Podcasts about The Grand Budapest Hotel

Benvenuti in un cinema fatto di personaggi tragicomici, famiglie disastrate, morte e rinnovamento. Tutti elementi che compongono il colorato e stralunato mondo di Wes Anderson.Il più grande successo della sua carriera e un film che ha determinato un nuovo percorso che ha portato benefici ma non solo al nostro Anderson.Comunque, "Grand Budapest Hotel" rimane una gradevolissima ed eccentrica avventura raccontata con stile e tenerezza dal nostro Wes Anderson.

It's officially Director's Month and we have ourselves a tie! This month we'll be discussing Wes Anderson's & Rob Reiner's films. We're kicking off the month with Wes Anderson's The Grand Budapest Hotel. We run through the laundry list of nominations and wins. It's a great start to the month! Instagram: @heyitstwogirls, @classicSTINA @daniellecobianchiTwitter: @heyitstwogirls, @classicSTINA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Two Girls Drink Beer Youtub⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠e

Jocke och Teo har varit i Budapest och sett Arsenal spela Champions League-final. En inne på arenan, en i en park. Det snackas även guldfirandet i London, paraden och en hel del annat. Bli medlem i Arsenal Sweden: www.arsenal.se/bli-medlem  

Judeu Ateu, Luki e Izzo (Dentro da Chaminé) continuam pro segundo episódio do novo quadro Maio Sem Mangá,desta vez um filme, uma polêmica e reconhecidamente ambiciosa longa metragem que explora uma infinidade de temas, falamos de Cloud Atlas. Apoie o AoQuadrado² no APOIA.se Recomendações– The Grand Budapest Hotel– Mr. Nobody– Cradle Will Rock

The Bros discuss two of the latest wide releases, and talk about movies they've watched on a recent flight that have them second guessing the public opinion. The Bros top 100 movie list: https://docs.google.com/spreadsheets/d/1nunoib8wXZQITbGItRFx_ZnvDUwY6VtgrkGmzuGKqJY/edit#gid=0Keep up with the Bros at: https://broforcesquad.com/https://www.youtube.com/channel/UCCJML5XTKJl2OzGW5HWrJhwhttps://itunes.apple.com/us/podcast/bro-force-squad/id1158546516?mt=2https://twitter.com/BroForceSquadStuff discussed in this episode includes The Mandalorian and Grogu, Obsession, The Punisher: One Last Kill, The Terminator, Marty Supreme, The Crash, The Super Mario Galaxy Movie, The Grand Budapest Hotel, The Godfather Part II, The Empire Strikes Back

This week, Eric and Josh are joined by Mayfair co-owner and newsletter writer, Ian! They discuss The Mandalorian and Grogu, Black Squirrel Books finds, The Great Glebe Garage Sale, Vac Shack, Deliverance, The Lift, Archie digests, RKSS, film production logos, Slush Puppies, Riverdale, Jesus Christ Vampire Hunter, and more! They also mention the movies screening the week of Friday May 29 - Thursday June 4: Holy Days, I Swear, The Rocky Horror Picture Show, The Grand Budapest Hotel, Saturday Night Sinema, True Stories, Chopping Mall, Farewell My Concubine, and They Are Sacred!

Join Mike, Tom, Kyle, Gabe, and Andrew as they discuss two twisty tales of comedic capers and unexpected outcomes, enthrall and entertain us in a bid to be the best. Will Paddington 2 charm its way to a championship? Or will the Grand Budapest Hotel be a 5-star success?

The Young Girls of Rochefort (1967) was written and directed by Jacques Demy. Whether you call it off-beat, dreamy, or off-beat and dreamy, this whimsical musical is just the right movie to kick off spring thanks to its bright costumes, memorable set design, great dancing, and upbeat tunes. Plus, the situation with the sadistic killer will keep you guessing. Designer Radha Sachdev talks about what makes The Young Girls of Rochefort so memorable, and why it's worth watching not just once, but again and again.-Radha Sachdev is an independent designer working across timezones, helping brands create identities with unique design aesthetics, telling their story with a touch of humor and innovation that connects with audiences in an authentic way through beautiful and impactful results. Her favorite part of design is diving into the creative process with the clients, since the process is just as important as the end result. She created the custom logotype called Creative Roots for Datalily Studio's blog page, an incredible and fun collaborative experience with Amy and Jen Hood. Radha has a weakness and passion for film, as well as graphic design in film, specially the typography created for the set design in film or type you see in the street, such as Annie Atkin's work on The Grand Budapest Hotel (2014). Teddy Blanks, who created the title card for Wuthering Heights (2026), is also one of her favorites. Radha has invented prop design projects just for fun, such as the Adore brand identity from Materialists (2025) and Florist Lily Bloom from It Ends with Us (2024).https://radhadesignstudio.xyz/ https://radhadesignstudio.xyz/adore/ https://radhadesignstudio.xyz/creativeroots/ https://www.datalily.com/blog-The Young Girls of Rochefort (1967)https://www.imdb.com/title/tt0062873/https://www.rogerebert.com/streaming/criterions-the-essential-jacques-demyhttps://www.indiewire.com/gallery/greta-gerwig-favorite-movies-film-recommendations/ -Other movies discussed:Chennai Express (2013)Cleo from 5 to 7 (1962)The Grand Budapest Hotel (2014)La La Land (2016)Moulin Rouge! (2001)West Side Story (1961)

Send us Fan MailComedian & star of Animal Control, Michael Rowland & comic ‎⁨Clark Franzman check in to discuss Wes Anderson's dreamy hotel masterpiece. Prepare some pastries, bathe in your finest perfume and enjoy the show!Go watch Animal Control and Give Michael a follow on Instagram: ‎⁨@michaelrowlando_o⁩  Follow Clark on instagram too: @ClarkFranzmanIf you enjoy the show follow us on instagram for more updates  @movieruiners   and check out our Patreon for Bonus Material and Deleted Scenes www.Patreon.com/MovieRuiners

Joe takes the guys on their first adventure into the wild mind of Wes Anderosn with: The Grand Budapest Hotel.

Episode Notes Full descrptions from the Library of Congress “The Tramp and the Dog” (1896)                                                          "The Tramp and the Dog," a silent film from Chicago's Selig Polyscope Company, is considered director William Selig's most popular early work. Filmed in Rogers Park, it is recognized as the first commercial film made in Chicago. Previously a lost film, it was rediscovered in 2021 at the National Library of Norway. The film depicts a tramp who attempts to steal a pie from a backyard windowsill, only to be met by a broom-wielding housewife and her dog, who foils the crime. The film is one of the first known as “pants humor,” where a character loses (or almost loses) his pants during an altercation. This scene inspired future comedy gags showing drifters and tramps losing their pants to dogs chasing them. “The Oath of the Sword” (1914)                                                                        A three-reel silent drama, "The Oath of the Sword" depicts the tragic story of two young lovers separated by an ocean. Masao follows his ambitions, studying abroad at the University of California, Berkeley, while Hisa remains in Japan, caring for her ill father. This earliest known Asian American film production featured Japanese actors playing Japanese characters and was produced by the Los Angeles-based Japanese American Film Company. Made at a time when Hollywood studios were not yet the dominant storytellers of the American film industry, "The Oath of the Sword" highlights the significance of early independent film productions created by and for Asian American communities. James Card, the founding curator at the George Eastman Museum, acquired “The Oath of the Sword” in 1963. The museum made a black and white photochemical preservation in 1980. In 2023, a new preservation reproducing the original tinting was done in collaboration with the Japanese American National Museum, and the film has since become widely admired. “The Maid of McMillan” (1916)Known to be the first student film on record, this whimsical, silent romance film was shot on campus in 1916 by students in the Thyrsus Dramatic Club at Washington University in St. Louis, Missouri. Club members Donald Stewart (Class of 1917) and George D. Bartlett (Class of 1920) wrote the screenplay. The original nitrate print of “The Maid of McMillan” was rediscovered in 1982, and two 16mm prints were made; the original nitrate was likely destroyed at this time. In 2021, with funding from the National Film Preservation Foundation, one of those 16mm prints was scanned at 4k and reprinted onto 35mm helping to secure the film's survival and legacy. “The Lady” (1925)When “The Lady” debuted in theaters in 1925, the silent film era had hit its stride, and this movie represents a powerhouse of artists at their peak. Director Frank Borzage was a well-established expert in drawing out intense expressions of deep emotion and longing in his actors. He did just that with the film's lead actress, Norma Talmadge, also at the height of her career, both in front of and behind the camera. Talmadge produced “The Lady” through her production company and commissioned one of the most prolific screenwriters, Frances Marion, to deliver a heartfelt story of a woman seeking to find the son she had to give up, to protect him from his evil grandfather. “The Lady” was restored by the Library of Congress in 2022. “Sparrows” (1926)As a silent actress, producer and key founder in the creation of the American film industry, Mary Pickford's performance in “Sparrows” represents her ability to master the genre she helped nourish: sentimental melodramas full of adventure and thrills, with dashes of comedy and heartfelt endings. Pickford plays Molly, the eldest orphan held within the swampy squalor of the Deep South, who moves heaven and earth to save the other orphan children from a Dickensian world of forced labor. The film takes some departures from the visual styles found in Pickford's other films, invoking an unusual tone of despair while deploying camera angles and lighting akin to German Expressionist cinema. “Sparrows” was preserved by the Library of Congress in collaboration with the Mary Pickford Company in 2020. “Ten Nights in a Barroom” (1926)                                                                     Featuring an all-Black cast, “Ten Nights in a Barroom” was produced in 1926 by the Colored Players Film Corporation of Philadelphia and is the earliest of only two surviving films made by the company. This silent film is based on the stage melodrama adapted from the 1854 novel “Ten Nights in a Bar-Room and What I Saw There” by Timothy Shay Arthur. Released in 2015 by Kino Lorber as part of the five-disc set “Pioneers of African-American Cinema,” the compilation was produced by the Library of Congress, in association with the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, Smithsonian's National Museum of African American History and Culture, Southern Methodist University and the UCLA Film & Television Archive. Preserved by George Eastman Museum. “White Christmas” (1954)                                                           While the chart-topping song "White Christmas" was first performed by Bing Crosby for the 1942 film "Holiday Inn," its composer, Irving Berlin, was later inspired to center the song in the 1954 musical "White Christmas." Crosby, along with Danny Kaye, Rosemary Clooney, Vera-Ellen Rohe and director Michael Curtiz, embedded "White Christmas" in American popular culture as a best-selling single and the top-grossing film of 1954, as well as regular holiday viewing throughout the decades. The story of two World War II veterans-turned-entertainers and a singing sister act preparing a show for a retired general, the film and its grand musical numbers were captured in VistaVision, a widescreen process developed by Paramount Pictures and first used for "White Christmas." “High Society” (1956)                                                                  Often referred to as the last great musical of the Golden Age of Hollywood, “High Society” features an all-star cast including Bing Crosby, Grace Kelly, Frank Sinatra and Louis Armstrong (and his band), along with a memorable score of Cole Porter classics. Set in Newport, Rhode Island, the film showcases the Newport Jazz Festival (established in 1954) and features a remarkable version of Cole Porter's “Now You Has Jazz.” It includes the first big-screen duet by Frank Sinatra and Bing Crosby, singing “Well, Did You Evah?” This was Grace Kelly's last movie before she retired from acting and married the Prince of Monaco; she wore her Cartier engagement ring while filming. “Brooklyn Bridge” (1981)                                               With “Brooklyn Bridge,” Ken Burns introduced himself to the American public, telling the story of the New York landmark's construction. As with later subjects like the Civil War, jazz and baseball, Burns connects the building of the Brooklyn Bridge to American identity, values and aspirations. Released theatrically and nominated for an Academy Award for Best Documentary Feature, “Brooklyn Bridge” marked the beginning of Burns' influential career in public media*.* More than just a filmmaker, Burns has become a trusted public historian. His storytelling presents facts, but maybe more importantly, invites reflection on what America is, where it's been, and where it's going. His influence is felt not only in classrooms and through public broadcasting, but across generations who see history as something alive and relevant. “Say Amen, Somebody” (1982)George Nierenberg's documentary is a celebration of the historical significance and spiritual power of gospel music. With inspirational music, joyful songs and brilliant singers, the movie focuses on the men and women who pioneered gospel music and strengthened its connections to African American community and religious life. Prior to production, Nierenberg, who is white, spent over a year in African American churches and communities, gaining the trust of the performers. Restored by the Smithsonian's National Museum of African American History and Culture in 2020, the film features archival footage, photographs, stirring performances and reflections from the father of gospel Thomas A. Dorsey and its matron Mother Willie Mae Ford Smith. Nierenberg shows the struggles and sacrifices it takes to make a living in gospel, including criticism endured by women who sought to pursue careers as professional gospel singers while raising their families. “The Thing” (1982)Moody, stark, often funny and always chilling, this science fiction horror classic follows Antarctic scientists who uncover a long-dormant, malevolent extraterrestrial presence. “The Thing” revolutionized horror special effects and offers a brutally honest portrait of the results of paranoia and exhaustion when the unknown becomes inescapable. “The Thing” deftly adapts John W. Campbell's 1938 novella “Who Goes There?” and influenced “Stranger Things” and “Reservoir Dogs.” It remains a tense, thrilling and profoundly unsettling work of cinema. “The Big Chill” (1983)Lawrence Kasdan's best picture-nominated “The Big Chill” offers an intimate portrait of friends reunited after the suicide of one of their own and features actors who defined cinema in the 1980s – Glenn Close, William Hurt, Jo Beth Williams, Kevin Kline, Jeff Goldblum and Meg Tilly. This powerful ensemble portrays American stereotypes of the time – the yuppie, the drug dealer, the TV star – and deftly humanizes them. Through humor, tenderness, honesty and an amazing soundtrack, it shows formerly idealistic Americans making and dealing with the constant compromises of adulthood, while buoying one another with uncompromising love and friendship. “The Karate Kid” (1984)An intimate story about family and friendship, “The Karate Kid” also succeeds as a hero's journey, a sports movie and a teen movie – a feel-good movie, but not without grit. The film offers clearly defined villains, romance and seemingly unachievable goals, but also an elegant character-driven drama that is relatable and touching. A father who has lost his son meets the displaced son of a single mother and teaches him about finding balance and avoiding the pitfalls of violence and revenge. Race and class issues are presented honestly and are dealt with reasonably. Our hero practices a lot, gets frustrated, gets hurt, but still succeeds. It's as American as they come, and it's a classic. “Glory” (1989)“Glory,” described by Leonard Maltin as “one of the finest historical dramas ever made,” portrays a historical account of the 54th Regiment, a unit of African American soldiers who fought for the North in the Civil War. Authorized by the Emancipation Proclamation of 1863, the regiment consisted of an all-Black troop commanded by white officers. Matthew Broderick plays the young colonel who trains the troop, and Denzel Washington (in an Academy Award-winning performance) is among an impressive cast that includes Morgan Freeman, Cary Elwes and Andre Braugher. American Civil War historian James M. McPherson said the film "accomplishes a remarkable feat in sensitizing a lot of today's Black students to the role that their ancestors played in the Civil War in winning their own freedom.” “Philadelphia” (1993)                                                                  “Philadelphia” stars Tom Hanks in one of the first mainstream studio movies to confront the HIV/AIDS crisis. In the film, law partner Andrew Beckett (Hanks) is fired from his firm when they discover that he is gay and has AIDS. He hires personal attorney Joe Miller (Denzel Washington) to help him with litigation against his former employer. Director Jonathan Demme is quoted as saying, “The film is not necessarily just about AIDS, but rather everyone in this country is entitled to justice.” The film won two Oscars: one for Hanks and the other for Bruce Springsteen's original song, “The Streets of Philadelphia.” Through the song's mainstream radio and MTV airplay, it brought the film and its conversation around the HIV/AIDS pandemic to a wider audience. “Before Sunrise” (1995)                                                              Richard Linklater has explored a wide range of narrative storytelling styles while consistently capturing ordinary, everyday American life. However, his innovative use of time as a defining and recurring cinematic tool has become one of his most significant accomplishments. As the first film in his “Before” trilogy – three films, each shot nine years apart – “Before Sunrise” unfolds as one of cinema's most sustained explorations of love and the passage of time, highlighting the human experience through chance encounters and conversation. With his critically acclaimed 12-year production of the film “Boyhood” (2014) and a new 20-year planned production underway, his unique use of the medium of film to demonstrate time passing demonstrates an unprecedented investment in actors and narrative storytelling. “Clueless” (1995)                                                             A satire, comedy and loose Jane Austen literary adaptation dressed in teen movie designer clothing, “Clueless,” directed by Amy Heckerling, rewards both the casual and hyper-analytical viewer. It's impossible to miss its peak-1990s colorful, high-energy, soundtrack-focused on-screen dynamism, and repeated viewings reveal its unpretentiously presented and extraordinarily layered and biting social commentary about class, privilege and power structures. Heckerling and the incredible cast never talk down to the audience, creating main characters that viewers root for, despite the obvious digs at the ultrarich. The film centers on Cher (Alicia Silverstone) as a well-intentioned, fashion-obsessed high school student who is convinced she has life figured out. In the age of MTV, the film's popularity launched Paul Rudd's career and Silverstone's iconic-1990s status. The soundtrack, curated by Karyn Rachtman, helped solidify the film as a time capsule of clothing, music, dialogue and teenage life. “The Truman Show” (1998)Before social media and reality television, there was “The Truman Show.” Jim Carrey breaks from his usual comedic roles to star in this dramatic film about a man who, unbeknownst to him, is living his life on a soundstage filmed for a popular reality show. Adopted at birth by the television studio, Truman Burbank (Carrey) grew up in the (fictitious) town of Seahaven Island with his family and friends playing roles (paid actors). Cameras are all over the soundstage and follow his activities 24/7. Almost 30 years since its release, the film continues to be a study in sociology, philosophy and psychology, and has inspired university classes on media influence, the human condition and reality television. “Frida” (2002)Salma Hayek produced and starred in this biopic of Frida Kahlo, adapted from the book “Frida: A Biography of Frida Kahlo” by Hayden Herrera. The film explores Kahlo's rise as an artist in Mexico City and the impact disability and chronic pain from an accident as a young adult had on her life and work. The film centers around her tumultuous and passionate relationships, most significantly with her husband, painter Diego Rivera (Alfred Molina). Directed by Julie Taymor, the film was nominated for six Academy Awards, including Best Actress. It won awards for Best Makeup and Best Original Score for Elliot Goldenthal, who also won a Golden Globe in the same category. “The Hours” (2002)Director Stephen Daldry's “The Hours” weaves the novel “Mrs. Dalloway” into three women's stories of loneliness, depression and suicide. Virginia Woolf, played by Nicole Kidman (who won an Oscar and a Golden Globe for her performance), is working on the novel while struggling with what is now known as bipolar disorder. Laura, played by Julianne Moore (nominated for Best Actress in a Supporting Role), is unfulfilled in her life as a 1950s housewife and mother. Clarissa (played by Meryl Streep) is – like Mrs. Dalloway – planning a party, but for her close friend who is dying of AIDS. The film is based on Michael Cunningham's Pulitzer Prize-winning novel. It earned nine Academy Award nominations, including Best Picture, and won a Golden Globe for Best Picture. “The Incredibles” (2004)                                                 With an all-star cast and memorable soundtrack, this Academy Award-winning Pixar hit uses thrilling action sequences to tell the story of a family trying to live normal lives while hiding their superpowers. For the first time, Pixar hired an outside director, Brad Bird, who drew inspiration from spy films and comic books from the 1960s. The animation team developed a new design element to capture realistic human anatomy, hair, skin and clothing, which Pixar struggled with in early films like “Toy Story.” The film spawned merchandise, video games, Lego sets and more. The sequel, “Incredibles 2,” was also a huge hit, and together, both films generated almost $2 billion at the box office. “The Wrecking Crew” (2008)                                                     “The Wrecking Crew” is a documentary that showcases a group of Los Angeles studio musicians who played on many hit songs and albums of the 1960s and early 1970s, including “California Dreamin',” “The Beat Goes On,” “You've Lost That Lovin' Feeling” and “These Boots Are Made for Walkin'.” Through interviews, music, footage and his own narration, director Denny Tedesco reveals how the Wrecking Crew members – including his father, guitarist Tommy Tedesco – were the unsung heroes of some of America's most famous songs. Production for the film began in 1996, and the film was completed in 2008. Due to the high cost of song licenses, the official release was delayed until 2015, when a successful Kickstarter campaign raised over $300,000 to pay for the music rights. “Inception” (2010)                                                                         Writer and director Christopher Nolan once again challenges audiences with multiple interconnected narrative layers while delivering thrilling action sequences and stunning visual effects. “Inception” asks the question, “Can you alter a person's thoughts by manipulating their dreams?” Taking almost 10 years to write, the film was praised for its aesthetic significance and Nolan's ability to create scenes using cameras rather than computer-generated imagery. A metaphysical heist film with an emotional core driven by grief and guilt, “Inception” offers a meditation on how dreams influence identity, and it resonates deeply in an age of digital simulation, blurred realities and uncertainty. The film earned $830 million at the box office and won four Academy Awards. “The Loving Story” (2011)Nancy Buirski's acclaimed documentary gives an in-depth and deeply personal look at the true story of Richard Loving (a white man) and Mildred Loving (a Black and Native American woman), who were forbidden by law to marry in the state of Virginia in the 1960s. Their Supreme Court case, Loving vs. Virginia, was one of the most significant in history, and paved the way for future multiracial couples to marry. The movie captures the immense challenges the Lovings faced to keep their family and marriage together, through a combination of 16mm footage, personal photographs, accounts from their lawyers and family members, and audio from the Supreme Court oral arguments. “The Grand Budapest Hotel” (2014)“The Grand Budapest Hotel” stands as one of Wes Anderson's most successful films and demonstrates his own brand of unique craftsmanship, resulting in a visually striking and emotionally resonant story. As one of the most stylistically distinctive American filmmakers of the last half-century, Anderson uses historically accurate color and architecture to paint scenes to elicit nostalgia and longing from audiences, while at the same time weaving in political and social upheaval into the film. The film is an example of Anderson as a unique artist who uses whimsy, melancholy, innovative storytelling and a great deal of historical research, which is on display in this visually rich gem of a movie. Find out more at https://registry-a-podcast.pinecast.co

CineCouch - 043 - Grand Budapest Hotel

This week on PREVIOUSLY ON…, Jason and Rosie break down the teaser trailer for season two of Daredevil: Born Again, which premieres on Disney+ on March 24. They also react to the news that Odessa A’zion has exited A24’s adaptation of Deep Cuts following fan concerns about the casting of A'zion as Zoe Gutierrez, a character who is half Mexican and half Jewish. The conversation continues with a look at the latest films added to the National Film Registry, including Clueless, The Karate Kid, The Grand Budapest Hotel, and more, before diving into the major news that Brandon Sanderson’s Cosmere fantasy universe is coming to Apple TV, with Mistborn set for a film adaptation and The Stormlight Archive headed to television. Finally, they discuss Netflix’s Skyscraper Live event, which featured legendary free solo climber Alex Honnold scaling Taipei 101 in Taiwan. Follow Jason: IG & Bluesky Follow Rosie: IG & Letterboxd Follow X-Ray Vision on Instagram Join the X-Ray Vision DiscordSee omnystudio.com/listener for privacy information.

The Decade Project is an ongoing One Heat Minute Productions Patreon exclusive podcast looking back at the films released ten years ago to reflect on what continues to resonate and what's ripe for rediscovery. The third year being released on the main podcast feed is the films of 2015. To hear a fantastic chorus of guests and I unpack the films of 2016 in 2026, subscribe to our Patreon here for as little as $1 a month. In the latest episode, delightful and moving artist and primo Wes Anderson connisseur - Brianna Ashby - and I discuss THE GRAND BUDAPEST HOTEL, and we don't know what sort of cream they've put on you down at the morgue, but... we want some.Brianna AshbyThe profoundly talented artist who has helped define the look of not only the seminal independent film publication BRIGHT WALL DARK ROOM, but also for ONE HEAT MINUTE PRODUCTIONS.WEBSITE: brianna-ashby.comOne Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Min 5: REPASO NOMINACIONES OSCAR + HAMNET (4 ESTRELLAS) 'Hamnet', la nueva película de Chloé Zhao, con 8 nominaciones a los Óscar, es una de las películas más esperadas del año y una de las sensaciones de la semana en cartelera. La autora de Nomadland (2020) adapta con maestría la novela homónima de Maggie O'Farrell mediante una mirada íntima, sobria y visceral sobre el amor y el duelo. Ambientada en la Inglaterra del XVI, la historia sigue a Agnes Shakespeare (Jessie Buckley) y a William Shakespeare (Paul Mescal) antes y después de la muerte de su hijo de once años, Hamnet, una tragedia que imagina el germen humano de la futura Hamlet. El estreno de más quilates de la semana ha entusiasmado a los críticos de Estamos de Cine. Min 20: ARCO: LA PELI ANIMADA FAVORITA AL ÓSCAR (4 estrellas) “Arco” es una de las sorpresas llamativas de la temporada de premios y una muestra vibrante de la animación europea contemporánea. Una fábula de ciencia ficción que, bajo la apariencia de aventura infantil, articula un discurso profundo sobre la identidad, la responsabilidad y nuestra relación con el planeta y el paso del tiempo. Dirigida por Ugo Bienvenu —ilustrador y narrador visual debutando en el largo cinematográfico—, la película sigue a Arco, un niño de diez años que vive en el año 2932 en una sociedad tecnológicamente avanzada donde la humanidad ha alcanzado las nubes tras la devastación de la Tierra. Por accidente, Arco activa un dispositivo de viaje en el tiempo y aterriza en 2075, una versión del mundo marcada por crisis medioambientales y desequilibrios ecológicos. Allí conoce a Iris, otra niña de su edad que, acompañada por un robot niñera, decide ayudarle a encontrar la forma de regresar a su futuro mientras ambos enfrentan preguntas sobre sus respectivos mundos y sus propios miedos y esperanzas. Min 25: ÍDOLOS ( 3 estrellas) "Ídolos' es un intento ambicioso y vibrante de acercar el cine español al gran espectáculo deportivo, sumergiéndose de lleno en el universo del motociclismo profesional para contar una historia de superación personal, reconciliación familiar y amor desafiante. Dirigida por Mat Whitecross y con guión de Inma Cánovas, Jordi Gasull y Ricky Roxburgh, la película sitúa al espectador en el corazón del Campeonato Mundial de Moto2 y MotoGP, donde ritmos narrativos propios del cine de acción se entrelazan con la emoción íntima de sus personajes. Alberto Luchini la compara sin tapujos con F1 y le otorga la misma calificación en nuestro panel de crítica. Min 31: SIN PIEDAD (3 estrellas) 'Sin Piedad' es una propuesta de ciencia ficción que parte de una idea provocadora y con enorme potencial simbólico: en Los Ángeles del año 2029, la justicia ya no la imparten jurados ni jueces humanos, sino una inteligencia artificial capaz de dictar sentencia en cuestión de minutos. El detective Chris Raven (Chris Pratt), que en el pasado defendió ese sistema automatizado, despierta una mañana rodeado de cables y pantallas y descubre que ha sido acusado de asesinar a su propia esposa. Con la sentencia casi asegurada, Raven dispone de 90 minutos para demostrar su inocencia ante la jueza de IA Maddox (Rebecca Ferguson), un programa que él contribuyó a perfeccionar. Min 39: RETORNO A SILENT HILL (2,5 estrellas) “Retorno a Silent Hill” vuelve a llevar la niebla, el horror psicológico y la iconografía inquietante de Silent Hill a la gran pantalla bajo la dirección de Christophe Gans, responsable de la primera adaptación cinematográfica de la saga en 2006. Inspirada de manera libre en el legendario videojuego Silent Hill 2, la película sigue a James Sunderland (Jeremy Irvine), un artista emocionalmente destrozado que, tras recibir una carta aparentemente de su esposa fallecida, Mary (Hannah Emily Anderson), regresa a la ciudad maldita en busca de respuestas entre ruinas envueltas en niebla, criaturas grotescas y símbolos oníricos que parecen sacados directamente del subconsciente. Min 43: LA PELÍCULA DE TU VIDA, CON VEGA HERNÁNDEZ La periodista de Radio Castilla-La Mancha y directora del espacio La Colmena, Vega Hernández, es la protagonista de esta sección y la encargada de contarnos por qué "Orgullo y Prejuicio" (Joe Wright. 2005) es su película favorita. Min 45: ESPECIAL BSO: DESPLAT Y SU 'HOMBRE MENGUANTE' (3 estrellas) La música de Alexandre Desplat para El hombre menguante (L'homme qui rétrécit, 2025) se erige como una partitura que acompaña y amplifica el viaje íntimo y existencial del protagonista en una cinta que explora la fragilidad humana desde la ciencia ficción y la aventura cotidiana. Compuesta y dirigida por el propio Desplat —uno de los compositores más influyentes del cine contemporáneo, con una carrera que incluye The Grand Budapest Hotel y The Shape of Water—, la banda sonora fue editada por Milan Records y publicada en plataformas digitales desde el 22 de octubre de 2025.

This week's Go To is another film discussion between Kelly and Tammy, this time exploring creativity through Wes Anderson's The Grand Budapest Hotel. They break down what makes the film a masterclass in creative choices: the strict candy-store palette, the impeccable production design/hair/makeup and the intentional postures and snappy pacing from the actors. Kelly reflects on what it takes to hold the line on daring creative choices and why collaboration that comes too early can make something special become ordinary. It's about trusting your audience, the miracle of hundreds of people doing their jobs superbly at once, and proof that radical creativity can also be commercially successful. This Go To is supported by a grant from the John Templeton Foundation. To learn more, visit: templeton.org. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

28 DAYS LATER FRANCHISE CONTINUES! 28 Years Later: The Bone Temple Movie Review (Non-Spoiler) - the post-apocalyptic horror saga returns with a bold new chapter as Greg & John dig into 28 Years Later: The Bone Temple, the fourth installment in the 28 Days Later franchise! Directed by Nia DaCosta (Candyman, The Marvels) from a screenplay by Alex Garland (Ex Machina, Annihilation), this sequel takes the Rage Virus world into even darker, stranger, more thoughtful, & more psychologically intense territory. Download PrizePicks today at https://www.prizepicks.onelink.me/LME... & use code REJECTS to get $50 instantly when you play $5! 28 Years Later Out of Theatre Review:    • Holy Crap...Just Watched 28 YEARS LATER!! ...   28 Days Later (2002) Movie Reaction (Aaron & Andrew):    • 28 DAYS LATER (2002) MOVIE REACTION!! | Fi...   28 Days Later (2002) Movie Reaction (Tara & Roxy):    • 28 DAYS LATER (2002) MOVIE REACTION!! Dann...   28 Weeks Later (2007) Movie Reaction:    • 28 WEEKS LATER (2007) IS CRAZY INTENSE!! M...   28 Years Later (2025) Movie Reaction:    • 28 YEARS LATER (2025) IS FRIGGIN' WILD!! M...   Gift Someone (Or Yourself) A Stranger Things RR Tee! https://shorturl.at/hekk2 The film stars Ralph Fiennes (The English Patient, The Grand Budapest Hotel) as Dr. Ian Kelson, a former GP trying to make sense of humanity amid devastation, Jack O'Connell (Sinners) as the chilling cult leader Sir Lord Jimmy Crystal, and Alfie Williams reprising Spike, whose journey continues with shocking consequences. Also featured are Erin Kellyman (The Falcon and the Winter Soldier) and Chi Lewis-Parry as the imposing Alpha-infected “Samson.” Cillian Murphy (28 Days Later, Peaky Blinders) makes a surprise return as Jim in a key role that sets up the next chapter of the franchise. Shot back-to-back with 28 Years Later and scored by Hildur Guðnadóttir (Joker, Chernobyl), The Bone Temple explores how survivors rebuild belief systems and power structures in a world ravaged by the Rage Virus — where human cruelty may be as terrifying as the infected themselves. Our review breaks down DaCosta's haunting direction, Garland's layered storytelling, the cast's standout performances, and the unsettling themes of evil, survival, and the human condition that make this sequel one of the most anticipated horror films of 2026! Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Last year, Film Ireland presented Screen Sessions Live, an afternoon of in-depth conversations on craft, career and creativity between talent from the Irish screen industries - made possible with the support of Screen Ireland and hosted by our partners Griffith College.In this special live podcast recording, graphic artist Annie Atkins (The Grand Budapest Hotel, The French Dispatch, Bridge of Spies) is in conversation with production designer, art director, and concept illustrator Jill Beecher (Babylon, Elvis, The Revenant). Both creatives are key voices in the art department on some of Hollywood's most ambitious and visually distinctive films. In this discussion, Annie and Jill explore the creative realities of working behind the scenes - from collaboration and artistry to problem-solving on set - and discuss how design shapes the stories we see on screen.Visit Film Ireland here to check out the images mentioned during the discussion: https://www.filmireland.net/screen-sessions-live-podcast-on-design-with-annie-atkins-the-grand-budapest-hotel-jill-beecher-babylon/Annie AtkinsAnnie Atkins has created graphic props and set pieces for multiple Oscar-nominated and winning movies such as Wes Anderson's The Grand Budapest Hotel, Isle of Dogs, and The French Dispatch; Spielberg's Bridge of Spies and West Side Story; and the map for the latest Indiana Jones movie, The Dial of Destiny.Her first book, Fake Love Letters, Forged Telegrams, and Prison Escape Maps, was published by Phaidon and drew critical acclaim as a behind-the-scenes look at film design, winning accolades from Jeff Goldblum, among others: “Annie makes the unreal seem hyperreal, and the real more supremely alive and utterly magical...” Her latest book, Letters from the North Pole, is a children's picture book and is available now.Jill BeecherJill was born in Dublin, Ireland, in 1984. She is a production designer, art director, and concept illustrator who has worked across Hollywood productions and local Irish projects (Once Upon a Time... in Hollywood, The Revenant, Alien: Covenant, Babylon, Elvis). Jill is now represented by William Morris Endeavour and is a member of the British and American Art Directors Guilds. She is also a visual artist who has exhibited in Europe, America, and Australia.Subscribe now on SoundCloud, Apple, Spotify and Amazon, or subscribe to Film Ireland wherever you get your podcasts. Hosted on Acast. See acast.com/privacy for more information.

Let it snow, let it snow, let it snow!  This week on Cinema in Seconds, Ian, Daniel and Cathryn look at movies set in the snow.  So put on your headphones, mitts and toque, and listen. Merry Christmas!Grand Budapest Hotel – 3:00Little Women – 12:00Life and Death of Col. Blimp – 27:00Wind River – 38:00Hundreds of Beavers – 51:30The Great Silence – 1:04:30

THE ORIGINS OF THE KINGSMAN!! The King's Man Full Movie Reaction Watch Along:   / thereelrejects   Rula patients typically pay $15 per session when using insurance. Connect with quality therapists and mental health experts who specialize in you at https://www.rula.com/REJECTS #rulapod Kingsman: The Secret Service (2014) Reaction:    • KINGSMAN: THE SECRET SERVICE (2015) IS FRI...   Kingsman: The Golden Circle (2017) Reaction:    • KINGSMAN: THE GOLDEN CIRCLE (2017) IS TOTA...   Gift Someone (Or Yourself) A Stranger Things RR Tee! https://shorturl.at/hekk2 With rumors circling around both The King's Man: The Traitor King & Kingsman: The Blue Blood, Tara Erickson (The Rage Pod) & Andrew Gordon (Cinepals) RETURN to complete their Kingsman Marathon (for now..) w/ their The King's Man Reaction, Recap, Commentary, Analysis & Spoiler Review! Matthew Vaughn (Kingsman: The Secret Service, X-Men: First Class) rewinds the clock to the origins of the secret spy organization. Set during the chaos of World War I, the film explores how global conflict, shadowy conspiracies, and larger-than-life villains gave birth to the Kingsman legacy. The story centers on Ralph Fiennes (Schindler's List, The Grand Budapest Hotel) as Orlando, Duke of Oxford, a pacifist aristocrat drawn into a worldwide plot manipulating nations into war. Alongside him is Djimon Hounsou (Gladiator, Blood Diamond) as the fiercely loyal Shola, and Gemma Arterton (Quantum of Solace, Prince of Persia) as Polly, whose intelligence and resolve prove just as vital as brute force. The next generation steps forward through Harris Dickinson (Triangle of Sadness, Beach Rats) as Conrad Oxford, whose journey from idealism to brutal reality forms the emotional backbone of the film. Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

THE ORIGINS OF THE KINGSMAN!! The King's Man Full Movie Reaction Watch Along: ⁠  / thereelrejects  ⁠ Rula patients typically pay $15 per session when using insurance. Connect with quality therapists and mental health experts who specialize in you at ⁠https://www.rula.com/REJECTS⁠ ⁠#rulapod⁠ Kingsman: The Secret Service (2014) Reaction: ⁠   • KINGSMAN: THE SECRET SERVICE (2015) IS FRI...  ⁠ Kingsman: The Golden Circle (2017) Reaction: ⁠   • KINGSMAN: THE GOLDEN CIRCLE (2017) IS TOTA...  ⁠ Gift Someone (Or Yourself) A Stranger Things RR Tee! ⁠https://shorturl.at/hekk2⁠ With rumors circling around both The King's Man: The Traitor King & Kingsman: The Blue Blood, Tara Erickson (The Rage Pod) & Andrew Gordon (Cinepals) RETURN to complete their Kingsman Marathon (for now..) w/ their The King's Man Reaction, Recap, Commentary, Analysis & Spoiler Review! Matthew Vaughn (Kingsman: The Secret Service, X-Men: First Class) rewinds the clock to the origins of the secret spy organization. Set during the chaos of World War I, the film explores how global conflict, shadowy conspiracies, and larger-than-life villains gave birth to the Kingsman legacy. The story centers on Ralph Fiennes (Schindler's List, The Grand Budapest Hotel) as Orlando, Duke of Oxford, a pacifist aristocrat drawn into a worldwide plot manipulating nations into war. Alongside him is Djimon Hounsou (Gladiator, Blood Diamond) as the fiercely loyal Shola, and Gemma Arterton (Quantum of Solace, Prince of Persia) as Polly, whose intelligence and resolve prove just as vital as brute force. The next generation steps forward through Harris Dickinson (Triangle of Sadness, Beach Rats) as Conrad Oxford, whose journey from idealism to brutal reality forms the emotional backbone of the film. Follow Andrew Gordon on Socials:  YouTube: ⁠https://www.youtube.com/@MovieSource⁠ Instagram:⁠ ⁠ ⁠https://www.instagram.com/agor711/?hl=en⁠ Twitter:  ⁠https://twitter.com/Agor711⁠ Follow Tara Erickson: Youtube:⁠ https://www.youtube.com/@TaraErickson⁠ Instagram: ⁠ https://www.instagram.com/taraerickson/⁠ Twitter: ⁠ https://twitter.com/thetaraerickson⁠ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ Follow Us On Socials:  Instagram: ⁠https://www.instagram.com/reelrejects/⁠  Tik-Tok: ⁠https://www.tiktok.com/@reelrejects?lang=en⁠ Twitter: ⁠https://x.com/reelrejects⁠ Facebook: ⁠https://www.facebook.com/TheReelRejects/⁠ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/by/4.0/⁠ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ POWERED BY @GFUEL Visit⁠ https://gfuel.ly/3wD5Ygo⁠ and use code REJECTNATION for 20% off select tubs!! Head Editor:⁠ https://www.instagram.com/praperhq/?hl=en⁠ Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license.⁠ https://creativecommons.org/licenses/by/4.0/⁠ Ask Us A QUESTION On CAMEO:⁠ https://www.cameo.com/thereelrejects⁠ Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  ⁠https://www.facebook.com/TheReelRejects/⁠ INSTAGRAM: ⁠ https://www.instagram.com/reelrejects/⁠ TWITTER:  ⁠https://twitter.com/thereelrejects⁠ Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  ⁠https://www.instagram.com/thegregalba/⁠ TWITTER:  ⁠https://twitter.com/thegregalba⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

F. Murray Abraham has appeared in more than 80 films including Amadeus (Academy Award, Golden Globe, and L.A. Film Critics Awards), The Phoenician Scheme, The Name of the Rose, Finding Forrester, Scarface, The Ritz, The Grand Budapest Hotel, and Inside Llewyn Davis. A veteran of the stage, he has appeared in more than 90 plays, among them Uncle Vanya (Obie Award), Krapp's Last Tape, Trumbo, A Christmas Carol, the musical Triumph of Love, Cyrano de Bergerac, King Lear, Macbeth, The Merchant of Venice, Angels in America (Broadway), Waiting for Godot, and It's Only a Play. Mr. Abraham's work in experimental theater includes collaborations with Joe Chaiken, Pina Bausch, Time and Space Ltd, and Richard Foreman. He made his NY debut as a Macy's Santa Claus. He starred in the second season of HBO's “The White Lotus,” for which he received Emmy and Golden Globe nominations for Outstanding Supporting Actor in a Drama Series. Previously, he was a series regular on “Homeland” (2 Emmy nominations). He's appeared with Luciano Pavarotti, Maestros Levine, Tilson Thomas, Mazur, and Bell, and he made his solo singing debut at Carnegie Hall's Weill Recital Hall. Mr. Abraham's book, A Midsummer Night's Dream: Actors on Shakespeare, is published by Faber & Faber. He is proud to be the spokesman for the MultiFaith Alliance for refugees worldwide. Learn more about your ad choices. Visit podcastchoices.com/adchoices

우주 대통합을 그리는 수작 of 수작. 명작 of 명작. 역작 of 역작. "I saw my life without you. I wish you could have seen it."

Few actors can claim a career as rich and varied as F. Murray Abraham. From his classical theater roots to his unforgettable Oscar-winning turn as Salieri in Amadeus, from Tony-nominated Broadway performances to his recent scene-stealing work in The White Lotus, Homeland, and Star Trek: Discovery—Abraham has mastered the art of reinvention without ever compromising his craft. In this intimate conversation, the 85-year-old legend opens up about the highs and lows of a six-decade journey through American entertainment. He reveals why winning an Academy Award didn’t guarantee stardom, how he’s chosen challenging roles over commercial success, and what it means to still be delivering career-best performances in his ninth decade—including his current starring role in the new Broadway production of The Queen of Versailles. Abraham discusses what drew him back to live theater at this stage of his career and the unique electricity of performing before an audience eight times a week. He shares insights from working with the Coen Brothers on Inside Llewyn Davis, reflects on his rigorous classical training, and explains the discipline required to sustain a working actor’s life across film, television, and stage. He offers behind-the-scenes stories from iconic productions spanning Amadeus to The Grand Budapest Hotel, discusses the art of playing complex villains and antiheroes, and provides hard-won wisdom about longevity, artistry, and staying relevant across generations. Whether you’re an aspiring actor, a film buff, or simply a fan of great storytelling, this episode offers a masterclass in dedication, versatility, and the power of choosing substance over flash. F. Murray Abraham proves that the best careers aren’t built overnight—they’re crafted one brilliant performance at a time. Listen now to hear from one of the most respected character actors of our time.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Few actors can claim a career as rich and varied as F. Murray Abraham. From his classical theater roots to his unforgettable Oscar-winning turn as Salieri in Amadeus, from Tony-nominated Broadway performances to his recent scene-stealing work in The White Lotus, Homeland, and Star Trek: Discovery—Abraham has mastered the art of reinvention without ever compromising his craft. In this intimate conversation, the 85-year-old legend opens up about the highs and lows of a six-decade journey through American entertainment. He reveals why winning an Academy Award didn’t guarantee stardom, how he’s chosen challenging roles over commercial success, and what it means to still be delivering career-best performances in his ninth decade—including his current starring role in the new Broadway production of The Queen of Versailles. Abraham discusses what drew him back to live theater at this stage of his career and the unique electricity of performing before an audience eight times a week. He shares insights from working with the Coen Brothers on Inside Llewyn Davis, reflects on his rigorous classical training, and explains the discipline required to sustain a working actor’s life across film, television, and stage. He offers behind-the-scenes stories from iconic productions spanning Amadeus to The Grand Budapest Hotel, discusses the art of playing complex villains and antiheroes, and provides hard-won wisdom about longevity, artistry, and staying relevant across generations. Whether you’re an aspiring actor, a film buff, or simply a fan of great storytelling, this episode offers a masterclass in dedication, versatility, and the power of choosing substance over flash. F. Murray Abraham proves that the best careers aren’t built overnight—they’re crafted one brilliant performance at a time. Listen now to hear from one of the most respected character actors of our time.Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

This podcast may not be an institution yet, but that hotel in the spa town of Nebelsbad below the Alpine Sudetenwaltz certainly is.

This week, the great Genevieve Jacobson returns along with first time (and equally great) guest Langston Young to discuss The Grand Budapest Hotel. Arguments are had and technical issues abound as we discuss the broader career of Wes Anderson, the film's Oscar run and notorious Ralph Fiennes snub, Saoirse's frustratingly small role and its oddly fruitful afterlife, and, of course, 28 Years Later. Hosted on Acast. See acast.com/privacy for more information.

왜 살고 왜 죽는가? 화 내고 울 수 있으면 그게 능력이다. P.S. “폭군의 셰프” 주인공은 엄지영이 아니라 연지영입니다… // 제가 찾던 “로맨스”의 번역에 적합한 한국어 단어는 “낭만”이었습니다.“The Grand Budapest Hotel” (2014) (영화)웨스 앤더슨“The Social Network” (영화)알렉상드르 데스플라“The Shape of Water” (영화)“반지의 제왕” (영화)“위대한 개츠비” (책)테너 듀크 킴“폭군의 셰프” (드라마)---녹취록: https://aimdreaming.imaginariumkim.com/the-grand-budapest-hotel-에픽-판타지-업-로맨스-낭만-자기-관심/한아임한테 ☕️ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠커피 사주기⁠⁠⁠⁠

Wes Anderson's follow up to The Grand Budapest Hotel has him revisiting the stop motion and animated genre with ISLE OF DOGS.  Please send any and all feedback to anotherlookpod@gmail.com.  Please follow us on Instagram @anotherlookpod, and rate/review/subscribe where ever you get your podcasts.

This week's episode has us discussing Wes Anderson's most critically successful film, and to many one of his best as we talk THE GRAND BUDAPEST HOTEL.  Please send any and all feedback to anotherlookpod@gmail.com.  Please follow us on Instagram @anotherlookpod, and rate/review/subscribe where ever you get your podcasts.

Send us a textIn our most demure and mindful episode to date, Guest: Sam Bullington checks in for a stay at “The Grand Budapest Hotel,” (2014 d. Anderson / Writings - Zweig) by way of a Review Review. Starring: Ralph Finnes, F. Murray Abraham, and Adrien Brody. This episode gets almost as charming as this clearly (that's Willem Dafoe) Wes Anderson film, until Corporate Overlord Gerrah Joees comes in to make us talk football, for no compensation. And we talk what he tells us to talk. Cause, “That's, Dallas.” 8/5!**All episodes contain explicit language**Artwork - Ben McFaddenReview Review Intro/Outro Theme - Jamie Henwood"What Are We Watching" & "Whatcha been up to?" Themes - Matthew Fosket"Fun Facts" Theme - Chris Olds/Paul RootLead-Ins Edited/Conceptualized by - Ben McFaddenProduced by - Ben McFadden & Paul RootConcept - Paul Root

For the year 2025, we wanted to explore the directors who created the magical movie moments and see how these legendary directors left their stamp on cinematography  for years to come.Intro Music: Fly Forward by YariThe Talkers:HoppocalypseItisdpayne⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitch.tv/itisdpayne⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Netflix introduces the new documentary A King Like Me, which follows the New Orleans Zulu Social Aid & Pleasure Club -- the legendary 116-year-old original Black Mardi Gras Krewe -- as they work to bring the Zulu parade back for Mardi Gras 2022 in the face of Hurricane Ida, a global pandemic and the tragic loss of several members to COVID. The film paints a modern portrait of Black brotherhood, leadership and community;  explores health and social inequities in the U.S. tied to race; and highlights the ways Black culture has shaped both New Orleans and the nation. (See a preview). The film was executive produced by Fisher Stevens. In addition to his dozens of well-known roles in movies & TV (Short Circuit, The Grand Budapest Hotel, The French Dispatch, Asteroid City, Succession, Lost, etc.), Fisher is also an Oscar-winning documentarian (The Cove, Crazy Love, Beckham). A King Like Me marks the directorial debut of Emmy winner Matthew O. Henderson who produced films such as True Justice: Bryan Stevenson's Fight for Equality, The Soul of America and Obama: In Pursuit of a More Perfect Union.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

There's a new Wes Anderson movie in theaters, but that's only part of the reason we were inspired to cover The Grand Budapest Hotel for this latest edition of Time on Screen. Faithful readers might remember a recent release from Maurice de Mauriac with a pretty direct link to the film. There's also Anderson's recent collaboration with Montblanc (timed to coincide with the release of The Phoenician Scheme) that certainly appeals to our own interest in writing instruments as well. Gear Patrol has the full story on the pen – is there anything more Wes Anderson than the layout of that limited edition packaging? But ultimately, we just really love The Grand Budapest Hotel and didn't need much of a reason to discuss it. Zach Kazan is joined by Kyle Snarr for this episode (they also covered The Life Aquatic here, which you should listen to if you haven't already), and the focus the conversation on where Grand Budapest sits in Anderson's filmography. More than a decade removed from the film's release, it now seems pretty clear that it represents a dividing line in Anderson's career. Zach and Kyle also spend some time talking about the great Ralph Fiennes performance in this film, as well as their favorite scenes. To stay on top of all new episodes, you can subscribe to The Worn & Wound Podcast on all major platforms including Apple Podcasts, Stitcher, Spotify, and more. You can also find our RSS feed here.And if you like what you hear, then don't forget to leave us a review.If there's a question you want us to answer you can hit us up at info@wornandwound.com, and we'll put your question in the queue.

Once again Ryanless, Dylan reviews Wes Anderson's The Phoenician Scheme as well as ranking and the filmmaker's filmography.

Send us a textLet's pack our bags and travel to Zubrowka, as the hosts check into their favorite popular ski resort while being welcomed by its legendary concierge, to bring you another fun movie review, the classic comedy drama, The Grand Budapest Hotel, starring Ralph Fiennes, written, directed, and co-produced by Wes Anderson. Many audience agree with its's ensemble cast of charming and eccentric characters, this is considered Anderson's best work to date. The hosts pair the film with the Appletini cocktail. So let's join hosts as they partner with the Society of the Crossed Keys on this wild mystery adventure and celebrate one of the most visually striking and unique film of our times.Come listen and follow the hosts on their Instagram and YouTube channel @the.gentlemenpodcast

28 Years Later Review – with a Dead Meat & Wuz Good Cameo! The long-awaited third entry in Danny Boyle's post-apocalyptic zombie trilogy is finally here. Set decades after 28 Days Later (2002) and 28 Weeks Later (2007), 28 Years Later delivers a chilling, action-packed, and emotional return to a Rage-infected world. Directed by Danny Boyle (Slumdog Millionaire, Trainspotting) and written by Alex Garland (Ex Machina, Annihilation, The Last of Us video game influence), the film brings back the gritty realism and raw energy that helped redefine the zombie genre. The cast features Aaron Taylor-Johnson (Bullet Train, Kick-Ass) as the lead survivor, Jodie Comer (Killing Eve, Free Guy), Jack O'Connell (Unbroken, Skins), Ralph Fiennes (Harry Potter, The Grand Budapest Hotel), and the return of Cillian Murphy (Oppenheimer, Peaky Blinders) as Jim. In this video, we dive into first impressions, standout performances, jaw-dropping scenes, the terrifying evolution of the Rage virus, and how 28 Years Later stacks up against modern survival horror hits like The Last of Us and A Quiet Place. We also reflect on the full trilogy's progression—from the raw chaos of 28 Days Later, the military dread of 28 Weeks Later, to the emotional weight and larger scale of 28 Years Later. Is this the best zombie movie since The Last of Us? Did it live up to the massive expectations? Let us know your thoughts in the comments—and which scene left you breathless! Don't forget to subscribe for more out-of-theater reviews, reactions, and horror breakdowns! #28YearsLater #28DaysLater #28WeeksLater #ZombieMovies #OutOfTheaterReaction#MovieReview #CillianMurphy #DannyBoyle #AlexGarland #TheLastOfUs #HorrorMovies#Apocalypse #ZombieApocalypse #SurvivalHorror #Zombie #Tlou Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

THE FINAL CHAPTER BEFORE LIVE ACTION!! How to Train Your Dragon: The Hidden World Full Reaction Watch Along:   / thereelrejects   Start your online business with a $1 per-month trial when you visit https://www.shopify.com/rejects! With Dreamworks' Live Action Reimagining of the Original How to Train Your Dragon in theaters now, Aaron & John return to Berk ONE more time to give their How to Train Your Dragon 3 Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Join Aaron Alexander & John Humphrey as they return to Berk for DreamWorks' epic trilogy finale How to Train Your Dragon: The Hidden World (2019). Now chief and dragon rider, Hiccup Horrendous Haddock III (Jay Baruchel, Entourage, This Is the End) struggles to build a peaceful dragon utopia while fending off the ruthless dragon hunter Grimmel (F. Murray Abraham, Amadeus, The Grand Budapest Hotel). Alongside him, fearless Astrid Hofferson (America Ferrera, Ugly Betty, Onward) leads the dragon patrol, and Hiccup's father Stoick the Vast (Gerard Butler, 300, Olympus Has Fallen) returns in flashback to guide his son. Gobber (Craig Ferguson, The Late Late Show), Fishlegs (Christopher Mintz-Plasse, Kick-Ass), Snotlout (Jonah Hill, Superbad), and Ruffnut (Kristen Wiig, Bridesmaids) supply comic relief and heart. A-A-Ron & Johnald break down every soaring highlight—from the breathtaking reveal of the Hidden World's bioluminescent caverns and Hiccup's first encounter with the elusive Light Fury, to the thrilling “Titan Wing” escape and the climactic showdown where Toothless and the Light Fury defend their nest against Grimmel's armada. Don't miss the emotional “farewell” moment that cements the bond between Hiccup and Toothless as they lead the last dragons to freedom. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Continuing Travis's Wes Anderson education, Amy Frost and Phil Keating are back this week to talk bout 2014's The Grand Budapest Hotel. Starring Ralph Fiennes, Tony Ravoloni, and a host of others, it's as Wes Anderson as Wes Anderson movies can get. But, is it really as good as people claim it to be? Or is it just pretentious, art house fodder. And how emotionally devistating is it? Let's find out...Head over to https://www.botchedpodcast.com to find what Phil is working on, and https://www.achewillow.com for Amy's story podcast with JF DubeauThanks go out to Audie Norman (@TheAudieNorman) for the album art. Outro music In Pursuit provided by Purple-Planet.comSupport the show by going to patreon.com/wyhsVisit tvstravis.com for more shows and projects from TVsTravis Hosted on Acast. See acast.com/privacy for more information.

Send us a textGraphic design for film might be one of the coolest creative jobs you've never heard of, and today's guest, Gina Alessi, is here to break it down. From making Civil War-era bedspreads to designing posters in under two hours, Gina shares what it's really like to work behind the scenes of film and TV production as a graphic designer.We dive into the surprisingly misunderstood world of design in the art department, the lightning-fast timelines of production work, and why a poster you made today might be filmed (or cut!) tomorrow. Gina also opens up about discovering her dream job through Wes Anderson's Grand Budapest Hotel, what it took to break into the industry, and why she now teaches others how to do it, too. Plus, we get honest about the myth of the perfect job, surviving unpredictable cycles of the entertainment industry, and why it's okay if your dream role comes with tough days. Whether you're a design student, a film fan, or just curious about hidden creative careers, this episode is packed with insight, inspiration, and a few laughs along the way. All that and more when you listen to this episode:What a graphic designer actually does on a film or TV setWhy design for the screen is so misunderstood (even inside the industry) The Grand Budapest Hotel moment that changed everythingHow Gina reverse-engineered a career that didn't exist on GoogleThe role of props, branding, and graphic storytelling in productionWhy historical research and print methods still matter for digital designsThe dream job myth: what happens when your dream is still hardTips for dipping your toe into film graphics even without industry contactsConnect with our guest: Gina AlessiInstagram: https://www.instagram.com/ginamadethis Website: https://www.ginamadethis.com/ IMDB: https://www.imdb.com/name/nm7722613/ Mentioned in this episode:Try Flodesk for FREE! https://flodesk.com/c/GOODTYPE A Graphic Designer Made That (Gina's Course) https://agdmadethat.com/ Manhunt (Apple TV)Annie Atkins https://www.annieatkins.com/ Grand Budapest HotelCamtasia https://www.techsmith.com/camtasia/ Connect with Katie & Ilana from Goodtype Goodtype Website Goodtype on Instagram Goodtype on Youtube Love The Typecast and free stuff? Leave a review, and send a screenshot of it to us on Slack. Each month we pick a random reviewer to win a Goodtype Goodie! Goodies include merch, courses and Kernference tickets! Leave us a review on Apple PodcastsSubscribe to the showTag us on Instagram @GoodtypeFollow us on Tiktok @lovegoodtypeLearn from Katie and IlanaGrab your tea, coffee, or drink of choice, kick back, and let's get down to business!

Get your hands off my lobby boy! A new Wes Anderson film will soon be upon us, so the boys dive into the RCR Top 100 to tackle 'The Grand Budapest Hotel'. The boys discuss this feels like the most accessible Anderson film, his sense of style and filmmaking, the strong ensemble performances, and where it ranks amongst the Top 100.

Benicio Del Toro talks about playing a business tycoon in Wes Anderson's The Phoenician Scheme. This aesthetically stylised film, by the director who also made The Royal Tenenbaums and The Grand Budapest Hotel, is reviewed by Tom and critics Larushka Ivan-Zadeh and Rachel Cooke. They also give their verdict on Mission: Impossible - The Final Reckoning, the 8th and final film in the franchise, and discuss fictional portrayals of food as Aftertaste by Daria Lavelle is published.Presenter: Tom Sutcliffe Producer: Harry Graham

Zach, Andrew, Grace and Michael celebrate the 500th episode of Cinematary with a live podcast about 2014's The Grand Budapest Hotel at Central Cinema in Knoxville, Tennessee. In part two, they are joined by Darren Hughes to reflect on 11 years and 500 episodes of the podcast.See movies discussed in this episode here.Don't want to listen? Watch the podcast on our YouTube channel.Also follow us on:InstagramLetterboxd

In which Devin Diazoni and Ewa Mykytyn discuss the first third of The Buffalo Hunter Hunter by Stephen Graham Jones.Please support the podcast on Patreon!Follow Film Literate on Instagram!Find your hosts on social media:Devin Diazoni (Letterboxd|StoryGraph)Ewa Mykytyn (Goodreads|Armchair Chat on IG)

Adrien Brody is an Academy Award-winning actor. Known for his nuanced performances across a wide range of films, such as The Grand Budapest Hotel, Detachment, and multiple collaborations with film director Wes Anderson, he became the youngest recipient of the Academy Award for Best Actor for his role in The Pianist by age 29. In addition to his 2025 Academy Award nomination for Best Actor for his performance as László Tóth in Brady Corbet's The Brutalist, he has also earned the Golden Globe and Critics Choice Award for Best Actor, solidifying his reputation as a powerhouse in film. ------ Thank you to the sponsors that fuel our podcast and our team: Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ Vivo Barefoot http://vivobarefoot.com/tetra Use code 'TETRA25' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

Makeup, Prosthetics, and Hair..oh my! Fellow Ozians! We've got more to share from our conversation with the Hair, Makeup, and Prosthetics designer of Wicked, Frances Hannon! We had so much fun talking to Frances, there was no possible way we could fit everything we talked about into one little (green) baby episode. Today, we're talking more about Elphaba's HMU, the nuts and bolts of Ozian body doubles & stand-ins, and which collaboration left Frances starstruck. Let's go down to the Ozdust ballroom…. Famous in the entertainment industry for her ability to transform any face, makeup and hair designer Frances Hannon first entered the realm of film and TV with a job working on the British sketch comedy series "The Kenny Everett Television Show" (on the BBC, 1981-88). Cut to her ongoing collaboration with Wes Anderson which began with 1998's : “Rushmore.” Hannon quickly became one of the most sought after makeup and hair designers in Hollywood, loved and appreciated by directors and actors alike for her rigorous research. She won an Oscar for her work on Wes Anderson's The Grand Budapest Hotel, and has worked on major blockbusters like World War Z, Indiana Jones and the Dial of Destiny, and most recently…Wicked. Frances Hannon is on Instagram @frances_hannon_official  and you can follow the Wicked Movie @wickedmovie Follow us on Instagram @CuriousWithJVN to learn more about the products from this episode, or head to JonathanVanNess.com for the transcript. Jonathan is on Instagram @JVN. Find books from Getting Curious and Pretty Curious guests at bookshop.org/shop/curiouswithjvn. Our Senior Producer is Chris McClure. Our editor & engineer is Nathanael McClure. Our theme music is also composed by Nathanael McClure. Production support from Julie Carrillo, Anne Currie, and Chad Hall. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Building worlds in motion pictures through graphic props and typography—Annie Atkins joins to discuss her career designing set pieces for films such as The Grand Budapest Hotel and her new book, “Letters from the North Pole.”

Something has changed within us, curious people, something is not the same. We'll never know a world without our episode speaking with Oscar winner, Frances Hannon, who just so happens to be the Hair, Makeup, and Prosthetics designer for the upcoming film adaptation of Wicked. We're talking all about the alchemy Frances used to find the perfect shade of green for Elphaba, how Cynthia Erivo incorporated her own nail game into her character, and which of Ariana Grande's R.E.M. products made the final cut. Plus - blue horses???  It's all too much for our gay bones! Famous in the entertainment industry for her ability to transform any face, makeup and hair designer Frances Hannon first entered the realm of film and TV with a job working on the British sketch comedy series "The Kenny Everett Television Show" (on the BBC, 1981-88). Cut to her ongoing collaboration with Wes Anderson which began with 1998's : “Rushmore.” Hannon quickly became one of the most sought after makeup and hair designers in Hollywood, loved and appreciated by directors and actors alike for her rigorous research. She won an Oscar for her work on Wes Anderson's The Grand Budapest Hotel, and has worked on major blockbusters like World War Z, Indiana Jones and the Dial of Destiny, and most recently…Wicked. Frances Hannon is on Instagram @frances_hannon_official  and you can follow the Wicked Movie @wickedmovie Follow us on Instagram @CuriousWithJVN to learn more about the products from this episode, or head to JonathanVanNess.com for the transcript. Jonathan is on Instagram @JVN. Find books from Getting Curious and Pretty Curious guests at bookshop.org/shop/curiouswithjvn. Our Senior Producer is Chris McClure. Our editor & engineer is Nathanael McClure. Our theme music is also composed by Nathanael McClure. Production support from Anne Currie, and Chad Hall. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Ringer's Chris Ryan, Sean Fennessey, and Andy Greenwald apply a few squirts of L'air de Panache before rewatching Wes Anderson's 2014 hit comedy adventure ‘The Grand Budapest Hotel,' starring Ralph Fiennes, Tony Revolori, F. Murray Abraham, and Adrien Brody. Watch this episode on video on our YouTube channel, Ringer Movies! Producer: Craig Horlbeck Learn more about your ad choices. Visit podcastchoices.com/adchoices