Podcasts about Guggenheim Fellowship

Jack Gilbert (1925-2012) sat tangential to The Beats but was singularly distinct from them. As a self-described "serious romantic, “ Gilbert roared onto the scene with his book Views of Jeopardy, earning him a Guggenheim Fellowship and a loyal following. We look at books from The Great Fires as well as earlier work. An outsider poet, In 2013 he was posthumously selected as a finalist for the Pulitzer Prize in Poetry.

Jessica Dimmock's work focusses on humanistic and intimate storytelling. She is the recipient of numerous international awards for her photography and video work, including a Guggenheim Fellowship, three World Press Photo Awards for short films, The Inge Morath Award from Magnum, the F Award for Concerned Photography from Forma and Fabrica, The Infinity Award for Photojournalist of the Year from the International Center of Photography, and The Kodak Award for Best Cinematography at the Hamptons International Film Festival. She is a Sundance Edit and Story Lab Fellow, and her first feature film The Pearl was awarded the Grand Jury Prize at the Dallas International Film Festival and was executive produced by Impact Partners. Her clients include HBO, The New Yorker, The New York Times Magazine, Microsoft, The UNFPA, Aperture, Showtime and PBS. She is the co-director of the Netflix series Flint Town as and directed on the reboot of Unsolved Mysteries and AppleTV's Home. In 2007 Jessica produced a photobook entitled The Ninth Floor (Contrasto).  Her most recent film, co-directed with her partner Zackery Canepari, is Thoughts & Prayers: How to Survive an Active Shooter in America, focussing on the USA's $3 billion active shooter preparadness industry and its effects on teachers and students, released in 2025. In episode 277, Jessica Discusses, among other things: Current projects Her attraction to dark subject matter Her TV mini series Captive Audience Forming close relationships with her subject The random coffee shop interaction that changed her direction forever The chance encounter that led to her first big photography project and subsequent book, The Ninth Floor How the musician Moby played a part in her journey Serendipity and her project The Pearl The challenge of landing lucrative commercial work The Netflix series she co-directed, Flint Town Her most recent film Thoughts & Prayers: How to Survive an Active Shooter in America Website | Instagram Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month. Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides. Follow me on Instagram here. Need a new website? I will build you one with Squarespace. Details here.

Notes and Links to Peter Orner's Work    Peter Orner is the author of eight books, most recently the novel, The Gossip Columnist's Daughter, named one of the best books of 2025 by the New Yorker and the Chicago Tribune, as well as the essay collections, Still No Word from You, a finalist for the PEN Award for the Art of the Essay, and Am I Alone Here?, a finalist for the National Book Critics Circle Award for Criticism. His story collection Maggie Brown and Others was a New York Times Notable Book. Other books include Love and Shame and Love (Winner of the California Book Award) Last Car Over the Sagamore Bridge, The Second Coming of Mavala Shikongo (finalist for the Los Angeles Times Book Award), and Esther Stories. A recipient of the Rome Prize and a Guggenheim Fellowship, Orner is also the editor of three books of oral history for the Voice of Witness series, and co-editor with Laura Lampton Scott of a new oral history series from McSweeney's called “Dispatches.” His work has appeared in The New Yorker, the Atlantic, Harper's, the Paris Review and has been awarded four Pushcart Prizes. With Yvette Benavides, he's the co-host of the Lonely Voice Podcast on Texas Public Radio. Orner recently led short courses on James Joyce's Ulysses, and Melville's Moby-Dick for the Community of Writers/Writers' Annex. He teaches at Dartmouth College and lives in Vermont. Buy The Gossip Columnist's Daughter   New York Times Review of The Gossip Columnist's Daughter    Peter Orner's Website At about 2:30, Peter responds to Pete's question about the feedback he's gotten since the publication of  At about 3:30, Peter expands on ideas of making Chicago concrete for his readers At about 4:40, Peter gives background on family's roots in Chicago and in Eastern Europe At about 6:25, Mike Ditka slander?! At about 7:50, Peter highlights Saul Bellow as a writer who influenced him, as well as Stuart Dybek, Betty Howland, and John Irving among others  At about 10:05, Peter reflects on David Foster Wallace as an “Illinois writer” At about 12:10, Peter discusses Zadie Smith and Yiyun Li, and as impressive and chill-inducing contemporary writers  At about 13:30, Peter lists some reading favorites of his university students, and he expands on how they are “blown away” by James Joyce's work At about 15:00, The two fanboy over James Joyce's “The Dead” At about 16:15, Peter reflects on Pete asking if his The Gossip Columnist's Daughter would be classified as “historical fiction” At about 17:15, Peter expands on his view of the book's epigraph from Chekhov At about 18:15, Pete cites another great epigraph and great book from Jess Walter At about 18:50, The two lay out the book's exposition, and Peter describes the book's inciting incident, a tragic death At about 20:20, The two discuss the book's beginning as in medias res  At about 21:30, Peter talks about the character of Babs as inspired by grandmother, and Pete shares about his Chicago grandfather's longevity At about 22:55, Peter expands on the idea of Jed, the book's narrator, feeling that three key events in 1963 were a pivot point for the family At about 26:15, Jack Ruby and the provinciality and “small world” of Chicago At about 29:10, Pete and Peter lay out Jed's college professor setup At about 30:00, Peter explains the cause of death and theories and conspiracy theories around it At about 31:35, Peter responds to Pete's musings about the old-fashioned “imperative” headlines that  At about 33:00, Some of Cookie Kupcinet's last writings are discussed  At about 34:30, Peter reflects on the travails and pressures of Cookie At about 36:00, Some of the prodigious pull of Irv Kupcinet is discussed, and Pete compares Irv's work to that of Ace in Casino At about 37:55, Lou Rosenthal's reticence and kinship with Robert Todd Lincoln are discussed At about 39:00, Peter expands on a scene in which the “grieving” narrator walks by the house where his ex-wife and daughter live; he discusses the importance he places on place At about 41:40, Sidney Korshak and his historical background and Chicago connection is discussed At about 44:10, The two discuss doubts in the story about the way in which Cookie died At about 45:20, Cookie's legacy and the ways in which Jed, the narrator, gains a sort of obsession with conspiracy theories and marginalia  At about 48:20, Peter talks about the book's storyline as a “family story” and using a “tiny kernel” as a “jump off” point for his book At about 49:20, Peter responds to Pete's questions about the state of the current conspiracy theories involving the Kupcinets and JFK's assassination  At about 51:20, The two discuss the breakup of the friendship between the Rosenthals and Kupcinets, as Pete compares a turned-down piece of writing to the book's storyline  At about 53:20, Peter reflects on the intrigue that comes with  At about 55:00, Peter expands on the “Captain” moniker his grandfather have, and that he played off in his book At about 58:20, The two reflect on the memorable character of Solly At about 1:01:00, Theories involving traumas and low points and broken relationships are discussed  At about 1:03:00, Pete highlights a resonant last scene        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up soon at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 323 with second-time guest Luke Epplin. He is the author Our Team: The Epic Story of Four Men and the World Series That Changed Baseball and Moses and the Doctor: Two Men, One Championship, and the Birth of Modern Basketball.    The episode airs on February 13, three days after Pub Day for Moses and the Doctor.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

A note: On the interview concerning the 3 channel video “Same as me” from 2002 shows an abbreviated day in the life of a total of 18 different versions of the artist. Only viewed three at a time, the possible variations are synchronized across time and space or arise in daydreams of elsewhere or other than. For Campbell, the process of making the video revealed the thesis of the work. “It was very challenging to learn how to reenact my self…. it was hard to keep up with myself.” Beth Campbell, (USA, born in Illinois), demonstrates the inextricable entanglements of past, present, and future through her thought-provoking sculptures, installations, ceramics and works on paper. Equal parts humorous, prescient and morbid, Campbell confronts an overwhelming multiple future, culled from research on the philosophies that fueled the early internet and AI. Campbell is best recognized for her drawings and mobiles that draw from a specific moment in her life, multiplied into a profusion of speculative possibilities. The drawings, each titled with the opening line, “My potential future based on my present circumstances…”, mimic the form of a tree diagram, a graphic structure used to visualize probability and hierarchy. This diagram becomes Campbell's means to channel anxieties about an overwhelmingly multiple future. She began to make these drawings about her life as an artist in New York City in the late 1990's. In them, she suggests taking a moment to look both forward and backwards, taking into account actions and positions and the circumstances that led to them. Beth Campbell earned her BFA from Truman State University in 1993 (Kirksville, MO) and her MFA from Ohio University in 1997 (Athens, OH). She has held over a dozen solo exhibitions at galleries and institutions, including The Aldrich Contemporary Art Museum, Ridgefield, CT (2017); Sculpture Center, Cleveland, OH (2010); “Following Room” at The Whitney Museum of American Art, New York, NY (2007); Kate Werble Gallery, New York, NY (2020, 2017, 2012); the Public Art Fund, New York, NY (2007); White Columns, New York, NY (2000); and Nicole Klagsbrun Gallery, New York, NY (2008, 2005, 2004). Her work has been shown at MoMA PS1, the New Museum of Contemporary Art, the Brooklyn Museum of Art, Artists Space, and the Bloomberg Financial Offices in Conjunction with Sculpture Center. Campbell has also been featured in exhibitions at the Carnegie Museum of Art, (Pittsburgh, PA); Manifesta 7 (Italy); The Andy Warhol Museum, (Pittsburgh, PA); Contemporary Arts Center, (Cincinnati, OH); OK Center, (Linz, AT); and EX3 Centre for Contemporary Art, (Florence, IT). She has a large commission permanently on view in the Landmarks program at the University of Texas at Austin (Austin, TX). Campbell received a Guggenheim Fellowship (2011), a residency at John Michael Kohler Arts Center, Arts/Industry Residency (2010), a Louis Comfort Tiffany Fellowship (2009) a Pollock- Krasner Foundation Grant (2006) and a Rema Hort Mann Foundation Art Grant (2000). She currently lives and works in Brooklyn, NY. Beth Campbell, My Potential Future Based on Present Circumstances (11/3/25), 2025 Pencil on paper 50 × 38 ½ inches (127.00 × 97.79 cm) Courtesy of the artist and Kate Werble Gallery, New York Photo credit by Adam Reich photography Beth Campbell, There's no such thing as a good decision (fawn), 2025 Powder coated steel rod and wire, enamel paint 40 × 40 × 33 inches (101.60 × 101.60 × 83.82 cm) Courtesy of the artist and Kate Werble Gallery, New York Photo credit by Adam Reich photography Beth Campbell, lost socks, 2024 Tinted porcelain 2 ¼ × 6 ½ × 6 ¾ inches (5.72 × 16.51 × 17.15 cm) Courtesy of the artist and Kate Werble Gallery, New York Photo credit by Adam Reich photography

Richard Lange is the author of the story collections, Dead Boys and Sweet Nothing, and the novels, This Wicked World, Angel Baby, The Smack, Rovers, and Joe Hustle. He is the recipient of a Guggenheim Fellowship, the International Association of Crime Writers' Hammett Prize, The Short Story Dagger from Great Britain's Crime Writers Association, and the Rosenthal Family Foundation Award from the American Academy of Arts and Letters. He lives in Los Angeles. Richard joins Barbara DeMarco-Barrett to talk about his most recent novel, Joe Hustle, and topics they touch on include avoiding backstory that pulls down a story, structure devices, not being a one-genre writer, finding your voice, rejections, road trip stories, naming characters after friends, and more. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can find hundreds of past interviews on our website. You can help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guest authors, as well as our personal favorites. And on Spotify, you'll find an album's worth of typewriter music like what you hear on the show. It's perfect for writing. Look for the artist, Just My Type. We love to hear from our listeners. Email us at writersonwritingpodcast@gmail.com. (Recorded January 23, 2026) Host: Barbara DeMarco-Barrett Host: Marrie StoneMusic: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program produce the SLC Performance Lab. During the year, visiting artists to the MFA Theatre Program's Performance Lab are interviewed after leading a workshop with the students. Performance Lab is one of the program's core components, where graduate students work with guest artists and develop performance experiments. Dael Orlandersmith is interviewed by Khari Walser (SLC'27) and produced by Sheridan Merrick (SLC'26). Edited by Amelia Munson (SLC'26) Dael Orlandersmith is an acclaimed playwright known for works such as Stoop Stories, Yellowman and Until the Flood. She was a Pulitzer Prize finalist and Drama Desk Award nominee, and won the Susan Smith Blackburn Prize for The Gimmick. Her honors include a New York Foundation for the Arts grant, the Helen Merrill Award for Emerging Playwrights, Doris Duke grant and a Guggenheim Fellowship. Orlandersmith's play Forever premiered at the Mark Taper Forum and was subsequently performed at venues including Long Wharf, New York Theatre Workshop and Portland Center Stage. Until the Flood debuted at St. Louis Repertory and has since been staged at numerous theaters, including the Arcola Theatre in London. She's worked on commissions for Rattlestick Theatre and Milwaukee Repertory Theatre, including Watching the Watcher and Antonio's Song/I Was Dreaming of a Son, and collaborated with David Cale and Robert Falls on You Don't Know the Lonely One. In 2023, Orlandersmith performed Spiritus/Virgil's Dance at CATF Theatre in West Virginia, followed by performances at Rattlestick Theatre and Merrimack Theatre in Lowell, Massachusetts in 2024. She also appeared in Pre-Existing Condition by Marin Ireland, directed by Maria Dizzia, at Connelly Theater in New York City. Additionally, she is currently working on a book of autofiction.

This week's episode is sweeping, interesting, and passionate. Guest Andre Dubus III takes us on a ride through some of memoir's more confounding territory—what's yours to tell; considerations of harm; writing about violence; and getting to truth on the page. Also, Grant has a new book out, and we talk about his book trailer in this week's episode. Watch here.Andre Dubus III has authored nine books including the New York Times' bestsellers House of Sand and Fog, The Garden of Last Days, and his memoir, Townie. His most recent novel, Such Kindness, was published in June 2023, and a collection of personal essays, Ghost Dogs: On Killers and Kin, was published in March 2024. Dubus has been a finalist for the National Book Award, and has been awarded a Guggenheim Fellowship, The National Magazine Award for Fiction, three Pushcart Prizes, and is a recipient of an American Academy of Arts and Letters Award in Literature. He teaches at the University of Massachusetts Lowell. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Janet Echelman is an artist known for sculpting at the scale of buildings and city blocks, creating large-scale, fluid installations that merge art, architecture, and engineering. Her work transforms with wind and light, inviting viewers into immersive experiences rather than static observation. Echelman uses unconventional materials—from atomized water particles to fiber stronger than steel—blending traditional craft with advanced computational design. Her monumental works anchor public spaces across five continents, in cities including New York, London, Sydney, Shanghai, and Singapore. Permanent installations in locations such as San Francisco, Vancouver, and Porto continually evolve with shifting light and air. Echelman's unconventional path includes a degree from Harvard, five years living in a Balinese village, and graduate studies in both painting and psychology. Oprah ranked Echelman's work #1 on her List of 50 Things That Make You Say Wow!, and she received the Smithsonian American Ingenuity Award in Visual Arts, honoring “the greatest innovators in America today.” Recipient of the Guggenheim Fellowship, she has taught at MIT, Harvard, and Princeton. Her interdisciplinary approach challenges artistic boundaries and redefines urban space through experiential public art. Her recent book, Radical Softness The Responsive Art of Janet Echelman is now available. Remembering the Future, on view at MIT Museum, and its maquette at Sarasota Art Museum retrospective. Photos: Anna Olivella Study (Butterfly Rest Stop 1/9 scale), on view at Janet Echelman: Radical Softness, Sarasota Art Museum through April 26, 2026. Photo: Ryan Gamma. Noli Timere, Echelman's sculpture-dance collaboration with choreographer Rebecca Lazier, currently traveling the eastern seaboard. Photos: Julie Lemberger

Call ins, legal and civic positions on ICE shooting and Noam's take on Dilbert Cartoonist Scott Adams. Guest: Professor Robert Jan Van Pelt, the principal expert witness on Nazi gas chambers in the David Irving trial, joins. Robert Jan Van Pelt is one of the world's leading experts on Auschwitz. An architectural historian who has taught at MIT and the University of Waterloo, he is best known for proving the reality of the gas chambers and crematoria. His work made him a central figure in the fight against Holocaust denial. He appeared in Errol Morris's Mr. Death and served as a key expert witness in the landmark Irving v. Penguin & Lipstadt trial. He has received major honors, including a Guggenheim Fellowship and a National Jewish Book Award.

“Who can draw when the world is burning?” asks celebrated Vermont cartoonist Alison Bechdel in her new graphic novel, Spent.This tension between the political and personal has been a deep well for Bechdel in her art. Bechdel has been cartoonist laureate of Vermont, as well as a recipient of a MacArthur "genius award" and a prestigious Guggenheim Fellowship.She garnered a cult following with her early comic strip, “Dykes to Watch Out For.” Her best-selling graphic memoir, Fun Home, was named Best Book of 2006 by Time. It was adapted into a musical that won five 2015 Tony Awards, including Best Musical. Fun Home tells the story of growing up in a family that ran a funeral home, and how, after Bechdel came out as a lesbian, her closeted gay father died in a presumed suicide.The cartoonist is also known for the Bechdel Test, which rates movies on whether they include at least one scene in which two women talk to each other about something other than men.Bechdel is now a professor in the practice at Yale University. She divides her time between teaching for a semester at Yale and living and drawing at her home in West Bolton, Vermont. Bechdel's wife Holly has been the colorist for her last two books. This week, she had an op-ed cartoon featured in the New York Times about how to stand up to tyranny.She spoke to me from her home in Vermont.

Call ins, legal and civic positions on ICE shooting and Noam's take on Dilbert Cartoonist Scott Adams. Guest: Professor Robert Jan Van Pelt, the principal expert witness on Nazi gas chambers in the David Irving trial, joins. Robert Jan Van Pelt is one of the world's leading experts on Auschwitz. An architectural historian who has taught at MIT and the University of Waterloo, he is best known for proving the reality of the gas chambers and crematoria. His work made him a central figure in the fight against Holocaust denial. He appeared in Errol Morris's Mr. Death and served as a key expert witness in the landmark Irving v. Penguin & Lipstadt trial. He has received major honors, including a Guggenheim Fellowship and a National Jewish Book Award.

Jessica Dimmock is an award-winning director with 2 Emmy nominations, 1 Emmy award, a Guggenheim Fellowship, Cinema Eye Honors and IDA nominations. She directed documentary series and films Flint Town, Captive Audience, The Texas Killing Fields, The Weekly, and Home… and the feature documentary The Pearl. And she's with us today to discuss her new documentary THOUGHTS & PRAYERS: HOW TO SURVIVE AN ACTIVE SHOOTER IN AMERICA, which can be seen on HBO MAX Jessica and I discuss her terrific new film, co-directed with her husband Zackary Canepari, which focuses on the gun-violence epidemic in America and how it's led to lockdown and active-shooter drills in schools; whether these realistic and terrifying drills cause more harm than good with our children; and the $3-billion preparedness products industry. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

In this episode of ACM ByteCast, our special guest host Scott Hanselman (of The Hanselminutes Podcast) welcomes ACM Fellow Dawn Song, Professor in Computer Science at UC Berkeley, Co-Director of Berkeley Center for Responsible Decentralized Intelligence (RDI), and Founder of Oasis Labs. Her research interest lies in AI safety and security, Agentic AI, deep learning, security and privacy, and decentralization technology. Dawn is the recipient of numerous awards including the MacArthur Fellowship, the Guggenheim Fellowship, the NSF CAREER Award, the Alfred P. Sloan Research Fellowship, the MIT Technology Review TR-35 Award, ACM SIGSAC Outstanding Innovation Award, and more than 10 Test-of-Time awards and Best Paper awards from top conferences in Computer Security and Deep Learning. She has been recognized as Most Influential Scholar (AMiner Award) for being the most cited scholar in computer security. Dawn is an IEEE Fellow and an Elected Member of American Academy of Arts and Sciences. She is also a serial entrepreneur and has been named on the Female Founder 100 List by Inc. and Wired25 List of Innovators. Dawn shares her academic journey in cybersecurity, which used to be a much smaller field and how the MacArthur Fellowship (aka the “Genius Grant”) and other prestigious recognitions enabled her to pursue impactful multidisciplinary research. Dawn and Scott cover a myriad of topics around Agentic AI, including current and future security vulnerabilities from AI-powered malicious attacks, Dawn's popular MOOC at RDI, and the associated AgentX-AgentBeats global competition (with more than $1 million in prizes and resources) focused on standardized, reproducible agent evaluation benchmarks to advance the field as a public good. AgentX-AgentBeats Agentic AI Competition Berkeley RDI Agentic AI MOOC

Susan Straight is the author of the novel Sacrament, available from Counterpoint Press. Straight has published nine previous novels, including Mecca, A Million Nightingales, and Highwire Moon, and one memoir, In the Country of Women. She's been a finalist for the Kirkus Prize, the Dayton Literary Peace Prize, the National Book Award, among other honors, and received the Lannan Prize, the O. Henry Award, the Edgar Award, a Guggenheim Fellowship, and the Robert Kirsch Award for lifetime achievement from the Los Angeles Times Book Prizes. Her fiction has been translated into ten languages. She was born in Riverside, California, where she lives with her family. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. This episode is sponsored by Ulysses. Go to ⁠⁠ulys.app/writeabook⁠⁠ to download Ulysses, and use the code OTHERPPL at checkout to get 25% off the first year of your yearly subscription." Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Individuation isn’t about becoming better. It’s about becoming whole. At 75, neurologist Oliver Sacks finally integrated the parts of himself he’d kept hidden—his sexuality, his need for love, his domestic life (who knew he kept a library of Jung's work). Bill Hayes talks intimately about Sacks’s late-life transformation which exemplifies Jung’s crucial insight: growth isn’t about fixing what’s broken. It’s about integrating what you’ve exiled. The recipient of a Guggenheim Fellowship in nonfiction, Bill Hayes is a frequent contributor to the New York Times and the author of seven books, including Sleep Demons; Five Quarts; The Anatomist; Insomniac City; and How We Live Now: Scenes from the Pandemic.  His writing has also appeared in The Wall Street Journal, The New York Review of Books, the New York Times “T” Style Magazine, BuzzFeed, and The Guardian. His most recent book, SWEAT: A History of Exercise, a narrative nonfiction look at exercise from antiquity to the present, is available now wherever books are sold.  Hayes is also a photographer, with credits including The New Yorker, Vanity Fair, and the New York Times.  His portraits of his partner, the late Oliver Sacks, appear in the volume of Dr. Sacks's suite of final essays Gratitude.  A collection of his street photography, How New York Breaks Your Heart, was published in 2018 by Bloomsbury.  His photographs are available for sale as limited edition prints exclusively by CLAMP art gallery in New York City. Books by Bill Hayes: Patricia Martin, MFA, is the host of Jung in the World. A noted cultural analyst, she applies Jungian theory to her work as a researcher and writer. Author of three books, her work has been featured in the New York Times, Harvard Business Review, Huffington Post, and USA Today. She holds an MFA in writing and literature from Bennington College and an MA in cultural studies at the University College, Dublin (honors). In 2018, she completed the Jungian Studies Program at the C. G. Jung Institute Chicago where she is a professional affiliate. A scholar in residence at the Chicago Public Library, for the last decade she's been studying the digital culture and its impact on the individuation process. Patricia travels the world giving talks and workshops based on her findings and has a private consulting practice in Chicago. Be informed of new programs and content by joining our mailing list! Support this free podcast by making a donation, becoming a member of the Institute, or making a purchase in our online store! Your support enables us to provide free and low-cost educational resources to all. This podcast is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. You may share it, but please do not change it, sell it, or transcribe it.Executive Producer: Ben LawHosts: Patricia Martin, Judith Cooper, Daniel Ross, Adina Davidson, and Raisa Cabrera2025-2026 Season Intern: Zoe KalawMusic: Peter Demuth

Host Jason Blitman sits down with Reginald Dwayne Betts—poet, lawyer, and founder of Freedom Reads—for an intimate conversation about transforming America's prison system one library at a time. In an extraordinary turn of events, Dwayne receives a live call from Jermaine, a friend currently incarcerated at Lawrenceville Correctional Facility. Jermaine joins the conversation to share how not having a Freedom Reads library has impacted his own journey, offering rare, unfiltered insight into what literature means inside the prison system. Reginald Dwayne Betts is a poet and lawyer. A 2021 MacArthur Fellow, he is the Executive Director of Freedom Reads, a not-for-profit organization that is radically transforming the access to literature in prisons through the installation of Freedom Libraries in prisons across this country.For more than twenty-years, he has used his poetry and essays to explore the world of prison and the effects of violence and incarceration on American society. The author of a memoir and three collections of poetry, he has transformed his latest collection of poetry, the American Book Award winning Felon, into a solo theater show that explores the post incarceration experience and lingering consequences of a criminal record through poetry, stories, and engaging with the timeless and transcendental art of paper-making. His book Doggerel: Poems is available now.In 2019, Betts won the National Magazine Award in the Essays and Criticism category for his NY Times Magazine essay that chronicles his journey from prison to becoming a licensed attorney. He has been awarded a Radcliffe Fellowship from Harvard's Radcliffe Institute of Advanced Study, a Guggenheim Fellowship, an Emerson Fellow at New America, and most recently a Civil Society Fellow at Aspen. Betts holds a J.D. from Yale Law School.Sign up for the Gays Reading Book Club HERESUBSTACK! MERCH! WATCH! CONTACT! hello@gaysreading.com Hosted on Acast. See acast.com/privacy for more information.

Jonathan Lethem is the author of A Different Kind of Tension: New and Selected Stories, available from Ecco. It was the official October 2025 pick of the Otherppl Book Club. Lethem is the bestselling author of thirteen novels, including Brooklyn Crime Novel, The Feral Detective, and Motherless Brooklyn, winner of the National Book Critics Circle Award. His five story collections include Men and Cartoons and Lucky Alan, and his short fiction has appeared in the New Yorker, Harper's Magazine, and the Paris Review, among other publications, garnering a Pushcart Prize, a World Fantasy Award, and inclusion in The Best American Short Stories. The recipient of a MacArthur Fellowship and a Guggenheim Fellowship, he lives in Los Angeles and Maine. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marilyn Minter (b. 1948, USA) is an artist based in New York. Recent solo exhibitions include Marilyn Minter, Lehmann Maupin, Seoul, South Korea (2024). Marilyn Minter, LGDR, New York, NY (2023); Marilyn Minter, Lehmann Maupin, Hong Kong, China (2021); All Wet, Montpellier Contemporary (Mo.Co), Montpellier, France (2021); Smash, MoCA Westport, Westport, CT (2021); Fierce Women, The Cube, Moss Arts Center, Virginia Polytechnic Institute and State University, Blacksburg, VA (2020); Nasty Woman, SCAD Museum of Art, Savannah GA (2020); among others. From 2015 through 2017, her retrospective, Marilyn Minter: Pretty/Dirty, traveled to the Contemporary Arts Museum, Houston (TX); the Museum of Contemporary Art, Denver (CO); the Orange County Museum of Art, Newport Beach (CA); and the Brooklyn Museum, Brooklyn (NY). Her video Green Pink Caviar was on view at The Museum of Modern Art, New York from 2010-2011.Minter is the recipient of numerous prestigious awards, including the Louis Comfort Tiffany Grant (2006) and the Guggenheim Fellowship (1998). Minter's work is in the collections of many museums globally, including the the Museum of Contemporary Art, Los Angeles (CA); San Francisco Museum of Modern Art, San Francisco (CA); (MA); the Museum of Modern Art, New York (NY); the Perez Art Museum, Miami (FL); the Tate Modern, London (U.K); the Solomon R. Guggenheim Museum, New York (NY); and the Whitney Museum of American Art, New York (NY), among many others.She and Zuckerman discussed shaming young and beautiful women, trust, how we take care of ourselves, making things her own, progress, the ability to copy anything, getting rid of narrative, finding out who we are, identifying people's gifts, seeing joy and the love of making, making bad things, the reality of self-doubt, looking for things that bother you, piggy backing, and how hard it is to be alive!

As a practical matter, how much effort do you put into pinning down the causes behind daily occurrences? To developmental psychologist Frank Keil, who studies causal thinking, that answer is likely along the lines of 'not enough.' A lack of causal thinking is both endemic, and, to an extent, hurtful these days, he argues, suggesting that lacking even simplified causal models makes things like the black box of artificial intelligence a potential problem. In this Social Science Bites podcast, Keil, the Charles C. and Dorathea S. Dilley Professor of Psychology and Linguistics at Yale University, outlines for interviewer David Edmonds how causal thinking is a skill we seem to have at an early age, but which diminishes as we grow up. "[K]ids, by the time they approach elementary school, are asking up to 200 'why' and 'how' questions a day," he explains. "Within a year or two up to starting school, they're down to two or three, often none." Furthermore, Keil sees this diminishment continuing in society today – and this comes as a cost. "I think it's making kids today be pushed more towards surface understanding, being user interface understanders. I think it makes influences more influential. To just say 'This is cool' as opposed to 'This is how it works.' One of the negative consequences is that we can get fooled by misinformation more; one of the best ways to debunk an expert is to ask them to explain the mechanism." At Yale, Keil directs the Cognition and Development lab. He has written several books, from academe-oriented books like Developmental Psychology: The Growth of Mind and Behavior, to more general reader titles like Wonder: Childhood and the Lifelong Love of Science. His awards include the Boyd R. McCandless Award from the American Psychological Association (Developmental Psychology), the Distinguished Scientific Award for an Early Career Contribution to Psychology from the American Psychological Association, a Guggenheim Fellowship, a fellowship at the Center for Advanced Study in the Behavioral Sciences at Stanford University, a MERIT Award from the National Institutes of Health, and the Ann L. Brown Award for Excellence in Developmental Research.  

In this episode of Money Tales, our guest is David Adjmi. From childhood, our money stories shape the way we see the world—sometimes with clarity, and sometimes with confusion. For playwright David, growing up in a family and a neighborhood where money was about hustle, performance, and status left him questioning what financial security and self-worth really meant. David Adjmi's plays have been produced at theatres around the world such as Lincoln Center, RSC, Steppenwolf, and Soho Rep--where he was the Mellon Foundation playwright-in-residence for three years. Stereophonic (music by Will Butler of Arcade Fire) is running on London's West End after a successful run on Broadway, where it became the most Tony-nominated play in history. Stereophonic received the 2024 Drama Desk Award, New York Drama Critics' Circle Award, Outer Critics Circle Award, Drama League, and Tony Awards for Best Play. The Stumble was recently excerpted in The Paris Review, and his two-part play The Blind King is currently in development with The Public. Adjmi's controversial hit 3C was selected as one of the top ten plays of the year by the New York Post, Time Out and the Advocate. Elective Affinities premiered at the Royal Shakespeare Company and received a sold-out U.S. premiere at Soho Rep starring Zoe Caldwell (Top 10 of the year in Time Out, The New Yorker.) Other plays include Stunning, The Evildoers, and Marie Antoinette. He was awarded a Guggenheim Fellowship, the Whiting Writers' Award, the Kesselring Prize for Drama, and the Steinberg Playwright Award, among others.  He holds commissions from The Public, Playwrights Horizons, Yale Rep, Berkeley Rep, and the Royal Court (UK). His critically acclaimed memoir Lot Six was published by HarperCollins in 2020, and his collected plays are published by TCG.

I am so excited to say that my guest, returning for his second interview on the GWA Podcast, is the esteemed American writer, critic, and curator, Hilton Als… A staff writer at The New Yorker for over 30 years, and a recipient of the Pulitzer Prize for criticism in 2017 and a Guggenheim Fellowship for creative writing, Als is the author of numerous books. He is a teaching professor at Berkeley, Last time Als came on the podcast, we discussed two significant artists for him, the photographer, Diane Arbus; and the painter of people, Alice Neel – the latter of whom he has curated exhibitions of, exploring her life in uptown Manhattan, and her various friendships with artists, writers, dancers, neighbours and social activists. 119 But today I meet Hilton on the occasion of a new exhibition he has curated: Postures: Jean Rhys in the Modern World at Michael Werner Gallery in London, which explores the extraordinary and complex life of Creole-British writer, Jean Rhys, born in Dominica in 1890 to plantation owners, who grew up a white person, or Creole, in a largely Black society, and moved to Britain aged 16 and lived most of her life in Europe until her death in 1979. She was known for telling stories of women in exile, often at the whim of powerful men, and celebrated for her last and best-selling novel, Wide Sargasso Sea, published 1966, that told the life story of the so-called mad woman in the attic, Antoinette Cosway, from Charlotte Bronte's Jane Eyre, from Cosway's perspective. And what a beautiful, complex, show this is. Featuring Hurvin Anderson, Celia Paul, Gwen John, Sarah Lucas, Kara Walker, and more, it is a rich portrait of a complex figure who lived between worlds, cultures, reality and fiction. And I can't wait to find out more. Postures: Jean Rhys in the Modern World is at Michael Werner Gallery, London, until 22 November. For more on the show: https://www.michaelwerner.com/exhibitions/postures-jean-rhys-in-the-modern-world. Books/poems mentioned: Good Morning, Midnight - Jean Rhys Wide Sargasso Sea - Jean Rhys Smile Please - Jean Rhys Jane Eyre - Charlotte Brontë Self-Portrait - Celia Paul Jean Rhys (poem) - Derek Walcott Autobiography of My Mother - Jamaica Kincaid A View of The Empire at Sunset - Caryl Phillips Artists/writers mentioned: Hurvin Anderson Kara Walker Eugène Atget Eugène Leroy Cynthia Lahti Francis Picabia Celia Paul Gwen John Augustus John Sarah Lucas Hans Bellmer Caryl Phillips Jamaica Kincaid Derek Walcott -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

Over its first century The Guggenheim Fellowships have supported more than 19,000 artists, writers, thinkers, scientists, and makers of ideas and culture in America. In honor of this milestone, The Guggenheim Fellowship at 100, on view at The New York Historical Society through November 30th, shows off correspondence, application materials, cultural objects, and other signs and tokens of what Guggenheim these fellowships and fellows have done. In this episode, Jeff talks to Guggenheim President Edward Hirsch about the fellowships and what they mean. Then, Hanna Pennington, Associate Director and Archivist at the Guggenheim, joins to talk about the work and materials that went into making this exhibition. Subscribe to First Edition via RSS, Apple Podcasts, or Spotify. For episode extras, subscribe to the First Edition Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices

The idea of parallel dimensions has long intrigued scientists and screenwriters alike, but how seriously should we take the concept? Here with some guidance is Paul Halpern, author of the 2023 book The Allure of the Multiverse: Extra Dimensions, Other Worlds, and Parallel Universes. Paul is a professor of physics at Saint Joseph's University and the author of eighteen popular science books. He's the recipient of a Guggenheim Fellowship and is a Fellow of the American Physical Society.

Photo courtesy of Elizabeth Haynes. Deborah Zlotsky received a 2019 Guggenheim Fellowship and NYFA Artist Fellowships in Painting in 2012 and 2018. Her work is in a variety of public, private, and corporate collections in the US and abroad and she has been awarded recent residencies at MacDowell, Yaddo, the Bogliasco Foundation, and the Bemis Center. Zlotsky is represented by McKenzie Fine Art and Markel Fine Art, both in New York City, Robischon Gallery in Denver, Sandler-Hudson Gallery in Atlanta, and Bernay Fine Art in Great Barrington, MA. She has a BA in art history from Yale University and an MFA in painting and drawing from the University of Connecticut. She teaches at the Rhode Island School of Design and lives in the Hudson Valley. Deborah Zlotsky, Ghost lines 3, acrylic gouache on panel, 2025, 14” x 11” Photo courtesy of Liz Dejeuness. Deborah Zlotsky, Not a line but a constellation, oil on canvas, 2025, 14” x 11” Photo courtesy of Liz Dejeuness. Deborah Zlotsky, Tragedy plus time, oil on canvas, 2025, 60” x 60” Photo courtesy of Liz Dejeuness.

In this episode of On Brand Taylor's Version, we're joined by Stephanie Burt, poet, critic, and professor of English at Harvard University. Stephanie made headlines when she created and taught one of the very first college courses on Taylor Swift at Harvard, Taylor Swift and her world. We discuss what it means to study Taylor seriously at Harvard, why her storytelling resonates so widely, and what we can all learn from her profound cultural impact. What You'll Learn in This Episode How Taylor Swift's approach to storytelling parallels the way we relate to literature and life, making her English-teacher-like to her fans The narrative techniques and structural choices that make her songwriting resonate across diverse audiences How she revisits, rewrites, and evolves previous stories in her music to deepen character and theme The role of collaboration, marketing, and audience awareness in building a fan community that scales from niche to mainstream How joy, friendship, and shared experiences are expressed in her music, and why songs like 22 continue to resonate Episode Chapters (00:00) Intro (01:12) Taylor Swift as an English Teacher: Literary Language and Fan Connection (05:30) Building Fan Communities and Shared Experiences (10:22) Storytelling Techniques: Point of View, Character, and Rewriting Songs (18:10) Revisiting and Evolving Previous Stories: Love Story and Forever & Always (25:12) Adult Love, Partnership, and Feminist Storytelling (32:01) Niche Fan Communities, Mainstream Appeal, and Marketing Savvy (38:22) Collaboration and Craft: Working with Musicians and Audiences (40:01) Guest's Favorite Taylor Song: 22 and Closing Thoughts About Stephanie Burt Stephanie Burt is the Donald P. and Katherine B. Loker Professor of English at Harvard University. She specializes in 20th- and 21st-century poetry, science fiction, and the intersections of literature with other arts. Her work has appeared in The New York Times Book Review, The London Review of Books, Slate, and The Times Literary Supplement. Burt is the author of several acclaimed books of poetry and literary criticism, and her upcoming book, Taylor's Version: The Poetic and Musical Genius of Taylor Swift, explores the artistry and cultural impact of Taylor Swift. At Harvard, she teaches courses including “Taylor Swift and Her World,” which has drawn widespread attention for its innovative exploration of music, poetry, and popular culture. She currently serves as co-editor of poetry for The Nation and is a recipient of a Guggenheim Fellowship. Resources & Links Check out Stephanie's new book Taylor's Version: https://www.amazon.com/Taylors-Version-Poetic-Musical-Genius/dp/154160623X/ref=tmm_hrd_swatch_0 Listen & Support the Show Watch or listen on Apple Podcasts → https://podcasts.apple.com/us/podcast/on-brand-podcast-about-branding/id1113563080?mt=2 Spotify → https://open.spotify.com/show/2Hq9fjctcpm3YKlJFuXmRk YouTube → https://www.youtube.com/hashtag/onbrandpodcast Amazon/Audible → https://music.amazon.com/podcasts/7f4fb055-1584-4037-a637-305c9b82ac3c/on-brand-with-nick-westergaard?refMarker=dm_wcp_af_r&ref=dmm_acq_mrn_d_ds_rh_z_-c_c_539036640611_g_127821134784 Google Play → https://play.google.com/music/listen#/ps/I6xnjeogoyostq7pyu3xh3kqi4a Stitcher → https://www.stitcher.com/show/on-brand-with-nick-westergaard TuneIn → https://tunein.com/radio/On-Brand-p967623/ iHeart → https://www.iheart.com/podcast/269-on-brand-with-nick-westerg-90019102/ Rate and review on Apple Podcasts → https://podcasts.apple.com/us/podcast/on-brand-podcast-about-branding/id1113563080?mt=2 Rate and review on Spotify → https://open.spotify.com/show/2Hq9fjctcpm3YKlJFuXmRk Share this episode — email a friend or colleague → mailto:?subject=Check%20out%20this%20podcast%20episode&body=I%20thought%20you%20might%20like%20this%20podcast Sign up for my free Story Strategies newsletter → https://www.nickwestergaard.com/email/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Ellen Langer joins Art to explore how uncertainty can be liberating rather than frightening. After losing 80% of her possessions in a house fire, Ellen discovered profound lessons about resilience and human kindness. Her groundbreaking research challenges everything we believe about aging - from the counterclockwise study that reversed aging markers in days to her work showing chronic illness doesn't mean uncontrollable. "One plus one doesn't always equal two," she explains, demonstrating how rigid thinking limits our choices. Ellen reveals why stress requires prediction and how mindfulness - simply noticing new things - can transform our health, relationships, and approach to life transitions. A master class in living with curiosity rather than certainty.Dr. Ellen Langer was the first woman to be tenured in psychology at Harvard, where she remains a professor of psychology today. Known worldwide as the "mother of mindfulness" and "mother of positive psychology," she has published over 200 research articles and thirteen books, including the international bestseller Mindfulness and her latest work, The Mindful Body: Thinking Our Way to Chronic Health. Her groundbreaking research on mind-body unity and the psychology of aging has earned her three Distinguished Scientist awards, the Arthur W. Staats Award for Unifying Psychology, a Guggenheim Fellowship, and the Liberty Science Genius Award. She is also a gallery-exhibiting painter living in Cambridge, Massachusetts.About The Show: The Life in Transition, hosted by Art Blanchford focuses on making the most of the changes we're given every week. Art has been through hundreds of transitions in his life. Many have been difficult, but all have led to a depth and richness he could never have imagined. On the podcast Art explores how to create more love and joy in life, no matter what transitions we go through. Art is married to his lifelong partner, a proud father of three and a long-time adventurer and global business executive. He is the founder and leader of the Midlife Transition Mastery Community. Learn more about the MLTM Community here: www.lifeintransition.online.In This Episode: (00:00) Opening Story: House Fire and Human Kindness(08:21) The Wisdom of Aging and Life Perspectives(12:19) Understanding Mindfulness Beyond Meditation(17:45) Challenging Assumptions: Horses and Hot Dogs(19:21) Midlife Transition Mastery Ad(24:02) The Counterclockwise Study: Reversing Aging(35:04) Vision, Hearing, and the Power of Expectations(45:24) Chronic Illness and Symptom Variability(50:49) Behavior, Understanding, and the Alternative to Forgiveness(55:02) Transition Mastery Coaching Ad(1:05:04) Creating a Horizontal World: Everyone Knows SomethingLike, subscribe, and send us your comments and feedback.Resources:Dr. Langer LinkedIn: https://www.linkedin.com/in/ellenjlanger/Website: https://www.ellenlanger.me/Latest Book: "The Mindful Body: Thinking Our Way to Chronic Health" Previous Books: "Mindfulness" and 11 other published worksHarvard Psychology DepartmentEmail Art BlanchfordLife in Transition WebsiteLife in Transition on IGLife in Transition on FBJoin Our Community: https://www.lifeintransition.online/My new book PURPOSEFUL LIVING is out now. Order it now: https://www.amazon.com/PURPOSEFUL-LIVING-Wisdom-Coming-Complex/dp/1963913922Explore our website https://lifeintransitionpodcast.com/ for more in-depth information and resources, and to download the 8-step guide to mastering mid-life transitions.The views and opinions expressed on the Life In Transition podcast are solely those of the author and guests and should not be attributed to any other individual or entity. This podcast is an independent production of Life In Transition Podcast, and the podcast production is an original work of the author. All rights of ownership and reproduction are retained—copyright 2025.

When do limits on majorities enhance democratic rule, and when do they undermine it? Join Nic Cheeseman as he talks to Steven Levitsky and Daniel Ziblatt, well-known as authors of the best-selling book How Democracies Die, about their new framework for understanding when the best way to protect democracy is to constrain the wishes of the majority, and when we need to empower them. Lumping all majoritarian measures into the same category, they argue, can lead us to preserve and prescribe outdated and undemocratic institutions that distort political competition and may undermine democratic legitimacy. So does saving democracy actually depend on the recognition that while special protections for powerful minorities may have helped to secure the historical passage to democracy, today the healthiest democracies empower majorities? This episode is based on Steven Levitsky and Daniel Ziblatt's article “When Should the Majority Rule?” that was published in the January 2025 issue of the Journal of Democracy, and is part of an ongoing partnership between the Journal of Democracy and the People, Power, Politics podcast. A transcript is available for download here. Steven Levitsky is Professor of Government at Harvard University and the co-author of How Democracies Die (2018), which won the Lionel Gelber Prize and the Arthur Ross Book Award. A leading scholar of authoritarianism and democratic backsliding, his earlier works include Competitive Authoritarianism: Hybrid Regimes After the Cold War (2010). Levitsky directs Harvard's David Rockefeller Center for Latin American Studies and served as Vice Provost for International Affairs. He has received a Guggenheim Fellowship and the Karl Deutsch Award for his contributions to comparative politics. His research spans Latin American politics, party systems, and informal institutions, influencing both academic debate and public discourse on democracy's challenges. Daniel Ziblatt is Eaton Professor of the Science of Government at Harvard University and co-author of How Democracies Die (2018), which won the Lionel Gelber Prize and the Arthur Ross Book Award. His book Conservative Advantage (2017) received the Luebbert Prize for the Best Book on Comparative Politics. Ziblatt's research explores democratic durability and party systems, especially in Europe. He serves as Co-Director of Harvard's Center for European Studies and holds a Guggenheim Fellowship. His work has significantly influenced understandings of conservative parties' roles in sustaining democracy and the threats posed by their erosion. Nic Cheeseman is the Professor of Democracy and International Development at the University of Birmingham and Founding Director of CEDAR. The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When do limits on majorities enhance democratic rule, and when do they undermine it? Join Nic Cheeseman as he talks to Steven Levitsky and Daniel Ziblatt, well-known as authors of the best-selling book How Democracies Die, about their new framework for understanding when the best way to protect democracy is to constrain the wishes of the majority, and when we need to empower them. Lumping all majoritarian measures into the same category, they argue, can lead us to preserve and prescribe outdated and undemocratic institutions that distort political competition and may undermine democratic legitimacy. So does saving democracy actually depend on the recognition that while special protections for powerful minorities may have helped to secure the historical passage to democracy, today the healthiest democracies empower majorities? This episode is based on Steven Levitsky and Daniel Ziblatt's article “When Should the Majority Rule?” that was published in the January 2025 issue of the Journal of Democracy, and is part of an ongoing partnership between the Journal of Democracy and the People, Power, Politics podcast. A transcript is available for download here. Steven Levitsky is Professor of Government at Harvard University and the co-author of How Democracies Die (2018), which won the Lionel Gelber Prize and the Arthur Ross Book Award. A leading scholar of authoritarianism and democratic backsliding, his earlier works include Competitive Authoritarianism: Hybrid Regimes After the Cold War (2010). Levitsky directs Harvard's David Rockefeller Center for Latin American Studies and served as Vice Provost for International Affairs. He has received a Guggenheim Fellowship and the Karl Deutsch Award for his contributions to comparative politics. His research spans Latin American politics, party systems, and informal institutions, influencing both academic debate and public discourse on democracy's challenges. Daniel Ziblatt is Eaton Professor of the Science of Government at Harvard University and co-author of How Democracies Die (2018), which won the Lionel Gelber Prize and the Arthur Ross Book Award. His book Conservative Advantage (2017) received the Luebbert Prize for the Best Book on Comparative Politics. Ziblatt's research explores democratic durability and party systems, especially in Europe. He serves as Co-Director of Harvard's Center for European Studies and holds a Guggenheim Fellowship. His work has significantly influenced understandings of conservative parties' roles in sustaining democracy and the threats posed by their erosion. Nic Cheeseman is the Professor of Democracy and International Development at the University of Birmingham and Founding Director of CEDAR. The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

When do limits on majorities enhance democratic rule, and when do they undermine it? Join Nic Cheeseman as he talks to Steven Levitsky and Daniel Ziblatt, well-known as authors of the best-selling book How Democracies Die, about their new framework for understanding when the best way to protect democracy is to constrain the wishes of the majority, and when we need to empower them. Lumping all majoritarian measures into the same category, they argue, can lead us to preserve and prescribe outdated and undemocratic institutions that distort political competition and may undermine democratic legitimacy. So does saving democracy actually depend on the recognition that while special protections for powerful minorities may have helped to secure the historical passage to democracy, today the healthiest democracies empower majorities? This episode is based on Steven Levitsky and Daniel Ziblatt's article “When Should the Majority Rule?” that was published in the January 2025 issue of the Journal of Democracy, and is part of an ongoing partnership between the Journal of Democracy and the People, Power, Politics podcast. A transcript is available for download here. Steven Levitsky is Professor of Government at Harvard University and the co-author of How Democracies Die (2018), which won the Lionel Gelber Prize and the Arthur Ross Book Award. A leading scholar of authoritarianism and democratic backsliding, his earlier works include Competitive Authoritarianism: Hybrid Regimes After the Cold War (2010). Levitsky directs Harvard's David Rockefeller Center for Latin American Studies and served as Vice Provost for International Affairs. He has received a Guggenheim Fellowship and the Karl Deutsch Award for his contributions to comparative politics. His research spans Latin American politics, party systems, and informal institutions, influencing both academic debate and public discourse on democracy's challenges. Daniel Ziblatt is Eaton Professor of the Science of Government at Harvard University and co-author of How Democracies Die (2018), which won the Lionel Gelber Prize and the Arthur Ross Book Award. His book Conservative Advantage (2017) received the Luebbert Prize for the Best Book on Comparative Politics. Ziblatt's research explores democratic durability and party systems, especially in Europe. He serves as Co-Director of Harvard's Center for European Studies and holds a Guggenheim Fellowship. His work has significantly influenced understandings of conservative parties' roles in sustaining democracy and the threats posed by their erosion. Nic Cheeseman is the Professor of Democracy and International Development at the University of Birmingham and Founding Director of CEDAR. The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

What this book showed me was how to balance pieces of myself that didn't fit together.Today we meet Abdi Nazemian and we're talking about the queer book that saved his life: Another Country by James Baldwin.Abdi Nazemian spent his childhood in a series of exciting locations (Tehran, Paris, Toronto, New York), but could usually be found in his bedroom watching old movies and reading. His first novel, The Walk-In Closet, was awarded Best Debut at the Lambda Literary Awards. He has written three young adult novels: The Authentics, Like a Love Story, and The Chandler Legacies. As Head of Development for Water's End Productions, Abdi has been an executive producer or associate producer on numerous films, including Call Me By Your Name, It Happened In L.A., The Price, The House of Tomorrow, and Little Woods.Another Country, stunning for its emotional intensity and haunting sensuality, depicts men and women, blacks and whites, stripped of their masks of gender and race by love and hatred at the most elemental and sublime. It was nominated as one of America's best-loved novels by PBS's The Great American Read.James Baldwin was born in 1924 and educated in New York. The author of over twenty works of fiction and non-fiction, Baldwin received numerous accolades, including a Guggenheim Fellowship and a Ford Foundation Grant.Connect with Abdiwebsite: abdinazemian.cominstagram: @abdaddyOur BookshopVisit our Bookshop for new releases, current bestsellers, banned books, critically acclaimed LGBTQ books, or peruse the books featured on our podcasts: bookshop.org/shop/thisqueerbookBuy Another Country: https://bookshop.org/a/82376/9780679744719Become an Associate Producer!Become an Associate Producer of our podcast through a $20/month sponsorship on Patreon! A professionally recognized credit, you can gain access to Associate Producer meetings to help guide our podcast into the future! Get started today: patreon.com/thisqueerbookCreditsHost/Founder: John ParkerExecutive Producer: Jim PoundsAssociate Producers: Archie Arnold, K Jason Bryan and David Rephan, Bob Bush, Natalie Cruz, Jonathan Fried, Paul Kaefer, Joe Perazzo, Bill Shay, and Sean SmithPatreon Subscribers: Stephen D., Terry D., Stephen Flamm, Ida Göteburg, Thomas Michna, Sofia Nerman, and Gary Nygaard.Creative and Accounting support provided by: Gordy EricksonQuatrefoil LibraryQuatrefoil has created a curated lending library made up of the books featured on our podcast! If you can't buy these books, then borrow them! Link: https://libbyapp.com/library/quatrefoil/curated-1404336/page-1Support the show

Notes and Links to Joan Silber's Work    Joan Silber was raised in New Jersey and received her B.A. from Sarah Lawrence College, where she studied writing with Grace Paley. She moved to New York after college and has made it her home ever since. She holds an M.A. from New York University. She's written ten books of fiction--most recently, Mercy, out in fall 2025.  Secrets of Happiness was a Washington Post Best Book of the year and a Kirkus Reviews Best Fiction of the Year.  Improvement won The National Book Critics Circle Award for Fiction and the PEN/Faulkner Award.  She also received the PEN/Malamud Award for Excellence in the Short Story.  Her other works of fiction include Fools, longlisted for the National Book Award and finalist for the PEN/Faulkner Award, The Size of the World, finalist for the Los Angeles Times Prize in Fiction, and Ideas of Heaven, finalist for the National Book Award and the Story Prize.  She's also written Lucky Us, In My Other Life, and In the City (to be reissued by Hagfish in 2026), and her first book, Household Words, won the PEN/Hemingway Award. She's the author of The Art of Time in Fiction, which looks at how fiction is shaped and determined by time, with examples from world writers.  Her short fiction has been chosen for the O. Henry Prize, Best American Short Stories, and the Pushcart Prize.  Stories have appeared in The New Yorker, Tin House, The Southern Review, Ploughshares, Zyzzyva, and other magazines. She's been the recipient of an Award in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship, and grants from the National Endowment for the Arts and the New York Foundation for the Arts. For many years Joan taught fiction writing at Sarah Lawrence College and in the Warren Wilson MFA Program for Writers.  Joan lives on the Lower East Side of Manhattan, with Jolie, her rescued street dog from Taiwan, and she travels as often as she can, with a particular interest in Asia. Buy Mercy   Joan Silber's Website   Joan Silber's Wikipedia Page   Boston Globe Review of Mercy   At about 2:55, Joan talks about responses about her new novel and how uncertainty is always  At about 3:45, Joan talks about places to buy her new novel and upcoming book events At about 5:05, Joan traces her early relationship with reading and writing and talks about early inspirations like Louisa May Alcott At about 6:55, Joan responds to Pete's question about the catalysts for her writing career, and she references the wonderful Grace Paley and her generative teaching methods At about 8:35, Joan talks about contemporary writers and influences like Charles Baxter, Andrea Barrett, and Margo Livesy At about 9:50, Pete bumbles through a vague comparison in complimenting Joan on her depiction of New York in the 1970s and gives some exposition of the book, especially regarding the book's main protagonist, Ivan  At about 11:25, Joan reflects on Ivan and Eddie as “intellectuallizing” their drug adventures  At about 12:35, Joan responds to Pete asking about Eddie and his mindset and personality  At about 14:45, the two trace the book's inciting incident, involving Eddie and Ivan indulging in drugs to an extreme  At about 17:30, Joan expands on her initial thoughts for the book, and on the secret that Ivan keeps to himself, as well as how she views Ivan in a “complicated” way At about 18:45, Joan responds to Pete's question about whether or not she “sit[s] in judgment of [her] characters” At about 20:20, Pete highlights Ivan and asks Joan's about Eddie “hav[ing] his own kingdom” in Ivan's life, especially with regard to his atonement for Alcoholics Anonymous At about 21:50, Pete traces Astrid/Ginger's career arc, as Ivan sees her rise and connects to Eddie, and Joan expands on why her film being done in Malaysia is connected to real-life regulations in China At about 23:30, Pete asks Joan about how she gets into the mindset to write about “What if?” At about 24:50, Chapter Two is discussed, with a new narrator in Astrid, and her tragedies and triumphs At about 26:10, Joan talks about the movie that takes place in the book, with Astrid as a star; Joan expands upon the “circle” of heroin/opioids in the novel At about 28:30, Joan discusses the “echo in the title” about heroin as the “drug of mercy” At about 29:00, Joan gives background on her choice in including Cara as a character who is a “bystander” to Eddie's abandonment  At about 30:15, Joan and Pete discuss the whys of Cara leaving and getting on the road At about 31:40, Joan talks about Chapter Three as a previously-published chapter/standalone, and how she likes “getting her characters in trouble” At about 32:00, Joan explains how she “follows” Nini into the next chapter, based on a previous quote, and how Joan's own travels influenced her writing about the Iu Mien of Thailand and Laos At about 35:00, Joan describes how Nini's injury in Southeast Asia serves as a vessel for a description of opium's uses/the way it's viewed in a variety of ways around the world  At about 36:15, Pete and Joan discuss the roles of anthropologists and their roles At about 38:30, Cara's chapter is highlighted, with Cara's relationship with her previously-absent father discussed   At about 41:00, Pete asks Joan to discuss the book's title-its genesis and connections to the book's events and characters  At about 42:30, Joan differentiates between mercy and forgiveness  At about 43:00, Pete compliments Joan's work in tracing a long but coherent storyline and her depiction of New York At about 44:10, Joan discusses an exciting upcoming project  At about 45:20, Pete and Joan discuss youth and innocence and aging as key parts    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 293 with Melissa Lozada-Oliva, a Guatemalan-Colombian-American writer. Her chapbook peluda explores the intersections of Latina identity and hair removal. In her novel-in-verse Dreaming of You (2021, Astra House), a poet brings Selena back to life through a seance and deals with disastrous consequences. Candelaria was named one of the best books of 2023 by VOGUE and USA Today. Her collection of short stories is BEYOND ALL REASONABLE DOUBT, JESUS IS ALIVE! The episode airs on September 2, today, Pub Day.    This episode airs today, September 2, Pub Day.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Blake Bailey is the author of biographies of Philip Roth, John Cheever, Richard Yates, and Charles Jackson. He won the National Book Critics Circle Award, the Francis Parkman Prize from the Society of American Historians, a Literature Award from the American Academy of Arts and Letters, and a Guggenheim Fellowship. He was also a finalist for the Pulitzer and James Tait Black Prizes. A previous memoir, The Splendid Things We Planned, was a finalist for the National Book Critics Circle Award in Autobiography. Get Blake's book "Canceled Lives: My Father, My Scandal, and Me" here: https://amzn.to/3UL09t0 Sol Gittleman is the Alice and Nathan Gantcher University Professor Emeritus at Tufts University, where he taught from 1964 until his retirement in 2015. He served as provost from 1981 to 2002 and has received many awards, fellowships, and honorary degrees for his teaching and service. About the host: Anthony Scaramucci is the founder and managing partner of SkyBridge, a global alternative investment firm, and founder and chairman of SALT, a global thought leadership forum and venture studio. He is the host of the podcast Open Book with Anthony Scaramucci. A graduate of Tufts University and Harvard Law School, he lives in Manhasset, Long Island. Learn more about your ad choices. Visit megaphone.fm/adchoices

History has a way of looking calmer than it really was. In this PT. 2 episode, Ryan sits down with historian and author James Romm to talk about the messy, dangerous, and often absurd reality of life in ancient Greece and Rome, especially for the philosophers who tried to “advise” the powerful. From Plato's naïve trips to Syracuse, to Seneca's complicated dance with Nero, to Marcus Aurelius resisting the pull of corruption, they discuss the timeless tension between access and integrity. James Romm is an author, reviewer, and a Professor of Classics at Bard College in Annandale, NY. He specializes in ancient Greek and Roman culture and civilization. His reviews and essays have appeared in the New Yorker, the Wall Street Journal, the London Review of Books, the Daily Beast, and other venues. He has held the Guggenheim Fellowship (1999-2000), the Birkelund Fellowship at the Dorothy and Lewis B. Cullman Center for Writers and Scholars at the New York Public Library (2010-11), and a Biography Fellowship at the Leon Levy Center of the City University of New York (2014-15).Follow James on Instagram @James.Romm and check out more of his work at his website, www.jamesromm.com

Chances are, you know Richard Thomas as John-Boy on The Waltons. Or maybe you saw him more recently in his many-episode arcs on shows like The Americans and Ozark. You might’ve even seen him on Broadway in Our Town or as Atticus Finch in the tour of To Kill a Mockingbird. He’s in town doing the very first authorized production of Mark Twain Tonight! since Hal Holbrook died. And John Jeremiah Sullivan has won the Pushcart Prize, two National Magazine Awards, and a Guggenheim Fellowship. His essay “Twain Dreams: The Enigma of Samuel Clemens” ran in the 175th anniversary issue of Harpers. This hour, Thomas and Sullivan join us to talk Twain. GUESTS: John Jeremiah Sullivan: A writer, musician, and editor Richard Thomas: An Emmy Award-winning and Tony Award-nominated actor The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe, Robyn Doyon-Aitken, Betsy Kaplan, Cat Pastor, Dylan Reyes, and Chion Wolf contributed to this show, parts of which originally aired February 4, 2015; September 14, 2023; and June 5, 2024, in a different form.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

What makes smart, principled people work for the worst leaders? In this conversation, historian and author James Romm and Ryan dig into the timeless trap that's snared some of history's greatest minds, from Plato and Seneca to modern politics. They talk about the seduction of access, the slow erosion of integrity, and why walking away from a tyrant's court is so much harder than it looks.James Romm is an author, reviewer, and a Professor of Classics at Bard College in Annandale, NY. He specializes in ancient Greek and Roman culture and civilization. His reviews and essays have appeared in the New Yorker, the Wall Street Journal, the London Review of Books, the Daily Beast, and other venues. He has held the Guggenheim Fellowship (1999-2000), the Birkelund Fellowship at the Dorothy and Lewis B. Cullman Center for Writers and Scholars at the New York Public Library (2010-11), and a Biography Fellowship at the Leon Levy Center of the City University of New York (2014-15).Follow James on Instagram @James.Romm and check out more of his work at his website, www.jamesromm.com

This episode of The Other Side of the Bell, featuring trumpet composer educator and entrepreneur Dave Douglas, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Dave Douglas trumpet interview"   About Dave Douglas: Dave Douglas is a prolific trumpeter, composer, educator and entrepreneur from New York City, known for the stylistic breadth of his work and for keeping a diverse set of ensembles and projects active simultaneously.   His most recent project is a rotating ensemble under the name Gifts, and the resulting album included guitarist Rafiq Bhatia, drummer Ian Chang and saxophonist James Brandon Lewis. The group toured and added cellist Tomeka Reid. In January 2025, Gifts Trio featuring drummer Kate Gentile and guitarist Camila Meza, played live shows in London and throughout Europe.   Douglas' unique contributions to improvised music have garnered distinguished recognition, including a Doris Duke Artist Award, a Guggenheim Fellowship, an Aaron Copland award, and two Grammy Award nominations. Douglas' career spans more than 75 unique original recordings as a leader and more than 500 published works.   In August 2024, Sound Prints, the band Douglas co-leads with saxophonist Joe Lovano, performed for a week at New York's storied Village Vanguard, unveiling an entire new set of works from both composers. The band will appear again at the Vanguard in November 2025. Other ensembles include OVERCOME, with vocalists Fay Victor and Camila Meza plus musicians Ryan Keberle, Jorge Roeder, and Rudy Royston; and If There Are Mountains, a sextet with pianist & co-leader Elan Mehler, featuring haiku and poetry from vocalist Dominique Eade.   Douglas is often engaged in special projects which include big bands, tributes, and multi-trumpet ensembles, such as Dizzy Atmosphere: Dizzy Gillespie at Zero Gravity. As a composer, Douglas has received commissions from a variety of organizations including the Trisha Brown Dance Company, Birmingham Contemporary Music Group, Norddeutscher Rundfunk, Essen Philharmonie, The Library of Congress, Stanford University, and Monash Art Ensemble.   Douglas has held several posts as an educator and programmer. From 2002 to 2012, he served as artistic director of the Workshop in Jazz and Creative Music at the Banff Centre in Canada. He is a co-founder and president of FONT aka Festival of New Trumpet Music, which will celebrate its 22nd year in 2025. In 2024, Douglas presented a new group in honor of cofounder Roy Campbell, Jr. The sextet, called Alloy, recorded in January 2025 and will release new music in September 2025.   He is currently on the faculty at Mannes School of Music and The New School of Jazz and Contemporary Music. He was Artistic Director of the Bergamo Jazz Festival for four years, ending in 2019.    In 2025, Douglas will begin a two year residency with the Malmo Academy of Music in Sweden, where he will help in developing a new Masters of Music Composer-Performer.   In 2005, Douglas founded Greenleaf Music, an umbrella company for his recordings, sheet music, podcast, as well as the music of other artists in the modern jazz idiom. Greenleaf Music has now produced countless albums and this year will celebrate its twentieth anniversary.   His podcast, A Noise From The Deep, features engaging interviews with more than 100 creative artists. The show recently diversified with the launch of spin-off Puzzle Corner, which pairs Douglas with NPR's Art Chung, for a fun round of jazz trivia. Greenleaf Music is a pioneering independent music platform with a strong subscription model featuring hours of exclusive content.   Episode Links:   Website: davedouglas.com Greenleaf Music: greenleafmusic.com Greenleaf Music on Bandcamp: glmstore.bandcamp.com Instagram: @davedouglas Facebook: @davedouglasmusic Alloy album page: https://greenleafmusic.com/artists/davedouglas/alloy/ Alloy pre-order: https://davedouglas.bandcamp.com/album/alloy  OR Apple Music/Spotify: https://lnk.to/alloy Alloy album trailer: https://www.youtube.com/watch?v=bmt_bdSrRao   Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credit - John Abbott  Audio Engineer - Ted Cragg

Send us a textFollow the Trombone Retreat on YouTube and watch this episode!Interview with Jazz Trombonist of the Year Michael Dease | Third Coast Trombone Retreat PodcastWelcome to the Trombone Retreat podcast by the Third Coast Trombone Retreat. In this episode, hosts Sebastian Vera and Nicholas Schwartz welcome distinguished jazz artist Michael Dease, who was named Downbeat Magazine's 2025 Trombonist of the Year. They discuss Dease's journey in music, highlights from his career, and his experiences as a multifaceted musician proficient in several instruments. Dease shares insights about his teaching philosophy, his recording projects, and his recent Guggenheim Fellowship, along with his personal anecdotes and favorite gear. Enjoy an engaging conversation filled with wisdom and humor, perfect for any music enthusiast.Experience JSV Mouthpieces: https://houghtonhorns.com/products/verus-sebastian-vera-tenor-trombone-mouthpiece-verusjsv00:00 Introduction and Guest Announcement00:29 Reflecting on the Interview01:23 Product Promotion and Banter02:19 Reconnecting with Michael Deese02:45 Memorable Moments and Bourbon03:27 Travel Plans and Upcoming Gigs04:45 Discussing 'City Life' Album08:27 Musical Journey and Instrument Mastery18:49 Jazz Education and Career Reflections31:29 Guggenheim Project and Future Plans39:52 Sterling Silver Mouthpiece40:26 The Allure of Precious Metals in Music41:24 Exploring Different Mouthpiece Materials43:06 The Sterling Silver Mouthpiece Experiment44:14 Spontaneity in Music and Life44:32 Custom Mouthpieces and Their Impact45:50 Rapid Fire Questions46:24 Reflecting on Personal and Musical Growth54:05 The Future of Jazz Trombone56:02 The Influence of Horror Movies on Music57:42 The Importance of Trust in Teaching01:00:23 Closing Thoughts and FarewellsAlso introducing special features with Patreon: www.patreon.com/tromboneretreatLearn more about the Trombone Retreat and upcoming festival here: linktr.ee/tromboneretreat Hosted by Sebastian Vera - @js.vera (insta) and Nick Schwartz - @basstrombone444 (insta)Produced and edited by Sebastian VeraMusic: Firehorse: Mvt 1 - Trot by Steven Verhelst performed live by Brian Santero, Sebastian Vera and Nick SchwartzThank you to our season sponsor Houghton Horns: www.houghtonhorns.comSupport the show

Ever wonder how some people move through life with ease, even when everything feels uncertain? According to Harvard psychologist Dr. Ellen Langer, it's not about control—it's about mindfulness. Mindfulness can be a vehicle to confidence, happiness and inner peace.Dr. Ellen shares with us her refreshingly practical take on mindfulness—not as meditation, but as a way of engaging with the world that leads to more confidence and self-trust. You'll hear her thoughts on why stress is optional, how to stop overthinking, and how letting go of “right vs. wrong” thinking can open up space for happiness.You will learn how to... move through life more mindfully confidently make decisionsbe more comfortable with uncertainty break out of black-and-white thinking embrace your individualityRemember: Self-confidence doesn't come from knowing. Rather, confidence comes from noticing.Ellen Langer earned her Ph.D. at Yale University in Social and Clinical Psychology and joined the faculty at Harvard in 1977. She is considered the mother of mindfulness and has written five books on the topic starting with her best-seller, Mindfulness, and her newest book, The Mindful Body: Thinking Our Way to Chronic Health. The Langer Lab conducts research on health, happiness, decision- making, education, business and culture all through the lens of mindfulness. Because of this research, among other honors, Professor Langer has earned three Distinguished Scientist Awards, The Staats Award for Unifying Psychology, a Guggenheim Fellowship, and The Liberty Science Genius Award. If you're enjoying this self-love podcast, send it to a friend or share a screenshot on social media! Your support helps keep this podcast—and the message of self-love, confidence, and mental health—alive and thriving.

Portland artist Arvie Smith is known for colorful, larger-than-life oil paintings that explore oppression and injustice against Black Americans through symbolism and visual tropes. He’s also a professor emeritus at Pacific Northwest College of Art after a 35-year tenure. His murals can be seen on buildings in North Portland and at the Donald E. Long Juvenile Center, where he spent time teaching art to incarcerated youth.Despite being in his mid-80s, Smith is far from retired — just last year, he received a prestigious Guggenheim Fellowship. The work he created during that fellowship is currently on display in Chicago. Titled “Crossing Clear Creek,” the exhibit explores Smith’s childhood memories and experience of race in rural Texas and Los Angeles. We spoke with Smith in March 2025 about his life and work.

Portland artist Arvie Smith is known for colorful, larger-than-life oil paintings that explore oppression and injustice against Black Americans through symbolism and visual tropes. He’s also a professor emeritus at Pacific Northwest College of Art after a 35-year tenure. His murals can be seen on buildings in North Portland and at the Donald E. Long Juvenile Center, where he spent time teaching art to incarcerated youth. Despite being in his mid-80s, Smith is far from retired — just last year, he received a prestigious Guggenheim Fellowship. The work he created during that fellowship is currently on display in Chicago. Titled “Crossing Clear Creek,” the exhibit explores Smith’s childhood memories and experience of race in rural Texas and Los Angeles. We spoke with Smith in March 2025 about his life and work.

“For complex PTSD, you have to establish a relationship. And only after trust has been established can you do the trauma-focused work.” This week, Thomas sits down with Dr. Judith Lewis Herman, an author and senior lecturer in psychiatry and Harvard Medical School, to explore her groundbreaking work on the psychology and social and cultural aspects of Complex PTSD, or CPTSD. Unlike the better-known diagnosis of PTSD, CPTSD arises from prolonged, repeated trauma that erodes one's sense of self and ability to trust. So, how should we approach healing and therapy for this uniquely challenging diagnosis? Dr. Herman believes there is hope, and it comes from the healing power of relationships…a tough pill to swallow for those whose trauma arose from abusive or coercively controlling relationships. But therein lies the key to healing—a therapeutic bond where the patient's experience is validated, their safety is paramount, and trust is carefully built up through mutuality. But it's not just therapy where healing can occur. Thomas and Dr. Herman discuss the importance of acknowledgment for people who've experienced ongoing trauma and how lifting shame from victims and survivors and transferring it to the perpetrators is an essential shift with powerful healing potential. They also explore social movements, like the women's and civil rights movements, that can lead to helpful reforms and the development of new support systems for trauma survivors.   ✨ Click here to watch the video version of this episode on YouTube:

#1 New York Times bestselling author, Anne Lamott, spoke with me about 40 years of teaching writing, how to write more bravely, on sh*tty first drafts, and sharing hacks she's learned over her career at the Writers Rising 2024 retreat. Anne Lamott is the author of 20 books, including New York Times bestsellers Help, Thanks, Wow; Dusk, Night, Dawn; Traveling Mercies; and Bird by Bird: Some Instructions on Writing and Life, as well as seven novels. Her latest book, Somehow: Thoughts on Love was a #1 New York Times bestseller. Publishers Weekly praised “…her ability to distill complex truths with a deceptive lightness” in their starred review. Anne is a recipient of a Guggenheim Fellowship, an inductee to the California Hall of Fame, and was recently a columnist for The Washington Post. She has taught at UC Davis, writing conferences across the country, and is currently an artist in residence at A Writing Room Collective. [Discover ⁠The Writer Files Extra⁠: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at ⁠writerfiles.fm⁠] [If you're a fan of The Writer Files, please ⁠click FOLLOW to automatically see new interviews⁠. And drop us a rating or a review wherever you listen] In this file Anne Lamott and I discussed:  The debt of honor that is the writing life Why you don't have to know everything to finish your book What it was like getting inducted into the California Hall of Fame next to Mark Zuckerberg and Serena Williams The importance of accountability for staying on track Why you need to stop not writing and get your butt in the chair And a lot more! Show Notes: ⁠Writers Rising 2024⁠ ⁠awritingroom.com⁠ ⁠Bird by Bird: Some Instructions on Writing and Life⁠ by Anne Lamott (Amazon) ⁠Somehow: Thoughts on Love⁠ By Anne Lamott (Amazon) ⁠Anne Lamott Amazon Author Page⁠ ⁠Anne Lamott on Twitter⁠ ⁠Anne Lamott on Facebook⁠ ⁠Anne Lamott on Instagram⁠ ⁠Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Paddy gives you the skinny on the Guggenheim Fellowship, one of the most prestigious awards for mid-career artists. The talk contains tips and strategies you won't find on their website, including knowing when to apply and how often. You won't find this information anywhere else, so have a listen. Even if you're not planning to apply, this episode will give you strategies for ALL grant applications.   Relevant links: https://www.gf.org/

This week Grant and Brooke consider images as enhancements to memoir. Historically publishers have tended to regard images in memoir with reservation, but that's been changing in recent years. Guest Jennifer Croft's recent memoir, Homesick, is accompanied by her own Polaroids. When should photos be included, or central? And what are some other memoirs that have been improved by the addition of images? Whether to include images involves many considerations—from your reader, to style, to the interplay between words and image, and Jennifer Croft offers thoughtful insights around this and more. Jennifer Croft is the author of the illustrated memoir, Homesick, and the translator of Polish of Nobel laureate Olga Tokarczuk's Flights, for which she won the 2018 International Booker Prize. She won a 2022 Guggenheim Fellowship for her novel The Extinction of Irena Rey, the 2020 William Saroyan International Prize for Writing for Homesick. She is a founding editor of The Buenos Aires Review and has published her own work and numerous translations in The New York Times, The Los Angeles Review of Books, Granta, VICE, n+1, Electric Literature, Lit Hub, BOMB, and many more. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week Grant and Brooke consider images as enhancements to memoir. Historically publishers have tended to regard images in memoir with reservation, but that's been changing in recent years. Guest Jennifer Croft's recent memoir, Homesick, is accompanied by her own Polaroids. When should photos be included, or central? And what are some other memoirs that have been improved by the addition of images? Whether to include images involves many considerations—from your reader, to style, to the interplay between words and image, and Jennifer Croft offers thoughtful insights around this and more. Jennifer Croft is the author of the illustrated memoir, Homesick, and the translator of Polish of Nobel laureate Olga Tokarczuk's Flights, for which she won the 2018 International Booker Prize. She won a 2022 Guggenheim Fellowship for her novel The Extinction of Irena Rey, the 2020 William Saroyan International Prize for Writing for Homesick. She is a founding editor of The Buenos Aires Review and has published her own work and numerous translations in The New York Times, The Los Angeles Review of Books, Granta, VICE, n+1, Electric Literature, Lit Hub, BOMB, and many more. Learn more about your ad choices. Visit megaphone.fm/adchoices

We meet Gary Schneider to discuss his photography, and his collaboration printing for Peter Hujar and other aritsts. Born in South Africa, Gary Schneider is a photographer whose early practices in painting, performance, and film remain integral to his explorations of portraiture. He strives to marry art and science, identity and obscurity, figuration and abstraction, the carnal and the spiritual. He was raised during apartheid, emigrating to New York in 1977 at the age of 22, and much of his work is informed by the racial issues he grew up with. Genetic Self-Portrait (1997-1998), for example, is a series of images of his own genetic material in which nothing identifies race. Also included in this exhibition are forensic images that use the strategies he developed in Genetic Self-Portrait.These include body imprints of himself and John Erdman, his muse since 1977, and a handprint portrait of the South African artist Senzeni Marasela. It is from a project produced between 2011-2015 funded by a Guggenheim Fellowship which realized Gary's desire to meet and make portraits of the community of South African artists thriving post-apartheid. He has been making handprint portraits since 1993 and considers them to be as expressive as any portrait of a face, more private, and perhaps more revealing.In other portraits (face and figure), made since 1988, the person lies under an 8x10-inch camera in the dark. The exposure is made by the artist slowly exploring their features with a small flash-light, over a long period of time. This traces both his and their performances and produces distortions in color and form that he further manipulates during the printing process.As mentioned in a recent Frieze article: Artist and master printer Gary Schneider was a close friend and occasional subject of Peter Hujar, the New York-based photographer famed for his empathetic photographs of artist and writer friends, drag performers, nude lovers, farm animals and cityscapes. Since Hujar's death in 1987, Schneider has been entrusted with making prints of his late friend's work, a process he describes in engrossing detail in his recent book Peter Hujar Behind the Camera and in the Darkroom (2024). More than three decades spent poring over Hujar's photographs has given Schneider an unrivalled insight into how their austere elegance was achieved. Here, he remembers what it was like to work with Hujar, the ‘eccentricities' of his prints and how their years of friendship and collaboration inspired his co-curation, with John Douglas Millar, of ‘Eyes Open in the Dark' at Raven Row in London – the first comprehensive UK survey of Hujar's photographs to date.Follow @GarySchneider7Visit www.garyschneider.net/and https://ravenrow.org/exhibitions/peter-hujar-eyes-open-in-the-dark Hosted on Acast. See acast.com/privacy for more information.

Today's poem shows us a teacher wrestling with the notion of “graduation.” Happy reading.Bill Knott was born on February 17, 1940, in Carson City, Michigan. When he was seven years old, his mother died in childbirth, and his father passed away three years later. He grew up in an orphanage in Mooseheart, Illinois, and on an uncle's farm. In the late 1950s, he joined the U.S. Army and, after serving his full enlistment, was honorably discharged in 1960.In the early 1960s, Knott moved to Chicago, where he worked as a hospital orderly. There, he became involved in the poetry scene and worked with John Logan, Paul Carroll, Charles Simic, and other poets. He published his first book, The Naomi Poems, Book One: Corpse and Beans (Big Table, 1968), under the pseudonym Saint Geraurd in 1968. He also published Nights of Naomi (Barn Dream Press, 1971) and Auto-necrophilia (Big Table, 1971) under the same name.Knott went on to publish several poetry collections under his own name, including I Am Flying into Myself: Selected Poems, 1960–2014 (Farrar, Straus and Giroux, 2017), edited by Thomas Lux; Laugh at the End of the World: Collected Comic Poems 1969–1999 (BOA Editions, 2000); Becos (Random House, 1983); and Love Poems to Myself (Barn Dream Press, 1974). He also self-published many books and posted all of his poems online, where they could be read for free.Of his work, Lux writes, “As dense as some of his poems can be, they rarely defeat comprehensibility. Some are so lucid and straightforward, they are like a punch in the gut, or one's first great kiss…. His intense focus on every syllable, and the sound of every syllable in relation to nearby sounds, is so skilled that the poems often seem casual: Art hides art.”Knott taught at Emerson College for over twenty-five years. He received the Iowa Poetry Prize, a Guggenheim Fellowship, and two fellowships from the National Endowment for the Arts, among other honors and awards. He died on March 12, 2014, in Bay City, Michigan.-bio via Academy of American Poets This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Cosmologists were, let us be honest, pretty stunned in 1998 when observations revealed that the universe is accelerating. There was an obvious plausible explanation, the cosmological constant proposed by Einstein, which is equivalent to a constant vacuum energy pervading space. But the cosmological constant was known to be enormously smaller than its "natural" value, and it seems fine-tuned for it to be so small but not yet zero. Once burned, twice shy, and since then we have been looking for evidence that the dark energy might not be strictly constant, even though that's even more fine-tuned. We talk to cosmologist Marc Kamionkowski about recent evidence that dark energy might be changing with time, and what this might have to do with the Hubble tension and other cosmic anomalies.Blog post with transcript: https://www.preposterousuniverse.com/podcast/2025/03/31/310-marc-kamionkowski-on-dark-energy-and-cosmic-anomalies/Support Mindscape on Patreon.Marc Kamionkowski received his Ph.D. in physics from the University of Chicago. He is currently the William R. Kenan Jr. Professor in the Department of Physics and Astronomy at Johns Hopkins University. Among his prizes are the Gruber Cosmology Prize, the Dannie Heineman Prize for Astrophysics, membership in the National Academy of Science, and a Guggenheim Fellowship.Johns Hopkins web pageGoogle Scholar publicationsWikipediaKamionkowski and Riess, "The Hubble Tension and Early Dark Energy"Dark Energy Spectroscopic Instrument paper and followupDark Energy Survey paperSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We often study cognition in other species, in part to learn about modes of thinking that are different from our own. Today's guest, psychologist/philosopher Alison Gopnik, argues that we needn't look that far: human children aren't simply undeveloped adults, they have a way of thinking that is importantly distinct from that of grownups. Children are explorers with ever-expanding neural connections; adults are exploiters who (they think) know how the world works. These studies have important implications for the training and use of artificial intelligence.Blog post with transcript: https://www.preposterousuniverse.com/podcast/2025/03/17/308-alison-gopnik-on-children-ai-and-modes-of-thinking/Support Mindscape on Patreon.Alison Gopnik received her D.Phil in experimental psychology from Oxford University. She is currently a professor of psychology and affiliate professor of philosophy at the University of California, Berkeley. Among her awards are the Association for Psychological Science Lifetime Achievement Award, the Rumelhart Prize for Theoretical Foundations of Cognitive Science, and a Guggenheim Fellowship. She is a past President of the Association for Psychological Science. She is the author of The Scientist in the Crib, The Philosophical Baby, and The Gardener and the Carpenter, among other works.Web siteLab web siteBerkeley web pageGoogle Scholar publicationsAmazon author pageWikipediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Even though Palestinian-American Fady Joudah's poem is sparingly titled “[...],” an ellipsis surrounded by brackets, this work itself is psychologically dense. Through crisp lines and language, it wrestles with the nature of human ambivalence — about things like fear, desire, disaster, liberty — and it finds certainty only in the shaky universal ground of that ambivalence.Fady Joudah is the author of […]. He has also published five other collections of poems, including Textu, a book-long sequence of short poems whose meter is based on cellphone character count; Footnotes in the Order of Disappearance; and Tethered to Stars. He has translated several collections of poetry from Arabic and is the co-editor and co-founder of the Etel Adnan Poetry Prize. He was a winner of the Yale Series of Younger Poets competition in 2007 and has received the Jackson Poetry Prize, a PEN award, a Banipal/Times Literary Supplement prize from the UK, the Griffin Poetry Prize, a Guggenheim Fellowship, and the Arab American Book Award. He lives in Houston, Texas, with his wife and children, where he works as a physician in internal medicine.Find the transcript for this show at onbeing.org.We're pleased to offer Fady Joudah's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. Order your copy of Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig) wherever you buy books.