Podcasts about Cinema

CinemAddicts 362 features movies we've watched for the week ending Friday, September 4, 2026. Films reviewed include Hope, Dark Hollow, Teenage Wasteland and I Want Your Sex. Timestamps 01:14 - The Odyssey (Eric) 06:00 - Occupational Hazard: The First Coral Reefers 13:42 - Hope | Theaters 9/9 |

Black on Black Cinema breaks down Raven-Symone's resurfaced comments questioning whether her own iconic character, Raven Baxter from That's So Raven, was actually Black. On her podcast Tea Time, Raven told Kalen Allen, "Take away the color, make them green, and hear the words. What color are they?," challenging the idea that the show's Blackness was inherent rather than just visual.The internet had immediate and strong reactions. Fans pointed to the show's entire episode about racial profiling, Tonya's locs, Victor's soul food references, Cory's Black history paper storyline, and Della Reese's jazz singer character as clear, undeniable markers of Black identity woven directly into the writing, not just the casting.We break down both sides of this: is Raven making a nuanced point about Blackness not being monolithic, or is she minimizing a show that meant something real to a generation of Black kids who rarely saw themselves centered on Disney Channel?The next film to be reviewed is Tyler Perry's upcoming third movie in the "Why Did I Get Married trilogy." We will be breaking our promise about no more Tyler Perry films to review "Why Did I Get Married Again?" which reunites most of the original cast for one last wild time.Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).

You can find his channel  @ThorogoodFilms    ​ Sacramento Estuary Conference Oct 16 and 17 https://www.livingstonescrc.com/events/sacramento-estuary-conference-2026/2026-10-16 What is the TLC? ("This little corner of the Internet" also know as "the corner" https://youtu.be/Y3vqSjywot8?si=IVS3bnriwje5syPO TLC Search tool. https://thislittlecorner.net The Flotilla List: https://thislittlecorner.net/channels https://www.livingstonescrc.com/give Paul Vander Klay clips channel https://www.youtube.com/channel/UCX0jIcadtoxELSwehCh5QTg https://www.meetup.com/sacramento-estuary/ My Substack https://paulvanderklay.substack.com/ Bridges of meaning https://discord.gg/UKg8k93c Estuary Hub Link https://www.estuaryhub.com/ There is a video version of this podcast on YouTube at http://www.youtube.com/paulvanderklay To listen to this on ITunes https://itunes.apple.com/us/podcast/paul-vanderklays-podcast/id1394314333  If you need the RSS feed for your podcast player https://paulvanderklay.podbean.com/feed/  All Amazon links here are part of the Amazon Affiliate Program. Amazon pays me a small commission at no additional cost to you if you buy through one of the product links here. This is is one (free to you) way to support my videos.  https://paypal.me/paulvanderklay Blockchain backup on Lbry https://odysee.com/@paulvanderklay https://www.patreon.com/paulvanderklay Paul's Church Content at Living Stones Channel https://www.youtube.com/channel/UCh7bdktIALZ9Nq41oVCvW-A

90 years ago in Paris, a little 50-seat screening room opened its doors... and soon become probably the most important cinema ever. This month, the Cinémathèque française celebrates its birthday with a retrospective, so we are too: with this encore upload of our episode all about the revolutions the theater launched, both on movie screens and in the Paris streets. Host Rico Gagliano tells the wild tale, with help from directors Barbet Schroeder (BARFLY, REVERSAL OF FORTUNE) and Luc Moullet (BRIGITTE ET BRIGITTE), plus L.A. Times film critic Amy Nicholson and many more. Vive le cinema.The Faust Bible: The Making of F.W. Murnau's Masterpiece will be published globally through MUBI Editions on October 17 in partnership with the Cinémathèque française. It brings to light an extraordinary, recently rediscovered artifact: a visual diary of around 400 photographs and original illustrations documenting the making of Murnau's Faust almost step by step, now published in full for the first time.17 October - Official Launch at la Cinémathèque française, ParisTo mark the launch of The Faust Bible, MUBI Editions and la Cinémathèque française host a special centenary screening of Faust, featuring an introduction by Laurent Mannoni and live musical accompaniment by Christine Ott and Mathieu Gabry.25 October - Filmmuseum MünchenTo continue the celebrations, MUBI Editions and the Filmmuseum München host a special screening of Faust, featuring an introduction by Stefan Drössler and live musical accompaniment by Sabrina Zimmermann and Mark Pogolski.1 November - Academy Museum of Motion Pictures, Los AngelesTo celebrate the publication of The Faust Bible, MUBI Editions and the Academy Museum of Motion Pictures host a special centenary screening of Faust, featuring an introduction by K.J. Relth-Miller and live musical accompaniment by Julianna Barwick.To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

How did Iran become one of the world's great cinematic cultures? In this special pre-taped edition of Roqe, Jian revisits a fascinating conversation with Dr. Kaveh Askari about the remarkable growth of cinema in Iran during the Pahlavi era - and the complicated relationship between Hollywood, Persian culture and the emerging Iranian film industry. Askari, a film scholar and author of Relaying Cinema in Midcentury Iran: Material Cultures in Transit, takes us back to the Iran of the 1950s, 60s and 70s to explore how foreign films circulated through the country, why Hollywood initially considered Iran an almost invisible market, and how Iranian filmmakers adapted and borrowed from Western movies while developing a distinctly local cinema culture. The conversation explores pirated films and soundtracks, Iran's innovations in dubbing, the growing appetite for Hollywood movies, and the emergence of filmmakers like Masoud Kimiai and Dariush Mehrjui and the Iranian New Wave. It is a fascinating look at a less-explored chapter of Iranian cultural history - and the foundations of a cinematic tradition that would eventually become celebrated around the world. Featured Guest: Dr. Kaveh Askari - film scholar and author of Relaying Cinema in Midcentury Iran: Material Cultures in Transit This interview was originally recorded in March 2023. Roqe returns with its new season on Thursday, September 10th. This episode is brought to you with the support of: Quasar Homes - @quasarhomes Follow Jian on Instagram: @JianGhomeshi

This week on the Boxoffice podcast, presented by CJ Schwan's, co-hosts Daniel Loria and Chad Kennerk preview the September box office, covering upcoming titles such as Practical Magic 2, Resident Evil, Forgotten Island, and more. Then in the feature segment, Boxoffice Pro's Rebecca Pahle speaks to Michael Gunn, the director of culinary research and development at Schwan's Company, about their latest offering for exhibitors—Villa Prima Pizza.

Host Doug Hess talks with author Whitney Dilley and her book "The Cinema of Wes Anderson"

Send us Fan MailThere's a lot of TV and movies coming out for nerds this year and we're gonna let you know if they are good or not. We give spoiler reviews for most, so watchout in case you plan on catching up on X-men 97, Lanterns, Batman Caped Crusader, and Spider-Man Brand New Day.EnjoyMusic [00:00]Buzz Ad [00:14]Intro [01:10]X Men 97, Batman: Caped Crusader, Lanterns, Spiderman: Brand New Day & other Cinema [2:06]Outro [23:39]Please like and subscribe if you'd like to hear more comic talk!(Bi-weekly shows dropping on Wednesday)Social Media:Facebook -  https://www.facebook.com/CBJpodcastTwitter -  https://twitter.com/CbJpod  (@CBJpod)Instagram - https://www.instagram.com/cbjpod/  (@CBJpod)Youtube - https://m.youtube.com/channel/UCTDcugHYqAbgjwbdGWbZjnA/Buzzsprout - https://www.buzzsprout.com/1206320Currently listed on Apple, Stitcher, Spotify, Google Podcasts, and many others!Buzzsprout - Let's get your podcast launched! Start for FREE

No programa desta semana, Doug Bezerra, Doug Lira e Rafa Louzada se reúnem para debater o retorno da Semana do Cinema com ingressos a R$ 10, as novidades do novo seriado do Robocop no Prime Video e o recuo da Sony em relação ao fim das mídias físicas.CLIQUE AQUI E CONHEÇA O CURSO DE PRODUÇÃO DE LIVRO INFANTIL DA ARTE REVIDECLIQUE AQUI E CONHEÇA O CANTO DOS ARTISTAS DA ARTE REVIDEArte do episódio por ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rafa Louzada.⁠⁠⁠⁠Apoie o Frango!! NOVO PIX: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pixdofrangofino@gmail.com ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apoia.se: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://apoia.se/frangofino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Orelo: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://orelo.cc/frangofino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/frangofino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram dos Frangos:Doug Bezerra (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@dougbezerra⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), Doug Lira (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@liradoug⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) e Rafa Louzada (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@rafaelouzada⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)Para falar com a gente:E-mail:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠frangofinopodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@frangofinopodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Whatsapp: 11 94547-3377 ou ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠chatdireto.com/frangofino⁠⁠⁠⁠

 In today's episode of The Quiz, we're testing your knowledge on everything from classic tabletop games to iconic maritime history. Can you answer these? Civil Rights Icons: One of America's most celebrated leaders and Nobel Peace Prize winners spearheaded the civil rights movement. In which Southern city was he born? Constitutional History: While residents of U.S. territories lack presidential voting rights in general elections, nation's capital residents gained electoral participation through a specific constitutional addition. Which amendment granted this right? Maritime History: The disaster of 1912 took down a famous ocean liner, but its lesser-known twin enjoyed decades of service across transatlantic voyages and military duty. What was the name of this sister vessel? Play. Share. Listen, with host of the 'FOX on Games' podcast, Eammonn Dignam. Learn more about your ad choices. Visit podcastchoices.com/adchoices

For the first time, husbands Joel Kim and John-Michael Booster are podcast guesting together, and baby, we get INTO IT! Now, you know Joel from his many appearances on this show, from TV shows like Loot and the first season of the Scrubs legacyquel, from the film he wrote and starred in Fire Island, his Netflix special Psychosexual and so much more! Well, now you get to meet his husband, video game designer John-Michael! John Michael works for Riot Games, the makers of League of Legends, so we have a real 2IPC here (Oh, you don't know the acronym I just made up, "Two Industry Power Couple"???). Anyway, on today's episode JK and JM talk about how they met coming out of lockdown in the early part of the pandemic, having a big wedding, making friends and enemies at Burning Man, integrating friend groups, radical honesty and SO MUCH MORE! PLUS, obvi, we answer YOUR advice questions! If you'd like to ask your own advice questions, call 323-524-7839 and leave a VM or just DM us on IG or Twitter!Get tickets to Naomi and Megan's online show A Night of Cinema! BUY A SUPER CUTE "Open Your Hearts, Loosen Your Butts" mug! Also, we're in culture critic and Vulture writer Sean Malin's book The Podcast Pantheon: 101 Podcasts That Changed How We Listen! And:Support the show on Patreon (two extra exclusive episodes a month!) or gift someone a Patreon subscription! Or get yourself a t-shirt or a discounted Quarantine Crew shirt! And why not leave a 5-star review on Apple Podcasts? Or Spotify? It takes less than a minute! Follow the show on Instagram! Check out some CT clips on YouTube!Plus some other stuff! Watch Naomi's Netflix half hour or Mythic Quest! Check out Andy's old casiopop band's lost album or his other podcast Beginnings!Theme song by the great Sammus! Hosted on Acast. See acast.com/privacy for more information.

This year's Rockaway Film Festival includes documentaries, short films, features, live music and filmmaker Q&As, including with John Wilson for his new film "The History of Concrete." Sam Fleischner, co-founder and artistic director of the Festival, and Courtney Muller, co-founder and program director, join us to preview the festival, which takes place from September 2 through September 6. Photo by Alec Kugler Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Victoria kicks off an eight part series on the life and films of John Dall, starting with THE CORN IS GREEN (1945) EMAIL THE SHOW: abreathoffreshmovie@gmail.com SHOP THE SHOW: TEE PUBLIC

We're doing something a little different this month; instead of covering a film or tv show, we're releasing a lecture given earlier this month. Also, we're releasing this episode widely, including on the main feed. We were recently invited by Rev. Michael Dangler--a member of the Patreon here--to give a talk at the Summerlands Festival about Arthurian cinema. And so I wrote a short essay, titled "The Once and Future King: Paganism and Arthurian Cinema", which discusses the origins of seeking Pagan themes in Arthurian legend, followed by a discussion of several films, all of which have been covered on the podcast: Apocalypse Now, Excalibur, and the Mists of Avalon among other films are brought up. Apologies for the sound quality; we had an equipment failure, and so we only had one recording make it through the presentation, so there's some ambient noise, and audience interaction is hard to hear clearly. Once again, we'd like to thank Rev. Dangler for inviting us to speak, we had a wonderful time, and it was great to get our thoughts down on the subject. This is the second time I've been able to give a short talk on film (see our bonus episode on Joe Dante's The Movie Orgy for the other); hopefully it won't be the last. For anyone interested, Rev. Dangler has his own Patreon as well: https://www.patreon.com/cw/chronarchy

“No sheep is safe tonight.”On this episode we take a look at THE JEWEL OF THE NILE (1985) to see if how the sequel to the Eighties box office smash Romancing The Stone measured up. We're joined by Jairo from the True Bromance podcast to discuss whether Kathleen Turner's dancing, extensive scenes of fire-breathing and juggling, and a [possibly] pharmaceutically enhanced Danny De Vito, can make up for a spectacularly lacklustre script. And of course we examine an exploding helicopter that's the equivalent of cinematic pizza.  Episode 175.Show notesFollow Exploding HelicopterBluesky: @chopperfireball.bsky.socialWebsite: explodinghelicopter.comInstagram: explodinghelicopterFollow True Bromance Twitter: @TruBromanceCast

The ThingHosts: Clark Coffey & Cullen McFaterIn this episode, Clark Coffey and Cullen McFater discuss the classic John Carpenter horror The Thing! The two talk about the film's writing, practical effects, score, Carpenter's direction, and everything else to discuss!Subscribe to Soldiers of Cinema for honest, wide-ranging conversations on film, from cult favorites to award-winners - with two filmmakers, decades apart.TrailerDirector: John CarpenterStarring:Kurt RussellWilford BrimleyKeith DavidSocials:FacebookTwitterInstagram

This week on Born to Watch, we sink our teeth into a Fright Night 1985 Review, revisiting one of the most recognisable vampire movies of the VHS era. For Whitey, this one comes loaded with childhood nostalgia, a movie discovered through an unforgettable video shop cover and watched countless times growing up. For Gow and Damo, however, this is essentially fresh blood. So, after more than 40 years, does Fright Night still deliver the perfect combination of horror, comedy and '80s vampire cool, or should some childhood favourites remain safely buried in the past?Directed by Tom Holland, Fright Night stars William Ragsdale as Charlie Brewster, a teenager who discovers that his charming new neighbour, Jerry Dandrige, is actually a vampire. Naturally, nobody believes him. Not his mum, not his girlfriend Amy, not the police, and certainly not washed-up television horror host Peter Vincent. Unfortunately for Charlie, Jerry knows that Charlie knows, and things are about to get considerably more complicated.The boys start with the nostalgia factor, and this might be one of the biggest tests yet of whether childhood memories can survive a modern rewatch. Whitey remembers Fright Night as the ideal gateway horror movie, scary enough for a young teenager but funny and accessible enough to keep bringing him back. Gow and Damo don't have that emotional safety net, so they judge the film in the cold, unforgiving light of 2026.That difference produces exactly the sort of Born to Watch discussion you'd expect.Chris Sarandon's Jerry Dandrige gets plenty of attention. Smooth, ridiculously confident and rocking some magnificent '80s wardrobe choices, Jerry might be the strongest thing the movie has going for it. The nightclub sequence gets examined, the seductive vampire powers are discussed, and Whitey can't help noticing some serious Michael Douglas vibes years before Basic Instinct arrived.Then there's Roddy McDowall as Peter Vincent, the former movie vampire killer who discovers that dealing with the real thing is considerably different from acting in front of a camera. The boys look back at McDowall's incredible career, from Planet of the Apes to his decades of film and television work, while deciding just how much Peter Vincent adds to Fright Night.But we need to talk about Evil Ed.Oh dear.Stephen Geoffreys' performance becomes one of the episode's biggest talking points, and not necessarily for the reasons the filmmakers hoped. Is Evil Ed deliberately annoying? Is he supposed to be funny? Is he operating in a completely different movie from everybody else? And most importantly, just how high can the Born to Watch annoyance scale actually go?The boys also dive into Amanda Bearse as Amy, William Ragsdale's Charlie, Charlie's questionable decision-making, Jerry's supernatural seduction abilities and the wonderfully bizarre logic that comes with trying to convince the police that the bloke next door is a vampire.There is plenty to admire visually. The practical effects still provide some of Fright Night's strongest moments, particularly as the film heads towards its creature-heavy finale. Melting faces, transformations, wolves, vampires, mist-covered houses, and gloriously physical '80s effects all remind us why this era of horror still has such a passionate following.Naturally, being Born to Watch, the conversation doesn't remain focused on vampires for very long.The boys wander through the movies of 1985, revisit the glory days of video shops, discuss horror films as a childhood rite of passage, remember a time when Australian television had only a handful of channels, somehow find their way into Married... with Children, debate vampire rules and take several conversational detours that absolutely nobody planned.There's also the usual critical analysis, questionable observations, movie trivia, overs and unders, the trailer breakdown, the Good, the Bad and the Ugly, and enough inappropriate vampire discussion to ensure Bram Stoker is spinning violently in his grave.The biggest question, though, remains simple.Can nostalgia save Fright Night?For one member of the Born to Watch crew, this was once a genuine childhood favourite. Decades later, surrounded by two first-time viewers and forced to examine every strange performance, plot decision and ageing effect, those memories are about to face their toughest test yet.Grab the garlic, check the mirrors, lock the bedroom window and whatever you do, don't invite the new neighbour inside.It's time for Fright Night on Born to Watch.Born to Watch, the movie review podcast where we don't take the movies, or ourselves, too seriously.#FrightNight #FrightNight1985 #FrightNightReview #BornToWatch #MovieReviewPodcast #80sMovies #80sHorror #VampireMovies #HorrorMovies #CultMovies

Critic of screens large and small, Bruce Isaacs joins Philip Clark and listeners to Nightlife with reviews of the latest flicks to watch. 

In our final episode of the trilogy we brainstorm some ideas on how to get people back into the cinema. Theme song by Totally UnicornSee omnystudio.com/listener for privacy information.

THIS IS A PREVIEW. IF YOU WANT TO LISTEN TO THE FULL EPISODE, CHECK OUT FRUITLESS ON PATREON HERE: https://www.patreon.com/user?u=11922141EPISODE ON PATREON: https://www.patreon.com/u11922141/posts/168252160It's August, and that means it's time for another season of the music exchange: an ongoing series where Josh and Josiah both bring an album they find personally meaningful, and then compare and contrast them. In this installment, we discuss God, Forgive These Bastards: Songs From the Forgotten Life of Henry Turner by The Taxpayers and Audioslave by Audioslave.Music by The Taxpayers, Audioslave, and SHADE08 ★ Support this podcast on Patreon ★

David and Rachel discuss the tragic loss of dozens of children in one of Scotland's worst disasters.

Just a whisper. I hear it in my ghost, mate. Listen and subscribe to Cinema Swirl on your favourite podcast platform here: linktr.ee/cinemaswirl Hosted and Produced by: Kefin Mahon and Sam Chaplin Edited by: Sam Chaplin Music: Sam Chaplin

The Cinema Columbus Film Festival has moved from May to September and it's an annual showcase for Ohio filmmakers.This year's topics are timely and topical, including a Columbus native of Haitian descent exploring the Haitian experience in America.Another filmmaker tells the story of Columbus through interwoven stories. An Ohio State University professor-turned filmmaker explores modern marriage and traditions in China. And that's just a sampling of what's in store.Guests:Brett Reiter, festival director of the Cinema Columbus Film FestivalLogan St. Hilaire, filmmakerClaudia Owusu, filmmaker

Today we discuss the biggest sequel featuring dinosaurs Steven Spielberg ever directed with THE LOST WORLD: JURASSIC PARK (1997)! We talk about the different tone from the first Jurassic Park, the improved(?) effects, the new dinosaurs, and more! 
We also talk about lots of other dinosaur related stuff like: dinosaur cookies, Jurassic World: Camp Cretaceous, We're Back: A Dinosaur Story, The Land Before Time, Cadillacs and Dinosaurs, Dino Riders, Turok, Jurassic Punk (documentary), and the TV show Sir Arthur Conan Doyle's The Lost World! We also talk about Kacey Musgraves' disco balls, Hustlers, The Drama (2026), Widow's Bay (AppleTV), and The End of Oak Street (2026)! Check out Steven's new HUSTLERS edits featuring new music and a black and white version because… CINEMA! HUSTLERS (2019) Black and White Cut: https://youtu.be/URNlcStk-n4 HUSTLERS (2019) Lambada Cut: https://youtu.be/Tc9GqJFwm4A ———————————————————— To see images of the stuff discussed, look at your device's screen while listening! Go here to get some LTAS Merch: tee.pub/lic/huI4z_dwRsI Email: LetsTalkAboutStuffPodcast AT gmail DOT com Follow LTAS online: Instagram: www.instagram.com/ltaspod/?hl=en TikTok: www.tiktok.com/@ltaspod?lang=en Subscribe to Steven's YouTube channel: youtube.com/@alittlelessprofoun…si=exv2x7LZS2O1B65h Follow Steven on Letterboxd: letterboxd.com/stevenfisher22/ Brent is not on social media. A 5-Star rating on your podcast app is appreciated! And if you like our show, share it with your friends!

Na sabatina do Jornal Nacional, Flávio Bolsonaro voltou a afirmar que não há nada de errado no financiamento privado do filme Dark Horse, sobre a trajetória de Jair Bolsonaro, mas não apresentou a prestação de contas completa nem tornou público o contrato com o banqueiro Daniel Vorcaro, hoje preso.Wilson Lima e Rodolfo Borges analisam por que o senador conteve o tom, mas não respondeu às perguntas centrais: para onde foi o dinheiro, por meio de quais contratos e por que o sigilo. O debate destrincha o ponto mais sensível da campanha do candidato do PL à Presidência.Meio-Dia em Brasília traz as principais notícias e análises da política nacional direto   de Brasília.     Com apresentação de José Inácio Pilar e Wilson Lima, o programa aborda os temas mais quentes do cenário político e econômico do Brasil.     Com um olhar atento sobre política, notícias e economia, mantém o público bem informado.    Transmissão ao vivo de segunda a sexta-feira às 12h no nosso canal do Youtube.  https://www.youtube.com/@OAntagonista  Apoie o jornalismo independente. Assine O Antagonista e Crusoé com 10% via Pix ou Google Pay:  https://assine.oantagonista.com.br/   Siga O Antagonista no X:  https://x.com/o_antagonista   Acompanhe O Antagonista no canal do WhatsApp. Boletins diários, conteúdos exclusivos em vídeo e muito mais.  https://whatsapp.com/channel/0029Va2SurQHLHQbI5yJN344  Inscreva-se no canal, ative as notificações e deixe sua opinião nos comentários!  Leia mais em www.oantagonista.com.br | www.crusoe.com.br  #Spotify #ApplePodcasts #AmazonMusic #TuneInRádio #PolíticaBrasileira #BastidoresDoPoder #economia #jornalismo #noticias #politica #FlávioBolsonaro #Cinema #Política #Investigação #Polêmica #Notícias #Transparência #Bastidores #Atualidades #Brasil

This summer, we explore themes from popular films alongside Scripture, uncovering how God's truth speaks through the stories we love. From adventure and sacrifice to redemption and hope, each week reminds us that God is present in every part of our story—inviting us into something greater. This week is our last week in the Cinema Sundays Series. Our Director of Men & Youth Ministries, Ryan Silvia, closes out the summer with the epic journey of a young moisture farmer turned Jedi named Luke Skywalker. In the movie Star Wars: A New Hope, Ryan discusses how in a universe of shadows, Christ is always the light that dispels the darkness. And as his followers, we are to identify the beauty and hope of Christ in everything we see and do.  Passage: Revelation 21:18-26 NOTE: To see the clip played during the service, click HERE. We have three worship opportunities for you to experience: 9:00 a.m. - Sanctuary Service 9:30 a.m. - Online Service 10:30 a.m. - Chapel Service  Please consider joining us for one of these services.  To view past worship services along with other digital content, go to our Youtube Channel @PointLomaChurchOnline.  To get involved in what God is doing within our community, please visit our website at www.pointlomachurch.org. For event happenings: http://pointlomachurch.org/connect/events/ For a list of "Summer Movie Nights" showing on Wednesdays, click HERE To register for any event: http://pointlomachurch.org/register If you would like to give to the ministry: http://pointlomachurch.org/give/ or through our Venmo account: @Point-Loma-Church

Alex Murphy from The Young Offenders dropped into studio to tell Dave about National Cinema Weekend, and how The Young Offenders is being re-released to celebrate 10 years of the iconic Cork-based hit!

The Cinema Columbus Film Festival has moved from May to September and it's an annual showcase for Ohio filmmakers.This year's topics are timely and topical, including a Columbus native of Haitian descent exploring the Haitian experience in America.Another filmmaker tells the story of Columbus through interwoven stories. An Ohio State University professor-turned filmmaker explores modern marriage and traditions in China. And that's just a sampling of what's in store.Guests:Brett Reiter, festival director of the Cinema Columbus Film FestivalLogan St. Hilaire, filmmakerClaudia Owusu, filmmaker

Brandon Vick reviews One Night Only, Super Troopers 3, Tony, and Idiots on this month's installment of The Cinema Chronicles!One Night Only - 7:29Super Troopers 3 - 19:20Tony - 23:12Idiots - 33:20

Hands Chef! Matt Johnson is serving us Anthony Bourdain's early years with a side of Antonio Banderas. Does this Kitchen Confidential inspired vignette inspire us to compliment the chef or should we send it back to the kitchen? If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Taiwanese cinema is internationally celebrated for the auteurs of the Taiwan New Cinema. Yet over the past fifteen years, ghosts, demons, curses and haunted screens have become increasingly prominent, turning horror from a marginal genre into an important strand of Taiwan's popular cinema. Professor Corrado Neri's new book, Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture (Anthem Press, 2026), explores this transformation. Neri argues that Taiwanese horror has reached a new stage of maturity: it is now an established industrial category, has diversified across genres and media, and has developed a sophisticated capacity to address Taiwan's social, historical and technological anxieties. The book also launches the new short book series, ‘Anthem Impact in Asian Media, Cinema and Communications'. In this podcast conversation, Dr Ming-yeh Rawnsley talks with Professor Neri about what Taiwanese horror can tell us about Taiwan itself. Their discussion moves from ghosts and folklore to democracy, historical memory, digital culture and changing understandings of identity. Themes include: Why horror? – how a once-marginal genre became an important part of Taiwanese cinema. Taiwan as a ‘Ghost Nation' – why ghosts offer powerful ways of thinking about Taiwan's contested history and identity. Horror, democracy and historical memory – how liberalisation opened new possibilities for confronting difficult histories, notably the White Terror in Detention. Religion, folklore and the supernatural – how beliefs, rituals and local legends provide filmmakers with distinctive cultural resources. Digital ghosts – how smartphones, social media, gaming and screen culture have transformed haunting. Gender, sexuality and queer horror – how films such as Marry My Dead Body use supernatural conventions to explore changing social identities. Taiwan within Asian horror cinema – how Taiwanese filmmakers engage with regional traditions while developing recognisably local forms. One of the book's most compelling arguments is that the supernatural provides a productive language for exploring Taiwan's relationship with its past and present. Detention transforms the political violence of the White Terror into a spectral landscape of memory, guilt and historical reckoning. The Tag-Along, The Rope Curse and Incantation bring folklore and ritual into contact with cameras, smartphones and social media. Taiwanese horror is also transmedial. Detention moved from video game to feature film, television series and novel; The Bridge Curse and Incantation have extended into gaming, while The Tag-Along has expanded into webtoon and virtual reality. Horror thus forms part of a wider creative ecosystem in which cinema intersects with digital media, popular culture and Taiwan's cultural-content industries. Taiwanese horror therefore deserves attention beyond horror enthusiasts or film specialists. These films frighten, surprise and sometimes make audiences laugh, but their ghosts also carry history. They negotiate memories of authoritarianism and democratisation, questions of gender and sexuality, and move between temples, cinemas, video games and smartphone screens. The ghosts haunting contemporary Taiwanese cinema are rarely just ghosts. They offer another way of asking questions about Taiwan: how the past survives in the present, how identities are continually remade, and how a rapidly changing society chooses to remember—and imagine—itself. Dr Ming-yeh T. Rawnsley is a Research Associate at the Centre of Taiwan Studies, SOAS University of London, and a host for the New Books Network. She is also a co-editor (with Professor Gary Rawnsley) of the short book series, ‘Anthem Impact in Asian Media, Cinema and Communications'. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Taiwanese cinema is internationally celebrated for the auteurs of the Taiwan New Cinema. Yet over the past fifteen years, ghosts, demons, curses and haunted screens have become increasingly prominent, turning horror from a marginal genre into an important strand of Taiwan's popular cinema. Professor Corrado Neri's new book, Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture (Anthem Press, 2026), explores this transformation. Neri argues that Taiwanese horror has reached a new stage of maturity: it is now an established industrial category, has diversified across genres and media, and has developed a sophisticated capacity to address Taiwan's social, historical and technological anxieties. The book also launches the new short book series, ‘Anthem Impact in Asian Media, Cinema and Communications'. In this podcast conversation, Dr Ming-yeh Rawnsley talks with Professor Neri about what Taiwanese horror can tell us about Taiwan itself. Their discussion moves from ghosts and folklore to democracy, historical memory, digital culture and changing understandings of identity. Themes include: Why horror? – how a once-marginal genre became an important part of Taiwanese cinema. Taiwan as a ‘Ghost Nation' – why ghosts offer powerful ways of thinking about Taiwan's contested history and identity. Horror, democracy and historical memory – how liberalisation opened new possibilities for confronting difficult histories, notably the White Terror in Detention. Religion, folklore and the supernatural – how beliefs, rituals and local legends provide filmmakers with distinctive cultural resources. Digital ghosts – how smartphones, social media, gaming and screen culture have transformed haunting. Gender, sexuality and queer horror – how films such as Marry My Dead Body use supernatural conventions to explore changing social identities. Taiwan within Asian horror cinema – how Taiwanese filmmakers engage with regional traditions while developing recognisably local forms. One of the book's most compelling arguments is that the supernatural provides a productive language for exploring Taiwan's relationship with its past and present. Detention transforms the political violence of the White Terror into a spectral landscape of memory, guilt and historical reckoning. The Tag-Along, The Rope Curse and Incantation bring folklore and ritual into contact with cameras, smartphones and social media. Taiwanese horror is also transmedial. Detention moved from video game to feature film, television series and novel; The Bridge Curse and Incantation have extended into gaming, while The Tag-Along has expanded into webtoon and virtual reality. Horror thus forms part of a wider creative ecosystem in which cinema intersects with digital media, popular culture and Taiwan's cultural-content industries. Taiwanese horror therefore deserves attention beyond horror enthusiasts or film specialists. These films frighten, surprise and sometimes make audiences laugh, but their ghosts also carry history. They negotiate memories of authoritarianism and democratisation, questions of gender and sexuality, and move between temples, cinemas, video games and smartphone screens. The ghosts haunting contemporary Taiwanese cinema are rarely just ghosts. They offer another way of asking questions about Taiwan: how the past survives in the present, how identities are continually remade, and how a rapidly changing society chooses to remember—and imagine—itself. Dr Ming-yeh T. Rawnsley is a Research Associate at the Centre of Taiwan Studies, SOAS University of London, and a host for the New Books Network. She is also a co-editor (with Professor Gary Rawnsley) of the short book series, ‘Anthem Impact in Asian Media, Cinema and Communications'. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Taiwanese cinema is internationally celebrated for the auteurs of the Taiwan New Cinema. Yet over the past fifteen years, ghosts, demons, curses and haunted screens have become increasingly prominent, turning horror from a marginal genre into an important strand of Taiwan's popular cinema. Professor Corrado Neri's new book, Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture (Anthem Press, 2026), explores this transformation. Neri argues that Taiwanese horror has reached a new stage of maturity: it is now an established industrial category, has diversified across genres and media, and has developed a sophisticated capacity to address Taiwan's social, historical and technological anxieties. The book also launches the new short book series, ‘Anthem Impact in Asian Media, Cinema and Communications'. In this podcast conversation, Dr Ming-yeh Rawnsley talks with Professor Neri about what Taiwanese horror can tell us about Taiwan itself. Their discussion moves from ghosts and folklore to democracy, historical memory, digital culture and changing understandings of identity. Themes include: Why horror? – how a once-marginal genre became an important part of Taiwanese cinema. Taiwan as a ‘Ghost Nation' – why ghosts offer powerful ways of thinking about Taiwan's contested history and identity. Horror, democracy and historical memory – how liberalisation opened new possibilities for confronting difficult histories, notably the White Terror in Detention. Religion, folklore and the supernatural – how beliefs, rituals and local legends provide filmmakers with distinctive cultural resources. Digital ghosts – how smartphones, social media, gaming and screen culture have transformed haunting. Gender, sexuality and queer horror – how films such as Marry My Dead Body use supernatural conventions to explore changing social identities. Taiwan within Asian horror cinema – how Taiwanese filmmakers engage with regional traditions while developing recognisably local forms. One of the book's most compelling arguments is that the supernatural provides a productive language for exploring Taiwan's relationship with its past and present. Detention transforms the political violence of the White Terror into a spectral landscape of memory, guilt and historical reckoning. The Tag-Along, The Rope Curse and Incantation bring folklore and ritual into contact with cameras, smartphones and social media. Taiwanese horror is also transmedial. Detention moved from video game to feature film, television series and novel; The Bridge Curse and Incantation have extended into gaming, while The Tag-Along has expanded into webtoon and virtual reality. Horror thus forms part of a wider creative ecosystem in which cinema intersects with digital media, popular culture and Taiwan's cultural-content industries. Taiwanese horror therefore deserves attention beyond horror enthusiasts or film specialists. These films frighten, surprise and sometimes make audiences laugh, but their ghosts also carry history. They negotiate memories of authoritarianism and democratisation, questions of gender and sexuality, and move between temples, cinemas, video games and smartphone screens. The ghosts haunting contemporary Taiwanese cinema are rarely just ghosts. They offer another way of asking questions about Taiwan: how the past survives in the present, how identities are continually remade, and how a rapidly changing society chooses to remember—and imagine—itself. Dr Ming-yeh T. Rawnsley is a Research Associate at the Centre of Taiwan Studies, SOAS University of London, and a host for the New Books Network. She is also a co-editor (with Professor Gary Rawnsley) of the short book series, ‘Anthem Impact in Asian Media, Cinema and Communications'. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Entender a História do Brasil implica diretamente em entender os seus ciclos econômicos. Pau-Brasil, Açúcar, Café e Ouro! Separe trinta minutos do seu dia e aprenda com o professor Vítor Soares (@profvitorsoares) sobre o Ciclo do Ouro.-Se você quiser ter acesso a episódios exclusivos e quiser ajudar o História em Meia Hora a continuar de pé, clique no link: www.apoia.se/historiaemmeiahoraConheça o meu canal!https://www.youtube.com/@profvitorsoaresConheça meu outro canal: História e Cinema!https://www.youtube.com/@canalhistoriaecinemaViaje comigo, com o Vogalizando a História e com o Operação Barbarussa pra Grécia e Roma!https://partiu.vip/historiaecinema2026Ouça "Reinaldo Jaqueline", meu podcast de humor sobre cinema e TV:https://open.spotify.com/show/2MsTGRXkgN5k0gBBRDV4okAssista meu outro podcast, o História pros brother!https://open.spotify.com/show/04a8C8gXTLj68lmZiQD8vmCompre o livro "História em Meia Hora - Grandes Civilizações"!https://a.co/d/47ogz6QCompre meu primeiro livro-jogo de história do Brasil "O Porão":https://amzn.to/4a4HCO8Compre a camisa do História em Meia Hora: https://www.blablalogia.com/blablalojinha/akiralampiaoh30Garanta a sua cópia do Imperialismo: América. O primeiro jogo do História em Meia Hora!https://www.asmodee.com.br/imperialismo-america/produto/TJL001Participe da campanha do Censura e garanta a sua cópia!apoia.se/censuraPIX e contato: historiaemmeiahora@gmail.comApresentação: Prof. Vítor Soares.Roteiro: Prof. Vítor Soares e Prof. Victor Alexandre (@profvictoralexandre)REFERÊNCIAS USADAS:- FURTADO, Celso. Formação Econômica do Brasil. São Paulo: Companhia das Letras, 2007.- BOXER, Charles. A Idade de Ouro do Brasil: Dores de Crescimento de uma Sociedade Colonial. Rio de Janeiro: Nova Fronteira, 2000.- SOUZA, Laura de Mello e. Norma e Conflito: Aspectos da História de Minas no Século XVIII. Belo Horizonte: Editora UFMG, 1999.- RUSSELL-WOOD, A. J. R. Escravos e Libertos no Brasil Colonial. Rio de Janeiro: Civilização Brasileira, 2005.- MAXWELL, Kenneth. A Devassa da Devassa: A Inconfidência Mineira, Brasil e Portugal 1750-1808. Rio de Janeiro: Paz e Terra, 1978.- VAINFAS, Ronaldo. Dicionário do Brasil Colonial. Rio de Janeiro: Objetiva, 2000.

  CinemAddicts Episode 361 features reviews of Buddy, Coyote vs. Acme, and Filipinana. Plus Eric and Bruce review the Patreon assigned pick Ocean's Eleven. Timestamps 00:00: Intro 02:24: Coyote vs. Acme | Theaters 8/28 |

Black on Black Cinema tackles Chameleon Street (1989), Wendell B. Harris Jr.'s astonishing writer-director-star debut based on the true story of Detroit con artist William Douglas Street Jr., who successfully impersonated reporters, lawyers, an Ivy League exchange student, and even a surgeon, performing over 30 real hysterectomies without any medical training. The film won the Grand Jury Prize at Sundance in 1990, beating out Reservoir Dogs, and then inexplicably went without distribution for over a year, effectively burying Harris's career before it started.The concept is genuinely brilliant, a razor-sharp satire about race, class, and identity performance in America, anchored by a magnetic, one-of-a-kind lead performance from Harris himself. But the execution is a different story. The film is tonally unpredictable, structurally chaotic, and at times narratively difficult to follow, swinging wildly between avant-garde experimentation and straightforward biopic beats without clear rhythm. We break down what makes Chameleon Street a genuine one-of-a-kind vision worth seeking out, where the filmmaking gets in its own way, and why this would be ripe for a modern remake with better structure and focus.Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).

What Is This Episode - Top of Show + SPOILER WARNING . BIRDMIKE IÑÁRRITU REWATCH P.5 - BIRDMAN . Non-Spoiler Review: . “What I've been through…” - 4:00 A Sleeper Best Picture Breakthrough - 7:14 (And Ethan Hawke is Still Bitter About It - 9:40) Script Thoughts - 10:21 Was Birdman an Inflection Point to Cinema's History? - 16:37 Ed Norton Playing Himself to 11 - 19:20 Oscar Winning Cinematography - 24:12 Oscars Lens - 28:01 . SPOILER WARNING - 31:18 . Spoiler-Filled Review: . Starting with a Bear Attack - 33:12 To Be an Artist, Is to Be… - 36:33 Curtains Close - 44:44 The Original Ending - 49:21 . FINAL GRADES - 53:22 . . Find Jeff Online/What's Next From MMO/Leave Us 5 Stars! - 55:55

On the latest episode of the podcast, Doug reveals that people talking to headstones in movies kinda tugs at his heart, Jamie is surprised to find out that many actors in this film continued to work in the industry, and we are both far too confused about the intricate weapons smuggling plot in a skateboarding movie. Hop in your Pizza Hut delivery pickup, retreat to your backyard bomb shelter/bedroom, and join us as we struggle to define, Gleaming the Cube!Gleaming the Cube is a 1989 film directed by Graeme Clifford and starring Christian Slater, Steven Bauer, Richard Herd, Le Tuan, Min Luong, Art Chudabala, Ed Lauter, Micole Mercurio, Max Perlich & Tony Hawk.Visit our YouTube ChannelMerch on TeePublic Follow us on TwitterFollow on InstagramFind us on FacebookDoug's Schitt's Creek podcast, Schitt's & Giggles can be found here: https://podcasts.apple.com/us/podcast/schitts-and-giggles-a-schitts-creek-podcast/id1490637008

Kia ora! Welcome to The Movie Passport, a podcast series about world cinema. In this episode, Duncan (Valkyrist), Tanja (Scilens), and Matt (Blu3arm0r) travel to the country of New Zealand to discuss the following films: 11:10 – Once Were Warriors (Lee … Continue reading →

The Erotic Thriller Club finally has a Sharon Stone episode, just not the movie you were hoping for! Can you believe there was a time when 90's Sharon Stone was forced to choose between Billy Baldwin and Tom Berenger? Please join us to chat about 1993's 7 time Razzie nominee.

Ushering in the era of the multi-plex in Northeast Pennsylvania, the General Cinema at the Viewmont Mall was the premiere moviegoing experience for a generation. Three screens! And two more added before the end of the 1970s! But by 2000, the theater had become a forgotten relic, and the entire GC chain was on the verge of bankruptcy, ultimately leading to its closure on a frigid Martin Luther King Jr. day in January. The Mighty IHOY Players - that illustrious group of audio actors - bring turn-of-the-century NEPA to life in a tale full of nostalgia, whimsy, popcorn, romance, sex, drugs, and Rob Schneider. Tune back in on September 15th to hear the full story - The Last Viewmont Cinema Picture Show!

Welcome to a special Live N' Local concert episode featuring Cinema Quartet, a string quartet put together by local musician YoonJung Hwan specifically for our Film Works Alfresco presentation of Alfred Hitchcock's Rope recorded on July 27, 2026, at The Hudson in Inwood, NYC.

This week on the Boxoffice podcast, presented by Christie and CJ Schwan's, Daniel Loria covers CinéShow 2026, speaking to Byron Berkley and inaugural Byron Berkley award winner Todd Halstead. In the sponsor segment, Daniel interviews Christie's Allan Fernandes about Christie's VDR technology. Boxoffice Pro's Chad Kennerk then speaks to Alicia MacDonald, the director of Focus Features' Finding Emily.

Jordan Stephens calls up his friend Sabrina Dhowre Elba to swap tales about people who just don't shut up in the cinema, and if there can be anything more effective than shhh. They also share their experience of watching The Odyssey (not in IMAX), and go into what led Sabrina to swap a potential law career to start her own skincare brand, and how ethics come into play there too.Get weekly cultural recommendations from the Miss Me? Library every Friday at patreon.com/missmeFollow the show on instagram and TikTok @missme.4evaYou can contact Miss Me? on email at hello@missmemissme.com or via WhatsApp on https://wa.me/447849030711Producer: Natalie JamiesonTechnical Producer: Oliver Geraghty Assistant Producer: Katie-Louise BuxtonVideo Editor: Noah KleinProduction Coordinator: Tom JacksonExecutive Producers: Ellie Clifford & Dino SofosMiss Me? is a Persephonica show Hosted on Acast. See acast.com/privacy for more information.

Over the last century, tens of millions of people quit Eastern Europe for the United States. The push-pull factors were many—war, poverty, instability, persecution at home and opportunity, refuge, and liberty abroad. But manna didn't simply fall from the sky in America. Immigrants from Eastern Europe confronted many of the same challenges migrants do everywhere—exploitation, hardship, and discrimination.Thresholds is a REEES podcast series that will grapple with these histories through interviews with scholars and immigrants' personal profiles. What pushed them to leave? What did they discover when they arrived? How did they change and be changed by American society? What opportunities and challenges did they face to become “American”? And what can we learn about immigration today?Guest:Julia Alekseyeva immigrated to United States from Kyiv, Ukraine, in 1992. She's Assistant Professor of English and Cinema and Media Studies at the University of Pennsylvania. She's the author of Soviet Daughter: A Graphic Revolution and Antifascism and the Avant-Garde: Radical Documentary in the 1960s and Antifascism and the Avant-Garde: Radical Documentary in the 1960s. Hosted on Acast. See acast.com/privacy for more information.

What lengths will a parent go to when pushed to the absolute limit? In this episode of She's All Over the Place , host Katie Chonacas sits down with award-winning Iranian-Canadian writer and director Amir Zargara . We dive deep into his incredible new short film, Vital , which made its highly anticipated screening on opening night at the HollyShorts Film Festival as part of its BAFTA and Oscar qualification campaign.   Winner of the prestigious Stage 32 Short Film Contest, Vital weaves a gripping parallel narrative between two different worlds. In Tehran, a single mother faces the agonizing decision to sell her own organs to save her ailing daughter. Meanwhile, in the United States, an Iranian-American physician navigates dangerous, shadowy ethical boundaries to protect his own child. Amir discusses the intricate logistics of filming across borders, his mission to build deep empathy without judgment, and what it takes to launch a successful Academy Award consideration campaign.   Follow us on IG - Oh, and we have a new Substack :)  

This month, on Laura Flanders & Friends, we turn to the state of journalism—at a moment of deep disruption, consolidation, and consequence.  But journalists aren't simply standing by—they're pushing back, reimagining their work, and, in many cases, taking matters into their own hands.   This week we'll hear from the long-running independent collective Third World Newsreel, still thriving in an era some are calling “media carnage,” showing what it looks like to endure—and to resist. This show is made possible by you! To become a sustaining member go to LauraFlanders.org/donate Description: It's almost unheard of for an independent media collective to survive as long as Third World Newsreel has. Since 1968, they have chronicled some of the most pivotal movements in human history and continue to expand on their collection of over 700 titles. There's lots to learn about how they've adapted through technological revolutions, political persecutions, philanthropic booms and busts — and how the oldest media arts collective in the U.S. is making do in today's “media carnage”, as Laura Flanders puts it. Joining us are JT Takagi, an independent filmmaker, sound recordist, and the longtime executive director of Third World Newsreel. Tami Gold is an artist and activist whose documentaries grapple with everything from imperialism to sex work. Her films include My Country Occupied, Another Brother and Land Rain Fire among many more. Puerto Rican-born Juan Carlos Dávila works in film as well as TV, where he reports on social movements around environmentalism, militarism and the struggles of the working class on the island. His films include The Stand-By Generation, Viequez: An Endless Battle and Drills of Liberation. Join us as we look at the past, present and future of Third World Newsreel and ask how film can be used as a tool for organizing. “I'd say we feel more urgent now than ever before. Every day there's something happening that makes it clear that our rights and liberties, and people's lives all over the world are at stake. Not being in touch with the history and media that shows the truth of what's going on is really decimating people's ability to, as Juan said, know what to follow and what to do.” - JT Takagi “We need to retake the theater, the physical space that is being ignored by the corporations. Perhaps now that is the opportunity that we have . . . A theater is being rented by people who are organizers, and they're using their collective spirit and know-how to organize huge, huge crowds to come.” - Tami Gold “People can shoot stuff with the phone . . . I see a lot in Puerto Rico that people are still wanting to produce with the corporate industry standards. Many young filmmakers like myself tend to think that we need so many personnel to be doing films. Right now we can actually make films with less.” - Juan Carlos Dávila Guests: •  Juan Carlos Dávila: Documentary Filmmaker, Multimedia Journalist, Puerto Rico Correspondent, Democracy Now! •  Tami Gold: Filmmaker, Artist, Activist •  JT Takagi: Executive Director, Third World Newsreel   Watch on YouTube this episode that includes video clips referenced in this episode from Third World Newsreel; PBS World Channel 11:30am ET Sundays and on over 300 public stations across the country (check your listings, or search here via zipcode). Listen: Episode airing on community radio (check here to see if your station airs the show) & available as a podcast February 25th, 2026. Full Conversation Release: While our weekly shows are edited to time for broadcast on Public TV and community radio, we offer to our members and podcast subscribers the full uncut conversation.  Music Credit:  'Thrum of Soil' by Bluedot Sessions, 'Steppin' by Podington Bear, and original sound design by Jeannie Hopper Support Laura Flanders and Friends by becoming a member at https://www.patreon.com/c/lauraflandersandfriends   RESOURCES:   Full Episode Notes are located HERE. Related Laura Flanders Show Episodes: •  Dolores Huerta & Ellen Gavin: Creative Courage in the Face of Fascism- Watch / Listen:  Full Uncut Conversation and Episode Cut  •  BIPOC Press for the People: Bursting the Corporate Media Bubble- Watch / Listen: Episode Cut •  Meet the BIPOC Press: Is Worker-Owned Media the Future of Journalism?- Watch / Listen:  Episode Cut   Related Articles and Resources: •  Documentaries Ripped From the Headlines Are Becoming Harder to See, by Marc Tracy, December 18, 2024, The New York Times •  My Country Occupied, Documentary by Tami Gold •  La Generación Del Estanbai (The Standby Generation), Documentary by Juan C. Davila and Third World Newsreel, Trailer •  Why Frederick Wiseman Was the Greatest Documentary Filmmaker Ever, by Richard Brody, February, 17, 2026, The New Yorker •. Fredrick Weissman Filmmaker, Producer and Theater Director, Zipporah Films Inc •  Drills of Liberation, Documentary by Juan C. Davila •  Third World Newsreel (TWN) Brings Historic Newsreel Retrospective To BAM, Anthology Film Archives, And DOK Leipzig, October 2025, Third World Newsreel •  Have You Seen It Yet?  The Algorithm Problem In Movie Marketing, by Charity Maxson, January 27, 2026, TR!LL Laura Flanders and Friends Crew: Laura Flanders-Executive Producer, Writer; Sabrina Artel-Supervising Producer; Jeremiah Cothren-Senior Producer; Veronica Delgado-Video Editor, Janet Hernandez-Communications Director; Jeannie Hopper-Audio Director, Podcast & Radio Producer, Audio Editor, Sound Design, Narrator; Sarah Miller-Development Director, Nat Needham-Editor, Graphic Design emeritus; David Neuman-Senior Video Editor, and Rory O'Conner-Senior Consulting Producer. 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