Podcast appearances and mentions of Ridley Scott

Johnny Spoiler takes a trip back to 1990 for FEAR, a forgotten supernatural thriller starring Ally Sheedy as Cayce Bridges, a psychic investigator who helps police solve murders by experiencing visions through the minds of killers. Her latest case becomes terrifying when she discovers a murderer with the same abilities—and he wants her to experience every ounce of fear his victims feel.In this horror movie reaction and review, Johnny Spoiler breaks down the psychic-versus-psychic showdown, the creepy performance by Pruitt Taylor Vince as the Shadow Man, the bizarre Detective Eyepatch character, the film's connections to CIA remote-viewing experiments, and why this obscure Showtime thriller deserves another look from horror fans.Also on this episode: Hugh Jackman teams with Ridley Scott for a new adaptation of Treasure Island. Brad Pitt and a loyal military dog fight for survival in Heart of the Beast—and yes, the dog survives. Rose of Nevada brings haunting maritime time-travel horror to the Cornish coast with one of the most unique visual styles you'll see all year.Is FEAR a hidden gem or a forgotten relic of early '90s horror?Johnny Spoiler gives his verdict: Binge Later.Next week, Summer Slash 8 continues with I Bought a Vampire Motorcycle (1990), the cult horror comedy where a possessed motorcycle develops a taste for blood and revenge.Jolt Modern Soda: https://tr.ee/JoltCreamSodaBW #affiliates #JohnnySpoiler #HorrorMovieReaction #Fear1990 #AllySheedy #PruittTaylorVince #CultHorror #PsychicThriller #MovieReview #BingeWatchersPodcast

Today, we're diving into the incredible journey of Abubakar Salim, an actor who at just 16, gave himself a life-altering ultimatum: break into the National Youth Theatre or join the Army. From that high-stakes beginning, Abubakar has navigated the industry by constantly chasing the raw, unpolished instinct of his younger self. He shares how this philosophy carried him through a grueling nine-round audition process for Ridley Scott's Raised by Wolves and eventually into the world of House of the Dragon. We explore how he transitioned from a "performer for hire" to a visionary storyteller by founding Surgent Studios, where he now creates video games like Tales of Kenzera: ZAU to process deeply personal themes of grief and loss. Get ready for an inspiring conversation about the power of "just being," the importance of kindness in a brutal industry, and why the most successful auditions are often the ones where you stop trying to have a plan and start seeking discovery. These are the unforgettable stories that landed Abubakar Salim right here. Credits: House of the Dragon First Day on Earth Assassin's Creed: Origins Raised by Wolves Napoleon Black Mirror PH-1 Informer Jamestown 24: Live Another Day Guest Links: IMDB: Abubakar Salim, actor, producer, director THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition SELF TAPE SORTED WORKSHOP: LONDON - June 20th (in person) SELF-TAPE MAY CLASS: STM REPLAY THE BRIDGE FOR ACTORS: Become a WORKING ACTOR (50% off special) THE PRACTICE TRACK: Membership to Practice Weekly PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: HOST/PRODUCER: Alyshia Ochse WRITER: Maddie McCormick WEBSITE & GRAPHICS: Chase Jennings SOCIAL: Alara Cerikcioglu

Knicks superfan Timothee Chalamet referenced his Oscars loss in a viral moment after NY's championship win. Will it hurt his chances? Glenn Close, Floyd Norman and Ridley Scott will receive Honorary Oscars at the Governors Awards. Plus, we have Tribeca Stories, Academy Initiatives, Box Office Reports & Contender Trailers all to discussion on this overdue episode of Oscar Race Checkpoint. THE KNICKS ARE THE 2025-26 NBA CHAMPIONS: Top of the Show But does Timothee's viral moment haunt him? - 3:48 AWARD NEWS: Governors Awards Picks are in - Glenn Close, Floyd Norman & Ridley Scott - 11:52 Disclosure Day & Obsession Box Office could raise their Oscars Chances - 21:21 AMPAS to launch list of 50 Exceptional Indie Theaters after the 99th - 34:44 Elon Musk slams The Odyssey's casting choices - 39:47 WHAT WE'RE WATCHING: Also Mike's Tribeca Festival Stories: Win Son Bakery + Doc Meets World - 45:31 Clean Hands w/ a special appearance by Robert De Niro - 49:33 The Lions Bar + In Memoriam starring Marc Maron, Lily Gladstone etc - 54:16 Mike1 Recommendations: M1 shouts out The Tony's - 59:25 M1 reviews Nirvana the band the show the movie - 1:00:16 M1 reviews Omaha starring John Magaro - 1:02:06 CONTENDER TRAILERS: The Social Reckoning seems like appointment viewing, but politically pointed - 1:04:54 Wildwood looks like an Animated Feature frontrunner - 1:07:32 Heart of the Beast could be much more of a contender than we first thought - 1:08:52 How To Rob A Bank makes us rethink our September biases - 1:10:32 OUTRO: Thanks to Jalen Brunson, Leon Rose, Mike Brown and everybody at the New York Knicks for giving AlsoMike the greatest weekend of his life. Thanks to all of our listeners who allowed us to spin this into an Oscars story. And thanks to everybody at the Academy and the Tribeca Film Festival, etc… for giving us more than enough movie topics to discuss in addition to AM's Knicks miracle. Thank you! The Knicks are the champions! The Knicks are the Champions of the basketball world!!! https://linktr.ee/mikemikeandoscar

This week on Mostly Film, we're sorting through a fresh batch of trailers in LIST IT or NIX IT, including The Last House, Gatto, Heart of the Beast, Social Reckoning, I Want Your Sex, and Whalefall. Which ones earn a spot on the Letterboxd watchlist, and which ones get left behind?In What We've Been Watching, Jonathan checks out everything from Masters of the Universe and In the Grey to a nostalgic return to Spy Kids and Spy Kids 2, while JP revisits a pair of beloved franchises with Raiders of the Lost Ark and Harry Potter and the Half-Blood Prince.Plus, we break down a packed week of movie news, including Chris Evans' reported return in Avengers: Secret Wars, new details on The Batman: Part II, George Miller's plans for more Mad Max, a Hit Man series coming to Netflix, a surprise Fox-Roku merger, and Steven Spielberg's record-breaking success with Disclosure Day. We also discuss honorary Oscars for Ridley Scott and Glenn Close, a possible Jimmy Olsen and Gorilla Grodd series, and why Jesse Eisenberg turned down The Social Reckoning.All that and more on another episode of Mostly Film—where the takes are hot, the watchlists are growing, and the movie news never stops.

This Week for your Daily Ratings Movie News: Confirmation on the Hunt for Gollum, the DOJ accepts the Paramount Warner Deal, and a war has broken out for Mad Max.   - Check out all our Movie Scores on the site! - Support the Daily Ratings and become a Producer now! - Here are all the new movies out now! - Shop our store for all the Daily Ratings gear!

Was ist "Die Welt von …?" Wenn wir über Video- und Computerspiele sprechen, die entweder elaborat ausgestaltete eigene Welten mit Hintergrundgeschichten haben oder über solche, die ihre Welt aus Literatur, Rollenspiel oder Film borgen, nehmen wir uns zuweilen die Zeit und sprechen ausführlicher über Lore jener Welten als das in den regulären Folgen möglich wäre. Im Format Die Welt von… erkunden Rahel Schmitz und Mháire Stritter die Legenden, die Geografie, die Geschichte, die Politik von diesen fiktiven Welten und holen sich dabei von Fall zu Fall ergänzende Expertise von ausgewiesenen Kennern und Kennerinnen der jeweiligen Welt. Worum geht's: Die Welt von Alien ist kein klassisches Science-Fiction-Szenario mit klaren Fronten zwischen Gut und Böse, sondern ein düsteres, komplexes Geflecht aus technologischem Fortschritt, kapitalistischer Macht, biologischer Bedrohung und menschlicher Ohnmacht. Die Handlung spielt im 22. bis 25. Jahrhundert, in einer Zukunft, die von Megakonzernen wie der Weyland-Yutani Corporation dominiert wird. Diese Konzerne handeln mit Technologie, Kolonisierung und biologischen Waffen und opfern dabei bedenkenlos Menschenleben, um Profit zu sichern. Die politische Landschaft ist geprägt von einem zersplitterten Erd-Bund, der gegen die Interessen der Konzerne kämpft, während gleichzeitig abgelegene Kolonien und Frontier-Planeten im All existieren, die oft von Isolation, Armut und der ständigen Bedrohung durch außerirdische Lebensformen geprägt sind. Götter oder höhere Mächte existieren in dieser Welt nicht, stattdessen regieren Unternehmen Militärs und die unberechenbare Natur des Universums selbst. In dieser Folge erkunden Rahel und Mháire die Eigenheiten dieses Popkultur-Universum: seine politische Struktur, die Rolle von Technologie und Biowaffen, das Nebeneinander von wissenschaftlichem Fortschritt und archaischer Gewalt, sowie die bewusste Mehrdeutigkeit vieler Erzählungen. Es geht darum, wie Alien Weltenbau betreibt, warum sich das Universum je nach Standort völlig anders anfühlt und weshalb diese Franchise bis heute eine der dichtesten und faszinierendsten Sci-Fi-Welten der Computerspiel- und Filmgeschichte hervorgebracht hat. Gast: Diesmal kommt im Podcast neben den Sprecherinnen Felix Rick zu Wort, der als Redakteur bei GameStar arbeitet und sich seit 2002 als einer der profundesten Kenner der Alien-Lore einen Namen gemacht hat. Zuvor war er unter anderem für Giga Games und Gameswelt tätig und hat sich in unzähligen Artikeln, Analysen und Videos mit der Welt von Alien auseinandergesetzt. Podcast-Credits: Sprecher, Redaktion: Rahel Schmitz, Mháire Stritter Gast: Felix Rick Audioproduktion: Fabian Langer, Christian Schmidt Titelgrafik: Paul Schmidt Intro, Outro: Nino Kerl (Ansage); Chris Hülsbeck (Musik) "Welt von"-Folgen sind Belgeitfolgen für Podcasts zu Games, die in der Welt spielen, aber zu einem Alien-Spiel hatten wir bisher noch keine Folge, ahem. Kommt sicher noch irgendwann.

Join hosts Ernesto Santos and Matt Diaz as we discuss the latest entertainment news including Hugh Jackman playing pirate Long John Silver in a Treasure Island adaptation from director Ridley Scott and a third Jump Street movie is in development. We'll then chit-chat about our recently watched movies and tv shows in a fun segment we like to call “Whatcha Watchin'” including our thoughts on Spider-Noir starring Nicolas Cage in his first television role. Later, we'll give you our double feature SPOILER REVIEW of Scary Movie, the sixth installment in the spoof franchise bringing back the return of the Wayans Brothers, and Masters of the Universe, a live-action adaptation based on the popular 80s cartoon. Time Stamps:05:49 - Entertainment News23:18 - Spider-Noir52:15 - Scary Movie01:25:39 - Masters of the Universe

The ComicBook Nation crew prepares for an invasion by breaking down Steven Spielberg's new sci-fi film, Disclosure Day. On the other side of cinema, action movies are ready to know if the hype for the new film The Furious is worth it. And Spider-Man: Brand New Day's full trailer is out – whether or not Sony and Marvel want it to be.  PLUS: A late-game check-in with Apple TV's cult-hit series Widow's Bay, TMNT shocks the gaming world with a major trailer reveal, and other new movie trailers include Ridley Scott's dystopian film The Dog Stars and the undersea survival film, Whalefall. DC and Marvel Comics don't miss, as Batman spinoff Absolute Catwoman enters the mix, and Marvel's big summer crossover begins with Avengers: Armageddon.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Send us Fan MailOn this 120th episode of the Triple FFF we're going to chip away at the rock solid box office pairing of Author Andy Weir and screenwriter Drew Goddard as we discuss their two sci fi smash hits, 2015's The Martian  directed by Ridley Scott and starringMatt Damon, Jessica Chastain, Chiwetel Ejiofor, Kristen Wiig, Michael Peña, Sean Bean, Kate Mara, Sebastian Stan, MacKenzie Davis, Donald Glover, and Jeff Daniels along with 2026's Project Hail Mary directed by Phil Lord & Christopher Millerstarring Ryan Gosling, Sandra Hüller and James Ortiz as the lovable and wacky alien Rocky. Returning to the show to discuss these crowd-pleasing and visually spectacular space epics is none other than Dr. David Johnson, DMD, whom I've called upon as a secret weapon in the last three films we've discussed because they were squarely in his wheelhouse: dancing and strutting his stuff with Michael, putting on a tough fit with Prada 1 & 2 and now his biggest passion and strength, HARD SCIENCE.  Before we drift into deep space, the synopses: In the Martian, astronaut Mark Watney is impaled and presumed dead during a wicked Martian storm which causes his crew of astronaut/explorers  to launch an emergency evacuation. Alive, wounded and alone on Mars Watney must use science, engineering, and endurance to survive long enough for Earth to mount an impossible rescue mission. In Project Hail Mary, Ryland Grace, a lone astronaut suffering from memory loss, awakens aboard a spacecraft on a desperate deep-space mission and gradually discovers he is humanity's last hope against a cosmic extinction event. Along the way, he encounters an alien astronaut from another species sent on a similar mission to protect its own civilization. Can the two work together to save their respective planets? Are these films fabulous or fails? Find out!  Watch the podcast on Youtube:https://youtu.be/KqQbMzJx6wY     

Programa cargado de cine y poesía. Como todos los días, damos un repaso a la actualidad en 'Gente Que Trabaja'. Hablamos de Julian Barnes, galardonado con el Premio Princesa de Asturias de las Letras de este año y del Óscar que la Academia del Cine les dará a Glenn Close, Ridley Scott y Floyd Norman.Después hablamos de una historia de amor en los invernaderos entre un hombre trans y una mujer de origen marroquí. Son Iván & Hadoum, película de la que hablamos en nuestro estudio con Ian de la Rosa, su director; Silver Chicón, actor y artista multidisciplinar; y Herminia Loh, actriz y artista musical.En 'Verso Suelto', Abraham Boba nos recita la poesía de la escritora estadounidense Margaret Atwood, más conocida por su prosa, pero cuya poesía no deja nada que desear. Hablamos de `Sinceramente´, su nuevo poemario, editado por Salamandra.Terminamos el programa con 'Más allá de John Williams', en donde conoceremos la banda sonora de la película `Backrooms´ de Edo Van Breemen & Kane Parsons; de la serie `The Witness´ de Oliver Coates y del thriller británico `Dragonfly´ de Raffertie.Escuchar audio

Repasamos la actualidad cultural y artística más destacada. Comentamos el reconocimiento al escritor británico Julian Barnes, distinguido con el Premio Princesa de Asturias de las Letras, y analizamos los Óscar honoríficos que la Academia de Cine concederá a Glenn Close, Ridley Scott y Floyd Norman por sus destacadas trayectorias profesionales."Escuchar audio

Welcome to Multiverse News, your source for information about all your favorite fictional universes.Everything old is new again, especially at this week's box office. The Wayans Brothers' nostalgia-driven sequel Scary Movie opened to a franchise best of $55 million. Unfortunately for Masters of the Universe, the 80s-tv show inspired live action adaptation barely scraped more than $29 million - a true bust for a film that cost more than $170 million to make. Horror darlings Obsession and Backrooms are still ruling the roost at theaters, both having crossed over the $200 million threshold this past weekend.Here's the news you didn't know you wanted, Hugh Jackman is set to star in a Ridley Scott-directed adaptation of the truly classic novel Treasure Island by Robert Louis Stevenson. Adolescence writer Jack Thorne will pen the script that stars Jackman as the pirate Long John Silver himself. The original novel was published in 1883 and has been adapted many times.The project is ready to be bid on by all studios. Netflix has announced an official title and revealed a logo for an upcoming Ghostbusters animated series which will officially be titled Ghostbusters: Nightshift. The series is expected to debut sometime in 2027. The upcoming John Wick spin off series currently titled Caine has added Bill Nighy, Dacre Montgomery, and Mason Thames to the cast. The series is being directed by martial arts master Donnie Yen and is currently in production in Budapest and Hong Kong. Netflix has revealed a first look at Scooby Doo from the upcoming live action Scooby Doo series which will premiere sometime in 2027. A short teaser was also released online to make the reveal. This will be the first time the iconic character will be played by an actual dog. Deadline has reported that Jason Momoa is departing PlayStation Productions and Sony Pictures' film adaptation of Helldivers, based on Arrowhead Game Studios' video game franchise, from director Justin Lin. The reason for his departure is unknown. 

Some famous names in Hollywood will be presented with honorary Oscars in mid-November. The AP's Jennifer King reports.

On this LIVE episode of THE GEEK BUDDIES, John Rocha, Michael Vogel and Shannon McClung discuss the huge DC updates with the new Supergirl scenes, the Jimmy Olson series and the Paradise Lost TV series. They also discuss Hugh Jackman and Ridley Scott teaming up for a Treasure Island remake, bring you their Spoiler Review for Masters of the Universe and more! Remember to Like and Share this episode on your social media and to Subscribe to The John Rocha Channel below. #DC #superman #mastersoftheuniverse #heman #supergirl #jamesgunn #amazonmgm #johnrocha #michaelvogel #shannonmcclung #thegeekbuddies ____________________________________________________________________________________ Chapters: 0:00 Intro and Rundown 6:25 DC Updates- Supergirl Scenes, Jimmy Olson Series and Paradise Lost Series 27:27 Hugh Jackman and Ridley Scott Team Up for New Treasure Island Movie 36:31 Streamlabs and Superchat Questions 38:35 Masters of the Universe Spoiler Review 1:20:35 Streamlabs and Superchat Questions 1:53:13 Post Credits Scenes and Final Thoughts on MOTU FOLLOW THE GEEK BUDDIES: Twitter: https://twitter.com/Geek_Buddies Follow John Rocha: https://twitter.com/TheRochaSays​​​​​ Follow Michael Vogel: https://twitter.com/mktoon Follow Shannon McClung: https://twitter.com/Shannon_McClung Learn more about your ad choices. Visit megaphone.fm/adchoices

In a special interview, Will chats with Gary Goldman, the screenwriter of 1986's cult classic Big Trouble in Little China. The setting of Gary's original story was very different than what we saw onscreen. Is there a future for this tale of ancient Chinese mysticism set in the Old West?Over the last several decades, Gary has written, produced, and otherwise improved a number of successful Hollywood films, including Total Recall, Minority Report and Basic Instinct. He's worked for every major film studio and collaborated on projects with directors Steven Spielberg, Paul Verhoven, John Carpenter, James Cameron, and Ridley Scott.0:00 - Introduction0:55 - InterviewFollow us on Facebook: https://www.facebook.com/1980snow.Subscribe to our YouTube channel: https://www.youtube.com/@1980snow

La dodicesima puntata di TOZZABANCONE è interamente dedicata al cinema grazie a CIRO IPPOLITO!La carriera di Ciro è vastissima e interamente dedicata alla settima arte: produttore, regista, attore, sceneggiatore e, all'occorrenza, tutto ciò che serviva per trasformare le sue geniali idee in film.Proveniente da una storia famiglia di impresari teatrali napoletani, Ciro ha prodotto LEOPOLDO MASTELLONI, girato il mondo come attore e realizzato alcuni dei film più amati (e replicati!) con protagonista MARIO MEROLA.Oltre ad aver prodotto alcune serie tv internazionali nel corso degli anni 80 e 90, Ciro ha anche "disastrosamente diretto" il super cult ARRAPAHO, il film degli SQUALLOR!Tra aneddoti su PIPPO BAUDO e su come realizzare film riciclando scene di altre produzioni, ci ha anche racconta della storica "faida" con la FOX e RIDLEY SCOTT per ALIEN e dell'incontro "thriller" con FERNANDO DI LEO, regalandoci una chiacchierata che ci ha accompagnato attraverso una delle carriere più incredibili e fuori dagli schemi del cinema italiano.E vi avvisiamo: una sola puntata non basta per raccontare davvero la straordinaria avventura professionale di CIRO IPPOLITO!Segui TOZZABANCONE anche sulle altre piattaforme ▶️ ⁠https://linktr.ee/telecapri.nostalgia

Are you enjoying this? Are you not? Tell us what to do more of, and what you'd like to hear less of. The Reykjavík Grapevine's Iceland Roundup brings you the top news with a healthy dash of local views. In this episode, Grapevine publisher Jón Trausti Sigurðarson is joined by Grapevine's Editor-in-Chief Bart Cameron, and Grapevine friend and contributor Sindri Eldon to roundup the stories making headlines in recent weeks. On the docket this week are: The Russian Spying Vessel Yuri Ivanov Within Iceland's Exclusive Economic ZoneSince a Nato exercise in the North-Atlantic in May, the Russian spying vessel Yuri Ivanov has been sailing within Iceland's 200 mile Oceanic Exlusive Economic Zone, and is now west of Iceland, which is highly unusual. The Icelandic coastguard has been watching the vessel and the Icelandic Foreign Ministry says it poses no threat. Around 70-80% Of Iceland's Farmsteads Do Not Engage In Traditional Farming The Agriculture University of Iceland held a seminar to discuss a new report on who owns farmland in Iceland. Around 600 farms are owned by estates of deceased farmer, and 13% of farms in Iceland are not in any use, while between 70-80% of farmland is generally not used for traditional farming. The report also points out that around 40 farms are owned by two foreign billionaires, one of which Jim Ratcliffe, is also the fourth largest holder of farmland in Iceland, behind the Icelandic state, municipalities and the Icelandic church. The report creates questions about whether or not current laws in Iceland on farms need modifications to deal with a changed reality in the use or - as in this case - the non-use, of farmland, and does actually suggest that changes should be made to the law to deal with specific aspects, such as unclear ownership, unclear use, foreign ownership, and better data collection with regards to use and ownership, citing numerous cases where such changes have been made in recent years in neighboring countries.Dettifoss Side Hiking Route ClosedNew research has revealed numerous fissures under one of the popular hiking routes from the west towards Iceland's (and the whole of Europe's) most powerful waterfall Dettifoss. Dettifoss is located in North-East Iceland, and is a popular tourist destination, made famous by its prominence in the opening sequence of Ridley Scott's 2012 film Prometheus. New research has revealed that the area is a fissure zone under a hiking route called Fosshvammur, and the route has been permanently closed. Other hiking routes on the west side of the river in which the waterfall is located are safe, and so is the viewing platform on that side of the river. Two Tourists On Bikes Rescued By SARS Teams In The HighlandsTow tourists who were attempting to bike a well known highland road in the southern highlands of Iceland had to be rescued by SARS teams, when snowmelts got the better of them. The Federation of Icelandic Industries Warns Of Increased Indebtedness In The Construction IndustryNot only that, the chair of the Icelandic Housing and Construction Authority  says that apartments and neighborhoods have been planned for people that don't exist. Housing prices have fallen in real terms, the number of apartments for sale has increased, and it is taking longer to sell properties, especially new apartments. The outlook is dire.Bubbi Morthens 70th Birthday Concert Last WeekendBubbi played two shows for more than 10.000 people total in Laugardalshöll stadium this weekend. He dropped some comments between songs on inflation and said it was time to say either “yes” or “no”. While Bubbi didn't explicitly mention the upcoming referendum on restarting negotiations with the EU on accession, the crowd non the less booed his statement. A few songs later he talked about his dismay about the importation of politics to Iceland that targeted minorities, before launching into his 1984 hit “Strákarnir á Borginni”, and important song for championing gay rights in Iceland in the 1980s. No booing was heard following the latter statement. Support the show------------------------------------------------------------------------------------------SHOW SUPPORTDonate to the Grapevine here:https://support.grapevine.isYou can also support the Grapevine by shopping in our online store:https://shop.grapevine.is------------------------------------------------------------------------------------------This is a Reykjavík Grapevine podcast.The Reykjavík Grapevine is a free alternative magazine in English published 18 times per year, biweekly during the spring and summer, and monthly during the autumn and winter. The magazine covers everything Iceland-related, with a special focus culture, music, food and travel. The Reykjavík Grapevine's goal is to serve as a trustworthy and reliable source of information for those living in Iceland, visiting Iceland or interested in Iceland. Thanks to our dedicated readership and excellent distribution network, the Reykjavík Grapevine is Iceland's most read English-language publication.You may not agree with what we write or publish, but at least it's not sponsored content.www.grapevine.is

Drew Goddard is having an exceptionally good year. He wrote the screenplay for the hit movie Project Hail Mary and is in production for a third season of the TV series High Potential. But he is the first to say that "good luck" is often the a result of hard work. This has been true from the beginning of his multifaceted career, writing shows like Buffy the Vampire Slayer and movies like Cloverfield. He has directed for both media, as well, but gives Ridley Scott credit for taking his script for The Martian and making it come alive. Goddard is a role model for any novice who's paying attention: work with people you like on projects you love.  

Man hört es immer wieder: Fortsetzungen reichen niemals an das Original heran. Insbesondere wenn sich die Vorlage als schier übergroß präsentiert. So gesehen dürfte ein Film wie Blade Runner 2049, der – wie es der Titel bereits impliziert – das Sequel zum 1982 erschienenen Kultklassiker Blade Runner darstellt, ziemlich schlechte Karten haben. Gerade wenn man noch bedenkt, dass es mehr als 30 Jahre gedauert hat, bis die Fortsetzung überhaupt in Angriff genommen wurde. Aber ist dem wirklich so? Und was mögen wohl Jacko, Thomas und DingDong über den Film denken? Immerhin sind zumindest zwei von ihnen große Fans des Originals, weswegen sie tendenziell eher kritisch und schwer zufriedenzustellen sein dürften. Findet es heraus!

In this Episode: Our heroes embark on a Crusade! Against the longwinded imperialists in the cinema-sphere and argue that a 3 hour movie should have been a 6 hour show! This one is super interesting. It is a shit movie because of studio meddling that turns into a pretty decent movie when the director gets their way. Tune in for this crusade-era historic epic with a crazy cast. Follow Us: Our Website Twitter Instagram Facebook Items discussed (links to more info): Note - if the below links don't work in your podcast player please visit the show page at: https://ebd.fm/episodes/352

In the fifth 15-minute section of our screenplay, Napoleon's journey takes a sharp, downward turn. Success is replaced by mounting setbacks as our hero heads to Egypt - an ambiguous mission that isolates him from power and allies. The Directory's antagonism grows ever more apparent, Josephine's betrayals come to light, and disaster strikes in the form of Nelson's fleet. As loyalty in his own ranks falters, Napoleon faces not only external foes but the erosion of his own myth, setting the stage for the looming low point of his story.In episode six of our screenwriting escapade we continue to forge ahead in our mission of crafting a top-notch screenplay treatment about the life of Napoleon Bonaparte. Alex Stevenson is joined by James Topham (who knows a thing or two about screenwriting) and Ben Deery (who knows a thing or two about acting) to put the movie world to rights. Having analysed the pitfalls and frustrations of Ridley Scott's Napoleon 2023 in the first season the Napoleon Movie Quarter-Hourly, this time round the team have to come up with the magic themselves.This episode features a bonus contribution from our own Prof Alexander Mikaberidze from 35:40 - explaining the precise nature of the incontrovertible evidence of Josephine's infidelity which Junot is supposed to have presented to Bonaparte... As our resident bot NAIpoleon Bot-aparte puts it:A Playful Opening and Format Mash-UpThe episode begins with a tongue-in-cheek parody intro as “Cavalry Matters,” poking fun at historical drama tropes and AI-generated content, before moving into the “Napoleon movie” project focus 00:00:09.Introduction of the Team and Their RolesAlex Stevenson introduces the project collaborators: Benjamin Deery (acting expertise) and James Topham (screenwriting expertise). The trio set out to reimagine Napoleon's story for the screen 00:01:26.Recap and Structure So FarJames Topham recaps their progress, summarizing the story up to scene 20—the film's midpoint. He details five key scenes depicting Napoleon's transition from general to budding ruler and the dynamic with Josephine 00:03:14.Dramatic and Character DevelopmentsThe team walk through significant scenes involving military victories, shifting romantic dynamics (including Napoleon's changing feelings for Josephine), negotiations, and turning points, such as Josephine's infidelity and the metaphorical “unripe pear” scene 00:04:34.Debate over Historical Events and Narrative ChoicesThere's an in-depth discussion about the authenticity and dramatic effectiveness of sending Napoleon to England vs. Egypt, with concerns about narrative payoff and dramatic logic for audiences 00:12:22.Motivations Behind the Egyptian CampaignAlex Stevenson provides historical context for Napoleon's Egyptian adventure, discussing the Directory's motives, the project's ties to myth-making, prestige, and the origins of Egyptology (including the Rosetta Stone) 00:16:16.Identifying the "Bad Guys Close In" PhaseThe team frame the next segment of their narrative as the “bad guys close in” phase, per Blake Snyder's structure. This act will feature setbacks for Napoleon, the Directory as antagonists, and cracks forming within Napoleon's “gang” 00:22:02.Setbacks in Egypt and Antagonist DynamicsA list of major setbacks is outlined: confirmed betrayal by Josephine, isolation after Nelson destroys the French fleet, Ottoman intervention orchestrated by the Directory, and discussions on how to visually and narratively stack these blows for dramatic effect 00:27:32.Reintegrating and Redefining the "Gang"They debate how to portray dissension among Napoleon's loyalists. 00:43:22.Looking Ahead: Approaching the Low PointThe episode closes with a preview of the next section: Napoleon's imminent “all is lost” moment, a stretch defined as the dark night of the soul, where all seems lost before act three begins. 00:51:07.

Afinal, o que nos torna humanos? A capacidade de sentir, de lembrar… ou apenas a crença de que somos reais? Neste episódio, Gabi e Andreia mergulham em um futuro decadente onde a fronteira entre homem e máquina se torna cada vez mais difícil de enxergar levadas por Philip K. Dick em seu Sonham Androides com ovelhas elétricas? e por sua icônica adaptação Blade Runner – O Caçador de Androides, dirigida por Ridley Scott. Então, ajuste seu teste Voight-Kampff, observe as luzes de neon refletidas na chuva e venha ouvir!

We're almost at Greyskull as we continue our medieval movies to celebrate the release of He-Man and the Masters of the Universe! Today we're talking about a real box office bomb, Ridley Scott's Legend! Scott, Tom Cruise, Tim Curry, Sloan from Ferris Breuller! How could this go wrong? Well find out as we take a page out of Legend.

Trent Kusters chats with Gregory Louden, Creative Director behind Housemarque's latest dark sci-fi bullet-ballet, Saros. Together they discuss his early work in film with directors such as Alfonso Cuarón and Ridley Scott; transitioning into games and his path from VFX, to narrative, and ultimately direction; creating a spiritual successor to Returnal while developing a brand new IP; focusing on challenging but rewarding gameplay; and building a narrative around the roguelike gameplay.  This episode is supported by Xsolla iam8bit Episode Host: Trent Kusters Producers: Claudio Tapia and Josh Chu, The Academy of Interactive Arts & Sciences If you enjoyed this episode, please consider subscribing and leaving us a rating and review. Support the show and get all of our episodes early/ad-free: https://bit.ly/4kU34Lt Follow us: linktr.ee/AIAS Please consider supporting game dev students with: AIAS Foundation

Science fiction readers love a mechanism, they love a bit of world-building and mystery-solving. Premee Mohamed joins us to discuss Gene Wolfe's The Fifth Head of Cerberus, a book that asks: what if a science fiction book intentionally avoided all of that?  Podcasts, reviews, interviews, essays, and more at the Ancillary Review of Books. Please consider supporting ARB’s Patreon! Guest: Premee Mohamed Title: The Fifth Head of Cerberus by Gene Wolfe Host:Jake Casella Brookins Music byGiselle Gabrielle Garcia Artwork byRob Patterson Opening poem by Bhartṛhari, translated by John Brough References: Entangled Life by Merlin Sheldrake Moby-Dick by Herman Melville Mercutio by Kate Heartfield Pretenders to the Throne of God by Adrian Tchaikovsky Orbit 10 anthology edited by Damon Knight William Carlos Williams’ “This Is Just To Say” and its many responses Premee’s And What Can We Offer You Tonight Meander, Spiral, Explode by Jane Alison Giovanni's Room by James Baldwin Akira Kurosawa’s Rashomon Heart of Darkness by Josef Conrad The Vorrh by B. Catling The face dancers from Frank Herbert’s Dune series Mystique and the Kree from the Marvel/X-Men comics Michael Swanwick's Stations of the Tide Vladimir Nabokov's Pale Fire Premee’s The Butcher of the Forest & Wickhills "sentients" & "sapients" “The Great Chain of Being” Star Wars series The Bad Batch and The Clone Wars Orson Scott Card's Speaker for the Dead Octavia Butler's Dawn Tolkien's On Fairy Stories Philip K. Dick's Do Androids Dream of Electric Sheep? & Ridley Scott's Bladerunner Premee’s The Siege of Burning Grass Hilary Putnam's “Twin Earth” Premee's Patreon, Website, Bluesky Wickhills & From the Library of Jurgen Leitner The Carl Brandon Society

Thanks to some great feedback and some more of that awesome Barney Dicker chat to share, this episode is basically a second instalment of Movie Monday: Blade Runner. But before the Blade Runner chat, I respond to a message from M. W. Lewis of The Worlds of M. W. Lewis concerning April's movie Michael Crichton's Westworld. Then it's onto some Blade Runner feedback from Jason Connerley of Nerd's RPG Variety Cast, Joe Richter of Hindsightless, and Goblin's Henchman, before rounding things off with more of my chat with Barney Dicker of Loco Ludus. Honourable mentions: 2001: A Space Odyssey dir. Stanley Kubrick, Dark Star dir. John Carpenter, Westworld (TV series), Masters of the Universe dir. Travis Knight, Legend dir. Ridley Scott, Edge of Tomorrow dir. Doug Liman, Minority Report dir. Steven Spielberg, Do Androids Dream of Electric Sheep by Philip K. Dick, Alien dir. Ridley Scott, The Long Tomorrow by Dan O'Bannon and Moebius, The Incal by Alejandro Jodorowsky and Moebius, Blade Runner 2049 dir. Denis Villeneuve Read Barney's “Stroboscopic Revelations in Blade Runner” here https://www.academia.edu/36398665/_Stroboscopic_Revelations_in_Blade_Runner_PhotoResearcher_No_29_2018_ Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ So, from the sublime to the ridiculous. The movie for June is 1987's Masters of the Universe, directed by Gary Goddard and starring Dolph Lundgren. That episode will air on June 29th, so please send in your submissions by the 27th if you'd like to be included in the show. Send submissions to ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall Also, be sure not to miss my other movie podcast, With Wife and I. Isla and I take turns choosing movies to watch together, then share our thoughts with anyone who cares to listen. You can find it wherever you get your podcasts. “Warning” by Lieren of Updates From the Middle of Nowhere Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

On Episode 151 of The Film ‘89 Podcast, Steve and Skye are joined by a trio of guest-hosts that may be the greatest ever assembled for a single episode of the podcast as they celebrate the 40th anniversary of James Cameron's Aliens. The sequel to Ridley Scott's 1979 sci-fi-horror masterpiece, Alien, Cameron's film wouldn't be a retread, but an evolution of the story of Ellen Ripley (Sigourney Weaver), as well as expanding what we know about the life-cycle of the deadly species she encountered in the first film. Featuring a superlative ensemble cast, an electrifying pace and endlessly quotable dialogue, as well as incredible special effects and a landmark score from composer James Horner, Aliens is rightly considered not just one of the greatest sequels ever made, but one of the greatest movies, period. So join our battle-hardened crew as they dive into the making of this incredible film and give their in-depth analysis of Aliens for its 40th anniversary. 

Cinematographer Steven Poster, ASC has spent five decades behind the camera, and helped lead the industry from film into digital along the way. He's shot for Ridley Scott, Steven Spielberg, and John Carpenter, and served as president of both the American Society of Cinematographers and the International Cinematographers Guild. He also oversaw one of the first digital intermediates ever finished, lensed the cult classic Donnie Darko, and shot the iconic "Like a Prayer" video for Madonna.We explore his origins learning his craft from a Chicago newsreel shooter, his career-long drive to innovate new technologies and techniques, his approach to daylight and diffusion, and why he thinks DPs shouldn't operate their own cameras.Grab Sweet Spot, my free exposure tool that gives you simple, scene-accurate metering in stops, for every camera: https://cullenkellycolor.com/toolkit/sweet-spot. Steven called it a “game-changer” after using it on his most recent project.Chapters 0:00 — Welcome0:24 — Chicago beginnings and union politics5:55 — Seeing digital coming: NHK, Sony, and the HD experiments9:51 — Stuart Little 2 and one of the first digital intermediates14:00 — Three weeks on the soccer field: working blind20:22 — Donnie Darko: 22 days, anamorphic, and an untested film stock27:35 — Shooting daylight: polarizers and diffusion30:34 — Coming up with Vilmos Zsigmond33:42 — Blade Runner: the tunnel shot44:00 — Collaborating with Richard Kelly on Donnie Darko50:28 — Why a DP shouldn't operate their own camera51:55 — Working with Sophia Loren56:09 — Lessons from Ridley Scott59:51 — Core principles: don't be afraid1:02:30 — Next-generation display technology

Episode 449: The Crew's shaving their heads while watching Ridley Scott's G.I. Jane. This 90's film was unfairly judged when it came out, winning a Razzie for Demi Moore. But Demi delivers a tough and fun performance, and Ridley surrounds her with his expertly crafted shots and a supporting cast that's game. This film needs to be rediscovered by film buffs. The Crew discusses… If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: moviecrewpod@gmail.com

Since it's Memorial Day, I'm tipping a cap to veterans. And I've got another doubleheader in episode #741, with the bulk of the show devoted to Ridley Scott's Black Hawk Down (where American soldiers battle Somalis in 1993 Mogadishu), then there's a short bit at the end about William Wellman's Battleground (where American grunts take on the Nazis during the Battle Of The Bulge in WWII). Both films won technical Oscars and are intense, apolitical war stories. Appropriate for Heroes Month, you just fight for your fellow soldiers. Black Hawk Down stars the likes of Hartnett and McGregor, but we've also got well-known character actors like Sizemore, Fichtner and Shepard...not to mention up-and-comers like Bloom, Hardy and a super-cool Bana. So look out for your buddy as I talk about movies set in the Moag and Bastogne. Subscribe to this podcast in your application. Rate my show and jot down a little review too. The email option is "haveyoueverseenpodcast@gmail.com." Twitter is "@moviefiend51" and Bluesky is "ryan-ellis." If you like Letterboxd, look for "RyanHYES."

Last week we took on the landmark Ridley Scott movie, Alien, a movie that closed out the 1970's with a bang. This week we're taking on James Cameron and his follow-up to the explosive 1985 smash hit, The Terminator, Aliens. Cameron knew he wanted to make an Alien sequel the moment he first saw the original movie and when the opportunity arose he had to fight tooth and nail, struggling against 20th Century Fox's bad business and legal woes, against apathetic executive who had no interest whatsoever in making another Alien movie, against a production crew that couldn't stand him or his producer Gale Anne Hurd. When all was said and done and the movie hit theaters, Cameron proved to everyone what absolute losers they all were with his clear vision of an explosive action movie that set the pace for the second half of the 80's and set an extremely high bar for action movies to come. Hollywood would never be the same and with the inclusion of the Colonial Marines, Cameron set the entire Alien legacy on a new path. Following the tragedy of the Nostromo disaster Ellen Ripley finds herself waking up 57 years in the future. Her bosses are pissed that she blew up one of their space ships and ban her from flying another mission. An opportunity to get back on a starship comes around when an executive from Weyland Yutani hires her to return to LV-426 to advise a unit of Colonial Marines on a rescue mission of missing colonists who may have come into contact with the same crashed alien ship that doomed her own crew so many years ago. She had enough trouble dealing with one single xenomorph. What happens when the Colonial Marines encounter dozens of them? Get Physical Media Booklet Essay featuring Dave's Werewolf Women of the SS essay here: https://www.seanabley.com/store/ Get your own Bring Me The Axe! Pride shirt here: https://www.bonfire.com/wickedqueeraxe/ Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠ https://www.bonfire.com/store/bring-me-the-axe-podcast/

May's Movie Monday, was specially requested by Goblin's Henchman “This one goes out there for Geoff”. This month, we watched Ridley Scott's dystopian neo-noir sci-fi Blade Runner from 1982. Starring Harrison Ford, Sean Young, Rutger Hauer, Daryl Hanna, Edward James Olmos, M Emmet Walsh, Brion James, Joanna Cassidy, Joe Turkle and William Sanderson. Adapted from Philip K Dick's 1968 novel Do Androids Dream of Electric Sheep. This episode features contributions from: (in order of appearance) Barney Dicker of Loco Ludus (podcast) Joe Richter of Hindsightless (podcast) Goblin's henchman (podcast, blog) and the UmberBulk of the Southwest Sofa Crew M. W. Lewis of The Worlds of MW Lewis (podcast) Jason Connerley of Nerd's RPG Variety Cast (podcast) Read Barney's “Stroboscopic Revelations in Blade Runner” here https://www.academia.edu/36398665/_Stroboscopic_Revelations_in_Blade_Runner_PhotoResearcher_No_29_2018_ Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ So, from the sublime to the ridiculous. The movie for June is 1987's Masters of the Universe, directed by Gary Goddard and starring Dolph Lundgren. That episode will air on June 29th, so please send in your submissions by the 27th if you'd like to be included in the show. Send submissions to ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall Also, be sure not to miss my other movie podcast, With Wife and I. Isla and I take turns choosing movies to watch together, then share our thoughts with anyone who cares to listen. You can find it wherever you get your podcasts. “Warning” by Lieren of Updates From the Middle of Nowhere Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

In the fourth 15-minute section of our movie screenplay we move towards the midpoint, the critical moment where accumulating consequences for our hero Napoleon Bonaparte make him realise his military successes represent a false hope. He's going to have to rethink - and we need to set out in this section of the film why that's the case. In episode four of our screenwriting escapade we continue to forge ahead in our mission of crafting a top-notch screenplay treatment about the life of Napoleon Bonaparte. Alex Stevenson is joined by James Topham (who knows a thing or two about screenwriting) and Ben Deery (who knows a thing or two about acting) to put the movie world to rights. Having analysed the pitfalls and frustrations of Ridley Scott's Napoleon 2023 in the first season the Napoleon Movie Quarter-Hourly, this time round the team have to come up with the magic themselves.As our resident bot NAIpoleon Bot-aparte puts it:Introduction and Project Title DiscussionAlex Stevenson reflects on the complexities of both the project's title and their ongoing efforts to tackle the Napoleon movie's midpoint (00:00:09).Screenwriting Structure and the "Midpoint"James Topham explains the significance of the midpoint in screenwriting, emphasizing the protagonist's realization that their initial insight was a false hope, necessitating a new approach (00:02:16).Napoleon's Myth and PowerBen and Alex Stevenson discuss how Napoleon leaned into myth-making for power, and debate when in his real-life story this strategy likely fails or must be re-evaluated (00:03:47).Limits of Power and FrustrationAlex Stevenson suggests that Napoleon's frustration comes from being undermined by political rivals (the Directory, especially Barras), despite his military successes (00:04:37).Internal vs. External ConflictJames Topham highlights the internal conflict between Napoleon's public myth and his private insecurities, amplified by his relationship with Josephine (00:05:39).Humorous Interlude: The Pug IncidentThe hosts share an anecdote from a Napoleon biography about Josephine's pug being killed, debating its potential inclusion in the screenplay for dramatic or comedic effect (00:08:47).Montage of Military Success and Growing AmbitionA recap of part of the screenplay treatment: Napoleon's rapid victories in Italy, the spread of his legend, and his increasing enjoyment of administrative power (00:10:25).Love Triangle and Character ComplexityThe group discusses Josephine's ambiguous love life, including her affair with Lieutenant Charles. They recognize its importance for the evolving love triangle and consider how this complexity impacts Napoleon's character and the script (00:21:06).The Real Midpoint: Power Struggles and SetbacksAlex Stevenson proposes that the midpoint pivots on Napoleon's frustration with being constrained by the Directory, underscored by a potential “resignation scene” where he realizes his myth is not sufficient for true power (00:27:03).Foreshadowing Future Conflict and DirectionThe episode ends with the group teasing Napoleon's next move, possibly the Egyptian campaign, and reiterating the need to heighten personal and political conflict—while ending on a comedic note debating pears and apples (00:39:23).

On the podcast no one can hear you scream. This week we're taking a look at the horror movie hingepoint in 1979, Alien. Before Star Wars there wasn't a studio on earth that wanted to make an expensive science fiction movie and after Star Wars they couldn't find enough scripts to get expensive science fiction movies into production. Alien was one of the first ones to come out of the gate that wasn't a cheap ripoff of George Lucas's masterpiece. It was worlds apart from the recent space movie hits. It featured no highly competent astronauts traveling to Jupiter and no dashing heroes in star fighters, wielding light sabers. Instead, Ridley Scott delivered a quiet, slow-moving horror movie featuring blue collar characters just trying to get by on a commercial tow vessel. At the same time, they delivered one of the most suspenseful horror movies with one of the strongest casts and one of the most iconic monster designs by world-class artists. It is truly one of the greatest horror movies of all time. Alien sees the crew of the Nostromo rerouted to a planet nearby where a crashed alien vessel sends out a radio signal that they interpret as a distress call. By the time the ship's computer figures out that it's not a distress call but a warning it's too late and the ship's XO finds himself with a horrifying alien creature stuck to his face, laying its egg inside him. When the egg hatches by exploding out of his chest it unleashes the perfect killing machine, a biomechanical alien that stalks the ship's crew and kills them off one by one. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠  

The theatrical version was a disaster. Critics weren't a fan, and neither were theater-goers. Then Ridley Scott said hold my beer - and released this puppy months later. The 3-hour director's cut is filled to the brim with visual spectacle but it's also a fantastic rumination on faith, belief, and religion. Luke and Corrye take pride in dissecting the acting performances, the symbolism behind specific scenes, picking out Game of Thrones alum, and cheering the battle scenes. 

Chicago-based director Jared Isaac recently directed his debut feature film AN AUTUMN SUMMER, which releases next month. A great conversation about the joys of shooting an indie film in the hidden cinematic gem of Northern Michigan. We spoke about the personal nature of this film and how it's based on some of his closest friends...and the fascinating story of how he was able to, against-all-odds, cast Tony Horton as the father. Horton is the founder of the ground breaking, immensely popular, workout program P90X. We also spoke of a couple of his favorite movie scenes from Ridley Scott's GLADIATOR as well as Matthew Mcconaughey's  as Wooderson in Richard Linklater's DAZED & CONFUSED. Follow AN AUTUMN SUMMER on Instagram @anautumnsummerfilm Hosted by Zef Cota

We take a road trip down to Mexico to discuss Ridley Scott's Thelma & Louise with guest Film School Dad for its 35th Anniversary! This is everyone's first time watching the movie.Does this movie handle its changing tones well? What was the reaction like to it at the time? And who almost were cast as Thelma & Louise??All this and more on this week's Haven't Scene It!Follow us on Social Media:Twitter: @SceneItPodInstagram: @SceneItPodTiktok: @SceneItPodBluesky: ‪@podsceneit.bsky.socialYoutube: @HaventSceneIt- Old Glory (15% Off)

Traité contra las tontadas: Ridley Scott es preciso y el pulgar hacia abajo significa muerte

This Month, He-Man and the Masters of The Universe comes out in theaters and we're celebrating by watching some more medieval movies! We're starting with Kingdom of Heaven (Director's Cut!). Ridley Scott's masterpiece was gutted in theatrical but does the director's cut fix the problems or just the length! Find out as we get on our road to Greyskull!

Bryan and Nate talk about Ridley Scott's "Hannibal" while Matt mostly listens in boredom.Leave us a review and follow us wherever you get your shows. Follow us also on Letterboxd at:BlindBuyMedia https://boxd.it/2jJyfandBryan_P https://boxd.it/Rjp7

This episode is an audio unboxing special. I open a bunch of parcels and describe the contents. Featuring: Gunner Almer's Grimscar (solo) RPG https://crowheartroleplay.itch.io/grimscar-rpg-solo Charlie Ward's we&we from EX FIRST GAMES https://ex1st.itch.io/we Man Alone's Prima Materia https://dicenest.com/products/prima-materia-is-an-alchemical-oracle-for-solo-role-playing-worldbuilding-and-creative-inquiry Man Alone explains Prima Materia https://youtu.be/UXTwHg-HPwA?si=HTKR-x6SWTVA68mL Adam Hensley's Monolith https://adamhensley.itch.io/monolith James M. Spahn's White Box Dungeon Adventures from Barrel Rider Games https://www.lulu.com/shop/james-spahn/white-box-dungeon-adventures/paperback/product-57wrvy4.html?srsltid=AfmBOooPRv4dtyrYwPFipc55GwZ6Ezmikf_K1Lt4kHf7nXFIdMUpSStg&page=1&pageSize=4 Vagabond Pulp Fantasy Roleplaying Game Core Rulebook from Land of the Blind https://landoftheblind.myshopify.com/collections/vagabond-pulp-fantasy-rpg?srsltid=AfmBOoqAREu7j9Ii6dbfXCve0J5TZwKrXyaNrepT--gi_cuxCABzHWon Call of Cthulhu: 50th Anniversary Slipcase Set Honourable mentions: Andy Goodman (Grizzly Peaks Radio), Jen Fridy (HangnailJenny), Scott Dorward (The Good Friends of Jackson Elias), Mike Perceval-Maxwell (Mr Spike's Bedtime Stories), Barney Dicker (Loco Ludus) At the special request of Goblin's Henchman, the movie for May goes out to Geoff. It's 1982's classic neo-noir sci-fi Blade Runner, directed by Ridley Scott, based on Philip K. Dick's novel Do Androids Dream of Electric Sheep. That episode will air on May 25th, so please send in your submissions by the 23rd if you'd like to be included in the show. Send submissions to ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall Also, be sure not to miss the new podcast I'm involved with, entitled With Wife and I. My wife, Isla, suggested we take turns choosing movies to watch together, then share our thoughts with anyone who cares to listen. In our latest episode, we pit Guillermo del Toro's Frankenstein against Luc Besson's Dracula. You can find it wherever you get your podcasts. “Warning” by Lieren of Updates From the Middle of Nowhere Leave me a 90-second audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

"My Name is Gladiator!" On this episode of the podcast, we rewatch one of the greatest epics ever made, Ridley Scott's Gladiator (2000). This Best Picture Winner was a defining film in the genre and helped reinvent the Historical Epic on the big screen. Looking at it more than 25 years later, what do we think of the movie, of Russel Crowe, and of Epic's in general!

On this episode of the podcast Phillip is joined by Bill Van Ryn, the co-host of Drive-In Asylum on Facebook and YouTube, to discuss Ridley Scott's 1979 classic Alien. Phillip starts the show by reading the general information about the movie with some facts thrown in. It's then time for Listener' Opinions from Twitter, Instagram, and Facebook. Then Phillip and Bill start discussing this movie, and it's a great one. They then answer the question of whether they notice anything from this movie that Tarantino might have liked or used in a film. Then they individually rate the movie. Phillip and Bill then answer whether they would buy this movie, rent it, or find it for free. It's then time for Phil's Film Favorite of the Week; Doctor X (1932). Bill then gives his recommendation; Meatcleaver Massacre (1976). Phillip then promotes next week's show when he will be joined Craig MacNeil from Craig and Friends Podcast to discuss 1974's California Split. Thanks for listening.You can find Bill Van Ryn's Drive- In Asylum on YouTube here: https://www.youtube.com/@GroovyDoomBill's Groovy Doom Facebook page: https://www.facebook.com/GroovyDoom

In this episode, I respond to some Movie Monday: Westworld feedback from Goblin's Henchman and Joe Richter of Hindsightless, and share my initial thoughts on the Westworld TV series from 2016. If you'd like to be a paranoid android, why not try The Gaslight Club by Stoo Goff https://www.drivethrurpg.com/en/product/335302/the-gaslight-club Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ At the special request of Goblin's Henchman, the movie for May goes out to Geoff. It's 1982's classic neo-noir sci-fi Blade Runner, directed by Ridley Scott, based on Philip K. Dick's novel Do Androids Dream of Electric Sheep. That episode will air on May 25th, so please send in your submissions by the 23rd if you'd like to be included in the show. Also, be sure to check out With Wife and I. My wife, Isla, suggested we take turns choosing movies to watch together, then share our thoughts with anyone who cares to listen. Find it wherever you get your podcasts. Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can email me at ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

As the 2019 edition of Madness – Best of the 2000s wrapped up, Adam and Josh took a break from the heavy hitters to highlight the gems that didn't make the 64-film bracket, including underseen comedies from Jack Black and Seann William Scott, an ambitious "docu-fantasia" from Guy Maddin, and even some deeper cuts from A-list directors like Ridley Scott and Robert Zemeckis. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

In the first 15 minutes of Act 2 of our putative Napoleon movie, we get into "the promise of the premise"—delivering the kind of content audiences expect from a Napoleon film: military campaigns, political maneuveures, personal intrigue... as well as some further development of the love story with Josephine and Napoleon's antagonist Paul Barras; and, above all, the idea of mythmaking as a key theme. In episode four of our screenwriting escapade we continue to forge ahead in our mission of crafting a top-notch screenplay treatment about the life of Napoleon Bonaparte. Alex Stevenson is joined by James Topham (who knows a thing or two about screenwriting) and Ben Deery (who knows a thing or two about acting) to put the movie world to rights. Having analysed the pitfalls and frustrations of Ridley Scott's Napoleon 2023 in the first season the Napoleon Movie Quarter-Hourly, this time round the team have to come up with the magic themselves.As our resident AI bot N-AI-poleon Bot-aparte puts it:1. Three-Act Structure and Threshold CrossingThe end of Act 1 is discussed as a pivotal moment when the protagonist, Napoleon, consciously begins constructing his own myth (00:19:41), a literal and figurative threshold crossing (00:19:55).Detailed walk-through of Act 1 scenes, including:Substituting Josephine for Desiree in the narrative (00:02:39).Key action sequences at Vendemiare and the bridges of Lodi/Arcola (00:03:39, 00:15:14), with discussion on historical accuracy versus dramatic conflation (00:16:10, 00:17:43).Introduction of supporting characters and ensemble around Napoleon (00:06:01), focusing on ambitious opportunists rather than loyalists.Exploration of the dynamics between Napoleon, Josephine, and Barras, including scenes blending political manipulation and sexual intrigue (00:08:24, 00:09:31).The concept that "the story and reality are separate things" is thematically highlighted (00:05:05), with the motif of Napoleon recognizing and starting to orchestrate his public image (00:19:01, 00:19:51).Visual iconography is suggested (e.g., Napoleon with the bicorne hat, the famous bridge painting) to support the myth-making theme (00:19:50, 00:20:24).James Topham and Alex Stevenson discuss "the promise of the premise"—delivering the kind of content audiences expect from a Napoleon film: campaigns, political maneuvers, personal intrigue (00:22:44), reminiscent of "fun and games" sections seen in classic screenplay structures.Suggestions about Act 2 include focusing on:Napoleon's rapid military successes in Italy (00:25:30),His dual role as both general and proto-ruler, highlighting the confluence of military, political, and personal exploits (00:26:32),The beginnings of conflict between Napoleon and the Directory/Barras, including themes of looting, propaganda, and evolving power (00:28:11, 00:29:38).The love triangle between Napoleon, Josephine, and Barras is positioned as a B-story, serving both as counterpoint and commentary on Napoleon's personal limitations and vulnerabilities despite public success (00:34:12, 00:35:25).James Topham notes this B-story should provide the "kernel of a realization" that the main character's myth-making may not resolve deeper internal needs (00:35:00).Strong emphasis on the importance of an active antagonist. Barras is not simply reactive but is shown making tactical moves to rein in Napoleon through proxies and political maneuvers (00:42:09, 00:44:00).Barras's motivations are clarified: survival, controlling or harnessing Napoleon's force, and concern for the stability of the Directory (00:39:09, 00:45:08).Discussion of tonal variation, humor, and the inclusion of sex and farce elements (e.g., the pug scene) to balance dramatic and comedic moments (00:10:26, 00:12:17).Plan for the next episode focuses on Act 2's midpoint—the major reversal where Napoleon must confront the limitations of his current approach (00:49:14).

Strap in, gear up, and prepare for a bug hunt. This week, Rob and Dave are joined by Kurt to dive into James Cameron's 1986 powerhouse, Aliens—the sequel that traded a haunted house in space for a full-scale intergalactic war. The sequel cranked the volume to eleven, trading shadows for pulse rifles and introducing us to the most terrifying matriarch in cinema history. Whether you're a die-hard Colonial Marine enthusiast or just here for the "Game over, man!" quotes, this episode is a deep dive into why Aliens remains the gold standard for sequels. The guys break down the shift from Ridley Scott's slow-burn horror to Cameron's high-octane warfare, the groundbreaking practical effects that still put modern CGI to shame, and the evolution of Ellen Ripley into an all-time action icon. We're exploring the "Vietnam in Space" subtext, the terrifying design of the Xenomorph Queen, and why the chemistry of the cast makes every casualty hit like a ton of bricks. Grab your M41A Pulse Rifle, check your motion tracker, and join us for a nostalgic trip through the ultimate 80s sequel. Chapters 00:00 - Intro and a Classic Alien Dilemma 3:59 - Pondering the Trailer and Siskel & Ebert's Reviews of Aliens 11:10 - Unpacking Aliens: Synopsis, Budget, and Legacy as a Masterpiece 22:00 - Analyzing Aliens' Dialogue, Practical Effects, and Sci-Fi Influence 39:00 - Recalling Iconic Lines and the Most Impactful Moments in Aliens 50:08 - Unpacking Aliens' WTF Moments, 80s Tropes, and Character Demises 1:10:18 - Celebrating Ultimate Badasses, Practical Effects 1:10:17 - Final Verdict on Aliens and Connecting with Recallers   Connect with Totally 80s and 90s Recall  Website: https://bleav.com/shows/totally-80s-and-90s-recall/  Email: 80s90srecall@gmail.com  Voicemail: (509) 426-4542  Linktree: https://linktr.ee/80s90srecall Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week in the Screening Room, Zeth is talking with Double Elvis’ Head of Production, Matt Beaudoin, about Ridley Scott’s 1979 masterpiece Alien, starring Sigourney Weaver, Tom Skerritt, Harry Dean Stanton, John Hurt, Ian Holm, Yaphet Kotto, and Veronica Cartwright. Become an All Access member and get ad-free listening by visiting disgracelandpod.com. See omnystudio.com/listener for privacy information.

We discuss the hard sci-fi film Project Hail Mary, which along with The Martian (2015) was based on a novel by Andy Weir and adapted by Drew Goddard. Mark, Lawrence, Sarahlyn and Al consider how hard we actually like our sci-fi, the directors of these films (by Lord/Miller and Ridley Scott respectively), how the books got adapted, Weir's other work (Artemis, some webcomics, etc.), and more. How does Weir make a series of scientific problems into an actual, enjoyable plot? Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop. Sponsor: Visit squarespace.com/PRETTY (code PRETTY) for a free trial and 10% off your first website or domain.