Podcasts about Film studies

BRAND NEW SHOW! We have a new show to debut with a LOADED CAST! Welcome to "The Power Hour - Bucs Reporter Roundup" The Buccateers sit down with 4 Media Members / Content Creators of our beloved Tampa Bay Buccaneers in 15 minute segments to get you guys and gals a LOADED plate of Bucs Talk and insight! Join us for todays loaded lineup: Greg Auman Fox Sports (6:00 - 6:15 PM Eastern) JC Allen Bucs Gameday SI & Pirate Parlay Podcast (6:15 - 6:30 PM) Michael Pless Real Bucs Talk Podcast & Film Studies (6:30 - 6:45 PM) Matt Matera Pewter Report (6:45 - 7:00 PM) FOLLOW US ON X: @BUCCATEERSFOLLOW US ON INSTAGRAM: @BUCCATEERSPOD

06/18 Hour 3: Callers React To The Nationals Losing Streak - 1:00 Have The Nationals Reached Rock Bottom - 17:00 EB's Commercial Break Film Study (Wizards Edition) - 30:00

Leila Rahimi, Marshall Harris and Mark Grote listened and reacted to former Bears head coach Matt Eberflus' recent comments in which he disputed the claim that quarterback Caleb Williams didn't get much guidance in watching film as a rookie in 2024.

In the second hour, Leila Rahimi, Marshall Harris and Mark Grote listened and reacted to former Bears head coach Matt Eberflus' recent comments in which he disputed the claim that quarterback Caleb Williams didn't get much guidance in watching film as a rookie in 2024. After that, Heat Check podcast host Trysta Krick joined the show to discuss the NBA Finals and the Grizzlies' trade of guard Desmond Bane to the Magic for a haul of draft picks. Later, Rahimi, Harris and Grote held the Halftime segment.

Send us a textWe've invited some of our friends to play another one of Giff's Initials games. Get to know Shawn from Smokin'  Sounds, Matt from Spinning the Wheel, and Derek from Or Is It and Film Studies. Then play along as we compete in a heated Initials game hosted by Giff. Check out each of guests at the links below!Smokin' SoundsSpinning the WheelOr Is It? and Film Studies from Canadian Movie CrewIf you enjoy the show, please rate and review us on the iTunes/Apple Podcasts app or wherever you listen. Or better yet, tell a friend to listen!Want to support our show and become a PCY Classmate? Click here!Follow us on your preferred social media:TwitterFacebookInstagramSupport the show

Send us a textWe've invited some of our friends to play another one of Giff's Initials games. Get to know Shawn from Smokin'  Sounds, Matt from Spinning the Wheel, and Derek from Or Is It and Film Studies. Then play along as we compete in a heated Initials game hosted by Giff. Check out each of guests at the links below!Smokin' SoundsSpinning the WheelOr Is It? and Film Studies from Canadian Movie CrewIf you enjoy the show, please rate and review us on the iTunes/Apple Podcasts app or wherever you listen. Or better yet, tell a friend to listen!Want to support our show and become a PCY Classmate? Click here!Follow us on your preferred social media:TwitterFacebookInstagramSupport the show

06/13 Hour 4: Gregg Doyel Joins The Junkies - 1:00 EB's Commercial Break Film Study (Wizards Edition) - 19:00 Kevin McCarthy Joins The Junkies - 34:00

The focus of this 60th episode of Edinburgh Film Podcast is Wanda, the only feature film directed by American actor-filmmaker Barbara Loden. Released in 1970, the film is set in rural Pennsylvania and tells of a working class woman (Loden) who leaves her husband and young children for a life on the road. She eventually drifts into a fraught, uneasy relationship with petty thief Norman Dennis (Michael Higgins) as he plans a bank robbery. Joining host Dr Pasquale Iannone to talk about Wanda is Dr Elena Gorfinkel, author of a new book on the film which is part of the long-running BFI Film Classics series. Elena is Reader in Film Studies at King's College London. Specialising in underground and independent cinema, her many publications include the 2017 volume Lewd Looks: American Sexploitation Cinema in the 1960s. Her articles and book chapters include pieces on filmmakers such as Andy Warhol, Doris Wishman, Kira Muratova and Kelly Reichardt. Elena is also the curator of a major season currently running at London's BFI Southbank titled Wanda and Beyond: The World of Barbara Loden. In their detailed, wide-ranging conversation, Elena tells Pasquale about her first encounter with Wanda and how she approached the writing of her new book. Discussion then moves on to the film itself, before turning to the curation process for the BFI Loden season. Wanda (2025) is published by Bloomsbury and is out now. The BFI Southbank season Wanda and Beyond: The World of Barbara Loden runs throughout the month of June. For more details, please see the BFI website.

In this episode, Anna and Derek chat about the crazy amount of independence kids of the '80s had, movies for children that may not entirely be movies for children, and much more during their discussion of Cloak & Dagger (1984).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

From 06/09 Hour 4: EB breaks down a prospect for the Washington Wizards.

06/09 Hour 4: Sean Deveney Joins The Junkies - 1:00 EB's Commercial Break Film Study - 15:00 Bears Are Taking Over Jason's Neighborhood - 32:00

You can follow the podcast on Threads, Instagram and Bluesky.   Thank you so much to Patreon subscribers! If you would like to support the podcast and get ad free versions you can subscribe for $3 or £3 a month at https://www.patreon.com/everyscififilm   As usual there are spoilers ahead!   This film is silly. And I love that for me. I hope many of you will enjoy something much more lighthearted after the heavy topic of nuclear annihilation from the last episode.   Teenagers from Outer Space (1959) was the work of Tom Graeff who wrote, produced, directed, edited and acted in the film.     As previously mentioned, the film is silly but I found it very enjoyable. Stilted dialogue that is often out of sync, special effects that are very simple and yet effective, space fascists with rayguns and a sweet hearted rebel finding his way in the unfamiliar new world of Earth. How many sci-fi tropes can you possibly fit into a film made on the tightest of budgets?   The film made me laugh a lot which admittedly isn't too difficult to do but it was a much needed laugh after the beautifully bleak misery of On the Beach.   I am not the only person who has a soft spot for this film. I am very lucky to be joined by two wonderful guests who are definitely avid fans of this alien invasion adventure.   Marc Longenecker is an Associate Professor of the Practice of Film Studies at Wesleyan University.   Blair Davis is a Professor of Media and Cinema Studies at DePaul University. He has written a lot about cinema and comics and including the book The Battle for the Bs: 1950s Hollywood and the Rebirth of Low-Budget Cinema.   Chapters 00:00 Intro 02:37 Why do you love this film? 08:41 Distribution and reception 12:48 “Bad” film 18:15 The tragic life of Tom Graeff 25:53 Derek the hero: the rebel anti-fascist with daddy issues 33:10 Special effects 38:17 Chekov's Gargon: the lobster monster!          40:58 Space adventures on Earth and teen appeal 44:28 Thor! A bad guy with great comedic value 47:04 The ending 50:18 King Moody: from space fascist to Ronald McDonald 50:54 Recommendations for the listener     NEXT EPISODE! Next time we'll be discussing the film The Tingler (1959) starring Vincent Price. The film is readily available on multiple streaming services to rent or buy and also on some free services in some regions. The Just Watch website gives a good overview of where you can find films in your region.

Filmmaker Adamu Chan joins UC Santa Barbara's Althea Wasow for a powerful conversation about "What These Walls Won't Hold", a documentary he created while incarcerated at San Quentin during the COVID-19 pandemic. The film, which aired nationally on PBS's "America ReFramed", captures the resilience and activism of incarcerated people and their communities in the face of crisis. Chan shares how filmmaking became a tool for resistance and healing, offering an inside look at life behind bars. This discussion explores the film's creative process, its social justice impact, and the importance of centering incarcerated voices. It's an inspiring program about storytelling, humanity, and the power of community—even in the most challenging circumstances. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40540]

Filmmaker Adamu Chan joins UC Santa Barbara's Althea Wasow for a powerful conversation about "What These Walls Won't Hold", a documentary he created while incarcerated at San Quentin during the COVID-19 pandemic. The film, which aired nationally on PBS's "America ReFramed", captures the resilience and activism of incarcerated people and their communities in the face of crisis. Chan shares how filmmaking became a tool for resistance and healing, offering an inside look at life behind bars. This discussion explores the film's creative process, its social justice impact, and the importance of centering incarcerated voices. It's an inspiring program about storytelling, humanity, and the power of community—even in the most challenging circumstances. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40540]

Filmmaker Adamu Chan joins UC Santa Barbara's Althea Wasow for a powerful conversation about "What These Walls Won't Hold", a documentary he created while incarcerated at San Quentin during the COVID-19 pandemic. The film, which aired nationally on PBS's "America ReFramed", captures the resilience and activism of incarcerated people and their communities in the face of crisis. Chan shares how filmmaking became a tool for resistance and healing, offering an inside look at life behind bars. This discussion explores the film's creative process, its social justice impact, and the importance of centering incarcerated voices. It's an inspiring program about storytelling, humanity, and the power of community—even in the most challenging circumstances. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40540]

Filmmaker Adamu Chan joins UC Santa Barbara's Althea Wasow for a powerful conversation about "What These Walls Won't Hold", a documentary he created while incarcerated at San Quentin during the COVID-19 pandemic. The film, which aired nationally on PBS's "America ReFramed", captures the resilience and activism of incarcerated people and their communities in the face of crisis. Chan shares how filmmaking became a tool for resistance and healing, offering an inside look at life behind bars. This discussion explores the film's creative process, its social justice impact, and the importance of centering incarcerated voices. It's an inspiring program about storytelling, humanity, and the power of community—even in the most challenging circumstances. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40540]

Man, did Fountain of Youth suck or what? I am not a fan of complaining about movies just to complain, but good god I may have to make an exception here. This movie is terrible, and I will use the power of my BA in Film Studies to explain why.ContactKinkella Teaches Archaeology (Youtube)Blog: Kinkella Teaches Archaeology ArchPodNetAPN Website: https://www.archpodnet.comAPN on Facebook: https://www.facebook.com/archpodnetAPN on Twitter: https://www.twitter.com/archpodnetAPN on Instagram: https://www.instagram.com/archpodnetMerch StoreAffiliatesMotion

Man, did Fountain of Youth suck or what? I am not a fan of complaining about movies just to complain, but good god I may have to make an exception here. This movie is terrible, and I will use the power of my BA in Film Studies to explain why.ContactKinkella Teaches Archaeology (Youtube)Blog: Kinkella Teaches Archaeology ArchPodNetAPN Website: https://www.archpodnet.comAPN on Facebook: https://www.facebook.com/archpodnetAPN on Twitter: https://www.twitter.com/archpodnetAPN on Instagram: https://www.instagram.com/archpodnetMerch StoreAffiliatesMotion

The Carsey-Wolf Center welcomes Jeff Bridges and Amy Brenneman, the award-winning stars of The Old Man, for a conversation with director/writer/producer Brad Silberling. Bridges and Brenneman share their creative perspectives on the series' treatment of aging and discuss other aspects of their unique collaboration. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40544]

The Carsey-Wolf Center welcomes Jeff Bridges and Amy Brenneman, the award-winning stars of The Old Man, for a conversation with director/writer/producer Brad Silberling. Bridges and Brenneman share their creative perspectives on the series' treatment of aging and discuss other aspects of their unique collaboration. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40544]

The Carsey-Wolf Center welcomes Jeff Bridges and Amy Brenneman, the award-winning stars of The Old Man, for a conversation with director/writer/producer Brad Silberling. Bridges and Brenneman share their creative perspectives on the series' treatment of aging and discuss other aspects of their unique collaboration. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40544]

The Carsey-Wolf Center welcomes Jeff Bridges and Amy Brenneman, the award-winning stars of The Old Man, for a conversation with director/writer/producer Brad Silberling. Bridges and Brenneman share their creative perspectives on the series' treatment of aging and discuss other aspects of their unique collaboration. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40544]

On this episode, host Dr Pasquale Iannone is joined by award-winning writer, critic and broadcaster Ellen E. Jones. Ellen presents BBC Radio 4's Screenshot with Mark Kermode and has written for The Guardian, The Observer, Little White Lies, Empire and many other outlets. In March this year, Ellen won the Broadcasting Press Guild Award for Best Radio Presenter for her work on Screenshot.Ellen joins Pasquale to talk about her book Screen Deep: How Film and TV Can Solve Racism and Save The World which came out in paperback via Faber in February. It's a brilliantly sharp, impassioned and entertaining look at film and TV's role in both constructing racial identities and combating racism. Works discussed include No Way Out (1950), Imitation of Life (1959), Get Out (2017), Black Panther (2018), Bridgerton (2020-), Atlanta (2016 - 2022), I May Destroy You (2020), Small Axe (2020) and Hard Truths (2024).

In this episode, Anna and Derek chat about Tom Cruise versus Wilford Brimley, casual mentions of Atlantis, and much more during their discussion of Ron Howard's Cocoon (1985).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

As always there are spoilers ahead! Trigger warning for a lot of discussion of suicide with analysis of the plot along with a side of dark humour. If you would like to support the podcast and get ad free versions you can subscribe for $3 or £3 a month at https://www.patreon.com/everyscififilm You can follow the podcast on Threads, Instagram and Bluesky. If you want to watch the film before you listen you can check the Just Watch website to see where it is available in your region. On the Beach is available online to buy and rent from Apple and other sources in many places. I can't believe I am almost done and dusted with this film! I did really like the film and have to admit that perhaps I have been giving it a hard time.  Perhaps because it gave me a hard time! There are moments of fun, flirtation and enjoyment but it is all within the backdrop of undeniable impending annihilation. I am definitely someone who prefers some depth and thematic discussion of the ethics of humanity in my science fiction (as well as some good old pew-pew led heroism) but I did find this film to be so very sad. Luckily I have two absolutely wonderful guests to keep me company and help me keep a stiff upper lip in the face of doom. Thomas Doherty is a professor of American Studies at Brandeis University, he is a cultural historian with a special interest in Hollywood cinema on which he has written extensively. John Wills is a Professor of American Media and Culture at University of Kent. He has written lots about popular culture including 1950s American and Nuclear film. Chapters 00:00 Introduction 02:10 Nuclear war is apparently not fun 08:09 Not your usual sci-fi 09:21 Scope, scale and cultural impact 13:43 We are ALL doomed 15:58 Gregory & Ava: Dwight & Moira 20:51 Fred Astaire as the scientist! 23:45 Peter and Mary contemplate suicide and murder 27:27 Love in the time of annihilation 30:03 Submarine: Signals and San Francisco 36:58 The Final Ferrari Race 39:30 Suicide 46:16 Legacy 49:09 Recommendations Correction:  At 9:54 Tom mentions the film has not been revived but a joint US-Australia TV film released in 2000 was made. NEXT EPISODE! Next episode we will be discussing Teenagers from Outer Space (1959). It is a low budget indie film which seems to fit into the “bad film” category and so will not be for everyone! But I found it a relief full of lots of sci-fi tropes, funny parts, a coherent plot and likeable characters. The film is in the public domain. You can watch it on the Internet Archive website and there is also a weirdly colourised version of the film on YouTube where you can also find the Mystery Science Theatre 3000 episode on the film. I found that very funny too.

The Moon and Back is the directorial debut of UCSB Film and Media Studies alumnus Leah Bleich. The Carsey-Wolf Center was proud to welcome Leah back to campus for a discussion of her film with UCSB moderator Ross Melnick. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40543]

The Moon and Back is the directorial debut of UCSB Film and Media Studies alumnus Leah Bleich. The Carsey-Wolf Center was proud to welcome Leah back to campus for a discussion of her film with UCSB moderator Ross Melnick. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40543]

The Moon and Back is the directorial debut of UCSB Film and Media Studies alumnus Leah Bleich. The Carsey-Wolf Center was proud to welcome Leah back to campus for a discussion of her film with UCSB moderator Ross Melnick. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40543]

The Moon and Back is the directorial debut of UCSB Film and Media Studies alumnus Leah Bleich. The Carsey-Wolf Center was proud to welcome Leah back to campus for a discussion of her film with UCSB moderator Ross Melnick. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40543]

Kurt Warner weighs in on Caleb Williams' lack of film study guidance full 670 Tue, 20 May 2025 16:50:41 +0000 aDr4H40VOwn7cIAfvwiYEF9Tl8q05YmY nfl,chicago bears,sports Rahimi & Harris Show nfl,chicago bears,sports Kurt Warner weighs in on Caleb Williams' lack of film study guidance Leila Rahimi and Marshall Harris bring you fun, smart and compelling Chicago sports talk with great listener interaction. The show features discussion of the Bears, Blackhawks, Bulls, Cubs and White Sox as well as the biggest sports headlines beyond Chicago. Recurring guests include Bears linebacker T.J. Edwards, Pro Football Talk founder Mike Florio, Cubs outfielder Ian Happ and Cubs president of baseball operations Jed Hoyer. Catch the show live Monday through Friday (10 a.m.- 2 p.m. CT) on 670 The Score, the exclusive audio home of the Cubs and the Bulls, or on the Audacy app. © 2025 Audacy, Inc. Sports False https://player.amperwave

How does timestamping shape the preservation and curation of literary sound? This roundtable episode brings together four SpokenWeb researchers––Jason Camlot, Tanya Clement, and Mike O'Driscoll in conversation with moderator Michael MacKenzie––to explore this deceptively simple yet profoundly complex question. What emerges is a layered, multidisciplinary view of timestamping, not just as a technical task, but as an archival, aesthetic, and philosophical practice.In Part One, the conversation begins by situating timestamping in broader historical and intellectual contexts. Panelists reflect on the epistemology of time, from ancient timekeeping and annalistic history to modern digital temporality. What does it mean to mark time, and how does a timestamp compare to a page number, an index, or a narrative structure?Part Two asks what it means to think critically about timestamping. Here, the guests draw on their scholarly practices to examine the subjectivity of timestamps, the tension between precision and ambiguity, and the role of annotation. The discussion turns to digital media's microtemporalities and how timestamps carry expressive, affective weight beyond their data function.In Part Three, the panel listens to an experimental performance by Jackson Mac Low and considers the challenge of timestamping layered or deliberately disorienting sound. What responsibilities do timestampers have in maintaining a balance between accessibility and artistic intention? Can timestamping illuminate without flattening?Part Four focuses on vocabulary. Why does it matter if we tag something as a “reading” versus a “performance”? How do controlled vocabularies shape what we can learn from large-scale literary audio corpora? This final section explores how even the smallest metadata decisions reflect theoretical commitments and institutional values.Ultimately, this episode makes one thing clear: timestamping is never neutral. It is an interpretive act, grounded in choices about meaning, representation, and access. From poetic performance to archival platforms, timestamping remains central to how we listen to—and understand—literary sound. Show Notes and Resources:Abel, Jordan. Nishga. McClelland & Stewart, 2021. pp.243-73Bernstein, Charles. “‘1–100' (1969) .” Jacket2, jacket2.org/commentary/1%E2%80%93100-1969. Accessed 17 Apr. 2025.Though cut from the episode, this appeared as an example from O'Driscoll during the uncut roundtable and stands alone as a fascinating example of marking time. You can access a full performance of the short poem by Bernstein hosted at the above link, at Jacket2. O'Driscoll: “The numerological is itself potentially … not a neutral medium. It is potentially an expressive medium … so that timestamps can have an aesthetic, they carry value and meaning, they can shape the way that we think about things and that they're subject to a level of performance as well too.”“Charles Bernstein (Poet).” Wikipedia, Wikimedia Foundation, 15 Feb. 2025, en.wikipedia.org/wiki/Charles_Bernstein_(poet).Bolter, Jay David, and Richard Grusin. Remediation. MIT Press, 2000.One central point of departure for our research, though we had to cut our remediation questions due to time. “Eadweard Muybridge.” Wikipedia, Wikimedia Foundation, 10 Apr. 2025, en.wikipedia.org/wiki/Eadweard_Muybridge.Eliot, T. S. “‘Burnt Norton' from Four Quartets.” Four Quartets - 1 Burnt Norton, www.davidgorman.com/4quartets/1-norton.htm. Accessed 17 Apr. 2025.“Gertrude Stein.” Wikipedia, Wikimedia Foundation, 28 Mar. 2025, en.wikipedia.org/wiki/Gertrude_Stein.“Hayden White.” Wikipedia, Wikimedia Foundation, 5 Mar. 2025, en.wikipedia.org/wiki/Hayden_White.“Jackson Mac Low at SGWU, 1971.” Edited by Jason Camlot and Max Stein, SpokenWeb Montréal, 17 Aug. 2015, montreal.spokenweb.ca/sgw-poetry-readings/jackson-mac-low-at-sgwu-1971/#1.The full version of the recording shown during the episode can be found here. The portion shown during the episode begins at 1:09:35.“Jackson Mac Low.” Wikipedia, Wikimedia Foundation, 30 Mar. 2025, en.wikipedia.org/wiki/Jackson_Mac_Low.“Susan Stewart (Poet).” Wikipedia, Wikimedia Foundation, 14 Sept. 2024, en.wikipedia.org/wiki/Susan_Stewart_(poet).Though cut from the episode, Stewart's work on the “souvenir” appeared as an example from Camlot during the uncut roundtable helping bridge the gap between timestamp and annotation. Camlot: “I would probably want to think of it as a dialectical relation between the timestamp, sort of the demarcated moment and times unfolding, and then the larger narrative account within which the timestamp has significance … like Susan Stewart's work on the souvenir … this sort of partial representation of a whole that can only be supplemented by narrative.”“Wolfgang Ernst (Media Theorist).” Wikipedia, Wikimedia Foundation, 12 Apr. 2024, en.wikipedia.org/wiki/Wolfgang_Ernst_(media_theorist).More information about our participants can be found at: “Jason Camlot.” Concordia University, www.concordia.ca/faculty/jason-camlot.html. Accessed 17 Apr. 2025.“Michael O'Driscoll.” English and Film Studies, University of Alberta, apps.ualberta.ca/directory/person/mo. Accessed 17 Apr. 2025.“Tanya Clement.” College of Liberal Arts at UTexas, liberalarts.utexas.edu/english/faculty/tc24933. Accessed 17 Apr. 2025.Music Credits:This podcast uses music from www.sessions.blue: For post-question pauses, we used Jemeneye by Blue Dot Sessions (www.sessions.blue).For framing the podcast itself, we used the song The Griffiths by Blue Dot Sessions (www.sessions.blue).For framing the roundtable and preceding questions, we used portions of the song “Town Market” by Blue Dot Sessions (www.sessions.blue).This podcast also uses these sounds from freesound.org:"Mechanical Keyboard Typing (Bass Version)" by stu556 ( https://freesound.org/people/stu556/sounds/450281/? ) licensed under Creative Commons 0"Monitor hotler", by iluminati_2705 ( https://freesound.org/people/iluminati_2705/sounds/536706/ ) licensed under Creative Commons 0"Monitor hotler", by tobbler ( https://freesound.org/people/tobbler/sounds/795373/ ) licensed under Attribution 4.0“aluminum can foley-020.wav”, by CVLTIV8R ( https://freesound.org/people/CVLTIV8R/sounds/800102/ ) licensed under Creative Commons 0“whoosh_fx”, by ScythicBlade ( https://freesound.org/people/CVLTIV8R/sounds/800102/ ) licensed under Creative Commons 0“ignite_dry_02”, by DaUik ( https://freesound.org/people/DaUik/sounds/798712/ ) licensed under Creative Commons 0“Dewalt 12 inch Chop Saw foley-049.wav”, by CVLTIV8R ( https://freesound.org/people/CVLTIV8R/sounds/802856/ ) licensed under Creative Commons 0“Electronic Soap Dispenser 5”, by Geoff-Bremner-Audio ( https://freesound.org/people/Geoff-Bremner-Audio/sounds/802734/ ) licensed under Creative Commons 0 Acknowledgments:We thank Jason Camlot, Tanya Clement, and Michael O'Driscoll for their contributions to the roundtable. Additional thanks to Michael O'Driscoll, Sean Luyk, and the SpokenWeb Podcast team for production support. Technical support was provided by the Digital Scholarship Centre, University of Alberta.

Emma O Kelly, Education Correspondent, reports on new Leaving Cert subject of Drama, Theatre and Film Studies.

On this episode of the podcast, host Dr Pasquale Iannone is joined by MSc Film Studies student Lauren Thompson to discuss one of the most critically acclaimed and influential films of all time. Andrei Tarkovsky's fourth feature Mirror (1975) weaves together moments in the life of dying poet in a bold, non-linear style. It's a deeply personal cinematic poem about memory, history and family, and 2025 marks its 50th anniversary.Lauren and Pasquale begin by offering their thoughts on Tarkovsky's work more broadly and then they turn to an extended discussion of Mirror, covering elements such as the use of editing and voiceover. The discussion rounds off with a consideration of the film's influence on successive generations of filmmakers, from Christopher Nolan to Claire Denis.

In this episode, Anna and Derek discuss subtle Bill Murray vs. over-the-top Bill Murray, if it's okay to shave someone's head without first telling them and much more during their discussion of Ivan Reitman's Stripes (1981). Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

In collaboration with the Transnational Italian Studies Program, the Carsey-Wolf Center presents a discussion examining the long history of Black African life in Italy with filmmakers Daphne Di Cinto and Medhin Paolos and UCSB moderator Stephanie Malia Hom. They discuss the short films Il Moro and Asmarina. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40541]

In collaboration with the Transnational Italian Studies Program, the Carsey-Wolf Center presents a discussion examining the long history of Black African life in Italy with filmmakers Daphne Di Cinto and Medhin Paolos and UCSB moderator Stephanie Malia Hom. They discuss the short films Il Moro and Asmarina. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40541]

Screenwriter and playwright Phyllis Nagy joins moderator Patrice Petro for a discussion of Alfred Hitchcock's 1951 classic Strangers on a Train. Adapted from Patricia Highsmith's debut novel, the film follows tennis player Guy Haines (Farley Granger), who meets the charming but disturbed Bruno Anthony (Robert Walker) during a chance encounter on a train. Bruno proposes they “swap” murders—he'll kill Guy's wife, and Guy will kill Bruno's father—eliminating any obvious motive. When Bruno follows through, Guy finds himself caught in a dangerous game of blackmail and suspense. Known for its striking visual style and psychological complexity, Strangers on a Train is celebrated as one of Hitchcock's most influential thrillers, offering a masterclass in tension and moral ambiguity. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40542]

Screenwriter and playwright Phyllis Nagy joins moderator Patrice Petro for a discussion of Alfred Hitchcock's 1951 classic Strangers on a Train. Adapted from Patricia Highsmith's debut novel, the film follows tennis player Guy Haines (Farley Granger), who meets the charming but disturbed Bruno Anthony (Robert Walker) during a chance encounter on a train. Bruno proposes they “swap” murders—he'll kill Guy's wife, and Guy will kill Bruno's father—eliminating any obvious motive. When Bruno follows through, Guy finds himself caught in a dangerous game of blackmail and suspense. Known for its striking visual style and psychological complexity, Strangers on a Train is celebrated as one of Hitchcock's most influential thrillers, offering a masterclass in tension and moral ambiguity. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40542]

Nicholas Baer, author of Historical Turns: Weimar Cinema and the Crisis of Historicism, joins moderator and Carsey-Wolf Center Director Patrice Petro for a discussion of Sunrise: A Song of Two Humans. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40537]

In this episode, Anna and Derek discuss just how much we need to know about EPA car standards, if Dr. Bruner was a bit of a dick, and much more during their discussion of Barry Levinson's Best Picture winner, Rain Man (1988).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Ron Higgins previews Tennessee at LSU Series @Vol_Baseball @RonHiggBrooks Austin @BrooksAustinBA joined with Film Study of Joey Aguilar, or 'Joey Football' as Tony has coined his nameThursday with John Adams @KnoxNews presented by Jennifer Morris Keller Williams nextmovesmokymountains.comHour 3 Overtime presented by TLD Logistics tldlogistics.com @Drive4TLD Tony got in his feels in the third hour and got mad at Josh Heupel for his handling of Nico Iamaleava saga#Vols

TalkSports Hr1 4-23-25 Joey Aguilar Film Study by Fanrun Radio

The movie musical died a long, slow death a long time ago. Right? Well, except that there’s Wicked. And Spielberg’s West Side Story. And Hamilton and In the Heights and Tick, Tick… Boom! And Encanto and Moana 2 and Mufasa. Oh, and Elvis and A Complete Unknown. And those are just from the last five years. And I could keep going. This hour, a long look at the long-dead movie musical. Long live the movie musical. GUESTS: Jeanine Basinger: Founder of the Department of Film Studies at Wesleyan University and the author of many books on film; her latest is Hollywood: The Oral History Steve Metcalf: Founder and director of the Garmany concert series at the University of Hartford’s Hartt School The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show, which originally aired March 5, 2020.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

04/17 Hour 3: Commanders Face Criticism For Their Recruiting - 1:00 Nic Dowd Joins The Junkies - 17:00 EB's Commercial Break Film Study - 30:00

04/15 Hour 2: Five NFC Teams That Must Crush The Draft - 1:00 America's About To Become One Giant Yard Sale - 15:00 EB's Commercial Break Film Study - 32:00

In this episode, Anna and Derek discuss lightning in a bottle casting, anti-John Hughes depictions of teen life, and much more during their chat of the seminal flick Fast Times at Ridgemont High (1982).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Here are all the segments: Commenting on Pat McAfee Return of Mike Edwards Film study on Janarius Robinson Justin Simmons to KC?! Chiefs getting disrespect JD talks pre-draft visit experiences Use promo code CHIEFCONCERNS to claim your Free Pick + First Time Deposit offer up to $1,000 in bonus cash! https://play.underdogfantasy.com/p-chief-concerns NEW CHIEF CONCERNS Jason Dunn Jersey – https://www.chief-concerns.com/merch/p/otro-quest-t-shirt-6ga92 USE LINK BELOW & PROMO CODE SODALOVE FOR 15% OFF OLIPOP ORDER https://tinyurl.com/OliPopChiefs Track Your Bets & Get Free Money NOW – Promo Code: Chiefs https://links.pikkit.com/user/chiefconcerns 50% welcome bonus on your first deposit – Promo Code: Bleav https://www.betonline.ag/

04/01 Hour 3: Entertainment Page - 1:00 Jon Allen Comments On His Release From Washington - 19:00 EB's Commercial Break Film Study - 29:00

From 03/26 Hour 4: EB grades Shedeur Sanders' college football film ahead of the NFL draft.

03/26 Hour 4: EB's Commercial Break Film Study - 1:00 Entertainment Page - 16:00 Dating Girls That Are Taller Than You - 33:00