Podcasts about hitchcock

Editors - Esther Sokolow, Glenn Garland ACE and Matthew V. Colonna ACE IT: Welcome to Derry editors Esther, Glenn and Matt had never worked together prior to the new HBO series, but quickly formed a family bond that translated into a fun and creative cutting room.  Their antics included scaring unsuspecting tourists taking the Warner Brothers tram tour past their offices.  And you know what Jack Torrance says about "all work and no play"! Developed by Andy Muschietti, Barbara Muschietti and Jason Fuchs, It: Welcome to Derry is based on Stephen King's 1986 novel It and is a prequel to the films It (2017) and It: Chapter Two (2019).  The series takes place in 1962, when a couple and their son move to Derry, Maine just as a young boy disappears.  With their arrival, bad things begin to happen in the town.  Again. ESTHER SOKOLOW Esther Sokolow is a Los Angeles-based editor who specializes in genre-rich storytelling, bold characters, and projects with cinematic scope.  Esther's collaboration with IT: Welcome to Derry showrunner Andy Muschietti began on IT: Chapter Two, where she served as 1st Assistant Editor, and continued on The Flash, where she was promoted to Additional Editor. Her work bridges studio tentpoles and independent character dramas, with a focus on horror, psychological thrillers, and supernatural themes. Her early film diet of Hitchcock, classic mysteries, and silent comedies provided provided inspiration for an editor drawn to tension, timing, and the emotional weight of what's unspoken. Later, the spectacle of The Lord of the Rings sparked a love for scale and the thrill of stories that move an audience. Originally from Atlanta, she moved to California to study Film Editing at Chapman University. In 2015, she was selected as an honorary intern for American Cinema Editors (ACE), an experience that shaped her early career and inspired a commitment to both craft and mentorship. Esther now speaks on an annual panel for the ACE Internship Program and serves on MPEG's Apprenticeship and Growth Committee, supporting the next generation of editors and assistant editors. Before stepping into the editing chair, Esther worked as an assistant editor on feature films including Rampage, Bloodshot, The Guilty, Stronger, Fall, and Rememory. She also worked in-house as a VFX Editor at Method Studios, contributing to Guardians of the Galaxy and San Andreas. Her years supporting other editors honed more than technique; they taught her to listen to pacing, to performance, and to subtle story beats others might overlook. That same quiet attention now shapes her own work. GLENN GARLAND, ACE Glenn Garland is television and film editor with more than twenty years of experience in the entertainment industry. In addition to cutting IT: Welcome To Derry, other impressive TV credits include Poker Face, The Vampire Diaries, Preacher, Banshee, Stan Against Evil, and Altered Carbon. Glenn's equally notable feature resume includes editing Rob Zombie's Halloween and Halloween II, the critically acclaimed King of California, The Turning, Lords Of Salem, The Devil's Rejects, Black Box and most recently Broke. In addition to editing, Glenn has produced the television series Paradise City as well as feature films 31, Jersey Bred, LX 2048, The Man Who Was Thursday and most recently, Life Is. He has also created and hosts the podcast series Editors on Editing, which can be heard on Art of the Frame. MATTHEW V. COLONNA, ACE Aside from his work on It: Welcome to Derry, Matt's work can be seen on another Stephen King-inspired series, Castle Rock, and the King-adjacent series, Locke & Key.  Other notable tv shows cut by Matt include Dexter (2008-09), Narcos (2015-17) and Sugar (2024).  Matt also happens to be one of the original drummers for Black Eyed Peas.  How about that?! The Credits Visit Extreme Music for all your production audio needs Listen to Glenn talk about cutting Poker Face Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

From a chance viewing of Saul Bass' iconic 'Psycho' titles on TCM sprung this exploration of the straightforward, human experience of watching 'Psycho' with an eye and ear towards how audience expectations were stoked and then subverted by Hitchcock. From the casting of Janet Leigh to the surprise departure of her character not even halfway through the film, the film toys with audience expectations and loyalties, and makes them complicit in the voyeurism and violence and judgement that unfolds. Hitchcock's decision to attempt a relatively low-budget thriller of the sort directors like Henri-George Clouzot (Diabolique) were having success with resulted unexpectedly in his defining film, a film that changed film language and construction and that influenced every director of note subsequent to the film's 1960 release. From the legendary shower sequence to no-less-stunning dialogue sequences, the film is so much more than it's origins.  It still stands the test of time today, and will forever be a part of Hitchcock's enduring legacy.

They're calling it the most psychoanalytic film ever made! Barto and Charlie talk mirrors and duality, the gaze and how films teach us to desire, Hitchcock's fear of cops, and that there is a lot more of Psycho in American Psycho then we might have realized. To listen to the full episode as well as lots of other bonus content, sign up for our Patreon. Just $1 a month gets you everything we do. patreon.com/nogodspod Follow us on Twitter and Bluesky @nogodspod Email us at NoGodsPod@gmail.com

In this episode of Editors on Editing, Glenn is joined by Pamela Martin. Pam has edited such excellent projects as Little Miss Sunshine, for which she was nominated for the Eddie, The Fighter, for which she was nominated for the Eddie and Oscar. Hitchcock, Free State of Jones, Seberg, King Richard, for which she was nominated for the Oscar and won the Eddie and Bob Marley: One Love. Now she's crafted the exceptional film, Springsteen: Deliver Me From NowhereThanks again to ACE for partnering with us on this podcast, check out their website for more.Thanks also to 20th Century Studios and Deliver Me From Nowhere for helping to make this podcast happen.Want to see more interviews from Glenn? Check out "Editors on Editing" here.The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and, please leave a review so more people can find our show!

Berlin, 1925. Vor 100 Jahren geht „Wozzeck“ zum ersten Mal über die Bühne und der Jubel ist groß. Aber wenn etwas so viel Beifall bekommt, kann es nicht gut sein, findet der Komponist Alban Berg und verlässt enttäuscht die Premiere seiner Oper … Von Ben Süverkrüp.

We sit down with award-winning novelist and former CNN senior copy editor John DeDakis—a storyteller whose life and career have been shaped by remarkable twists of fate. From navigating the Vietnam War draft and interviewing Alfred Hitchcock as a 20-something Army broadcaster, to decades in journalism at the White House and inside CNN's The Situation Room, John's journey reflects both serendipity and relentless creative drive. John shares how grief, politics, and lived experience have informed his Lark Chadwick mystery-suspense series, why he chose a young female protagonist, and how real-world events inevitably find their way into his fiction. He also opens up about failure, fear, courage, and the healing power of writing—offering tangible wisdom for creatives, writers, and anyone navigating major life transitions. Connect With Us:

Eric on Blue Sky: @eric-hauter   Eric on Youtube.   Check out Gaming Nexus  Jeff can also be found on The Movie Draft House Jeff and Eric are on Letterboxd.  Just search JeffyPods and Eric Hauter.

In a slight departure from the norm, Reid gathers with a group of pals to debrief a pheasant hunt on a farm in Hitchcock, South Dakota. The group, spearheaded by Lyndsey Braun and Doug Duren of Sharing the Land, explores topics of land stewardship, dog work, hits and misses, and challenges faced by new hunters. It's a meandering journey with lots of voices, but some great perspectives offered. Warning: some colorful language is used. Special thanks to Can-Am, BOSS Shotshells, Savage Arms, Gunner Kennels, Matt Morlock, and Dylan Hazen.

  In a slight departure from the norm, Reid gathers with a group of pals to debrief a pheasant hunt on a farm in Hitchcock, South Dakota. The group, spearheaded by Lyndsey Braun and Doug Duren of Sharing the Land, explores topics of land stewardship, dog work, hits and misses, and challenges faced by new hunters. It's a meandering journey with lots of voices, but some great perspectives offered. Warning: some colorful language is used. Special thanks to Can-Am, BOSS Shotshells, Savage Arms, Gunner Kennels, Matt Morlock, and Dylan Hazen.

This episode I am joined by two-time Academy Award nominee, film editor Pamela Martin. She edited the recent Springsteen biopic “Deliver Me From Nowhere”. The film was directed Scott Cooper, adapted from Warren Zanes' book documenting the making of Springsteen's stark classic “Nebraska”. Pam has worked on movies including King Richard, Little Miss Sunshine, Battle Of The Sexes, Free State Of Jones, Hitchcock, and many more. If you're listening to this as a Springsteen fan I think you'll find it fascinating, but even if you're interested more broadly in film making, I think this is the first time I've had an editor on the show, so it was interesting for me to learn more about the parameters and responsibilities of the role, and Pamela was fantastic company and had so much to say. Her passion for her work really comes through. I hope you enjoy it. I certainly did. I also give a run-down of my favourite albums and events of the year. Find me on Instagram @sendingsignalspodcast

Welcome to the second part of MIAPS's exciting three-part 100th episode celebrating Alfred Hitchcock's legacy! Jamie and Jonny are joined by Hitchcock expert Tony Lee Moral once again to discuss the 40s and what they may believe to be the single greatest run of films by a director.In this episode they discuss from Notorious all the way to North By Northwest and Hitchcocks life around it when he was living in Hollywood. Time Stamps00:00 Introduction to the Hitchcockathon03:28 Exploring Recent Viewings and Their Connections to Hitchcock06:10 Hitchcock's Double Bill Experience 09:31 The Craft of Notorious and Its Characters 12:23 Hitchcock's Hollywood Routine and Rise to Fame15:13 Strangers on a Train: A Masterpiece of Duality18:10 Dial M for Murder: A Study in Location and Style21:23 Rear Window: The Master's Dollhouse24:15 To Catch a Thief: A Lighter Hitchcock27:30 The Trouble with Harry: A Hitchcock Comedy?30:26 The Man Who Knew Too Much: A Remake with Purpose42:18 Exploring 'The Wrong Man' and Hitchcock's Themes45:08 The Legacy of 'Vertigo' and Its Impact57:08 The Allure of 'North by Northwest' and Hitchcock's Style01:10:23 Hitchcock's Influence on Modern Cinema and DirectorsSearch Moviesinapodshell all one word to find us on all of your podcasting services!https://twitter.com/inapodshellThe Instagram- @MoviesinapodshellJon's Instagram- @jcb.videoTony's Instagram - @tonyleemoralYou can find Tony here! - https://tonyleemoralbooks.com/Youtube - https://www.youtube.com/@MoviesinaPODshell/videosOur merch shop is now OPEN! You can buy a t-shirt from the link below.https://moviesinapodshell.sumupstore.com/

TRACKLIST: 1. Stay There feat. Xavier Omär - Brasstracks [@brasstracks] 2. House Party - The Love Experiment 3. STEP WIT IT - Deante' Hitchcock [@deante-hitchcock] 4. Mr. Put It On - AG Club [@agclub] 5. Wait So Yeah - Amber Mark [@ambermark] 6. Steppers - Demae [@bubblerap] 7. Rush - Little Dragon [@littledragon] 8. Lonyo! - Bakar [@yeaabk] 9. Why Don't You Keep Up - Maverick Sabre [@maverick-sabre] 10. Third Coast - Teezo Touchdown [@teezotouchdown] 11. DUYA - Eem Triplin [@eemtriplin] 12. Iso - P-LO, Rexx Life Raj & 1100 Himself [@heartbreakplo] 13. Tyrese - Terrace Martin, Kenyon Dixon & YG 14. After Dark (feat. Static Major & Ty Dolla $ign) - Drake 15. Just Stay - 318Tae [@318tae] 16. Vai Vai - JVKINHO [@jvkinho_150bpm] 17. EXTASY - Afrikano [@afrikan0] 18. Sondela - Odeal [@iamodeal] 19. Center Your Love - Machinedrum [@machinedrum]

This week, the boys decide to dive into another director's filmography. This time, they tackle the many films of the Master of Suspensse, Alfred Hitchcock. Together, they discuss the styles and themes of Hitchcock's works, and debate what 10 movies belong in Hitchcock's Hall of Fame.

*Note* This episode was originally released Dec 4th 2020 We begin the month of December by covering the films of director Brian DePalma.  He has been compared to Alfred Hitchcock  but many of his films are a lot more mature in content.  Not only does he direct thrillers, but he has worked in horror, action, dramas, and musicals too.On this episode, Ryan Luis Rodriguez of One Track Mind (formally of Coolness Chronicles and present member of Reels of Justice) returns to discuss  DePalma's homage to Hitchcock's Rear Window and Vertigo with Body Double.  Listen to him and The Vern go over moments of this intricate thriller.Ad SpotsInsession FilmHelp Suppourt our Podcast & join our Patreon pagehttps://www.patreon.com/cinemarecallpodThis episode does contain clips from the movie Body Double released by Columbia Pictures and Music of Frankie Goes to Hollywood which appeared on the Soundtrack. I'm only using a small portion of he material so please don't sue. Thank you

The Prophecy Pros fill in some key Revelation details in their interview with author and pastor, Dr. Mark Hitchcock. *HARVEST PROPHECY CRUISE* June 20-27, 2026 | HarvestProphecyHQ.com *LATEST BOOK RELEASES FROM THE PROPHECY PROS** The Non-Prophet's Guide to Heaven – Todd Hampson The End of the World According to Jesus of Nazareth — Jeff Kinley The Non-Prophet's Guide to the Book of Daniel — Todd Hampson The Prophecy Pros' Illustrated Guide to Tough Questions About the End Times — Jeff Kinley, Todd Hampson God's Grand Finale — Jeff Kinley For more resources, visit HarvestProphecyHQ.com

Vee and John are diving into classic Hitchcock films this week, picking two of their favorites. This is: North By Northwest, and The BirdsSend us a text

Remember in the 90's when Hollywood thought they could make Hitchcock better? Sure you do, but you tried to forget, well, we're here to remind you!DISCLAIMER: Language and Spoilers!A PERFECT MURDERdir. Andrew Davisstarring: Michael Douglas; Gwyneth Paltrow; Viggo Mortensen

In ‘Dial M for Murder' staan Caroline de Bruijn en Erik de Vogel voor het eerst samen op het toneel, in een hedendaagse bewerking van de Hitchcock-klassieker vol intriges en spanning. Het acteursduo vertolkt een echtpaar dat verstrikt raakt in een zorgvuldig beraamd plan dat uitmondt in een kat-en-muisspel. De Bruijn en De Vogel zijn bekend van hun rollen als Janine Elschot en Ludo Sanders in Goede Tijden, Slechte Tijden. Presentatie: Willemijn Veenhoven 

Access this entire 71 minute episode (and additional monthly bonus episodes) by becoming a Junk Filter patron! https://www.patreon.com/posts/224-brian-de-hi-144418287The actor and writer Mike Mekus returns to the show from Brooklyn to discuss Brian De Palma's third feature, the vicious satire Hi, Mom! (1970). The film features a breakout performance by Robert De Niro as a young man back from Vietnam who is hoping to convert his voyeuristic tendencies into a career as a pornographer with artistic pretensions, but who ultimately winds up playing a cop in a revolutionary theatre troupe's new underground experimental play, “Be Black, Baby!”This anarchic comedy serves as a time capsule of late 1960s NYC. De Palma uses it to show off his craft and his enthusiasm for the full potential of cinema—specifically, the possibilities for an American political cinema—demonstrating that Godard was just as much of an influence on his style as Hitchcock.Mike and I discuss how incredibly prescient De Palma was in Hi, Mom!, as he sends up incels, computer dating, the entire Dimes Square style art scene, and New York's guilty white liberal community. This is highlighted by the incendiary film-within-a-film, “Be Black, Baby!”, the first great cinema sequence in De Palma's long career full of them, all of this barely contained within an 87-minute film that possesses a surprising New York Dirtbag Cinema energy still detectable today.Follow Mike Mekus on TikTok, Instagram and Twitter.“Landlord” - the 1969 commercial by the New York Urban Coalition that Hi, Mom!parodies at the very beginningTrailer for Hi, Mom! (Brian De Palma, 1970)

Moody Movies: Keeper (2025), The 39 Steps (1935), Nouvelle Vague (2025), Put Your Soul On Your Hand And Walk (2025), Wicked: For Good (2025). Kylie and Elliott feel middled by a beloved filmmaker's new movie, fall in love with an early Hitchcock, sink into the sumptuous world of a France they'll never experience, have their hearts swell and break by a vital documentary, and try to absorb the love of a film they don't care for by seeing it with their nieces. Support the show:Give us a tip (as much or as little, as often or just one one time!) to help us keep the show goingFollow and interact with us on Instagram: like our posts, join the conversation on episode posts, send us a cheeky DMLeave us rating and/or review, wherever you're listening from Tell someone about the show!Contact us: moodymovieclub.pod@gmail.comFollow along onInstagram: @moodymovie.clubLetterboxd: kylieburton Letterboxd: ElliottKuss Hosted on Acast. See acast.com/privacy for more information.

Prepare-se, porque desta vez o terror vem do céu. Neste episódio Andreia D'Oliveira e Gabi Idealli mergulham no conto “Os Pássaros”, de Daphne du Maurier com um único intuito: falar pela primeira vez de uma obra de Alfred Hitchcock! Vem com a gente entender como Du Maurier constrói o medo na página, como Hitchcock traduz para o cinema, e por que essa história continua nos fazendo olhar pro céu com desconfiança. Então corre, fecha as janelas, afasta o parapeito e vem ouvir!

Shoot the pickle.Eric on Blue Sky: @eric-hauter   Eric on Youtube.   Check out Gaming Nexus  Jeff can also be found on The Movie Draft House Jeff and Eric are on Letterboxd.  Just search JeffyPods and Eric Hauter.

REAR WINDOW: The Making of a Hitchcock Masterpiece in the Golden Age of Hollywood examines this complex, fascinating film, its multiple layers and subsequent cinematic impact. Made at his creative peak, Hitchcock's Rear Window influenced filmmaking in the years that followed, and its timeless themes now align with today's digital culture. This deep dive will also strike a chord with cultural history buffs fascinated by the turbulent politics of Hollywood and America in the 1950s.Jennifer O'Callaghan has worked as a reporter for Metro News, Shaw TV, and CKUA radio in news, entertainment, and lifestyle beats. She has also appeared as a red-carpet reporter for the web entertainment site MyBroadway.com, and as host on Paradetown USA on NYC-TV. She has interviewed celebrities including Will Ferrell, Meryl Streep, Liza Minnelli, and Cameron Diaz, and appeared as a featured model on The Today Show and The View. She currently lives in Toronto.#speakingofwriterspodcast #alfredhitchcock #authorpodcast #podcast #jennifer O'Callaghan #books #bookpodcast

Issue 67 of the monthly magazine podcast for the discerning film nerd. We start with Double Reel Monthly, and news, new releases, reviews of new and notable films we've watched including I Swear, Frankenstein, Relay, How to Train Your Dragon (2025) and The Children's Hour. We also discuss the latest in our film projects for the year: Hitchcock's Family Plot and Kurosawa's Sanjuro. Next week will bring Classics and Hidden Gems, and the following week will be The Remakes Tribunal. Check out Alan's author page here: https://www.facebook.com/AlanBaylesWriter  And check out physical media review show Maximum Disc on our YouTube channel: https://www.youtube.com/@DoubleReelFilm 

Dan and Brian tackle a recent release in James Sweeney's Twinless. Join as they discuss spoiler warnings, sudden grief, mid-film title cards, suspense vs. surprise, dolly zooms, Hitchcock tropes, a remarkable split screen shot, unexpected sex scenes, and ambiguous endings. Dan's movie reviews: http://thegoodsreviews.com/ Subscribe, join the Discord, and find us on Letterboxd: http://thegoodsfilmpodcast.com/

Youtube: https://www.youtube.com/@neonicvoidInquiries can be sent to hausofthevoid@gmail.comCheck out the NeonicVoid Productions network of podcasts! --https://linktr.ee/neonicvoidproductionsBecome a supporter of this podcast: https://www.spreaker.com/podcast/spookocalypse--5342254/support.

Sixty-five years ago, Alfred Hitchcock shocked audiences with his film ‘Psycho.' It broke Hollywood conventions about what a film should and should not do, ushered in a new era of horror/thriller, and became one of the most studied movies in cinema history. We listen back to Terry's interview with star Janet Leigh, who talks about filming the famous shower scene. And we hear from screenwriter Evan Hunter about working with Hitchcock on his next film, ‘The Birds.'Also, Justin Chang reviews the new film ‘Hamnet,' about Shakespeare as a young playwright, husband and father. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

For our November 2025 Special Subject we watched the Antoine Doinel films of François Truffaut: The 400 Blows (1959), Antoine et Colette (1962), Stolen Kisses (1968), Bed and Board (1970), and Love on the Run (1979). In addition to the charms of star/auteur avatar Jean-Pierre Léaud, we focus on the films' evolving style and increasing interest in the women in Doinel's life. And in our Fear and Moviegoing in Toronto section we discuss Paul Leni's horror comedy The Cat and the Canary (1927) and a Hitchcock double feature, Shadow of a Doubt (1943) and Saboteur (1942). Time Codes: 0h 00m 25s:    THE FOUR HUNDRED BLOWS / LES QUATRE CENTS COUPS (1959) [dir. François Truffaut] 0h 28m 50s:    ANTOINE ET COLETTE (1962) [dir. François Truffaut] 0h 37m 30s:    STOLEN KISSES / BAISERS VOLÉS (1968) [dir. François Truffaut] 0h 54m 42s:    BED AND BOARD / DOMICILE CONJUGAL (1970) [dir. François Truffaut] 1h 05m 15s:    LOVE ON THE RUN / L'AMOUR EN FUITE (1979) [dir. François Truffaut] 1h 19m 32s:    Fear and Moviegoing in Toronto – Paul Leni's The Cat and the Canary (1927) at TIFF Lightbox and Alfred Hitchcock's Saboteur (1942) and Shadow of a Doubt (1943) at The Paradise +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – "Making America Strange Again" * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

Welcome to the first part of MIAPS's exciting three-part 100th episode celebrating Alfred Hitchcock's legacy! Jamie and Jonny are joined by Hitchcock expert Tony Lee Moral.In this episode they discuss Hitchcock's early life and film career, from the silent era to the evolution of one of cinema's greatest directors, covering films including Saboteur, Lifeboat, The Lodger, Blackmail, the 39 steps, Rebecca, Notorious, Spellbound and many more!

Sixty-five years ago, Alfred Hitchcock shocked audiences with his film ‘Psycho.' It broke Hollywood conventions about what a film should and should not do, ushered in a new era of horror/thriller, and became one of the most studied movies in cinema history. We listen back to Terry's interview with star Janet Leigh, who talks about filming the famous shower scene. And we hear from screenwriter Evan Hunter about working with Hitchcock on his next film, ‘The Birds.'Also, Justin Chang reviews the new film ‘Hamnet,' about Shakespeare as a young playwright, husband and father. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Send us a textWe continue on with our coverage of Star Wars Visions with S3E3: The Ninth Jedi: Child of Hope… eventually. You have to stick with us on this, we do discuss the episode, but not before having a super engaging conversation on creating art, being self aware, and being able to learn from failure. It's not your typical Force Insensitive topic, but we hope its helpful for some nonetheless! Don't worry though, we make up for lost time by discussing the Ballad of Paul Gilbert Gottfried, what happens when you step on Hitchcock's cock, and the deadliest move in all of wrestling - the Freudian Slip! Turn up your headphones, dial back your sensibilities, and join the wretched hive of scum and villainy as we take the low road to resistance on Season Six, Episode Twenty Nine of Force Insensitive!Send Email/Voicemail: mailto:forceinsensitive@gmail.comDirect Voice Message: https://www.speakpipe.com/ForceInsensitiveStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: https://www.facebook.com/groups/ForceInsensitive/Twitter: http://twitter.com/ForceNSensitiveFacebook: http://facebook.com/ForceInsensitiveInstagram: http://instagram.com/ForceInsensitive

durée : 00:07:54 - Les Nuits de France Culture - par : Philippe Garbit - Thomas Narcejac qui signe avec son compère Boileau, sous le nom de Narcejac–Boileau, une œuvre policière à succès, revient sur la différence entre les cinéastes Clouzot et Hitchcock qui ont chacun adapté un de leurs polars. Un entretien dans "Plein feu sur les spectacles du monde", en 1955. - réalisation : Virginie Mourthé - invités : Thomas Narcejac Écrivain français, auteur de romans policiers

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A pergunta que parou o Brasil na década de 80 ressurge: quem matou Odete Roitman? O cenário da novela nós já conhecemos, mas se a trama entrasse nos universos de Hitchcock, Agatha Christie ou Nelson Rodrigues, qual seria o desfecho? Prepare-se para mergulhar na ficção criminal e conhecer outras possibilidades para o assassinato mais marcante da televisão brasileira.#investigacaocriminal #odeteroitman #novela Assista também: https://www.youtube.com/playlist?list=PLM8urkUnySVAv47OaKceerCj3Hc89Cr4USe você curte conteúdo True Crime, inscreva-se no canal e considere se tornar membro! Seu apoio é fundamental para manter o jornalismo investigativo independente!

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, I discuss Rebecca. The beloved book written by Daphne Du Maurier was adapted for the screen in 1940 by Hitchcock and features former Heathcliff actor, fresh from the moors of Wuthering Heights the year before, Lawrence Olivier. He plays Maximillion De Winter, the widowed gentleman of the manor, Manderley. His young, and I mean young, bride is the no-name narrator of the story—Played by Joan Fontaine. The most brilliant of all the characters, except for Manderly itself, which takes on a Howards End level of lore throughout the story, is Rebecca. The remnants of her ghost are what keep the mystery of love alive in the brick and mortar alter that the living cohabitate in.Special thanks to @classicjohnny

Grace Hitchcock is the author of multiple historical novels and novellas. She holds a Masters in Creative Writing and a Bachelor of Arts in English with a minor in History. Grace lives near New Orleans on a hobby farm with her husband, Dakota, sons and daughter.  Regency England -- Austen or Heyer? Grace Hitchcock joins us for a conversation about all things Regency England. While Jane Austen may be the first name to pop to mind, Grace loves the adventure and humor of author Georgette Heyer's Regency romances. We discuss what characters Grace would love to have tea with, and what aspect of Regency society made her devise a cheat sheet to keep it straight. Every Story Needs Some Laughter Known for the fun and humor woven alongside the serious situations in her books, Grace shares how she weaves that humor into her stories -- often at her character's expense. A Mismatched Couple With a relatively staid and traditionally minded hero and an ambitious heroine who is quite "inventive" when it comes to solving her problems, the novel we discuss today, To Kiss a Knight, promises a fun and adventure-filled romance. Grace gives us an inside peek into what makes these two characters themselves -- and how they'll be perfect for each other. Connect with Grace at her website, where you can sign up for her newsletter and receive a free novella, and on Facebook, Instagram, Goodreads, and Amazon. ABOUT THE BOOK To Kiss a Knight Vivienne Poppy's plans are working out quite well. She's run away from her family and the prospect of a horrid marriage of convenience and plans to spend her time writing under her pseudonym, Lady Larkby. Until she discovers the old Larkby title is not as dead as she thought. Yeoman of the Guard and recently knighted Sir Sebastian Larkby is stunned to discover a Lady Larkby that he does not remember marrying. Suddenly Vivienne is left with a choice: relinquish her pen name, expose her true identity, and break Sebastian's dying grandmother's heart—or feign marriage to Sebastian to keep the title and fulfill the old woman's wishes. This witty novel from award-winning author Grace Hitchcock is filled with scandal, mishap, and just the right amount of romance. Other episodes that feature Grace: A Bookchat about His Delightful Lady Delia with Grace Hitchcock & a Review of The Mobster's Daughter by Rachel Scott McDaniel – Historical Bookworm A Bookchat about To Catch a Coronet with Grace Hitchcock – Historical Bookworm Bookworm Review "Piper Sail is BACK, and she's still the cat's pajamas!In The Secret Investigator of Astor Street, Stephanie Morrill distills atmospheric prose, the nuances of grief, complex family drama, undiluted emotion, and the shadowed back-alleys of 1920's Chicago into an intoxicating YA mystery riddled with more twists than a speakeasy escape tunnel.Readers of “The Lost Girl of Astor Street” will thrill at being reunited with the intrepid Piper Sail as she takes a magnifying glass to a maybe murder, doggedly searching for the truth and a sense of purpose.If you're in need of a private eye with moxie and heart, The Secret Investigator of Astor Street is on the case!!" ~ Angela Bell, author of A Lady's Guide to Marvels and Misadventure THE AUTHOR Stephanie Morrill writes books about girls who are on an adventure to discover their unique place in the world. She is the author of several contemporary young adult series, as well as two historical young adult novels, The Lost Girl of Astor Street and Within These Lines. Within These Lines was a Junior Library Guild Gold Standard selection, as well as a YALSA 2020 Best Fiction for Young Adults pick. Since 2010, Stephanie has been encouraging the next generation of writers at her website, GoTeenWriters.com, which has been on the Writer's Digest Best Websites for Writers list since 2017. She lives in the Kansas City area, where she loves plotting big and small adventures to enjoy with her husban...

Join Mondo and Mark Hitchcock for their in-depth discussion on President Trump's 20-point proposal to end the war in the Middle East.

Step into the shadows of cinematic history with this thrilling episode of Cracking the Code of Spy Movies, where Dan and Tom uncover 10 things you did not know about THE 39 STEPS (1935) This 1935 Alfred Hitchock classic didn't just entertain—it laid the groundwork for the entire spy genre, influencing everything from James Bond to Mission: Impossible. In this episode, we explore how Hitchcock transformed John Buchan's novel into a suspenseful masterpiece, inventing iconic tropes like the "innocent man on the run," the mysterious MacGuffin, and the romantic tension of handcuffed leads. You'll hear how Robert Donat's performance shaped the British spy hero archetype, and how Madeleine Carroll became Hitchcock's first "cool blonde"—a blueprint for future leading ladies. From improvised speeches to hidden visual clues (like the villain's missing fingertip), Hitchcock's genius shines through. We reveal behind-the-scenes secrets, including how Hitchcock "accidentally" lost the handcuff key to spark real chemistry between his stars, and how the groundbreaking train sequence set a new standard for chase scenes. You'll also learn about Hitchcock's early cameo tradition, the clever use of British vaudeville in the finale, and how THE 39 STEPS helped launch Hitchcock's Hollywood career. Whether you're a die-hard spy film fan or new to the genre, this episode is packed with wit, insight, and historical gems.

Ghosts, gaslighting, and Harrison Ford like you've never seen him—Jackie and Danielle are pulling back the curtain on What Lies Beneath (2000) in this chillingly fun and nostalgic episode of the No More Late Fees podcast. Joined by their returning guest Ashley, the ladies dive into Robert Zemeckis's supernatural thriller with their signature blend of humor, trivia, and unfiltered pop-culture banter.They're breaking down everything from Michelle Pfeiffer's haunting performance to that unforgettable bathtub scene, mixing behind-the-scenes facts with hot takes that would make even Roger Ebert raise an eyebrow. Expect deep laughs, deep cuts, and deep water as they revisit one of the most stylish thrillers of the early 2000s.In this episode: • The real meaning behind Claire's ghostly visions and Norman's deadly secrets • Harrison Ford's rare villain turn and why it still shocks fans • Cinematic nods to Hitchcock and Zemeckis's visual storytelling • The film's feminist undertones and commentary on marriage • Box office performance, critical reception, and cultural legacy • Our favorite moments, plot holes, and wild “what if” theoriesIf you love eerie 2000s thrillers, movie trivia, and hilarious Blockbuster-era nostalgia, this episode will have you laughing, gasping, and questioning what really lies beneath.Don't forget to subscribe, rate, and leave a review—and tell us your favorite What Lies Beneath moment or theory in the comments!Keywords: What Lies Beneath podcast, Harrison Ford villain, Michelle Pfeiffer thriller, 2000s movies podcast, No More Late Fees, Robert Zemeckis, supernatural thriller review, film nostalgia podcast, movie trivia and commentary, Blockbuster nostalgia, early 2000s cinema, spooky movie discussion·Season 5 Episode 26·—No More Late Fees ⁠https://nomorelatefeespodcast.com⁠909-601-NMLF (6653)—Follow Us on Social:Instagramhttps://www.instagram.com/nomorelatefees TikTokhttps://www.tiktok.com/@nomorelatefees Facebookhttps://www.facebook.com/nomorelatefeesYoutubehttps://www.youtube.com/@nomorelatefees Twitterhttps://x.com/NoMoreLateFees —CONQUERing⁠⁠myconquering.com⁠⁠10% Off Code: JACKIE10—Ashley: Tik Tok https://www.tiktok.com/@smashleyboydInstagram https://www.instagram.com/smashleyboyd/Previous EpisodesHappily Ever After with Ashleyhttps://nomorelatefeespodcast.com/episode/happily-ever-after-with-ashleyEver After: A Cinderella Storyhttps://nomorelatefeespodcast.com/episode/ever-after-a-cinderella-storyBeyond the Claws: Ranking Guilty Pleasure Movies with Ashley Boydhttps://nomorelatefeespodcast.com/episode/beyond-the-claws-ranking-guilty-pleasure-movies-with-ashley-boydCatwomanhttps://nomorelatefeespodcast.com/episode/catwoman

It's the spooky season ocne again and conveniently it's time to revisit Treehouse Of Horror XX, which gives us a fun Hitchcock homage with "Dial 'M' for Murder or Press "#" to Return to Main Menu", a classiz zombie tale with "Don't Have A Cow, Mankind", and Sweeney Todd parody with "There's No Business Like Moe Business."We also discuss the dangers of playground round-a-bouts, why the Universal Monsters aren't popular anymore, the thrills of "knick-knocking" and more. Happy Halloween!If you enjoy this review, please consider supporting us on Patreon for as little as $1 per month at patreon.com/fourfingerdiscountListen on Spotify - spoti.fi/4fDcSY0Listen on Apple Podcasts - apple.co/4dgpW3ZCHECK OUT OUR OTHER PODCASTS:Goin' Down To South Park - spreaker.com/show/goin-down-to-south-parkThe Movie Guide with Maltin & Davis - themovieguidepodcast.comThe One About Friends - spreaker.com/show/the-one-about-friends-podcastTalking Seinfeld - spreaker.com/show/talking-seinfeldSpeaKing Of The Hill - spreaker.com/show/speaking-of-the-hill-a-king-of-the-hill-The Office Talk - spreaker.com/show/the-office-talk-podcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/four-finger-discount-simpsons-podcast--5828977/support.

Let's talk about God! Our favorite subject… Or is it?? It would be—or could be—if we hadn't been lied to about God. Well, our job at FreedHearts is to make you feel better about God — or have no feelings about God, that's fine. But what we DON'T want is for you to have bad feelings about God because they're usually connected to bad feelings about yourself – and none of that is true! Today we tell you a story as a contrast to God—about Alfred Hitchcock. Hitchcock is known as the Master of Suspense. Just in time for Halloween!This is going to be fun!Send us a private message. *Note: INCLUDE YOUR EMAIL ADDRESS if you'd like us to answer. :-) Support the show

DREAM WITH US, and we'll teach you how to interpret them!⁠The new controversial Netflix series MONSTER: The Ed Gein Story offers a window into the devouring mother archetype, a transformation fantasy gone horribly wrong, and the human capacity for monstrous behavior. Gein's crimes inspired the Hitchcock movie Psycho, The Texas Chainsaw Massacre, and Silence of the Lambs. It challenges the audience to confront its fascination with evil and begs the question, where do the monsters hide in our own Psyche? To help us wrestle with these questions, we're joined by Joey Pollari—actor, musician, director, editor, and the man who plays Anthony Perkins in the show. We'll explore how intimacy with darkness affects a performer, how public persona and private pain intersect, and why we continue watching when the camera reveals what we'd rather not know. Trigger warning: this episode discusses violence, death, criminality, and severe mental illness.Learn More about Joey Pollari:Listen to Joey's new song, I'll Be Romance Joey's MusicJoey's Directing and Editing WorkJoey's Acting RolesREAD MORE ABOUT THE EPISODE.LOOK & GROW⁠⁠⁠⁠⁠⁠⁠Join THIS JUNGIAN LIFE DREAM SCHOOL⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Do you have a topic you want us to cover?⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WE NEED YOUR HELP! Become a patron to keep TJL running.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We've got totally NEW MERCH!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We'd like to take a crack interpreting your dream.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you've been struggling in the dark, trying to find the keys to unlock your dreams, help has arrived. Order your copy of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dream Wise: Unlocking the Meaning of Your Dreams⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ from the hosts of This Jungian Life podcast and open the secret door.(OLD)

DREAM WITH US, and we'll teach you how to interpret them!⁠⁠The new controversial Netflix series MONSTER: The Ed Gein Story offers a window into the devouring mother archetype, a transformation fantasy gone horribly wrong, and the human capacity for monstrous behavior. Gein's crimes inspired the Hitchcock movie Psycho, The Texas Chainsaw Massacre, and Silence of the Lambs. It challenges the audience to confront its fascination with evil and begs the question, where do the monsters hide in our own Psyche? To help us wrestle with these questions, we're joined by Joey Pollari—actor, musician, director, editor, and the man who plays Anthony Perkins in the show. We'll explore how intimacy with darkness affects a performer, how public persona and private pain intersect, and why we continue watching when the camera reveals what we'd rather not know. Trigger warning: this episode discusses violence, death, criminality, and severe mental illness.Learn More about Joey Pollari:Listen to Joey's new song,⁠ I'll Be Romance⁠⁠ Joey's Music⁠⁠Joey's Directing and Editing Work⁠⁠Joey's Acting Roles⁠⁠READ MORE ABOUT THE EPISODE.⁠LOOK & GROW⁠⁠⁠⁠⁠⁠⁠⁠Join THIS JUNGIAN LIFE DREAM SCHOOL⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Do you have a topic you want us to cover?⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WE NEED YOUR HELP! Become a patron to keep TJL running.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We've got totally NEW MERCH!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We'd like to take a crack interpreting your dream.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you've been struggling in the dark, trying to find the keys to unlock your dreams, help has arrived. Order your copy of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dream Wise: Unlocking the Meaning of Your Dreams⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ from the hosts of This Jungian Life podcast and open the secret door.

The filmmaker John Carpenter has a whole shelf of cult classics: “They Live,” “The Thing,” “Escape from New York,” “Halloween,” and so many more. And while he hasn't directed a new movie in more than a decade, Carpenter has continued working in the film industry, composing scores for other directors (Bong Joon Ho recently approached him about a horror movie). He has also released albums of cinematic music—no film required—often working with his son, Cody Carpenter, and the musician Daniel Davies, his godson. The New Yorker Radio Hour producer Adam Howard talks with Carpenter ahead of the launch of his new small tour, just in time for Halloween, and they discuss the unusual shift he made from directing to composing. “It's a transition from pain to joy. Directing movies is very, very stressful,” Carpenter explains. “Playing music in front of a live audience—it's joy. It's just joy.” Carpenter suggests three inspirational scores from film history: Bebe and Louis Barron's electronic music for “Forbidden Planet”; Bernard Herrmann work on Hitchcock's “Vertigo”; and Hans Zimmer's music for “Pirates of the Caribbean: Dead Man's Chest.”