Podcasts about hitchcock

Jean Steven was very close to her sister and her husband.  Perhaps a bit... too close.  We've got a bit of an odd story today, Fam - straight out of a Hitchcock movie.  Why did Jean keep the embalmed bodies of her husband and sister IN HER HOME, and how did she get the seemingly all-too-willing characters around town to help her?  Thankfully, the ever-trusty Beth Karas is here to help us sort through the shenanigans. Find and watch "The Curious Case of... The Corpse Who Came to Dinner" on HBO MaxLOOKING FOR MORE TCO? On our Patreon feed, you'll find over 400 FULL AD-FREE BONUS episodes to BINGE RIGHT NOW, including our episode-by-episode coverage of popular documentary series like Love Has Won: The Cult of Mother God, LulaRich, and The Curious Case of Natalia Grace; classics like The Jinx, Making A Murderer, and The Staircase; and well-known cases like The Menendez Murders, Casey Anthony: American Murder Mystery, and The Disappearance of Madeleine McCann, and so many more!Episode Sponsors: Jolie - The clinically proven filtered showerhead designed to remove chlorine and heavy metals that can damage your skin and hair. Try Jolie risk-free for 60 days by going to www.jolieskinco.com/TCO Home Chef -  Make cooking simple: fresh food delivered, easy recipes to follow and meals that actually taste great. Go to www.HomeChef.com/TCO for 50% off your first box and free dessert for life! Ladder - Go to ladder.fit/TCO to find your perfect workout plan and get a free 7-day trial and $10 off your first month! MasterClass - MasterClass keeps adding new classes, so there's never been a better time to get in. Get at least 15% off any annual membership at www.masterclass.com/TCO Gusto - Online payroll and benefits software built for small businesses. Try Gusto today at www.gusto.com/TCO, and get three months free when you run your first payroll. WE'RE ON YOUTUBE - Want to view the episodes and not just listen?  Check our new video feed to see full video episodes starting today. CLICK HERE TO WATCH AND SUBSCRIBE!Join the TCO Community! Follow True Crime Obsessed on Instagram and TikTok, and join us on Facebook at the True Crime Obsessed Podcast Discussion Group!  AND INTRODUCING THE NEW TCO DISCORD CHANNEL AS WELL!!!

Our deepest apologies for making you wait so long for the return of your favorite podcast, but get ready for a marathon episode worthy of the runtime of Christopher Nolan's The Odyssey.  This epic - not just in length - episode kicks off with a discussion about Austin Powers and Verizon, observations about James Bond and Jeff Bezos, as well as rare book and podcast recommendations before your regularly scheduled programming of Movies We've Seen since last time (25:05), TV Talk (2:13:04), and Entertainment News/Upcoming Trailers and Stuff (2:29:40).  Then Patrick continues to share his gift by absolutely crushing this latest edition of What Year Did That Come Out Again? (2:56:27), trying his hand at Spielberg alien movie Tomato Talk (2:58:33) and providing a Hidden Gem recommendation (3:03:00) before we allow you to get back to less entertaining real life.  Episode highlights include discussions about the brilliance of Obsession, the brilliance of Tuner, the brilliance of Pressure, the brilliance of The Invite, how many great movies we've already gotten in 2026, how theaters are back(, baby!), the Jackass crew, Minion movie love, our lukewarm responses to recent Spielberg and Nolan, a glowing endorsement of the Girl Scouts of America, dinosaurs onscreen, a shared love of Leo Woodall, Zendaya's best performance picks, Statham carrying the R-rated action movie torch, being burned out on musician biopics, Hitchcock talk, the lasting excellence of La La Land, the appropriate pacing for crowd pleasing flicks, the fantastic and ever-improving movie scene in LA, continued Trek talk, the unforgivable sin of changing a movie years after its release, and the problem with blockbuster movie pre-sale tickets. The Movies N Shit podcast WILL return in Episode 79.

Unleashed! The Political News Hour with Mayor Deb – The movie told the story of the coastal town of Bodega Bay, California, and how it was besieged by unexplained attacks from seagulls, crows, and other flocks of birds. Today another kind of “flock” is in our airspace and on the attack. Beginning in 2020, Flock Safety surveillance cameras began popping up everywhere...

Publishers spend all day up to their eyeballs in books. Which begs the question - what do they read when nobody's paying them to? Publisher Emily Hitchcock is back - for what may be a new series - finding out what the professionals read for pleasure. We compare notes on bookseller picks, judging books by their covers - we both do it, is it a bad habit? + which section of the bookshop you'll find Emily in. Plus - shockingly - she confesses a book habit I consider a crime. Outrageous! Look out for more from this brand new Reading strand. Books discussed in this episode: Who's Afraid of Virginia Woolf? - Edward Albee Cocktails with George and Martha - Philip Gefter Emily's website: columbuspublishinglab.com/li ==== If you'd like my help with your Business go to www.lizscully.com/endlessClients ==== And don't forget to get your reading list of the 10 essential reads for every successful biz owner - these are the books Liz recommends almost on the daily to her strategy + Mastermind clients. This isn't your usual list of biz books, these answer the challenges you've actually got coming up right now. Helpful, quick to read and very timely.

Deante’ Hitchcock stops by to talk about one of our favorite Rap projects this year ‘Junkie in the Sun’. He shares some great stories from the legendary Return of the Dreamers sessions. As a lyricist Deante gives his input on the XXL Freshman freestyles. After 6 days in Vegas Rory & Mal give Deante’ some much needed bachelor party advice. He’s trying to sell 100,000 units so be sure to check out ‘Junkie in the Sun’ after the pod. Visit your nearest Boost Mobile store or https://www.boostmobile.com/promo/25-forever Go to https://baskandlatherco.com and use code RORYANDMAL for 20% offSee omnystudio.com/listener for privacy information.

Dana and Tom, for their 325th episode, revisit Casablanca (1942) and Rear Window (1954) to break the tie between them. Who will come out on top?Casablanca Plot Summary: In the exotic melting pot of Casablanca during World War II, Rick Blaine (Humphrey Bogart), a jaded and enigmatic American expatriate, runs a swanky nightclub that attracts a colorful cast of characters seeking refuge from the chaos of war.When a mysterious and beautiful woman from his past, Ilsa Lund (Ingrid Bergman), walks into his club with her husband, resistance leader Victor Laszlo (Paul Henreid), Rick's life takes an unexpected turn. As the flames of romance reignite, Rick finds himself torn between personal desires and a higher sense of duty forcing him to navigate a treacherous web of loyalty, love, and sacrifice.Rear Window Plot Summary: In Rear Window, we find ourselves confined within the claustrophobic confines of a Greenwich Village apartment, peering through the lens of LB Jefferies (James Stewart), a wheelchair-bound photographer. His summer pastime is a voyeuristic venture into the lives of his neighbors, a cross-section of urban archetypes played out in the building's courtyard. Each window frames a fragment of humanity, from the lonely Miss Lonelyhearts to the tantalizing Miss Torso.The plot pivots on Jeff's suspicion that a neighbor, Lars Thorwald (Raymond Burr), has murdered his wife. This suspicion, shared and fueled by his glamorous girlfriend Lisa (Grace Kelly) and his nurse Stella (Thelma Ritter), drives the narrative forward. Hitchcock masterfully crafts tension not through action, but through the act of watching—turning the audience into voyeurs complicit in Jeff's obsessions.Chapters:00:12 Introduction to the Tiebreaker01:13 Cast, Background, and Plot Summary for Casablanca05:51 Discussing Casablanca09:50 Cast, Background, and Plot Summary for Rear Window13:48 Personal Relationship(s) with Casablanca and Rear Window18:46 Why Are These Two Films Enduring Classics?24:06 What is Casablanca About?29:10 Comparing the Masterwork Levels of Both Films30:54 GMOAT HOF Nominations - August 202633:01 First Break34:49 Tiebreaker - Legacy39:43 Tiebreaker - Impact/Sgifnicance45:15 Tiebreaker - Novelty49:36 Second Break50:14 In Memoriam53:04 Tiebreaker - Classicness57:08 Tiebreaker - Rewatchability59:47 Tiebreaker - Audience Score and Final Decision01:02:30 Final Thoughts01:05:47 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, Bluesky, Threads, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/casablanca-1942-v-rear-window-1954For the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:Casablanca, Rear Window, classic films, movie analysis, Alfred Hitchcock, film history, cinematic techniques, movie ratings, film discussions, greatest movies, cinema, classic films, Casablanca, Rear Window, film analysis, art, human emotions, historical tidbits, voyeurism, iconic performances, film discussion, movie reviews, podcast, cinema, classic films, Alfred Hitchcock, Dexter, anniversary, film analysis, entertainmentRonny Duncan Studios

Eric on Blue Sky: @eric-hauter   Eric on Youtube.   Check out Gaming Nexus  Jeff can also be found on The Movie Draft House Jeff and Eric are on Letterboxd.  Just search JeffyPods and Eric Hauter.

Long before Sean Connery ordered his first martini, spy movies already had rules. This episode uncovers the Hitchcock blueprint James Bond secretly followed for decades. Hosts Dan and Tom trace espionage cinema back to the 1930s, when Alfred Hitchcock quietly invented the modern spy movie. Movies like The 39 Steps and Foreign Correspondent introduced ideas Ian Fleming would later borrow. Suspense built from uncertainty. Ordinary people caught in extraordinary plots. Villains who looked nothing like villains. Fleming studied these movie techniques closely. He even admired Hitchcock enough to suggest him as director for Thunderball. This episode connects the dots between Hitchcock's early spy movies and the world of 007. You will hear how Notorious shaped Bond's approach to romance and danger. You will learn how Sabotage taught filmmakers to build suspense from what audiences already know. And you will discover why Fleming's Bond became something Hitchcock's heroes never could. This is not just movie trivia. It is the hidden history behind one of cinema's most iconic characters. Ready to see Bond differently? Press play and find out how much of 007 started decades before Fleming ever picked up a pen. You can check out all our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website , or our YouTube channel .

Adrian and Dion are back again, this time watching the skies for more Hitchcocksploitation. They discuss two attempts to rework Alfred Hitchcock's 1963 film The Birds with René Cardona Jr.'s Beaks: The Movie (1987) and James Nguyen's Birdemic: Shock and Terror (2010). How close do these films come to Hitchcock's natural horror, and what other kinds of horrors do they unleash on audiences? Adrian and Dion try to figure out the line between loving homage and rip off, and what these films are actually doing in mining Hitchcock's film. Hopefully one of them remembered the coat hangers.   Chapters: 0:00:12 - Welcome to Cult Film School 0:08:52 - Beaks: The Movie (1987): IMDb Plot Summary 0:09:55 - Why was Beaks: The Movie made? 0:17:52 - What kind of film is Beaks: The Movie? 0:21:37 - Hitchcocksploitation - Echoes of The Birds (1963)? 0:33:04 - Beaks: The Movie (1987): Tagline 0:33:37 - Birdemic: Shock and Terror (2010): IMDb Plot Summary 0:37:11 - So, how did Birdemic become Birdemic? 0:39:58 - Hitchcocksploitation and Birdemic: Shock and Terror 0:45:31 - What kind of film is Birdemic: Shock and Terror? 0:58:43 - Birdemic sequels 1:01:46 - Birdemic: Shock and Terror (2010): Tagline 1:07:00 - Next Episode Preview   Connect with Adrian & Dion: Letterboxd ~ CultFilmSchool Instagram ~ @cultfilmschool  Threads ~ @cultfilmschool X ~ @cultfilmschool Facebook  ~ Follow Us! Send an Email ~ cultfilmschoolpodcast@gmail.com  Don't forget to leave a rating and review!

As the Master of Suspense Alfred Hitchcock left a legacy with us of films that captured our hearts, minds and attention. Even though he's been gone nearly 50 years, his films remain with us today. As one of the foremost filmmakers of his generation, Hitchcock continues to fascinate us, not just for his talent, humor, and artistry, but for the style in which he created his films. So much so that filmmakers, film historians, journalists, and critics coined a phase for the style of films he made and how those films – even those not made by Hitchcock- were in a category all their own. They were “Hitchcockian” and even today, more than 40 years after his passing, Hitchcockian films are still being noted for having that Hitchcock touch. Hitchcockian films are those made by various filmmakers, with styles and themes similar to those of Alfred Hitchcock. That Hitchcockian way of telling a story, by luring us in and keeping us on the edge of our seats continues to challenge filmmakers.

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Cecily Hitchcock is one of the UK's most exciting emerging comedy talents. An acclaimed stand-up and in-demand MC, her unique mix of surreal storytelling, offbeat observations and razor-sharp crowd work has earned more than 25 million views across social media, with her sketches featured by LADbible, The Sidemen and BrewDog. In 2026, she makes her highly anticipated Edinburgh Fringe debut with Family Recipe, a nostalgic and brilliantly bizarre look back at growing up in 2000s Britain, confirming her status as a comedian firmly on the rise .Bella Hull is our guest in episode 599 of My Time Capsule and chats to Michael Fenton Stevens about the five things she'd like to put in a time capsule; four she'd like to preserve and one she'd like to bury and never have to think about again .Tickets for Cecily Hitchcock's Edinburgh Fringe show, Cecily Hitchcock: Family Recipe - https://www.edfringe.com/tickets/whats-on/cecily-hitchcock-family-recipe .Follow Cecily Hitchcock on Instagram: @cechitch .Visit our website! - https://mytimecapsulepodcast.com .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people .To support this podcast and get all episodes ad-free, please sign up here - https://mytimecapsule.supercast.com. All money goes straight into the making of the podcast. Hosted on Acast. See acast.com/privacy for more information.

Mostly Film – Take 242: Harrison Ford In Review — Episode 3The thinking man's thriller era. Jonathan and JP cover three films in three years — 1988, 1990, 1991 — all of them asking Ford to be quieter, more internal, and more uncomfortable than anyone expected from the man who played Han Solo and Indiana Jones.First, Frantic. Roman Polanski's Paris-set thriller — his comeback after the catastrophic failure of Pirates — with Ford as an American surgeon whose wife vanishes from their hotel room and whose attempts to get anyone in authority to care are met with total indifference. Ford suggested they rename it Moderately Disturbed. Polanski was not amused. Ennio Morricone scored it. Robert Towne rewrote parts of it uncredited. The studio cut 15 minutes and imposed a new ending that neither Ford nor Polanski wanted. It's now a cult classic, and the Hitchcock comparisons have stuck.Then Presumed Innocent — by far the biggest commercial hit of the three, $221 million worldwide on a $20 million budget, and the one where Ford plays a prosecutor on trial for the murder of his own mistress. Gordon Willis shot it. John Williams scored it with unusual restraint. Raúl Juliá walks away with it. And the 2024 Apple TV+ series with Jake Gyllenhaal remade it entirely — which version holds up?Then Regarding Henry. J.J. Abrams' first ever produced screenplay, written in his early twenties. Mike Nichols directing. Ford as a ruthless Manhattan lawyer who takes two bullets during a convenience store robbery and wakes up a different person. Bill Nunn doing some of the warmest supporting work in Ford's entire filmography. Critics gave it 47%. Audiences gave it 79%. One of those gaps that tells you something.All three films are about a professional man whose competence and authority get stripped away by forces he can't control. None of them let him punch his way out. After all three underperformed, Ford went back to Patriot Games and The Fugitive.The question for the episode: did these films close a door — or did Ford close it himself?

These milestone episode numbers are getting surreal. 250 episodes. Yikes. For this anniversary, we're looking at stories where Bruce Wayne was suspected of murder. Now, if this was the real world, a lazy billionaire would be prime suspect #1 and I wouldn't be surprised. But we are looking at a fictional world that actually has good billionaires, so guess what? Bruce Wayne is innocent of each of these crimes. There's an issue of the animated series tie-in that riffs on Hitchcock, the wrap up of a running subplot that seems to just sort of quickly end and the first of two linked Bat family crossovers. Also, we have a surprise guest at the beginning of the episode who humbly blessed our show with his appearance. The Third Door (Batman Adventures V.1 #6) Standard Operating Procedure (Batman: Shadow of the Bat V.1 #55 Bruce Wayne, Murderer? (Batman: The Ten Cent Adventure #1, Detective Comics V.1 #766-767, Batgirl V.1 #24, Nightwing V.2 #65-66, Batman: Gotham Knights #25-26, Birds of Prey V.1 #39-40, Robin V.2 #98-99, Batman V.1 #599) Check out our current ranking list at www.comicsxf.com/batchat-rankings/ Thanks to Geri Nonnewitz for our podcast logo Support the show on Patreon at www.patreon.com/batchatwithmattandwill

Alfred Hitchcock's 1943 film, Shadow of a Doubt (1943), sets a murder story inside what seems the safest place imaginable: an ordinary American family in an ordinary American town. But as suspicion gathers around Uncle Charlie (Joseph Cotton), the film slowly exposes something more unsettling than a single killer on the run. It reveals how charm, respectability, and social status can insulate wrongdoing from scrutiny — and how communities prefer comforting narratives to disruptive truths. The police investigate, but they move hesitantly; the town remains confident in its own innocence. The real drama unfolds not in the courtroom, but at the dinner table. The film explores law's capacity — and its limits. How does misogyny operate not just as motive but as ideology? What happens when loyalty to family collides with loyalty to justice? And in a film released at the height of World War II, is Hitchcock warning that the most dangerous threats to democracy are not always foreign invaders, but may also be charismatic figures embedded within everyday life?Timestamps:0:00     Introduction2:13     Teaching law students through film5:54     Shadow of a Doubt and law's inadequacies11:11   The film's setting and Santa Rosa, CA14:54   Imagining the perfect crime21:21   Misogyny in Shadow of a Doubt27:48   Playing with crime genres and narrative structures 32:58   Hitchcock's cameo35:16   Doubling and other filmic techniques48:19   Complicity in covering up the evil51:11   A critique of wartime idealism and the narrative of the enemy within56:17   Questioning American institutionsFurther reading:Eggert, Brian, Shadow of a Doubt, Deep Focus Review (Mar. 2, 2013) Hughes, Rowland, “Shadows and Doubts: Hitchcock, Genre, and Villainy,” in The Devil Himself: Villainy in Detective Fiction and Film (Stacy Gillis & Philippa Gates eds. 2001)Modleski, Tania, The Women Who Knew Too Much (1988)Scovell, Adam, “Why the sinister Shadow of a Doubt was Hitchcock's Favourite,” The Telegraph (Feb. 7, 2023)Truffaut, Francois, Hitchcock (Simon & Schuster, 1985)Wood, Robin, Hitchcock's Films Revisited (2002)Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/profiles/hafetzjo.htmlYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

This week, Drusilla returns from San Diego Comic-Con and Josh returns from NYC. The film of the week if Brian De Palma's Sisters. From wiki: “Sisters (released as Blood Sisters in the United Kingdom) is a 1972 American neo-noir psychological horror film directed by Brian De Palma and starring Margot Kidder, Jennifer Salt, and Charles Durning. It follows Dominique Blanchion, the separated conjoined twin of a French Canadian model, Danielle Breton, who is suspected of having committed a brutal murder witnessed by Grace Collier, a newspaper reporter in Staten Island, New York City.Co-written by De Palma and Louisa Rose, the screenplay for the film was inspired by the Soviet conjoined twins Masha and Dasha Krivoshlyapova and features narrative and visual references to several films by Alfred Hitchcock.[5] Filmed on location in Staten Island, the film prominently features split-screen compositions (also present in subsequent De Palma films such as Carrie), and was scored by frequent Hitchcock collaborator Bernard Herrmann.”Also discussed: The Vampire Lestat, The Death of Mr. Lazarescu, Her Private Hell, Never Rarely Sometimes Always, Beyond the Hills, Italian realism rec, Streetwise, May December, The Shards, [safe], ranking Brian De Palma, Black Christmas, and more. NEXT WEEK: Exorcist II: The Heretic (1978)Bloodhaus: https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

Pax, Rob, Michael, and Evan talk about infant clowns, Hitchcock movies, The Odyssey, The Other Bennet Sister, and the insane magic of love. And Jacob Bean-Watson stops by to talk about some movies and update us on his meeting Steve Guttenberg and Ally Sheedy.

For episode 760 of the BlockHash Podcast, host Brandon Zemp is joined by Jason Hitchcock, CEO of Greenlane. Mr. Hitchcock is a technology executive with over 15 years of experience building and scaling revenue engines across SaaS, blockchain infrastructure, and decentralized finance. Mr. Hitchcock most recently served as Head of Business Development at thirdweb, a leading open-source Web3 developer tools and infrastructure platform. In that role, he built and led the company's enterprise go-to-market strategy, scaling a program across more than 150 blockchain networks and structuring channel partnerships to drive developer tool adoption among startups building in web3.

Continuing our I Love the 90s series, we move on to 1991, when kids lined up for Sonic the Hedgehog on Sega Genesis while nightly newscasts tracked the crumbling Soviet Union. Don and Dude drop the needle on one polished R&B and soul album and one heavy, alternative release that helped define the decade's sound, connecting both records to a world of Terminator 2 topping the box office, dial up bulletin boards and flannel becoming a fashion statement.The AlbumsMichael Jackson – Dangerous (1991)Michael Jackson's eighth studio album marked his first major release not built around the Quincy Jones partnership, moving deeper into Teddy Riley's New Jack Swing while still keeping rock, gospel and widescreen pop in the mix. Opening with the hard, compressed groove of "Jam" featuring Heavy D, the record moves through the confessional soul of "Remember the Time," the Slash powered rock detour "Give Into Me," and message songs like "Black or White" and "Heal the World" before closing on the theatrical title track. At nearly 80 minutes across fourteen songs, Dangerous plays as a restless, ambitious time capsule of early 1990s R&B, pop and social commentary.Soundgarden – Badmotorfinger (1991)Seattle sound architects Soundgarden built their third album around unusual time signatures, drop tunings and Chris Cornell's four octave vocal range, with new bassist Ben Shepherd pushing the classic lineup into more collaborative songwriting. Produced by Terry Date and released in October 1991 alongside Nevermind, Ten and Blood Sugar Sex Magik, the record opens with the shape shifting "Rusty Cage" and moves through the radio breakthrough "Outshined," the controversial "Jesus Christ Pose" and the horn laced "Room a Thousand Years Wide" before ending on the slow, unsettling "New Damage." Heavier and stranger than its Seattle peers, Badmotorfinger became the blueprint for everything Soundgarden built afterward.Diggin AlbumsDead Pioneers – Wagon Burner (2026):The Denver punk band fronted by Gregg Deal pushes past its hardcore roots into heavier riffs and wider atmosphere while keeping its Indigenous rooted, confrontational social commentary intact.Andy Shauf – The Neon Skyline (2020):The Canadian singer songwriter's largely self performed concept album follows a single bar room night confronting an old flame through warm chamber pop arrangements built on memory, regret and missed opportunities.Charli xcx – Music, Fashion, Film (2026):Coming off brat and her Wuthering Heights scoring work, the British pop artist reteams with A. G. Cook and composer Finn Keane on a seventh album that crosses her music, style and cinema worlds behind cover art pairing John Cale, Marc Jacobs and Martin Scorsese.Robyn Hitchcock – Stranded in the Future (2026):The British singer songwriter's second memoir, written and illustrated by Hitchcock himself, traces his teenage and early adult years from 1968 to 1978 as he discovers music and forms the Soft Boys.Follow & Support Follow the show on Instagram, Facebook, Threads and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing and sharing it with another music obsessive who still loves hearing whole albums front to back."Hasta la vista, baby." - The Terminator (Arnold Schwarzenegger), Terminator 2: Judgment Day (1991).

In this episode, we're taking a look at two Christopher Reeve films that don't involve him in tights and a cape. First up, a post-accident Reeve recreates one of Hitchcock's best films in REAR WINDOW. Then we take a look at the 1987 film STREET SMART, in which he teams up with then-unknown Morgan Freeman.

Good evening. Welcome to Dial P for Podcast, Patrick Ripoll's year-long chronological voyage through the films of Alfred Hitchcock. Every month Patrick will be watching four Hitchcock features and talking about them here, from The Pleasure Garden to Family Plot, all across the year of 2026, examining the life and work of England's most famous cinema pervert.As the Selznick era comes to an end we see an Alfred Hitchcock growing in confidence, ambition and struggling against the increasing interference of the overbearing producer. With Lifeboat Hitchcock takes on a seemingly simple premise that was in fact an enormous technical challenge, Spellbound found a David O Selznick obsession with psychiatry producing a mess of a thriller, Notorious finds Hitchcock hitting a career high and pissing off every censor in Hollywood, while The Paradine Case begs the question: if a murder happens and no actors capable of emoting can't react to it, does it make a sound?You can add the mid-40's to Hitchcock's list of playmates. Check it out!0:00 - 0:32 - Intro0:33 - 40:31 - Lifeboat (1944)40:32 - 1:08:31 - Spellbound (1945)1:08:32 - 1:53:26 - Notorious (1946)1:53:27 - 2:18:54 - The Paradine Case (1947)2:18:55 - 2:21:28 - Outro

In episode 310 of Beyond The Story, Sebastian Rusk interviews Drew Hitchcock, a YouTube strategist and growth consultant, as he shares how leadership and consistent action helped transition from a gaming enthusiast to the go-to expert for YouTube monetization optimization, achieving explosive growth for client channels, including transforming a client's channel from under 100 subscribers to over 100,000—and making YouTube the #1 source for qualified business leads. Tune in to learn how you can harness YouTube to elevate your brand, grow your team, and achieve your most ambitious business goals! TIMESTAMPS[00:01:30] Drew's journey from StarCraft shoutcaster to YouTube consultant.[00:04:20] Transforming clients: From 57 subscribers to 100,000+.[00:06:32] Key strategies for new and growing YouTube channels.[00:13:01] Mining comments and uncovering content opportunities.[00:15:20] YouTube as a powerful, evergreen lead generation source.[00:16:47] The reality of using ads and advice for channel growth.[00:26:46] The impact of AI and Semantic ID on YouTube today.[00:29:38] Metrics that matter: Viewers, retention, and channel health.[00:30:02] The video podcast controversy—who wins with “video podcasts”?[00:39:12] The 80/20 of getting started: Titles, thumbnails, retention, and taking action. QUOTES"YouTube is the only platform where people actively go to get educated and ultimately find the people that they want to work with and help them solve the problems they're looking to get solved." – Drew Hitchcock“Implementation isn't just about posting—you need a system and science behind your YouTube strategy for real results.” – Sebastian Frost"Play the long game. Consistent, simple action and a focus on fundamentals are what set you up for sustainable success." – Drew Hitchcock==========================Need help launching your podcast?Schedule a Free Podcast Strategy Call TODAY!PodcastLaunchLabNow.com==========================SOCIAL MEDIA LINKSInstagram: https://www.instagram.com/podcastlaunchlab/Facebook: Facebook.com/sruskLinkedIn: LinkedIn.com/in/sebastianrusk/YouTube: Youtube.com/@PodcastLaunchLabDrew HitchcockYouTube: https://www.youtube.com/@drewhitchcock ==========================Take the quiz now! https://podcastquiz.online/==========================Need Money For Your Business? Our Friends at Closer Capital can help! Click here for more info: PodcastsSUCK.com/money==========================PAYING RENT? Earn airline miles when you use the Bilt Rewards MastercardAPPLY HERE: https://bilt.page/r/2H93-5474 

Not gonna lie ... this episode kinda went off the rails. We're supposed to talk about why Hitchcock's Vertigo is such a fabulous story — after all, it is lauded as one of his greatest films. Buuuut ... I didn't watch it before I recommended it for our What Went Right episode. Yes, the narrative drive works well in places. No question. However, to say this movie doesn't age well is an understatement and Melanie lets Hitchcock have it with both barrels. I roared with laugher through her whole bit (thankfully, my mic was muted so you'll have no trouble hearing her). This episode is worth a listen for the laugh if nothing else. And please let us know ... do you think Vertigo is one of Hitchcock's greatest films? - V.

Kurt and Steve are joined by Mike from The Old SwitchAroo to discuss Alfred Hitchcock's Frenzy. The trio explores the director's return to London, the film's darker tone, memorable suspense, and shocking violence while examining why this late career thriller deserves far more recognition among Hitchcock's greatest works.

In a Crime Time FM/Verve Special Editor Jenna Gordon chats to author Laura Sims about her new novel, The Man, Vivian Maier, Diane Argus, Hitchcock and Highsmith, Rear Window, obsession, perspective and the male gaze. The Man: From the highly acclaimed author of How Can I Help You comes a masterful domestic suspense novel that follows a 1960s housewife turned amateur photographer who begins to fear for her life when she notices the dark silhouette of a man in the background of her self-portraits. The photos Judith Stanley takes are just for her, a private passion to fill her suburban days. But when she shares them with Paul Sorenson, her new photography instructor, she's unprepared to hear his astonished praise. 'Stunning,' he calls her photos. 'Extraordinary.' She has an uncanny eye, he says, and should consider publication. He could help. Except Judith has no interest in sharing her work; in fact, the mere idea of it frightens her. Still, emboldened by Paul's encouragement, Judith ventures out beyond her quiet neighbourhood to the city in search of increasingly striking images. When she starts to notice the dark shape of a man in the corner of her self-portraits, Judith is certain he's an attacker from her past. She doesn't know why he has returned, but she's sure of his presence: the hoarse sound of his breathing, his hard grip on her elbow. Perhaps it would appease the man if she were to put her camera down and give up her private passion. But she can't; she refuses. Until one night when the man finally emerges from the shadows, and Judith's story suddenly and irrevocably becomes his own. Chilling and heart-poundingly propulsive, The Man explores the inescapable fear of living as a woman, the tantalizing seduction of artistic freedom and the very real dangers that lurk both inside and outside the confines of the mind.Laura Sims's third novel, THE MAN, Verve/Putnam, July 2026. Her novels HOW CAN I HELP YOU (2023) and LOOKER (2019) have been on Best Books lists in The New York Times, Vogue, People Magazine, Entertainment Weekly, Real Simple, Publishers Weekly, and more. An award-winning poet, Sims has published four poetry collections; her essays and poems have appeared in The New Republic, Boston Review, Lit Hub, and Electric Lit. She lives in New Jersey, where she works part-time as a children's librarian. Recommends: In a Lonely Place by Dorothy B Hughes, Bright Young Women by Jessica Knoll, Sea Wife by Amity Gage.Jenna Gordon is the Editorial Director at Verve BooksProduced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023 & 2025CrimeFest 2023CWA Daggers 2023-2026 & National Crime Reading Month& Newcastle Noir 2023 and 20242024 Slaughterfest,  

Kurt and Steve are joined by Mike from The Old SwitchAroo to discuss Alfred Hitchcock's Frenzy. The trio explores the director's return to London, the film's darker tone, memorable suspense, and shocking violence while examining why this late career thriller deserves far more recognition among Hitchcock's greatest works.

The highly literate British psych-folk pop rock raver Robyn Hitchcock returns for his third RSD podcast appearance, this time to unveil his cracking new album, The Confuser (Tiny Ghost Records). Naturally, if you know Hitchcock, there are plenty of digressions into topics such as; people named "Roger," temporal literacy, trams and trolley buses, the polka dots of Angine de Poitrine, the culinary prowess of Gillian Welch, and why, as the author of two memoirs (including his newly published Stranded In The Future) he's often an "unreliable narrator" in his own life story.   The Record Store Day Podcast is a weekly music chat show written, produced, engineered, and hosted by Paul Myers, who also composed the theme music and selected interstitial music. Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton.   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends!

August at the New Beverly features dark comedies with Danny Devito, buddy movies, a big Scorsese anniversary, a new Eli Roth movie, classic screwball, dirty cops, early Hitchcock and much much more! Our returning guest this month is John Moret from the Trylon Cinema in Minneapolis who is always fun to talk movies with! Enjoy! Check out all things New Beverly here: https://thenewbev.com/ Have A look at what's Happening at The Vista/Video Archives Cinema Club Here: https://ticketing.uswest.veezi.com/sessions/?siteToken=20xhpa3yt2hhkwt4zjvfcwsaww If You Enjoy the show, You can help support us at Pure Cinema by going to: https://www.patreon.com/purecinemapod Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts

Robert Donat & Madeleine Carroll were due for a reviewin' on Have You Ever Seen, so episode #753 has them starring in a Hitchcock movie. Ol' Al has come up a lot on this channel...and The 39 Steps isn't even in his Top 10 best movies. This fun thriller was one of his best movies made in England, sure, but his resume is filled with plenty of better stuff. In this one (where the title itself is Hitch's "McGuffin"), Donat pulls off repeatedly impressive escapes, even though he's an ordinary and innocent man falsely accused. That's a regular Hitchcock trope...and the end result is highly entertaining. Then I talked Ann Sheridan in Norman Foster's Woman On The Run. She's a cool customer who has to outfox the cops and also a curious reporter (Dennis O'Keefe) to find her husband, who fled after witnessing a murder. Sheridan is a big name I've never reviewed either...and this not-so-famous flick ended up being a solid bit of entertainment too.  To tell me YOUR thoughts about The 39 Steps and/or Woman On The Run, fire off an email (haveyoueverseenpodcast@gmail.com). Tweet me (@moviefiend51) or Bluesky me (Ryan-Ellis). I'm on Letterboxd (RyanHYES). Also, subscribe to this show, rate it, review it and spread the word to your fellow film fans.

Grab your paintbrush and put on your best grey suit because it's time for Vertigo! We discuss the insanity of the plot behind the plot, why Hitchcock may not have been as self aware as we give him credit for, what we learned (and didn't learn) over the course of our series on Edith Head, Jimmy Stewart stops by and we demand justice and love for the real star of the film: Midge. Also: Michelle goes to Ireland! Seth gets his shoes shined..shoned. A whole lot of yelling! Check it out! Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, shout out on the show AND you get to vote on monthly episodes and themes and a 25% discount in our merch store. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Check out our merch store Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

Alfred Hitchcock remains cinema's Master of Suspense a century after directing his first film, but decades of biography have blurred the line between the man and the myth. Mike talks with author Tony Lee Moral about his sixth Hitchcock book, A Century of Hitchcock, and the archival discovery that reshaped it: a 36-page 1980 transcript of biographer Donald Spoto's own interview with Tippi Hedren.Moral traces how Spoto's personal grievances against Hitchcock — including being routinely ignored by name and bitten by the director's West Highland terrier — colored The Darkside of Genius and shaped decades of tabloid narrative. Drawing on new interviews with secretaries, screenwriters, and script supervisors who worked alongside Hitchcock, Moral makes the case for reexamining the record on Hitchcock's treatment of women, from Tippi Hedren's shifting accounts to the making of The Birds and Marnie.The conversation also revisits The Pleasure Garden on its hundredth anniversary, Hitchcock's collaboration with Salvador Dalí on Spellbound, and what a possible sixth Hitchcock book might hold. Find Tony Lee Moral's book and more of his work at tonyleemoralbooks.com.Buy the book at: https://amzn.to/4fvEBKG Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Alfred Hitchcock remains cinema's Master of Suspense a century after directing his first film, but decades of biography have blurred the line between the man and the myth. Mike talks with author Tony Lee Moral about his sixth Hitchcock book, A Century of Hitchcock, and the archival discovery that reshaped it: a 36-page 1980 transcript of biographer Donald Spoto's own interview with Tippi Hedren.Moral traces how Spoto's personal grievances against Hitchcock — including being routinely ignored by name and bitten by the director's West Highland terrier — colored The Darkside of Genius and shaped decades of tabloid narrative. Drawing on new interviews with secretaries, screenwriters, and script supervisors who worked alongside Hitchcock, Moral makes the case for reexamining the record on Hitchcock's treatment of women, from Tippi Hedren's shifting accounts to the making of The Birds and Marnie.The conversation also revisits The Pleasure Garden on its hundredth anniversary, Hitchcock's collaboration with Salvador Dalí on Spellbound, and what a possible sixth Hitchcock book might hold. Find Tony Lee Moral's book and more of his work at tonyleemoralbooks.com.Buy the book at: https://amzn.to/4fvEBKG Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

It’s the final edition of Lions, Towers & Trek, wherein we feature someone from Star Trek: The Original Series in a film they made before the show. Here’s DeForest Kelley’s film debut; a rare lead role for him. DK is a man suspected of a crime, who must rely on his disjointed memories and his cop brother-in-law to learn what happened. Shelly Brisbin with Nathan Alderman, Micheline Maynard and David J. Loehr.

Take 241: Harrison Ford In Review — Episode 2The Peter Weir years. Jonathan and JP dig into the two-film stretch that makes the strongest case for Harrison Ford as a serious actor — and the one that proves audiences weren't ready to follow him there.First, Witness. The film every major studio passed on, that John Badham dismissed as "just another cop movie," that Sylvester Stallone turned down and later called one of the worst decisions of his career. The film that got Ford his only Oscar nomination, that Roger Ebert called a thriller Hitchcock would have been proud of, and that Peter Weir shot with the same cinematographer, composer, and editor he'd bring to the very next film. The barn-raising sequence. The dance to Wonderful World. The final porch scene with no dialogue at all. The big question: is this the best performance Ford ever gave?Then The Mosquito Coast. The film Weir had been trying to make since 1981, the one Jack Nicholson left over salary, the one Paul Schrader wrote, the one River Phoenix made at 15 years old before Stand By Me had even come out. Ford playing Allie Fox — brilliant, volatile, increasingly unhinged, dragging his family into the jungle on the conviction that America is finished and he can build something better from scratch. A character so far from Han Solo and John Book that audiences simply didn't show up. $14.3 million on a $25 million budget. Zero Oscar nominations. A genuine financial disaster.And underneath both films, the same question: Weir and Ford missed the Witness Oscar ceremony because they were already in Belize shooting Mosquito Coast. The film they skipped the ceremony for then flopped. Ford went back toward safer, more commercial roles. Indiana Jones. Patriot Games. The rest of the career we all know.Did the failure of Mosquito Coast close a door? And if audiences had embraced it — what kind of actor does Harrison Ford become?

It’s the final edition of Lions, Towers & Trek, wherein we feature someone from Star Trek: The Original Series in a film they made before the show. Here’s DeForest Kelley’s film debut; a rare lead role for him. DK is a man suspected of a crime, who must rely on his disjointed memories and his cop brother-in-law to learn what happened. Shelly Brisbin with Nathan Alderman, Micheline Maynard and David J. Loehr.

durée : 01:28:56 - Les Nuits de France Culture - par : Albane Penaranda - En 1993, "Les Mardis du cinéma" proposent une émission sur l'acteur américain Montgomery Clift. Une analyse de la courte mais éblouissante carrière du comédien qui joua avec Marilyn Monroe, Elizabeth Taylor, John Wayne, Clark Gable dans des films signés Hitchcock, Mankiewicz, Kazan, Huston, etc. - équipe : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

  Junk Food Supper is back and ready to review an all-time classic of bummer cinema, Michael Cimino's 1978 anti-war film The Deer Hunter. It's that classic tale of how the pressures of capitalism might cause you to play fast and loose with bullets to the head. Starring: Robert Deniro, Christopher Walken, John Cazale, John Savage, Meryl Streep - so what else could you want? So #DonloydNow and enjoy this bite-sized Junk Food Supper. We got all this plus the local stench situation, Hitchcock zoomin' (on big butts), the trauma of a modern Evil Dead movie, Bowman doubles down on an unpopular cinematic viewing selection, post-dated Letterboxd diary entries, Sean's memory gets tested, our official nomination for Top Dong Dropper in Cinema History (e-mail us yours) and so much more!! Recorded live-to-tape from rat-infested waters!~! Direct Donloyd Here Got a movie suggestion for the show, or better yet an opinion on next week's movies? Drop us a line at JFDPodcast@gmail.com. Or leave us a voicemail: 347-746-JUNK (5865). Add it to your telephone now! JOIN THE CONVERSATION! Also, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll drum funkily for your love and support. With picks like these, you GOTTA #DonloydNow and listen in!

Hit the highway for one of the greatest hidden gems in horror history as Johnny Spoiler takes a spoiler-filled ride through Richard Franklin's Roadgames (1981)—the Australian cult classic that asks: What if Alfred Hitchcock made a slasher on the open road?This week, Johnny breaks down why Roadgames deserves a place alongside The Hitcher, Joy Ride, and Breakdown, explores its reputation as one of the defining films of the Ozploitation era, and reveals the behind-the-scenes stories that make this thriller legendary—including Stacy Keach learning to drive a 16-gear semi in just two days, the Sean Connery casting that almost happened, and why Quid's dingo had to be renamed Boswell.Danny McBride's gritty new G.I. Joe movie heads to Springfield... but not the Springfield you expect.Remembering the legendary Sam Neill with a look back at Possession, Jurassic Park, Event Horizon, Merlin, and Bicentennial Man.Sydney Sweeney saddles up for Hollow, a gothic reimagining of Sleepy Hollow, plus three must-watch Sweeney films.JOLT Modern Soda Bundle - JOLT Cola & JOLT Root Beer - Zero Sugar, 80mg Natural Caffeine, Alpha GPC Focus Nootropics, Prebiotics, B Vitaminshttps://amzn.to/3RLxtSGHarry's Original Shaving Kit for Menhttps://amzn.to/4yvLq7VMeatzy meat on demand and get rewarded for sharing the sizzle https://tr.ee/GetMeatzyJohnnyWhy Roadgames is basically Rear Window on Wheels.Jamie Lee Curtis as the mysterious hitchhiker "Hitch."How this overlooked thriller inspired The Hitcher, Joy Ride, Wolf Creek, and modern highway horror.Hitchcock references, Ozploitation history, and the terrifying green van that haunted a generation of genre fans.Johnny answers your questions about A Nightmare on Elm Street 2: Freddy's Revenge, dives into why it's become one of horror's most fascinating cult classics, and shares behind-the-scenes trivia from The Dream Master.Before Workaholics became a Comedy Central hit, it was a broke YouTube sketch group called Mail Order Comedy. Johnny tells the unbelievable story of how Blake, Adam, Anders, and Kyle turned homemade videos into one of TV's funniest comedies. Rating: SCREAM NOW!Next week, Summer Slash continues with Brain Dead (1990) starring Bill Pullman and Bill Paxton—a mind-bending psychological horror trip into corporate conspiracies, neurosurgery, and insanity.Subscribe, binge, and remember...Johnny Spoiler doesn't ruin movies. He ruins the wait.

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comDavid is a historian and perhaps the greatest living film critic. He's the author of more than 20 books, including biographies of David O. Selznick and Orson Welles, and The New Biographical Dictionary of Film. His new book is called A Sudden Flicker of Light: A Revisionist History of Movies. It's a wonderful extended rant in some ways, a love letter and a searing indictment of cinema. I was a little intimidated talking with him, but it was a lot of fun.For two clips of the episode — on the uptight genius of Hitchcock, and the authoritarian nature of cinema — head to our YouTube page.Other topics: born in South London in 1941 and his home damaged by the Blitz; his father leaving when he was born; his boyish mix of fear and delight at the cinema; the shower scene in Psycho; how film denies you the chance to stop and think; the directors who relish white space (e.g. PT Anderson); Birth of a Nation and Triumph of the Will; newsreels before TV; real nuke explosions on screen; Oppenheimer; from communal theater viewing to solo smartphone viewing; Game of Thrones and the insane production value of TV these days; Breaking Bad; Trump the ultimate product of TV; his telegenic Cabinet; the danger of deepfakes; Paul Schrader's First Reformed; the audience's love of car crashes and villains; Godfather I and II; contrasting Hitchcock and Malick; Tree of Life; nature in Thin Red Line; Fincher's Seven; Robert Bresson's religious films; Scorsese's Silence and Last Temptation of Christ; the vulgarity of Spielberg (e.g. the red dress in Schindler's List); ep. 3 of Adolescence; and Nolan's new Odyssey.Browse the Dishcast archive for an episode you might enjoy. Coming up: John O'Sullivan on conservatism, Azam Ahmed on terrifying new drugs, Robby George on natural law, and Megan McArdle on pretty much anything. Please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.

Special Guest: Jason Hitchcock, CEO of Greenlane Holdings, Inc. (NASDAQ: GNLN) We welcome Mr. Hitchcock to the show to discuss cryptocurrency as an industry, his role as CEO of Greenlane Holdings, and BeraStrategy. Originally envisioned as a cannibus-based organization, Greenlane is now taking advantage of Berachain's Proof-of-Liquidity model to create and maintain a digital asset treasury.  Innovative yield and emissions offerings are only part of the larger plan. Greenlane's website: https://www.gnln.com Greenlane on X: @GNLNHoldings Jason Hitchcock on X: @JasonHitchcock Learn More: Investor Relations: https://investor.gnln.com/ BeraStrategy: https://www.gnln.com/berastrategy BeraChain (BERA): https://www.berachain.com/ #Crypto #Cryptocurrency #podcast #BasicCryptonomics Website: ⁠⁠⁠⁠https://CryptoTalk.FM Facebook: ⁠⁠⁠⁠@ThisIsCTR⁠⁠⁠⁠ Chapters (00:00:01) - Crypto Talk Radio(00:02:16) - Ethereum vs. Bitcoin: Supply and Affordability(00:07:52) - Interviewing Crypto Talk fm's Guest(00:10:05) - How Barachain Is Investing in Crypto(00:12:27) - How to Get Started in Crypto(00:17:07) - How Do Stablecoins Work?(00:18:03) - Stable Coins and Decentralization: Do They Matter?(00:24:01) - The Need to Raise Crypto Money(00:33:33) - Barachain Capital's Green Lane Holdings(00:37:15) - Cannabis Whey Reverse Stock Split(00:38:44) - NASDAQ: Validators are part of the Bitcoin Ecosystem(00:40:07) - Cannabis stocks stable, but headcounts are rising(00:41:11) - In addition to the cannabis wind down, there were also some operational(00:42:36) - Barachain: What Makes The Chain Unique?(00:48:30) - Bear Chain: The Crypto Uncover Story(00:52:35) - Greenlane on Barachain

We welcomed Dan Wallace to the Lounge for another Sanity Cinema episode, where we took a deep dive into Alfred Hitchcock's classic North by Northwest.Dan joined us for the movie conversation, sharing his thoughts on what makes the film one of Hitchcock's best and why it still holds up today.Before the discussion, Dan was joined by Jack Gruber on keys for a few live performances, with Dan on saxophone.If you're a fan of classic films, great music, or both, this one's for you.Full episode available now on YouTube, Spotify, and all podcast platforms.Sponsored by Christopher Schafer Clothier

Grab your giant bowl of milk and call your Ma, it's time for The Ladies Man! Seth's pick for Edith Head month brings us to the directorial work of Jerry Lewis, comedian, writer and all around not great guy! We discuss the insane and elaborate set, the Singin' in the Rain connections, what jokes work well and what don't and where this movie may surpass Hitchcock and Buster Keaton. Also: James! Getting locked in! Sound effects! Check it out! Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, shout out on the show AND you get to vote on monthly episodes and themes and a 25% discount in our merch store. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Check out our merch store Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

This week on the Talk Without Rhythm Podcast I'm joined by Paul of the Strange Highways Podcast for his Patreon Pick of two "not quite Hitchcock" movies: 1963's Charade and 1977's High Anxiety. [00:00] INTRO [01:50] CromCast Podcast Promo [02:34] RANDOM CONVERSATION [14:31] Charade (1963) [56:55] High Anxiety (1977) [01:34:44] FEEDBACK [01:38:19] ENDING MUSIC: High Anxiety by Mel Brooks Buy Charade (1963) Buy High Anxiety (1977) Support TWoRP Contact Us talkwithoutrhythm@gmail.com  

Front Row Classics welcomes author Tony Lee Moral. Tony recently penned "A Century of Hitchcock: The Man, The Myths, The Legacy". He addressed a series of narratives regarding the Master of Suspense through new archival research and unpublished interviews.  Now available from The University Press of Kentucky wherever books are sold Tony Lee Moral is a mystery author and screenwriter with a deep passion for suspense, mystery, and the cinematic legacy of Alfred Hitchcock. Over the course of his career, he has become a leading voice in both the world of Hitchcock scholarship and contemporary crime fiction. With four critically acclaimed books dedicated to Alfred Hitchcock, including Alfred Hitchcock Storyboards (2024), The Young Alfred Hitchcock's Moviemaking Master Class (2022), The Making of Hitchcock's The Birds (2013), and Hitchcock and the Making of Marnie (2013), Tony's writing offers a unique insight into the art of filmmaking, the creative process, and the mind of one of cinema's most iconic directors. But Tony's talents don't end with nonfiction. He is also an accomplished novelist, weaving intricate plots filled with suspense, intrigue, and unforgettable characters. His novels include The Two Masks of Vendetta and its thrilling sequel The Passion of the Cross (both released in 2024) and Ghost Maven: The Haunting of Alice May (2019). These novels blend elements of mystery, suspense, and the supernatural, taking readers on unforgettable journeys that explore complex characters, twisted secrets, and the darkest corners of the human psyche. As a writer, Tony is dedicated to crafting stories that keep readers on the edge of their seats. His work in suspenseful thrillers, like The Two Masks of Vendetta, shows his knack for creating tension and atmosphere, while his paranormal novels, such as Ghost Maven, blend supernatural elements with heartfelt emotions, bringing a fresh approach to the genre. Drawing on his expertise in both film and fiction, Tony writes with an eye for cinematic detail, ensuring that each page feels like a scene from a gripping film. His deep understanding of Hitchcock's techniques — suspense, misdirection, and character-driven storytelling — shines through in every novel, making his books essential reading for fans of mystery, crime, and psychological thrillers.

Send us Fan MailAngelo, Rhea, and Jay are back — and this week they pull Philly sports legend Glen MacNow into the chair for an episode built on a genuinely scary idea: the shows and movies you love can just… disappear. They lead with the number Netflix would rather bury: its biggest hits are hemorrhaging 30 to 70 percent of their audience by season two. Beef won a pile of Emmys and then lost 70% of its viewers. A Good Girl's Guide to Murder dropped 80%. The theory? Netflix trained us to binge a season in a weekend, wait two years, and stop caring. Glen and Rhea will die on the binge hill; Angelo wants his TV doled out week to week so audiences actually stay invested.THEN: Cocoon, the 1985 Ron Howard movie that won Don Ameche an Oscar, has vanished. You can't stream it, you can't buy it, the out-of-print DVD is going for hundreds of dollars, and your only real move is Amazon Japan with a VPN. The culprit is music rights nobody will license, even though the rights holders earn exactly zero dollars leaving it locked in a vault. Angelo makes the wild case that scarcity is actually GOOD!  He drags Hitchcock deliberately embargoing Rear Window into it, while Glen and Rhea argue everything should be available to everyone. Who's right?ALL THAT PLUS: Sony just deleted 500 movies that people BOUGHT, Rhea's hooked on Inspector Ellis on Acorn; Angelo's all-in on Tuner with Leo Woodall and Dustin Hoffman (no explosions, all twists), and much MUCH more!See Glen Macnbow perform "The Greatest Moments in Philadelphia Sports History" with Ray Didinger and Joe Conklin on August 6th at the Ocean City Music Pier, tickets at GreatestPhillySports.com.MAKE SURE TO VISIT OUR SPONSOR: Steven Singer Jewelers!The TV Show is a weekly podcast hosted by Jay Black, with regular guests Angelo Cataldi and Rhea Hughes. Each week, we dive into the new Golden Age of Television, with a discussion of the latest shows and news.

A Century of Hitchcock Front Row Classics welcomes author Tony Lee Moral. Tony recently penned “A Century of Hitchcock: The Man, The Myths, The Legacy”. He addressed a series of narratives regarding the Master of Suspense through new archival research and unpublished interviews.  Now available from The University Press of Kentucky wherever books are sold … Continue reading Ep. 471- A Century of Hitchcock with Tony Lee Moral →

In a series of topic-focused GGACP mini-episodes, Gilbert and Frank share their love of unheralded films, underrated TV shows, underappreciated pop songs and often unknown performers, discussing, dissecting and (occasionally) defending their handpicked guilty pleasures and buried treasures. This week: Stanley Donen does Hitchcock! The brilliance of Henry Mancini! The cinema of John Cazale! And Gilbert makes a guest appearance on Turner Classic Movies!https://www.gilbertpodcast.com/mini-ep-6-charade-and-the-conversation/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

'¡Buenos días, Javi y Mar!' informa del pico de la ola de calor hasta el jueves, con 14 comunidades en aviso y hasta 42 grados en el sur, Logroño, Toledo y Zaragoza, con tormentas por la tarde. Los incendios forestales siguen activos; los de Bisbal d'Empordà y Huesca están estabilizados, mientras la UME trabaja en Soneja y hay un nuevo foco en Picos de Europa. Aena limitará el aforo en Barajas y El Prat el próximo verano. Hoy, 6 de julio, arranca San Fermín en Pamplona con el Chupinazo. La DGT cambia los semáforos: ámbar y verde ya no coincidirán. Oyentes comparten anécdotas de hijos que actúan como adultos. La policía alerta sobre códigos QR falsos en bares que roban datos. Se recuerdan estafas históricas. Mar comenta "La Soga" de Hitchcock y Javi recomienda "Ovejas Detectives". Gimeno pregunta a los niños por el día más feliz de su vida. CADENA 100.

Hoy en Buenos días Javi y Mar! ... Mar relata su experiencia con "La soga" de Hitchcock. Javi recomienda "Ovejas detectives". Oyentes comparten anécdotas de hijos con comportamientos adultos. La policía alerta sobre estafas con códigos QR falsos, recordando casos históricos. Se comenta la boda de Taylor Swift y Travis Kelce, incluyendo detalles del protocolo, sus hermanos, la tarta y Adam Sandler. Se narra un maratón de Monopoly de cinco días y medio y la historia de un cerdo que roba cervezas y pelea con una vaca. Oyentes comparten sus primeras escapadas en pareja, con anécdotas variadas. Se analiza el aumento de agresividad por el calor. Lourdes y María ganan en los juegos "Sé lo que estás pensando" y "Al pie de la letra", respectivamente. Fernando Martín presenta su encuesta absurda. Mertxe esconde los zapatos de su marido. Pablo, Angie y Susana cuentan experiencias al quedarse encerrados. Niños pequeños cantan canciones de CADENA 100. Jimena propone jeroglíficos auditivos ...

Allie is joined by Mark Hitchcock, the senior pastor of Faith Bible Church in Edmond, Oklahoma, to discuss how modern events could be fulfilling the Biblical end times. Hitchcock correlates the formation of Israel and the Iran war with scriptural prophecies, while saying a peace treaty could usher in the Antichrist. However, Mark warns against trying to figure out who the Antichrist is, while he also believes the rapture will rescue believers before his appearance. Mark also has a special message for potential parents worried about the final judgment. In the end, there is no hope in this world beyond the coming of Christ. Check out Mark on Substack: https://endtimes.substack.com/s/marking-the-end-times Share the Arrows 2026 is on October 10 in Dallas, Texas! Tickets are on sale now at: ⁠⁠⁠⁠⁠⁠https://sharethearrows.com⁠⁠⁠ Share the Arrows is sponsored by: A'del Natural Cosmetics: AdelNaturalCosmetics.com Range Leather: RangeLeather.com/ALLIE We Heart Nutrition: WeHeartNutrition.com Buy Allie's book "Toxic Empathy: How Progressives Exploit Christian Compassion": ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.toxicempathy.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Time Codes 0:00 Introduction 1:12 Could the Iran War Kick Off the End Times? 12:18 Will the Antichrist Gain Power Through Peace? 20:09 Will Believers Be Spared from the Antichrist's Wrath? 25:01 Iran's Eschatology 30:00 Does Israel Play a Part? 38:07 How to Think About Doomsday 48:43 Should You Bring Children into the Apocalypse? – Today's Sponsors: Cozy Earth | Discover how care in every detail transforms simple routines into real comfort. Head to cozyearth.com and use my code RELATABLE for up to 20% off. And if you get a post-purchase survey, be sure to mention you heard about Cozy Earth right here. Pre-Born | To donate, dial #250 and say the keyword “BABY.” Or visit Preborn.com/ALLIE. Crowd Health | Join CrowdHealth to get started today for $99 for your first three months using code ALLIE at ⁠⁠⁠JoinCrowdHealth.com⁠⁠⁠⁠. CrowdHealth is not insurance. Opt out. Take your power back. This is how we win. Good Ranchers | If you go to ⁠⁠⁠GoodRanchers.com⁠⁠⁠ and subscribe to any box of 100% American meat, you'll save up to $500 a year! Plus, if you use code ALLIE, you'll get an additional $25 off your first order. EveryLife | Visit EveryLife.com and use promo code ALLIE10 to get 10% off your first order today! Episodes You May Like: Ep 1312 | Prophecy Fulfilled? Iran Strikes & the End Times https://podcasts.apple.com/us/podcast/ep-1312-prophecy-fulfilled-iran-strikes-the-end-times/id1359249098?i=1000753109932 Ep 283 | Are We in the End Times? Part 1: How We Interpret Revelation Matters | Guest: Jeff Durbin https://podcasts.apple.com/us/podcast/ep-283-are-we-in-the-end-times-part-1-how-we/id1359249098?i=1000486948647 Ep 134 | End Times https://podcasts.apple.com/us/podcast/ep-134-end-times/id1359249098?i=1000443918714 --- ► Buy Allie's book "You're Not Enough (& That's Okay): Escaping the Toxic Culture of Self-Love": https://alliebethstuckey.com/book ► Subscribe to the podcast: iTunes: https://apple.co/2UVssnP Spotify: https://spoti.fi/2FwkXxj ► Connect with Allie on Social Media: https://twitter.com/conservmillen https://www.instagram.com/alliebstuckey/ https://facebook.com/allieBlazeTV/ ► "Relatable" merchandise — use promo code ALLIE10 for a discount: https://shop.blazemedia.com/collections/allie-stuckey