Communication and Media Studies (Audio)

In his new book, Transmitted Wounds, Amit Pinchevski explores the ways media technology and logic shape the social life of trauma both clinically and culturally. Drawing on a number of case studies such as radio broadcasts of the Eichmann trial, videotapes of Holocaust survivor testimonies, and the recent use of digital platforms for holographic witnessing, he demonstrates how the technological mediation of trauma feeds the traumatic condition itself. His insights have crucial implications for media studies and the digital humanities field as they provide new ways to understand the relationship between technology and human suffering. Pinchevski is an associate professor in the Department of Communication and Journalism at The Hebrew University of Jerusalem. Series: "Library Channel" [Show ID: 35017]

Contextualizing the fight for healthcare reform, honoring the connection between nurses and patients, and personalizing the struggles with the US healthcare system all arise in this conversation between activist Ady Barkan, Uncovered: Healthcare Conversations with Ady Barkan series creator Liz Jaff, director Nick Bruckman, and Carsey-Wolf Center Associate Director Emily Zinn. This powerful discussion explores the complex challenges of navigating healthcare in the US and the urgency of political reform. Series: "Carsey-Wolf Center" [Show ID: 35393]

Jeremy Prestholdt examines how Che Guevara, Bob Marley, Tupac Shakur, and Osama bin Laden are major "dissenters" who have represented challenges to the world order. Prestholdt explores the appeal of these four figures over five decades, in part revealing two aspects of an increasingly interconnected world: the tension between shared global symbols and their local interpretations, and the intersection of political vision and consumerism. Series: "Library Channel" [Show ID: 35243]

Celebrated leaders in their respective fields discuss the initiatives and breakthroughs that they spearheaded in areas that people thought were impossible or ahead of their time. Featuring Martin Cooper of Dyna, LLC, Arlene Harris of Wrethink, changemaker John Ross, Carrie Hessler Radelet of Project Concern International, and Larry Smarr of University of California, San Diego. Series: "Global Empowerment Summit" [Show ID: 35332]

Empathy and grace in business and society can lead to profound change. Neal Nybo, Ken Blanchard, Nicole J. Phillips, Barbara Glanz and Jacques Spitzer discuss enthusiastic servant leadership and the practice of being tender with each other. One kind act can change a life and motivate a community. Series: "Global Empowerment Summit" [Show ID: 35333]

Director Jeremy Podeswa joins Pollock Theater Director Matt Ryan for a Script to Screen discussion of the season 7 finale of Game of Thrones, “The Dragon and the Wolf.” Podeswa recalls his admiration for the cast, the challenges of creating a show that transcends the episode length and production values of typical television programming, and his creative influences. The talk focuses in particular on shooting a complicated ensemble showdown where many main cast members finally share a scene simultaneously and what was involved in bringing that moment to the screen. Series: "Script to Screen" [Humanities] [Show ID: 34755]

Noted tech venture capitalist Roger McNamee, an early mentor to Mark Zuckerberg, woke up to the serious damage Facebook and other social media outlets are doing to our society and set out to try to stop it. McNamee is in conversation with Jeff Light, publisher and editor of The San Diego Union-Tribune. Series: "Helen Edison Lecture Series" [Humanities] [Show ID: 34249]

Constructed languages, or conlangs, are well-known in science fiction and fantasy literature as ways of creating an immersive world-building experience. Join us in learning how linguists design the sound systems and grammars to behind some of our favorite conlangs.  With Grant Goodall (Professor and Language Program Director, UC San Diego Linguistics), David J. Peterson (Creator of Dothraki, Game of Thrones), and Paul Frommer (Creator of Na’vi, Avatar). Moderated by Tamara Rhodes (Linguistics Subject Librarian, UC San Diego Library). Series: "Library Channel" [Humanities] [Show ID: 34407]

A Q&A session with Writer/Director/Producer Miguel Coyula and Actor/Co-Producer Lynn Cruz of the documentary Nadie (2017). Coyula and Cruz discuss the production of the film and their work with the subject of the documentary, the reclusive Cuban poet, Rafael Alcides. The Q&A session, moderated by UCSB FIlm and Media Studies Professor, Cristina Venegas, covers the banning of the film in Cuba, the effect that making an “Anti-Revolutionary Film” has had on Coyula and Cruz, and the reception of the film in light of the deaths of both Fidel Castro and Alcides. This is Coyula’s first documentary feature, he was previously awarded a Guggenheim Fellowship for the production of Memories of Overdevelopment (2010). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34472]

Screaming girls, overwhelmed security, and segregated auditoriums all arise in musicology Professor David Novak (UC Santa Barbara) and rock journalist Ivor Davis’ discussion about Richard Lester’s A Hard Day’s Night (1964) and the Beatles’ American audience reception. Part of a small cadre of British journalists invited, Davis accompanied the Beatles for the entirety of their astonishing first US tour. The two discuss the Beatles’ connections to earlier musicians and the unprecedented passion they were showered with by young American fans. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34473]

As a music supervisor and executive on such films as The Big Lebowski, Sweet Home Alabama and Dead Man Walking, Dawn Solér joined ABC Studios in 2006 to bring her extensive film experience to the world of television. Once there, she established a full-service music department that manages every musical component on all of its shows -- the hiring of music supervisors and composers, budgets and integrating music from programming into marketing. Series: "Innovator Stories: Creating Something from Nothing" [Humanities] [Business] [Show ID: 34368]

Should your art send you to prison? Rap lyrics are increasingly turning up as evidence in courtrooms across the country. The fictional characters portrayed in violent gansta rap songs are often a far cry from the true personalities of the artists behind them, yet uninitiated audiences easily conflate artist with character and fiction with fact. On a broader scale, using rap lyrics as evidence in criminal cases also raises questions about artistic freedom, freedom of speech and the rights of all citizens to receive a fair trial. UC Irvines Charis E. Kubrin, Ph.D and Adam Dunbar explore these issues. Series: "Zot Talks" [Humanities] [Arts and Music] [Show ID: 31368]

Communicating through the Internet is different than face-to-face interaction. No matter how familiar people are with email, chat, and the web, differences in the availability of nonverbal cues lead people to underestimate the interpersonal and emotional impact of online interaction. Joe Walther (UCSB Communication) explores the hyperpersonal model of communication and explains how people actually create more intense impressions and relationships as they influence each other online, often more positive than those occurring face-to-face. The results of studies from several online settings show how we and our communication partners sometimes unwittingly affect our perceptions of others and ourselves through computer-mediated interaction. Series: "GRIT Talks" [Humanities] [Show ID: 34027]

Deborah Tannen discusses how interacting via text messaging services challenges relationships. Tannen is on the faculty of Georgetown Universitys Department of Linguistics. Series: "UC Berkeley Graduate Lectures" [Humanities] [Show ID: 34069]

UCSB Pollock Theater Director Matt Ryan and crew meet Comic-Con 2018 participants in San Diego. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33951]

Novelist Sinaan Antoon and journalist Leila Fadel join UCSB’s Mona Damluji for a post-screening discussion of Kasim Abid’s 2008 film Life After the Fall. They discuss the difficulties of living and working in U.S.-occupied Iraq after the fall of Saddam Hussein, the decline of security and safety, loyalties-of-necessity to one’s particular neighborhood in the power vacuum that ensued, and the complications and sometimes harrowing difficulties of everyday life. At issue in particular is each guest’s struggle to tell stories about Iraq that felt honest, empathetic, and adequate when most narrativization of Iraq at the time tended to feel too superficial (U.S. media coverage), too insular (stories from inside the Green Zone), too nostalgic (for a functional Iraq, if one under dictatorship), or too limited in scale (to the scope of whatever groups, such as families or friends, that were intimate enough to permit trust). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33760]

Hari Kondabolu, comedian and star of The Problem With Apu (2017), joins UCSB’s Kum-Kum Bhavnani for a conversation about the film. Kondabolu reflects on what it means to retrospectively reexamine offensive stereotypes about race, culture, and forms of work, as well as the power of humor to disarm and dismantle them. Kondabolu and Bhavnani discuss at length how, rather than creatively being intended as hurtful or offensive, stereotypes can enter the cultural lexicon as struggling/tokenized forms of representation in cultures where there is otherwise none, or as a form of insensitive marketing of foreignness in and for a dominant culture, as well as the eventual dilemmas this can cause for the creators and the legacy of their works. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33754]

This Q&A features Dave Stewart, Executive Producer for the North American League of Legends LCS, moderated by Alexander Champlin (Film & Media Studies, UCSB). Their conversation covers the growth of the esports industry and the work of producing videogame competitions. Stewart discusses the growing esports scene in Los Angeles, the global scale of these competitions, and draws comparisons between traditional sports and gaming competitions. Stewart began his career as a writer for cable sports broadcasts before joining Riot Games to direct the NALCS, and brings insights about the way esports and traditional sports programing intersect. He discusses his work on one of the largest and most successful esports franchises, the growing appeal of esports, the fans who consume this media, and the places where this industry is gaining the most traction. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33759]

Bambi Haggins (Film and Media Studies, UC Irvine) joins Patrice Petro (Director of the Carsey-Wolf Center) for a conversation about the 2013 documentary "Whoopi Goldberg Presents Moms Mabley." Haggins, who served as a historical consultant to the film, reflects on the five-decade career of Moms Mabley, the raucous, pioneering African-American vaudeville performer and comedian. Haggins discusses the timelessness of Mabley’s material, her popularity and ability to command an audience, and her influence on contemporary comedy, as well as the broader significance of race, gender, sexuality, and cultural respectability in the reception of comedians and their work during different historical moments. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33753]

When Saturday Night Live debuted in 1975, it gave the sketch/variety show format a twist, offering high-concept comedy sketches and political satire that attracted a younger audience than its competitors on late night television. It also featured pioneering work by female comedians. Laraine Newman, a member of the show’s legendary original cast, talks about the show and the work of women comedians on television. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33758]

Orson Welles direction and his performance as Shakespeare’s legendary Falstaff are at the center of this conversation about Chimes at Midnight, Welles’ 1965 film masterpiece that was unavailable to the public for decades. Professors Jim Kearney (UC Santa Barbara) and Joseph McBride (San Francisco State University) discuss Welles’ lifelong admiration of the Bard and the film’s complicated production and distribution history. The two professors also explore Welles’ ambitious adaptation of story material from five different Shakespeare plays into this single film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33498]

Learn how two breakthrough and culturally relevant campaigns—Fresh Empire and San Diego Unified’s “IMIN” after-school program—engage difficult to reach youth in community and school settings. Hear cutting edge research on how adverse childhood experiences impact youth audiences differently. Explore how to use data to create interventions that reach even the most disconnected youth audiences. Series: "Career Channel" [Humanities] [Business] [Education] [Show ID: 33609]

Karen McCullah and Kirsten “Kiwi” Smith are one of the most prolific and successful female writing teams in Hollywood. Among their many credits is She’s the Man (2006) that resets William Shakespeare’s cross-dressing comedy Twelfth Night in a contemporary boarding school. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33504]

Laurence Olivier’s Hamlet (1948) was adapted and directed by its star. Mark Rose (English, UCSB) and Jim Kearney (English, UCSB) discuss this cinematic treatment of Hamlet and examples of Shakespeare on film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33503]

Oscar, Golden Globe and Grammy-nominated composer, Robert Kraft, talks with David Novak (Music, UCSB) about the power and influence of film scores and the unique challenges with the process. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33501]

Revenge, justice, and betrayal in Shakespeare’s play and in the history of the politically-disputed Kashmir region arise as core topics in this discussion about the Hindi film Haider between Priya Jaikumar (USC) and Bhaskar Sarkar (UC-Santa Barbara.) The two professors interrogate and celebrate the film and play’s ability to combine local cultural specificity and popular accessibility. Arguing Haider offers new understandings of the character of Hamlet, the pair also question the concepts of “the original” and “the derivative.” Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33500]

Populist rhetoric, the influence of religion in politics, and the role of the media in elections all arise in this conversation about Gregory La Cava’s 1933 film Gabriel Over the White House. Carsey-Wolf Center director Patrice Petro and renowned journalist Jeff Greenfield explore the influence of financier William Randolph Hearst on the film’s ideology, and the circuitous legacy of this once-popular, then largely-forgotten story of a driven politician who attempts to strong-arm his way through domestic and foreign entanglements. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33502]

Screenwriters Todd Louiso and Jacob Koskoff join moderator Jim Kearney (UCSB, English) for a conversation about their 2015 adaptation of Macbeth starring Michael Fassbender and Marion Cotillard. Louiso and Koskoff discuss how the film was originally intended to star the late Philip Seymour Hoffman, the challenges of making the supernatural elements of the play scarier, and unraveling the metaphor of Shakespeare’s soliloquies through foregrounding grief, trauma, and reinterpreting key scenes. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33499]

Writer/director/producer Jordan Peele joins UCSB’s Matt Ryan for a Script-to-Screen discussion of Get Out (2017), for which he won the Academy Award for Best Original Screenplay. Peele explains how the tone of the film was influenced by his background in comedy, the work of Ira Levin (The Stepford Wives, Rosemary’s Baby), and the desire to subvert the tropes of African American characters in the horror genre, as well how he created “the sunken place” through conceptualizing racism in a new way for the screen, and bringing it to life through stand-out performances from the actors. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33376]

The real-life married couple Kumail Nanjiani and Emily V. Gordon (they co-wrote the script, and Nanjiani stars as a character with his own first name) discuss their acclaimed film "The Big Sick," loosely based on their own relationship's rocky start. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33375]

Tatiana Huezo, the director and writer of "Tempestad," talks with UCSB Professor of Film and Media Studies Cristina Venegas about the documentary that traces the emotional journeys of two women victimized by corruption and injustice in Mexico. Heuzo's filmography as director, writer, cinematographer, and editor includes documentary films and fictional short films. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33181]

Join the co-directors of the documentary "Nostalgia for the Future," Avijit Mukul Kishore and Rohan Shivkumar, in conversation with UCSB Professor of Film and Media Studies Bhaskar Sarkar. The film looks at Indian modernity, the making of the citizen and the architecture of the home. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33185]

Lisa Bruce has made feature films both domestic and internationally, both independently and with major studios. She was a producer on "Darkest Hour," a film starring Gary Oldman as Winston Churchill that follows his early days as Prime Minister while Hitler closes in on Britain during World War II. She is joined in conversation with Matt Ryan at the Pollock Theater at UC Santa Barbara. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33180]

Sonia Kennebeck, producer and director of "National Bird," talks with UCSB PhD candidate in the Department of Film and Media Studies Daniel Grinberg about her documentary on the US drone program told through the eyes of three military veterans and survivors. Kennebeck is an independent documentary filmmaker and investigative journalist with more than 15 years of directing and producing experience. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33182]

Vienna-born Fritz Lang’s first American film "Fury" was released in 1936 after he left Germany for Hollywood. Fury raises issues about race, technology, mob violence, the corruption of political and legal institutions that remain remarkably current. Harvard Professor of Germanic Languages and Literatures Eric Rentschler, and Carsey-Wolf Center Director Patrice Petro sit down for an in-depth discussion of the film and Lang. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33184]

Billy Wilder's "Some Like it Hot" is one of the great comedies of Hollywood's golden age. Wilder was an Austrian-America filmmaker who moved to Paris then Hollywood after the rise of the Nazi party. David Mandel (Veep, Seinfeld) joins Carsey-Wolf Center Director Patrice Petro to discuss the film that starred Tony Curtis and Jack Lemmon posing as women after witnessing a mob massacre in Chicago. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33183]

Ernst Lubitsch’s controversial anti-Nazi political satire "To Be or Not To Be" is celebrated as one of the most subtle meditations on power, politics, and performance to emerge from Hollywood during the war. Professor Emily Carman (Film and Media Arts, Chapman University) joins Carsey-Wolf Center Director Patrice Petro for a discussion about the original ambivalent reviews and how perceptions have changed since its 1942 release. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33093]

A legendary director noted for his uncompromising passion, Werner Herzog joins Carsey-Wolf Center Director Patrice Petro for a discussion about his 1979 film “Nosferatu The Vampyre” which he says is a tribute to the classic 1922 film "Nosferatu” by F.W. Murnau. Herzog also discusses his career and the film’s significance as a bridge to the masterworks of interwar cinema. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33062]

Lynne Kirby, Executive Producer of the National Geographic documentary "Water & Power: A California Heist," discusses the film and the state of water in California with Constance Penley, UCSB Professor of Film & Media Studies. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 32822]

UCSB Script to Screen, hosted by Matt Ryan, visited the 2017 Comic Con Convention to interview some of today's top talent. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 32823]

Messaging expert Anat Shenker-Osorio argues that the most effective way to change minds is not through the traditional “anger, hope, action” model, but instead to establish shared values with political opponents and then to present the problems that threaten those values along with potential solutions. Series: "UC Public Policy Channel" [Public Affairs] [Humanities] [Show ID: 31987]

Events at Standing Rock from April 2016 to February 2017 altered the media landscape. To discuss that aspect of the opposition to the Dakota Access Pipeline are some of the organizers of the opposition and indigenous media makers. Panelists: John Bigelow, Paula Antoine, and Myron Dewey. Moderator: Todd Darling. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 32569]

Award-winning documentary Still Black: A Portrait of Black Transmen centers on the stories of six thoughtful, eloquent and diverse transmen. Director Kortney Ryan Ziegler joins Jennifer Tyburczy (Feminist Studies, UCSB) to discuss the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 32541]

The Carsey-Wolf Center at UCSB spotlights the work of individuals on the autistic spectrum in entertainment. The panel addresses the work of Actors for Autism and the role of people with autism in entertainment industries from multiple perspectives. Panelists: Actors for Autism Executive Director Alisa Wolf, Actors for Autism participant Patrick Doran, Patrick's mother Mary Doran, and Animator Santosh Oommen, who has employed students from Actors for Autism. Moderator: Professor Patrice Petro, Director of the Carsey-Wolf Center. Series: "Carsey-Wolf Center" [Health and Medicine] [Humanities] [Show ID: 32544]

Dante Alencastre, director of Raising Zoey, talks with Abigaíl Salazar of the UCSB Resource Center for Sexual and Gender Diversity about this docuemntary that follows Zoey's transition. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 32540]

Michael Westmore is a scion of the famed Westmore makeup dynasty, which dates back to Hollywood's golden age. He was nominated for an Academy Award for his work on Raging Bull. He talks with Anna Brusutti, UCSB Department of Film and Media Studies, to discuss that film and his other work. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 32543]

Actress Mya Taylor joins Patrice Petro to discuss Tangerine, a critically-acclaimed indie comedy about transgender prostitutes working in a not-so glamorous part of Hollywood. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 32539]

The documentary In Utero explores how experiences in utero affect our lives. Director Kathleen Man Gyllenhaal and Producer Stephen Gyllenhaal are joined by Professor Brenda Major (Psychological and Brain Sciences, UCSB) and Professor Maya Rossin-Slater (Economics, UCSB) for a discussion moderated by Professor Maryam Kia-Keating (Counseling, Clinical, & School Psychology, UCSB). Series: "Carsey-Wolf Center" [Health and Medicine] [Humanities] [Science] [Show ID: 32545]

In 1984, Stacy Peralta inadvertently created the action sports video. His intention was to produce an inexpensive promotional video which skate shop owners could play in their stores to demonstrate Powell•Peralta skateboards. No one anticipated that the VCR revolution would cause these promotional videos to become cult classics, generating over $10 million and establishing Tony Hawk, Steve Caballero and Rodney Mullen as international stars. Series: "Innovator Stories: Creating Something from Nothing" [Humanities] [Business] [Show ID: 32550]

Cornell University Professor Amy Villarejo, author of "Ethereal Queer: Television, Historicity, Desire", joins Carsey-Wolf Center Director Patrice Petro for a discussion of transgender emergence as well as Jewishness and queerness within this highly-acclaimed popular television series. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 32538]