Podcasts about Alfred Hitchcock

Your boys are back! Sean and Parker discuss some movies. Sean saw new films! But did he like them? Parker saw Evangelion with some Otaku sonsofbitches. And then the guys discuss the future of big budget blockbusters ahead of the new Spider-Man. Then it's an August movie preview and movies like "Tony," "Super Troopers" and "Insidious" are discussed. Then, Alfred Hitchcock's final film, "Family Plot," from 1976 is discussed. The film stars Karen Black, Bruce Dern and some other folks. A pair of fake mediums look for a missing heir, a quest that intersects with a couple of kidnappers and jewel thieves! All this plus voicemails and hot sweaty recording conditions! Direct Donloyd Here Got a movie suggestion for the show, or better yet an opinion on next week's movies? Drop us a line at JFDPodcast@gmail.com. Or leave us a voicemail: 347-746-JUNK (5865). Add it to your telephone now! JOIN THE CONVERSATION! Also, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll drum funkily for your love and support. With picks like these, you GOTTA #DonloydNow and listen in!

This week, Drusilla returns from San Diego Comic-Con and Josh returns from NYC. The film of the week if Brian De Palma's Sisters. From wiki: “Sisters (released as Blood Sisters in the United Kingdom) is a 1972 American neo-noir psychological horror film directed by Brian De Palma and starring Margot Kidder, Jennifer Salt, and Charles Durning. It follows Dominique Blanchion, the separated conjoined twin of a French Canadian model, Danielle Breton, who is suspected of having committed a brutal murder witnessed by Grace Collier, a newspaper reporter in Staten Island, New York City.Co-written by De Palma and Louisa Rose, the screenplay for the film was inspired by the Soviet conjoined twins Masha and Dasha Krivoshlyapova and features narrative and visual references to several films by Alfred Hitchcock.[5] Filmed on location in Staten Island, the film prominently features split-screen compositions (also present in subsequent De Palma films such as Carrie), and was scored by frequent Hitchcock collaborator Bernard Herrmann.”Also discussed: The Vampire Lestat, The Death of Mr. Lazarescu, Her Private Hell, Never Rarely Sometimes Always, Beyond the Hills, Italian realism rec, Streetwise, May December, The Shards, [safe], ranking Brian De Palma, Black Christmas, and more. NEXT WEEK: Exorcist II: The Heretic (1978)Bloodhaus: https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

We're stuck inside in the heat of summer picking apart the romance of Alfred Hitchcock's 1954 thriller Rear Window, starring Jimmy Stewart and Grace Kelly! Join in as we discuss watching movies while sick, the movie's incredible set, 1950s insurance care, and our favorite Grace Kelly outfits. Plus: Would Lisa (Kelly) be into true crime? Why was this movie so hard to see for thirty years? And why won't Jeff (Stewart) just marry Grace Kelly?!? Make sure to rate, review, and subscribe! Next week: The Italian Job (2003)-----------------------------------------------------------"When Hitchcock Banned Audiences from Seeing His Movies" (Mental Floss)"Hitchcock Film Treasures Resurrected from Family Vault" (Reading Eagle)Trailer for Jimmy (2026) starring K.J. Apa (YouTube)"Jeff Bezos Banned A-Lister from Met Gala 2026" (Yahoo)"Sorkinisms: A Supercut" by Kevin T. Porter (YouTube)

Good evening. Welcome to Dial P for Podcast, Patrick Ripoll's year-long chronological voyage through the films of Alfred Hitchcock. Every month Patrick will be watching four Hitchcock features and talking about them here, from The Pleasure Garden to Family Plot, all across the year of 2026, examining the life and work of England's most famous cinema pervert.As the Selznick era comes to an end we see an Alfred Hitchcock growing in confidence, ambition and struggling against the increasing interference of the overbearing producer. With Lifeboat Hitchcock takes on a seemingly simple premise that was in fact an enormous technical challenge, Spellbound found a David O Selznick obsession with psychiatry producing a mess of a thriller, Notorious finds Hitchcock hitting a career high and pissing off every censor in Hollywood, while The Paradine Case begs the question: if a murder happens and no actors capable of emoting can't react to it, does it make a sound?You can add the mid-40's to Hitchcock's list of playmates. Check it out!0:00 - 0:32 - Intro0:33 - 40:31 - Lifeboat (1944)40:32 - 1:08:31 - Spellbound (1945)1:08:32 - 1:53:26 - Notorious (1946)1:53:27 - 2:18:54 - The Paradine Case (1947)2:18:55 - 2:21:28 - Outro

Cary Grant, Ingrid Bergman, Alfred Hitchcock. OK, I’m pretty much done. What else shall I say? WWII intrigue, a love story, a well-played villain. These are also things I could say. Also, the length of the kiss between Grant and Bergman put the Production Code office all in a tizzy. Shelly Brisbin with Micheline Maynard, David J. Loehr, Annette Wierstra, Randy Dotinga and Philip Mozolak.

Cary Grant, Ingrid Bergman, Alfred Hitchcock. OK, I’m pretty much done. What else shall I say? WWII intrigue, a love story, a well-played villain. These are also things I could say. Also, the length of the kiss between Grant and Bergman put the Production Code office all in a tizzy. Shelly Brisbin with Micheline Maynard, David J. Loehr, Annette Wierstra, Randy Dotinga and Philip Mozolak.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

The original ending of Jeepers Creepers was supposed to continue far beyond the police station. At Days of the Dead Indianapolis, original Creeper actor Jonathan Breck and creature effects artist Brian Penikas reveal the massive 15-minute climax the production could not afford to film, including a battle atop the Creeper's truck and an oncoming train. They also share behind-the-scenes stories about: • The disturbing "puppet coach" sequence cut from Jeepers Creepers 2 • Why Jonathan Breck shaved his head before his audition • How the Creeper's face, body and weapons were designed • The real human tooth hidden inside one of his throwing stars • Why Justin Long was the first and last actor filmed in Creeper makeup • How Jaws and Alfred Hitchcock's Lifeboat influenced the first two films Recorded live at Days of the Dead Indianapolis and hosted by Griffey of Misfit Parade and the Messed Up Movies Podcast. Subscribe for more horror convention panels, filmmaker conversations and seriously messed up movie talk. Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod

Kurt and Steve are joined by Mike from The Old SwitchAroo to discuss Alfred Hitchcock's Frenzy. The trio explores the director's return to London, the film's darker tone, memorable suspense, and shocking violence while examining why this late career thriller deserves far more recognition among Hitchcock's greatest works.

Kurt and Steve are joined by Mike from The Old SwitchAroo to discuss Alfred Hitchcock's Frenzy. The trio explores the director's return to London, the film's darker tone, memorable suspense, and shocking violence while examining why this late career thriller deserves far more recognition among Hitchcock's greatest works.

Before 1960, movies just played on loops at the theater and people could buy a ticket and come and go as they pleased. Then, a film had so massive a twist that the director demanded theaters not let viewers wander in willy-nilly. We're discussing Psycho, Alfred Hitchcock's cinema-altering classic on this episode! Plus, a journey to the center of the MouthGarf Report, and I See What You Did There. Edited by: Kelly Attaway Please give us a 5 star rating on Apple Podcasts!  Want to ask us a question? Talk to us! Email debutbuddies@gmail.com Listen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster. Get some sci-fi from Spaceboy Books. Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025 Next time: First Pokémon

We're racing away from murder accusations and towards age-gap romance as we look at Alfred Hitchcock's 1959 classic North by Northwest! Join in as we discuss the relationship between stars Cary Grant and Eva Marie Saint, the iconic cropduster scene, the movie's frank sexuality, and its connection to a World War II British plot. Plus: Who would be the funniest president to be on Mount Rushmore? What happened to Roger Thornhill's (Grant's) previous two marriages? Does this movie make any sense whatsoever? And, most importantly, is Roger still wanted for murder when the movie ends? Make sure to rate, review, and subscribe! Next week: Rear Window (1954)----------------------------------------------------Key sources and links for this episode:Which Lie Did I Tell? More Adventures in the Screen Trade by William Goldman (2000)"The Making of Mount Rushmore" (Smithsonian Magazine)"Cary Grant and Randolph Scott's Hollywood Story" (Vanity Fair)

¡Pónganse cómodos y ajusten sus cinturones! En el episodio de hoy nos vestimos de etiqueta para viajar hasta 1959 y sumergirnos de lleno en 'Con la muerte en los talones' (North by Northwest), una de las cumbres absolutas en la carrera de Alfred Hitchcock y la película que redefinió para siempre el cine de intriga y espías. Para la ocasión, desplegamos un dossier absoluto donde repasamos el fascinante proceso de gestación de este clásico. Arrancamos desde el origen de la idea, nacida del deseo de Hitchcock y el guionista Ernest Lehman de crear la película de suspense definitiva, hasta los secretos de un rodaje mítico. Analizamos el carisma arrollador de Cary Grant como el inolvidable Roger O. Thornhill, la sofisticación de Eva Marie Saint y la elegancia villana de James Mason. Además, nos adentramos en los desafíos técnicos de filmar con cámara oculta en la sede de la ONU en Nueva York, la genialidad tras la famosa secuencia de la avioneta en Bakersfield y los problemas con las autoridades estadounidenses para rodar el clímax final en los rostros del Monte Rushmore, sin olvidar la inmortal banda sonora de Bernard Herrmann y los títulos de crédito de Saul Bass. Pero eso no es todo. En la segunda parte del programa, nos sentamos a la mesa junto a Guillermo, Pablito Terrores y Salva Vargas para realizar un exhaustivo recorrido por toda la trama de la película. Escena a escena, desmenuzamos el funcionamiento impecable del malentendido del "falso culpable", la brillantez narrativa de sus set pieces, la enorme carga de erotismo y doble sentido que esquivó a la censura de la época y esa combinación perfecta entre comedia elegante y thriller frenético que convirtió a esta obra en la abuela de sagas como James Bond o Misión Imposible. EN LA PAUSA DEL PODCAST: Películas que nunca se hicieron En nuestro interludio central viajamos a un universo paralelo de la historia del cine para rescatar un proyecto fantasma fascinante: 'The Blind Man'. Os contamos la historia del borrador que el propio Hitchcock y Ernest Lehman prepararon justo después de Con la muerte en los talones, centrado en un hombre ciego que recuperaba la vista en Disneyland tras un trasplante de córneas y se veía envuelto en un asesinato. Descubriréis cómo la negativa de Walt Disney a permitir rodar en su parque de atracciones dinamitó uno de los proyectos más bizarros e interesantes de la historia del cine. ¡Acompañanos en esta aventura! Este programa cuenta con la producción ejecutiva de nuestr@s mecenas, l@s grandes, l@s únicos Kamy, Lobo Columbus, Enfermera en Mordor, Javier Ramírez, La Casa del Acantilado, Shinyoru, Lestat, Kal-el__80, Cohaggen, Elena Gómez, José Ángel Sanz, Rudy Ayose, Ian Pérez, Ed Salas, Mario López, Sergio, Cristina AR, Bichodiablo, Javi, Iñaki Pinto, Alejandro Martínez Ribes, AgVe, David Torrent Durán. ¿Quieres ayudarnos a seguir mejorando y creciendo? Pues tienes varias opciones para ello. Dándole Me gusta o Like a este programa. Por supuesto estando suscrito para no perderte ninguno de los próximos episodios, y ya para rematar la faena, compartiendo el podcast con tus amigos en redes sociales y hablando a todo el que te cruce en la calle de nosotros…. Y todo esto encima, GRATIS!!! Y si ya nos quieres mucho, mucho, mucho y te sobra la pasta…. Puedes hacerlo económicamente de varias formas: Apoyo en iVoox: En el botón APOYAR de nuestro canal de iVoox y desde 1,99€ al mes: https://acortar.link/emR6gd Invitándonos a una birra en Ko-Fi: por solo 2€ nos puedes apoyar en: https://ko-fi.com/criterioceropodcast Patreon: por sólo 3€ al mes en: https://patreon.com/CriterioCeroPodcast PayPal: mediante una donación a criterioceropodcast@gmail.com También nos podéis ayudar económicamente de forma indirecta si tenéis pensado suscribiros a las modalidades Premium o Plus de iVoox al hacerlo desde estos enlaces: Premium Anual: https://acortar.link/qhUhCz Premium Mensual: https://acortar.link/gbQ4mp iVoox Plus Mensual: https://acortar.link/y7SDmV Con cada rupia que nos llegue sufragamos los costes del programa al mes, invertiremos en mejorar los equipos y por supuesto, nos daremos algún que otro capricho . Las recompensas por apoyarnos se explican en nuestro blog: https://criterioceropodcast.blogspot.com/2023/08/quieres-ayudar-criterio-cero-mejorar.html También puedes hacerte con algo de merchandising de Criterio Cero. Camisetas, Sudaderas, tazas o mochilas en el siguiente enlace: https://www.latostadora.com/shop/criteriocero/?shop_trk Y Criterio Cero no acaba ya en el audio, ahora también nos tenéis en vídeo: En Twitch hacemos directos de Criterio En Serie: https://www.twitch.tv/criteriocero En YouTube: https://www.youtube.com/@criteriocero Y también puedes seguirnos en nuestras diferentes redes sociales: En Telegram en nuestro grupo: https://t.me/criteriocerogrupo En Facebook en nuestro grupo: https://www.facebook.com/groups/630098904718786 Y en la página: https://www.facebook.com/criterioceropodcast ✖️ En X (el difunto Twitter) como @criteriocero En Instagram como criterioceropodcast En TikTok como criteriocero ✉️ Para ponerte en contacto con nosotros al correo criterioceropodcast@gmail.com De paso aprovechamos para recomendaros podcasts que no debéis perderos: Hudson´s Podcast, Puede ser una charla más, Luces en el horizonte, La Catedral Atroz, La guarida del Sith, Crónicas de Nantucket, Más que cine de los 80, Fílmico, Tiempos de Videoclub, Sector Gaming , El Dátil de ET, La Casa del Acantilado, Kiosko Chispas, Just Live it, Filmotecast, La Tetera, Fuera de continuidad, Campamento Krypton, La órbita de Endor, Archivo007, El bastón de Chaplin, Cinco Duros: La historia del videojuego español

Holly takes a film school detour to examine Gus Van Sant's experimental "remake" of Psycho (1998), a shot-for-shot, line-for-line remake of Alfred Hitchcock's horror masterpiece. Is it the ultimate work of homage or wholesale cinematic theft? Listen as we debate the wisdom of peephole masturbation, how to improve on perfection, the folly of unchecked hubris, and more on this week's exciting episode! Hosted on Acast. See acast.com/privacy for more information.

Alfred Hitchcock remains cinema's Master of Suspense a century after directing his first film, but decades of biography have blurred the line between the man and the myth. Mike talks with author Tony Lee Moral about his sixth Hitchcock book, A Century of Hitchcock, and the archival discovery that reshaped it: a 36-page 1980 transcript of biographer Donald Spoto's own interview with Tippi Hedren.Moral traces how Spoto's personal grievances against Hitchcock — including being routinely ignored by name and bitten by the director's West Highland terrier — colored The Darkside of Genius and shaped decades of tabloid narrative. Drawing on new interviews with secretaries, screenwriters, and script supervisors who worked alongside Hitchcock, Moral makes the case for reexamining the record on Hitchcock's treatment of women, from Tippi Hedren's shifting accounts to the making of The Birds and Marnie.The conversation also revisits The Pleasure Garden on its hundredth anniversary, Hitchcock's collaboration with Salvador Dalí on Spellbound, and what a possible sixth Hitchcock book might hold. Find Tony Lee Moral's book and more of his work at tonyleemoralbooks.com.Buy the book at: https://amzn.to/4fvEBKG Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Alfred Hitchcock remains cinema's Master of Suspense a century after directing his first film, but decades of biography have blurred the line between the man and the myth. Mike talks with author Tony Lee Moral about his sixth Hitchcock book, A Century of Hitchcock, and the archival discovery that reshaped it: a 36-page 1980 transcript of biographer Donald Spoto's own interview with Tippi Hedren.Moral traces how Spoto's personal grievances against Hitchcock — including being routinely ignored by name and bitten by the director's West Highland terrier — colored The Darkside of Genius and shaped decades of tabloid narrative. Drawing on new interviews with secretaries, screenwriters, and script supervisors who worked alongside Hitchcock, Moral makes the case for reexamining the record on Hitchcock's treatment of women, from Tippi Hedren's shifting accounts to the making of The Birds and Marnie.The conversation also revisits The Pleasure Garden on its hundredth anniversary, Hitchcock's collaboration with Salvador Dalí on Spellbound, and what a possible sixth Hitchcock book might hold. Find Tony Lee Moral's book and more of his work at tonyleemoralbooks.com.Buy the book at: https://amzn.to/4fvEBKG Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Yes! Alfred Hitchcock and Tippi Hedren were right! Just not about that. If only the mighty Albo had paid attention. Meanwhile, in New York, the unbridled bridal waltz continued. Break out the Spam!!! The Attrick body count rises. Jerry would be arrest but there's no constabulary left.

La programación de "Cine bajo las estrellas" comienza este viernes 24 de julio en el Auditorio Parque Fofó con una noche dedicada a Alfred Hitchcock, ofreciendo acceso libre hasta completar aforo para las proyecciones de Con la muerte en los talones y Los pájaros,. La oferta cultural continúa la siguiente semana con el ciclo "Filmo en familia", que presentará Charlie y la fábrica de chocolate de Tim Burton el miércoles 29, y la comedia Aterriza como puedas el jueves 30 dentro del ciclo "Generación Goonies",. Además de estos clásicos, la cartelera se renueva con estrenos que van desde la comedia española Tres de más hasta propuestas de género como el terror de Insaciable y la acción de Motor City.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

CADENA 100 ofrece la mejor variedad musical. En '¡Buenos días, Javi y Mar!', se descubre el daxofón, un instrumento de madera creado por Hans Reichel en 1987 que imita la voz humana, ideal para películas de terror. También se revela que en la icónica escena de la ducha de "Psicosis" de Alfred Hitchcock, la sangre es chocolate negro para un mejor efecto visual en blanco y negro. Fernando Martín presenta una noticia real: en Bihar, India, una mujer bloquea la señal de telefonía de su novio y de todo el vecindario al subirse a una torre tras una discusión. Además, se explica cómo un ambiente ligeramente frío favorece la productividad y el sueño, mejorando la concentración en el trabajo.

Kurt and Steve welcome Mike from The Old SwitchAroo to discuss Alfred Hitchcock's The Birds. The trio explores the film's masterful suspense, unforgettable set pieces, groundbreaking effects, and enduring mystery while examining why this landmark thriller remains one of the most influential and unsettling horror films ever made.

Kurt and Steve welcome Mike from The Old SwitchAroo to discuss Alfred Hitchcock's The Birds. The trio explores the film's masterful suspense, unforgettable set pieces, groundbreaking effects, and enduring mystery while examining why this landmark thriller remains one of the most influential and unsettling horror films ever made.

Josh and Drusilla discuss the French classic, Diabolique. From wiki: “Les Diaboliques (French: [le djabɔlik], lit. transl. The Diabolical Ones or Diabolical Women, released as Diabolique in the United States and variously translated as The Devils or The Fiends)[3] is a 1955 French noir psychological thriller film co-written and directed by Henri-Georges Clouzot, and starring Simone Signoret, Véra Clouzot, Paul Meurisse, and Charles Vanel. The story blends elements of psychological thriller, crime drama and psychological horror, with the plot focusing on a woman and her husband's mistress who conspire to murder the man. It is based on the 1952 novel Celle qui n'était plus (lit. transl. The One Who Was No More)[4] by Pierre Boileau and Thomas Narcejac.”Also discussed: cockroach trauma, Florida, Who Can Kill a Child? (1976), Mineshaft: The Cruising Murders (2026), The Vampire Lestat, How Green Was My Valley (1941), Matewan (1987), Alfred Hitchcock, Bound (1996), Blood Simple (1984), The Kingdom (1994),  Peeping Tom (1960), and more. NEXT WEEK: In the Mouth of Madness (1994) Bloodhaus: https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

It's Gay Wrath Month, so let's be gay and do crimes and... wait. Wait, no, not like that, this is Alfred Hitchcock and Arthur Laurents making toxic codependent yaoi.Be Kind Rewind's Hitchcock Blondes: https://www.youtube.com/watch?v=EjSde5Su-14Legal Eagle's Case of the Perfect Murder: https://www.youtube.com/watch?v=M6q8I5UwcQIPLUGGABLESGillian: @cutiepuppyfire on the socialsB: @dropsofjupiter92 on BlueSky; @bdaae on tumblr, @btargaryen on LetterboxdLeif: @leifbradshawsings on instagram, @leifbradshawmusic on Facebook, linktr.ee/disneyoutlands.Mutual Aid Disaster Relief: https://mutualaiddisasterrelief.org/Support the showSam: @DemiSemme on YouTube, Tumblr, BlueSky, and most other social media platforms (NOT eX-Twitter). Visit our Tumblrs at sixdegreesofstarwars.tumblr.com and ier-6d.tumblr.comTheme Music provided by Refractory Period: @RefractoryPeriodTheBand on Instagram, linktr.ee/RefractoryPeriodForever Mutual Aid LinksE-Sims for Gaza: https://gazaesims.com/Click to Help: https://arab.org/click-to-help/Anti-Imperialism support for people across the world, organized by Kandakat_alhaqq:  https://linktr.ee/kandakat_alhaqqCampus Bail Funds: https://campusbailfunds.com/6DOSW is a Pro-Union podcast. Please support artists by contributing to the Entertainment Community Fund if you can: https://entertainmentcommunity.org/how-get-help-and-give-help-during-work-stoppageThe views and opinions expressed in this podcast are those of the speakers and do not necessarily reflect the views or positions of any entities they represent.

Hit the highway for one of the greatest hidden gems in horror history as Johnny Spoiler takes a spoiler-filled ride through Richard Franklin's Roadgames (1981)—the Australian cult classic that asks: What if Alfred Hitchcock made a slasher on the open road?This week, Johnny breaks down why Roadgames deserves a place alongside The Hitcher, Joy Ride, and Breakdown, explores its reputation as one of the defining films of the Ozploitation era, and reveals the behind-the-scenes stories that make this thriller legendary—including Stacy Keach learning to drive a 16-gear semi in just two days, the Sean Connery casting that almost happened, and why Quid's dingo had to be renamed Boswell.Danny McBride's gritty new G.I. Joe movie heads to Springfield... but not the Springfield you expect.Remembering the legendary Sam Neill with a look back at Possession, Jurassic Park, Event Horizon, Merlin, and Bicentennial Man.Sydney Sweeney saddles up for Hollow, a gothic reimagining of Sleepy Hollow, plus three must-watch Sweeney films.JOLT Modern Soda Bundle - JOLT Cola & JOLT Root Beer - Zero Sugar, 80mg Natural Caffeine, Alpha GPC Focus Nootropics, Prebiotics, B Vitaminshttps://amzn.to/3RLxtSGHarry's Original Shaving Kit for Menhttps://amzn.to/4yvLq7VMeatzy meat on demand and get rewarded for sharing the sizzle https://tr.ee/GetMeatzyJohnnyWhy Roadgames is basically Rear Window on Wheels.Jamie Lee Curtis as the mysterious hitchhiker "Hitch."How this overlooked thriller inspired The Hitcher, Joy Ride, Wolf Creek, and modern highway horror.Hitchcock references, Ozploitation history, and the terrifying green van that haunted a generation of genre fans.Johnny answers your questions about A Nightmare on Elm Street 2: Freddy's Revenge, dives into why it's become one of horror's most fascinating cult classics, and shares behind-the-scenes trivia from The Dream Master.Before Workaholics became a Comedy Central hit, it was a broke YouTube sketch group called Mail Order Comedy. Johnny tells the unbelievable story of how Blake, Adam, Anders, and Kyle turned homemade videos into one of TV's funniest comedies. Rating: SCREAM NOW!Next week, Summer Slash continues with Brain Dead (1990) starring Bill Pullman and Bill Paxton—a mind-bending psychological horror trip into corporate conspiracies, neurosurgery, and insanity.Subscribe, binge, and remember...Johnny Spoiler doesn't ruin movies. He ruins the wait.

Box office smash horror films. Sarah Watt, Jeremy Downing and William Chen discuss Backrooms (2026) and Obsession (2026), but in two separate conversations. Jeremy and William discuss Backrooms, directed by Kane Parsons, and then Jeremy and Sarah discuss Obsession, directed by Curry Barker. The Backrooms conversation starts with the box office impact of the film and how it potentially is shifting the industry model for investing in films. We unpack the psychology of the horror in the film, especially when considering the realities of Gen Z and what horror looks like in a post-Millennial world. We talk about the brilliant performances from Chiwetel Ejiofor and Renate Reinsve, as are the physical sets in the film. We discuss the structure of the film and where the films works and where it is weak. We connect the film to the work of David Lynch, Alfred Hitchcock and Stanley Kubrick. Sarah swaps out with William, and chats with Jeremy about Obsession. Our conversation begins by praising the performance actor Inde Navarrette and later in the episode Michael Johnston. We talk about the strength of the narrative and how we can relate the situation amidst the horror. Our discussion focuses on the ending and the poetic justice, as well as the strength of the writing. We make connections to Weapons (2025), Romeo and Juliet (roughly 1597), Heated Rivalry (2025-), Fatal Attraction (1987), and the work of David Fincher and David Lynch (again). We finish the conversation by highlighting how much the film connected with our own lives.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Christopher Nolan's The Odyssey arrives amid enormous anticipation. Jason considers whether the mythic epic can live up to the hype.A tribute to Sam Neill, who died this week, as we revisit a beautiful highlight from our archives: Neill reflecting on his favourite film - a clue, it was directed by Alfred Hitchcock.We speak with filmmaker Alain Gomis ahead of the Melbourne International Film Festival about Dao, his visually striking exploration of memory, history and identity; and MIFF Senior programmer Kate Jinx is in for a preview of this year's festival.Presenter, Jason Di RossoProducer, Sarah CorbettSound, Angie GrantArts editor, Sarah L'Estrange

We welcomed Dan Wallace to the Lounge for another Sanity Cinema episode, where we took a deep dive into Alfred Hitchcock's classic North by Northwest.Dan joined us for the movie conversation, sharing his thoughts on what makes the film one of Hitchcock's best and why it still holds up today.Before the discussion, Dan was joined by Jack Gruber on keys for a few live performances, with Dan on saxophone.If you're a fan of classic films, great music, or both, this one's for you.Full episode available now on YouTube, Spotify, and all podcast platforms.Sponsored by Christopher Schafer Clothier

Sean and I originally came up with something like a half-dozen subjects for this miniseries, including a few actors from Saturday Night Live who made the jump into films. But ultimately it became kind of unwieldy, so we limited ourselves to two full episodes. Hollywood and show business fame in general can be a brutal place, and careers can end for all kinds of reasons. Sometimes actors just fall out of favor (Uma Thurman or Orlando Bloom, perhaps). Sometimes they say/do something controversial (Will Smith, Wesley Snipes). Sometimes—often the case with child actors—they decide they just want to do something else and leave the industry (Peter Ostrum, Mara Wilson). And some actors leave for more noble reasons. Rick Moranis retired for several years to raise his children after his wife died. Phoebe Cates married Kevin Kline and chose not to return to acting even though the opportunities were still coming. Then there was Grace Kelly. Grace Kelly got involved with an honest-to-god prince, Rainier of Monaco, and simply walked away from the industry. She made eleven films (not counting documentaries), and about a month after finishing her last film, High Society, she married Rainier and that was pretty much that. So in today's episode we'll be looking at two of Kelly's films. We begin with 1954's Rear Window, directed by Alfred Hitchcock and co-starring James Stewart. It's a taut thriller that maybe had the unfortunate side effect of making voyeurism look attractive. In Part 2 of today's episode we'll be talking about To Catch a Thief from 1955.

In 1955, Kelly paired up with Alfred Hitchcock again, to make To Catch a Thief, co-starring Cary Grant. Grant plays a retired cat burglar who is suspected of committing a new series of robberies, so he sets up a big job as a kind of sting operation to nab the person who's making him look like he's returned to a life of crime. Grace Kelly plays one of his potential victims in this scheme, and there are all kinds of interesting twists that, when viewed through a modern lens, you may see coming, but then again you may not. COMING ATTRACTIONS: In our next episode we continue the series with a career cut short by tragedy. River Phoenix was an actor with a great deal of promise who unfortunately couldn't control his demons. We begin with Stand By Me from 1986 (which has a second tragedy attached to it by now, but we recorded this long before Rob Reiner's death), and then peek at one of his lesser-known—but of similar quality—films, Running On Empty, from 1988. Join us, won't you?

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Front Row Classics welcomes author Tony Lee Moral. Tony recently penned "A Century of Hitchcock: The Man, The Myths, The Legacy". He addressed a series of narratives regarding the Master of Suspense through new archival research and unpublished interviews.  Now available from The University Press of Kentucky wherever books are sold Tony Lee Moral is a mystery author and screenwriter with a deep passion for suspense, mystery, and the cinematic legacy of Alfred Hitchcock. Over the course of his career, he has become a leading voice in both the world of Hitchcock scholarship and contemporary crime fiction. With four critically acclaimed books dedicated to Alfred Hitchcock, including Alfred Hitchcock Storyboards (2024), The Young Alfred Hitchcock's Moviemaking Master Class (2022), The Making of Hitchcock's The Birds (2013), and Hitchcock and the Making of Marnie (2013), Tony's writing offers a unique insight into the art of filmmaking, the creative process, and the mind of one of cinema's most iconic directors. But Tony's talents don't end with nonfiction. He is also an accomplished novelist, weaving intricate plots filled with suspense, intrigue, and unforgettable characters. His novels include The Two Masks of Vendetta and its thrilling sequel The Passion of the Cross (both released in 2024) and Ghost Maven: The Haunting of Alice May (2019). These novels blend elements of mystery, suspense, and the supernatural, taking readers on unforgettable journeys that explore complex characters, twisted secrets, and the darkest corners of the human psyche. As a writer, Tony is dedicated to crafting stories that keep readers on the edge of their seats. His work in suspenseful thrillers, like The Two Masks of Vendetta, shows his knack for creating tension and atmosphere, while his paranormal novels, such as Ghost Maven, blend supernatural elements with heartfelt emotions, bringing a fresh approach to the genre. Drawing on his expertise in both film and fiction, Tony writes with an eye for cinematic detail, ensuring that each page feels like a scene from a gripping film. His deep understanding of Hitchcock's techniques — suspense, misdirection, and character-driven storytelling — shines through in every novel, making his books essential reading for fans of mystery, crime, and psychological thrillers.

On the sixty- third episode of All the Film Things, Anne Hockens, the Director of Communications for the Film Noir Foundation, *returns* to join me in analyzing Pedro Almodóvar's 2006 comedy/ drama film Volver! This episode is spoiler- filled. Volver marks the first and only time Almodóvar's two muses, Penélope Cruz and Carmen Maura, shared the screen. The film revolves around sisters Raimunda (Cruz) and Sole (Lola Dueñas) living in Madrid who are first seen cleaning their parents' gravestones in a communal tradition. Shortly after, both sisters are forced to handle the loss of two family members separately. Raimunda does everything in her power to provide for and keep Paula safe while Sole is reunited with her mother (Maura), who was presumed to be dead. The Film Noir Foundation will be holding their highly- anticipated first Noir City Film Festival in NYC beginning this Friday, July 10 and concluding on July 19 at the Paris Theater. Over those nine days, 32 noir films will be screened and you can purchase tickets by going to ParisTheaterNYC.com. The next episode of “Ask Eddie”, the biweekly video podcast hosted by Anne and Eddie Muller, will be streaming live tomorrow night at 7 pm PST/ 10 pm EST on the Film Noir Foundation Facebook page and will be available to watch on the Noir City YouTube channel the next day. Learn more about all that's going on with the foundation from upcoming Noir City film festivals to how to donate and help their efforts to restore films to Ask Eddie by going to their Facebook page and FilmNoirFoundation.org. This is Anne's third, but really second, appearance on ATFT! Anne's debut appearance on All the Film Things was back in November to discuss Double Indemnity, click here to listen to that episode. Anne, in a very rare move, was a part of the stellar ensemble of guests in the previous episode joining me in paying tribute to Marilyn Monroe (you can click here to listen to that episode). These two episodes were recorded on the same day so, while the Marilyn tribute was released first, this was really her second appearance (which is also why this episode is shorter than usual). Anne is a delight and has already become one of my very favorite people to discuss film with. Between having having a wonderful time talking about Double Indemnity and knowing she is a fellow Almodóvar fan, I knew we had to discuss one of his masterpieces in our next episode together. This episode was recorded on May 28, 2026. In this episode, Anne and I talk about attempt to do the impossible by figuring out where Volver ranks amongst our favorite Almodóvar films, how Alfred Hitchcock's The Trouble with Harry inspired Almodóvar in a key point in the film, and our favorite darkly comedic moments. Anne also shares her experience seeing the film in theaters twenty years ago while I compared Blanca Portillo's character Agustina to her character Judit in Broken Embraces. All this and much more on the latest episode of All the Film Things!Music Credit:Music by NotProd from Pixabay 

It's Lauren's 40th birthday which means she is indulging in her favorite film of all time Alfred Hitchcock's Psycho. It's not birthday themed, and it's definitely not light, but the birthday girl makes the rules and the rule is everyone should watch Psycho.

Welcome once again, dear Dungeon Masters and Game Masters! Today we talk about suspense and surprise from Alfred Hitchcock's movies and Game of Thrones.In this episode you will learn how to make the most impact by managing the knowledge your players have about each situation.Creative Contraband is a segment designed and hosted with love by Danny Barrett for How to Be a Better DM.Find Danny at: ⁠⁠⁠https://www.instagram.com/gamemaster.hof⁠⁠⁠If you want more content for Dungeon Masters and Game Masters alike, you can find related projects and sponsored links here:Worldsmith: ⁠⁠⁠⁠⁠⁠⁠http://session0studios.com/worldsmith⁠⁠⁠⁠⁠⁠⁠Roll and Play Press: ⁠⁠⁠⁠⁠⁠⁠http://session0studios.com/rollandplay⁠⁠⁠⁠⁠⁠⁠Phantasm Studios: ⁠⁠⁠⁠⁠⁠⁠https://session0studios.com/fantasms⁠⁠⁠⁠⁠⁠⁠Monument Studios: ⁠⁠⁠⁠⁠⁠⁠session0studios.com/monumentstudios⁠⁠⁠⁠⁠⁠⁠Discord: ⁠⁠⁠⁠⁠⁠⁠http://session0studios.com/discord⁠⁠⁠⁠⁠⁠⁠Patreon: ⁠⁠⁠⁠⁠⁠⁠https://session0studios.com/patreon⁠⁠⁠⁠⁠⁠⁠Dungeon Master Level Up Guide: ⁠⁠⁠⁠⁠⁠⁠https://session0studios.com/newsletter

Bill Mumby was 11 when he played Will Robinson in the show Lost in Space, but he was already one of Hollywood's busiest child actors, appearing alongside stars including James Stewart, Judy Garland, and working with Alfred Hitchcock. Unlike many child stars, he went on to build a second career in music, writing and recording with the band America, creating one of MTV's early hit music videos, and releasing a string of solo albums including his latest, Will Power. [picture id="4O8ZKR1_Bill_67Casino_8_17_1_jpg" crop="16x10" layout="full"]

The woman behind Alfred Hitchcock's success. PatreonMerchTikTokBskyInstagramPipedream podcastsSpreakerClips used in this episode:Alfred Hitchcock Accepts the AFI Life Achievement Award (1979)Alfred Hitchcock Intro ThemeThe 39 Steps (1935)Frenzy (1972)Dial M for Murder (1954)Rebecca (1940)Patton Oswald - Male directors, female editorsMarnie (1964)Rear Window (1954)Rope (1948)Shadow of a Doubt (1943)The Birds (1963)The Murder composed by Bernard HerrmannMusic: Kevin MacLeod"Jazz Brunch""Discovery Hit""Miami Nights""This House"

Good evening. Welcome to Dial P for Podcast, Patrick Ripoll's year-long chronological voyage through the films of Alfred Hitchcock. Every month Patrick will be watching four Hitchcock features and talking about them here, from The Pleasure Garden to Family Plot, all across the year of 2026, examining the life and work of England's most famous cinema pervert.As we reach the midpoint of Alfred Hitchcock's career we see a variety of films, including a screwball comedy and another 39 Steps re-run, but we also see the full flowering of a Hitchcock driven by psychology, by terror of a much more domestic variety, a world at war while things aren't right at home, where the person you sleep next to could be your most sinister enemy. Homicidal Cary Grant, Thorton Wilder slumming it, the statue of liberty, fourth wall dismissal, surrealism and even honest-to-God psychic powers saturate this batch of films as Hitchcock settles into Hollywood and begins to turn it upside down.It's glowing like a poisoned glass of milk but you better drink it down anyway!0:00 - 0:36 - Intro0:37 - 30:55 - Mr. and Mrs. Smith (1941)30:56 - 1:38:47 - Suspicion (1941)1:38:48 - 2:24:53 - Saboteur (1942)2:24:54 - 4:13:55 - Shadow of a Doubt (1943)4:14:56 - 4:15:04 - Outro

Send us a Question!PATREON MOVIE DISCUSSION: This movie was selected by our Patreon Supporters over at the Cinematic Doctrine Patreon. Support as little as $3 a month and have your voice heard! Shirleon joins Melvin to discuss Vertigo, a film many consider Alfred Hitchcock's greatest achievement! From it's haunting atmosphere to its incredibly performances, the two discuss love, memory, deceit, and whether Vertigo would cause an iPad kid's head to explode! Topics:(PATREON EXCLUSIVE) 32-minutes discussing some do's and don'ts when it comes to purchasing physical media. (PATREON EXCLUSIVE)Shirl enjoys a psychological thriller, but something about Vertigo wasn't hittin' right for her.For Melvin, he finished the film and went, "That's the best f***ing movie I've seen."Vertigo is spectacular, but it has little spectacle, opting for a patient, intimate, self-controlled mystery.There's so much going on in the film, and so much that it's thematically covering, that Melvin wonders if it'd make an iPad kid's head explode.Why the title "Vertigo", and what does it mean?Meditations on the past, desires, and deceit.The ending is a multilayered gift of misery that keeps on giving.Is the ending too coincidental?Recommendations:How to Survive a Horror Story by Mallory Arnold (2025) (Novel)Squirreleon (Twitch)Buy. Physical. Media. And learn to be selective. Support the showSupport on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & PinsSocial Links: ThreadsWebsiteInstagramLetterboxdFacebook Group 

In August 1940, Alfred Hitchcock released FOREIGN CORRESPONDENT, a spy thriller that looked like simple entertainment but carried a hidden message for American audiences. In this episode of Cracking the Code of Spy Movies, Dan and Tom dig into how Hitchcock, working in Hollywood while Europe burned, smuggled a warning into one of his lesser-known masterpieces. Hitchcock is the master of suspense, so listen now to this espionage spy thriller that oozes with Hitchcockian brilliance. Join us as we trace the story of Johnny Jones, a green American reporter sent to Europe under a fake name, who stumbles into a web of assassins, double agents, and a missing diplomat holding a secret that could decide the fate of a continent. Along the way, we explore the real history behind the film, including the journalists who inspired it, the genuine spycraft Hitchcock borrowed from British intelligence, and the wartime tension that shaped nearly every scene. We also break down the film's most famous sequences, talk about the standout cast performances, including an Oscar-nominated actor who did not know how to speak a word of English. Here are some things you'll learn: ·         Hitchcock's spy thriller had a hidden political message — and the U.S. government noticed it before America even joined the war. ·         One real Hollywood reporter inspired the story, but several characters were modeled after actual Nazi agents operating in Europe. ·         A famous rain-soaked assassination scene hides a clever visual trick that still feels shockingly modern. ·         An Oscar-nominated actor delivered every line of dialogue without understanding a single word he was saying. ·         The film's final scene wasn't part of the original script — real-world events changed the ending just before release. By the end, you will never watch FOREIGN CORRESPONDENT the same way again. Stick around to the finish, where we reveal exactly where to spot Hitchcock's tricky cameo appearance. Tell us what you think of our discussion FOREIGN CORRESPONDENT Have you seen this movie?  If so, what did we miss?   If you haven't seen it, does this episode put it on your watch list? Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage: https://spymovienavigator.com/episode/foreign-correspondent-decoded

Alfred Hitchcock's Psycho forever changed movie history with one shocking scene, but novelist Leah Rowan asks a tantalizing question: what if Marion Crane had survived? In her debut thriller, 'Marion,' Rowan reimagines one of cinema's most famous victims as a woman who fights back, setting off a suspenseful story of survival, revenge, and reinvention.A modern, feminist twist on a classic, the novel blends psychological suspense with sharp social commentary as Marion flees the aftermath of a deadly encounter while trying to save her sister from an abusive marriage. It's a bold, unexpected retelling that turns a familiar story on its head.

Tyler Johns and Lance Taylor are back on The Next Reel for a movie-packed episode featuring weekend watch recaps, classic film talk and a confession-style main topic: famous movies they somehow still have not seen. Before revealing their biggest movie blind spots, Tyler and Lance break down what they watched recently, including Alfred Hitchcock's Strangers on a Train, the brand new Toy Story 5, the legacy of Toy Story, the 1984 adventure drama The Bounty, reviewing The Death of Robin Hood, the classic western High Noon, an Apple TV thriller and more. Then, the guys dive into a list of their most surprising movie blind spots — popular films, all-time classics, sports favorites, comedies, thrillers and pop-culture staples that everyone assumes they have seen, but somehow missed. Some picks are shocking because of how iconic they are. Others are embarrassing because they fit perfectly into each host's taste. And a few will make you ask: “How have you never seen THAT?” The guys also discuss how certain movies become part of pop culture even if people have never actually watched them, why some classics feel impossible to avoid, and whether knowing the quotes, scenes or reputation of a movie counts as truly knowing it. What famous movie have YOU somehow never seen? Drop your biggest movie blind spot in the comments.

For over a century, Alfred Hitchcock has remained one of cinema’s most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller “The Lodger” (1927) marked the start of his signature style, which was later exemplified in classic films like “Vertigo” (1958), “North by Northwest” (1959), “Psycho” (1960), and “The Birds” (1963). Hitchcock’s work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. https://www.youtube.com/watch?v=0NUJN1fq0Sc Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, “A Century of Hitchcock” challenges the long-standing narratives that have shaped Hitchcock’s legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock’s alleged abuses, scrutinizing biographer Donald Spoto’s interpretations—particularly Spoto’s portrayal of the director’s relationship with actress Tippi Hedren. With his analysis of Spoto’s 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. In this comprehensive reappraisal of Hitchcock’s career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock’s first film, “The Pleasure Garden”, and fifty years since his last film, “Family Plot”, Moral reexamines the director’s cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock’s legacy in the post-#MeToo era.

Maybe don't stay at any hotels this week because we are covering Alfred Hitchcock's PSYCHO with comedian Kayla Hardy!Katie Afraidy is a horror movie review podcast where host, horror fanatic, and comedian Katie Hettenbach talks with comedians, actors, and filmmakers about horror movies!Phoenix secretary Marion Crane (Janet Leigh), on the lam after stealing $40,000 from her employer in order to run away with her boyfriend, Sam Loomis (John Gavin), is overcome by exhaustion during a heavy rainstorm. Traveling on the back roads to avoid the police, she stops for the night at the ramshackle Bates Motel and meets the polite but highly strung proprietor Norman Bates (Anthony Perkins), a young man with an interest in taxidermy and a difficult relationship with his mother.WANT STICKERS? https://www.stickermule.com/katieafraidySubscirbe on Patreon for EXTENDED UNCUT Episodes, Stickers, and SO MUCH MORE! https://www.patreon.com/KatieAfraidyGet ready for more chaos coming every TUESDAY! Old episodes of Horror at The Store will be reposted to YouTube every THURSDAY! Use code KATIEAFRAIDY25 to get 25% off of your Fangoria subscription !Check out Filmcraft Studio Gear!https://www.instagram.com/filmcraftla/Please don't forget to subscribe, share, and give us a review! Love my little spooky community! Follow us on Socials!https://www.instagram.com/katie.afraidy/https://www.instagram.com/kthetty/https://www.tiktok.com/@katie.afraidyhttps://www.tiktok.com/@kthettyProduced by Keida Mascarohttps://www.instagram.com/keidamascaro/The Cave Podcast Studiohttps://www.instagram.com/thecavepodcaststudio/Voiceover by Devyn Perryhttps://www.instagram.com/devynbperry/?hl=enSubscribe wherever you get your podcasts!https://podcasts.apple.com/us/podcast/katie-afraidy/id1647102737https://open.spotify.com/show/33nXkTFCfsGqcWBckdm952

In 2018, researchers at MIT unveiled an artificial intelligence so disturbing it earned a name straight out of a psychological thriller: Norman (as in Bates). Unlike typical AIs, Norman was exposed to some of the darkest corners of the internet, causing it to see horror in the mundane. Though designed as an experiment, Norman became a cautionary tale about how artificial minds can mirror humanity's most disturbing tendencies. For a full list of sources, please visit: sosupernaturalpodcast.com/dark-web-norman-the-psychopathic-ai   Did you know you can listen to So Supernatural ad-free? Join the Crime Junkie Fan Club! Visit https://crimejunkiepodcast.com/fanclub/ to view the current membership options and policies. So Supernatural is an Audiochuck and Crime House production. Find us on social! Instagram: @sosupernaturalpod Twitter: @_sosupernatural Facebook: /sosupernaturalpod Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.