Podcasts about ucsb film

Monster: The Jeffrey Dahmer Story is a Netflix docuseries that was released in late September, causing a significant stir among viewers for its graphic, gory visuals and controversial portrayal of Dahmer's black victims. KCSB's Jennifer Zwigl sits down with retired UCSB Film and Media Studies Professor, Dr. Everett, to explore how blackness is represented in Monster, as well as discuss the growing fascination with serial killers in television.

A Q&A session with Writer/Director/Producer Miguel Coyula and Actor/Co-Producer Lynn Cruz of the documentary Nadie (2017). Coyula and Cruz discuss the production of the film and their work with the subject of the documentary, the reclusive Cuban poet, Rafael Alcides. The Q&A session, moderated by UCSB FIlm and Media Studies Professor, Cristina Venegas, covers the banning of the film in Cuba, the effect that making an “Anti-Revolutionary Film” has had on Coyula and Cruz, and the reception of the film in light of the deaths of both Fidel Castro and Alcides. This is Coyula’s first documentary feature, he was previously awarded a Guggenheim Fellowship for the production of Memories of Overdevelopment (2010). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34472]

A Q&A session with Writer/Director/Producer Miguel Coyula and Actor/Co-Producer Lynn Cruz of the documentary Nadie (2017). Coyula and Cruz discuss the production of the film and their work with the subject of the documentary, the reclusive Cuban poet, Rafael Alcides. The Q&A session, moderated by UCSB FIlm and Media Studies Professor, Cristina Venegas, covers the banning of the film in Cuba, the effect that making an “Anti-Revolutionary Film” has had on Coyula and Cruz, and the reception of the film in light of the deaths of both Fidel Castro and Alcides. This is Coyula’s first documentary feature, he was previously awarded a Guggenheim Fellowship for the production of Memories of Overdevelopment (2010). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34472]

A Q&A session with Writer/Director/Producer Miguel Coyula and Actor/Co-Producer Lynn Cruz of the documentary Nadie (2017). Coyula and Cruz discuss the production of the film and their work with the subject of the documentary, the reclusive Cuban poet, Rafael Alcides. The Q&A session, moderated by UCSB FIlm and Media Studies Professor, Cristina Venegas, covers the banning of the film in Cuba, the effect that making an “Anti-Revolutionary Film” has had on Coyula and Cruz, and the reception of the film in light of the deaths of both Fidel Castro and Alcides. This is Coyula’s first documentary feature, he was previously awarded a Guggenheim Fellowship for the production of Memories of Overdevelopment (2010). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34472]

A Q&A session with Writer/Director/Producer Miguel Coyula and Actor/Co-Producer Lynn Cruz of the documentary Nadie (2017). Coyula and Cruz discuss the production of the film and their work with the subject of the documentary, the reclusive Cuban poet, Rafael Alcides. The Q&A session, moderated by UCSB FIlm and Media Studies Professor, Cristina Venegas, covers the banning of the film in Cuba, the effect that making an “Anti-Revolutionary Film” has had on Coyula and Cruz, and the reception of the film in light of the deaths of both Fidel Castro and Alcides. This is Coyula’s first documentary feature, he was previously awarded a Guggenheim Fellowship for the production of Memories of Overdevelopment (2010). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34472]

A Q&A session with Writer/Director/Producer Miguel Coyula and Actor/Co-Producer Lynn Cruz of the documentary Nadie (2017). Coyula and Cruz discuss the production of the film and their work with the subject of the documentary, the reclusive Cuban poet, Rafael Alcides. The Q&A session, moderated by UCSB FIlm and Media Studies Professor, Cristina Venegas, covers the banning of the film in Cuba, the effect that making an “Anti-Revolutionary Film” has had on Coyula and Cruz, and the reception of the film in light of the deaths of both Fidel Castro and Alcides. This is Coyula’s first documentary feature, he was previously awarded a Guggenheim Fellowship for the production of Memories of Overdevelopment (2010). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34472]

A Q&A session with Writer/Director/Producer Miguel Coyula and Actor/Co-Producer Lynn Cruz of the documentary Nadie (2017). Coyula and Cruz discuss the production of the film and their work with the subject of the documentary, the reclusive Cuban poet, Rafael Alcides. The Q&A session, moderated by UCSB FIlm and Media Studies Professor, Cristina Venegas, covers the banning of the film in Cuba, the effect that making an “Anti-Revolutionary Film” has had on Coyula and Cruz, and the reception of the film in light of the deaths of both Fidel Castro and Alcides. This is Coyula’s first documentary feature, he was previously awarded a Guggenheim Fellowship for the production of Memories of Overdevelopment (2010). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34472]

A conversation with Tamer El Said, Director of In the Last Days of the City (2016), and UCSB Film and Media Studies Professor, Laila Shereen Sakr. Discussion covers El Saids work filming In the Last Days of the City. Shot between 2006 and 2008, the years leading up to the Egyptian Revolution, the film reflects a growing tension in Ciaro. El Siad comments on trying to capture his sense of the city on film in a way that seeks to express the feeling of being on the brink of changeespecially when this change hasn't happened yet. This conversation emphasizes the difficulty of capturing and representing a city on film, and particularly of producing a film that represents a feeling of impending social upheaval. El Said discusses the significance of his film and his experience and influences that shaped the process of producing beforeand editing afterthe events of the Arab Spring. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34289]

A conversation with Tamer El Said, Director of In the Last Days of the City (2016), and UCSB Film and Media Studies Professor, Laila Shereen Sakr. Discussion covers El Saids work filming In the Last Days of the City. Shot between 2006 and 2008, the years leading up to the Egyptian Revolution, the film reflects a growing tension in Ciaro. El Siad comments on trying to capture his sense of the city on film in a way that seeks to express the feeling of being on the brink of changeespecially when this change hasn't happened yet. This conversation emphasizes the difficulty of capturing and representing a city on film, and particularly of producing a film that represents a feeling of impending social upheaval. El Said discusses the significance of his film and his experience and influences that shaped the process of producing beforeand editing afterthe events of the Arab Spring. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34289]

A conversation with Tamer El Said, Director of In the Last Days of the City (2016), and UCSB Film and Media Studies Professor, Laila Shereen Sakr. Discussion covers El Saids work filming In the Last Days of the City. Shot between 2006 and 2008, the years leading up to the Egyptian Revolution, the film reflects a growing tension in Ciaro. El Siad comments on trying to capture his sense of the city on film in a way that seeks to express the feeling of being on the brink of changeespecially when this change hasn't happened yet. This conversation emphasizes the difficulty of capturing and representing a city on film, and particularly of producing a film that represents a feeling of impending social upheaval. El Said discusses the significance of his film and his experience and influences that shaped the process of producing beforeand editing afterthe events of the Arab Spring. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34289]

A conversation with Tamer El Said, Director of In the Last Days of the City (2016), and UCSB Film and Media Studies Professor, Laila Shereen Sakr. Discussion covers El Saids work filming In the Last Days of the City. Shot between 2006 and 2008, the years leading up to the Egyptian Revolution, the film reflects a growing tension in Ciaro. El Siad comments on trying to capture his sense of the city on film in a way that seeks to express the feeling of being on the brink of changeespecially when this change hasn't happened yet. This conversation emphasizes the difficulty of capturing and representing a city on film, and particularly of producing a film that represents a feeling of impending social upheaval. El Said discusses the significance of his film and his experience and influences that shaped the process of producing beforeand editing afterthe events of the Arab Spring. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34289]

Who can forget the increasingly violent attacks by wild birds in Hitchcock's 1963 horror-thriller? Actress Tippi Hedren discusses the process of filming The Birds with moderator Ross Melnick of the UCSB Film and Media Studies Department. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 32217]

Who can forget the increasingly violent attacks by wild birds in Hitchcock's 1963 horror-thriller? Actress Tippi Hedren discusses the process of filming The Birds with moderator Ross Melnick of the UCSB Film and Media Studies Department. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 32217]

Latino: The Changing Face of America is a new documentary by Los Angeles-born filmmaker and UCSB alumna Roxanne Frias. She discusses the film's glimpse into the future of the world’s biggest economy, a future in which Latinos will form the largest demographic group. The discussion includes Chicano Studies & History Professor Mario Garcia and Cristina Venegas of UCSB Film and Media Studies. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 31623]

Latino: The Changing Face of America is a new documentary by Los Angeles-born filmmaker and UCSB alumna Roxanne Frias. She discusses the film's glimpse into the future of the world’s biggest economy, a future in which Latinos will form the largest demographic group. The discussion includes Chicano Studies & History Professor Mario Garcia and Cristina Venegas of UCSB Film and Media Studies. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 31623]

Ridley Scott’s 1982 film Blade Runner, set in a dystopian city-world of the future, presented extreme cinematographic challenges. UCSB Film and Media Studies faculty members Ross Melnick and Anna Brusutti discuss the making of the film and why it resonates so many years after its original release. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 29844]