POPULARITY
Categories
Happy Halloween! (0:30); Halloween costume fiascos (8:05); Dancing Gabe was Michael Myers last night at the Jets game! / The psychology of sports superstitions (World Series tonight, Bombers tomorrow) (15:25); The Couch Potatoes! Back to the Future back in theatres / Who Killed the Montreal Expos? WAR OF THE WORLDS on CJOB (22:25); Film Studies professor offers some of her favourite scary movies (32:35); HEEBIE JEEBIES!! (40:55); Instead of CLAYHEM... Power 97's Jay Richardson on his excellent Halloween prank on Thursday! (52:00).
Watch the video version of this podcast here on YouTube: https://www.youtube.com/watch?v=9OyRBa9lcUk Our two new books... STORY QUESTIONS is currently 10% off! - https://payhip.com/b/ZTvq9 and 17 Steps To Writing A Great Main Character - https://payhip.com/b/kCZGd 0:00 - Story Of A Real Life Puppeteer 9:41 - 7 Lessons Learned From Making A 17 Million View Video 20:47 - How A Short Viral Video Became A Full Length Documentary 36:03 - The Best Movies Are The Ones You Make From The Heart 48:54 - 3 Questions Every Character Must Answer For Every Scene 1:02:09 - Number One Tip For Directing Actors 1:10:42 - If You Submit To 100 Film Festivals... What Can You Expect? Paola Baldion is an award-winning actress, director, and producer of Colombian and European heritage. Born in Paris and raised in Italy and Colombia, Paola is a multilingual Latina artist fluent in Spanish, English, Italian, and French. She began performing at age four in her parents' marionette theater and later trained under renowned masters Edgardo Román and Paco Barrero in Bogotá, followed by HB Studios in New York and Stephanie Feury Studio in Los Angeles. She holds a BFA in Theater and Film Studies from Concordia University in Montreal. Paola made her feature film debut in the lead role of Marina in Retratos en un Mar de Mentiras (Portraits in a Sea of Lies), which premiered at the Berlin and Guadalajara film festivals. Her performance earned her the Colombian Academy Award for Best Actress, along with Best Actress honors at the Guadalajara and Amiens International Film Festivals. As co-founder of Dos Almas Films, she has directed impactful short films and documentaries, including For Alma and I Am Migration-a documentary where she and partner Jamie Toll travel across the U.S., offering free DNA tests to explore ancestry and identity. Her latest fiction film, Abrazo, tells the emotional story of a pregnant Central American woman crossing the U.S. border. The film has received 29 festival awards, including Best Film, Best Director, Best Writer, and Best Actress. Through her body of work, Paola continues to champion stories about identity, migration, and social justice-bringing visibility to underrepresented voices in both dramatic and comedic roles. WATCH 'I AM MIGRATION' https://www.facebook.com/iammigration/videos/611347859214872 WATCH 'ABRAZO' - NEW SHORT FILM BY PAOLA • ABRAZO - World Premiere (Official Film) CONNECT WITH PAOLA BALDION https://www.paolabaldion.com https://www.imdb.com/name/nm3672989 https://www.instagram.com/paolabaldion
VYS0052 | Goddamn Shit-sucking Vampires - Halloween 2025: The Lost Boys - Vayse to Face with Sorcha Ní Fhlain - Show Notes "Sleep all day. Party all night. Never grow old. Never die." - Sounds exhausting. This is not how Hine and Buckley do Halloween anymore. So, instead of re-living their twenties, or the Lost Decade, as they call it, they talk to Dr Sorcha Ní Fhlainn about the greatest horror movie of the 1980s, or the Lost Boys, as they call it. Sorcha is a film critic, a writer, an academic - a Reader in Film Studies with a specialism in American Film at Manchester Metropolitan University specialising in Gothic Studies and Horror Cinema, with a particular focus on Vampires - and an all-round legend who helps Hine and Buckley get their teeth stuck deep into Joel Schumacher's 1987 masterpiece without getting lost in the gory details (but never over-looking the Corey details). The Lost Boys stands up well to scrutiny (well, mostly...kind of...) and Sorcha leads a discussion ranging from the transplanting of vampiric folklore from dark-ages Europe to MTV-era USA, the history of the vampire as a metaphor in literature and cinema, the way in which the Lost Boys and contemporary 1980s vampire movies, Near Dark and Fright Night contributed to queer horror, exactly what it is that makes the Lost Boys one of the greatest movies of all time... and what's the deal with the greased up, pumped up, beach-party thrusting sax-player and why is it that he's brilliant? (recorded 6 October 2025) Dr Sorcha Ní Fhlainn Sorcha's Website (https://www.mmu.ac.uk/staff/profile/dr-sorcha-ni-fhlainn) Sorcha's Instagram (https://www.instagram.com/vampiresorcha/?hl=en) Sorcha's Twitter (https://www.instagram.com/vampiresorcha/?hl=en) Dr Sorcha Ní Fhlainn - Wikipedia (https://en.wikipedia.org/wiki/Sorcha_N%C3%AD_Fhlainn) Postmodern Vampires: Film, Fiction, and Popular Culture by Dr Sorcha Ní Fhlainn - Good Reads (https://www.goodreads.com/book/show/43291111-postmodern-vampires) Visions of the Vampire: Two Centuries of Blood-sucking Tales, Edited by Dr Sorcha Ní Fhlainn and Xavier Aldana Reyes - Good Reads (https://www.goodreads.com/book/show/54578546-visions-of-the-vampire) Clive Barker: Dark imaginer, Edited by Dr Sorcha Ní Fhlainn - Good Reads (https://www.goodreads.com/book/show/35083074-clive-barker) The Worlds of Back to the Future: Critical Essays on the Films, Edited by Sorcha Ní Fhlainn - Good Reads (https://www.goodreads.com/book/show/8514388-the-worlds-of-back-to-the-future) The Lost Boys Lost Boys Trailer - YouTube (https://www.youtube.com/watch?v=Q786UsnOcsY) Lost Boys - Wikipedia (https://en.wikipedia.org/wiki/The_Lost_Boys) Back to the Future Trailer - YouTube (https://www.youtube.com/watch?v=qvsgGtivCgs) Back to the Future - Wikipedia (https://en.wikipedia.org/wiki/Back_to_the_Future) Kiefer Sutherland - Wikipedia (https://en.wikipedia.org/wiki/Kiefer_Sutherland) Lost Boys - Michael Super Cut (https://www.youtube.com/watch?v=6kX3GmaUuvs) Jason Patric - Wikipedia (https://en.wikipedia.org/wiki/Jason_Patric) Corey Feldman - Wikipedia (https://en.wikipedia.org/wiki/Corey_Feldman) Corey Haim - Wikipedia (https://en.wikipedia.org/wiki/Corey_Haim) Alex Winter - Wikipedia (https://en.wikipedia.org/wiki/Alex_Winter) Vampire - Wikipedia (https://en.wikipedia.org/wiki/Vampire) Clive Barker - Wikipedia (https://en.wikipedia.org/wiki/Clive_Barker) The X-Files Trailer - YouTube (https://www.youtube.com/watch?v=8HKAR9MYvsQ) The X-Files - Wikipedia (https://en.wikipedia.org/wiki/The_X-Files) Fright Night Trailer - YouTube (https://www.youtube.com/watch?v=PMRH0RIEjnc) Fright Night - Wikipedia (https://en.wikipedia.org/wiki/Fright_Night) Interview With the Vampire Trailer - YouTube (https://www.youtube.com/watch?v=sCmYN6TLd8A) Interview With the Vampire - Wikipedia (https://en.wikipedia.org/wiki/Interview_with_the_Vampire_(film)) Our Vampires, Ourselves by Nina Auerbach (https://uk.bookshop.org/p/books/our-vampires-ourselves-nina-auerbach/328397?ean=9780226032023&next=t&next=t) Near Dark Trailer - YouTube (https://www.youtube.com/watch?v=VllIQYnC20s) Near Dark - Wikipedia (https://en.wikipedia.org/wiki/Near_Dark) Twilight Trailer - YouTube (https://www.youtube.com/watch?v=uxjNDE2fMjI) Twlight - Wikipedia (https://en.wikipedia.org/wiki/Twilight_(2008_film)) True Blood - Trailer (https://www.youtube.com/watch?v=3Wk3HSiX-vQ) True Blood - Wikipedia (https://en.wikipedia.org/wiki/True_Blood) Thomas Ligotti - Wikipedia (https://en.wikipedia.org/wiki/Thomas_Ligotti) Dracula - Wikipedia (https://en.wikipedia.org/wiki/Dracula) Zombie - Wikipedia (https://en.wikipedia.org/wiki/Zombie) John William Polidori - Wikipedia (https://en.wikipedia.org/wiki/John_William_Polidori) The Vampyre - Wikipedia (https://en.wikipedia.org/wiki/The_Vampyre) Lord Byron - Wikipedia (https://en.wikipedia.org/wiki/Lord_Byron) Frankenstein - Wikipedia (https://en.wikipedia.org/wiki/Frankenstein) Mary Shelley (https://en.wikipedia.org/wiki/Mary_Shelley) Nosferatu - Wikipedia (https://en.wikipedia.org/wiki/Nosferatu) F. W. Murnau - Wikipedia (https://en.wikipedia.org/wiki/F._W._Murnau) I Am Legend by Richard Matheson - Wikipedia (https://en.wikipedia.org/wiki/I_Am_Legend_(novel)) Dracula (1931) Trailer - YouTube (https://www.youtube.com/watch?v=VoaMw91MC9k) The Hunger Trailer - YouTube (https://www.youtube.com/watch?v=7a6YFwC2zKA) The Hunger - Wikipedia (https://en.wikipedia.org/wiki/The_Hunger_(1983_film)) Whitley Strieber - Wikipedia (https://en.wikipedia.org/wiki/Whitley_Strieber) Michael Chapman (cinematographer) - Wikipedia (https://en.wikipedia.org/wiki/Michael_Chapman_(cinematographer)) Buffy the Vampire Slayer (TV Series) - Wikipedia (https://en.wikipedia.org/wiki/Buffy_the_Vampire_Slayer) Joel Schumacher - Wikipedia (https://en.wikipedia.org/wiki/Joel_Schumacher) St. Elmo's Fire (film) - Wikipedia (https://en.wikipedia.org/wiki/St._Elmo%27s_Fire_(film)) St. Elmo's Fire Trailer - YouTube (https://www.youtube.com/watch?v=j9Z0Aq8VrN0) Bram Stoker's Dracula (1992 film) - Wikipedia (https://en.wikipedia.org/wiki/Bram_Stoker%27s_Dracula_(1992_film)) Bram Stoker's Dracula Trailer - YouTube (https://www.youtube.com/watch?v=cpAfqCUaVwg) Dianne Wiest (https://en.wikipedia.org/wiki/Dianne_Wiest) Tim Cappello - Wikipedia (https://en.wikipedia.org/wiki/Tim_Cappello) I Still Believe by Tim Cappello (https://www.youtube.com/watch?v=PdaaGlyu7EQ) "30 Years Ago, The Lost Boys Introduced Me to Queer Cinema" by Alcy Leyva - Bright Wall/Dark Room (https://www.brightwalldarkroom.com/2017/12/01/30-years-ago-lost-boys-introduced-queer-cinema/) "The Night Has its Price: The Queer Fangs of ‘Near Dark'" by Brant Lewis - Dread Central (https://www.dreadcentral.com/editorials/432422/the-night-has-its-price-the-queer-fangs-of-near-dark/) "THE BOYS NEXT DOOR: The Homoeroticism of Fright Night and how it saved my life" by Glenn McQuaid - Gayly Dreadful (https://www.gaylydreadful.com/blog/2019/6/19/the-boys-next-door-the-homoeroticism-of-fright-night-and-how-it-saved-my-life) Family Ties - Wikipedia (https://en.wikipedia.org/wiki/Family_Ties) Sorcha's Recommendations Let the Right One In by John Ajvide Lindqvist (https://uk.bookshop.org/p/books/let-the-right-one-in-john-ajvide-lindqvist/2304399?ean=9781848423749&next=t) Let the Right One In Trailer - YouTube (https://www.youtube.com/watch?v=ICp4g9p_rgo) Let the Right One In (film) - Wikipedia (https://en.wikipedia.org/wiki/Let_the_Right_One_In_(film)) Postmodern Vampires: Film, Fiction, and Popular Culture by Dr Sorcha Ní Fhlainn - Good Reads (https://www.goodreads.com/book/show/43291111-postmodern-vampires) Our Vampires, Ourselves by Nina Auerbach (https://uk.bookshop.org/p/books/our-vampires-ourselves-nina-auerbach/328397?ean=9780226032023&next=t&next=t) Celluloid Vampires: Life After Death in the Modern World by Stacey Abbott - Good Reads (https://www.goodreads.com/book/show/1960941.Celluloid_Vampires) Queer for Fear: Horror Film and the Queer Spectator by Heather O. Petrocelli - University of Wales Press (https://www.uwp.co.uk/book/queer-for-fear-petrocelli/) Vayse online Website (https://www.vayse.co.uk/) Twitter (https://twitter.com/vayseesyav) Bluesky (https://bsky.app/profile/vayseesyav.bsky.social) Instagram (https://www.instagram.com/vayseesyav/) Bandcamp (Music From Vayse) (https://vayse.bandcamp.com/) Ko-Fi (https://ko-fi.com/vayse) Email: vayseinfo@gmail.com Special Guest: Sorcha Ní Fhlainn.
In the finale of this year's Halloween Series, Anna and Derek chat about the irresistible allure of Dr. Challis, the ethical implications of chiseling Stonehenge, and much more during their discussion of the cult classic horror flick Halloween III: Season of the Witch (1982). Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.
Dr. Julie Rak is a professor in the Department of English and Film Studies at the University of Alberta, Canada. Her 2021 book False Summit: Gender in Mountaineering Nonfiction (McGill-Queens University Press) is the first book-length study of gender, feminism and mountaineering narratives ever made- and she hopes that it won't be the last. She has also published on Rockies mountain guide and writer Tex Vernon-Wood, on gender and mountaineering film festivals, about the body of George Mallory and about Sherpa, the autobiography of Ang Tharkay. Julie was a novice to intermediate general mountaineer and ice-climber in the Canadian Rockies (she is now retired), and enjoys snow-shoeing, hiking, road cycling and kayaking in the mountains, and other places too. Purchase False Summit Watch Julie's TEDx Talk - Rope & Tshirts: Mountaineering Objects & Gender Learn more about your ad choices. Visit megaphone.fm/adchoices
Jay of the Dead'sNew Horror Movies presents… the 55th Edition of the world's greatest Zombie Movie Podcast — Dead Man Still Walking, starring Dr. Walking Dead Kyle Bishop! In this fascinating and unexpectedly subversive episode, Dr. Bishop welcomes special guest Jay of the Dead to explore the surprising horror history of “The Purple Smurfs” (yes, those Smurfs!) and their uncanny place in zombie canon. This is a must-listen for fans of zombie cinema. Likely inspired somewhat by Richard Matheson's novel, “I Am Legend” (1954) — yet before George Romero's shambling ghouls — there existed a little-known, infected-zombie narrative within the Belgian comic, Les Schtroumpfs Noirs (“The Black Smurfs”) from 1959, later wisely adapted for American audiences in 1963 as “The Purple Smurfs.” What seems like a simple children's story reveals shocking thematic roots in infection, rage, and apocalypse, complete with an urgent race to find a cure. Dr. Bishop herein declares, “Yes, the Purple Smurfs are zombies.” Also during Episode 166 here, Jay and Kyle dive deep into both the original comic source material and the adapted, 1981 TV episode — part of a Halloween special featuring “The Haunted Smurf” as well as “The Purple Smurfs” — unpacking how the latter's infection narrative even precedes films like “The Crazies” (1973), “Rabid” (1977), and “28 Days Later” (2002). They discuss the sociocultural implications, from 1980s “Satanic Panic” anxieties to the comic's troubling racial undertones in its early form. Jay playfully speculates whether the story serves as a bizarre, STD cautionary tale — and even debuts his first-ever Horror trailer for The Purple Smurfs (1981) TV episode! As for Dr. Bishop's favorite color? You just might find the answer buried somewhere in this delightfully twisted episode of Dead Man Still Walking. Gnap! Gnap! Note: This episode was recorded on July 21, 2025. Note: To view ALL of Dr. Bishop's Dead Man Still Walking solocast episodes can USE THIS LINK. And to view ALL of Dr. Bishop's episode-by-episode commentaries on The Last of Us – Seasons 1 and 2, with Jay of the Dead, then USE THIS LINK. Dead Man Still Walking is a biweekly, short-form solocast hosted by Dr. Walking Dead Kyle Bishop, author of American Zombie Gothic and How Zombies Conquered Popular Culture. Dr. Walking Dead also presents a popular segment called The Dead Zone on regular episodes of this podcast. For his Dead Man Still Walking solocast episodes, Dr. Bishop will focus exclusively on zombie films, with the occasional exploration of zombie-related themes, zombie television, and other zombie media (e.g., comics, literature, etc.). Dr. Bishop is an academic and professional scholar of zombie films and other zombie narratives. He has been teaching for 23 years. Dr. Bishop serves as an English professor, Film Studies professor, and he's currently the English Department Chair at Southern Utah University. You are welcome to reach out to Dr. Bishop with comments or questions via email: bishopk@suu.edu, X: @DrWalkingDead, BlueSky and Instagram (@DrWalkingDead) or by leaving him a voicemail: (801) 980-1375. You can also watch the documentary, Doc of the Dead (2014), which features Dr. Walking Dead. Find more links below for Dr. Bishop. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple PodcastsSpotifyDeezer You are welcome to email our show at HauntingYourHeadphones@gmail.com. You can also follow Jay of the Dead'sNew Horror Movies on X: @HorrorAvengers Dead Man Still Walking with Dr. Kyle Bishop is brought to you by Jay of the Dead'sNew Horror Movies, an audio Horror movie podcast. It features nine experienced Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin, Dave Zee and Spawn of the Dead! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead'sNew Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!
On this episode of the podcast, host Dr Pasquale Iannone talks to recent University of Edinburgh filmmaking graduate Maryam Haddadi about her documentary self-portraits Accused Number 41 (2024) and Between Us (2025).Maryam studied the MA in Film Directing at Edinburgh College Art and her graduate film Accused Number 41 focuses on an incident that happened in her native Iran when she was arrested by Guidance Control (better known as the morality police) and falsely accused of dressing provocatively. The film was recently shortlisted for the 2025 Student Oscars - the only film from a Scottish University to make the finals.Commissioned by the Scottish Documentary Institute's Bridging the Gap scheme, Between Us is a tender portrait of motherhood focusing on Maryam and her four year old son Masih. The film recently screened at the Edinburgh International Film Festival, with more screenings to come in Glasgow and Inverness.Maryam tells Pasquale about her first experiences of filmmaking in Iran and then reveals how her approach to documentary filmmaking was shaped by her time at ECA. Discussion then turns to Accused Number 41 and Between Us.More information on Maryam's work is available via her Instagram profile (@maryamhaddadi.films)
Growing up in Malaysia, where arts and culture often faced censorship issues due to political sensitivities, I had limited exposure to unfiltered cultural reporting. That changed significantly when I discovered BFM, a business station that took the bold initiative to report, analyze, and bring Malaysia's arts and culture scene to the masses. So in 2022 (yes, that long ago), I spoke with one of the most distinct and inspiring voices behind this transformation: Sharmilla Ganesan.Sharmilla, with a BA in Media Studies from Murdoch University and an MA in Communication, Film Studies from RMIT University, is a writer, journalist, moderator, emcee as well as arts & culture critic with over 15 years of experience covering Malaysian culture. At BFM 89.9, she's been the voice behind numerous shows that explore arts, literature and film. Highlights include anchoring the Evening Edition, the station's drivetime current affairs show which covers a huge variety of topics including politics, economy and human rights. Now, she plays an essential role as Content Manager at the Creador Foundation, where she helps pioneer innovative solutions for social impact in South and Southeast Asia - most notably, the Cipta Seni Incubator, which provides Malaysia-based performance artists with creative development resources, mentorship, and networking opportunities.In this episode, we discuss the key nuances between radio broadcasting and podcasting, the role of media in preserving culture, and Sharmilla's personal approach to sustaining her multi-faceted career with exceptional quality and consistency. While many things have changed in these last three years, one thing remains - radio will always have a place in the arts. Welcome to Episode 5 of Season 3, Podcast Killed the Radio Star.Sharmilla GanesanCipta Seni Incubator ASEF Guest Podcast Soundtracks:Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkRocket - QTM Support the showLike our offers? S2 Summer SALE! Check out our new Dance Masterclass YouTube review Sign up for Dance Masterclass Choreographing Your Dance Career by Janaea Rose Lyn Try Nord VPN Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community
Artist and filmmaker Tom Kalin joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his 1992 film Swoon. Kalin discusses the historical background of the film (the famous 1924 Leopold and Loeb murder case), how he reimagined the case through the lens of queer desire, and how he conducted archival research into the central figures of the murder. Kalin also discusses how his background and training as a visual artist fed into his work in feature-length film making. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40927]
Artist and filmmaker Tom Kalin joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his 1992 film Swoon. Kalin discusses the historical background of the film (the famous 1924 Leopold and Loeb murder case), how he reimagined the case through the lens of queer desire, and how he conducted archival research into the central figures of the murder. Kalin also discusses how his background and training as a visual artist fed into his work in feature-length film making. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40927]
Artist and filmmaker Tom Kalin joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his 1992 film Swoon. Kalin discusses the historical background of the film (the famous 1924 Leopold and Loeb murder case), how he reimagined the case through the lens of queer desire, and how he conducted archival research into the central figures of the murder. Kalin also discusses how his background and training as a visual artist fed into his work in feature-length film making. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40927]
Artist and filmmaker Tom Kalin joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his 1992 film Swoon. Kalin discusses the historical background of the film (the famous 1924 Leopold and Loeb murder case), how he reimagined the case through the lens of queer desire, and how he conducted archival research into the central figures of the murder. Kalin also discusses how his background and training as a visual artist fed into his work in feature-length film making. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40927]
Brooks Austin aka The Film Guy joins the show to breakdown Alabama's film (also Tennessee's) and some things to pay attention to. Also, Cody Squashes beef with Brooks??
The Co-production Landscape in Europe: From Eurimages to Netflix (Springer Nature, 2025) explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Dr Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film iVäst and TorinoFilmLab. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website here and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Co-production Landscape in Europe: From Eurimages to Netflix (Springer Nature, 2025) explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Dr Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film iVäst and TorinoFilmLab. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website here and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
The Co-production Landscape in Europe: From Eurimages to Netflix (Springer Nature, 2025) explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Dr Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film iVäst and TorinoFilmLab. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website here and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy
The Co-production Landscape in Europe: From Eurimages to Netflix (Springer Nature, 2025) explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Dr Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film iVäst and TorinoFilmLab. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website here and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
In their 150th episode, Anna and Derek discuss just whose parents were in on Freddy's murder, why in the world Marge would keep the glove, and much more during their breakdown of the Wes Craven masterpiece A Nightmare on Elm Street (1984).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.
Film producer Liz Yale Marsh and mustang wrangler West Taylor join moderator and co-producer Wendy Eley Jackson to discuss their work on the documentary Facing the Falls, which follows disability rights advocate Cara Elizabeth Yar Khan and her twelve-day expedition through the Grand Canyon. They explore how Yar Khan's muscle disease provided a unique challenge to navigating the Grand Canyon, as well as how Marsh and Jackson came onto the film in post-production and helped to finish the project. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40926]
Film producer Liz Yale Marsh and mustang wrangler West Taylor join moderator and co-producer Wendy Eley Jackson to discuss their work on the documentary Facing the Falls, which follows disability rights advocate Cara Elizabeth Yar Khan and her twelve-day expedition through the Grand Canyon. They explore how Yar Khan's muscle disease provided a unique challenge to navigating the Grand Canyon, as well as how Marsh and Jackson came onto the film in post-production and helped to finish the project. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40926]
Film producer Liz Yale Marsh and mustang wrangler West Taylor join moderator and co-producer Wendy Eley Jackson to discuss their work on the documentary Facing the Falls, which follows disability rights advocate Cara Elizabeth Yar Khan and her twelve-day expedition through the Grand Canyon. They explore how Yar Khan's muscle disease provided a unique challenge to navigating the Grand Canyon, as well as how Marsh and Jackson came onto the film in post-production and helped to finish the project. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40926]
Film producer Liz Yale Marsh and mustang wrangler West Taylor join moderator and co-producer Wendy Eley Jackson to discuss their work on the documentary Facing the Falls, which follows disability rights advocate Cara Elizabeth Yar Khan and her twelve-day expedition through the Grand Canyon. They explore how Yar Khan's muscle disease provided a unique challenge to navigating the Grand Canyon, as well as how Marsh and Jackson came onto the film in post-production and helped to finish the project. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40926]
Catalyst is a Creative Industries podcast, from Chapman University. Each episode features Chapman students who have completed a Podcasting course through the Center for Creative and Cultural Industries at the university. Students who had no podcasting experience or technical ability in the genre before taking the course were able to contribute all the segments to Catalyst this season with the goal being that they will take this ‘hands-on' experience and carry it over to the launching of their very own series. Each episode of Season 14 will feature one to two different interviews conducted by CCI students, exploring different aspects of the Creative and Cultural Industries. Kicking off our show this week Carly Arebalo sits down with Gianna Verde, a Public Relations trainee at Christian Dior in New York City. Originally from a small coastal town in New Jersey, Gianna always dreamed of working in fashion, a passion that took her to the Fashion Institute of Technology (FIT). Through multiple internships, she discovered her love for public relations and followed that path to Dior, one of the world's most prestigious luxury fashion houses. In this conversation, Gianna reflects on her journey from creative childhood to young professional, offering a candid look at the challenges of breaking into the fashion industry. She shares honest advice for students and recent graduates about resilience, determination, and the importance of taking on responsibility. Wrapping up the episode today is a conversation with Nick Weihe, a Baltimore-based visual artist and clothing designer who speaks with Sidney Karjian about his creative journey. Raised in Seattle, Nick studied Fine Art Photography and Film Studies at Seattle University before earning his MFA in Photographic and Electronic Media at the Maryland Institute College of Art. Weihe talks about starting out at Youth in Focus, a photography program in Seattle and how it sparked his lifelong interest in telling stories through images. In their discussion, Nick reflects on how his work evolved from darkroom photography and graffiti to his current work with hand-stamped fashion designs. Weihe also discusses the balance of emotional storytelling and experimentation in his work, and the challenges of sustaining a creative practice. He offers advice on trusting your instincts, staying motivated, and continuing to create—even when it feels imperfect.
This episode of the podcast explores prison films, with a special focus on Swedish filmmaker Mai Zetterling's lesser-known drama Scrubbers from 1982.Scrubbers stars Chrissie Cotterill as Annetta, a young mother serving a prison sentence at a female borstal. The film features many familiar faces, including Kathy Burke and Eva Mottley as Annetta's fellow prisoners as well as Miriam Margoyles, Pam St Clement and Robbie Coltrane as prison staff.Joining host Dr Pasquale Iannone to discuss Scrubbers and the prison film more generally is Dr Jamie Bennett. Jamie is Research Associate at the University of Oxford's Centre for Criminology and an internationally-renowned scholar of media representations of prison. He has worked in prisons for three decades in a variety of senior positions and is currently group director for contracted prisons in HM Prison & Probation Service. Jamie has held the position of Governor at various prisons, including HMP Morton Hall in Lincolnshire which, at the time, was a women's prison with a diverse international population.Jamie's recent publications include 2021's Prisoners on Prison Films (co-authored with Victoria Knight) and Managing Prisons: Managerialism, Austerity and Moral Blindness (2024).In a wide-ranging discussion, Jamie and Pasquale discuss the history of prison movies and TV shows - from 1930's pre-code film The Big House to Alan Clarke's controversial 1979 drama Scum to Jimmy McGovern's recent BBC series Time (2021). They then look at Scrubbers in detail, exploring the film's representation of life in a women's prison. They draw on sources such as director Zetterling's memoir and contemporary reviews of the film from the likes of Barbara Kruger.
Filmmakers Natasha Merkulova and Alexey Chupov join moderator Sasha Razor (Film and Media Studies, UCSB) to discuss their film Captain Volkonogov Escaped. Merkulova and Chupov share how they work as a film making team, how they researched the period of Stalinist purges in the 1930s, and how they sought to make the period of the film feel contemporary. They go on to discuss their experience working with lead actor Yura Borisov, who gained wider recognition for the 2024 film Anora. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40925]
Filmmakers Natasha Merkulova and Alexey Chupov join moderator Sasha Razor (Film and Media Studies, UCSB) to discuss their film Captain Volkonogov Escaped. Merkulova and Chupov share how they work as a film making team, how they researched the period of Stalinist purges in the 1930s, and how they sought to make the period of the film feel contemporary. They go on to discuss their experience working with lead actor Yura Borisov, who gained wider recognition for the 2024 film Anora. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40925]
Filmmakers Natasha Merkulova and Alexey Chupov join moderator Sasha Razor (Film and Media Studies, UCSB) to discuss their film Captain Volkonogov Escaped. Merkulova and Chupov share how they work as a film making team, how they researched the period of Stalinist purges in the 1930s, and how they sought to make the period of the film feel contemporary. They go on to discuss their experience working with lead actor Yura Borisov, who gained wider recognition for the 2024 film Anora. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40925]
Filmmakers Natasha Merkulova and Alexey Chupov join moderator Sasha Razor (Film and Media Studies, UCSB) to discuss their film Captain Volkonogov Escaped. Merkulova and Chupov share how they work as a film making team, how they researched the period of Stalinist purges in the 1930s, and how they sought to make the period of the film feel contemporary. They go on to discuss their experience working with lead actor Yura Borisov, who gained wider recognition for the 2024 film Anora. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40925]
In this episode, Anna and Derek debate fast zombies versus slow zombies, if Ernie was indeed a Nazi in hiding, and much more during their discussion of the horror-comedy gem The Return of the Living Dead (1985). Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.
Eric Faden (Bucknell University) discusses his work on the Japanese Paper Film Project, a project that has been preserving paper films made in Japan in the 1930s. Koto player Yoko Reikano Kimura and cellist Hikaru Tamaki (Duo Yumeno) joins Faden and moderator Alex Lilburn (Film and Media Studies, UCSB) to talk about how the preservation work was carried out and their experiences presenting the digitized films with live musical accompaniment. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40924]
Eric Faden (Bucknell University) discusses his work on the Japanese Paper Film Project, a project that has been preserving paper films made in Japan in the 1930s. Koto player Yoko Reikano Kimura and cellist Hikaru Tamaki (Duo Yumeno) joins Faden and moderator Alex Lilburn (Film and Media Studies, UCSB) to talk about how the preservation work was carried out and their experiences presenting the digitized films with live musical accompaniment. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40924]
Eric Faden (Bucknell University) discusses his work on the Japanese Paper Film Project, a project that has been preserving paper films made in Japan in the 1930s. Koto player Yoko Reikano Kimura and cellist Hikaru Tamaki (Duo Yumeno) joins Faden and moderator Alex Lilburn (Film and Media Studies, UCSB) to talk about how the preservation work was carried out and their experiences presenting the digitized films with live musical accompaniment. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40924]
Eric Faden (Bucknell University) discusses his work on the Japanese Paper Film Project, a project that has been preserving paper films made in Japan in the 1930s. Koto player Yoko Reikano Kimura and cellist Hikaru Tamaki (Duo Yumeno) joins Faden and moderator Alex Lilburn (Film and Media Studies, UCSB) to talk about how the preservation work was carried out and their experiences presenting the digitized films with live musical accompaniment. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40924]
Episode 60 of READING McCARTHY sees the return of one of my favorite guests, Dr. Stacey Peebles. In addition to her many other roles described below, she is the preeminent expert on McCarthy's work in screenplays. Please join us for a consideration of his various screenplays, both produced (The Counselor) and unproduced (Cities of the Plain, No Country for Old Men, Men and Whales) as well as a brief discussion of the film adaptations of his work thus far. Stacey Peebles is the HW Stodghill and Adele H Stodghill Professor of English and Director of Film Studies at Centre College. She's the author of The War Comes With You: Enduring War in Life, Fiction, and Fantasy (Dec. 2024), Welcome to the Suck: Narrating the American Soldier's Experience in Iraq, and Cormac McCarthy and Performance: Page, Stage, Screen. She has been editor of the Cormac McCarthy Journal since 2010 and is the current President of the Cormac McCarthy Society.Thanks to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY. The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society. Download and follow this podcast on Apple, Spotify, Google Play, Stitcher, or wherever you get your podcasts. If you're agreeable it'll help us if you provide favorable reviews on these platforms. To contact the host, please reach out to readingmccarthy@gmail.com. Support the showStarting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...
On this episode of the podcast, host Dr Pasquale Iannone is joined by Dr Karen Pearlman. Karen is Associate Professor at MacQuarie University in Sydney and an internationally-renowned scholar of creative practice, distributed cognition and feminist film histories. Her many projects as editor and/or director include, most recently, her short film Breaking Plates (2024) which has screened at various festivals this year, including Cinema Ritrovato in Bologna. Film historian Pamela Hutchinson has written of Breaking Plates that ‘it's rare to see such joyful feminist revolution on screen, or such deep, loving engagement with silent film style. […]' Karen's books include the groundbreaking 2009 textbook Cutting Rhythms: Intuitive Film Editing, which went into its third edition this year.Pasquale spoke to Karen down the line from Sydney to discuss her other big release of 2025, a monograph on the American independent filmmaker Shirley Clarke. Like Karen, Clarke was a dancer, editor and filmmaker. She was active between the early 1950s and mid-80s, making several influential shorts as well as four daring, often controversial features on the African-American experience including The Connection (1961), The Cool World (1963), Portrait of Jason (1967) and Ornette in America (1985). Karen tells Pasquale about her approach to Clarke's work and how it challenges and critiques traditional notions of film authorship. Clarke's work is placed in context, and the discussion also explores Clarke's links to her filmmaking contemporaries Jonas Mekas and Maya Deren.Karen and Pasquale then discuss some of Clarke's features, including a title which is now acknowledged as a landmark of LGBTQ+ cinema and which was once described by legendary Swedish auteur Ingmar Bergman as ‘the most extraordinary film I've seen in my life.'Shirley Clarke (2025) by Karen Pearlman is published by Edinburgh University Press and is part of the series Visionaries: The Work of Women Filmmakers (Series editors Lucy Bolton and Richard Rushton).
We are very excited to welcome Prof. Lisa Dombrowski to our podcast! She is a Professor of Film Studies and East Asian Studies at Wesleyan University. She's the author of the books: The Films of Samuel Fuller: If You Die, I'll Kill You! (2008), the editor of Kazan Revisited (2011), and co-editor of ReFocus: The Later Works and Legacy of Robert Altman (2022). (Ben worked on that last one!) We took Lisa's fantastic film classes and she's a big reason this podcast exists, and why we talk about movies the way we do. (You can read more about the podcast's origin story on Patreon!) Together, we preview a newly restored film showing at the upcoming New York Film Festival and M+ Restored programmes, T'ang Shushuen's The Arch, which Lisa teaches in her classes. Lisa shares with us the film's unconventional transnational production context, and we have an in-depth discussion about the film's groundbreaking use of film form to portray female subjectivity. Eli highlights the film's use of deep staging, Wilson compares the film with Ann Hui's A Simple Life (2011), and Ben explains what he means by an “oyako-don” pantheon.Links:Read more about and get tickets for the M+ Restored programmeScreening in NYC for NYFF at Film at Lincoln CenterObey your ancestors at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:01:36 Introducing Prof. Lisa Dombrowski00:06:48 M+ Restored00:09:39 Context on director Tang Shu-shuen and The Arch00:11:16 Lisa's relationship with The Arch00:17:16 General reactions00:23:30 Adaptation and subjectivity00:26:06 Subtitles00:28:06 Female gaze and melodramatic situation00:30:28 The opening setup00:33:28 Cinematography context00:40:28 Love triangle and deep staging00:43:34 Plum scene00:52:37 Source material00:55:28 Cultural context and societal norms01:00:04 River scene and Mid-Autumn Festival01:03:39 A Simple Life (2011) sidebar, subjective realism01:07:25 Confucianism and social conditioning01:10:29 Loom scene01:13:04 Editing for meaning01:16:32 The arch, the ending, the takeaway01:24:57 Fractured images and liminal spaces01:30:15 Lisa Lu and casting01:31:32 The film's reception01:33:56 Tang's approach01:39:03 Cultural identity, transnational cinema, aesthetic expectations01:43:32 Tang's career post The Arch01:46:05 Outro
Mona Damluji (Film and Media Studies, UCSB) and Elisabeth Weber (German and Slavic Studies, UCSB) join moderator Bishnupriya Ghosh (English and Global Studies, UCSB) to discuss the film project From Ground Zero, an anthology of films made by Palestinian filmmakers since the beginning of the war in Gaza. They discuss how the films present a unique vision of Gaza, showing a vibrant society dealing with the outbreak of war, and how the films urge the audience to become informed viewers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40923]
Mona Damluji (Film and Media Studies, UCSB) and Elisabeth Weber (German and Slavic Studies, UCSB) join moderator Bishnupriya Ghosh (English and Global Studies, UCSB) to discuss the film project From Ground Zero, an anthology of films made by Palestinian filmmakers since the beginning of the war in Gaza. They discuss how the films present a unique vision of Gaza, showing a vibrant society dealing with the outbreak of war, and how the films urge the audience to become informed viewers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40923]
Send us a text message and tell us your thoughts.In the mid-20th century Caribbean, cinema became a powerful tool for nation-building, education, and political messaging through two remarkable organizations with surprisingly parallel methods but divergent ideologies. Dr. Pedro Noel Doreste Rodríguez joins us for this enchanting history in celebration of Hispanic Heritage Month. The story begins in 1949 when Puerto Rico established the Division of Community Education (DIVEDCO), creating films that taught rural communities practical skills while reinforcing cultural identity within the island's complicated relationship with the United States. Ten years later, revolutionary Cuba founded the Instituto Cubano del Arte e Industria Cinematográficos (ICAIC), similarly using cinema to educate citizens but through an explicitly socialist lens. Both organizations deployed mobile cinema units, bringing film to remote villages alongside community discussions and educational programs. These weren't Hollywood productions seeking profit, but state-sponsored projects with clear political objectives.Perhaps most surprising is Cuba's relationship with American cinema despite the US embargo. The ICAIC organized pirated screenings of films like The Godfather, viewing them as critiques of American capitalism rather than threats to revolutionary values. This openness to global cinema influences, filtered through a revolutionary perspective, helped shape Cuba's enduring film tradition. What can these remarkable cultural experiments teach us about the power of cinema as both art and political instrument? The answer lies in understanding how these films didn't just entertain audiences—they helped shape Caribbean identities during one of the region's most transformative periods.Pedro Noel Doreste Rodríguez is Assistant Professor in Film Studies at Michigan State University and Co-Director of the Manchineel Project. He is a historian of Latin American, Caribbean, and Latinx film and media whose research surveys cinematic encounters between the global North and South, diasporic and exile filmmaking, and avant-garde film cultures in and of the Hispanic Caribbean. He is coeditor of the anthology "Vivirse la película: Methods in Puerto Rican Film Studies," forthcoming from Centro Press.Support the showConnect with Strictly Facts - Instagram | Facebook | Twitter | LinkedIn | YouTube | Website Looking to read more about the topics covered in this episode? Subscribe to the newsletter at www.strictlyfactspod.com to get the Strictly Facts Syllabus to your email!Want to Support Strictly Facts? Rate & Leave a Review on your favorite platform Share this episode with someone or online and tag us Send us a DM or voice note to have your thoughts featured on an upcoming episode Donate to help us continue empowering listeners with Caribbean history and education Produced by Breadfruit Media
On this Week 3 Tuesday, former Browns LB Christian Kirksey joins the program to discuss the first two weeks of the season and the upcoming TrueFan Travel trips (15:11). Jake Burns (@BrownsFilmBDN) also joins the show to break down what he saw on tape from Week 2's loss to the Ravens (50:30). You'll also go around the sports world (38:10), get One Thought from every NFL game this past weekend (1:11:14), and hear Nathan's final thoughts on the Ravens game on the Microsoft Minute (29:40).See omnystudio.com/listener for privacy information.
In this episode, Anna and Derek chat about obvious bad guys, dream sex consent, and much more during their discussion of their second Halloween Series flick, Dreamscape (1984). Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.
Film historian Rebecca Prime joins moderator Ross Melnick (Film and Media Studies, UCSB) for a discussion of the classic Hollywood film The Sound of Fury. Prime outlines the film's production history and how its political and social commentary was shaped by its director, Cy Endfield, who would go on to be blacklisted due to his association with the Communist Party. They further discuss Endfield's subsequent work in London and how he struggled with the blacklist for the rest of his career. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40919]
Charlie Jacobs of InsideNU joins me to review the tape on Northwestern football's 2025 season to date. Learn more about your ad choices. Visit megaphone.fm/adchoices
What's a good plan for this weekend? How about entertaining an overmatched in-state rival while potential future team members observe in person? Let's do it! Ohio State hosts Ohio U. on Saturday for what should be another beautiful evening in Ohio's state capital. For this show, Dan Rubin, Mark Porter and new Bucknuts recruiting analyst Garrick Hodge host your infotainment journey. Who could be added to the Class of 2026? Who is visiting this weekend to see the Buckeyes battle the Bobcats? What other recruiting info do you need to move through life with aplomb? Rest assured, we have it for you. Spend 5ish with us this a.m., 'Nutters! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Bill Kurelic is The Dean of Ohio State Recruiting. He's an institution. He's an inspiration. He also has big news to share with the 'Nutters. Mark Porter joins as well. Spend 5ish with us this a.m., 'Nutters! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
This episode of Below the Radar B-Sides is guest hosted by Joe Clark, term assistant professor at SFU's School for the Contemporary Arts. He is joined by Benjamín Schultz-Figueroa, Assistant Professor in Film Studies at Seattle University, and author of The Celluloid Specimen: Moving Image Research into Animal Life. Together, they chat about their shared interest in non-theatrical film, and the histories and speculative futures of scientific filmmaking. Resources: Joseph Clark: https://www.josephclark.me/ Benjamín Schultz-Figueroa: https://www.benjaminschultzfigueroa.com/ The Celluloid Specimen: Moving Image Research into Animal Life: https://www.benjaminschultzfigueroa.com/the-celluloid-specimen-moving-image-research-into-animal-life Bio: Joseph Clark: Joseph Clark (PhD, Brown University) is an educator, filmmaker, researcher, and arts programmer. His research and teaching interests focus on archival and non-theatrical media, including newsreels, home movies, and sponsored film. He is the author of News Parade: The American Newsreel and the World as Spectacle (University of Minnesota Press, 2020) and the director of the short film Persistence & Loss (2021). He is a long-time member of the DOXA Documentary Film Festival Programming Committee and part of the organizing committee of the Vancouver Podcast Festival. Benjamín Schultz-Figueroa Dr. Benjamín Schultz-Figueroa is an Assistant Professor in Film Studies at Seattle University. His research focuses on the history of scientific filmmaking, nontheatrical film, and animal studies. Among other venues, his writing has been published in JCMS: Journal of Cinema and Media Studies, Film History, Journal of Environmental Media. His book The Celluloid Specimen: Moving Image Research into Animal Life is due to be published by UC Press in February, 2023. Cite this episode: Chicago Style Clark, Joseph. “The Celluloid Specimen — with Joe Clark and Benjamín Schultz-Figueroa.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, August 12, 2025. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/btr-bsides-celluloid-specimen.html.
Best of TalkSports 9.2.25: Brooks Austin Film Study by Fanrun Radio
On tonight's episode, Brooks and the boys discuss their final week one takeaways. We are also going to talk about if the Alabama Crimson Tide dynasty is dead. During the local hour, we are going to tell you why the old Georgia is back. Follow Brooks on Twitter: twitter.com/brooksaustinba Follow Brooks on Instagram: Instagram.com/brooksaustinba Subscribe to Patreon: https://www.patreon.com/brooksaustin Merch: https://www.universitiesforever.com/collections/the-film-guy?srsltid=AfmBOorER1HarPFY2LnaE-o7-Buoaixs652Lkv_NzIGKModpY-HVb1sV Follow Brooks on Twitter: twitter.com/brooksaustinba Follow Brooks on Instagram: Instagram.com/brooksaustinba Subscribe to Patreon: https://www.patreon.com/brooksaustin Merch: https://www.universitiesforever.com/collections/the-film-guy?srsltid=AfmBOorER1HarPFY2LnaE-o7-Buoaixs652Lkv_NzIGKModpY-HVb1sV
Welcome to this season's Halloween Series! To kick things off, Anna and Derek chat about the rules of vampirism, the criminal under usage of Jenette Goldstein, and much more during their discussion of Kathryn Bigelow's Near Dark (1987).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.
It's almost time. Texas vs. Ohio State. The Shoe. All eyes on Columbus. Let's try and get you through today first! Bill Kurelic is here. Mark Porter is here. Who do THEY think will emerge victorious on Saturday beginning at noon? What do they think of the guest list of prospects set to take it all in? Which future Buckeyes will they see on the high school gridiron on Friday night before the epic tussle and Saturday night after it? How do Cincinnati Moeller tackles K.J. Johnson and Patrick O'Brien look on film? How about future Buckeye Chris Henry, Jr.? Answers await to all those queries await! Spend 5ish with us this a.m., 'Nutters! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices