Podcasts about The Grand Budapest Hotel

This week Craig and Alex continue their BEST AND WORST month with Saoirse Ronan by watching Grand Budapest Hotel and Foe! Next week we're watching Judas and the Black Messiah and Death Note! 

Wie de Hollywoodfilm The Grand Budapest Hotel van regisseur Wes Anderson kijkt, ziet eigenlijk geen hotel. Als filmdecor werd namelijk gebruik gemaakt van een Duits warenhuis dat met zijn Jugendstil elementen uitstekend paste bij het verhaal dat Anderson wilde vertellen. Dat warenhuis, Kaufhaus Görlitz, stond leeg omdat de warenhuisketen Hertie in mei 2009 failliet was gegaan. De tientallen grote panden van deze Duitse warenhuisketen zaten in een Nederlandse bedrijfsstructuur, genaamd Mercatoria, die was ondergebracht bij een trustkantoor in ’s-Hertogenbosch. Hypotheekverstrekker Deutsche Bank hield deze structuur eerst in leven en probeerde het vastgoed te verkopen. Maar dit ging niet snel genoeg en uiteindelijk ging het vastgoedbedrijf in februari 2012 failliet. Toen de makers van The Grand Budapest Hotel hun oog hadden laten vallen op Kaufhaus Görlitz moesten ze dus aankloppen bij twee Nederlandse curatoren. Nu was het verhuren van dit warenhuis aan een filmstudio nog eenvoudig in vergelijking met de rest van de afwikkeling van het faillissement. Het Nederlandse faillissementsrecht werkt namelijk heel anders dan het Duitse faillissementsrecht, waardoor de curatoren de panden niet konden beheren zonder grote financiële risico's te lopen. Maar hoe leg je dat uit aan een stel Duitse burgemeesters die opgescheept zitten met grote verloederende panden in hun winkelstraten? En hoe zorg je ervoor dat niet alleen de hypotheekverstrekker, maar ook de concurrente schuldeisers nog iets van hun geld terug zien? Te gast is Maarten van Ingen, advocaat en curator bij Watsonlaw. Onder curatoren Niet elk ondernemersavontuur eindigt met een notering in de Quote 500, niet elk bedrijf overleeft een flinke crisis, niet elke onderneming weet het financiële spel goed te spelen. En als alles misgaat, als de chaos regeert en schuldeisers aan de poort rammelen, dan breekt het tijdperk van de curator aan. In deze serie praten financieel journalisten Elisa Hermanides en Thomas van Zijl over onvergetelijke faillissementen met curatoren, de puinruimers van het bedrijfsleven. Abonneer je om elke twee weken op vrijdag een nieuwe aflevering te krijgen. Of luister vrijdag om 13.00 naar BNR. Redactie: Jochem Visser en Viggo Rijswijk / Vormgeving: Gijs Friesen en Connor Clerx / Eindredactie en audiobewerking: Elisa Hermanides / Artwork: FDMG | Milja Oortwijn / Eindredactie: / Met dank aan: Wendy Beenakker en Sharine de Rooij See omnystudio.com/listener for privacy information.

Nous sommes dans les années 30, en Zubrowska, un pays imaginaire de MittleEuropa.Bienvenue au Grand Budapest Hotel, un splendide palace géré de main de maître par Monsieur Gustave.Je suis Céleste Touboul Durante, et en partenariat avec la Cinémathèque Française, je vais vous raconter l'histoire de l'uniforme de Monsieur Gustave, un costume signé Milena Canonero, que vous pouvez admirer à l'exposition Wes Anderson, jusqu'au 27 juillet à Paris. Comment crée-t-on l'uniforme d'un concierge parfait ? Pourquoi ce mauve si distinctif ? D'où viennent les tissus, les insignes, les inspirations ? Vous saurez tout des secrets de fabrication, des échanges entre Canonero et Anderson, des maisons de couture impliquées, et de l'art minutieux qui se cache derrière l'élégance de chaque tenue.Nous parlerons aussi des costumes de Madame D. (Tilda Swinton), de Zero, de Jopling (Willem Dafoe) et de l'armée fantasmée de Zubrowska — autant de silhouettes à découvrir à l'exposition Wes Anderson à la Cinémathèque française, visible jusqu'au 27 juillet.Un épisode pour les amoureux du détail, du cinéma et de la beauté du costume.

This week Craig and Alex start their first week of BEST AND WORST movies with Call Me By Your Name and Bones and All!   Next week we're watching Grand Budapest Hotel and Foe!

Netflix introduces the new documentary A King Like Me, which follows the New Orleans Zulu Social Aid & Pleasure Club -- the legendary 116-year-old original Black Mardi Gras Krewe -- as they work to bring the Zulu parade back for Mardi Gras 2022 in the face of Hurricane Ida, a global pandemic and the tragic loss of several members to COVID. The film paints a modern portrait of Black brotherhood, leadership and community;  explores health and social inequities in the U.S. tied to race; and highlights the ways Black culture has shaped both New Orleans and the nation. (See a preview). The film was executive produced by Fisher Stevens. In addition to his dozens of well-known roles in movies & TV (Short Circuit, The Grand Budapest Hotel, The French Dispatch, Asteroid City, Succession, Lost, etc.), Fisher is also an Oscar-winning documentarian (The Cove, Crazy Love, Beckham). A King Like Me marks the directorial debut of Emmy winner Matthew O. Henderson who produced films such as True Justice: Bryan Stevenson's Fight for Equality, The Soul of America and Obama: In Pursuit of a More Perfect Union.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Netflix introduces the new documentary A King Like Me, which follows the New Orleans Zulu Social Aid & Pleasure Club -- the legendary 116-year-old original Black Mardi Gras Krewe -- as they work to bring the Zulu parade back for Mardi Gras 2022 in the face of Hurricane Ida, a global pandemic and the tragic loss of several members to COVID. The film paints a modern portrait of Black brotherhood, leadership and community;  explores health and social inequities in the U.S. tied to race; and highlights the ways Black culture has shaped both New Orleans and the nation. (See a preview). The film was executive produced by Fisher Stevens. In addition to his dozens of well-known roles in movies & TV (Short Circuit, The Grand Budapest Hotel, The French Dispatch, Asteroid City, Succession, Lost, etc.), Fisher is also an Oscar-winning documentarian (The Cove, Crazy Love, Beckham). A King Like Me marks the directorial debut of Emmy winner Matthew O. Henderson who produced films such as True Justice: Bryan Stevenson's Fight for Equality, The Soul of America and Obama: In Pursuit of a More Perfect Union.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

There's a new Wes Anderson movie in theaters, but that's only part of the reason we were inspired to cover The Grand Budapest Hotel for this latest edition of Time on Screen. Faithful readers might remember a recent release from Maurice de Mauriac with a pretty direct link to the film. There's also Anderson's recent collaboration with Montblanc (timed to coincide with the release of The Phoenician Scheme) that certainly appeals to our own interest in writing instruments as well. Gear Patrol has the full story on the pen – is there anything more Wes Anderson than the layout of that limited edition packaging? But ultimately, we just really love The Grand Budapest Hotel and didn't need much of a reason to discuss it. Zach Kazan is joined by Kyle Snarr for this episode (they also covered The Life Aquatic here, which you should listen to if you haven't already), and the focus the conversation on where Grand Budapest sits in Anderson's filmography. More than a decade removed from the film's release, it now seems pretty clear that it represents a dividing line in Anderson's career. Zach and Kyle also spend some time talking about the great Ralph Fiennes performance in this film, as well as their favorite scenes. To stay on top of all new episodes, you can subscribe to The Worn & Wound Podcast on all major platforms including Apple Podcasts, Stitcher, Spotify, and more. You can also find our RSS feed here.And if you like what you hear, then don't forget to leave us a review.If there's a question you want us to answer you can hit us up at info@wornandwound.com, and we'll put your question in the queue.

Powering tomorrow: investing in Ottawa's energy future Hydro Ottawa recently unveiled its  2026-2030  investment plan focused on modernizing and strengthening the grid. The way we're consuming energy is changing, and this investment plan focuses on four key areas that highlight why Hydro Ottawa is taking action, how they plan on doing it, and what it all means for you.  Hydro Ottawa's Chief Operating Officer, Distribution and Generation, Guillaume Paradis, joins thinkenergy to dive a little deeper into those focus areas, and why they matter, with host Trevor Freeman.  Related links Guillaume Paradis on LinkedIn: https://www.linkedin.com/in/guillaume-paradis-30a47721 Trevor Freeman on LinkedIn: https://www.linkedin.com/in/trevor-freeman-p-eng-8b612114 Hydro Ottawa: https://hydroottawa.com/en   To subscribe using Apple Podcasts: https://podcasts.apple.com/us/podcast/thinkenergy/id1465129405 To subscribe using Spotify: https://open.spotify.com/show/7wFz7rdR8Gq3f2WOafjxpl To subscribe on Libsyn: http://thinkenergy.libsyn.com/ --- Subscribe so you don't miss a video: https://www.youtube.com/user/hydroottawalimited Follow along on Instagram: https://www.instagram.com/hydroottawa Stay in the know on Facebook: https://www.facebook.com/HydroOttawa Keep up with the posts on X: https:/www.twitter.com/thinkenergypod Transcript: Trevor Freeman 00:07 Welcome to ThinkEnergy, a podcast that dives into the fast-changing world of energy through conversations with industry leaders, innovators, and people on the front lines of the energy transition. Join me, Trevor Freeman, as I explore the traditional, unconventional, and up-and-coming facets of the energy industry. If you have any thoughts, feedback, or ideas for topics we should cover, please reach out to us at thinkenergy@hydroottawa.com.Hi everyone, and welcome back. A few episodes back, I talked about some of the important work that happens at the distribution level to maintain and expand our grid, and I tried to connect the dots between that work and the broader societal energy transition that is happening at all levels—how the work we do at the distribution level is really important and tied to some of those larger projects that may get a little bit more news and attention. That energy transition, which, as you're hopefully aware by now, is ongoing right now; it's not something of the future, it's happening today. That energy transition is multifaceted, but from an electricity and electrification perspective, the distribution utility—i.e., the Hydro Ottawa of whatever jurisdiction you're in—is at the very leading edge of many of the changes we need to see within our electricity system to support that transition.So today, I'd like to go a little bit further with that topic and focus on Hydro Ottawa's next five-year investment plan, which covers the 2026 to 2030 period. This will be the largest investment plan in our history as a company, and I wanted to dig into what we have identified as key focus areas for investment in the coming five years. With more than 100 years of operating a large, complex distribution network, Hydro Ottawa is embarking on a pretty significant journey to modernize and strengthen our grid for the challenges and opportunities ahead of us. We have filed our 2026 to 2030 electricity distribution rate application, as it's called, with the Ontario Energy Board. This is a standard practice for all local distribution companies in Ontario; that's what we have to do. As a reminder for our listeners, the Ontario Energy Board, or OEB, as we often call it, is our independent regulator. Their mission in this process is to strike a balance between ensuring the financial health and operational needs of utilities like Hydro Ottawa, while also safeguarding the affordability and reliability of the service for the customer. So they want to make sure that we're spending enough to tackle the right projects on the grid to make sure it stays operational while not spending too much. They meticulously scrutinize every detail of these applications to ensure that the proposed rates are just and reasonable and that all investments are prudent and truly in the public interest.So we have gotten a number of questions about the plan, and specifically around, "Where is the money going to go? What are you going to actually spend these dollars that you're requesting on? And why are these investments necessary? What benefits are they actually going to bring to our community?" And often we get the question of, "Does this mean fewer outages or shorter outages?" So I want to dig into that. I want to talk a little bit about what we've got planned and what the impact will be, and what the impact would be if we don't do those things. And to help me walk through that energy roadmap, that plan that we've put together, I've got Guillaume Paradis joining me today. Guillaume is the Chief Operating Officer of Generation and Distribution here at Hydro Ottawa, and he's going to join me, and we're going to talk through this. Guillaume and his teams are responsible for the planning, design, operation, construction, and maintenance of our electrical power distribution system, and in his role, he leads the teams that are directly accountable for ensuring the safe, efficient, and reliable delivery of electricity to our customers. Today, I'm going to ask Guillaume to really walk us through the details of our investment plan, how it was shaped, how we came up with these specific areas, and what benefits are going to be realized by our community and the broader energy landscape. Guillaume Paradis, welcome to the show. Guillaume Paradis 04:24 Pleasure to be here, Trevor. Trevor Freeman 04:26 Okay, so Guillaume, this is Hydro Ottawa's largest investment plan ever, and I'd like you to start by talking us through the primary drivers behind what our five-year investment plan is. Guillaume Paradis 04:41 Yeah, so as you've heard, as you've seen, we're at a historical, or historically, you know, unique point in the evolution of our industry. Electricity underpins most of our societal aspirations with respect to creating, you know, a more sustainable future, creating the future we want to leave for the next generations. And our distribution system underpins a lot of those aspirations in simple ways and in more complex ways. So, you know, a simple way is that essentially, for, you know, the well-being of our society, for our customers, the residents of Ottawa, and really any area, to live the lives they're hoping to live, to, you know, enjoy the benefits of modern life, electricity is a critical underpinning in any way you can imagine and you know, think about. So our service has always been very important. It's just become even more critical as a foundational block for, you know, the lives that we're hoping to live and we're living today in our modern society. So that, combined with other aspirations related to reducing our carbon footprint and integrating more renewable energy resources within our footprint, it creates a situation where there's a significant need for us to invest, continue to invest, and reinvest in our infrastructure to deliver those outcomes for customers. Trevor Freeman 06:28 Yeah, I think, I mean, we talk a lot about the energy transition on the show, and if, if you think about, you know, let's say our previous rate application, five years ago, the energy transition was a thing; we knew about it, but it was like a thing of tomorrow where, hey, that's going to come soon. The difference now, I assume, and maybe you can speak to this, is we're seeing that. We're seeing the change now. Guillaume Paradis 06:52 Yeah, you're exactly correct. Like, we're in it now. So we've been talking about it for some time, both from a, like a general societal aspiration standpoint, but also from a technological standpoint. For a very long time, we talked about electric vehicles having an impact and becoming more commonplace. We talked about leveraging automation to deliver our services. We talked about two-way power flows. So we've been building toward this moment, and now we're essentially in it, if you will, and we're seeing all those things, the confluence of all those longer-term trends sort of manifest themselves in real demand for our system, in real changes in how our customers want to use energy. And we're in the middle of that, and we're, you know, to enable those things happening in our community here in Ottawa. Trevor Freeman 07:49 Yeah, so it's like the business as usual, a lot of the same things, and we're going to talk about some of the specifics, but a lot of the same things we would normally do, just a lot more of at the same time as, like, also pivoting a little bit to meet some of these new needs, like charging transportation and like heating our spaces more with electricity, like some of these new needs that didn't exist or not to the same extent. So it's like more of the same plus other new stuff. And we're going to talk about that in a minute. Guillaume Paradis 08:23 Yeah. So, you know, we always would say that the future of the energy sector was very exciting, and things were coming and like, change was upon us, and now, essentially, we're, we're living it, right? So you have to carry on with the responsibilities that you always had, and meanwhile, figure out how to deliver those new outcomes, those new services that previously weren't required or expected. Trevor Freeman 08:51 Right? So let's, let's kind of get into some of the details here. So there are four key capital investment categories in this plan: growth and electrification, aging infrastructure, grid modernization, and grid resilience. So we're going to dive into the specifics of these in a minute. But to start off with, why? Why these four? How did we land on these four as the main categories? Guillaume Paradis 09:20 Yeah, so there's, there's various ways you can categorize investments. There's a lot of drivers that will lead us to invest in an area or replace some infrastructure somewhere in our system. These categories capture quite well what is at the core of various investments. So for one specific investment, there will be multiple drivers, but these ones sort of in an elegant way, I would say, capture, you know, why investments are occurring, what the primary driver is for those investments, and they help translate that for, you know, folks who are not involved day-to-day in planning the electricity system, that's our responsibility. What we're trying to communicate is why we're taking action where we're taking action. So those categories, in my mind, capture that really well. They also tie our investments to broad trends that people should be aware of, and they're a way to make sure that we have, you know, a clear baseline for a conversation as we proceed with those plans. Trevor Freeman 10:30 Yeah, one thing I find, and you know, in my role, I talk to customers a lot, and I find these are fairly easy to explain, or at least, I hope they are. If you're listening and you disagree, let us know. But people can kind of get their heads around why the utility needs to do each of these four things, and some, in some ways, they align with other sectors as well. So I think, and I hope, as we carry on our conversation here, it'll be easy to sort of build out the picture of what we're doing in each of those four areas. So why don't we? Let's dive right in then and look at the specifics. And starting with growth and electrification, what are the specific investments that are planned to support the growing energy needs of our community, you know? And we've already started talking about electric vehicles, other electrified aspects of our lives, like, what? What falls into this category? Guillaume Paradis 11:23 Yeah, so with respect to growth and electrification, there are a few underlying trends that drive the investment requirements. So as you've suggested, as you mentioned, you know, there's an evolution of how our customers use energy at home, day-to-day. EVs being obviously a primary example that everyone will be very aware of, just, you know, driving around town. Frankly, the difference in how regularly you'll see electric vehicles in our community relative to even five years ago is pretty dramatic, and that is having a long-term, you know, impact over time, likewise for technologies like heat pumps at home and just generally, the growth of our community. So those elements just drive a longer-term trend of more demand being present in our community, within our system, and in addition to that, one big change that we've seen over the last few years is more large-scale demand requests coming into our service territory. Typically that will be large customers wanting to do something different with energy. So it could go or it could be driven by a few different kind of corporate aspirations. What we're seeing a lot of are instances where large corporations decide, or institutions decide to do away with more carbon-intensive energy sources, so they will look to us and electricity to replace what previously would have been another fuel source that maybe is less green. So we're seeing that affecting choices some of those type of customers are making, and then at the same time, we're seeing just large requests related to a different type of energy demand. So companies wanting to, for example, bring back their R&D efforts to a data center that they operate and they control, so that they have more control over cybersecurity, you know, elements, and then likewise, with where their data flows to and how it's being managed. So we're seeing large requests at a rate that we didn't previously, and that those requests are significant enough that they require us to make very major investments, like new substations, like building out new feeders, again at a pace that far outpaces what we've seen historically. So the underlying trend of more small demand creating an impact at the aggregate level, combined with those larger requests, that's creating a significant need for us to invest in responding to that growth in the electrification drivers within our system. Trevor Freeman 14:42 Yeah, so this is in response to what we're seeing our customers do, and that's it's something that has come up before in conversation here, of, you know, we, we respond to what we see our customers doing and what our customers are asking us. They're asking for more power. We have to respond to provide that more power. So this. So this kind of area of investment is really just building out the grid and all of the assets and infrastructure that are that make up the grid to be able to meet the needs of our customers, which are growing faster than they were previously. Is that fair to say? Guillaume Paradis 15:17 Yeah, and for us, it's an interesting balancing act. We have to find where we have to anticipate our customers' needs and the demand that's upon us, but we can't get ahead of it, because that would draw investments that potentially would later become stranded or create a cost burden for our customers. So we have to know where the demand is going, and we have to be ready to respond and connect new customers, but we can't get too far ahead of it, because ultimately, you know, if we invest too soon, that's, you know, a burden for all our customers. So sometimes I would say there's that misconception that somehow we're we're creating our own forecasts and believing our own forecasts. And really, it's a bit simpler than that. We take in the requests and we respond to those requests. We have to be able to look out a few years to make sure that we're not missing, you know, anything significant that would have an impact on our system, but we don't get too far ahead from an investment standpoint. Trevor Freeman 16:31 Okay? So Guillaume, we've been talking about the more traditional aspects of our grid, you know, poles, wires, transformers, et cetera. But I know that we're also looking at how we can deploy what we call non-wire solutions to also help manage capacity on our grid. Can you just explain what some of these solutions are and how we're going to use them in conjunction with our traditional assets to manage grid needs? Guillaume Paradis 16:56 Yeah, so non-wire alternatives is essentially the concept that without having to install traditional infrastructure—think poles, new transformers, new cables, underground—you may be able to harvest existing resources within your footprint to help you manage operational needs, be it like certain peaks that have a short duration, other scenarios of constraints, where, rather than building net new infrastructure, which is expensive and time-consuming, you might be able to optimize, I'll call it, the use of embedded resources in a manner that actually meets your operational objectives. So the way you would do that is by using a combination of resources. Typically, you would look at small-scale embedded storage. So if it exists in the system, you would actually leverage it. If, if you could, otherwise, you might install some in a very targeted manner that helps you meet those operational needs, and then otherwise you would leverage customer resources. So that's either existing generation that is owned by customers, or which is more typical, their ability to adjust their demand at certain times to meet your operational constraints. So the idea there is that you can do a business case, you can do an evaluation of what it would take to engage all these resources to get the same operational outcome as you would if you build the new infrastructure, and compare the two on a cost basis. And actually, in some instances, see scenarios where those non-wire alternatives actually beat out large-scale infrastructure upgrades from a financial standpoint. So it's, it's an evolving area. We have a few pockets within the city that we're targeting for programs like those ones, and we expect, over time, as more embedded resources proliferate, as more customer devices become controllable, we'll have a greater option, in fact, to leverage those non-wire alternatives or those non-traditional solutions to meet our operational requirements. Trevor Freeman 19:20 Great. So this is a combination of, you know, Hydro Ottawa is planning to invest in some assets, you know, be they battery or otherwise, on our side of the meter. We call that in front of the meter, to help manage grid needs, while also looking for opportunities to partner with customers, you know, in the aggregate, so, you know, 100 or 1000 customers at once to say, "If we need to call on your devices to either inject into the grid or to ramp back your operations, that will help us manage grid needs while the customer still maintains control." Is that fair to say? Guillaume Paradis 19:59 Yeah. Fair, and that's that's an emerging capacity we have. So if our ability to control and call upon a very large number of small devices and customer devices has grown and is growing and will be over the next few years, and with that, our capacity to then draw from those resources to respond to operational circumstances is also increasing and will give us options we just wouldn't have had in the past. So it's just a better way of utilizing available energy resources, a more refined way, and one that probably wasn't available to us at scale 10 years ago. Yeah. Trevor Freeman 20:41 And the driver behind all this is what's the best, most cost-effective way to address that grid need? In some cases, it's going to be the poles and wires and transformers. In some cases, it's going to be these non-wire solutions, and it's it's part of the planning of the grid to identify where does each technology make sense? Guillaume Paradis 21:02 Absolutely. So again, it's a more refined way of assessing options and ensuring that we identify the most cost-effective strategies possible. Trevor Freeman 21:14 Perfect, great. Okay, so that's the growth and electrification section. Let's move to aging infrastructure, which is about a third of this investment plan. So this may seem like a softball to start with, but what are some of the challenges posed by aging infrastructure? Maybe talk to us a little bit about what that infrastructure is when it comes to utility grid, and then what are what are we doing with this investment plan to address that aging infrastructure? Guillaume Paradis 21:43 Yeah, so aging infrastructure is a very clear and appropriate descriptor here. So we invest in assets that are long-lived. Think 50, 60 years plus in some instances. And you know, eventually you use them, you leverage them over many decades, and at some point, those assets deteriorate beyond a point where they're no longer able to provide the service that our customers expect. So that would be failures, which leads to reliability issues in parts of our system. So one at one point or another in the life cycle of those assets, depending on how they're being used, what environment they are operated in, you have to replace them. What we try to do is assess them on a risk basis. And when we say risk, we mean what impact can they have on our customers if they were to fail? Impacts can be things like safety risk. It could be, of course, reliability issues. It could limit our ability to service our customers. And so we assess risk on an ongoing basis, looking at those assets over decades, and eventually we get to a point where the risk has to be addressed, and that typically takes the form of or it can take the form of an outright replacement. Through the life cycle of all those assets, all of our assets, we do maintenance, we inspect them, we try to see if there are other things we can do before we replace them. But you get to a point ultimately, where the only option that's viable is to actually replace, and then you have to go in and take, you know, action physically in the field.Now, what becomes a little complicated is, as you can imagine, it's one thing to put infrastructure up when a field is being converted to a subdivision or the city's growing, and it's all brand new, you know, infrastructure being developed to support the growth, but decades later, when you come back, 60, 70 years plus, in some cases, you're in someone's backyard. You're in the middle of an intersection where multiple utilities have installed their own infrastructure, so you have to coordinate that things have been moved over time. So getting access to the infrastructure is more difficult, and so replacing many decades later is a lot more involved than putting up new infrastructure in the first place.And the type of infrastructure that we're talking about here probably falls into three major categories. So there's the overhead infrastructure you see around town. So really, when you—and you shouldn't do that while you're driving, but if you're walking ideally, and you're looking at the beautiful hydro infrastructure around Ottawa—what you'll see are very old poles that need attention. So that's very visible, right? We have wood poles, you know, in a lot of the areas of our city, and you get to a point where structurally, they're not as strong as they used to be. They've weathered many storms, and they need attention. And then otherwise, it's the transformers you might see on those poles, and that would be the boxes that are hanging from the poles. The ones that look like they, you know, predate the Cold War, are the ones we're going after, and we need to give some attention to today.And then on the underground side, similar infrastructure, it's it's cables in the ground. So in some instances, it's buried directly in someone's backyard. That was an approach people took many decades back. Now you can imagine it's very convenient when you're building it, but not so much when you're trying to get it out of the ground and put new cables into the ground. So there's cables that need replacing. They've been damaged or creating reliability issues. The transformers that go with that as well might need attention. And again, as I mentioned before, decades later, that transformer may be right behind someone's pool in their backyard, and they've done some real nice landscaping, and accessing it for a replacement is a lot more complicated. So underground infrastructure, in fact, is one of the more complicated replacements to execute.And then, you know, if you move up from there, you're looking at substation equipment. So that's the stuff that's fenced in across the city where power is being delivered from to our customers across the city. And so those assets may be a bit less complicated in terms of managing sites and access, but certainly complicated in terms of logistics costs of the equipment. Those are very, very large assets that require a lot of planning to replace because they're critical to our system, and we can't afford to have them be out of service too long. Trevor Freeman 27:01 Got you and just for our listeners, while Guillaume was talking, I pulled up a few quick stats here. So we have Hydro Ottawa's service territory has over 6,000 kilometers of conductor, so of wires, and just under 50,000 poles out in our service territory. So as you can imagine, a lot of that is in great shape, and some of it isn't, and some of it needs to be addressed, just like, just like you're talking about here. Guillaume Paradis 27:29 Yeah, and that's helpful. Trevor, the thing that we often forget, especially for electricity distribution, is the sheer number of assets that can create a risk. So it's one thing to manage one large transformer and make sure it doesn't fail, but when you're talking about thousands of assets dispersed around a very large service territory like Ottawa, making sure that we keep an eye on all of them at all times, making sure that we intervene at the exact time prior to a failure, to make sure we deliver the best service possible for our customers. That's really the essence of our challenge, and what makes distribution unique versus other parts of our business, where it's maybe more centralized and you may be looking at a smaller set of assets. Trevor Freeman 28:16 Yeah, absolutely okay. So obviously it's important to maintain what we've got, in addition to building out that new stuff that we talked about earlier, maintaining and replacing what we have, so that, you know, our existing grid remains reliable. The next section of our investment plan is what we call grid modernization. Now that's something that we've talked about to varying levels of detail on this show before, but I'd like you to talk us through what is in this investment plan over the next five years, when we talk about grid modernization, what are we actually doing? What are some of the specific things that we're going to put some of our investment towards? Guillaume Paradis 28:57 Yeah, so grid modernization is a category that gets talked about a lot, but maybe is, I would say, a bit misunderstood. I think, because it sounds futuristic, people assume we're doing very different things, and ultimately, in my mind, it's better leveraging technology to get good outcomes for our customers. It's really that simple. So as you can imagine, you know, as I talked about, we're looking at assets that have an expected life of 50, 60, 70 years. When some of our assets were first installed, things like communication technology, things like IT operational technology weren't as advanced as they are today. Our ability to collect data in real time was not what it is today, and so now that we have an opportunity to reinvest and replace the old assets. It's important that we do so in a manner that will allow us to drive or essentially more performance or better performance out of the assets we put in our system so that can take various forms, as I mentioned, getting better real-time information is one of those ways in which we can leverage technology. What that allows us to do is better respond to outages, offer a better service by being more aware of what's happening at any given point in time, getting better information in near real time as to what assets are posing a risk to reliability because they've been utilized heavily, or they've seen a lot of faults, for example, and so building in that technological infrastructure as a layer that enhances the traditional investments that we've always made is sort of the right thing to do in a context where you want to optimize where you spend your dollars, and you don't want to have to go back and reinvest on the same assets or in the same parts of our system multiple times over the coming years, in the coming decades. So the grid modernization portfolio essentially is our opportunity to very strategically identify where we can put in technology that will allow us to get more out of our assets and provide a better service for our customers.So simple things like automated devices, that would be automated switches that we install on our overhead infrastructure, underground infrastructure that gives us a capacity during an outage, to shift demand around and resupply our customers more rapidly than we would have been able to otherwise, and that gives us a capacity to provide a better service under contingency scenarios. So very simple, right? It's telemetry, it's communication to a device, and rather than have someone physically go in the field and, you know, switch customers and try to move demand around, we can do that remotely from our control center. Likewise, in the control center, putting in more telemetry to identify and proactively suggest to our operators how to restore power to customers. Again, is a simple thing by today's standards, right? It's not complicated technology, it's not complicated software, but it's a layer that didn't exist previously, where we can have software, model-based tools suggest how best to optimize the restoration of power, and as we do that, our trained operators get to review and take action in an informed manner. So grid modernization, again, is about making the most of today's available technology, while we reinvest in our distribution system to make sure that the quality of our service and the breadth of the services we can provide align well going forward, with our customers' aspirations and provide a quality service for many decades to come. Trevor Freeman 33:26 Yeah, and I think it's important to remember. And you know this, this little saying has has been out there in the industry, and I've used it before, of the electricity grid is the world's largest machine. Like the grid itself is a piece of technology, and like any technology, we would not be happy if it stayed stagnant. Like we want it to evolve with with the latest and greatest and operate better and more efficiently. And the grid is no different, and so part of grid modernization is just keeping up with what's out there to make sure we are delivering the service that we deliver in the best way, in the most advanced way, in the most efficient way possible. With that, Guillaume, what about things like, you know, we hear a lot about more distributed energy resources, so more small-scale generation or storage out there on the grid that might be owned by the utility, but it might not be, it might be customer owned. What? What are we doing from a grid modernization perspective, to enable more distributed energy resources to utilize those assets more on our grid? Guillaume Paradis 34:42 Yeah, so that's core to the evolution and we're proposing and working toward. And and really, if you boil it down to, you know, a simple kind of concept, it's really that traditionally, we've had a static model of how our grid needs to operate, and we planned accordingly. So you know, power flows in one direction to certain size customers. They use electricity, they use our energy, and then we protect, we coordinate, we control accordingly, and we're moving into an environment where customer behavior evolves in a dynamic fashion in near real time, depending on what prices are available in the electricity market, depending on what aspirations various customers have, depending on what technology they want to deploy to manage their energy footprint. A customer may look different, really, from one day to the next, as far as the electricity system is concerned, because their demand might be less significant on a day where their solar panels are better able to generate energy, on a day where they choose to leverage a large battery system that they've installed at their facilities to manage their demand. And so from an electricity system standpoint, we need a much better awareness of what is happening in near real time to be able to control and then respond and ultimately offer the right service for our customers. So that's a big change, again, going back to the how we're going to enable that, it's again, the core elements of communication infrastructure, more telemetry, so that we can see what's happening in real time. Think sensors, think smart meters. Think, you know, a software system within our control room to take all that information in in real time and make sense of it, and then ultimately drive our decision making and support our customers in leveraging energy resources in an optimal way for their needs, by making sure that we're aware of what's happening and not create barriers that are artificial because we're not sure, and when we're not sure, safety is paramount, and when you prioritize safety and you don't have information, you have to be very conservative in the decisions you make, and you may limit customers' choices and behavioral, you know, choices by having to have that safety margin and that safety conscience kind of override everything else. So better telemetry, better real-time information, more dynamic ways of controlling energy allows us to enable customers and and support their aspirations.  Trevor Freeman 37:50 I mean, it really comes kind of full circle back to our job is to let our customers do what they want to do when it comes to energy, enable that, and that may be just making sure the power is there and available, but it also may be making sure that our grid is set up to allow them to generate and store and sort of interact with energy in the way that they want to. So those two things are quite parallel. Okay, great. Last category here is grid resilience, and this is an important one, and especially in the eyes of our customers, because, you know, we're that unique industry where most of the time people don't think of us when they really do think about us, it's because the lights have gone off, because there's some event that has resulted in an outage, and I just want to ensure our customers, we try very, very hard to make sure that doesn't happen as much as we can't control everything. So we have this category of grid resilience in our investment plan, and we know that we're going to be seeing, and we have already started to see, more frequent extreme weather events. That is increasing. It's not going down. So what are we doing in our investment plan? Or what are we planning to do in order to enhance grid resiliency and withstand those extreme weather events? Guillaume Paradis 39:14 Yeah, so the need for resilience, in my mind, comes from a couple places. So, you know, there are drivers that are external; so the operating environment is evolving. To your point, we've seen a number of very impactful weather events over the last few years, whether it be historically impactful ice storms, we've seen tornadoes in our service territory in a way that we didn't previously. We saw derecho a couple years ago, which was by some measure the most impactful storm in the history of our company. And so we know. How what we plan to withstand has evolved, and we need to reflect that in the decisions we make when we invest in our infrastructure. That can take a few forms. But for grid resilience, we're targeting specific investments so we can identify and have identified areas of our system that are more vulnerable. Imagine overhead infrastructure that is more exposed to stronger winds, and so we can go in there and then target those areas, target those segments of our system and make them more robust, more resistant to those external factors. And so we have assessed our entire service territory, we've studied, you know, our vulnerability to changing patterns, to changing weather events, and in a very targeted manner, identified areas where we'll take action over the next five years to boost resilience of our electricity system in those scenarios, and really just generally.The other element is, while those external factors are evolving and creating a stress on our system, we're also seeing people's dependence on electricity's availability continue to grow, right? So, you know, we've been through this many times at this point, and I'm sure it's been covered on on this podcast a number of times. But, you know, people's, you know, need for highly and readily available electricity continues to go up. Think, you know, remote work. Think our utilization of, you know, the internet and the technologies that support that. People need access to power, you know, on an ongoing basis for a variety of reasons that support their lifestyles. And so while the external factors have become and are becoming more challenging and creating a stress, we're also seeing customers relying more heavily on our service being available. And so those things combined make it sort of an imperative that we take action and ensure that our system is robust and can withstand those conditions that are upon us.So we change our planning approach. We evolve our choices with respect to investments. It could be simpler things than, you know, targeting areas and replacing specific infrastructure. It could be as simple as changing our standards so that when we install a new pole, we know that it can withstand harsher winds and heavier ice loading parameters, and we do that across all our investments. So that's a key point here, with respect to grid resilience. Yes, we have a targeted, sort of very strategic approach to building resilience, but we also do that across all our investment categories, when we put money in our distribution system to make sure that, similar to the point we made about technology. You know, we invest in assets that will, you know, outlive many of us, and they need to be adequate and appropriate for the environment in which they will operate long-term. So we change, you know, the choices we make, we change the materials we use to build the infrastructure that we put in our system, so that ultimately, the service levels and service quality that our customers get to enjoy, you know, meets their expectations for decades to come. Trevor Freeman 43:59 I think the idea like it's good that we have called out specifically some activities targeted at group resilience, but some of the other stuff that we've already talked about also support resilience. And you mentioned in the grid modernization part, you know, part of that is restoring power to most customers quicker. In our growth and electrification part, I mean, making sure that our grid can handle the new loads also lends itself to resiliency. So all of this is in service of making sure that power is there for our customers when they need it, how they need it, and done in a sort of safe and affordable way. That's the goal of of all these categories together. Guillaume Paradis 44:46 Absolutely. The, you know, going back to the earlier point, the categories are helpful in identifying the major drivers. But ultimately, to your point, Trevor, they all support each other, and when our team plans, depends the future of electricity system. They do so in an integrated manner that considers the various benefits that we can achieve by taking action and putting more money in our distribution system. Trevor Freeman 45:13 Yeah, great. So that that's a nice segue into this next question, which is, of course, there's a cost for this, and this and this is why it is an investment plan. We're out there outlining these are our targets. This is what we want to do, but there's a cost to that, and so if we don't do this, if we said, "Look, we just can't put that extra investment into these areas," what are the implications on the grid, on our service? And let's look at kind of like quality of service, reliability, safety, et cetera, if we don't make these investments that we are identifying right now. Guillaume Paradis 45:54 Yeah, so it's pretty direct, right? We what we've done for the in preparation for our rate application, in preparation for to develop our plans for 2026 to 2030, is we've considered all the needs. We've looked at how old the assets are, how quickly they're deteriorating, how many might require replacement over the next five years. What would be an appropriate rate of replacement to ensure that we don't let risk build up in our system, we don't cause reliability issues? We've looked at making sure that we can provide service to our customers, that we can connect them in a timely manner, that we can do all those things in a fashion that is safe and ensures the safety of the public, our customers. And so a lot of thought goes into what is required over the next five years. And then on top of those factors and considerations, we also look at what impact will this have financially on our customers? Because we're mindful that our service does affect, you know, our customers' lives, yes, in a positive manner when our service is reliable and power is available, but also financially from a cost standpoint. We add to other pressures that everyone experiences in their lives, and so we want to be very judicious in setting the size of our programs, the level of investments, in managing those various factors, right? So we have a multifaceted responsibility, and we weigh all those factors in our or in setting the plans for the future.So doing so, looking five years out, as you can probably imagine, you know, if we didn't constrain the plans, if we just did everything our planning engineers would like to do, we would have spent probably another 50% more than what is in the current plan. So looking at old assets, looking at the service levels we want to deliver, we could have spent a significantly larger amount of money if it was purely based on, we'll call them planning, you know, drivers. But as I said, we are mindful that we're responsible for the quality of our service on behalf of all our customers, and we took a very deliberate, you know, extensive approach to adjusting the program size to match the various considerations and ultimately manage the impact on our customers from a financial standpoint. And so we landed where we are after some measure of restraint, some measure of adjustments, down to the plans that would otherwise have been put in place.So thinking about what the outcomes would be if we didn't take the actions we're proposing, you know, it's pretty direct, if you think about it, and we've covered most of them, but it ranges from, you know, difficulties in connecting and delivering power to new customers in a timely manner, so that can have impacts with respect to economic development and growth of our community, so fairly direct, and frankly, it's our obligation to connect, so we would do everything we can to provide power, but it might just be more difficult, take more time on the reliability front. Again, what happens when you don't replace old assets is the failure risks continue to build in your system. So an 80-year-old wood pole doesn't get any younger and doesn't get any stronger if you wait five, six more years. And so as I said, we do a risk assessment before we choose to invest, and our risk assessments tell us that we need to take action on those types of assets. And, you know, take action in a timely manner. If we don't, what is likely to happen is that in a storm scenario, those poles that are deteriorated are more likely to fail. Even in normal conditions, it's likely that we would see more failures that could lead to reliability issues, and so just a direct impact on the quality of our service for our customers, with respect to other outcomes like enabling customers and supporting them in integrating more embedded energy resources. That might just become more difficult, as I said earlier, when we don't have good real-time awareness, we have to err on the side of caution and be more conservative in our management of the system, and that might mean restrictions on where and how we can integrate renewable energy resources. And then ultimately, you know, the paramount consideration for us is always safety, and that's an area where we would just have to be even more vigilant if we couldn't reinvest. So old assets, you know, are inherently more likely to create failure risks, and failures can lead to undesirable outcomes from a safety standpoint, so we would have to, and already do, but be very vigilant in monitoring those assets, looking at them, looking at what we can do from a maintenance standpoint to ensure that they don't fail in a manner that would be problematic. So we would be, and are always very active in looking at those riskier assets, those older assets, to make sure they don't cause problems, but reducing investment levels from what is being proposed now, reducing them further relative to, as I said, the planning levels we would have liked to put forward would have real consequences, and of course, we would do everything we can to manage those consequences and ensure that we continue to deliver the best service we can, but that would become more difficult than it is today. Trevor Freeman 52:27 I appreciate that that context of, you know, you like me, like energy, and we want to do all the cool things, and we want to have the system that is is absolutely able to handle every eventuality. But we have to balance that with what is the right level of investment, what is the right pace to go at? And I think, you know, having seen the process, there's been a lot of work over the last year plus to find that balance. And I think we've, we've hit that balance in terms of being able to move the ball forward while trying to maintain that sort of affordability aspect for customers. Last question here, Guillaume, to kind of wrap it all up, and we've touched on this a few times in some of the other questions. But how does our investment plan align with that broader energy transition that that we talk about, you know, decarbonizing, reducing emissions, increasing sort of customer flexibility when it comes to their own generation and storage. And what role do you see Hydro Ottawa playing moving forward in that? And I know that this has already gotten a little bit of attention, but I'll give you a chance just to kind of tie a nice little bow around it at the end. Guillaume Paradis 53:51 So to your point, we did cover a few elements, how we enable those, you know, sustainability aspirations. But you know, it ranges from making it possible for large customers to shift a significant portion of their energy demand to a lower carbon source like electricity. So again, think a customer who would use natural gas for their facilities, and, you know, for corporate reasons, decides to use electricity instead. Us connecting that extra demand and delivering power to them allows them to lower their carbon footprint. So that would be on the high end in terms of size and impact, all the way to enabling customers to install different technologies on their homes, within their homes, to reduce their carbon footprint and change how they use energy. So it could be as simple as buying an EV and making sure that power is available within that neighborhood to supply demand from that EV. It could be them installing solar panels on their roof and trying to export power back to us. And so that would tie to the earlier point around visibility and real-time awareness that we need to have to make sure that we can make that possible. So again, you know the energy system. The electricity system is integrated in so many ways and enabling our customers to achieve their sustainability outcomes, their desired outcomes in terms of energy use, comes from planning the energy system, the electricity distribution system, in a manner that supports that and that permits it. So again, going back to some categories, the grid modernization that we spoke about earlier, fits right in there. So being aware allows us to allow and enable customers, and that becomes critical again, in an environment where things are very dynamic, and we want to support that dynamism, and we need to do so in a manner that's safe. So we need information, and we need technology that allows us to go get that information to support the decision making. So as we said, all the investments we're proposing in one way or another will support our supporting those decarbonization and emission reduction objectives that we all have. Trevor Freeman 56:38 Right? Yeah, it really comes back to the idea of us being—and this is something that I certainly talk to our customers about—a lot of us being partners with our customers when it comes to their energy journeys. And that can be very active partners in the sense of the word, where we are involved in helping make decisions together on technology or strategies, or it can be very passive, and that kind of residential model that you talked about of just making sure the grid can be there in the way that the customer wants it to be there. And that's still a partnership that that we need to lean into, and that we are kind of through this investment. Guillaume Paradis 57:18 Plan, we're essentially underpinning people's aspirations when it comes to energy, and so we're there to make it possible for them to do what they're hoping to do. And you're absolutely right. We're seeing both ends of those conversations where some go about their own choices and really don't need us involved, and our responsibility there is to make sure that we don't create a roadblock by not being prepared and not being equipped to respond to, you know, how they want to change their behavior, all the way to that partnership, where it's a very involved conversation. You know, we're being brought in to fully explore all the options and work with stakeholders in essentially demystifying, or maybe more specifically, sort of seeing through some of the complexity that exists today in an environment that is much more dynamic again and offers a lot more options than people would have seen a few decades ago. Trevor Freeman 58:23 Fantastic. Well, Guillaume, I think we'll leave it there. This has been great, and I appreciate you taking the time to help pick apart, you know what? What can be a pretty complex, lengthy plan, but really boils down to building out the grid, continuing to do the great work that that the folks at Hydro Ottawa do, while also preparing for the future. So I appreciate your insight into this. As our listeners know, we always end these interviews with a series of questions, and you're no different. So I'm going to dive, dive right into that. So Guillaume, what is a book that you've read that you think everyone should read? Guillaume Paradis 59:06 Yeah, so I'm probably going to get his name wrong, or at least the pronunciation, but it's a book called How the World Really Works, by Vaclav Smil. Essentially, you know, he's a very pragmatic thinker with respect to how systems work, how our world is integrated from a supply standpoint, from a geopolitical standpoint, and how that leads to outcomes in the real world. And think things like energy, think, things like food supply. And what I like with his approach is that he breaks things down, sort of from a first-principle standpoint, to try to help explain why certain things may or may not be possible, and in an environment where—and maybe that's my perspective—but I think today there's a lot of big-picture, you know, broad opinions being shared by people who may or may not always be very knowledgeable or have the expertise in certain fields. It's nice to see someone kind of break things down to then try to support, or in some cases dispel certain misconceptions. So really nice approach. He has a number of books that are similar in nature, some cases a bit dense to read through, frankly, but I would say the How the World Really Works book is easier to digest, and it's it's a good entry into kind of his works and and his approach to his studies. The other thing that's a plus, maybe, is that he's based out of Winnipeg and Canadian. So it's great to have a mind like his, you know, contributing to the discourse in Canada. Trevor Freeman 1:01:11 Awesome. So same question, but for a movie or a show, what's a movie or show that you think everyone should check out? Guillaume Paradis 1:01:17 Yeah, that's a little harder. I think maybe I'll go to an old classic. For me, I I'm always impressed with extreme creativity. I'll call it in in whatever forms that I think it's neat to see how people can envision a world or create a world. And so an example for me was The Grand Budapest Hotel movie by Wes Anderson. So, you know, I think people are familiar with his work by now. I just like the combination of humor, color, like the creation of a world that doesn't quite exist but resembles one we might know. And just, you know, it's a way of expressing oneself that is so interesting, so different. He does it really, really well. And, you, know, I find it sort of like awe-inspiring to go back to those kind of movies and look at, certainly, there's all sorts of good content these days that's being produced. But I think this one is kind of withstood the test of time so far and and kind of brings you to a different place. So I'll point to that. Trevor Freeman 1:02:30 Yeah, it's one of those where it's not just about the story. The whole watching that movie is a bit of an experience. And all the ways that you just said, you know, there's like an artificial aspect to it. There's that sort of mental, emotional side of it, and then there's the story itself, with the humor and everything. So, yeah, that's a great one. I really like that. Guillaume Paradis 1:02:47 Always fascinating to think someone was able to come up with that, right? Like that. Yeah, totally level. Like the attention to details, the way in which the storylines are integrated, the way in which the decors, the images are graphic. It's just remarkable. And, and I think in anything it's really cool to see people who are sort of masters at their art, right? And whatever form, and there's all sorts of other examples, but that one, you know, came to mind. Yeah, very cool. Trevor Freeman 1:03:21 If you had a free round-trip flight anywhere in the world, where would you go? Guillaume Paradis 1:03:25 I think for me, it'd be somewhere very far north. I think it's on the list somewhere for the next few years. But just getting access to lands, scenery that you wouldn't otherwise is a really cool concept, maybe even spaces that are a bit less impacted by human, you know, behavior and presence. So I just think a flight to somewhere random that maybe doesn't even have a name, but is in between two small villages that can only be accessed by a plane. I think that would be cool. Trevor Freeman 1:04:10 Yeah, that does sound very cool. I like that. Who is someone that you admire? Guillaume Paradis 1:04:15 Yeah, so my wife, for sure. I think that's sort of the foundation of a healthy relationship, you should have some admiration for your partner, and I absolutely do. More generally, I would just point to anyone in our lives, and I think we all know people like that who spend a large amount of their time making other people's lives better. I could pick, you know, a celebrity of some kind, or politician of some kind, or even a historical figure, but, you know, I think in general, it doesn't have to be that complicated. People who just invest a lot of their time, you know, making sure others' lives are better. I think that's that's something we should all admire, aspire to, you know, emulate, if we can, and just recognize as well. Because a lot of the times people do that, the people who do it well, don't do it for recognition. It doesn't mean they don't deserve it. And I think we should kind of try to promote it, you know, recognize it in our lives, and encourage it and emulate it, if we can. Trevor Freeman 1:05:30 Fantastic. Well said, last question, what is something about the energy sector or its future that you are particularly excited about? Guillaume Paradis 1:05:37 Yeah, so I've been in the sector for about 20 years now, in fact, longer than that. My father worked for Hydro Quebec for many decades. So think we spent a lot of time talking about the future and getting excited about a future that was to come, and just the fact that we're living it now, that we're actually shaping it, is pretty exciting, maybe even not appreciated to its full extent. And I think having a chance to contribute now is really awesome, and to whatever extent we can as well. I'm trying to encourage as many people as possible to join our sector, bring various backgrounds, you know, expertise, knowledge to helping us make decisions about how energy is going to be used in our society going forward, and how we can make the most, you know, this confluence of factors that, you know, create the window of opportunity to to change things and make them evolve. And so for those of us who are part of it, let's not take it for granted, and let's make sure that we contribute to the full extent of our capabilities. Trevor Freeman 1:06:58 Awesome, great, great way to wrap this up. I agree completely. Guillaume, thanks so much for your time. I really appreciate it. And sharing your thoughts with us. Really appreciate you coming on the show. Guillaume Paradis 1:07:07 Thanks, Trevor. Pleasure. Trevor Freeman 1:07:10 Great, take care. Well, there you have it, everybody. That was our last episode of the season before our summer break. Our regular listeners will know that we typically take a break over the summer to regroup and work on content and plan out the next year. But don't worry, we will be still releasing episodes every two weeks. They will just be rewind episodes, and we'll take a look back at some of our favorite episodes or things that we feel are particularly relevant for what's going on right now. So keep tuning in and listen to those, and we will be back with brand new content in September. Take care and have a safe summer. Thanks for tuning in to another episode of the ThinkEnergy podcast. Don't forget to subscribe wherever you listen to podcasts, and it would be great if you could leave us a review. It really helps to spread the word. As always, we would love to hear from you, whether it's feedback, comments, or an idea for a show or a guest, you can always reach us at thinkenergy@hydroottawa.com.

Once again Ryanless, Dylan reviews Wes Anderson's The Phoenician Scheme as well as ranking and the filmmaker's filmography.

Send us a textLet's pack our bags and travel to Zubrowka, as the hosts check into their favorite popular ski resort while being welcomed by its legendary concierge, to bring you another fun movie review, the classic comedy drama, The Grand Budapest Hotel, starring Ralph Fiennes, written, directed, and co-produced by Wes Anderson. Many audience agree with its's ensemble cast of charming and eccentric characters, this is considered Anderson's best work to date. The hosts pair the film with the Appletini cocktail. So let's join hosts as they partner with the Society of the Crossed Keys on this wild mystery adventure and celebrate one of the most visually striking and unique film of our times.Come listen and follow the hosts on their Instagram and YouTube channel @the.gentlemenpodcast

28 Years Later Review – with a Dead Meat & Wuz Good Cameo! The long-awaited third entry in Danny Boyle's post-apocalyptic zombie trilogy is finally here. Set decades after 28 Days Later (2002) and 28 Weeks Later (2007), 28 Years Later delivers a chilling, action-packed, and emotional return to a Rage-infected world. Directed by Danny Boyle (Slumdog Millionaire, Trainspotting) and written by Alex Garland (Ex Machina, Annihilation, The Last of Us video game influence), the film brings back the gritty realism and raw energy that helped redefine the zombie genre. The cast features Aaron Taylor-Johnson (Bullet Train, Kick-Ass) as the lead survivor, Jodie Comer (Killing Eve, Free Guy), Jack O'Connell (Unbroken, Skins), Ralph Fiennes (Harry Potter, The Grand Budapest Hotel), and the return of Cillian Murphy (Oppenheimer, Peaky Blinders) as Jim. In this video, we dive into first impressions, standout performances, jaw-dropping scenes, the terrifying evolution of the Rage virus, and how 28 Years Later stacks up against modern survival horror hits like The Last of Us and A Quiet Place. We also reflect on the full trilogy's progression—from the raw chaos of 28 Days Later, the military dread of 28 Weeks Later, to the emotional weight and larger scale of 28 Years Later. Is this the best zombie movie since The Last of Us? Did it live up to the massive expectations? Let us know your thoughts in the comments—and which scene left you breathless! Don't forget to subscribe for more out-of-theater reviews, reactions, and horror breakdowns! #28YearsLater #28DaysLater #28WeeksLater #ZombieMovies #OutOfTheaterReaction#MovieReview #CillianMurphy #DannyBoyle #AlexGarland #TheLastOfUs #HorrorMovies#Apocalypse #ZombieApocalypse #SurvivalHorror #Zombie #Tlou Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

THE FINAL CHAPTER BEFORE LIVE ACTION!! How to Train Your Dragon: The Hidden World Full Reaction Watch Along:   / thereelrejects   Start your online business with a $1 per-month trial when you visit https://www.shopify.com/rejects! With Dreamworks' Live Action Reimagining of the Original How to Train Your Dragon in theaters now, Aaron & John return to Berk ONE more time to give their How to Train Your Dragon 3 Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Join Aaron Alexander & John Humphrey as they return to Berk for DreamWorks' epic trilogy finale How to Train Your Dragon: The Hidden World (2019). Now chief and dragon rider, Hiccup Horrendous Haddock III (Jay Baruchel, Entourage, This Is the End) struggles to build a peaceful dragon utopia while fending off the ruthless dragon hunter Grimmel (F. Murray Abraham, Amadeus, The Grand Budapest Hotel). Alongside him, fearless Astrid Hofferson (America Ferrera, Ugly Betty, Onward) leads the dragon patrol, and Hiccup's father Stoick the Vast (Gerard Butler, 300, Olympus Has Fallen) returns in flashback to guide his son. Gobber (Craig Ferguson, The Late Late Show), Fishlegs (Christopher Mintz-Plasse, Kick-Ass), Snotlout (Jonah Hill, Superbad), and Ruffnut (Kristen Wiig, Bridesmaids) supply comic relief and heart. A-A-Ron & Johnald break down every soaring highlight—from the breathtaking reveal of the Hidden World's bioluminescent caverns and Hiccup's first encounter with the elusive Light Fury, to the thrilling “Titan Wing” escape and the climactic showdown where Toothless and the Light Fury defend their nest against Grimmel's armada. Don't miss the emotional “farewell” moment that cements the bond between Hiccup and Toothless as they lead the last dragons to freedom. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Continuing Travis's Wes Anderson education, Amy Frost and Phil Keating are back this week to talk bout 2014's The Grand Budapest Hotel. Starring Ralph Fiennes, Tony Ravoloni, and a host of others, it's as Wes Anderson as Wes Anderson movies can get. But, is it really as good as people claim it to be? Or is it just pretentious, art house fodder. And how emotionally devistating is it? Let's find out...Head over to https://www.botchedpodcast.com to find what Phil is working on, and https://www.achewillow.com for Amy's story podcast with JF DubeauThanks go out to Audie Norman (@TheAudieNorman) for the album art. Outro music In Pursuit provided by Purple-Planet.comSupport the show by going to patreon.com/wyhsVisit tvstravis.com for more shows and projects from TVsTravis Hosted on Acast. See acast.com/privacy for more information.

Send us a textGraphic design for film might be one of the coolest creative jobs you've never heard of, and today's guest, Gina Alessi, is here to break it down. From making Civil War-era bedspreads to designing posters in under two hours, Gina shares what it's really like to work behind the scenes of film and TV production as a graphic designer.We dive into the surprisingly misunderstood world of design in the art department, the lightning-fast timelines of production work, and why a poster you made today might be filmed (or cut!) tomorrow. Gina also opens up about discovering her dream job through Wes Anderson's Grand Budapest Hotel, what it took to break into the industry, and why she now teaches others how to do it, too. Plus, we get honest about the myth of the perfect job, surviving unpredictable cycles of the entertainment industry, and why it's okay if your dream role comes with tough days. Whether you're a design student, a film fan, or just curious about hidden creative careers, this episode is packed with insight, inspiration, and a few laughs along the way. All that and more when you listen to this episode:What a graphic designer actually does on a film or TV setWhy design for the screen is so misunderstood (even inside the industry) The Grand Budapest Hotel moment that changed everythingHow Gina reverse-engineered a career that didn't exist on GoogleThe role of props, branding, and graphic storytelling in productionWhy historical research and print methods still matter for digital designsThe dream job myth: what happens when your dream is still hardTips for dipping your toe into film graphics even without industry contactsConnect with our guest: Gina AlessiInstagram: https://www.instagram.com/ginamadethis Website: https://www.ginamadethis.com/ IMDB: https://www.imdb.com/name/nm7722613/ Mentioned in this episode:Try Flodesk for FREE! https://flodesk.com/c/GOODTYPE A Graphic Designer Made That (Gina's Course) https://agdmadethat.com/ Manhunt (Apple TV)Annie Atkins https://www.annieatkins.com/ Grand Budapest HotelCamtasia https://www.techsmith.com/camtasia/ Connect with Katie & Ilana from Goodtype Goodtype Website Goodtype on Instagram Goodtype on Youtube Love The Typecast and free stuff? Leave a review, and send a screenshot of it to us on Slack. Each month we pick a random reviewer to win a Goodtype Goodie! Goodies include merch, courses and Kernference tickets! Leave us a review on Apple PodcastsSubscribe to the showTag us on Instagram @GoodtypeFollow us on Tiktok @lovegoodtypeLearn from Katie and IlanaGrab your tea, coffee, or drink of choice, kick back, and let's get down to business!

LOW-KEY BEST WES ANDERSON?? The Grand Budapest Hotel Full Reaction Watch Along:   / thereelrejects   With The Phoenician Scheme in Theatres NOW, Andrew & Roxy reunite for The Grand Budapest Hotel Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Visit https://www.liquidiv.com & use Promo Code: REJECTS to get 20% off your first order. Join Andrew Gordon & Roxy Striar as they step into the pastel-hued halls of Wes Anderson's 2014 masterwork The Grand Budapest Hotel. When legendary concierge M. Gustave H. (Ralph Fiennes, The English Patient, Harry Potter and the Goblet of Fire) is framed for the murder of dowager Madame D. (Tilda Swinton, Michael Clayton, Snowpiercer), young lobby boy Zero Moustafa (Tony Revolori, Dope, The French Dispatch) embarks on a whirlwind quest across the snowy Republic of Zubrowka to clear his mentor's name. Along the way, they're aided by pastry-chef Agatha (Saoirse Ronan, Lady Bird, Little Women), who crafts the iconic Courtesan au Chocolat, and pursued by the vengeful heir Dmitri (Adrien Brody, The Pianist, Midnight in Paris). The stellar ensemble also features F. Murray Abraham (Yuri, Amadeus, Scarface) as the ruthless jailer who leads the prison break; Willem Dafoe (Jopling, Spider-Man, The Lighthouse) as the cold-blooded henchman; Jeff Goldblum (Deputy Kovacs, Jurassic Park, Thor: Ragnarok) as the skeptical prosecutor; Jude Law (The Author, Sherlock Holmes, Fantastic Beasts) as the narrating novelist; and cameos from Bill Murray, Edward Norton, Harvey Keitel, Lea Seydoux, and Owen Wilson. Aaron & Roxy break down every meticulously framed moment—from the snowy Alpine ski chase and the thrilling jail break to the decadent Mendl's pastry montage and the bittersweet final framing device. Don't miss their take on why The Grand Budapest Hotel remains one of the most highly searched and endlessly rewatchable films of the 2010s! Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter:  https://twitter.com/roxystriar Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Wong and Mike check into 2014's The Grand Budapest Hotel, Wes Anderson's whimsical, pastel-hued quirky comedy full of laughs, dark themes, and a whole lot of style. Joining them are two fellow movie buffs, Cathryn and Danny, as they unpack the film's visual style, larger-than-life characters, and its deep, and poignant core that's sure to leave you smiling and inspired. From Ralph Fiennes' amazing performance as Gustave H., bringing a perfect blend of comedy, and drama to a truly memorable character, to the film's layers of brilliant storytelling—this is a conversation you won't want to miss.

Get your hands off my lobby boy! A new Wes Anderson film will soon be upon us, so the boys dive into the RCR Top 100 to tackle 'The Grand Budapest Hotel'. The boys discuss this feels like the most accessible Anderson film, his sense of style and filmmaking, the strong ensemble performances, and where it ranks amongst the Top 100.

Hello everyone and welcome back to another review here on MOVIE Morning. Wes Anderson's latest film - The Phoenician Scheme - hit UK cinemas this past weekend and will have a slow international rollout over the next month or so. I am a bit of a Wes Anderson noob. I watched Fantastic Mr. Fox obsessively when I was younger and have seen The Grand Budapest Hotel but other than that, I don't have an exact recollection of whether I've seen any of his other movies. Because of the early release here, I thought I'd give The Phoenician Scheme a shot, especially because Anderson has such a passionate following and the plot description seemed interesting to me. Is it worth seeing at the cinema? Find out in this review!The Phoenician Scheem:Directed by: Wes AndersonStory by: Wes Anderson & Roman CoppolaScreenplay by: Wes AndersonProduced by: Wes Anderson, Jeremy Dawson, John Peet, Steven RalesExecutive Producers: Roman Coppola, Henning MolfenterOriginal music by: Alexandre DesplatDirector of Photography: Bruno DelbonnelEdited by: Barney PillingCasting by: Douglas AibelProduction Design by: Adam StockhausenCostume Design by: Milena CanoneroCast: Benicio del Toro, Mia Threapleton, Michael Cera, Riz Ahmed, Tom Hanks, Bryan Cranston, Mathieu Amalric, Richard Ayoade, Jeffrey Wright, Scarlett Johansson, Benedict Cumberbatch, Rupert Friend, Hope Davis, Bill Murray, Willem DafoeSynopsis: The story of a family and a family business.

Benicio Del Toro talks about playing a business tycoon in Wes Anderson's The Phoenician Scheme. This aesthetically stylised film, by the director who also made The Royal Tenenbaums and The Grand Budapest Hotel, is reviewed by Tom and critics Larushka Ivan-Zadeh and Rachel Cooke. They also give their verdict on Mission: Impossible - The Final Reckoning, the 8th and final film in the franchise, and discuss fictional portrayals of food as Aftertaste by Daria Lavelle is published.Presenter: Tom Sutcliffe Producer: Harry Graham

Na 78. Festiwalu Filmowym w Cannes słynący z kultowych tytułów reżyser Wes Anderson pokazał „Fenicki układ” z Benicio Del Toro w roli głównej. Świetną kreację stworzyła Mia Threapleton, córka Kate Winslet. Autorka: Anna TatarskaArtykuł przeczytasz pod linkiem: https://www.vogue.pl/a/pokazywany-w-cannes-fenicki-uklad-to-najlepszy-film-wesa-andersona-od-czasu-the-grand-budapest-hotel-1

The final part of Issue 60 is a Spotlight episode with special guest, award-winning author Deborah Fox. This time we have a deep dive on singular film director Wes Anderson, whose films are so visually recognisable even one frame is enough to identify him. He also divides opinion somewhat which we dig into during the chat. The other parts of Issue 60 are already available to download, and Issue 61 will be available starting May 25th. Find out more about Deborah and her books at https://www.d-e-fox-author.com/ 

Zach, Andrew, Grace and Michael celebrate the 500th episode of Cinematary with a live podcast about 2014's The Grand Budapest Hotel at Central Cinema in Knoxville, Tennessee. In part two, they are joined by Darren Hughes to reflect on 11 years and 500 episodes of the podcast.See movies discussed in this episode here.Don't want to listen? Watch the podcast on our YouTube channel.Also follow us on:InstagramLetterboxd

With the latest series of the much-discussed drama The White Lotus recently wrapped up, Screenshot asks why cinema and TV make so many return visits to hotels as a setting.Whether sinister and scary like in The Shining or Psycho, fabulous but faded like The Grand Budapest Hotel, or comically chaotic like in Fawlty Towers, hotels offer a myriad of possible opportunities for drama. Ellen E Jones and Mark Kermode check in to check out their rich history on screen. Ellen talks to film critic Hannah Strong about the timeless appeal of screen stays from the 1932 classic Grand Hotel to The White Lotus - and about how directors Wes Anderson and Sofia Coppola have made hotels the focus of some of their most famous films. Ellen also speaks to Sean MacPherson, hotelier, cinephile and co-owner of the storied Hotel Chelsea in New York City, about the glamorous allure of historic hotels - and the impact of the movies on hotel design. Mark speaks to writer and critic Anne Billson about the seedier - and scarier - side of hotels on screen, from the Coen Brothers' 1991 cult classic Barton Fink, to the 1990 Roald Dahl fantasy The Witches. And Mark also talks to director Rodney Ascher, whose 2012 documentary Room 237 explored Stanley Kubrick's The Shining from the unusual points of view of a number of theorists - all of whom seem to have checked into the film's Overlook hotel and never been able to leave.Producer: Jane Long A Prospect Street production for BBC Radio 4

In which Devin Diazoni and Ewa Mykytyn discuss the first third of The Buffalo Hunter Hunter by Stephen Graham Jones.Please support the podcast on Patreon!Follow Film Literate on Instagram!Find your hosts on social media:Devin Diazoni (Letterboxd|StoryGraph)Ewa Mykytyn (Goodreads|Armchair Chat on IG)

On episode 281 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Josh Parham to review Death of a Unicorn from A24, as well as talk about their favorite comedies of the 2020s as well as their favorite comedies of the last 25 years, the first quarter of the century.  Before getting into their thoughts on the latest release, Ryan and Josh discuss the big trailer that dropped last week for Paul Thomas Anderson's film One Battle After Another, starting Leonardo DiCaprio. In the first glimpse of the biggest film of the director's career, there was plenty to love as well as be cautious about in anticipation of the film's release this coming September. After their brief thoughts on the trailer, they transition to Death of a Unicorn, which premiered earlier in the month at the 2025 SXSW Film Festival. Ryan, who reviewed the film at the festival, was mixed on it, and Josh joined him for a mixed reaction of a fascinating concept that never amounted to much in the final product. A disappointing comedy featuring a mostly wasted all-star cast.  The conversation moves to talking about their favorite comedies of the 2020s so far, as the website and podcast will start to look at the best films of the decade so far. Films like Hundreds of Beavers, Bottoms, Anora, Benedetta, Barbie, Anora, and more. After discussing those films, they opened up the conversation to the best comedies of the last 25 years, as the team will also be taking a look at the best films of first quarter of the century. Films included in the conversation was Anchorman, A Serious Man, MacGruber, Bridesmaids, Spy, Mean Girls, The Grand Budapest Hotel, Walk Hard, Superbad, Hot Fuzz, Forgetting Sarah Marshall, and plenty ore.   You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h39m. We will be back in next week for a Oscar retrospective over the 88th Academy Awards, covering the films of 2015. Till then, let's get into it.  Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

RIP DOBBY!! Get 25% off the Magic Mind gummies here: https://magicmind.com/REJECTSGM #magicmind #gummies. Harry Potter And The Deathly Hallows Full Reaction Watch Along: https://www.patreon.com/thereelrejects Harry Potter 7 Reaction, Recap, Commentary, Analysis, & Spoiler Review! Greg Alba & Tara Erickson take on Part 1 of the thrilling Harry Potter finale. From “The Tale of the Three Brothers” sequence to the heartbreaking scene of Dobby's death, the intense infiltration of the Ministry of Magic, and the unforgettable moment of Hermione wiping her parents' memories, this movie brings raw emotion, stakes, and darker tones to the forefront. Featuring Daniel Radcliffe as Harry Potter (Weird: The Al Yankovic Story, Swiss Army Man), Emma Watson as Hermione Granger (Beauty and the Beast, The Perks of Being a Wallflower), Rupert Grint as Ron Weasley (Servant, Knock at the Cabin), Helena Bonham Carter as Bellatrix Lestrange (Fight Club, The Crown), Ralph Fiennes as Voldemort (Schindler's List, The Grand Budapest Hotel), Alan Rickman as Snape (Die Hard, Love Actually), and Bill Nighy as Rufus Scrimgeour (Love Actually, Underworld). This is the penultimate chapter in the Wizarding World saga, filled with tension, magic, and loss. Revisit the magic with us and dive into the journey across all the films: Sorcerer's Stone (Philosopher's Stone), Chamber Of Secrets, Prisoner Of Azkaban, Goblet Of Fire, Order Of The Phoenix, Half-Blood Prince, Deathly Hallows Part 1, Deathly Hallows Part 2, Fantastic Beasts And Where To Find Them, The Crimes Of Grindelwald, The Secrets Of Dumbledore. Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we're having a ball -- scrapping, yelling and mixing it up, loving every minute with this damn crew as we close out Gene HackMarch with a regal induction into the podcast canon. It's 2001's The Royal Tenenbaums, directed by Wes Anderson, co-written by Wes Anderson and Owen Wilson, and starring Gene Hackman, Anjelica Huston, Ben Stiller, Gwyneth Paltrow, Luke Wilson, Owen Wilson, Bill Murray, Danny Glover and the voice of Alec Baldwin. While Anderson launched himself to prominence with Rushmore, Tenenbaums marked the full-throated arrival of a confident new voice in American cinema, and arguably remains his best effort nearly two and a half decades later. Perfectly utilising Hackman's gruff hard-ass patriarcal screen presence, cut by the man's easily over-looked and ofter under-utilised comedic abilities, it's a redemption story for an almost historically bad dad -- a funny, feel-good movie that says it's never too late to make things right. Plus: Hayley's got another theatrical outing to report on as she headed to the cinema to catch Black Bag, while both hosts have food fixations on the brain this week. If you'd like to watch the movie before listening along to our discussion, The Royal Tenenbaums is currently available to stream on Disney+, as well as Crave and Starz north of the border. Other works discussed this week include Presence, Kimi, Ocean's Eleven, Enemy of the State, The Conversation, No Way Out, Dirty Dancing, Step Up, Center Stage, Stranger Than Fiction, Arrested Development, Hard Eight, Sliding Doors, The French Dispatch, The French Connection, Isle of Dogs, The Life Aquatic with Steve Zissou, The Darjeeling Limited, The Grand Budapest Hotel, Bottle Rocket, Asteroid City and Eastbound and Down, among many more. We don't know when we'll be back or what we'll be watching, as events in Hayley's life are making recording rather difficult over the next few months. But we will return, so don't fret! We just may be going down to a bi-weekly schedule for the next little while until things blow over. And don't worry, it's nothing bad. Updates coming on our social media feeds when we have them, but until then, we'll see you at the movies!!

✨ Surprise ! ✨A l'occasion de la toute première exposition consacrée à Wes Anderson, du 19 mars au 27 juillet 2025, Profession : Costumière a le plaisir d'annoncer son partenariat avec La Cinémathèque française. Chaque début de mois, d'avril à juillet, observons sous toutes les coutures un des plus beaux costumes présentés à l'exposition, pour en découvrir les secrets.Rendez-vous le 1er avril pour découvrir le 1er épisode !Retrouvez Profession : costumière sur Instagram  Un podcast signé Céleste Durante 

UNITING DUMBLEDORE'S ARMY!! Harry Potter and the Order of the Phoenix Full Reaction Watch Along:https://www.patreon.com/thereelrejects THANKS TO HUEL! Visit https://huel.com/rejects to get 15% off your order Come See The Reel Rejects at WONDERCON! https://www.comic-con.org/wc/badges/ Harry Potter & the Order of the Phoenix Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Join Greg Alba and Tara Erickson as they journey into the magical world of Harry Potter and the Order of the Phoenix (2007). Directed by David Yates, the fifth installment follows Harry Potter (Daniel Radcliffe, Swiss Army Man, Now You See Me 2) as he returns to Hogwarts for his tumultuous fifth year, where darkness looms both inside and outside the castle walls. As the Ministry of Magic denies Voldemort's return (Ralph Fiennes, Schindler's List, The Grand Budapest Hotel), Harry finds himself isolated and burdened by secrets. Determined to take control of his destiny, he rallies his fellow students to form Dumbledore's Army—a courageous group led by the brilliant Hermione Granger (Emma Watson, Beauty and the Beast, The Perks of Being a Wallflower) and the loyal Ron Weasley (Rupert Grint, Knock at the Cabin, Snatch). Meanwhile, the ruthless Dolores Umbridge (Imelda Staunton, Shakespeare in Love, Chicken Run) imposes strict and dangerous rules at Hogwarts, igniting further conflict. Other classic characters & performances include Alan Rickman as Severus Snape (Die Hard, Love Actually), Maggie Smith as Minerva McGonagall (Downton Abbey, The Prime of Miss Jean Brodie), Gary Oldman as Sirius Black (The Dark Knight Trilogy, Dracula), & MORE! And if you're looking to keep the magic alight, the full chronology of the films is thus: Harry Potter and the Sorcerer's Stone (2001), Harry Potter and the Chamber of Secrets (2002), Harry Potter and the Prisoner of Azkaban (2004), Harry Potter and the Goblet of Fire (2005), Harry Potter and the Order of the Phoenix (2007), Harry Potter and the Half-Blood Prince (2009), Harry Potter and the Deathly Hallows – Part 1 (2010), Harry Potter and the Deathly Hallows – Part 2 (2011), Fantastic Beasts and Where to Find Them (2016), Fantastic Beasts: The Crimes of Grindelwald (2018), Fantastic Beasts: The Secrets of Dumbledore (2022). Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

VOLDEMORT RETURNS! The officially licensed DC game DC Dark Legion is now open for pre-registration! Register now to get a free Mythical hero and tons of other resources during the official launch. https://bit.ly/ReelReject-DCDL Harry Potter 4 Full Reaction Watch Along: https://www.patreon.com/thereelrejects Harry Potter and the Goblet of Fire Reaction, Recap, Commentary, Analysis, & Spoiler Review! Greg Alba and Tara Erickson dive into the magical chaos of Harry Potter and the Goblet of Fire, the film that takes the Wizarding World to new heights with the Triwizard Tournament, the Yule Ball, and the terrifying return of Lord Voldemort. This reaction covers all the film's most iconic moments, including Harry vs. the Hungarian Horntail, the underwater challenge in the Black Lake, the maze's deadly traps, Cedric Diggory's tragic death, and Voldemort's resurrection, which remains one of the most chilling scenes in the entire franchise. The film introduces Barty Crouch Jr. (David Tennant) in a major twist, as well as Mad-Eye Moody (Brendan Gleeson), whose lessons on the Unforgivable Curses left a lasting impact on Harry and fans alike. The emotional weight of Cedric's fate, Dumbledore's "Did you put your name in the Goblet of Fire?" moment, and the shocking final duel make this one of the darkest and most defining entries in the series. Main Cast & Characters: Daniel Radcliffe as Harry Potter (Swiss Army Man, Weird: The Al Yankovic Story), Rupert Grint as Ron Weasley (Servant, Snatch), Emma Watson as Hermione Granger (Beauty and the Beast, The Perks of Being a Wallflower), Robert Pattinson as Cedric Diggory (The Batman, Twilight), Ralph Fiennes as Lord Voldemort (Schindler's List, The Grand Budapest Hotel), Brendan Gleeson as Mad-Eye Moody (In Bruges, The Banshees of Inisherin), David Tennant as Barty Crouch Jr. (Doctor Who, Good Omens), Michael Gambon as Albus Dumbledore (The King's Speech, Layer Cake), Alan Rickman as Severus Snape (Die Hard, Love Actually), Maggie Smith as Minerva McGonagall (Downton Abbey, The Prime of Miss Jean Brodie), Gary Oldman as Sirius Black (The Dark Knight Trilogy, Dracula). The Harry Potter franchise is one of the most beloved in cinematic history. Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

pWotD Episode 2864: Adrien Brody Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 372,061 views on Wednesday, 5 March 2025 our article of the day is Adrien Brody.Adrien Nicholas Brody (born April 14, 1973) is an American actor. Known for his intense roles on stage and screen, he has received several accolades including two Academy Awards, BAFTA Award, a Golden Globe Awards, a Critics' Choice Movie Award and a César Award in addition to nominations for three Primetime Emmy Awards, five Screen Actors Guild Awards, and one Laurence Olivier Award. Brody has won the Academy Award for Best Actor twice, for his portrayal of Władysław Szpilman in Roman Polanski's war drama The Pianist (2002), and László Tóth, a Holocaust survivor in Brady Corbet's period epic The Brutalist (2024). The former made him the youngest winner in the category, at age 29. He is also known for his performances in films such as King of the Hill (1993), The Thin Red Line (1998), The Village (2004), King Kong (2005), Hollywoodland (2006), Cadillac Records (2008), Predators (2010), Midnight in Paris (2011), See How They Run (2022), and Blonde (2022). He has frequently collaborated with filmmaker Wes Anderson, acting in his films The Darjeeling Limited (2007), Fantastic Mr. Fox (2009), The Grand Budapest Hotel (2014), The French Dispatch (2021), and Asteroid City (2023). On television, he has played Luca Changretta in the fourth season of the BBC series Peaky Blinders (2017), and Pat Riley in the HBO sports drama series Winning Time: The Rise of the Lakers Dynasty (2022–2023). He earned Primetime Emmy Award nominations for his roles as Harry Houdini in the History Channel miniseries Houdini (2014), and investor Josh Aaronson in the HBO series Succession (2021).On stage, he made his London theatre debut as death row inmate Nick Yarris in the Lindsey Ferrentino play The Fear of 13 (2024), garnering nomination for the Laurence Olivier Award for Best Actor.This recording reflects the Wikipedia text as of 02:16 UTC on Thursday, 6 March 2025.For the full current version of the article, see Adrien Brody on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Aria.

As part of the ZFF Masters, our audience gathers to watch talks with actors, directors, screenwriters and other filmmakers. In this episode, Jude Law is our guest. Jude Law has already worked with numerous renowned directors such as Steven Spielberg, Martin Scorsese and Wes Anderson and has appeared in classics of film history such as THE TALENTED MR. RIPLEY (1999), THE HOLIDAY (2006), SHERLOCK HOLMES (2009), and THE GRAND BUDAPEST HOTEL (2014). In this ZFF Masters episode, Law talks about his latest film THE ORDER and looks back at the highlights of his career.

This week: The Grand Budapest Hotel (2010) dir. David Fincher Alan's Game: Most Likes on Facebook Guest: Kevin Johnson and Britt Jones Movie chat begins at 5 minutes. In our new series we count down the 50 best films of the 2010s as voted on by a group of film fanatics. The person who ranked the film the highest on their list will appear as our guest to talk about why their film deserves to be on the LIST! E-mail us at thehammockdistricton3rd@gmail.com, follow us on Instagram @BadNeighborsPod. If you like what you hear please consider leaving us a review on iTunes, and become a patreon member here: www.patreon.com/boathausstudios Patreon members will gain exclusive access to our bonus episodes!

Adrien Brody is an Academy Award-winning actor. Known for his nuanced performances across a wide range of films, such as The Grand Budapest Hotel, Detachment, and multiple collaborations with film director Wes Anderson, he became the youngest recipient of the Academy Award for Best Actor for his role in The Pianist by age 29. In addition to his 2025 Academy Award nomination for Best Actor for his performance as László Tóth in Brady Corbet's The Brutalist, he has also earned the Golden Globe and Critics Choice Award for Best Actor, solidifying his reputation as a powerhouse in film. ------ Thank you to the sponsors that fuel our podcast and our team: Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ Vivo Barefoot http://vivobarefoot.com/tetra Use code 'TETRA25' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

On this episode, I spoke to production designer Adam Stockhausen about his work on Steve McQueen's Blitz.  Stockhausen is an… Oscar winner for The Grand Budapest Hotel. He was also nominated for West Side Story, Bridge of Spies and 12 Years a Slave Annie Award nominee for Isle of Dogs BAFTA winner for The Grand Budapest Hotel. He was also nominated for The French Dispatch, West Side Story, Bridge of Spies and 12 Years a Slave Critics Choice Award winner for The Grand Budapest Hotel. He was also nominated for Asteroid City, The French Dispatch, West Side Story, Bridge of Spies and 12 Years a Slave 2x ADG Award winner for The Grand Budapest Hotel and Isle of Dogs Steve McQueen's film follows the epic journey of George (Elliott Heffernan), a 9-year-old boy in World War II London whose mother Rita (Saoirse Ronan) sends him to safety in the English countryside. George, defiant and determined to return home to his mom and his grandfather Gerald (Paul Weller) in East London, embarks on an adventure, only to find himself in immense peril, while a distraught Rita searches for her missing son.  

This week: The Grand Budapest Hotel (2014) dir. Wes Anderson Alan's Game: Wes And His Friend(erson)s Guest: James Wade Movie chat begins at 10 minutes. In our new series we count down the 50 best films of the 2010s as voted on by a group of film fanatics. The person who ranked the film the highest on their list will appear as our guest to talk about why their film deserves to be on the LIST! E-mail us at thehammockdistricton3rd@gmail.com, follow us on Instagram @BadNeighborsPod. If you like what you hear please consider leaving us a review on iTunes, and become a patreon member here: www.patreon.com/boathausstudios Patreon members will gain exclusive access to our bonus episodes!

This week Carl presents to us what he deems a good introduction to the world of Wes Anderson: The Grand Budapest Hotel. Follow Us! Discord: https://discord.gg/8Xx4yakz26 YouTube: https://www.youtube.com/@thebigroompod TikTok: https://www.tiktok.com/@thebigroompod/ Instagram: https://www.instagram.com/thebigroompod/

Makeup, Prosthetics, and Hair..oh my! Fellow Ozians! We've got more to share from our conversation with the Hair, Makeup, and Prosthetics designer of Wicked, Frances Hannon! We had so much fun talking to Frances, there was no possible way we could fit everything we talked about into one little (green) baby episode. Today, we're talking more about Elphaba's HMU, the nuts and bolts of Ozian body doubles & stand-ins, and which collaboration left Frances starstruck. Let's go down to the Ozdust ballroom…. Famous in the entertainment industry for her ability to transform any face, makeup and hair designer Frances Hannon first entered the realm of film and TV with a job working on the British sketch comedy series "The Kenny Everett Television Show" (on the BBC, 1981-88). Cut to her ongoing collaboration with Wes Anderson which began with 1998's : “Rushmore.” Hannon quickly became one of the most sought after makeup and hair designers in Hollywood, loved and appreciated by directors and actors alike for her rigorous research. She won an Oscar for her work on Wes Anderson's The Grand Budapest Hotel, and has worked on major blockbusters like World War Z, Indiana Jones and the Dial of Destiny, and most recently…Wicked. Frances Hannon is on Instagram @frances_hannon_official  and you can follow the Wicked Movie @wickedmovie Follow us on Instagram @CuriousWithJVN to learn more about the products from this episode, or head to JonathanVanNess.com for the transcript. Jonathan is on Instagram @JVN. Find books from Getting Curious and Pretty Curious guests at bookshop.org/shop/curiouswithjvn. Our Senior Producer is Chris McClure. Our editor & engineer is Nathanael McClure. Our theme music is also composed by Nathanael McClure. Production support from Julie Carrillo, Anne Currie, and Chad Hall. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Makeup, Prosthetics, and Hair..oh my! Fellow Ozians! We've got more to share from our conversation with the Hair, Makeup, and Prosthetics designer of Wicked, Frances Hannon! We had so much fun talking to Frances, there was no possible way we could fit everything we talked about into one little (green) baby episode. Today, we're talking more about Elphaba's HMU, the nuts and bolts of Ozian body doubles & stand-ins, and which collaboration left Frances starstruck. Let's go down to the Ozdust ballroom…. Famous in the entertainment industry for her ability to transform any face, makeup and hair designer Frances Hannon first entered the realm of film and TV with a job working on the British sketch comedy series "The Kenny Everett Television Show" (on the BBC, 1981-88). Cut to her ongoing collaboration with Wes Anderson which began with 1998's : “Rushmore.” Hannon quickly became one of the most sought after makeup and hair designers in Hollywood, loved and appreciated by directors and actors alike for her rigorous research. She won an Oscar for her work on Wes Anderson's The Grand Budapest Hotel, and has worked on major blockbusters like World War Z, Indiana Jones and the Dial of Destiny, and most recently…Wicked. Frances Hannon is on Instagram @frances_hannon_official  and you can follow the Wicked Movie @wickedmovie Follow us on Instagram @CuriousWithJVN to learn more about the products from this episode, or head to JonathanVanNess.com for the transcript. Jonathan is on Instagram @JVN. Find books from Getting Curious and Pretty Curious guests at bookshop.org/shop/curiouswithjvn. Our Senior Producer is Chris McClure. Our editor & engineer is Nathanael McClure. Our theme music is also composed by Nathanael McClure. Production support from Julie Carrillo, Anne Currie, and Chad Hall. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On episode 259 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Associate Editor Sophia Ciminello and AwardsWatch contributors Dan Bayer and Josh Parham to go back 10 years to take a look at the 87th Academy Awards, celebrating the films of 2014.  Ten years ago, Hollywood's biggest night was won over by Alejandro G. Iñárritu's Birdman, a dramedy about a washed up actor trying to form a comeback away from the big screen and back on stage in New York City, and while doing this, also making sure he can keep him mind sane. The film was a critical, commercial success, though winning Best Picture, Director and Original Screenplay for Iñárritu that night has put a target on his back for not only beating films like Boyhood and The Grand Budapest Hotel, but was the first of back to back years where the director found himself capturing Oscar gold. With these wins, it has become one of the most divisive years of the Oscars in recent memories, alongside a slew of other questionable winners and nominees inside a bountiful year of incredible cinema from the year 2014. A lot of Oscars from this year need to change hands, and the AW team is here to rewrite some Academy history.  In their in-depth discussion, the AW team talked about the film year of 2014, briefly discuss talk about Birdman as a Best Picture winner, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy.  You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 3h21m. We will be back next week to do discuss the latest film release, Blitz, and doing a character actor movie draft.  Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

We review: Conclave, Maid in Manhattan, The Grand Budapest Hotel, A Bigger Splash, Quiz Show, Harry Potter and the Goblet of Fire Join our conclave as we review the new thriller Conclave before debating and discussing our personal top 3 performances by star of the film - Ralph Fiennes. Subscribe on YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/@moviesshapedpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ follow us:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/moviesshapedpod/⁠⁠⁠⁠ Chapters: 00:00:00 Intro 00:00:44 Ralph Fiennes Thoughts 00:08:56 Conclave 00:31:00 Quiz Show 00:45:13 Maid in Manhattan 00:55:10 The Grand Budapest Hotel 01:08:40 Harry Potter and the Goblet of Fire 01:18:50 A Bigger Splash 01:29:55 What Should He Do Next? 01:32:15 Next Episode Preview & Outro

Building worlds in motion pictures through graphic props and typography—Annie Atkins joins to discuss her career designing set pieces for films such as The Grand Budapest Hotel and her new book, “Letters from the North Pole.”

Something has changed within us, curious people, something is not the same. We'll never know a world without our episode speaking with Oscar winner, Frances Hannon, who just so happens to be the Hair, Makeup, and Prosthetics designer for the upcoming film adaptation of Wicked. We're talking all about the alchemy Frances used to find the perfect shade of green for Elphaba, how Cynthia Erivo incorporated her own nail game into her character, and which of Ariana Grande's R.E.M. products made the final cut. Plus - blue horses???  It's all too much for our gay bones! Famous in the entertainment industry for her ability to transform any face, makeup and hair designer Frances Hannon first entered the realm of film and TV with a job working on the British sketch comedy series "The Kenny Everett Television Show" (on the BBC, 1981-88). Cut to her ongoing collaboration with Wes Anderson which began with 1998's : “Rushmore.” Hannon quickly became one of the most sought after makeup and hair designers in Hollywood, loved and appreciated by directors and actors alike for her rigorous research. She won an Oscar for her work on Wes Anderson's The Grand Budapest Hotel, and has worked on major blockbusters like World War Z, Indiana Jones and the Dial of Destiny, and most recently…Wicked. Frances Hannon is on Instagram @frances_hannon_official  and you can follow the Wicked Movie @wickedmovie Follow us on Instagram @CuriousWithJVN to learn more about the products from this episode, or head to JonathanVanNess.com for the transcript. Jonathan is on Instagram @JVN. Find books from Getting Curious and Pretty Curious guests at bookshop.org/shop/curiouswithjvn. Our Senior Producer is Chris McClure. Our editor & engineer is Nathanael McClure. Our theme music is also composed by Nathanael McClure. Production support from Anne Currie, and Chad Hall. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Matt Severson returns to discuss Wes Anderson and The Grand Budapest Hotel. We discuss Lubitsch's clear influence on the film, Anderson's use of fabulist distancing techniques, common attitudes about Anderson's supposed emotional remoteness, and our own emotional connections to the film. Edited by Eden Cote-Foster. We have a Discord! Listen on: Apple Podcasts | Spotify NEXT WEEK: Screenwriter Mateusz Pacewicz joins us to discuss Ernst from a Polish perspective! WORKS CITED: The Wes Anderson Collection: The Grand Budapest Hotel by Matthew Zoller Seitz Video Essay on The Grand Budapest Hotel by Matthew Zoller Seitz Devan's review of To Be Or Not To Be on Letterboxd  

Margo is joined by Annie Atkins, a graphic designer and legendary prop maker for film and television. She is known for her work with Wes Anderson on The Grand Budapest Hotel, which won the Academy Award for Best Production Design at the 87th Academy Awards. Since then, she has worked again with Wes Anderson on Isle of Dogs and The French Dispatch as well as on Steven Speilberg's West Side Story and Bridge of Spies. Annie's first book, Fake Love Letters, Forged Telegrams, and Prison Escape Maps, was published in 2020 by Phaidon. In her first children's book, Letters From The North Pole, five children from all around the world write to Santa Claus with ideas for Christmas gifts and are amazed when he writes back! Through five letters from Santa that children can pull out and read, the hidden world of the North Pole is revealed, from how reindeer can sleep standing up to what snacks Santa would like left out on Christmas Eve, and how he gets round the world so quickly. This is a nostalgic and festive tale, reminiscent of the classic The Jolly Postman and Annie's iconic work on such films as The Grand Budapest Hotel.   Margo and Annie discuss: How Annie's upbringing in a creative household influenced her decision to pursue graphic design and the pivotal moments that led her into the film industry Her impressive portfolio working on films and specific challenges and joys she encountered while working with distinctive styles of directors Hand-lettering vs. digital design Film prop details and some of the various intricate props she crafted Learning through mistakes, how using a 50-star flag instead of a 48-star flag in Bridge of Spies taught her to ensure historical accuracy Personal Projects vs. Commissioned Work What the job of a graphic designer on a film set typically involves and how it contributes to the overall storytelling in a movie Her captivating and interactive new children's book, Letters from the North Pole   Connect with Annie: www.instagra.com/AnnieAtkins www.annieatkins.com   Connect with Margo: www.instagram.com/windowsillchats www.windowsillchats.com www.patreon.com/inthewindowsill  

We are back with the culture boys to talk about Dune 2, Grand Budapest Hotel, and October's movie selection! Letterboxed Accounts: ⁠Nick⁠ ⁠Patrick⁠ ⁠Jamie⁠ Get in touch with us at: movievsmoviepodcast@gmail.com or at: ⁠⁠Patreon⁠⁠ | ⁠⁠Twitter⁠⁠ | ⁠⁠Instagram

The Ringer's Chris Ryan, Sean Fennessey, and Andy Greenwald apply a few squirts of L'air de Panache before rewatching Wes Anderson's 2014 hit comedy adventure ‘The Grand Budapest Hotel,' starring Ralph Fiennes, Tony Revolori, F. Murray Abraham, and Adrien Brody. Watch this episode on video on our YouTube channel, Ringer Movies! Producer: Craig Horlbeck Learn more about your ad choices. Visit podcastchoices.com/adchoices

Our deep dive of Wes Anderson and P.T. Anderson continues: this time we discuss the 2014 film The Grand Budapest Hotel which tells the story of how a refugee inherited a famous hotel. Michael and Abe discuss Wes Anderson's distinctive style, themes, and characters. Features: Michael Swaim: https://twitter.com/SWAIM_CORP Abe Epperson: https://twitter.com/AbeTheMighty Support Small Beans and access Additional Content: https://www.patreon.com/SmallBeans Check our store to buy Small Beans merch! https://www.teepublic.com/stores/the-small-beans-store?ref_id=22691