Podcasts about hitchcock

Connor and GC talk about the the explosion of Indiana football fandom among the Hoosier alumni base, the insane journey of the last two years for longtime IU football fans, and the feeling going into a game that didn't seem like a possibility before the arrival of Curt Cignetti.

In Cineversary podcast episode #90, host ⁠Erik J. Martin⁠ commemorates the 80th anniversary Notorious, directed by Alfred Hitchcock. Joining him in this installment is Kim Newman, the renowned UK critic and film scholar, esteemed journalist, and award-winning author of The Definitive Guide to Horror Movies. Erik and Kim head down to the wine cellar to uncork exactly what makes Notorious great, why this movie deserves kudos 80 years later, what makes this film different from other Hitchcock works, salient themes, and much more.Learn more about the Cineversary podcast at www.cineversary.com and email show comments or suggestions to cineversarypodcast@gmail.com.

Dana and Tom with returning guest, Myke Emal (Host and Creator of the Cinemusts podcast), discuss Sabotage (1936) for its 89th anniversary: directed by Sir Alfred Hitchcock, written by Charles Bennett, cinematography by Bernard Knowles, music by Jack Beaver, editing by Charles Frend, starring Sylvia Sydney, Oskar Homolka, Desmond Tester, and John Loder.Plot Summary: In 1930s London, a seemingly ordinary cinema owner, Karl Verloc, hides a dangerous secret: he is part of a shadowy network of foreign saboteurs plotting terrorist attacks across the city. His wife, Mrs. Verloc, and her younger brother, Stevie, help run the theater, unaware of his double life.As London reels from a mysterious blackout caused by deliberate sabotage, Scotland Yard grows suspicious. They place an undercover detective in the shop next door to observe Verloc, hoping to uncover the group's next move. Tension builds as Verloc is pressured by his handlers to carry out a bombing, setting off a chain of events that entangles his unsuspecting family and pushes Hitchcock's suspense to a devastating climax.Guest:Myke EmalHost and Creator of the Cinemusts podcast@cinemusts on Twitter, Letterboxd, Facebook, and IGPreviously on Anatomy of a Murder (1959)Chapters:00:00 Introduction, Cast, and Background for Sabotage03:08 Welcome Back, Myke Emal!05:09 The Eras of Alfred Hitchcock17:02 Plot Summary for Sabotage18:01 What is Sabotage About?21:19 Did You Know?24:11 First Break24:57 What's Happening with Myke Emal?25:50 GMOAT Hall of Fame31:08 Best Performance(s)36:38 Best Scene(s)47:43 Second Break48:39 In Memoriam52:45 Best/Funniest Lines54:39 The Stanley Rubric - Legacy59:16 The Stanley Rubric - Impact/Significance01:04:18 The Stanley Rubric - Novelty01:10:14 The Stanley Rubric - Classicness01:14:37 The Stanley Rubric - Rewatchability01:18:25 The Stanley Rubric - Audience Score and Final Total01:20:05 Remaining Questions for Sabotage01:24:24 Thank You to Myke and Remaining Thoughts01:28:00 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to:

This week dive into our 3rd installment of our Chamber Piece Festival with 1948's absolute banger of a classic, Rope. Directed by Alfred Hitchcock and based around a party that is hosted shortly after a murder has taken place. Truly underrated Hitchcock here. Great conversation! Enjoy!

In 1956, Alfred Hitchcock focused his lens on an issue that cuts to the heart of our criminal justice system: the risk of wrongful conviction. The result was The Wrong Man, a bracing drama based on the real-life false arrest of Queens musician Christopher “Manny” Balestrero. Manny's ordeal is part of a larger story of other miscarriages of justice in the first half of the twentieth century.  In Nothing to Fear: Alfred Hitchcock and the Wrong Men (Fayetteville Mafia Press, 2023), attorney Jason Isralowitz tells this story in a revelatory book that situates both the Balestrero case and its cinematic counterpart in their historical context. Drawing from archival records, Isralowitz delivers a gripping account of Manny' s trial and new insights into an errant prosecution. He then examines how Hitchcock' s film bears witness to issues that animate the contemporary innocence movement. Given the hundreds of exonerations of the wrongfully convicted in recent years, this genre-bending work of true crime and film history is a must-read. Jason Isralowitz is a partner in the New York office of Hogan Lovells. A Queens native, Jason graduated from Boston University's College of Communication with a bachelor's in journalism and holds a J.D. from the University of Pennsylvania Law School. He has practiced law in Manhattan since 1993. Jason lives in Summit, New Jersey with his wife, Jennifer. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Robyn Hitchcock turned 14 in 1967, the year that blew his musical mind open. This English boarding school student and future singer-songwriter-musician already looked to Bob Dylan for the meaning of life when along came the psychedelic train powered by the Beatles, the Syd Barrett-led Pink Floyd, the Jimi Hendrix Experience, the Kinks, the Incredible String Band and much more. Hitchcock reflects on his awakening with a vivid memoir, 1967: How I Got There and Why I Never Left, and a mostly acoustic, mostly covers album, 1967: Vacations in the Past. Here we bat around perhaps the most creatively explosive year in the rock era, and he applies his whirligig mind to such questions as whether the music of 1967 would have had such an outsized impact on his own music if not for where, how and at what age he experienced it. He also discusses the newly remixed, remastered version of his 1988 album Globe of Frogs.

In 1956, Alfred Hitchcock focused his lens on an issue that cuts to the heart of our criminal justice system: the risk of wrongful conviction. The result was The Wrong Man, a bracing drama based on the real-life false arrest of Queens musician Christopher “Manny” Balestrero. Manny's ordeal is part of a larger story of other miscarriages of justice in the first half of the twentieth century.  In Nothing to Fear: Alfred Hitchcock and the Wrong Men (Fayetteville Mafia Press, 2023), attorney Jason Isralowitz tells this story in a revelatory book that situates both the Balestrero case and its cinematic counterpart in their historical context. Drawing from archival records, Isralowitz delivers a gripping account of Manny' s trial and new insights into an errant prosecution. He then examines how Hitchcock' s film bears witness to issues that animate the contemporary innocence movement. Given the hundreds of exonerations of the wrongfully convicted in recent years, this genre-bending work of true crime and film history is a must-read. Jason Isralowitz is a partner in the New York office of Hogan Lovells. A Queens native, Jason graduated from Boston University's College of Communication with a bachelor's in journalism and holds a J.D. from the University of Pennsylvania Law School. He has practiced law in Manhattan since 1993. Jason lives in Summit, New Jersey with his wife, Jennifer. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1956, Alfred Hitchcock focused his lens on an issue that cuts to the heart of our criminal justice system: the risk of wrongful conviction. The result was The Wrong Man, a bracing drama based on the real-life false arrest of Queens musician Christopher “Manny” Balestrero. Manny's ordeal is part of a larger story of other miscarriages of justice in the first half of the twentieth century.  In Nothing to Fear: Alfred Hitchcock and the Wrong Men (Fayetteville Mafia Press, 2023), attorney Jason Isralowitz tells this story in a revelatory book that situates both the Balestrero case and its cinematic counterpart in their historical context. Drawing from archival records, Isralowitz delivers a gripping account of Manny' s trial and new insights into an errant prosecution. He then examines how Hitchcock' s film bears witness to issues that animate the contemporary innocence movement. Given the hundreds of exonerations of the wrongfully convicted in recent years, this genre-bending work of true crime and film history is a must-read. Jason Isralowitz is a partner in the New York office of Hogan Lovells. A Queens native, Jason graduated from Boston University's College of Communication with a bachelor's in journalism and holds a J.D. from the University of Pennsylvania Law School. He has practiced law in Manhattan since 1993. Jason lives in Summit, New Jersey with his wife, Jennifer. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Wishing you and your family a Merry Christmas and a Happy New Year! Please enjoy some of our 'best of' content featuring special guest Dr. Mark Hitchcock. Karl and Crew airs live weekday mornings from 5-9 a.m. Central Time. Click this link for ways to listen in your area! https://www.moodyradio.org/ways-to-listen/Donate to Moody Radio: http://moodyradio.org/donateto/morningshowSee omnystudio.com/listener for privacy information.

Wishing you and your family a Merry Christmas and a Happy New Year! Please enjoy some of our 'best of' content featuring special guest Dr. Mark Hitchcock. Karl and Crew airs live weekday mornings from 5-9 a.m. Central Time. Click this link for ways to listen in your area! https://www.moodyradio.org/ways-to-listen/Donate to Moody Radio: http://moodyradio.org/donateto/morningshowSee omnystudio.com/listener for privacy information.

This week's Warner Brothers 1933 Studios Year by Year episode brings the studio-as-auteur question back into focus with two highly distinctive Pre-Code musicals with a similarity of style and social outlook that can't be attributed to the directors, screenwriters, source material, or the presence of Hollywood's most idiosyncratic choreographer and stager of musical numbers, Busby Berkeley. We argue for the dramatic and comedic merits of 42nd Street (directed by Lloyd Bacon) and Gold Diggers of 1933 (directed by Mervyn LeRoy), without failing to grapple with the more deranged elements of the musical sequences. And in Fear and Moviegoing in Toronto, the focus on sex, gender, and harsh economic realities continues with further screenings from TIFF Cinematheque's ongoing Mikio Naruse retrospective: Late Chrysanthemums, Scattered Clouds, and When a Woman Ascends the Stairs. We also briefly mention our TIFF Lightbox viewing of Hitchcock's North by Northwest, which allowed us to see Cary Grant narrowly escape multiple elaborately complicated and indirect murder attempts in 70 mm.  Time Codes: 0h 00m 25s:      1933 and Warner Brothers 0h 05m 13s:      42nd STREET [dir. Lloyd Bacon with Busby Berkeley] 0h 50m 20s:      GOLD DIGGERS OF 1933 [dir. Mervyn Leroy with Busby Berkeley]   1h 30m 40s:      Fear & Moviegoing in Toronto: Alfred Hitchcock's North By Northwest (1959) and Mikio Naruse's Late Chrysanthemums (1954), Scattered Clouds (1967) & When a Woman Ascends the Stairs (1960) – all at TIFF Lightbox    1h 40m 16s:      Listener Jason's Top Gloria Grahame films +++ Studio Film Capsules provided by The Warner Brothers Story by Clive Hirchhorn Additional studio information from: The Hollywood Story by Joel W. Finler 1933 Information from Forgotten Films to Remember by John Springer                                 +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join! 

National Weather Service Meteorologist Jon Hitchcock talks with Brian about the New Year's Eve weather. Listen to Brian and Susan every weekday 5a-9a on 930WBEN!

durée : 01:01:35 - Les Nuits de France Culture - par : Philippe Garbit - Après "Pas de printemps pour Marnie", Alfred Hitchcock réalise encore quatre films. Brouillé avec Herrmann, il reprend ses expérimentations musicales avec des compositeurs différents, tout en conservant ses idées phares. Noël Simsolo en discute avec Georges Schneider pour cette cinquième émission. - réalisation : Mydia Portis-Guérin

durée : 01:01:55 - Les Nuits de France Culture - par : Philippe Garbit - x - réalisation : Mydia Portis-Guérin

durée : 01:01:23 - Les Nuits de France Culture - par : Philippe Garbit - Hitchcock connait au début des années 50 une période de liberté dorée, où il "essaie" tous azimuts, notamment au niveau de la musique, avec des compositeurs aussi différents que Franz Waxman, Dimitri Tiomkin ou Lyn Murray. Noël Simsolo analyse ces expérimentations en compagnie de Jean Douchet. - réalisation : Mydia Portis-Guérin - invités : Jean Douchet Cinéaste, historien et critique de cinéma (1929-2019)

durée : 01:01:34 - Les Nuits de France Culture - par : Philippe Garbit - Dans ce deuxième volet de la série Hitchcock et ses musiques, Noël Simsolo et Bernard Eisenschitz explorent les films de la première période américaine du cinéaste. Il résiste à l'influence du producteur David Selznick, qui voudrait lui imposer sa conception assez pesante de la musique. - réalisation : Mydia Portis-Guérin - invités : Bernard Eisenschitz Historien du cinéma

Eric on Blue Sky: @eric-hauter   Eric on Youtube.   Check out Gaming Nexus  Jeff can also be found on The Movie Draft House Jeff and Eric are on Letterboxd.  Just search JeffyPods and Eric Hauter.

durée : 01:02:24 - Les Nuits de France Culture - par : Philippe Garbit - Par Noël Simsolo - Avec Jean Douchet (historien de cinéma) - Réalisation Mariane Manesse - réalisation : Mydia Portis-Guérin

You are invited back into the Talking Hitchcock screening room! Join creator and host, Hitchcock enthusiast Rebecca McCallum with author Jennifer O'Callaghan to discuss her book: Rear Window-The Making of a Hitchcock Masterpiece in the Hollywood Golden Age.We explore Jennifer's journey writing the book and take a deep dive into the making of one of Hitchcock's most beloved films, REAR WINDOW. Jennifer shares some unique insights following her research and interviews with relatives of the stars and those adjacent to the film. We discuss our readings of REAR WINDOW, it's characters, score, set and the ambiguous ending! Find Talking Hitchcock on Instagram @talkinghitchpod where you can support the podcast and keep up to date with releases or email me on talkinghitchpod@gmail.comYou can find Jennifer on  Instagram @jennocallaghan and visit her website https://www.jenniferocallaghan.com/You can purchase her book Rear Window-The Making of a Hitchcock Masterpiece in the Hollywood Golden Age https://www.penguinrandomhouse.com/books/790118/rear-window-by-jennifer-ocallaghan/

4 SEASONS OF HITCHCOCK FESTVIAL 2026!Join Talking Hitchcock for a festival over two weekends celebrating the career of the Master of Suspense!I will be screening The Lodger (1927) and The 39 Steps (1935) on Saturday 7th March and Rear Window (1954) and Frenzy (1972) on Saturday 14th March at Pictureville Cinema in the National Science and Media Museum, Bradford. Tickets and Details for 4  Seasons of Hitchcock at Pictureville Cinema in the National Science and Media Museum Talking Hitchcock Presents: Four Seasons of Hitchcock | National Science and Media MuseumTo Sign Up for Membership at Pictureville for free to get early access for tickets visit Pictureville Cinema membership | NationalScience and Media MuseumTo find out more about Pictureville and what they do, visit them online Pictureville Cinema | National Science and Media Museum,BradfordFind Talking Hitchcock on Twitter @hitch_pod and Instagram @talkinghitchpod where you can support the podcast and keep up to date with releases or email me on alkinghitchpod@gmail.comFind me and my work on Instagram @PendlePumpkin

Alfred Hitchcock's Rebecca (1940) is a haunting blend of romance, mystery, and psychological suspense. In this in-depth review, Chris and Gerry explore Hitchcock's only Best Picture winner, adapted from Daphne du Maurier's classic novel. We'll break down the film's gothic atmosphere, unforgettable performances by Joan Fontaine, Laurence Olivier, and Judith Anderson, and the powerful themes of obsession, identity and control. Is Rebecca Hitchcock's most unsettling film? Join the discussion and revisit one of Hollywood's greatest classic thrillers. If you enjoy classic cinema, Hitchcock films, and Golden Age Hollywood, be sure to like, comment, and subscribe!

Editors - Esther Sokolow, Glenn Garland ACE and Matthew V. Colonna ACE IT: Welcome to Derry editors Esther, Glenn and Matt had never worked together prior to the new HBO series, but quickly formed a family bond that translated into a fun and creative cutting room.  Their antics included scaring unsuspecting tourists taking the Warner Brothers tram tour past their offices.  And you know what Jack Torrance says about "all work and no play"! Developed by Andy Muschietti, Barbara Muschietti and Jason Fuchs, It: Welcome to Derry is based on Stephen King's 1986 novel It and is a prequel to the films It (2017) and It: Chapter Two (2019).  The series takes place in 1962, when a couple and their son move to Derry, Maine just as a young boy disappears.  With their arrival, bad things begin to happen in the town.  Again. ESTHER SOKOLOW Esther Sokolow is a Los Angeles-based editor who specializes in genre-rich storytelling, bold characters, and projects with cinematic scope.  Esther's collaboration with IT: Welcome to Derry showrunner Andy Muschietti began on IT: Chapter Two, where she served as 1st Assistant Editor, and continued on The Flash, where she was promoted to Additional Editor. Her work bridges studio tentpoles and independent character dramas, with a focus on horror, psychological thrillers, and supernatural themes. Her early film diet of Hitchcock, classic mysteries, and silent comedies provided provided inspiration for an editor drawn to tension, timing, and the emotional weight of what's unspoken. Later, the spectacle of The Lord of the Rings sparked a love for scale and the thrill of stories that move an audience. Originally from Atlanta, she moved to California to study Film Editing at Chapman University. In 2015, she was selected as an honorary intern for American Cinema Editors (ACE), an experience that shaped her early career and inspired a commitment to both craft and mentorship. Esther now speaks on an annual panel for the ACE Internship Program and serves on MPEG's Apprenticeship and Growth Committee, supporting the next generation of editors and assistant editors. Before stepping into the editing chair, Esther worked as an assistant editor on feature films including Rampage, Bloodshot, The Guilty, Stronger, Fall, and Rememory. She also worked in-house as a VFX Editor at Method Studios, contributing to Guardians of the Galaxy and San Andreas. Her years supporting other editors honed more than technique; they taught her to listen to pacing, to performance, and to subtle story beats others might overlook. That same quiet attention now shapes her own work. GLENN GARLAND, ACE Glenn Garland is television and film editor with more than twenty years of experience in the entertainment industry. In addition to cutting IT: Welcome To Derry, other impressive TV credits include Poker Face, The Vampire Diaries, Preacher, Banshee, Stan Against Evil, and Altered Carbon. Glenn's equally notable feature resume includes editing Rob Zombie's Halloween and Halloween II, the critically acclaimed King of California, The Turning, Lords Of Salem, The Devil's Rejects, Black Box and most recently Broke. In addition to editing, Glenn has produced the television series Paradise City as well as feature films 31, Jersey Bred, LX 2048, The Man Who Was Thursday and most recently, Life Is. He has also created and hosts the podcast series Editors on Editing, which can be heard on Art of the Frame. MATTHEW V. COLONNA, ACE Aside from his work on It: Welcome to Derry, Matt's work can be seen on another Stephen King-inspired series, Castle Rock, and the King-adjacent series, Locke & Key.  Other notable tv shows cut by Matt include Dexter (2008-09), Narcos (2015-17) and Sugar (2024).  Matt also happens to be one of the original drummers for Black Eyed Peas.  How about that?! The Credits Visit Extreme Music for all your production audio needs Listen to Glenn talk about cutting Poker Face Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

From a chance viewing of Saul Bass' iconic 'Psycho' titles on TCM sprung this exploration of the straightforward, human experience of watching 'Psycho' with an eye and ear towards how audience expectations were stoked and then subverted by Hitchcock. From the casting of Janet Leigh to the surprise departure of her character not even halfway through the film, the film toys with audience expectations and loyalties, and makes them complicit in the voyeurism and violence and judgement that unfolds. Hitchcock's decision to attempt a relatively low-budget thriller of the sort directors like Henri-George Clouzot (Diabolique) were having success with resulted unexpectedly in his defining film, a film that changed film language and construction and that influenced every director of note subsequent to the film's 1960 release. From the legendary shower sequence to no-less-stunning dialogue sequences, the film is so much more than it's origins.  It still stands the test of time today, and will forever be a part of Hitchcock's enduring legacy.

They're calling it the most psychoanalytic film ever made! Barto and Charlie talk mirrors and duality, the gaze and how films teach us to desire, Hitchcock's fear of cops, and that there is a lot more of Psycho in American Psycho then we might have realized. To listen to the full episode as well as lots of other bonus content, sign up for our Patreon. Just $1 a month gets you everything we do. patreon.com/nogodspod Follow us on Twitter and Bluesky @nogodspod Email us at NoGodsPod@gmail.com

In this episode of Editors on Editing, Glenn is joined by Pamela Martin. Pam has edited such excellent projects as Little Miss Sunshine, for which she was nominated for the Eddie, The Fighter, for which she was nominated for the Eddie and Oscar. Hitchcock, Free State of Jones, Seberg, King Richard, for which she was nominated for the Oscar and won the Eddie and Bob Marley: One Love. Now she's crafted the exceptional film, Springsteen: Deliver Me From NowhereThanks again to ACE for partnering with us on this podcast, check out their website for more.Thanks also to 20th Century Studios and Deliver Me From Nowhere for helping to make this podcast happen.Want to see more interviews from Glenn? Check out "Editors on Editing" here.The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and, please leave a review so more people can find our show!

Berlin, 1925. Vor 100 Jahren geht „Wozzeck“ zum ersten Mal über die Bühne und der Jubel ist groß. Aber wenn etwas so viel Beifall bekommt, kann es nicht gut sein, findet der Komponist Alban Berg und verlässt enttäuscht die Premiere seiner Oper … Von Ben Süverkrüp.

We sit down with award-winning novelist and former CNN senior copy editor John DeDakis—a storyteller whose life and career have been shaped by remarkable twists of fate. From navigating the Vietnam War draft and interviewing Alfred Hitchcock as a 20-something Army broadcaster, to decades in journalism at the White House and inside CNN's The Situation Room, John's journey reflects both serendipity and relentless creative drive. John shares how grief, politics, and lived experience have informed his Lark Chadwick mystery-suspense series, why he chose a young female protagonist, and how real-world events inevitably find their way into his fiction. He also opens up about failure, fear, courage, and the healing power of writing—offering tangible wisdom for creatives, writers, and anyone navigating major life transitions. Connect With Us:

In a slight departure from the norm, Reid gathers with a group of pals to debrief a pheasant hunt on a farm in Hitchcock, South Dakota. The group, spearheaded by Lyndsey Braun and Doug Duren of Sharing the Land, explores topics of land stewardship, dog work, hits and misses, and challenges faced by new hunters. It's a meandering journey with lots of voices, but some great perspectives offered. Warning: some colorful language is used. Special thanks to Can-Am, BOSS Shotshells, Savage Arms, Gunner Kennels, Matt Morlock, and Dylan Hazen.

  In a slight departure from the norm, Reid gathers with a group of pals to debrief a pheasant hunt on a farm in Hitchcock, South Dakota. The group, spearheaded by Lyndsey Braun and Doug Duren of Sharing the Land, explores topics of land stewardship, dog work, hits and misses, and challenges faced by new hunters. It's a meandering journey with lots of voices, but some great perspectives offered. Warning: some colorful language is used. Special thanks to Can-Am, BOSS Shotshells, Savage Arms, Gunner Kennels, Matt Morlock, and Dylan Hazen.

This episode I am joined by two-time Academy Award nominee, film editor Pamela Martin. She edited the recent Springsteen biopic “Deliver Me From Nowhere”. The film was directed Scott Cooper, adapted from Warren Zanes' book documenting the making of Springsteen's stark classic “Nebraska”. Pam has worked on movies including King Richard, Little Miss Sunshine, Battle Of The Sexes, Free State Of Jones, Hitchcock, and many more. If you're listening to this as a Springsteen fan I think you'll find it fascinating, but even if you're interested more broadly in film making, I think this is the first time I've had an editor on the show, so it was interesting for me to learn more about the parameters and responsibilities of the role, and Pamela was fantastic company and had so much to say. Her passion for her work really comes through. I hope you enjoy it. I certainly did. I also give a run-down of my favourite albums and events of the year. Find me on Instagram @sendingsignalspodcast

TRACKLIST: 1. Stay There feat. Xavier Omär - Brasstracks [@brasstracks] 2. House Party - The Love Experiment 3. STEP WIT IT - Deante' Hitchcock [@deante-hitchcock] 4. Mr. Put It On - AG Club [@agclub] 5. Wait So Yeah - Amber Mark [@ambermark] 6. Steppers - Demae [@bubblerap] 7. Rush - Little Dragon [@littledragon] 8. Lonyo! - Bakar [@yeaabk] 9. Why Don't You Keep Up - Maverick Sabre [@maverick-sabre] 10. Third Coast - Teezo Touchdown [@teezotouchdown] 11. DUYA - Eem Triplin [@eemtriplin] 12. Iso - P-LO, Rexx Life Raj & 1100 Himself [@heartbreakplo] 13. Tyrese - Terrace Martin, Kenyon Dixon & YG 14. After Dark (feat. Static Major & Ty Dolla $ign) - Drake 15. Just Stay - 318Tae [@318tae] 16. Vai Vai - JVKINHO [@jvkinho_150bpm] 17. EXTASY - Afrikano [@afrikan0] 18. Sondela - Odeal [@iamodeal] 19. Center Your Love - Machinedrum [@machinedrum]

This week, the boys decide to dive into another director's filmography. This time, they tackle the many films of the Master of Suspensse, Alfred Hitchcock. Together, they discuss the styles and themes of Hitchcock's works, and debate what 10 movies belong in Hitchcock's Hall of Fame.

*Note* This episode was originally released Dec 4th 2020 We begin the month of December by covering the films of director Brian DePalma.  He has been compared to Alfred Hitchcock  but many of his films are a lot more mature in content.  Not only does he direct thrillers, but he has worked in horror, action, dramas, and musicals too.On this episode, Ryan Luis Rodriguez of One Track Mind (formally of Coolness Chronicles and present member of Reels of Justice) returns to discuss  DePalma's homage to Hitchcock's Rear Window and Vertigo with Body Double.  Listen to him and The Vern go over moments of this intricate thriller.Ad SpotsInsession FilmHelp Suppourt our Podcast & join our Patreon pagehttps://www.patreon.com/cinemarecallpodThis episode does contain clips from the movie Body Double released by Columbia Pictures and Music of Frankie Goes to Hollywood which appeared on the Soundtrack. I'm only using a small portion of he material so please don't sue. Thank you

The Prophecy Pros fill in some key Revelation details in their interview with author and pastor, Dr. Mark Hitchcock. *HARVEST PROPHECY CRUISE* June 20-27, 2026 | HarvestProphecyHQ.com *LATEST BOOK RELEASES FROM THE PROPHECY PROS** The Non-Prophet's Guide to Heaven – Todd Hampson The End of the World According to Jesus of Nazareth — Jeff Kinley The Non-Prophet's Guide to the Book of Daniel — Todd Hampson The Prophecy Pros' Illustrated Guide to Tough Questions About the End Times — Jeff Kinley, Todd Hampson God's Grand Finale — Jeff Kinley For more resources, visit HarvestProphecyHQ.com

Vee and John are diving into classic Hitchcock films this week, picking two of their favorites. This is: North By Northwest, and The BirdsSend us a text

Remember in the 90's when Hollywood thought they could make Hitchcock better? Sure you do, but you tried to forget, well, we're here to remind you!DISCLAIMER: Language and Spoilers!A PERFECT MURDERdir. Andrew Davisstarring: Michael Douglas; Gwyneth Paltrow; Viggo Mortensen

In ‘Dial M for Murder' staan Caroline de Bruijn en Erik de Vogel voor het eerst samen op het toneel, in een hedendaagse bewerking van de Hitchcock-klassieker vol intriges en spanning. Het acteursduo vertolkt een echtpaar dat verstrikt raakt in een zorgvuldig beraamd plan dat uitmondt in een kat-en-muisspel. De Bruijn en De Vogel zijn bekend van hun rollen als Janine Elschot en Ludo Sanders in Goede Tijden, Slechte Tijden. Presentatie: Willemijn Veenhoven 

Access this entire 71 minute episode (and additional monthly bonus episodes) by becoming a Junk Filter patron! https://www.patreon.com/posts/224-brian-de-hi-144418287The actor and writer Mike Mekus returns to the show from Brooklyn to discuss Brian De Palma's third feature, the vicious satire Hi, Mom! (1970). The film features a breakout performance by Robert De Niro as a young man back from Vietnam who is hoping to convert his voyeuristic tendencies into a career as a pornographer with artistic pretensions, but who ultimately winds up playing a cop in a revolutionary theatre troupe's new underground experimental play, “Be Black, Baby!”This anarchic comedy serves as a time capsule of late 1960s NYC. De Palma uses it to show off his craft and his enthusiasm for the full potential of cinema—specifically, the possibilities for an American political cinema—demonstrating that Godard was just as much of an influence on his style as Hitchcock.Mike and I discuss how incredibly prescient De Palma was in Hi, Mom!, as he sends up incels, computer dating, the entire Dimes Square style art scene, and New York's guilty white liberal community. This is highlighted by the incendiary film-within-a-film, “Be Black, Baby!”, the first great cinema sequence in De Palma's long career full of them, all of this barely contained within an 87-minute film that possesses a surprising New York Dirtbag Cinema energy still detectable today.Follow Mike Mekus on TikTok, Instagram and Twitter.“Landlord” - the 1969 commercial by the New York Urban Coalition that Hi, Mom!parodies at the very beginningTrailer for Hi, Mom! (Brian De Palma, 1970)

Prepare-se, porque desta vez o terror vem do céu. Neste episódio Andreia D'Oliveira e Gabi Idealli mergulham no conto “Os Pássaros”, de Daphne du Maurier com um único intuito: falar pela primeira vez de uma obra de Alfred Hitchcock! Vem com a gente entender como Du Maurier constrói o medo na página, como Hitchcock traduz para o cinema, e por que essa história continua nos fazendo olhar pro céu com desconfiança. Então corre, fecha as janelas, afasta o parapeito e vem ouvir!

Dan and Brian tackle a recent release in James Sweeney's Twinless. Join as they discuss spoiler warnings, sudden grief, mid-film title cards, suspense vs. surprise, dolly zooms, Hitchcock tropes, a remarkable split screen shot, unexpected sex scenes, and ambiguous endings. Dan's movie reviews: http://thegoodsreviews.com/ Subscribe, join the Discord, and find us on Letterboxd: http://thegoodsfilmpodcast.com/

Sixty-five years ago, Alfred Hitchcock shocked audiences with his film ‘Psycho.' It broke Hollywood conventions about what a film should and should not do, ushered in a new era of horror/thriller, and became one of the most studied movies in cinema history. We listen back to Terry's interview with star Janet Leigh, who talks about filming the famous shower scene. And we hear from screenwriter Evan Hunter about working with Hitchcock on his next film, ‘The Birds.'Also, Justin Chang reviews the new film ‘Hamnet,' about Shakespeare as a young playwright, husband and father. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Send us a textWe continue on with our coverage of Star Wars Visions with S3E3: The Ninth Jedi: Child of Hope… eventually. You have to stick with us on this, we do discuss the episode, but not before having a super engaging conversation on creating art, being self aware, and being able to learn from failure. It's not your typical Force Insensitive topic, but we hope its helpful for some nonetheless! Don't worry though, we make up for lost time by discussing the Ballad of Paul Gilbert Gottfried, what happens when you step on Hitchcock's cock, and the deadliest move in all of wrestling - the Freudian Slip! Turn up your headphones, dial back your sensibilities, and join the wretched hive of scum and villainy as we take the low road to resistance on Season Six, Episode Twenty Nine of Force Insensitive!Send Email/Voicemail: mailto:forceinsensitive@gmail.comDirect Voice Message: https://www.speakpipe.com/ForceInsensitiveStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: https://www.facebook.com/groups/ForceInsensitive/Twitter: http://twitter.com/ForceNSensitiveFacebook: http://facebook.com/ForceInsensitiveInstagram: http://instagram.com/ForceInsensitive

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

DREAM WITH US, and we'll teach you how to interpret them!⁠⁠The new controversial Netflix series MONSTER: The Ed Gein Story offers a window into the devouring mother archetype, a transformation fantasy gone horribly wrong, and the human capacity for monstrous behavior. Gein's crimes inspired the Hitchcock movie Psycho, The Texas Chainsaw Massacre, and Silence of the Lambs. It challenges the audience to confront its fascination with evil and begs the question, where do the monsters hide in our own Psyche? To help us wrestle with these questions, we're joined by Joey Pollari—actor, musician, director, editor, and the man who plays Anthony Perkins in the show. We'll explore how intimacy with darkness affects a performer, how public persona and private pain intersect, and why we continue watching when the camera reveals what we'd rather not know. Trigger warning: this episode discusses violence, death, criminality, and severe mental illness.Learn More about Joey Pollari:Listen to Joey's new song,⁠ I'll Be Romance⁠⁠ Joey's Music⁠⁠Joey's Directing and Editing Work⁠⁠Joey's Acting Roles⁠⁠READ MORE ABOUT THE EPISODE.⁠LOOK & GROW⁠⁠⁠⁠⁠⁠⁠⁠Join THIS JUNGIAN LIFE DREAM SCHOOL⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Do you have a topic you want us to cover?⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WE NEED YOUR HELP! Become a patron to keep TJL running.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We've got totally NEW MERCH!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We'd like to take a crack interpreting your dream.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you've been struggling in the dark, trying to find the keys to unlock your dreams, help has arrived. Order your copy of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dream Wise: Unlocking the Meaning of Your Dreams⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ from the hosts of This Jungian Life podcast and open the secret door.

DREAM WITH US, and we'll teach you how to interpret them!⁠The new controversial Netflix series MONSTER: The Ed Gein Story offers a window into the devouring mother archetype, a transformation fantasy gone horribly wrong, and the human capacity for monstrous behavior. Gein's crimes inspired the Hitchcock movie Psycho, The Texas Chainsaw Massacre, and Silence of the Lambs. It challenges the audience to confront its fascination with evil and begs the question, where do the monsters hide in our own Psyche? To help us wrestle with these questions, we're joined by Joey Pollari—actor, musician, director, editor, and the man who plays Anthony Perkins in the show. We'll explore how intimacy with darkness affects a performer, how public persona and private pain intersect, and why we continue watching when the camera reveals what we'd rather not know. Trigger warning: this episode discusses violence, death, criminality, and severe mental illness.Learn More about Joey Pollari:Listen to Joey's new song, I'll Be Romance Joey's MusicJoey's Directing and Editing WorkJoey's Acting RolesREAD MORE ABOUT THE EPISODE.LOOK & GROW⁠⁠⁠⁠⁠⁠⁠Join THIS JUNGIAN LIFE DREAM SCHOOL⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Do you have a topic you want us to cover?⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WE NEED YOUR HELP! Become a patron to keep TJL running.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We've got totally NEW MERCH!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We'd like to take a crack interpreting your dream.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you've been struggling in the dark, trying to find the keys to unlock your dreams, help has arrived. Order your copy of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dream Wise: Unlocking the Meaning of Your Dreams⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ from the hosts of This Jungian Life podcast and open the secret door.(OLD)

The filmmaker John Carpenter has a whole shelf of cult classics: “They Live,” “The Thing,” “Escape from New York,” “Halloween,” and so many more. And while he hasn't directed a new movie in more than a decade, Carpenter has continued working in the film industry, composing scores for other directors (Bong Joon Ho recently approached him about a horror movie). He has also released albums of cinematic music—no film required—often working with his son, Cody Carpenter, and the musician Daniel Davies, his godson. The New Yorker Radio Hour producer Adam Howard talks with Carpenter ahead of the launch of his new small tour, just in time for Halloween, and they discuss the unusual shift he made from directing to composing. “It's a transition from pain to joy. Directing movies is very, very stressful,” Carpenter explains. “Playing music in front of a live audience—it's joy. It's just joy.” Carpenter suggests three inspirational scores from film history: Bebe and Louis Barron's electronic music for “Forbidden Planet”; Bernard Herrmann work on Hitchcock's “Vertigo”; and Hans Zimmer's music for “Pirates of the Caribbean: Dead Man's Chest.”