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A Northwest Side charter network, an iconic South Side cleaners, and a North Side art museum all announced closures in recent weeks. Executive producer Simone Alicea and host Jacoby Cochran dive into the details. Plus, attack ads are picking up in primary races, and Amazon delivery drones are coming to Chicago's south suburbs. Good News: Women in Dance Festival, Farmdega at Monday coffee, 312 All Star Basketball Tournament, Winter Walk & Bonfire Want some more City Cast Chicago news? Then make sure to sign up for our newsletter. Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Learn more about the sponsors of this March 4 episode: Access Contemporary Music – Use promo code PIANO for 20% off Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE
There has been a lot of headlines in recent months about crime on the CTA following high profile incidents in late 2025, ongoing tension with the feds over the presence of cops on public transit, and an overall feeling that even after improvements in hirings and wait times, CTA still has a lot to do concerning rider experience and safety. Executive producer Simone Alicea and host Jacoby Cochran are discussing recent public transit crime statistics. Plus, the city council is proposing a new tourism improvement district, and listeners have thoughts on Waymo in Chicago. Good News: Annual Chicago Birthday Party Want some more City Cast Chicago news? Then make sure to sign up for our newsletter. Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Learn more about the sponsors of this March 3 episode: Access Contemporary Music – Use promo code PIANO for 20% off Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE
March in Chicago means heading to the voting booth, dying the river green, and trying to stay optimistic about spring weather. Host Jacoby Cochran is joined by newsletter editor Emmi Mack and creator Paige Serena to talk about St. Patrick's Day plans, even more restaurant weeks, and where to find pepper-and-egg sandwiches during Lent. Good News: Thalia Hall Free for All Want some more City Cast Chicago news? Then make sure to sign up for our Hey Chicago newsletter. Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Learn more about the sponsors of this March 2 episode: Access Contemporary Music — Use promo code PIANO for 20% off Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE
Your piano recital theme doesn't have to be complicated — but it can be memorable.
In this episode we sit down with Justin Michael Cahoon to talk about learning to play piano, teaching, writing, and lots more. We take a deep dive on Justin's experimental hip hop project and his current work with the Bryan Reynolds Group. He also tells about his event music services - Unique Music Entertainment. You can find more information about Justin's Piano lessons, and music books at: https://justinmichaelcahoon.com The Bryan Reynolds Group: https://bryanreynolds.group Justin's hip hop project - The Jae https://open.spotify.com/artist/2kKPaMuWI3wrvacoljN7AH?si=pA35x6L0SeiBhc4BG--rAg Event Music Services - Unique Music Entertainment: https://ume.events SUPPORT THE NETWORK: REVIVALMOTORING.COM/B4B
关于告别。我一直觉得最可怕的,就是面对它的到来而毫无还手之力——事件会终结,人们会离去,但我们还在原地;无论是早有预期还是晴空霹雳,做怎样的心理准备,都无法抵挡那份冲击。而且,我们最终都只能以自己的速度和节奏去承受、消化。没有人可以指望。 这时我们才更加需要朋友的倾听,需要音乐的关怀。只有这样我们才能稳固住生活的框架,不会在告别中失去全部。 这期节目为你放送关于家人、长辈、亲情与血脉的歌。 曲目单: (00:00) Tindersticks - Here (08:29) R.E.M. - Perfect Circle (11:46) Japanese Breakfast - In Heaven (17:06) Jordan Rakei - Family (20:28) Arcade Fire - In The Backseat (27:47) Sufjan Stevens - Eugene (30:10) Big Thief - Mythological Beauty (36:25) Loyle Carner - Sun Of Jean (41:27) Sampha - (No One Knows Me) Like the Piano (45:25) Cleo Sol - Build Me Up (53:51) Jeff Parker - Max Brown (01:01:14) Michael Kiwanuka - Stay By My Side 《周末变奏》开通豆瓣页面,欢迎标记、点评。 → 选曲/撰稿/配音/制作/包装:方舟 → 主题音乐:Yu Su → 题图版式:六花 → 题图照片拍摄于第十五届上海双年展,罗瑞·康,《金达莱II》,2025年。 → 私信/合作联络: 小红书/微博/网易云/小宇宙 @线性方舟 → 《周末变奏》WX听友群敲门群主:aharddaysnight
Ammiel Bushakevitz is a celebrated pianist and chamber musician whose journey through classical music has taken him across six continents, performing in prestigious venues such as Carnegie Hall, the Concertgebouw, Wigmore Hall, among many more. Born in Jerusalem and raised in South Africa, he discovered his passion for music early on, later studying in Leipzig and Paris under renowned teachers. Ammiel has a particular affinity for the art song, collaborating with leading vocalists and releasing multiple award-winning recordings, including the ambitious project to record all of Schubert's piano works by 2028.In this engaging conversation with Tony, Ammiel reflects on his deep connection to Schubert's music, exploring themes of joy and melancholy that resonate in the composer's works. He shares personal anecdotes about his musical journey, the evolution of his interpretations, and the importance of musical spontaneity in live performances. With insights into the nuances of piano playing and his collaborative experiences with singers, Ammiel's reflections reveal the profound impact of music on both his life and artistry.
Hello Beautiful, I'm so grateful you're here with me.
Mother in the Wild reads "The Bear and the Piano" by David Litchfield.Join us on skool.com/motherinthewild to become a premium member and download our recordings, receive discounts on Requests + Dedications, as well as join us for bi-weekly Storytime Lives with Mother in the Wild. Subscribe today to receive an affiliate link and start earning on the memberships of YOUR friends, families and communities!skool.com/motherinthwild
Why are fewer than half of the county judicial races in this year's primary elections uncontested? Where are Rev. Jackson's homegoing services being held in Chicago? What's going on with that fleet of Waymo cars parked in a downtown parking garage? We're answering these questions and more with freelance writer Natalie Christian-Frazier and Block Club Chicago's Jamie Nesbitt Golden. Plus, we are showing love to Kennedy-King's iconic radio station, North Lawndale's Peace Runners 773, and Englewood's Girl Scout troop. Want some more City Cast Chicago news? Then make sure to sign up for our newsletter. Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Learn more about the sponsors of this Feb. 27 episode: Steppenwolf Theatre Griffin MSI Access Contemporary Music – Use promo code PIANO for 20% off South By Southwest – Unlock a 10% discount on your Innovation Badge when you use code citycast10 Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE
Comment on this episode by going to KDramaChat.com Today, we'll be discussing Episode 14 of Start-Up, the hit K Drama on Netflix starring Bae Suzy as Seo Dal-mi, Nam Joo Hyuk as Nam Do San, Kim Seon Ho as Han Ji Pyeong, Kang Han Na as Won In Jae, and Kim Hae Sook as Choi Won Deok. We discuss: The songs we featured during the recap: My Dear Love by Suzy, Merry Go Round by Kim Dong Hyeok, Tears of Piano by Park Sejun Listener Jeff's comment about Yong San's revenge arc — was it a red herring, and why the storyline ultimately became more about Han Ji Pyeong's growth than actual danger. Why this episode is titled “Elevator Speech” - the literal and emotional elevator pitches that change minds in under a minute, especially SDM's desperate appeal to Do San. Seo Dal Mi's humiliation spiral: the hacked company, no back-ups, spilled coffee, pride, and why she couldn't take Do San's calls after he saved her company. Han Ji Pyeong's complicated tenderness — hiding Dal Mi under the desk, switching from “Dal-mi-shi” to “Seo 대표님,” threatening Do San in the elevator, then immediately confessing the truth. Do San's breaking point: the returned baseball from Park Chan Ho, his father's quiet wisdom, the five-hour bike ride to the cabin, and the symbolism of throwing something away that you cannot forget. The full-circle moment: Dal Mi once begged to be CEO at the hackathon; now she's begging the Samsan Tech trio to join CheongMyeong; this time, desperation wins. Yong San's maturity arc — seeking out honest criticism from Ji Pyeong, apologizing for blaming him for his brother's death, and asking the fundamental question: do we want to code or run a company? Chairman Yoon's sharp reminder that investors who fund companies without business plans are “garbage,” and a discussion of due diligence and startup discipline. The sisters' evolving relationship: Dal Mi accidentally calling In Jae “언니” before correcting herself to “대표님,” and In Jae filing paperwork to change her name back to Seo after realizing her grandmother's eyesight is failing. Words that wound: from Ji Pyeong's harsh Demo Day critique to Dal Mi's breakup lines — “You're not the one I loved” — and how language shapes identity and destiny in this episode. The epic piggyback ride across the land bridge, the bandana wrapped around Dal Mi's scraped knee, the wrist grab, hair touches, and that meaningful head-rest while she sleeps. What we're watching now: Summer Strike, While You Were Sleeping (a mini Start-Up reunion!), The Art of Sarah starring Shin Hye Sun, and narrowing down contenders for Season 14 — including Signal, My Mister, Resident Playbook (or maybe Hospital Playlist!), Our Unwritten Seoul, and more. References https://en.wikipedia.org/wiki/Yeouido Waiting on a Wish by Bae Suzy Yes No Maybe Dance Practice with Bae Suzy How to play rock✊
Donald Macleod explores how Amy Beach railed against the sexism of her time to journey from a child piano prodigy to a respected composer.Young Birches Valse – Caprice, op.4 3 Songs, Op 2 no 3 - Empress of Night Eilende Wolken, segler der Lufte, Op. 18 Violin Sonata, Op.34 - I. Allegro Moderato Quartet for Strings in One Movement The Lark Quartet Romance for violin and piano, op.23 Ecstasy, Op.19 no 2 Symphony in E Flat, Op.32 'Gaelic' Peace I leave with you Dreaming (4 Sketches, Op.15) Piano Quintet in F sharp minor, Op.67 Deus Misereatur, Op.78 no 2 Jephthah's Daughter, Op.53 A Hermit Thrush At Morn, Op.92, no.2 Piano Concerto, Op. 45 From Grandmother's Garden - V. Honeysuckle By the still waters, Op.114 (arr. Lewin for 2 guitars) Hermit Thrush At Eve, Op.92, no.1 (1922) 3 Piano pieces, Op. 128 (I. Scherzino) Ses Yeux, Op. 66 Piano Trio in A minor, Op. 150 Cabildo, Op. 149 “Ah, love is a jasmine vine” Canticle of the Sun Scottish Legend, Op. 54, No 1For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Amy Beach (1867-1944): https://www.bbc.co.uk/programmes/m002rf45And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-zProducer: Steven Rajam / Sam Phillips
ArtHaus Radio_An Hour of Piano by WCUG
The announcement has come weeks after Environment Minister Murray Watt listed the lower Murray River region as critically endangered. - L'annuncio è arrivato poche settimane dopo che il ministro dell'Ambiente Murray Watt ha inserito la regione del basso Murray River nell'elenco degli ecosistemi in pericolo critico.
Composer Sean Hickey joins The Piano Pod to discuss Sapiens: A Brief History of Humankind — his monumental piano cycle inspired by Yuval Noah Harari's bestselling book. From imagined orders and human cooperation to empire, biology, AI, and the future of artistic sustainability, this episode explores what it means to create — and remain human — in a rapidly changing world. Performed by pianist Vladimir Rumyantsev, Sapiens translates big philosophical questions into sound, structure, and silence. This conversation moves from macro-history to the deeply personal — from Detroit and electric guitar to leading major recording labels — and ultimately asks: What allows music to endure?
Don't shy away from the junkyard when it's time to find a part. Whether you're a hardcore salvage builder looking for a door skin or it's your first time and you just need a head rest, outfits like Best Foreign Used Parts are ideal - lots of stock, lots of knowledge, and lots of tetanus shots. Hostus Maximus Justin Fort and Ryan The TBD may be a little biased (It's in there!), but there's a lot to learn from this episode: what parts move fastest, the cars that junkyard shoppers like the most (and where), what to do first when you're heading to the junkyard, and a little bit about this business as a whole. There's also Dodge R/Ts (Dakota and Caravan), Toyotas, Panteras, Typhoons, Cyclones, Renaults, an MG and a Volvo 240, cars with guns, 'fridges, violins and money, and so many Subarus. The master of this demonstration of disassembly at Best Parts (Don), also has excellent stories from four decades in the business - crazy finds in the 'yard, what goes on after the gates close, airbag "testing", walking catalytics, hail (No!), junkyard magic, the price of steel, and structural recycling. Soup for you: The Allman Brothers, faces for radio, Colorado Springs and Gold Hill history (schmistory!), R-rated junk car finds, and Johnny Cash's forgotten song about Deloreans. ...And don't trust your lyin' eyes - the Garage Hour is always PG, so the "Explicit" rating that occasionally appears on episodes is just some 'bot that was too drunk to do its job.
Don't shy away from the junkyard when it's time to find a part. Whether you're a hardcore salvage builder looking for a door skin or it's your first time and you just need a head rest, outfits like Best Foreign Used Parts are ideal - lots of stock, lots of knowledge, and lots of tetanus shots. Hostus Maximus Justin Fort and Ryan The TBD may be a little biased (It's in there!), but there's a lot to learn from this episode: what parts move fastest, the cars that junkyard shoppers like the most (and where), what to do first when you're heading to the junkyard, and a little bit about this business as a whole. There's also Dodge R/Ts (Dakota and Caravan), Toyotas, Panteras, Typhoons, Cyclones, Renaults, an MG and a Volvo 240, cars with guns, 'fridges, violins and money, and so many Subarus. The master of this demonstration of disassembly at Best Parts (Don), also has excellent stories from four decades in the business - crazy finds in the 'yard, what goes on after the gates close, airbag "testing", walking catalytics, hail (No!), junkyard magic, the price of steel, and structural recycling. Soup for you: The Allman Brothers, faces for radio, Colorado Springs and Gold Hill history (schmistory!), R-rated junk car finds, and Johnny Cash's forgotten song about Deloreans. ...And don't trust your lyin' eyes - the Garage Hour is always PG, so the "Explicit" rating that occasionally appears on episodes is just some 'bot that was too drunk to do its job.
Il piano pandemico in vigore è scaduto alla fine del 2025 ed ancora siamo in attesa dell'approvazione definitiva del nuovo. Eppure tutti ne ricordano l'importanza, le polemiche e le inchieste per la sua inadeguatezza all'inizio dell'emergenza sanitaria per il covid-2019.Ne parliamo con Stefania Salmaso, epidemiologa, dal 2004 al 2015 ha diretto il Centro nazionale di Epidemiologia, sorveglianza e promozione della salute dell'Istituto superiore di sanità ed altri ospiti.
Hello Beautiful, I'm so grateful you're here with me.
In questa puntata partiamo dal decreto Milleproroghe che, tra le altre cose, estende le Zes anche a Marche e Umbria e rende definitiva la ricetta elettronica; ci spostiamo sulla preparazione dell'Italia a un'eventuale nuova pandemia, tra ritardi e blocchi; passiamo a Sanremo, che apre la 76esima edizione con spazi pubblicitari già sold out; infine, ti racconto la storia di Lara. Se vuoi dirmi le difficoltà e le sfide che, come giovane, incontri nella tua vita quotidiana o, semplicemente, la tua opinione sulle notizie di oggi, scrivimi in DM su Instagram, mi trovi come Angelica Migliorisi. Learn more about your ad choices. Visit megaphone.fm/adchoices
Frustrated that parents keep ignoring your studio policies? Nicola breaks down the real reasons this happens—and what you can do to fix it. Learn how communication, consistency, and confidence can transform your policies from meaningless documents into boundaries that actually work.Find out more about membership at vibrantmusicteaching.com.
In this episode, Chris and Gerry step into the strange parlor of The Twilight Zone to explore the unforgettable Season 3 episode "A Piano in the House." Starring Barry Morse as a cruel theater critic who discovers a mysterious piano that exposes people's true selves, this Rod Serling tale blends psychological drama with razor-sharp satire. What happens when art doesn't just reflect truth but forces it into the spotlight. Is the piano magical or simply a mirror none of us want to face? Tune in as we dissect one of the most psychologically sharp entries in The Twilight Zone's catalog.
durée : 00:25:07 - Bruno Rigutto, pianiste (1/5) - par : Judith Chaine - Bruno Rigutto, pianiste, compositeur et pédagogue recherché, revient sur son parcours, et sa vision de l'interprétation. Il évoque notamment l'héritage de Samson François, dont il a reçu "le sens de la liberté dans la musique, la générosité, le besoin d'imagination et surtout le sens du toucher". - réalisé par : Pierre Willer Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Hoy nos visitan Josep Colom y Javier Laso para interpretar en directo una pieza en piano a cuatro manos de su disco: "Mozart & Schubert". Nos acercamos al teatro con Marta García Miranda. Vicente Monroy en su sección de cine despide al director de documentales Frederick Wiseman. También decimos adiós al trombonista Willie Colón. Y repasamos la gala de los premios BAFTA con nuestro corresponsal Guillaume Bontoux.Escuchar audio
Ven, Sígueme 2026 - Para El Hogar y La IglesiaCapítulo 09: Génesis 18–23Lección asignada del 23 de febrero al 01 de marzo de 2026“¿Hay para Dios alguna cosa difícil?”Interprete-Lector: José Enrique Sánchez ThompsonEsto es un recurso de video creado como recurso de apoyo auditivo para personas con dificultades visuales de lectura o bien, para la comodidad de Audio-Escuchas.No es un recurso o video oficial de La Iglesia de Jesucristo de los Santos de los Últimos Días.'Ven Sígueme - Para El Hogar y La Iglesia' es un recurso de estudio oficial de La iglesia de Jesucristo de los Santos De Los Últimos Días, con propiedad Intelectual de sus respectivos autores. Para mayor información u obtener el manual o transcripción oficial, visite www.lds.org Música de Piano de fondo interpretada por Gustavo Sanchez DíazPara escuchar más música de él, visiten su canal en el siguiente enlace: https://bit.ly/2t7yGF8Favor de dar Like, Suscribirse y compartir el video con sus amigos y seres queridos o bien, aquellos que lo puedan necesitar para su estudio personalHablamos!
Yessounds Episode 041 — The 80s Experiment: A Neon RetrospectiveStep into the decade of big hair, bigger keyboards, and the biggest movie moments ever burned onto VHS. In this special edition of Yessounds, Roman takes you on a neon‑soaked journey through the Yes universe of the 1980s Press play, adjust the tracking, and enjoy The 80s Experiment.1. Miami Vice Theme — Jan Hammer — Miami Vice2. Cinema — Yes — 901253. Themes — Anderson Bruford Wakeman Howe — Anderson Bruford Wakeman Howe(1989)4. Eastern Shadows — Rick Wakeman — Crimes of Passion (1984)5. Joe Frazier — Bruford — Gradually Going Tornado (1980)6. I'm Running — Yes — Big Generator (1987) 7. Time Again — Asia — Asia (1982)8. The Friends of Mr. Cairo — Jon & Vangelis — The Friends of Mr. Cairo (1981)9. Hold On — Badfinger (feat. Tony Kaye) — Say No More (1981)10. Jekyll and Hyde — GTR — GTR (1986)11. The Moment Is Here — World Trade — World Trade (1989) 12. Cage of Freedom — Jon Anderson — Metropolis OST (1984)13. Within the Lost World — Jon Anderson & Grace Jones — Requiem for the Americas (1989)14. Far Far Cry (RJ Edit) — Jon Anderson — ReMixes15. This Time It Was Really Right — Jon Anderson — St. Elmo's Fire OST (1985)16. Loved by the Sun — Jon Anderson — Legend OST (1985) 17. Video Killed the Radio Star — The Buggles — The Age of Plastic (1980)18. All in a Matter of Time — Jon Anderson — Animation (1982)19. The Room — Rick Wakeman — 1984 (1981)20. City of Love — Yes — 90125 (1983)21. Can't Look Away — Trevor Rabin — Can't Look Away (1989)22. Children's Concerto — Moraz/Bruford — Music for Piano and Drums (1983)23. Holy Lamb (Song for Harmonic Convergence) — Yes — Big Generator (1987)
Send a textIn tonight's episode, with the help of a few of our listeners, I continue to reflect on life aboard the Erica and how it might have changed our lives as well as go on a hunt for the elusive 'Seventh Word'. There is often a lot of talk about how canal-life is helpful for mental wellbeing. Is this really the case? We also go in hunt for some mysterious bramble cutting vandals. Journal entry:21st February, Saturday“A silvered dawn. Milder air With the promise of Spring. Plum blossom and cowslips.”Episode Information:In this episode I read two short poems by Wendell Berry; ‘Song (2)' and ‘Woods'. I also refer to a line by WH Auden from his poem ‘Herman Melville'.With special thanks to our lock-wheelersfor supporting this podcast. Ana McKellar Susan BakerMind Shambles Clare Hollingsworth Kevin B. Fleur and David Mcloughlin Lois Raphael Tania Yorgey Andrea Hansen Chris Hinds Chris and Alan on NB Land of Green Ginger Captain Arlo Rebecca Russell Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Orange Cookie Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsThe intro and the outro music is ‘Crying Cello' by Oleksii_Kalyna (2024) licensed for free-use by Pixabay (189988). Narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.Contact Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Bluesky: https://bsky.app/profile/noswpod.bsky.social Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.
Silenced Soil begins with a fragile artefact: a recording of Claude Debussy's Sarabande, composed in 1894 and revised in 1901, then recorded on 11 April 1963 in Gillitts, KwaZulu-Natal, by ethnomusicologist Raymond Clausen. Its only documentation is a handwritten note on a reel-to-reel tape box: “at Gillitt's, copy of Debussy, Sarabande.” No pianist, no studio, no context. The archive offers little clarity. Sometimes it keeps its silence.Listening to this recording in 2025, I was confronted not only by sound, but by history. Why was Western art music recorded here, under whose authority, and for what purpose, during a period still shaped by colonial power? Before reshaping the music, I had to confront my own position as a descendant of European colonisers. This inherited legacy uncomfortable but necessary became central to the work, sharpening my awareness of cultural imposition, culture colonialism and ongoing calls for restitution.From this reckoning, Silenced Soil emerged. I treated Debussy's melody as a fractured map: splintered, dispersed, and reassembled through chance. This approach draws on John Cage's embrace of indeterminacy and my long-standing admiration for atonality in music. The soundscape is composed at 120 BPM (2 Hz), chosen to evoke both calm and alertness. A reflection of historical time moving slowly, yet demanding urgent re-examination. Within this framework, I wove voices and instruments from Zulu culture, women's singing sound fragments, mouth harps, clapping sticks, and rattles — alongside electronics, loops, found sounds, urban noise, and synthesised textures and the original recording of Sarabande. I actively intervened in this source material, editing the refrain of Sarabande into fragmentary notes and embedding them within the soundscape composition. These elements meet not as opposites but as interlocutors, forming a threshold where suppressed traditions and contemporary sound worlds converge.Unanswered questions remain: Who was the pianist? Who authorised the recording? What ethical framework governed it? These absences are integral to Silenced Soil. What is unheard can be as powerful as what is recorded. And the soil? It stands for the restless cosmos, for the sand forever in motion across our planet. What drifts, what scatters, what is buried will, in time, be made visible. My compositional process is guided by intuition and curiosity; notation and atonality serve as a compass rather than a rule, supported here by research into the subject itself. My aural journey began at six at the piano, expanded through Germany's 1990s DJ culture, deepened during my years as a contracted composer with BMG, and refined through studies in Sound & Visual Art at Middlesex University's Lansdowne Centre for Electronic Arts. Together, these experiences shape a practice that moves fluidly between structure and instinct, inquiry and an enduring love for soundscape creation.Piano being played reimagined by Linda Himbert.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds
"Piano being played": recording of the second movement ('Sarabande') of solo piano suite 'Pour le piano' (L.95) by French composer Claude Debussy, performed by an unnamed pianist.From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly in Vanuatu (and South Africa) between 1960 and 1979.Recorded by Raymond Ernst Clausen.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds
durée : 01:00:23 - Laurent Mauvignier, écrivain - par : Priscille Lafitte - "La Maison vide" de Laurent Mauvignier est peuplée d'un piano et de souvenirs musicaux liés au fantôme d'une arrière-grand-mère pianiste, Marie-Ernestine. Ce roman, qui a valu à l'auteur le prix Goncourt, est-il né en musique ? Portrait de Laurent Mauvignier entre Franz Schubert et John Cage. - réalisé par : Philippe Petit Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Radio Clásica presenta su más amplia de Jazz, piezas inéditas, grabaciones íntimas de Europa.
Hello Beautiful, I'm so grateful you're here with me.
In Wednesday's State of the State address, Gov. JB Pritzker proposed to pause the state's tax incentives for new data center construction amidst growing concerns of environmental hazards, water and power usage, and the future of AI. We break down the announcement with Invisible Institute Director of Public Strategy Maira Khwaja and Director of Data Trina Reynolds-Tyler. Plus, Chicago woke up to dusty, muddy cars and streets on Ash Wednesday, helpful voter guides released ahead of primary day, and we're checking in on our favorite backyard chickens. Good News: Soundtrack Sessions, Chicago Dyke March Community Iftar Want some more City Cast Chicago news? Then make sure to sign up for our newsletter. Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Learn more about the sponsors of this Feb. 20 episode: Chicago Board of Election Commissioners Access Contemporary Music – Use promo code PIANO for 20% off South By Southwest – Unlock a 10% discount on your Innovation Badge when you use code citycast10 Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE
durée : 00:04:04 - Une semaine dans leurs vies - Nous allons faire la rencontre d'Audric de Oliveira. C'est un virtuose du piano devenu gardien d'immeuble dans les beaux quartiers parisiens. Ce concierge, très à part, a étudié le piano dans les plus prestigieuses écoles de musique du monde. Pourtant, Audric ne peut pas vivre de sa musique. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
A debate over bike lanes on Archer Avenue is launching municipal election season in Brighton Park, where a bike lane opponent has launched a campaign to replace the 12th Ward alderperson. Host Jacoby Cochran, executive producer Simone Alicea, and producer Michelle Navarro break it down. Plus, they're talking about the confluence of Lunar New Year, Ramadan, and Lent. We also hear from listeners about the Bears stadium drama. Want some more City Cast Chicago news? Then make sure to sign up for our newsletter. Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Learn more about the sponsors of this Feb. 19 episode: Chicago Board of Election Commissioners Access Contemporary Music – Use promo code PIANO for 20% off South By Southwest – Unlock a 10% discount on your Innovation Badge when you use code citycast10 Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE
Ask Joni a question here! --------Thank you for listening! Your support of Joni and Friends helps make this show possible. Joni and Friends envisions a world where every person with a disability finds hope, dignity, and their place in the body of Christ. Become part of the global movement today at www.joniandfriends.org. Find more encouragement on Instagram, TikTok, Facebook, and YouTube.
Gabriel Faure - Ballade for Piano and OrchestraRomain Descharmes, piano Malmo Opera OrchestraMichael Halasz, conductorMore info about today's track: Naxos 8.574570Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon
If you search for piano recordings via downloading and streaming platforms, you may encounter the name Claudio Colombo, who has seemingly recorded everything ever written for the piano, and for the harpsichord as well. Or has he? Just what is this all about? Jed tries to find out for himself on this episode.Some examples:Clementi - https://www.youtube.com/watch?v=XMAOTrCTYT4&list=PLjQOybcDkZBMDEqcph3Os-Tixbl4v4MxOBrahms - https://www.youtube.com/watch?v=zmVCcXY0XbgSchubert for Clarinet and Piano - https://www.youtube.com/watch?v=fWD-wdgtfGo&list=PL-fcrLIr4hrfEQyfBQld3JOzFtRqjQEgkMussorgsky for Flute and Piano - https://www.youtube.com/watch?v=3EATbUF90yoBrahms Violin Sonata No. 1 "arranged" for Clarinet and Piano - https://www.youtube.com/watch?v=aE8UR7iQl3YConsider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven
Today we're remembering the legacy of Rev. Jesse Jackson, who died Tuesday at 84. Host Jacoby Cochran and executive producer Simone Alicea run down the highlights and controversies of Jackson's career in Chicago. Plus, they're breaking down the mayor's veto of the hemp ban, and Simone shows off her political mailer haul. Fill out this survey for a chance to win a $100 gift card! Want some more City Cast Chicago news? Then make sure to sign up for our Hey Chicago newsletter. Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Learn more about the sponsors of this Feb. 18 episode: Chicago Board of Election Commissioners Access Contemporary Music – Use promo code PIANO for 20% off South By Southwest – Unlock a 10% discount on your Innovation Badge when you use code citycast10 Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE
This surprise bonus episode was created in collaboration with Mannes School of Music at The New School.In this conversation, I sit down with Pavlina Dokovska — internationally active concert pianist, Chair of the Piano Department at Mannes School of Music, and Artistic Director of the Mannes International Piano Festival — to explore what it truly means to build artists in today's musical and cultural moment.We discuss serious piano study, long-term mentorship, artistic identity, and the role institutions play in shaping the next generation of musicians.Toward the end of the episode, you will also hear from Jiwon Yang, current Mannes graduate student and First Prize winner of the George and Elizabeth Gregory Concerto Competition, sharing her experience studying in downtown Manhattan and participating in the festival.
In 2019, Illinois' legal weed legislation was hailed as the “most equity-centric” cannabis law in the country. But in reality, those promises didn't quite materialize. Chicago Reporter's Sara Cooper joins host Jacoby Cochran and executive producer Simone Alicea to talk about what the state got wrong about legal weed. Plus, they're catching up on some legislation to watch in Springfield, including data center regulation and the latest in Bears stadium drama. Want some more City Cast Chicago news? Then make sure to sign up for our daily newsletter. Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Learn more about the sponsors of this Feb. 17 episode: Chicago Board of Election Commissioners Access Contemporary Music — Use promo code PIANO for 20% off Window Nation South By Southwest — Unlock a 10% discount on your Innovation Badge when you use code citycast10 Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE
https://brett-schumacher-shop.fourthwall.comWelcome to Creepy Ghost Stories, your ultimate horror podcast for the strange, the bizarre, and the unexplained.Hosted by author and narrator Brett Schumacher, this channel is the premier destination for scary stories designed to chill you to the bone or help you drift off to sleep. We specialize in high-quality narrations ranging from viral creepypasta legends to true horror stories submitted by real people.What you can expect on the channel:• Folk Horror: Unsettling tales from the Appalachian Mountains and deep woods.• High Strangeness: Bizarre glitch in the matrix accounts and alien horror.• Supernatural: The best haunted stories and paranormal stories from around the world.• Real Encounters: Real horror experiences from night shifts, lonely roads, and closed locations.Whether you are a fan of Reddit horror or classic folklore, Creepy Ghost Stories brings these terrors to life with immersive audio.Subscribe now and turn on notifications for your daily dose of ghost stories.
✨ Support the show with Premium (Ad-Free) -- Drift into deep, restorative rest with Campfire on a Tropical Beach, an immersive soundscape blending relaxing ambient piano music, a calm tropical beach campfire ambience, and subtle 2 Hz delta wave binaural beats. Gentle ocean waves roll softly onto the shore as a warm fire crackles nearby, creating a peaceful island-night atmosphere. The soothing piano melodies ease emotional tension, while the 2 Hz delta waves guide your brain into the deepest stages sleep, supporting healing, full-body relaxation, and uninterrupted overnight rest. --
Jake and Gareth go spelunking in a suburban basement. Then, they set firm boundaries with a piano teacher.Vote for the theme song: https://weneedtopick.com/themesongSee images from the episode here: https://www.heretohelppod.com/post/episode-261 Want to call in? Email your question to helpfulpod@gmail.com.PATREON: https://patreon.com/heretohelppodMERCH: heretohelppod.comINSTAGRAM: @HereToHelpPodIf you're enjoying the show, make sure to rate We're Here to Help 5-Stars on Apple Podcasts.Advertise on We're Here to Help via Gumball.fmSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In this episode of the Crazy Wisdom podcast, host Stewart Alsop interviews John von Seggern, founder of Future Proof Music School, about the intersection of music education, technology, and artificial intelligence. They explore how musicians can develop timeless skills in an era of generative AI, the evolution of music production from classical notation to digital audio workstations like Ableton Live, and how AI is being used on the education side rather than for creation. The conversation covers music theory fundamentals, the development of instruments and recording technology throughout history, complex production techniques like sidechain compression, and the future of creative work in an AI-assisted world. John also discusses his development of Cadence, an AI voice tutor integrated with Ableton Live to help students learn music production. For those interested in learning more about Future Proof Music School or becoming a beta tester for the AI voice tutor, visit futureproofmusicschool.com.Timestamps00:00 Future Proofing Musicians in a Changing Landscape03:07 The Role of AI in Music Education05:36 Generative AI: A Tool for Musicians?08:36 The Evolution of Music Creation and Technology11:30 The Impact of Recording Technology on Music14:31 The Fragmentation of Culture and Music17:19 Exploring Music History and Theory20:13 The Relationship Between Music and Memory23:07 The Future of Music Creation and AI26:17 The Importance of Live Music Experiences28:49 Navigating the New Music Landscape31:47 The Role of AI in Finding New Music34:48 The Creative Process in Music Production37:33 The Future of Music Theory and Composition40:10 The Search for Unique Artistic Voices43:18 The Intersection of Music and Technology46:10 Cultural Shifts in the Music Industry49:09 Finding Quality in a Sea of ContentKey Insights1. Future-proofing musicians means teaching evergreen techniques while adapting to AI realities. John von Seggern founded Future Proof Music School to address both sides of music education in the AI era. Students learn timeless production skills that won't become obsolete as technology evolves, while simultaneously exploring meaningful creative goals in a world where generative AI exists. The school uses AI on the education side to help students learn, but students themselves aren't particularly interested in using generative AI for actual music creation, preferring to maintain their creative fingerprint on their work.2. The 12-note Western music system emerged from mathematical relationships discovered by Pythagoras and enabled collaborative music-making. Pythagoras demonstrated that pitch relates to vibrating string lengths, establishing mathematical ratios for musical intervals. This system allowed Western classical music to flourish because it could be notated and taught consistently, enabling large groups to play together. However, the piano is never perfectly in tune due to necessary compromises in the tuning system. By the 1920s, composers had explored most harmonic possibilities within this framework, leading to new directions in musical innovation.3. Recording technology fundamentally transformed music by making the studio itself the primary instrument. The invention of audio recording in the early-to-mid 20th century shifted music from purely instrumental composition to sound-based creation. This enabled entirely new genres like electronic dance music and hip-hop, which couldn't exist without technologies like synthesizers and samplers. Modern digital audio workstations like Ableton Live allow producers to have unlimited tracks and manipulate sounds in infinite ways, making any imaginable sound possible and moving innovation from hardware to software.4. Generative AI will likely replace generic music production but not visionary artists. John distinguishes between functional music (background music for films, work, or bars) and music where audiences deeply connect with the artist's vision. AI excels at generating functional music cheaply, which will benefit indie filmmakers and similar creators. However, artists with strong creative visions who audiences follow and identify with won't be replaced. The creative fingerprint and personal statement of important artists will remain valuable regardless of the tools they use, just as DJs created art through curation rather than original production.5. Copyright restrictions are limiting generative music AI's quality compared to other AI domains. Unlike books and visual art, recorded music copyrights are concentrated among a few companies that defend them aggressively. This prevents AI music models from training on the best music in each genre, resulting in lower-quality outputs. Some developers claim their private models trained on copyrighted music sound better than commercial offerings, but legal constraints prevent widespread access. This situation differs significantly from other creative domains where training data is more accessible.6. Modern music production involves complex technical skills like sidechain compression and multi-track mixing. Today's electronic music producers work with potentially hundreds of tracks, each with sophisticated processing. Techniques like sidechain compression allow certain elements (like kick drums) to dynamically reduce the volume of other elements (like bass), ensuring clarity in the final mix. Future Proof Music School teaches students these complex production techniques, with some aspiring producers creating incredibly detailed compositions with intricate effects chains and interdependent track relationships.7. Culture is fragmenting into micro-trends, making discovery rather than creation the primary challenge. John observes that while the era of mass media created mega-stars like The Beatles and Elvis, today's landscape features both enormous stars (like Taylor Swift) and an extremely long tail of creators making niche content. AI will make it easier for more people to create quality content, particularly in fields like independent filmmaking, but the real problem is discovery. Current algorithmic recommendations don't effectively surface hidden gems, suggesting a future where personal AI agents might better curate content based on individual preferences rather than platform-driven engagement metrics.
Early voting for the March primary has officially begun. Host Jacoby Cochran, The Triibe's Tonia Hill, and Injustice Watch's Charles Preston are discussing important races to watch, including the 7th Congressional District, and helpful resources like the Injustice Watch judicial guide. Plus, Derrick Rose joins the new United Center development, and Caleb Williams heads to the NBA All-Star weekend. Good News: Purple Box Videos Don't miss City Cast's newest podcast "Your City Could Be Better." CEO and host David Plotz talks with City Cast hosts and producers across all 13 cities about what our cities are doing right and wrong. Want some more City Cast Chicago news? Then make sure to sign up for our daily newsletter. Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Learn more about the sponsors of this Feb. 13 episode: Chicago Board of Election Commissioners Access Contemporary Music – Use promo code PIANO for 20% off Window Nation Chicago Architecture Center South By Southwest – Unlock a 10% discount on your Innovation Badge when you use code citycast10 Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE