that, and that was all during the time that the National London Abner society was being formed. And so I printed their earliest newsletters, which came out every other month. And we started having conventions in MENA, Arkansas and in the real Pine Ridge and the my fellow ossifers As we we call ourselves, and you hear these guys every week on the lemon Abner comic strip. Sam Brown, who lives in Illinois, Tim Hollis, from Alabama. Tim is now quite a published author who would might be a good guest for you one day, sure. And just two great guys. We had a third officer early on named Rex riffle, who had to leave due to various illnesses about 1991 but we started having our conventions every year, starting in 1985 we had some great guests. We brought in everybody we could find who worked with lemon Abner or who knew lemon Abner. We had their their head writer, Roswell Rogers. We had actors, I'm sure you've heard of Clarence Hartzell. He was Ben withers, of course, on the Old Vic and Sade show. He was Uncle Fletcher. We had Willard Waterman, parley Bayer, some of their announcers, Wendell Niles. And my memory is going to start failing me, because there were so many, but we had Bob's, Watson, Louise curry, who were in their first two movies. We had Kay Lineker, who was in their third movie. The list goes on and on, but we had some amazing when did Chester lock pass away? He passed away? Well, Tuffy passed away first, 1978, 78 and Chet died in 1980 sad. Neither of them, yeah, we didn't get to media. Yeah, we didn't meet either one of them. I've met Mrs. Lock I've met all of chet's children, several grandchildren. We spoke to Mrs. Goff on the phone a time or two, and also, tuffy's got toughie's daughter didn't get to meet them in person, but we met as many of the family as we could. Michael Hingson  14:32 Still quite an accomplishment all the way around. And so you you taught. You didn't have success. You felt really much at first, but then what you taught for quite a while, though, Donnie Pitchford  14:45 didn't you? Yes, I went back to the printing industry for about a year, and in the summer of 85 about two weeks before school started, I had got a call that they needed someone to teach Broadcast Journalism at. Carthage High School, and we had a department called CHS TV. I ran that for 25 years. I taught classes. We produced a weekly television program, weekly radio program. We did all kinds of broadcasts for the school district and promotional video. And then in the last I think it was the last 10 years or so that I worked there, we started an old time radio show, and we were trying to come up with a title for it, and just as a temporary placeholder, we called it the golden age of radio. Finally, we said, well, let's just use that, and I think it's been used by other people since, but, but that was the title we came up with. I think in 19 I think it was in 93 or 9495 somewhere in there. We started out. We just ran Old Time Radio, and the students, I would have them research and introduce, like, maybe 45 minutes of songs, of music, you know, from the 30s, 40s, maybe early 50s, big band and Sinatra and Judy Garland and you name it. Then, when the classes would change, we would always start some type of radio program that was pre recorded that would fill that time, so the next class could come in and get in place and and everybody participated, and they went out live over our cable television channel, and we would just run a graphic of a radio and maybe have some announcements or listing of what we were playing. And we did that for several years, usually maybe two or three times a year. And then in I think it was 2004 or so, we had an offer from a low power FM station, which was another another county over, and we started doing a Sunday night, one hour program each week. And I think we ended up doing close to 300 of those before I left. And so we got old time radio in there, one way or the other. Michael Hingson  17:03 Well, I remember. I remember, for me, I went to UC Irvine in the fall of 1968 and by the spring the last quarter of my freshman year, I had started getting some old radio shows. So started playing shows, and then in the fall, I started doing a three hour show on Sunday night called the Radio Hall of Fame, and we did radio every night. And what I didn't know until, actually, fairly recently, was our mutual friend Walden Hughes actually listened to my show on Sunday, and so did the gas means actually, but, but we had a low power station as well, but it made it up, and so people listened to it. And I've always been proud of the fact that during the fact that during the time I ran the Radio Hall of Fame, I'd heard of this show called 60 minutes with a guy named Mike Wallace, but never got to see it. And then it was only much later that I actually ended up starting to watch 60 Minutes. Course, I always loved to say I would have loved to have met, met Mike Wallace and never got to do it, but I always said he had criminal tendencies. I mean, my gosh, what do you think he was the announcer on radio for the Green Hornet, a criminal show, right? Sky King, a lot of criminals. Clearly the guy. Anyway, I would have been fun to meet him, but, Donnie Pitchford  18:31 and his name was Myron. Myron Wallach at the time. Wallach, you're right. I think that's right. Michael Hingson  18:37 But it was, it was fun and and so I've actually got some Sky King shows and green Hornets with him. So it's, it's kind of cool, but Right? You know, I still really do believe that the value of radio is it makes you imagine more. I've seen some movies that I really like for that the original Invasion of the Body Snatchers with Kevin McCarthy back in 1955 I thought was such a good movie because they didn't show the plants taking over the humans. It was all left to your imagination, which was so cool, and they changed all that in the later remake of it with Leonard Nimoy, which I didn't think was nearly as good, not nearly as suspenseful. But anyway, that's just my opinion. But radio, for me was always a and continues to be a part of what I like to do. And so I've been collecting shows and and enjoying and, of course, listening to lemon Abner, So what made you decide to finally end teaching? Donnie Pitchford  19:38 Well, you know, I could only do that so long. I was getting I was getting very tired, getting kind of burned out, and I had to have a change. There's something had to change. And I was able to take a few years early and retire, and I still the whole time I had a. That it was like a haunting feeling. I, you know, I wanted to be a cartoonist. I would pray, you know, you know, Lord, is there some way can I, can I get out of this? And can I do what I really want to do? And I had some mentors that was finally able to meet people that I would write letters to as a kid, a cartoonist and comic book editor named George Wildman was one of them. He was nice enough to answer my letters when I was a kid, and I'd send him drawings, and he would encourage me, or he would send little corrections on there, you know. And another one was a gentleman named high Eisemann, who passed away recently at age 98 on his birthday, but men like this inspired me, and that it kept at me through the years. I finally met George in 1994 at a convention of the the international Popeye fan club. And I'm I'm at high the same way, and also a writer named Nicola Cuddy, who wrote some Popeye comics. I met him the same way, same event, we all became friends, and I had a good friend named Michael Ambrose of Austin, Texas, who published a magazine devoted to the Charlton Comics company. Sadly, he's deceased now, but Mike and I were talking before I retired, and finally I got out of it. And he said, now that you're out of that job, how would you like to do some art? I said, That's what I want to do. So he gave me the opportunity to do my first published work, which was a portrait of artist George Wildman. It was on the cover of a magazine called Charlton spotlight, then I did some work for Ben Omar, who is bear Manor media publisher for some books that he was doing. One was Mel Blanc biography that Noel blank wrote, did some illustrations for that. This was all happening in 2010 and after that. So I was getting it was getting rolling, doing the kind of work I really wanted to do. And there's a gentleman named Ethan nobles in Benton, Arkansas, who wanted to interview me. I'd gotten, I don't know how he I forgot how he got in touch with me. Maybe he heard me on yesterday USA could be wanted to interview me about London Abner. And so he was starting a website called first Arkansas news. And somewhere in early 2011 we were talking, and I said, you know, you want this to be an online newspaper, right? He said, Yes. I said, What about comics? He said, I hadn't thought about that. So I said, Well, you know, you're a big Lum and Abner fan. What if we could we do a Lum and Abner comic strip? He said, Well, who would Where would I get? Who would do? And I said, Me. So I drew up some proposals, I drew some model sheets, and we did about four weeks of strips, and got approval from Chester lock Jr, and he suggested there's some things he didn't like. He said, The lum looks too sinister. He looks mean. Well, he's mad. He said he's mad at Abner. This won't happen every week. He said, Okay, I don't want LOM to be I said, Well, you know, they get mad at each other. That's part of the that's the conflict and the comedy Michael Hingson  23:30 at each other. Yeah. Donnie Pitchford  23:33 So we, we ironed it all out, and we came up with a financial agreement, and had to pay royalties and one thing and another, and we started publishing online in June 2011, and about six weeks later, the MENA newspaper, the MENA star in MENA, Arkansas, which was the birthplace of Lyman, Abner, Chet Locke and Norris Goff, they picked it up, and then we had a few other newspapers pick it up. And you know, we're not, we're not worldwide, syndicated in print, but we're getting it out there. And of course, we're always online, but and the first Arkansas news went under three or four years later, and so now we have our own website, which is Lum and Abner comics.com so that's where you can find us Michael Hingson  24:24 online. So where's Pine Ridge? Donnie Pitchford  24:28 Pine Ridge is about 18 miles from Mena, Arkansas. MENA is in western Arkansas, and Pine Ridge is about 18 miles east, I believe I'm trying to picture it in my mind, but it's it's down the road, and it actually exists. It was a little community originally named for a postmaster. It was named waters, waters, Arkansas, and in 1936 the real. At cuddleston. He was a real person who owned a store there in waters, and was friends with the locks and the golfs with their parents, as well as Chet and Tuffy. But he proposed a publicity stunt and an actual change of name to name the community Pine Ridge. So that's how that happened. Michael Hingson  25:24 Now, in the original 15 minute episodes, who is the narrator? Donnie Pitchford  25:28 Well, it depends what era their first one trying to remember. Now, Gene Hamilton was an early announcer in the Ford days, which was the early 30s. We don't have anything recorded before that. Charles Lyon was one of the early announcers, possibly for for Quaker Oats. I don't have any notes on this in front of me. I'm just going on memory here. Memory at the end of a long week. Gene Hamilton was their Ford announcer. Carlton brickert announced the Horlicks malt and milk did the commercials when they 1934 to 38 or so. Lou Crosby took over when they were sponsored by General Foods, by post them, the post them commercials, and Lou stayed with them on into the Alka Seltzer era. And his daughter, the celebrity daughter, is Kathie Lee Crosby, you may remember, right, and she and her sister Linda, Lou were a couple of our guests at the National lemon Avenue society convention in 1996 I think let's see. Crosby was Gene Baker came after Crosby, and then in the 30 minute days, was Wendell Niles. Wendell Niles, yeah, in the CBS the 30 minute series and Wendell. We also had him in Mina, super nice guy when it came, when it got into the later ones, 1953 54 I don't remember that announcer's name. That's when they got into the habit of having Dick Huddleston do the opening narration, which is why we now have Sam Brown as Dick Huddleston doing that every week. Michael Hingson  27:27 So was it actually Dick Huddleston? No, it Donnie Pitchford  27:30 was North golf, tough. He always played the part of Dick Huddleston. Okay, the only, the only time that, as far as I know, the only time the real dick Huddleston was on network radio, was at that ceremony in Little Rock Arkansas, when they changed the name of the town that the real dick Huddleston spoke at that event. And we actually, we discovered a recording of that. I was just gonna ask if there's a recording of that there is. Yeah, it's on 12 inch, 78 RPM discs. Wow. And they were probably the personal discs of lock and golf, and they weren't even labeled. And I remember spinning that thing when Sam Brown and I after we found it, it was down in Houston, and we brought them a batch of discs back, and I remember spinning that thing and hearing the theme song being played, I said, this sounds like a high school band. And suddenly we both got chills because we had heard that. I don't know if it was the Little Rock High School band or something, but it's like, Can this be? Yes, it was. It was. We thought it was long lost, but it was that ceremony. Wow. So that was a great find. Michael Hingson  28:45 Well, hopefully you'll, you'll play that sometime, or love to get a copy, but, Donnie Pitchford  28:50 yeah, we've, we have we played it on yesterday, USA. Oh, okay, so it's out there. Michael Hingson  28:57 Well, that's cool. Well, yeah, I wondered if Dick Huddleston actually ever was directly involved, but, but I can, can appreciate that. As you said, Tuffy Goff was the person who played him, which was, that's still that was pretty cool. They were very talented. Go ahead, Donnie Pitchford  29:19 I was gonna say that's basically tough. He's natural speaking voice, yeah, when you hear him as Dick Huddleston, Michael Hingson  29:24 they're very talented people. They played so many characters on the show. They did and and if you really listen, you could tell, but mostly the voices sounded enough different that they really sounded like different people all the time. Donnie Pitchford  29:41 Well, the fun thing are the episodes where, and it's carefully written, but they will, they will do an episode where there may be seven or eight people in the room and they get into an argument, or they're trying to all talk at the same time, and you completely forget that it's only two guys, because they will overlap. Those voices are just so perfectly overlapped and so different, and then you stop and you listen. So wait a minute, I'm only hearing two people at a time, but the effect is tremendous, the fact that they were able to pull that off and fool the audience. Michael Hingson  30:15 I don't know whether I'd say fool, but certainly entertained. Well, yeah, but they also did have other characters come on the show. I remember, yes, Diogenes was that was a lot of fun listening to those. Oh yeah, yeah, that was Frank Graham. Frank Graham, right, right, but, but definitely a lot of fun. So you eventually left teaching. You decided you accepted jobs, starting to do cartoons. What were some of the other or what, well, what were some of the first and early characters that you cartooned, or cartoons that you created, Donnie Pitchford  30:50 just, you mean, by myself or Well, or with people, either way, I did some things that were not published, you know, just just personal characters that I came up with it would mean nothing to anybody, but a little bit later on, I did a little bit of I did a cover for a Popeye comic book. Maybe 10 years ago, I finally got a chance to work with George Wildman, who was the fellow I talked about earlier, and it was some of the last work he did, and this was with Michael Ambrose of Argo press out of Austin, Texas. And we did some early characters that had been published by Charlton Comics. They had, they had characters, they were, they were rip offs. Let's be honest. You know Harvey had Casper the Friendly Ghost. Well, Charlton had Timmy, the timid ghost. There, there was Mighty Mouse. Well, Charlton Comics had atomic mouse, so and there was an atomic rabbit. And Warner Brothers had Porky Pig. Charlton had pudgy pig, but that was some of George's earliest work in the 1950s was drawing these characters, and George was just he was a master Bigfoot cartoonist. I mean, he was outstanding. And so Mike said, let's bring those characters back. They're public domain. We can use them. So I wrote the scripts. George did the pencil art. Well, he inked the first few, but Mike had me do hand lettering, which I don't do that much. So it was that was a challenge. And my friend high Iseman taught lettering for years and years, and so I was thinking, high is going to see this? This has to be good. So I probably re lettered it three times to get it right, but we did the very last story we did was atomic rabbit and pudgy pig was a guest star, and then George's character named brother George, who was a little monk who didn't speak, who lived, lived in a monastery, and did good deeds and all that sort of thing. He was in there, and this was the last thing we did together. And George said, you know, since I've got these other projects, he said, Do you think you can, you can ink this? So that was a great honor to actually apply the inks over George's pencil work. And I also did digital color, but those were some things I worked on, and, oh, at one point we even had Lum and Abner in the Dick Tracy Sunday comic strip, and that was because of a gentleman named Mike Curtis, who was the writer who lived in Arkansas, was very familiar with Lum and Abner, and he got in touch with me and asked, this was in 2014 said, Would it be possible for me to use Lum and Abner in a Sunday cameo? So I contacted the locks. First thing they first thing Chet said was how much I said, I don't think they're going to pay us. I felt like, Cedric, we hunt, no mom, you know. And I felt like he was squire skimp at the time, yeah, but I said, it's just going to be really good publicity. So he finally went for it, and Lum and Abner had a cameo in a Sunday Dick Tracy comic strip, and about four years later, they honored me. This was Mike Curtis, the writer, and Joe Staton, the artist, who was another guy that I grew up reading from as a teenager, just a tremendous artist, asked if they could base a character on me. And I thought, what kind of murderer is he going to be? You know, it was going to be idiot face or what's his name, you know. So no, he was going to be a cartoonist, and the name was Peter pitchblende. Off, and he was, he said his job was to illustrate a comic strip about a pair of old comedians. So, I mean, who couldn't be honored by that? Yeah, so I don't remember how long that story lasted, but it was an honor. I mean, it was just great fun. And then then I had a chance to write two weeks of Dick Tracy, which was fun. I wrote the scripts for it and and then there's some other things. I was able to work with John rose, a tremendously nice guy who is the current artist on Barney Google and Snuffy Smith. We did a story, a comic book story, on Barney Google on Snuffy Smith in a magazine called Charleton spotlight, and I did the colors, digital coloring for that. So just these are just great honors to me to get to work with people like that. And Nick Cuddy, I did some inking, lettering coloring on some of his work. So just great experience, and Michael Hingson  36:02 great people, going back to atomic rabbit and pudgy pig, no one ever got in trouble with, from Warner Brothers with that, huh? Donnie Pitchford  36:09 Well, not, not on atomic rabbit, however, pudgy pig created a problem because George was doing some art, and I think somebody from Warner Brothers said he looks too much like Porky, so the editor at the time said, make one of his ears hang down, make him look a little different. But pudgy didn't last long. Pudgy was only around maybe two or three issues of the comic book, so, but yeah, that's George. Said they did have some trouble with that. Michael Hingson  36:44 Oh, people, what do you do? Yeah, well, I know you sent us a bunch of photos, and we have some of the Dick Tracy ones and others that people can go see. But what? What finally got you all to start the whole lemon Abner society. Donnie Pitchford  37:07 Oh, well, that goes back to 1983 right, and I'll go back even farther than that. I told you that my dad had mentioned lemon Abner to me as a kid. Dr Joe Oliver played a 15 minute lemon Abner show on KSA you at Stephen F Austin State University. That got me. I was already into old time radio, but it was the next summer 1981 there's a radio station, an am station in Gilmer, Texas Christian radio station that started running Lum and Abner every day. First it was 530 in the evening, and then I think they switched it to 1215 or so. And I started listening, started setting up my recorder, recording it every day. And a friend of mine named David Miller, who was also a radio show collector, lived in the Dallas area, I would send them to him, and at first he wasn't impressed, but then suddenly he got hooked. And when he got hooked, he got enthusiastic. He started making phone calls. He called Mrs. Lock chet's widow and talked to her. He spoke to a fellow who had written a number of articles, George Lily, who was an early proponent or an early promoter of lemon Abner, as far as reruns in the 1960s and it was through George Lilly that I was put in touch with Sam Brown in Dongola, Illinois, and because he had contacted Mr. Lilly as well. And before long, we were talking, heard about this guy named Tim Hollis. Sam and I met in Pine Ridge for lemon Abner day in 1982 for the first time, and hit it off like long lost friends and became very good friends. And then in 84 I believe it was Sam and Tim and Rex riffle met again, or met for the first time together, I guess in Pine Ridge. And I wasn't there that time. But somehow, in all of that confusion, it was proposed to start the national lemon Abner society, and we started publishing the Jot them down journal in the summer of 1984 Michael Hingson  39:43 and for those who don't know the Jotham down journal, because the store that lemon Abner ran was the Jotham down store anyway, right? Donnie Pitchford  39:50 Go ahead, yes. And that was Tim's title. Tim created the title The Jotham down journal, and we started publishing and started seeking information. And it started as just a simple photocopy on paper publication. It became a very slick publication. In 1990 or 91 Sam started recording cassettes, reading the journals, because we were hearing from Blind fans that said, you know, I enjoy the journal. I have to have somebody read it to me. This is before screen readers. And of course, you know this technology better than I do, but before any type of technology was available, and Sam said, Well, I'll tell you. I'll just start reading it on tape and I'll make copies. Just started very simply, and from then on, until the last issue in in 2007 Sam would record a cassette every other month, or when we went quarterly, four times a year, and he would mail those to the the blind members, who would listen to those. And sometimes they would keep them, and sometimes they would return them for Sam to recycle. But incidentally, those are all online now, Michael Hingson  41:03 yeah, I've actually looked at a few of those. Those are kind of fun. So the London Avenue society got formed, and then you started having conventions. Donnie Pitchford  41:14 Yes, yes. First convention was in 1985 and we did a lot of things with we would do recreations. We would do a lot of new scripts, where, if we had someone that we got to the point where we would have people that hadn't worked with lemon Abner. So we would have lemon Abner meet the great Gildersleeve. Actually, Willard had worked on the lumen Abner half hour show at some point. I believe les Tremain had never worked directly with them, but he was well, he was in some Horlicks malted milk commercials in the 1930s and of course, the Lone Ranger was never on the London Abner show and vice versa, until we got hold of it. So we had Fred Foy in 1999 and he agreed to be the announcer, narrator and play the part of the Lone Ranger. So we did Lum and Abner meet the Lone Ranger, which was a lot of fun. We had parley bear, so Lum and Abner met Chester of Gun Smoke. And those were just a lot of fun to do. And Tim, Tim would write some of them, I would write some of them, or we would collaborate back and forth to come up with these scripts. Did love and amner, ever meet Superman? No, we never got to that. That would have been great. Yeah, if we could have come up with somebody who had played Superman, that would have been a lot of fun. We had lemon Abner meet Kathie Lee Crosby as herself. Yeah, they met Frank brazzi One time. That must be fun. It was a lot of fun. We had some people would recreate the characters. We had the lady who had played Abner's daughter, Mary Lee Rob replay. She played that character again, 50 years later, coming back home to see, you know, to see family. Several other things, we had London Abner meet Gumby one time. Of all things, we had Dow McKinnon as a guest. And we had Kay Lineker come back and reprise one of her roles, the role she played in the London Abner movie. Bob's Watson did that as well. Some years we didn't have a script, which I regret, but we had other things going on. We had anniversaries of London Abner movies that we would play. So whatever we did, we tailored it around our guest stars, like Dick Beals, Sam Edwards, Roby Lester, gee whiz. I know I'm leaving people out. Michael Hingson  43:52 Well, that's okay, but, but certainly a lot of fun. What? Yes, what? Cartoonist really influenced you as a child? Donnie Pitchford  44:01 Oh, wow. I would say the first thing I saw that got my attention was the Flintstones on on prime time television, you know, the Hanna Barbera prime time things certainly Walt Disney, the animation that they would run, that he would show, and the behind the scenes, things that would be on the Disney show, things like almost almost anything animated as a kid, got my attention. But Walter Lance, you know, on the Woody Woodpecker show used to have, he'd have little features about how animation was done, and that that inspired me, that that just thrilled me. And I read Fred lachel's Snuffy Smith Chester Gould's Dick Tracy. Tracy, which that was a that's why the Dick Tracy connection, later was such a big deal for me. Almost anything in the Sunday comics that was big. Foot. In other words, the cartoony, exaggerated characters are called, sometimes called Bigfoot, Bigfoot cartooning, or Bigfoot characters. Those were always the things I looked for, Bugs Bunny, any of the people that worked on those some were anonymous. And years later, I started learning the names of who drew Popeye, you know, like LZ seagar, the originator, or bud sagendorf or George Wildman, and later high eysman. But people like that were my heroes. Later on, I was interested in I would read the Batman comics, or I would see Tarzan in the newspaper. I admired the work of Russ Manning. Michael Hingson  45:49 Do you know the name Tom Hatton? Yes, I do. Yeah. Yes. Tom did Popeye shows on KTLA Channel Five when I was growing up, and he was famous for, as he described it, squiggles. He would make a squiggle and he would turn it into something. And he was right on TV, which was so much fun. Donnie Pitchford  46:09 We had a guy in Memphis who did the same thing. His name was, he's known as Captain Bill, C, A, P, you know, Captain Bill. And he did very much the same thing. He'd have a child come up, I think some, in some cases, they're called drools. Is one word for them. There was a yeah, in Tim hollis's area, there was cousin Cliff Holman who did that. And would he might have a kid draw a squiggle, and then he would create something from it right there on the spot, a very similar type of thing, or a letter of the alphabet, or your initials, that sort Michael Hingson  46:43 of thing. Yeah. Tom did that for years. It was fun. Of course, I couldn't see them, but he talked enough that I knew what was going on. It's kind of fun. My brother loved them, yeah? So later on, when you got to be a teenager and beyond what cartoonist maybe influenced you more? Donnie Pitchford  47:03 Well, I would have to say George, probably because I was corresponding with him, right? Also, I would see the work of Carl Barks, who created Uncle Scrooge McDuck and the Donald Duck comics and all that. His stuff was all in reprint at that time, he was still living, but I didn't know he could be contacted. I didn't try to write to it, right? Years later, years later, I did get an autograph, which was, was very nice. But those people, a lot of people, Neil Adams, who did Batman, the guys at Charlton Comics, Steve Ditko, who was the CO creator of spider man, but he had a disagreement with Stan Lee, and went back to Charlton Comics and just turned out 1000s of pages, but his work was was inspirational. Another was Joe Staton, who was working at Charleton comics, who I got to work with on several projects later on, and I would say just all of those guys that I was reading at the time. Pat Boyette was another Charlton artist. I tend to gravitate toward the Charlton company because their artists weren't contained in a house style. They were allowed to do their own style. They didn't pay as much. But a lot of them were either older guys that said, I'm tired of this, of the DC Marvel system. I want to just, you know, have creative freedom. Charlton said, come on. And so they would work there and less stress, less money, probably one guy named Don Newton started there and became a legend in the industry at other companies. So I found all of those guys inspiring, and I felt I could learn from all of them. Michael Hingson  48:59 Well, you always wanted to be a cartoonist. Did you have any other real career goals, like, was teaching a goal that you wanted to do, or was it just cartooning it? Donnie Pitchford  49:07 Well, it was just a secondary, you know, as I said, when I started, I thought, I'll just do that for a few years. You know, I didn't know it was going to be like 27 but I we had a lot of success. We had, I had some student groups that would enter video competitions. And for 20 straight years, we placed either first, second or third in state competition with one Summit, one entry, another or another every year. And that was notable. I mean, I give the kids the credit for that. But then about five or six of those years, we had what we call state championship wins, you know, we were like the number one project in the state of Texas. So, you know, we had some great success, I think, in that so a lot of years there, I really, you know, that was a blessing to me. Was that career, you. Well, it just, it just got to be too much time for change. After a while, Michael Hingson  50:05 was art just a talent that you had, and cartoon drawing a talent you had, or, I don't remember how much you said about did you have any real special training as such? Donnie Pitchford  50:14 Well, all of my training was, I just couldn't afford to go to a specialized school. You know, at one time, the Joe Kubert School opened just about the time I graduated high school, it was in New Jersey. I just couldn't make that happen, so I went to state colleges and universities and did the best I could. I took commercial art classes, drawing classes, design classes, even ceramics, which came in very handy when I did some sculpting here in the last eight or nine years and worked as an assistant to a sculptor named Bob harness who lives here in Carthage, but I never had any actual comic strip slash comic book training, so I learned as much of that as I could from guys like George wild. And then after I started the lemon Avenue comic strip, an artist named Joe, named Jim Amish, who worked for Marvel, did a lot of work for the Archie Comics. And tremendous anchor is his. He's really a tremendous anchor, and does a lot of ink work over other artists pencils. Jim would call and say, he said, I want to give you some advice. I'm like, okay, at 3am he's still giving me advice. So I'd go around for two or three days feeling like a failure, but then I would, I would think about all the lessons, you know, that he had told me. And so I learned a lot from Jim and tremendous, tremendous guy. And I would listen to what high, sometimes high would call up and say, Why did you use that purple beg your pardon. So it was fun. I mean, those fellows would share with me, and I learned a great deal from those guys. Michael Hingson  52:11 Are you in any way passing that knowledge on to others today? Donnie Pitchford  52:16 I don't know that I am. I've had an offer or two to do some teaching. I just don't know if I'm if I'm going to get back into that or not. Yeah, I'm so at this point, focused on, quote, unquote, being a cartoonist and trying to make that, that age five dream, a reality, that I'm not sure I'm ready to do that again. And you know, I'm not, I'm not 21 anymore. Michael Hingson  52:45 I didn't know whether you were giving advice to people and just sort of informally doing it, as opposed to doing formal teaching. Donnie Pitchford  52:51 Well, informally, yes, I mean, if anybody asks, you know, I'll be glad to share whatever I can. But yeah, I'm not teaching any classes at this point. Michael Hingson  53:01 Well, you have certainly taken lemon Abner to interesting places in New Heights. One, one thing that attracted me and we talked about it before, was in 2019, lemon Abner in Oz. That was fun. Donnie Pitchford  53:17 Well, the credit for that goes to Tim Hollis. Tim wrote that as a short story years ago when he was first interested in lemon Abner. And I don't know if he ever had that published through the International oz society or not. I don't remember, but Tim later turned that into a radio script when we had a batch of guests. This was in 2001 we had, let's see Sam Edwards, Dick Beals, Roby Lester and Rhoda Williams. And each of them had done something related to Oz, either the children's records or storybook records or animation or something. They were involved somewhere in some type of Oz adaptation. So Tim turned his short story into a radio script that we performed there at the convention. So that was a lot of fun. And then he suggested, Why don't I turn that into a comic strip story? So that's what we did. But that was fun, yeah, and we used the recordings of those people because they had given us permission, you know, to use a recording however we saw fit. The only problem is we had a mistake. The fellow that was running the sound had a dead mic and didn't know it. Oh, gosh. So some of them are bit Off mic in that audio, but we did the best. I did the best I could Michael Hingson  54:40 with it's it sounded good. I certainly have no complaints. 54:45 Thank you for that. Michael Hingson  54:47 I I said no complaints at all. I think it was really fun and very creative. And it's kind of really neat to see so much creativity in terms of all the stuff that that you do. As a cartoonist, me having never seen cartoons, but I learned intellectually to appreciate the talent that goes into it. And of course, you guys do put the scripts together every week, which is a lot of fun to be able to listen to them well. Donnie Pitchford  55:17 And that's what that was, the audience I hoped that we would would tap into right there and it, it was guys like you that would would talk to me and say, What am I going to do? You know, I can't see it. So that's why the audio idea came about. And it's taken on a life of its own, really. And we've got Mark Ridgway, who has created a lot of musical cues for us that we use and Michael Hingson  55:45 who plays the organ? Donnie Pitchford  55:47 That's Mark Ridgway. It is Mark, okay, yes, yes. And it's actually digital, I'm sure. I think it's a digital keyboard, Michael Hingson  55:55 yeah, but it is. It's a, it's a really good sounding one, though. Donnie Pitchford  55:59 Yes, yes. There are a few cues that I did, which probably are the ones that don't sound so good, like if we ever need really bad music. If you remember the story we did, and I don't remember the name of it, what do we call it anyway? Lum tries to start a soap opera. Think this was about a year ago. Yeah, and Cedric is going to play, I don't remember it was an organ or a piano, and I don't remember what he played, but whatever it was, I think was Mary Had Michael Hingson  56:32 a Little Lamb, Mary's, Mary Had a Little Lamb on the piano. Sort of kind played. Donnie Pitchford  56:35 It was played very badly, well that, yes, it was on purpose. When mom plays lum tries to play the saxophone. That was me, and I hadn't played this. I used to play the sax. In fact, I played in a swing orchestra here in Carthage, Texas for about five years back in from the early 90s. And so I had this idea, and I hadn't played the horn probably since, probably in 20 years, and his. So I got it out, and I thought, you know, it's gonna sound terrible because it needs maintenance, but it doesn't matter. It's lump playing it, so I got to play really badly. Michael Hingson  57:14 It was perfect. It was perfect, Donnie Pitchford  57:16 yeah, because it had to sound bad. Michael Hingson  57:19 How do y'all create all these different plots. I remember so many, like the buzzard, you know, and, oh yeah, that was fun. And so many. How do you come up with those? Donnie Pitchford  57:28 Well, I used to get some really good ideas while mowing the yard. Don't ask me, why? Or I get ideas. I get ideas in the weirdest thing, weirdest places. Sometimes I have ideas in the shower. You know, I said, I better write this down. Sometimes I'll wake up in the middle of the night with an idea, but there the ideas just come to me. Yeah? The buzzard was fun. I'd had that one. Pretty creative. Yeah, the one about, the one about, let me see. Oh, there was one we did, where wasn't the buzzard? What was that other one? I called the Whisper? Yeah, there was a strange voice that was coming lum thought it was coming from his radio. And he turns his radio off, and He still hears it, and it was a villain who had somehow hypnotized everyone so that they wouldn't see him and he would use his voice only. And then there's a character I came up with, and let me see Larry Gasman played it, and I called him Larry John Walden, and he was the only guy he was blind. He was the only guy that wasn't hypnotized because he couldn't see the you know, I use the old thing about the watch in front of the eyes. I mean, he was the only guy that wasn't hypnotized, so he wasn't fooled by the whisper, and he could track him, because his hearing was so acute that he was able to find him. In fact, I think he could hear his watch ticking or something like that. So he was the hero of that piece. But, well, I just, I just think up ideas and write them down. Tim Hollis has written some of the scripts, maybe three or four for me, I've adapted some scripts that London Abner did that were never broadcast or that were never recorded. Rather, I've adapted a few, written several, and I keep saying, Well, when I completely run out of ideas, I'll just have to quit. Michael Hingson  59:32 Well, hopefully that never happens. What? What are your future plans? Donnie Pitchford  59:38 Well, right now, there's nothing major in the works other than just maintaining the strip, trying to continue it, trying to make it entertaining, and hopefully doing a little work on the website and getting it into the hands of more people. And I'd like to increase. Least newspaper coverage, if at all possible. And because this thing doesn't, you know, it's got to pay for itself somehow. So you know, I'm not getting rich by any means. But you know, I want to keep it fun. I want to keep having fun with it. Hopefully people will enjoy it. Hopefully we can reach younger readers, listeners, and hopefully lemon Abner can appeal to even younger audiences yet, so that we can keep those characters going. Michael Hingson  1:00:29 Yeah, there's so much entertainment there. I hope that happens now in the the life of Donnie Pitchford. Is there a wife and kids? Donnie Pitchford  1:00:40 Yes, there's a wife of almost 40 years. We unfortunately don't have any children. We've almost feel like we adopted several children all the years we were teaching. We we've adopted several cats along the way. And so, you know, we've had cats as pets for almost ever, since we were married. But that's she's, she's great, you know, she's, she's been my best friend and supporter all these years. And we were members of first Methodist Church here in Carthage, Texas, and doing some volunteer work there, and helping to teach Sunday school, and very involved and active in that church. Michael Hingson  1:01:19 So I have a cat, and I hear her outside, not outside the house, but outside the the office here, she wants me to go feed her, and we, we shaved her yesterday because her hair gets long and Matt's very easily. So she got shaved yesterday. So she's probably seeking a little vengeance from that too, but, but my wife and I were married 40 years. She passed away in November of 2022 so it's me and stitch the cat and Alamo the dog, and Karen is monitoring us somewhere. And as I tell everyone, I've got to continue to be a good kid, because if I'm not, I'm going to hear about it. So I got to be good. But it's a lot of fun. Well, I want to thank you for being with us today. This has been a lot of fun. I've learned a lot, but it's just been great to have another podcast talking about old radio shows. And you said again, if people want to reach out, they can go to lemon Abner comics.com if people want to talk to you about doing any kind of cartooning or anything like that. What's the best way they can do that? Donnie Pitchford  1:02:24 Well, they can go to the London Abner dot lumen, Abner comics.com website, and there's a contact a link right there at the top of the page. So yeah, they can contact me through that. Probably that's the easiest way to do it. Michael Hingson  1:02:37 Okay, well, I want to thank you again for being here, and I want to thank all y'all out there. That's how they talk in Texas, right? It's all y'all for everybody. Donnie Pitchford  1:02:46 Well, some of them do, and some of them in Arkansas do too. Well, yeah. Michael Hingson  1:02:49 And then there's some who don't, yeah, y'all means everything, and it Speaker 1  1:02:54 don't, yeah, I don't think squire skimp says it that way. Michael Hingson  1:02:58 Well, Squire, you know, whatever it takes. But I want to thank you all for being here, and please give us a five star rating wherever you're listening or watching the podcast. Donnie would appreciate it. I would appreciate it, and also give us a review. We'd love to get your reviews, so please do that. If you can think of anyone else who ought to be a guest, and I think Donnie has already suggested a few. So Donnie as well, anyone else who ought to come on the podcast, we'd love it. Appreciate you introducing us, and you know, we'll go from there. And I know at some point in the future, the Michael hingson Group Inc is going to be a sponsor, because we've started that process for lemon. Abner, yes, thank you. Thank you. So I want to, I want to thank love and Squire for that 1:03:45 years. Well, it's been my pleasure. Michael Hingson  1:03:50 Well, thank you all and again, really, seriously, Donnie, I really appreciate you being here. This has been a lot of fun. So thank you for coming. Donnie Pitchford  1:03:58 Thank you. It's been a great honor. I've appreciated it very much. Michael Hingson  1:04:06 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

(00:00-17:31) Joined by voice of the Blues, Chris Kerber. Blues picking up a win over the Wild. What's a week like this like for the Blues with some players dealing with the uncertainty of the trade deadline? Robert Thomas rumors. No trade and no movement clauses. The state of the retool. Do the Blues have any untouchables at this point?(17:38-34:18) Happy Birthday, Chris Martin. Argo. Jackson is often down on the Oscar winner for Best Picture. The Gallup Poll on The Athletic with their annual MLB fan survey. Engagement farming is our currency. Don't say ballcap. Frank Bank.(34:28-58:33) Joined by Gabe DeArmond from Power Mizzou talking Fighting Tigers. Tens of fans in Starkville. The positive developments from guys like T.O Barrett and Trent Burns. Dennis Gates needs to get some credit for things going right after catching some blame when things were going wrong. Something about a pool boy. Not many teams will want to play Mizzou in the tournament.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Why is gold suddenly back in the spotlight?In this episode of Tank Talks, Matt Cohen sits down with Peter Grosskopf, a seasoned veteran in the precious metals and investment management world. Peter has seen it all. He helped scale Sprott from $5 billion to over $20 billion in assets under management, and now, he's co-founded Argo Digital Gold, a platform pioneering the tokenization of physical gold.Peter breaks down how gold is reasserting itself as the ultimate hedge against today's inflation, debt crises, and financial uncertainties. From the global financial crisis to the latest trends in digital gold, they explore how gold remains the bedrock of wealth preservation and why even the tech-driven world is waking up to its importance. Plus, hear why Peter believes tokenization is the key to democratizing access to gold for everyday investors.Peter shares his wealth of knowledge on the role of gold in modern portfolios, how blockchain is transforming the way we interact with real assets, and why long-term patience with gold has paid off for investors. Get ready for a deep dive into gold's resurgence and what it means for the future of investment.The Role of Gold as a Defensive Hedge (02:03)Why gold acts as a key insurance asset in uncertain times and how it has performed during global financial crises. Peter explains why gold often takes a short-term dip but then explodes as a long-term haven.Scaling Sprott to $20 Billion (03:06)Peter discusses the pivotal moment that drove the growth of Sprott, focusing on the creation of physically-backed ETFs that gained the trust of investors globally. Learn how this became a game-changer for the company's success.Real Assets and Family Office Strategies (09:14)A discussion on how real assets like gold and silver have become crucial in the portfolios of family offices, foundations, and institutional investors. Peter explains how real assets help hedge against inflation and government-controlled currencies.Gold's Role in Today's Macro Environment (12:09)How gold is perceived by investors in a high-debt, inflationary world. Peter shares his thoughts on why governments are turning to gold and how this is affecting the gold market globally.Tokenization of Gold and the Future of Blockchain (25:02)Peter outlines his involvement in tokenizing physical gold and the benefits it brings to the retail and institutional markets. We explore how blockchain is disrupting traditional gold storage and trading, creating 24/7 access with lower fees.The Gold vs. Bitcoin Debate (32:29)In a world where both gold and Bitcoin are being digitized, Peter shares his thoughts on how they can complement each other and why gold remains the more stable choice for wealth preservation.Gold in the Future of Investment (35:01)What's next for the precious metals market as governments try to navigate their debt crises and central banks keep a close eye on gold? Peter discusses the future of gold in both physical and digital forms.About Peter GrosskopfPeter Grosskopf is a renowned leader in the precious metals space, having served as the CEO of Sprott, where he played a pivotal role in scaling the firm's assets under management from $5 billion to over $20 billion. He is also the Co-Founder of Argo Digital Gold, a platform at the forefront of tokenizing physical gold. With extensive experience in both the resource banking and asset management sectors, Peter has advised family offices and institutional clients on real asset strategies. As a director of Agnico Eagle Mines and the World Gold Council, he brings deep insight into gold's macroeconomic role and its function as a defensive hedge in volatile times.Visit the Argo Digital Gold website: https://www.argovault.com/Connect with Matt Cohen on LinkedIn: https://ca.linkedin.com/in/matt-cohen1Visit the Ripple Ventures website: https://www.rippleventures.com/ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit tanktalks.substack.com

Today, Sun outdoors reporter Jason Blevins has updates on the 5-year saga around the Idaho Springs gondola project and a Virginia woman who pleaded guilty recently to stealing $4.5 million from them. Read more: https://coloradosun.com/2026/02/13/woman-pleads-guilty-to-scamming-nearly-5-million-from-idaho-springs-gondola-investors/ https://coloradosun.com/2024/07/26/mighty-argo-idaho-springs-gondola/ https://cossa.co/conference https://coloradosun.com/outsider Photo: Brian Malone, Special to the Colorado SunSee omnystudio.com/listener for privacy information.

Why and how was the American Embassy stormed in 1979, at the height of the Iranian Revolution? Did America respond when large numbers of American civil servants were taken hostage? And, would a science fiction film called Argo save the only 6 Americans able to escape…? Join Dominic and Tom, as they discuss the defining event of the Iranian Revolution: the invasion of the American Embassy on the 4th of November 1979, when American citizens were taken hostage in Tehran… _______ Become a member today and join us at The Rest Is History Festival at Hampton Court Palace on the 4th and 5th of July 2026. This is a members-only event. Join the Athelstans for guaranteed entry or become a Friend of the Show to enter the ballot. You'll also get ad-free listening, bonus episodes, exclusive mini-series and more. Sign up now at ⁠therestishistory.com _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Video Editors: Jack Meek + Harry Swan Social Producer: Harry Balden Producers: Tabby Syrett & Aaliyah Akude  Executive Producer: Dom Johnson Learn more about your ad choices. Visit podcastchoices.com/adchoices