Podcasts about Blade Runner

Sir Roger Deakins is the award-winning cinematographer behind the films Bladerunner: 2049, 1917, and No Country for Old Men (just to name a few). Although those behind the camera often do not reach the heights of mainstream recognition, Deakins is the rare case of a cinematographer becoming a household name, considered one of the greatest of all time. In his new book Reflections: On Cinematography, Deakins steps into the light, sharing memories from his time in art school and working on music videos, to his longstanding career in film, working alongside directors such as the Coen Brothers and Denis Villeneuve. Larry Mantle speaks with cinematographer Sir Roger Deakins about his memoir and his decades spent behind the camera on some of the most influential films. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!

Movies and guests coming soon! Stefan Sagmeister who talks about his documentary The Happy Film (2006), plus plenty of other awesome guests COMING SOON!Get ready for upcoming episodes. WATCH NOW!The Happy Film (2016) with Stefan Sagmeister-https://sagmeister.com/rent or purchase The Happy Film @ Amazonhttps://amzn.to/3WIdnb6Amelie (2002) with Zipeng Zhu-https://www.instagram.com/zzdesign/rent or purchase Amelie @ Amazonhttps://amzn.to/3LrsvY0Then, our next episodes, listed alphabetically.Blade Runner (1982) with Kevin Finn-https://thesumof.com.au/Arrival (2006) with Debbie Millman-https://designmattersmedia.com/Her (2013) with Weber Wong-https://weberwong.cargo.site/Moon (2009) with Andy Pratt-https://andyprattdesign.com/Tron (1982) with Tim LapetinoTron: Ares (2025) with Tim Lapetino-https://www.instagram.com/timlapetino/

Welcome to Dev Game Club, where this week we finish our series on Deadly Premonition. We talk a bit about the main story, the life sim, how we get around and more before turning to takeaways. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: To Ch 21 (Tim) and only Ch 8 (Brett) Issues covered: Cry-baby Timothy, pre-show announcements, the game coming more quickly at the end, prime time television and Twin Peaks, describing an actual puzzle, the feeling of a web of connections between people both surface and hidden, the Ingram twins and their grandfather and Kaysen, dialogue with characters on their life sim paths, having the spatial awareness of the town vs not in television, you get to live in the town, the limitations of the driving model, wanting a simpler driving model, having conversation while the character is being driven instead, an unpolished gem, when time pauses vs when it will advance and keeping you unsettled, dealing with open world games with day/night cycles and running into the time problem, being unclear what other games this inspired, a different kind of mature, leaning into the quirk (and your constraints), stunt comedy, not getting enough of this sort of game, integrating the player into the town, inspirations with a twist. Games, people, and influences mentioned or discussed: Video Game History Foundation, Rocksmith, Twin Peaks, David Lynch, Mark Frost, Resident Evil, Yakuza (series), Breaking Bad, The Last of Us, Nick Offerman, Gilmore Girls, Red Dead Redemption, Assassin's Creed, L. A. Noire, Mars Attacks, GTA 3, Shenmue, Dungeons & Dragons, Tolkien, Star Wars, Alien, Blade Runner, Artimage, Cult of the Lamb, Angie Nash, Kirk Hamilton, Aaron Evers, Mark Garcia.   Next time: Discord Game Club interview with N0isses Links: N0isses Twitch channel  Pancreatic Cancer Action Network  Apply for Defeating Games Twitch: timlongojr and twinsunscorp  YouTube  Discord  DevGameClub@gmail.com 

In this episode, PlanningxChange travels to Vietnam to speak with Olivier Souquet, French architect and co-founder of DE-SO Asia, a Saigon (Ho Chi Minh City)-based design studio renowned for projects that weave together climate, culture, and poetic sensibility. Since establishing DE-SO Asia in 2016, Olivier has guided a diverse body of work across Vietnam—from rural schools and urban housing to major civic and cultural landmarks, including the new City Planning Exhibition Center in Ho Chi Minh City. His practice embraces both rigorous environmental awareness and a deep respect for local materials, topography, and traditions. Olivier discusses his architectural philosophy—shaped by influences such as Édouard Glissant's call to “act in your place, think with the world”—and the realities of designing in Vietnam's tropical context, where rain, heat, and humidity shape the rhythm of daily work. He reflects on building responsibly in a time of ecological change, how poetic gestures sustain creativity, and why uncertainty (“Au Vietnam, rien n'est jamais sûr”) is part of the country's charm and challenge. This is a conversation about architecture as adaptation, empathy, and imagination—rooted in place yet globally aware. Key Topics * Origins and philosophy of DE-SO Asia * Practicing architecture across French and Vietnamese cultures * The Family Garden studio: daily rituals, nature, and community * Designing the Ho Chi Minh City Planning Exhibition Center * Balancing civic responsibility with poetic intent * Advice for young architects and reflections on VietnamDE-DE-SO)'s creative energy About DE-SO Asia Founded in 2016 by Olivier Souquet, DE-SO Asia is a Vietnamese architectural and planning firm working at all scales—from regional masterplans to public buildings and landscapes. The firm collaborates with public authorities, private investors, and international partners, and is recognised for its environmentally conscious, site-responsive designs grounded in local knowledge and craftsmanship.


In this episode, PlanningxChange travels to Vietnam to speak with Olivier Souquet, French architect and co-founder of DE-SO Asia, a Saigon (Ho Chi Minh City)-based design studio renowned for projects that weave together climate, culture, and poetic sensibility. Since establishing DE-SO Asia in 2016, Olivier has guided a diverse body of work across Vietnam—from rural schools and urban housing to major civic and cultural landmarks, including the new City Planning Exhibition Center in Ho Chi Minh City. His practice embraces both rigorous environmental awareness and a deep respect for local materials, topography, and traditions. Olivier discusses his architectural philosophy—shaped by influences such as Édouard Glissant's call to “act in your place, think with the world”—and the realities of designing in Vietnam's tropical context, where rain, heat, and humidity shape the rhythm of daily work. He reflects on building responsibly in a time of ecological change, how poetic gestures sustain creativity, and why uncertainty (“Au Vietnam, rien n'est jamais sûr”) is part of the country's charm and challenge. This is a conversation about architecture as adaptation, empathy, and imagination—rooted in place yet globally aware. Key Topics * Origins and philosophy of DE-SO Asia * Practicing architecture across French and Vietnamese cultures * The Family Garden studio: daily rituals, nature, and community * Designing the Ho Chi Minh City Planning Exhibition Center * Balancing civic responsibility with poetic intent * The evolving discourse: “Is it still moral to build?” * Advice for young architects and reflections on VietnamDE-DE-SO)'s creative energy About DE-SO Asia Founded in 2016 by Olivier Souquet, DE-SO Asia is a Vietnamese architectural and planning firm working at all scales—from regional masterplans to public buildings and landscapes. The firm collaborates with public authorities, private investors, and international partners, and is recognised for its environmentally conscious, site-responsive designs grounded in local knowledge and craftsmanship.


Welcome back to The Cinedicate. On today's episode, we're crash-landing into Alien: Earth, the first-ever Alien TV series. We break down the hybrid identity of Wendy, the corporate wars brewing between Weyland Yutani and Prodigy, and ask the big questions: What will humanity become when evolution and technology collide? Was Alien Earth a worthy addition to the Alien legacy, or just another xenomorph cash grab?So whether you're a lifelong Alien fan, love a good sci-fi debate, or just wonder what happens when memory itself becomes a weapon, join us as we dig through the wreckage and chart the future of the franchise—right here on The Cinedicate.What to expect from the episode:First impressions, debates, and generational perspectives on the new Alien: Earth TV series, including discussion on its connections to the classic films, franchise fatigue, and whether it brings anything new to the Alien universe.Deep dive into the show's major themes: AI consciousness, biotech, corporate power, and the ethics of uploading human minds into synthetic bodies, with comparisons to real-world technology and other sci-fi stories like Blade Runner and Altered Carbon.Spirited discussion on the show's structure, pacing, and narrative choices, including debates over fan service vs. originality, unresolved storylines, the impact of streaming models, and recommendations about whether Alien: Earth is a must-watch for Alien fans (or if you should just go watch Romulus or Blade Runner instead).Episode Chapters 00:00:00 - Introduction to Alien: Earth & Central Themes 00:01:47 - Personal Entry Points to Alien Franchise 00:08:29 - First Impressions - Alien: Earth00:11:31 - Series' Retro Aesthetic00:13:48 - Narrative Structure and Release Strategy 00:17:52 - Alien: Earth vs. Alien Romulus / Retreading Franchise Territory 00:20:40 - Hybrid Identity, Biotech, and AI in Alien: Earth00:30:33 - AI Sentience, Deception, and Control—Parallels to Reality 00:36:59 - Xenomorphs' Role: Gore, Threat, and Audience Expectations 00:39:50 - Timeline and Canon Questions00:43:17 - Other Alien Species: Significance, Motivation, and Unanswered Mysteries 00:46:35 - Desire for Narrative Closure: Open-Ended Finale Critique 00:49:13 - Themes of Power Transfer 00:50:43 - AVP/Potential Crossovers & Franchise-Building Speculation 00:55:53 - The Formula and Essence of an Alien Movie 01:02:42 - Ethical Debate: Should Humanity Weaponize Alien Life or Technology? 01:14:18 - Government vs. Corporation: Who Should Contain Biohazards? 01:17:43 - Alien: Earth in the Context of other Alien Media 01:27:20 - Final Judgment 01:29:49 - Outro Hosted on Acast. See acast.com/privacy for more information.

Join screenwriter Stuart Wright as he dives into movies that changed your life with the director of the Texas Chain Saw Massacre documentary CHAIN REACTIONS, Alexandre O. Phillipe, in this engaging episode of 3 Films That Have Impacted Everything In Your Adult Life. Explore Vertigo impact, Bladerunner analysis, and All Tex Avery Cartoons influence on his personal growth and cinema's transformative power. Alexandre O. Phillipe also discusses how he directed CHAIN REACTIONS Movies That Changed Your Life   Find out about the making of the Texas Chain Saw Massacre documentary CHAIN REACTIONS and the lasting impact of cinema with Stuart Wright on his movie podcast.   [1:00] Describe CHAIN REACTIONS [3:00] Texas Chain Saw Massacre is an extraordinary film [5:20] Texas Chain Saw Massacre is pure cinema [7:20] Texas Chain Saw Massacre looks amateurish is part of the charm of the film [9:00] What changes in perception did Alexandre have from making CHAIN REACTIONS? [13:00] Gaining new readings of Texas Chain Saw Massacre from those interviewed. [14:00] 3 Films That Have Impacted Everything In Your Adult Life Vertigo impact  [14:43] Alexandre O. Phillipe describes how Vertigo goes really deep and was his first film memory.  Bladerunner analysis [20:20] Alexandre O. Phillipe shares how Bladerunner was a film he watched in theatres, in Paris, when he was 10. He got the VHS as soon as he could and there was a time in his youth when he watched the film every day of his life. All Tex Avery Cartoons Influence   [26:00] Alexandre O. Phillipe talks about how watching Tex Avery Cartoons were a huge part of his pre-school routine when he was growing up in Switzerland. The absurdity and over the top humour and how Tex Avery could escalate every situation. Alexandre thinks that Tex Avery was the greatest.  Key Take Aways:   - Discover how movies that changed your life shape personal and professional growth. - Learn about how Alexandre O. Philippe decided on the style and format of the Texas Chain Saw Massacre documentary CHAIN REACTIONS Understand cinema's transformative power through Vertigo (1958), Bladerunner (1982), All Tex Avery Cartoons Full show notes and transcript:  About the Guest:   Alexandre O. Philippe is a Swiss American film director. Philippe is also the Creative Director and co-owner of Denver-based Cinema Vertige Fifty years after Tobe Hooper's The Texas Chain Saw Massacre shocked the world, this feature-length documentary charts the film's profound impact and lasting influence on five great artists – Patton Oswalt, Takashi Miike, Alexandra Heller-Nicholas, Stephen King and Karyn Kusama.  Chain Reactions will be available on Digital and Blu-ray from 27th October Subscribe on Apple Podcasts, follow on Spotify or wherever you listen to your podcasts for more movies that impacted your life!  Share your favourite movies that impacted your life on X (@leytonrocks) and leave a 5-star review and tell us which 3 films impacted your adult life. Best ones get read out on the podcast. Credits:   Intro/Outro music: *Rocking The Stew* by Tokyo Dragons (https://www.instagram.com/slomaxster/)  Written, produced, and hosted by Stuart Wright for [Britflicks.com](https://www.britflicks.com/britflicks-podcast/)   Learn more about your ad choices. Visit megaphone.fm/adchoices

Whitey and Dan are back in the saddle for another dive into Arnold Schwarzenegger's golden era with their The Running Man (1987) Review, a dystopian action flick that predicted the rise of reality TV and the cult of celebrity with eerie accuracy. It's big, it's loud, it's absurdly 80s, and the boys are here for every neon-lit minute of it.Released in the same year as Predator, The Running Man often sits in Arnie's shadow catalogue, but this week Whitey and Dan make the case that it deserves far more love. The film, adapted from a Stephen King novel (written under the pseudonym Richard Bachman), throws viewers into a violent future where convicted criminals fight for survival on a televised game show, because nothing says prime-time entertainment like watching people get chainsawed on live TV.From the opening massacre in Bakersfield to Ben Richards' first "I'll be back" moment, Whitey and Dan take listeners on a nostalgia-soaked journey through the blood, the banter, and the bad outfits. They break down the stalkers, Buzzsaw, Sub-Zero, Fireball, Dynamo, and Captain Freedom and debate which death scene gets the best (and most ridiculous) send-off. Spoiler: chainsaws and balls don't mix.Along the way, the boys give Richard Dawson his due credit as Damon Killian, the sleaziest game show host since, well, himself. As Whitey points out, Dawson essentially plays an exaggerated version of his Family Feud persona, a charismatic creep who can charm the crowd while stabbing them in the back. Dan draws parallels between modern-day media culture and the movie's grim predictions of audience addiction, fake news, and manufactured heroes, which feel alarmingly close to home.There's plenty of banter too: stories about watching the film with their kids, reminiscing about the VHS days, and of course, a classic tangent on Australian childhoods versus American movie myths. Whitey marvels at Arnie's physical prime, the perfect blend of muscle and movie-star charm, while Dan compares the Austrian Oak's 1987 aesthetic to "a bag of walnuts, Arnie" in Predator. They even give props to the underrated soundtrack by Harold Faltermeyer and the bold (if slightly confusing) set design that feels part Blade Runner, part Rollerball fever dream.The Film School for F-Wits segment delves into dystopian cinema, with Dan running through ten classics that share DNA with The Running Man, including Demolition Man, Gattaca, Children of Men, and 1984. Expect tangents, trivia, and typical Morgs-level shade directed at absent co-hosts.As always, the boys bring the laughs with The Good, The Bad, and The Ugly. The good? Arnie's comedic timing and Richard Dawson's deliciously slimy performance. The bad? The script's dodgy one-liners, including the immortal “Subzero… now plain zero." The ugly? The shiny Lycra jumpsuits that make everyone look like they've escaped from a Eurovision rehearsal.It's vintage Born to Watch: irreverent, nostalgic, and filled with 80s love. Whether you're an Arnie completist or just here for the banter, this episode proves that The Running Man still runs circles around most modern action flicks.JOIN THE CONVERSATIONShould The Running Man be ranked among Arnie's all-time classics? Did this 1987 gem actually predict the rise of reality TV? Is Richard Dawson the sleaziest game show host in movie history?Listen now on Spotify, Apple Podcasts, or at BornToWatch.com.au#TheRunningMan1987Review #BornToWatch #ArnoldSchwarzenegger #80sAction #SciFiClassic #MoviePodcast #FilmReview #StephenKing #DystopianMovies #CultCinema

In this episode, PlanningxChange travels to Vietnam to speak with Olivier Souquet, French architect and co-founder of DE-SO Asia, a Saigon (Ho Chi Minh City)-based design studio renowned for projects that weave together climate, culture, and poetic sensibility. Since establishing DE-SO Asia in 2016, Olivier has guided a diverse body of work across Vietnam—from rural schools and urban housing to major civic and cultural landmarks, including the new City Planning Exhibition Center in Ho Chi Minh City. His practice embraces both rigorous environmental awareness and a deep respect for local materials, geometry, geography, and traditions. Olivier discusses his architectural philosophy—shaped by influences such as Édouard Glissant's call to "act in your place, think with the world"—and the realities of designing in Vietnam's tropical context, where rain, heat, and humidity shape the rhythm of daily work. He reflects on building responsibly in a time of ecological change, how poetic gestures sustain creativity, and why uncertainty ("Au Vietnam, rien n'est jamais sûr") is part of the country's charm and challenge. This is a conversation about architecture as adaptation, empathy, and imagination—rooted in place yet globally aware. Key Topics Origins and philosophy of DE-SO Asia Practicing architecture across French and Vietnamese cultures The Family Garden studio: daily rituals, nature, and community Designing the Ho Chi Minh City Planning Exhibition Center Balancing civic responsibility with poetic intent Advice for young architects and reflections on Vietnam's creative energy About DE-SO Asia Founded in 2016 by Olivier Souquet, DE-SO Asia is a Vietnamese architectural and planning firm working at all scales—from regional masterplans to public buildings and landscapes. The firm collaborates with public authorities, private investors, and international partners, and is recognised for its environmentally conscious, site-responsive designs grounded in local knowledge and craftsmanship.

En este episodio de Cierra el libro al salir, correspondiente al mes de mayo de 2019, te ofrecemos los siguientes contenidos: 0:00 Presentación 5:05 Noticias 22:45 Cuéntame un libro: Fernando nos cuenta ¿Sueñan los androides con ovejas eléctricas? de Philip K. Dick… ¿O era Blade Runner? 43:50 Fernando lee un fragmento ¿Sueñan los androides con ovejas eléctricas? 47:00 Libro de reclamaciones con Eloy Tizón, que dialoga con sus libros, en especial con Labia. 57:20 Cuéntame un libro: Ana nos cuenta Lectura Fácil, de Cristina Morales. 1:11:50 Ana lee un capítulo de Lectura fácil. 1:24:06 Entrevista a destiempo. Hoy hablamos con Patricia Highsmith, con la colaboración en el doblaje de Elvira (¡mil gracias, Elvira!) 1:31:30 Reseña Borgiana. Ana nos habla del libro Una mujer que camina, de Antonio Salerno. 1:42:45 Oído por ahí: literatura que nace en la calle. ¿Cuidamos a nuestros amantes? 1:44:40 Despedida y cierre. Hoy, los enlaces de los libros apuntan a la Librería General de Zaragoza. Si conoces una pequeña librería a la que quieras que enlacemos, por favor, dínoslo. Todas las músicas que han sonado durante el programa son de Charles Matuschewski, excepto Overload, de The Error Team (fragmento de ¿Sueñan los androides con ovejas eléctricas?), Utopia, de Bjork (fragmento de Lectura fácil), Mistery Forest, de Lobo Loco (Entrevista a destiempo) Cualquier sugerencia o crítica, incluso malintencionada, nos la podéis enviar a hola@cierraellibroalsalir.com Esto es todo por esta vez. Dentro de un mes, otro episodio. ¡Ah!, no olvidéis cerrar el libro al salir.

Between Metropolis and Star Wars lies a 50 year wasteland of terrible movie robots. Today, we continue our examination of BLADE RUNNER, one of the pivotal films in science fiction cinema. In this episode, Leon tries to kill Rick, then Rick gets all ick. WARNING! The S**t-bomb is said but nothing more TikTok: @FiftyYOSRInsta: @FiftyYOSRNOTES ST GERMAIN BOTTLE DESIGNhttps://sandstrompartners.com/work/st-germain/#:~:text=We%20developed%20the%20creative%20direction,to%20point%2Dof%2Dsale. BRITISH BIRDS CHESS SET FOR SALEhttps://hoylesoxford.com/products/british-birds-chess-pieces-blade-runner?srsltid=AfmBOooJF2LrQGf8omfOEIPjDqEkyVQVNXmlB3yCRWmUBG3vutSekZY5&variant=31789980319813 NICK KNIGHT PHOTOGRAPHYhttps://www.artnet.com/artists/nick-knight/ THE IMMORTAL GAMEhttps://www.chess.com/terms/immortal-game-chess Hosted on Acast. See acast.com/privacy for more information.

Discover the visionary world of Jean Henri Gaston Giraud—also known as Gir but better known as Moebius, a master of cosmic comics—in this podcast episode. Join us for an interview with his children, Nausicaa and Raphael, as they discuss the enduring legacy of their father, a trailblazer whose surreal artistry reshaped science fiction. We met at the France Pavilion at the Frankfurt Book Fair and recorded at the Galaxy Press booth discussing his legacy as well as their own stories with their father. Moebius co-founded Heavy Metal Magazine and served as a founding judge for Illustrators of the Future, even illustrating Jo Beverly's story in Writers of the Future Vol. 4. His seminal "The Long Tomorrow" ignited Ridley Scott's Blade Runner, with Scott later confessing, "You see it everywhere... you can't get away from it." George Lucas hailed Moebius's "sheer beauty" in designs for Willow, while Hayao Miyazaki, a lifelong friend, credits Arzach's "awesome sense of space" for inspiring Nausicaä of the Valley of the Wind—echoed in the name of Giraud's own daughter. Visit https://www.moebius.fr/ and https://www.instagram.com/moebius_production/?hl=en

Discover the visionary world of Jean Henri Gaston Giraud—also known as Gir but better known as Moebius, a master of cosmic comics—in this podcast episode. Join us for an interview with his children, Nausicaa and Raphael, as they discuss the enduring legacy of their father, a trailblazer whose surreal artistry reshaped science fiction. We met at the France Pavilion at the Frankfurt Book Fair and recorded at the Galaxy Press booth discussing his legacy as well as their own stories with their father. Moebius co-founded Heavy Metal Magazine and served as a founding judge for Illustrators of the Future, even illustrating Jo Beverly's story in Writers of the Future Vol. 4. His seminal "The Long Tomorrow" ignited Ridley Scott's Blade Runner, with Scott later confessing, "You see it everywhere... you can't get away from it." George Lucas hailed Moebius's "sheer beauty" in designs for Willow, while Hayao Miyazaki, a lifelong friend, credits Arzach's "awesome sense of space" for inspiring Nausicaä of the Valley of the Wind—echoed in the name of Giraud's own daughter. Visit www.moebius.fr/ and www.instagram.com/moebius_production/?hl=en

We're heartbroken to say goodbye to one of our artistic heroes—and a true friend of the show—Drew Struzan. Known around the world for his unforgettable movie posters, Drew's brush brought to life the magic of Star Wars, Indiana Jones, Back to the Future, Blade Runner, Harry Potter, and so many more films that shaped generations. A legend in every sense, Drew received countless honors throughout his career, including multiple awards and his induction into the Society of Illustrators Hall of Fame. We were lucky enough to have him as one of Sidebar's very first big guests, and his kindness and humility stayed with us ever since. He was truly one of the greats, and we'll miss him dearly. Drew passed away on October 13, 2025. Our heartfelt condolences go out to his wife, Dylan, and to all of his family and friends.

One of the earliest Culture works, we get to know a world eerily like that of BladeRunner and a Culture renegade in more trouble than they can handle.

Pour notre nouvel hebdo, l'équipe de choc composé d'Aranitha, de Mathieu et de Fred vous proposent un menu de choix :- Un tour de l'actu des festivals (qui a dit Utopiales ?)- Des Zooms sur Fiery Angels, la deuxième enquête pour Blade Runner et sur 7 Wonders Dice- L'instant Pop Culture avec des choix de comics de qualité- Et pour finir un tour rapide de l'actu ludique de la semaineLe tout dans la bonne humeur, bonne écoute !

In this episode of The Compendium, we revisit the tragic story of Reeva Steenkamp and the night she was killed by Oscar Pistorius. From the rise of the Blade Runner to the shocking Valentine's Day shooting in Pretoria, we examine the trial, the verdict, and the controversy that followed. Exploring themes of manslaughter, parole, and South Africa's crime culture, this episode asks: who was Reeva, and what does her story reveal about justice and violence? We give you just the Compendium, but if you want more, here are our resources: Oscar Pistorius: Behind the Door – by Mandy Wiener One Tragic Night: The Shooting of Reeva Steenkamp – by Barry Bateman & Mandy Wiener Oscar Pistorius: The Trial of the Blade Runner (2018) – by BBC Host & Show Info Hosts: Kyle Risi & Adam Cox About: Kyle and Adam are more than just your hosts, they're your close friends sharing intriguing stories from tales from the darker corners of true crime, the annals of your forgotten history books, and the who's who of incredible people. Intro Music: Alice in dark Wonderland by Aleksey Chistilin Trailer Music: Stealy Move by Soundroll Community & Calls to Action ⭐ Review & follow on: Spotify & Apple Podcasts

El trabajo es un elemento articulador de la sociedad: facilita la producción, la distribución de riqueza, la promoción y la cohesión social. Sin embargo, los cambios de finales del siglo XX hacia un mundo con menor peso del movimiento obrero y el dominio del capitalismo financiero configuran un mundo con nuevos retos acelerados por la […] The post El trabajo y la articulación social (II). El futuro del trabajo: de The Office a Blade Runner pasando por Arcane first appeared on Sons Podcasts.

Hey kids. I had some scheduling issues on my side so things kind of fell apart as far as making a new episode.. sorry. Anyway here is a blast from the past that is sure to help fuel the Halloween fire! Hey kids! Thanks for stopping by. We have a super fun show ahead of us this week. We start off with some talk about a recent Moon-Zombie problem we've been having. They are gross and walk around the moon reaching us once a year around this time. It's a Halloween treat here on The Moon Base.   From there we look at Blade Runner 2049 the sequal the famous Blade Runner flick from back in the day. What did I think? You'll have to tune in to find out.   Then we're onto The Main Event of the show a indepth look at The Top 5 Universal Monsters Of All The Times. It's a pretty enlightening peek at the famous monsters from Universal Studios! Frankie, Drac, The Invisible Man, The Mummy and all that! 

“All those moments will be lost in time... like tears in rain.”A Legacy of Light and ShadowCinematographer Jeff Cronenweth joins Movies We Like hosts Andy Nelson and Pete Wright to explore Ridley Scott's groundbreaking 1982 film Blade Runner. As the son of the film's original cinematographer Jordan Cronenweth, Jeff brings a unique perspective on both the technical achievements and lasting influence of this sci-fi noir masterpiece. With his recent work on Tron: Ares hitting theaters, Cronenweth reflects on how Blade Runner continues to inspire filmmakers and cinematographers four decades later.From early experiences on film sets with his father to becoming David Fincher's go-to cinematographer on films like Fight Club, The Social Network, and The Girl with the Dragon Tattoo, Cronenweth has built a career focused on visual storytelling that serves character and narrative. He describes his approach as seeking human stories within any genre, whether period drama or science fiction. His transition from film to digital cinematography reflects broader industry changes, while maintaining his commitment to thoughtful, story-driven imagery.The conversation explores how Blade Runner created its influential neo-noir aesthetic with remarkably limited technical resources, including just three xenon lights for its iconic beam effects and borrowed neon lights from Francis Ford Coppola's One from the Heart set. Cronenweth shares insights into the film's production challenges and creative solutions, from practical lighting techniques to Ridley Scott's visionary production design. The discussion examines how the film balances its high-concept science fiction premise with intimate character moments, creating a template for genre storytelling that continues to resonate. Cronenweth also offers perspective on the various cuts of the film and its 2017 sequel.Through this engaging conversation, Cronenweth illuminates not just the technical mastery behind Blade Runner, but its enduring impact on cinema. His unique connection to the film through his father, combined with his own distinguished career, offers viewers fresh insights into this landmark work of science fiction and its continuing influence on visual storytelling.

Between Metropolis and Star Wars lies a 50 year wasteland of terrible movie robots. Today, we continue our examination of BLADE RUNNER, one of the pivotal films in science fiction cinema. In this episode, we meet Roy Batty and discover he's Batty by name and batty by nature WARNING! The S**t-bomb is said but nothing more TikTok: @FiftyYOSRInsta: @FiftyYOSRNOTES WHITE DRAGON FAN EDIT TRAILERhttps://www.youtube.com/watch?v=b3WC6CcVkHo PRIS FOTHERINGHAMhttps://symbolsandsecrets.london/2019/01/24/whitecross-street-art-and-a-very-naughty-lady/ SYD MEAD WEDGE ERA CONCEPTShttps://www.roadandtrack.com/car-culture/a64435040/syd-mead-wedge-era-concepts/ WHAT MIGHT HAVE BEEN: ZHORA'S SNAKE DANCEhttps://www.youtube.com/watch?v=mDQV5Bqx4TQ Hosted on Acast. See acast.com/privacy for more information.

Generative A.I., once an uncanny novelty, is now being used to create not only images and videos but entire “artists.” Its boosters claim that the technology is merely a tool to facilitate human creativity; the major use cases we've seen thus far—and the money being poured into these projects—tell a different story. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss the output of Timbaland's A.I. rapper TaTa Taktumi and the synthetic actress Tilly Norwood. They also look back at movies and television that imagined what our age of A.I. would look like, from “2001: A Space Odyssey” onward. “A.I. has been a source of fascination, of terror, of appeal,” Schwartz says. “It's the human id in virtual form—at least in human-made art.”Read, watch, and listen with the critics:TaTa Taktumi's “Glitch x Pulse”Cardi B's “Am I the Drama?”“Pop Star Academy: KATSEYE” (2024)“Dear Tilly Norwood,” by Betty Gilpin (The Hollywood Reporter)Tilly Norwood's Instagram account“Holly Herndon's Infinite Art,” by Anna Wiener (The New Yorker)“2001: A Space Odyssey” (1968)“The Morning Show” (2019—)“Simone” (2002)“Blade Runner” (1982)“Ex Machina” (2014)“The Man Who Sells Unsellable New York Apartments,” by Alexandra Schwartz (The New Yorker)“The Work of Art in the Age of Mechanical Reproduction,” by Walter Benjamin“The Death of the Author,” by Roland BarthesNew episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker that explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture.  Learn about your ad choices: dovetail.prx.org/ad-choices

▶︎ Watch This week on Superhero Slate, we've heard X-Men 97 could last 5 Seasons, an old Lanterns rumor gains traction, its Spooky Movie season, and more! The Addams Family (1991), Casper (1995), Send us YOUR Favorite Spooky Movies Drew Struzan passed away; artist for most iconic movie posters: Star Wars, Indiana Jones, Blade Runner, […]

What was the best year in movie history • M. Night Shyamalan's filmography, ranked • Dave Bautista's surprising acting chops (Blade Runner 2049) • Male lactation consultants - who signed off on that?!?

This week the Regular Joes go all in on Tron. Maybe you, like the most of rest of the movie going public did not see Tron: Aries last weekend, but Barry, Dave and Tod did. And, lest you doubt their commitment, they all re-watched Tron (1982) and Tron Legacy (2010). At this point, they pretty much bleed neon. The results are three different perspectives on the three films, and a sometimes surprising rundown of who liked what. There's also a tribute to the late, great artist Drew Struzan, whose iconic imagery, including posters for Back to the Future and Blade Runner, span generations. There's also a round of Random Topics, you don't want to miss Barry's contribution, and the inevitable What's in the Box. Thanks for listening!    Links:  Reach Out: e-mail:  Voice Message: 413-475-1650 Text Message: 413-422-0004  Leave us a review on iTunes or Spotify  Like and subscribe on 

In this episode, Patrick and Jaime open the vault and take you behind the curtain of Blade Runner 2099. Fresh from their virtual set visit, they walk you through an array of exclusive behind-the-scenes imagery, offering a rare glimpse into the making of Amazon's long-awaited series. Rumors suggest that 2099 returns to the haunting beauty and texture of Ridley Scott's 1982 masterpiece , but how true are those claims? Your hosts dive into the details: the architecture, the props, the atmosphere, and the spirit of what they've seen. Are we truly stepping back into the neon-soaked dream of the original film, or are we witnessing a new world take shape? Settle in and enjoy this one. It was an extraordinary experience for us, and we're thrilled to finally share it with you. * A correction: Drew Struzan was the creator of the Final Cut poster, not the original. That one was by John Alvin. // For more on this and our other projects, please visit www.bladerunnerpodcast.com  // If you'd like to join the conversation, find us on our closed Facebook group: Fields of Calantha. // To support the show, please consider visiting www.bladerunnerpodcast.com/support. We've got some great perks available! // And as always, please consider rating, reviewing, and sharing this show. We can't tell you how much your support means to us, but we can hopefully show you by continuing to provide better, more ambitious, and more dynamic content for years to come.

Sara Pascoe joins Dan, James and Andy to discuss fishing spiders, Blade Runners and Hitler's jumpers. Visit nosuchthingasafish.com for news about live shows, merchandise and more episodes.  Join Club Fish for ad-free episodes and exclusive bonus content at apple.co/nosuchthingasafish or nosuchthingasafish.com/patreon Get an exclusive 15% discount on Saily data plans! Use code [fish] at checkout. Download Saily app or go to https://saily.com/fish

Guest Mix by SoftSkilla: 01. SoftSkilla & Saint Rider - La Da Dee 02. Martin Ikin, Matroda, Sian-Lee - 4U (Matroda Drum N Bass VIP) 03. Monrroe - Romance 04. Softskilla - Element 05. Break - Phase 2 06. Gui - Funky S#!T 07. Sub Killaz, Magenta - Spliff Dub 08. Sub Killaz, Nu Elementz - Underwater 09. Bou, Toxinate - Bounce 10. AIM, Armodine - I'm in London 11. Bou - Hotel Berber 12. Bou, Clarkey - Kebab 13. Danny Byrd, Anaïs - Made In Romania 14. Bou - Copy Cats 15. V.Vysotskiy - Koni (Softskilla Bootleg) 16. Damageman, Mc Kainess - Stone cold killer 17. AIM - My production (Ya sama) 18. Bladerunner - It's The Feel 19. Inhumane, Ulyana - Na Tusu 20. Sound in Noise - Yo 21. Amplify, Sub Killaz - Change 22. Benny Benassi, The Biz - Satisfaction (Netsky Remix) 23. Kara - Audacious 24. Break - Overstayed 25. Capital Dogz, SoftSkilla, Ragga Twins – No Time To Chill (Lowriderz remix) 26. Noisia - Concussion 27. Ozma & Lowriderz & Коля Маню & Smoky D - Original F 28. Synergy - Dark Machine 29. SoftSkilla & Saint Rider - Tribal Drums 30. Absu_NTQL - Result 31. DC2 & KLAN NOGI & ONEDER - Безумный Макс 32. Agressor Bunx - Rituals 33. Asana, DnB Doctor - Neurofunk Symphony 34. SoftSkilla, Compressly, Antoanesko – Обратное Тепло (KROT Remix) 35. Total Science & Break - Big Time Winners 36. Bou, Mark XTC - Breathe 37. Break & Total Science - Dog's Dinner (Mefjus Remix) 38. Lowriderz - Hybrid Skank feat Smoky D VIP 39. Alibi, Command Strange - Ahead of Me 40. Jade - Pulp Friction 41. Bou & Replicant - Kill Bill 42. Black Eyed Peas - Pump It (Tantron DnB Bootleg) 43. Badger - Bitter Sweet Symphony 44. Bongy - Bali 45. Serum, Bladerunner, The Riddler - Ain't No Way 2024 (Bladerunner Remix) 46. Dossa - Fog 47. Shy FX, T Power - Feelings 48. Bongy - Robothug 49. Monista - Predator 50. Holy Polly - Smile 51. Teddy Killerz, Mozey - Break My Heart 52. The Upbeats feat. Armanni Reign - Villains Cowl 53. SLWDWN, Trinist - Way 54. Enei - Sinking VIP 55. AIM - Set Me Free 56. Ntechnique, Mayel, Paraskeva - I See A Dream 57. Absu_NTQL - Conclusion 58. E. Krilatov — Kacheli (Softskilla bootleg)

Guest Mix by SoftSkilla: 01. SoftSkilla & Saint Rider - La Da Dee 02. Martin Ikin, Matroda, Sian-Lee - 4U (Matroda Drum N Bass VIP) 03. Monrroe - Romance 04. Softskilla - Element 05. Break - Phase 2 06. Gui - Funky S#!T 07. Sub Killaz, Magenta - Spliff Dub 08. Sub Killaz, Nu Elementz - Underwater 09. Bou, Toxinate - Bounce 10. AIM, Armodine - I'm in London 11. Bou - Hotel Berber 12. Bou, Clarkey - Kebab 13. Danny Byrd, Anaïs - Made In Romania 14. Bou - Copy Cats 15. V.Vysotskiy - Koni (Softskilla Bootleg) 16. Damageman, Mc Kainess - Stone cold killer 17. AIM - My production (Ya sama) 18. Bladerunner - It's The Feel 19. Inhumane, Ulyana - Na Tusu 20. Sound in Noise - Yo 21. Amplify, Sub Killaz - Change 22. Benny Benassi, The Biz - Satisfaction (Netsky Remix) 23. Kara - Audacious 24. Break - Overstayed 25. Capital Dogz, SoftSkilla, Ragga Twins – No Time To Chill (Lowriderz remix) 26. Noisia - Concussion 27. Ozma & Lowriderz & Коля Маню & Smoky D - Original F 28. Synergy - Dark Machine 29. SoftSkilla & Saint Rider - Tribal Drums 30. Absu_NTQL - Result 31. DC2 & KLAN NOGI & ONEDER - Безумный Макс 32. Agressor Bunx - Rituals 33. Asana, DnB Doctor - Neurofunk Symphony 34. SoftSkilla, Compressly, Antoanesko – Обратное Тепло (KROT Remix) 35. Total Science & Break - Big Time Winners 36. Bou, Mark XTC - Breathe 37. Break & Total Science - Dog's Dinner (Mefjus Remix) 38. Lowriderz - Hybrid Skank feat Smoky D VIP 39. Alibi, Command Strange - Ahead of Me 40. Jade - Pulp Friction 41. Bou & Replicant - Kill Bill 42. Black Eyed Peas - Pump It (Tantron DnB Bootleg) 43. Badger - Bitter Sweet Symphony 44. Bongy - Bali 45. Serum, Bladerunner, The Riddler - Ain't No Way 2024 (Bladerunner Remix) 46. Dossa - Fog 47. Shy FX, T Power - Feelings 48. Bongy - Robothug 49. Monista - Predator 50. Holy Polly - Smile 51. Teddy Killerz, Mozey - Break My Heart 52. The Upbeats feat. Armanni Reign - Villains Cowl 53. SLWDWN, Trinist - Way 54. Enei - Sinking VIP 55. AIM - Set Me Free 56. Ntechnique, Mayel, Paraskeva - I See A Dream 57. Absu_NTQL - Conclusion 58. E. Krilatov — Kacheli (Softskilla bootleg)

¡Vótame en los Premios iVoox 2025! Un recorrido por el universo TRON, desde el clásico original de 1982 hasta la nueva entrega de 2025. Se explora el origen de la saga, sus avances técnicos, curiosidades, y se resumen brevemente Tron y Tron: Legacy, incluyendo el rol de la serie animada Tron: Uprising. En la segunda mitad, se analiza Tron: Ares, primero sin spoilers —con contexto, personajes, producción y claves temáticas— y más adelante, en una sección claramente marcada, con spoilers tras su estreno. Ideal tanto para quienes llegan nuevos como para los que ya conocen el código de la Red (Marciana) Con XeviPanda y Masterwikie Edita: Masterwikie Musica y canciones: XeviPanda y Suno xD Mesias Letonico: Mesías de mármol, túnica blanca, predicas “culto” y cobras la banca; las fotos en islas, devotas en fila, tu ego en procesión, tu mano en la axila. “Sí, es un culto”, lo grita tu banda, la fe tiene entrada, la duda no manda. DMs en la noche, “hola, ¿qué tal?”, dieciocho clavados, manual paternal; te apuntan mil voces: “no es normal”. Tú, santo de selfie, sermón digital. En Escuadrón Suicida repartes marrón: rata en cajita, rumor de condón; luego te excusas, cambias versión, que “todo fue broma”, revelación. Escalas rascacielos por promoción, si falta foco te da bajón; tu mística pide altavoz, milimetras el mismo sermón. Y el cine te pasa la factura: Blade Runner 2049, belleza dura, caja insegura; Pequeños detalles rascó lo justo, ni pa’ palomitas, santo busto; Morbius memético, sangre aguada, ni reestrenando te salvó la jugada. Así que baja del púlpito, profeta cool, tu aura de mármol no tapa el baúl; talento hubo, sí, pero ya suena a rutina; te cuelgas del Óscar de dos mil catorce como vitrina. Tu pose mesiánica, truco de bar, para mojar sin tener que sudar; y cuando el humo deje de tapar tu cara, sin rentas del pasado, ¿quién te ampara? Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Image courtesy of Hulu.In this episode, we welcome Nadia Latif and Ula Pontikos, BSC. Nadia directed the new film, The Man in My Basement, starring Willem Dafoe — and Ula was the film's cinematographer. Previously, Ula has shot projects including “Russian Doll,” “Three Women” and the upcoming “Blade Runner 2099” series. In our chat, they share about the making of this feature, their creative collaboration, and insights into color grading. The Man in My Basement is now streaming on Hulu and Disney+.“The Making Of” is presented by AJA:UDC-4K: More than just an average 12G-SDI and HDMI up/down/cross converterAJA's newest Mini-Converter boasts powerful 12G-SDI and HDMI 2.0 I/O, 4K/UltraHD/2K/HD scaling, frame sync, frame rate conversion, and more. Unlocking an expansive range of conversion possibilities, UDC-4K enables teams to get disparate sources into a common format and timing reference. Explore how UDC-4K solves some of the most common production and post challenges.Next-Gen DIY Storage, UnleashedThe OWC Express 1M2 80G delivers over 6000 MB/s real-world performance using the latest USB4 v2 (80 Gb/s) interface, with Thunderbolt 5 compatibility for next-gen workflows. Choose a ready-to-run or DIY enclosure—upgradeable to 8 TB using NVMe M.2 SSDs. Its passive heatsink design ensures silent, consistent speeds, all in a bus-powered, palm-sized form factor. Explore hereExclusive Deals for Filmmakers, Broadcast, & Content Creators: Explore all the discounts hereVimeo NYC Event:Thurs, Oct. 23 | Florence Gould TheaterA night of inspiring Vimeo Staff Picks + live filmmaker commentary!6:30pm Doors7:30 - 9pm Films + commentary 9:00 - 11pm Reception - free drinks + bites!Free Passes hereIntroducing Ninja TX:Introducing Ninja TX, the all-new addition to the Ninja family. It's equipped with 12G-SDI and HDMI, so now you can monitor & record from any pro camera to ultra-fast CFexpress media or external USB-C storage. You also get built in Wi-Fi for C2C workflows and AirGluTM timecode for multicam projects, all in a lightweight, compact 5-inch form factor. Atomos Ninja TX is available for pre-order for only $999 at Videoguys.com. Learn more hereFeatured Trailer of the Week: Post|Production World NY 2025:We're proud to support Post|Production World NY 2025, October 22–23 at NAB Show New York. Join editors, filmmakers, and creators for two days of expert-led sessions in color grading, cinematography, workflows, and creative AI. Save 15% with code FMCP15. Get your pass hereEvolution Mallorca Film FestivalOct. 21-29, 2025Filmmakers, experience the best of cinema at EMIFF 2025! Discover groundbreaking films, forge high-quality connections, and dive into exceptional industry events including Cinematography Focus, Innovation Focus, Acting Focus, and Producers Club. Join us in Mallorca—where creativity and networking meet beneath the Mediterranean skies!Learn more herePodcast Rewind:Sept 2025 - Ep. 98…Advertise in “The Making Of” and reach 250K filmmakers, TV production pros, and content creators each week. For more info, email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

And…we're back! Did you miss us? You can say so—it's OK. Yes, it's the return of Vintage Sand, your film history podcast, with our first episode since May. It was a frantic and wonderful summer, but now the leaves are falling and it's time for us to get back to what we love to do, with a double episode no less than 25 years in the making. That's right, fellow film fanatics; it's Vintage Sand's Top Ten Films of the 21st Century (So Far). And once again, a major cultural institution has stolen our ideas! When last we three met in May, we had decided to do these episodes. But fate intervened and delayed us, and, sure enough, when we opened up the “New York Times” in mid-July, there was their best of the century list so far. This has happened to us far too often to be coincidence—anyone know any good intellectual property lawyers out there? And that “Times” list was truly interesting in several ways. First of all, we much preferred the fan's list of the Top 100 (to my great pleasure it included “La La Land”, “Blade Runner 2049”, “Sinners” and “Midsommar”). But, in what was perhaps a bit of quiet backlash to the 2022 “Sight & Sound” Poll, there were only a handful of directors of color, and fewer female directors than one might have expected. On the other hand, the clear “winner” of the Times poll was Christopher Nolan, the only director with five films on the list (the Coens, PTA, Alfonso Cuarón each had four). Nolan is the Hitchcock of our times, in the sense that he is one of those rare directors who both receives critical acclaim and puts asses in the seats. Now if he would only put those blaring soundtracks a little lower in the audio mix so that older, cranky audience members such as us have a shot at hearing the dialogue… Ultimately, the work we put into creating these lists revealed a surprising and heartening result. From long before the time we started Vintage Sand back in 2018, all we've heard is doom and gloom about the state of cinema this century. “Film is dead” because folks are watching on their phones, or because of the algorithm, or because of streaming, or because of the emphasis on the global film marketplace over the domestic, or because our attention spans have vaporized, and on and on. Not that those are not real issues, but the death of film has been continuously reported since sound arrived roughly a century ago. And let me tell you, dear and faithful listeners: we had an incredibly difficult time narrowing down our respective lists to 25, let alone 10. We were overwhelmed with the number of creative, innovative, and moving films we had to choose from, films that will stand the test of time as well as any you could mention from the imagined “Golden Ages” of film. So our message, in the end, is one of optimism. Film is still a vital and glorious art form, and while you may have to dig around a bit more than you used to to find the greatness, it is clearly there. Enjoy these two episodes, and join us in facing the future of film with anticipation, excitement and joy.

When TRON: Legacy hit theaters in December 2010, Disney wasn't just reviving an old IP—they were resurrecting one of the strangest, most ambitious sci-fi concepts ever made. The original TRON from 1982 was a groundbreaking attempt to visualize the inside of a computer at a time when most people hadn't even touched one. It imagined programs as people, code as architecture, and morality as circuitry. It was visionary—and it bombed.By the 2000s, though, culture had caught up. The Matrix had turned cyberpunk into mainstream mythology, and the neon-noir look of Blade Runner had become visual shorthand for the future. Enter Joseph Kosinski—a former architect with a designer's precision—who re-engineered TRON not as a hacker fantasy, but as a digital myth about creation, perfection, and control.Garrett Hedlund plays Sam Flynn, son of Kevin Flynn, the hero from the first film, who vanished decades earlier. Sam follows a mysterious signal and is pulled into the Grid—his father's virtual world, now ruled by CLU, a digital clone obsessed with “perfection.” Within minutes, we're deep in a story that mirrors Star Wars: the fallen apprentice turned tyrant, the exiled master, the reluctant heir, and a world that must be remade. Kevin Flynn is both Obi-Wan and Yoda—haunted and withdrawn. CLU is his Darth Vader, a creation corrupted by its maker's arrogance.But the movie also borrows Matrix DNA. The Grid works like a virtual prison where sentient programs fight and dream of freedom. Quorra, played by Olivia Wilde, is the last of the “isomorphic algorithms,” lifeforms that evolved on their own—straight out of Ghost in the Shell's questions about digital souls. The film isn't about coding; it's about consciousness.Kosinski builds this world like a cathedral. Production designer Darren Gilford fills it with clean geometry and luminous voids. The suits by Michael Wilkinson and Christine Bieselin Clark refine Syd Mead's 1982 designs into sculpted futurism. And Daft Punk's score—half orchestra, half circuitry—turns the film into an electronic symphony. Even those who forgot the plot still remember that sound.Critics complained it was cold, that the script sounded like it was written by people who'd never heard of Google. My son Jonas nailed it: “This sounds like nobody who wrote it had heard of the internet.” And he's right. The film imagines computers as isolated kingdoms, not the networked web we actually live in. It's a pre-internet vision dressed in post-Matrix clothing.Yet that's what makes it fascinating. TRON: Legacy isn't really about technology—it's about fathers, sons, and the danger of mistaking perfection for love. Kevin Flynn's failure isn't technical; it's paternal. He built a world in his image and abandoned it. CLU inherited his father's obsession with order, and Sam inherited his resentment. The conflict isn't between man and machine—it's between generations.Kosinski would revisit that theme in Oblivion and Top Gun: Maverick: the architect of the system confronting the cost of control. TRON: Legacy is the prototype—a meditation on beauty, regret, and the limits of design.Fifteen years later, it feels almost prophetic. CLU's dream of a flawless system sounds uncomfortably close to the rhetoric of Silicon Valley. The movie's warning—that perfection becomes tyranny—lands harder in an age of algorithms, A.I., and curated identities. Its message is simple: imperfection is the only thing that makes us human.So tonight, as we gear up for TRON: Ares, we're putting Legacy on trial—not as a sequel that glitched, but as a digital myth that might've been too early for its own time. It's Star Wars rewritten by a coder, The Matrix without the leather, and Ghost in the Shell with a heartbeat.Load the disc. Power up the light cycles. Let's head back to the Grid.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We check out the new animated superhero series with an undead twist, test drive a free PC app that can give your entire workspace a retro makeover, and play the enhanced, modern edition of a 1997 point-and-click sci-fi adventure! (May contain some explicit language.) Patreon » patreon.com/genxgrownupDiscord » GenXGrownUp.com/discordFacebook » fb.me/GenXGrownUpTwitter » GenXGrownUp.com/twitterWebsite » GenXGrownUp.comPodcast » GenXGrownUp.com/podMerchandise » GenXGrownUp.com/merchTheme: “Grown Up” by Beefy » beefyness.com Apple » itunes.apple.com/us/podcast/genxgrownup-podcast/id1268365641CastBox » castbox.fm/channel/GenXGrownUp-Podcast-id2943471?country=usPocket Casts » pca.st/8iuLAudible » amz.run/6yhRTuneIn » tunein.com/radio/GenXGrownUp-Podcast-p1020342/Spotify » spoti.fi/2TB4LR7iHeart » www.iheart.com/podcast…Amazon Music » amzn.to/33IKfEK Gen V » youtu.be/6WxofgjVpXg?si=I4kFmY7PzG6P54WO Haunted Hotel » youtu.be/UxEza8wLcS0?si=AOrwe4UR9sBuppOZ Marvel Zombies » youtu.be/twHYF506-9Y?si=E3hsAG4FGk5KyLyQ Shader Glass » store.steampowered.com/app/3613770/?snr=1_5_9__205 Dog Bark Deterrent Device » amzn.to/3IDtmDI Patapon Ratatan (Early Access) » store.steampowered.com/app/2949320/Ratatan/ Blade Runner – Enhanced Edition » store.steampowered.com/app/1678420/Blade_Runner_Enhanced_Edition/ TRON: Ares » youtu.be/5JyJgc0PziM?si=9d4zvcOFMFkrgqqU The Perfect Neighbor » youtu.be/fNp85HGJtoo?si=yVstg5JhuIkKT6-_ PRGE » www.retrogamingexpo.com/ Email the show » podcast@genxgrownup.com Visit us on YouTube » GenXGrownUp.com/yt Show Notes Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 102 - This week we are joined but special guest 00Tim, who schools us all on the classic Sci-Fi Blade Runner (1982). Tim is a huge fan of the the film and without him we most likely would have been floundering around trying to talk about this one. So tune in and learn something. And we also learn next month's theme. For October we are continuing with the remake theme and flipping from OG Sci-Fi to Horror Remakes. Week 1 is The Ring (2002) where we will be joined once again by OOTim.Join us for the funemail us at mracfilmclub@gmail.com

In this episode Truth talks once again with Todd Cave – a health and spiritual coach / trainer, researcher, and host of “The Conscious Man 7 Podcast.”  Todd is based in Mexico.  The two talk about artificial intelligence and sex robots – especially in regards to the upcoming implications and ramifications of both for society, culture, and the world They also discuss health, spirituality, and all kinds  of wildness and high strangeness.   For more info: IG: @adriano_246   As always, please hit the subscribe button if you like and support what we do! You'll get early access to new episodes! Also please leave a review!   Follow us on IG: @bigtruth TikTok: @bigtruthpodcast YouTube: @thebigtruthpodcast   For feedback, questions, sponsorship info contact: bigtruthpodcast@gmail.com For more info: http://www.bigtruthpodcast.com To support the show: http://www.patreon.com/bigtruth   The Big Truth Podcast is proudly sponsored by: - Choppahead Kustom Cycles (IG: @choppahead / www.choppahead.com) - Tattoo Flash Collective – www.tattooflashcollective.com – use promo code: BIGTRUTH for 10% off your order - Omerta (IG: @omertamia / www.omertamia.com) - use code: BIGTRUTH at checkout for 20% off your order! - Heavy (IG: @heavyclothing / www.heavy.bigcartel.com)

Los Angeles, 2037. Neon lights cut through the rain as Mattiaz, Aaron, and Craig bring Free League's Blade Runner to life. This Patreon-exclusive series already has 10 episodes you can binge today by heading to our Patreon and backing us on the five dollar level.Guest player: Aaron Hammonds from Queen's Court GamesMusic by: Tineidae Used with permission by Cryo Chamber.Our Champions of the Red Moon: Martin Heuschober, Simon Cooper, Julia, Camilla, Bob de Lange, Cameron, Graham Barey, Doug Thomson, Lily, Maciej, Black Templar, Dennis Sadecki and Leonhardt.Web: https://www.redmoonroleplaying.comiTunes: http://apple.co/2wTNqHxAndroid: https://www.subscribeonandroid.com/feeds.simplecast.com/oYuoCFr6Youtube: https://www.youtube.com/RedMoonRoleplayingSpotify: https://spoti.fi/30iFmznRSS: http://www.redmoonroleplaying.com/podcast?format=rssPatreon: https://www.patreon.com/RedMoonRoleplaying

In this episode Jaime and Patrick sit down with the writer for Blade Runner: Black Lotus | Las Vegas, Nancy Collins. From the ins and outs of writing a comic like Blade Runner, to her connections with Swamp Thing, Nancy covers a lot of ground as she traverses the world that Philip K. Dick started. Join us for this very thorough discussion. We hope you enjoy.  // For more on this and our other projects, please visit www.bladerunnerpodcast.com  // If you'd like to join the conversation, find us on our closed Facebook group: Fields of Calantha. // To support the show, please consider visiting www.bladerunnerpodcast.com/support. We've got some great perks available! // And as always, please consider rating, reviewing, and sharing this show. We can't tell you how much your support means to us, but we can hopefully show you by continuing to provide better, more ambitious, and more dynamic content for years to come.

What does it mean to edit a sports horror film that blurs the line between spectacle and nightmare? For Taylor Mason, the answer was finding the rhythm that carried HIM through its shifting tones. This week on Below the Line, Skid is joined by Film Editor Taylor Mason to discuss her work on the Universal/Monkeypaw feature HIM, directed by Justin Tipping and starring Tyriq Withers and Marlon Wayans. Joining the conversation is Christopher Angel, a regular guest and co-host of the podcast, who adds his editorial perspective. The conversation cuts across: Building Taylor's creative partnership with director Justin Tipping, which began during their AFI collaborations Taylor's career arc through high-end assistant editing (e.g. Blade Runner 2049, Dune) before making the jump to feature editing Shaping HIM's hybrid genre — balancing horror, satire, and sports narrative in the edit room Sculpting tone shifts, from unnerving silence to explosive sequences, while keeping character central Using helmet POVs, flash cuts, and hallucinatory visuals to plunge the viewer into the chaos of football Integrating VFX and x-ray sequences to reflect Cam's physical deterioration and internal collapse Bringing personal resonance to the material, informed by her father's NFL legacy and her own complicated relationship with the sport Cutting the film's finale — a climax that threads horror, absurdism, and social critique What emerges is a portrait of an editor whose craft blends instinct and discipline — drawing on a deep workload, creative trust, and personal context to cut a film that is as brutal as it is thought-provoking.

In our latest tribute, Janet, John, (and Pen) celebrate the life and career of a revered Greek musician and composure who found success  across many different genres... Vangelis! His career began in rock bands,  where with Aphrodite's Child he helped create the album 666, which would become a progressive-pyschadelic rock classic. He continued to find success in the music industry before transitioning to scoring films with Charitos of Fire in 1981, for which he would win Best Original Score at the Academy Awards. His career was launched to new heights and would continue making music for classic moves movies such as Blade Runner (1982), Missing (1983), Antarctica (1983), The Bounty (1984), 1492: Conquest of Paradise (1992), and Alexander (2004). His career in music spanned over 50 years, making him one of the most important figures in modern film music.  To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!

Exploring the Horrors of AI through the lens of Ridley Scott's Alien and Blade Runner films.

Oscar Pistorius is an ex Paralympic/Olympic athlete who murdered his girlfriend, Reeva Steenkamp on Valentine's Day in 2013. Oscar claims he thought he was shooting at a home intruder when he shot Reeva four times. But you know what they say, “there's at least two sides to every story, and then there's physical evidence.”...or something like that.   Check out our other shows!: Cryptic Soup w/ Thena & Kylee Strange & Unexplained True Crime Guys YouTube EVERYTHING TRUE CRIME GUYS:   https://linktr.ee/Truecrimeguysproductions True Crime Guys Music: True Crime Guys Music on Spotify OhMyGaia.com Code: Crimepine Patreon.com/truecrimeguys Patreon.com/sandupodcast Merch: truecrimeguys.threadless.com   Sources: DocuSeries - Pistorius, 4 episodes on Amazon Prime from 2018 DocuSeries - The Life and Trials of Oscar Pistorius on ESPN+ from 2020 Article - The Shooting Star and The Model by Vanity Fair from June 2013  

Sean Young got her big break when she was cast in Blade Runner at 22-years old. But after rumblings that she was “difficult to work with,” and troubling romantic rumors, her reputation plummeted. Lena and Alissa trace Sean's career through her plea to play Catwoman to some ill-fated talk show appearances to Hollywood outcast.  This episode was first published on 11/14/2019. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

And…we're back! Did you miss us? You can say so—it's OK. Yes, it's the return of Vintage Sand, your film history podcast, with our first episode since May. It was a frantic and wonderful summer, but now the leaves are falling and it's time for us to get back to what we love to do, with a double episode no less than 25 years in the making. That's right, fellow film fanatics; it's Vintage Sand's Top Ten Films of the 21st Century (So Far). And once again, a major cultural institution has stolen our ideas! When last we three met in May, we had decided to do these episodes. But fate intervened and delayed us, and, sure enough, when we opened up the “New York Times” in mid-July, there was their best of the century list so far. This has happened to us far too often to be coincidence—anyone know any good intellectual property lawyers out there? And that “Times” list was truly interesting in several ways. First of all, we much preferred the fan's list of the Top 100 (to my great pleasure it included “La La Land”, “Blade Runner 2049”, “Sinners” and “Midsommar”). But, in what was perhaps a bit of quiet backlash to the 2022 “Sight & Sound” Poll, there were only a handful of directors of color, and fewer female directors than one might have expected. On the other hand, the clear “winner” of the Times poll was Christopher Nolan, the only director with five films on the list (the Coens, PTA, Alfonso Cuarón each had four). Nolan is the Hitchcock of our times, in the sense that he is one of those rare directors who both receives critical acclaim and puts asses in the seats. Now if he would only put those blaring soundtracks a little lower in the audio mix so that older, cranky audience members such as us have a shot at hearing the dialogue… Ultimately, the work we put into creating these lists revealed a surprising and heartening result. From long before the time we started Vintage Sand back in 2018, all we've heard is doom and gloom about the state of cinema this century. “Film is dead” because folks are watching on their phones, or because of the algorithm, or because of streaming, or because of the emphasis on the global film marketplace over the domestic, or because our attention spans have vaporized, and on and on. Not that those are not real issues, but the death of film has been continuously reported since sound arrived roughly a century ago. And let me tell you, dear and faithful listeners: we had an incredibly difficult time narrowing down our respective lists to 25, let alone 10. We were overwhelmed with the number of creative, innovative, and moving films we had to choose from, films that will stand the test of time as well as any you could mention from the imagined “Golden Ages” of film. So our message, in the end, is one of optimism. Film is still a vital and glorious art form, and while you may have to dig around a bit more than you used to to find the greatness, it is clearly there. Enjoy these two episodes, and join us in facing the future of film with anticipation, excitement and joy.

Drama in KDE land, more worries about Android source code, Ubuntu's transition away from GNU coreutils hits a slight speed bump, Mastodon adds a serious potential revenue stream, and a glimpse of a Blade Runner style dystopian tech future. With guest hosts Andy from Linux Dev Time, and Chris from Linux After Dark.   News... Read More

Welcome to the place where we get to let our geek flags fly and talk about all things geek. Basically a fuzzy guide to life, the universe, and everything but mostly geek stuff. This level of the podcast is a wayback brought to you by a great comic book monster conversation and the realization that this gem fromSeptember 24, 2017 never transitioned to the current batch of episodes. Let's activate the wayback and head to the very first CBM Defenders episode ever. A younger podcast and one hell yeah example of a good time. Enjoy!In blackest day... some comic book movies seem indefensible. But who is out there to try and make light of even the worst comic book movies. Who defends even them? Well constant listener, that's where Blue and I decided it was high time someone heroically tried to do just that. This regular episode of life, the universe, and everything but mostly geek stuff marks the inaugural issue of Blue and Wookiee, The (CBM) Defenders. We start our journey with a super-powered defense of Spawn (1997). Basically the good, the bad, and the ugly about the film where we finish with some positivity and why the movie might be worth watching as a geek and/or comic book movie enthusiast. Not an easy feat but a lot of fun to do. Keep an eye out for bonusodes in the future with this concept in mind. Just because we wanted to flesh out the episode some, we also briefly chatted about the death of comic book legend Len Wein, the inspiration for the planet in Avatar, a brief discussion of Luke Skywalker going dark, the awesome Bladerunner 2049 shorts, and then jokes about Daredevil singing with his feet.Congrats on completing Wayback #9! Feel free to contact me on social media (@wookieeriot). You can also reach the show by e-mail, laughitupfuzzballpodcast@gmail.com. All other links are easily findable on linktr.ee/laughitupfuzzball for merch, the Facebook group, etc. I'd love to hear from you. Subscribe to the feed on Spotify, Apple podcasts, Google podcasts, or any of the apps which pull from those sources. Go do your thing so I can keep doing mine. If you feel so inclined, drop a positive rating or comment on those apps. Ratings help others find the madness. Tell your friends, geekery is always better with peers. Thank YOU for being a part of this hilarity! There's a plethora of ways to comment about the show and I look forward to seeing your thoughts, comments, and ideas. May the force be with us all, thanks for stopping by, you stay classy, be excellent to each other and party on dudes! TTFN… Wookiee out!

What is the best movie of the 1980s? Welcome to VOLUME 189 of The Bracket. Kenjac is host alongside Tbob, Klemmer, Gooch, Robbie Fox and Clem. Follow The Bracket ►TWITTER - https://twitter.com/BracketPod ►INSTAGRAM - https://www.instagram.com/thebracket/ Follow Kenjac ►TWITTER - https://twitter.com/JackKennedy ►INSTAGRAM - https://www.instagram.com/jackennedy/ ►TIKTOK - https://www.tiktok.com/@ken_jac Intro - (0:00) Back to the Future v Airplane - (5:37) Predator v Die Hard - (14:58) The Goonies v Aliens - (22:35) Cheah in Game - (30:00) Cheah in Winner v Empire Strikes Back - (37:39) Ferris Bueller's Day Off v The Shining - (41:24) Blade Runner v E.T. - (47:45) Ghostbusters v The terminator - (53:42) Cheah in Game - (58:35) Cheah in winner v Indiana Jones - (1:10) Playoffs - (1:11:12) Finals - (1:27:27) Download the Gametime app today and use code BRACKET for $20 off your first purchase Get your first month of BlueChew FREE Just use promo code BRACKET at checkout and pay five bucks for shipping. https://BlueChew.com GAMBLING PROBLEM? CALL 1-800-GAMBLER, (800) 327-5050 or visit gamblinghelplinema.org (MA). Call 877-8-HOPENY/text HOPENY (467369) (NY). Please Gamble Responsibly. 888-789-7777/visit ccpg.org (CT), or visit www.mdgamblinghelp.org (MD). 21+ and present in most states. (18+ DC/KY/NH/WY). Void in ONT/OR/NH. Eligibility restrictions apply. On behalf of Boot Hill Casino & Resort (KS). 1 per new DraftKings customer. $5+ first-time bet req. Get 1 promo code to redeem discounted NFL Sunday Ticket subscription and max. $200 issued as non-withdrawable Bonus Bets that expire in 7 days (168 hours). Stake removed from payout. Terms: sportsbook.draftkings.com/promos. NFL Sunday Ticket: YouTube TV base plan (not included in this offer) required to watch Sunday Ticket on YouTube TV. Subscription autorenews yearly at then-current price (currently $378 for YouTube TV subscribers, or $480 for YouTube subscribers); cancel anytime. Terms, restrictions, embargoes and eligibility requirements apply. No refunds. Commercial use excluded. Addt'l terms: https://tv.youtube.com/learn/nflsundayticket/draftkings/. Offer ends 9/29/25 at 11:59 PM ET. Sponsored by DK. #movies #80smovies #barstoolsportsYou can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/lightscamerabarstool

With a new Spinal Tap hitting theaters - We tier the best & worst legacy sequels!What do you think of the tiers?  Did we miss any sequels?  How many vetos and stamps would you use?Also - We discuss possible Vegas Sphere movies and Mac likes music.Join the conversation... FacebookInstagramTwitterTikTokYouTubeRate/Review/Subscribe:Apple PodcastsSpotifyYouTube