Podcasts about Piano

Episode 688: A woman in Keene, NH is pissing on produce. Do we know her? Ford Taurus SHO. Can Gabriela speak with a Spanish accent? Brett rants; was the wicked witch actually the good witch of OZ? Idioms. We play with puzzles Puke's Mom bought us for 30 minutes! AI is the new astrology for women. Brett's Game: Can Gabriela finish one story before she starts a new story? What is an animal? Killer hippos. Wabi Sabi. Bumper stickers. Some card game. Thera-pies. A bakery for Theremin players.

Julien Libeer is pianist. Hij mijdt concoursen en showvertoon en kiest voor verhalende programma's die overbrengen hoe levensveranderend muziek kan zijn. In 2008 ontving hij de Juventus Award, als veelbelovendste jonge solist van Europa. Nu focust hij zich voornamelijk op Ravel en Mozart. Zo bracht hij dit jaar twee albums uit: ‘Ravel. Piano & Chamber Music', ter ere van het 150-jarig bestaan van Ravel, en ‘Mozart 1•2•3•4. Solo, Duo, Trio, Quartet'. In februari 2026 treedt Libeer op in het cultuurhuis Flagey in Brussel. Hier speelt hij enkele meesterwerken uit het pianorepertoire die hun stempel op de muziekgeschiedenis drukten. Een maand later laat hij in de Zeeuwse Concertzaal in Middelburg opnieuw werken van Ravel en Mozart klinken. Ellen Deckwitz gaat met Julien Libeer in gesprek. Beluister Julien Libeer hier: https://lnk.to/RavelLibeer   

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Oggi parliamo del settore della difesa e di cosa ha detto il ministro Guido Crosetto, poi andiamo in Israele e torniamo in Italia per parlare di carceri. ... Per iscriverti al canale Whatsapp: https://whatsapp.com/channel/0029Va7X7C4DjiOmdBGtOL3z Per iscriverti al canale Telegram: https://t.me/notizieacolazione Qui per provare MF GPT ... Gli altri podcast di Class Editori: https://milanofinanza.it/podcast Musica https://www.bensound.com   Learn more about your ad choices. Visit megaphone.fm/adchoices

The co-hosts return to one of their favorite conversation partners: Derrick Bang, author of Vince Guaraldi at the Piano (second edition). They have a fresh conversation about Guaraldi and his work of creating a jazz mass in 1965 at Grace Cathedral in San Francisco. Check out his wonderful book!Theme music: "All Thumbs" from Faith in a New Key, Bill Carter and the Presbybop Quartet Music used by permission from Presbybop Music (BMI) Announcer: Chris Norton (c) Presbybop MusicSupport the show

Nel giorno della Giornata internazionale delle persone con disabilità arriva il nuovo Piano nazionale per i diritti, mentre l'Italia invecchia rapidamente e cresce il bisogno di assistenza. Il Piano introduce 66 linee d'azione su accessibilità, salute, lavoro e progetto di vita, con una prima misura contro la violenza sulle donne con disabilità. La ministra Locatelli rivendica semplificazioni e nuove risorse, ma sul territorio sindacati e operatori segnalano ritardi, carenze e costi in aumento. Il nodo più critico resta quello dei caregiver familiari: 7 milioni di persone senza adeguate tutele economiche e previdenziali. La nuova indennità da 400 euro, riservata a Isee molto bassi o a chi non lavora, è considerata insufficiente e troppo restrittiva. Ne abbiamo parlato con: Serena Uccello, Il Sole 24 Ore.Natale caro-aerei, fino a 800 euro voli in ItaliaCon l'avvicinarsi delle festività tornano i forti rincari dei trasporti: voli interni sopra i 500 euro per molte tratte e picchi oltre 800 euro; treni ad alta velocità più cari e carburanti in aumento. Assoutenti denuncia un sistema di pricing guidato dagli algoritmi che nei periodi di alta domanda genera rincari fino al 900%, rendendo difficili gli spostamenti di chi torna al Sud per le feste. Ne abbiamo parlato con: Gabriele Melluso, presidente Assoutenti.Rinnovabili, Legambiente: «Brusco rallentamento in Italia nel 2025. In frenata impianti e potenza installata»Il 2025 registra un forte stop nelle rinnovabili: -27% di nuovi impianti da gennaio a ottobre, potenza installata in calo e produzione elettrica in diminuzione, soprattutto per il crollo dell'idroelettrico. Dopo anni di crescita record, l'Italia rallenta e resta indietro sugli obiettivi 2030, mentre le Comunità energetiche incontrano difficoltà crescenti. Positivo solo il fotovoltaico, che aumenta la produzione grazie a impianti più grandi ed efficienti. Interviene: Stefano Ciafani, presidente Legambiente.Bitcoin volatile: venti contrari dall'AsiaBitcoin torna sotto pressione, scendendo sotto gli 86mila dollari, mentre il mercato crypto risente delle tensioni macro dall'Asia: stretta cinese, tassi giapponesi in rialzo e liquidazioni forzate dopo mesi di correzione. Nonostante la volatilità, la domanda istituzionale del 2025 supera di molto l'offerta post-halving, cambiando la struttura del mercato e rendendolo meno legato ai cicli tradizionali. Gran parte del pessimismo sembra già prezzata, limitando i rischi al ribasso. Ne abbiamo parlato con: Fabio Massellani, Senior Consultant Bitwise.

Negli ultimi tre mesi (settembre-dicembre 2025), in Italia si sono verificati diversi problemi significativi di connettività a siti famosi e servizi bancari, spesso legati a blackout globali o guasti infrastrutturali, con impatti su piattaforme come Amazon, Google, Intesa Sanpaolo e Nexi. Non esiste un conteggio ufficiale aggregato, ma i report indicano almeno 4-5 episodi principali riportati da fonti attendibili, con migliaia di segnalazioni su siti come Downdetector e sitedown.it.*****************We are the Net: un podcast su società, culture, filosofie, digital marketing, tecnologie e spiritualità.Ideato e condotto da Fabio Mattis alias lo Sciamano Digitale———————-☑️ Entra nel canale Telegram https://t.me/wearethenet

Jackie and Greg boat over to nineteenth-century New Zealand for Jane Campion's THE PIANO from 1993. Topics of discussion include Campion's generous filmmaking, the nuanced performances from Holly Hunter, Anna Paquin, Harvey Keitel, and Sam Neill, the unconventional love story at the center of the film, and Michael Nyman's lush score.#50 on Sight & Sound's 2022 "The Greatest Films of All Time" list. https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.com

The Cincinnati Symphony Orchestra will screen the documentary "Cake Walk" on Dec. 7.

早在 202 1年 9 月的节目 Vol.24: 栋梁与拙匠：又见梁思成 ，我们借由一场名为「栋梁」的展览回顾了梁思成作为建筑学家的一生。其间我们多次提及林徽因，一位对中国古建筑研究做出重要贡献、对新中国建筑事业发展影响至深的女性，同时也是一位常年被称为「民国才女」却又始终被坊间情感八卦萦绕的女性。直到 2024 年 5 月 18 日，宾夕法尼亚大学正式追授林徽因建筑学学士学位，许多人才终于开始正视林徽因作为一名建筑学家的成就与地位。今年一本名为《重识徽音：林徽因建筑笔记》的图书出版。这本书系统梳理并精编了一系列由林徽因主笔的建筑学文章，其中多篇我虽然读过，但这次重读又多了许多感动与震撼。这一次，我觉得是时候了！是时候让我们一起来好好重新认识一下这位在建筑学领域颇有建树、在中国古建筑考察与保护事业中全情投入的女性——林徽因了！本期节目，我们特别邀请到了《重识徽音：林徽因建筑笔记》这本书的责任编辑马思齐，和我们一起重识徽音。本期节目你将听到：[01:45] 2024 年宾夕法尼亚大学建筑系毕业典礼上的两位女性：林徽因与胡如珊[05:58] 一群学建筑出身的编辑们决定做一本关于建筑师林徽因的书[08:41] 林徽因对建筑学的热爱，以及她对梁思成专业选择的影响[13:06] 1931 年回到北平的林徽因正式开始了她的建筑学写作[27:46] 1931-1937 年，林徽因的古建筑考察与写作「大事记」[20:39] 林徽因与《晋汾古建筑预查纪略》[34:36] 林徽因和梁思成在中国古建筑考察过程中到底分别扮演怎样的角色？[38:16] 李庄，一个信仰之地，也是一个困境之地：林徽因面临的多重压力[47:16] 她始终关注的是普通人住在哪里、住得怎么样[56:54]「梁陈方案」背后的林徽因[1:04:41]《重识徽音》独特的设计巧思：宾大读书的徽音和抗战胜利后的徽因本期节目你将听到：[01:45] 2024 年宾夕法尼亚大学建筑系毕业典礼上的两位女性：林徽因与胡如珊[05:58] 一群学建筑出身的编辑们决定做一本关于建筑师林徽因的书[08:41] 林徽因对建筑学的热爱，以及她对梁思成专业选择的影响[13:06] 1931 年回到北平的林徽因正式开始了她的建筑学写作[27:46] 1931-1937 年，林徽因的古建筑考察与写作「大事记」[20:39] 林徽因与《晋汾古建筑预查纪略》[34:36] 林徽因和梁思成在中国古建筑考察过程中到底分别扮演怎样的角色？[38:16] 李庄，一个信仰之地，也是一个困境之地：林徽因面临的多重压力[47:16] 她始终关注的是普通人住在哪里、住得怎么样[56:54]「梁陈方案」背后的林徽因[1:04:41]《重识徽音》独特的设计巧思：宾大读书的徽音和抗战胜利后的徽因※ 感谢「认识建筑编辑部」对本期节目的支持▲ 2024 年宾夕法尼亚大学韦茨曼设计学院正式追授林徽因建筑学学士学位▲ 1925年林徽音在宾夕法尼亚大学学生证上的照片▲ 林徽音在宾夕法尼亚大学和她的同学们▲ 林徽音曾经使用的「名片」▲ 林徽因在佛光寺东大殿与「宁公遇」▲ 1945年抗战结束后的林徽因【节目主播/制作】主播/制作：VC微博：@VividCrystal 小红书：@午夜飞行VC 【节目互动】微博：@午夜飞行Official 公众号：午夜飞行【商务合作】商务合作联系邮箱：hello@marcastmedia.com或添加微信：hellomarcast 【欢迎加入听友群】入群方式 A：微信添加小助手 Amber (ID: hellomarcast)，拉你入群入群方式 B：关注公众号「午夜飞行」 ，回复「听友群」三个字，即可获取入群通道 【本集音乐】Music credit: 1. Orchestral Suite No. 3 in D Major, BWV 1068II. Air On a G String (Arr. for Piano) - 郎朗,Johann Sebastian Bach 2. First Impressions - 马友友 3. ThaïsMéditation - 马友友 4. Piano Sonata No.30 in E, Op.1093. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) - 内田光子 5. Waltz for Debby - Bill Evans 6. Albumblatt in Walzerform, S.166 - Franz Liszt,Leslie Howard 7. Air from Orchestral Suite No. 3 in D major, BWV 1068 - Hamish Milne 8. 괜찮아 괜찮아 - 다을 【封面图片】Photos from 《山河岁月：回望林徽因》 【节目出品】本播客由 Marcast Media 制作出品，也欢迎你订阅收听 Marcast 旗下的其他播客节目。你可以通过以下方式找到我们：- 小红书：@Marcast - 公众号：Marcast - 微博：@Marcast - 进听友群请添加微信：hellomarcast- 欢迎加入 2500+ 朋友一起订阅 Beads Newsletter 每周一封精选英文播客内容分享，为你提取、总结那些 90% 的人听不到的、隐藏在声音里的一手信息、知识、经验、工具、趣味和审美，和你一起拓展认知和视野，每周一上午发送，订阅地址：https://beads.beehiiv.com© 2025 Marcast Media

It is an honor and a privilege to welcome music producer and songwriter Toby Gad to the first Jake's Take with Jacob Elyachar Podcast Holiday Special!  Toby began his career in the late 1980s, when he and his brother Jens had three of their songs featured on controversial music duo Milli Vanilli's European debut and multi-platinum album, All or Nothing. Because of the songs' success, Milli Vanilli's producer Frank Farian produced the brothers' 1990 debut album, NRG. That same year, Toby met Jacqueline Nemorin, and a 10-year collaboration began with 1992's Creole Dance and continued with 1995's Mission of Love and the title song for Neverending Story III.  Following success in Germany, Toby left for the United States. He opened Strawberrybee studio in Midtown Manhattan and co-wrote “Unspoken” with Madeline Stone and O. Hatch for Christian platinum artist Jaci Velasquez. The song stayed on the Christian Billboard Top 20 Singles chart for half a year.  In 2003, Toby produced and co-wrote “A Toast to Men” for Willa Ford, and two years later, developed, produced, and co-wrote Kaci Brown's Interscope Records debut, Instigator. He also produced and co-wrote songs for Ricky Martin and the Veronicas.  In 2008, his career shifted into high gear after Fergie released a song they co-wrote, “Big Girls Don't Cry.” The song went 4x platinum and peaked at the number one position on the US Billboard Hot 100. He also co-wrote and co-produced Beyoncé's “If I Were A Boy,” which went 2x platinum and peaked at number three on the US Billboard Hot 100. He continued to write massive hits for Calum Scott (“No Matter What”), Demi Lovato (“Skyscraper”), Jessie J (“Who You Are”), Josh Groban (“River”), Leona Lewis (“Fire Under My Feet'), and Madonna (“Bitch, I'm Madonna” and “Living for Love”).  One of his massive hits was John Legend's “All of Me,” which earned RIAA's 13x Diamond (Highest Certified RIAA Single in History) and won Grammy, Soul Train, and NAACP Awards.  Recently, Toby Gad released his first holiday studio album, Piano Diaries Christmas. The album features original songs co-written with an all-star group of recording artists. Anthony Gargiula, Gavin James, Huntley, Joelle James, Jordin Sparks, Loren Allred, Marisha Wallace, Sam Ryder, and Victoria Justice are some of the talented vocalists who are featured on the record.    When he is not in the recording studio, Toby is also the host of the Songs You Know Podcast. In each episode, Toby and his guests uncover the tales, creative processes, and moments of magic that brought iconic songs you know and love to life. Previous guests include Billy Steinberg, Jessie J, Josh Groban, Justin Tranter, Lindy Robbins, Loren Allred, and Marisha Wallace.  On the 2025 holiday special, Toby Gad talked about his songwriting sessions with Beyonce and Demi Lovato, writing “All of Me” with John Legend, the moment he swore at the Queen of Pop, and previewed Piano Diaries Christmas. Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

Ven, Sígueme 2025 - Para El Hogar y La IglesiaCapítulo 49: Doctrina y Convenios 137–138Lección asignada del 01 al 07 de diciembre de 2025“La visión de la redención de los muertos”Interprete-Lector: José Enrique Sánchez ThompsonEsto es un recurso de video creado como recurso de apoyo auditivo para personas con dificultades visuales de lectura o bien, para la comodidad de Audio-Escuchas.No es un recurso o video oficial de La Iglesia de Jesucristo de los Santos de los Últimos Días.'Ven Sígueme - Para El Hogar y La Iglesia' es un recurso de estudio oficial de La iglesia de Jesucristo de los Santos De Los Últimos Días, con propiedad Intelectual de sus respectivos autores. Para mayor información u obtener el manual o transcripción oficial, visite www.lds.org Música de Piano de fondo interpretada por Gustavo Sanchez DíazPara escuchar más música de él, visiten su canal en el siguiente enlace: https://bit.ly/2t7yGF8Favor de dar Like, Suscribirse y compartir el video con sus amigos y seres queridos o bien, aquellos que lo puedan necesitar para su estudio personalHablamos!

Il Piano per la Pace americano in 28 punti per mettere fine a quasi 4 anni di guerra in Ucraina ha avuto vita breve. È stato sostituito da un piano in 19 punti, poi da uno a 21. La trattativa prosegue, la guerra anche. A Europa Europa, in onda domenica alle 11,30 parla l'ex vicepremier ucraina Irina Vereshuck: "per la popolazione civile il quadro è drammatico. Talvolta persino peggio di quello che accade ai militari". Nella seconda parte parliamo di infrastrutture e trasformazione: a Reggio Calabria abbiamo seguito "Connessioni Mediterranee", un convegno dedicato al ruolo dell'Europa nel futuro del Mezzogiorno.

**From Maintenance to Masterpieces: Navigating Home Improvement with Gary Sullivan** Step into the world of home improvement as Gary Sullivan tackles everything from Christmas tree mishaps to humidity control. This episode dives deep into practical solutions for common household dilemmas, offering expert advice that balances DIY approaches with professional insights. Gary shares personal experiences and listener stories about securing Christmas trees, eliminating stubborn odors, and rejuvenating tired cabinets. The conversation takes unexpected turns when an HVAC professional calls in to debate the merits of continuous fan operation, and a piano technician reveals the critical relationship between home humidity and instrument maintenance. **Timestamps and Key Takeaways:**- 3:45 - Creative solutions for securing Christmas trees, including ceiling anchors for homes with active children- 12:30 - The debate on running HVAC fans continuously vs. auto mode for humidity control- 25:15 - Three main causes of creaky wood floors and how to address each one- 29:20 - Expert insights on radiant barrier paint for attics and how it works like "putting a shade tree over your house"- 37:30 - Piano technician explains how humidity affects instruments and why whole-home humidity control is critical Whether you're planning a post-holiday renovation project, troubleshooting mysterious creaks, or simply looking to maintain your home's systems properly, this hour delivers practical wisdom from Gary and his community of experts and homeowners. Ready to tackle your home improvement challenges with confidence? Listen now and discover solutions you won't find in any manual!See omnystudio.com/listener for privacy information.

Did you know there's MAGIC in your Meditation Practice? Say Goodbye to Anxiety and Hello to More Peace & More Prosperity! Here Are the 5 Secrets on How to Unleash Your Meditation Magic https://womensmeditationnetwork.com/5secrets Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player. Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen Join our Premium Meditation for Kids Channel on Apple Podcasts and get ALL 5 of our Kids podcasts completely ad-free! Join Premium now on Apple here → https://bit.ly/meditationforkidsapple Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life. If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want! Namaste, Beautiful,

**From Maintenance to Masterpieces: Navigating Home Improvement with Gary Sullivan** Step into the world of home improvement as Gary Sullivan tackles everything from Christmas tree mishaps to humidity control. This episode dives deep into practical solutions for common household dilemmas, offering expert advice that balances DIY approaches with professional insights. Gary shares personal experiences and listener stories about securing Christmas trees, eliminating stubborn odors, and rejuvenating tired cabinets. The conversation takes unexpected turns when an HVAC professional calls in to debate the merits of continuous fan operation, and a piano technician reveals the critical relationship between home humidity and instrument maintenance. **Timestamps and Key Takeaways:**- 3:45 - Creative solutions for securing Christmas trees, including ceiling anchors for homes with active children- 12:30 - The debate on running HVAC fans continuously vs. auto mode for humidity control- 25:15 - Three main causes of creaky wood floors and how to address each one- 29:20 - Expert insights on radiant barrier paint for attics and how it works like "putting a shade tree over your house"- 37:30 - Piano technician explains how humidity affects instruments and why whole-home humidity control is critical Whether you're planning a post-holiday renovation project, troubleshooting mysterious creaks, or simply looking to maintain your home's systems properly, this hour delivers practical wisdom from Gary and his community of experts and homeowners. Ready to tackle your home improvement challenges with confidence? Listen now and discover solutions you won't find in any manual!See omnystudio.com/listener for privacy information.

Scopri il DOCUMENTO SEGRETO delle Banche (che ti farà guadagnare tantissimi soldi): https://bit.ly/4eOttaP----Vivere di rendita fino alla pensione: è possibile?Si può vivere di rendita per 10 anni?Saverio ci ha scritto per saperne di più, e oggi cerchiamo di rispondere alla sua domanda.Nello specifico vedremo:La lettera di SaverioA Saverio mancano 15 anni da finanziarsiL'affitto dell'immobileI fondi comuni in banca e i loro costiLa RITAL'obiettivo di Saverio è difficile da raggiungerePatrimonio totale familiare è di 1.050.000 euroCosa si può fare?Gli ETF a distribuzioneLa disproporzione tra reddito e patrimonioBasta fare due calcoli per capire...Cosa deve fare Saverio? Cosa ne pensi?+++ DISCLAIMER - Leggi con Attenzione! +++"Storie, Storielle e Storiacce di Investimenti" è una serie ideata dalla Affari Miei in cui vengono letti i messaggi recapitati dagli utenti ai nostri contatti ufficiali. Le storie sono reali ma anonimizzate perché vengono esclusi dettagli che possono far risalire all'autore. Nel corso del podcast gli autori esprimono le proprie opinioni sui fatti analizzati con uno scopo divulgativo: quanto detto non deve in alcun modo essere inteso come una raccomandazione personalizzata d'investimento e non sostituisce una consulenza professionale. La Affari Miei declina qualsiasi responsabilità sulle azioni eventualmente intraprese dai fruitori dei contenuti a seguito della visione o dell'ascolto del podcast.+++ FINE DISCLAIMER +++Prenota una sessione gratuita con il team di Affari Miei, ti guideremo nella scelta delle soluzioni più adatte a te: https://bit.ly/3ZHtAg2—

Il piano di pace di 28 punti proposto da Trump per risolvere il conflitto russo-ucraino è ora stato ridotto a 19 punti. È un momento potenzialmente decisivo, ma il quadro resta confuso. Ne abbiamo parlato con il giornalista e storico Giuseppe D'Amato.

El pianista Júlio Resende con Bruno Chaveiro en el reciente 'Piano português namora guitarra portuguesa' y fados como 'Rua do capelão', 'Estranha forma de vida', 'Amor de mal, amor de fel' y 'Fado menor do Porto' junto a 'Carolina' del brasileño Chico Buarque. La portuguesa Carminho en 'Falando de amor' -dúo con Chico Buarque-, 'A felicidade', 'O que tinha de ser' e 'Inútil paisagem' de su disco de hace casi diez años 'Canta Tom Jobim'. La hija de Rodrigo Leão, Sofía, con 18 años, ha grabado ella sola 'Mar' con composiciones como 'Pedra', 'Umineu' o 'Valsa'. Y las guitarras clásicas y eléctricas de José Peixoto y Nuno Cintrão en 'Verdes anos', 'Marionetas' y 'Sede e morte' de su homenaje a una figura fundamental de la guitarra portuguesa: Carlos Paredes. Escuchar audio

Silvia Boccardi e Francesco Rocchetti parlano con Eleonora Tafuro Ambrosetti del negoziato tra Russia e Ucraina e delle sue potenziali conseguenze per tutte le parti coinvolte Learn more about your ad choices. Visit megaphone.fm/adchoices

Wir feiern den fünften Geburtstag unseres Podcasts. Und Du kannst einen exklusiven Blick hinter die Kulissen gewinnen. Wie du an dem Gewinnspiel teilnehmen kannst, erfährst Du hier: https://www.ndr.de/kultur/gewinnspiel-5-jahre-philipps-playlist,philippsplaylist-102.html Diese Stücke hast Du in der Folge gehört: Mari Samuelson - "Near Light" // Voces8 - "Heyr himna smidur" // Ludovico Einaudi - "Divenire" // Jean Sibelius - "Pelleas et Melisande" // Of Monsters and Men - "Slow and Steady" // Den Podcast "Büchermagazin" vom BR findest Du hier: https://www.ardaudiothek.de/sendung/das-buechermagazin/urn:ard:show:634dfb842c9dab8b/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de

Parlando alla cosiddetta coalizione dei volenterosi, il presidente ucraino Volodymyr Zelenskyj si è detto pronto a portare avanti i negoziati sostenuti dagli Stati Uniti per porre fine alla guerra in Ucraina. Con Davide Maria De Luca, giornalista, da Kiev.Il 25 novembre la corte di giustizia europea ha stabilito che un matrimonio tra due cittadini dello stesso sesso celebrato legalmente in un paese membro dev'essere valido in tutti gli altri, compresi quelli dove non è previsto nessun riconoscimento delle coppie omosessuali. Con Susanna Lollini, avvocata specializzata in diritto di famiglia.Oggi parliamo anche di:RaiaPlay • Chi legge? Viaggio lungo il Tirreno, Mario Soldati, Cesare Zavattinihttps://www.raiplay.it/programmi/chileggeviaggiolungoiltirrenoCi piacerebbe sapere cosa pensi di questo episodio. Scrivici a podcast@internazionale.it Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan Zenti

durée : 00:48:56 - La 20e heure - par : Eva Bester - Après un retour attendu à “Piano aux Jacobins” à Toulouse, précédé par le Festival du Comminges, la pianiste Vanessa Wagner, qui apprécie le mélange des genres et les croisements de répertoire, a interprété des Études de Philip Glass dont l'enregistrement intégral est paru le 10 octobre dernier. - invités : Vanessa Wagner - Vanessa Wagner : Pianiste française née à Rennes en 1973 - réalisé par : Lola COSTANTINI Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Oggi torniamo a parlare della legge sul consenso che a sorpresa si è arenata in Senato. Poi di un piano residenziale a Gaza firmato Trump e infine del nostro cervello. ... Per iscriverti al canale Whatsapp: https://whatsapp.com/channel/0029Va7X7C4DjiOmdBGtOL3z Per iscriverti al canale Telegram: https://t.me/notizieacolazione Qui per provare MF GPT ... Gli altri podcast di Class Editori: https://milanofinanza.it/podcast Musica https://www.bensound.com     Learn more about your ad choices. Visit megaphone.fm/adchoices

Kiev accetta il piano di pace concordato - Vincitori e vinti: ecco gli eletti ECCELLENTI delle regionali

Federico Fubini racconta come procede la trattativa sulla pace, con i nodi sulla cessione di territori da parte di Kiev, che chiede anche più garanzie di sicurezza. Valentina Santarpia parla della richiesta di approfondimento voluta dalla maggioranza sull'emendamento nato dall'accordo fra Giorgia Meloni ed Elly Schlein. Valentina Baldisserri riepiloga il caso della coppia anglo-australiana cui il Tribunale dei minori de L'Aquila ha revocato la potestà genitoriale.I link di corriere.it:Così Putin vuole bloccare i fondi per l'Ucraina. Le esche e le trappole del CremlinoIl reato di femminicidio è legge. Scontro invece sul Ddl consenso, la maggioranza fa mancare l'unanimità: il testo slitta al Senato, ira delle opposizioni: «Salta il patto Meloni-Schlein»I bimbi tolti alla famiglia nel bosco: «Fateci tornare a casa». I punti critici: malattie, casa, scuola e amici

Send us a textMiguel Armaza sits down with René Lacerte, founder and CEO of Bill, one of the fintech industry's most successful and enduring leaders. From building PayCycle in the 1990s to now leading a publicly-traded company powering the “Fortune 5 Million”—the SMBs that are the backbone of America—René brings nearly three decades of hands-on experience in financial operations, product innovation, and organizational culture.In this episode, René shares his singular journey, starting with childhood influences from a family steeped in entrepreneurship and jazz music, and moving through decades of building for small and mid-sized businesses. He dives deep into why serving SMBs is both uniquely challenging and vital for communities, and reveals how Bill processes over a trillion dollars annually for nearly half a million clients across the US, in partnership with more than 9,000 accounting firms.René also shares rapid-fire insights on metrics he obsesses over (customer happiness and escalations), the importance of deep networks for founder success, and why investing in culture is the ultimate bet for long-term company excellence.A must-listen for founders, fintech builders, and anyone passionate about the future of entrepreneurship, financial technology, and the creative power of small businesses.Timestamped Overview00:00 Intro & René Lacerte's Background04:41 Piano passion and perseverance07:34 Dreaming of Wyntons Talent11:52 SMBs community and identity16:15 Entrepreneurship Requires Growth and Accountability18:39 Being present and appreciating20:11 Tech inspiration for SMBs25:37 Scorecards Over Job Descriptions29:47 AI Enhancing Creativity and Impact33:09 Touchless Workflow Automation35:38 Trust, data, and fintech success39:07 Financial ecosystem and acquisitions41:39 Embracing healthy workplace conflict45:42 The Power of Networking48:54 Celebration honors collective effort51:48 The lasting impact of gratitudeWant more podcast episodes? Join me and follow Fintech Leaders today on Apple, Spotify, or your favorite podcast app for weekly conversations with today's global leaders that will dominate the 21st century in fintech, business, and beyond.Do you prefer a written summary? Check out the Fintech Leaders newsletter and join ~85,000+ readers and listeners worldwide!Miguel Armaza is Co-Founder and General Partner of Gilgamesh Ventures, a seed-stage investment fund focused on fintech in the Americas. He also hosts and writes the Fintech Leaders podcast and newsletter.Miguel on LinkedIn: https://bit.ly/3nKha4ZMiguel on Twitter: https://bit.ly/2Jb5oBcFintech Leaders Newsletter: bit.ly/3jWIp

La newsletter gratuita ➤➤➤ http://eepurl.com/c-LKfz ⬇⬇⬇SOTTO TROVI INFORMAZIONI IMPORTANTI⬇⬇⬇ Abbonati per live e contenuti esclusivi ➤➤➤ https://bit.ly/memberdufer Leggi Daily Cogito su Substack ➤➤➤ https://dailycogito.substack.com/ I prossimi eventi dal vivo ➤➤➤ https://www.dailycogito.com/eventi Scopri la nostra scuola di filosofia ➤➤➤ https://www.cogitoacademy.it/ Racconta storie di successo con RISPIRA ➤➤➤ https://cogitoacademy.it/rispira/ Impara ad argomentare bene ➤➤➤ https://bit.ly/3Pgepqz Prendi in mano la tua vita grazie a PsicoStoici ➤➤➤ https://bit.ly/45JbmxX Tutti i miei libri ➤➤➤ https://www.dailycogito.com/libri/ Il nostro podcast è sostenuto da NordVPN ➤➤➤ https://nordvpn.com/dufer #rickdufer #trump #putin INSTAGRAM: https://instagram.com/rickdufer INSTAGRAM di Daily Cogito: https://instagram.com/dailycogito TELEGRAM: http://bit.ly/DuFerTelegram FACEBOOK: http://bit.ly/duferfb LINKEDIN: https://www.linkedin.com/pub/riccardo-dal-ferro/31/845/b14 -------------------------------------------------------------------------------------------- Chi sono io: https://www.dailycogito.com/rick-dufer/ -------------------------------------------------------------------------------------------- La musica della sigla è tratta da Epidemic Sound (author: Jules Gaia): https://epidemicsound.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

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Mara Gergolet parla del contenuto del nuovo documento sulla tregua in Ucraina, composto da 19 punti (invece dei 28 di quello proposto da Usa e Russia). Massimo Rebotti analizza l'esito delle elezioni in Veneto, Puglia e Campania, con le vittorie del leghista Alberti e di Decaro e Fico (candidati del centrosinistra). Gaia Piccardi spiega quanto vale la terza vittoria di fila degli azzurri in Coppa Davis (arrivata anche senza Sinner).I link di corriere.it:Ucraina-Russia, cos'è veramente successo a Ginevra? Dall'«imboscata interna» a Rubio al nuovo piano in 19 punti: perché si parla di una svolta per la paceI risultati delle elezioni regionali in Veneto, Puglia e CampaniaSenza Sinner, vince l'Italia formato famiglia. Il presidente Binaghi: «Jannik aveva ragione: non c'era bisogno di lui»

We're getting WILD IN THE STREETS with Henry Silva (/w some other guy's voice) in Mario Caiano's WEAPONS OF DEATH from 1977. Trying desperately to seem like a sequel to the previous year's VIOLENT NAPLES, this one has Leonard Mann as Commissioner Belli, a cop on the edge trying to track down rogue mob boss Santoro (Henry Silva) while also helping out a precocious/annoying kid named Gennarino. Thankfully this one has a trick up its sleeve: EXTREME VIOLENCE (thanks to Fulci makeup favorite Gino De Rossi), and a few solid action scenes (car chases! Pool hall fights! Piano wire decapitation!) to keep things moving. It's not bad, but is it.. good? Listen and find out! The post Episode 301 – Wild in the Streets – Weapons of Death (1977) first appeared on Cinema Smorgasbord.

"Il piano in 28 punti non esiste più. Alcuni punti sono stati eliminati, altri sono stati modificati", ha detto il consigliere del capo dell'Ufficio del presidente dell'Ucraina, Oleksandr Bevz (nella foto). Kiev, insieme agli Stati Uniti, ha quindi proposto una sua versione del piano di pace che elimina alcuni punti rispetto all'originaria proposta di ispirazione russa. L'amministrazione Usa, inoltre, potrebbe posticipare di una settimana la scadenza fissata per giovedì 27 novembre per la firma dell'accordo. Ne parliamo con Ettore Sequi, già segretario generale della Farnesina e ambasciatore, oggi vice presidente di Sace. L'esercito israeliano ha annunciato che nell'attacco condotto ieri a sud di Beirut ha ucciso Haytham Tabtabai, capo di Stato maggiore di Hezbollah. Il commento con Lorenzo Trombetta, analista di Ansa e Limes.

durée : 00:25:09 - Francesco Tristano, pianiste (1/5) - par : Judith Chaine - Francesco Tristano réinvente le classique à sa manière, flirtant avec jazz et électro. Libre et intrépide, sa démarche bouscule les codes tout en restant fidèle à la tradition. Retour en 5 épisodes sur le parcours de cet iconoclaste pianiste . - réalisé par : Adrien Roch Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This is an assortment of relaxing piano/instrumental Christmas music. This will be great background music for your holiday preparations, holiday parties, decorating your home, and having your Christmas dinner with eggnog cocktails later. Please check it out. Have a wonderful Holiday season. Merry Christmas from Ken Steele Music.

Via libera del Consiglio dei ministri al decreto-legge che introduce misure urgenti per assicurare la prosecuzione delle attività produttive degli stabilimenti ex Ilva, tutelare i lavoratori e riconoscere indennizzi al territorio. Come spiegato in una nota del Mimit, tra le novità, il decreto autorizza Acciaierie d Italia in amministrazione straordinaria a utilizzare i 108 milioni residui del finanziamento ponte risorse indispensabili per garantire la continuità degli impianti fino a febbraio 2026, data in cui è attesa la conclusione della procedura di gara per l individuazione dell aggiudicatario. I restanti 92 milioni del finanziamento sono già stati destinati agli interventi essenziali sugli altoforni, alle manutenzioni ordinarie e straordinarie, agli investimenti ambientali connessi alla nuova Aia e al Piano di Ripartenza.Ne parliamo con Paolo Bricco, Il Sole 24 Ore e con Luca Bianchi, direttore Svimez.

#MitchHampton #piano #podcast #soloperformancesIn this Solo Episode for our main episode in November, I simply sit at the piano and tell stories of my journey over the decades with different aspects of music and art - from the 1970s through 2013 when I developed my solo piano concept.

Mara Gergolet racconta com'è andato il vertice fra Usa, Ue e una rappresentanza di Kiev a Ginevra, dove è stata presentata una proposta alternativa per la pace a quella elaborata da Mosca e Washington. Sara Gandolfi spiega che cosa c'è (e soprattutto che cosa manca) nel documento finale della Conferenza Onu sul clima di Belém. Marta Serafini parla della nuova azione militare dell'Idf, che ha ucciso il numero 2 di Hezbollah.I link di corriere.it:Ecco i 24 punti della controproposta Ue al piano di pace di Trump: «Cessate il fuoco, trattativa che parte dalla linea di contatto, nessuna riduzione della difesa di Kiev»Cop30, cosa prevede la Global Mutirão Decision punto per puntoRaid israeliano a Beirut: ucciso il numero due di Hezbollah

Welcome to the Art, Life, Faith Podcast, and I’m your host, Roger Lowther. Today, I’m excited to share with you a project that our team has been working on for quite some time now. Our new children’s book, The Tsunami Violin, comes out on November 24, 2025. Back in 2020, I wrote my first children’s book called “Pippy the Piano and the Very Big Wave”. Based on a true story, it tells how a church finds their beloved piano upside down and covered in mud and debris. But rather than throw it out, they decide to spend the enormous amounts of time and money necessary to fix it, and they give the piano new life. And even today, the church continues to tell this story through the many concerts they host there. Now we are releasing our second children’s book, which this time tells the story about a violin. A young tree protects her town from the cold and harsh ocean winds. But when the tsunami comes, everything is washed away: family, friends, town. She's lost everything, but then a master craftsman comes, a violin maker from Tokyo, and transforms her into something beautiful. Through her music and through her story, she brings encouragement and healing to all who hear it, a story of hope out of despair, life out of death, and new beginnings. Like Pippy the Piano, this book too is based on a true story. I'm fortunate to know Nakazawa-sensei, the violin maker, and also to have had the privilege of being involved in quite a few concerts with that violin. It’s such a powerful story of redemption that I had to get it out there. This is a story worth telling. In this episode, I have a conversation with some of the members of our team who made this book possible, the beginnings of the book and the process along the way, and especially with the very talented Holly Rose Wallace, whose images and illustrations so powerfully tell this story. So anyway, I know you’re going to love the book, and I hope this conversation into some of the background will help you enjoy it even more. Roger Well, today we are excited to share with all of you about this project we’ve been working on for quite some time now called The Tsunami Violin. And we have a number of us who are key players in getting this project together with us on the podcast. Can you all introduce yourselves one by one? Maybe Diane, you served as the project manager for this. Can you tell us a little bit about yourself? Diane Yes, I’m Diane Bakelaar, and I live in Nagoya, Japan. My husband and I run an arts ministry through an art gallery and meet people through the art gallery. I served as the project manager for this book. Roger Awesome. Now, most importantly, Holly Rose Wallace as the illustrator. Can you introduce yourself? Holly I don’t know about most important, but I’m Holly. I’m from Cleveland, Ohio. I did about a two-year internship in Nagoya, Japan, working with Diane and Peter Bakelaar, and then working on this project with Roger and others. This is my first illustration project, so it was really exciting to get to add this to my resume and work with the team on this project. But I’m a self-taught illustrator, and I’ve always loved the arts, so this is an exciting project for me. Roger Awesome. And, Verity, you’re on this call. Can you tell us your role in this project? Verity Hi, I’m Verity. I’m a London-based illustrator and designer specializing in book design. And I’m also preparing to move to Tokyo next year to work with Community Arts Tokyo as an arts missionary. Roger Very cool. Last but not least, we also have Tsumugu Misugi on the call. Can you introduce yourself? Tsumugu Yeah. Hello. My name is Tsumugu. I’m a violinist and a composer living in Japan. I write music and record for Japanese animation and Korean dramas and things like that. I was happy and so privileged to be able to play on the tsunami violin with Roger a couple of years ago. Roger Now, in the introduction to this episode, I’ve given a little summary of what this book is about. But really to capture the essence of it, I wanted all of us here together because I think there’s something really special about this project, in how it all came together. There were many pieces. It wasn’t like I wrote this story and then passed it on to Holly to illustrate and then published it, but there were so many moving parts. And as each part came in, it made the book all that much more special. So why don’t we just start right at the beginning? So, Tsumugu, why don’t you tell us a little bit about how you were first introduced to the tsunami violin? Tsumugu I served as a volunteer in Ishinomaki from 2012 and went back every summer until 2016. And so I had first-hand experience helping with relief work. And then I went to the States for college, and then I decided to move to Japan after college to pursue my work. And that was when I reconnected with Roger. And within the first, I think, maybe three months of me moving back to Japan, Roger was like, “Hey, there’s this project where we want to give about 10 concerts in Japan, and it would be awesome if you could play on this tsunami violin.” And that was the first time I had heard of the violin, but it’s very famous here in Japan, and I was very honored to be asked to play on the violin. Roger Yeah, I had gotten to know it at previous concerts, and then there was this church, a group of churches actually, up in Iwaki, who asked us to come and give concerts on the violin. And it really wasn’t until that time that it came together. I was like, “this is an amazing story to be told.” I mean, everywhere the violin goes, it doesn’t just give a concert, but its story is an essential part of that concert. Just bringing that hope, bringing that idea that there’s life out of death, that all things can be redeemed, even when you’re in the pit of despair. And to continually bring that violin into any crowd of people, really, it spoke, it said something. And I was like, “How can we tell this to more people, not just those at the concerts. What would that look like?” And that was when the idea came forth about making a children’s book. Now, of course, I am not a visual artist. I don’t have the means to do that, but it just so happened that God provided Holly at just the right time to begin having this conversation. Holly, what do you remember about those early conversations about this book? Holly I remember the first time that I met you, I was showing you some of my work, and you looked really excited. You’re like, I have an idea for my next children’s book, and I’ve been looking for an illustrator. And you asked if I do that. I was like, “Well, I haven’t, but it’s always been a dream of mine.” And so it was this perfect partnership of you needed an illustrator, and I wanted to illustrate. It all came together from there. Roger It started first with the two of us working on this project, but then I think things really got special when we brought in Anna, who isn’t on this call, and Diane to be part of the process as well. Actually, Diane, just before we started recording, you said something about that, just the idea of having more people involved in the project somehow made it better. Diane Yes, I’ve always been fascinated with the idea, the wisdom of the group, and how it’s statistically shown that when people as a group, when they’re working together well, they can make better decisions than an individual, even if that individual is an expert in the area. I certainly saw that with this project. Everybody was bringing their strengths to the table, and everyone in the group was able to listen and not hold on to their parts so tightly that they weren’t able to hear suggestions and improvements. That was really impressive to me how everyone was very humble and very willing to work together, and it just made the project so much better. Roger Yeah, I really enjoyed our times together. Once every two weeks or so, we all had our roles. Mine was officially words. Holly was images. Verity was, I think, everything artistic. Verity Not at first… Roger At first, what was your role? Verity At first, I was thinking when I came in that I'd be taking on a design role of doing stuff with how the text looked and how the cover looked. Then my input grew from there, for sure. Roger Yeah, it sure did. It was fun to see this project be born out of our time together. The idea was, how do we tell this story in the best possible way? What words do we use? What images? Are there things we can do with the text? Maybe we should add a frame here or take one out here. To be talking about that creatively as a group was some of the magic of this project, I think. Verity Yeah, definitely. I think the first ever meeting we had about this project, Diane was there on Zoom, we were sitting on the floor in this apartment which had no furniture, which is why we were sitting on the floor. But we were going through some of the sketches that Holly had done and some of the writing and stuff. For a while, I’d been working in the creative industries. In the creative industries, I definitely feel like your role gets isolated from the rest of the creative process, particularly as a designer, where you do your thing that you’re told to do, but you don’t have any input in how the rest of a creative project, a book, for example, looks like. I was coming from that into this project where we were all like, you were asking my opinion on the text and stuff, and I was a little bit worried about stepping on your toes. That was a really special moment for me. It was, I think, maybe my first week or two in Japan. I was like, Oh, this is something different here. What the team is doing here is different. It was a good moment. Roger Yeah, it was. Anna said you can’t publish a book without a cat in it. And that was just so much better. So we had this cat, and there’s this yellow bird that flies through the scenes and came to represent the Holy Spirit flying through and having a presence all throughout the story. And I think we were just having fun with it. It wasn’t just about practical things, but about what we can creatively do that would be fun, not just for us, but for the reader as well. Verity For me, I feel like it is something that’s natural to the creative process, but I feel like it came together in quite a non-linear way. I remember we brought in the idea of the music as in the images of music in the text, not right at the beginning, one of the opening paragraphs of the book is about the music of nature that the tree hears, which obviously it’s a book called the Tsunami Violin, so it makes sense to have those musical images. But it wasn’t something that we came up with until we talked through the project a little bit, and then we started thinking about how we could bring in those images and make it flow more cohesively. Roger Yeah, it became a theme throughout the whole book. It was actually someone else who wasn’t on this call who came up with an idea. They said, “One of the special things about children’s books is when phrases are repeated over and over.” It has a special power when you’re reading a children’s illustrated book. And I was like, oh, that’s like choruses in songs, right? I mean, you sing the verse and then the chorus, verse, chorus, verse, chorus, and the chorus keeps getting repeated. And I think that’s one of the beauties of this book now. It didn’t start that way at all, but to have this repeating course of the music of the town. In fact, we have it on the back cover here, “The rhythm of the waves, the song of the birds, the whistling of the wind, and the hum of the town,” She has it in the beginning, and then she loses it because of the tsunami. And then how does she get that back? And it’s through the work of this master craftsman, this violin maker who makes her into this beautiful thing that she didn’t know was possible. Through her music and through her story, the people are hearing the music of her town again. Verity I think that was another thing that I found quite exciting about working on The Tsunami Violin. I've never done a kid’s book before. Community Arts is not like a publishing house that specializes in children’s books. But it was quite exciting to just be like, “Well, let’s figure out how to do this,” exploring all of these ideas. I guess, I think for me, coming into that, I felt like I was breaking new ground creatively, having to think outside of the box that I find it easy to put myself in, having to think more broadly about what could I do and what can we do as a team. Diane Two creative challenges that I remember: the one in particular was when the violin maker looks into the box and visually how to do that and how poor Holly was trying so hard to do this. Verity Yeah, we really messed her up. Diane But anyway, and I think that is an example of where the group working together really helped. The page, I think, is very successful looking. But boy, that was a lot of hard work. Then the other aspect was because this is both in English and Japanese and how when it’s translated into Japanese, the words are longer, takes that much more space. Then again, having to adjust visually for creating more room. Anyway, there are just a lot of challenges along the way. Roger Holly, what do you think about all that as the illustrator of this book? Holly It’s all true! It was hard, but it’s all part of the creative process, is the back and forth and trying to work out how to make it look best. I think for me, it was a challenge because I wouldn’t really consider myself a digital artist, primarily. That’s not really my preferred medium. So this was a new experience for me in that sense. I had done digital work before, but I have very little experience and all self-taught. So that was one learning curve for me. And then the theme of the book being with a violin, but she starts out as a tree. For me, that was another challenge because I haven’t spent much time drawing trees. And so I’m like, Okay, I need to figure out the anatomy of a tree, and not just any tree, but specifically a Japanese pine. So there was a lot of back and forth trying to figure out what style to use and how to translate that into a children’s style. And then when she becomes the violin, coming up with that character design was a lot of fun for me. I had to watch a documentary on how violins are created because that was another thing. I don’t usually draw violins for fun. So that was another challenge to overcome, but it’s so much fun to do. And I think the cat, too, was a lot of fun to incorporate. And I went back and forth a lot with thoughts and ideas of how to design the cat and the bird. But I think what I finally came down to was just designing the cat to look like my cat, especially since I was living in Japan at the time, and my cat was back in America. So it was a fun way to feel connected to my cat. Verity My favorite is at the back when the cat is actually playing the violin. Roger It’s like one of my favorite scenes in the whole book. Holly That was one of my favorites to draw. Roger Actually, to the right of the cat is a young man that looks like Tsumugu to me. I don’t know, Holly, if you were actually looking at a picture of Tsumugu at the time, but it looks really like him. So that makes me happy. Verity Your moment of fame, Tsumugu. Tsumugu Yes, just happy to make a cameo in the book. Verity Yeah, you’re not getting any commission for this, by the way. We’re just using your image. Tsumugu That’s fine. I give full consent. Verity How generous. Actually, one of the things that I really like that you did, Holly, is the illustration of the tsunami. And that was something that we went back and forth on quite a lot. But there’s a scene in the book where the tsunami first appears, and it’s quite scary. I’m holding up a picture for these guys. It’s supposed to be quite a scary moment of this huge wave towering on the horizon. We went back and forth a lot on how to… First of all, how to make it look scary, but also should this tsunami be sentient? Should it be anthropomorphic the way that the tree and the violin are? We ended up settling on a design that references the Great Wave, the Hokusai famous woodprint. I think that it’s a really effective image as a result because it’s a very clear reference. The image in the Great Wave is also tsunami, I think. But then I think it’s interesting to how that connects people who aren’t as familiar with Japan and with Japanese culture because it’s such an internationally recognized image. I was speaking in front of a church on Sunday and I showed them the cover. People came up to me at the end and they were like, Oh, yeah, the wave. We reused the image in a composite with some other illustrations on the cover. And people were like, Oh, yeah, the wave is really cool. They remembered the connection with the great wave. And I feel like it’s just an interesting way of how you can connect with different audiences through those visual references. Holly Yeah, I agree. I’m so glad that people recognized it and saw that that was the inspiration. That panel was so challenging because I didn’t want to do a direct copy of the Hokusai wave, but I definitely wanted to draw inspiration from it. And it’s also the angle that it’s at, the wave is coming right at you. And I think that adds to make it scarier, make it more frightening for readers because it’s like, Oh, the wave is coming directly at me, off the page in a sense. But typically when you see illustrations of waves, like when I was looking for references, there are no pictures of waves coming directly at you. It’s always at some angle. And so that was something that took a lot of time to figure out, Okay, how do I interpret this into a visual representation of just this? But I’m really happy with how it turned out and happy for all of your guys’ input. Roger When I’ve shown that image to beta readers, they’re like, wow. I mean, wow. They were just speechless because it’s just so effective. But my favorite image is the one where you only did the two big eyes, where she’s at the low point of her life. She’s lost everything, and now she’s been cut up, and she’s thrown in this box, and doesn’t know where she’s going. The way you’re able to express all of that in just the two eyes, I think, is so effective. When I’ve been showing it to people, that’s always the page I show first. Like, look at these eyes. They’re like, oh, it’s just so cool. In this whole medium of children’s illustrated art, how you’re not trying to be literal. You can through the medium, through the language of children’s art, you can tell something in different ways. I think just looking at the eyes tells the whole story. Holly That’s so funny that’s your favorite page because that was the easiest one to do. That was one of the things in the character design for me that it’s so important, the eyes, because that’s what people are going to look at the most and what’s really going to bring the character to life. So I spent a lot of time trying to design those eyes and the eyelashes specifically, I was inspired by the F hole on the violin, so you could see that on the eyelashes of the character. But I thought that that was a fun little thing to add. Diane Holly, I was wondering about the colors that you chose. I love the colors in the book. Just what was your hope or thinking behind how you chose your colors? Holly I feel like it was really a team effort choosing the colors. But then, of course, some of the colors just come naturally. Because this is based on a true story, I was pulling colors a lot from just the reference images, but then trying to brighten them to make it more visually pleasing and more exciting for children. And all readers. But it was really interesting how naturally a palette came to be. It was a lot of browns and blues and greens, and just looking at them all side by side, it was like, yeah, there’s definitely a clear palette. But that came about really naturally, which was cool. Roger Yeah. Verity I have the actual physical book with me now, and the colors feel very alive. So it’s really nice to see it. Very vibrant. Tsumugu Nice. Can I talk a bit about the audience? I find it really interesting that you picked a children’s book as the medium to publish this because people who are older than teenagers would have experienced or would have seen the tsunami. But children, the target audience for this book, are people who’ve never experienced. They haven’t seen the tsunami. Roger They weren’t alive when it happened. Tsumugu Yeah, exactly. I think it’s so interesting that you picked children to spread this story and this message. I feel like it’s a good way for them to learn about the tsunami as well as the aftermath of what happened. Also, especially for international audiences, I feel like it might be something that is so far away and so detached from them, but there’s still such a powerful story in the aftermath of it. Roger Yeah, the violin maker, he met with the Emperor himself, and the Emperor said, “Oh, I’m so glad that you’re doing this because people are going to forget, and they need to remember what happened.” And that is essentially what his project, the violin, tsunami violin, continues to do, and that’s what we’re trying to do through this. Diane I was telling one of my Japanese friends that this was in the middle of the project, and I’m working on this project. She’s Japanese, and she had no idea about the tsunami violin. She didn’t know what it was. So I explained the story. She just looked at me and said, This is such an important story. This is part of our history. We’ve got to keep it alive. That was her reaction to the whole thing. Verity I think that it’s interesting. Perhaps we haven’t talked about this as a group, but it’s interesting to think about how this being a real event that really shapes people’s lives, all of the tragedy. And also, I feel like shapes the Japanese consciousness as well. I feel like it’s very much something in the minds and hearts of Japanese people. When we think about going through such a traumatic event, even as children, when children go through traumatic events, then there is this process of not being able to go back to what you were before. So experiencing something that is irreversible and coming out of that as a changed person. And that’s what happens to the tsunami violin is that the story is of her, not like she’s able to go back to the way she was when she was a happy and innocent child, but that she goes through something and she becomes something beautiful and something recognized by other people, but that she’s not able to go back to the way that she was. I feel like that’s actually a realistic view of trauma. I think that that’s quite a good thing to acknowledge, even for children, that just because you go through something doesn’t mean that you’re irreversibly broken, but that you can become something else. Roger Yeah, so good. I think we better end our time here. Thank you all so much for sharing with me and with our listeners. It’s just really a special project. We are excited to be able to launch it to all of you on November 24, and I hope that you’ll be able to pass it on to your friends as well. This story of redemption in a way that I think can reach audiences in any culture, any country, is just so important and we need to be repeating this story to others as well. You’ve been listening to the Art, Life, Faith podcast. The Tsunami Violin is available for sale on November 24 wherever you buy your books online. Please pick up a copy for yourselves and tell your family and friends about it as well. In fact, maybe it will also make a great Christmas present. As we say in Japan, “Ja, mata ne!” We’ll see you next time. BUY “THE TSUNAMI VIOLIN”

Canadian violinist Yolanda Bruno spoke to me about her new album Dear Jeanne and her film The Immortal Serafin, which both honour the late Jeanne Lamon, the renowned baroque violinist, and Music Director of Tafelmusik for 34 years. Yolanda explains how she explores the story of Jeanne's 1759 Santo Serafin baroque violin, which was generously loaned to Yolanda for one year. You'll hear a few clips from the album, including Jeanne's masterful string trio arrangement of Bach's iconic Ciaccona, as well as a taste of a Leclair duo with Julia Wedman, another important mentor for Yolanda, and a work by Beth Silver honouring Jeanne's Dutch-Jewish heritage. Yolanda reflects on what it means to live more sustainably with her partner, the accordionist Michael Bridge, who was previously featured on this podcast. She shared how her her annual project Music for Your Blues has impacted her life, as well as a very memorable experience performing in a high-security penitentiary, which taught her about connection and dignity, and the value of live music. I also wanted to shine a light on Yolanda's brilliant first ablum, The Wild Swans, featuring 11 women composers, recorded with pianist Isabelle David. You'll hear short excerpts by Lera Auerbach and Kelly-Marie Murphy. We end the episode with Yolanda's insights about avoiding burnout by achieving balance in her life using the idea of longer cycles of time, which I loved.Complete Show Notes with All the Links! Yolanda Bruno Websitephoto: Curtis Perry(00:00) Intro(02:34) Dear Jeanne and her film The Immortal Serafin, Jeanne Lamon, Tafelmusik(12:25) Jeanne's arrangement of Bach Ciaconna with clip (Yolanda with Julia Wedman, Christina Mahler - J.S. Bach Ciaccona from Partita No. 2 in D minor, BWV 1004(15:46) film The Immortal Serafin, living more sustainably and mindfully, Michael Bridge(24:39) the process of buying the Serafin, Jaak Liivoya, Bill Monical(30:56) how Yolanda started playing baroque violin, meeting Jeanne(34:41) clip of Jean-Marie Leclair Sonata for Two Violins in D Major, Op. 3, No. 3, ii. Allegro, lessons with Julia Wedman(38:00) other linked episodes and ways to support this series(38:50) Leclair, Beth Silver, Jeanne Lamon's Dutch-Jewish heritage (44:16) musical family, The Wild Swans album, Lera Auerbach with clip Lera Auerbach - 24 Preludes for Violin and Piano, op. 46: No. 9 in E Major (Allegro)(51:38) Kelly Marie-Murphy The Swan Parapraxis with clip Kelly-Marie Murphy - The Swan Parapraxis, Carmen Bruno cello The Wild Swans album, Katherine Dowling(55:22) Music for Your Blues, reading, memorable concerts(01:02:37) performing for incarcerated audience in a penitentiary, Jean Rohe, Diane Schoemperlen(01:07:04) studying in England, balancing life in annual cycles

In 1974, Wichita, Kansas was shaken by a series of brutal attacks inside family homes. Men, women, and children were bound, tortured, and killed by a predator who called himself BTK. For 17 years, he terrorized the community, claiming at least 10 victims and taunting police with disturbing letters that detailed his crimes. Then in 1991, the killings abruptly stopped, leaving law enforcement and the public to wonder if the killer had vanished forever. For more than a decade, there was silence. Then in 2004, BTK resurfaced with new messages, reigniting fear in Wichita. But that renewed need for attention would ultimately be his downfall, and by the following year, detectives had identified the killer as Dennis Rader, a father of two, a Scout leader, and a trusted member of his church council. Rader was the last person anyone suspected of being a sexual sadist serial killer, but once investigators began putting all the puzzle pieces together, it became clear that Rader's family-man persona was just a mask covering the monster beneath. Try our coffee!! - www.CriminalCoffeeCo.com Become a Patreon member -- > https://www.patreon.com/CrimeWeekly Shop for your Crime Weekly gear here --> https://crimeweeklypodcast.com/shop Youtube: https://www.youtube.com/c/CrimeWeeklyPodcast Website: CrimeWeeklyPodcast.com Instagram: @CrimeWeeklyPod Twitter: @CrimeWeeklyPod Facebook: @CrimeWeeklyPod ADS: 1. https://www.PDSDebt.com/CrimeWeekly - Get your FREE assessment and find the best option for you at PDS Debt! 2. https://www.EatIQBAR.com - Text WEEKLY to 64000 for 20% off ALL IQBAR products and FREE shipping! 3. https://www.Coyuchi.com/CrimeWeekly - Get 20% off your first order with Coyuchi! 4. https://www.Smalls.com/CrimeWeekly - Get 60% off your first order plus FREE shipping with Smalls! 5. https://www.SmartCredit.com/CrimeWeekly - Start your 7-day trial with Smart Credit for just $1!

Il 19 novembre l'Ucraina ha ricevuto la bozza di un piano di pace statunitense che prevede, tra le altre cose, la cessione di territori alla Russia e una limitazione delle sue forze armate. Con Davide Maria De Luca, giornalista, da Kiev.Il 19 novembre la camera dei deputati italiana ha approvato all'unanimità la proposta di legge che riscrive l'articolo del codice penale sul reato di stupro introducendo il concetto di “consenso libero e attuale”. Con Claudia Torrisi, giornalista.Oggi parliamo anche di:Film • Dreams di Michel FrancoCi piacerebbe sapere cosa pensi di questo episodio. Scrivici a podcast@internazionale.it Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan Zenti

Stati Uniti e Russia starebbero lavorando a un piano articolato in 28 punti per porre fine alla guerra in Ucraina. Lo rivelano alcuni media statunitensi, citando fonti anonime interne all'amministrazione Trump. Il testo sottoposto a Volodymyr Zelensky prevederebbe cessioni territoriali (Crimea e l'intero Donbass in particolare) e un dimezzamento dell'esercito ucraino. Ne parliamo con Vittorio Emanuele Parsi, Direttore ASERI Università Cattolica, Antonella Scott, firma del Sole 24Ore, e con Beda Romano, corrispondente del Sole 24Ore a Bruxelles.

Monica Guerzoni parla delle diverse interpretazioni date dal Quirinale e da Palazzo Chigi del faccia a faccia tra il capo dello Stato e la premier all'indomani dello scontro tra il Colle e FdI su un presunto complotto anti-governo. Lorenzo Cremonesi spiega come Usa e Russia sono arrivati a definire un'ipotesi di pace molto penalizzante per Kiev (che non è stata consultata). Francesco Strippoli presenta le Regionali del 23 e 24 novembre.I link di corriere.it:Mattarella e i 20 minuti al Quirinale con Meloni, l'incontro non chiude il caso: toni diversi tra il colloquio e la nota di ChigiIl piano segreto di Usa e Russia: «Colloqui in corso su 28 punti per far finire la guerra in Ucraina»Elezioni regionali in Puglia, Vendola ha un malore e va in ospedale. Lo staff: «Sta bene». Poi l'abbraccio con Decaro in teatro: «Tra noi nessuna guerra»

Today's Oddcast  - Talking Lamar - Can't Play The Piano, But I Wet The Bed (Airdate 11/14/2025) Lamar shares the most embarrassing moment of his life...the time he wet the bed while visiting his girlfriend's parents. The Bob & Sheri Oddcast: Everything We Don’t, Can’t, Won’t, and Definitely Shouldn’t Do on the Show!