Podcasts about Alfred Hitchcock

The Invisible Scene is the quiet moment most viewers watch and don't notice. And it changes everything. It is not the car chase, the villain reveal, or the final showdown. It is a throwaway line, a loaded pause, a scene hiding in plain sight. Miss it, and you miss the movie. Hosts Dan and Tom of Cracking the Code of Spy Movies break down exactly what makes the invisible scene so easy to overlook — and yet, so essential, especially to spy movies. They walk through landmark spy movies in close detail. For instance, in CASINO ROYALE, a train conversation between James Bond and Vesper Lynd sets up the movie's entire emotional arc in just a few minutes. Similarly, in Alfred Hitchcock's NORTH BY NORTHWEST, a dinner on a train between Roger Thornhill and Eve Kendall quietly reveals who is actually in control. Then, in SKYFALL, a cluster of evaluation scenes tells you James Bond is broken long before the plot confirms it. Each example shows how great spy movies hide their true meaning in plain dialogue, subtle behavior, and understated moments — and how to spot them yourself. Once you start seeing these scenes, you can't unsee them. Every rewatch becomes a fresh discovery. We cover more spy movies than these three in this episode. Listen to find out what those movies are. The mission of this episode is to: Define "invisible scenes" — undramatic moments that secretly carry the movie's entire meaning Dive deeply into the invisible scenes in CASINO ROYALE, NORTH BY NORTHWEST, and SKYFALL with specific scene breakdowns. Explain why spy movies deliberately bury their biggest clues in quiet dialogue Teach a practical method for spotting invisible scenes on your next rewatch Explore how both Hitchcock and modern Bond films use the same invisible-scene technique Let you in on a post-filming edit that Hitchcock had to make in NORTH BY NORTHWEST Tell us what you think of our decoding of the invisible scene Is this something you've noticed before?  Can you find the hidden scene in your favorite spy movie? Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage:  https://spymovienavigator.com/episode/the-invisible-scene-that-explains-the-whole-spy-movie

Good evening. Welcome to Dial P for Podcast, Patrick Ripoll's year-long chronological voyage through the films of Alfred Hitchcock. Every month Patrick will be watching four Hitchcock features and talking about them here, from The Pleasure Garden to Family Plot, all across the year of 2026, examining the life and work of England's most famous cinema pervert.In this episode Alfred Hitchcock finally escapes the confines of the British film industry, only to once again find himself a small fish in a large pond. With The Lady Vanishes (1938) he takes the 39 Steps formula into dizzying new heights of paranoia and sophistication, in Jamaica Inn (1939) he clashes with the ego of producer/star Charles Laughton, in Rebecca (1940) he breaks ground in Hollywood with a career high gothic romance classic and Foreign Correspondent (1940) finds him back to the thriller, but with greater production values and a more urgent plea for intervention than ever.One of the most important stretches of Alfred Hitchcock's career, producing some of the greatest works in his filmography! Check it out!0:00 - 0:33 - Intro0:34 - 46:00 - The Lady Vanishes (1938)46:01 - 1:18:20 - Jamaica Inn (1939)1:18:21 - 2:34:24 - Rebecca (1940)2:34:25 - 3:43:14 - Foreign Correspondent (1940)3:43:15 - 3:44:04 - Outro

In 2018, researchers at MIT unveiled an artificial intelligence so disturbing it earned a name straight out of a psychological thriller: Norman (as in Bates). Unlike typical AIs, Norman was exposed to some of the darkest corners of the internet, causing it to see horror in the mundane. Though designed as an experiment, Norman became a cautionary tale about how artificial minds can mirror humanity's most disturbing tendencies. For a full list of sources, please visit: sosupernaturalpodcast.com/dark-web-norman-the-psychopathic-ai   Did you know you can listen to So Supernatural ad-free? Join the Crime Junkie Fan Club! Visit https://crimejunkiepodcast.com/fanclub/ to view the current membership options and policies. So Supernatural is an Audiochuck and Crime House production. Find us on social! Instagram: @sosupernaturalpod Twitter: @_sosupernatural Facebook: /sosupernaturalpod Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A professor created an advanced robot named Junior, but it was stolen by a crook during the early stages of its intellectual and emotional development.To download, right-click here and then click SaveJoin the Journey Into Patreon to get extra episodes and personal addresses, plus other extras and rewards.Robert Bloch was an American fiction writer, primarily of crime, psychological horror and fantasy, much of which has been dramatized for radio, cinema and television. He also wrote a relatively small amount of science fiction. Best known as the writer of Psycho (1959), the basis for the film of the same name by Alfred Hitchcock, Bloch wrote hundreds of short stories and over 30 novels. He was a protégé of H. P. Lovecraft, who was the first to seriously encourage his talentX Minus One was a half-hour science fiction radio drama series broadcast from April 24, 1955 to January 9, 1958 in various timeslots on NBC. Initially a revival of NBC's Dimension X (1950–51), the first 15 episodes of X Minus One were new versions of Dimension X episodes, but the remainder were adaptations by NBC staff writers, including Ernest Kinoy and George Lefferts, of newly published science fiction stories by leading writers in the field, including Isaac Asimov, Ray Bradbury, Philip K. Dick, Robert A. Heinlein, Frederik Pohl and Theodore Sturgeon, along with some original scripts by Kinoy and Lefferts.Theme music: Liberator by Man In SpaceTo comment on this or any episode:Send comments and/or recordings to journeyintopodcat@gmail.comPost a comment on Facebook here, or on X here

We all go a little mad sometimes! This week Jack and Corey are joined by the hilarious Ryan Stanger (Actionboyz Podcast) to talk Gus Van Sant's controversial (nearly) shot-for-shot remake of Alfred Hitchcock's PSYCHO (1998)! The three talk Van Sant vs Van Damme, charcuterie boards, Vince Vaughn's dramatic roles, Shower Scenes, Anne Heche's rear end, Van Sant's un-Hitchcockian style, hated movies, hot tempers, added shots, pantsing people, experimental cinema, Christopher Lloyd, Psycho 2, J-Blow, 90s acting trends, infuriating jerk off scenes, secret St. Patrick's Day movies, Nepo Daddies, Rob Zombie, the Psycho house, the Universal Studio Tour, Jim Carrey, Hokas, Anthony Perkins, differences from the book, XXX Psycho parody, Dunkaroos, Lena The Plug, mooning people, Auditioning for Gus Van Sant, digital cows and Bad Mothers.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

To mark 2015's 50th anniversary of the classic adventure series “Lost in Space,” Gilbert and Frank dial up Will Robinson himself, actor, musician and voice artist Bill Mumy, who shares childhood memories of working with icons Irwin Allen, Brigitte Bardot and Walt Disney and explains why he turned down the role of Eddie on "The Munsters." Also, Bill runs afoul of Alfred Hitchcock, stars in three unforgettable “Twilight Zone” episodes and records the novelty song “Fish Heads.” PLUS: “The Great Vegetable Rebellion”! Billy meets Keith Richards! Zorro meets Eva Peron! And Gilbert tangles with the Man of Steel! Learn more about your ad choices. Visit megaphone.fm/adchoices

The First Part in our Dear, We Must Depart Trilogy For our big episode 250 we pick on Grace Kelly's dumb face... okay, that sounds mean but she is mostly confused through the proceeding of Alfred Hitchcock's DIAL M FOR MURDER while we remain riveted as the characters go over and over and OVER the perfect murder. That is if there can be such a thing as a perfect murder when Princess Grace is the intended victim. But that's why it's the movies and this is not CinemaSins, it's TiT! Patreon supporters get access to monthly bonus episodes including previous years of Movie Book Club! Bluesky/Instagram/Threads: @trilogyintheory Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs Find out more at https://trilogyintheory.pinecast.co This podcast is powered by Pinecast.

Das Hörspiel zum Erfolgsroman von Daphne Du Maurier, der auch von Alfred Hitchcock verfilmt wurde! Maxim de Winter hat früh geheiratet. Als neue Herrin von Manderley erfährt sie von der verstorbenen ersten Frau ihres Gatten. Vor einem Jahr kam diese Rebecca ums Leben, doch ihr Geist ist noch sehr präsent in Manderley. Die Tote entwickelte eine frostige Macht über ihre Nachfolgerin. Bastian Pastewka präsentiert diesen berühmten Stoff zum 30.Todestag von Peter Pasetti am 23.05.1996. Bastian Pastewka präsentiert: Rebecca Von Daphne Du Maurier Mit Peter Pasetti, Eva Vaitl, Cordula Trantow u.a. Regie: Heinz-Günter Stamm BR 1973 Podcast-Tipp: Sherlock Holmes – Krimi-Hörspielklassiker nach Sir Arthur Conan Doyle https://1.ard.de/sherlockwatson

Nato a Londra nel 1899, Alfred Hitchcock è considerato uno dei registi più influenti della storia del cinema. Cresciuto in un ambiente segnato da rigore e disciplina, sviluppa fin da giovane una sensibilità particolare per il senso di colpa, la paura e il controllo, elementi che diventeranno centrali nella sua filmografia. Dopo i primi anni nel cinema britannico, il suo trasferimento a Hollywood segnerà l'inizio di una carriera straordinaria, fatta di successi e di uno stile inconfondibile, capace di trasformare lo spettatore in parte attiva del racconto. Il suo cinema, apparentemente semplice, nasconde una struttura complessa e profondamente moderna, capace di influenzare intere generazioni di registi. Ma qual era il segreto di Alfred Hitchcock? E perché, a distanza di decenni, i suoi film continuano a farci paura? Ne parliamo insieme a Laura Scaramozzino: editor, coach letteraria, nonché autrice premiata di novelle e romanzi noir. Iscriviti al gruppo Telegram per interagire con noi e per non perderti nessuna delle novità in anteprima e degli approfondimenti sulle puntate: https://t.me/LucePodcast Se vuoi ascoltarci senza filtri e sostenere il nostro lavoro, da oggi è possibile abbonarsi al nostro canale Patreon e accedere a contenuti bonus esclusivi tramite questo link: patreon.com/LucePodcast

Tune in as Rolo Tony (@PoorOldRoloTony and These Guys Got Juice) hops back onto the podcast to navigate Strange Days, the 1995 tech-noir thriller that follows the last two days of 1999 as an LAPD vice cop-turned-black marketeer and a bodyguard/limo driver rush to uncover a criminal conspiracy involving illegal technology that records your memories and physical sensations for other people to viscerally experience. Comparing this to movies like Reminiscence and Alfred Hitchcock's work, the lib-coded commentary on the police system and its racist violence, the unnerving rape sequence that somehow manages to be respectfully handled, and showering praise onto Angela Bassett's Mace pop up as some of the topics for this episode.Directed by Kathryn Bigelow, Strange Days stars Ralph Fiennes, Angela Bassett, Tom Sizemore, Juliette Lewis, Michael Wincott, Richard Edson, Glenn Plummer, Vincent D'Onofrio, William Fichtner, Brigitte Bako, Josef Sommer, Michael Jace, Nicky Katt, Louise LeCavalier, David Carrera, Jim Ishida, Todd Graff, Joe Urla, and Anais Munoz.Spoilers start at 36:25James Cameron's scriptment for Strange DaysLos Angeles Times | Rave Party Extras Are ‘Dee-Lited': Drug overdoses mar otherwise orderly concert for 10,000 who also are filmed for movie sceneCreate your podcast today! #madeonzencastrHere's how you can learn more about Palestine and IsraelHere's how you can keep up-to-date on this genocideHere's how you can send eSIM cards to Palestinians in order to help them stay connected onlineGood Word:• Rolo Tony: Cyberpunk 2077• Arthur: Too Old to Die YoungReach out at email2centscritic@yahoo.com if you want to recommend things to watch and read, share anecdotes, or just say hello!Be sure to subscribe, rate, and review on iTunes or any of your preferred podcasting platforms!Follow Arthur on Twitter, Goodpods, StoryGraph, Letterboxd, and TikTok: @arthur_ant18Follow Arthur on Bluesky: @arthur-ant18Follow the podcast on Twitter: @two_centscriticFollow the podcast on Instagram: @twocentscriticpodFollow Arthur on GoodreadsCheck out 2 Cents Critic Linktree

“This movie has seen Scream… and Scream 2” - AndrewOn this week's episode, we're chatting about the fun-enough satirical slasher sequel, Urban Legends: Final Cut! Why didn't they think to have any classroom scenes in this film school-set movie? How hilarious is the kidney-bathtub sequence that's completely on an island from the rest of the film? What kind of funding does this film school have, what with all these soundstages? Why exactly does Hart Bochner's character think this scheme will lead to his Hollywood breakthrough? And what would an Urban Legend sequel look like if Alfred Hitchcock was directing? PLUS: An out-of-touch studio executive hammers John Ottman with unhelpful notes!Urban Legends: Final Cut stars Jennifer Morrison, Matthew Davis, Hart Bochner, Joey Lawrence, Anson Mount, Eva Mendes, Jessica Cauffiel, Anthony Anderson, Michael Bacall, Marco Hotschneider, Derek Aslant, Jacinda Barrett, and Loretta Devine as Officer Reese; directed by John Ottman.This episode is sponsored by Rocket Money! Let Rocket Money help you reach your financial goals faster. Join at RocketMoney dot com slash WHM! That's RocketMoney dot com slash WHM. Come hang out in Vegas with us this summer as we do a three-night stand at ST:LV to celebrate 60 years of Star Trek and 10 years of The Nexus! We'll be at the convention Thursday, Friday and Saturday night doing three Nexus shows on Wrath of Kahn, Generations, and First Contact! Best part is, you don't need to have a convention pass to attend, each show is ticketed separately. Click through to snag your tix now!Be sure to visit the WHM Merch shop over on Dashery and check out all the latest show-related designs you can slap on t-shirts, hats, coffee mugs, stickers, whatever! Make your friends jealous by flaunting some WHM merch today! Original cover art by Felipe Sobreiro.

From ravens and vultures to killer flocks and supernatural omens, birds have played a major role in horror for decades. In this episode of Lunatics Radio Hour, Abby sits down with Kate Rotunda to explore the history of birds in horror and why these animals continue to symbolize death, fear, and chaos across film and folklore. Get Lunatics Merch here. Join the discussion on Discord. Check out Abby's book Horror Stories. Available in eBook and paperback. Music by Michaela Papa, Alan Kudan & Jordan Moser. Poster Art by Pilar Keprta @pilar.kep.Support the show

Find out how Alfred Hitchcock and David Lynch used thier clout to change the theatrical movie-going and home video DVD experiences in this almost spoiler-free daily-does of whatever. Thanks for listening.  @orwhatevermovies 818-835-0473 orwhatevermovies@gmail.com www.orwhatevermovies.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailIn this episode, we talk with filmmaker Glenn Andreiev about the 1976 Alfred Hitchcock film Family Plot. We break down the final film of Hitchcock's by talking about the cast and story. We also talk a great deal about the last decade of Hitchcock's legendary career. Glenn has been a great guest on the show. Be sure and check out his IMBD. https://www.imdb.com/name/nm0028333/Thanks for listening! 

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

In this episode, I spoke with author Tony Lee Moral about his book "A Century of Hitchcock: The Man, the Myths, the Legacy". For over a century, Alfred Hitchcock has remained one of the cinema's most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller The Lodger (1927) marked the start of his signature style, which was later exemplified in classic films like Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963).The book will be out on June 9, 2026.

Send us Fan MailThe Trial Lawyers College -- which your host Jonathan Katz attended in 1995, followed to this day during the year with periodic trial preparation gatherings of TLC alums and others (shout out to our repeat co-host, criminal defense lawyer supreme, and my decades-long friend Christopher Flohr for hosting such monthly gatherings for years at his Maryland law office) -- makes clear that the TLC does not "offer training for those lawyers who represent government, corporations or large business interests." A sizeable chunk of Trial Lawyers College attendees are criminal defense and plaintiffs personal injury attorneys. When Jon learned that National College of DUI Defense leader Andrew Mishlove embraces Trial Lawyers College approaches, Jon Katz invited him to speak on this Beat the Prosecution podcast, to include addressing integrating TLC approaches with winning DUI defense. Andrew exemplifies the truism that there are always more essential lessons to learn. When he was already in his fifties and very accomplished as a DUI defense lawyer, Andrew learned about the Trial Lawyers College and immediately embraced its approach of persuading through storytelling and applying psychodram and scene setting approaches. Andrew is right on point in talking about the story catalyst that Alfred Hitchcock named the MacGuffin, and the hero's journey of the story. He wonderfully weaves My Cousin Vinny and Star Wars in articulating that approach. Andrew also discusses using the Moth storytelling approach (see his article on the Moth here) -- which is covered at the TLC's Graduate II program -- giving credit to Nebraska lawyer Maren Chaloupka, who addresses storytelling as involving the story worth telling, running from extraordinary to every day events that can be transformative. Andrew also here discusses his week-long annual program with the NCDD entitled Serious Science: Advanced Course in Blood Drug Analysis & Trial Advocacy, where in addition to focusing on persuading for justice for the defense in court, the participants have an opportunity to experience blood analysis from the viewpoint and approach of blood examining and analyzing scientists, whether their testimony is for the defense or prosecution. This episode is also available on YouTube and Apple Podcasts. This podcast with Fairfax, Virginia criminal / DUI lawyer Jon Katz is playable on all devices at podcast.BeatTheProsecution.com. For more information, visit https://KatzJustice.com or contact us at info@KatzJustice.com, 703-383-1100 (calling), or 571-406-7268 (text).  If you like what you hear on our Beat the Prosecution podcast, please take a moment to post a review at our Apple podcasts page (with stars only, or else also with a comment) at https://podcasts.apple.com/us/podcast/beat-the-prosecution/id1721413675

Ninguém duvida que Alfred Hitchcock é um dos maiores cineastas de todos os tempos. Fundamental também para a história do horror, o chamado “Mestre do Suspense” já ganhou um RdMCast especial para chamar de seu, o de número #243, lançado ainda no começo de 2020. Nele, comentamos os maiores clássicos do diretor, de Festim Diabólico (1948) a Os Pássaros (1963). No entanto, percebemos que, mesmo em quase 2h de duração, cometemos grandes injustiças, deixando de fora a carreira inicial do diretor na Inglaterra e alguns dos grandes filmes que dirigiu nos Estados Unidos ao longo dos anos 1940. Portanto, para nos redimir, resolvemos dedicar mais de duas horas para falar sobre os filmes em preto e branco de Alfred Hitchcock. De um suspense mudo que emula Jack o Estripador, passando pelo primeiro filme britânico falado e chegando aos anos 1930, onde a tensão do período eclode em desconfiança e elaboradas tramas de espionagem, vamos até discussões durante e após a Segunda Guerra Mundial nos anos 1940, com uma rede de nazistas infiltrados no Rio de Janeiro. Dê play neste RdMCast especial com doses esperadas de assassinatos, acusações falsas e mulheres loiras, e receba uma dose inesperada de safadeza e talaricagem, transmitidas pelo peculiar humor britânico que era característico de Hitchcock. Mas preste atenção, o futuro da humanidade pode depender de que você consiga decorar esta mensagem escrita em código.O RdMCast é produzido e apresentado por: Thiago Natário, Gabriel Braga e Gabi Larocca.Apoie o RdM e receba recompensas exclusivas: https://apoia.se/rdmCITADOS NO PROGRAMA:O Inquilino/The Lodger (1927) – PlexChantagem e Confissão/Blackmail (1929) – PlexAssassinato/Murder! (1930) – PlexO Homem que Sabia Demais (1934)39 Degraus (1935) – PlexAgente Secreto (1936)Sabotagem (1936) – PlexJovem e Inocente (1937)A Mulher Oculta (1938) – PlexRebecca, a Mulher Inesquecível (1940)Correspondente Estrangeiro (1940)Suspeita (1941)Sabotador (1942)A Sombra de uma Dúvida (1943)Um Barco e Nove Destinos/Lifeboat (1944)Quando Fala o Coração/Spellbound (1945)Interlúdio/Notorious (1946)Pacto Sinistro/Strangers on a Train (1951) O Homem Errado (1956)Citações off topic:A Sucessora (livro, 1934)Dirty Dancing: Ritmo Quente (1987)Intriga Internacional (1959)Cidadão Kane (1941)Soberba (1942)A Princesa e o Plebeu (1953)O Sol é para Todos (1962)A Profecia (1976)Círculo do Medo (1962)Festim Diabólico (1948)Disque M para Matar (1954)Janela Indiscreta (1954)EPISÓDIOS CITADOS:RdMCast #243 – Especial Alfred HitchcockRdMCast #548 -Horror da Vida Real: Incêndios e a Guerra Civil LibanesaRdMCast #525 – Especial Scream Queens: Barbara SteeleRdMCast #453 – A franquia A Profecia: é tudo para você, Damien!RdMCast #303 – Cabo do MedoSiga o RdMYoutube: https://www.youtube.com/c/Rep%C3%BAblicadoMedoInstagram: @republicadomedoTwitter: @RdmcastEntre em contato através do: contato@republicadomedo.com.brLoja do RdMConheça nossos produtos: https://lojaflutuante.com.br/?produto=RdmPODCAST EDITADO PORFelipe LourençoESTÚDIO GRIM – Design para conteúdo digitalPortfólio: https://estudiogrim.com.br/Instagram: @estudiogrimContato: contato@estudiogrim.com.br

Join Alex and friend of the show Dr. Ed Hansen as they discuss the delightfully silly and usefully psychological High Anxiety (1977), Mel Brooks' send-up to the master filmmaker Alfred Hitchcock. The film stars Brooks as Dr. Richard Thorndyke, a world-renowned psychiatrist who begins a new career at the Psycho-Neurotic Institute for the Very, Very Nervous. Joining him are his normal contributors, including Cloris Leachman, Harvey Korman, and Madeline Kahn. When Thorndyke is framed for murder, he must use all the Hitchcockian tools at his disposal to clear his name. Of course, no discussion of Hitchcock films can be made without a discussion of Freud, as well as the use of the term "High Anxiety", using humor as a means to cope with anxiety, the role of suspense to build a crescendo of anxiety, and a brief foray into institutionalization and its foibles. After listening to this podcast, you recovery rate might also be "once in a blue moon"! Follow Ed on BlueSky @EdHansen_PhDAD or Threads EdHansen_PhDAD If you like this content, you might like my new Audible audiobook/course, A Psychologist Goes to the Movies, available now! It features six films that have been on this show, condensed into 25-30 min essays, researched and analyzed. Please leave your feedback on this post, the main site (cinemapsychpod.swanpsych.com), on Facebook (@CinPsyPod), or Threads/Instagram (@cinemapsych_podcast). We'd love to hear from you! Don't forget to check out our Paypal link to contribute to this podcast and keep the lights on! Don't forget to check out our MERCH STORE for some great merch with our logo and other designs! Legal stuff: 1. All film clips are used under Section 107 of Title 17 U.S.C. (fair use; no copyright infringement is intended). 2. Intro and outro music by half.cool ("Gemini"). Used under license. 3. Film reel sound effect by bone666138. Used under license CC-BY 3.0. Episode Transcription Go to this link to read a transcript generated by Whisper AI Large V3 Model. Disclaimer: It is not edited and may contain errors!

Jeremy Zakis describes a sinister "battalion" of over one hundred cockatoos that have occupied the pine trees around his home in a formation reminiscent of Alfred Hitchcock's The Birds. These large, white-crested birds are portrayed as destructive villains that show dominance by stripping tree branches and staring down residents. Jeremy recounts how they used their powerful beaks to snap brass cables on his bird feeder and expresses concern they may begin pulling nails out of his roof. Unlike other birds, these cockatoos appear to be calling for reinforcements to conduct a "full frontal assault" on the yard. (4/4)

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

This week, Geordie & Michelle dive into the life and work of the greatest children's author of all time, Roald Dahl...If you've ever read a book by Roald Dahl or watched one of the films inspired by his stories, you might assume his legacy begins and ends with some of the most beloved children's books ever written. But that barely scratches the surface. Beyond his extraordinary imagination as a writer, Dahl lived a life that was as dramatic as any of his stories. He served as a fighter pilot during World War II, survived a crash that nearly killed him, and later worked as a British intelligence agent. He wrote the most successful James Bond film screenplay of all time, caught the attention of Walt Disney, collaborated with Alfred Hitchcock and married a super successful Hollywood actress. He endured the death of a child and supported another through a life-threatening injury and even helped develop a life-saving medical device. But there's also a dark side to Dah's life that begs the question - can you separate the work from the man? So grab a brown lemonade and settle in as the pair chat the woman who went missing in Geordie's neighbourhood, Dan the Postie's new wheels, hydro facials, sound baths and more, only on Eavesdroppin'. And remember, wherever you are, whatever you do, just keep Eavesdroppin'!*Disclaimer: We don't claim to have any factual info about anything ever and our opinions are just opinions not fact, sooorrrryyy! Don't sue us!Please rate, review, tell your friends and subscribe in all the usual places – it really helps :) Support us on Patreon: https://www.patreon.com/eavesdroppinDo write in with your stories at hello@eavesdroppinpodcast.com or send us a Voice Note!Listen: http://www.eavesdroppinpodcast.comorhttps://podfollow.com/eavesdroppinYouTube: https://www.youtube.com/channel/UCqcuzv-EXizUo4emmt9PgfwFacebook: https://www.facebook.com/eavesdroppinpodcast Hosted on Acast. See acast.com/privacy for more information.

If you LOVE this show, click here: Join us on Patreon for ZERO ADS ALWAYS! Tonight, we're diving into the "Ghostmail" bag to read and discuss your chilling personal ghost stories. From a "rehomed" haunted doll from Germany to a family legacy of dark attachments in Las Vegas, the veil is feeling incredibly thin in the studio.Whether we're out in the field or right here in Savannah, Georgia, we hunt for the experiences where the weird becomes normal. Grab your favorite drink, cut the lights, and journey with us.The German Doll: AJ shares the story of a childhood doll that went from beloved friend to a source of dread. Is it a dormant spirit waiting for attention, or something more possessive?A Dark Inheritance: Sheri reaches out for help regarding a physical attack in her home. We discuss "inherited curses," the dangers of attic ghosts, and what to do when your sage won't light.The Art of the Jump Scare: Chris gives a masterclass in suspense (Alfred Hitchcock style) and tests out some new "gore" sound effects.Have you had a paranormal experience? A creepy encounter at your job? Or maybe you're a postal worker with a "haunted package" story? We want to hear it! Email: ghostmail@hauntedcitypodcast.com

Forrest, Conan Neutron, Kristina Oakes and Eileen Jones talk about Alfred Hitchcock's Vertigo! Starring Jimmy Stewart, Kim Novak, Barbara Bel Geddes, and Tom Helmore Vertigo tells the story of Scottie, a former San Francisco Police Department Detective, who is battling with a bad case of Acrophobia after seeing a Police Officer fall off a building. He becomes romantically obsessed by his college friend's mysterious wife Madeleine that he's been hired to tail. Released in 1958, along with another Jimmy Stewart and Kim Novak film Bell, Book and Candle which we've talked about previously on the podcast. It is now seen as Alfred Hitchcock's best film and a contender with Citizen Kane for best film ever made. #alfredhitchcock #vertigo #jimmystewart #kimnovak #sanfrancisco #citizenkane #rearwindow #filmpodcast #moviepodcast #suspense #suspensestories #livefeed #live #vertical #verticallive #verticallivestream #vertical #sanfrancisco #stewart #oscars #movie #1958 #hitchcockpresents

EPISODE 138 -  “NORMAN LLOYD: CLASSIC CINEMA STAR OF THE MONTH” - 5/4/2026  Few figures in Hollywood history have had careers as long—or as varied—as NORMAN LLOYD.  Spanning nearly a century, his work bridges the worlds of theater, radio, and film, with collaborations that include legends like CHARLIE CHAPLIN, ALFRED HITCHCOCK and ORSON WELLES. Whether appearing on stage, on screen or shaping stories behind the scenes, Lloyd's presence has always carried a quiet intensity and sharp intelligence. Join us as we take a closer look at the life and legacy of Norman Lloyd, our Star of the Month — a man who didn't just witness Hollywood history—he helped create it.   SHOW NOTES:  Stages: Norman Lloyd by Norman Lloyd and Francine Parker, The Scarecrow Press, Inc., 1990; Stages: Of Life in Theatre, Film and Television by Norman Lloyd, Limelight, August 1, 2004; Norman Lloyd Career Retrospective, Legacy Collection, Conversations at the SAG-AFTRA Foundation, May 4, 2004;  Noir City, Post-Screening Q&A with Norman Lloyd, Palm Springs, May 15, 2011; Shattered Applause: The Lives of Eva Le Gallienne by Robert A Schanke, Dec 9, 1992, Southern Illinois University Press; Broadway's Dreamers: The Legacy of the Group Theatre, PBS, June 26, 1989; Norman Lloyd, Associate of Welles, Hitchcock and Others, Dies at 106 by Eric Nagourney, May 11, 2011; The End of an Era: Norman Lloyd, 1914-2021 by Peter Sobczynski, May 12, 2021; Norman Lloyd, Star of ‘Saboteur' and ‘St. Elsewhere,' Dies at 106, by Mike Barnes, The Hollywood Reporter, MAY 11, 2021; TCM Remembers Norman Lloyd, TCM.com, May 13, 2021; Wikipedia.com; IBDB.com TCM.com; IMDBPro.com; Movies Mentioned: Saboteur (1942) Starring Robert Cummings and Priscilla Lane; Spellbound (1945) Starring Ingrid Bergman and Gregory Peck; The Southerner (1945) Starring Zachary Scott and Betty Field; A Walk in the Sun (1945) Starring Dana Andrews and Richard Conte; The Green Years (1946) Starring Charles Coburn and Tom Drake; A Letter for Evie (1946) Starring Marsha Hunt and John Carroll; The Beginning or the End (1947) Starring Brian Donlevy and Robert Walker; The Red Pony (1949) Starring Myrna Loy and Robert Mitchum; Scene of the Crime (1949) Starring Van Johnson and Arlene Dahl; The Flame and the Arrow (1950) Starring Burt Lancaster and Virginia Mayo; Buccaneer's Girl (1950) Starring Yvonne De Carlo and Philip Friend; The Light Touch (1951) Starring Stewart Granger and Pier Angeli; He Ran All the Way (1951) Starring John Garfield and Shelley Winters; Limelight (1952) Starring Charlie Chaplin and Claire Bloom; Audrey Rose (1977) Starring Marsha Mason and Anthony Hopkins; Dead Poets Society (1989) Starring Robin Williams and Robert Sean Leonard; The Age of Innocence (1993) Starring Daniel Day-Lewis and Michelle Pfeiffer; In Her Shoes (2005) Starring Cameron Diaz and Toni Collette; Trainwreck (2015) Starring Amy Schumer and Bill Hader --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Capítulo 288 de Audiolibros y Relatos en el que te traigo un relato que juega con una idea inquietante: qué ocurre cuando la ley, el orden… y la violencia empiezan a confundirse peligrosamente. El cuento se titula «La ley de armas», firmado por Brian Garfield y recogido en la antología «Las palabras de la víctima», una colección de historias seleccionadas bajo el sello inconfundible del maestro del suspense, Alfred Hitchcock, que vuelve tras muchos meses de ausencia. Narrado por Xavi Villanueva Este episodio está patrocinado por el podcast "Espiral" de Karen Codner karencodner.com Síguenos en Patreon: https://www.patreon.com/AudiolibrosyRelatos !Nuevo episodio! Ya puedes disfrutar de ALFRED HITCHCOCK presenta: La ley de armas en ABISMOfm.

Good evening. Welcome back to Dial P for Podcast, Patrick Ripoll's year-long chronological voyage through the films of Alfred Hitchcock. Every month Patrick will be watching four Hitchcock features and talking about them here, from The Pleasure Garden to Family Plot, all across the year of 2026, examining the life and work of England's most famous cinema pervert.For episode 4 we find Alfred Hitchcock a newly christened international film star, taking the magic formula he discovered in The Man Who Knew Too Much (1934) in four very different configurations, with four very different results, as we discuss the ground crumbling from under him at Gaumont Studios. Also: his top three favorite methods of being a hideous creep at parties!Spies and bystanders, codes and MacGuffins, the Scottish Highlands to the Swiss Alps to Picadilly Circus, this episode finds Hitch sharpening the Hitchcockian thriller to a fine point, as well as discarding some truly useless pencil shavings!0:00 - 0:35 - Intro Music0:36 - 1:35:56 - The 39 Steps (1935)1:35:57 - 2:06:51 - Secret Agent (1936)2:06:52 - 2:58:11 - Sabotage (1936)2:58:12 - 3:22:34 - Young & Innocent (1937)3:22:35 - 3:23:46 - Outro Music

Originally Recorded on Wednesday April 15th and Wednesday April 22nd, 2026 What's up, fans? That Horror Show Podcast presents to you another brand-spankin'-new episode to bring joy to your ears. Those two lovable hosts Timothy Kazda and Chris Koenig take a break from reviewing trashy and exploitable movies, turning to two thrillers that have a touch of cinematic class. And both movies are made by the 'Master of Suspense' himself: Alfred Hitchcock! Also, both movies feature the hosts favorite classic actor James Stewart, so that's a major bonus! So listen up as the hosts talk about "Rear Window" (1954), a film which asks the question: would you ever suspect your neighbor of committing MURDER!?!? And then, the hosts take a gander at "Vertigo" (1958), one of the most bizzare movies to ever come out of Hitchcock's vast filmography with a storyline that's just...well, odd! And, oh yes, lest we not forget: young Nate from 'Nate's Corner' is on hand to give his review of "I Know What You Did Last Summer" (1997). So give this episode a little spin and don't forget to tell your friends about us.

Send us a Question!PATREON MOVIE DISCUSSION: This movie was selected by our Patreon Supporters over at the Cinematic Doctrine Patreon. Support as little as $3 a month and have your voice heard! Kathryn joins Melvin in discussing Rear Window, a quintessential Hitchcock film! The two get into the film's fascination with voyeurism, L.B. Jefferies complex character, whether or not people can change, and what it means to clearly see others. Topics: (PATREON EXCLUSIVE) 22-minutes discussing the Forbes report from Rob Salkowitz "Disney Layoffs Hit Marvel Studios Hard", how visual effects artists switching from full-time to contract work may increase project leaks, and why these layoffs happened in the first place. (PATREON EXCLUSIVE) The film is exceptionally well paced, and the way it turns people into "television channels" is as gross as it is curious.The dialogue in Rear Window is top notch, even if it's very scripted and forgoes any sense of realistic, human communication. Everything's so clever.Despite its ups and downs, Melvin really loved the romance and drama between L.B. Jefferies and Lisa Fremont.Where does a person's insatiable desire for information come from?Talking about perspectives and framing.Talking about L.B. Jefferies and the intricacies of his character.The ending is only the tiniest bit clunky, but it's strong nonetheless.Recommendations:His Girl Friday (1940) (Movie)Loner (2025) (Movie) Support the showSupport on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & PinsSocial Links: ThreadsWebsiteInstagramLetterboxdFacebook Group 

Tom and Noelle Crowe are back with another American Catholic History lesson. Today they tell you about the Catholic stories of Alfred Hitchcock.Subscribe to the Morning Blend on your favorite podcast platform.Find this show on the free Hail Mary Media App, along with a radio live-stream, prayers, news, and more.Look through past episodes or support this podcast.The Morning Blend is a production of Mater Dei Radio in Portland, Oregon.

Alfred Hitchcock was the so-called Master of Suspense. From the 1930s through the 1960s, he directed dozens of films – mostly in the murder-mystery, psychological horror, or spy drama genres – and worked with some of Hollywood's biggest stars to create masterpieces that continue to feel relevant more than half a century later. While his personal life and professional ethics are fraught with controversy, his creative brilliance and influential storytelling remains unimpeachable. So join the Great Pop Culture Debate as we attempt to name the Best Alfred Hitchcock Film.Movies discussed: Psycho, Rear Window, Vertigo, North by Northwest, Dial M for Murder, The Birds, The 39 Steps, Strangers on a Train, Notorious, Rope, Rebecca, The Lady Vanishes, Suspicion, To Catch a Thief, The Man Who Knew Too Much, Shadow of a DoubtJoin host Eric Rezsnyak and panelists David Silbert, Jim Czadzeck, John Higgins, and Karissa Kloss as they discuss and debate 16 of Hitch's most enduring films.For the warm-up to this episode, in which we discuss additional Hitchcock projects that didn't make the bracket, become a Patreon supporter of the podcast today. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks.EPISODE CREDITSHost: Eric RezsnyakPanelists: David Silbert, Jim Czadzeck, John Higgins, Karissa KlossProducer: Curtis CreekmoreEditor: Bob ErlenbackIntro/Outro Music: "Dance to My Tune" by March Torch#hitchcock #alfredhitchcock #hitch #horror #suspense #classicfilm #classicmovies #psycho #thebirds #vertigo #northbynorthwest #rebecca #notorious #strangersonatrain #theladyvanishes #classichollywood #horrormovies #1960sfilm #1950sfilm #1940sfilmSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What does it take to go from a teenage creator with a camera to an award-winning filmmaker, director, and CEO?In this powerful episode of A Conversation with Floyd Marshall Jr., we sit down with Meosha Bean—a filmmaker, actress, entrepreneur, and founder of M.V.B Films Productions—to break down her journey through the film industry, creative ownership, and storytelling in the horror genre.From building a YouTube audience with viral horror shorts to directing films, launching the Creator to Creators podcast, and producing impactful projects like Church Hurt, Meosha shares the real blueprint behind longevity in film.

We're hanging with the Master of Suspense himself as we celebrate the 50th anniversary of Family Plot! Jay and Shua dive into Alfred Hitchcock's final film, packed with twists, dark humor, and classic cinematic style. From bizarre kidnappings to behind-the-scenes trivia, the guys explore Hitchcock's legendary career while sharing some retro fun and modern entertainment picks. It's a suspenseful and lighthearted look at one of film's greatest directors.   News A new Mortal Kombat movie is in development, which naturally brings renewed attention to another Street Fighter reboot.   A24 and Michaela Coel are remaking Jean-Claude Van Damme's Bloodsport   "Weird Al" Yankovic will appear alongside the Muppets in Disney World's updated Rock 'n' Roller Coaster.   Check out our TeePublic store for some enjoyable swag and all the latest fashion trends What we're Enjoying Shua has been watching the Engineezy YouTube channel, where creator Jay Vogler builds intricate and over-the-top mechanical creations. The channel combines engineering, creativity, and humor, making each project both fascinating and entertaining to follow. It's a perfect mix of invention and personality that keeps viewers engaged. Jay has been re-reading classic 1980s G.I. Joe: A Real American Hero comics, revisiting the storytelling of Larry Hama. The series delivers more depth and character than expected, with action with compelling narratives. It's a nostalgic trip that still feels fresh and engaging today.     Sci-Fi Saturdays -  This week on Sci-Fi Saturdays Jay takes a look at Ad Astra (2019), a visually stunning sci-fi film centered on an astronaut searching for answers about his long-lost father. While the movie excels in atmosphere and visual storytelling, it sometimes struggles to connect emotionally. Even so, it remains a thought-provoking and immersive journey through space and isolation. Read his article on RetroZap.com. And make sure to play around with the interactive map on MCULocationScout.com. This week he's added some new locations from Daredevil: Born Again season 2. Plus, you can tune in to SHIELD: Case Files where Jay and Shua talk about great stuff in the MCU.   Enjoy Plotting!  This week, Jay and Shua take a deep dive into Alfred Hitchcock's final film, Family Plot, celebrating its 50th anniversary. They explore the movie's unique blend of suspense and dark comedy, highlighting memorable scenes, performances, and Hitchcock's signature style.   Along the way, the conversation expands to Hitchcock's incredible career, from his early silent films to his most iconic Hollywood classics. With fun trivia, personal reflections, and even a few creative "what if" ideas, the episode keeps things lively while honoring one of cinema's greatest directors.   What's your favorite Hitchcock film? What makes him a great director? Let us know! First person that emails me with the subject line, "Good evening" will get a special mention on the show.  Let us know. Come talk to us in the Discord channel or send us an email to EnjoyStuff@RetroZap.com   

A secretary, on the lam for taking money from her employer, holes up at a California motel owned by a man and his overprotective mother.Psycho is often referred to as a horror movie masterpiece. Directed by Alfred Hitchcock, this psychological horror stars Anthony Perkins as Norman Bates, who owns a motel along with his mother. Without too much screen time and based on dialogue and reactions from Norman, mother is a controlling influence in his life. Her influence makes Norman the sinister presence he is thoughout the movie. Hitchcock tells an interesting story overlaying element of a heist with horror and conveys a timeless twist that highlights identity and the effects of trauma. Watch the movie and catch our review.YouTube | The Final PodcastFacebook | The Final PodcastInstagram | thefinalpodcastMusic Credit: Karl Casey @ White Bat Audiohttps://www.youtube.com/whitebataudioWhat should we review next? Toss us a vibe and send over a recommendation!

We're hanging with the Master of Suspense himself as we celebrate the 50th anniversary of Family Plot! Jay and Shua dive into Alfred Hitchcock's final film, packed with twists, dark humor, and classic cinematic style.

Watch this episode ad-free by joining the ITBR Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/ivorytowerboilerroom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----Calling all classic Hollywood lovers! Grab your popcorn, candy and soda cause we're talking all things Alfred Hitchcock and one of his many masterpieces: Rear Window. Joining me today is someone who's something of a spiritual student of Hitchock... Jennifer O'Callaghan!Jennifer's latest book, REAR WINDOW: The Making of a Masterpiece in the Hollywood Golden Age is a must read for anybody who's either already a fan of Hitchcock or eager to dive into the fascinating story of the legendary director who was decades ahead of his time.Get to know more about Jennifer O'Callaghan and check out her book down below!https://delbourgo.com/ocallaghan/https://www.penguinrandomhouse.com/books/790118/rear-window-by-jennifer-ocallaghan/-----Follow ITBR on IG ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ivorytowerboilerroom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and TikTok ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@dr.andrewrimby⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Be sure to subscribe to our YouTube channel where you can watch video episodes of the podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@ivorytowerboilerroom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thanks to our following sponsors! To subscribe to The Gay and Lesbian Review visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠glreview.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Click Subscribe and enter promo code ITBRChoice to get a free issue with a subscription purchase. Follow them on IG ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theglreview⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and TikTok ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@g_and_lr⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head to Broadview Press, an independent academic publisher, for all your humanities related books. Use code ivorytower for 20% off your⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ broadviewpress.com ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠order. Follow them on IG ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@broadviewpress⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Thanks to the ITBR team! Dr. Andrew Rimby (Host and Director), Mary DiPipi (Chief Contributor), and Sean Penta (Intern)

El 26 de abril de 1976, hace ahora 50 años, se estrenaba la que algunos consideran la mejor película de terror del cine español: “¿Quién puede matar a un niño?”, segunda y última película que dirigió el genio de la televisión Narciso Ibáñez Serrador. Os lo contamos todo sobre ella. El personaje protagonista de nuestra sección “Aquellos tipos a los que nos encanta odiar” es esta semana una mujer, una de las villanas más recordadas del cine clásico: La señora Danvers, el ama de llaves de la película “Rebeca” que Alfred Hitchcock dirigió en 1940. Hemos charlado con la directora Vicky Calavia de un documental que ha dirigido sobre la figura de la cupletista y también actriz de los primeros años del cine Raquel Meller. Y nuestra película de aventuras de esta semana transcurre en África. Se trata de “Tarzán y su compañera”, la mejor de la serie de 12 películas que protagonizó Johnny Weissmuller en los años 30 y 40 del siglo XX.

Mid-aughts late night office ambience with drift for sleep, relaxation, and deep focus. 10 hours of office ambience featuring printers, typing, sparse notes, drift, and high rise building tone. No talking, just continuous ambient sound. And follow us in your podcast platform for more episodes like this.___So this week's episode cover image pays homage to Saul Bass' opening sequence for Alfred Hitchcock's film North by Northwest.Do I really need to shout out Saul Bass as the inspiration for this week's episode cover? Check out the clumsy Photoshop composition I made of a master's work featured in another master's work.And next I will impart to you a moral principle from childhood I subscribe to… “Do unto others.” Which was said by—Heavens, I just had an intrusive memory that is quasi related to the opening sequences of movies. Bluh. So when I was graduating from college I had “like totally mastered” Avid Media Composer. I was using the 90s-era titling tool in AMC to make rudimentary cartoons and was convinced I was the ****.So when I started applying to jobs, I was applying to the big guys, and to stand out I was trying to be super creative. So when I sent a 30-minute-long collection of my Avid Media Composer title-tool cartoons on VHS to Imaginary Forces—THE Imaginary Forces, the folks that pre-horrified the movie Se7en. They pre-excitemented the Raiden Metal Gear. And later did movie logo opens for Marvel and DC Comics… And I just packaged up a resume and demo tape and sent it addressed to one of the top people. And to extra stand out: I printed personalized notes about my short history on fortune-cookie-sized paper and stuffed them into an envelope to bursting. I think I used four different fonts on that resume… Ooph if someone opened that demo envelope, it probably made a mess.

Gleich zwei Stereo-Hörspiele präsentiert Bastian Pastewka in dieser Doppelfolge – beide basieren auf Kurzgeschichten von Henry Slesar, der unter anderem Drehbücher für Alfred Hitchcock schrieb. Im ersten wird ein Student beim Schummeln erwischt und beobachtet dann nachts zusammen mit einem Freund das Haus seines Professors. Wo ist eigentlich die Professorengattin? Ist sie einem Verbrechen zum Opfer gefallen? Im zweiten Hörspiel wird ein Betrüger vorzeitig aus dem Gefängnis entlassen. Er hatte sich selbst gestellt. Aber das von ihm gestohlene Geld ist immer noch verschwunden. Bastian Pastewka präsentiert: Hüte und Schachteln und Einer, der nicht ausreißt Von Henry Slesar Mit Bernhard Minetti, Friedhelm Ptok, Rolf Schult, Paul Edwin Roth, Günter Pfitzmann u.a. Regie: Rolf von Goth und Friedhelm von Petersson rbb (SFB) 1975/1966 Podcast-Tipps: Professor van Dusen https://1.ard.de/professor-van-dusen Widerworte aus der Küche – Emanzipation in den 70ern https://www.ardsounds.de/episode/urn:ard:section:8d050aa92d8282b3/

While Trevor struggles with a virus, Anna Kat struggles with Gloria (Trevor's Mom) showing up to take care of her baby boy. Meanwhile their new neighbor Ray Hitchcock has brought something other than charm to their neighborhood. Or should we say someone? And who is that guy that could use an inhaler? My Husband's Amazing Mother My Amazing Woman S04E04 Cast: Anna Kat Waring (Amazing Woman) — Aracelis Gotay | Trevor Waring — A.J. Cruz | Ray Hitchcock — Angel Gotay | Gloria Waring — Sharon Grünwald | Madison Goforth (Red Light) — Sophie Flack | Lenny Watkins — Frank Guglielmelli | Special Agent Hyacinth (Olive Branch) — Nicole Beharrell | Dr. Craig Gregory (Doctor Calculus) — Ken Hallaron | Arch J Davis — David Robbins | The Big Idea — Matt Hallaron | Derek Weatherly (The Man) — Anthony Reed | Ji-Ahn 'Jean' Park (That Girl) — Daniela Torre | Narrator — James C. Taylor | Crew: Produced by — James C. Taylor | Written by — James C. Taylor | Voice Direction — David Robbins | Dialog Editing — James C. Taylor | Sound Mastering — James C. Taylor | Music Composition — James C. Taylor | Sound Effects — FreeSound.org | Classical Music Sequence — ClassicalArchives.com | Production Assistant — Ida Williams | Production coordinator  — Stephen Bullis This is a production of Hey, Daddyo Audio, in affiliation with Time Well Electronic Recording Productions, copyright © 2026 by James C. Taylor, all rights reserved. This episode is brought to you by Hostage Tape! Save 10% on your order by clicking this link! What's your favorite Alfred Hitchcock movie? Tell us about it in our Facebook group: https://urlgeni.us/facebook/MAWAM You can also learn more about the show at our Fandom Wiki https://my-amazing-woman.fandom.com

In 2025, The Artists asked questions that don't resolve easily.Why did Orson Welles come to be seen as a “failed” director by Hollywood?How was Alfred Hitchcock really thinking?Is data shaping content — or is content shaping data?What does AI mean for filmmakers — ethically, creatively, existentially?What lies at the core of creativity?What is shaping the cultural imagination of India today?Why is Bertolt Brecht still urgently relevant?What gave David Lynch his singular imagination?What do filmmakers like Raj Khosla continue to teach us about form, emotion, and restraint?Across cinema, culture, design, media, theory, AI, and mental health,The Artists became a space for listening.We followed one central question:What lies at the core of creativity?We moved between legacy and the future,between form and feeling,between structure and imagination,between technology and the inner life.These conversations were never designed to trend.They were designed to stay.We're back on Spotify & all podcasting platforms- Apple and more.Over the past months, we've been building The Artists into a video-first podcast experience.In 2026, the show shifts fully into a watch-first format on YouTube—not to be louder, but to be closer.To see pauses. To feel silences. To sit with ideas.

Two masters. One unforgettable conversation.Why did François Truffaut admire Alfred Hitchcock so deeply?And how did their dialogue reshape how we look at cinema?In this clip from The Artists Podcast, I explore this iconic exchange with Annette Insdorf, who brings a rare, first-hand perspective to Truffaut's thinking and his relationship with Hitchcock.It's one of those conversations that stayed with me—and I think it opens up something important about how filmmakers learn from each other across worlds.If you're interested in cinema, this is worth spending a few minutes with.

Welcome to a new gimmick from Wasted Potential Podcast: From the Library! In this new concept made to torture our obnoxious podcasting pals, Ronnie and Shane randomly selected to watch the 1954 Alfred Hitchcock classic Rear Window. The boys drunkenly discuss the film and some behind the scenes featurettes. Both informative and annoying, this episode dangles on the edge of the cliff of listenability. Check it out and let us know if this premise is worth another, more sober attempt. Featuring audio clips from: Rear Window, Rear Window re-release trailer, Ethics: An Original Documentary, Disturbia trailer, WDSU News, Channel 5 Clips, War of the Worlds (2025), Dumb and Dumber, the Wedding Singer, Conversation with Screenwriter John Michael Hayes, Family Guy, and Paid in Full. End Theme made by: brainless_bearyann. Check him out on Instagram! Thanks to FreeSounds.org contributors.Follow us:Instagram: podcastwastedpotentialEmail: podcastwastedpotential@gmail.com#hitchcock #rearwindow #podcast #film

In 1990, Monroe County's daytime television viewing habits were disrupted by a TV first: the live broadcast of The People v. Arthur J. Shawcross. Never before had home viewers anywhere been given access to gavel-to-gavel coverage of a sordid murder trial. The show lasted eleven weeks, September to December. Viewers that normally followed daytime dramas or game shows were instead focused on the trial of a serial-killer who'd confessed to killing ten women in Monroe County, and one more in Wayne County, but whose lawyers claimed he was insane and not responsible for his actions. Fans of courtroom dramas like Perry Mason, now saw the real thing, sometimes lazy in its pacing, but raw and unfiltered in its subjects and language. The show ran on cable station WGRC (Greater Rochester Cable) and was set in teak-paneled Courtroom 206 of the Monroe County Public Safety Building, which had been equipped and wired as a TV studio.A few watched the first day's broadcast, were repulsed and changed the channel. Most viewers however were fascinated and watched for the rest of the fall.The show's villain obviously was Shawcross, yet he put no work into his role. . Throughout, he sat at the defense table motionless and silent, staring at his shoes.The hero was Assistant District Attorney Charles Siragusa, who led the prosecution. By the trial's third week, Siragusa was receiving fan mail and baked cookies from “groupies.”Not every witness fared well under the lights. One defense witness, a forensic psychiatrist on the stand for many days, while trying to convince the jury of Shawcross's insanity, drew unwanted laughter and was eventually satirized by morning radio shows because of her rambling answers and disorganized demeanor.For several weeks, videotapes were shown in the courtroom (and on Channel 5) of the defendant supposedly under hypnosis, describing horrific acts that went well beyond what we'd ever heard discussed in our own homes: necrophilia, cannibalism, atrocities in Vietnam, cruel incestuous abuse. Shawcross claimed in falsetto that his mother took over his brain when he killed, much like Alfred Hitchcock's twisted villain Norman Bates in the movie Psycho.The prosecution's star witness was forensic psychiatrist Dr. Park Dietz. He, too, had extensively examined Shawcross, but not under hypnosis. He concluded that Shawcross was faking his mental illness, that he was not psychotic but rather a malingering psychopathic, not crazy just extraordinarily mean.“He is an anti-social. He lacks moral scruples and any sense of empathy,” Dr. Dietz testified.Viewers were horrified to learn that Shawcross as a young man had killed two children near Watertown, N.Y., ten-year-old Jack Owen Blake, murdered on May 7, 1972, and eight-year-old Karen Ann Hill, killed May 7, 1972. For those crimes, Shawcross served only 15 years in prison and was released into Rochester in 1987 to kill again. THE TRIAL OF ARTHUR J. SHAWCROSS: And Other Stories of Rochester Murders—Michael Benson

"You're quite a good chicken strangler as I recall." We watched "Rope" directed by Alfred Hitchcock, with our dear friend Jackson Cooper, and yes - it's the gay one. Hitchcock is obsessed with characters committing the "perfect murder" and who better to attempt it in this go-round than two messy gays on the verge of "squabbling" over this opportunity? Based on the famous true-crime Leopold and Loeb case of the 1920s, Rope is giving us classic Hitchcock high tension, suspense, and intrigue but without any instance of a classic "Hitchcock Blonde." What we get instead are two handsome Nietzsche-obsessed Ivy League men with a false sense of superiority and a not-so-subtle same-sex relationship. Let's be real - Brandon (John Dall) and Phillip (Farley Granger) bicker like an old married couple and their strange dom/sub dance only gets weirder when their old Headmaster (Jimmy Stewart) comes in and throws a monkey wrench into their plot and their co-dependent spats. All the homoeroticism may have flown under the radar for the audience in the late 1940s but the gays always knew. Maybe the evil/psycho/murderous homosexual is a tired trope but Farley Granger and John Dall are just so darn cute and watching this film through a queer lens is a ton of fun, which helps since this material is pretty dark. Aside from the un-aliving in the first scene, it's Scenes From a Gay Marriage and we love it.  Thank you for listening, and don't forget to subscribe, rate, and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Bluesky: @MTMUGPod.bsky.social Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna Cover Art by Shaun Piela

Le point commun entre Orson Welles, Alfred Hitchcock, François Truffaut et Brian de Palma ? La musique, entêtante et d'une grande originalité, qui a fait de Bernard Herrmann durant de nombreuses années l'homme-orchestre indispensable d'Hollywood.Franck Ferrand nous plonge dans la vie fascinante de Bernard Herrmann, l'un des plus grands compositeurs de musique de film du XXe siècle. Découvrez comment ce génie new-yorkais a marqué à jamais l'histoire du cinéma grâce à ses collaborations légendaires avec des réalisateurs tels qu'Orson Welles et Alfred Hitchcock.Né dans une famille d'immigrants juifs russes à New York, Bernard Herrmann montre très tôt un talent exceptionnel pour la musique. Après des études à l'Université de New York et à la Juilliard School, il se fait rapidement remarquer dans le milieu de la radio et se voit confier la direction de l'orchestre de la CBS. C'est là qu'il rencontre le jeune prodige Orson Welles, avec qui il va vivre une collaboration fructueuse et mouvementée.Ensemble, ils vont révolutionner la musique de film avec leur travail sur des chefs-d'œuvre comme Citizen Kane et La Splendeur des Amberson. Herrmann développe alors un style musical unique, fait de motifs courts et obsédants qui viennent souligner l'intensité des images à l'écran.

In Gus Van Sant's remake of Alfred Hitchcock's classic, real estate employee Marion Crane steals money and leaves town to meet her lover. She stops off at the Bates Motel, which may be hiding secrets of its own. On this week's episode… Join the Straight Chilling crew as we discuss Vince Vaughn masturbating, mommy issues, and the bizarre experiment that is, Psycho (1998).   Show Notes: Housekeeping (4:50) Back of the Box/Recommendations (11:55) Spoiler Warning/Full Review (18:30) Rotten Tomatoes (1:09:20) Trivia (1:15:10) Cooter of the Week (1:19:50) What We've Been Watching (1:25:35) Hotline Scream (1:40:15)   Connect with us: Support us on Patreon Website Instagram YouTube Shop E-mail: straightchillingpodcast@gmail.com Voicemail: 904-638-3231

This week on Second Helpings, Jackie and MJ are sadly NOT joined by the Male Feminist Gentleman Supreme, but they certainly got the goss' and drama this ep! MJ starts off by sharin' their PhD dissertation after their marathon catch-up of "Secret Lives of Mormon Wives". Speakin' of a different kind of body horror, Jackie highly recommends "Ugly Step Sister" and listening to "Sign of the Times" by Harry Styles. Jackie also just started the newest season of "Last One Laughing". Adam AND Jackie watched MJ's Alfred Hitchcock rec, "Rope" and looooved it, even if Jackie was judgin' hard at first, plus MJ and Jackie give honest opinions on Kombucha and the whole "Probiotic" trend products. MJ gives a disappointingly unsexy rundown of "Chocolate Cream Pie Murder", Jackie and MJ get into the nightmare that is the KFC Pickle Puffer, Jackie had some of the best chocolate she's ever had thanks to a listener, and MJ also got some awesome jerky from a listener! All that, AND MORE on this week's Second Helpings! Want even more Page 7? Support us on Patreon! Patreon.com/Page7Podcast Subscribe to SiriusXM Podcasts+ to listen to new episodes of Page 7 ad-free.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week in the Screening Room, Zeth gets to the bottom of why Alfred Hitchcock pulled one of his most beloved films, Vertigo, from theaters and didn't allow it to be seen for over 20 years. Become an All Access member and get ad-free listening by visiting disgracelandpod.com. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

On this week's Wrap Party, Zeth is talking about the master of suspense and the template for the contemporary director, Alfred Hitchcock. Plus, your voicemails, texts, and emails about the movies you're obsessed with. Become an All Access member today by visiting disgracelandpod.com. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.