Podcasts about Argo

The Oscars are over, and we're breaking down everything from the biggest winners and biggest surprises to our personal Top 10 movies of 2025. In this episode, we recap the biggest moments from the 2026 Oscars, including Amy Madigan's surprise win for Weapons, Sean Penn taking home another Oscar for One Battle After Another, Michael B. Jordan winning Best Actor, and Paul Thomas Anderson dominating the night with Best Picture and Best Director. Before the awards talk, we also review the movies we watched over the weekend, including Undertone, Argo, Dracula (2025), and The Great Santini. Then we each reveal our Top 10 films of 2025, featuring titles like Bugonia, Frankenstein, Sinners, Bring Her Back, One Battle After Another, Chainsaw Man: The Movie, Rental Family, and more. If you love Oscars reactions, movie rankings, film analysis, and year-end best-of lists, this episode is for you. Topics covered:

What happens when a multimedia entrepreneur and a concert venue owner sit down for a live podcast? A good conversation – with a couple beers – about creativity, grit, and what it really takes to build something that lasts. In the first live episode of the year, recorded at The Argo in Milwaukee as part of Manufacturing Happy Hour's 10-year anniversary, host Chris Luecke sits down with two longtime friends: Andrew J. Coate, co-founder of The Argo (a 700-capacity venue his team transformed from a historic 1950s cinema in under seven months), and Michael O'Sullivan, Creative Director at Motivation Media. Together they dig into the creative process, building businesses from the ground up, co-founder dynamics, and the long-term friendships that shape your best work. Later in the episode, manufacturing veterans and friends of the show, Kyle Mahan (Former Vice President and General Manager of the Automation Division at Wauseon Machine) and Bill Berrien (CEO at Pela Global Precision) join the stage to bring it all back to the shop floor.In this episode, find out: How Michael O'Sullivan and Andrew J. Coate have known each other since high school on the south side of Chicago, and how their paths kept crossing through business and creativity over more than two decadesWhat it means to build a creative business in industries you wouldn't expect, and why B2B and manufacturing are some of the most exciting places to be creativeTurning creativity into a daily habit. Why practice, not talent, is the real shortcut, and how both guests built their creative muscles over timeHow constraints drive better creative decisions, and why that's one of the most transferable lessons to the manufacturing floorThe “done is better than perfect” mindset: balancing flexibility with process discipline when you're building something newWhat the manufacturing industry looks like from behind a camera lens, and why storytelling is one of the industry's most underused assetsHow Kyle Mahan (EP235) and Bill Berrien (EP160 & EP268) would apply the night's creative lessons directly to industrial sectorEnjoying the show? Please leave us a review here. Even one sentence helps. It's feedback from Manufacturing All-Stars like you that keeps us going!Tweetable Quotes:"Creativity really often needs constraints to be the maximum of what it can be." - Andrew J. Coate "Networking doesn't just happen at an event. It's something that can happen over years and decades." - Chris Luecke "I did not start out to form a video production company. Having those people who believed in me along the way gave me that space to keep practicing, to keep pushing it." - Michael O'Sullivan Links & mentions:The Argo, concert venue, bar & kitchen, and event space located in the historic Fox Bay Theater in Whitefish Bay, WI, minutes from downtown Milwaukee Motivation Media, making videos that make a difference for nonprofits, businesses, commercials, fundraising, and so much more Women in Manufacturing (WiM), a global trade association committed to supporting, promoting, and inspiring women across all the manufacturing industry. We've portion of the ticket sales from this show to WiM to support its missionEpisode 160: Buying a Manufacturing Company and Reimagining Upskilling with Bill Berrien, CEO of Pindel Global Precision, where Bill shares his thoughts on upskilling your team and continuous learning in the manufacturing industryEpisode 235: How to Find Automation Talent Anywhere with Kyle Mahan, VP & GM of Wauseon Machine, where Kyle discusses what it takes to find the best automation talent in the manufacturing industry in today's industryEpisode 260: Innovations Transforming Automotive Manufacturing featuring STÄUBLI, RAM Solutions, and More, a look what's transforming automotive manufacturing with interesting takes from eight industry expertsMake sure to visit http://manufacturinghappyhour.com for detailed show notes and a full list of resources mentioned in this episode. Stay Innovative, Stay Thirsty.Mentioned in this episode:Mfg Happy Hour's Rust Belt Renaissance TourManufacturing Happy Hour is hitting the road this spring, hosting live shows Cleveland on 3/24, Rochester on 3/25, and Pittsburgh on 3/26. Get your tickets today.

Listen, we are all trying to make sense of our being led into another war, this time in Iran, and SHOCKINGLY have the complete imbeciles who run our country be woefully unprepared for the repercussions. Well, when former Deputy National Security Adviser and co-host of Pod Save the World, Ben Rhodes called us up and asked to come talk about it with us, we jumped at the chance! Plus we talk the Oscar winning Ben Affleck Iranian conflict classic, Argo. Do not miss this ep.Chapters Introduction (00:00:00) Hatch News (00:28:32) Argo Roundtable (00:36:49) Your Letters (01:52:28) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

Show Notes This week on MSB we cover G Gundam Episode 5 and a shocking revelation about how Rain got her position on Team Neo Japan, the cunningly-disguised real inspiration for Argo's prison, Foucault's Gundam Fight, a reasonable critique of Domon's problem solving methods, and much more. Ready? Go! Mobile Suit Breakdown is written, recorded, and produced within Lenapehoking, the ancestral and unceded homeland of the Lenape, or Delaware, people. Before European settlers forced them to move west, the Lenape lived in New York City, New Jersey, and portions of New York State, Pennsylvania, Delaware, and Connecticut. Lenapehoking is still the homeland of the Lenape diaspora, which includes communities living in Oklahoma, Wisconsin, and Ontario. You can learn more about Lenapehoking, the Lenape people, and ongoing efforts to honor the relationship between the land and indigenous peoples by visiting the websites of the Delaware Tribe and the Manhattan-based Lenape Center. Listeners in the Americas and Oceania can learn more about the indigenous people of your area at https://native-land.ca/. We would like to thank The Lenape Center for guiding us in creating this living land acknowledgment. You can subscribe to Mobile Suit Breakdown for free! on fine Podcast services everywhere and on YouTube, visit our website GundamPodcast.com, follow us on Twitter, Instagram, and Facebook, or email your questions, comments, and complaints to gundampodcast@gmail.com. Mobile Suit Breakdown wouldn't exist without the support of our fans and Patrons! You can join our Patreon to support the podcast and enjoy bonus episodes, extra out-takes, behind-the-scenes photos and video, MSB gear, and much more! The intro music is WASP by Misha Dioxin, the recap music Window by 1000 Handz, and the outro is Long Way Home by Spinning Ratio, all licensed under Creative Commons CC BY 4.0 licenses. All music used in the podcast has been edited to fit the text. Mobile Suit Breakdown provides critical commentary and is protected by the Fair Use clause of the United States Copyright law. Gundam content is copyright and/or trademark of Sunrise Inc., Bandai, Sotsu Agency, or its original creator. Mobile Suit Breakdown is in no way affiliated with or endorsed by Sunrise, Bandai, Sotsu, or any of their subsidiaries, employees, or associates and makes no claim to own Gundam or any of the copyrights or trademarks related to it. Copyrighted content used in Mobile Suit Breakdown is used in accordance with the Fair Use clause of the United States Copyright law. Any queries should be directed to gundampodcast@gmail.comRead transcript

This week, your favorite former puppeteers blast off into the strange, slimy, and spectacular universe of Farscape—the cult sci-fi show that boldly asked the question: what if space opera had more puppets… and weirder ones?Created by Rockne S. O'Bannon and brought gloriously to life by Jim Henson's Creature Shop, Farscape filled its galaxy with unforgettable alien characters—like the towering warrior "definitely-not-a-Klingon" Ka D'Argo and the delightfully grumpy Dominar puppet Rygel XVI.We dive into how the show fused ambitious science fiction storytelling with jaw-dropping creature work, why Rygel might be the most expensive fart joke in television history, and what it's like to act opposite a co-star who's operated by five puppeteers and a small miracle. Along the way, we celebrate the show's fearless weirdness and the way it pushed puppetry far beyond children's television and into the outer limits of adult sci-fi.It's tentacles, tyrants, and top-tier animatronics—a reminder that sometimes the most alien thing in the galaxy… is sculpted foam latex.Send a textJoin the discussion on our discord! https://discord.gg/JDtWJrhPF6Follow us on twitter @PMoNPodcast and on Instagram and Threads @puppetmastersofnoneFind out more about the puppet masters on our website: https://puppetmastersofnone.wixsite.com/puppetmastersofnoneOriginal Music Composed by Taetro. @Taetro https://www.taetro.com/

THE BILLY STEWART DISCOGRAPHY  Singles:Chess 1625: "Billy's Blues" / "Billy's Blues"Argo 5256: "Billy's Blues" / "Billy's Blues"Okeh 4-7095: "Baby, You're My Only Love" / "Billy's Heartache" (1957 with Bo Diddley, backed by The "Marquees")Chess 1820: "Reap What You Sow" / "Fat Boy" (1962) – No. 18 R&B, No. 79 popChess 1835: "True Fine Lovin'" / "Wedding Bells" (1962)Chess 1852: "Scramble" / "Oh My, What Can the Matter Be" (1963)Chess 1868: "Strange Feeling" / "Sugar and Spice" (1963) – No. 25 R&B, No. 70 popChess 1888: "A Fat Boy Can Cry" / "Count Me Out" (1964)Chess 1905: "Tell It Like It Is" / "My Sweet Senorita" (1964)Chess 1922: "I Do Love You" / "Keep Loving" (1965) – No. 6 R&B, No. 26 popChess 1932: "Sitting in the Park" / "Once Again" (1965) – No. 4 R&B, No. 24 popChess 1941: "How Nice It Is" / "No Girl" (1965)Chess 1948: "Because I Love You" / "Mountain of Love" (1965)Chess 1960: "Love Me" / "Why Am I Lonely" (1966) – No. 38 R&BChess 1966: "Summertime" / "To Love, to Love" (1966) – No. 7 R&B, #10 popChess 1978: "Secret Love" / "Look Back and Smile" (1967) – No. 11 R&B, No. 29 popChess 1991: "Every Day I Have the Blues" / "Ol' Man River" (1967) – No. 41 R&B, No. 79 popChess 2002: "Cross My Heart" / "Why (Do I Love You So)?" (1968) – No. 34 R&B, No. 86 pop / No. 49 R&BChess 2053: "Tell Me the Truth" / "What Have I Done?" (1968) – No. 48 R&BChess 2063: "I'm In Love" / "Crazy 'Bout You, Baby" (1969)Chess 2080: "By the Time I Get to Phoenix" / "We'll Always Be Together" (1969) Albums:Chess 1496: I Do Love You (1965) (Billboard No. 97)Chess 1499: Unbelievable (1966) (Billboard No. 138)Chess 1513: Billy Stewart Teaches Old Standards New Tricks (1967)Chess 1540: Cross My Heart (1969)Chess 1547: Remembered (1970)Sugar Hill/Chess CH-8401: The Greatest Sides (1982)

The tale of Jason and the Argonauts is one of the biggest and boldest stories in Greek mythology. And it involves some of the greatest heroes, many of whom are depicted in the stars – from the twins of Gemini to mighty Hercules. The boat itself was placed in the stars as well. But even it was too big. Astronomers eventually split it apart. The original constellation was Argo Navis. It was first drawn almost 3,000 years ago. It was far larger than any of the other ancient western constellations. And for a long time, that was just fine. But as astronomers began studying the stars with telescopes, the Argo was just too big – there were too many stars and other objects within its borders to catalog. In 1756, French astronomer Nicolas Louis de Lacaille decided to do something about it. He split the Argo apart. He kept the references to the boat, though. So his new constellations were Carina, the keel; Vela, the sail; and Puppis, the poop deck – the deck at the back of the boat. And those constellations are still in use today. Carina is best known for its brightest star, Canopus. It’s the second-brightest star in the night sky. And from the southern latitudes of the United States, it crawls low across the south in early evening at this time of year. As night falls, it’s just above the horizon, almost directly below Sirius, the brightest nighttime star. We’ll have more about Canopus tomorrow. Script by Damond Benningfield

JJ Gordon tells you what to see in theater, what to stream at home and what to skip and not waste your time on! In this episode, he'll discuss - Argo, Hoppers, Protector, Peaky Blinders and more! See omnystudio.com/listener for privacy information.

Ha comenzado la guerra de Irán. Título provisional. Otros títulos posibles son "el desastre" de Oriente Próximo, título propuesto por Pedro Sánchez. O quizás la "Guerra Cristiana" de Estados Unidos e Israel, propuesto por el mismo Secretario de Guerra de la administración de Donald Trump Pete Hegseth. Nosotros proponemos no descartar el título de "Tercera Guerra Mundial", por lo que pueda pasar. Con Carlos Pérez y Jesús Quiri. Conduce Antonio Rosenthal. Bibliografía: https://es.wikipedia.org/wiki/Crisis_de_los_rehenes_en_Ir%C3%A1n https://es.wikipedia.org/wiki/Argo_(pel%C3%ADcula_de_2012) https://x.com/simpatico771/status/2029620870855925968?s=20 https://www.youtube.com/watch?v=Y9mZOexjMOA&pp=ygUUbWlkd2F5IDE5NzYgeW9ya3Rvd24%3D https://es.wikipedia.org/wiki/%C3%81ngel_Sanz_Briz https://es.wikipedia.org/wiki/ARPANET https://www.researchgate.net/publication/317037284_Un_analisis_psicologico_de_Donald_Trump_A_psychological_analysis_of_Donald_Trump https://www.nytimes.com/2015/03/18/opinion/go-ahead-ruin-my-day.html https://www.eldiario.es/internacional/theguardian/comandantes-eeuu-dicen-soldados-guerra-iran-parte-plan-divino-dios_1_13041104.html https://www.ivoox.com/isis-estado-islamico-ampliando-debate-audios-mp3_rf_7286906_1.html https://www.youtube.com/watch?v=3tnxiJ9n1c8&list=PLrG5J-K5AYAWTs_FBEJJNPV_UV_aL548Z Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Do jaké míry Češi kolaborovali s Hitlerem? Dokázali projít obdobím Protektorátu Čechy a Morava se ctí? A jak se vlastně lidem tehdy žilo? Polský historik Piotr Majewski, odborník na české dějiny, napsal další skvělou knihu. Jmenuje se Jenom ať si nemyslí, že jsme kolaboranti: Protektorát Čechy a Morava, 1939-1945. V roce 2025 ji vydalo nakladatelství Argo.

What happens when a childhood dream refuses to let go? In this episode, I sit down with cartoonist and Lum and Abner historian Donnie Pitchford to explore how old-time radio, comic strips, and a love for storytelling shaped his life. Donnie shares how he grew up inspired by classic radio shows like Lum and Abner, pursued art despite setbacks, and eventually brought the beloved Pine Ridge characters back to life through a modern comic strip and audio adaptations. We talk about creativity, persistence, radio history, and why imagination still matters in a visual world. If you care about classic radio, cartooning, or staying true to your calling, I believe you will find this conversation both inspiring and practical. Highlights: 00:10 Discover how a childhood love of Lum and Abner sparked a lifelong dream of becoming a cartoonist. 08:00 Hear how college radio and classic broadcasts deepened a passion for old time radio storytelling. 14:33 Understand how years of teaching broadcast journalism built the skills that later fueled creative success. 23:17 Learn how the Lum and Abner comic strip was revived with family approval and brought to modern audiences. 30:07 Explore how two actors created an entire town through voice and imagination alone. 1:00:16 Hear the vision for keeping Lum and Abner alive for new generations through comics and audio. Top of Form Bottom of Form About the Guest: Donnie Pitchford of Texas is a graduate of Kilgore College, Art Instruction Schools, Stephen F. Austin State University and the University of Texas at Tyler. He has worked in the graphic arts industry and in education, teaching at Hawkins High School, Panola College, and Carthage High School at which he spent 25 years directing CHS-TV, where student teams earned state honors, including state championships, for 20 consecutive years. In 2010, Donnie returned to the endeavor he began at age five: being a cartoonist! The weekly “Lum and Abner" comic strip began in 2011. It is available online and in print and includes an audio production for the blind which features the talents of actors and musicians who donate their time. Donnie has created comic book stories and art for Argo Press of Austin, illustrated children's books, written scripts for the "Dick Tracy" newspaper strip, and produced the science fiction comedy strip "Tib the Rocket Frog." He has collaborated with award-winning writers and cartoonists George Wildman, Nicola Cuti, John Rose, Mike Curtis, Joe Staton, and others. In 2017, Donnie began assisting renowned sculptor Bob Harness and currently sculpts the portraits for the Texas Country Music Hall of Fame plaques. Awards include the 1978 Kilgore College "Who's Who" in Art, an Outstanding Educator Award from the East Texas Chapter of the Texas Society of CPAs in 1993, the CHS "Pine Burr" Dedicatee honor in 2010, and a Distinguished Alumnus Award in 2018 from Spring Hill High School. In 2024, Donnie was inducted into the City of Carthage Main Street Arts Walk of Fame which included the placement of a bronze plaque in the sidewalk and the Key to the City. Donnie and his best friend/wife, Laura, are members of First Methodist Church Carthage, Texas. Donnie is a founding officer of the National Lum and Abner Society and a member of Texas Cartoonists, Ark-La-Tex Cartoonists, Christian Comic Arts Society, and the National Cartoonists Society. Ways to connect with Michaela**:** https://www.facebook.com/groups/220795254627542 https://lumandabnercomics.com/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:21 Well, hi everyone, and welcome to another episode of unstoppable mindset. I've been looking forward to this one for a while. We have Donny Pitchford as our guest today. You're probably going, who's Donnie Pitchford? Well, let me tell you. So years ago, I started collecting old radio shows. And one of the first shows that I got was a half hour episode of a show called Lum and Abner, which is about a couple of characters, if you will, in Pine Ridge, Arkansas. And I had only heard the half hour show sponsored by frigid air. But then in 1971 when ksi, out here in Los Angeles, the 50,000 watt Clear Channel station, started celebrating its 50 year history, they started broadcasting as part of what they did, 15 minute episodes of lemon Abner. And I became very riveted to listening to lemon Abner every night, and that went on for quite a while. And so I've kept up with the boys, as it were. Well, a several years ago, some people formed a new Lum and Abner society, and Donnie Pitchford is part of that. I met Donnie through radio enthusiast of Puget Sound, and yesterday, USA. And so we clearly being interested in old radio and all that, had to have Donnie come on and and talk with us. So Donnie, or whatever character you're representing today, welcome to unstoppable mindset. Donnie Pitchford  02:58 Huh? I'm glad to be here. Michael Hingson  03:00 He does that very well, doesn't he? It's a Donnie Pitchford  03:04 little tough sometimes. Well, I'm really glad to be here. Thank you. Michael Hingson  03:10 Well, I appreciate the audio parts of lemon Abner that you you all create every week, and just the whole society. It's great to keep that whole thing going it's kind of fun. We're glad that that it is. But let's, let's talk about you a little bit. Why don't you start by telling us about the early Donnie, growing up and all that. I'm assuming you were born, and so we won't worry about that. But beyond that, think so, yeah. Well, there you are. Tell us about tell us about you and growing up and all that, and we'll go from there. Donnie Pitchford  03:42 Well, I was born in East Texas and left for a little while. We lived in my family lived in Memphis, Tennessee for about seven years, and then moved back to Texas in 1970 but ever since I was a kid this I hear this from cartoonists everywhere. Most of them say I wanted to be a cartoonist when I was five years old. So that's in fact, I had to do a speech for the Texas cartoonist chapter of the National Cartoonist Society. And that was my start. I was going to say the same thing, and the President said, Whatever you do, don't do that old bit about wanting to be a cartoonist at age five. Everybody does that, so I left that part out, but that's really what I wanted to do as a kid. And I would see animated cartoons. I would read the Sunday comics in the Memphis Commercial Appeal, and then at some point, my dad would talk about radio, and my mother would talk about listening to radio. We would have the reruns of the Lone Ranger television show and things like Sky King and other programs along those lines, and my parents would all. Way say, Well, I used to listen to that on the radio, or I would hear Superman on the radio, or Amos and Andy or whatever was being rerun at that time, and that fascinated me. And I had these vague memories of hearing what I thought were television programs coming over the radio when I was about two years old. I remember gunshots. I remember, you know, like a woman crying and just these little oddball things. I was about two years old, and I kept thinking, Well, why are we picking up television programs on my mother's radio? Turns out it was the dying gasps of what we now call old time radio. And so at least I remembered that. But when I was about, I guess eight or nine we were, my dad took me to lunch at alums restaurant in Memphis, and I saw that name, and I thought, What in the world? So what kind of name is that? And my dad told me about London Abner, and he said it reminds me. It reminded him of the Andy Griffith Show or the Beverly Hillbillies. I said, I'd love to hear that. He said, Ah, you'll never hear it. He said, those were live they don't exist, but years later, I got to hear them. So yeah, but that's how I grew up wanting to be a cartoonist and coming up with my own characters and drawing all the time and writing stories and that sort of thing. Michael Hingson  06:24 So when did you move back from Memphis to Texas? Donnie Pitchford  06:28 July 2, 1970 I just happened to look that up the other day. How old were you then? I was 12 when we came back. All right, so got into, I was in junior high, and trying to, I was trying to find an audience for these comic strips I was drawing on notebook paper. And finally, you know, some of the kids got into them, and I just continued with that goal. And I just, I knew that soon as possible, you know, I was going to start drawing comics professionally. So I thought, but kept, you know, I kept trying. Michael Hingson  07:06 So you, you went on into college. What did you do in college? Donnie Pitchford  07:11 Well, more of the same. I started listening to some old time radio shows even as far back as as high school. And I was interested in that went to college, first at a college called Kill Gore College, here in East Texas, and then to Stephen F Austin State University. And I was majoring in, first commercial art, and then art education. And I thought, well, if I can't go right into comics, you know, maybe I can just teach for a while. I thought I'll do that for a couple of years. I thought it wouldn't be that long. But while I was at Stephen F Austin State University, the campus radio station, I was so pleased to find out ran old time radio shows. This was in 1980 there was a professor named Dr Joe Oliver, who had a nightly program called theater of the air. And I would hear this voice come over the radio. He would run, he Well, one of the first, the very first 15 minute lemon Abner show I ever heard was played by Dr Oliver. He played Jack Benny. He played the whistler suspense, just a variety of them that he got from a syndicated package. And I would hear this voice afterwards, come on and say, It's jazz time. I'm Joe Oliver. And I thought, Where have I heard that voice? It was, it's just a magnificent radio voice. Years later, I found out, well, I heard that voice in Memphis when I was about 10 years old on W, R, E, C, radio and television. He was working there. He lived in Memphis about the same time we did. Heard him on the campus station at Nacogdoches, Texas. Didn't meet him in person until the late 90s, and it was just an amazing collection of coincidences. And now, of course, we're good friends. Now he's now the announcer for our audio comic strip. So it's amazing how all that came about. Well, I Michael Hingson  09:16 I remember listening to sort of the last few years of oval radio. I think it was, I don't remember the date now, whether it's 57 or 50 I think it's 57 the Kingston Trio had come out with the song Tom Dooley, and one day I was listening to K and X radio in Los Angeles. We lived in Palmdale, and I heard something about a show called suspense that was going to play the story of Tom Dooley. And I went, sounds interesting, and I wanted to know more about it, so I listened. And that started a weekly tradition with me every Sunday, listening to yours truly Johnny dollar and suspense, and they had a little bit of the FBI and peace and war. Then it's went into half and that that went off and Have Gun Will Travel came on, and then at 630 was Gun Smoke. So I listened to radio for a couple of hours every week, not every Sunday night, and thoroughly enjoyed it. And so that's how I really started getting interested in it. Then after radio went off the air a few stations out in California and on the LA area started playing old radio shows somebody started doing because they got the syndicated versions of the shadow and Sherlock Holmes with Sir John Gielgud and Sir Ralph Richardson. And I still maintain to this day that John Gielgud is the best Sherlock Holmes. No matter what people say about Basil Rathbone and I still think Sir John Gielgud was the best Sherlock Holmes. He was very, very good. Yeah, he was and so listen to those. But you know, radio offers so much. And even with, with, with what the whole lemon Abner shows today. My only problem with the lemon Abner shows today is they don't last nearly long enough. But that's another story. Donnie Pitchford  11:11 Are you talking about the comic strip adaptation? Okay, you know how long, how much art I would have to 11:21 do every week. Michael Hingson  11:25 Oh, I know, but they're, they're fun, and, you know, we, we enjoy them, but so you So you met Joe, and as you said, He's the announcer. Now, which is, which is great, but what were you doing then when you met him? What kind of work were you doing at the time? Donnie Pitchford  11:45 Well, of course, there was a gap there of about, I guess, 15 years after college, before I met him. And what ended up happening my first teaching job was an art job, a teaching art and graphic arts at a small high school in Hawkins, Texas, and that was a disaster. Wasn't a wasn't a very good year for me. And so I left that, and I had worked in the printing industry, I went back to that, and that was all during the time that the National London Abner society was being formed. And so I printed their earliest newsletters, which came out every other month. And we started having conventions in MENA, Arkansas and in the real Pine Ridge and the my fellow ossifers As we we call ourselves, and you hear these guys every week on the lemon Abner comic strip. Sam Brown, who lives in Illinois, Tim Hollis, from Alabama. Tim is now quite a published author who would might be a good guest for you one day, sure. And just two great guys. We had a third officer early on named Rex riffle, who had to leave due to various illnesses about 1991 but we started having our conventions every year, starting in 1985 we had some great guests. We brought in everybody we could find who worked with lemon Abner or who knew lemon Abner. We had their their head writer, Roswell Rogers. We had actors, I'm sure you've heard of Clarence Hartzell. He was Ben withers, of course, on the Old Vic and Sade show. He was Uncle Fletcher. We had Willard Waterman, parley Bayer, some of their announcers, Wendell Niles. And my memory is going to start failing me, because there were so many, but we had Bob's, Watson, Louise curry, who were in their first two movies. We had Kay Lineker, who was in their third movie. The list goes on and on, but we had some amazing when did Chester lock pass away? He passed away? Well, Tuffy passed away first, 1978, 78 and Chet died in 1980 sad. Neither of them, yeah, we didn't get to media. Yeah, we didn't meet either one of them. I've met Mrs. Lock I've met all of chet's children, several grandchildren. We spoke to Mrs. Goff on the phone a time or two, and also, tuffy's got toughie's daughter didn't get to meet them in person, but we met as many of the family as we could. Michael Hingson  14:32 Still quite an accomplishment all the way around. And so you you taught. You didn't have success. You felt really much at first, but then what you taught for quite a while, though, Donnie Pitchford  14:45 didn't you? Yes, I went back to the printing industry for about a year, and in the summer of 85 about two weeks before school started, I had got a call that they needed someone to teach Broadcast Journalism at. Carthage High School, and we had a department called CHS TV. I ran that for 25 years. I taught classes. We produced a weekly television program, weekly radio program. We did all kinds of broadcasts for the school district and promotional video. And then in the last I think it was the last 10 years or so that I worked there, we started an old time radio show, and we were trying to come up with a title for it, and just as a temporary placeholder, we called it the golden age of radio. Finally, we said, well, let's just use that, and I think it's been used by other people since, but, but that was the title we came up with. I think in 19 I think it was in 93 or 9495 somewhere in there. We started out. We just ran Old Time Radio, and the students, I would have them research and introduce, like, maybe 45 minutes of songs, of music, you know, from the 30s, 40s, maybe early 50s, big band and Sinatra and Judy Garland and you name it. Then, when the classes would change, we would always start some type of radio program that was pre recorded that would fill that time, so the next class could come in and get in place and and everybody participated, and they went out live over our cable television channel, and we would just run a graphic of a radio and maybe have some announcements or listing of what we were playing. And we did that for several years, usually maybe two or three times a year. And then in I think it was 2004 or so, we had an offer from a low power FM station, which was another another county over, and we started doing a Sunday night, one hour program each week. And I think we ended up doing close to 300 of those before I left. And so we got old time radio in there, one way or the other. Michael Hingson  17:03 Well, I remember. I remember, for me, I went to UC Irvine in the fall of 1968 and by the spring the last quarter of my freshman year, I had started getting some old radio shows. So started playing shows, and then in the fall, I started doing a three hour show on Sunday night called the Radio Hall of Fame, and we did radio every night. And what I didn't know until, actually, fairly recently, was our mutual friend Walden Hughes actually listened to my show on Sunday, and so did the gas means actually, but, but we had a low power station as well, but it made it up, and so people listened to it. And I've always been proud of the fact that during the fact that during the time I ran the Radio Hall of Fame, I'd heard of this show called 60 minutes with a guy named Mike Wallace, but never got to see it. And then it was only much later that I actually ended up starting to watch 60 Minutes. Course, I always loved to say I would have loved to have met, met Mike Wallace and never got to do it, but I always said he had criminal tendencies. I mean, my gosh, what do you think he was the announcer on radio for the Green Hornet, a criminal show, right? Sky King, a lot of criminals. Clearly the guy. Anyway, I would have been fun to meet him, but, Donnie Pitchford  18:31 and his name was Myron. Myron Wallach at the time. Wallach, you're right. I think that's right. Michael Hingson  18:37 But it was, it was fun and and so I've actually got some Sky King shows and green Hornets with him. So it's, it's kind of cool, but Right? You know, I still really do believe that the value of radio is it makes you imagine more. I've seen some movies that I really like for that the original Invasion of the Body Snatchers with Kevin McCarthy back in 1955 I thought was such a good movie because they didn't show the plants taking over the humans. It was all left to your imagination, which was so cool, and they changed all that in the later remake of it with Leonard Nimoy, which I didn't think was nearly as good, not nearly as suspenseful. But anyway, that's just my opinion. But radio, for me was always a and continues to be a part of what I like to do. And so I've been collecting shows and and enjoying and, of course, listening to lemon Abner, So what made you decide to finally end teaching? Donnie Pitchford  19:38 Well, you know, I could only do that so long. I was getting I was getting very tired, getting kind of burned out, and I had to have a change. There's something had to change. And I was able to take a few years early and retire, and I still the whole time I had a. That it was like a haunting feeling. I, you know, I wanted to be a cartoonist. I would pray, you know, you know, Lord, is there some way can I, can I get out of this? And can I do what I really want to do? And I had some mentors that was finally able to meet people that I would write letters to as a kid, a cartoonist and comic book editor named George Wildman was one of them. He was nice enough to answer my letters when I was a kid, and I'd send him drawings, and he would encourage me, or he would send little corrections on there, you know. And another one was a gentleman named high Eisemann, who passed away recently at age 98 on his birthday, but men like this inspired me, and that it kept at me through the years. I finally met George in 1994 at a convention of the the international Popeye fan club. And I'm I'm at high the same way, and also a writer named Nicola Cuddy, who wrote some Popeye comics. I met him the same way, same event, we all became friends, and I had a good friend named Michael Ambrose of Austin, Texas, who published a magazine devoted to the Charlton Comics company. Sadly, he's deceased now, but Mike and I were talking before I retired, and finally I got out of it. And he said, now that you're out of that job, how would you like to do some art? I said, That's what I want to do. So he gave me the opportunity to do my first published work, which was a portrait of artist George Wildman. It was on the cover of a magazine called Charlton spotlight, then I did some work for Ben Omar, who is bear Manor media publisher for some books that he was doing. One was Mel Blanc biography that Noel blank wrote, did some illustrations for that. This was all happening in 2010 and after that. So I was getting it was getting rolling, doing the kind of work I really wanted to do. And there's a gentleman named Ethan nobles in Benton, Arkansas, who wanted to interview me. I'd gotten, I don't know how he I forgot how he got in touch with me. Maybe he heard me on yesterday USA could be wanted to interview me about London Abner. And so he was starting a website called first Arkansas news. And somewhere in early 2011 we were talking, and I said, you know, you want this to be an online newspaper, right? He said, Yes. I said, What about comics? He said, I hadn't thought about that. So I said, Well, you know, you're a big Lum and Abner fan. What if we could we do a Lum and Abner comic strip? He said, Well, who would Where would I get? Who would do? And I said, Me. So I drew up some proposals, I drew some model sheets, and we did about four weeks of strips, and got approval from Chester lock Jr, and he suggested there's some things he didn't like. He said, The lum looks too sinister. He looks mean. Well, he's mad. He said he's mad at Abner. This won't happen every week. He said, Okay, I don't want LOM to be I said, Well, you know, they get mad at each other. That's part of the that's the conflict and the comedy Michael Hingson  23:30 at each other. Yeah. Donnie Pitchford  23:33 So we, we ironed it all out, and we came up with a financial agreement, and had to pay royalties and one thing and another, and we started publishing online in June 2011, and about six weeks later, the MENA newspaper, the MENA star in MENA, Arkansas, which was the birthplace of Lyman, Abner, Chet Locke and Norris Goff, they picked it up, and then we had a few other newspapers pick it up. And you know, we're not, we're not worldwide, syndicated in print, but we're getting it out there. And of course, we're always online, but and the first Arkansas news went under three or four years later, and so now we have our own website, which is Lum and Abner comics.com so that's where you can find us Michael Hingson  24:24 online. So where's Pine Ridge? Donnie Pitchford  24:28 Pine Ridge is about 18 miles from Mena, Arkansas. MENA is in western Arkansas, and Pine Ridge is about 18 miles east, I believe I'm trying to picture it in my mind, but it's it's down the road, and it actually exists. It was a little community originally named for a postmaster. It was named waters, waters, Arkansas, and in 1936 the real. At cuddleston. He was a real person who owned a store there in waters, and was friends with the locks and the golfs with their parents, as well as Chet and Tuffy. But he proposed a publicity stunt and an actual change of name to name the community Pine Ridge. So that's how that happened. Michael Hingson  25:24 Now, in the original 15 minute episodes, who is the narrator? Donnie Pitchford  25:28 Well, it depends what era their first one trying to remember. Now, Gene Hamilton was an early announcer in the Ford days, which was the early 30s. We don't have anything recorded before that. Charles Lyon was one of the early announcers, possibly for for Quaker Oats. I don't have any notes on this in front of me. I'm just going on memory here. Memory at the end of a long week. Gene Hamilton was their Ford announcer. Carlton brickert announced the Horlicks malt and milk did the commercials when they 1934 to 38 or so. Lou Crosby took over when they were sponsored by General Foods, by post them, the post them commercials, and Lou stayed with them on into the Alka Seltzer era. And his daughter, the celebrity daughter, is Kathie Lee Crosby, you may remember, right, and she and her sister Linda, Lou were a couple of our guests at the National lemon Avenue society convention in 1996 I think let's see. Crosby was Gene Baker came after Crosby, and then in the 30 minute days, was Wendell Niles. Wendell Niles, yeah, in the CBS the 30 minute series and Wendell. We also had him in Mina, super nice guy when it came, when it got into the later ones, 1953 54 I don't remember that announcer's name. That's when they got into the habit of having Dick Huddleston do the opening narration, which is why we now have Sam Brown as Dick Huddleston doing that every week. Michael Hingson  27:27 So was it actually Dick Huddleston? No, it Donnie Pitchford  27:30 was North golf, tough. He always played the part of Dick Huddleston. Okay, the only, the only time that, as far as I know, the only time the real dick Huddleston was on network radio, was at that ceremony in Little Rock Arkansas, when they changed the name of the town that the real dick Huddleston spoke at that event. And we actually, we discovered a recording of that. I was just gonna ask if there's a recording of that there is. Yeah, it's on 12 inch, 78 RPM discs. Wow. And they were probably the personal discs of lock and golf, and they weren't even labeled. And I remember spinning that thing when Sam Brown and I after we found it, it was down in Houston, and we brought them a batch of discs back, and I remember spinning that thing and hearing the theme song being played, I said, this sounds like a high school band. And suddenly we both got chills because we had heard that. I don't know if it was the Little Rock High School band or something, but it's like, Can this be? Yes, it was. It was. We thought it was long lost, but it was that ceremony. Wow. So that was a great find. Michael Hingson  28:45 Well, hopefully you'll, you'll play that sometime, or love to get a copy, but, Donnie Pitchford  28:50 yeah, we've, we have we played it on yesterday, USA. Oh, okay, so it's out there. Michael Hingson  28:57 Well, that's cool. Well, yeah, I wondered if Dick Huddleston actually ever was directly involved, but, but I can, can appreciate that. As you said, Tuffy Goff was the person who played him, which was, that's still that was pretty cool. They were very talented. Go ahead, Donnie Pitchford  29:19 I was gonna say that's basically tough. He's natural speaking voice, yeah, when you hear him as Dick Huddleston, Michael Hingson  29:24 they're very talented people. They played so many characters on the show. They did and and if you really listen, you could tell, but mostly the voices sounded enough different that they really sounded like different people all the time. Donnie Pitchford  29:41 Well, the fun thing are the episodes where, and it's carefully written, but they will, they will do an episode where there may be seven or eight people in the room and they get into an argument, or they're trying to all talk at the same time, and you completely forget that it's only two guys, because they will overlap. Those voices are just so perfectly overlapped and so different, and then you stop and you listen. So wait a minute, I'm only hearing two people at a time, but the effect is tremendous, the fact that they were able to pull that off and fool the audience. Michael Hingson  30:15 I don't know whether I'd say fool, but certainly entertained. Well, yeah, but they also did have other characters come on the show. I remember, yes, Diogenes was that was a lot of fun listening to those. Oh yeah, yeah, that was Frank Graham. Frank Graham, right, right, but, but definitely a lot of fun. So you eventually left teaching. You decided you accepted jobs, starting to do cartoons. What were some of the other or what, well, what were some of the first and early characters that you cartooned, or cartoons that you created, Donnie Pitchford  30:50 just, you mean, by myself or Well, or with people, either way, I did some things that were not published, you know, just just personal characters that I came up with it would mean nothing to anybody, but a little bit later on, I did a little bit of I did a cover for a Popeye comic book. Maybe 10 years ago, I finally got a chance to work with George Wildman, who was the fellow I talked about earlier, and it was some of the last work he did, and this was with Michael Ambrose of Argo press out of Austin, Texas. And we did some early characters that had been published by Charlton Comics. They had, they had characters, they were, they were rip offs. Let's be honest. You know Harvey had Casper the Friendly Ghost. Well, Charlton had Timmy, the timid ghost. There, there was Mighty Mouse. Well, Charlton Comics had atomic mouse, so and there was an atomic rabbit. And Warner Brothers had Porky Pig. Charlton had pudgy pig, but that was some of George's earliest work in the 1950s was drawing these characters, and George was just he was a master Bigfoot cartoonist. I mean, he was outstanding. And so Mike said, let's bring those characters back. They're public domain. We can use them. So I wrote the scripts. George did the pencil art. Well, he inked the first few, but Mike had me do hand lettering, which I don't do that much. So it was that was a challenge. And my friend high Iseman taught lettering for years and years, and so I was thinking, high is going to see this? This has to be good. So I probably re lettered it three times to get it right, but we did the very last story we did was atomic rabbit and pudgy pig was a guest star, and then George's character named brother George, who was a little monk who didn't speak, who lived, lived in a monastery, and did good deeds and all that sort of thing. He was in there, and this was the last thing we did together. And George said, you know, since I've got these other projects, he said, Do you think you can, you can ink this? So that was a great honor to actually apply the inks over George's pencil work. And I also did digital color, but those were some things I worked on, and, oh, at one point we even had Lum and Abner in the Dick Tracy Sunday comic strip, and that was because of a gentleman named Mike Curtis, who was the writer who lived in Arkansas, was very familiar with Lum and Abner, and he got in touch with me and asked, this was in 2014 said, Would it be possible for me to use Lum and Abner in a Sunday cameo? So I contacted the locks. First thing they first thing Chet said was how much I said, I don't think they're going to pay us. I felt like, Cedric, we hunt, no mom, you know. And I felt like he was squire skimp at the time, yeah, but I said, it's just going to be really good publicity. So he finally went for it, and Lum and Abner had a cameo in a Sunday Dick Tracy comic strip, and about four years later, they honored me. This was Mike Curtis, the writer, and Joe Staton, the artist, who was another guy that I grew up reading from as a teenager, just a tremendous artist, asked if they could base a character on me. And I thought, what kind of murderer is he going to be? You know, it was going to be idiot face or what's his name, you know. So no, he was going to be a cartoonist, and the name was Peter pitchblende. Off, and he was, he said his job was to illustrate a comic strip about a pair of old comedians. So, I mean, who couldn't be honored by that? Yeah, so I don't remember how long that story lasted, but it was an honor. I mean, it was just great fun. And then then I had a chance to write two weeks of Dick Tracy, which was fun. I wrote the scripts for it and and then there's some other things. I was able to work with John rose, a tremendously nice guy who is the current artist on Barney Google and Snuffy Smith. We did a story, a comic book story, on Barney Google on Snuffy Smith in a magazine called Charleton spotlight, and I did the colors, digital coloring for that. So just these are just great honors to me to get to work with people like that. And Nick Cuddy, I did some inking, lettering coloring on some of his work. So just great experience, and Michael Hingson  36:02 great people, going back to atomic rabbit and pudgy pig, no one ever got in trouble with, from Warner Brothers with that, huh? Donnie Pitchford  36:09 Well, not, not on atomic rabbit, however, pudgy pig created a problem because George was doing some art, and I think somebody from Warner Brothers said he looks too much like Porky, so the editor at the time said, make one of his ears hang down, make him look a little different. But pudgy didn't last long. Pudgy was only around maybe two or three issues of the comic book, so, but yeah, that's George. Said they did have some trouble with that. Michael Hingson  36:44 Oh, people, what do you do? Yeah, well, I know you sent us a bunch of photos, and we have some of the Dick Tracy ones and others that people can go see. But what? What finally got you all to start the whole lemon Abner society. Donnie Pitchford  37:07 Oh, well, that goes back to 1983 right, and I'll go back even farther than that. I told you that my dad had mentioned lemon Abner to me as a kid. Dr Joe Oliver played a 15 minute lemon Abner show on KSA you at Stephen F Austin State University. That got me. I was already into old time radio, but it was the next summer 1981 there's a radio station, an am station in Gilmer, Texas Christian radio station that started running Lum and Abner every day. First it was 530 in the evening, and then I think they switched it to 1215 or so. And I started listening, started setting up my recorder, recording it every day. And a friend of mine named David Miller, who was also a radio show collector, lived in the Dallas area, I would send them to him, and at first he wasn't impressed, but then suddenly he got hooked. And when he got hooked, he got enthusiastic. He started making phone calls. He called Mrs. Lock chet's widow and talked to her. He spoke to a fellow who had written a number of articles, George Lily, who was an early proponent or an early promoter of lemon Abner, as far as reruns in the 1960s and it was through George Lilly that I was put in touch with Sam Brown in Dongola, Illinois, and because he had contacted Mr. Lilly as well. And before long, we were talking, heard about this guy named Tim Hollis. Sam and I met in Pine Ridge for lemon Abner day in 1982 for the first time, and hit it off like long lost friends and became very good friends. And then in 84 I believe it was Sam and Tim and Rex riffle met again, or met for the first time together, I guess in Pine Ridge. And I wasn't there that time. But somehow, in all of that confusion, it was proposed to start the national lemon Abner society, and we started publishing the Jot them down journal in the summer of 1984 Michael Hingson  39:43 and for those who don't know the Jotham down journal, because the store that lemon Abner ran was the Jotham down store anyway, right? Donnie Pitchford  39:50 Go ahead, yes. And that was Tim's title. Tim created the title The Jotham down journal, and we started publishing and started seeking information. And it started as just a simple photocopy on paper publication. It became a very slick publication. In 1990 or 91 Sam started recording cassettes, reading the journals, because we were hearing from Blind fans that said, you know, I enjoy the journal. I have to have somebody read it to me. This is before screen readers. And of course, you know this technology better than I do, but before any type of technology was available, and Sam said, Well, I'll tell you. I'll just start reading it on tape and I'll make copies. Just started very simply, and from then on, until the last issue in in 2007 Sam would record a cassette every other month, or when we went quarterly, four times a year, and he would mail those to the the blind members, who would listen to those. And sometimes they would keep them, and sometimes they would return them for Sam to recycle. But incidentally, those are all online now, Michael Hingson  41:03 yeah, I've actually looked at a few of those. Those are kind of fun. So the London Avenue society got formed, and then you started having conventions. Donnie Pitchford  41:14 Yes, yes. First convention was in 1985 and we did a lot of things with we would do recreations. We would do a lot of new scripts, where, if we had someone that we got to the point where we would have people that hadn't worked with lemon Abner. So we would have lemon Abner meet the great Gildersleeve. Actually, Willard had worked on the lumen Abner half hour show at some point. I believe les Tremain had never worked directly with them, but he was well, he was in some Horlicks malted milk commercials in the 1930s and of course, the Lone Ranger was never on the London Abner show and vice versa, until we got hold of it. So we had Fred Foy in 1999 and he agreed to be the announcer, narrator and play the part of the Lone Ranger. So we did Lum and Abner meet the Lone Ranger, which was a lot of fun. We had parley bear, so Lum and Abner met Chester of Gun Smoke. And those were just a lot of fun to do. And Tim, Tim would write some of them, I would write some of them, or we would collaborate back and forth to come up with these scripts. Did love and amner, ever meet Superman? No, we never got to that. That would have been great. Yeah, if we could have come up with somebody who had played Superman, that would have been a lot of fun. We had lemon Abner meet Kathie Lee Crosby as herself. Yeah, they met Frank brazzi One time. That must be fun. It was a lot of fun. We had some people would recreate the characters. We had the lady who had played Abner's daughter, Mary Lee Rob replay. She played that character again, 50 years later, coming back home to see, you know, to see family. Several other things, we had London Abner meet Gumby one time. Of all things, we had Dow McKinnon as a guest. And we had Kay Lineker come back and reprise one of her roles, the role she played in the London Abner movie. Bob's Watson did that as well. Some years we didn't have a script, which I regret, but we had other things going on. We had anniversaries of London Abner movies that we would play. So whatever we did, we tailored it around our guest stars, like Dick Beals, Sam Edwards, Roby Lester, gee whiz. I know I'm leaving people out. Michael Hingson  43:52 Well, that's okay, but, but certainly a lot of fun. What? Yes, what? Cartoonist really influenced you as a child? Donnie Pitchford  44:01 Oh, wow. I would say the first thing I saw that got my attention was the Flintstones on on prime time television, you know, the Hanna Barbera prime time things certainly Walt Disney, the animation that they would run, that he would show, and the behind the scenes, things that would be on the Disney show, things like almost almost anything animated as a kid, got my attention. But Walter Lance, you know, on the Woody Woodpecker show used to have, he'd have little features about how animation was done, and that that inspired me, that that just thrilled me. And I read Fred lachel's Snuffy Smith Chester Gould's Dick Tracy. Tracy, which that was a that's why the Dick Tracy connection, later was such a big deal for me. Almost anything in the Sunday comics that was big. Foot. In other words, the cartoony, exaggerated characters are called, sometimes called Bigfoot, Bigfoot cartooning, or Bigfoot characters. Those were always the things I looked for, Bugs Bunny, any of the people that worked on those some were anonymous. And years later, I started learning the names of who drew Popeye, you know, like LZ seagar, the originator, or bud sagendorf or George Wildman, and later high eysman. But people like that were my heroes. Later on, I was interested in I would read the Batman comics, or I would see Tarzan in the newspaper. I admired the work of Russ Manning. Michael Hingson  45:49 Do you know the name Tom Hatton? Yes, I do. Yeah. Yes. Tom did Popeye shows on KTLA Channel Five when I was growing up, and he was famous for, as he described it, squiggles. He would make a squiggle and he would turn it into something. And he was right on TV, which was so much fun. Donnie Pitchford  46:09 We had a guy in Memphis who did the same thing. His name was, he's known as Captain Bill, C, A, P, you know, Captain Bill. And he did very much the same thing. He'd have a child come up, I think some, in some cases, they're called drools. Is one word for them. There was a yeah, in Tim hollis's area, there was cousin Cliff Holman who did that. And would he might have a kid draw a squiggle, and then he would create something from it right there on the spot, a very similar type of thing, or a letter of the alphabet, or your initials, that sort Michael Hingson  46:43 of thing. Yeah. Tom did that for years. It was fun. Of course, I couldn't see them, but he talked enough that I knew what was going on. It's kind of fun. My brother loved them, yeah? So later on, when you got to be a teenager and beyond what cartoonist maybe influenced you more? Donnie Pitchford  47:03 Well, I would have to say George, probably because I was corresponding with him, right? Also, I would see the work of Carl Barks, who created Uncle Scrooge McDuck and the Donald Duck comics and all that. His stuff was all in reprint at that time, he was still living, but I didn't know he could be contacted. I didn't try to write to it, right? Years later, years later, I did get an autograph, which was, was very nice. But those people, a lot of people, Neil Adams, who did Batman, the guys at Charlton Comics, Steve Ditko, who was the CO creator of spider man, but he had a disagreement with Stan Lee, and went back to Charlton Comics and just turned out 1000s of pages, but his work was was inspirational. Another was Joe Staton, who was working at Charleton comics, who I got to work with on several projects later on, and I would say just all of those guys that I was reading at the time. Pat Boyette was another Charlton artist. I tend to gravitate toward the Charlton company because their artists weren't contained in a house style. They were allowed to do their own style. They didn't pay as much. But a lot of them were either older guys that said, I'm tired of this, of the DC Marvel system. I want to just, you know, have creative freedom. Charlton said, come on. And so they would work there and less stress, less money, probably one guy named Don Newton started there and became a legend in the industry at other companies. So I found all of those guys inspiring, and I felt I could learn from all of them. Michael Hingson  48:59 Well, you always wanted to be a cartoonist. Did you have any other real career goals, like, was teaching a goal that you wanted to do, or was it just cartooning it? Donnie Pitchford  49:07 Well, it was just a secondary, you know, as I said, when I started, I thought, I'll just do that for a few years. You know, I didn't know it was going to be like 27 but I we had a lot of success. We had, I had some student groups that would enter video competitions. And for 20 straight years, we placed either first, second or third in state competition with one Summit, one entry, another or another every year. And that was notable. I mean, I give the kids the credit for that. But then about five or six of those years, we had what we call state championship wins, you know, we were like the number one project in the state of Texas. So, you know, we had some great success, I think, in that so a lot of years there, I really, you know, that was a blessing to me. Was that career, you. Well, it just, it just got to be too much time for change. After a while, Michael Hingson  50:05 was art just a talent that you had, and cartoon drawing a talent you had, or, I don't remember how much you said about did you have any real special training as such? Donnie Pitchford  50:14 Well, all of my training was, I just couldn't afford to go to a specialized school. You know, at one time, the Joe Kubert School opened just about the time I graduated high school, it was in New Jersey. I just couldn't make that happen, so I went to state colleges and universities and did the best I could. I took commercial art classes, drawing classes, design classes, even ceramics, which came in very handy when I did some sculpting here in the last eight or nine years and worked as an assistant to a sculptor named Bob harness who lives here in Carthage, but I never had any actual comic strip slash comic book training, so I learned as much of that as I could from guys like George wild. And then after I started the lemon Avenue comic strip, an artist named Joe, named Jim Amish, who worked for Marvel, did a lot of work for the Archie Comics. And tremendous anchor is his. He's really a tremendous anchor, and does a lot of ink work over other artists pencils. Jim would call and say, he said, I want to give you some advice. I'm like, okay, at 3am he's still giving me advice. So I'd go around for two or three days feeling like a failure, but then I would, I would think about all the lessons, you know, that he had told me. And so I learned a lot from Jim and tremendous, tremendous guy. And I would listen to what high, sometimes high would call up and say, Why did you use that purple beg your pardon. So it was fun. I mean, those fellows would share with me, and I learned a great deal from those guys. Michael Hingson  52:11 Are you in any way passing that knowledge on to others today? Donnie Pitchford  52:16 I don't know that I am. I've had an offer or two to do some teaching. I just don't know if I'm if I'm going to get back into that or not. Yeah, I'm so at this point, focused on, quote, unquote, being a cartoonist and trying to make that, that age five dream, a reality, that I'm not sure I'm ready to do that again. And you know, I'm not, I'm not 21 anymore. Michael Hingson  52:45 I didn't know whether you were giving advice to people and just sort of informally doing it, as opposed to doing formal teaching. Donnie Pitchford  52:51 Well, informally, yes, I mean, if anybody asks, you know, I'll be glad to share whatever I can. But yeah, I'm not teaching any classes at this point. Michael Hingson  53:01 Well, you have certainly taken lemon Abner to interesting places in New Heights. One, one thing that attracted me and we talked about it before, was in 2019, lemon Abner in Oz. That was fun. Donnie Pitchford  53:17 Well, the credit for that goes to Tim Hollis. Tim wrote that as a short story years ago when he was first interested in lemon Abner. And I don't know if he ever had that published through the International oz society or not. I don't remember, but Tim later turned that into a radio script when we had a batch of guests. This was in 2001 we had, let's see Sam Edwards, Dick Beals, Roby Lester and Rhoda Williams. And each of them had done something related to Oz, either the children's records or storybook records or animation or something. They were involved somewhere in some type of Oz adaptation. So Tim turned his short story into a radio script that we performed there at the convention. So that was a lot of fun. And then he suggested, Why don't I turn that into a comic strip story? So that's what we did. But that was fun, yeah, and we used the recordings of those people because they had given us permission, you know, to use a recording however we saw fit. The only problem is we had a mistake. The fellow that was running the sound had a dead mic and didn't know it. Oh, gosh. So some of them are bit Off mic in that audio, but we did the best. I did the best I could Michael Hingson  54:40 with it's it sounded good. I certainly have no complaints. 54:45 Thank you for that. Michael Hingson  54:47 I I said no complaints at all. I think it was really fun and very creative. And it's kind of really neat to see so much creativity in terms of all the stuff that that you do. As a cartoonist, me having never seen cartoons, but I learned intellectually to appreciate the talent that goes into it. And of course, you guys do put the scripts together every week, which is a lot of fun to be able to listen to them well. Donnie Pitchford  55:17 And that's what that was, the audience I hoped that we would would tap into right there and it, it was guys like you that would would talk to me and say, What am I going to do? You know, I can't see it. So that's why the audio idea came about. And it's taken on a life of its own, really. And we've got Mark Ridgway, who has created a lot of musical cues for us that we use and Michael Hingson  55:45 who plays the organ? Donnie Pitchford  55:47 That's Mark Ridgway. It is Mark, okay, yes, yes. And it's actually digital, I'm sure. I think it's a digital keyboard, Michael Hingson  55:55 yeah, but it is. It's a, it's a really good sounding one, though. Donnie Pitchford  55:59 Yes, yes. There are a few cues that I did, which probably are the ones that don't sound so good, like if we ever need really bad music. If you remember the story we did, and I don't remember the name of it, what do we call it anyway? Lum tries to start a soap opera. Think this was about a year ago. Yeah, and Cedric is going to play, I don't remember it was an organ or a piano, and I don't remember what he played, but whatever it was, I think was Mary Had Michael Hingson  56:32 a Little Lamb, Mary's, Mary Had a Little Lamb on the piano. Sort of kind played. Donnie Pitchford  56:35 It was played very badly, well that, yes, it was on purpose. When mom plays lum tries to play the saxophone. That was me, and I hadn't played this. I used to play the sax. In fact, I played in a swing orchestra here in Carthage, Texas for about five years back in from the early 90s. And so I had this idea, and I hadn't played the horn probably since, probably in 20 years, and his. So I got it out, and I thought, you know, it's gonna sound terrible because it needs maintenance, but it doesn't matter. It's lump playing it, so I got to play really badly. Michael Hingson  57:14 It was perfect. It was perfect, Donnie Pitchford  57:16 yeah, because it had to sound bad. Michael Hingson  57:19 How do y'all create all these different plots. I remember so many, like the buzzard, you know, and, oh yeah, that was fun. And so many. How do you come up with those? Donnie Pitchford  57:28 Well, I used to get some really good ideas while mowing the yard. Don't ask me, why? Or I get ideas. I get ideas in the weirdest thing, weirdest places. Sometimes I have ideas in the shower. You know, I said, I better write this down. Sometimes I'll wake up in the middle of the night with an idea, but there the ideas just come to me. Yeah? The buzzard was fun. I'd had that one. Pretty creative. Yeah, the one about, the one about, let me see. Oh, there was one we did, where wasn't the buzzard? What was that other one? I called the Whisper? Yeah, there was a strange voice that was coming lum thought it was coming from his radio. And he turns his radio off, and He still hears it, and it was a villain who had somehow hypnotized everyone so that they wouldn't see him and he would use his voice only. And then there's a character I came up with, and let me see Larry Gasman played it, and I called him Larry John Walden, and he was the only guy he was blind. He was the only guy that wasn't hypnotized because he couldn't see the you know, I use the old thing about the watch in front of the eyes. I mean, he was the only guy that wasn't hypnotized, so he wasn't fooled by the whisper, and he could track him, because his hearing was so acute that he was able to find him. In fact, I think he could hear his watch ticking or something like that. So he was the hero of that piece. But, well, I just, I just think up ideas and write them down. Tim Hollis has written some of the scripts, maybe three or four for me, I've adapted some scripts that London Abner did that were never broadcast or that were never recorded. Rather, I've adapted a few, written several, and I keep saying, Well, when I completely run out of ideas, I'll just have to quit. Michael Hingson  59:32 Well, hopefully that never happens. What? What are your future plans? Donnie Pitchford  59:38 Well, right now, there's nothing major in the works other than just maintaining the strip, trying to continue it, trying to make it entertaining, and hopefully doing a little work on the website and getting it into the hands of more people. And I'd like to increase. Least newspaper coverage, if at all possible. And because this thing doesn't, you know, it's got to pay for itself somehow. So you know, I'm not getting rich by any means. But you know, I want to keep it fun. I want to keep having fun with it. Hopefully people will enjoy it. Hopefully we can reach younger readers, listeners, and hopefully lemon Abner can appeal to even younger audiences yet, so that we can keep those characters going. Michael Hingson  1:00:29 Yeah, there's so much entertainment there. I hope that happens now in the the life of Donnie Pitchford. Is there a wife and kids? Donnie Pitchford  1:00:40 Yes, there's a wife of almost 40 years. We unfortunately don't have any children. We've almost feel like we adopted several children all the years we were teaching. We we've adopted several cats along the way. And so, you know, we've had cats as pets for almost ever, since we were married. But that's she's, she's great, you know, she's, she's been my best friend and supporter all these years. And we were members of first Methodist Church here in Carthage, Texas, and doing some volunteer work there, and helping to teach Sunday school, and very involved and active in that church. Michael Hingson  1:01:19 So I have a cat, and I hear her outside, not outside the house, but outside the the office here, she wants me to go feed her, and we, we shaved her yesterday because her hair gets long and Matt's very easily. So she got shaved yesterday. So she's probably seeking a little vengeance from that too, but, but my wife and I were married 40 years. She passed away in November of 2022 so it's me and stitch the cat and Alamo the dog, and Karen is monitoring us somewhere. And as I tell everyone, I've got to continue to be a good kid, because if I'm not, I'm going to hear about it. So I got to be good. But it's a lot of fun. Well, I want to thank you for being with us today. This has been a lot of fun. I've learned a lot, but it's just been great to have another podcast talking about old radio shows. And you said again, if people want to reach out, they can go to lemon Abner comics.com if people want to talk to you about doing any kind of cartooning or anything like that. What's the best way they can do that? Donnie Pitchford  1:02:24 Well, they can go to the London Abner dot lumen, Abner comics.com website, and there's a contact a link right there at the top of the page. So yeah, they can contact me through that. Probably that's the easiest way to do it. Michael Hingson  1:02:37 Okay, well, I want to thank you again for being here, and I want to thank all y'all out there. That's how they talk in Texas, right? It's all y'all for everybody. Donnie Pitchford  1:02:46 Well, some of them do, and some of them in Arkansas do too. Well, yeah. Michael Hingson  1:02:49 And then there's some who don't, yeah, y'all means everything, and it Speaker 1  1:02:54 don't, yeah, I don't think squire skimp says it that way. Michael Hingson  1:02:58 Well, Squire, you know, whatever it takes. But I want to thank you all for being here, and please give us a five star rating wherever you're listening or watching the podcast. Donnie would appreciate it. I would appreciate it, and also give us a review. We'd love to get your reviews, so please do that. If you can think of anyone else who ought to be a guest, and I think Donnie has already suggested a few. So Donnie as well, anyone else who ought to come on the podcast, we'd love it. Appreciate you introducing us, and you know, we'll go from there. And I know at some point in the future, the Michael hingson Group Inc is going to be a sponsor, because we've started that process for lemon. Abner, yes, thank you. Thank you. So I want to, I want to thank love and Squire for that 1:03:45 years. Well, it's been my pleasure. Michael Hingson  1:03:50 Well, thank you all and again, really, seriously, Donnie, I really appreciate you being here. This has been a lot of fun. So thank you for coming. Donnie Pitchford  1:03:58 Thank you. It's been a great honor. I've appreciated it very much. Michael Hingson  1:04:06 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Do jaké míry Češi kolaborovali s Hitlerem? Dokázali projít obdobím Protektorátu Čechy a Morava se ctí? A jak se vlastně lidem tehdy žilo? Polský historik Piotr Majewski, odborník na české dějiny, napsal další skvělou knihu. Jmenuje se Jenom ať si nemyslí, že jsme kolaboranti: Protektorát Čechy a Morava, 1939-1945. V roce 2025 ji vydalo nakladatelství Argo.Všechny díly podcastu Ex libris můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

(00:00-17:31) Joined by voice of the Blues, Chris Kerber. Blues picking up a win over the Wild. What's a week like this like for the Blues with some players dealing with the uncertainty of the trade deadline? Robert Thomas rumors. No trade and no movement clauses. The state of the retool. Do the Blues have any untouchables at this point?(17:38-34:18) Happy Birthday, Chris Martin. Argo. Jackson is often down on the Oscar winner for Best Picture. The Gallup Poll on The Athletic with their annual MLB fan survey. Engagement farming is our currency. Don't say ballcap. Frank Bank.(34:28-58:33) Joined by Gabe DeArmond from Power Mizzou talking Fighting Tigers. Tens of fans in Starkville. The positive developments from guys like T.O Barrett and Trent Burns. Dennis Gates needs to get some credit for things going right after catching some blame when things were going wrong. Something about a pool boy. Not many teams will want to play Mizzou in the tournament.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It is time for another Modern Classic episode! This time, we look at an interesting case of modern classic discussion with Argo (2012), the Ben Affleck directed movie that won Best Picture at the 2013 Academy Awards. But does that really speak to its Modern Classic status? I guess you will have to listen to find out! If you can, leave us a review and some feedback! Thank you! Our links: Matt's Substack: - https://substack.com/@matthewmartella YouTube Channels: - https://www.youtube.com/@colorlesswonderland - https://www.youtube.com/@mattsbookshelf4084 Instagram: - https://www.instagram.com/matts.bookshelf - https://www.instagram.com/colorlesswonderlandd - https://www.instagram.com/fraudsfilms Letterboxd: - https://letterboxd.com/TylerColorless/ - https://letterboxd.com/mattsbookshelf/ Intro music: https://www.youtube.com/watch?v=HGMQbVfYVmI

Garrett Chaffin-Quiray and Ed Rosa discuss a blockbuster that is also one of 2019's critical darlings.***Referenced media:“Reservoir Dogs” (Quentin Tarantino, 1992)“The Adventures of Cliff Booth” (David Fincher, 2026)“Once Upon a Time in Hollywood: A Novel” (2021) by Quentin Tarantino“Pulp Fiction” (Quentin Tarantino, 1994)“Parasite” (Bong Joon Ho, 2019)“Argo” (Ben Affleck, 2012)“The Wrecking Crew” (Phil Karlson, 1968)“Heat” (Michael Mann, 1995)“The White Album” (1979) by Joan Didion“Zodiac” (David Fincher, 2007)“Django Unchained” (Quentin Tarantino, 2012)“The Hateful Eight” (Quentin Tarantino, 2015)“Inglourious Basterds” (Quentin Tarantino, 2009)“The Night They Raided Minsky's” (William Friedkin, 1968)“Joanna” (Michael Sarne, 1968)“The Great Escape” (John Sturges, 1963)“The A-Team” (Frank Lupo and Stephen J. Cannell, 1983-1987)“Psycho” (Alfred Hitchcock, 1960)“Billions” (Brian Koppelman, David Levien, and Andrew Ross Sorkin, 2016-2023)“Band of Brothers” (Tom Hanks and Steven Spielberg, 2001)“Friday the 13th: The Final Chapter” (Joseph Zito, 1984)“Helter Skelter” (Tom Gries, 1976)“Helter Skelter: The True Story of The Manson Murders” (1974) by Vincent Bugliosi and Curt Gentry“Mindhunter” (Joe Penhall, 2017-2019)“The Thing” (John Carpenter, 1982)“The Green Hornet” (George W. Trendle and Fran Striker, 1966-1967)“Enter the Dragon” (Robert Clouse, 1973)“The Movie Critic” (Quentin Tarantino, ND)“I Am Curious (Yellow)” (Vilgot Sjöman, 1967)“I Am Curious (Blue)” (Vilgot Sjöman, 1968)“Les Diaboliques” (Henri-Georges Clouzot, 1955)“Rebel Without a Cause” (Nicholas Ray, 1955)“Jackie Brown” (Quentin Tarantino, 1997)“True Romance” (Tony Scott, 1993)“Kill Bill: Volume 1” (Quentin Tarantino, 2003)“Kill Bill: Volume 2” (Quentin Tarantino, 2004)“Death Proof” (Quentin Tarantino, 2007)Audio quotation:“The Adventures of Cliff Booth | Official Trailer (Brad Pitt, 2026)”, posted by “Entertainment Tonight”, https://www.youtube.com/watch?v=ik0drfECnPo“Argo” (Ben Affleck, 2012), including “Argo” by Alexandre Desplat, https://www.youtube.com/watch?v=j8rnhVty_F0&list=PLLa5IJKUlCqpjmFZfaViCGKOFBEo9-uHG&index=1“The Wrecking Crew” (Phil Karlson, 1968), including “House of 7 Joys” by Mack David and Frank DeVol, https://www.youtube.com/watch?v=QqXtrTEfADk&list=PLPfZYwgBvrXEoh8KJpt9_mf9s4JRjDv9y“Once Upon a Time… in Hollywood” (Quentin Tarantino, 2019), including the songs “Good Thing” and “Hungry” (1966) by Paul Revere & The Raiders, and “Jenny Take a Ride” (1965) by Mitch Ryder and the Detroit Wheels, https://www.youtube.com/playlist?list=PLDisKgcnAC4Tn2kjbXBPiXDu5lVCffkLr“The Hateful Eight” (Quentin Tarantino, 2015), including “Ouverture” by Ennio Morricone, https://www.youtube.com/watch?v=UP_S_UKU64s&list=PLNObdymy4C-pt9t0oSeLWTVFu8UxpEVvV&index=3“Reservoir Dogs” (Quentin Tarantino, 1992), including “Stuck in the Middle With You” (1973) by Stealers Wheel“Rebel Without a Cause” (Nicholas Ray, 1955), including “Main Title” by Leonard Rosenman, 

My guest this week is Nathan Bartrop, a corporate governance specialist, company secretary, and returning friend of the podcast. Nathan lives and breathes governance, and in this episode, we use two real ASX‑listed companies Argo and AUB Group to show beginners how governance, incentives, valuation, and management quality play out in the real world.Episode Blog Post: https://www.sharesforbeginners.com/blog/argo-aub

Heute haben wir wieder ein paar kleine Themen für euch vorbereitet. Wir legen los mit unserer Vorstellung zu der kleinen Motte von ARGO. Gut, okay, das Schiff heißt Moth, aber wie ihr feststellen werdet, haben wir doch dezente Probleme mit der korrekten Aussprache. Nach der Vorstellung geht es weiter mit einer kleinen Zusammenfassung von Star Citizen Live und auch dem Event, das ATMO Esports in Australien abgehalten hat. Hier mal ein paar Kapitelmarken: RGO Moth: 00:07:30 Star Citizen Live: 00:36:15 ATMO Event: 01:08:54 Falls ihr Themenvorschläge habt, immer heraus damit. Wir wünschen euch gute Unterhaltung. Wir haben auch einen Discord-Server eingerichtet, auf dem ihr mit uns in Kontakt treten könnt. Der Server ist aktuell noch sehr übersichtlich, wird aber im Laufe der Zeit und mit hoffentlich steigender Nutzung weiter ausgebaut. Hier wäre dafür der Link: https://discord.gg/95HcZ46 Falls ihr Themenvorschläge habt, immer heraus damit. Wir wünschen euch gute Unterhaltung. Wir haben auch einen Discord-Server eingerichtet, auf dem ihr mit uns in Kontakt treten könnt. Der Server ist aktuell noch sehr übersichtlich, wird aber im Laufe der Zeit und mit hoffentlich steigender Nutzung weiter ausgebaut. Hier wäre dafür der Link: https://discord.gg/95HcZ46

Why is gold suddenly back in the spotlight?In this episode of Tank Talks, Matt Cohen sits down with Peter Grosskopf, a seasoned veteran in the precious metals and investment management world. Peter has seen it all. He helped scale Sprott from $5 billion to over $20 billion in assets under management, and now, he's co-founded Argo Digital Gold, a platform pioneering the tokenization of physical gold.Peter breaks down how gold is reasserting itself as the ultimate hedge against today's inflation, debt crises, and financial uncertainties. From the global financial crisis to the latest trends in digital gold, they explore how gold remains the bedrock of wealth preservation and why even the tech-driven world is waking up to its importance. Plus, hear why Peter believes tokenization is the key to democratizing access to gold for everyday investors.Peter shares his wealth of knowledge on the role of gold in modern portfolios, how blockchain is transforming the way we interact with real assets, and why long-term patience with gold has paid off for investors. Get ready for a deep dive into gold's resurgence and what it means for the future of investment.The Role of Gold as a Defensive Hedge (02:03)Why gold acts as a key insurance asset in uncertain times and how it has performed during global financial crises. Peter explains why gold often takes a short-term dip but then explodes as a long-term haven.Scaling Sprott to $20 Billion (03:06)Peter discusses the pivotal moment that drove the growth of Sprott, focusing on the creation of physically-backed ETFs that gained the trust of investors globally. Learn how this became a game-changer for the company's success.Real Assets and Family Office Strategies (09:14)A discussion on how real assets like gold and silver have become crucial in the portfolios of family offices, foundations, and institutional investors. Peter explains how real assets help hedge against inflation and government-controlled currencies.Gold's Role in Today's Macro Environment (12:09)How gold is perceived by investors in a high-debt, inflationary world. Peter shares his thoughts on why governments are turning to gold and how this is affecting the gold market globally.Tokenization of Gold and the Future of Blockchain (25:02)Peter outlines his involvement in tokenizing physical gold and the benefits it brings to the retail and institutional markets. We explore how blockchain is disrupting traditional gold storage and trading, creating 24/7 access with lower fees.The Gold vs. Bitcoin Debate (32:29)In a world where both gold and Bitcoin are being digitized, Peter shares his thoughts on how they can complement each other and why gold remains the more stable choice for wealth preservation.Gold in the Future of Investment (35:01)What's next for the precious metals market as governments try to navigate their debt crises and central banks keep a close eye on gold? Peter discusses the future of gold in both physical and digital forms.About Peter GrosskopfPeter Grosskopf is a renowned leader in the precious metals space, having served as the CEO of Sprott, where he played a pivotal role in scaling the firm's assets under management from $5 billion to over $20 billion. He is also the Co-Founder of Argo Digital Gold, a platform at the forefront of tokenizing physical gold. With extensive experience in both the resource banking and asset management sectors, Peter has advised family offices and institutional clients on real asset strategies. As a director of Agnico Eagle Mines and the World Gold Council, he brings deep insight into gold's macroeconomic role and its function as a defensive hedge in volatile times.Visit the Argo Digital Gold website: https://www.argovault.com/Connect with Matt Cohen on LinkedIn: https://ca.linkedin.com/in/matt-cohen1Visit the Ripple Ventures website: https://www.rippleventures.com/ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit tanktalks.substack.com

El Ayuntamiento de Argoños, a través de una búsqueda activa de terrenos que reunieran los requisitos para acoger las viviendas de sustitución, identificó varias parcelas céntricas y de fácil acceso. Pero, ahora, el Gobierno tendrá que volver a valorar y comprar, aunque sea de forma directa, unos terrenos aptos para el desarrollo de las viviendas. La burocracia ha frenado, según el alcalde Juan José Barruetabeña, la compra de las parcelas. No es fácil adquirir si los terrenos no se adaptan a lo que realmente se va a pagar por los mismos, con diferencias en los precios de hasta medio millón de euros. 

Today, Sun outdoors reporter Jason Blevins has updates on the 5-year saga around the Idaho Springs gondola project and a Virginia woman who pleaded guilty recently to stealing $4.5 million from them. Read more: https://coloradosun.com/2026/02/13/woman-pleads-guilty-to-scamming-nearly-5-million-from-idaho-springs-gondola-investors/ https://coloradosun.com/2024/07/26/mighty-argo-idaho-springs-gondola/ https://cossa.co/conference https://coloradosun.com/outsider Photo: Brian Malone, Special to the Colorado SunSee omnystudio.com/listener for privacy information.

Människoliknande robotar med artificiell intelligens är på väg ut i bilfabriker. Men AI-robotarna kan behöva mycket övning i det fysiska rummet. Lyssna på alla avsnitt i Sveriges Radios app. En robot som ska fungera i verkligheten måste tränas i verkligheten. Det är robotforskaren Henny Admoni från Carnegie Mellon University och datavetenskapsprofessorn Amy Loutfi vid Örebro universitet ense om.Att träna en AI-robot kan påminna mycket om att utbilda en människa, vilket väcker tankar om vad det gör med vår relation till robotarna. Samtidigt är åtminstone en sak väldigt annorlunda mot att utbilda människor. Vi har besökt AI-forskningsprogrammet WASP:s vinterkonferens och träffar också laboratorieingenjören Kewin Borowiecki, som snabbguidar bland de robottyper som lett fram till Örebro universitets nyliga inköp av den människoliknande och AI-utrustade roboten Argo.Reporter: Camilla Widebeckcamilla.widebeck@sverigesradio.seProducent: Lars Broströmlars.brostrom@sverigesradio.se

It's Awards Season yet again. Here on the Holmes Movies Podcast that means, it is time for the Alternative Oscars episodes! AKA the Anders and Adam-emy Awards: Each episode for this series we pick a different year in Oscars history and attempt to correct the record, stripping the undeserving of their garlands while recognising those who were cruelly overlooked.This time, we will be casting our eye back to… the 5th Academy Awards. The event celebrated all the films released between the 1st of August 1931 and the 31st of July 1932. To make things easier for the Holmes Brothers, they decided to only talk about give awards and nominations to the films released only in 1932. The event was held at the Ambassador Hotel in Los Angeles, California on November 18th 1932. The host was Conrad Nagel. This was the first of three Oscars events in where two films not nominated for Best Picture received more nominations than the actual winner. It was also the year where there was a tie-winner for Best Actor. This was also the last Oscars ceremony where no film won more than two Oscars. It also introduced the Best Short Subject, Cartoon Oscar. The film Flowers and Trees won. It was the first colour film to win an award. Grand Hotel directed by Edmund Goulding won Best Picture. It became the only Best Picture winner to be nominated for that award and nothing else. It was the second of six films to date to win Best Picture without a Best Director nomination. Films like Wings, Driving Miss Daisy, Argo, Green Book and CODA were the other films to win Best Picture without a Best Director nomination. Be sure to check out our Monument Valley Film on our YouTube Channel.Anders's screenwriter work can also be seen at work in the horror, car chase thriller Delivery Run, co-written with & directed by Joey Palmroos. The film has been released digitally and also in select cinemas in the US and the UK. In Finland it was released on Apple TV after finishing its limited cinema run and was the Number 1 film for multiple weeks. You can read a review about it here on the Fangoria website. The film is now available to watch in the other Nordic territories like Sweden, Oslo and of course Denmark. If you live in Denmark, you can watch the movie here on Apple TV by clicking this link.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic.Check out our blog and read Anders's recent review on David Lynch's brilliant film Mulholland Drive.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

Jared takes the boys on a trip to the good ol' country of Iran for this week's historical thriller pick: Argo.

Why and how was the American Embassy stormed in 1979, at the height of the Iranian Revolution? Did America respond when large numbers of American civil servants were taken hostage? And, would a science fiction film called Argo save the only 6 Americans able to escape…? Join Dominic and Tom, as they discuss the defining event of the Iranian Revolution: the invasion of the American Embassy on the 4th of November 1979, when American citizens were taken hostage in Tehran… _______ Become a member today and join us at The Rest Is History Festival at Hampton Court Palace on the 4th and 5th of July 2026. This is a members-only event. Join the Athelstans for guaranteed entry or become a Friend of the Show to enter the ballot. You'll also get ad-free listening, bonus episodes, exclusive mini-series and more. Sign up now at ⁠therestishistory.com _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Video Editors: Jack Meek + Harry Swan Social Producer: Harry Balden Producers: Tabby Syrett & Aaliyah Akude  Executive Producer: Dom Johnson Learn more about your ad choices. Visit podcastchoices.com/adchoices

Le film Argo raconte l'histoire (vraie) d'une collusion entre la CIA et Hollywood. Et si le scénario lui-même portait la marque du gouvernement américain ?David Honnorat :La chaîne YouTube CalmosLe podcast CalmosLe livre MovielandRessources sur les révoltes actuelles en Iran :Amnesty International sur l'IranFaire un don à Médecins sans frontièresVoyage interdit au coeur de la "génération Z" iranienne, Solène Chalvon-Fioriti, Elephant Doc (2024)Une interview d'un professeur iranien (en anglais )Un texte écrit par un jeune homme à Téhéran (en anglais)Sources :Shaw, Tony, and Tricia Jenkins. “From Zero to Hero: The CIA and Hollywood Today.” Cinema Journal 56, no. 2 (2017), pp. 91–113Ali Serdouk, “Hollywood, American Politics, and Terrorism: When Art Turns into a Political Tool", Arab Studies Quarterly 43, no. 1 (2021), pp. 26–37Michelle C. Pautz, “Argo and Zero Dark Thirty: Film, Government, and Audiences", PS: Political Science and Politics 48, no. 1 (2015), pp. 120–28Catherine V. Scott, “Bound for Glory: The Hostage Crisis as Captivity Narrative in Iran”, International Studies Quarterly 44, no. 1 (2000), pp. 177–88James F. Larson, "Television and U.S. Foreign Policy: The Case of the Iran Hostage Crisis", Journal of Communication 36(4) (2006), pp. 108 - 130Behrooz Moazami, State, Religion, and Revolution in Iran, 1976 to the Present, Palgrave Macmillan (2013)Peter Chelkowski and Hamid Dabashi, Staging a Revolution: The Art of Persuasion in the Islamic Republic of Iran, Booth-Clibborn (2002)Margaret MacMillan, Dangerous Games: The Uses and Abuses of History, Modern Library (2010)Mohammad M. Salehi, Insurgency through Culture and Religion: The Islamic Revolution of Iran, Praeger (1988)Matthew Alford, "Washington DC's role behind the scenes in Hollywood goes deeper than you think", The Independent (2017)Robert Stone, Taken Hostage, Part 1 (2022)Cora Amburn-Lijek & Mark Lijek, "Based on the Actual Story", Seventh Wave (2015)Kevin B. Lee, "Argo, F–k Yourself", Slate (2013)Suivez Star System sur les réseaux :Instagram : @starsystempodTikTok : @starsystempodcastIllustration : Ines Basille. Musique : Naaha. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Robin Linus, Liam Eagen, Ying Tong Lai are the co-founders of {ideal}: an initiative which recently created Argo: a garble circuits scheme which enabled 2000x efficiency gains for BitVM. The group aims to use cryptography in order to advance privacy and scalability in Bitcoin. Time stamps: 00:01:17 Introducing Liam Eagen, Robin Linus & Ying Tang Lai 00:02:17 Origin of Ideal Group & Naming 00:05:03 Funding, Investors & Bootstrapping 00:06:43 Comparison to Other Teams & Technical Progress 00:09:52 Challenges in Auditing & Implementation 00:12:10 Rapid Progress in BitVM & Garbled Circuits 00:14:37 Defining BitVM & Use Cases 00:19:24 BitVM, Soft Forks, and Bitcoin Upgrades 00:23:03 Ideal Solution for Bitcoin Upgrades 00:25:17 Simplicity, Covenants, and Script Upgrades 00:27:06 Favorite Michael Saylor Analogies & Podcast Ads 00:32:47 Bitcoin Maximalism, ETFs, and Institutionalization 00:37:17 Privacy, Censorship Resistance, and Fungibility 00:40:06 Blockchain Analysis & Privacy Risks 00:41:30 Shielded Client-Side Validation & Privacy Protocols 00:45:57 Zcash, Private Pools, and Inflation Bugs 00:51:45 Soft Forks vs. Embedded Consensus for Privacy 01:01:34 Quantum Computing Threats & Post-Quantum Cryptography 01:17:37 Freezing Satoshi's Coins & UTXO Expiry 01:23:32 Block Space Demand, Ordinals, and Collectibles 01:25:44 Rollups, Block Space, and Bitcoin Culture 01:33:23 Argo: The New Garbling Scheme 01:38:05 Monero, Privacy Coins, and Community Ethos 01:40:25 Future Vision for Bitcoin 01:42:38 STARKs, SNARKs, and Zero-Knowledge Proofs 01:50:08 Conferences, Community, and Outreach 01:58:11 Ideal Project Status, Mainnet, and Naming 02:00:05 Closing Remarks & How to Follow {ideal}

Elisabetta Liguori"Il figlio ostinato"Edizioni Piemmewww.edizpiemme.itSalento, 1892. Specchia è un borgo di pietra friabile e inconsapevole, bloccato sul suo arrocco collinare sin dall'anno mille. Poco prima di raggiungere la maggiore età, Aniello Visconti decide di scappare per inseguire il sogno di diventare musicista. Suo padre Alfredo, direttore d'orchestra, vuole che smetta di suonare e si dedichi a un lavoro più sicuro. Teme che possa risvegliarsi quella che per lui è una segreta maledizione di famiglia. Così Aniello, che possiede un talento che non vuole tacere, s'imbarca a Bari e raggiunge Napoli, determinato a frequentare il prestigioso conservatorio della città. Il suo destino incrocia e inchioda quello di uomini illustri nel campo della musica, ma soprattutto, nel tempo, quello di tre donne. La moglie, la compagna, la figlia: tre amori diversi, tre diverse dosi dello stesso veleno. Anni dopo, Aniello torna a Specchia come maestro di musica, ma lo spirito di un secolo breve e violento raggiunge anche l'entroterra pugliese: la guerra e l'ascesa del fascismo destabilizzano la sua famiglia, già calamitata da dubbi, litigi, contrasti. Aniello vede nello specchio il fantasma di Alfredo: un uomo che non ha mai capito né tollerato, che pure ha sempre guardato con grandissima attenzione, come sempre si fa, alla fine, con i padri. Elisabetta Liguori è la voce di un Salento che ancora non è stato raccontato. Il figlio ostinato è un romanzo che intreccia le vite di due generazioni, la passione per la musica popolare e le leggende di una terra segnata dal desiderio, dalla superstizione e dalla malelingua, splendida e terribile a un tempo.Elisabetta LiguoriNata a Lecce nel 1968, vive e lavora nella sua città presso il Tribunale per i Minori. Ha collaborato con riviste come Nuovi Argomenti e con il Corriere del Mezzogiorno. È tra gli autori dell'associazione Piccoli maestri, cura laboratori di scrittura e il Lecce Festival Letteratura. Esordisce con Il credito dell'imbianchino (Argo, finalista Premio Berto 2005), cui seguono Il correttore (peQuod, 2007), Tutto questo silenzio (Besa, 2010), La felicità del testimone (Manni, 2012). Tra le altre pubblicazioni: Kora, una storia a colori (2014), Il secondo giorno (2015), Lo spazio dentro (2017). Nel 2022 ha pubblicato su Storytel la serie audio Il metodo Aquilani.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

What lurks beneath Loch Ness? A new ally? A new enemy? Both? Master Brickithon has some bonding time with Normal Oleg. Pilfer has some bonding time with Aaaaaalvin. The Flying Dutchman has some bonding time with the Argo. Normal Oleg reveals a secret. • • • Patreon: patreon.com/improvtabletop Twitter / Instagram / Facebook / TikTok: @ImprovTabletop Email: ImprovTabletop@gmail.com Donations: ko-fi.com/improvtabletop • • • Audio Credits The theme song for The Tension Builders is "Melodic Marauders Scared Stupid" by Ned Wilcock. The following songs also by Ned Wilcock. “The Root Beer Lazy River (Jem's Theme)” “I've Got Sixpence (Traditional)” “Fuguenchillen" The following songs are from tabletopaudio.com. All of the 10 minute ambiences on this site are licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (https://creativecommons.org/licenses/by-nc-nd/4.0/). “Myconid Colony” The following songs are used courtesy of the YouTube Audio Library License. "Birdseye Blues” by Chris Haugen • • • This actual play episode uses the Bump in the Dark RPG rules by Jex Thomas and Last Pine Press. This is a fanmade work of parody. Improv Tabletop is not affiliated with the LEGO brand or its owner The LEGO Group.

We hope you all had a merry christmas! Our Good Weird Great gift to you this week is not one, but TWO whole episodes.Leave us a 5-star review and let us know where you stand on the Dogherty vs Dogherty debate.Send us an email: goodweirdgreat@gmail.comFollow our TikTok: https://www.tiktok.com/@goodweirdgreat

We extract Ben Affleck’s “Argo” and discuss: Cinematography, camerawork; Story & Writing, mini-movie method; and other such stuff and things and stuff. “God help me if I ever do another movie with an explosion in it. If you see me in a movie where stuff is exploding you’ll know I’ve lost all my money.“ – […] The post Ep 350: “Argo” appeared first on The Pestle.

If you're reading this, maybe just don't listen to this one. Jesse and Patrick will return in the sequel. Next week, we talk about Argo (2015), as we head into the end of Spycember.

THIS PODCAST IS AVAILABLE IN FULL FOR FREE ON OUR PATREON!!! (patreon.com/uncutgemspod)In this last bonus tie-in podcast of the year we are discussing Ben Affleck's most acclaimed movie Argo. Over the course of our conversation you will hear us talk about where Argo ranks among Affleck's directorial efforts, how it stacks up against other prominent movies of its year, how many historical inaccuracies it sports and whether it even matters at all. We also talk about Affleck directing himself in an internalized performance, the alluring idea of making movies about movies and how movies save the world, and that sometimes embellishing reality in service of emotional realism may triumph over factually correct screenwriting. Finally, we spare a few precious thoughts on John Goodman and Alan Arkin's performances and how they serve to comment on Hollywood, and we also find time to relitigate a few old arguments regarding our opinions on Bryan Cranston and the way one should pronounce Warren Beatty's surname. Tune in and enjoy!Hosts: Jakub Flasz & Randy BurrowsFeaturing: Tony LarderTHIS PODCAST IS AVAILABLE IN FULL FOR FREE ON OUR PATREON!!! (patreon.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our patreon at patreon.com/uncutgemspod (3$/month)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and support us by gaining access to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head over to our website to find out more! (uncutgemspodcast.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

[SPONSORISÉ] Antonio Mendez était un agent américain de la CIA, spécialisé dans l'appui d'opérations secrètes et clandestines de l'agence américaine. Mendez a été décoré, et est maintenant largement connu pour sa gestion du subterfuge canadien lors de la crise des otages en Iran, où il a contribué à l'exfiltration de six diplomates américains en janvier 1980. Il a monté de toutes pièces un projet de film, faisant passer les diplomates pour les membres d'une équipe de tournage venue faire des repérages pour un film de science-fiction intitulé Argo. Près de 30 ans plus tard, l'acteur et réalisateur Ben Affleck s'empare de cette opération pour en faire un thriller palpitant, récompensé par l'Oscar du Meilleur Film...Le 11 décembre 1979, Antonio J. Mendez, fraîchement débarqué à la section authentification de l'OTS, reçoit son ordre de mission. Il sait que la libération des otages risque de poser de sérieux problèmes diplomatiques, mais pas seulement...Secrets d'agents • Histoires Vraies est une production Minuit.

Tate Donovan on Acting, Directing, and Nostalgia Tate Donovan stops by Reza Rifts and offers a masterclass in Hollywood longevity in this engaging interview, sharing candid career insights from his decades in the industry. He delves into stories from iconic 90s films like 'Love Potion Number Nine' and beloved TV shows like 'Friends' (as Joshua), 'Damages,' and voicing Disney's Hercules. Donovan reflects on the evolution of storytelling, the audition process, and the emotional craft of acting techniques. He also discusses his directing aspirations and the collaborative nature of filmmaking, providing a transparent look at the highs and lows of Hollywood. Tate's Socials IG @t8donon ... https://www.instagram.com/t8dono/?hl=en  Chapters 00:00 Introduction and Social Media Recovery 02:15 Welcoming Tate Donovan 06:10 Reflections on Past Roles 10:12 Love Potion Number Nine: A Classic Comedy 18:36 Navigating Relationships and Friends 20:28 The Experience of Damages 23:15 Hercules: Voice Acting and Legacy 28:44 Behind the Scenes of Argo 31:28 Auditioning and Nerves in Acting 33:54 Directing and Collaborating with Actors 35:59 Memorable Co-Stars and Learning from Others 38:21 Future Directing Aspirations and The Pyramids   Support the show on https://patreon.com/rezarifts61  Follow Keith on all social media platforms: FB: https://www.facebook.com/realkeithreza IG:https://www.instagram.com/keithreza  ALT IG:https://www.instagram.com/duhkeithreza  X:https://www.twitter.com/keithreza  TT:https://www.tiktok.com/keithreza  Book Keith on cameo at www.cameo.com/keithreza Check out my website for dates at https://www.keithreza.com/  Subscribe - Rate & Review on Apple Podcasts - Tell a friend :) Be a Rifter!               #TateDonovan #HollywoodInterview #FriendsCast #VoiceActor #ActingLife #FilmIndustry #Storytelling #DirectorGoals #BehindTheScenes #ClassicTV

This week on History Rage, host Paul Bavill welcomes the brilliant mythologist and author Natalie Haynes, to unravel the tangled web of Greek mythology and challenge the male-centric narratives that often dominate our understanding of these ancient tales.Myth vs. Reality: Natalie passionately argues that the stories from ancient Greece are not as male-dominated as they are often portrayed. She encourages listeners to reconsider the powerful roles women play in these myths, particularly through figures like Medea and Hera, who defy the traditional expectations of their time.The Argo and Its Heroes: Dive into the legendary quest for the Golden Fleece as Natalie dissects the dynamics of the Argonauts. Are they truly a cohesive unit or merely a collection of egos? Discover the complexities of their relationships and the conflicts that arise as they embark on their perilous journey.Women in Mythology: Explore the surprising strength and agency of female characters in Greek mythology. Natalie highlights how goddesses like Athena and Artemis offer a stark contrast to the often flawed male heroes, challenging the notion that women were merely passive figures in these ancient stories.Hollywood's Take: The conversation takes a critical turn as Natalie examines the portrayal of Greek myths in popular culture, particularly in films like Jason and the Argonauts and Disney's Hercules. She reveals how these adaptations often strip away the complexity and richness of the original tales, reducing powerful female figures to mere side characters.Support History Rage on Patreon for exclusive content and early episode access at www.patreon.com/historyrage.Follow History Rage on Social Media:Facebook: https://www.facebook.com/HistoryRageTwitter: https://twitter.com/HistoryRageInstagram: https://www.instagram.com/historyrage/Buy the Book: No Friend to this House: https://uk.bookshop.org/a/10120/9781529061543Listen to Natalie Haynes Stands Up For the Classics: https://www.bbc.co.uk/programmes/b077x8pc/episodes/playerFollow NatalieInstagram: @nataliehaynesauthorTwitter: @officialnhaynesBluesky: @nataliehaynes.bsky.social Stay Angry, Stay Informed - History Rage Hosted on Acast. See acast.com/privacy for more information.

Peter Grosskopf — former CEO of Sprott and co-founder of Argo — joins Scarce Assets to unpack why gold has been the runaway winner of 2025 and what that says about debt, inflation, and the end of “risk-free” bonds.Argo // SCP Resource FinanceConnect with Onramp // Onramp Institutional // ⁠Jackson Mikalic on X⁠WHAT WE COVER:- How gold became 2025's top-performing major asset while “nothing was really wrong”- Central bank de-dollarization: SWIFT sanctions, exploding US deficits, and reserve rebalancing- Why gold is quietly replacing Treasuries as the global “safe asset”- The debasement trade: protecting purchasing power when CPI underreports reality- Peter's personal allocation: ~50% in gold, silver, Argo balances, and miners- Liquidity, QT's end, and why the Fed's balance sheet likely has to grow again- Inside Argo: 24/7 direct-to-vault gold, outside the financial system, at ETF-beating costs- Tokenized gold (Tether, Pax) and why custody, vaults, and bankruptcy remoteness matterKEY INSIGHTS:- Gold's 2025 move isn't about a single crisis — it's decades of debasement risk finally being priced in- Central banks aren't just “adding diversification”; they're hedging both sanctions and US fiscal decay- For Peter, gold is no longer a hedge against dollars — it's the base unit of savings- Official inflation at 2–3% doesn't match lived experience; the real erosion feels closer to 5–7% with violent spikes- Treasuries are losing their status as the default safe haven; gold is stepping into that role- Bitcoin is still digesting leverage and maturing from a speculative tech trade into a long-horizon macro asset- Direct-to-vault and tokenized gold will sit at the core of the next monetary plumbing stackPETER'S THESIS: “Gold isn't just a crisis hedge anymore. It's the base case. The real experiment is trying to run this level of debt on fiat and calling it ‘risk-free.'”WHO IS PETER GROSSKOPF?- Co-Founder — Argo, a digital platform for direct-to-vault physical gold- Former CEO — Sprott (2010–2022), leading one of the world's premier precious metals firms- Managing Partner — SCP Resource Finance, focused on mining and real asset finance- 35+ Years in Financial Services — spanning trading, asset management, and capital markets- Lifelong precious metals investor now bridging vaulted gold with modern digital railsCHAPTERS:00:00 - Gold's Shock 2025 Rally & Peter's Background07:25 - Why Central Banks Are Rebuilding Gold Reserves14:20 - From 60/40 to Gold: Institutional Reallocation20:06 - Gold as the New “Safe Asset” Replacing Treasuries29:45 - Bitcoin vs Gold in 2025: Cycles, Leverage & Liquidity41:48 - Inside Argo: Direct-to-Vault Gold in the Digital Era50:04 - Tokenized Gold vs Direct Vault Ownership & Custody Risks54:40 - Key Takeaways, Where to Learn More & OutroScarce Assets: a biweekly podcast presented by Onramp which delves into the emergent role of bitcoin in finance professionals' strategies and outlooks. Hosted by Jackson Mikalic, Scarce Assets provides invaluable insights for wealth managers aiming to outperform their peers in the decades ahead. Finance professionals everywhere know about stocks and bonds, but the macroeconomic outlook requires that serious investors pay close attention to another category: Scarce Assets.Please subscribe to Onramp Media channels and sign up for weekly Research & Analysis to get access to the best content in the ecosystem weekly.

Continental Resources' John Argo sat down with us to talk about how AI can materially improve safety and performance in the oilfield, starting with the Lifesaver Initiative, a collaboration between multiple operators and workover companies to use AI and shared incident data to surface well- and job-specific risks before crews ever step on location. Drawing on his own path from first-generation oilfield kid to leading Continental's Williston Basin, John connected the dots between the shale revolution (where U.S. production wildly outperformed every forecast), our still-low recovery factors (often under 20%), and the massive upside in using AI to capture tribal knowledge, diagnose problems faster, and turn scattered data into actionable frontline insight. He closed by tying it back to the culture that built Continental in the first place, embodied by Harold Hamm mapping wells at night from library logs and made the case that AI is the next big lever for the same mindset: more energy, safer operations, and better use of the resources we already have.Click here to watch a video of this episode.Join the conversation shaping the future of energy.Collide is the community where oil & gas professionals connect, share insights, and solve real-world problems together. No noise. No fluff. Just the discussions that move our industry forward.Apply today at collide.ioClick here to view the episode transcript. https://twitter.com/collide_iohttps://www.tiktok.com/@collide.iohttps://www.facebook.com/collide.iohttps://www.instagram.com/collide.iohttps://www.youtube.com/@collide_iohttps://bsky.app/profile/digitalwildcatters.bsky.socialhttps://www.linkedin.com/company/collide-digital-wildcatters

Nan Schwartz is a Grammy winning arranger and a 5x Grammy nominee, and she's a 7x Emmy nominee for her compositions for television and TV films. As a conductor and orchestrator, she's worked on projects like In The Heat Of The Night, Argo and Harry Potter. She's also collaborated on a ballet score. And she's worked with stars like Natalie Cole, Ray Charles and John Williams.My featured song is “Constable On Patrol” from the album East Side Sessions by my band Project Grand Slam. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH NAN:www.nanschwartz.com—----------------------------------------ROBERT'S LATEST SINGLE:“MI CACHIMBER” is Robert's latest single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

This week on Hustling Sideways, we sit down with the trio bringing new life to a Whitefish Bay landmark. Coate, Powers, and Josh are the minds behind The Argo, an ambitious new music venue, restaurant, and bar taking shape in the beloved former Fox-Bay Theater.The conversation dives deep into the origin story of The Argo, and how a shared vision helped transform a historic space into a community gathering place that will celebrate live music and the community. They walk through the journey of acquiring the Fox-Bay Theater location, the challenges and excitement of adaptive reuse, and the years of planning, permits, and perseverance that have led to this moment.With an opening set for this December, Coate, Powers, and Josh talk about embracing the building's theatrical past while creating something entirely new, and what Whitefish Bay can expect when The Argo opens its doors. You can find out more about the venue at ⁠TheArgoLive.comFollow us:Allen Halas⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AllenHalas.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BreakingAndEntering.net⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads/Bluesky: @AllenHalas⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: @AllenHalas⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jim Love⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠GoAuthenticYou.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@jim_m_love⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@jimm.love⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hustling Sideways is a business podcast hosted by Milwaukee-based music writer Allen Halas and keynote and motivational speaker Jim Love. The two both attended Marquette University, and now host the show to discuss the side hustles and passion projects of people that they meet, all while continuing to run their own side businesses. Every Monday, they're either interviewing a guest, or talking about the different aspects of business that side hustlers go through when balancing their 9-to-5 and their entrepreneurship endeavors. You can get the podcast wherever you download podcasts, as well as on our YouTube channel.

Hans is joined by former foreign service officer and Heritage Senior Research Fellow Simon Hankinson, to discuss the tussle over the Trump administration's requirement to list your biological sex on your passport, which has ended up at the Supreme Court. The movie review is of the 2006 film “Argo,” produced, directed, and starred in by […]

Hans is joined by former foreign service officer and Heritage Senior Research Fellow Simon Hankinson, to discuss the tussle over the Trump administration's requirement to list your biological sex on your passport, which has ended up at the Supreme Court. The movie review is of the 2006 film “Argo,” produced, directed, and starred in by Ben Affleck about the real life CIA operation that smuggled six American foreign service officers out of Iran during the Islamic revolution using fake passports, disguises, and a phony movie company.

Today's guest is David McCloskey — former CIA analyst, bestselling author, and co-host of the hit podcast The Rest is Classified.Before becoming a novelist, David served at the Central Intelligence Agency where he wrote for the President's Daily Brief, testified before Congressional oversight committees, and briefed senior White House officials, ambassadors, and military leaders.  He spent years stationed across the Middle East during the Arab Spring and later worked in the CIA's Counterterrorism Center focused on the conflicts in Syria and Iraq.David's acclaimed thrillers — DAMASCUS STATION, MOSCOW X, THE SEVENTH FLOOR, and THE PERSIAN — have established him as one of the most authentic new voices in modern espionage fiction. Damascus Station was a finalist for the 2022 International Thriller Writer's Award for Best First Novel and is currently in development for television. His latest release, The Persian, takes readers deep into a shadow war in Iran and follows a dentist living in Sweden who builds an international front to conceal a covert operation.In this episode, Jack and David discuss the inspiration behind The Persian, the real-world dynamics of the intelligence community, and the meticulous craft of writing espionage fiction rooted in truth. They talk about the creation of The Rest is Classified — a top-charting podcast exploring untold spy stories, manhunts, and historical intrigue. David also shares insights into the writing process, balancing podcasting with novel deadlines, the surprising bureaucracy of the intelligence world — past and present — and a humorous story of running into Ben Affleck at Langley during research for Argo.His new novel, THE PERSIAN, is available now.FOLLOW DAVIDX: @mccloskeybooksInstagram: @mccloskeybooksFacebook: @mccloskeybooksWebsite: https://www.davidmccloskeybooks.com/ FOLLOW JACKInstagram: @JackCarrUSA X:  @JackCarrUSAFacebook:  @JackCarr YouTube:  @JackCarrUSASPONSORSCRY HAVOC – A Tom Reece Thriller https://www.officialjackcarr.com/books/cry-havoc/Bravo Company Manufacturing - https://bravocompanyusa.com/ and on Instagram @BravoCompanyUSATHE SIGs of Jack Carr:Visit https://www.sigsauer.com/ and on Instagram @sigsauerinc Jack Carr Gear: Explore the gear here https://jackcarr.co/gear

Pour écouter l'émission en entier, sans pub, abonnez-vous ! https://m.audiomeans.fr/s/S-tavkjvmo Les Argonautes, premiers Avengers Bien avant Iron Man, Captain America et les super-héros modernes, la Grèce antique avait déjà inventé sa propre équipe de légendes : les Argonautes. Menés par Jason, ces héros mythiques embarquent sur le navire Argo pour une quête insensée : rapporter la Toison d'or, symbole de pouvoir et de royauté. À leurs côtés : Héraclès, Orphée, Castor, Pollux, ou encore la redoutable Médée, magicienne amoureuse et vengeresse.Derrière l'épopée, c'est toute une vision du courage, de l'amitié et de la rivalité entre héros qui se dessine. Une aventure où les dieux s'invitent à chaque détour, où la mer Égée devient le théâtre d'épreuves surnaturelles, et où les passions humaines comptent autant que les exploits.Plongez dans ce récit fondateur de la mythologie grecque : celui des premiers super-héros de l'Histoire. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour écouter l'émission en entier, sans pub, abonnez-vous ! https://m.audiomeans.fr/s/S-tavkjvmo Les Argonautes, premiers Avengers Bien avant Iron Man, Captain America et les super-héros modernes, la Grèce antique avait déjà inventé sa propre équipe de légendes : les Argonautes. Menés par Jason, ces héros mythiques embarquent sur le navire Argo pour une quête insensée : rapporter la Toison d'or, symbole de pouvoir et de royauté. À leurs côtés : Héraclès, Orphée, Castor, Pollux, ou encore la redoutable Médée, magicienne amoureuse et vengeresse.Derrière l'épopée, c'est toute une vision du courage, de l'amitié et de la rivalité entre héros qui se dessine. Une aventure où les dieux s'invitent à chaque détour, où la mer Égée devient le théâtre d'épreuves surnaturelles, et où les passions humaines comptent autant que les exploits.Plongez dans ce récit fondateur de la mythologie grecque : celui des premiers super-héros de l'Histoire. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour écouter l'émission en entier, sans pub, abonnez-vous ! https://m.audiomeans.fr/s/S-tavkjvmo Les Argonautes, premiers Avengers Bien avant Iron Man, Captain America et les super-héros modernes, la Grèce antique avait déjà inventé sa propre équipe de légendes : les Argonautes. Menés par Jason, ces héros mythiques embarquent sur le navire Argo pour une quête insensée : rapporter la Toison d'or, symbole de pouvoir et de royauté. À leurs côtés : Héraclès, Orphée, Castor, Pollux, ou encore la redoutable Médée, magicienne amoureuse et vengeresse.Derrière l'épopée, c'est toute une vision du courage, de l'amitié et de la rivalité entre héros qui se dessine. Une aventure où les dieux s'invitent à chaque détour, où la mer Égée devient le théâtre d'épreuves surnaturelles, et où les passions humaines comptent autant que les exploits.Plongez dans ce récit fondateur de la mythologie grecque : celui des premiers super-héros de l'Histoire. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour écouter l'émission en entier, sans pub, abonnez-vous ! https://m.audiomeans.fr/s/S-tavkjvmo Les Argonautes, premiers Avengers Bien avant Iron Man, Captain America et les super-héros modernes, la Grèce antique avait déjà inventé sa propre équipe de légendes : les Argonautes. Menés par Jason, ces héros mythiques embarquent sur le navire Argo pour une quête insensée : rapporter la Toison d'or, symbole de pouvoir et de royauté. À leurs côtés : Héraclès, Orphée, Castor, Pollux, ou encore la redoutable Médée, magicienne amoureuse et vengeresse.Derrière l'épopée, c'est toute une vision du courage, de l'amitié et de la rivalité entre héros qui se dessine. Une aventure où les dieux s'invitent à chaque détour, où la mer Égée devient le théâtre d'épreuves surnaturelles, et où les passions humaines comptent autant que les exploits.Plongez dans ce récit fondateur de la mythologie grecque : celui des premiers super-héros de l'Histoire. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour écouter l'émission en entier, sans pub, abonnez-vous ! https://m.audiomeans.fr/s/S-tavkjvmo Les Argonautes, premiers Avengers Bien avant Iron Man, Captain America et les super-héros modernes, la Grèce antique avait déjà inventé sa propre équipe de légendes : les Argonautes. Menés par Jason, ces héros mythiques embarquent sur le navire Argo pour une quête insensée : rapporter la Toison d'or, symbole de pouvoir et de royauté. À leurs côtés : Héraclès, Orphée, Castor, Pollux, ou encore la redoutable Médée, magicienne amoureuse et vengeresse.Derrière l'épopée, c'est toute une vision du courage, de l'amitié et de la rivalité entre héros qui se dessine. Une aventure où les dieux s'invitent à chaque détour, où la mer Égée devient le théâtre d'épreuves surnaturelles, et où les passions humaines comptent autant que les exploits.Plongez dans ce récit fondateur de la mythologie grecque : celui des premiers super-héros de l'Histoire. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour écouter l'émission en entier, sans pub, abonnez-vous ! https://m.audiomeans.fr/s/S-tavkjvmo Les Argonautes, premiers Avengers Bien avant Iron Man, Captain America et les super-héros modernes, la Grèce antique avait déjà inventé sa propre équipe de légendes : les Argonautes. Menés par Jason, ces héros mythiques embarquent sur le navire Argo pour une quête insensée : rapporter la Toison d'or, symbole de pouvoir et de royauté. À leurs côtés : Héraclès, Orphée, Castor, Pollux, ou encore la redoutable Médée, magicienne amoureuse et vengeresse.Derrière l'épopée, c'est toute une vision du courage, de l'amitié et de la rivalité entre héros qui se dessine. Une aventure où les dieux s'invitent à chaque détour, où la mer Égée devient le théâtre d'épreuves surnaturelles, et où les passions humaines comptent autant que les exploits.Plongez dans ce récit fondateur de la mythologie grecque : celui des premiers super-héros de l'Histoire. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Women and girls in Afghanistan have been excluded from much of the working world, as well as from the chance to get an education. Many are finding ways to bring in an income for their families, but a 48-hour internet shutdown threatened this recently.We hear the experiences of shopkeepers, tech workers and charity bosses in the country.If you'd like to get in touch with the programme, our email address is businessdaily@bbc.co.ukPresented and produced by Hannah Bewley(Picture: Afghan women in burkas walk along a road in the Argo district of Badakhshan province on August 28, 2025. Credit: Getty Images)