Podcasts about hitchcock

My guest this week is game developer Tim Cain, who's shown us what the end of the world looks like. Back in the mid-90s, Tim was working with a small team on a post-apocalyptic game with a 1950s aesthetic — a weird mix of styles that Tim was worried would bomb so hard he expected his next job would be serving fast food. But … that game was Fallout, which became a massive phenomenon, with multiple sequels and a TV series based on the game that just wrapped its second season. One of the recurring themes of Fallout is people stepping out of bomb shelters and discovering there's more to life than self-isolation. Something Tim had to force himself to do when he decided it was time to emerge from the closet.Watch Tim's YouTube videos: https://www.youtube.com/@CainOnGamesAnd check out his chocolate blog: https://chocolateihaveknown.wordpress.com/Also, a quick reminder that I host weekly livestreams every Sunday on Twitch, and I hope you'll join me for those — lately we've been watching the film Strangers on a Train and comparing it to the screenplay and Hitchcock's original, even gayer cut of the film. Plus — check out my book Hi Honey, I'm Homo! at GaySitcoms.com; subscribe to my email newsletter at MattBaume.com, and if you're enjoying The Sewers of Paris, support the show on Patreon at Patreon.com/mattbaume.

This is part two of Jason Drury's conversation with Emmy-nominated documentarian and award-winning author Steven C. Smith about his latest book, HITCHCOCK AND HERRMANN: THE FRIENDSHIP THAT CHANGED CINEMA, which chronicles the rise and fall of one of the major composer/director collaborations in the history of cinema. In part one, they discussed how the book came to be, how Herrmann and Hitchcock met, and the legendary filmmaker and composer's early collaborations. Part two features music from VERTIGO, NORTH BY NORTHWEST, PSYCHO, MARNIE, and the infamous rejected score for TORN CURTAIN. No film music fan should miss this episode! Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Tonight, while threatened by a maniac infected with Hitchcock's and surrounded by a flood of animal meat, the Outsiders learn the power of friendship.

In this episode, Rob Hitchcock, President and Chief Executive Officer of Select Health, discusses how payer provider collaboration, cultural change, and proactive care models are reshaping health plan strategy amid rising cost pressures. He shares perspectives on regulatory headwinds, Medicaid and Medicare reform, and more.

William Castle channels his inner Hitchcock with this sordid tale of selfish relatives (re: inheritance plot) and gender bending minutiae; it's 1961's Homicidal, featuring a lead pulling double duty, bad teeth, and a gimmicky fright break. It's also our 15th birthday, so we've collectively surpassed Erik's mental age by a couple of spins around the sun. We discuss the obvious (though unintentional?) riffs on Alfred Hitchcock's Psycho (1960), the labyrinthine murder plot, decapitated mutes, fright break theater experiences, and much, much more!

Good evening. Welcome to Dial P for Podcast, Patrick Ripoll's year-long chronological voyage through the films of Alfred Hitchcock. Every month Patrick will be watching four Hitchcock features and talking about them here, from The Pleasure Garden to Family Plot, all across the year of 2026, examining the life and work of England's most famous cinema pervert. First up, a slate of silent films. In The Pleasure Garden (1925) a showgirl must fight for her love, in The Lodger (1927) a mysterious new boardinghouse tenant may or may not be a serial killer, in The Ring (1927) an up and coming boxing challenger must fight for his love and in Downhill (1927) a rich schoolboy takes the fall for a friend's crime with disastrous results. The birth of one of the most spectacular careers in film history, the master director's not-so-humble beginning. Check it out, here as a new Director's Club exclusive spin-off series!0:00 - 0:44 - Intro Theme0:45 - 18:47 - The Pleasure Garden (1925)18:48 - 58:21 - The Lodger (1927)58:22 - 1:19:48 - The Ring (1927)1:19:49 - 1:45:21 - Downhill (1927) 1:45:22 - 1:46:09 - Outro Theme

Derrière le grand homme, cherchez la femme… Alma Reville est née presque le même jour que celui dont elle allait devenir l'épouse, la collaboratrice, l'indispensable soutien : Alfred Hitchcock.Dans cet épisode passionnant, Franck Ferrand nous plonge dans la vie d'Alma Reville, l'épouse et collaboratrice d'Alfred Hitchcock, le célèbre réalisateur anglais. Bien que restée dans l'ombre de son mari, Alma a joué un rôle essentiel dans la carrière et le succès du maître du suspense.Nous découvrons comment Alma et Hitchcock se sont rencontrés sur les plateaux de cinéma en Angleterre dans les années 1920. Tous deux passionnés par le 7e art, ils vont très vite tisser des liens professionnels et personnels. Malgré la différence de statut à l'époque - Alma étant déjà une figure reconnue du cinéma britannique tandis qu'Hitchcock est encore un jeune réalisateur inconnu - leur complicité et leur complémentarité vont les conduire à s'unir pour la vie.Le récit nous entraîne ensuite dans leur aventure hollywoodienne, lorsque le couple Hitchcock décide de traverser l'Atlantique pour tenter sa chance aux États-Unis, au début de la Seconde Guerre mondiale. C'est là qu'Alma va véritablement devenir l'ombre tutélaire d'Hitchcock, l'accompagnant dans tous ses projets, l'épaulant dans les moments de doute et de difficulté. Son rôle de scénariste, de monteuse, de conseillère, va être déterminant pour la réussite de chefs-d'œuvre comme Rebecca, Soupçons ou encore Fenêtre sur cour.Malgré son effacement volontaire, Alma Reville n'en reste pas moins une figure essentielle du cinéma d'Hitchcock. C'est elle qui a parfois poussé le maître à prendre des décisions audacieuses, comme le célèbre meurtre de la douche dans Psychose. À travers ce portrait intime, on découvre une femme d'une grande intelligence et d'une rare créativité, qui a su rester fidèle à son époux jusqu'à la fin, partageant avec lui les joies et les peines de la vie.Grâce au talent de narrateur de Franck Ferrand, cet épisode nous fait revivre l'histoire fascinante de ce couple mythique du 7e art, une véritable ode à l'amour et à la complicité dans le cinéma.

New episode out now! We take another dip into ‘80s television with the season three episode of Knight Rider, “Halloween Knight”. We talk about Michael Knight's investigative style and the ‘80s action of it all, believe the episode did not explain the relationships or develop characters clearly, wonder what exactly their authority and jurisdiction are, and really get into KITT as an entity and how it relates to modern AI and smart devices. We also wonder if this influenced RoboCop, discuss the Hitchcock homages scattered throughout, and really loved all the fashion and hairstyles. We were completely unfamiliar with the premise, and so learned some surprising things along the way, but also perhaps looked too deeply into this action show involving perms, tight pants, and a talking car. Katy is not ashamed to say she watched Supernatural, Carrie shares a fun fact about mariachi performers, Maddy thinks men are oppressed, and Mack's brain is bloodshot. We also talk about how the show gave us “Duloc face”, wonder if David Hasselhoff would have been as successful if he was shorter, think we lost the vision of how AI could be perceived in media, and judge pumpkin carving pretty harshly. Listen to hear more about furries, Jekyll & Hyde, yak hair, Columbo, nehru jackets, Isaac Asimov, and more. Enjoy!TW: Assault, taxidermy, gaslighting, drug useSHOW NOTES:Video - David Hasselhoff - True Survivor (from Kung Fury)

Steven C. Smith is a familiar name and voice to listeners of Talking Soundtracks. In 2021, Jason Drury talked to the Emmy-nominated documentary producer and award-winning author about his book, MUSIC BY MAX STEINER: THE EPIC LIFE OF HOLLYWOOD'S MOST INFLUENTIAL COMPOSER. In 2022, Jason talked to Steven again about his first book, published in 1991, A HEART AT FIRE'S CENTER: THE LIFE AND MUSIC OF BERNARD HERRMANN, about another pioneering and influential composer in the history of film music. In December 2025, Jason had the pleasure of speaking with Steven about his most recent book, HITCHCOCK AND HERRMANN: THE FRIENDSHIP AND FILM SCORES THAT CHANGED CINEMA, which tells the story of the rise and fall of one of the most significant composer-director collaborations in film history. In part one of this special two-part edition, they discussed how the book came to be, how Herrmann and Hitchcock met, and the first collaborations between the legendary filmmaker and composer. You'll also hear selections of music from the films Herrmann and Hitchcock worked on together. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Send us a textIn this episode, Dr. Matthew R. Hitchcock, MD, MBA, shares his journey as a direct primary care physician and healthcare entrepreneur. Frustrated by long waits and high costs in traditional imaging, he founded Hitchcock Direct Imaging, a cash-only, insurance-free imaging center in Chattanooga, Tennessee. Dr. Hitchcock discusses how direct care models can improve patient access, the regulatory hurdles he navigated, and the importance of transparency in healthcare pricing. Learn how collaboration, innovation, and patient-focused care are reshaping the healthcare experience. Connect with him:Website: Hitchcock Family MedicineHitchcock Direct Imaging Support the show*Next Coaching Cohort Starts Feb 25, 2026. Launch it in 8 weeks and apply here --> Record your question easily here --> Join the Direct Care Society private Facebook group here. --> Own a DSC practice and want to share your story? Apply here EMR I'm currently using in my Direct Care practice Simple Practice HIPAA Compliant Email with Paubox Get $250 Credit Here Find me on LinkedIn https://linkedin.com/in/teadpm More resources teadpm.com

Send us a textIn this episode, Dr. Matthew R. Hitchcock, MD, MBA, shares his journey as a direct primary care physician and healthcare entrepreneur. Frustrated by long waits and high costs in traditional imaging, he founded Hitchcock Direct Imaging, a cash-only, insurance-free imaging center in Chattanooga, Tennessee. Dr. Hitchcock discusses how direct care models can improve patient access, the regulatory hurdles he navigated, and the importance of transparency in healthcare pricing. Learn how collaboration, innovation, and patient-focused care are reshaping the healthcare experience. Connect with him:Website: Hitchcock Family MedicineHitchcock Direct Imaging Support the show*Next Coaching Cohort Starts Feb 25, 2026. Launch it in 8 weeks and apply here --> Record your question easily here --> Join the Direct Care Society private Facebook group here. --> Own a DSC practice and want to share your story? Apply here EMR I'm currently using in my Direct Care practice Simple Practice HIPAA Compliant Email with Paubox Get $250 Credit Here Find me on LinkedIn https://linkedin.com/in/teadpm More resources teadpm.com

It's a triple feature as Carl Gaminsky finds a wallet containing $5200 in our episode followed by a look at Hitchcock's 1936 film "Sabotage," followed by a peek at the Suspicion episode "Heartbeat."

In this bonus episode of Out To Get You, we launch our series on the dread of deep space, fears of future past, and more, with a Class 7 probe of Star Trek's The Gorn. Content Warning:This episode contains discussion of speciesism, space opera, and having beloved stories co-opted by right-wing corporate fascists. Drop in for a casual chat on intergalactic blood libel, the diminishing returns of big budget sci-fi, and filing the serial numbers off H.R. Giger's xenomorphs.Questions for the next two recording sessions are now open!We'll be joined by Jadzia Alexrod, author of the DC Book of Pride, the upcoming Galaxy: As The World Falls Down, and more, for pod persona paranoia in 1978‘s Invasion of the Body Snatchers!After that, author, comics crit luminary, and co-creator of The Forgotten Five, Sara Century (Best Issue Ever,) swoops in to pick apart Hitchcock's 1963‘s avian apocalypse, The Birds!Follow Out To Get You on BlueSky and Patreon for new episodes, bonus content , and more, and get your own Valentine M. Smith-designed merch at TeePublic.Send your questions to OutToGetYouPodcast@gmail.com.If you like this episode, please rate, review, and subscribe!

Director Paul Feig discusses his latest film, "The Housemaid," and tells IndieWire about the importance of Hitchcock's tone, musical themes, Taylor Swift, test screenings, why movies are breathing things that go beyond the script, and the joy of repeat viewings in theaters. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's the 23rd January 1879, one of the most momentous days in South African history has passed, and the ripple effect will be felt across the world. For missionary Otto Witt it was a time of particular terror. He had fled his mission station, Rorke's Drift, and now it was smashed to bits, the house which had doubled up as a hospital burned to the ground, the main warehouse which had been his church, broken, bloody. Witt had fled the day before and sought out his wife and children who he'd sent on to Msinga once it became apparent the British were going to invade Zululand. Witt had lost his way up the Biggarsberg escarpment on the terrifying night of the 22nd January, and staggered into the Gordon Memorial Mission at Msinga the next morning - but his wife Elin and their 3 young children had already left. He didn't know this — merely that she wasn't there. Elin had been told by refugees streaming away from Isandlwana that Otto had been killed at Rorke's Drift. So both believed the other dead. The family spent five days believing they were widows and orphans. The confusion was only cleared up when Witt finally tracked Erin's wagon trail to Pietermaritzburg where the family was reunited, exhausted and traumatized, but physically unharmed. In Newcastle, Maud Bradstreet had just assisted her friend, Mrs. Hitchcock, in delivering a baby girl named Georgina. Their joy was short-lived, however, as news arrived that the Newcastle Mounted Rifles had been decimated at Isandlwana—both of their husbands were among the dead. The two women set out for the Orange Free State, a grueling week-long journey by horse and cart, surviving on very little including water strained through a mealie bag. This was the raw reality for the survivors - later in the episode we'll hear from the Zulu. On the morning of January 23rd, a messenger reached Helpmekaar with a brief note from Lieutenant Chard Rorke's Drift commander Defying the grim expectations of the men at the camp, they had miraculously held their ground through the night. Back at Isandlwana, Chelmsford had awoken his men and rode away from the scene of carnage before dawn, one of the men had found the mangled body of Lieutenant Colonel Pulleine, Isandlwana's commanding officer, then the column passed down Manzimyama Valley. They moved past homesteads that had been abandoned only a day prior, but now the inhabitants were creeping back. Through the doorway of a single hut, they saw an Inyanga tending to amaQungebeni warriors who had likely fought at Isandlwana. The tension snapped; soldiers of the Natal Native Contingent opened fire and killed a man before order could be restored. A seething anger swirled through the British column, Trooper Fred Jones, one of the survivors of the Newcastle Mounted Rifles was not in a forgiving mood. “We saw red…” he admitted “ Exhausted and broken, the warriors shuffled forward, dragging their shields in the dust. The uThulwana were stunned—they thought no British soldiers were left alive after Isandlwana. For a long, tense moment, the two forces stared at one another across a distance easily covered by a bullet. Yet, neither side pulled a trigger. It was, as historian Ian Knight notes, a surreal conclusion to an extraordinary 48 hours: two armies, both feeling the weight of defeat, watching each other move silently into the distance. King Cetshwayo kaMpande did not get an accurate version of events at Rorke's Drift at first. Back at oNdini, Dabulamanzi reported that he had stormed and successfully taken the house… attacked again then retired…but admitted that he had suffered heavily …” It was to take another ten days before the warriors returned to oNdini and had been ritually cleansed .. only then did Cetshwayo address them in his huge cattle kraal. “If you think you have finished with all the white men you are wrong, because they are still coming…” he warned.

Candi is a Pint Insider. Candi loves Hitchcock films. We dedicate Vertigo to Candi. It's Your 408th Pint, consume responsibly!

Interview with Dr. Mark Hitchcock: As the world grows increasingly restless and unstable, the prophecies in the book of Revelation garner much attention. That's where a new book from Pastor Mark Hitchcock comes into focus. In The Revelation Answer Book, Dr. Hitchcock addresses 125 end-times questions with the truth of God's Word. He joins our show this week to share ... Read More The post Answering Hard Questions from Revelation with Mark Hitchcock | January 24, 2026 appeared first on The Friends of Israel Today Radio.

The character actor is one of the most important yet least discussed aspects of cinema. Whether it's Thelma Ritter as a no nonsense feisty nurse in Hitchcock's Rear Window, Eli Wallach as a captivating roguish bandit in Leone's The Good, The Bad, & The Ugly or Tilda Swinton in almost about anything, character actors provide a rhythm, contrast, opposite color that provides shape, dynamism, form to a film. Secret Movie Club founder.programmer Craig Hammill looks at why the character actor is so critical to a movie's success and some of the greatest practitioners of the craft. 

In this episode, Shanté and Danny watch Hitchcock's adaptation of Shanté's all-time favorite book.

Connor and GC talk about the the explosion of Indiana football fandom among the Hoosier alumni base, the insane journey of the last two years for longtime IU football fans, and the feeling going into a game that didn't seem like a possibility before the arrival of Curt Cignetti.

In Cineversary podcast episode #90, host ⁠Erik J. Martin⁠ commemorates the 80th anniversary Notorious, directed by Alfred Hitchcock. Joining him in this installment is Kim Newman, the renowned UK critic and film scholar, esteemed journalist, and award-winning author of The Definitive Guide to Horror Movies. Erik and Kim head down to the wine cellar to uncork exactly what makes Notorious great, why this movie deserves kudos 80 years later, what makes this film different from other Hitchcock works, salient themes, and much more.Learn more about the Cineversary podcast at www.cineversary.com and email show comments or suggestions to cineversarypodcast@gmail.com.

Dana and Tom with returning guest, Myke Emal (Host and Creator of the Cinemusts podcast), discuss Sabotage (1936) for its 89th anniversary: directed by Sir Alfred Hitchcock, written by Charles Bennett, cinematography by Bernard Knowles, music by Jack Beaver, editing by Charles Frend, starring Sylvia Sydney, Oskar Homolka, Desmond Tester, and John Loder.Plot Summary: In 1930s London, a seemingly ordinary cinema owner, Karl Verloc, hides a dangerous secret: he is part of a shadowy network of foreign saboteurs plotting terrorist attacks across the city. His wife, Mrs. Verloc, and her younger brother, Stevie, help run the theater, unaware of his double life.As London reels from a mysterious blackout caused by deliberate sabotage, Scotland Yard grows suspicious. They place an undercover detective in the shop next door to observe Verloc, hoping to uncover the group's next move. Tension builds as Verloc is pressured by his handlers to carry out a bombing, setting off a chain of events that entangles his unsuspecting family and pushes Hitchcock's suspense to a devastating climax.Guest:Myke EmalHost and Creator of the Cinemusts podcast@cinemusts on Twitter, Letterboxd, Facebook, and IGPreviously on Anatomy of a Murder (1959)Chapters:00:00 Introduction, Cast, and Background for Sabotage03:08 Welcome Back, Myke Emal!05:09 The Eras of Alfred Hitchcock17:02 Plot Summary for Sabotage18:01 What is Sabotage About?21:19 Did You Know?24:11 First Break24:57 What's Happening with Myke Emal?25:50 GMOAT Hall of Fame31:08 Best Performance(s)36:38 Best Scene(s)47:43 Second Break48:39 In Memoriam52:45 Best/Funniest Lines54:39 The Stanley Rubric - Legacy59:16 The Stanley Rubric - Impact/Significance01:04:18 The Stanley Rubric - Novelty01:10:14 The Stanley Rubric - Classicness01:14:37 The Stanley Rubric - Rewatchability01:18:25 The Stanley Rubric - Audience Score and Final Total01:20:05 Remaining Questions for Sabotage01:24:24 Thank You to Myke and Remaining Thoughts01:28:00 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to:

This week dive into our 3rd installment of our Chamber Piece Festival with 1948's absolute banger of a classic, Rope. Directed by Alfred Hitchcock and based around a party that is hosted shortly after a murder has taken place. Truly underrated Hitchcock here. Great conversation! Enjoy!

In 1956, Alfred Hitchcock focused his lens on an issue that cuts to the heart of our criminal justice system: the risk of wrongful conviction. The result was The Wrong Man, a bracing drama based on the real-life false arrest of Queens musician Christopher “Manny” Balestrero. Manny's ordeal is part of a larger story of other miscarriages of justice in the first half of the twentieth century.  In Nothing to Fear: Alfred Hitchcock and the Wrong Men (Fayetteville Mafia Press, 2023), attorney Jason Isralowitz tells this story in a revelatory book that situates both the Balestrero case and its cinematic counterpart in their historical context. Drawing from archival records, Isralowitz delivers a gripping account of Manny' s trial and new insights into an errant prosecution. He then examines how Hitchcock' s film bears witness to issues that animate the contemporary innocence movement. Given the hundreds of exonerations of the wrongfully convicted in recent years, this genre-bending work of true crime and film history is a must-read. Jason Isralowitz is a partner in the New York office of Hogan Lovells. A Queens native, Jason graduated from Boston University's College of Communication with a bachelor's in journalism and holds a J.D. from the University of Pennsylvania Law School. He has practiced law in Manhattan since 1993. Jason lives in Summit, New Jersey with his wife, Jennifer. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Robyn Hitchcock turned 14 in 1967, the year that blew his musical mind open. This English boarding school student and future singer-songwriter-musician already looked to Bob Dylan for the meaning of life when along came the psychedelic train powered by the Beatles, the Syd Barrett-led Pink Floyd, the Jimi Hendrix Experience, the Kinks, the Incredible String Band and much more. Hitchcock reflects on his awakening with a vivid memoir, 1967: How I Got There and Why I Never Left, and a mostly acoustic, mostly covers album, 1967: Vacations in the Past. Here we bat around perhaps the most creatively explosive year in the rock era, and he applies his whirligig mind to such questions as whether the music of 1967 would have had such an outsized impact on his own music if not for where, how and at what age he experienced it. He also discusses the newly remixed, remastered version of his 1988 album Globe of Frogs.

In 1956, Alfred Hitchcock focused his lens on an issue that cuts to the heart of our criminal justice system: the risk of wrongful conviction. The result was The Wrong Man, a bracing drama based on the real-life false arrest of Queens musician Christopher “Manny” Balestrero. Manny's ordeal is part of a larger story of other miscarriages of justice in the first half of the twentieth century.  In Nothing to Fear: Alfred Hitchcock and the Wrong Men (Fayetteville Mafia Press, 2023), attorney Jason Isralowitz tells this story in a revelatory book that situates both the Balestrero case and its cinematic counterpart in their historical context. Drawing from archival records, Isralowitz delivers a gripping account of Manny' s trial and new insights into an errant prosecution. He then examines how Hitchcock' s film bears witness to issues that animate the contemporary innocence movement. Given the hundreds of exonerations of the wrongfully convicted in recent years, this genre-bending work of true crime and film history is a must-read. Jason Isralowitz is a partner in the New York office of Hogan Lovells. A Queens native, Jason graduated from Boston University's College of Communication with a bachelor's in journalism and holds a J.D. from the University of Pennsylvania Law School. He has practiced law in Manhattan since 1993. Jason lives in Summit, New Jersey with his wife, Jennifer. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1956, Alfred Hitchcock focused his lens on an issue that cuts to the heart of our criminal justice system: the risk of wrongful conviction. The result was The Wrong Man, a bracing drama based on the real-life false arrest of Queens musician Christopher “Manny” Balestrero. Manny's ordeal is part of a larger story of other miscarriages of justice in the first half of the twentieth century.  In Nothing to Fear: Alfred Hitchcock and the Wrong Men (Fayetteville Mafia Press, 2023), attorney Jason Isralowitz tells this story in a revelatory book that situates both the Balestrero case and its cinematic counterpart in their historical context. Drawing from archival records, Isralowitz delivers a gripping account of Manny' s trial and new insights into an errant prosecution. He then examines how Hitchcock' s film bears witness to issues that animate the contemporary innocence movement. Given the hundreds of exonerations of the wrongfully convicted in recent years, this genre-bending work of true crime and film history is a must-read. Jason Isralowitz is a partner in the New York office of Hogan Lovells. A Queens native, Jason graduated from Boston University's College of Communication with a bachelor's in journalism and holds a J.D. from the University of Pennsylvania Law School. He has practiced law in Manhattan since 1993. Jason lives in Summit, New Jersey with his wife, Jennifer. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Wishing you and your family a Merry Christmas and a Happy New Year! Please enjoy some of our 'best of' content featuring special guest Dr. Mark Hitchcock. Karl and Crew airs live weekday mornings from 5-9 a.m. Central Time. Click this link for ways to listen in your area! https://www.moodyradio.org/ways-to-listen/Donate to Moody Radio: http://moodyradio.org/donateto/morningshowSee omnystudio.com/listener for privacy information.

Wishing you and your family a Merry Christmas and a Happy New Year! Please enjoy some of our 'best of' content featuring special guest Dr. Mark Hitchcock. Karl and Crew airs live weekday mornings from 5-9 a.m. Central Time. Click this link for ways to listen in your area! https://www.moodyradio.org/ways-to-listen/Donate to Moody Radio: http://moodyradio.org/donateto/morningshowSee omnystudio.com/listener for privacy information.

This week's Warner Brothers 1933 Studios Year by Year episode brings the studio-as-auteur question back into focus with two highly distinctive Pre-Code musicals with a similarity of style and social outlook that can't be attributed to the directors, screenwriters, source material, or the presence of Hollywood's most idiosyncratic choreographer and stager of musical numbers, Busby Berkeley. We argue for the dramatic and comedic merits of 42nd Street (directed by Lloyd Bacon) and Gold Diggers of 1933 (directed by Mervyn LeRoy), without failing to grapple with the more deranged elements of the musical sequences. And in Fear and Moviegoing in Toronto, the focus on sex, gender, and harsh economic realities continues with further screenings from TIFF Cinematheque's ongoing Mikio Naruse retrospective: Late Chrysanthemums, Scattered Clouds, and When a Woman Ascends the Stairs. We also briefly mention our TIFF Lightbox viewing of Hitchcock's North by Northwest, which allowed us to see Cary Grant narrowly escape multiple elaborately complicated and indirect murder attempts in 70 mm.  Time Codes: 0h 00m 25s:      1933 and Warner Brothers 0h 05m 13s:      42nd STREET [dir. Lloyd Bacon with Busby Berkeley] 0h 50m 20s:      GOLD DIGGERS OF 1933 [dir. Mervyn Leroy with Busby Berkeley]   1h 30m 40s:      Fear & Moviegoing in Toronto: Alfred Hitchcock's North By Northwest (1959) and Mikio Naruse's Late Chrysanthemums (1954), Scattered Clouds (1967) & When a Woman Ascends the Stairs (1960) – all at TIFF Lightbox    1h 40m 16s:      Listener Jason's Top Gloria Grahame films +++ Studio Film Capsules provided by The Warner Brothers Story by Clive Hirchhorn Additional studio information from: The Hollywood Story by Joel W. Finler 1933 Information from Forgotten Films to Remember by John Springer                                 +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join! 

durée : 01:01:35 - Les Nuits de France Culture - par : Philippe Garbit - Après "Pas de printemps pour Marnie", Alfred Hitchcock réalise encore quatre films. Brouillé avec Herrmann, il reprend ses expérimentations musicales avec des compositeurs différents, tout en conservant ses idées phares. Noël Simsolo en discute avec Georges Schneider pour cette cinquième émission. - réalisation : Mydia Portis-Guérin

durée : 01:01:55 - Les Nuits de France Culture - par : Philippe Garbit - x - réalisation : Mydia Portis-Guérin

durée : 01:01:23 - Les Nuits de France Culture - par : Philippe Garbit - Hitchcock connait au début des années 50 une période de liberté dorée, où il "essaie" tous azimuts, notamment au niveau de la musique, avec des compositeurs aussi différents que Franz Waxman, Dimitri Tiomkin ou Lyn Murray. Noël Simsolo analyse ces expérimentations en compagnie de Jean Douchet. - réalisation : Mydia Portis-Guérin - invités : Jean Douchet Cinéaste, historien et critique de cinéma (1929-2019)

durée : 01:01:34 - Les Nuits de France Culture - par : Philippe Garbit - Dans ce deuxième volet de la série Hitchcock et ses musiques, Noël Simsolo et Bernard Eisenschitz explorent les films de la première période américaine du cinéaste. Il résiste à l'influence du producteur David Selznick, qui voudrait lui imposer sa conception assez pesante de la musique. - réalisation : Mydia Portis-Guérin - invités : Bernard Eisenschitz Historien du cinéma

durée : 01:02:24 - Les Nuits de France Culture - par : Philippe Garbit - Par Noël Simsolo - Avec Jean Douchet (historien de cinéma) - Réalisation Mariane Manesse - réalisation : Mydia Portis-Guérin

You are invited back into the Talking Hitchcock screening room! Join creator and host, Hitchcock enthusiast Rebecca McCallum with author Jennifer O'Callaghan to discuss her book: Rear Window-The Making of a Hitchcock Masterpiece in the Hollywood Golden Age.We explore Jennifer's journey writing the book and take a deep dive into the making of one of Hitchcock's most beloved films, REAR WINDOW. Jennifer shares some unique insights following her research and interviews with relatives of the stars and those adjacent to the film. We discuss our readings of REAR WINDOW, it's characters, score, set and the ambiguous ending! Find Talking Hitchcock on Instagram @talkinghitchpod where you can support the podcast and keep up to date with releases or email me on talkinghitchpod@gmail.comYou can find Jennifer on  Instagram @jennocallaghan and visit her website https://www.jenniferocallaghan.com/You can purchase her book Rear Window-The Making of a Hitchcock Masterpiece in the Hollywood Golden Age https://www.penguinrandomhouse.com/books/790118/rear-window-by-jennifer-ocallaghan/

4 SEASONS OF HITCHCOCK FESTVIAL 2026!Join Talking Hitchcock for a festival over two weekends celebrating the career of the Master of Suspense!I will be screening The Lodger (1927) and The 39 Steps (1935) on Saturday 7th March and Rear Window (1954) and Frenzy (1972) on Saturday 14th March at Pictureville Cinema in the National Science and Media Museum, Bradford. Tickets and Details for 4  Seasons of Hitchcock at Pictureville Cinema in the National Science and Media Museum Talking Hitchcock Presents: Four Seasons of Hitchcock | National Science and Media MuseumTo Sign Up for Membership at Pictureville for free to get early access for tickets visit Pictureville Cinema membership | NationalScience and Media MuseumTo find out more about Pictureville and what they do, visit them online Pictureville Cinema | National Science and Media Museum,BradfordFind Talking Hitchcock on Twitter @hitch_pod and Instagram @talkinghitchpod where you can support the podcast and keep up to date with releases or email me on alkinghitchpod@gmail.comFind me and my work on Instagram @PendlePumpkin

Alfred Hitchcock's Rebecca (1940) is a haunting blend of romance, mystery, and psychological suspense. In this in-depth review, Chris and Gerry explore Hitchcock's only Best Picture winner, adapted from Daphne du Maurier's classic novel. We'll break down the film's gothic atmosphere, unforgettable performances by Joan Fontaine, Laurence Olivier, and Judith Anderson, and the powerful themes of obsession, identity and control. Is Rebecca Hitchcock's most unsettling film? Join the discussion and revisit one of Hollywood's greatest classic thrillers. If you enjoy classic cinema, Hitchcock films, and Golden Age Hollywood, be sure to like, comment, and subscribe!

Editors - Esther Sokolow, Glenn Garland ACE and Matthew V. Colonna ACE IT: Welcome to Derry editors Esther, Glenn and Matt had never worked together prior to the new HBO series, but quickly formed a family bond that translated into a fun and creative cutting room.  Their antics included scaring unsuspecting tourists taking the Warner Brothers tram tour past their offices.  And you know what Jack Torrance says about "all work and no play"! Developed by Andy Muschietti, Barbara Muschietti and Jason Fuchs, It: Welcome to Derry is based on Stephen King's 1986 novel It and is a prequel to the films It (2017) and It: Chapter Two (2019).  The series takes place in 1962, when a couple and their son move to Derry, Maine just as a young boy disappears.  With their arrival, bad things begin to happen in the town.  Again. ESTHER SOKOLOW Esther Sokolow is a Los Angeles-based editor who specializes in genre-rich storytelling, bold characters, and projects with cinematic scope.  Esther's collaboration with IT: Welcome to Derry showrunner Andy Muschietti began on IT: Chapter Two, where she served as 1st Assistant Editor, and continued on The Flash, where she was promoted to Additional Editor. Her work bridges studio tentpoles and independent character dramas, with a focus on horror, psychological thrillers, and supernatural themes. Her early film diet of Hitchcock, classic mysteries, and silent comedies provided provided inspiration for an editor drawn to tension, timing, and the emotional weight of what's unspoken. Later, the spectacle of The Lord of the Rings sparked a love for scale and the thrill of stories that move an audience. Originally from Atlanta, she moved to California to study Film Editing at Chapman University. In 2015, she was selected as an honorary intern for American Cinema Editors (ACE), an experience that shaped her early career and inspired a commitment to both craft and mentorship. Esther now speaks on an annual panel for the ACE Internship Program and serves on MPEG's Apprenticeship and Growth Committee, supporting the next generation of editors and assistant editors. Before stepping into the editing chair, Esther worked as an assistant editor on feature films including Rampage, Bloodshot, The Guilty, Stronger, Fall, and Rememory. She also worked in-house as a VFX Editor at Method Studios, contributing to Guardians of the Galaxy and San Andreas. Her years supporting other editors honed more than technique; they taught her to listen to pacing, to performance, and to subtle story beats others might overlook. That same quiet attention now shapes her own work. GLENN GARLAND, ACE Glenn Garland is television and film editor with more than twenty years of experience in the entertainment industry. In addition to cutting IT: Welcome To Derry, other impressive TV credits include Poker Face, The Vampire Diaries, Preacher, Banshee, Stan Against Evil, and Altered Carbon. Glenn's equally notable feature resume includes editing Rob Zombie's Halloween and Halloween II, the critically acclaimed King of California, The Turning, Lords Of Salem, The Devil's Rejects, Black Box and most recently Broke. In addition to editing, Glenn has produced the television series Paradise City as well as feature films 31, Jersey Bred, LX 2048, The Man Who Was Thursday and most recently, Life Is. He has also created and hosts the podcast series Editors on Editing, which can be heard on Art of the Frame. MATTHEW V. COLONNA, ACE Aside from his work on It: Welcome to Derry, Matt's work can be seen on another Stephen King-inspired series, Castle Rock, and the King-adjacent series, Locke & Key.  Other notable tv shows cut by Matt include Dexter (2008-09), Narcos (2015-17) and Sugar (2024).  Matt also happens to be one of the original drummers for Black Eyed Peas.  How about that?! The Credits Visit Extreme Music for all your production audio needs Listen to Glenn talk about cutting Poker Face Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

From a chance viewing of Saul Bass' iconic 'Psycho' titles on TCM sprung this exploration of the straightforward, human experience of watching 'Psycho' with an eye and ear towards how audience expectations were stoked and then subverted by Hitchcock. From the casting of Janet Leigh to the surprise departure of her character not even halfway through the film, the film toys with audience expectations and loyalties, and makes them complicit in the voyeurism and violence and judgement that unfolds. Hitchcock's decision to attempt a relatively low-budget thriller of the sort directors like Henri-George Clouzot (Diabolique) were having success with resulted unexpectedly in his defining film, a film that changed film language and construction and that influenced every director of note subsequent to the film's 1960 release. From the legendary shower sequence to no-less-stunning dialogue sequences, the film is so much more than it's origins.  It still stands the test of time today, and will forever be a part of Hitchcock's enduring legacy.

They're calling it the most psychoanalytic film ever made! Barto and Charlie talk mirrors and duality, the gaze and how films teach us to desire, Hitchcock's fear of cops, and that there is a lot more of Psycho in American Psycho then we might have realized. To listen to the full episode as well as lots of other bonus content, sign up for our Patreon. Just $1 a month gets you everything we do. patreon.com/nogodspod Follow us on Twitter and Bluesky @nogodspod Email us at NoGodsPod@gmail.com

In this episode of Editors on Editing, Glenn is joined by Pamela Martin. Pam has edited such excellent projects as Little Miss Sunshine, for which she was nominated for the Eddie, The Fighter, for which she was nominated for the Eddie and Oscar. Hitchcock, Free State of Jones, Seberg, King Richard, for which she was nominated for the Oscar and won the Eddie and Bob Marley: One Love. Now she's crafted the exceptional film, Springsteen: Deliver Me From NowhereThanks again to ACE for partnering with us on this podcast, check out their website for more.Thanks also to 20th Century Studios and Deliver Me From Nowhere for helping to make this podcast happen.Want to see more interviews from Glenn? Check out "Editors on Editing" here.The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and, please leave a review so more people can find our show!

We sit down with award-winning novelist and former CNN senior copy editor John DeDakis—a storyteller whose life and career have been shaped by remarkable twists of fate. From navigating the Vietnam War draft and interviewing Alfred Hitchcock as a 20-something Army broadcaster, to decades in journalism at the White House and inside CNN's The Situation Room, John's journey reflects both serendipity and relentless creative drive. John shares how grief, politics, and lived experience have informed his Lark Chadwick mystery-suspense series, why he chose a young female protagonist, and how real-world events inevitably find their way into his fiction. He also opens up about failure, fear, courage, and the healing power of writing—offering tangible wisdom for creatives, writers, and anyone navigating major life transitions. Connect With Us:

In a slight departure from the norm, Reid gathers with a group of pals to debrief a pheasant hunt on a farm in Hitchcock, South Dakota. The group, spearheaded by Lyndsey Braun and Doug Duren of Sharing the Land, explores topics of land stewardship, dog work, hits and misses, and challenges faced by new hunters. It's a meandering journey with lots of voices, but some great perspectives offered. Warning: some colorful language is used. Special thanks to Can-Am, BOSS Shotshells, Savage Arms, Gunner Kennels, Matt Morlock, and Dylan Hazen.

  In a slight departure from the norm, Reid gathers with a group of pals to debrief a pheasant hunt on a farm in Hitchcock, South Dakota. The group, spearheaded by Lyndsey Braun and Doug Duren of Sharing the Land, explores topics of land stewardship, dog work, hits and misses, and challenges faced by new hunters. It's a meandering journey with lots of voices, but some great perspectives offered. Warning: some colorful language is used. Special thanks to Can-Am, BOSS Shotshells, Savage Arms, Gunner Kennels, Matt Morlock, and Dylan Hazen.

This week, the boys decide to dive into another director's filmography. This time, they tackle the many films of the Master of Suspensse, Alfred Hitchcock. Together, they discuss the styles and themes of Hitchcock's works, and debate what 10 movies belong in Hitchcock's Hall of Fame.

The Prophecy Pros fill in some key Revelation details in their interview with author and pastor, Dr. Mark Hitchcock. *HARVEST PROPHECY CRUISE* June 20-27, 2026 | HarvestProphecyHQ.com *LATEST BOOK RELEASES FROM THE PROPHECY PROS** The Non-Prophet's Guide to Heaven – Todd Hampson The End of the World According to Jesus of Nazareth — Jeff Kinley The Non-Prophet's Guide to the Book of Daniel — Todd Hampson The Prophecy Pros' Illustrated Guide to Tough Questions About the End Times — Jeff Kinley, Todd Hampson God's Grand Finale — Jeff Kinley For more resources, visit HarvestProphecyHQ.com

Sixty-five years ago, Alfred Hitchcock shocked audiences with his film ‘Psycho.' It broke Hollywood conventions about what a film should and should not do, ushered in a new era of horror/thriller, and became one of the most studied movies in cinema history. We listen back to Terry's interview with star Janet Leigh, who talks about filming the famous shower scene. And we hear from screenwriter Evan Hunter about working with Hitchcock on his next film, ‘The Birds.'Also, Justin Chang reviews the new film ‘Hamnet,' about Shakespeare as a young playwright, husband and father. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy