Podcasts about Cinema

This is a clip from Beyond Truth! Get access to the full episode and all thier content on all podcastBeyond Truth Clips: 3 Body Problem platforms or click the link below!Full episode here! https://www.spreaker.com/episode/disclosure-day-movie-review--72536353Get access to every episode of Beyond Truth!https://www.spreaker.com/podcast/beyond-truth-with-nina-robert--6824771Forbidden Knowledge Network https://forbiddenknowledge.news/Become a supporter of this podcast: https://www.spreaker.com/podcast/forbidden-knowledge-news--3589233/support.

In this special episode of Best in Fest, host Leslie LaPage sits down with an inspiring group of filmmakers featured at the Budapest Film Festival to discuss the stories, challenges, and creative journeys behind their latest projects.From a courageous documentary following a young women's rights activist in Kyrgyzstan, to powerful films exploring teen pregnancy, collective memory, neurodiversity, grief, and social justice, this episode highlights the global impact of independent filmmaking.Featured guests share their experiences navigating film financing, festival circuits, documentary production, animation, directing first features, and creating meaningful stories that spark conversation and change.In this episode, you'll discover:• How documentary filmmakers build trust with their subjects over years of production• The challenges of creating social impact films on limited budgets• Why personal experiences often become powerful cinematic stories• The role of animation in preserving history and collective memory• How filmmakers are bringing awareness to underrepresented communities and conditions like dyspraxia• The realities of film festivals, distribution, and finding audiences in today's streaming landscape• Why authentic storytelling continues to resonate across cultures and bordersWhether you're a filmmaker, film festival enthusiast, documentary lover, or someone passionate about stories that make a difference, this episode offers valuable insights into the art and business of independent cinema.Subscribe to Best in Fest for more conversations with filmmakers, producers, actors, and industry leaders shaping the future of film and entertainment.

Begun, this Cinema To The Letter episode has! Our Star Wars season barrels forward as Thomas is joined by Talk Film Society regulars Marcelo J. Pico and Siobhan Irving to discuss the E for Egregious choice of Star Wars Episode II: Attack of the Clones! Together, our trio answer the crucial questions. Is a practical creature more real than a CG creature? Was Yoda guilty of Clone War crimes? What sick individuals would cut a pear with a knife and fork? Well, put on your clone trooper helmets and take a seat at Dexter Jettster's diner while you listen to find out! Join our Patreon for $1 to hear monthly audio reviews of new releases, which you can vote on at patreon.com/cinema2letter! Follow us @cinema2letter on socials! Artwork by Michelle Kyle! Usual theme music by Burial Grid! We're a proud member of the TalkFilmSociety podcast network!

Horror history gets iconic, aquatic, gothic, apocalyptic, and completely unhinged this week as This Week in Horror History travels through June 15–21 with motel terror, shark sequels, dark superhero nightmares, zombie blockbuster chaos, and one wild space-vampire cult classic that brings cosmic horror crashing down on Earth.This episode digs into a packed week of classic horror movies, cult horror, summer blockbusters, gothic comic-book horror, zombie disaster cinema, and 1980s Cannon Films madness, including the New York premiere of Psycho, the U.S. release of Jaws 2, the theatrical arrival of Batman Returns, the blockbuster zombie outbreak of World War Z, and the Deep-Cut Spotlight on Tobe Hooper's bizarre 1985 space vampire epic Lifeforce.Inside this episode:• Psycho rewrites the rules of horror moviegoing, turns the Bates Motel into a nightmare landmark, and makes one ordinary shower one of the most famous crime scenes in cinema.• Jaws 2 drags audiences back to Amity Island for more shark terror, seaside panic, and one of horror's most frustrating “nobody believes the guy who is right” sequel setups.• Batman Returns transforms Gotham into a twisted Christmas horror fairy tale full of sewer lairs, circus gangs, stitched leather, abandoned children, corporate monsters, Catwoman, and the Penguin.• World War Z reimagines the zombie apocalypse as global disaster cinema, with the undead moving less like slow corpses and more like a rushing human flood.• The Deep-Cut Spotlight goes to Lifeforce, Tobe Hooper's strange, ambitious, and deeply excessive Cannon Films cult classic about Halley's Comet, alien vampires, life-draining seduction, plague victims, and London falling apart under cosmic horror.Plus: a horror birthday roll featuring Courteney Cox, Laurie Metcalf, John Carl Buechler, and Nicole Kidman, a creepy look at how horror became a massive summer marketing event, and a weekly recommendation for Hammer's Dracula, also known as Horror of Dracula, starring Christopher Lee and Peter Cushing.From Norman Bates and shark-infested beaches to Gotham monsters, zombie swarms, Halley's Comet, space vampires, Hammer horror, and Cannon Films insanity, this week proves horror history can be classic, blockbuster-sized, cult, strange, seductive, and absolutely impossible to ignore.

Tonight on After Hours Cinema: Pete takes us on a trip back to the 70s, where you could still smoke wherever you wanted to and demon baby movies are rated PG. Captain Pete chose the 1974 iteration of It's Alive for this month on AHCRAP, and, surprisingly, it was a first-time watch for the both of us. (despite Pete being born in the 1800s) Regardless of its "schlock" demeanor, this film actually has some charm to it. We hope you enjoy this month's episode as we prepare for MONTH OF ACTION in July!

Daniel Blake Schwartz breaks down how Tribeca Best U.S. Narrative Feature winner Cotton Fever grew out of years spent collecting stories during his own experience with addiction and recovery, ultimately transforming those fragments into a deeply personal debut feature. Drawing inspiration from filmmakers like Andrea Arnold and Hirokazu Kore-eda, Schwartz pursued a style rooted in realism, empathy, and lived experience rather than conventional dramatic structure.The film evolved from a self-funded short into an award-winning feature through grassroots fundraising, community support, a first-time filmmaker grant from Panavision, and the eventual attachment of actors Kyle Gallner and Sosie Bacon. Along the way, Schwartz navigated the uncertainty of first-time feature directing, discovering that some of the film's strongest moments emerged from vulnerability, collaboration, and instincts that couldn't always be explained on the page.At its core, Cotton Fever is a reminder that the most powerful stories often come from the experiences we're most hesitant to revisit. The challenge isn't always finding something meaningful to say. It's having the courage to tell the story that's already closest to you.What Movies Are You Watching?Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week. Support the showListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeatureThe Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

This week on Born to Watch, the boys boldly go where they rarely venture, into the world of brand-new cinema, with their Project Hail Mary Movie Review. Based on Andy Weir's bestselling novel and directed by Phil Lord and Christopher Miller, this 2026 sci-fi epic arrives with huge expectations, a massive budget, and one very important question: can modern Hollywood still make crowd-pleasing blockbuster entertainment that leaves audiences smiling?Whitey, Damo and special guest Will the Worky strap themselves into the Hail Mary spacecraft and dive headfirst into one of the biggest films of the year. With Ryan Gosling leading the charge as Ryland Grace, a reluctant hero tasked with saving humanity from extinction, the crew break down a film that combines hard science, emotional storytelling, spectacular visuals and a surprising amount of humour.The boys discuss their experiences seeing the film on the big screen and whether Project Hail Mary is exactly the kind of cinematic event modern audiences have been craving. In an era where many blockbuster films come and go without leaving a lasting impression, this one feels different. It has heart, humour, intelligence, and a genuine sense of wonder that recalls the classic Spielberg and Lucas adventures of decades past.One of the major talking points is Ryan Gosling's performance. Already one of Hollywood's biggest stars, Gosling continues to prove that he can effortlessly jump between drama, comedy and action. From The Nice Guys to Barbie, he has become one of the few modern actors who are completely willing to take the piss out of themselves, and the Born to Watch crew debate whether anyone in Hollywood currently does it better.Of course, no discussion of Project Hail Mary would be complete without talking about Rocky. The mysterious alien engineer quickly became a fan favourite after the book's release, and the boys examine why Grace and Rocky's relationship forms the emotional core of the entire film. What could have been a simple science-fiction adventure evolves into a story about friendship, sacrifice and finding the courage to do the right thing when everything is on the line.Will brings his unique perspective to the conversation after recently finishing the novel, comparing key elements of the book and film while highlighting what made Andy Weir's source material so compelling in the first place. The team also dives into the science behind the story, exploring the concept of astrophage, interstellar travel and whether the movie's scientific ideas hold up under scrutiny.As always, the discussion goes far beyond the movie itself. There are debates about modern cinema, movie-going habits, blockbuster filmmaking, favourite Ryan Gosling performances, German stoicism, Bunnings sausage sandwiches and plenty of classic Born to Watch chaos along the way.The boys also explore the emotional journey of Ryland Grace, from a brilliant scientist hiding from responsibility to a man willing to sacrifice everything for a friend. It is this character arc that elevates Project Hail Mary above standard blockbuster fare and transforms it into something genuinely memorable.So is Project Hail Mary the best movie of 2026 so far? Does it belong alongside modern sci-fi classics like Aliens? And can a giant alien rock really make grown adults emotional?There is only one way to find out.Join the MissionHave you read the book?Did the movie live up to your expectations?Is Ryan Gosling the most likable movie star in Hollywood?Where does Project Hail Mary rank among the best sci-fi films of the last decade?Let us know in the comments and join the conversation.If you love movie reviews, blockbuster debates, sci-fi adventures and plenty of laughs along the way, subscribe to Born to Watch wherever you get your podcasts.#ProjectHailMary #ProjectHailMaryMovieReview #RyanGosling #BornToWatch #MovieReview #SciFiMovies #AndyWeir #RockyTheAlien #FilmPodcast #MoviePodcast

Check out BeerBiceps SkillHouse Courses Here - https://linktr.ee/bbskillhouseFor all BeerBiceps vlog content Watch Life Of BeerBiceps - https://www.youtube.com/@LifeOfBeerBicepsCheck out my Mind Performance app: Level SuperMindLink:- https://app.level.game/?c=zSbmYnShare your guest suggestions hereMail - connect@beerbiceps.comLink - https://forms.gle/aoMHY9EE3Cg3Tqdx9Join the Level Community Here:https://linktr.ee/levelsupermindcommunityFollow BeerBiceps SkillHouse's Social Media Handles:YouTube: https://www.youtube.com/@BeerBicepsSkillHouseInstagram: https://www.instagram.com/beerbiceps_skillhouseWebsite : https://beerbicepsskillhouse.inFor any other queries EMAIL: support@beerbicepsskillhouse.comIn case of any payment-related issues, kindly write to support@tagmango.comFollow Nikhil Dwivedi's Social Media Handles:-Instagram: https://www.instagram.com/nikhildwivedi25/?hl=enLinkedIn: https://www.linkedin.com/in/nikhil-dwivedi-7116b520/In this 513th episode of The Ranveer Show, we are joined by Nikhil Dwivedi, a prominent film producer and actor, who shares deep insights into the evolving landscape of Bollywood in 2026. This episode serves as a comprehensive "Film School 101," exploring his journey from the corporate world to acting, and finally becoming a successful producer. We dive into the changing role of a producer, the economics of filmmaking, and what it truly takes to survive in the Indian film industry.In this conversation with Nikhil Dwivedi, we talk about the Role of a Modern-Day Film Producer, the difference between traditional and contemporary production models, and how revenue streams like Digital, Satellite, and Music rights function today. We also understand the financial risks involved in big-budget projects and the mental toughness required to handle public failures.This episode also covers the Budget Breakdown of a Film, the business of Superstars like Shah Rukh Khan, the working cultures of YRF and Dharma Productions, and the impact of AI on the future of cinema. We discuss the essential skills for directors - Storytelling, Aesthetics, and Budget Management - and the reality of casting in the age of social media.This podcast is a valuable resource for anyone interested in Film Production, Direction, Acting, the Business of Cinema, Bollywood Career Advice, and the Future of Storytelling.(00:00) – Start of the episode(00:44) – Role of a Film Producer in 2026(03:22) – Making a Hit on a Low Budget(08:07) – How Shah Rukh Khan Earns Crores(11:38) – Bankruptcy & Failure in Bollywood(14:15) – Advice for Aspiring Filmmakers(17:54) – 16 Must-Watch Bollywood Classics(21:32) – The Future of Ramayan & Animal Park(24:04) – Inside YRF & Dharma Productions(28:40) – Secret Skills of Great Directors(40:19) – Will AI Replace Bollywood Stars?(46:42) – Social Media vs. Real Talent(52:24) – End of the episode#film #movie

Adam and Josh reach a definitive milestone in Filmspotting’s Dissident Cinema Marathon with Costa-Gavras’s Oscar-winning 1969 masterpiece, Z. A thinly veiled account of a political assassination and subsequent government cover-up in Greece, the film stands as a foundational text for the modern paranoid thriller.See omnystudio.com/listener for privacy information.

Lint is the first feature film from Boorloo-Perth polymath David West. It's a hyper independent West Aussie film about Iris (Melissa Coci) and Susan (Courtney Swartz), colleagues who work at an environmentally friendly dry cleaning company who conspire to bring down their sleazy boss Vincent (Tom Camp). Along the way, they get distracted by dinners with friends, tennis lessons, and more, all the while their exploits are interspersed with sultry shots of Vincent against the backdrop of sunsets. This interview with David was recorded in May 2025 after Lint screened at the WA Made Film Festival and has been sitting, waiting to be birthed into public existence ever since. What better time to release it than ahead of the VHS Tracking Presents... screening of Lint at Goolugatup on 17 June 2026 between 6:30pm - 9pm. Tickets are free and available now, so if you're around, head along and support Aussie cinema. The interview starts as you might expect: with a conversation about goats. David's Zoom profile picture was that of a goat, which spurred a discussion about how great goats are. What happens after that, well, you'll discover as you listen.the Curb is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit thecurb.com.au/subscribe, where you can support our work from $2 a month. Paid subscribers get access to our monthly competitions, exclusive interviews and articles, and more.Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

Corbin has been intending on doing an episode about High Hopes since the show started. Why? You'll find out when you listen to the episode!!! Topics: Thatcher, the bitterness of leftists living in capital, some suprising facts about the actress who plays the mother, and the role of acting in Cinema. Next week's show is about "THE ADVENTURES OF TINTIN!" You can watch it on Kanopy. 

Eu e o Adriano sentamos de novo naquele estúdio que ainda cheira a carpete novo para falar sobre uma coisa que, se você parar para pensar, é meio doentia: filmes onde pessoas morrem de formas criativas.O Adriano trouxe uma lista com dez filmes slasher. Eu percebi, enquanto ele falava, que o que me atrai nesses filmes não é a perfeição técnica. Na verdade, é quase o contrário. São as falhas, o baixo orçamento e aquela sensação de que o diretor estava tentando dizer algo muito sério com muito pouco dinheiro.Falamos sobre John Carpenter e Wes Craven, que são os nomes óbvios, mas também sobre Michael Haneke, que fez um filme que eu não sei se quero ver de novo, mas fico feliz que exista.No final, a gente ainda gastou um tempo considerável discutindo se Stanley Kubrick estava tentando nos avisar de algo em seu último filme antes de partir. E tem uma série polonesa sobre mandamentos bíblicos que o Adriano indicou e que parece ser a coisa mais triste e bonita que você vai ver este ano.Enfim. É só uma conversa. Se você tiver um tempo livre e quiser ouvir dois caras falando sobre o que faz um filme resistir ao tempo, o vídeo está aí. Se não tiver, eu entendo perfeitamente. A vida anda bem ocupada para todo mundo.

15-06-26 - Morde e Assopra - Efrem Pedroza (Casais Sem Quimica do Cinema)

This week, we review this summer's OTHER horror movie phenomenon: 20-year-old filmmaker Kane Parsons' Backrooms. Based off a viral 2022 YouTube series depicting the exploration of the titular liminal space, Backrooms adapts the creepypasta into full-blown Hollywood spectacle. As the great YouTuber-to-filmmaker war of 2026 draws to a close, we crown a victor in the arena of Obsession vs. Backrooms.

Stand back because fabulous powers are about to be granted to us as we hold aloft our magic sword between our glorious legs! Skeletor4Prez and Shahir are about to discover the secrets of Castle Greyskull and Travis Knight's rap history as we discuss "Masters of the Universe" If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On Episode #162 of Fear and Loathing in Cinema, Bryan, Dan, Preston, and Chelsea crack their eyelids open for Wide Awake, the charmingly odd little comedy-drama that spent years gathering dust on a Harvey Weinstein shelf before escaping into the world as M. Night Shyamalan's first feature, long before dead people started chatting with Haley Joel Osment. The post Episode #162 – Wide Awake (1998) first appeared on Boomstick Comics.

Desperate for a new series to binge-watch or heading to the cinema for date-night? Gayle Edmunds shares her top picks of things to watch on the big and small screen with CapeTalk’s Sara-Jayne Makwala King on Weekend Breakfast.[Text Wrapping Break]This week we’re watching: Office Romance Cast:  Jennifer Lopez as Jackie Cruz, the CEO of an airline company Brett Goldstein as Daniel Blanchflower, the company's lawyer and her love interest Plot: Jennifer Lopez and Brett Goldstein star in a saucy rom-com about a secret office romance and the chaos two workaholics get into following their hearts. - netflix.comSee omnystudio.com/listener for privacy information.

Uma das figuras mais marcantes da história romana possui uma origem bem diferente do que as pessoas pensam! Fora que morrer lutando no Coliseu era bem mais raro do que os filmes nos ensinaram. Separe trinta minutos do seu dia e aprenda com o professor Vítor Soares (@profvitorsoares) sobre a história dos Gladiadores. -Se você quiser ter acesso a episódios exclusivos e quiser ajudar o História em Meia Hora a continuar de pé, clique no link: www.apoia.se/historiaemmeiahoraConheça o meu canal!https://www.youtube.com/@profvitorsoaresConheça meu outro canal: História e Cinema!https://www.youtube.com/@canalhistoriaecinemaViaje comigo, com o Vogalizando a História e com o Operação Barbarussa pra Grécia e Roma!https://partiu.vip/historiaecinema2026Ouça "Reinaldo Jaqueline", meu podcast de humor sobre cinema e TV:https://open.spotify.com/show/2MsTGRXkgN5k0gBBRDV4okAssista meu outro podcast, o História pros brother!https://open.spotify.com/show/04a8C8gXTLj68lmZiQD8vmCompre o livro "História em Meia Hora - Grandes Civilizações"!https://a.co/d/47ogz6QCompre meu primeiro livro-jogo de história do Brasil "O Porão":https://amzn.to/4a4HCO8Compre a camisa do História em Meia Hora: https://www.blablalogia.com/blablalojinha/akiralampiaoh30PIX e contato: historiaemmeiahora@gmail.comApresentação: Prof. Vítor Soares.Roteiro: Prof. Vítor Soares e Prof. Victor Alexandre (@profvictoralexandre)REFERÊNCIAS USADAS:- HOPKINS, Keith; BEARD, Mary. O Coliseu. Tradução de Clóvis Marques. Rio de Janeiro: Zahar, 2011.- WIEDEMANN, Thomas. Emperors and Gladiators. London: Routledge, 1992.- KYLE, Donald G. Spectacles of Death in Ancient Rome. London: Routledge, 1998.- GOLDSWORTHY, Adrian. César: A Vida de um Coloso. Tradução de Clóvis Marques. Rio de Janeiro: Record, 2007.- BEARD, Mary. SPQR: Uma História de Roma Antiga. Tradução de Rogério Bettoni. São Paulo: Crítica, 2017.- FUTRELL, Alison. Blood in the Arena: The Spectacle of Roman Power. Austin: University of Texas Press, 1997.- JUNKELMANN, Marcus. Das Spiel mit dem Tod: So kämpften Roms Gladiatoren. Mainz: Von Zabern, 2000.

In today's episode of The Quiz, we're celebrating our milestone 800th episode by diving into Hollywood's most iconic lines, grueling actor transformations, and trivia about Academy Award winners. Can you answer these? Chilling Quotes: "The Silence of the Lambs" gave us one of cinema's creepiest villains. Can you complete Hannibal Lecter's famous line about what he paired with a side of fava beans and a victim's liver? Behind the Ballet: One famous actress underwent intense ballet training for over a year for an Oscar-winning role, but still required a professional body double. Do you know who she is? Behind the Moniker: Ben Kingsley won the Academy Award for Best Actor for his masterful portrayal of Mahatma Gandhi, but do you know his actual birth name? Play. Share. Listen, with FOX News Headlines 24/7 Anchor, Gianna Gelosi. Learn more about your ad choices. Visit podcastchoices.com/adchoices

  CinemAddicts Episode 348 features reviews of movies coming out the week of June 12th. They are The Furious, This Tempting Madness, Find Your Friends, Stop! That! Train! and Amores Perros. Also reviewed are Hokum (on Digital), Ricky (on Digital) and the short film Mon Taxi. Bruce Purkey so reviews All That Jazz - one of Mitch Burns' favorite films.  Timestamps 00:00 - Thoughts on Mitch Burns, who was a dear friend of the show and creator of the CinemAddicts Movie Club. 17:47 - The Furious. 6/12 in theaters. Images: Lionsgate 24:04 - This Tempting Madness. 6/12 in theaters & On Demand. Images: Vertical 29:11 - Find Your Friends hits Shudder 6/12. Images: Shudder 43:47 - Mon Taxi (website). Plays Tribeca Film Festival 6/13. 47:35 - Ricky. Now available on Digital Platforms including Amazon. 56:55 - Bruce Purkey shares his thoughts on our friends William Lindus and Mitch Burns. 69:08 - Stop! That! Train! 74:03 - Amores Perros in theaters June 12. Images: MUBI 83:11 - Hokum 90:00 - All That Jazz Support CinemAddicts by using our Amazon Site Stripe and/or Affiliate links for your purchases. We receive a slight commission - thank you! CinemAddicts are Bruce Purkey, Eric Holmes, and Greg Srisavasdi Facebook Facebook Group Patreon YouTube Channel Deepest Dream Thanks to our Patreon Community Ryan Smith Stephen Schrock Susan Charles Peterson Nelson B. McClintock Diana Van De Kamp Pete Abeyta Tyler Andula Stephen Mand Edmund Mendez Abbie Schmidt Jeff Tait Robert Prakash Kristen Chris M Jeremy Chappell Lewis Longshadow Iver Alex Clayton Daniel Hulbert Andrew Martin Angela Clark Myron Freeman Kayn Kalmbach Aaron Fordham Tracy Peters Grant Boston Ken Cunningham    

This week Black on Black Cinema finally gives Sugar Hill (1994) the deep analysis it deserves. Directed by Leon Ichaso and written by Barry Michael Cooper — the architect behind New Jack City and Above the Rim — Sugar Hill is the second and most emotionally dramatic entry in Cooper's Harlem Trilogy. Wesley Snipes as Roemello Skuggs, a high-level Harlem drug dealer who wants out. He's got money, power, a woman he loves in Melissa (Theresa Randle), and a future waiting for him if his volatile brother Raynathan (Michael Wright) and the game itself will let him leave.We break down what makes Sugar Hill flawed but still underrated. Cooper's layered screenplay that tries to give Roemello genuine intellectual depth (Georgetown scholarship-eligible, chess player, art collector), Michael Wright's explosive performance as the brother who can't escape the past, and Leon Ichaso's atmospheric direction that turns Harlem into a character of its own. Terence Blanchard's jazz-inflected gives the film a serious connection to Spike Lee's own work. Clarence Williams III steals scenes effortlessly, and Ernie Hudson has a good time as a villain this time around.We discuss why it got overshadowed by New Jack City, how it works to keep the idea of Wesley Snipes being one of the coolest dudes in this era. Sugar Hill has its flaws from scenes that in hindsight are oddly placed (potentially post edit bay issues), some characters who aren't as explored as actual human beings, but there is still something here worth talking about and the effort of making a gentlemen gangster film with the same actor who was notorious for playing one of the most brutal gangsters in the 90s era is something to admire here.Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).

Steven Delay returns to our Surveillance Cinema series for a discussion of Sydney Pollack's 1993 legal thriller The Firm, starring Tom Cruise. We first spend some time on Pollack's background, including his established Mossad connections and the themes of his 1975 paranoid spy thriller Three Days of the Condor, which had significant CIA involvement in its production. The Firm turns out to be largely a misdirection op, depicting a white shoe law firm as running interference for the mafia (a favorite Hollywood scapegoat) rather than for the deep state. We also talk about themes of demoralization, subversion of traditional social values, and the movie's significant Masonic/occult symbolism.This conversation was recorded in April but personal circumstances took us away from the podcast for a couple months. https://twitter.com/StevenDeLay4https://stevendelay.com/If you enjoy Psyop Cinema, check out the research anthology series Cultural Engineering Studies. Volume #3 (on Hollywood Neo-Gnosticism) is out now! Volumes #1 and #2 feature Steven's essays on Chinatown. Use code psyopcinema for a discount - https://decoding-culture.com/print-copies/ https://twitter.com/CinemaPsyophttps://www.patreon.com/c/PsyopCinemahttps://psyopcinema.com/thomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com  

E se o final mais perturbador dos anos 90 existir porque um produtor enviou o documento errado por engano? Pois é exatamente isso o que aconteceu com Seven, e David Fincher não deixou ninguém mudar nem uma vírgula. Brad Pitt e Morgan Freeman também bateram o pé. O estúdio tentou mandar a versão "comercial". Os três ignoraram. Trinta anos depois, é difícil imaginar que poderia ter sido de outro jeito.Mas o que torna Seven tão visceralmente insuportável de esquecer? A fotografia de Darius Khondji com retenção de prata que cria pretos tão densos que você quase sente o cheiro da cena? O design de som que não te deixa em paz nem um segundo? Ou John Doe, um assassino que não é niilista porque, para ele, tudo importa demais?Rafael Arinelli, Pedro Amaro e Bel Petit revisitam o thriller de Fincher com olhos de 2026, discutem a lesão real de Brad Pitt que entrou no roteiro, o Kevin Spacey escondido no meio do filme sem crédito, e a questão que divide o grupo até hoje: afinal, John Doe venceu ou perdeu?A caixa está esperando. Você abre?• 05m12: Pauta Principal• 1h32m33: Plano Detalhe• 1h40m00: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos:• André Marinho Moreira• Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Guilherme S. Arinelli• Thiago Custodio Coquelet• Wilmar Arinelli Jr• William SaitoFale Conosco:• Email: contato@cinemacao.com• X: https://cinemacao.short.gy/x-cinemacao• BlueSky: https://cinemacao.short.gy/bsky-cinemacao• Facebook: https://cinemacao.short.gy/face-cinemacao• Instagram: https://cinemacao.short.gy/insta-cinemacao• Tiktok: https://cinemacao.short.gy/tiktok-cinemacao• Youtube: https://cinemacao.short.gy/yt-cinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de R$30,00, você terá acesso a conteúdo exclusivo e muito mais! Não perca mais tempo, torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Pedro): Curta: Polaroid• (Bel): Álbum: David Bowie - Outsite• (Rafa): Vídeo: Falha de CoberturaEdição: ISSOaí

On this episode of the podcast Phillip is joined by movie lover and host of the Reels of Cinema podcast. Phillip gives the general information about the movie with some trivia included. Then Phillip plays a Tarantino Talks about this movie. It's then time for Listener' Opinions from Twitter, Instagram, and Facebook. Then Phillip and Frank discuss this movie. Phillip then asks the question of whether they noticed anything in this movie that Tarantino might have liked or used in a film. They then individually rate the movie. Then they answer the question of whether they would buy this movie, rent it, or find it for free. It's then time for Phil's Film Favorite of the Week; Rififi (1955). Frank then recommends a movie; Plight (2023). Phillip then promotes next week's episode when he will be joined by one of three co-hosts of The Cinemigos podcast, for 1992's Supercop AKA Police Story 3: Supercop. Thanks for listening.

A2 THE SHOW #517Our next guest on A2 THE SHOW is Michel Kammoun, a Lebanese-French filmmaker and director best known for his award-winning feature film Falafel. From studying architecture in Lebanon to pursuing cinema in Paris, Michel has built a remarkable career driven by storytelling, creativity, and resilience.In this episode, Michel shares his filmmaking journey, the realities of creating cinema in Lebanon, the challenges of independent film financing, artistic burnout, the connection between architecture and cinema, and why passion continues to drive Lebanese filmmakers despite limited resources. We also explore the power of collaboration, maintaining creative vision, and how cinema transcends culture to connect humanity through shared experiences.

Roy Menarini, Marco Leonetti"Fellini, la scrittura, gli scrittori"I Saggi Fellini StudiesCuePresswww.cuepress.comMolto noto e al tempo stesso poco studiato, il complesso rapporto di Federico Fellini con la scrittura e gli scrittori ha un ruolo fondamentale per la comprensione del suo immaginario.Da una parte, infatti, lo studio della dimensione della scrittura nei suoi film merita nuovi aggiornamenti rispetto alla dimensione iconografica e visuale.Dall'altra, la promozione di Fellini a soggetto culturale legittimato al confronto con intellettuali e scrittori del calibro di Italo Calvino, Milan Kundera, Georges Simenon (solo per citare i più noti) è un luogo di elaborazione critico-teorica degna di ulteriori approfondimenti.Il volume esplora le avventurose relazioni tra Fellini, stampa, editoria, letteratura, adattamento, attraverso saggi trasversali e studi di caso.Roy MenariniInsegna Cinema e Industria Culturale all'Università di Bologna.Ha pubblicato numerosi saggi sul cinema contemporaneo e su temi come la critica cinematografica, la cinefilia, l'immaginario hollywoodiano.È senior editor della rivista «Cinergie» e dirige il sito «Cinefilia Ritrovata».Contribuisce a diversi gruppi di ricerca nazionali e internazionali come Inc – International Research Network on Celebrity Culture e Cfc (Culture, Fashion, Communication).Collabora con «Film Tv» ed è consulente della Cineteca di Bologna oltre che di altre istituzioni e associazioni.Dirige programmi di film and audiovisual education per le scuole.È inoltre critico cinematografico, saggista e conferenziere.Marco LeonettiDirige il Fellini Museum e la Cineteca comunale di Rimini.Si occupa della valorizzazione dell'archivio Fellini, della cura e dello sviluppo delle collezioni bibliografiche e audiovisive, nonché della progettazione di attività culturali dedicate al cinema.Coordina iniziative espositive e progetti di ricerca, promuovendo il dialogo tra patrimonio pubblico e comunità.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

This week on the Boxoffice podcast, co-hosts Daniel Loria and Rebecca Pahle are joined by Max Evry, author of the upcoming book Stranded on Earth: How Night Skies Became E.T. the Extra Terrestrial (October 6, now available for pre-order), to discuss Spielberg's alien encounters, including his latest—Universal Pictures' Disclosure Day. Then in the feature segment, in advance of the film's June 12 release, Daniel talks to Disclosure Day screenwriter David Koepp.

Eric and Curtis embark on a journey on the road of analytics. Join the Cigars and Cinema crew as they dissect movie genres, what makes a structure work, and what makes it fall apart.This week, the crew delves into the world of action movies. There are countless films created in this genre, which will fall and which will remain tall?OGT Variety Club LINK: https://oakglentobacconist.com/product/ogt-variety-club-cigar-of-the-month-subscription/Sign up for the OGT Cigar Society Subscriptionhttps://oakglentobacconist.com/product/ogt-monthly-subscription/

Georgie talks about what she's watching and what TV shows and films she's excited to see! You can find Georgie on Instagram @screensteruk

For #45, The Intouchables (NOT The Untouchables), we head to France for the only time on the good list. Mark thinks this is kind of weird so he looks into it and finds out things about the good list that send him down a rabbit hole to madness and vintage prison break films. We have mixed feelings about France and about this movie and about the good list on the whole so listen to us work through our feelings like two men bonding over their different challenges in life over a ton of money and anachronistic party music.Support us at our podcasting network, Podcastio Podcastius at https://www.patreon.com/podcastiopodcastius.  You'll get early episodes of this and out other podcasts, along with a live chat here and there.Speaking of our other podcasts - seriously, you could only listen to various other configurations of us:Luke Loves Pokemon: https://lukelovespkmn.transistor.fm/Time Enough Podcast (Twilight Zone): https://timeenoughpodcast.transistor.fm/Game Game Show (a game show gaming games): https://gamegameshow.transistor.fm/Occult Disney: https://occultdisney.transistor.fm/Podcast: 1999 (where Mark and Matt rap about 70's tv sci-fi): https://podcast1999.transistor.fm/And Matt makes music here:https://rovingsagemedia.bandcamp.com/Coming Soon: Slender ManThe PianistAmerican History X

Sex, drugs, and rock n' roll.  These are the things that you come to Random Acts of Cinema for.  Paul Thomas Anderson almost manages to reach our podcastly levels of hedonism and vice in his late 90s indie apogee covering the late 70s porn apogee. *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Akira Kurosawa's Yojimbo (1961).

Nelle nostre sale cinematografiche è uscito il film "Disclosure Day", con la regia di Steven Spielberg. La storia ruota attorno ad un interrogativo che l'umanità si pone spesso: "Siamo i soli in questo universo?".

Welcome to the Heroes Three podcast! This week we are joined by Craig Neeson from SWIMFANS to talk about Nobuhiko Obayashi's summer romance film, His Motorbike, Her Island from 1986 starring Riki Takeuchi and Kiwako Harada!Check out some H3 art and merch! - https://www.teepublic.com/user/kf_carlito Listen to SWIMFANSFull cast and credits - WikipediaFind us online - https://linktr.ee/Heroes3PodcastEmail us! - heroes3podcast@gmail.comTimestamps(00:00) Intro(0:40) Craig on the pod(1:11) Why His Motorbike, Her Island(6:08) Playful black and white(11:21) Motorcycles and Kawasaki(15:00) Experimental filmmaking(18:29) Back of the VHS(55:26) Final thoughts on Obayashi(59:02) Listen to Swimfans(1:00:03) Plugs and training for next week

Superstar director Steven Spielberg has returned to his first love – aliens – for the blockbuster of the summer. Film critic Emma Jones tells us why "Disclosure Day" is a timely, entertaining and funny movie, starring Emily Blunt, Josh O'Connor and Colman Domingo.

Screenwriting Legends SCOTT ALEXANDER and LARRY KARASZEWSKI discuss their origin stories of being film nerds, drive-in movies, how looking on the back of Variety was glorious when they were kids, how Shakey's Pizza's silent movies influenced them, meeting the first hour at school and deciding to go to the Nuart Theater in Los Angeles, why they program screenings including The Wrong Guy, what makes a good story from real life, why offbeat losers make better subjects than heroes, how directors like Tim Burton are loyal to the script and love stories of art and outsiders, why awards are fun but stupid, their process of deciding on ideas in a shockingly random way, sinking time into ideas that go nowhere, the amazing Marx Brothers movie that can't seem to get made, how they can't shake a movie once they love it, how producers are just as stupid as they are, whether everyone has a movie in their lives and why someone doesn't make a bio movie about them, and how pickleball can save your life! Bio:SCOTT ALEXANDER and LARRY KARASZEWSKI met when they were freshman roommates at USC's School of Cinema. On a whim, they wrote a screenplay during their senior year, which sold a week after graduation. They are best known for writing very unusual biopics with larger-than-life characters. They wrote the highly-acclaimed ED WOOD, for which they were nominated for Best Screenplay by the Writers Guild. They followed this with THE PEOPLE VS. LARRY FLYNT, for which they won the Golden Globe for Best Screenplay, as well as a special Writers Guild award for civil rights and liberties. They scripted the extremely postmodern MAN ON THE MOON, the life story of Andy Kaufman. They wrote BIG EYES, the strange-but-true story of Margaret and Walter Keane, for which they received an Indie Spirit Best Screenplay nomination. For their first television project, they created the hit miniseries AMERICAN CRIME STORY: THE PEOPLE V. O.J. SIMPSON, for which they won the Emmy, Golden Globe, PGA and WGA Award for Best Limited Series. Their most recent film, DOLEMITE IS MY NAME, is the celebrated tale of Rudy Ray Moore. Other than biopics, Alexander and Karaszewski are quite eclectic. They wrote the hit Stephen King adaptation 1408. They produced the Bob Crane biopic AUTO FOCUS, and they wrote and directed the comedy SCREWED. They have also written numerous family films, including PROBLEM CHILD, PROBLEM CHILD 2, AGENT CODY BANKS, and GOOSEBUMPS. Learn more about your ad choices. Visit megaphone.fm/adchoices

David and Trevor discuss LOVE LETTER and THE MOON HAS RISEN, the first of three episodes reviewing KINUYO TANAKA DIRECTS, new from the Eclipse Series from the Criterion Collection.

How the sound of the female playback voice impacts Bollywood's cultural, musical, and cinematic environment. Drawing on sound studies and performance theory, scholar Shikha Jhingan explores the discursive nature of the female playback voice in Bombay film songs in The Female Playback in Bombay Cinema: Voice, Body, Technology (Wayne State UP, 2025). Mapping the production, circulation, and reception of the voices of singing stars—notably Lata Mangeshkar and Asha Bhosle—Jhingan situates the singing voice as a cinematic object with limitless possibilities of distribution and dispersal. She employs the perspectives of a diverse range of listeners across a vast media landscape to illustrate how the affective charge of the female playback voice, combined with developments in audio technology, has led to a gradual expansion of opportunities for women in film, popular music, and media and audio production. With nuanced exploration of the way the human voice becomes intertwined with devices such as the microphone, radio, cassettes, and digital technologies, Jhingan argues for the sonic excess of the female voice beyond the narrative and visual. The Female Playback in Bombay Cinema is an authoritative addition to the field of sound studies with implications for gender studies, performance studies, and cinema studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Two of G.K. Chesterton's most unexpectedly prophetic essays take center stage in this issue of Gilbert Magazine: "An Architect's Nightmare," a 1928 piece that anticipates nearly everything being said today about AI, passive technology, and false progress, and "Freud on Slips of the Pen," a recently unearthed 1921 Daily Express article in which Chesterton dismantles psychoanalysis with surgical wit. Joe Grabowski and Grettelyn Darkey walk through the current issue of Gilbert—the official publication of the Society of G.K. Chesterton —drawing out what Chesterton saw about passive entertainment, the cyclical delusions of optimists and pessimists, and why art remains the irreducible signature of man. In This Episode: What G.K. Chesterton's 1928 essay "An Architect's Nightmare" reveals about spaces built for man vs. spaces man is expected to serve—and why his critique of industrial-age optimism and pessimism maps almost perfectly onto today's conversations about AI The pattern Chesterton exposed over a century ago: enthusiastic builders of terrible things who become pessimists insisting nothing can be done—and why Chesterton holds that human will, not historical inevitability, is what truly separates man from the octopus "Freud on Slips of the Pen": a newly unearthed 1921 essay in which G.K. Chesterton takes apart the Freudian slip using Hamlet, Punch and Judy, and the plain observation that a man who writes something down and doesn't cross it out intended to write it Chesterton on the standardizing effects of the cinema—how the same concerns raised about silent films in the 1920s echo in every conversation about video games, social media, and passive screen entertainment today A tour of the current Gilbert: the Chesterton Schools Network's capstone Rome pilgrimage, an 11th-grader's essay on Dante, a takedown of Paul Ehrlich's famously wrong prophecies, and G.K. Chesterton's poem "After Reading a Book of Modern Verse" Chapters: 00:00: Welcome and Introduction 02:24: Gilbert Magazine and the Legacy of G.K. Chesterton's GK's Weekly 05:30: The Current Issue: Cover Art and the Rome Pilgrimage Feature 11:29: "An Architect's Nightmare": G.K. Chesterton's 1928 Essay on Space, Man, and False Progress 19:05: The Optimist–Pessimist Cycle and What Chesterton Says About the AI Age 23:14: Virginia de la Lastra at the UN and Joe's Editorial on Passive Entertainment 29:10: Chesterton on Cinema, the Toy Theater, and the Imaginative Life 32:14: "Freud on Slips of the Pen": A Newly Unearthed 1921 Chesterton Essay 40:30: A Chesterton Poem, a Student's Essay on Dante, and Paul Ehrlich's Prophecies 44:24: Closing and How to Subscribe to Gilbert Resources Mentioned: Gilbert Magazine 2026 Chesterton Conference—"The Outline of Sanity" What I Saw in America by G.K. Chesterton Chesterton Schools Network Become a Member of the Society FOLLOW US: Instagram Facebook X SUPPORT: Donate Shop Produced by Saint Kolbe Studios

How the sound of the female playback voice impacts Bollywood's cultural, musical, and cinematic environment. Drawing on sound studies and performance theory, scholar Shikha Jhingan explores the discursive nature of the female playback voice in Bombay film songs in The Female Playback in Bombay Cinema: Voice, Body, Technology (Wayne State UP, 2025). Mapping the production, circulation, and reception of the voices of singing stars—notably Lata Mangeshkar and Asha Bhosle—Jhingan situates the singing voice as a cinematic object with limitless possibilities of distribution and dispersal. She employs the perspectives of a diverse range of listeners across a vast media landscape to illustrate how the affective charge of the female playback voice, combined with developments in audio technology, has led to a gradual expansion of opportunities for women in film, popular music, and media and audio production. With nuanced exploration of the way the human voice becomes intertwined with devices such as the microphone, radio, cassettes, and digital technologies, Jhingan argues for the sonic excess of the female voice beyond the narrative and visual. The Female Playback in Bombay Cinema is an authoritative addition to the field of sound studies with implications for gender studies, performance studies, and cinema studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

How the sound of the female playback voice impacts Bollywood's cultural, musical, and cinematic environment. Drawing on sound studies and performance theory, scholar Shikha Jhingan explores the discursive nature of the female playback voice in Bombay film songs in The Female Playback in Bombay Cinema: Voice, Body, Technology (Wayne State UP, 2025). Mapping the production, circulation, and reception of the voices of singing stars—notably Lata Mangeshkar and Asha Bhosle—Jhingan situates the singing voice as a cinematic object with limitless possibilities of distribution and dispersal. She employs the perspectives of a diverse range of listeners across a vast media landscape to illustrate how the affective charge of the female playback voice, combined with developments in audio technology, has led to a gradual expansion of opportunities for women in film, popular music, and media and audio production. With nuanced exploration of the way the human voice becomes intertwined with devices such as the microphone, radio, cassettes, and digital technologies, Jhingan argues for the sonic excess of the female voice beyond the narrative and visual. The Female Playback in Bombay Cinema is an authoritative addition to the field of sound studies with implications for gender studies, performance studies, and cinema studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Welcome to Khaotic Chaos with your Host The Queen Of The South The Boss Lady Kayla as in episode 13 week 2 of Book Series as Kayla reviews.Nothing like the movies two book series Haunting Adeline book And more!So get your notebook ready to take your notesFind out the books of the week of what to read !!!Make sure you subscribe to our channel!and enjoy the show!!!=================https://linktr.ee/CircleOfDebate=================Join our Skool Community The exclusive fan membership of the Circle of Debate YouTube channel! Daily live streams on pro wrestling, sports video games, and anime!https://www.skool.com/the-debate-netw...=================For Business inquiries :thedebatenetwork679@gmail.com=================For all sports news, & entertainment news, pro wrestling & more go to https://gamebreakersports.com/==================================Purchase NordVPN to receivd 74% off from The Debate Network You must subscribe FirstTo get your percantage off along with a amazon gift card!Link Below:https://nordvpn.com/special/ Get 10% off from us when you purchase anything from Dubby Energy Drinks ProductsLink : https://www.dubby.gg/collections/allPromo Code : GAMEBREAKER ==================================

This week on Born to Watch, the boys take on one of the most iconic psychological thrillers ever made in this The Sixth Sense 1999 Review. Released in the legendary movie year of 1999, M. Night Shyamalan's breakthrough film became a cultural phenomenon, launching a career, creating one of cinema's most famous twists, and leaving audiences speechless as they walked out of theatres around the world.Whitey, G-Man and Damo dive deep into the movie that turned Haley Joel Osment into a household name and gave Bruce Willis one of the most memorable performances of his career. More than 25 years later, does The Sixth Sense still hold up? Does the twist remain effective in an era where spoilers dominate social media? And is this actually M. Night Shyamalan's best film?The crew discuss their memories of first seeing the movie back in 1999, when audiences had the rare opportunity to experience a genuine cinematic surprise before the internet ruined it. They explore how The Sixth Sense became the second-highest-grossing film of the year, behind only Star Wars: Episode I – The Phantom Menace, and why it remained one of the most talked-about movies of its generation.Of course, the discussion turns to Bruce Willis and whether this represents the finest acting performance of his career. Known primarily as an action star through films like Die Hard, The Last Boy Scout and Armageddon, Willis took a very different path with Dr Malcolm Crowe. The boys examine how his understated performance anchors the film while allowing Haley Joel Osment to steal almost every scene he appears in.Speaking of scene-stealers, there is plenty of love for Haley Joel Osment. The team revisits his incredible performance as Cole Sear and debates his ranking among the greatest child actors in movie history. From his emotional vulnerability to the maturity he brought to the role, it is easy to see why he received an Academy Award nomination at such a young age.The conversation also shines a spotlight on Australia's own Toni Collette. Her heartbreaking performance as Cole's mother remains one of the emotional centres of the film, and the boys discuss whether she was unlucky not to walk away with Oscar gold. The famous car scene receives particular attention, with everyone agreeing it remains one of the most powerful emotional moments in modern cinema.As always, Born to Watch goes beyond the movie itself. The crew look back at the incredible films released in 1999, discusses where The Sixth Sense sits among the all-time great thrillers, and compares it with other famous twist-ending films that followed in its wake. They also explore how Shyamalan's success with this movie may have created impossible expectations for every project that came afterwards.Along the way, there are plenty of laughs, stories, random tangents, movie trivia and classic Born to Watch chaos. From airline horror stories to debates about movie awards, nothing is safe once the boys get rolling.So does The Sixth Sense deserve its reputation as a modern classic? Is the twist still one of the greatest reveals in cinema history? And where does it rank among the best films of 1999?There is only one way to find out.JOIN THE CONVERSATIONWhen did you first see The Sixth Sense?Did you figure out the twist before the ending?Is this M. Night Shyamalan's best movie?Where does Haley Joel Osment rank among the greatest child actors of all time?Let us know your thoughts in the comments and join the discussion.If you love movie reviews, nostalgia, classic cinema debates and a few completely unhinged tangents along the way, make sure you subscribe to Born to Watch wherever you get your podcasts.#TheSixthSense #TheSixthSenseReview #BornToWatch #MovieReview #BruceWillis #HaleyJoelOsment #ToniCollette #MNightShyamalan #1999Movies #PsychologicalThriller

Adam and Josh continue Filmspotting’s Dissident Cinema Marathon with Akira Kurosawa’s 1946 drama No Regrets for Our Youth. Released in the immediate aftermath of WWII, the film stands out as a blatantly political entry in Kurosawa's catalog — and notably, his only film featuring a sole female protagonist.See omnystudio.com/listener for privacy information.

Sign the petition: https://www.change.org/p/give-mister-ed-his-rightful-spot-on-the-hollywood-walk-of-fame?source_location=psf_petitions Bobbleheads: https://store.barstoolsports.com/products/mostly-sports-bobblehead-ii?variant=42353493114977 Mark Titus and Brandon Walker talking sports... mostly. Thanks to our sponsors: AuraFrames: Exclusive $35-off Carver Mat at https://on.auraframes.com/MOSTLY. Promo Code MOSTLY Shady Rays: Go to http://shadyrays.com and use code SPORTS for 50% off 2+ pairs of polarized sunglasses. Marzetti: Find Marzetti Protein Ranch at your local grocery store, refrigerated by the fruits & veggies or learn more at https://Marzetti.com/Protein BlueChew: Visit https://BlueChew.com for more details and important safety information, and we thank BlueChew for sponsoring the podcast. Paramount+: Watch UFC Freedom 250 at the White House LIVE on June 14, only on Paramount Plus. Subscribe on YouTube: https://www.youtube.com/@MostlySportsTitusandWalker?sub_confirmation=1. Follow Mostly Sports on Twitter: https://twitter.com/MostlySports Follow Mark on Twitter: https://twitter.com/clubtrillion Follow Brandon on Twitter: https://twitter.com/bfw Follow Mostly Sports on Instagram: https://www.instagram.com/mostlysportsshow/ Follow Mark on Instagram: https://www.instagram.com/marktheshark34/ Follow Brandon on Instagram: https://www.instagram.com/bwalkersec/ Follow Mostly Sports on TikTok: https://www.tiktok.com/@mostlysportsshow?lang=en Follow Brandon on TikTok: https://www.tiktok.com/@brandonfwalker?lang=en Follow Mark on TikTok: https://www.tiktok.com/@marktituspod?lang=en

In this preview of a Patreon exclusive episode, Katie & Luke discuss the film that launched Mel Gibson as cinema historian, "Braveheart". Enter the world of late stage 90's mullets, anachronistic costumes, and a blatant disregard for the real story of William Wallace. They can take our lives, but they can never take our freedom to nitpick.THANKS TO OUR TO PATREON SUBSCRIBERS! We couldn't do this without you.Become an official Morbuddy: patreon.com/themorbidmuseumFollow us on IG: @themorbidmuseumSubscribe to our Youtube Channel : https://www.youtube.com/@themorbidmuseumEmail us at themorbidmuseum@gmail.comArtwork: Brittany Schall Music: "Danse Macabre" by Camille Saint-Saens, performed by Kevin MacLeod

Go APES with The Franchyze Boiz!Shawn, Brad, and Aaron take a deep dive into one of the strangest, smartest, and most influential franchises in science fiction history: Planet of the Apes. In Part One of their epic discussion, they revisit all five films from the original series, from the groundbreaking 1968 classic starring Charlton Heston to the increasingly bizarre sequels that somehow become darker, stranger, and more politically charged with each installment.Along the way, they explore the franchise's unforgettable characters, groundbreaking makeup effects, civil rights allusions, nuclear anxieties, and the surprising emotional depth hiding beneath all that ape makeup.This franchise has it all: mutant cultists, ape revolutions, time travel, political allegory, and the literal end of the world. What's not to love?It's a madhouse! A MADHOUSE!!HOSTSShawn EastridgeBrad GullicksonAaron Prescott

Most people think of romantic music as background noise for dates, movies, or weddings. But researchers have found that music can actually influence romantic behavior and attraction in measurable ways. Listen to discover how love songs may be doing more than simply setting the mood. https://www.sciencedaily.com/releases/2010/06/100618112139.htm Take a look around you and notice how many buttons surround you. Elevator buttons. Crosswalk buttons. Remote controls. Keyboards. Car dashboards. Humans push buttons all day long—and often repeatedly, even when pushing again does absolutely nothing. There's something deeply satisfying and psychologically powerful about pressing a button and getting an immediate response. But buttons are a surprisingly recent invention, and they fundamentally changed how humans interact with machines, technology, and even each other. Rachel Plotnick, associate professor of Cinema and Media Studies at Indiana University, explores the strange history and psychology of buttons, why people are so drawn to them, and how “push-button culture” transformed modern life. She is author of Power Button: A History of Pleasure, Panic, and the Politics of Pushing (https://amzn.to/3xvIj5j). Humans don't just enjoy games—we seem to need them. From sports and gambling to video games, puzzles, and board games, people everywhere devote enormous amounts of time and energy to play. But games may be doing far more than entertaining us. Neuroscientist and physicist Kelly Clancy explains how games shape human behavior, influence culture, teach strategy, reward risk-taking, and even help societies evolve. In our conversation, she reveals why games are woven so deeply into human nature and why understanding games may help explain the way humans learn, compete, cooperate, and make decisions. Kelly is author of Playing with Reality: How Games Have Shaped Our World (https://amzn.to/3W02BNR). Online product reviews have become incredibly influential. A surprisingly large number of people now trust reviews from strangers almost as much as recommendations from friends. We discuss how those reviews can dramatically affect what consumers buy, avoid, or return. https://www.cardrates.com/news/consumers-rely-on-online-reviews-study/ PLEASE SUPPORT OUR SPONSORS POCKET HOSE: For a limited time, when you purchase a new Pocket Hose Ballistic, you'll get a FREE 360 degree rotating pocket pivot and a FREE thumb drive nozzle! Just text SYSK to 64000 AQUA TRU: Take the guesswork out of pure, great-tasting water. Head to ⁠⁠⁠⁠⁠⁠https://AquaTru.com⁠⁠⁠⁠⁠⁠ now and get 20% off your purifier using promo code SYSK. AquaTru even comes with a 30-day best-tasting water guarantee or your money back. RULA: This Mental Health Awareness Month, don't just think about your mental health - actually take the step to take care of it. Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://Rula.com/sysk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to get started. QUINCE: Refresh your everyday with luxury you will actual use! Go to ⁠⁠⁠⁠⁠⁠⁠⁠https://Quince.com/sysk⁠⁠⁠⁠⁠⁠⁠⁠ for free shipping on your order and 365-day returns. Now available in Canada, too! DELL:  With the Dell Pro laptop powered by Intel Core Ultra with vPro, no matter how many interruptions you have, your laptop won't be one of them. With battery that's optimized for the way you work, and built-in intelligence that quiets distractions the moment you're trying to focus, your tech won't slow you down.  Find out more at ⁠⁠⁠https://Dell.com/Dell-Pro⁠⁠⁠ SHOPIFY: It's time to turn those "what ifs" into CHA CHING with Shopify Today! Sign up for your $1 per month trail and start selling today at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://Shopify.com/sysk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices