Podcasts about Piano

Kadiatu Kanneh-Mason on what it takes to keep up with her seven children — all of them gifted classical musicians (R).Kadiatu is a former English academic and the mother of seven extraordinary children.All of them are gifted classical musicians.Her eldest daughter, Isata wrote and performed her first piano concerto at the age of eleven.Her son Sheku mastered the cello and performed at the royal wedding of Harry and Megan Markle.Every day the seven Kanneh-Masons, who range from early teens to the mid-twenties, fill the family home with glorious, sometimes chaotic, music.This episode of Conversations explores music education, classical music, accessibility to music, Isata, Braimah, Sheku, Konya, Jeneba, Aminata, Mariatu, piano, violin, cello, orchestra, state school, public education, big families, motherhood, fatherhood, prejudice, mixed race families, music is for everyone, how to learn the violin, gifted children, raising gifted children, gifted and talented.Further informationHouse of Music: Raising the Kanneh-Masons is published by Oneworld.Kadiatu's newest book, also published by Oneworld, is called To Be Young Gifted And Black.

Contestants: Tara Rozanski & Kobi Davidson calling from Collingswood, New Jersey

Bradley had a tiff over having two types of potatoes at dinner; Britney says sorry for smoking on a plane! Sam Asghari is seen out with his girlfriend of 6 months; One Star reviews and the five second rule game: Piano trivia!RULA MENTAL HEALTHCARE COMPANY LINK: Rula patients typically pay $15 per session when using insurance. Connect with quality therapists and mental health experts who specialize in you at https://www.rula.com/abd #rulapodSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textWelcome to tonight's episode where ‘Erica's Place' by Mindshambles awakens a kaleidoscope of reminiscences about Mum and ‘elevensies' and her never ending supply of fresh scones. As the different memories flow and glide past, it slowly becomes clear how much of ‘Erica's place' and Mum's philosophy still lives on and unconsciously shapes these podcasts. Welcome to Erica's place.   Journal entry:20th May, Tuesday“The yellow flag are out. Unfolding the origami of their petals From the squashed chrysalis of their buds.Yellow iris arrives flat-packed To be assembled without sound Held only by a dance of air and light.”  Episode Information:In this episode I read the first verse of John Betjeman's ‘Upper Lambourne' and a short extract from Miles Hadfield's (1950) An English Almanac. I also read ‘Erica's Place' by Mindshambles (2025)With special thanks to our lock-wheelersfor supporting this podcast.Susan BakerMind Shambles Clare Hollingsworth Gabriela Maria Rodriguez-Veinotte Kevin B. Fleur and David Mcloughlin Lois Raphael Tania Yorgey Andrea Hansen Chris Hinds David Dirom Chris and Alan on NB Land of Green Ginger Captain Arlo Rebecca Russell Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Orange Cookie Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsThe intro and the outro music is ‘Crying Cello' by Oleksii_Kalyna (2024) licensed for free-use by Pixabay (189988). Narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.Contact Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Bluesky: https://bsky.app/profile/noswpod.bsky.social Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

Buffalo Music Hall Of Fame member Jim Wynne visited the Flamingo Lounge on May 14, 2025 where he shared his musical stories and some special music. Jim studied music theory and composition at Villa Maria College while taking Bass lessons with Jim Kurzdoerfer and Piano lessons with Leola Erftenbech. He has performed with Dave Constantino, Jony James, Gamalon, Lance Diamond, Ike Smith, Richie Derwald, and Muse. He is currently playing Bass with The Tony Tripi Band, The Grateful Dead All Stars, and The Jim Wynne Band. He also plays piano with JJ Swing. Jim also produces and records music for vocalists, bands, and songwriters. He has been recording as a session musician for Robbie Takac and Justin Rose at GCR Studios since it opened. He has participated in many Veterans Benefit concerts and Wings Of Hope concerts for the purpose of helping people in the community when they need it most. Jim is also a music instructor available for guitar, piano, and bass guitar lessons. His curriculum is centered on technique, ergonomics, ear training and transcribing notation for the purpose of learning music that the students enjoy.

When the jazz singer Cécile McLorin Salvant was profiled in The New Yorker, Wynton Marsalis described her as the kind of talent who comes along only “once in a generation or two.” Salvant's work is rooted in jazz—in the tradition of Ella Fitzgerald and Sarah Vaughan and Abbey Lincoln—and she has won three Grammy Awards for Best Jazz Vocal Album. But her interests and her repertoire reach across eras and continents. She studied Baroque music and jazz at conservatory, and performs songs in French, Occitan, and Haitian Kreyòl. “I think I have the spirit of a kind of a radio d.j. slash curator,” she tells David Remnick. “It's almost like making a mixtape for someone and only putting deep cuts.” And even when singing the standards, she aims “to find the gems that haven't been sung and sung and sung over and over again.” During a summer tour, she visited the studio at WNYC to perform “Don't Rain on My Parade,” made famous by Barbra Streisand; “Can She Excuse My Wrongs,” by John Dowland, the English composer of the Elizabethan era; and “Moon Song,” an original from Salvant's album “Ghost Song.”This segment originally aired on May 31, 2024.

The hour starts with the Mayor of BELMAR, Gerald BUCCAFUSCO joins us. After the Mayor, Tracy from Atlantic Highlands joins us live on stage. She plays trivia against Al. Jerry returns for an update but instead plays a game show. In the final segment of the hour, NGXB, a piano player, joins us to play some songs.

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.浜渦正志,黒田亜樹 - ザナルカンドにて；2.末廣健一郎 - 動く、動く -Piano version-；3.渡辺俊幸 - 絆～チェロ・ヴァージョン；4.松岡純也 - 星ばかり見ていた；5.水月陵 - 蝉声とともに；6.澤野弘之 - Blue Dragon(piano&guitarver)；7.松谷卓 - 祈り。

Today's guest is a British sensation whose sound defies convention and whose rise has been anything but ordinary. With a style rooted in drum and bass, alt-pop, and early 2000s nostalgia, she's redefined what it means to make bedroom pop in the digital age. Her songwriting is both diaristic and enigmatic, managing to say more in two minutes than most can in five. From viral fame to global stages, she's built a world that's entirely her own—introspective, stylish, and sonically daring. A true creative force who writes, produces, and performs with instinct and intention. From across the pond, the future is bright… And the wrier is… PinkPantheress!00:00 – Intro00:42 – Meet PinkPantheress 01:16 – The Self-Made Artist 05:02 – Growing Up Multicultural 09:49 – Emo, Piano & Early Music Obsession 13:03 – Building Her Unique Sound 16:26 – UK vs US Music Culture 21:04 – Not Chasing Numbers 23:01 – You Can't Teach Taste 24:19 – Producing & Industry Bias 30:23 – Ad Read: NMPA + Peer Music32:00 – Producing at 17 & Avoiding Media 34:06 – TikTok Fame Without Trying 38:22 – From Anonymous to Recognized 41:00 – Live Shows & Internal Standards 44:29 – Perfectionism & Learning in Public 45:04 – Writing 'Pain' in Her Dorm 46:31 – 'Boys a Liar' & Airbnb Vocals 50:16 – Taste as Her Superpower 52:15 – New Single & Feedback Avoidance 53:43 – Teasing the Next Song 54:59 – Dream Artists to Produce 55:27 – Where the Name Came From 55:32 – If She Started from Zero Today 57:05 – The Truth About Taste 58:12 – Rapid Fire: Bath, Family, Identity 58:57 – Final Thoughts: Breaking Through in the US Hosted on Acast. See acast.com/privacy for more information.

Contestants: Janice and Joe Codispoti calling from Centerville, Ohio

In episde 141, tragedy and deprivation abound. Spirits alight up Camp Springlake in "Camp Snoopy", S1, Ep 12, while the gang stalks Charlie Brown to take what's his. Wondering what in the world I'm talking about? Well, you'll just have to listen! We've also got May's News & Feedback and a "Random Strip of the Month" courtesy of author Derrick Bang ("Vince Guaraldi at the Piano", among lots of other stuff).  Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Mining by Moonlight", "Bass Walker" and "Hidden Agenda". Thanks to Nick Jones for the use of his song "25% Off". Thanks to Sean Courtney for the "This Month in Peanuts History" theme. patreon.com Carnival of Glee Creations Thanks to Henry Pope for the use his "Linus & Lucy Remix".  

Toute cette semaine, Au Cœur de l'Histoire spéciale "Ils ont choisi la France !" Ou les destins de personnages qui se sont fait un – grand – nom dans notre pays. Pour le 3e épisode, Stéphane Bern raconte Fryderyk Franciszek Chopin, dit Frédéric Chopin, jeune pianiste célèbre en son pays qui a décidé de quitter sa Pologne natale pour Vienne avant tenter sa chance dans l'autre capitale musicale de l'Europe : Paris... Et bien lui en a pris ! Pourquoi la musique de Chopin parle-t-elle à tout le monde ? Comment a-t-il inventé le piano moderne ? Comment sa musique a-t-elle traversé les siècles sans perdre de sa splendeur ? Pour en parler, Stéphane Bern reçoit Jean-Yves Clément, écrivain, auteur de "Chopin et Liszt, la magnificence des contraires" (Passés Composés, collection Alpha). Au Cœur de l'Histoire est réalisée par Pierre Cazalot. Rédaction en chef : Benjamin Delsol. Auteur du récit : Pïerre-Vincent Letourneau. Journaliste : Clara Leger. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

When a piano teacher discovered the Superbook animated Bible series, she had no idea it would become a powerful tool of transformation. Now her students aren't just learning music, they're discovering salvation and a life of faith.

Watch on YouTubeLet's welcome Sam Garner—Sam the Beard Guy—for an inspiring and laid-back conversation about blending ambient lo-fi with instrumental worship. From touring with Shane & Shane to crafting his own unique sound, Sam shares how his journey as a seasoned keys player has shaped his music. You'll get behind-the-scenes stories, a look at his live performance setup, and how he balances creativity with worship. Whether you're a musician, producer, or just love worship music with a creative twist, this episode is full of practical insights, inspiration, and a few good laughs.Sam GarnerSam Garner MusicFree eBookThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

In today's episode, I'm chatting with Jacques Hopkins, the creator of the wildly successful online course Piano in 21 Days, which has brought in over $4 million in sales. Jacques shares how he went from struggling to make a single sale to earning consistent five-figure months, all while teaching adults how to play piano online. We talk about his initial pricing strategy, how he started driving traffic through YouTube, and the game-changing role that sales funnels played in his business. He also walks me through how adding an evergreen webinar and a strategic discount model dramatically increased his revenue. I loved how transparent Jacques was about what worked, what didn't, and how he's continued to optimize his systems over time. If you've ever wondered whether it's possible to build a profitable online course in a niche market, especially something in the arts or music, you'll find this conversation incredibly encouraging and full of actionable advice. Whether you're just getting started or looking to take your course sales to the next level, this episode is packed with real-world insight that can help you build a sustainable and scalable online business.Listen to the full episode to hear:How Jacques grew his online course Piano in 21 Days to over $4 million in salesThe YouTube strategy he used to drive consistent traffic and leadsWhy sales funnels were the turning point in his business growthHow an evergreen webinar and smart discounting boosted his conversions and revenueFREE Resources to Grow Your Online Business:Learn more about Jacques: https://pianoin21days.com/The $100K Method Podcast Series: https://www.gillianperkins.com/the-100k-methodWork with Gillian Perkins:Apply for $100K Mastermind: https://gillianperkins.com/100k-mastermind Get your online biz started with Startup Society: https://startupsociety.com Learn more about Gillian: https://gillianperkins.com Instagram: @GillianZPerkins

La Corte dei Conti ha evidenziato che i settori in ritardo, come la sanità, dovranno accelerare la spesa in modo significativo per rispettare le scadenze del PNRR. L'Italia è l'unico Paese ad aver chiesto cinque modifiche al piano. La nuova proposta di rimodulazione presentata dal ministro Foti riguarda 170 target e milestone, pari al 48% delle scadenze residue. Il governo spera in un via libera della Commissione europea entro fine giugno, ma è già prevista un'ulteriore revisione entro il 2026. Le modifiche riguardano soprattutto gli investimenti ferroviari e puntano a spostare su fondi nazionali le opere che non si completeranno in tempo. Interviene Luca Dal Poggetto analista di Open Polis esperto di PNRR. insieme a Manuela Perrone, Il Sole 24 OreMutui per la casa meno cari nel 2024, ma in rialzo nel 2025Nel 2024 i mutui per l'acquisto di abitazioni in Italia sono cresciuti (+4,6% sul 2023), con un capitale erogato salito a oltre 38 miliardi di euro (+8,1%). Il tasso medio iniziale si è abbassato al 3,6%. Tuttavia, nel 2025 i tassi sono tornati a salire: ad aprile il tasso medio è salito al 3,29%, il massimo da settembre 2024, segnalando un'inversione di tendenza nonostante il taglio dei tassi da parte della BCE. Ne parliamo con Roberto Anedda Senior analyst di Nomisma.Volatilità sui Treasury americani e futuro economico USADopo l'annuncio di nuovi dazi da parte di Trump il 2 aprile, i rendimenti dei Treasury americani hanno oscillato bruscamente. L'incertezza ha spinto gli hedge fund a liquidare posizioni speculative ("basis trade"), aumentando la volatilità. Una possibile spiegazione politica è la vendita massiccia di Treasury da parte della Cina. Moody's ha tagliato il rating degli USA da Aaa ad Aa1 per l'alto debito e i deficit persistenti. I rendimenti dei bond a lungo termine sono saliti (oltre il 5% a 30 anni e 4,52% a 10 anni). La CEO di Citigroup, Jane Fraser, ha segnalato un cambiamento strutturale nei mercati globali, con più rischio percepito e una globalizzazione meno cooperativa. Approfondiamo il tema con Peter Cardillo, Chief Market Economist per Spartan Capital Securities, a basato a New York

Today's guest is a British sensation whose sound defies convention and whose rise has been anything but ordinary. With a style rooted in drum and bass, alt-pop, and early 2000s nostalgia, she's redefined what it means to make bedroom pop in the digital age. Her songwriting is both diaristic and enigmatic, managing to say more in two minutes than most can in five. From viral fame to global stages, she's built a world that's entirely her own—introspective, stylish, and sonically daring. A true creative force who writes, produces, and performs with instinct and intention. From across the pond, the future is bright… And the artist is… Pink Pantheress!00:00 – Intro00:42 – Meet PinkPantheress 01:16 – The Self-Made Artist 05:02 – Growing Up Multicultural 09:49 – Emo, Piano & Early Music Obsession 13:03 – Building Her Unique Sound 16:26 – UK vs US Music Culture 21:04 – Not Chasing Numbers 23:01 – You Can't Teach Taste 24:19 – Producing & Industry Bias 30:23 – Ad Read: NMPA 32:00 – Producing at 17 & Avoiding Media 34:06 – TikTok Fame Without Trying 38:22 – From Anonymous to Recognized 41:00 – Live Shows & Internal Standards 44:29 – Perfectionism & Learning in Public 45:04 – Writing 'Pain' in Her Dorm 46:31 – 'Boys a Liar' & Airbnb Vocals 50:16 – Taste as Her Superpower 52:15 – New Single & Feedback Avoidance 53:43 – Teasing the Next Song 54:59 – Dream Artists to Produce 55:27 – Where the Name Came From 55:32 – If She Started from Zero Today 57:05 – The Truth About Taste 58:12 – Rapid Fire: Bath, Family, Identity 58:57 – Final Thoughts: Breaking Through in the US Hosted on Acast. See acast.com/privacy for more information.

Al & Jerry: Do coconut water companies use monkey labor? How are kids child prodigies at the piano?--Plus Warmup To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Al & Jerry:  Do coconut water companies use monkey labor? How are kids child prodigies at the piano? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

From 'Al & Jerry's Postgame Podcast' (subscribe here): Do coconut water companies use monkey labor? How are kids child prodigies at the piano? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Make practicing piano easier for our students by:1. prepare them to practice in the lesson by teaching and reviewing landmark notes, demonstrating rhythm, and testing them to figure it out on their own. 2. external motivators as you see fit, and encouraging the parents to make sure practicing happens at home. 3. teach them the difference between playing, practicing and performing.

*Content Warning* This episode contains discussion of mental health challenges, including suicidal ideation. Listener discretion is advised. First-time guest Steven brings a personal and powerful story about how Andrew McMahon's music impacted his own personal path. We unpack the song's lyrics and themes and discuss what this song means to each of us. This episode offers a heartfelt and insightful look at an often overlooked track. “Platform Fire” short film: https://youtu.be/OzIxsZXuTDA?si=gH_vcNdw1Hb7004G Track-by-Track Intro by Andrew: https://youtu.be/PtzlRGuV99k?si=FBrqLKJhn6tRFD7Y Live in August, 2011: https://youtu.be/FEwEgSfI1h4?si=A2PCLOqsNT2B9Dlg

I'm brought back "Cottage Cocktails"! I haven't posted a Cottage Cocktails mix since 2019, but after djing an amazing cottage tent wedding last summer, I was inspired to record a cocktail mix that would be the perfect soundtrack for that cottage setting (but the couple that weekend had their own plans for cocktail music) so the following weekend I recorded this during cocktails at a wedding downtown Toronto. Recorded in the big city, but this is meant to be listened to up in Muskoka, or at the very least while floating in a pool, or perhaps just sitting around a backyard bonfire (or sipping on a coffee or tea in your favourite comfy chair). Perfect laid back vibes as we say goodbye to summer and hello to sweater weather. Hope you enjoy!Also, I'm sorry I'm so behind here on podomatic. Up to date mixes can be streamed over on mixcloud, just saying!Subscribe on Apple Podcasts: https://podcasts.apple.com/podcast/id306968245Follow on Instagram: https://www.instagram.com/dj_j_meBookings & Merch: jamiewichartz @ yahoo.ca

Which of these pieces of piano music could top the ABC Classic 100 poll?

Podcast Notes: Interview with Carson Bruce of The Worship Keys Episode Overview In this episode of the Church Front Worship and Tech Podcast, Luke Jackson interviews Carson Bruce, founder of The Worship Keys platform—a resource dedicated to helping keys players in worship settings improve their skills and understanding of their role. About Carson Bruce & The Worship Keys Founder of The Worship Keys platform, which focuses on four main areas: music theory, gear/software, ministry, and industry Classically trained pianist who now lives in Nashville The Worship Keys podcast releases weekly on Wednesdays, featuring interviews with keys players Origin Story Carson created the platform because he "wished something like this existed" when he was younger Piano has been central to his personal faith journey—often serving as his "prayer closet" Noticed a gap in resources specifically for worship keys players Essential Skills for Worship Pianists Heart Posture: "If your heart is not in ministry...you're not going to stay on that stage satisfied" Playing by Ear: Learning to listen and replicate what you hear is crucial Nashville Number System: Understanding music theory through the number system Ear Training: Practice playing unfamiliar worship songs by ear, then verify with chord charts Focus on Fundamentals: Learn to play well before worrying about gear Transitioning from Classical to Contemporary Classical training often emphasizes sight-reading and technical precision Worship contexts require playing by ear, improvisation, and band awareness Many pianists struggle with this transition because the learning approaches are fundamentally different Nashville Number System for Keys Players Despite some believing it's mainly useful for guitarists, Carson advocates for pianists using the Nashville Number System because: It facilitates whole-band communication Makes modulation easier Numbers are quicker to call out than complex chord names Works internationally across language barriers Promotes collaboration rather than piano-centric leadership Common Mistakes Worship Keys Players Make Overplaying the Low End: Creates muddiness when there's already a bass player Doing Too Much: Sometimes simplicity serves the song better Playing Full Triads in Both Hands: Consider simpler voicings like fifths or suspended chords Not Understanding Context: Different musical styles require different approaches Technology Tips Software Options MainStage: Good for Mac users, moderate learning curve Ableton Live: Most powerful but steeper learning curve Sunday Keys App: User-friendly iPad app with AI capabilities ($120) Hardware Highlight Atmosphere Pedal by Aerospace Audio: Physical pedal with high-quality atmospheric pads built in Allows pianists to trigger pads without needing a computer on stage Features 10 different pad sounds based on atmospheric layers Small footprint allows it to be placed directly on the keyboard Keys Players' Rigs Carson's typical setup includes: Arturia KeyLab MIDI controller MainStage software for sounds Focusrite 18i20 interface when running tracks Software from Sunday Sounds or Aerospace Audio for pads Decision-Making for Keys Equipment Carson's advice: If your keyboard works well, keep it and upgrade your sounds through software Consider Sunday Keys app for simplicity and ease of use MainStage for Mac users who want more control Ableton Live for those willing to invest time in learning a comprehensive system Use iPad apps when available to avoid complex computer setups Sunday Keys App Highlights Features AI-generated sounds based on text or emoji descriptions Allows easy sharing of setlists between multiple campuses Affordable one-time purchase with optional annual updates Limitation: Cannot currently import custom-created patches Artists That Inspire Carson Red Rocks Worship (particularly Spooky Scott) Elevation Rhythm (especially "Goodbye Yesterday") The Ramp Worship from Hamilton, Alabama Various gospel artists for technical inspiration Connect with The Worship Keys Instagram: @theworshipkeys YouTube: The Worship Keys Email: Carson@theworshipkeys.com Key Quotes "If you're not using the number system as a pianist, maybe you're not meaning to, but it's like you're trying to say one up almost." "It's like buying a Lamborghini and driving it in first gear everywhere you go." "The piano was once looked at as a secular instrument that you only play in the bars and the pubs, and then it was brought into the church and people had big problems with that." "A lot of times they're asking you to do less in a full band context." Apply to Join Churchfront Premium Apply to Join Churchfront Pro Free Worship and Production Toolkit Shop Our Online Courses Join us at the Churchfront Conference Follow Churchfront on Instagram or TikTok: @churchfront Follow on Twitter: @realchurchfront Gear we use to make videos at Churchfront Musicbed SyncID: MB01VWQ69XRQNSN  

Today it's all about music, pirates (arr, Matey!), and more music! First up, we're dropping verses at the 2025 Mississippi Songwriters Festival, May 16th & 17th, at Grammy Museum MS in Cleveland, then we're celebrating Pirate Day in the Bay's 10th Anniversary, My 16th & 17th in Bay St. Louis, and finally we'll tickle the keys at the 2025 World Championship Old-Time Playing Contest & Festival at Ole Miss in Oxford. Plus, we'll check out what's happening around your neck of the woods! Stay tuned, buckle up and hold on tight for your Next Stop, Mississippi!"What's Happening Around Your Neck of the Woods" Event Listing:Pepsi PopsBrunch with Bertie @ the Hattiesburg ZooWatch this episode on MPB's YouTube Channel: Next Stop, Mississippi | Songwriters Festival, Pirate Day in the Bay, & Old-Time Piano ContestNext Stop, Mississippi is your #1 on-air source for information about upcoming events and attractions across the state. Get to know the real Mississippi! Each week the show's hosts, Germaine Flood and entertainment attorney Kamel King, highlight well-known and unknown places in Mississippi with the best food, parks, music and arts. Check out our Sipp Events calendar to help plan your next trip! Hosted on Acast. See acast.com/privacy for more information.

Piano by Elizabeth by 826 Valencia

In this convo, FeeFo casually throws out a question that had us thinking—does André 3000's new piano album step on the toes of real pianists, or is it just harmless creativity? We explore the intent behind the project and whether lines are being crossed when artists try something new outside their lane. Chime in and let us know—art or accidental disrespect? Learn more about your ad choices. Visit megaphone.fm/adchoices

Gone are the days when a crowdpleaser like THE FUGITIVE could stand toe-to-toe against films like Schindler's List and The Piano come awards season but, hey, this is why we love The 90s - arguably Tommy Lee Jones' decade. However, there's more to Andrew Davis' acclaimed thriller than TLJ's beloved performance, and we'll discuss it all in this Real Talk segment! A segment led by two people who've never watched the original TV show this movie's based on.Also, once again: don't forget to join us during this year's Livestream for the Cure, 5/17 at 4pm CT!TIMELINE00:01:26 Go get'im00:02:06 Real Talk00:48:28 The Future & Patreon Stuff- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- We'll be having fun with horror movies at this year's Livestream for the Cure! 5/17 at 4pm CT - see ya there!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemonios on Twitter or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!Up next, The Summer of the (MTV) Bangers continues with the one Chris Farley movie that might win Julio over - TOMMY BOY! Until then, let us know what you thought of The Fugitive: Did we misunderstand Charles' evil plan? Did Julianne Moore deserve more time and maybe her own action set piece? Should Harrison Ford have kept the beard moving forward? E-mail us at wearethecontrarians@gmail.com or share your thoughts with us on Threads or BlueSky!

On today's show: a filmmaker brings sci-fi works by artists of color to the stage, then a pianist celebrates performing classical music in the wilderness, and a muralist for the Warriors encourages us to dream

Episode 173 Chapter 32, Other Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 32, Other Analog Synthesizers from my book Electronic and Experimental music.   Playlist: OTHER EARLY SYNTHESIZER RECORDINGS (PRE-MIDI AND NOT MOOG)   Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1.     Raymond Scott, “Space Mystery” (1963). Used Scott's Electronium, a custom-made analog synthesizer/sequencer. 05:08 01:42 2.     Pauline Oliveros, “Alien Bog” (1967). Used a prototype Buchla 100 modular synthesizer at Mills College. 33:13 06:53 3.     John Eaton, “Soliloquy For Syn-Ket” (1973) from Electro-Vibrations (The Music Of John Eaton). Used the Synket, an Italian-made modular synthesizer of which only six were ever made. 06:38 40:06 4.     John Keating, “Earthshine” (1975) from Space Experience 2. Featured the ARP 2600 and Pro- Soloist. 04:09 46:46 5.     Patrick Gleeson, “Saturn, The Bringer Of Old Age” (1976) from Beyond The Sun: An Electronic Portrait Of Holst's The Planets. Used Eµ Systems Polyphonic synthesizer. 09:31 51:02 6.     Jean Michel Jarre, “Oxygene, Part IV” (1976) from Oxygene. Used the ARP Odyssey, EMS Synthi AKS, EMS Synthi VCS3, and RMI Harmonic Synthesizer and Keyboard Computer. 03:07 01:00:34 7.     Bennie Maupin, “Crystals” (1978) from Moonscapes. Featured the E-mu Modular Synthesizer programmed by Patrick Gleeson, who owned Different Fur Studios in the San Francisco area and owned E-mu synthesizers (see previous track for an example of the E-mu Systems Polyphonic synthesizer). Here, we have a different treatment of the same instrument by jazz woodwind player Maupin, who played Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Flute, Marimba, Glockenspiel, E-mu Synthesizer, and Computone Synthesizer Winddriver on this album. I picked this track because this is most stripped-down arrangement featuring only Maupin playing the E-mu synthesizer and other instruments. 01:18 01:03:44 8.     Pere Ubu, “On the Surface” (1978) from Dub Housing. Allen Ravenstein used the EML Electrocomp 101 modular synthesizer as a member of this band. 02:37 01:05:02 9.     Sylvester, “You Make Me Feel (Mighty Real)” (1978) from Step II. One of the few albums to feature EML (Electronic Music Laboratories) Modular Synthesizer plus String synthesizer, Electro-comp 101 synthesizer and 200 expander unit, Oberheim DS-2 Sequencer, Effects, Pat Cowley; organ, Electric piano, Clavinet, Michael C. Finden; Percussion, David Frazier; Producer, Lead Vocals, Piano, Sylvester. EML was a Connecticut-based synth maker that was around from about 1970 to 1984. They were best-known for their Electro-comp modular synths. The 101 was a duophonic semi-modular 44-note synth and the model 200 was an expander unit that added ring modulation, spring reverb, and high and low filters to the setup. It was interesting to hear this Moroder-like pulsating synth sound coming from something other than a Moog. 06:34 01:07:40 10.   Isao Tomita, “The Sea Named Solaris” (1978) from Kosmos. Used the Roland System 700, Roland Strings RS- 202, Roland Revo 30, in addition to Moog Modular III, Moog System 55, and Polymoog synthesizers. 12:28 01:14:11 11.   Moebius, “Song For Lya” (1979) from Moebius. Serge, Oberheim, and Minimoog synthesizers, vocals, Bryce Robbley; Serge, Oberheim synthesizers, Doug Lynner; Violin, John Stubbs. Listen closely to tune-out the parts by the Odyssey and Minimoog and you will experience a lovely bed laid down by the Serge. Moebius had three members, one a violinist, heard in this tune blending with the Serge. Although the group used a Sennheiser vocoder on another track, the vocal distortion on this track may have actually been the voice processed with the Serge. 03:15 01:26:42 12.   Pascal Languirand, “O Nos Omnes” (1980) from De Harmonia Universalia. Features the Farfisa Synthorchestra, the famous Italian's company entry into the string synthesizer fray. The Syntorchestra was split into two keyboard sections, strings (polyphonic), and mono synth voices. It was a hybrid organ and synthesizer and used much by Klaus Schulze and other German electronic musicians for the short time that it was available from 1975 to 1978. Nine slider controls were positioned next to a 3-octave keyboard and provided some “chaotic” control episodes for this much beloved and rare keyboard. 07:15 01:29:56 13.   Henry Kucharzyk, “Play Dot Sam” (1981) from Walk The Line - Three New Works By Henry Kucharzyk. This work is performed at the Samson Box at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Palo Alto, California. This track is an escapee from the 1970s but nonetheless fills a void in that period when commercial synthesizers were moving to digital technology and were quite expensive. The Samson Box was a computer-based digital synthesizer created in 1977 by Peter Samson, who worked at the university. “Samson” was formally known as the “Systems Concepts Digital Synthesizer. It was a one-off special-purpose dedicated audio computer designed for use by student composers at Center for Computer Research in Musical and Acoustics (CCRMA) at Stanford University. 03:05 01:37:08 14.   Terry Riley, “The Ethereal Time Shadow” (1981-82) from Music from Mills. Used two Prophet V synthesizers, tuned to just intonation and employing sequencing. 08:51 01:40:12   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Contestant: David Barnert calling from Albany, New York

Listen as Spike Lou and Animal Brown react to Andre 3000's new piano album, Step Brothers 4 Life and Bobby Schmurda selling 10 tickets to his now cancelled tour.

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐： 1.Xeuphoria - But You're Already Gone；2.John Lenehan - Dolce Droga；3.Karl Leister,Ferenc Bognár,Johannes Brahms - Sonata No. 2 for Clarinet and Piano in E-Flat Major, Op. 120, No. 2 III. Andante con moto - Allegro；4.V.A. - ロマンス ト長調；5.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 19 in E Minor, Op. 72, No. 1。

Associate Artistic Director Wendy Whelan is back for another exciting New Combinations conversation. This week, she's joined by choreographer Kyle Abraham, whose When We Fell makes its onstage debut this spring after premiering as a dance film in 2021. Abraham shares how this fourth work for NYCB represents both the culmination of relationships he's built with company artists over the years, as well as a departure, in that the score is four minimal, "poetic" piano pieces that encourage a "focused eye." As he shares, part of what makes working with NYCB so special is the opportunity to take risks. (33:37) Edited by Emilie Silvestri Music: "Sisyphus" by Andrew Wegman Bird Wixen Music Publishing, Inc. as agent for Muffet Music Co

This performance used with permission from Theron Brown. If you're a frequent lister to this program we mention often that Theron Brown is the hardest working performer in show business. From his work as Artistic Director with the I Promise School to his role overseeing the annual Rubber City Jazz and Blues Festival, Theron is intimately involved with making Northeast Ohio a magnet for musical talent. For this performance, Theron brings the Fender Rhodes Mk II to life with his trio. While the Hammond B3 gets the accolades for being the center of Soul Jazz, The Fender Rhodes might not get the credit it deserves for the warmth, authenticity and versatility it delivered to audiences. At least, the ones built before 1983.  If you like what you hear today and are looking for more jazz records focused around the Fender Rhodes, All About Jazz has an excellent article on this topic, written by Chris May. For now, though, featuring Zaire Darden on Drums, Jordan McBride on Bass and Theron Brown on Piano and Fender Rhodes and from a sold out April 26th, 2024 performance, it's the Theron Brown Trio – Live at the Bop Stop. There is No Greater Love - Jones Who Shot John? - Wilson Feel Like Making Love - McDaniels Swingin' at the Haven - Marsalis For more information on the program, click on the Live at the Bop Stop Radio Show link at thebopstop.org.

Il professor Barbero, ospite del circolo culturale Primo Piano di Correggio (RE), racconta e dialoga con gli studenti delle scuole superiori di Resistenza e liberazione.Incontro organizzato con il patrocinio di Città di Correggio.Originale: https://www.youtube.com/watch?v=ccBJXiI5rooCanaleYouTube: https://www.youtube.com/@PrimoPianoCorreggioPalco del Mercoledì: https://barberopodcast.it/discordTwitter: https://twitter.com/barberopodcastFacebook: https://facebook.com/barberopodcastInstagram: https://instagram.com/barberopodcastMusic from https://filmmusic.io - "Bossa Antigua" by Kevin MacLeod (https://incompetech.com) licensed with CC BY (http://creativecommons.org/licenses/by/4.0/)

Send us a textTonight, we float upon a starfield of hawthorn blossom under a waxing moon. Why not join us as we continue with the final part of Mum's account of the ‘totally worthwhile risk that was never regretted.'    Journal entry:9th May, Friday“A westering sunLays long shadows acrossThe towpath and canal.Two geese in a fieldwatch me from across the water.A pheasant's raspThe scent of may.”Episode Information:In this episode I read the first part of John Clare's (1793-1864) ‘In suns and showers luxuriant May came forth' published posthumously in Madrigals and Chronicles (1924).For photographs accompanying the reading from Mum's account, please go to this episode's page on noswpod.With special thanks to our lock-wheelersfor supporting this podcast.Mind ShamblesClare HollingsworthGabriela Maria Rodriguez-VeinotteKevin B.Fleur and David McloughlinLois RaphaelTania YorgeyAndrea HansenChris HindsDavid DiromChris and Alan on NB Land of Green Ginger Captain Arlo Rebecca Russell Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Orange Cookie Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsThe intro and the outro music is ‘Crying Cello' by Oleksii_Kalyna (2024) licensed for free-use by Pixabay (189988). Narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.Contact Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Bluesky: https://bsky.app/profile/noswpod.bsky.social Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

Standup comedian Steven Marcus Releford graces the charts! Topics include: Tofu Heist. Dumber and More Smarter. Old Guys in Movies. Piano 3000.Subscribe at www.whochartedpod.com to support the show, and gain access to Two Charted, the weekly Howard/Brett deep-dive bonus show, and the entire Who Charted and Preem Streem archives ad-free! Now includes the Who Charted Holiday Bundle.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Contestant: Eli Robbins calling from Peachtree City, GA

Please vote for The Piano Pod HERE!Hi friends! The Piano Pod has been named a semi-finalist for Best Video Podcast in the 2025 Quill Podcast Awards! Today is the last day to vote and help bring classical music to the global stage (May 8, 2025). It's been an incredible five years of dedication and hard work, and I couldn't be prouder of this incredible honor to be a semi-finalist. As the creator and executive producer of The Piano Pod, I've learned so much—whether creating content, interviewing industry leaders, or building this platform from the ground up. And I'm so grateful to all of you who've tuned in every other week, whether on YouTube or your favorite podcast platforms. Thank you for being part of this journey. The Piano Pod has inspired, challenged, and connected so many of us—and now it's time to stand with this mission. Cast your vote today and help bring these stories to the world. ✨ Visit quillpodcasting.com/qpa/quill-podcast-awards to vote—it takes less than a minute! Let's show the world how powerful these stories are. Thank you so much for your support! #Vote #semifinalist #quillpodcastawards #thepianopod

Amanda Holmes reads Claudia Emerson's “Piano Fire.” Have a suggestion for a poem by a (dead) writer? Email us: podcast@theamericanscholar.org. If we select your entry, you'll win a copy of a poetry collection edited by David Lehman. This episode was produced by Stephanie Bastek and features the song “Canvasback” by Chad Crouch. Hosted on Acast. See acast.com/privacy for more information.

Music Director Andrew Litton invites us to See the Music in this enlightening introduction to the score for George Balanchine's 1972 ballet, Divertimento from ‘Le Baiser de la Fée.' With superlative accompaniment from Solo Pianist Elaine Chelton, Litton demonstrates the many ways in which Igor Stravinsky's "homage to Tschaikovsky" took inspiration from 16 different piano pieces by the legendary composer to weave an undeniably Stravsinkyian—and danceable, in Balanchine's word—orchestral suite. (11:42):  Edited by Emilie Silvestri Music: Symphony in Three Movements (1945) by Igor Stravinsky Le Baiser de la Fée (1928) by Igor Stravinsky Le Baiser de la Fée performed by Elaine Chelton