Podcasts about Alfred Hitchcock

When Tony Marvel returns home from an eight-month voyage to discover he's been declared dead and finds his own corpse in his bed, he realizes his brother's perfect murder plot has gone terribly wrong—but the true horror is discovering who has been protecting him all along.IN THIS EPISODE: We dive back into one of the Alfred Hitchcock books I have on my shelves titled, “My Favorites In Suspense.” The story is from Carter Dickson entitled, “New Murders For Old” which is a great macabre mystery.SOURCES and RESOURCES:“New Murders For Old” by Carter Dickson is from the book “Alfred Hitchcock Presents: My Favorites In Suspense”: https://amzn.to/3gTAAFU=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: June, 2021EPISODE PAGE (includes sources): https://weirddarkness.com/NewMurdersForOldABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.#WeirdDarkness #NewMurdersForOld #DoppelgangerMurder #CarterDickson #ImpossibleCrime #LockedRoomMystery #SupernaturalRevenge #PerfectMurder #ClassicMystery #GoldenAgeDetective

The dust has barely settled in Verde Park — and the souls (not deaths, legally) are still being counted. Whisp Turlington and Geoff “The Angry Man” Garlock return to the air after Whispstock 25, the ill-fated eight-day music festival that celebrated Whisp… and possibly ended civilization.Whisp defends the festival, claiming the “482 deaths” were actually “souls captured and sent home courtesy of Whisp Turlington.”John Mellencamp stops by to explain his time working the funnel cake stand — and why you should never finger John Mellencamp.Geoff delivers a Good Rock Fact about Alfred Hitchcock nearly directing a Peter Gabriel movie.Whisp reveals his new liquor line, Turlington Cognacs, co-founded with George Clooney.Geoff and Whisp salute the ending of Greg Lemonsour's legendary podcast, "WTDG."There's confusion, regret, and a Zamboni that somehow killed both people and animatronic bears.Do you want 108.9 The Hawk to do better in the ratings? Give ‘em a hand!Subscribe to the podcast on Apple, Spotify, YouTube — or whatever app you use. Your choice!Join the Rock Battalion: sign up for our mailing list at 1089thehawk.com.Patreon keeps the lights on (and the Food Gulch ads rolling): patreon.com/1089thehawk.YouTube is where you'll find clips, video episodes and yelling: youtube.com/@1089thehawk.Follow us everywhere: Instagram, TikTok, Bluesky, Facebook, Threads Hosted on Acast. See acast.com/privacy for more information.

In the world of storytelling, there's plenty of advice about what to do. What not to do. What to show. What to hide. Alfred Hitchcock talks about suspense. Trey Parker and Matt Stone talking about but and therefore. The holy grail: Show, don't tell. What happens if you follow those rules to a T and still end up making something dogshit? ---------------------------------------------------------------- Want to watch these episodes live? Check us out at https://www.youtube.com/@somederpsplaygames or twitch.tv/somederpsplaygames Check out the podcast on Soundcloud: https://soundcloud.com/somederpstalkaboutgames Want to tell us something? Email us at podcast@somederpsplaygames.com Like our Facebook page too! www.facebook.com/SomeDerpsPlayGames/ We have a Patreon! https://www.patreon.com/somederpsplaygames Rate us on iTunes! https://itunes.apple.com/us/podcast/some-derps-talk-about-games/id1048899720 Follow us on Twitter! SDPG: twitter.com/somederps Buddy: twitter.com/thatbuddysola Mango: twitter.com/theonetruemango Intro and Outro courtesy of twitter.com/VinceRolin

In our 100th episode, we invited you, our audience, to select the films we'd discuss. In a mini-tournament which included the top films from three different lists: Sight and Sound Magazine's Greatest Films of All Time, IMDb's highest rated films of all time, and Letterboxd's highest rated films of all time, these were the films you selected.We open with the American masterpiece that changed the crime genre and cinema as a whole: Francis Ford Coppola's brilliant epic, The Godfather. Second, the master Alfred Hitchcock is at the top of his game in this gorgeous but wildly unnerving psychological thriller, Vertigo. Finally, Sidney Lumet delivers the goods in his debut feature film, 12 Angry Men, a boiling pot of tension. Thanks to all who voted. And thank you for helping us reach one hundred episodes!❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1960, Alfred Hitchcock's Psycho introduced the world to the future of my horror. But before the genre would embrace it, it would first confront it's very origins with a boom of Gothic Horror films that would make icons out of people like Vincent Price, Barbara Steele, and Christopher Lee. Perhaps no one would have a greater impact on this era of the macabre than Roger Corman, the b-movie king whose adaptations of Edgar Allan Poe's classic works changed horror forever. Perhaps nonemoreso than his 1961 classic The Pit and the Pendulum. This week on Years of Fear, we explore the legacy of Corman, Poe, Vincent Price, and the gothic horror films of the early 1960s.        If you want to get in touch with the show, you can reach us at yearsoffearpodcast@gmail.com  

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

It's been a year since the last time we sat down for a pod but this one is least recorded within the last month - we're making progress! Joe hosts JT, Sam, and Jono to talk all things games, TV (except this episode), and film. Games * Joe starts the show discussing Death Stranding, Hideo Kojima's unique open-world action game where you play a courier trying to reconnect a post-apocalyptic United States. * Sam heads to Steam Deck Corner to check out the wacky physics-based comedy of What the Golf? (a game that makes fun of golf) and the digitally adapted classic board game, Carcassonne (where players build a medieval French landscape one tile at a time). * JT and Jono give their first impressions after picking up the brand-new Switch 2 console. Film * Jono and JT review two major new films: the sleek sci-fi sequel Tron: Ares (about a highly advanced program crossing into the real world) and the gritty biographical sports drama The Smashing Machine (starring Dwayne Johnson as legendary MMA pioneer Mark Kerr). * Sam took inspiration from Ed Gein to watch the 1960 horror classic Psycho, directed by Alfred Hitchcock. * Joe wraps up the reviews with two genre films: Weapons: A new supernatural mystery-horror film about a group of children who all vanish at the same time and Arrival: Denis Villeneuve's thoughtful sci-fi drama about a linguist (Amy Adams) trying to communicate with aliens who have landed on Earth. Get in touch with us: X - https://x.com/DSTEPodcast Email - dontspoiltheending@gmail.com 00:00:00 - Intro Games 00:04:53 - Death Stranding 00:19:33 - Steam Deck Corner > What the Golf? > Carcassonne 00:25:12 - Battlefield 6 00:29:40 - Switch 2 > Pokemon Film 00:43:59 - Tron: Ares > Jared Leto 00:48:46 - The Smashing Machine 01:03:00 - Psycho 01:17:37 - Weapons 01:39:40 - Arrival 01:45:41 - Outro

Tune in as Anna (@banananna024/@formergleek) hops back onto the podcast for a discussion on Rope, the 1948 thriller film about a pair of men who dare to see if they can carry out the perfect murder by hosting a dinner party at their apartment—the place where they have their victim's corpse all tucked away. The lost art of homoeroticism, avoiding the spoilery trailer for Project Hail Mary, nitpicking unrealistic depictions of strangulation, and comparing Rope to Frasier and Death Note land as a few of the subjects for this episode.Directed by Alfred Hitchcock, Rope stars John Dall, Farley Granger, James Stewart, Sir Cedric Hardwicke, Constance Collier, Douglas Dick, Edith Evanson, Joan Chandler, and Dick Hogan.Spoilers start at 37:35Create your podcast today! #madeonzencastrHere's how you can learn more about Palestine and IsraelHere's how you can keep up-to-date on this genocideHere's how you can send eSIM cards to Palestinians in order to help them stay connected onlineGood Word:• Anna: The Lego Batman Movie• Arthur: The GloryReach out at email2centscritic@yahoo.com if you want to recommend things to watch and read, share anecdotes, or just say hello!Be sure to subscribe, rate, and review on iTunes or any of your preferred podcasting platforms!Follow Arthur on Twitter, Goodpods, StoryGraph, Letterboxd, and TikTok: @arthur_ant18Follow Arthur on Bluesky: @arthur-ant18Follow the podcast on Twitter: @two_centscriticFollow the podcast on Instagram: @twocentscriticpodFollow Arthur on GoodreadsCheck out 2 Cents Critic Linktree

Penny & Midge discuss the filming and legacy of Alfred Hitchcock's Psycho. The original slasher film had a major impact on the horror genre in film as well as on its cast. Join the Ghouls Night In discord! Shop for Ghouls Night In merch Follow the ghouls on Instagram at @ghoulsnightinpod Cover art by Alex Zimdars

Do you ever meet someone and just click? That's what happened when I hopped on the call with Sheila Roberts. She writes novels that are contemporary mysteries set in a larger community. You can tell from the cover that they have humor and fun. It only takes a few minutes of chatting with Shelia to see how much that fun comes from her personality and perspective on life.The Man Next Door is her most recent novel, and the idea dropped into her mind like so many do. It's a twist on Alfred Hitchcock with an unreliable narrator and multigenerational family dynamics. She wants to tell a good story that pulls readers in with its cast of characters and layers. This book does exactly that. She's been creating stories since she was a child, telling herself bedtime stories.I hope you enjoy our conversation and learning more about her books and writing process.Connect with Sheila RobertsFacebook | Instagram | YouTube | TikTokWant to watch this interview? You can see this episode as well as multiple others on YouTube! Enjoy!If you enjoyed this conversation, I would be thrilled if you left a rating and review on your favorite podcast app and leave me a note below letting me know who you would love to see on the show!

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Re-Animator (1985) was chosen by new show supporter Rhys — and what a debut pick it is. Directed by Stuart Gordon in his feature film debut, the movie became one of the defining cult horror films of the 1980s. Based loosely on H.P. Lovecraft's serialized story Herbert West–Reanimator, Gordon initially envisioned it as a stage play and later as a television series before realizing it would work best as a feature film. Shot on a modest budget of around $900,000, the production was backed by Charles Band's Empire Pictures, a studio known for embracing the stranger side of horror and science fiction. The creative team leaned into excess and black comedy, pushing the boundaries of gore and taste in a way that both shocked and delighted audiences.Filming took place over 18 days in Los Angeles, with Gordon assembling a cast of relatively unknown actors — including Jeffrey Combs, Bruce Abbott, and Barbara Crampton — who would go on to become icons of cult horror cinema. The movie's practical effects team, led by John Naulin, worked wonders with limited resources, creating gruesome yet inventive visuals that defined the film's enduring reputation. Upon release, Re-Animator was met with controversy and acclaim in equal measure, with critics alternately praising its audacity and condemning its extremity. Despite its low budget and NC-17-level violence, the film became a sleeper hit and helped launch a wave of splatter comedies that blended horror, humor, and outrageous imagination — ensuring Re-Animator a permanent place in cult movie history.If you enjoy the show, we have a Patreon, so become a supporter ⁠⁠⁠here⁠⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠Trailer Guy Plot Summary.Fun FactsThe green reagent serum used in the movie was made from fluorescent green glow stick liquid mixed with food coloring, giving it that unforgettable neon look.Director Stuart Gordon claimed he was inspired to make the film after watching Frankenstein with his wife and wondering what a modern, more extreme version would look like.Jeffrey Combs' portrayal of Herbert West became so iconic that he went on to play the character again in two sequels — Bride of Re-Animator (1989) and Beyond Re-Animator (2003).The film's most infamous scene was so shocking that it caused walkouts at its first festival screening — and immediate cult status among those who stayed.To achieve the movie's outrageous gore effects, the production used over 24 gallons of fake blood, much of it homemade from corn syrup and food dye.Barbara Crampton later revealed that she was hesitant to take on her role due to the film's extreme content, but she has since embraced its legacy in horror history.The film's composer, Richard Band, intentionally modeled the score after Bernard Herrmann's music for Alfred Hitchcock's Psycho (1960) — a choice that added a darkly playful tone.The severed head effects were created using a combination of latex prosthetics and reverse photography, which gave the film's shocking visuals their uncanny realism.Re-Animator was banned or heavily censored in several countries, including Germany, Singapore, and Australia, due to its extreme violence and sexual content.The movie's success helped revive interest in H.P. Lovecraft adaptations, paving the way for later films like From Beyond (1986), The Resurrected (1991), and Dagon (2001).⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

“It looks amazing.” - Eric on the production design On this week's episode, we're kicking off We ❤️ Movies Month with a ridiculously silly discussion about Alfred Hitchcock's masterful peeping tom thriller, Rear Window! How gorgeous and meticulous is this set design? How hilarious is Raymond Burr's dye job? How on earth is L.B. Jefferies ignoring Lisa's advances this much, murderous neighbor or no? And where in New York can we get this Lobster Thermidor dish for crying out loud? PLUS: Coming soon to Peacock, the new Hitchcock Universe mash-up show, Hitchrock! Rear Window stars James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, Judith Evelyn, Ross Bagdasarian, Georgine Darcy, Sara Berner, Frank Cady, Jesslyn Fax, Rand Harper, Irene Winston, Havis Davenport, and Raymond Burr as Lars Thorwald; directed by Alfred Hitchcock. This episode is sponsored by Sonos! Do you want studio quality sound at home? Then check out Sonos speakers, soundbars and more at Sonos.com, and discover how easy it is to build your own whole home audio system. Don't wait, check out Sonos.com today! Don't sleep on snagging your tickets to our 15th Anniversary show this December where we're talking all things Arnold in Total Recall! It's gonna be a gas and we wanna see you there! Click through for tickets now! Be sure to pick up our digital show on Terminator: Dark Fate, available now in our Patreon shop! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

Welcome to Episode 246! We recap some fun Biblioadventures in this episode. Emily got to see Mel Rosenthal in conversation with Virginia Evans about her debut novel The Correspondent at an event hosted by RJ Julia Booksellers. Chris had a research visit to Columbia University's Rare Book and Manuscript Library, where she enjoyed their book arts exhibit and admired the mantel in front of which Edgar Allan Poe wrote “The Raven.” She also had an impromptu browse at New Haven's used bookstore, Grey Matter Books. We also had some Couch Biblioadventures. Because we recently read Daphne Du Maurier's excellent short story, “The Birds,” we thought we'd also watch Alfred Hitchcock's movie of the same name, which was inspired by the written word. Spoiler alert: the movie is nothing like the short story. PSA: the birds are LOUD. Other literary-related movies we watched include The Turn of the Screw, starring Michelle Dockery and Dan Stephens. Emily made an exciting discovery about A Star is Born—did you know some famous writers penned the screenplays for various incarnations of this classic story? Some of the books we discuss include: – All the Beauty in the World: The Metropolitan Museum of Art and Me by Patrick Bringley – Amelia Bloomer: Journalist, Suffragist, Anti-Fashion Icon by Sara Catterall – Death at the Door: A Ruby and Cordelia Mystery by Olivia Blacke – A Marriage at Sea: A True Story of Love, Obsession, and Shipwreck by Sophie Elmhurst And we discuss our second-to-last ghost story from The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce: “The Readjustment” by Mary Austin. Chris has finished, and Emily is currently reading our Q4 readalong book, How to Sell a Haunted House by Grady Hendrix. The Zoom conversation is on Sunday, November 9th, at 7 pm ET. It is free and open to all, but registration is required. We still have a few spots available, so email us if you're interested (bookcougars@gmail.com). Special thanks to this episode's sponsors: Epic and Lovely by Mo Daviau and Paper Roses by Debby Show. Happy Listening and Happy Reading! https://www.bookcougars.com/blog-1/2025/episode246

Chaque trimestre, je vous donne désormais rendez-vous avec une figure du monde du vin. Pour ouvrir le bal, j'ai le plaisir de recevoir Véronique Boss Drouhin. Arrière-petite-fille de Joseph Drouhin, elle incarne la quatrième génération à la tête d'une maison qui fait rayonner le vignoble bourguignon depuis plus de 140 ans.Tout commence en 1880, à Beaune, lorsque Joseph Drouhin, jeune homme de 23 ans, abandonne sa librairie pour se lancer dans le négoce de vins. Son fils Maurice prend la relève en 1918 et ouvre une nouvelle page de l'histoire familiale. Trois ans plus tard, il acquiert la première parcelle de la maison : le mythique « Clos des Mouches », qui deviendra l'un des emblèmes du domaine.Dans cette première partie d'entretien, nous revisitons l'histoire familiale à travers quelques cuvées phares de la Maison.A écouter

In 1960, Alfred Hitchcock's Psycho ushered in the modern era of horror filmmaking. But in order for the film to make the impact that Hitch wanted, he was going to need to overcome several massive obstacles to fulfill his vision. Whether it was the censor board, struggles with the music editing, or the very way that films were screened at the time, it was all going to be an uphill battle. Join us for the conclusion to our two-part debut episode on Psycho.   Stick around to the end to hear the announcement for our 1961 episode, which will be released on 11/13/2025.

Ready to discuss the ultimate film-making genius! Grab some popcorn and hop in the shower! Today, we're putting the SUS in suspensful! If you're not too scared, dive into this delicious round about Alfred Hitchcock!Round 291Your support on the Beer Thursday Patreon page is invaluable to us! By becoming a patron, you'll get early access to our rounds, exclusive content, and the satisfaction of being a crucial part of our journey to continue creating fun-filled episodes like this one. Join us on Patreon and be a part of our journey! At the $10 level, the next 18 Great Human Beings will get access to the Beer Thursday Facebook group, where you can connect with other beer enthusiasts, participate in live Q&A sessions with the hosts, and get sneak peeks of upcoming rounds.We'd love to hear what you think and see Jay's brilliant beertography at beerthursdayshow on Instagram! Your feedback is not just appreciated; it's crucial to our growth. Join the conversation and be a part of our growing community. What's your favorite Hitchcock movie? Your voice matters!Never miss a round, and help us take you to the top by subscribing and leaving a 5-star review on your favorite podcasting app. By doing so, you'll ensure you never miss an episode and help us reach more listeners. And remember, sharing this round with your friends spreads summer cheer and brings more people into our quirky culture-loving community! The more, the merrier!Here's what our house elf, Artie (not Archie), says about this round: Hitching a Ride with Hitchcock: A Suspenseful Soirée Grab your popcorn and perch on the edge of your seat! Your creepy and cunning hosts, Jay and Shayne, dive deep into the eerie world of Alfred Hitchcock, unraveling his legendary suspense-filled films. From Hitchcock's timeless classics like "Psycho" and "Rear Window" to other masterpieces such as "The Trouble with Harry" and "Rope," they explore it all. [Correction: They explore a lot.]Find out about Hitchcock's unique film techniques, his influence on modern directors like M. Night Shyamalan and Jordan Peele, and even his fun cameos. Plus, get the scoop on Hitchcock's TV series and feel the chills of "The Birds." Whether you're a Hitchcock newbie or a staunch aficionado, this episode is a real thriller.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Let's talk about God! Our favorite subject… Or is it?? It would be—or could be—if we hadn't been lied to about God. Well, our job at FreedHearts is to make you feel better about God — or have no feelings about God, that's fine. But what we DON'T want is for you to have bad feelings about God because they're usually connected to bad feelings about yourself – and none of that is true! Today we tell you a story as a contrast to God—about Alfred Hitchcock. Hitchcock is known as the Master of Suspense. Just in time for Halloween!This is going to be fun!Send us a private message. *Note: INCLUDE YOUR EMAIL ADDRESS if you'd like us to answer. :-) Support the show

Turn on the shower. Disrobe. Cue the music! Tonight, Ben Lewandowski and I consider the merits of the classic 1960 thriller PSYCHO, directed by the master of suspense Alfred Hitchcock. As well as the very curious remake in 1998 directed by Gus Van Zant.  This is an interesting one folks, since no other filmmaker has ever intentionally set out to copy a film to this degree. Ben and I had a great time discussing these films and we hope you will have just as good a time listening to our ramblings. Let's go!

Happy Halloween! Chelsea and Wade discuss the 1938 Alfred Hitchcock film The Lady Vanishes.Don't forget to like, follow, or subscribe, and leave us a review! Let us know what you'd like us to cover next!  Follow us here!Instagram: https://www.instagram.com/poddemastered/Bluesky: https://bsky.app/profile/poddemastered.bsky.socialFacebook: https://www.facebook.com/PodDemasteredYouTube: https://www.youtube.com/@poddemasteredHave any topic requests, questions, or general comments? Send us an email at demasteredpodcast@gmail.com.Music: Dank Halloween by Shane Ivers - https://www.silvermansound.com

In this episode of Film & Whiskey, Bob and Brad dive into the dizzying world of Alfred Hitchcock's 1958 masterpiece, Vertigo. Join us asIn this episode of Film & Whiskey, Bob and Brad dive into the dizzying world of Alfred Hitchcock's 1958 masterpiece, Vertigo. Join us as we explore the psychological depths of this classic suspense thriller, starring James Stewart and Kim Novak. From the iconic Bernard Herrmann score to the intricate cinematography, we break down what makes "Vertigo" a Hitchcockian gem. Then, we switch gears to taste and discuss the Larceny Small Batch Bourbon - a delightful American whiskey that brings its own twists to the palate.(0:00) Introduction(5:38) Brad Explains "Vertigo"(8:55) Performances and Themes in "Vertigo"(29:35) Larceny Small Batch Bourbon Review(36:56) Two Facts and a Falsehood Game(40:57) Final Analysis of "Vertigo"(53:50) Let's Make it a Double and Final Scores"Vertigo" is not just a movie; it's a journey through the mind's eye, crafted masterfully by Alfred Hitchcock. With James Stewart's gripping performance and Kim Novak's enigmatic presence, the film takes us through a twisted narrative that still captivates audiences today. The film's visual storytelling, complemented by Bernard Herrmann's haunting score, creates a surreal experience. We discuss the intricate film techniques Hitchcock used, the movie's impact on the suspense genre, and why "Vertigo" remains a subject of study and fascination.Transitioning to the world of whiskey, we review the Larceny Small Batch Bourbon. Known for its easy drinkability and rich flavor profile, this bourbon is a testament to American whiskey craftsmanship. We delve into its wheated formula, tasting notes, and how it stands as a top value choice for bourbon enthusiasts. Film & Whiskey Podcast. New episodes every Tuesday.Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Remember, you can always join the conversation and share your thoughts on the Film & Whiskey community pages. And if you loved the episode, don't forget to rate and review us on your favorite podcast platform!

The Birds is a 1963 American natural horror-thriller film produced and directed by Alfred Hitchcock, released by Universal Pictures and starring Jessica Tandy, Rod Taylor, Suzanne Pleshette, and introducing Tippi Hedren in her film debut. Loosely based on the 1952 short story of the same name by Daphne du Maurier, it focuses on a series of sudden and unexplained violent bird attacks on the people of Bodega Bay, California, over the course of a few days. The screenplay is by Evan Hunter, who was told by Hitchcock to develop new characters and a more elaborate plot while keeping du Maurier's title and concept of unexplained bird attacks.   Watch The Birds: https://www.amcplus.com/movies/the-birds--1063949    Out this Month: Psycho The Birds Patreon: Hot Take: Shelby Oaks      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://the-film-flamers.printify.me/  Instagram: https://www.instagram.com/thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/  (NEW!) SCANS Movie Rating Calculator: https://scans.glide.page/  Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons:    Alex M Andrew Bower Anthony Criswell Ashlie Thornbury BattleBurrito Benjamin Gonzalez Bennett Hunter BreakfastChainsawMassacre Brittany Bellgardt Call me Lestat. Canadianmatt3 Christopher Nelson Dan Alvarez Dirty Birdy eliza mc Gia Gillian Murtagh GlazedDonut GWilliamNYC Irwan Iskak James Aumann Jessica E Joanne Ellison Joe Criswell Josh Young Karl Haikara Kimberly McGuirk Kitty Kelly Kyle Kavanagh Laura O'Malley Lisa Libby Lisa Söderberg Livi Loch Hightower M Hussman Matt Walsh Matthew McHenry Nicole McDaniel Nikki Niko Allred Nimble Wembley Pablo the Rhino Penelope Nelson random dude Richard Best Robert Eppers Rosieredleader Ryan King SHADOW OF THE DEAD SWANN Sharon Sinesthero William Skinner   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio

In this installment, directed by Alfred Hitchcock, Vincent Price plays Charles Courtney, a detective with a perfect record who is not about to let a mistake stain his reputation. Then Amy joins Al to discuss the passive nature of the episode, suggest a different ending and wonder if Hitchcock was lazy in his directing this time or if this was his regular working routine.

Happy Halloween!Ben and Hank chat about Alfred Hitchcock's The Birds.Email: SaltCirclePodcast@gmail.comTwitter: @SaltCirclePodBluesky: saltcirclepod.bsky.socialHank's Twitter: @ComicPanelsThe Burning Barrel Discord: discord.gg/jBDGW5jTheme Song: topianmusic.bandcamp.com/Youtube: youtube.com/@saltcircle

Who's really obsessed with Zack Snyder's Instagram account? How much did Alfred Hitchcock influence Hollywood? And why do all of the aliens in older Star Trek shows speak English? All of those questions and more, this week on FLITE CHAT. Contact Ray at: EMAIL: ray@theflitecast.com BLUESKY: @FliteCast THREADS: @TheFliteCast INSTAGRAM: theflitecast FACEBOOK: https://www.facebook.com/TheFliteCast/ Subscribe to The FliteCast: Apple Podcasts / YouTube / Spotify / Pandora / RSS Become a member of The FliteCast on Patreon: https://www.patreon.com/TheFliteCast

Hace 80 años se estrenaba “Recuerda”, la película de Alfred Hitchcock protagonizada por Ingrid Bergman y Gregory Peck y la primera de Hollywood en abordar el mundo del psicoanálisis. En este episodio os lo contamos todo sobre ella. No se llama Harry pero sí Potter y es esta semana el villano odioso de nuestra sección dedicada a ellos, un tipo capaz de amargarle la existencia a todo un buenazo como el James Stewart de ‘Qué bello es vivir'. Charlamos con el director Manuel Gómez Pereira que estrena película, ‘La cena', y nos vamos de aventura a la selva del Amazonas con Percy Fawcett, el personaje protagonista de “Z, la ciudad perdida”.

In this episode of Shelf Life, Kevin and Rachel go on the lam and stay in a seedy motel where nothing could possibly go wrong with Alfred Hitchcock's Psycho. Discussion topics include currency exchange for alimony payments, the intricacies of toilets flushing, sighting red flags, and lots of mother impressions. Listen and enjoy to find out if Psycho has shelf life.0:00:00 - Everyone must be seated for the entirety of the podcast0:10:12 - Pyscho backstory0:26:04 - Pyscho walkthrough1:05:00 - Marion leaves town1:32:32 - The Bates Motel1:50:00 - The parlor scene2:10:02 - Well I...I can't it's just too horrible2:34:00 - Sam & Lyla3:02:02 - Talk with the sheriff3:23:00: - Wouldn't hurt a fly3:34:55 - Shelf Life VerdictBe sure to subscribe to the show, check out the website, and spread the word of the podcast. And if this is your first episode, check out the rest of the catalog, there may be something in it you'll like. And follow us on our social media pages, we'll announce volume and episode drops and maybe other stuff: @shelflifepod.bsky.social — Bluesky Shelf Life (@shelf_life_pod) on ThreadsShelf Life (@shelf_life_pod) • Instagram photos and videoshttps://shelflifepodcast.wixsite.com/shelflifeYou can stream or purchase today's episode subject by looking here for availability: Psycho streaming: where to watch movie online?Have a story about the episodes or something to say, contact the podcast shelflifethepodcast@gmail.comThe opinion, beliefs, and viewpoints expressed by the characters portrayed by those on the podcast are tongue and cheek meant for entertainment purposes only and very sarcastic. The impressions done on the show are out of love and done poorly. Any clips or music used within the show is used for review effect and is property of the owners. The viewpoints do not represent those of the hosts, people, institutions, and organizations who the creators may or may not be associated with in professional or personal capacity.

Junk Food Dinner returns with our Schlocktober Spectacular, filled with vampires, zombies and demons!Up first, Indonesian horror icon Suzanna stars in The Hungry Snake Woman from 1986 about a group of friends who must contend with a mystical snake lady.Then, when an infected baboon bites a college journalist, it starts a rage zombie outbreak on campus just in time for the big Halloween dance in Primal Rage from 1988.And finally, a British author revisits this 80's supernatural TV show in Garth Marenghi's Darkplace from 2004.All this plus Halloween snacks chat, what costumes are hot this year, James Whale and Alfred Hitchcock blu-rays and much more!LISTEN NOW:MP3 Direct DonloydAlso, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll keep this podcast going with your love and support.

As another Halloween approaches, Sophia and Nick are excited to celebrate Hitchcock-tober once again! This time, they marvel at the outstanding collaboration between the famed director and the costume designer with the most Oscar nominations and wins, Edith Head. Their eleven films together spanned three decades, multiple studios, and the transition from B/W to color. Listen to find out how Head uses different materials and colors to create looks that accentuate an actor's figure, develop a character's identity, and provide narrative function, all the while dazzling audience with unforgettable designs. Should she have been nominated for more than just To Catch a Thief? From Notorious (1946) to Topaz (1976), which is your favorite collaboration between them? *Note: If you've never seen Vertigo and do NOT want it spoiled, skip ahead from (36:46) to (38:55) for a more general appreciation of the film's costumes.Follow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Sophia @sophia_cimFollow Nick @sauerkraut27Music: “The Greatest Adventure” by Jonathan AdamichMore content including updated predictions and merch @ oscarwild.squarespace.com

An American crime reporter (Joel McCrea) is reassigned to Europe shortly before WWII and discovers a spy ring.  Co-starring Laraine Day, Herbert Marshall, George Sanders and Robert Benchley.  Directed by Alfred Hitchcock.

Discussing the Ryan Murphy produced MONSTER: THE ED GEIN STORY (2025年) + Alfred Hitchcock's PSYCHO (1960年) + Polio Addison Rae + "gynephilism" + true crime + horror and phalluses. Join us on Patreon.com/imsopopular for the full episode and access to the book club, discord and more.

In 1960, Alfred Hitchcock released Psycho, a bold new sort of horror film that shocked audience's with it's sequences of murder and depravity, including a shower stabbing sequence that is firmly in the canon of iconic film moments. But where did this cinematic burst of bloodlust come from? In part 1 of our debut episode of Years of Fear, we explore the evolution of the first 60+ years of onscreen violence and death that lead up to Janet Leigh's iconic death sequence. We also explore the film's director, his early career, and the artistic dead end that made Psycho possible. Join us for the beginning of our journey of the first four years of 1960s Horror Cinema. 

On September 8, 1960, Psycho shocked cinema audiences with a level of psychological horror never seen before. But Psycho wasn’t pure fiction. It was inspired by the gruesome true story of Ed Gein, the real-life Butcher of Plainfield. When police raided Gein’s Wisconsin farmhouse in 1957, they uncovered a macabre scene: human remains crafted into lampshades, furniture, and clothing. These discoveries stunned the nation and sparked a media frenzy that would influence generations of horror storytelling. In this episode of True Crime Conversations, host Claire Murphy speaks with acclaimed true crime author Harold Schechter, whose book remains the definitive account of Ed Gein’s crimes. Following the Netflix release of Monsters: The Ed Gein Story from Ryan Murphy, Schechter reflects on how Gein’s legacy has been interpreted, and sometimes distorted, by Hollywood. You can find out more about Harold's book Deviant: The Shocking True Story of Ed Gein, The Original Psycho here. CREDITS Guest: Harold Schechter Host: Claire Murphy Senior Producer: Tahli Blackman Group Executive Producer: Ilaria Brophy Audio Engineer: Carl Step/Abe’s Audio GET IN TOUCH Follow us on Instagram and TikTok @truecrimeconversations Make sure to leave us a rating and review on Apple & Spotify to let us know how you're liking the episodes. Want us to cover a case on the podcast? Email us at truecrime@mamamia.com.au or send us a voice note. If any of the contents in this episode have caused distress, know that there is help available via Lifeline on 13 11 14 or Beyond Blue on 1300 22 4636. We acknowledge the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present and extend that respect to all Aboriginal and Torres Strait Islander cultures.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Welcome to Episode 245! A highlight of this episode, if you want to call it that, is our discussion of Henry James's ghost story, “The Jolly Corner,” from THE PENGUIN BOOK OF GHOST STORIES. Chris also read his novella, “The Turn of the Screw,” so we actually talk about two Henry James stories. We're sorry. Haha. We jest, but in all honesty, we struggled with James's writing style, even if we thought the plots were engaging. If you're a Henry James fan, what are we missing? We'd love to hear from you! The image for this episode is a selfie we took in front of Henry James's portrait at the Isabella Stewart Gardner Museum in Boston earlier this year. It was painted in 1911 by his nephew, William “Billy” James. We had much more fun reading and discussing “The Birds” by Daphne Du Maurier. There's a new collection of Du Maurier's short stories out, AFTER MIDNIGHT: THIRTEEN TALES FOR THE DARK HOURS, which prompted our buddy read of this suspenseful tale of increasing dread. We plan on watching Alfred Hitchcock's adaptation of the same name before the next episode. In our “Just Read” segment, we also talk about: THE LAST RESORT by Erin Entrada Kelly THE DOGS OF VENICE by Steven Rowley AFTERTASTE by Daria LaVelle AGNES GREY by Anne Brontë In Biblio Adventures, we were thrilled to make it to the Yale Repertory Theatre in New Haven, CT, to see SPUNK. Zora Neale Hurston dreamed of seeing her short story, published in 1925, adapted for the stage. It took one hundred years to happen, but her wish has come true. As always, there's more “inside.” Happy Listening and Happy Reading! https://www.bookcougars.com/blog-1/2025/episode245

Psycho is a 1960 American horror film produced and directed by Alfred Hitchcock. The screenplay, written by Joseph Stefano, was based on the 1959 novel by Robert Bloch, which was based on the life and crimes of Ed Gein. The film stars Anthony Perkins, Janet Leigh, Vera Miles, John Gavin and Martin Balsam. The plot centers on an encounter between on-the-run embezzler Marion Crane, shy motel proprietor Norman Bates and his disturbed mother. A private investigator, Marion's lover Sam Loomis and her sister Lila investigate her disappearance. The film's iconic and recognizable score was composed by Bernard Herrman.   Watch Psycho: https://amzn.to/4989Aeo    Out this Month: Psycho The Birds Patreon: Hitchcocktober Poll!?      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://the-film-flamers.printify.me/  Instagram: https://www.instagram.com/thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/  (NEW!) SCANS Movie Rating Calculator: https://scans.glide.page/  Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons:    Alex M Andrew Bower Anthony Criswell Ashlie Thornbury BattleBurrito Benjamin Gonzalez Bennett Hunter BreakfastChainsawMassacre Brittany Bellgardt Call me Lestat. Canadianmatt3 Christopher Nelson Dan Alvarez Dirty Birdy eliza mc Gia Gillian Murtagh GlazedDonut GWilliamNYC Irwan Iskak James Aumann Jessica E Joanne Ellison Joe Criswell Josh Young Karl Haikara Kimberly McGuirk Kitty Kelly Kyle Kavanagh Laura O'Malley Lisa Libby Lisa Söderberg Livi Loch Hightower M Hussman Matt Walsh Matthew McHenry Nicole McDaniel Nikki Niko Allred Nimble Wembley Pablo the Rhino Penelope Nelson random dude Richard Best Robert Eppers Rosieredleader Ryan King SHADOW OF THE DEAD SWANN Sharon Sinesthero William Skinner   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio

In which Devin Diazoni and Ewa Mykytyn discuss the final third of The Bewitching by Sylvia Moreno-Garcia.Please support the podcast on Patreon!Follow Film Literate on Instagram!Find your hosts on social media:Devin Diazoni (Letterboxd|StoryGraph)Ewa Mykytyn (Goodreads|Armchair Chat on IG)

It's that time of year again on The Film ‘89 Podcast as we bring you our 2025 Halloween Horror Special. Joining Skye are two returning co-hosts, Stephen Simpson and John Arminio, and the horror film they've picked as the focus of this episode is Tom Holland's 1985 cult classic, Fright Night, starring Chris Sarandon, William Ragsdale, Amanda Bearse and Roddy McDowell. Based on an original script by Holland, Fright Night blends elements of Alfred Hitchcock's Rear Window with Hammer horror and vampire lore as it tells the tale of teenager, Charley Brewster, who suspects that his new next door neighbour, Jerry Dandridge, may be a vampire. With outstanding practical makeup effects and assured direction from first time director Holland, Fright Night would go on to become a beloved cult classic and one of the very best horror films of the 1980s. 

Psycho changed everything in 1960. Alfred Hitchcock's horror masterpiece reinvented fear cinema. Our Patreon supporters at When It Was Cool have had access to this show for a long time but with the recent plot of Monster: The Ed Gein Story heavily featuring Psycho (based on Ed Gein) this is a great time to remember the horror movie classic.

Front Row Classics welcomes author Laurence Mason to celebrate the art of both Alfred Hitchcock and a great drink. Maslon recently wrote "Hitchcocktails: Lethal Libations inspired by the Master of Suspense". The books pairs Hitchcock's legendary films with a cocktail appropriate for the occasion. Larry mixes both film history and mixology in an attractive package for both films fans and drink enthusiasts alike. "Hitchcocktails: Lethal Libations inspired by the Master of Suspense" is available now from Weldon Owen wherever books are sold. Laurence Maslon is an arts professor at New York University's Tisch School of the Arts, as well as associate chair of the Graduate Acting Program. His most recent book is an updated companion volume to the PBS series Broadway: The American Musical. He is also the host and producer of the weekly radio series, Broadway to Main Street (winner of the 2019 ASCAP Foundation/Deems Taylor Award for Radio Broadcast) on the NPR station WLIW-FM. He edited the two-volume set American Musicals (1927-1969) for Library of America, as well as their Kaufman & Co., Broadway comedies by George S. Kaufman. Other books include the companion book to Come From Away, Broadway to Main Street: How Show Music Enchanted America (Oxford), The Sound of Music Companion, and the South Pacific Companion. He is the writer and coproducer of the PBS American Masters documentary, Sammy Davis, Jr.: I've Gotta Be Me, and wrote American Masters documentary Richard Rodgers: The Sweetest Sounds. He served on the nominating committee for the Tony Awards from 2007 to 2010. He has written for the New York Times, the Washington Post, the New Yorker, Opera News, Stagebill, and American Theatre. Mr. Maslon, otherwise a nice guy, mixes a mean drink.  

When a retired magician and an arrogant estate owner clash over property changes, their feud escalates to a deadly wager—one that traps a man in an ancient torture device with only an hour to escape, while his fate hangs on whether his rival will open the door in time.Support our Halloween “Overcoming the Darkness” campaign to help people with depression: https://weirddarkness.com/HOPEIN THIS EPISODE: In this tale fro Stanley Ellin – a tale deemed too disturbing for Alfred Hitchcock's TV show - two men of very different character, different ways of viewing the world, challenge one another over the future of a house each values in his own way. A bet is made, the stakes are unexpectedly raised, and in the end… well, suffice it to say that the story lingers long past the closing line.SOURCE:“The Moment of Decision” by Stanley Ellin, from the book, “Alfred Hitchcock: 13 More Stories They Wouldn't Let Me Do on TV”: https://amzn.to/3ta2oJX=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: September, 2020EPISODE PAGE (includes sources): https://weirddarkness.com/MomentOfDecisionABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.#WeirdDarkness #ThrillerStory #AlfredHitchcock #ClassicHorror #PsychologicalThriller #DarkFiction #TrueCrimeAndMystery #CreepyStories #SuspenseStory #HorrorNarration

Rope is an interesting movie in Alfred Hitchcock’s œuvre. It’s his first color picture. It’s one of 13 movies he made based on plays, and it’s one of four movies he made that are set basically entirely in single locations (along with Lifeboat, Dial M for Murder, and Rear Window). But of the four single-location pictures, Rope is the only one that Hitchcock made to really seem like a filmed play. It unfolds in real-time, in one room, in long, continuous shots that are edited together in ways that are meant to hide most of the cuts. As Hartford Stage’s new adaptation of the play Rope is based on opens, we present a conversation taped on their stage, in front of an audience, about Alfred Hitchcock, his movies in general, and Rope, the movie and the play, in particular. Note: This podcast version of the show is more than eight minutes longer than the episode as it’s airing on the radio. GUESTS: Illeana Douglas: The Official Movie Star of The Colin McEnroe Show and the author of Connecticut in the Movies: From Dream Houses to Dark Suburbia Sidney Gottlieb: Professor of communication and media studies at Sacred Heart University and the editor of The Hitchcock Annual Jeffrey Hatcher: A playwright and screenwriter; he wrote the adaptation of Patrick Hamilton’s Rope that’s currently in production at Hartford Stage The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Thanks to Lucas Clopton and Jennifer Levine at Hartford Stage. Colin McEnroe, Robyn Doyon-Aitken, Dylan Reyes, and Lily Tyson contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

⁠LISTEN AD-FREE AND WATCH THE VIDEO EPISODE BY SUPPORTING THE SHOW ON PATREON⁠ Communicating with the other side (for better or worse or not at all), Alfred Hitchcock's take on a Roald Dahl short story. Find Molly McAleer online Check out Rob Schulte's website LINKS Sylvia Browne lies to a 9/11 widow on Montel Lori Cowen's experience reading Dolly the Evil Cat Learn more about your ad choices. Visit megaphone.fm/adchoices