Podcasts about Film studies

In their season seven premiere, Anna and Derek discuss Blane's gaslighting of Andie, perhaps the most severe case of friend-zoning ever, and much more during their breakdown of the teen classic Pretty in Pink (1986).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Listeners, the Third Age is finally upon us. The nine companions are assembled. The recording is 4 hours long. It shall be… The Fellowship of the Duck!This week, Adam and Dom are embarking on a quest to save Middle-Earth and somehow make sense of the greatest trilogy in movie history. It's FELLOWSHIP, and we still cannot believe Peter Jackson actually pulled this off. There are simply too many Eye of the Duck scenes!Some points of discussion on our journey to Mordor: do the Rings movies function as self-contained stories? Is this the best the industry will ever be? Should Jackson be arrested for skipping Tom Bombadil? And when the hell is Warner Bros going to finally put out a 4K box set that contains the Blu-Ray Appendices?!Next week, the trilogy continues with another massive episode on THE TWO TOWERS (2002). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Special FeaturesDesigning and Building Middle-earthFilming The Fellowship of the RingVisual EffectsCosta Botes' Fellowship of the Ring DocumentarySound and MusicAnything You Can Imagine: Peter Jackson and the Making of Middle-Earth by Ian NathanPeter Jackson: A Filmmaker's Journey by Brian SibleyCinefex #89 Production HistoryThe Music of The Lord of the Rings Films by Doug AdamsPeter Jackson and the Tolkien EstateASC Cinematography BreakdownCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of Norm Hitzges' Just Wondering, Norm rings in the new year by wondering whether a breakup everyone saw coming might actually work out—for both sides.The Cowboys officially move on from Trayvon Diggs, and Norm walks through how a once-promising marriage unraveled: injuries, disagreements over scheme, rehab disputes, fines, frustration, and a quiet but inevitable divorce. When Green Bay claims Diggs off waivers, Norm asks the real question—does Diggs still have that star cornerback inside him, and is this exactly what the Packers need heading into the playoffs?From there, Norm shifts gears to remind us that football doesn't always come down to four quarters, a coaching philosophy, or a season-long narrative. Sometimes, it really does come down to one play—and Norm breaks down a postseason moment where preparation, film study, and perfect execution turned a game on its head.It's a thoughtful, clear-eyed look at player fit, timing, accountability, and why change—when it finally happens—can feel overdue and perfectly logical at the same time.⏱️ Chapters00:00:00 - A New Year and a New Cowboys Question00:01:33 - Why the Diggs–Cowboys Split Was Inevitable00:02:18 - Rehab, Fines, and Philosophical Differences00:03:50 - When Frustration Becomes a Pattern00:04:36 - Waivers, Green Bay, and a Second Chance00:05:27 - Is the Old Trayvon Diggs Still in There?00:06:12 - Why the Packers Are Desperate at Corner00:07:38 - A Perfect Fit—or Just Convenient Timing?00:10:06 - When Defense Carries a Team That Can't Score00:11:40 - The Rare One-Play Football Game00:12:30 - Film Study, Preparation, and a Season-Changing Read00:14:16 - Why One Moment Can Define Everything Check us out: patreon.com/sunsetloungedfwInstagram: sunsetloungedfwTiktok: sunsetloungedfwX: SunsetLoungeDFWFB: Sunset Lounge DFW

Imagine for a second that Eckhart Tolle wasn't a spiritual teacher, but a deep cover operative with a gun to his head. And just for a second, pretend that Tolle’s Power of Now wasn't a way to find peace, but a survival mechanism used to slow down time when your reality is collapsing. And your memory has been utterly destroyed by forces beyond your control. Until a good friend helps you rebuild it from the ground up. These are the exact feelings and sense of positive transformation I tried to capture in a project I believe is critical for future autodidacts, polymaths and traditional learners: Vitamin X, a novel in which the world’s only blind memory champion helps a detective use memory techniques and eventually achieve enlightenment. It’s also a story about accomplishing big goals, even in a fast-paced and incredibly challenging world. In the Magnetic Memory Method community at large, we talk a lot about the habits of geniuses like Benjamin Franklin and Thomas Jefferson. We obsess over their reading lists and their daily routines because we want that same level of clarity and intellectual power. But there's a trap in studying genius that too many people fall into: Passivity. And helping people escape passive learning is one of several reasons I’ve studied the science behind a variety of fictional learning projects where stories have been tested as agents of change. Ready to learn more about Vitamin X and the various scientific findings I’ve uncovered in order to better help you learn? Let’s dive in! Defeating the Many Traps of Passive Learning We can read about how Lincoln sharpened his axe for hours before trying to cut down a single tree. And that's great. But something's still not quite right. To this day, tons of people nod their heads at that famous old story about Lincoln. Yet, they still never sharpen their own axes, let alone swing them. Likewise, people email me every day regarding something I've taught about focus, concentration or a particular mnemonic device. They know the techniques work, including under extreme pressure. But their minds still fracture the instant they're faced with distraction. As a result, they never wind up getting the memory improvement results I know they can achieve. So, as happy as I am with all the help my books like The Victorious Mind and SMARTER have helped create in this world, I’m fairly confident that those titles will be my final memory improvement textbooks. Instead, I am now focused on creating what you might call learning simulations. Enter Vitamin X, the Memory Detective Series & Teaching Through Immersion Because here's the thing: If I really want to teach you how to become a polymath, I can't just carry on producing yet another list of tips. I have to drop you into scenarios where you actually feel what it's like to use memory techniques. That's why I started the Memory Detective initiative. It began with a novel called Flyboy. It’s been well-received and now part two is out. And it’s as close to Eckhart Tolle meeting a Spy Thriller on LSD as I could possibly make it. Why? To teach through immersion. Except, it's not really about LSD. No, the second Memory Detective novel centers around a substance called Vitamin X. On the surface, it's a thriller about a detective named David Williams going deep undercover. In actuality, it's a cognitive training protocol disguised as a novel. But one built on a body of research that shows stories can change what people remember, believe, and do. And that's both the opportunity and the danger. To give you the memory science and learning research in one sentence: Stories are a delivery system. We see this delivery system at work in the massive success of Olly Richards’ StoryLearning books for language learners. Richards built his empire on the same mechanism Pimsleur utilized to great effect long before their famous audio recordings became the industry standard: using narrative to make raw data stick. However, a quick distinction is necessary. In the memory world, we often talk about the Story Method. This approach involves linking disparate pieces of information together in a chain using a simple narrative vignette (e.g., a giant cat eating a toaster to remember a grocery list). That is a powerful mnemonic tool, and you will see Detective Williams use short vignettes in the Memory Detective series. But Vitamin X is what I call ‘Magnetic Fiction.’ It's not a vignette. It's a macro-narrative designed to carry the weight of many memory techniques itself. It simulates the pressure required to forge the skill, showing you how and why to use the story method within a larger, immersive context. So with that in mind, let's unpack the topic of fiction and teaching a bit further. That way, you'll know more of what I have in mind for my readers. And perhaps you'll become interested in some memory science experiments I plan to run in the near future. Illustration of “Cafe Mnemonic,” a fun memory training location the Memory Detective David Williams wants to establish once he has enough funds. Fiction as a Teaching Technology: What the Research Says This intersection of story and memory isn't new territory for me. Long before I gave my popular TEDx Talk on memory or helped thousands of people through the Magnetic Memory Method Masterclass, live workshops and my books, I served as a Mercator award-winning Film Studies professor. In this role, I often analyzed and published material regarding how narratives shape our cognition. Actually, my research into the persuasion of memory goes back to my scholarly contribution to the anthology The Theme of Cultural Adaptation in American History, Literature and Film. In my chapter, “Cryptomnesia or Cryptomancy? Subconscious Adaptations of 9/11,” I examined specifically how cultural narratives influence memory formation, forgetting, and the subconscious acceptance of information. That academic background drives the thinking and the learning protocols baked into Vitamin X. As does the work of researchers who have studied narrative influence for decades. Throughout their scientific findings, one idea keeps reappearing in different forms: When a story pulls you in, you experience some kind of “transportation.” It can be that you find yourself deeply immersed in the life of a character. Or you find your palms sweating as your brain tricks you into believing you're undergoing some kind of existential threat. When such experiences happen, you stop processing information like you would an argument through critical thinking. Instead, you start processing the information in the story almost as if they were really happening. As a result, these kinds of transportation can change beliefs and intentions, sometimes without the reader noticing the change happening. That's why fiction has been used for: teaching therapy religion civic formation advertising propaganda Even many national anthems contain stories that create change, something I experienced recently when I became an Australian citizen. As I was telling John Michael Greer during our latest podcast recording, I impulsively took both the atheist and the religious oath and sang the anthem at the ceremony. All of these pieces contain stories and those stories changed how I think, feel and process the world. Another way of looking at story is summed up in this simple statement: All stories have the same basic mechanism. But many stories have wildly different ethics. My ethics: Teach memory improvement methods robustly. Protect the tradition. And help people think for themselves using the best available critical thinking tools. And story is one of them. 6 Key Research Insights on Educational Fiction Now, when it comes to the research that shows just how powerful story is, we can break it down into buckets. Some of the main categories of research on fiction for pedagogy include: 1) Narrative transportation and persuasion As these researchers explain in The Role of Transportation in the Persuasiveness of Public Narratives, transportation describes how absorbed a reader becomes in a story. Psychologists use transportation models to show how story immersion drives belief change. It works because vivid imagery paired with emotion and focused attention make story-consistent ideas easier to accept. This study of how narratives were used in helping people improve their health support the basic point: Narratives produce average shifts in attitudes, beliefs, intentions, and sometimes behavior. Of course, the exact effects vary by topic and the design of the scientific study in question. But the point remains that fiction doesn't merely entertain. It can also train and persuade. 2) Entertainment-Education (EE) EE involves deliberately embedding education into popular media, often with pro-social aims. In another health-based study, researchers found that EE can influence knowledge, attitudes, intentions, behavior, and self-efficacy. Researchers in Brazil have also used large-scale observational work on soap operas and social outcomes (like fertility). As this study demonstrates, mass narrative exposure can shape real-world behavior at scale within a population. Stories can alter norms, not just transfer facts from one mind to another. You’ll encounter this theme throughout Vitamin X, especially when Detective Williams tangles with protestors who hold beliefs he does not share, but seem to be taking over the world. 3) Narrative vs expository learning (a key warning) Here's the part most “educational fiction” ignores: Informative narratives often increase interest, but they don't automatically improve comprehension. As this study found, entertainment can actually cause readers to overestimate how well they understood the material. This is why “edutainment” often produces big problems: You can wind up feeling smarter because you enjoyed an experience. But just because you feel that way doesn't mean you gain a skill you can reliably use. That’s why I have some suggestions for you below about how to make sure Vitamin X actually helps you learn to use memory techniques better. 4) Seductive details (another warning) There's also the problem of effects created by what scientists call seductive details. Unlike the “luminous details” I discussed with Brad Kelly on his Madness and Method podcast, seductive details are interesting but irrelevant material. They typically distract attention and reduce learning of what actually matters. As a result, these details divert attention through interference and by adding working memory demands. The research I’ve read suggests that when story authors don't engineer their work with learning targets in mind, their efforts backfire. What was intended to help learners actually becomes a sabotage device. I've done my best to avoid sabotaging my own pedagogical efforts in the Memory Detective stories so far. That's why they include study guides and simulations of using the Memory Palace technique, linking and number mnemonics like the Major System. In the series finale, which is just entering the third draft now, the 00-99 PAO and Giordano Bruno's Statue technique are the learning targets I’ve set up for you. They are much harder, and that’s why even though there are inevitable seductive details throughout the Memory Detective series, the focus on memory techniques gets increasingly more advanced. My hope is that your focus and attention will be sharpened as a result. 5) Learning misinformation from fiction (the dark side) People don't just learn from fiction. They learn false facts from fiction too. In this study, researchers found that participants often treated story-embedded misinformation as if it were true knowledge. This is one reason using narrative as a teaching tool is so ethically loaded. It can bypass the mental posture we use for skepticism. 6) Narrative “correctives” (using story against misinformation) The good news is that narratives can also reduce misbelief. This study on “narrative correctives” found that stories can sometimes decrease false beliefs and misinformed intentions, though results are mixed. The key point is that story itself is neither “good” or “bad.” It's a tool for leverage, and this is one of the major themes I built into Vitamin X. My key concern is that people would confuse me with any of my characters. Rather, I was trying to create a portrait of our perilous world where many conflicts unfold every day. Some people use tools for bad, others for good, and even that binary can be difficult for people to agree upon. Pros & Cons of Teaching with Fiction Let’s start with the pros. Attention and completion: A good story can keep people engaged, which is a prerequisite for any learning to occur. The transportation model I cited above helps explain why. The Positive Side of Escapism Entering a simulation also creates escapism that is actually valuable. This is because fiction gives you “experience” without real-world consequences when it comes to facing judgment, ethics, identity, and pressure-handling. This is one reason why story has always been used for moral education, not just entertainment. However, I’ve also used story in my Memory Detective games, such as “The Velo Gang Murders.” Just because story was involved did not mean people did not face judgement. But it was lower than my experiments with “Magnetic Variety,” a non-narrative game I’ll be releasing in the future. Lower Reactance Stories can reduce counterarguing compared with overt persuasion, which can be useful for resistant audiences. In other words, you’re on your own in the narrative world. Worst case scenario, you’ll have a bone to pick with the author. This happened to me the other day when someone emailed to “complain” about how I sometimes discuss Sherlock Holmes. Fortunately, the exchange turned into a good-hearted debate, something I attribute to having story as the core foundation of our exchange. Compare this to Reddit discussions like this one, where discussing aspects of the techniques in a mostly abstract way leads to ad hominem attacks. Now for the cons: Propaganda Risk The same reduction in counterarguing and squabbling with groups that you experience when reading stories is exactly what makes narratives useful for manipulation. When you’re not discussing what you’re reading with others, you can wind up ruminating on certain ideas. This can lead to negative outcomes where people not only believe incorrect things. They sometimes act out negatively in the world. The Illusion of Understanding Informative narratives can produce high interest but weaker comprehension and inflated metacomprehension. I’ve certainly had this myself, thinking I understand various points in logic after reading Alice in Wonderland. In reality, I still needed to do a lot more study. And still need more. In fact, “understanding” is not a destination so much as it is a process. Misinformation Uptake People sometimes acquire false beliefs from stories and struggle to discount fiction as a source. We see this often in religion due to implicit memory. Darrel Ray has shown how this happens extensively in his book, The God Virus: How Religion Infects Our Lives and Culture. His book helped explain something that happened to me after I first started memorizing Sanskrit phrases and feeling the benefits of long-form meditation. For a brief period, implicit memory and the primacy effect made me start to consider that the religion I’d grown up with was in fact true and real. Luckily, I shook that temporary effect. But many others aren’t quite so lucky. And in case it isn’t obvious, I’ll point out that the Bible is not only packed with stories. Some of those stories contain mnemonic properties, something Eran Katz pointed out in his excellent book, Where Did Noah Park the Ark? https://www.youtube.com/watch?v=zhQlcMHhF3w The “Reefer Madness” Problem While working on Vitamin X, I thought often about Reefer Madness. In case you haven’t seen it, Reefer Madness began as an “educational” morality tale about cannabis. It's now famous largely because it's an over-the-top artifact of moral panic, an example of how fear-based fiction can be used to shape public belief under the guise of protection. I don’t want to make that mistake in my Memory Detective series. But there is a relationship because Vitamin X does tackle nootropics, a realm of substances for memory I am asked to comment on frequently. In this case, I'm not trying to protect people from nootropics, per se. But as I have regularly talked about over the years, tackling issues like brain fog by taking memory supplements or vitamins for memory is fraught with danger. And since fiction is one of the most efficient way to smuggle ideas past the mind's filters, I am trying to raise some critical thinking around supplementation for memory. But to do it in a way that's educational without trying to exploit anyone. I did my best to create the story so that you wind up thinking for yourself. What I'm doing differently with Vitamin X & the Memory Detective Series I'm not pretending fiction automatically teaches. I'm treating fiction as a delivery system for how various mnemonic methods work and as a kind of cheerleading mechanism that encourages you to engage in proper, deliberate practice. Practice of what? 1) Concentration meditation. Throughout the story, Detective Williams struggles to learn and embrace the memory-based meditation methods of his mentor, Jerome. You get to learn more about these as you read the story. 2) Memory Palaces as anchors for sanity, not party tricks. In the library sequence, Williams tries to launch a mnemonic “boomerang” into a Memory Palace while hallucinatory imagery floods the environment. Taking influence from the ancient mnemonist, Hugh of St. Victor, Noah's Ark becomes a mnemonic structure. Mnemonic images surge and help Detective Williams combat his PTSD. To make this concrete, I've utilized the illustrations within the book itself. Just as the ancients used paintings and architectural drawings to encode knowledge, the artwork in Vitamin X isn’t just decoration. During the live bootcamp I’m running to celebrate the launch, I show you how to treat the illustrations as ‘Painting Memory Palaces.’ This effectively turns the book in your hands into a functioning mnemonic device, allowing you to practice the method of loci on the page before you even step out into the real world. Then there’s the self-help element, which takes the form of how memory work can help restore sanity. A PTSD theme runs throughout the Memory Detective series for two deliberate reasons. First, Detective Williams is partly based on Nic Castle. He's a former police officer who found symptom relief for his PTSD from using memory techniques. He shared his story on this episode of the Magnetic Memory Method Podcast years ago. Second, Nic's anecdotal experience is backed up by research. And even if you don't have PTSD, the modern world is attacking many of us in ways that clearly create similar symptom-like issues far worse than the digital amnesia I've been warning about for years. We get mentally hijacked by feeds, anxiety loops, and synthetic urgency. We lose our grip on reality and wonder why we can't remember what we read five minutes ago. That's just one more reason I made memory techniques function as reality-tests inside Vitamin X. 3) The critical safeguard: I explicitly separate fiction from technique. In Flyboy's afterword, I put it plainly: The plot is fictional, but the memory techniques are real. And because they're real, they require study and practice. I believe this boundary matters because research shows how easily readers absorb false “facts” from fiction. 4) To help you practice, I included a study guide. At the end of both Flyboy and Vitamin X, there are study guides. In Vitamin X, you'll find a concrete method for creating a Mnemonic Calendar. This is not the world's most perfect memory technique. But it's helpful and a bit more advanced than a technique I learned from Jim Samuels many years ago. In his version, he had his clients divide the days of the week into a Memory Palace. For his senior citizens in particular, he had them divide the kitchen. So if they had to take a particular pill on Monday, they would imagine the pill as a giant moon in the sink. Using the method of loci, this location would always serve as their mnemonic station for Monday. In Vitamin X, the detective uses a number-shape system. Either way, these kinds of techniques for remembering schedules are the antidote to the “illusion of understanding” problem, provided that you put them to use. They can be very difficult to understand if you don't. Why My Magnetic Fiction Solves the “Hobbyist” Problem A lot of memory training fails for one reason: People treat it as a hobby. They “learn” techniques the way people “learn” guitar: By watching a few videos and buying a book. While the study material sits on a shelf or lost in a hard drive, the consumer winds up never rehearsing. Never putting any skill to the test. And as a result, never enjoying integration with the techniques. What fiction can do is create: emotional stakes situational context identity consistency (“this is what I do now”) and enough momentum to carry you into real practice That's the point of the simulation. You're not just reading about a detective and his mentor using Memory Palaces and other memory techniques. You're watching what happens when a mind uses a Memory Palace to stay oriented. And you can feel that urgency in your own nervous system while you read. That's the “cognitive gym” effect, I'm going for. It's also why I love this note from Andy, because it highlights the exact design target I'm going for: “I finished Flyboy last night. Great book! I thought it was eminently creative, working the memory lessons into a surprisingly intricate and entertaining crime mystery. Well done!” Or as the real-life Sherlock Holmes Ben Cardall put it the Memory Detective stories are: …rare pieces of fiction that encourages reflection in the reader. You don’t just get the drama, the tension and the excitement from the exploits of its characters. You also get a look at your own capabilities as though Anthony is able to make you hold a mirror up to yourself and think ‘what else am I capable of’? A Practical Way to Read These Novels for Memory Training If you want the benefits without the traps we've discussed today: Read Vitamin X for immersion first (let transportation do its job). Then read it again with a simple study goal. This re-reading strategy is important because study-goal framing will improve comprehension and reduce overconfidence. During this second read-through, actually use the Mnemonic Calendar. Then, test yourself by writing out what you remember from the story. If you make a mistake, don't judge yourself. Simply use analytical thinking to determine what went wrong and work out how you can improve. The Future: Learning Through Story is About to Intensify Here's the uncomfortable forecast: Even though I’m generally pro-AI for all kinds of outcomes and grateful for my discussions with Andrew Mayne about it (host of the OpenAI Podcast), AI could make the generation of personalized narratives that target your fears, identity, and desires trivial. That means there’s the risk that AI will also easily transform your beliefs. The same machinery that can create “education you can't stop reading” can also create persuasion you barely notice. Or, as Michael Connelly described in his novel, The Proving Ground, we might notice the effects of this persuasion far more than we’d like. My research on narrative persuasion and misinformation underscores why this potential outcome is not hypothetical. So the real question isn't “Should we teach with fiction?” The question is: Will we build fiction that creates personal agency… or engineer stories that steal it? My aim with Flyboy, Vitamin X and the series finale is simple and focused on optimizing your ability: to use story as a motivation engine to convert that motivation into deliberate practice to make a wide range of memory techniques feel as exciting for you as they are for me and to give your attention interesting tests in a world engineered to fragment it. If you want better memory, this is your challenge: Don't read Vitamin X for entertainment alone. Read it to see if you can hold on to reality while the world spins out of control. When you do, you'll be doing something far rarer than collecting tips. You'll be swinging the axe. A very sharp axe indeed. And best of all, your axe for learning and remembering more information at greater speed will be Magnetic.

Main fiction: "Stars in a Grave, Stars in a Skull"Jeremy Szal was born in 1995 and was raised by wild dingoes, which should explain a lot. He writes epic fantasy and dark space opera of a character-driven, morally grey nature. His main series is the Common trilogy from Gollancz/Hachette, which includes Stormblood, Blindspace, and Woflskin, about a drug harvested from alien DNA that makes users permanently addicted to adrenaline and aggression. He's the author of over fifty short stories, translated into fifteen languages, many of which appear in his short fiction collection Broken Stars. He was the editor for the Hugo-winning StarShipSofa until 2020 and has a BA in Film Studies and Creative Writing from UNSW. He carves out a living in Sydney, Australia with his family, where he loves watching weird movies, eating Japanese food, exploring cities, learning languages, cold weather and dark humour. Find him at https://jeremyszal.substack.com/ or @JeremySzalThis story first appeared in Broken Stars (2024).Narration by: Will StaglWill Stagl lives in Tucson Arizona and is a proud member of the StarShipSofa team. This month you'll likely find him tearing through some fantasy epic at a local café or waiting for the next sci-fi TV show to air.Fact: Looking Back At Genre History by Amy H SturgisSupport this show http://supporter.acast.com/starshipsofa. Hosted on Acast. See acast.com/privacy for more information.

In this season six finale, Anna and Derek discuss the absurdity of getting an in-ground pool in Illinois, if maybe Cousin Eddie is better in smaller doses, and much more during their chat of the holiday classic National Lampoon's Christmas Vacation (1989).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Justin Melo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Justin Graver⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ are back to review the film on Tennessee Titans quarterback Cam Ward after his most recent performance against the Kansas City Chiefs, in which Ward set career highs for completion percentage, yards per attempt, passer rating, EPA per dropback, PFF grade and more, breaking down four outstanding plays by Ward from this game. We also take a look at Ward's passing chart and close the show grading Ward's Week 16 performance in comparison to the other outings in his rookie season. NOTE: Watch this one on YouTube to see the actual film breakdowns: https://www.youtube.com/@musiccityaudiblepodcast 0:00 Teaser 1:22 The numbers from Cam Ward's best games 8:31 Ward's Passing Chart 10:00 Film Breakdown 25:59 Cam Ward Week 16 Grade 28:19 Final Thoughts ------------ The Music City Audible is presented by Sinker's Beverages in East Nashville and Bluegrass Beverages in Hendersonville. Join the Sinker's Beverages In Crowd: https://sinkers.storebyweb.com/s/1000-1/register ------------ Order Justin Melo's book "Titans of the South" here: https://shop.adventurewithkeen.com/product/titans-of-the-south/ ------------ Subscribe to the Podcast on YouTube: https://www.youtube.com/@musiccityaudiblepodcast

Happy holidays! Adam made a feature film and we're (finally) going to celebrate it in style. It's a bonus episode of holly, jolly, drinks, and independent film. With a very special guest host!Our old friend Sarah Welch-Larson takes the reins this week for an exploration of feature filmmaking, micro budget cinema, the inspirations behind Adam's film, and some questions about its creation–including Dom's role as co-editor!Also, you better believe we're talking about Eye of the Duck scenes, too.Next week, we set course for Mordor at long last. Part II of our Rings miniseries begins with THE FELLOWSHIP OF THE RING (2001). And we can't wait! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Craft Services Adam Volerich InterviewParth MaratheAdam VolerichDom NeroCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Part 1:We talk with Kalena Thomhave, a freelance journalist.We discuss the status of health aides and other health care workers, whom the administration is reclassifying as "companions", as a way of not including them in the minimum wage system, and deprofessionalizing their work. What implications are there for individuals? Part 2:We talk with Nora Gilbert, Professor of Literary and Film Studies, and Distinguished Teaching Professor, University of North Texas.We discuss the messages in the movie "It's a Wonderful Life", and the parallels to the present day US.WNHNFM.ORG  productionMusic: David Rovics

On this 20th and final episode of 2025, host Dr Pasquale Iannone is joined by Professor Sir Christopher Frayling. Christopher is an internationally renowned educationalist, historian and broadcaster who spent more than 35 years at London's Royal College of Art as Professor of Cultural History and then as Rector. Across more than five decades, Christopher has published widely on film, literature and the arts with volumes exploring everything from the Middle Ages to the Gothic. He is as a pioneer in the academic study of the Spaghetti Western, with publications such as his 1981 book on the subject and his definitive biography of director Sergio Leone (2000).Christopher tells Pasquale about his latest book The Hollywood History of Art (2025), a mammoth, lavishly illustrated volume from Reel Art Press which explores the ways in which Hollywood cinema has approached the lives (and works) of artists. Christopher explains how the idea for the book came about and how he developed the structure. Discussion then turns to specific films such as Rembrandt (1936), Lust for Life (1956), The Agony and the Ecstasy (1965), Love is the Devil (1998) and Frida (2002).

Justin Melo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Justin Graver⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ are back to review the film on Tennessee Titans quarterback Cam Ward after his most recent performance against the San Francisco 49ers, breaking down seven plays from this game. We also take a look at Ward's passing chart and close the show grading Ward's Week 15 performance in comparison to the other outings in his rookie season. NOTE: Watch this one on YouTube to see the actual film breakdowns: https://www.youtube.com/@musiccityaudiblepodcast 0:00 Teaser 1:38 Ward was better than you think 3:27 Cam Ward's Week 15 Passing Chart 7:59 Film Breakdown 44:28 Week 15 Grade 49:01 Final Thoughts 54:52 Wrap Up ------------ The Music City Audible is presented by Sinker's Beverages in East Nashville and Bluegrass Beverages in Hendersonville. Join the Sinker's Beverages In Crowd: https://sinkers.storebyweb.com/s/1000-1/register ------------ Order Justin Melo's book "Titans of the South" here: https://shop.adventurewithkeen.com/product/titans-of-the-south/ ------------ Subscribe to the Podcast on YouTube: https://www.youtube.com/@musiccityaudiblepodcast

Justice for Gurgi! This week it's the final stop on our tour of pre-Jackson LOTR-inspired films… and our very first ever Disney animated film!Joining us to explore Welsh mythology, The Chronicles of Prydain, and the weird lengths Disney will go to make their adaptations kid-friendly is returning guest (and Eye of the Duck digital producer) Nik Long!Next week we have a very special holiday surprise! We're celebrating Christmas and independent film with a bonus episode on Adam's very own DRINK AND BE MERRY (2025). Now available on VOD and Blu-ray! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:DisneyWar by James B. StewartSlate Production HistoryMouse in Transition: An Insider's Look at Disney Feature Animation by Steve HulettThe Chicago Tribune Production HistoryCollider Production History“Chronicles of Prydain” Reboot In the WorksFinal Film In Technirama 70mmThe Lion King Surpasses BudgetBBC Production HistoryNew Logo New DisneyCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

There you are. We've been looking for you. The time has come, once again, for your favorite Zombie Movie Podcast, the one and only Dead Man Still Walking, featuring your favorite zombie expert (and ours), Dr. Walking Dead (Kyle William Bishop)! Here in this 57th edition of DMSW, the mad doctor discusses a new and noteworthy zombie flick. You see, this past summer, Dr. Bishop's esteemed colleague, the literary and cultural scholar Sarah Juliet Lauro ("The Transatlantic Zombie" and "Zombie Theory: A Reader"), recommended Outside (2024), a Filipino, post-apocalyptic Zombie Horror film co-written and directed by Carlo Ledesma. We hope you enjoy Episode 173 of Jay of the Dead's New Horror Movies, and if you don't, then it's Dr. Walking Dead's fault. However, we still think you will love it, so join us! Note: This episode was recorded in August 2025. Also, to view ALL of Dr. Bishop's Dead Man Still Walking solocast episodes can USE THIS LINK. And to view ALL of Dr. Bishop's episode-by-episode commentaries on The Last of Us – Seasons 1 and 2, with Jay of the Dead, then USE THIS LINK. Dead Man Still Walking is a biweekly, short-form solocast hosted by Dr. Walking Dead Kyle Bishop, author of American Zombie Gothic and How Zombies Conquered Popular Culture. Dr. Walking Dead also presents a popular segment called The Dead Zone on regular episodes of this podcast. For his Dead Man Still Walking solocast episodes, Dr. Bishop will focus exclusively on zombie films, with the occasional exploration of zombie-related themes, zombie television, and other zombie media (e.g., comics, literature, etc.). Dr. Bishop is an academic and professional scholar of zombie films and other zombie narratives. He has been teaching for 23 years. Dr. Bishop serves as an English professor, Film Studies professor, and he's currently the English Department Chair at Southern Utah University. You are welcome to reach out to Dr. Bishop with comments or questions via email: bishopk@suu.edu, X: @DrWalkingDead, BlueSky and Instagram (@DrWalkingDead). You can also watch the documentary, Doc of the Dead (2014), which features Dr. Walking Dead. Find more links below for Dr. Bishop. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple PodcastsSpotifyDeezer   You are welcome to email our show at HauntingYourHeadphones@gmail.com. You can also follow Jay of the Dead's New Horror Movies on X: @HorrorAvengers Dead Man Still Walking with Dr. Kyle Bishop is brought to you by Jay of the Dead's New Horror Movies, an audio Horror movie podcast. It features nine experienced Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin, Dave Zee and Spawn of the Dead! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead's New Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!

In this episode, Anna and Derek debate just how unhappy J.C. actually was before Elizabeth came along, how is it that Elizabeth never ages a day, and much more during their discussion of the Diane Keaton starrer Baby Boom (1987). Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Bleav in Vikings focuses on the Vikings offensive line play in the team's shutout win over the Washington Commanders. Wobby and BMac use some film to look at one area of improvement but spend the rest of the show lauding a great performance by the Vikings front five. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Sing it with us!! WHERE THERE'S A WHIP [WHIP SFX] THERE'S A WAY! WHERE THERE'S A WHIP [WHIP SFX] THERE'S A WAY!This week we face the Lord of the Lash himself for the epic return of Arthur Rankin & Jules Bass, and the wildest voice cast in Tolkien history. Roddy McDowall is Sam? Casey Kasem is Merry?! It may not be the most beloved Rings adaptation out there…but it's certainly the last one in a very long while!Next week, we close out the first act of our trilogy with the highly contentious Disney cult classic, THE BLACK CAULDRON (1985). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Middle-Earth Envisioned: The Hobbit and The Lord of the Rings: On Screen, On Stage, and Beyond by Brian J. Robb and Paul SimpsonCinefantastique Production HistoryArthur Rankin Jr. on RingsFilm Release in Trouble“Frodo, The Hobbit II”Leonard Nimoy on “The Ballad of Bilbo Baggins”St. Petersburg Times on Release of “The Ballad of Bilbo Baggins”Powerpop on “The Ballad of Bilbo Baggins”Leonard Nimoy Sings “The Ballad of Bilbo Baggins”Credits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

As always there are spoilers ahead! We've discussed Czech scifi before with Karel Zeman's gorgeous steam punk offering from 1958 Invention for Destruction (dubbed into the English language The Fabulous World of Jules Verne) and we've also covered Communists in Space with 1960s The Silent Star (AKA First Spaceship on Venus). The Czech Ikarie XB-1 (1963) has connections to both of those films but also offers an aesthetic that seems to directly inspire Kubrick for 2001: A Space Odyssey. The year is 2163, communism has won, and a crew of 40 are sent to find life on the white planet in Alpha Centauri with a journey fraught with sociological, psychological and physical challenges. I have two amazing academics to help give insight into the film. Evan Torner is an Associate Professor of German Studies and Niehoff Professor of Film & Media Studies at the University of Cincinnati. Simon Spiegel is a lecturer of Film Studies at the University of Zurich. He has written extensively about Science Fiction and Utopia and has just released the book The Fear of Knowing about spoilers in film and media. Chapters: 00:00 Introduction 01:11 Stanislaw Lem's The Magellanic Cloud 04:28 Czechoslovakian New Wave and film industry 09:49 The striking introductory scenes and Kubrick's 2001 13:05 Cabin fever in spaaace! 15:13 Music by Zdeněk Liška 16:57 Communist utopia in spaaace! 20:57 The draw of sociological stories 26:19 A utopian party and a red alert 28:15 The capitalist ship and the 20th century 32:47 Putting science into sci-fi 39:30 Evan's Dark Matter Shenanigans 42:21 Post Stalin faith 43:41 The ending 45:39 The US edit 47:27 Legacy 52:18 Recommendations     NEXT EPISODE! I will be taking a detour next episode to talk about Afrofuturism which I've been wanting to discuss since the very early days of research before I launched the podcast. Almost two years late but I hope you enjoy it. After that we will be discussing Dr Strangelove and I would recommend you also watch Fail Safe (also 1964) if you have time.  

On this episode of the podcast, host Dr Pasquale Iannone is joined by Professor Sue Harris. Sue is Professor Emerita of Film Studies at Queen Mary University of London and an internationally-renowned specialist in French cinema. She has also published noted volumes on the Hollywood film musical, film stardom and production design.Sue is a trustee and collaborator of the long-running, UK-wide French Film Festival. During this year's Festival, Sue sat down with Pasquale to discuss the controversial Oscar-winning French filmmaker Bertrand Blier who sadly passed away in January at the age of 85 and who was the subject of a special tribute.Sue is a foundational Blier scholar, one of the first writers anywhere to take the director's work seriously. Her first solo authored monograph was a ground-breaking study of his films which was based on her PhD thesis.Blier is perhaps best known for his scandalous 1974 satire Les Valseuses, the story of two young drifters (Gerard Depardieu and Patrick Dewaere) who offend and terrorise those they encounter on their wanderings across France.Sue tells Pasquale about the background to Les Valseuses, its reception and its unprecedented box office success in France. The then turn their attention to Blier's breakthrough film, the offbeat crime picture Buffet Froid (1979) which reunited the director with Depardieu and also featured Blier's actor father Bernard.

It's the first major adaptation of Tolkien's trilogy and it is…rotoscope animation? Enter Ralph Bakshi and his completely batshit vision of an animated Middle Earth!Is it a mixed masterpiece or a very audacious disaster? Either way, Bakshi's rotoscope RINGS is extremely influential for Peter Jackson, and we're celebrating its legacy this week.Next week, we complete our unofficial animated trilogy with RETURN OF THE KING (1980) from Rankin and Bass. Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Special FeaturesForging Through The Darkness: The Ralph Bakshi VisionMiddle-Earth Envisioned: The Hobbit and The Lord of the Rings: On Screen, On Stage, and Beyond by Brian J. Robb and Paul SimpsonCinefantastique Production HistoryJim Hill Media Ralph Bakshi InterviewA.V. Club Ralph Bakshi InterviewThe Hollywood Reporter Production HistoryRalph Bakshi on Peter JacksonCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Complete betting recaps and key storylines from every NFL Week 13 game — plus early handicapping and analysis for the Week 14 matchups — including Thanksgiving reactions, Cowboys vs Lions preview, Texans at Chiefs Sunday Night Football, and best bets from Patrick Meagher and Mike Somich.In This Episode:Thanksgiving recap — underdogs rule the holiday slate, Packers beat the LionsCowboys beat Chiefs — Dallas looks like the better team, defense drastically improvedWeek 14 Cowboys at Lions — Mike loves Dallas +3 (likes +3.5 even more)Bengals dominate Ravens — Lamar clearly playing hurtWeek 14 Steelers at Ravens (-6.5) — Pittsburgh or pass, but Steelers trending downBears crush Eagles — Chicago resembling last year's Lions teamWeek 14 Packers -5.5 vs Bears — Mike confident in Green Bay laying pointsWeek 14 Eagles -3 at Chargers on MNF — Eagles +2.5 was best early numberTexans upset Colts — AFC South is a three-team dogfightWeek 14 Texans at Chiefs on SNF — line moving to Houston; Patrick likes Texans, Mike likes under 43.5Bucs win but fail to cover vs Cardinals — Arizona the “best bad team”Week 14 Bucs vs Saints — ideal teaser legJaguars beat Titans — sloppy game, don't overreact on JagsWeek 14 Titans at Browns — bet Cleveland's defenseWeek 14 Colts -1.5 at Jaguars — Daniel Jones injury concerning, no reason to bet nowPanthers stun Rams as 10-point underdogs — wild game defined by 4th-down swingsWeek 14 Rams at Cardinals — Mike leans over 48.5, waiting for 48Dolphins win, don't cover vs Saints — Miami alive but not a good teamWeek 14 Dolphins at Jets — play the under 42.5Jets beat Falcons — two special teams plays the difference, Jets “frisky” Week 14 Seahawks at Falcons — second teaser leg49ers beat Browns — game closer than final scoreSeahawks crush Vikings — dominant Seattle defenseWeek 14 Vikings vs Commanders — take Commanders ML regardless of QBBills cover vs Steelers — Pittsburgh couldn't stop the runWeek 14 Bengals at Bills — this game is going overChargers easy cover vs Raiders — Raiders have quit; full reset comingWeek 14 Chargers vs Eagles — lay it with PhiladelphiaWeek 14 Broncos at Raiders — Denver with confidenceMonday Night Football: Giants at Patriots previewWeek 13 overview — awful Sunday slate, incredible Thursday/Friday games, playoff race absolute chaosLane Kiffin leaving Ole Miss for LSU — NIL era in full effect VSiN Black Friday Special is still live: Get full VSiN Pro access through May 1st for just $60 — daily best bets, real-time splits, AI tools, 24/7 video, and full spring sports coverage at https://vsin.com/subscribe/Get sharp insights, betting angles, and entertaining analysis from Patrick Meagher and Mike Somich every week on the Sharp Money Podcast — new episodes drop every Monday and Thursday.VSiN is THE Sports Betting Network — delivering the latest news, analysis, and expertise about sports gambling.

Surprise! It's Thanksgiving week, but Danny had to take to the microphone to talk about Meredith's recollection (or lack thereof) of Crazy Rich Asians and the other movie she watched on a plane but can't remember, she also sits down with Britani after Britani sits down with her daughter, Heather gets rid of a mattress, and more! On Potomac, Monique is back, and Danny is also touching on the final part of the OC reunion! Happy Thanksgiving!!!!ORDER DANNY'S BOOK: https://linktr.ee/jolliestbunchDANNY'S (OTHER) BOOK: Smarturl.it/unrememberTwitter: @DannyPellegrinoInstagram: @DannyPellegrinoYouTube: www.YouTube.com/DannyPellegrino1TikTok: @DannyPellegrinoPatreon: www.Patreon.com/EverythingIconicA Very Merry Iconic Podcast is brought to you by Amazon and Acast Creative Hosted on Acast. See acast.com/privacy for more information.

In this episode, Anna and Derek question how Eddie and Vincent never ran into each other before, the plausibility of relaxing in an unbuttoned flannel shirt, and much more during their discussion of the Paul Newman-Tom Cruise two-hander The Color of Money (1986).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Send us a textCoach Savannah Carter breaks down the blueprint of being a great defensive guard in basketball. She explains the skills, mindset and physical makeup to be great. and shares her personal journey, highlighting how her experiences starting in HBCU transferring to Juco and finishing up at Mississippi State made her the player she was and coach that she is. We also touch on the evolution of defensive coaching and the challenges faced by young players in understanding the game.Chapters00:00 The Essence of Defensive Greatness02:59 The Journey to Attitude and Aggression05:52 Building a Defensive Mindset08:48 The Importance of Stamina and Tenacity12:07 Discipline as the Foundation14:49 Techniques of a Great Defender17:53 The Role of Footwork and Angles20:49 Lessons Learned Across Levels23:45 The Impact of Coaching and Team Dynamics27:02 Navigating Challenges and Changes29:53 Reflections on Growth and Experience33:41 The Impact of Decisions on Career Paths35:57 Choosing the Right School: A Personal Journey39:15 The Legacy of Pat Summit and Her Influence39:19 Aspiring to Coach: Challenges and Aspirations40:14 Building a Defensive Foundation in Basketball41:24 The Importance of Communication in Defense43:31 On-Ball vs. Off-Ball Defense: Strategies and Insights46:13 Understanding Ball Pressure and Its Execution49:36 Adapting Defense to Different Players51:01 Learning from Tough Matchups: Adapting Strategies55:02 Defending Against Taller Opponents58:02 Facing Star Players: Experiences and Reflections59:51 Defensive Strategies for Different Player Types01:03:25 Defensive Strategies Against Elite Players01:07:44 The Importance of Defensive Skills in Coaching01:11:37 Film Study vs. On-Court Practice01:15:10 Evolution of Defensive Techniques in Basketball01:19:57 Teaching Fundamentals to Young Players01:24:53 Preparing Players for College Basketball01:27:29 Advice for Young Players on Discipline and EnjoymentSupport the showProgress is the only Goal clotheshttps://beball-jones.myshopify.com/collections/allFollow the Podcast TikTok https://www.tiktok.com/@beballjonespodcast Follow BeBall Jones on Instagram, Twitter, TikTok and Facebook @BeBallJones Instagram: https://www.instagram.com/beballjones/Twitter: https://twitter.com/BeBallJonesTikTok: https://vm.tiktok.com/TTPdAFqYm9/Facebook: https://www.facebook.com/BeballJones0Show some support for the showhttps://www.buzzsprout.com/2008789/supporters/new

Listen up, Hobbitses! An adventure is knocking at your door! Will you answer it? Even if it's a musical?It's the first actual Tolkien adaptation of our series this week, and we are so confused that it exists. Rankin and Bass? The dudes who make the Rudolph and Frosty movies? Yes. And for some reason, Otto Preminger is in it.Next week it's Ralph Bakshi's THE LORD OF THE RINGS animated spectacular! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Middle-Earth Envisioned: The Hobbit and The Lord of the Rings: On Screen, On Stage, and Beyond by Brian J. Robb and Paul SimpsonJ. R. R. Tolkien: A Biography by Humphrey CarpenterThe New York Times Production HistoryTolkien Hates DisneyCinefantastique Production HistoryCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

As always there are spoilers ahead!  You can follow the podcast on social media on Threads, Instagram and Bluesky.  If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm  Roger Corman produced hundreds of films in his lifetime and directed dozens. X: The Man with the X-Ray Eyes is a colourful, psychedelic, 1960s extravaganza with aspirations of transcendence. If you wanted to join in, you can watch the film X: The Man with the X-Ray Eyes from 1963 first. DVDs of the film are available, but it is also available to rent and watch online on Apple TV and many other platforms. You can check the Just Watch website to see where it is available in your region. Oscar winner Ray Milland (we heard a bit about him in the Panic in Year Zero! episode) stars as a mad scientist who creates a serum that will help him understand the secret of life itself. A serum that unlocks the 90% of the visible spectrum that is beyond our realm of vision. The film is fun and pacey and the tone is once again firmly in the 1960s. I have two excellent guests to help us unravel the minds and life's mysteries around what could be Corman's magnus opus. Barry Keith Grant is professor Emeritus of Film Studies at Brock University Canada. He has written/edited numerous books, articles and essays about science fiction cinema. John Wills is a Professor of American Media and Culture at the University of Kent. He has written lots about popular culture including 1950s American and Nuclear film. Chapters: 00:00 Intro 01:57 Barry's experience of watching the film on release 03:48 Eyeballs and vision 08:58 The body in sci-fi 10:57 Mad science and closing in on the Gods 12:20 Science in the 60s 15:56 LSD 17:18 A film of two halves 19:18 Diane's romantic arc 21:57 Hays Code & the Nudie Cuties 25:35 Roger Corman's 2001: A Space Odyssey comparison 31:17 Special Effects 32:41 Gurus incoming 34:48 Blunt honesty of Xavier 37:36 The music of Les Baxter 39:59 Stephen King and the ending 44:23 Legacy 51:21 Recommendations   CORRECTION: We refer to the female scientist as Diana but her name is Diane.   NEXT EPISODE! Next episode we are heading back to the Eastern Bloc with the Czech 1963 scifi Ikarie XB-1. In terms of watching it, the American version is titled Voyage to the End of the Universe and is a different edit. Although Just Watch advertises the English language title it seems to not differentiate which edit is available. The original is available on The Criterion channel and also cultpix.com.        

On this episode of the podcast, host Dr Pasquale Iannone is joined by film programmer, researcher and writer Camilla Baier. Camilla is a graduate of the University of Edinburgh's MSc in Film Exhibition and Curation programme and is also co-founder of the feminist film collective Invisible Women.Camilla discusses Invisible Women's latest project, a touring film season celebrating the Golden Age of Mexican Melodrama which arrives at Edinburgh's Filmhouse in late November. The rarely-screened four titles in the Stronger Than Love: ¡Too Much Mexican Melodrama! season are described as ‘emotionally explosive women's pictures' and showcase the pioneering work of women filmmakers such as Adela Sequeyro, Matilde Landeta, Ninón Sevilla and Miroslava Stern.Camilla tells Pasquale about her fascinating career in film curation which has taken her across the world, from Germany to Mexico. Discussion then turns to the four films that make up the melodrama season: Nobody's Wife (Adela Sequeyro, 1937), Streetwalker (Matilde Landeta, 1951), Victims of Sin (Emilio Fernández, 1951) and Stronger Than Love (Tulio Demicheli, 1955).The Stronger Than Love: ¡Too Much Mexican Melodrama! is currently touring the UK and will be arriving at Edinburgh's Filmhouse from 22nd November.

In this episode of Quiet Storm Sports, we react to the latest of Ravens Nation as of 11/18/2025, Be sure to share your thoughts in the live chat/comments!!.

Series premiere! This week we leave The Shire behind to embark on our journey through Middle Earth and the epic fantasy genre!In the spirit of Lord of the Rings, we've divided our miniseries into three parts, and we're starting today with Part 1: The Road to Mordor. And that road begins with, you guessed it, Ray Harryhausen!Peter Jackson's trilogy would not exist without the sword-and-sandals stop-motion action of Harryhausen – so as we voyage towards Mordor, we must first trek the scorching sands of Ancient Greece, where harpies fly, gigantic statues terrorize, and gods try to kill us out of boredom! Oh, and spooky skeletons.Next week, we spend some time with a different type kind of Hobbit in Rankin and Bass's animated THE HOBBIT. Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Special FeaturesPeter Jackson Commentary TrackPeter Jackson on Ray HarryhausenArt UK Production HistoryRay Harryhausen/Bruce Eder Commentary Track 1992 Criterion ReleaseRay Harryhausen Talks Animating SkeletonsRay Harryhausen UK LaserDisc InterviewRay Harryhausen on Jerky MetalBruce Eder on Jason and the ArgonautsThe New York Times Ray Harryhausen FeatureInfinity Magazine Issue 41 Production HistoryCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

One of the most accomplished U.S. track athletes of all time, Shannon's career longevity is unmatched. Shannon is a 3x Olympian, Olympic Bronze Medalist, 2x World Bronze Medalist, World Record holder (DMR), and American Record holder at three distances (1500m, 2 miles, 5000m). Ranked in the world's top 10 for over a decade, Shannon made history at the London 2012 Games as the first American woman ever to medal in the Olympic 1500m. Shannon is also an Emmy Award winner, recognized for her work in sports broadcasting and storytelling. She has served as a broadcaster and in-stadium announcer for CBS, World Athletics, USA Track & Field, and the NCAA, and in 2024 she made her NBC Sports debut as a Track & Field analyst for the Paris Olympics. Beyond sport, Shannon is the co-founder of Imagining More, a nonprofit that promotes arts and athletics for youth. She was selected by the U.S. Department of State as a Sports Envoy to Morocco on the topic of Women's Empowerment Through Sport. A Duke University alum, Shannon graduated magna cum laude with a B.A. in English, Theater & Film Studies, and later earned her Master's cum laude in the Humanities. She also holds executive certificates from Dartmouth's Tuck School of Business (Next Step), Harvard Business School (Crossover to Business), and IMD (Innovation in Action). Shannon lives with her husband, Pablo, and their two children in her hometown of San Francisco, CA. Shannon's InstagramShannon's LinkTree Support the show

In this episode, Anna and Derek chat about the ethics of giving a ten-year-old electroshock therapy, just how annoying a talking chicken can be, and much more during their discussion of the fever dream cult classic Return to Oz (1985).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Aha! You're back! … But didn't we kill you already? No matter, we can just have Francesco Dellamorte do it again. Welcome back to your favorite Zombie Movie Podcast, that is, Dead Man Still Walking, for its 56th edition in which the Mercurial One, Dr. Walking Dead (Kyle William Bishop), brings you his insights and a solocast presentation on Cemetery Man (1994), (aka "Dellamorte Dellamore"), an example of an Eco-Zombie narrative from the 1990s! Directed by Michele Soavi and based on Tiziano Sclavi's novel of the same name, "Cemetery Man" stars Rupert Everett, who plays a cemetery caretaker in a small town where he finds himself having to re-bury the dead. Again. This review does contain spoilers. We hope you enjoy Episode 169 of Jay of the Dead'sNew Horror Movies, another essential listen for fans of zombie cinema, combining scholarly insight with genuine fandom from Dr. Bishop himself! Join us! Note: This episode was recorded in August 2025. Note: To view ALL of Dr. Bishop's Dead Man Still Walking solocast episodes can USE THIS LINK. And to view ALL of Dr. Bishop's episode-by-episode commentaries on The Last of Us – Seasons 1 and 2, with Jay of the Dead, then USE THIS LINK. Dead Man Still Walking is a biweekly, short-form solocast hosted by Dr. Walking Dead Kyle Bishop, author of American Zombie Gothic and How Zombies Conquered Popular Culture. Dr. Walking Dead also presents a popular segment called The Dead Zone on regular episodes of this podcast. For his Dead Man Still Walking solocast episodes, Dr. Bishop will focus exclusively on zombie films, with the occasional exploration of zombie-related themes, zombie television, and other zombie media (e.g., comics, literature, etc.). Dr. Bishop is an academic and professional scholar of zombie films and other zombie narratives. He has been teaching for 23 years. Dr. Bishop serves as an English professor, Film Studies professor, and he's currently the English Department Chair at Southern Utah University. You are welcome to reach out to Dr. Bishop with comments or questions via email: bishopk@suu.edu, X: @DrWalkingDead, BlueSky and Instagram (@DrWalkingDead) or by leaving him a voicemail: (801) 980-1375. You can also watch the documentary, Doc of the Dead (2014), which features Dr. Walking Dead. Find more links below for Dr. Bishop. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple PodcastsSpotifyDeezer   You are welcome to email our show at HauntingYourHeadphones@gmail.com. You can also follow Jay of the Dead'sNew Horror Movies on X: @HorrorAvengers Dead Man Still Walking with Dr. Kyle Bishop is brought to you by Jay of the Dead'sNew Horror Movies, an audio Horror movie podcast. It features nine experienced Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin, Dave Zee and Spawn of the Dead! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead's New Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!

On this episode of the podcast, host Dr Pasquale Iannone talks to award-winning British filmmaker Paul Andrew Williams about his new film Dragonfly.Built around two powerful performances by Oscar-nominated actors Brenda Blethyn and Andrea Riseborough, the film is set in Yorkshire and tells of elderly widow Elsie (Blethyn) who lives alone in her semi-detached bungalow with occasional help from carers. Living next door to Elsie is Colleen (Riseborough), a young woman who lives with her dog. When Colleen sees that Elsie's needs aren't being met by the overworked carers, she introduces herself to her neighbour and offers to help out. Colleen's motives start to come under scrutiny, especially on the part of Elsie's absent son (Jason Watkins).Pasquale spoke to Paul a few weeks after Dragonfly's UK premiere at the Edinburgh International Film Festival in August. They discuss the background to the film, the casting of Brenda Blethyn and Andrea Riseborough, Paul's decision to shoot on 16mm film, his collaboration with composer Raffertie and much more.Dragonfly is released in cinemas on 7th November.

Watch the video version of this podcast here on YouTube: https://www.youtube.com/watch?v=9OyRBa9lcUk Our two new books... STORY QUESTIONS is currently 10% off! - https://payhip.com/b/ZTvq9 and 17 Steps To Writing A Great Main Character - https://payhip.com/b/kCZGd 0:00 - Story Of A Real Life Puppeteer 9:41 - 7 Lessons Learned From Making A 17 Million View Video 20:47 - How A Short Viral Video Became A Full Length Documentary 36:03 - The Best Movies Are The Ones You Make From The Heart 48:54 - 3 Questions Every Character Must Answer For Every Scene 1:02:09 - Number One Tip For Directing Actors 1:10:42 - If You Submit To 100 Film Festivals... What Can You Expect? Paola Baldion is an award-winning actress, director, and producer of Colombian and European heritage. Born in Paris and raised in Italy and Colombia, Paola is a multilingual Latina artist fluent in Spanish, English, Italian, and French. She began performing at age four in her parents' marionette theater and later trained under renowned masters Edgardo Román and Paco Barrero in Bogotá, followed by HB Studios in New York and Stephanie Feury Studio in Los Angeles. She holds a BFA in Theater and Film Studies from Concordia University in Montreal. Paola made her feature film debut in the lead role of Marina in Retratos en un Mar de Mentiras (Portraits in a Sea of Lies), which premiered at the Berlin and Guadalajara film festivals. Her performance earned her the Colombian Academy Award for Best Actress, along with Best Actress honors at the Guadalajara and Amiens International Film Festivals. As co-founder of Dos Almas Films, she has directed impactful short films and documentaries, including For Alma and I Am Migration-a documentary where she and partner Jamie Toll travel across the U.S., offering free DNA tests to explore ancestry and identity. Her latest fiction film, Abrazo, tells the emotional story of a pregnant Central American woman crossing the U.S. border. The film has received 29 festival awards, including Best Film, Best Director, Best Writer, and Best Actress. Through her body of work, Paola continues to champion stories about identity, migration, and social justice-bringing visibility to underrepresented voices in both dramatic and comedic roles. WATCH 'I AM MIGRATION' https://www.facebook.com/iammigration/videos/611347859214872 WATCH 'ABRAZO' - NEW SHORT FILM BY PAOLA • ABRAZO - World Premiere (Official Film) CONNECT WITH PAOLA BALDION https://www.paolabaldion.com https://www.imdb.com/name/nm3672989 https://www.instagram.com/paolabaldion

VYS0052 | Goddamn Shit-sucking Vampires - Halloween 2025: The Lost Boys - Vayse to Face with Sorcha Ní Fhlain - Show Notes "Sleep all day. Party all night. Never grow old. Never die." - Sounds exhausting. This is not how Hine and Buckley do Halloween anymore. So, instead of re-living their twenties, or the Lost Decade, as they call it, they talk to Dr Sorcha Ní Fhlainn about the greatest horror movie of the 1980s, or the Lost Boys, as they call it. Sorcha is a film critic, a writer, an academic - a Reader in Film Studies with a specialism in American Film at Manchester Metropolitan University specialising in Gothic Studies and Horror Cinema, with a particular focus on Vampires - and an all-round legend who helps Hine and Buckley get their teeth stuck deep into Joel Schumacher's 1987 masterpiece without getting lost in the gory details (but never over-looking the Corey details). The Lost Boys stands up well to scrutiny (well, mostly...kind of...) and Sorcha leads a discussion ranging from the transplanting of vampiric folklore from dark-ages Europe to MTV-era USA, the history of the vampire as a metaphor in literature and cinema, the way in which the Lost Boys and contemporary 1980s vampire movies, Near Dark and Fright Night contributed to queer horror, exactly what it is that makes the Lost Boys one of the greatest movies of all time... and what's the deal with the greased up, pumped up, beach-party thrusting sax-player and why is it that he's brilliant? (recorded 6 October 2025) Dr Sorcha Ní Fhlainn Sorcha's Website (https://www.mmu.ac.uk/staff/profile/dr-sorcha-ni-fhlainn) Sorcha's Instagram (https://www.instagram.com/vampiresorcha/?hl=en) Sorcha's Twitter (https://www.instagram.com/vampiresorcha/?hl=en) Dr Sorcha Ní Fhlainn - Wikipedia (https://en.wikipedia.org/wiki/Sorcha_N%C3%AD_Fhlainn) Postmodern Vampires: Film, Fiction, and Popular Culture by Dr Sorcha Ní Fhlainn - Good Reads (https://www.goodreads.com/book/show/43291111-postmodern-vampires) Visions of the Vampire: Two Centuries of Blood-sucking Tales, Edited by Dr Sorcha Ní Fhlainn and Xavier Aldana Reyes - Good Reads (https://www.goodreads.com/book/show/54578546-visions-of-the-vampire) Clive Barker: Dark imaginer, Edited by Dr Sorcha Ní Fhlainn - Good Reads (https://www.goodreads.com/book/show/35083074-clive-barker) The Worlds of Back to the Future: Critical Essays on the Films, Edited by Sorcha Ní Fhlainn - Good Reads (https://www.goodreads.com/book/show/8514388-the-worlds-of-back-to-the-future) The Lost Boys Lost Boys Trailer - YouTube (https://www.youtube.com/watch?v=Q786UsnOcsY) Lost Boys - Wikipedia (https://en.wikipedia.org/wiki/The_Lost_Boys) Back to the Future Trailer - YouTube (https://www.youtube.com/watch?v=qvsgGtivCgs) Back to the Future - Wikipedia (https://en.wikipedia.org/wiki/Back_to_the_Future) Kiefer Sutherland - Wikipedia (https://en.wikipedia.org/wiki/Kiefer_Sutherland) Lost Boys - Michael Super Cut (https://www.youtube.com/watch?v=6kX3GmaUuvs) Jason Patric - Wikipedia (https://en.wikipedia.org/wiki/Jason_Patric) Corey Feldman - Wikipedia (https://en.wikipedia.org/wiki/Corey_Feldman) Corey Haim - Wikipedia (https://en.wikipedia.org/wiki/Corey_Haim) Alex Winter - Wikipedia (https://en.wikipedia.org/wiki/Alex_Winter) Vampire - Wikipedia (https://en.wikipedia.org/wiki/Vampire) Clive Barker - Wikipedia (https://en.wikipedia.org/wiki/Clive_Barker) The X-Files Trailer - YouTube (https://www.youtube.com/watch?v=8HKAR9MYvsQ) The X-Files - Wikipedia (https://en.wikipedia.org/wiki/The_X-Files) Fright Night Trailer - YouTube (https://www.youtube.com/watch?v=PMRH0RIEjnc) Fright Night - Wikipedia (https://en.wikipedia.org/wiki/Fright_Night) Interview With the Vampire Trailer - YouTube (https://www.youtube.com/watch?v=sCmYN6TLd8A) Interview With the Vampire - Wikipedia (https://en.wikipedia.org/wiki/Interview_with_the_Vampire_(film)) Our Vampires, Ourselves by Nina Auerbach (https://uk.bookshop.org/p/books/our-vampires-ourselves-nina-auerbach/328397?ean=9780226032023&next=t&next=t) Near Dark Trailer - YouTube (https://www.youtube.com/watch?v=VllIQYnC20s) Near Dark - Wikipedia (https://en.wikipedia.org/wiki/Near_Dark) Twilight Trailer - YouTube (https://www.youtube.com/watch?v=uxjNDE2fMjI) Twlight - Wikipedia (https://en.wikipedia.org/wiki/Twilight_(2008_film)) True Blood - Trailer (https://www.youtube.com/watch?v=3Wk3HSiX-vQ) True Blood - Wikipedia (https://en.wikipedia.org/wiki/True_Blood) Thomas Ligotti - Wikipedia (https://en.wikipedia.org/wiki/Thomas_Ligotti) Dracula - Wikipedia (https://en.wikipedia.org/wiki/Dracula) Zombie - Wikipedia (https://en.wikipedia.org/wiki/Zombie) John William Polidori - Wikipedia (https://en.wikipedia.org/wiki/John_William_Polidori) The Vampyre - Wikipedia (https://en.wikipedia.org/wiki/The_Vampyre) Lord Byron - Wikipedia (https://en.wikipedia.org/wiki/Lord_Byron) Frankenstein - Wikipedia (https://en.wikipedia.org/wiki/Frankenstein) Mary Shelley (https://en.wikipedia.org/wiki/Mary_Shelley) Nosferatu - Wikipedia (https://en.wikipedia.org/wiki/Nosferatu) F. W. Murnau - Wikipedia (https://en.wikipedia.org/wiki/F._W._Murnau) I Am Legend by Richard Matheson - Wikipedia (https://en.wikipedia.org/wiki/I_Am_Legend_(novel)) Dracula (1931) Trailer - YouTube (https://www.youtube.com/watch?v=VoaMw91MC9k) The Hunger Trailer - YouTube (https://www.youtube.com/watch?v=7a6YFwC2zKA) The Hunger - Wikipedia (https://en.wikipedia.org/wiki/The_Hunger_(1983_film)) Whitley Strieber - Wikipedia (https://en.wikipedia.org/wiki/Whitley_Strieber) Michael Chapman (cinematographer) - Wikipedia (https://en.wikipedia.org/wiki/Michael_Chapman_(cinematographer)) Buffy the Vampire Slayer (TV Series) - Wikipedia (https://en.wikipedia.org/wiki/Buffy_the_Vampire_Slayer) Joel Schumacher - Wikipedia (https://en.wikipedia.org/wiki/Joel_Schumacher) St. Elmo's Fire (film) - Wikipedia (https://en.wikipedia.org/wiki/St._Elmo%27s_Fire_(film)) St. Elmo's Fire Trailer - YouTube (https://www.youtube.com/watch?v=j9Z0Aq8VrN0) Bram Stoker's Dracula (1992 film) - Wikipedia (https://en.wikipedia.org/wiki/Bram_Stoker%27s_Dracula_(1992_film)) Bram Stoker's Dracula Trailer - YouTube (https://www.youtube.com/watch?v=cpAfqCUaVwg) Dianne Wiest (https://en.wikipedia.org/wiki/Dianne_Wiest) Tim Cappello - Wikipedia (https://en.wikipedia.org/wiki/Tim_Cappello) I Still Believe by Tim Cappello (https://www.youtube.com/watch?v=PdaaGlyu7EQ) "30 Years Ago, The Lost Boys Introduced Me to Queer Cinema" by Alcy Leyva - Bright Wall/Dark Room (https://www.brightwalldarkroom.com/2017/12/01/30-years-ago-lost-boys-introduced-queer-cinema/) "The Night Has its Price: The Queer Fangs of ‘Near Dark'" by Brant Lewis - Dread Central (https://www.dreadcentral.com/editorials/432422/the-night-has-its-price-the-queer-fangs-of-near-dark/) "THE BOYS NEXT DOOR: The Homoeroticism of Fright Night and how it saved my life" by Glenn McQuaid - Gayly Dreadful (https://www.gaylydreadful.com/blog/2019/6/19/the-boys-next-door-the-homoeroticism-of-fright-night-and-how-it-saved-my-life) Family Ties - Wikipedia (https://en.wikipedia.org/wiki/Family_Ties) Sorcha's Recommendations Let the Right One In by John Ajvide Lindqvist (https://uk.bookshop.org/p/books/let-the-right-one-in-john-ajvide-lindqvist/2304399?ean=9781848423749&next=t) Let the Right One In Trailer - YouTube (https://www.youtube.com/watch?v=ICp4g9p_rgo) Let the Right One In (film) - Wikipedia (https://en.wikipedia.org/wiki/Let_the_Right_One_In_(film)) Postmodern Vampires: Film, Fiction, and Popular Culture by Dr Sorcha Ní Fhlainn - Good Reads (https://www.goodreads.com/book/show/43291111-postmodern-vampires) Our Vampires, Ourselves by Nina Auerbach (https://uk.bookshop.org/p/books/our-vampires-ourselves-nina-auerbach/328397?ean=9780226032023&next=t&next=t) Celluloid Vampires: Life After Death in the Modern World by Stacey Abbott - Good Reads (https://www.goodreads.com/book/show/1960941.Celluloid_Vampires) Queer for Fear: Horror Film and the Queer Spectator by Heather O. Petrocelli - University of Wales Press (https://www.uwp.co.uk/book/queer-for-fear-petrocelli/) Vayse online Website (https://www.vayse.co.uk/) Twitter (https://twitter.com/vayseesyav) Bluesky (https://bsky.app/profile/vayseesyav.bsky.social) Instagram (https://www.instagram.com/vayseesyav/) Bandcamp (Music From Vayse) (https://vayse.bandcamp.com/) Ko-Fi (https://ko-fi.com/vayse) Email: vayseinfo@gmail.com Special Guest: Sorcha Ní Fhlainn.

In the finale of this year's Halloween Series, Anna and Derek chat about the irresistible allure of Dr. Challis, the ethical implications of chiseling Stonehenge, and much more during their discussion of the cult classic horror flick Halloween III: Season of the Witch (1982). Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Jay of the Dead'sNew Horror Movies presents… the 55th Edition of the world's greatest Zombie Movie Podcast — Dead Man Still Walking, starring Dr. Walking Dead Kyle Bishop! In this fascinating and unexpectedly subversive episode, Dr. Bishop welcomes special guest Jay of the Dead to explore the surprising horror history of “The Purple Smurfs” (yes, those Smurfs!) and their uncanny place in zombie canon. This is a must-listen for fans of zombie cinema. Likely inspired somewhat by Richard Matheson's novel, “I Am Legend” (1954) — yet before George Romero's shambling ghouls — there existed a little-known, infected-zombie narrative within the Belgian comic, Les Schtroumpfs Noirs (“The Black Smurfs”) from 1959, later wisely adapted for American audiences in 1963 as “The Purple Smurfs.” What seems like a simple children's story reveals shocking thematic roots in infection, rage, and apocalypse, complete with an urgent race to find a cure. Dr. Bishop herein declares, “Yes, the Purple Smurfs are zombies.” Also during Episode 166 here, Jay and Kyle dive deep into both the original comic source material and the adapted, 1981 TV episode — part of a Halloween special featuring “The Haunted Smurf” as well as “The Purple Smurfs” — unpacking how the latter's infection narrative even precedes films like “The Crazies” (1973), “Rabid” (1977), and “28 Days Later” (2002). They discuss the sociocultural implications, from 1980s “Satanic Panic” anxieties to the comic's troubling racial undertones in its early form. Jay playfully speculates whether the story serves as a bizarre, STD cautionary tale — and even debuts his first-ever Horror trailer for The Purple Smurfs (1981) TV episode! As for Dr. Bishop's favorite color? You just might find the answer buried somewhere in this delightfully twisted episode of Dead Man Still Walking. Gnap! Gnap! Note: This episode was recorded on July 21, 2025. Note: To view ALL of Dr. Bishop's Dead Man Still Walking solocast episodes can USE THIS LINK. And to view ALL of Dr. Bishop's episode-by-episode commentaries on The Last of Us – Seasons 1 and 2, with Jay of the Dead, then USE THIS LINK. Dead Man Still Walking is a biweekly, short-form solocast hosted by Dr. Walking Dead Kyle Bishop, author of American Zombie Gothic and How Zombies Conquered Popular Culture. Dr. Walking Dead also presents a popular segment called The Dead Zone on regular episodes of this podcast. For his Dead Man Still Walking solocast episodes, Dr. Bishop will focus exclusively on zombie films, with the occasional exploration of zombie-related themes, zombie television, and other zombie media (e.g., comics, literature, etc.). Dr. Bishop is an academic and professional scholar of zombie films and other zombie narratives. He has been teaching for 23 years. Dr. Bishop serves as an English professor, Film Studies professor, and he's currently the English Department Chair at Southern Utah University. You are welcome to reach out to Dr. Bishop with comments or questions via email: bishopk@suu.edu, X: @DrWalkingDead, BlueSky and Instagram (@DrWalkingDead) or by leaving him a voicemail: (801) 980-1375. You can also watch the documentary, Doc of the Dead (2014), which features Dr. Walking Dead. Find more links below for Dr. Bishop. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple PodcastsSpotifyDeezer   You are welcome to email our show at HauntingYourHeadphones@gmail.com. You can also follow Jay of the Dead'sNew Horror Movies on X: @HorrorAvengers Dead Man Still Walking with Dr. Kyle Bishop is brought to you by Jay of the Dead'sNew Horror Movies, an audio Horror movie podcast. It features nine experienced Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin, Dave Zee and Spawn of the Dead! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead'sNew Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!

Growing up in Malaysia, where arts and culture often faced censorship issues due to political sensitivities, I had limited exposure to unfiltered cultural reporting. That changed significantly when I discovered BFM, a business station that took the bold initiative to report, analyze, and bring Malaysia's arts and culture scene to the masses. So in 2022 (yes, that long ago), I spoke with one of the most distinct and inspiring voices behind this transformation: Sharmilla Ganesan.Sharmilla, with a BA in Media Studies from Murdoch University and an MA in Communication, Film Studies from RMIT University, is a writer, journalist, moderator, emcee as well as arts & culture critic with over 15 years of experience covering Malaysian culture. At BFM 89.9, she's been the voice behind numerous shows that explore arts, literature and film. Highlights include anchoring the Evening Edition, the station's drivetime current affairs show which covers a huge variety of topics including politics, economy and human rights. Now, she plays an essential role as Content Manager at the Creador Foundation, where she helps pioneer innovative solutions for social impact in South and Southeast Asia - most notably, the Cipta Seni Incubator, which provides Malaysia-based performance artists with creative development resources, mentorship, and networking opportunities.In this episode, we discuss the key nuances between radio broadcasting and podcasting, the role of media in preserving culture, and Sharmilla's personal approach to sustaining her multi-faceted career with exceptional quality and consistency. While many things have changed in these last three years, one thing remains - radio will always have a place in the arts. Welcome to Episode 5 of Season 3, Podcast Killed the Radio Star.Sharmilla GanesanCipta Seni Incubator ASEF Guest Podcast Soundtracks:Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkRocket - QTM Support the showLike our offers? S2 Summer SALE! Check out our new Dance Masterclass YouTube review Sign up for Dance Masterclass Choreographing Your Dance Career by Janaea Rose Lyn Try Nord VPN Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

Artist and filmmaker Tom Kalin joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his 1992 film Swoon. Kalin discusses the historical background of the film (the famous 1924 Leopold and Loeb murder case), how he reimagined the case through the lens of queer desire, and how he conducted archival research into the central figures of the murder. Kalin also discusses how his background and training as a visual artist fed into his work in feature-length film making. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40927]

Brooks Austin aka The Film Guy joins the show to breakdown Alabama's film (also Tennessee's) and some things to pay attention to. Also, Cody Squashes beef with Brooks??

The Co-production Landscape in Europe: From Eurimages to Netflix (Springer Nature, 2025) explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Dr Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film iVäst and TorinoFilmLab. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website here and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Co-production Landscape in Europe: From Eurimages to Netflix (Springer Nature, 2025) explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Dr Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film iVäst and TorinoFilmLab. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website here and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The Co-production Landscape in Europe: From Eurimages to Netflix (Springer Nature, 2025) explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Dr Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film iVäst and TorinoFilmLab. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website here and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

In their 150th episode, Anna and Derek discuss just whose parents were in on Freddy's murder, why in the world Marge would keep the glove, and much more during their breakdown of the Wes Craven masterpiece A Nightmare on Elm Street (1984).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

In this episode, Anna and Derek debate fast zombies versus slow zombies, if Ernie was indeed a Nazi in hiding, and much more during their discussion of the horror-comedy gem The Return of the Living Dead (1985). Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Episode 60 of READING McCARTHY sees the return of one of my favorite guests, Dr. Stacey Peebles. In addition to her many other roles described below, she is the preeminent expert on McCarthy's work in screenplays.  Please join us for a consideration of his various screenplays, both produced (The Counselor) and unproduced (Cities of the Plain, No Country for Old Men, Men and Whales) as well as a brief discussion of the film adaptations of his work thus far.  Stacey Peebles is the HW Stodghill and Adele H Stodghill Professor of English and Director of Film Studies at Centre College. She's the author of The War Comes With You: Enduring War in Life, Fiction, and Fantasy (Dec. 2024), Welcome to the Suck: Narrating the American Soldier's Experience in Iraq, and Cormac McCarthy and Performance: Page, Stage, Screen. She has been editor of the Cormac McCarthy Journal since 2010 and is the current President of the Cormac McCarthy Society.Thanks to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY.  The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society.  Download and follow this podcast on Apple, Spotify, Google Play, Stitcher, or wherever you get your podcasts.  If you're agreeable it'll help us if you provide favorable reviews on these platforms.  To contact the host, please reach out to readingmccarthy@gmail.com. Support the showStarting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

On this Week 3 Tuesday, former Browns LB Christian Kirksey joins the program to discuss the first two weeks of the season and the upcoming TrueFan Travel trips (15:11). Jake Burns (@BrownsFilmBDN) also joins the show to break down what he saw on tape from Week 2's loss to the Ravens (50:30). You'll also go around the sports world (38:10), get One Thought from every NFL game this past weekend (1:11:14), and hear Nathan's final thoughts on the Ravens game on the Microsoft Minute (29:40).See omnystudio.com/listener for privacy information.

What's a good plan for this weekend? How about entertaining an overmatched in-state rival while potential future team members observe in person? Let's do it! Ohio State hosts Ohio U. on Saturday for what should be another beautiful evening in Ohio's state capital.  For this show, Dan Rubin, Mark Porter and new Bucknuts recruiting analyst Garrick Hodge host your infotainment journey. Who could be added to the Class of 2026? Who is visiting this weekend to see the Buckeyes battle the Bobcats? What other recruiting info do you need to move through life with aplomb? Rest assured, we have it for you. Spend 5ish with us this a.m., 'Nutters! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Bill Kurelic is The Dean of Ohio State Recruiting. He's an institution. He's an inspiration. He also has big news to share with the 'Nutters. Mark Porter joins as well.  Spend 5ish with us this a.m., 'Nutters! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Best of TalkSports 9.2.25: Brooks Austin Film Study by Fanrun Radio

It's almost time. Texas vs. Ohio State. The Shoe. All eyes on Columbus. Let's try and get you through today first! Bill Kurelic is here. Mark Porter is here. Who do THEY think will emerge victorious on Saturday beginning at noon? What do they think of the guest list of prospects set to take it all in? Which future Buckeyes will they see on the high school gridiron on Friday night before the epic tussle and Saturday night after it? How do Cincinnati Moeller tackles K.J. Johnson and Patrick O'Brien look on film? How about future Buckeye Chris Henry, Jr.? Answers await to all those queries await! Spend 5ish with us this a.m., 'Nutters! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices