Podcasts about Mathieu Amalric

Chaque soir, la metteuse en scène Andrea Jiménez invite un nouvel acteur à monter sur scène pour endosser le rôle du Roi Lear… mais sans aucune répétition préalable et sans avoir appris le texte : un véritable saut dans le vide ! Le comédien est uniquement guidé par la metteuse en scène en direct… à l'aide d'un acteur souffleur.  Mathieu Amalric, Nicolas Bouchaud, Pascal Gregory, Arthur Nauziciel, Laurent Pointrenaux, Pascal Reneric et Dorcy Rugmaba, Marcel Bozonnet : un casting de luxe avec des acteurs majeurs du théâtre et très célèbres qui acceptent de se jeter dans le vide pour jouer le Roi Lear ! le spectateur ne sait pas à l'avance quel comédien jouera le vieux roi shakespearien « c'est pour créer cet effet de surprise de l'irrépétible, de l'unique », explique Andrea Jimenez. « Les comédiens eux-mêmes acceptent pour ce désir d'être toujours surpris, de faire face à quelque chose de nouveau. »  « C'est même plus qu'une expérience, c'est un voyage. », précise Marcel Bozonnet.  Sur scène, Andrea Jimenez joue le rôle de Cordélia, la fille de Lear, et il y a un acteur qui souffle le texte à l'acteur qui joue Lear avec une oreillette... Cet acteur ne sait rien du texte... La metteuse en scène a appliqué ce dispositif 135 fois avec 135 acteurs différents et notamment au festival d'Avignon.  Le Roi Lear, tragédie de Shakespeare, a été écrite entre 1603 et 1606. La pièce raconte l'histoire d'un vieux roi qui décide de partager son royaume entre ses trois filles en échange de déclarations d'amour. Trompé par les flatteries de Goneril et Regan, il déshérite Cordélia, la seule sincère. Les deux aînées, une fois au pouvoir, l'humilient et le chassent, tandis qu'un complot parallèle oppose le duc de Gloucester à son fils légitime Edgar, trahi par l'ambitieux Edmund. Lear sombre alors progressivement dans la folie en découvrant la trahison de ses deux filles et la fragilité du pouvoir. Cordélia revient avec une armée pour le sauver, mais la défaite, les exécutions et les meurtres se succèdent, aboutissant à la mort de Cordélia et de Lear, et à une fin profondément tragique qui interroge la justice humaine et divine...  Avec cette pièce, la metteuse en scène Andrea Jimenez entend faire le lien entre son histoire personnelle et celle contée par William Shakespeare : ainsi que le Roi Lear a répudié Cordélia, la metteuse en scène a elle-même été répudiée par son père... Invités :  Andrea Jiménez, autrice et metteuse en scène de Casting Lear et Marcel Bozonnet, l'un des comédiens qui joue le rôle du Roi Lear.    Andrea Jiménez est metteuse en scène, interprète, auteure et productrice espagnole. Marcel Bozonnet est un acteur, metteur en scène et pédagogue français né à Semur-en-Auxois, le 18 mai 1944. Ancien directeur du Conservatoire national, ancien administrateur de la Comédie française, il a joué des dizaines de rôles sur toutes les scènes d'Europe avec les plus grands metteurs en scène. Il joue le rôle du Roi Lear.  Casting Lear, d'après Le Roi Lear, de William Shakespeare : à voir au Théâtre de la Ville, aux Abbesses jusqu'au 18 septembre 2026. Et la chronique Ailleurs au Canada avec Sherry Simon, professeure émérite de l'Université Concordia. Elle participe à une conférence consacrée aux Langues minorisées, pour fêter les 30 ans de la Déclaration universelle des droits linguistiques qui aura lieu le jeudi 17 septembre 2026 à l'Université Concordia Montréal.  Programmation musicale :  Le groupe Java et Winston « Macanuf » avec le titre En fait. 

Chaque soir, la metteuse en scène Andrea Jiménez invite un nouvel acteur à monter sur scène pour endosser le rôle du Roi Lear… mais sans aucune répétition préalable et sans avoir appris le texte : un véritable saut dans le vide ! Le comédien est uniquement guidé par la metteuse en scène en direct… à l'aide d'un acteur souffleur.  Mathieu Amalric, Nicolas Bouchaud, Pascal Gregory, Arthur Nauziciel, Laurent Pointrenaux, Pascal Reneric et Dorcy Rugmaba, Marcel Bozonnet : un casting de luxe avec des acteurs majeurs du théâtre et très célèbres qui acceptent de se jeter dans le vide pour jouer le Roi Lear ! le spectateur ne sait pas à l'avance quel comédien jouera le vieux roi shakespearien « c'est pour créer cet effet de surprise de l'irrépétible, de l'unique », explique Andrea Jimenez. « Les comédiens eux-mêmes acceptent pour ce désir d'être toujours surpris, de faire face à quelque chose de nouveau. »  « C'est même plus qu'une expérience, c'est un voyage. », précise Marcel Bozonnet.  Sur scène, Andrea Jimenez joue le rôle de Cordélia, la fille de Lear, et il y a un acteur qui souffle le texte à l'acteur qui joue Lear avec une oreillette... Cet acteur ne sait rien du texte... La metteuse en scène a appliqué ce dispositif 135 fois avec 135 acteurs différents et notamment au festival d'Avignon.  Le Roi Lear, tragédie de Shakespeare, a été écrite entre 1603 et 1606. La pièce raconte l'histoire d'un vieux roi qui décide de partager son royaume entre ses trois filles en échange de déclarations d'amour. Trompé par les flatteries de Goneril et Regan, il déshérite Cordélia, la seule sincère. Les deux aînées, une fois au pouvoir, l'humilient et le chassent, tandis qu'un complot parallèle oppose le duc de Gloucester à son fils légitime Edgar, trahi par l'ambitieux Edmund. Lear sombre alors progressivement dans la folie en découvrant la trahison de ses deux filles et la fragilité du pouvoir. Cordélia revient avec une armée pour le sauver, mais la défaite, les exécutions et les meurtres se succèdent, aboutissant à la mort de Cordélia et de Lear, et à une fin profondément tragique qui interroge la justice humaine et divine...  Avec cette pièce, la metteuse en scène Andrea Jimenez entend faire le lien entre son histoire personnelle et celle contée par William Shakespeare : ainsi que le Roi Lear a répudié Cordélia, la metteuse en scène a elle-même été répudiée par son père... Invités :  Andrea Jiménez, autrice et metteuse en scène de Casting Lear et Marcel Bozonnet, l'un des comédiens qui joue le rôle du Roi Lear.    Andrea Jiménez est metteuse en scène, interprète, auteure et productrice espagnole. Marcel Bozonnet est un acteur, metteur en scène et pédagogue français né à Semur-en-Auxois, le 18 mai 1944. Ancien directeur du Conservatoire national, ancien administrateur de la Comédie française, il a joué des dizaines de rôles sur toutes les scènes d'Europe avec les plus grands metteurs en scène. Il joue le rôle du Roi Lear.  Casting Lear, d'après Le Roi Lear, de William Shakespeare : à voir au Théâtre de la Ville, aux Abbesses jusqu'au 18 septembre 2026. Et la chronique Ailleurs au Canada avec Sherry Simon, professeure émérite de l'Université Concordia. Elle participe à une conférence consacrée aux Langues minorisées, pour fêter les 30 ans de la Déclaration universelle des droits linguistiques qui aura lieu le jeudi 17 septembre 2026 à l'Université Concordia Montréal.  Programmation musicale :  Le groupe Java et Winston « Macanuf » avec le titre En fait. 

In sala"Buen Camino" di Gennaro Nunziante, con Checco Zalone, Beatriz Arjona e Letizia Arnò"La Grazia" di Paolo Sorrentino, con Toni Servillo, Anna Ferzetti e Orlando Cinque"La mia famiglia a Taipei" di Shih-Ching Tsou (con un'intervista esclusiva a La rosa purpurea), con Janel Tsai, Nina Ye e Blaire Chang "Primavera" di Damiano Michieletto, con Tecla Insolia, Michele Riondino e Andrea Pennacchi. Il regista e il cast nei nostri studi per raccontare il film130 anni di cinema"Filmlovers" di Arnaud Desplechin, con Milo Machado-Graner, Mathieu Amalric e Françoise LebrunUn corto d'animazione italiano verso Hollywood"Playing God", di Matteo Burani, ospite del programma

21 ans après "Un long dimanche de fiançailles", la plus francophile des actrices américaines est l'héroïne de "Vie privée", film réalisé par Rebecca Zlotowski avec Daniel Auteuil, Virginie Efira, Mathieu Amalric ou encore Vinvent Lacoste. Une psy se persuade que la mort d'une de ses patientes n'est pas tout à fait normale. En enquêtant, Liliane va en fait faire sa propre thérapie et découvrir les limites de son métier... Ecoutez Laissez-vous tenter - Première avec Stéphane Boudsocq du 26 novembre 2025.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:10:13 - Le Point culture - par : Marie Sorbier - La plateforme Tënk, en collaboration avec l'association Documentaire sur Grand Écran, propose une carte blanche à l'acteur et réalisateur Mathieu Amalric. L'occasion d'échanger avec lui sur ses choix et de revenir sur la puissance de ce genre cinématographique à part. - réalisation : Laurence Malonda - invités : Mathieu Amalric Acteur et réalisateur

Recorded July 18, 2025 at the Old Fire Station Theatre - Oxford, UK “I do think, every time you need to sing the title!” - Steve on Bond theme songs On this week's Summer Live episode, it's our piping-hot pod straight out of Oxford all about the second Daniel Craig Bond film, Quantum of Solace! Why did they think they needed to chase the Jason Bourne movies, thus altering the very DNA of this franchise? Why is this movie so far up Casino Royale's ass? Why couldn't Mathieu Amalric get a dang parlor scene? And couldn't they have thought of a more exciting villain lair than an empty hotel in the middle of the desert? PLUS: M's boyfriend has some snack requests!  Quantum of Solace stars Daniel Craig, Olga Kurylenko, Mathieu Amalric, Giancarlo Giannini, Gemma Arterton, Jeffrey Wright, David Harbour, Jesper Christensen, Anatole Taubman, Rory Kinnear, and Dame Judi Dench as M; directed by Marc Forster. This episode is brought to you in part by Rocket Money. Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Go to RocketMoney dot com slash whm today. That's RocketMoney dot com slash whm. RocketMoney dot com slash whm. Don't sleep on snagging your tickets to our 15th Anniversary show this December where we're talking all things Arnold in Total Recall! It's gonna be a gas and we wanna see you there! Click through for tickets now! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

Colis Suspect, c'est pour la 4ème édition un événement créé par l'association Futur Composé qui vise à attirer la créativité de tous à travers des concours festifs, des moments de partage, d'échange tout en débusquant les talents cachés dans des établissements qui accueillent des personnes atteintes de troubles autistiques. Colis Suspect, c'est quelque chose de génial un projet qui s'invite dans plus de 50 établissements qui accueillent des personnes atteintes de ces troubles et le principe est simple : ils envoient un colis mystère avec pour objectif de recevoir ensuite des œuvres issus de ces colis et de celles et ceux qui l'ont réceptionné. L'association Le Futur Composé, c'est depuis 25 ans donc des actions culturelles, des rencontres… mais aussi un festival, dans plusieurs salles d'ile de France, du Cabaret Sauvage au théâtre des variétés De la musique, donc, au programme aussi de ces trois jours d'événements, avec des concerts notamment, comme ceux des Psychotic Monks ou encore de Bonnie Banane. Au mircro d'Angèle Chatelier, depuis le Ground Control, retrouvez Mathieu Amalric, président et parrain de jury, cette année, Christophe L'Huillier(Astéréotypie), les Psychotic Monks, mais aussi Yolanda Tchiou (Papotin) et Stéphan Durand.

https://transaid.cymru/https://translifeline.org/GIVE YOUR B*TCH A SMACKIN' - https://smackinsunflowerseeds.com/LILCUMMER/Support us on Patreon: https://www.patreon.com/CumpostingPodcastRosa and Kite review 2025's 'Phoenician Scheme' an espionage dark comedy film produced, written and directed by Wes Anderson from a story he conceived with Roman Coppola. The film features an ensemble cast that includes Benicio del Toro, Mia Threapleton, Michael Cera, Riz Ahmed, Tom Hanks, Bryan Cranston, Mathieu Amalric, Richard Ayoade, Jeffrey Wright, Scarlett Johansson, Benedict Cumberbatch, Rupert Friend, Hope Davis, F. Murray Abraham, Charlotte Gainsbourg, Willem Dafoe, and Bill Murray. We then review 'Pride', a 2014 historical comedy-drama film written by Stephen Beresford and directed by Matthew Warchus. Based on a true story, it depicts a group of lesbian and gay activists who raised money to help families affected by the British miners' strike in 1984, at the outset of what would become the Lesbians and Gays Support the Miners campaign. It was screened as part of the Directors' Fortnight section of the 2014 Cannes Film Festival, where it won the Queer Palm award. Unajoy YouTube: https://www.youtube.com/@unajoyRosa's

Send us a textOn our 107th podcast, we here at the Triple FFF thought we'd try to once again attempt relevance and discuss a current big release, this time Wes Anderson's 2025 father-daughter high stakes business and espionage caper The Phoenician Scheme starring Benicio Del Toro, Mia Threapleton, Michael Cera, Tom Hanks, Bryan Cranston, Riz Ahmed, Scarlet Johansson, Mathieu Amalric, Jeffrey Wright, Rupert Friend and Benedict Cumberbatch. As well as Mr. Anderson's troupe of good-natured bit players and walk ons which includes Bill Murray, F. Murray Abraham, Wilem Dafoe and now Charlotte Gainsbourg.  I'm your host Gino Caputi and my guests this week are the always dependable show regulars Joe Field, David Johnson DMD and Gordon Alex RobertsonThe Phoenician Scheme's plot unfolds as follows: After surviving yet another assassination attempt, this time with a glimpse of the afterlife, wealthy arms dealer and industrialist Anatole Zsa-Zsa Korda realizes his days are numbered and possibly without purpose. Hoping to reconnect with his estranged daughter Liesl—now on the verge of taking her final vows as a Catholic nun—he names her the sole heir to his estate. In exchange for long-withheld truths about her mother's murder, Korda convinces Liesl to accompany him on a whirlwind journey to secure funding from several colorfully shady investors for his grand, multi-layered Phoenician Scheme—plans for which are ingeniously stored in a series of shoeboxes.Where does this film rank within Wes Anderson's collection of stories about larger-than-life, big talking fathers of dubious emotional and financial sincerity?  Find out!Watch the video podcast on Youtube:https://youtu.be/QVYj2zTif5o

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture For this week's second podcast review, Ema Sasic, Josh Parham, Giovanni Lago, Brendan Hodges and Tom O'Brien join me to review and discuss the latest film from Academy Award-winner Wes Anderson, "The Phoenician Scheme" starring Benicio del Toro, Mia Threapleton, Michael Cera, Riz Ahmed, Tom Hanks, Bryan Cranston, Mathieu Amalric, Richard Ayoade, Jeffrey Wright, Scarlett Johansson, Benedict Cumberbatch, Rupert Friend & Hope Davis. The film premiered in competition at the 2025 Cannes Film Festival, receiving positive reviews as Wes Anderson films tend to do, but what did we think of it? Wes Anderson is always a hotly discussed filmmaker with a wide range of opinions, and his latest is no different. Please tune in as we discuss the story, characters, performances, style and design, craftsmanship, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening. We hope you enjoy it! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Ein Regisseur erhält nicht oft die Gelegenheit, einen alten Low-Budget-Film Jahre später noch einmal inszenieren zu können. Michael Mann durfte SHOWDOWN IN L.A. unter dem Titel HEAT neu drehen – und Kiyoshi Kurosawa konnte seinen Thriller SERPENT'S PATH aus dem Jahr 1998 im Jahr 2024 noch einmal angehen. Die Handlung wurde nach Frankreich verlegt, die Hauptrollen sind mit Ko Shibasaki und Damien Bonnard japanisch und französisch besetzt. Wir hatten den 1998er Film nicht gesehen und so hat uns der harte Thriller mit seinen unerwarteten Twists voll erwischt.Nach der Ermordung seiner 8-jährigen Tochter sinnt der Vater auf Rache, unterstützt von einer Psychotherapeutin. Sie entführen und foltern die Verdächtigen – aber haben sie überhaupt die Richtigen? Und was treibt die eiskalte Psychotherapeutin an? Die grausamen Details des Mordes werden zwar nicht gezeigt, die Beschreibung aber so oft wiederholt, bis auch das Publikum Teil der Folter wird. Erst als es schon längst kein Zurück mehr gibt, enthüllen sich die wahren Hintergründe. Der harte Thriller wird durch Kurosawas kühle, schnörkellose Inszenierung noch intensiver. Typisch auch die verlassenen Industrieanlagen als perfekte Schauplätze. Im Podcast direkt nach dem Film versuchen René von den Abspannguckern und Thomas das Gesehene zu verdauen.Weitere Filme von Kiyoshi Kurosawa bei SchönerDenken.

The Phoenician Scheme is a 2025 espionage black comedy film produced, written and directed by Wes Anderson from a story he conceived with Roman Coppola. The film features an ensemble cast that includes Benicio del Toro, Mia Threapleton, Michael Cera, Riz Ahmed, Tom Hanks, Bryan Cranston, Mathieu Amalric, Richard Ayoade, Jeffrey Wright, Scarlett Johansson, Benedict Cumberbatch, Rupert Friend, Hope Davis, F. Murray Abraham, Charlotte Gainsbourg, Willem Dafoe, and Bill Murray. An international co-production between the United States and Germany, it was produced by Anderson's company American Empirical Pictures and Steven Rales's company Indian Paintbrush.Anderson talked about the film in June 2023 while promoting Asteroid City; he said it had already been written before the 2023 WGA strike began. That September, he revealed that del Toro and Cera were planned to join the cast, and he hoped to begin filming soon after the 2023 SAG-AFTRA strike ended. The rest of the cast signed on between January and June 2024. Filming took place at Babelsberg Studio in Germany, between March and June 2024, with cinematographer Bruno Delbonnel. Frequent Anderson collaborator Alexandre Desplat returned to compose the score.The Phoenician Scheme had its world premiere in the main competition of the 2025 Cannes Film Festival on May 18, 2025,[3] and was released theatrically in the United States by Focus Features on May 30, with a release date of June 29, 2025 set for Germany by Universal Pictures. The film received generally positive reviews.

On this episode, Matt & Eric give their review of Wes Anderson's The Phoenician Scheme starring Benicio del Toro, Mia Threapleton, Michael Cera, Riz Ahmed, Tom Hanks, Bryan Cranston, Mathieu Amalric, Richard Ayoade, Jeffrey Wright, Scarlett Johansson, Benedict Cumberbatch, Rupert Friend and Hope Davis.

Hello everyone and welcome back to another review here on MOVIE Morning. Wes Anderson's latest film - The Phoenician Scheme - hit UK cinemas this past weekend and will have a slow international rollout over the next month or so. I am a bit of a Wes Anderson noob. I watched Fantastic Mr. Fox obsessively when I was younger and have seen The Grand Budapest Hotel but other than that, I don't have an exact recollection of whether I've seen any of his other movies. Because of the early release here, I thought I'd give The Phoenician Scheme a shot, especially because Anderson has such a passionate following and the plot description seemed interesting to me. Is it worth seeing at the cinema? Find out in this review!The Phoenician Scheem:Directed by: Wes AndersonStory by: Wes Anderson & Roman CoppolaScreenplay by: Wes AndersonProduced by: Wes Anderson, Jeremy Dawson, John Peet, Steven RalesExecutive Producers: Roman Coppola, Henning MolfenterOriginal music by: Alexandre DesplatDirector of Photography: Bruno DelbonnelEdited by: Barney PillingCasting by: Douglas AibelProduction Design by: Adam StockhausenCostume Design by: Milena CanoneroCast: Benicio del Toro, Mia Threapleton, Michael Cera, Riz Ahmed, Tom Hanks, Bryan Cranston, Mathieu Amalric, Richard Ayoade, Jeffrey Wright, Scarlett Johansson, Benedict Cumberbatch, Rupert Friend, Hope Davis, Bill Murray, Willem DafoeSynopsis: The story of a family and a family business.

Listen along as we discuss Netflix's three hundred and seventy-fifth film, the 2021 French science fiction psychological thriller ‘Oxygen' (Oxygène) directed by Alexandre Aja starring Melanie Laurent, Mathieu Amalric and Malik Zidi.   Please follow us at Flix Forum on Facebook or @flixforum on X (Twitter) and Instagram and answer our question for the episode, 'Would you allow yourself to be cloned?'   You can listen to us on Apple Podcasts, Spotify and Podbean so please subscribe and drop us a review or 5 star rating.    If you're interested in what else we are watching, head on over to our Letterboxd profiles; Jesse    We also have our own Flix Forum Letterboxd page! Links to all our past episodes and episode ratings can be found there by clicking here.    Next week we have 'Ferry', so check out the film before then. You can see the trailer here.   Flix Forum acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Wurundjeri and Bunurong people of the Kulin Nation. We pay our respects to their Elders past, present, emerging and extend that respect to all Aboriginal and Torres Strait Islander cultures.

durée : 00:58:36 - Affaires culturelles - par : Arnaud Laporte - Comédien et cinéaste, lauréat de trois Césars, Mathieu Amalric revient sur une carrière très riche, avec toujours des chemins de traverse, comme avec les trois films qu'il a consacrés au musicien John Zorn et qui sont présentés dans le cadre du festival Best Of Doc. - invités : Mathieu Amalric Acteur et réalisateur

durée : 00:58:18 - Affaires culturelles - par : Arnaud Laporte - Alors que la dernière création du Zerep se joue au théâtre de l'Athénée à Paris, nous recevons Stéphane Roger. Un comédien excentrique passé maître dans l'art de déborder du cadre, et qui s'illustre aussi bien au théâtre que dans les films de Christophe Honoré, Nicole Garcia et Mathieu Amalric. - invités : Stéphane Roger Comédien

For a long-running franchise like the James Bond series, the release of Casino Royale in 2006 was just a shot in the arm - this was the first film starring Daniel Craig as Agent 007 and it was also THE first film in the history of this franchise to be a genuine reboot.  It received stellar reviews, made a ton of money, and was beloved by fans....it was also the first entry to end on a genuine cliffhanger.  The plan for the next film was to have an immediate follow-up for our lead character as that ending would directly lead into this next story from the first scene on.  So needless to say, expectations were QUITE high for this follow-up sequel released just about two years later....And while this movie did make as much money as its predecessor, the reviews were much worse and for the most part, fans were quite disappointed.  This came from a director (Marc Forster) who had never directed a big budget entertainment like this before and it also started filming without a finished script.....and since there was a writer's strike at the time, that script remained largely unfinished through production.  AND....this was a generally downbeat story also filmed in an admitted more claustrophobic style.  It just left a sour taste in the mouths of audiences which fortunately was forgotten four years later with the release of the beloved Skyfall.So now revisiting this sequel 15 years later, was it really that bad?  Well it featured a strong cast including Olga Kurylenko as the latest "Bond girl," Mathieu Amalric as the latest villain, and some returning cast from the previous film including Judi Dench, Giancarlo Giannini, and Jeffrey Wright.  So let's find out....if there was a quantum....of....solace? :Host & Editor: Geoff GershonProducer: Marlene Gershon https://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

durée : 00:48:56 - Grand Canal - par : Eva Bester - Le réalisateur mélomane vient nous parler de sa passion pour le jazz, à l'occasion de la sortie de son documentaire "Zorn", qu'il consacre au célèbre saxophoniste américain, John Zorn, qu'il filme, seul, depuis 2010. Grand lecteur de Robert Musil, il dit de lui : "Zorn est l'homme des possibles".

durée : 01:00:05 - invité : Mathieu Amalric - par : Alex Dutilh - Sortie en salles, mercredi 1er novembre, de la trilogie de Mathieu Amalric sur John Zorn. Trois films enfiévrés, passionnés et passionnants. Une vision de la création artistique in situ.

durée : 00:58:42 - Plan large - par : Antoine Guillot - Aujourd'hui, nous recevons la directrice de la photographie Caroline Champetier pour la rétrospective consacrée à Claude Lanzmann à Cinémathèque du Documentaire de la BPI du Centre Pompidou, le cinéaste Mathieu Amalric pour sa trilogie sur le musicien John Zorn, et aussi Sophie-Catherine Gallet. - invités : Caroline Champetier Directrice de la photographie; Mathieu Amalric Acteur et réalisateur; Sophie-Catherine Gallet Collaboratrice à France Culture, critique de cinéma à Revus et corrigés, cinéaste

durée : 00:58:42 - Plan large - par : Antoine Guillot - Aujourd'hui, nous recevons la directrice de la photographie Caroline Champetier pour la rétrospective consacrée à Claude Lanzmann à Cinémathèque du Documentaire de la BPI du Centre Pompidou, le cinéaste Mathieu Amalric pour sa trilogie sur le musicien John Zorn, et aussi Sophie-Catherine Gallet. - invités : Caroline Champetier Directrice de la photographie; Mathieu Amalric Acteur et réalisateur; Sophie-Catherine Gallet Collaboratrice à France Culture, critique de cinéma à Revus et corrigés, cinéaste

durée : 01:02:47 - Club Jazzafip - Avant la sortie de sa trilogie de films consacrés à John Zorn, le réalisateur et acteur français partage avec nous son amour du jazz.

Matt's shaking it up this week to bring us the whimsical art style of Wes Anderson in 2014 hit The Grand Budapest Hotel. It was a silly and fun time, but some of us don't like silly and fun.Directed by Wes Anderson. Starring Ralph Fiennes, F. Murray Abraham, and Mathieu Amalric."The Grand Budapest Hotel tells of a legendary concierge at a famous European hotel between the wars and his friendship with a young employee who becomes his trusted protégé. The story involves the theft and recovery of a priceless Renaissance painting, the battle for an enormous family fortune and the slow and then sudden upheavals that transformed Europe during the first half of the 20th century."Timestamps 0:00 - Intro / Initial Reviews18:37 - Spoiler Territory47:23 - Final Scores Anyone?53:12 - Next Movie RevealFOLLOW US ON SOCIALSInstagram - @thelitterboxpodLetterboxd - thelitterboxpodTwitter/X/Elon's Land of Lawlessness - @litterboxpod

Hello everyone and welcome to Some Like It Scott's newest Countdown miniseries: the Wes Anderson Countdown. To honor one of the great still-working indie writer-director auteurs, who's next film ASTEROID CITY comes out later this year, Scott, Scott, and Jay will be watching all 10 of the American filmmakers' works to-date, from his origins with the '90s heist-comedy BOTTLE ROCKET, all the way to his latest feature, 2021's star-studded anthology drama THE FRENCH DISPATCH. Join us each week over the next 10 weeks as we progress through Anderson's full oeuvre in the buildup to ASTEROID CITY!   On Part 10 of the Anderson Countdown, Scott, Scott, and Jay revisit Wes Anderson's most recent film to-date, and discuss the anthology drama: THE FRENCH DISPATCH. Written and directed by Wes, THE FRENCH DISPATCH is set in 1975 and is imagined as an ode to bygone years of journalism (specifically The New Yorker magazine), and delivers that in the form of publishing one final issue for the French foreign bureau of the Liberty, Kansas Evening Sun newspaper, after its founder, Arthur Howitzer Jr. (Bill Murray), passes away unexpectedly. Howitzer wished for the bureau to cease publication after his death, but his staff put the finishing touches on the upcoming issue and publish it in his honor. The film unfurls almost magazine-like, in the form of an anthology, as it splits into 3 different short stories, preceded by an even briefer tour of the local fictional French city, Ennui-sur-Blasé and followed by Howitzer's obituary. The three central stories - The Concrete Masterpiece, Revisions to a Manifesto, and The Private Dining Room of the Police Commissioner - each are written by a different French Dispatch reporter. 'The Concrete Masterpiece' tells the story of a mentally unwell, incarcerated painter, Moses Rosenthaler (Benecio del Toro), whose nude paintings of a prison guard, Simone (Lea Seydoux), spark greed in a fellow inmate and art dealer Julien Cadazio (Adrien Brody), leading to a years-long quest to get Rosenthaler to paint new art for him to sell. 'Revisions to a Manifesto' plots the story of a French student protest-turned-revolution, led by the disaffected Zeffirelli (Timothee Chalamet), after the students' initial concerns about access to the girls' dormitory at school boil over when fellow protestor, Mitch Mitch, is conscripted into the French military. And finally, 'The Private Dining Room of the Police Commissioner', tells the daring story of the kidnapping and rescue of Gigi, the son of the Ennui police commissioner (Mathieu Amalric). Naturally, each story has much more going on beneath the surface, as each story's writer contends with the effects being so close to each events has on them, and sheds its own light on how the magazine's now-late editor-in-chief supported them in their journalistic endeavors. The countdown crew reflect on the star-studded cast, this new filmmaking format for Wes, and whether the the central 3 stories satisfactorily tie together.

This week, we're diving into an extraordinary narrative of mental freedom amidst physical paralysis. We analyze 'The Diving Bell and the Butterfly' (2007), directed by Julian Schnabel, focusing on its compelling storytelling, emotional depth, and the profound human resilience it showcases.

Ryan and Dylan are joined by Ross Widener to talk about one of his favorite movies: At Eternity's Gate.

"For me, there is something about art, it's not a monologue, it's a dialogue. Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language. And I think the same way that people are excited about learning and speaking different languages - because I think each language has different merits and different aspects.Because my mom grew up in a period where they were excited about Nazi ideology and my mom knew this wasn't a good thing. So this idea of making up your own story instead of taking other people's stories was something that was very important. When I was a child, my mother didn't allow children's books in our home because she insisted on making up the stories for us. For her, basically, it was like the idea of reading us classics from a book was like ordering a pizza instead of cooking dinner. It meant that she didn't care about us. And she felt that because her parents told her bedtime stories in the ghetto where they had no access to books. And she saw how those people who were broken and angry and hurting could still find in their imaginations a brand new story that they made for somebody that they loved. So for her, it was this kind of generosity and something that could not be compared to, for example, buying Alice in Wonderland and reading it to somebody. You had to give more than that."Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d'Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L'Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar's work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023.www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d'Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L'Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar's work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023."For me, there is something about art, it's not a monologue, it's a dialogue. Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language. And I think the same way that people are excited about learning and speaking different languages - because I think each language has different merits and different aspects.Because my mom grew up in a period where they were excited about Nazi ideology and my mom knew this wasn't a good thing. So this idea of making up your own story instead of taking other people's stories was something that was very important. When I was a child, my mother didn't allow children's books in our home because she insisted on making up the stories for us. For her, basically, it was like the idea of reading us classics from a book was like ordering a pizza instead of cooking dinner. It meant that she didn't care about us. And she felt that because her parents told her bedtime stories in the ghetto where they had no access to books. And she saw how those people who were broken and angry and hurting could still find in their imaginations a brand new story that they made for somebody that they loved. So for her, it was this kind of generosity and something that could not be compared to, for example, buying Alice in Wonderland and reading it to somebody. You had to give more than that."www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: Lielle Sand

Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d'Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L'Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar's work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023."For me, there is something about art, it's not a monologue, it's a dialogue. Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language. And I think the same way that people are excited about learning and speaking different languages - because I think each language has different merits and different aspects.Because my mom grew up in a period where they were excited about Nazi ideology and my mom knew this wasn't a good thing. So this idea of making up your own story instead of taking other people's stories was something that was very important. When I was a child, my mother didn't allow children's books in our home because she insisted on making up the stories for us. For her, basically, it was like the idea of reading us classics from a book was like ordering a pizza instead of cooking dinner. It meant that she didn't care about us. And she felt that because her parents told her bedtime stories in the ghetto where they had no access to books. And she saw how those people who were broken and angry and hurting could still find in their imaginations a brand new story that they made for somebody that they loved. So for her, it was this kind of generosity and something that could not be compared to, for example, buying Alice in Wonderland and reading it to somebody. You had to give more than that."www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: Lielle Sand

"For me, there is something about art, it's not a monologue, it's a dialogue. Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language. And I think the same way that people are excited about learning and speaking different languages - because I think each language has different merits and different aspects.Because my mom grew up in a period where they were excited about Nazi ideology and my mom knew this wasn't a good thing. So this idea of making up your own story instead of taking other people's stories was something that was very important. When I was a child, my mother didn't allow children's books in our home because she insisted on making up the stories for us. For her, basically, it was like the idea of reading us classics from a book was like ordering a pizza instead of cooking dinner. It meant that she didn't care about us. And she felt that because her parents told her bedtime stories in the ghetto where they had no access to books. And she saw how those people who were broken and angry and hurting could still find in their imaginations a brand new story that they made for somebody that they loved. So for her, it was this kind of generosity and something that could not be compared to, for example, buying Alice in Wonderland and reading it to somebody. You had to give more than that."Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d'Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L'Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar's work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023.www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d'Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L'Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar's work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023."For me, there is something about art, it's not a monologue. When I do a video dance for a Japanese audience or a sci-fi comedy for a French audience then I do try to think about if I want to shock the audience at a certain moment. I think that the same things that would shock a French person would not necessarily shock an Israeli or a Japanese person, you know? I think that what's funny is that for a lot of people, the fact that my TV show The Middleman (L'Agent Immobilier) is very extreme, but in Israel when they watched it, they never thought it was extreme. They said it was very funny, but because the Israeli reality is much more extreme, so the idea of people shouting at each other or breaking a wall or punching each other or doing weird stuff, the French said, 'Oh, it's over the top.' In Israel, they felt that it was just like the way things are. So it's very, very interesting.""Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language. And I think the same way that people are excited about learning and speaking different languages - because I think each language has different merits and different aspects."www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: Lielle Sand

"For me, there is something about art, it's not a monologue. When I do a video dance for a Japanese audience or a sci-fi comedy for a French audience then I do try to think about if I want to shock the audience at a certain moment. I think that the same things that would shock a French person would not necessarily shock an Israeli or a Japanese person, you know? I think that what's funny is that for a lot of people, the fact that my TV show The Middleman (L'Agent Immobilier) is very extreme, but in Israel when they watched it, they never thought it was extreme. They said it was very funny, but because the Israeli reality is much more extreme, so the idea of people shouting at each other or breaking a wall or punching each other or doing weird stuff, the French said, 'Oh, it's over the top.' In Israel, they felt that it was just like the way things are. So it's very, very interesting.""Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language. And I think the same way that people are excited about learning and speaking different languages - because I think each language has different merits and different aspects."Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d'Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L'Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar's work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023.www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d'Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L'Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar's work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023."I really feel that if there is something about art that I seek - I think people use art for many things - it's really some kind of a belief that we can transcend. I mean, if I try to kind of see it as some kind of a substitute for a religion. You know, religion tells us that there's something out there. There's somebody watching us, somebody doing something. And I think that for me, many times good art says there is something beyond our understanding that exists, and there is a way to get a step closer to it. Maybe not to unveil it, but we can get there. "There is something about both my parents, but I think especially my mother, it's as if the horrible circumstances that they lived through being Jews in the Holocaust, my mother losing her entire family - it was horrible and traumatic, but it was almost like a very extreme human experiment. And it created something. It's like many times when you put somebody in extreme situations, and most of the time he will crush or she will crush, but sometimes, a superhero will be born. And there is something about my parents, when I came to work on the exhibition about my mother Inside Out, I realized there is something about her that was so unique that it could not have been achieved in normal times. Because the thing that happened with my mother was that, when the war started, she was five years old. When the war ended, she was 11 years old. By the time she was about 10, all the people that she had known before the war had died. Her parents, her brother, her grandfather, her friends."www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: Lielle Sand

"I really feel that if there is something about art that I seek - I think people use art for many things - it's really some kind of a belief that we can transcend. I mean, if I try to kind of see it as some kind of a substitute for a religion. You know, religion tells us that there's something out there. There's somebody watching us, somebody doing something. And I think that for me, many times good art says there is something beyond our understanding that exists, and there is a way to get a step closer to it. Maybe not to unveil it, but we can get there. "There is something about both my parents, but I think especially my mother, it's as if the horrible circumstances that they lived through being Jews in the Holocaust, my mother losing her entire family - it was horrible and traumatic, but it was almost like a very extreme human experiment. And it created something. It's like many times when you put somebody in extreme situations, and most of the time he will crush or she will crush, but sometimes, a superhero will be born. And there is something about my parents, when I came to work on the exhibition about my mother Inside Out, I realized there is something about her that was so unique that it could not have been achieved in normal times. Because the thing that happened with my mother was that, when the war started, she was five years old. When the war ended, she was 11 years old. By the time she was about 10, all the people that she had known before the war had died. Her parents, her brother, her grandfather, her friends."Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d'Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L'Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar's work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023.www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"I really feel that if there is something about art that I seek - I think people use art for many things - it's really some kind of a belief that we can transcend. I mean, if I try to kind of see it as some kind of a substitute for a religion. You know, religion tells us that there's something out there. There's somebody watching us, somebody doing something. And I think that for me, many times good art says there is something beyond our understanding that exists, and there is a way to get a step closer to it. Maybe not to unveil it, but we can get there. There is something about both my parents, but I think especially my mother, it's as if the horrible circumstances that they lived through being Jews in the Holocaust, my mother losing her entire family - it was horrible and traumatic, but it was almost like a very extreme human experiment. And it created something. It's like many times when you put somebody in extreme situations, and most of the time he will crush or she will crush, but sometimes, a superhero will be born. And there is something about my parents, when I came to work on the exhibition about my mother Inside Out, I realized there is something about her that was so unique that it could not have been achieved in normal times. Because the thing that happened with my mother was that, when the war started, she was five years old. When the war ended, she was 11 years old. By the time she was about 10, all the people that she had known before the war had died. Her parents, her brother, her grandfather, her friends."Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d'Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L'Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar's work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023.www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d'Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L'Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar's work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023."I really feel that if there is something about art that I seek - I think people use art for many things - it's really some kind of a belief that we can transcend. I mean, if I try to kind of see it as some kind of a substitute for a religion. You know, religion tells us that there's something out there. There's somebody watching us, somebody doing something. And I think that for me, many times good art says there is something beyond our understanding that exists, and there is a way to get a step closer to it. Maybe not to unveil it, but we can get there. There is something about both my parents, but I think especially my mother, it's as if the horrible circumstances that they lived through being Jews in the Holocaust, my mother losing her entire family - it was horrible and traumatic, but it was almost like a very extreme human experiment. And it created something. It's like many times when you put somebody in extreme situations, and most of the time he will crush or she will crush, but sometimes, a superhero will be born. And there is something about my parents, when I came to work on the exhibition about my mother Inside Out, I realized there is something about her that was so unique that it could not have been achieved in normal times. Because the thing that happened with my mother was that, when the war started, she was five years old. When the war ended, she was 11 years old. By the time she was about 10, all the people that she had known before the war had died. Her parents, her brother, her grandfather, her friends."www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: Lielle Sand

Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d'Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L'Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar's work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023."And I think that from a young age I've kind of learned that there are good stories, great stories, but none of them is your story. And that you have to kind of make up your own story, not feel just good enough kind of picking up one. And it doesn't matter if it's about Flat Earths or some conspiracy or wanting to clear the world of plastic or going vegan. So just this idea of joining some kind of boy scouts or wearing some kind of uniform or supporting some sports club and saying, Okay, now I don't have to think, I'm the New York Knicks fan! So if they win, I'm happy. If they lose, then I'm sad. I think that there is something, both with my mother and my father, being Holocaust survivors, being orphaned, basically, they had to seek the narrative. They didn't inherit one. It's not like my parents always said, You do like this, you know, and then you can either do what your parents said or rebel against them. It's this idea of What the hell do I do? And I'm looking Outside and Inside to find my narrative, to find my ethics, to find my values.”www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: Lielle Sand

"And I think that from a young age I've kind of learned that there are good stories, great stories, but none of them is your story. And that you have to kind of make up your own story, not feel just good enough kind of picking up one. And it doesn't matter if it's about Flat Earths or some conspiracy or wanting to clear the world of plastic or going vegan. So just this idea of joining some kind of boy scouts or wearing some kind of uniform or supporting some sports club and saying, Okay, now I don't have to think, I'm the New York Knicks fan! So if they win, I'm happy. If they lose, then I'm sad. I think that there is something, both with my mother and my father, being Holocaust survivors, being orphaned, basically, they had to seek the narrative. They didn't inherit one. It's not like my parents always said, You do like this, you know, and then you can either do what your parents said or rebel against them. It's this idea of What the hell do I do? And I'm looking Outside and Inside to find my narrative, to find my ethics, to find my values.”Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d'Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L'Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar's work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023.www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImage credit: Inside Out exhibition at the Jewish Museum Berlin, photos by Roman Maerz

"There is something about both my parents, but I think especially my mother, it's as if the horrible circumstances that they lived through being Jews in the Holocaust, my mother losing her entire family - it was horrible and traumatic, but it was almost like a very extreme human experiment. And it created something. It's like many times when you put somebody in extreme situations, and most of the time he will crush or she will crush, but sometimes, a superhero will be born. And there is something about my parents, when I came to work on the exhibition about my mother Inside Out, I realized there is something about her that was so unique that it could not have been achieved in normal times. Because the thing that happened with my mother was that, when the war started, she was five years old. When the war ended, she was 11 years old. By the time she was about 10, all the people that she had known before the war had died. Her parents, her brother, her grandfather, her friends.So I think that there was something about my mother that she was a true rebel and an anarchist, not by choice, but by education. Because the fact that she grew up in a place in which you could not trust anyone or you could not trust the narratives in which basically the grownups that she met were not like my parents - who would help me navigate life - but they were like a kind of evil orphanage managers who would steal her food or who would try to molest her or do all those horrible things. So in that sense, she kind of relied on herself for a narrative...So it doesn't really matter so much what's out there, but what matters is how you experience it."Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d'Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L'Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar's work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023.www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImage credit: Inside Out exhibition at the Jewish Museum Berlin, photos by Roman Maerz

Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d'Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L'Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar's work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023."There is something about both my parents, but I think especially my mother, it's as if the horrible circumstances that they lived through being Jews in the Holocaust, my mother losing her entire family - it was horrible and traumatic, but it was almost like a very extreme human experiment. And it created something. It's like many times when you put somebody in extreme situations, and most of the time he will crush or she will crush, but sometimes, a superhero will be born. And there is something about my parents, when I came to work on the exhibition about my mother Inside Out, I realized there is something about her that was so unique that it could not have been achieved in normal times. Because the thing that happened with my mother was that, when the war started, she was five years old. When the war ended, she was 11 years old. By the time she was about 10, all the people that she had known before the war had died. Her parents, her brother, her grandfather, her friends.So I think that there was something about my mother that she was a true rebel and an anarchist, not by choice, but by education. Because the fact that she grew up in a place in which you could not trust anyone or you could not trust the narratives in which basically the grownups that she met were not like my parents - who would help me navigate life - but they were like a kind of evil orphanage managers who would steal her food or who would try to molest her or do all those horrible things. So in that sense, she kind of relied on herself for a narrative...So it doesn't really matter so much what's out there, but what matters is how you experience it."www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: Lielle Sand

"For me, there is something about art, it's not a monologue. When I do a video dance for a Japanese audience or a sci-fi comedy for a French audience then I do try to think about if I want to shock the audience at a certain moment. I think that the same things that would shock a French person would not necessarily shock an Israeli or a Japanese person, you know? I think that what's funny is that for a lot of people, the fact that my TV show The Middleman (L'Agent Immobilier) is very extreme, but in Israel when they watched it, they never thought it was extreme. They said it was very funny, but because the Israeli reality is much more extreme, so the idea of people shouting at each other or breaking a wall or punching each other or doing weird stuff, the French said, 'Oh, it's over the top.' In Israel, they felt that it was just like the way things are. So it's very, very interesting.""Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language. And I think the same way that people are excited about learning and speaking different languages - because I think each language has different merits and different aspects."Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d'Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L'Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar's work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023.www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhotos:Outside - a video dance by Etgar Keret and Inbal PintoThe Inconsistent Pedaler, Keret in collaboration with Pilobolus Dance Company, Photo by Grant Halverson

Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d'Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L'Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar's work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023."For me, there is something about art, it's not a monologue. When I do a video dance for a Japanese audience or a sci-fi comedy for a French audience then I do try to think about if I want to shock the audience at a certain moment. I think that the same things that would shock a French person would not necessarily shock an Israeli or a Japanese person, you know? I think that what's funny is that for a lot of people, the fact that my TV show The Middleman (L'Agent Immobilier) is very extreme, but in Israel when they watched it, they never thought it was extreme. They said it was very funny, but because the Israeli reality is much more extreme, so the idea of people shouting at each other or breaking a wall or punching each other or doing weird stuff, the French said, 'Oh, it's over the top.' In Israel, they felt that it was just like the way things are. So it's very, very interesting.""Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language. And I think the same way that people are excited about learning and speaking different languages - because I think each language has different merits and different aspects."www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: Lielle Sand

"And I think that from a young age I've kind of learned that there are good stories, great stories, but none of them is your story. And that you have to kind of make up your own story, not feel just good enough kind of picking up one. And it doesn't matter if it's about Flat Earths or some conspiracy or wanting to clear the world of plastic or going vegan. So just this idea of joining some kind of boy scouts or wearing some kind of uniform or supporting some sports club and saying, Okay, now I don't have to think, I'm the New York Knicks fan! So if they win, I'm happy. If they lose, then I'm sad. I think that there is something, both with my mother and my father, being Holocaust survivors, being orphaned, basically, they had to seek the narrative. They didn't inherit one. It's not like my parents always said, You do like this, you know, and then you can either do what your parents said or rebel against them. It's this idea of What the hell do I do? And I'm looking Outside and Inside to find my narrative, to find my ethics, to find my values.”Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d'Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L'Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar's work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023.www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credit: Lielle Sand

Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d'Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L'Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar's work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023."For me, there is something about art, it's not a monologue. When I do a video dance for a Japanese audience or a sci-fi comedy for a French audience then I do try to think about if I want to shock the audience at a certain moment. I think that the same things that would shock a French person would not necessarily shock an Israeli or a Japanese person, you know? I think that what's funny is that for a lot of people, the fact that my TV show The Middleman (L'Agent Immobilier) is very extreme, but in Israel when they watched it, they never thought it was extreme. They said it was very funny, but because the Israeli reality is much more extreme, so the idea of people shouting at each other or breaking a wall or punching each other or doing weird stuff, the French said, 'Oh, it's over the top.' In Israel, they felt that it was just like the way things are. So it's very, very interesting.""Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language. And I think the same way that people are excited about learning and speaking different languages - because I think each language has different merits and different aspects."www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: Lielle Sand

"For me, there is something about art, it's not a monologue. When I do a video dance for a Japanese audience or a sci-fi comedy for a French audience then I do try to think about if I want to shock the audience at a certain moment. I think that the same things that would shock a French person would not necessarily shock an Israeli or a Japanese person, you know? I think that what's funny is that for a lot of people, the fact that my TV show The Middleman (L'Agent Immobilier) is very extreme, but in Israel when they watched it, they never thought it was extreme. They said it was very funny, but because the Israeli reality is much more extreme, so the idea of people shouting at each other or breaking a wall or punching each other or doing weird stuff, the French said, 'Oh, it's over the top.' In Israel, they felt that it was just like the way things are. So it's very, very interesting.""Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language. And I think the same way that people are excited about learning and speaking different languages - because I think each language has different merits and different aspects."Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d'Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L'Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar's work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023.www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Agents Scott and Cam, along with guest operative David Zaritsky of The Bond Experience YouTube channel, uncover a criminal spy network at the opera while tackling Daniel Craig's second 007 adventure, Quantum of Solace.  Directed by Marc Forster. Starring Daniel Craig, Olga Kurylenko, Mathieu Amalric, Judi Dench, Giancarlo Giannini, Gemma Arterton, Jeffrey Wright, David Harbour and Jesper Christensen. Check out The Bond Experience on YouTube for fantastic 007 content, and make sure to follow David on Instagram. Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Pick up exclusive SpyHards merch, including the "What Does Vargas Do?" t-shirt by @shaylayy, available only at Redbubble Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes. Theme music by Doug Astley.

Hold Me Tight, the latest directorial venture from actor and filmmaker Mathieu Amalric, is a riveting, kaleidoscopic entry to the canon of movies about women on the verge. The film, which opened on September 9, features Vicky Krieps as Clarisse, a young mother on the run who may—or may not, depending on your reading of the story—be going through indescribable grief. The actor turns in a performance of mesmerizing fluidity and mystery, as Amalric's elliptical storytelling keeps the audience guessing about the nature of Clarisse's reality.  Last week, Film Comment Co-Deputy Editors Clinton Krute and Devika Girish welcomed the director and star for a Film Comment Live talk about their new movie, the narrative and cinematic balancing act of depicting a mind in flux, the film's imaginative use of music, and much more.

The French actor and filmmaker Mathieu Amalric ("The Diving Bell & The Butterfly") has a new dramatic feature opening Friday, September 9th called "Hold Me Tight". Also, documentary filmmaker Kevin Shaw discusses his new film "Let the Little Light Shine".

This week on the Film at Lincoln Center podcast, we're revisiting a conversation from the  27th Rendez-Vous with French Cinema with Hold Me Tight (opens tomorrow!) director Mathieu Amalric and actor Vicky Krieps, moderated by NYFF Artistic Director Dennis Lim. Vicky Krieps (Phantom Thread, Bergman Island) gives another riveting performance as Clarisse, a woman on the run from her family for reasons that aren't immediately clear. Widely renowned as an actor but less well-known here for his equally impressive work behind the camera, Mathieu Amalric's sixth feature directorial outing—his most ambitious to date—is a virtuosic, daringly fluid portrait of one woman's fractured psyche. Alternating between Clarisse's adventures on the road and her abandoned husband Marc (Arieh Worthalter) as he struggles to take care of their children at home, Amalric's film keeps viewers uncertain as to the reality of what they're seeing until the final moments of this richly rewarding, moving, and unpredictable portrait of grief. Get showtimes and tickets to Hold Me Tight at filmlinc.org/holdme