Podcasts about Cinema

THIS IS A PREVIEW. IF YOU WANT TO LISTEN TO THE FULL EPISODE, CHECK OUT FRUITLESS ON PATREON HERE: https://www.patreon.com/user?u=11922141EPISODE ON PATREON: https://www.patreon.com/posts/146548844/For the final episode of 2025, Phil Cozzi returns to talk about The Bishop's Wife (1947), a Christmas movie about an angel teaching a workaholic Episcopal bishop to be nice to his wife. We also talk about Christmas movie tropes in general, and Phil does some theologizing. Music by SHADE08 ★ Support this podcast on Patreon ★

The Mets dealt Jeff McNeil to the A's and Clem talks to Dallas about what to expect from the lifelong-Met. -McNeil Trade (feat. Clem) -Adnan Virk Talks Jays, Cinema & More! -Bryce Harper Team USA WBC -Newcomb Signs With White Sox -Jayhay Nuggs Use promo code “Jared” to get up to $1000 in bonus credits AND a special pick on Underdog! PLAY HERE: https://play.underdogfantasy.com/pc-d2PyPbHAPu 0:00 - Nerd Synergy 0:43 - A's Acquire McNeil 31:09 - Adnan Virk 38:59 - Winter Meetings 39:52 - Blue Jays 45:32 - Cinema 56:18 - Thanks To Adnan! 58:14 - Bryce Harper WBC Team USA 1:08:07 - Newcomb Signs With White Sox 1:09:27 - Jayhay Nuggs 1:15:37 - Final Thoughts Learn more about your ad choices. Visit megaphone.fm/adchoices

In this podcast, Kushal talks with Abhijit Iyer-Mitra about a very basic questioni.e should intelligence aencies influence cinema? It is a known fact that has been reported in many books of the role of the American intelligence agency CIA indirectly investing and influencing multiple movies for propaganda and other covert motives. The Pakistani ISI is also known to do that. Should India's R&AW also do that more often? Follow Abhijit: X: @Iyervval #cia #raw #ISI #dhurandhar #movies #dhurandharmoviereview #dhurandharmovie ------------------------------------------------------------ Listen to the podcasts on: SoundCloud: https://soundcloud.com/kushal-mehra-99891819 Spotify: https://open.spotify.com/show/1rVcDV3upgVurMVW1wwoBp Apple Podcasts: https://podcasts.apple.com/us/podcast/the-c%C4%81rv%C4%81ka-podcast/id1445348369 Stitcher: https://www.stitcher.com/show/the-carvaka-podcast ------------------------------------------------------------ Support The Cārvāka Podcast: Buy Kushal's Book: https://amzn.in/d/58cY4dU Become a Member on YouTube: https://www.youtube.com/channel/UCKPx... Become a Member on Patreon: https://www.patreon.com/carvaka UPI: kushalmehra@icici Interac Canada: kushalmehra81@gmail.com To buy The Carvaka Podcast Exclusive Merch please visit: http://kushalmehra.com/shop ------------------------------------------------------------ Follow Kushal: Twitter: https://twitter.com/kushal_mehra?ref_... Facebook: https://www.facebook.com/KushalMehraO... Instagram: https://www.instagram.com/thecarvakap... Koo: https://www.kooapp.com/profile/kushal... Inquiries: https://kushalmehra.com/ Feedback: kushalmehra81@gmail.com

Here is our ‘THIEF' episode where we talk about filmmaker, Michael Mann and everything we love about his early 80's theatrical debut. Intro includes pop culture news and recommendations for both, TV and Film. Featuring the voice of Chris Pawlak. Mixed and edited by: Wesley Swanson.

It's an ‘Adam rediscovers his cinema ticket stubs from insert year here' special episode. Your patience for such things will depend on how you fared with the previous cinema ticket stub specials. He opens the envelope and we all discover in real time what he saw, where he sat and how much it cost… 2001 a big year, turns out it's ripe with forgot you forgots. What did you see in 2001?  Email us moviesyouforgotyouforgot@gmail.com

Jen and Sarah were selected to contribute to the Cinema Legacy Poll hosted by Tom and Dana of The Greatest Movie of All Time podcast. In this episode, Jen and Sarah guess each other's top 5-7 picks, but there's a twist! They only have three emojis to use as a hint. Learn more about the Cinema Legacy Poll and The Greatest Movie of All Time podcast at ronnyduncanstudios.com/gmoatpodcast. Remember to leave a rating and review of this episode. Connect with Movies & Us on Instagram, Threads, and Bluesky @moviesanduspod or by email at moviesanduspod@gmail.com. Check out andusmedia.co for the latest on Movies & Us and TV & Us. And subscribe to Movies & Us on YouTube for full video episodes and more. Join the & Us Living Room for early access to ad-free episodes, exclusive bonus content, and more!

Britni, Marjorie, Goodwin, and ND decide to forgo the 2004 movie to watch The Littlest Elf and snuggle whole baskets of kittens. Unfortunately, Brad Silberling has kidnapped Mr. Lemony Snicket and we must listen to the dastardly director and our beloved author commentate on the movie itself. Britni's brain melts, Marjorie discusses casting choices, ND laments their popcorn, and Snicket speaks directly to Goodwin about his predicament. Hosted on Acast. See acast.com/privacy for more information.

日比麻音子アナウンサーを案内役に、地球のためにできることをゲストと考えていく「SDGsジャンクション 〜地球を笑顔にするラジオ〜」。 第39回は「アトロク2」でもおなじみ！JR山手線の田端駅から徒歩５分のところにある、日本初のユニバーサル映画館「CINEMA Chupki TABATA(シネマ チュプキ タバタ)」を、代表の平塚千穂子さんとブラインドコミュニケーター石井健介さんに案内いただきました。 誰もが安心して映画を楽しむための「CINEMA Chupki TABATA」の取り組みの数々を聞く！     Learn more about your ad choices. Visit megaphone.fm/adchoices

日比麻音子アナウンサーを案内役に、地球のためにできることをゲストと考えていく「SDGsジャンクション 〜地球を笑顔にするラジオ〜」。 第39回は「アトロク2」でもおなじみ！JR山手線の田端駅から徒歩５分のところにある、日本初のユニバーサル映画館「CINEMA Chupki TABATA(シネマ チュプキ タバタ)」を、代表の平塚千穂子さんとブラインドコミュニケーター石井健介さんに案内いただきました。 誰もが安心して映画を楽しむための「CINEMA Chupki TABATA」の取り組みの数々を聞く！     Learn more about your ad choices. Visit megaphone.fm/adchoices

It's Die Hard 2 Review time, and because it's Christmas Eve, lightning has apparently decided to strike twice. After saving Nakatomi Plaza barefoot and bleeding in 1988, John McClane is back in 1990, this time trading skyscrapers for snowstorms, terrorists, and one very inconvenient airport. Die Hard 2: Die Harder had massive shoes to fill, and the big question is simple: Did it deliver, or did it just repeat the formula louder?In this episode of Born to Watch, Whitey, Damo, and Dan reunite for a festive breakdown of one of the most debated action sequels of all time. Expectations were sky-high after the original Die Hard rewrote the action rulebook, and Die Hard 2 wastes no time reminding us of that pressure. Bigger explosions, more moving parts, and a whole airport at stake instead of one building. On paper, it should work perfectly.What follows is a classic Born to Watch deep dive. From nude Tai Chi villains with suspiciously zero side-dick continuity to John McClane apparently teleporting between airport locations, nothing escapes scrutiny. The boys unpack the strange creative choices, including the baffling need for a full SWAT team that exists solely to be wiped out, the world's loudest baggage-area shootout that nobody hears, and the endless Basil Exposition dialogue that explains things we can already see happening on screen.William Sadler's villain, Stuart, comes under the microscope, a tough gig when you're following one of cinema's all-time great bad guys. Is he intimidating, forgettable, or just unfairly compared to Hans Gruber? Meanwhile, William Atherton's return as Dick Thornburg raises serious questions about whether this character needed to exist at all, beyond being professionally annoying.The conversation drifts exactly where you'd expect, into airport etiquette, old-school plane phones that cost more than the flight itself, snowmobiles that definitely don't work on water, and the absolute insanity of an airport runway having a convenient metal grate in the middle of it. There's also love for Renny Harlin's maximalist direction, acknowledging that while Die Hard 2 may not be subtle, it is relentlessly committed to spectacle.As always, the episode isn't just about what doesn't work. The lads give Die Hard 2 its flowers where deserved, recognising the impossible task of following a cultural phenomenon and the genuine effort to recreate the tone, humour, and pacing of the original. There are discussions around box office success, audience expectations, and why some sequels are remembered more harshly than they deserve.The episode rounds out with the full Born to Watch experience, sleepers, duds, snorbs reports, random 1990 nostalgia, and side tangents that spiral into Ford Fairlane, Chuck Norris, and the best movie years of all time. It's chaotic, opinionated, and exactly how Die Hard 2 should be discussed, loudly, critically, and with mates.If Die Hard is a perfect Christmas miracle, Die Hard 2 is the messy, over-decorated sequel that still shows up to the party. Strap in, because this one absolutely earns the Die Harder title.JOIN THE CONVERSATION Is Die Hard 2 unfairly judged because of the original? Is this still a Christmas movie, or just airport chaos? What's the most ridiculous moment you'll always defend?Listen now on Spotify, Apple Podcasts, or at BornToWatch.com.au#DieHard2Review #BornToWatch #DieHarder #BruceWillis #ActionMovies #90sAction #MoviePodcast #ChristmasMovies #ActionSequels #FilmReview

Muito bem Galera! Não sabe o que dá nesse natal para seu amigo(a) nerd? Que tal um belo jogo de Tabuleiro? Para te ajudar a escolher o melhor jogo e entender esse mundo maravilhoso dos board games, Léo Agrelos, ************** e Nito Xavier vão passar pela historia dos jogos de mesas e compartilhar com você...

The 2025 Tragedy of Cinema presents their Christmas Special.  Ya enjoy!

Kefin hasn't seen The Muppet Christmas Carol?! Bah! Humbug! Listen and subscribe to Cinema Swirl on your favourite podcast platform here: https://linktr.ee/cinemaswirl Hosted and Produced by: Kefin Mahon and Sam Chaplin Edited by: Sam Chaplin Music: Sam Chaplin

The Film School Janitors are working the day shift, and the Cinema College Custodians cover the night! This time they get together to discuss the sequel that's on its way to breaking box office records, ZOOTOPIA 2! How does it compare to the first film? Listen to find out!

It's the most wonderful time of the year, but we get some bad news in the mole-mail! As we ponder our future, we try to lift our Christmas spirits by watching 1995's The Day of the Beast, a movie that involves the burning of homeless people, a quest to find the anti-Christ, and acid...a lot of acid. But hey, it takes place around Christmas, so it fits the theme! The lights are seeming a little bit dimmer for us this holiday, but we hope you all have a great Christmas! Leave us a 30 second voicemail and if we like it we'll play it on the show: (949) 4-STABBY (949-478-2229)Next movie announced every Wednesday. New episodes every Monday. Follow us on the things:Website: https://www.stabbypod.comLinktree: https://www.linktr.ee/stabbystabbyInstagram:  @stabbypod  https://www.instagram.com/stabbypod/Letterboxd:   https://boxd.it/dp1ACSend us a text

Se você pudesse, você pularia o Natal? É isso que Luther e Nora Krank querem fazer esse ano, já que sua filha Blair não mora mais com eles. Que tal trocar a correria, o estresse e todos os gastos inúteis do Natal por um cruzeiro?Para falar do filme Um Natal Muito, Muito Louco e do livro no qual ele foi baseado "Esquecer o Natal" de John Grisham, Domenica recebe seu amigo Rafa Arinelli diretamente lá do Cinemação. Bom episódio! Boas festas! Apresentação: Domenica Mendes e Rafael ArinelliPauta e Produção: Domenica MendesEdição: Leonardo Tremeschin

Let it snow, let it snow, let it snow!  This week on Cinema in Seconds, Ian, Daniel and Cathryn look at movies set in the snow.  So put on your headphones, mitts and toque, and listen. Merry Christmas!Grand Budapest Hotel – 3:00Little Women – 12:00Life and Death of Col. Blimp – 27:00Wind River – 38:00Hundreds of Beavers – 51:30The Great Silence – 1:04:30

No episódio desta semana do CO2, Brunão e Baconzitos trazem para você as melhores recomendações de filmes, destacando todas as novidades do cinema e os filmes em cartaz que estão bombando nas telonas e no streaming. Descubra os lançamentos mais aguardados nas principais plataformas como Netflix, Disney+, HBO Max e Prime Video, e fique por dentro do Top 5 Bilheteria atualizado para garantir as melhores escolhas para o seu entretenimento. Além das recomendações de filmes e das novidades do cinema, prepare-se para se divertir com notícias inusitadas, como o assalto natalino no Canadá e o traficante vacilão da califórnia. E claro, não perca a tradicional leitura de e-mails e comentários dos ouvintes dos podcasts QueIssoAssim, CO2 e Reflix. Se você procura recomendações certeiras, quer saber tudo sobre os filmes em cartaz e as novidades do cinema, este episódio é o seu guia essencial para não perder nada e aproveitar ao máximo o mundo do entretenimento! Para comprar o livro Vale da Estranheza de Fernanda Carvalho clique aqui Algumas músicas pela https://slip.stream

Merry Christmas! On a festive episode of The Movie Review Rewind Podcast, Our Buddy Brett stops by the studio to relive one of the classics, 1989's National Lampoon's Christmas Vacation, with Brandon and Stoney. 

THIS IS A PREVIEW. IF YOU WANT TO LISTEN TO THE FULL EPISODE, CHECK OUT FRUITLESS ON PATREON HERE: https://www.patreon.com/user?u=11922141EPISODE ON PATREON: https://www.patreon.com/posts/146403025It's a very special holiday Christmas music exchange! In this installment, Josh and I discuss The Lost Christmas Eve by Trans-Siberian Orchestra and If I Should Fall From Grace with God by The Pogues. Also not being in the Christmas spirit. Music by Trans-Siberian Orchestra, The Pogues, and SHADE08 ★ Support this podcast on Patreon ★

This special live episode of Cinema Verbi was recorded at Detroit's Sacred Heart Major Seminary. Fr. Matt, Fr. Brian, and a live audience watch the Christmas classic It's a Wonderful Life (1946).0:29 – Fr. Matt and Fr. Brian introduce this episode—the very first live episode of Cinema Verbi. Recorded live at Sacred Heart Major Seminary during a fundraiser for Detroit Catholic Campus Ministry, the episode is divided into two parts. During the first portion, Fr. Matt and Fr. Brian introduce this episode's movie, It's a Wonderful Life (1946) then the recording pauses while the live audience watches the movie. In the second portion of the podcast, Fr. Brian and Fr. Matt share some thoughts about the movie, their Seeds of the Word ratings, and close the episode with trivia.(2:27) Fr. Brian shares that he's seen the movie several times and also acted in a stage production while in high school. Fr. Matt has only seen the film one other time.(6:14) Fr. Brian provides a brief overview of the Church's teaching regarding angels, particularly guardian angels; how the Church's perspective on angels differs from that of popular culture; and the role angels play in the plot of It's a Wonderful Life.(10:52) Fr. Matt and Fr. Brian discuss another major theme of the movie, that of giving of oneself for others.(20:30) Fr. Brian and Fr. Matt return after watching the film with the live audience.(22:16) Fr. Matt observes that he appreciates how the movie shows that suffering is never in vain, that the Lord can always use it for good.(25:05) Fr. Brian shares his favorite line from the movie; one that's not spoken but only seen in a sign in the bank, “All that you can take with you is that which you give away.” He also reflects on some of the character names and wonders if they were deliberately chosen to connect with the Passion story from sacred Scripture.(26:33) Fr. Matt talks about appreciating seeing the events of the film unfold from the perspective of the angels.(29:57) Fr. Brian and Fr. Matt share their Seeds of the Word ratings and then play trivia with members of the audience.(39:25) Fr. Brian closes the episode with prayer.

You gotta have faith because we've got our Knives Out for the third installment in Rian Johnson's murder mystery trilogy "Wake Up Dead Man"! It'll take Benoit Blanc to solve this debate about faith versus religion In this spirited episode!If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This episode I share my thoughts on movies to watch with your cigar.Merry ChristmasHappy HanukkahHappy Kwanzaa HAPPY NEW YEAR !!!!LUV YALLLLLLL....

Um dos maiores nomes da História do Brasil, principalmente no importante tema da abolição da escravidão. Será que ela e a família real apenas usufruíram do sofrimento dos brasileiros escravizados ou a situação era mais complexa? Separe trinta minutos do seu dia e aprenda com o professor Vítor Soares (@profvitorsoares) sobre a vida e a história de Isabel Cristina Leopoldina Augusta Micaela Gabriela Rafaela Gonzaga, mais conhecida apenas como Princesa Isabel.-Se você quiser ter acesso a episódios exclusivos e quiser ajudar o História em Meia Hora a continuar de pé, clique no link: www.apoia.se/historiaemmeiahoraConheça o meu canal no YouTube e assista o História em Dez Minutos!https://www.youtube.com/@profvitorsoaresConheça meu outro canal: História e Cinema!https://www.youtube.com/@canalhistoriaecinemaOuça "Reinaldo Jaqueline", meu podcast de humor sobre cinema e TV:https://open.spotify.com/show/2MsTGRXkgN5k0gBBRDV4okCompre o livro "História em Meia Hora - Grandes Civilizações"!https://a.co/d/47ogz6QCompre meu primeiro livro-jogo de história do Brasil "O Porão":https://amzn.to/4a4HCO8PIX e contato: historiaemmeiahora@gmail.comApresentação: Prof. Vítor Soares.Roteiro: Prof. Vítor Soares e Prof. Victor Alexandre (@profvictoralexandre)REFERÊNCIAS USADAS:- CARVALHO, José Murilo de. A construção da ordem: a elite política imperial. Rio de Janeiro: Civilização Brasileira, 2017.- CARVALHO, José Murilo de. Cidadania no Brasil: o longo caminho. Rio de Janeiro: Civilização Brasileira, 2001.- CHALHOUB, Sidney. A força da escravidão: ilegalidade e costume no Brasil oitocentista. São Paulo: Companhia das Letras, 2012.- CHALHOUB, Sidney. Visões da liberdade: uma história das últimas décadas da escravidão na Corte. São Paulo: Companhia das Letras, 1990.- COSTA, Emilia Viotti da. Da senzala à colônia. São Paulo: Unesp, 2010.- COSTA, Emilia Viotti da. Da Monarquia à República: momentos decisivos. São Paulo: Unesp, 1999.

It's our final episode of 2025! We're back with our second annual Cinema on Tap draft. After a review of this year's monthly themes, we draft through 7 different categories and discuss some of our favorite movies we covered on the show this year. Then, we crown our shared Best Picture winner for 2025! Who won the draft? Vote here - https://forms.gle/PZ2wB3NqAzfjLy2MA Let us know your thoughts at cinemaontappodcast@gmail.com. We'll return in January with our Most Anticipated Movies of 2026.

I'm A Cinema Usher And The Rules Can Make You CrazyBecome a supporter of this podcast: https://www.spreaker.com/podcast/darkest-mysteries-online-the-strange-and-unusual-podcast-2025--5684156/support.Darkest Mysteries Online

Quando Avatar chegou aos cinemas em 2009, não foi apenas um sucesso de bilheteria, foi um divisor de águas na história do cinema. Entre os profissionais responsáveis por dar vida ao universo azul está Mel Quintas, uma brasileira que trabalhou por oito anos diretamente na construção dos efeitos visuais de Avatar 2 e Avatar 3. Cleide Klock, correspondente da RFI em Los Angeles O filme de James Cameron não apenas se tornou o mais lucrativo de todos os tempos – tendo alcançado quase US$ 3 bilhões em bilheteria –, mas também redefiniu os limites dos efeitos visuais e da tecnologia cinematográfica. Agora, com a estreia de Avatar: Fogo e Cinzas, o público volta a Pandora sabendo que, por trás de uma história, há também um espetáculo visual, criado por Cameron e, claro, com o apoio de toda uma equipe criativa que põe em prática as ideias do gênio. Para Mel, tudo começou em 2009, quando ela viu o primeiro filme da saga: “Eu falei, literalmente, ‘é nesse tipo de filme que eu quero trabalhar, nesse tipo de universo'. Eu queria viver naqueles mundos, poder criá-los e trazer entretenimento também para as pessoas”, revelou Mel em entrevista exclusiva à RFI, direto de Hollywood. Na época, ela tinha 18 anos, vivia em Santos e estava se formando no ensino médio. Mesmo ouvindo de professores que deveria “fazer um teste vocacional para seguir um sonho realista e se inscrever no vestibular no Brasil”, a jovem arrumou as malas e partiu para a faculdade de Animação em Orlando. Cidade que logo também ficou pequena para os planos dela, que queria chegar a Hollywood. “Eu sabia que era o lugar certo para estar se eu quisesse seguir nessa carreira. E, graças a Deus, deu tudo muito certo. Uma coisa foi levando à outra coisa. Tive muita sorte mesmo”, conta. Currículo impressionante da brasileira Em Hollywood, logo o primeiro filme em que Mel trabalhou, Invocação do Mal (2013), já foi sucesso de bilheteria, em seguida foi uma superprodução atrás da outra. “No início, eu trabalhei mais na parte de conversão dos filmes para 3D. Na época, era o grande boom. Todo mundo queria fazer todos os filmes em 3D. Eles filmavam em 2D e aí convertíamos para 3D. Trabalhei em Homem de Ferro 3, Guardiões da Galáxia, Star Trek, Star Wars, Planeta dos Macacos, X-Men”, enumera Mel. Mas a lista é bem mais longa. Em 13 anos em Hollywood, a santista já acumula impressionantes 40 filmes no currículo, entre eles alguns dos campeões de bilheteria da última década, e a jornada a Pandora, da qual ela participou nos últimos oito anos. “O mais importante é acreditar. Não deixe que digam para você ser mais realista. Para sair da realidade em que você está, primeiro você precisa acreditar que pode viver em outra”, afirma. Avatar e James Cameron Em Avatar, Mel integrou a equipe responsável por criar as sequências do filme. Na prática, isso significa participar da construção do longa desde a pré-produção. “No nosso caso, era um negócio bem abrangente, porque a gente tinha que fazer de tudo. Estávamos montando o filme, literalmente montando o escopo do filme para ele se tornar alguma coisa. Esse processo começa desde a pré-produção, que a gente chama de pré-visualização de algumas cenas do filme, imaginando como vai ser essa sequência de ação. Uma animação mais rápida, não uma renderização final. Isso inclui capturar os atores no set para ver se estava dando certo, montar as cenas e gravar com câmeras virtuais”, explica.   As filmagens começaram em 2017, com regravações, ajustes e trabalho contínuo no departamento do qual Mel fez parte até julho de 2025. A brasileira trabalhou em grande parte das sequências do longa, que tem 3h17min de duração, e acompanhou de perto cada detalhe. Ela fez parte de uma equipe de cerca de 30 pessoas dentro da Lightstorm Entertainment, produtora de James Cameron. E estar nos projetos de Avatar 2 e 3 também significou conviver de perto com o cineasta, considerado um dos mais importantes e visionários da atualidade. “Ele é um gênio. Mais do que isso: ele explica tudo o que está fazendo. Ele gosta de ensinar”, diz Mel. “É uma aprendizagem que vale mais do que qualquer faculdade. Estar perto de uma pessoa assim é surreal. Foi como uma faculdade diária.” Do sonho adolescente ao Oscar O sonho que virou realidade já veio acompanhado de um Oscar. Avatar: O Caminho da Água (2022) venceu o prêmio de Melhores Efeitos Visuais. “No dia seguinte ao prêmio, eu fui dar parabéns ao meu supervisor, que foi quem recebeu o Oscar, e ele me disse: ‘Esse prêmio é de todos nós; não existe esse prêmio sem vocês'. Acho que a gente não recebe esse reconhecimento em todos os lugares; aqui tem muito disso”, diz a brasileira. E tudo indica que a equipe vai estar, de novo, na festa do Oscar em 15 de março de 2026. O filme que estreou nesta semana nos cinemas brasileiros acaba de aparecer na lista dos dez pré-selecionados para disputar - novamente - na categoria de Melhores Efeitos Visuais. “Eu estou feliz que faço parte de algo tão grandioso com uma história sobre família e que a gente pode celebrar juntos todos esses anos de trabalho. Sempre tem momentos altos e baixos, mais altos. Mas é bom poder ser recompensada de alguma forma. Não é nem sobre ganhar o prêmio, mas saber que a gente fez parte disso e chegamos lá”, conclui Mel Quintas.

Cerchi un corso di italiano online? Scrivimi a salvatore.tantoperparlare@gmail.com e parliamone!Natale è sempre un'ottima occasione per sedersi sul divano e guardare un bel film e magari proprio a tema festivo. Ecco cinque proposte italiane tra commedie classiche, altre più moderne e anche un bel film d'autore!Se ti piace Salvatore racconta, puoi sostenere il progetto per aiutarlo a restare libero, gratuito e di qualità. Vai su www.patreon.com/salvatoreracconta e dai il tuo contributo!La trascrizione di questo episodio è come sempre disponibile per le persone iscritte alla newsletter. Vuoi iscriverti? Fallo da qui: https://salvatoreracconta.substack.comTesto e voce di Salvatore Greco

CinemAddicts Episode 325 features reviews of two movies that are coming out the week of Friday, December 19 (Is This Thing On?, Queens of the Dead). Eric Holmes also reviews Netflix's Wake Up Dead Man and Bruce Purkey covers Megadoc (Criterion Channel) and Grenfell: Uncovered (Netflix). Our Patreon assigned pick is You're Next. We're covering the year 2011 on this month's Patreon. Our Bonus episode will feature reviews of Sleepless Night and House of Tolerance. Gofundme Page for Brandon Holmes. Timestamps: 18:25 - Queen of the Dead 29:00- Is This Thing On?

On the latest episode of the podcast, Jamie can't push off recording another moment because she needs to get her feeling about this film out into the world, Doug is still hoping to find a 'sex van' out in the wild and we bother are relieved and a bit jealous that this was not our High School experience. Take your horse to the beach...and the park...and a make-out party, and join us as we say goodbye to Australia for now with aan unexpected film, Puberty Blues!Puberty Blues is a 1981 film directed by Bruce Beresford and starring Nell Schofield, Jad Capelja, Jeffery Rhoe, Tony Hughes, Sandy Paul, Lender Brett, Jay Hackett & Rowena Wallace.Visit our YouTube ChannelMerch on TeePublic Follow us on TwitterFollow on InstagramFind us on FacebookDoug's Schitt's Creek podcast, Schitt's & Giggles can be found here: https://podcasts.apple.com/us/podcast/schitts-and-giggles-a-schitts-creek-podcast/id1490637008

A round-up of the main headlines in Sweden on December 19th 2025. You can hear more reports on our homepage www.radiosweden.se, or in the app Sveriges Radio. Presenter/Producer: Kris Boswell

We’re closing out the year with Laura and Em bringing you their absolute favourite films of 2025 — from two girls whose actual job it is to watch everything.From the blockbuster no one thought would hit this hard, to the unsettling sci-fi surprise that completely rewired our expectations, to the movie that quietly became the most talked-about watch of the year, this round-up proves that 2025 delivered in ways we did not see coming.And because it wouldn’t be an Em-and-Laura movie episode without a fight, things quickly derail when one pick sparks a very real debate about release dates, eligibility for today's theme, and whether “vibes” should count more than rules (Laura has thoughts).Consider this your must-watch list before the year ends — emotional, surprising, occasionally unhinged, and very on brand.THE END BITS Love binge-watching TV? The Spill has launched Watch Party — spoiler-filled episode deep dives into the shows everyone’s talking about. Find the feed on Apple or Spotify. Support independent women's media Follow us on TikTok, Instagram and Facebook. And subscribe to our Youtube channel. Read all the latest entertainment news on Mamamia... here. Discover more Mamamia Podcasts here. Do you have feedback or a topic you want us to discuss on The Spill? Send us a voice message, or send us an email thespill@mamamia.com.au and we'll come back to you ASAP! CREDITS Hosts: Laura Brodnik and Em Vernem Executive Producer: Monisha Iswaran Audio Producer: Scott StronachBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Chegamos ao fim de 2025 com a sensação de que o cinema passou por um ano de ajustes decisivos. Entre retomadas, reavaliações e mudanças de rota, a indústria audiovisual parece ter entendido que repetir fórmulas já não garante o mesmo impacto. Este episódio propõe uma retrospectiva de um ano marcado menos por euforia e mais por reposicionamento: artístico, industrial e cultural.Ao longo da conversa, Rafael Arinelli, Edu Sacer e Claudio Gabriel, analisam como, após a recuperação iniciada em 2024, o cinema mundial passou a investir com mais cuidado em produções regionais, autorais e de nicho. O mercado global voltou a crescer, com aumento expressivo de público impulsionado sobretudo pela América Latina e pela Ásia. No Brasil, 2025 foi simbólico: pela primeira vez desde 2019, o cinema nacional ultrapassou a marca de 25 milhões de ingressos vendidos, mostrando diversidade estética e força em gêneros como terror, animação e filmes híbridos entre apelo popular e experimentação.Na no papo de retrospectiva também houve debate sobre o evidente desgaste dos grandes blockbusters, especialmente dos filmes de heróis. Títulos aguardados como Superman, Capitão América e Thunderbolts ficaram abaixo das expectativas, reforçando a percepção de saturação desse modelo. Em contraste, o topo das bilheterias foi ocupado por apostas mais seguras, como animações, remakes como Lilo & Stitch, Zootopia e o fenômeno chinês Ne Zha 2.Falamos ainda sobre o excesso de lançamentos nos streamings, a sensação de efemeridade do catálogo e como isso tem tornado o público — inclusive nós — mais seletivo na ida ao cinema. Para fechar, comentamos o Oscar de 2025, a histórica vitória brasileira em Melhor Filme Internacional e compartilhamos listas pessoais de destaques, surpresas e decepções do ano.Um episódio essencial de retrospectiva para entender o que 2025 revelou — e escondeu — sobre o presente e o futuro do cinema.• 03m49: Pauta Principal• 1h20m43: Plano Detalhe• 1h34m45: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos: • Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Flavia Sanches• Gabriela Pastori Marino• Guilherme S. Arinelli• Thiago Custodio Coquelet• William SaitoFale Conosco:• Email: contato@cinemacao.com• X: https://cinemacao.short.gy/x-cinemacao• BlueSky: https://cinemacao.short.gy/bsky-cinemacao• Facebook: https://cinemacao.short.gy/face-cinemacao• Instagram: https://cinemacao.short.gy/insta-cinemacao• Tiktok: https://cinemacao.short.gy/tiktok-cinemacao• Youtube: https://cinemacao.short.gy/yt-cinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de R$30,00, você terá acesso a conteúdo exclusivo e muito mais! Não perca mais tempo, torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Claudio): Filme: Broken Rage• (Claudio): Filme: Misericórdia• (Edu): Série: Simon Cowell: O Próximo Sucesso• (Edu): Série: It: Bem-Vindos a Derry• (Edu): Série: Pluribus• (Rafa): Podcast: Não ImportaEdição: ISSOaí

It's that time of year again—when we gather by the fire, sip something warm, and queue up… movies that *technically* take place at Christmas. This week, we're unwrapping two not-quite-but-definitely-set-during-the-holidays classics: Stanley Kubrick's eerie yuletide odyssey Eyes Wide Shut (1999) and Steven Spielberg's breezy cat-and-mouse charmer Catch Me If You Can (2002). While neither film is exactly “festive,” both use the holiday season to cast their stories in a glow equal parts melancholic and mischievous. Before diving into our gift-wrap-adjacent double feature, our Blue Plate Special is packed with plenty of cinematic goodies waiting under the tree. We break down the eyebrow-raising possibility of Warner Bros. being sold to either Netflix or Paramount/Skydance—and what such a shake-up could mean for the future of the film industry. We also share our thoughts on several recent releases we've caught (Sentimental Value, The History of Sound, Jay Kelly, and Pavements), react to Quentin Tarantino's recent comments about Paul Dano and 21st-century cinema, relive our theatrical experience seeing Kill Bill: The Whole Bloody Affair, and pay tribute to the recent losses of Cary-Hiroyuki Tagawa, Jim Ward, Jeff Garcia, Peter Greene, and the legendary Rob Reiner. As always, please like, subscribe, rate, and review us on Apple Podcasts, Spotify, YouTube, and wherever else you listen! Got thoughts or questions? Email us at huffmanbrothersproductions@gmail.com.

I'm A Cinema Usher And The Rules Can Make You CrazyBecome a supporter of this podcast: https://www.spreaker.com/podcast/darkest-mysteries-online-the-strange-and-unusual-podcast-2025--5684156/support.Darkest Mysteries Online

XTRA LARGE December went out with a three-hour FREE FOR ALL no paywall bang full of merriment, music and many surprises at the 6th annual Holiday Extravaganza. Comedy legend Merrill Markoe filed an OHL exclusive Bob Dylan Xmas Lights report after a five year hiatus, our pal musician/comedian Jon Wurster joined us in studio, musicians Madison Cunningham and Drew Erickson provided musical delights throughout, Phil Braun presented his terrible new Christmas ideas and finally addressed the Epstein Island evidence, we announced the official winners of the Drop of Year and Dopp of the Year, stars of the hit play “Stereophonic” had a bone to pick on zoom, and our guest musicians did a beautiful rendition of "Have Yourself A Merry Little Christmas" featuring Madison on vocals. PLUS Doug's Holiday Game, the live birth of Tim's new Tiny Tim themed Christmas song and lots of YOU on zoom. See you next year! (Except for Phil Braun who we are no longer affiliated with in any way and disavow fully and strongly.)Support Office Hours and watch another hour of every episode with OFFICE HOURS+. Get a FREE seven-day trial at patreon.com/officehourslive. Watch the latest season of On Cinema at the Cinema and get tickets to The Farewell Tour (Movie Expertise Tour) now at heinetwork.tvShop our new merch items now at officehours.merchtable.comExclusive! Get $35 off the Carver Mat at auraframes.com/officehourslive - Promo Code OFFICEHOURSLIVESee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Outside the Cinema, hosts Bill and Chris discuss the latest installment in the Hell House series, 'Hell House LLC Lineage.' They explore the film's departure from the found footage style, character development, and the complexities of the storyline. The conversation also touches on the importance of supporting the show through Patreon, nostalgic references to Channel 27, and the overall impact of weather on their lives. The hosts share their thoughts on the film's effectiveness, its connection to previous entries in the series, and their personal ratings. In this conversation, the hosts delve into a detailed critique of various films, focusing on 'Reflection in a Dead Diamond' and its narrative style, visual aesthetics, and character development. They explore the film's pacing, structure, and homage to classic horror, while also discussing the audience's connection to the characters. The conversation culminates in final thoughts and recommendations, highlighting the mixed experiences of viewers and the evolving nature of horror films.

Join us as we delve into the audacious tales of youthful indiscretions in dim theater halls. From the infamous old-fashioned to unexpected encounters with theater employees, this episode brings to light the colorful stories of daring escapades, all while weaving humor and reflection with each narrative. Our guests recount their personal anecdotes, each one sharing their ever-vivid memories that unravel the chaotic dance of youthful exploration.

This week on the Boxoffice podcast, presented by Barco, co-hosts Daniel Loria and Rebecca Pahle cover the latest industry news and preview upcoming releases like Avatar: Fire and Ash, along with its premium technology offerings. Then in the feature segment, Daniel talks to Barco Cinema's vice president of marketing Adam Cassels to discuss the evolution of premium cinema technology, including the rollout of HDR by Barco.Give us your feedback on our podcast by accessing this survey: https://forms.gle/CcuvaXCEpgPLQ6d18 What to Listen For00:00 Intro 01:20 Warner Bros Acquisition Fallout04:25 Global PLF and Cinema Tech News08:10 Mega Entertainment Centers vs Micro Cinemas12:35 Zootopia 2 Hits One Billion13:20 Christmas Corridor Box Office Forecast14:05 Avatar Fire and Ash Opening Outlook19:50 SpongeBob The Housemaid and David26:00 Christmas Day New Releases29:05 Barco Cinema Interview Begins33:10 Laser and HDR Explained38:20 How HDR Changes Moviegoing45:20 Future of Premium Large Format51:00 Episode Wrap and Year End Preview

Welcome to the Heroes Three podcast! This week we're finishing up the year with Matthew's pick, the legendary Akira Kurosawa film The Hidden Fortress!Full cast and credits - IMDBFind us online - https://linktr.ee/Heroes3PodcastEmail us! - heroes3podcast@gmail.comCheck out some H3 art and merch! - https://www.teepublic.com/user/kf_carlito Timestamps(00:00) Intro(0:31) The George Lucas Elephant in the room(1:16) Our history with the movie(6:11) West influences east influences west(10:23) Clarity and simplicity(20:18) Plot recap(25:44) Movie discussion(36:00) An aside on Star Wars(42:16) Copying and creativity(50:08) Back to The Hidden Fortress(1:05:40) 2008 Remake(1:07:07) Plugs and outro

In this episode of Critique Revolve, we examine the sudden and deeply consequential news that Netflix plans to acquire Warner Bros. Discovery—a deal that, if approved, would fundamentally reshape the film and television landscape. While Paramount's competing $108.4 billion bid raises its own ideological and industrial concerns, Netflix's $82.7 billion move signals something more structural:...

This is Garrett Chaffin-Quiray's summation of GATEWAY CINEMA, a multi-part series of conversations centered on key ideas in film studies. In these conversations, Garrett and Ed Rosa have interpreted and celebrated a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie à Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 20:“La Haine” (Mathieu Kassovitz, 1995)“Drum” (Steve Carver, 1976)“Alien 3 (Assembly Cut)” (David Fincher, 1992)“Come and See” (Elen Klimov, 1985)“Perfect Days” (Wim Wenders, 2023)“Sweet Smell of Success” (Alexander Mackendrick, 1957)“The Swimmer” (Frank Perry, 1968)“The Assassination of Jesse James by the Coward Robert Ford” (Andrew Dominik, 2007)“Amadeus (Director's Cut)” (Miloš Forman, 1984/2002)“Bring Me the Head of Alfredo Garcia” (Sam Peckinpah, 1974)“Friday” (F. Gary Gray, 1996)“Marie Antoinette” (Sofia Coppola, 2006)“The Night of the Hunter” (Charles Laughton, 1955)“Crank” (Mark Neveldine and Brian Taylor, 2006)“Crank 2: High Voltage” (Mark Neveldine and Brian Taylor, 2009)“Portrait of a Lady Fire” (Céline Sciamma, 2019)“The Fabulous Baron Munchausen” (Karel Zeman, 1962)“Joker: Folie à Deux” (Todd Phillips, 2024)“Welcome to the Dollhouse” (Todd Solondz, 1995)“Heathers” (Michael Lehmann, 1988)“The Death of Stalin” (Armando Iannucci, 2017)"Star Trek" (Gene Roddenberry, 1966-1969)Audio quotation in GATEWAY CINEMA, Episode 20:“Also sprach Zarathustra” (1896) by Richard Strauss, performed by Berliner Philharmoniker, https://www.youtube.com/watch?v=Szdziw4tI9o“Eugene's Lament” by Beastie Boys, Nishita, Bobo, and Eugene Gore for the album “Ill Communication” by Beastie Boys (1994), used in “La Haine” (Mathieu Kassovitz, 1995)“Drum” (Steve Carver, 1976)“Alien 3 (Assembly Cut)” (David Fincher, 1992), including “End Credits” composed by Elliott Goldenthal“Come and See” (Elem Klimov, 1985)“Perfect Days” (Wim Wenders, 2023), including “Perfect Day (Piano Komorebi Version)” (2024) by Patrick Watson, https://www.youtube.com/playlist?list=PLhC3YPiBwS9Vc9nbBG1Dl6y4AfZPD23lm“Sweet Smell of Success” (Alexander Mackendrick, 1957)“The Swimmer” (Frank Perry, 1968), including “Theme from ‘The Swimmer' (Send for Me in Summer) / Big Splash” and “My Kids Love Me / Traveling Home / Closer to Home / Home / Marcia Funebre” by Marvin Hamlisch, https://www.youtube.com/playlist?list=PLkAUJkbhd-RgA8zSAa_Uqqq45GMl_ONci“Amadeus (Director's Cut)” (Miloš Forman, 1984/2002)“Bring Me the Head of Alfredo Garcia” (Sam Peckinpah, 1974)“Friday” (F. Gary Gray, 1996)“Marie Antoinette” (Sofia Coppola, 2006), including the song “Hong Kong Garden” (1978) by Siouxsie and the Banshees, https://www.youtube.com/playlist?list=PLkTESLJ1DzwVuwneRvZRNBzJkbNQsX-sP“The Night of the Hunter” (Charles Laughton, 1955)“Crank” (Mark Neveldine and Brian Taylor, 2006), including “Don't Stop” by Paul Haslinger,

It's the holiday season here at Cinema 9, which means this episode is fully loaded with lots of goodies! Our main focus will take a look at Travis' festive pick for this week. Get ready for Judy Davis & Kevin Spacey unhinged with Denis Leary in the middle as The Ref (1994). There is no way we were going to avoid talking about Rob Reiner's best films after the recent horrid conclusion to his existence on this Earthly plane. Plus we have another edition of Guess That Character Actor from our dear pal Joe. As always the fellas also offer their latest quarantine viewing picks. Please sub our YouTube where you can watch all of our episodes instead of just listening. We post the video version of each episode over there every week. Also, you can give us a 5 star review on your podcast platform of choice. Do it right now! It takes 30 seconds. Thank you! If anything from this episode strikes you, email the show cinema9pod@gmail.com

This week, we review the third film in the whodunnit series of Benoit Blanc mysteries: Wake Up Dead Man. After Knives Out and Glass Onion, director Rian Johnson returns to the reins of his favorite genre. We discuss the franchise's increasingly charismatic roster of secondary protagonists, the year of Josh O'Connor, and whether or not Johnson's penchant for heavy-handed topicality once again derails a Benoit Blanc tale.

"Now we have a season finale...ho, ho, ho."Merry Christmas, Movieland! It's the most wonderful time of the year, because you've got one last Cinema Drive episode under your tree!! Jason and Ryan celebrate eight seasons and 200 episodes with the greatest Christmas film of all time: DIE HARD (1988)!!! Why does Die Hard hit hard decades later? What makes it inexhaustibly enjoyable?? And who says it isn't a Christmas movie???PLUS: Jason and Ryan mark the end of an era as Cinema Drive goes on hiatus! Seasons come and seasons go, but films with legacy will always live longest. The guys are saying goodbye for now, but may this show have sparked something in your soul.The Deep Question: You start a movie theater...what three movies do you show on Christmas Eve?This Week's Features:Die Hard (1988)Message Jason and Ryan

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz welcomes Jon M. Chu on the opening day of Wicked: For Good, a film that generated exciting audience reactions during test screenings. From his family's Chinese restaurant in Silicon Valley to directing one of the most anticipated musicals in Hollywood history, Jon's journey reveals how generosity, gratitude, and respect for storytelling shape extraordinary movies.The Most Explosive Audience Reaction Ever (00:29): Kevin describes how Wicked test screenings produced reactions unlike anything he'd experienced. The Risk of Adapting a Broadway Phenomenon (03:57): After 20 years of failed attempts by other directors, Jon wasn't sure he should take on Wicked. But Elphaba's lyrics, "something has changed within me," convinced him to take on the project.The House of Stories: A Silicon Valley Restaurant (18:40): Jon's family restaurant, Chef Chu's (now 56 years strong), became "a house of stories,” an intersection where customers shared beginnings and endings while Silicon Valley engineers dreamed of the future.The Spielberg Meeting and the Costume Chest Pitch (29:52): After creating a musical short, Steven Spielberg saw it and invited Jon to Dreamworks. Jon describes the hilarious pitch meeting that included a trunk full of costumes.Finding Cynthia and Ariana: No Chemistry Read Required (41:15): When casting Wicked, Jon was guided by the saying, "It's about the girls, stupid." Cynthia Erivo brought vulnerability and dignity to Elphaba, while Ariana Grande proved to be the perfect choice.The Fiyero Tree Nest: What Cinema Is All About (46:10): Jon breaks down every intentional choice in the intimate scene between Elphaba and Fiyero.What's Next: From Dr. Seuss to Britney Spears (52:59): Jon's upcoming slate includes Oh, The Places You'll Go!,Joseph and the Amazing Technicolor Dreamcoat, the Britney Spears biopic based on The Woman in Me, and a live-action Hot Wheels movie.The Sacred Space of Movie Theaters (56:11): Jon delivers a passionate defense of theatrical exhibition, "You have to put your phone down, sit in the dark with strangers and live through someone else's eyes for two hours.”Jon Chu shows how great art can come from a foundation of gratitude, generosity received and given forward, and unwavering commitment to stories that challenge us to become who we want to be. Host: Kevin GoetzGuest: Jon ChuProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Jon M. Chu:Wikipedia: https://en.wikipedia.org/wiki/Jon_M._ChuIMDB: https://www.imdb.com/name/nm0160840/Instagram: For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

Make some hot chocolate, fill up your glass with egg nog, curl up by the fire and check out the most recent Shades Cinema (XMAS EDITION) where we discuss the beloved 1965 animated television special, A Charlie Brown Christmas! And we are joined by a very special guest, SVCC member Kenny McCanse! JM's Album Of The Week: Vince Guaraldi Trio - A Charlie Brown Christmas Bradford's Book Club: The Body Teaches the Soul: Ten Essential Habits to Form a Healthy and Holy Life

This week in the last video store near you The Admirable Admiral and But Maestro get together in the break room to discuss Flash Gordon from 1980.

Bernardo se define como um entusiasta da alta relojoaria, com trajetória construída no universo da fotografia e atuação como filmmaker há cerca de 9 anos. Ele é formado em Design Gráfico e em Cinema, e é fundador da Avocado Mídia, um hub criativo audiovisual responsável por produções para marcas renomadas. Seu conteúdo une diferentes linguagens em torno da relojoaria com uma linguagem simples e informativa.