Podcasts about hitchcock

Today we are exploring the topic of "gas" fees--What are they? Quest: Logan Hitchcock from Lucky Trader https://twitter.com/LHitch09 https://luckytrader.com/ Questions? Comments? Email us! nfts4newbies@gmail.com Follow NFTs 4 Newbies on IG: https://www.instagram.com/nfts4newbies/ (https://www.instagram.com/nfts4newbies/) Rich's IG: https://www.instagram.com/richcardona_/ (https://www.instagram.com/richcardona_/) Heather's IG: https://www.instagram.com/heatherparady/ (https://www.instagram.com/heatherparady/) * Disclaimer* This content is for educational and entertainment purposes only. We are not giving financial or investment advice. 

This week we go to another early Hitchcock film. We are talking about 1940's "Rebecca" starring Joan Fontaine (again) and Laurence Olivier based on the Daphne Du Maurier novel. The hosts will talk about gothic horror and the amazing acting that goes on in this film. Intro and outro music: Life of Riley by Kevin McCloud (InCompetech) Licensed under Creative Commons: By Attribution 3.0 License creativecommons.org/licenses/by/3.0/

Whelp we're still stuck in Plainfield and little Eddie Gein's all grown up now. Trust me you do not want to miss the exciting conclusion to his story. Much like Alfred Hitchcock's Psycho shocked the audience, you might be surprised by today's ending. I know I was shocked when I was researching it!Written and narrated by Schuyler Fastenau and executive produced by Daniel Jones. Additional voices by Tamara Perry, Jordan Katcher, Janette Zosche, Taylor Shurte, Jeremy Staple, Daniel Jones, and Gabriel Rivers. Cover artwork by Catherine Fastenau. Theme music by Tracy Zales. Editing and sound design by Brian Campbell.Follow us on:Patreon: https://www.patreon.com/OGDeadtimeInstagram: https://www.instagram.com/theoriginaldeadtimestories/Facebook: https://www.facebook.com/DeadtimeStoriesPodcast/Twitter: https://twitter.com/DeadtimeThe

This week we meet the Fitzgerald sisters in the quirky Canadian allegory for blooming into womanhood, 2000's Ginger Snaps. We will look at it's humble beginnings and fight for financing, how it being written by a woman makes the whole thing work, the amazing performances of the two leads, the kick ass soundtrack and how its become a cult hit over the years. All that plus musical guest Dolore with their new single "Dramma" courtesy HorrorPainGoreDeath.com

Liv shows Lizzie her favorite gothic melodrama plagued by the Hayes Code but still early Hitchcock magic.

This latest podcast is for The Birds, with the duo winging things more than usual. Both flock to the iconic thriller, but Aaron ruffles Jacob's feathers by still calling it Hitchcock's dumbest work.

2 Though Provoking Live Streams !

The pendulum of Rocky Horror month has swung to the horror side as we watch the film that invented the genre, the 1960 Hitchcock thriller Psycho. It's pretty spooky! 

This week, it's our triumphant return for our 2nd Season & our 50th episode! To celebrate, we are taking on a whale of a film: Hitchcock's near perfectly made 1954 classique, Rear Window! Is this movie an extraordinary feat of technical filmmaking? Yes! Does misogynist shit man Alfred Hitchcock belong in a stinky garbage can covered in old banana peels? Also yes! Join us and we'll cover it all.

The BTS team discusses Psycho's expert filmmaking, its control of information through character point-of-view, and what exactly—if anything—Hitchcock was trying to say. Sponsor Sign up for MASV today using https://massive.io/beyond-the-screenplay and get 100GB free towards your transfer for free. Show Notes Lindsay Ellis: Tracing the Roots of Pop Culture Transphobia: https://youtu.be/cHTMidTLO60 Dsiclosure: https://www.disclosurethemovie.com/about Beyond the Screenplay Patreon: https://www.patreon.com/beyondthescreenplay LFTS Merch: https://standard.tv/collections/lfts Find us on Twitter Beyond the Screenplay: https://twitter.com/BTScreenplay Michael Tucker: https://twitter.com/michaeltuckerla Tricia Aurand: https://twitter.com/TriciaJeanA Brian Bitner: https://twitter.com/BrianBitner Alex Calleros: https://twitter.com/Alex_Calleros Produced by Vince Major: https://twitter.com/VinceMajor Edited by Eric Schneider: https://twitter.com/ImEricSchneider Website: http://lessonsfromthescreenplay.com For Inquiries and Booking: Vince@Plusfortyseven.com

So much has already been said about Alfred Hitchcock's "Psycho" and its impact on the horror genre and American cinema in general, but its worth also mentioning that Janet Leigh was nominated for Best Supporting Actress for her performance as the ill-fated Marion Crane. While she's best known for her shower scene, the conversation over sandwiches with Anthony Perkins' perfectly played Norman, the constant inner turmoil behind her eyes while driving, and of course those beautiful brows make her truly fascinating in this role. We also queen out on the Hitchcock hunks, including cutie patootie Perkins, Assistant to the BSA Vera Miles as the maybe lesbian Lila, Bernard Herrmann's iconic score, connections to both "Halloween" and "The Blair Witch Project," and reasons to not bother with the 1998 remake. Plus: who we would cast in "Psycho" today, some wishful thinking about John Gavin's sexuality, and a plea to the congregation for "Mass." Email: thebsapod@gmail.com Twitter: @bsapod Colin Drucker Twitter: @colindrucker Instagram: @colindrucker_ Nick Kochanov Twitter: @nickkochanov Instagram: @nickkochanov

It's time to discuss two formative and unique Oscar-nominated horror movies from the 1970's. Starting with the first ever horror Best Picture nominee, Nick and Sophia follow Fathers Karras and Merrin in compelling demons in The Exorcist (1:20). Next, in the first ever adaptation of a Stephen King novel- and his first, too- lives another transformation of a tortured yet spiritually gifted female, "Carrie" (45:35). Which director considered an actor's performance so terrifying he didn't hire them back while multiple actors from the other film thought they were in a comedy? How were Friedkin and De Palma both obsessed with Hitchcock? Find out these answers and plenty more on this episode! Follow us on Twitter and Instagram @oscarwildpodMusic: “The Greatest Adventure” by Jonathan Adamich

Logan Hitchcock is the Editor In Chief of Lucky Trader. In this interview, we spoke about... How Logan got onboarded to the world of NFTs How he chooses what projects to invest in long term His must-follows in NFT Twitter How he stays on top of the latest news Links Logan Hitchcock – Twitter Danny Miranda – Twitter Lucky Trader – Twitter LuckyTrader.com

Double interview day as The Athletic's Colton Pouncy joins to talk MSU in the CFP, Kenneth Walker's Heisman chances, internet fighting and more. Then, Homefield Apparel's Connor Hitchcock joins the show to talk about his beloved Hoosiers and gives a state of the program. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Continuing our Hitchcock month, this week the hosts cover 1941's "Suspicion" starring Joan Fontaine and Cary Grant. The hosts discuss the film, the novel, and Michele's huge crush on Cary Grant. Intro and outro music: Life of Riley by Kevin McCloud (InCompetech) Licensed under Creative Commons: By Attribution 3.0 License creativecommons.org/licenses/by/3.0/

We've wrangled up your questions for our special Camper of the Week episode! We answer your queries on everything from immortality to skinny dipping, and our take on the Couch Guy viral TikTok video! Thanks for writing in and enjoy! --- Send in a voice message: https://anchor.fm/campfireshtshow/message Support this podcast: https://anchor.fm/campfireshtshow/support

 We're back with an all new entry into Seeking Human Victims Season 12 - Wolfamania, as we look at the 1996 B movie from Morgan Creek called "BAD MOON" starring Mariel Hemmingway & Dennis The Menace!  We talk about the pros, cons and everything in between as well tell the story of yet another werewolf movie based off of a book. Listen as we go through this mixed bag of lycanthropic fun. Plus special musical guest Exsanguination appearing courtesy of Horror Pain Gore Death Productions. 

Old Movie Club likes to watch… old movies. And these are old movies about the price and perils of watching (and listening). We view the Hitchcock classic “Rear Window” and visit the smelly, greasy, fuzzy ’70s film for “The Conversation.” Also, we call back to the Summer of Spielberg with a discussion of how Francis Ford Coppola’s career making art films like “The Conversation” was derailed by fantastic commercial success. Host Jason Snell with Dr. Drang, Philip Michaels, Dan Moren, Erika Ensign and David J. Loehr.

Old Movie Club likes to watch… old movies. And these are old movies about the price and perils of watching (and listening). We view the Hitchcock classic “Rear Window” and visit the smelly, greasy, fuzzy ’70s film for “The Conversation.” Also, we call back to the Summer of Spielberg with a discussion of how Francis Ford Coppola’s career making art films like “The Conversation” was derailed by fantastic commercial success. Jason Snell with Dr. Drang, Philip Michaels, Dan Moren, Erika Ensign and David J. Loehr.

This week, the Dads continue to stalk their way through the decades of Horror movies and to stop to take a look at the decades of the 50s and 60s where the lines between horror and sci-fi started to blur! The horror landscape was changing and gone were the days of creepy atmospheric gothic horror! These decades ushered in the nuclear age with giant mutated creatures, teens being attacked by monsters or being turned into monsters themselves, horrors from outer space and psychotic, knife-wielding killers!!!

Jason Hitchcock is a principal at To The Moon Capital, a hedge fund providing investors exposure to DeFi and cross chain crypto assets with an active investment strategy. Jason is one of the founders of the fund where he leads investment research. On today's episode, Jason and Benjamin discuss current trends in the crypto market, how to build an NFT brand, and what the future holds for DeFi and web3. Relevant links: https://twitter.com/JasonHitchcock https://www.larvalabs.com/cryptopunks

Happy Hitchcocktober! Sophia and Nick are celebrating by discussing why they think he's one of the most daring and legendary directors of all time and diving into three of his best movies that also happened to earn him nominations for Best Director. First, they dream of returning to Manderley again by discussing ghost stories, gothic horror, and toxic romance in Hitchcock's only Best Picture winner, Rebecca (12:10). Then, they look into one of his most gripping psychological thrillers in the voyeuristic Rear Window (33:31). Finally, they check in to the Bates Motel and chat about the iconic horror film that launched a thousand slashers, Psycho (50:11). Stay tuned for Twitter poll results and recommendations of other fun Hitchcock films and modern movies they think would make for great double features with these three.Follow us on Twitter and Instagram @oscarwildpodMusic: “The Greatest Adventure” by Jonathan Adamich

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

 Something, something..better late than never. We apologize for the delay in this week's episode. Here is the Seeking Human Victims crew taking on the bombastic Jack Nicholson, Michelle Pfeifer and James Spader in 1994's WOLF. Plus courtesy of Horror Pain Gore Death Productions, musical guest Dolore with their track Tenaglie del Supplizio off the album L'orrendo Spettacollo Della Morte. Perfect for the Halloween season.

It's an all-new episode of WE'VE GOT MAIL, the podcast where film critics William Bibbiani and Witney Seibold answer YOUR letters! This week, Bibbs and Witney read emails from listeners who want to know just how important a movie's title really is, share their favorite underrated Hitchcock movies, ask about the first TV shows we ever binged, and discuss female directors in the 20th century and the importance of disability representation in the media! Email us at letters@criticallyacclaimed.net, so we can read your correspondence and answer YOUR questions in future episodes! And if you want soap, be sure to check out M. Lopes da Silva's Etsy store: SaltCatSoap! Subscribe on Patreon at www.patreon.com/criticallyacclaimednetwork for exclusive content and exciting rewards, like bonus episodes, commentary tracks and much, much more! And visit our TeePublic page to buy shirts, mugs and other exciting merchandise!  Follow us on Twitter at @CriticAcclaim, join the official Fan Club on Facebook, follow Bibbs at @WilliamBibbiani and follow Witney at @WitneySeibold, and head on over to www.criticallyacclaimed.net for all their podcasts, reviews and more! 

Our Hitchcock month begins with a classic story, 1951's "Strangers on a Train," starring Farley Granger and Robert Walker. The hosts have some great love for this story and the way Hitchcock builds the tension. Intro and outro music: Life of Riley by Kevin McCloud (InCompetech) Licensed under Creative Commons: By Attribution 3.0 License creativecommons.org/licenses/by/3.0/

If it's Wednesday, it's time for a stroll in The Dark Parade! We christen the show with a look at the Psycho film series, starting with the film that launched a thousand maniacs, Alfred Hitchcock's Psycho from 1960. I was lucky to be joined by Mr. Venom, aka Jerry Cortes, and I think you'll agree this man knows his Hitchcock. I hope you'll join us for what I think is a terrific look at a classic film. You can find more from the esteemed Mr. Cortes at No More Room in Hell, Fresh Cuts, Creature Comforts, In the Mic of Madness, It's Not Horror, Okay?, and Underwater Kaiju from Outer Space. You can join the discussion live on Sundays at 5pm CST at YouTube.com/LegionPodcasts and you can subscribe to the podcast on iTunes here, Stitcher, Spotify, Amazon Music and Audible, iHeartRadio, Podchaser, Google Podcasts, and anywhere fine podcasts are found! You can find all the episodes right here and say hello on Facebook or Twitter! The post The Dark Parade #1: Psycho first appeared on Legion.

If it's Wednesday, it's time for a stroll in The Dark Parade! We christen the show with a look at the Psycho film series, starting with the film that launched a thousand maniacs, Alfred Hitchcock's Psycho from 1960. I was lucky to be joined by Mr. Venom, aka Jerry Cortes, and I think you'll agree this man knows his Hitchcock. I hope you'll join us for what I think is a terrific look at a classic film. You can find more from the esteemed Mr. Cortes at No More Room in Hell, Fresh Cuts, Creature Comforts, In the Mic of Madness, It's Not Horror, Okay?, and Underwater Kaiju from Outer Space. You can join the discussion live on Sundays at 5pm CST at YouTube.com/LegionPodcasts and you can subscribe to the podcast on iTunes here, Stitcher, Spotify, Amazon Music and Audible, iHeartRadio, Podchaser, Google Podcasts, and anywhere fine podcasts are found! You can find all the episodes right here and say hello on Facebook or Twitter! The post The Dark Parade #1: Psycho first appeared on Legion.

Host Aaron Odom (@TridentTheatre) and returning guest Jon Dryden Taylor dissect the failure of the Broadway Musical adaptation of the classic Hitchcock film "Rebecca." Rebecca - Musical number The Normal Heart Rocky Horror Picture Show Trident Theatre Website

On having lunch with Hitchcock, awkward conversations with Steven Spielberg and loving Carey Mulligan's spaghetti bolognese, playwright, screenwriter and director David Hare (Skylight, The Hours, The Worricker Trilogy, and Collateral) goes Out to Lunch with Jay.  David and Jay enjoy a delicious meal at Noble Rot in London: https://noblerot.co.uk/  For official show merch, head to: https://kontraband.shop/collections/out-to-lunch  Out To Lunch is a Somethin' Else and Jay Rayner Production.  Learn more about your ad choices. Visit megaphone.fm/adchoices

These Are Bad Movies kicks off a month of horror with the classic Alfred Hitchcock film, Psycho. We admit, we kind of love Hitchcock movies, but there are some glaring problems with his work, not the least of which was the man himself.Join the conversation!Facebook: https://www.facebook.com/TheseAreBadMovies/Instagram: https://www.instagram.com/thesearebadmovies/Twitter: https://twitter.com/these_badYouTube: https://www.youtube.com/channel/UC0S0bYgLw1LhbFActubC8_A

These Are Bad Movies kicks off a month of horror with the classic Alfred Hitchcock film, Psycho. We admit, we kind of love Hitchcock movies, but there are some glaring problems with his work, not the least of which was the man himself.Join the conversation!Facebook: https://www.facebook.com/TheseAreBadMovies/Instagram: https://www.instagram.com/thesearebadmovies/Twitter: https://twitter.com/these_badYouTube: https://www.youtube.com/channel/UC0S0bYgLw1LhbFActubC8_A

We meet author and native plant grower Maria Hitchcock OAM, who was responsible for formalising our National Wattle Day.

Morgan and Ana have fellow cinephile, Alli Hobbs, on to discuss John Christie and the Hitchcock film, Frenzy, which is based in part on Christie. Plus!: How did P!nk really get her stagename?; Morgan learns the truth about JT Leroy; Ana plays more grounded; and Alli discusses 2018's The Wind. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Every month on THE IRON LIST, the Patrons of the Critically Acclaimed Network get to pick a topic for a giant-sized episode! This month it's THE BEST ALFRED HITCHCOCK MOVIES, an entire two-hour podcast dedicated to William Bibbiani and Witney Seibold's favorite films by one of the most acclaimed and prolific filmmakers in history! And somehow only two films that show up on both of our critics' top ten lists... can you guess which two? Subscribe on Patreon at www.patreon.com/criticallyacclaimednetwork for exclusive content and exciting rewards, like bonus episodes, commentary tracks and much, much more! And visit our TeePublic page to buy shirts, mugs and other exciting merchandise!  And if you want soap, be sure to check out M. Lopes da Silva's Etsy store: SaltCatSoap! Email us at letters@criticallyacclaimed.net, so we can read your correspondence and answer YOUR questions in future episodes! Follow us on Twitter at @CriticAcclaim, join the official Fan Club on Facebook, follow Bibbs at @WilliamBibbiani and follow Witney at @WitneySeibold, and head on over to www.criticallyacclaimed.net for all their podcasts, reviews and more! 

Double, double, toil and trouble.  Gather 'round and snuggle down as we finish up our September month of double trouble! In tandem with our Jerry Mathers interview, we thought this would be the perfect time to cover Alfred Hitchcock's The Trouble with Harry (1955)! This zany dark rom-com is one of a kind.  From beautiful Vermont foliage, to a mysterious dead body, to popping art work and a dreamy score, this is a perfect flick to turn on as we celebrate the autumn season.Please Comment, Rate, and Share our episodes and tell us what you like and what you want to hear more of!—Be sure to check us out onOur website: https://the-old-soul-movie-podcast.simplecast.com/FacebookTwitter: @oldsoulpodInstagram: @oldsoulmoviepodcast

Corey Haim on the cusp of blowing up, Gary Busey at the height of his powers, a buffet (literally) of amazing character actors and more are all contained within this week's episode as we talk the polarizing "Silver Bullet", which to some is one of the best movies ever adapted from the works of Steven King and to others, was a massive disappointment. Based on the King novella, "Cycle Of The Werewolf", the SHV crew will weigh in with a variety of opinions. Also this week our musical guest courtesy of HorrorPainGoreDeath.com comes to us from Albequerque, NM with their song "Separate" off the upcoming album "This Insidious Horror", is "FEED THE CORPSES TO THE PIGS".

On this episode, Patrick and Lolo kick off the Halloween season with guest Solymar Romero by showing her Alfred Hitchcock's horror classic, PSYCHO for the very first time! A masterful film of terror, this is not one you want to miss. But will Solymar like it? Will it turn out to be everything it's been hyped up to be? And what on earth is so fascinating about this one movie that we talk about it for over two hours, making this our longest podcast to date?! Listen now to find out!Vote First Timers Movie Club the Best Local Podcast here: https://vote.thepitchkc.com/arts-and-entertainment/best-local-podcastNew episodes of First Timers Movie Club come out every other Friday so click SUBSCRIBE and rate us five stars to make sure you don't miss our next episode!Have a favorite (or least favorite) famous movie that you think we should've seen? Reach out to IX Film Productions on Twitter, Instagram or email and we'll add it to our list!Watch Solymar Romero in Under The Sun: https://www.youtube.com/watch?v=1rQ8RxxVmME&tDon't miss our 2021 Oscars series and the upcoming Harry Potter Episode exclusively on our Patreon: www.patreon.com/ixfilmproductionsFollow IX Film Productions for podcast updates, stand up comedy, original web shorts and comedy feature films at:Facebook: www.facebook.com/ixfilmproductionsTwitter: www.twitter.com/ixproductionsInstagram: @IXProductionsYouTube: www.youtube.com/ixfp"First Timers Movie Club" is brought to you by IX Film Productions."Making the World a Funnier Place one Film at a Time"MusicThe Curtain Rises by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/5007-the-curtain-risesLicense: http://creativecommons.org/licenses/by/4.0/

Golly gee, consider us star-struck! This week, we had the pleasure of chatting with Jerry Mathers-the actor who portrays Beaver Cleaver from Leave It to Beaver (1957-1963)! Emma and Jerry discuss Jerry's childhood memories of working with Sir Alfred Hitchcock on The Trouble with Harry (1955), filming the iconic “In the Soup” episode, and having fun on set at Universal Studios. Tune in and learn about the magic behind one of the most beloved American family shows in television history. To celebrate your love for Leave It to Beaver, check out this website!: https://www.jerrymathersbeavermerch.com/Please Comment, Rate, and Share our episodes and tell us what you like and what you want to hear more of!— Be sure to check us out onOur website: https://the-old-soul-movie-podcast.simplecast.com/FacebookTwitter: @oldsoulpodInstagram: @oldsoulmoviepodcast

This week, we're discussing Hitchcock's classic horror film, The Birds.  Next time on Macabre Media podcast, we're gonna chat about the Mortal Kombat reboot.  Support Macabre Media on Patreon, follow us on Twitter and Instagram, and join our Discord server! Follow Kaleb, Jorge, and Pearson on Twitter, too. Our logo and artwork were designed by Nathanael Whale.

The Best Little Horror House on Haunted Hill?! Luke Field is here to talk about this instant classic collaboration between William Castle and Vincent Price - and we dive deep into the parallels between Hitchcock and Castle, the gimmickry that made him famous, and much more! Don't miss out!    Check out the patreon for bonus episodes on topics like Resident Evil 2 (1998/2019), Solaris (1972), and much more!

 This week on the show we look at a more fairy tale centric werewolf story, taking the mythology all the way back to its origins and giving us the first British werewolf tale in a few years with 1984's anthology-ish movie The Company Of Wolves directed by Neil Jordan (The Crying Game, Interview WIth A Vampire.) and starring Angela Lansbury & David Warner. Plus, this week's musical guest comes to us from Houston, TX as gothic/doom metal mavens "Saviorskin" bring us the song "Breaking Point" off their 2020 album "Omnipotence Of The Absolute" courtesy of Horror Pain Gore Death Productions (horrorpaingoredeath.com)

Matt and Joe, together with Superfan Marc, take a deep dive into Hitchcock's Psycho and the subsequent franchise it spawned, followed by a killer game of Psycho Trivia. But first, the boys talk about James Wan's new movie, Malignant!

When discussing the pantheon of the best actor/director collaborations in film, you rarely hear about Denzel Washington and Tony Scott. From 1995 until Scott's untimely death in 2012, the pair worked together on five of the best action films of the 90s and 2000s. While Denzel is one of our most beloved and acclaimed movie stars, Scott long lived in the shadow of his brother, Ridley, mostly written off by critics as a technician and hack. Today on the podcast, we're looking back at their underrated collaboration by focusing on two of their outputs during the War on Terror, both of which saw Denzel up against unhinged white terrorists: the 2006 time travel romance thriller "Déjà Vu" and the 2009 remake of "The Taking of Pelham 123." Evoking some of the most striking and disturbing imagery of 9/11, "Déjà Vu" acted as a love letter to a post-Katrina New Orleans, while paying homage to films like Otto Preminger's "Laura" and Hitchcock's "Vertigo," while paving the way for the more critically acclaimed works of Christopher Nolan. We're joined by film journalist and writer Abid Anwar to discuss the every-man appeal of Denzel, Scott's influence on the genre for several decades, and why critics were sour on these two thrillers while showering jingoistic and racist depictions of terrorism in film with endless praise. Both of these Denzel/Scott collaborations are currently streaming on Amazon Prime.

 This week on Season 12: Wolfamania, we wrap up our look into the year of the wolf, 1981, with quite possibly the most famous Werewolf movie of all time next to the original Wolf Man.  It's definitely the only other werewolf film to get full merchandising lines, action figure lines and even a spot at Universal Studio's Halloween Horror Nights. It is also the film that propelled special effects artist Rick Baker to superstardom and inspired the Michael Jackson, "Thriller" video. It won the fist ever academy award for special effects, is considered an all time classic and is some how still underrated. It is our distinct pleasure to bring you our official episode on John Landis' "AN AMERICAN WEREWOLF IN LONDON."All that plus our musical guest, coming to us all the way from Mexico courtesy of Horror Pain Gore Death Productions, is the legendary death/thrash band Mortuary with their song "Holy War" from the incredible compilation record Death Metal Power From Beyond, available now at horrorpaingoredeath.com

Now publishing in the main feed every other week on Wednesday! Thirty Mile Zone is the LA Podcast movie club - we are interrogating the canon of LA movies to try to better understand how the city's signature industry and audiences worldwide see us.This week, Scott is joined by Carolina Miranda from the LA Times and Alison Herman from The Ringer as we discuss Brian DePalma's 1984 Hitchcock mashup Body Double. How does LA architecture interact with classic thriller tropes? How does DePalma see the line dividing LA's 'legit' and porn film industries? What's the real story behind the Chemosphere in the Hollywood Hills? All that and more on this week's episode!Watch along with us: Next episode is Like Crazy, posting September 15!