Podcasts about Alfred Hitchcock

Thursday's program featured an in studio visit from WKXL's own Ray Dudley of “NH Unscripted”. Among the array of topics discussed, Girl Scout cookies, Alfred Hitchcock and baked scallops just to name a few.

Bill Frisell is here to discuss his new sextet record, In My Dreams, the different American and European cities he has lived in over the years and how they might inform his musical practice, his 75th birthday and the March 2026 tour dates that mark the occasion, a dream about music and its possibilities that he had 30 years ago and is still processing, the lessons mistakes teach us, how film noir scores and the work of Alfred Hitchcock film composer Bernard Hermann may have found their way to In My Dreams, the time he saw Bob Dylan and the Hawks in 1966 and why Dylan might be into Bill's latest record, what inspired him to put together the In My Dreams sextet, future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:March Mergeness! Or Merge Madness? Prize Pack!All Things Konsidered: The Beatles AnthologyEp. #1069: The Messthetics and James Brandon LewisEp. #1034: Sean Wilentz on Bob Dylan's ‘Through The Open Window'Ep. #1008: Marc RibotEp. #1015: Alan LichtEp. #985: PUPEp. #905: Duane Denison from The Jesus LizardEp. #910: The Hard QuartetEp. #866: Jim White and Marisa AndersonEp. #839: Mary TimonySupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Nos adentramos en el fenómeno Hitchcock para entender cómo su universo psicológico se traduce en imágenes, narraciones, en definitiva, su lenguaje cinematográfico. Y lo hacemos a través de su obra más icónica: Psicosis.Junto al psiquiatra Salvador Ruiz Murugarren, analizamos las obsesiones que atraviesan el cine de Hitchcock —la culpa, el miedo, el control o la vigilancia— y cómo muchas de ellas pueden rastrearse en su propia biografía y en los miedos que marcaron su infancia. Exploramos también la construcción psicológica del miedo en el cine y nos detenemos en uno de los símbolos más fascinantes de la película: la casa Bates.Locura Compartida con Salvador Ruiz MurugarrenPRÓXIMAS NOTICIAS EN LA LOCURA DE NEWSLETTERInscríbete ⁠⁠⁠⁠aquí

For the 2nd entry in "When Animals Attack" this month, we take to the sky with the master of suspense himself: Alfred Hitchcock. Flock to year nearest shelter, because it's time for The Birds!!More Content: https://patreon.com/neverseenitpodOur Links: https://lnk.bio/neverseenitMovie Info: https://www.imdb.com/title/tt0056869/

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Patrick shares how to approach prayers for the Pope's intentions, and fields personal stories from callers about Catholic school discipline, from rulers, laughter, and respect. He moves between callers wrestling with faith, parish engagement, and the journey for Protestant ministers seeking ordination, drawing from memories that bounce between gentle humor and old wounds. Javier - What if the Holy Father is an anti-Pope? Will the plenary indulgence still count? (01:16) Rita - I think how Catholic schools used to operate affects why so many adults don't follow the faith: There used to be a lot of corporal punishment. (03:42) Stuart - I want to comment about being a fair-weather Catholic vs committed Catholics. Could a Protestant seminarian become a priest? (08:36) George - Regarding the sisters who taught at the elementary schools; I support the nuns. Some were overly ambitious, but on the whole, it was not like that. (20:53) Warren - I went to public School, and I got smacked and paddled. The principal owned a paddle and called it 'The Holy Ghost'. (24:21) Patrick shares some emails that have come in about getting “whacked” at school by nuns Judy – Comment on experiences in Catholic Schools regarding nuns with rulers. (28:57) Frank – Have you ever seen the Alfred Hitchcock program 'The Final Vow' about heroic sisters? Pamela – It’s good to put into consideration that there were no teacher aides and there were 50-60 kids in a classroom. The Nuns had a lot on her plate. (36:39) Jackie - The sisters that taught me were brutal. My husband didn’t have that same experience. (39:58) Mary Ann - I went through Catholic grammar school and college. Holy Cross nuns here never gave anyone a whack. They were great. (42:24) Janet (email) – What is your personal view of parishioners who fall asleep during Mass? (44:10) Frank - I like the Patrick Madrid show and am a US Marine. Sacred Heart and Franciscan nuns are the best and they prepared me for boot camp. (47:47)

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Cinque anni dopo la puntata n. 25 del podcast, torniamo a parlare di Psyco, il capolavoro di Alfred Hitchcock del 1960, questa volta anche in relazione al coraggioso remake di Gus Van Sant del 1998, cercando di inquadrare il tipo di operazione: banale provocazione o sofisticata teoria cinematografica?

Comme chaque mois, Raphaëlle de Barmon reçoit Sabine de la Moissonière pour analyser quatre films. Les titres de ce mois : Le choix du silence, Alfred Hitchcock (1953) Mademoiselle de Jonquières, Emmanuel Mouret (2018) Un jour sans fin, Harold Ramis (1993) Le choix, Gilles Bourdos (2024)

Good evening. Welcome back to Dial P for Podcast, Patrick Ripoll's year-long chronological voyage through the films of Alfred Hitchcock. Every month Patrick will be watching four Hitchcock features and talking about them here, from The Pleasure Garden to Family Plot, all across the year of 2026, examining the life and work of England's most famous cinema pervert.For episode 2 we see Hitchcock break free of his silent era and break ground by producing the first* British sound film. In Easy Virtue (1928) a fallen woman finds new love (and hate) among an upperclass family, in Champagne (1928) a playgirl heiress loses everything and is forced to work a regular job, in Blackmail (1929) a woman kills her rapist and gets blackmailed for it and finally in Murder! (1930) a famous actor turns amateur sleuth to unpack a whodunnit murder mystery.This is the era where Hitchcock goes from British film wunderkind to bonafide national celebrity, with even royalty visiting his sets to see how sound films are made. And his ascent isn't even close to done! Exciting!0:00 - 0:40 - Intro music0:41 - 26:52 - Easy Virtue (1928)26:53 - 57:02 - Champagne (1928)57:03 - 1:50:22 - Blackmail (1929)1:50:23 - 2:11:19 - Murder! (1930)2:11:20 - 2:12:10 - Outro music

As one journey ends, another begins! Join Ian and AC as they continue their tour through the winding hills of classic horror in Kicking the Seat's latest series, "Castle Freaks"!This year, the guys will look at the spine-tingling works of director William Castle, whose wild career intersected with the likes of Cary Grant, Orson Welles, Joan Crawford, Alfred Hitchcock, and Roman Polanski! Castle was known as a "gimmick director", who dreamt up fantastical, in-theatre scare stunts to accompany his most famous movies. But as we hope to show, his filmography is so much more than headline-grabbing tricks!We're kicking things off with 1959's House on Haunted Hill, in which Vincent Price plays an unhappily married millionaire who invites five strangers to spend the night in a haunted house. Those who survive through the next morning will pocket $10,000 each. But are there really spooks in the walls, or just illusions meant to mask something much more sinister?In this wide-ranging first episode, Ian and AC give an overview of William Castle's career and do a spoilerific deep dive into both the '59 House on Haunted Hill and the 1999 remake starring Geoffrey Rush!We hope you join us throughout the year for more thrills, chills, and electrifying surprises!Support Kicking the Seat on Patreon, subscribe to us on YouTube, and follow us at:XLetterboxdInstagramFacebookShow Links:Watch the House on Haunted Hill (1959) trailer.As mentioned in the show, AC reviewed the Film Masters Blu-ray of House on Haunted Hill (1959) at Horror 101 w/ Dr. AC.He also covered House on Haunted Hill and The Tingler on the Horror 101 YouTube channel. "Castle Freaks" is the next leg in our classic horror journey. If you're new to the channel, catch up with our 5-year "Hammerland" series, which wrapped up last year!

Please promise us never to wear black satin or pearls ... to never be 36 years old … and to never listen to our episode on Alfred Hitchcock's Rebecca. We're not exactly an oil painting are we? If you like the podcast, please rate, review, and subscribe! Follow us at @theladykpod on Twitter and @theladykillerspod on Instagram and Bluesky Connect with your co-hosts:  Jenn: @jennferatu on Twitter, Instagram, Threads, and Bluesky   Sammie: @srkdall on Twitter and Instagram, @srkdallreads Bookstagram Rachel: @thevinylgrrrl on Instagram and Threads @vinylgrrrl on Bluesky and Letterboxd Shelby: @shelbybnovak on Instagram and Bluesky Art: Rachel Reeves (@thevinylgrrrl) Music: McKenzie Gerber (@wolfman_mac_gerber) Learn more about your ad choices. Visit megaphone.fm/adchoices

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Nineteen Seventy-Six. America's bicentennial was a great year for cinema, with films like A Star is Born, King Kong, All the President's Men, Carrie, and The Omen heating up the box office, and instant classics Rocky and Network earning the most accolades. After a six-decade career in the director's chair, Alfred Hitchcock released his last film, Family Plot, around the same time that an up-and-coming young director by the name of Martin Scorsese released his breakout hit, the fifth film of his budding career. Centered on a disillusioned New York cabbie played by Robert De Niro, this rain-and-neon-soaked meditation on summer in the city proved to be a defining outing by both actor and director. With a cast including Cybill Shephard, Albert Brooks, Peter Boyle, Harvey Keitel, and a very young Jodie Foster, the film racked up awards, including the Palme d'Or at Cannes and four nominations at the Academy Awards, including Best Picture, Best Actor for De Niro, and Best Supporting Actress for Foster. Despite controversies over its content, the film was hailed as a hit. Now, fifty years later, we're catching a ride with Taxi Driver and talking to you about it!   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

Der #FederViehFebruar bringt nicht nur B- sondern auch A-Filme! Alfred Hitchcock's "DIE VÖGEL" aka "THE BIRDS" wird oft als einer der besten Tierhorrorfilme genannt. Doch ist das nur wegen des prominenten Regisseurs, der ja eigentlich nicht für Creature Features bekannt ist? Chris und Philip fühlen den Film auf den Zahn - oder eher dem Schnabel - und sagen euch was sie von dem Streifen halten.Besucht uns auf unseren Socialsund vergesst nicht unsere Community-Frage zu beantworten:"Wie würdet ihr euch im Kampf gegen 1000 Spatzen behaupten?"

Un pedazo de tela colgado al cuello puede tener muchos significados. Nadie lo entendió tan bien como Alfred Hitchcock. Por ello Carlos López-Tapia y Fernanda Fernández desenredan los nudos conceptuales que hemos atribuido a las corbatas visitando la fábrica y la tienda de Miguel Bellido, productores de las corbatas Olimpo, las primeras de alto estándar en España. 

We return with another solo back to back, this time featuring the category of Actors for this week's “This or That” segment. Later on, we dive in deep as we review the films Malcom X (1992) and Alfred Hitchcock's Rear Window. We also discuss Jade Cargill's reign thus far as WWE Women's Champion, quoting movies in conversation, car air fresheners, & SO MUCH MORE!

An accessible introduction to the concept of the auteur (author) in film theory. In The Film Auteur: Angles of Vision (Routledge, 2026) Robert Kolker and David Wyatt provide readers with a history of auteur theory, from its initial origins in France in the late 1940s as an outgrowth of the cinematic theories of the French film critics and theorists André Bazin and Alexandre Astruc, to the canonizing work of American film critic Andrew Sarris in the 1960s. After a streamlined account of the various postwar renaissances in film - the shock of “Neorealism”, the “New Wave,” and “New American Cinema” - the book features detailed examinations of the work of forty-eight auteurs, including F.W. Murnau, Jean-Luc Godard, Ida Lupino, Alfred Hitchcock, Yasujirō Ozu, Stanley Kubrick, Spike Lee, Pedro Almodóvar, and Jane Campion. In its focus on a limited number of auteurs, this book aims to offer a map of representative figures rather than an exhaustive or comprehensive list, providing an informative entry point to the study of the auteur. Essential reading for any students of film theory and film studies, particularly those taking classes on the auteur. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

An accessible introduction to the concept of the auteur (author) in film theory. In The Film Auteur: Angles of Vision (Routledge, 2026) Robert Kolker and David Wyatt provide readers with a history of auteur theory, from its initial origins in France in the late 1940s as an outgrowth of the cinematic theories of the French film critics and theorists André Bazin and Alexandre Astruc, to the canonizing work of American film critic Andrew Sarris in the 1960s. After a streamlined account of the various postwar renaissances in film - the shock of “Neorealism”, the “New Wave,” and “New American Cinema” - the book features detailed examinations of the work of forty-eight auteurs, including F.W. Murnau, Jean-Luc Godard, Ida Lupino, Alfred Hitchcock, Yasujirō Ozu, Stanley Kubrick, Spike Lee, Pedro Almodóvar, and Jane Campion. In its focus on a limited number of auteurs, this book aims to offer a map of representative figures rather than an exhaustive or comprehensive list, providing an informative entry point to the study of the auteur. Essential reading for any students of film theory and film studies, particularly those taking classes on the auteur. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

C'est en 1960 qu'Alfred Hitchcock et Bernard Herrmann unissent à nouveau leur talent et leur créativité pour un projet de film qui va tout simplement devenir le mètre-étalon de tout le cinéma d'horreur depuis lors... Mais leur aventure commune ne s'arrête pas là !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

An accessible introduction to the concept of the auteur (author) in film theory. In The Film Auteur: Angles of Vision (Routledge, 2026) Robert Kolker and David Wyatt provide readers with a history of auteur theory, from its initial origins in France in the late 1940s as an outgrowth of the cinematic theories of the French film critics and theorists André Bazin and Alexandre Astruc, to the canonizing work of American film critic Andrew Sarris in the 1960s. After a streamlined account of the various postwar renaissances in film - the shock of “Neorealism”, the “New Wave,” and “New American Cinema” - the book features detailed examinations of the work of forty-eight auteurs, including F.W. Murnau, Jean-Luc Godard, Ida Lupino, Alfred Hitchcock, Yasujirō Ozu, Stanley Kubrick, Spike Lee, Pedro Almodóvar, and Jane Campion. In its focus on a limited number of auteurs, this book aims to offer a map of representative figures rather than an exhaustive or comprehensive list, providing an informative entry point to the study of the auteur. Essential reading for any students of film theory and film studies, particularly those taking classes on the auteur. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Join Alex and film studies professor Daniel Kieckhefer as they explore the deeper meaning in Alfred Hitchcock's masterpiece Vertigo (1958). The film stars James Stewart as a boyish former SFPD detective, haunted by a near-death experience that leaves him with extreme vertigo. He's called on as a private detective to investigate a woman, played by Kim Novak, who is seemingly possessed by a dead relative. This paper-thin mystery (as the critics at the time called it) is not what Hitchcock wanted audiences to pay attention to, however; as Daniel explains, this is classic Freudian Oedipal complex. The duo explore the explanation from a historical lens, both from a filmmaking and a clinical psychology perspective. It's pretty clear that obsession is the concept to focus on, but its really what the true object of that obsession that is up for debate! There was agreement that Stewart played a really creepy dude and in no way was he the good guy of this story. Check out Daniel's website where he posts weekly on all sorts of films: The Cinematograph Please leave your feedback on this post, the main site (cinemapsychpod.swanpsych.com), on Facebook (@CinPsyPod), or Threads/Instagram (@cinemapsych_podcast). We'd love to hear from you! If you like this content, you might like my new Audible audiobook/course, A Psychologist Goes to the Movies, available now! It features six films that have been on this show, condensed into 25-30 min essays, researched and analyzed. Don't forget to check out our Paypal link to contribute to this podcast and keep the lights on! Don't forget to check out our MERCH STORE for some great merch with our logo and other designs! Legal stuff: 1. All film clips are used under Section 107 of Title 17 U.S.C. (fair use; no copyright infringement is intended). 2. Intro and outro music by half.cool ("Gemini"). Used under license. 3. Film reel sound effect by bone666138. Used under license CC-BY 3.0. Episode Transcription Go to this link to read a transcript generated by Whisper AI Large V3 Model. Disclaimer: It is not edited and may contain errors!

Merriam-Webster's Word of the Day for February 15, 2026 is: vertiginous • ver-TIJ-uh-nus • adjective Vertiginous is a formal adjective used to describe something that causes or is likely to cause a feeling of dizziness especially because of great height. // As a window washer for some of the city's tallest skyscrapers, Victor had to quickly master working at vertiginous heights. See the entry > Examples: “The climb is infamous for its heart-pumping switchbacks and vertiginous jaunt along a narrow sliver of crag. Those who fear heights, like me, typically avoid it.” — Stephanie Vermillion, Travel + Leisure, 9 Nov. 2025 Did you know? The climactic scene of Alfred Hitchcock's classic thriller Vertigo features, appropriately, a dramatic climb—and fall—from a vertiginous bell tower. Vertiginous, which describes things that cause vertigo (a sensation of motion in which an individual or their surroundings seem to whirl dizzily) comes from the Latin adjective vertiginosus, which in turn comes from the Latin noun vertigo, meaning “a turning or whirling action.” Both words descend from the Latin verb vertere, meaning “to turn.” Vertiginous and vertigo are just two of an almost dizzying array of vertere offspring, from adverse to vortex. The “dizzying” sense of vertiginous is often used figuratively, as in “the vertiginous heights of cinematic legend.”

What could be more romantic than two Gen X white guys talking about Alfred Hitchcock's most romantic film before Valentine's Day? I'm sure plenty of things, but this is what you get from the Sonic Cinema Podcast this year. My frequent guest, Phil Fasso, returns for the third time in five months to discuss Cary Grant and Grace Kelly being two of the most drop-dead gorgeous people in movie history in Hitchcock's 1955 light and entertaining caper, "To Catch a Thief". I hope you enjoy!

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

On the list of films that haven't aged too well, THE MAN WHO KNEW TOO MUCH is near the top. Because it's Hitchcock I'll get flack for saying that, but watch it first and then decide. In terms of study topics this season, I'm looking at The Speech in Praise of the Villain and Melanie is examining Constant Characters. Its portrayal of women and parenting aside, this movie offers up interesting insights on bits of story theory. Enjoy! -V. Acquire the power to write a bestselling story at storynerd.ca/courses For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

Grab your binoculars and a glass of bourbon as we delve into Alfred Hitchcock's suspense-filled classic, Rear Window. In this episode, we explore the intricacies of voyeurism and tension Hitchcock masterfully crafts, alongside a detailed tasting of Four Roses Yellow Label Bourbon. This blend of cinematic excellence and refined whiskey is perfect for a sophisticated film night.For longer episodes and special bonus content, consider joining our Patreon for as little as $3/mo!Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Mrparka's Weekly Reviews and Update Week 457 (02.14.2026) (Knock Off 4K, Send Help)www.youtube.com/mrparkahttps://www.instagram.com/mrparka/https://twitter.com/mrparka00https://www.facebook.com/mrparkahttps://letterboxd.com/mrparka/https://www.patreon.com/mrparkahttps://open.spotify.com/show/2oJbmHxOPfYIl92x5g6ogKhttps://anchor.fm/mrparkahttps://podcasts.apple.com/us/podcast/mrparkas-weekly-reviews-and-update-the-secret-top-10/id1615278571Time Stamps 0:00“Knock Off” 4K Review - 0:15“The Wicked Go to Hell” Blu-Ray Review - 6:57 “End of the World” Blu-Ray Review- 11:30“Send Help” Review - 14:391983 “Adam and Eve” Blu-Ray Review - 18:341983 “Escape the Bronx” Blu-Ray Review - 24:421983 “The New Barbarians” Blu-Ray Review - 28:301983 “”The House of the Yellow Carpet” Review - 32:201983  “The Greenhouse” Review - 34:221983 “Hot Panties” Review - 36:25Patreon Pick “Rope" Review - 38:57Questions/Answers/ Comments- 44:54Update  51:4322 Shots of Moodz and Horror – https://www.22shotsofmoodzandhorror.com/Podcast Under the Stairs – https://tputscast.com/podcastVideo Version – https://youtu.be/Gi7Bb5xcTrkUpdateBlu-Ray Ilsa, Harem Keeper of the Oil Sheiks 4KLinks MVD Rewind - https://www.facebook.com/MVDRewindCollection/Knock Off 4K - https://mvdshop.com/products/knock-off-2-disc-collectors-edition-4k-ultra-hd-blu-rayRadiance Films - https://www.radiancefilms.co.uk/Wicked Games: Three Films by Robert Hossein - https://www.radiancefilms.co.uk/products/wicked-games-leFull Moon Entertainment - https://www.fullmoonfeatures.com/End of the World Blu-Ray - https://mvdshop.com/products/end-of-the-world-remastered-blu-raySend Help Justwatch - https://www.justwatch.com/us/movie/send-helpSeverin Films - https://severinfilms.com/Adam and Eve Blu-Ray - https://severinfilms.com/products/adam-and-eve-blu-ray-w-le-slipcoverBlue Underground - https://www.facebook.com/BlueUndergroundFilms/Escape the Bronx Blu-Ray - https://www.amazon.com/Post-Apocalyptic-Collection-1990-Warriors-Barbarians/dp/B00WAZHRAEThe New Barbarians Blu-Ray - https://www.amazon.com/Post-Apocalyptic-Collection-1990-Warriors-Barbarians/dp/B00WAZHRAEThe House of the Yellow Carpet IMDb - https://www.imdb.com/title/tt0087430 The Greenhouse IMDb - https://www.imdb.com/title/tt0085735/Hot Panties IMDb - https://www.imdb.com/title/tt0082102Alfred Hitchcock 4K Set -  https://www.amazon.com/Alfred-Hitchcock-Ultimate-Collection-Digital/dp/B0FMHB8YQRFilm Notes Knock Off 1998 Directed by Tsui HarkThe Wicked Go to Hell 1955 Directed by Robert HosseinEnd of the World 1977 Directed by John HayesSend Help 2026 Directed by Sam RaimiAdam and Eve 1983 Directed by Enzo Doria, Luigi RussoEscape from the Bronx 1983 Directed by Enzo G. CastellariThe New Barbarians 1983 Directed by Enzo G. CastellariThe House of the Yellow Carpet 1983 Directed by Carlo LizzaniThe Greenhouse 1983 Directed by Santiago LapeiraHot Panties 1983 Directed by Julio Pérez TaberneroRope 1948 Directed by Alfred Hitchcock

Accusé à tort d'un meurtre mystérieux, Alfred Hitchcock se retrouve avec la mort aux trousses. Le faux coupable est envahi de sueurs froides à mesure qu'il comprend que Bernard Herrmann, l'homme qui en savait trop, détient la vérité. Mais qui a tué Harry ? Et l'équipe de Total Trax parviendra-t-elle à l'innocenter ? Réponse dans cet épisode riche en rebondissements !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

محمد أبو سليمان وإسماعيل راضي بيدردشوا عن فيلم PSYCHOOne of the greatest films ever madeIf you like the show please give us a rating and review, thanks!!

Subscribe to our podcast!  Jonathan Moody and G Larry Butler chat about the 1929 Alfred Hitchcock film, "The Manxman" For another episode of "Hooked On Hitchcock" Follow us on social media:  @indiefilmcafe @hookedonhitchcock Websites: http://sickflickproductions.com  http://indiefilmcafe.reviews  http://indiefilmcafe.podbean.com  http://patreon.com/indiefilmcafe.reviews 

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Doug Wagner (writer of PLASTIC, PLUSH, VINYL) joins the show to discuss writing dark comedy horror comics like I Was A Fashion School Serial Killer, and the latest addition to his Image Comics Materials-Universe: Narco, the story of a narcoleptic man attempting to solve the grisly murder of his neighbor. Doug also elaborates on his time working at Malibu Comics, his favorite Alfred Hitchcock movies, starting 12-Gauge Comics and writing the black & white anthology series: The Ride, and shares stories about working with Brian Stelfreeze and Cully Hamner Watch the unedited video version of this episode: HERELINKS: Buy Short Box merch like hats & shirts: HEREJoin our Patreon Community, and get access to bonus episodes, free comics, and other rewards! Try a FREE 7-day trial: HERETake your comic shopping experience to the limit, by shopping online at Gotham City Limit!The Schiller Kessler Group  We read Fan Mail, send us some! Check out Teenage Mutant Ninja Turtles: Battle Nexus, the raddest TMNT event of the decade!  Buy your tickets for Collective Con 2026, Northeast Florida's largest pop culture convention: HERE Proudly sponsored by Gotham City Limit!Proudly sponsored by Collective Con!Proudly sponsored by IDW Comics!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showREACH OUT!

Nathan and Ryan dig into Alfred Hitchcock's most charmingly morbid film, The Trouble with Harry (1955), a dark comedy where a dead body keeps inconveniently turning up in the middle of a picturesque Vermont town. The hosts discuss Hitchcock's playful tone, the film's autumnal Technicolor beauty, and how its gentle humor stands in stark contrast to the director's more suspense-driven classics. Featuring an early performance from Shirley MacLaine and a score by Bernard Herrmann, this episode explores why The Trouble with Harry is one of Hitchcock's most underrated—and oddly comforting—films.

In this solo episode, recorded right at the end of 2024, I talk about the iconic 'North by Northwest' crop-duster attack sequence, from Roger Thornhill's arrival on the bus to the explosion of the oil truck.

William Castle channels his inner Hitchcock with this sordid tale of selfish relatives (re: inheritance plot) and gender bending minutiae; it's 1961's Homicidal, featuring a lead pulling double duty, bad teeth, and a gimmicky fright break. It's also our 15th birthday, so we've collectively surpassed Erik's mental age by a couple of spins around the sun. We discuss the obvious (though unintentional?) riffs on Alfred Hitchcock's Psycho (1960), the labyrinthine murder plot, decapitated mutes, fright break theater experiences, and much, much more!

Good evening. Welcome to Dial P for Podcast, Patrick Ripoll's year-long chronological voyage through the films of Alfred Hitchcock. Every month Patrick will be watching four Hitchcock features and talking about them here, from The Pleasure Garden to Family Plot, all across the year of 2026, examining the life and work of England's most famous cinema pervert. First up, a slate of silent films. In The Pleasure Garden (1925) a showgirl must fight for her love, in The Lodger (1927) a mysterious new boardinghouse tenant may or may not be a serial killer, in The Ring (1927) an up and coming boxing challenger must fight for his love and in Downhill (1927) a rich schoolboy takes the fall for a friend's crime with disastrous results. The birth of one of the most spectacular careers in film history, the master director's not-so-humble beginning. Check it out, here as a new Director's Club exclusive spin-off series!0:00 - 0:44 - Intro Theme0:45 - 18:47 - The Pleasure Garden (1925)18:48 - 58:21 - The Lodger (1927)58:22 - 1:19:48 - The Ring (1927)1:19:49 - 1:45:21 - Downhill (1927) 1:45:22 - 1:46:09 - Outro Theme

For this special bonus episode Tim is joined by the host of the Talking Hitchcock podcast, Rebecca McCallum. You can read Rebecca's series of essays on Hitchcock's Women here. Book tickets to Rebecca's screening of Four Seasons of Hitchcock at the Science and Media Museum here. Listen to our Moving Pictures episode 'A Primer on Alfred Hitchcock' with Tim and screenwriter Phil Drinkwater here. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: top100pod@gmail.com –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos

Derrière le grand homme, cherchez la femme… Alma Reville est née presque le même jour que celui dont elle allait devenir l'épouse, la collaboratrice, l'indispensable soutien : Alfred Hitchcock.Dans cet épisode passionnant, Franck Ferrand nous plonge dans la vie d'Alma Reville, l'épouse et collaboratrice d'Alfred Hitchcock, le célèbre réalisateur anglais. Bien que restée dans l'ombre de son mari, Alma a joué un rôle essentiel dans la carrière et le succès du maître du suspense.Nous découvrons comment Alma et Hitchcock se sont rencontrés sur les plateaux de cinéma en Angleterre dans les années 1920. Tous deux passionnés par le 7e art, ils vont très vite tisser des liens professionnels et personnels. Malgré la différence de statut à l'époque - Alma étant déjà une figure reconnue du cinéma britannique tandis qu'Hitchcock est encore un jeune réalisateur inconnu - leur complicité et leur complémentarité vont les conduire à s'unir pour la vie.Le récit nous entraîne ensuite dans leur aventure hollywoodienne, lorsque le couple Hitchcock décide de traverser l'Atlantique pour tenter sa chance aux États-Unis, au début de la Seconde Guerre mondiale. C'est là qu'Alma va véritablement devenir l'ombre tutélaire d'Hitchcock, l'accompagnant dans tous ses projets, l'épaulant dans les moments de doute et de difficulté. Son rôle de scénariste, de monteuse, de conseillère, va être déterminant pour la réussite de chefs-d'œuvre comme Rebecca, Soupçons ou encore Fenêtre sur cour.Malgré son effacement volontaire, Alma Reville n'en reste pas moins une figure essentielle du cinéma d'Hitchcock. C'est elle qui a parfois poussé le maître à prendre des décisions audacieuses, comme le célèbre meurtre de la douche dans Psychose. À travers ce portrait intime, on découvre une femme d'une grande intelligence et d'une rare créativité, qui a su rester fidèle à son époux jusqu'à la fin, partageant avec lui les joies et les peines de la vie.Grâce au talent de narrateur de Franck Ferrand, cet épisode nous fait revivre l'histoire fascinante de ce couple mythique du 7e art, une véritable ode à l'amour et à la complicité dans le cinéma.

The definitive biography of the creator of 2001: A Space Odyssey, The Shining, and A Clockwork Orange, presenting the most in-depth portrait yet of the groundbreaking filmmaker. The enigmatic and elusive filmmaker Stanley Kubrick has not been treated to a full-length biography in over twenty years. Kubrick: An Odyssey (Pegasus Books, 2024) fills that gap. This definitive book is based on access to the latest research, especially Kubrick's archive at the University of the Arts, London, as well as other private papers plus new interviews with family members and those who worked with him. It offers comprehensive and in-depth coverage of Kubrick's personal, private, public, and working life. Stanley Kubrick: An Odyssey investigates not only the making of Kubrick's films, but also about those he wanted (but failed) to make like Burning Secret, Napoleon, Aryan Papers, and A.I. This immersive biography will puncture the controversial myths about the reclusive filmmaker who created some of the most important works of art of the twentieth century. Robert P. Kolker, Professor Emeritus, University of Maryland, taught cinema studies for almost fifty years. He is the author of A Cinema of Loneliness and The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema; editor of 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies; and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. Nathan Abrams is a professor in film at Bangor University in Wales. He is a founding co-editor of Jewish Film and New Media: An International Journal, as well as the author of The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema, and Stanley Kubrick: New York Jewish Intellectual, and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The definitive biography of the creator of 2001: A Space Odyssey, The Shining, and A Clockwork Orange, presenting the most in-depth portrait yet of the groundbreaking filmmaker. The enigmatic and elusive filmmaker Stanley Kubrick has not been treated to a full-length biography in over twenty years. Kubrick: An Odyssey (Pegasus Books, 2024) fills that gap. This definitive book is based on access to the latest research, especially Kubrick's archive at the University of the Arts, London, as well as other private papers plus new interviews with family members and those who worked with him. It offers comprehensive and in-depth coverage of Kubrick's personal, private, public, and working life. Stanley Kubrick: An Odyssey investigates not only the making of Kubrick's films, but also about those he wanted (but failed) to make like Burning Secret, Napoleon, Aryan Papers, and A.I. This immersive biography will puncture the controversial myths about the reclusive filmmaker who created some of the most important works of art of the twentieth century. Robert P. Kolker, Professor Emeritus, University of Maryland, taught cinema studies for almost fifty years. He is the author of A Cinema of Loneliness and The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema; editor of 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies; and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. Nathan Abrams is a professor in film at Bangor University in Wales. He is a founding co-editor of Jewish Film and New Media: An International Journal, as well as the author of The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema, and Stanley Kubrick: New York Jewish Intellectual, and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The definitive biography of the creator of 2001: A Space Odyssey, The Shining, and A Clockwork Orange, presenting the most in-depth portrait yet of the groundbreaking filmmaker. The enigmatic and elusive filmmaker Stanley Kubrick has not been treated to a full-length biography in over twenty years. Kubrick: An Odyssey (Pegasus Books, 2024) fills that gap. This definitive book is based on access to the latest research, especially Kubrick's archive at the University of the Arts, London, as well as other private papers plus new interviews with family members and those who worked with him. It offers comprehensive and in-depth coverage of Kubrick's personal, private, public, and working life. Stanley Kubrick: An Odyssey investigates not only the making of Kubrick's films, but also about those he wanted (but failed) to make like Burning Secret, Napoleon, Aryan Papers, and A.I. This immersive biography will puncture the controversial myths about the reclusive filmmaker who created some of the most important works of art of the twentieth century. Robert P. Kolker, Professor Emeritus, University of Maryland, taught cinema studies for almost fifty years. He is the author of A Cinema of Loneliness and The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema; editor of 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies; and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. Nathan Abrams is a professor in film at Bangor University in Wales. He is a founding co-editor of Jewish Film and New Media: An International Journal, as well as the author of The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema, and Stanley Kubrick: New York Jewish Intellectual, and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Ron's Amazing Stories opens the door to one of radio's most celebrated suspense anthologies—Escape. Known for its tales of danger, obsession, and the darker corners of human (and animal) behavior, Escape rarely pulled its punches. In this double feature, we explore what happens when the natural world breaks its unspoken contract with mankind. Our first story, "A Shipment of Mute Fate," stars Jack Webb in a harrowing tale of obsession and deadly cargo. A hunt for the world's most dangerous snake—the legendary bushmaster—leads to a sea voyage where danger coils silently in the shadows. Our second story, "The Birds," is based on the chilling work of Daphne du Maurier. Set in post–World War II England, it tells the story of a quiet community suddenly and violently besieged by flocks of birds acting with terrifying purpose. The tale later inspired Alfred Hitchcock's classic film, but its radio version remains just as unsettling. Two stories. Two species. One warning. Nature is patient… until it isn't. In This Episode An introduction to the classic radio series Escape "A Shipment of Mute Fate," starring Jack Webb The deadly legend of the bushmaster snake A brief discussion on cats, reflexes, and snake encounters "The Birds," based on the story by Daphne du Maurier How both tales reflect the fear of nature gone wrong Ron's Amazing Stories Is Sponsored by: Audible - You can get a free audiobook and a 30 day free trial at audibletrial.com/ronsamazingstories. Your Stories: Do you have a story that you would like to share on the podcast or the blog? Head to the main website, click on Story Submission, leave your story, give it a title, and please tell me where you're from. I will read it if I can. Links are below. Music Used In This Podcast: Most of the music you hear on Ron's Amazing Stories has been composed by Kevin MacLeod (incompetech.com) and is Licensed under Creative Commons: By Attribution 3.0. Other pieces are in the public domain. You can find great free music at FreePd.com which is a site owned by Kevin. Program Info: Ron's Amazing Stories is published each Thursday. You can download it from Apple Podcasts, stream it on Stitcher Radio or on the mobile version of Spotify. Do you prefer the radio? We are heard every Thursday at 10:00 pm and Sunday Night at 11:00 PM (EST) on AMFM247.COM. Check your local listing or find the station closest to you at this link. Social Links: Main Podcast Site by LibSynThe Blog Site by WordPressFacebook LinkTwitter Link Contact Links: EmailStory Submissions Contact Ron

Oscar-winning Mexican filmmaker Guillermo del Toro talks to John Wilson about his cultural influences. From his 1992 debut Cronos to his recent big budget spectacular retelling of Frankenstein, del Toro's 12 feature films mix fantasy, horror and Gothic romance to create modern fairy tales about innocence, brutality and redemption. His movies have won eight Academy Awards including three for Pan's Labyrinth in 2006, and four Oscars for The Shape Of Water in 2017, plus seven BAFTAs and three Golden Globes.Producer: Edwina PitmanArchive used: Clip from Pan's Labyrinth, Guillermo del Toro, 2006 Clip from Frankenstein, Guillermo del Toro, 2025 Clip from Frankenstein, James Whale, 1931 Clip from I Confess, Alfred Hitchcock, 1953

This week dive into our 3rd installment of our Chamber Piece Festival with 1948's absolute banger of a classic, Rope. Directed by Alfred Hitchcock and based around a party that is hosted shortly after a murder has taken place. Truly underrated Hitchcock here. Great conversation! Enjoy!

We tidy up The Housemaid and also talk Alfred Hitchcock's Spellbound, Wake Up Dead Man, Marty Supreme and Good Boy. Follow the show on Twitter: @thecinemaspeak Follow the show on Instagram: cinemaspeakpodcast Subscribe on Youtube: Cinema Speak Intro: 0:00 - 16:06 Review - The Housemaid: 16:06 - 45:23 Movie Roulette - Spellbound: 45:23 - 55:16 Micro-Reviews - Marty Supreme, Wake Up Dead Man, Good Boy, Ratatouille, Emily in Paris: 55:16 - 1:15:24 This week in new releases/Outro: 1:15:24 - 1:18:55 Spoiler Discussion - The Housemaid: 1:18:55 - 1:43:52

Sixty-five years ago, Alfred Hitchcock shocked audiences with his film ‘Psycho.' It broke Hollywood conventions about what a film should and should not do, ushered in a new era of horror/thriller, and became one of the most studied movies in cinema history. We listen back to Terry's interview with star Janet Leigh, who talks about filming the famous shower scene. And we hear from screenwriter Evan Hunter about working with Hitchcock on his next film, ‘The Birds.'Also, Justin Chang reviews the new film ‘Hamnet,' about Shakespeare as a young playwright, husband and father. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy