Podcasts about hitchcock

This week, Drusilla returns from San Diego Comic-Con and Josh returns from NYC. The film of the week if Brian De Palma's Sisters. From wiki: “Sisters (released as Blood Sisters in the United Kingdom) is a 1972 American neo-noir psychological horror film directed by Brian De Palma and starring Margot Kidder, Jennifer Salt, and Charles Durning. It follows Dominique Blanchion, the separated conjoined twin of a French Canadian model, Danielle Breton, who is suspected of having committed a brutal murder witnessed by Grace Collier, a newspaper reporter in Staten Island, New York City.Co-written by De Palma and Louisa Rose, the screenplay for the film was inspired by the Soviet conjoined twins Masha and Dasha Krivoshlyapova and features narrative and visual references to several films by Alfred Hitchcock.[5] Filmed on location in Staten Island, the film prominently features split-screen compositions (also present in subsequent De Palma films such as Carrie), and was scored by frequent Hitchcock collaborator Bernard Herrmann.”Also discussed: The Vampire Lestat, The Death of Mr. Lazarescu, Her Private Hell, Never Rarely Sometimes Always, Beyond the Hills, Italian realism rec, Streetwise, May December, The Shards, [safe], ranking Brian De Palma, Black Christmas, and more. NEXT WEEK: Exorcist II: The Heretic (1978)Bloodhaus: https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

Pax, Rob, Michael, and Evan talk about infant clowns, Hitchcock movies, The Odyssey, The Other Bennet Sister, and the insane magic of love. And Jacob Bean-Watson stops by to talk about some movies and update us on his meeting Steve Guttenberg and Ally Sheedy.

For episode 760 of the BlockHash Podcast, host Brandon Zemp is joined by Jason Hitchcock, CEO of Greenlane. Mr. Hitchcock is a technology executive with over 15 years of experience building and scaling revenue engines across SaaS, blockchain infrastructure, and decentralized finance. Mr. Hitchcock most recently served as Head of Business Development at thirdweb, a leading open-source Web3 developer tools and infrastructure platform. In that role, he built and led the company's enterprise go-to-market strategy, scaling a program across more than 150 blockchain networks and structuring channel partnerships to drive developer tool adoption among startups building in web3.

In this episode, we're taking a look at two Christopher Reeve films that don't involve him in tights and a cape. First up, a post-accident Reeve recreates one of Hitchcock's best films in REAR WINDOW. Then we take a look at the 1987 film STREET SMART, in which he teams up with then-unknown Morgan Freeman.

Good evening. Welcome to Dial P for Podcast, Patrick Ripoll's year-long chronological voyage through the films of Alfred Hitchcock. Every month Patrick will be watching four Hitchcock features and talking about them here, from The Pleasure Garden to Family Plot, all across the year of 2026, examining the life and work of England's most famous cinema pervert.As the Selznick era comes to an end we see an Alfred Hitchcock growing in confidence, ambition and struggling against the increasing interference of the overbearing producer. With Lifeboat Hitchcock takes on a seemingly simple premise that was in fact an enormous technical challenge, Spellbound found a David O Selznick obsession with psychiatry producing a mess of a thriller, Notorious finds Hitchcock hitting a career high and pissing off every censor in Hollywood, while The Paradine Case begs the question: if a murder happens and no actors capable of emoting can't react to it, does it make a sound?You can add the mid-40's to Hitchcock's list of playmates. Check it out!0:00 - 0:32 - Intro0:33 - 40:31 - Lifeboat (1944)40:32 - 1:08:31 - Spellbound (1945)1:08:32 - 1:53:26 - Notorious (1946)1:53:27 - 2:18:54 - The Paradine Case (1947)2:18:55 - 2:21:28 - Outro

¿Quién no ha tenido la pesadilla de ser culpado de algo y no poder demostrar tu inocencia?, más aún cuando todas las pruebas parecen estar en tu contra. A pesar de que el gobernador romano Félix estaba convencido de la inocencia de Pablo, el apóstol seguía en prisión en Cesarea. Y en el capítulo 25 del libro de Hechos un nuevo procurador le sustituye, Festo. No tiene experiencia, pero como quiere estar a bien con los judíos, Pablo está en peligro, puesto que le piden que sea juzgado en Jerusalén, donde conspiran para matarle. El apóstol no tiene más remedio que apelar a la justicia superior romana que representa el Cesar. Los judíos no tienen prueba alguna de sus acusaciones contra Pablo. Él niega quebrantar la ley judía, pero la acusación concreta es de profanar el templo. No hay testigos, pero pretenden que actúa contra los intereses del Emperador, al fomentar el desorden en su provincia. Plinio el Joven se alarma de la extensión del cristianismo en Bitinia en el años 112 d.C., pero no hay reparos en actuar contra los que no son ciudadanos romanos. Parece extraño que Nerón le diera más confianza a Pablo, que su propio pueblo, pero estamos en los primeros años de su principado (54-49 d.C.), cuando está todavía bajo la influencia de su preceptor, el filósofo estoico Séneca y el prefecto de la guardia pretoriana, Afranio Burro. No habían llegado todavía los años del terror (64-65 d.C.). Si hay un tema que une todo el cine de Hitchcock es el del "Falso culpable", pero no hay película que lo haga más evidente que la película que lleva ese nombre en España, conocida en Hispanoamérica como "El hombre equivocado". Es la única además, que la relaciona claramente con su fe católica. Fotografiada en un esplendoroso blanco y negra, cuando ya había hecho algunos de sus mayores éxitos en color, la protagoniza un imperturbable Henry Fonda, como un músico de origen latino en Nueva York Tiene una vida ordenada y decente, pero tiene dificultades para mantener a su familia. Su esposa necesita un tratamiento dental y Manny acude a una compañía de seguros, para pedir un préstamo sobre su póliza, cuando creen que es un atracador. José de Segovia comenta la películas con escenas de la versión doblada al castellano. Muchos creen que la primera narración de misterio policiaco es la de Edgar Allan Poe en "Los crímenes de la calle Morgue", pero hay un relato detectivesco anterior, obra de un pastor luterano danés que escribe sobre un predicador sospechoso de asesinato, investigado por otro ministro protestante. Se trata de "El párroco de Vejlby" (1829), escrito por Steen Steensen Blicher (1782-1848), un librito que ha sido traducido ahora al castellano. Su personaje se enfrenta a la justicia por un caso criminal que pone en peligro su vida. La historia está narrada en forma de dos diarios, el del juez que examina el caso y el párroco que viene después. El proceso se describe en términos judiciales, sin partidismo alguno. El lector sabe lo que sabe el juez. No se adelanta, ni tiene trampa. Seguimos sus notas y las de su sucesor, que nos lleva a un final sorprendente, que da una luz muy diferente al problema que enfrenta el pastor. El enigma es si el ministro en un arrebato de ira ha matado al criado que sirve en la casa parroquial, hermano de un granjero que reclama al juez que haga caer todo el peso de la ley sobre el pastor acusado. Atormentado por la culpa y lleno de dudas, a veces nos parece culpable y otras no. No hay dudas sobre la inocencia de Pablo, pero tiene que apelar a Cesar,. El gobernador romano Festo queda aliviado, porque ya no está así bajo su responsabilidad, pero queda un problema todavía. Tiene que enviar un informe. Tiene los registros de las audiencias con Félix y la carta de Lisias (Hechos 23:26-31), pero no entiende nada de la religión judía. Es entonces cuando aparece Herodes Agripa II. Estaba en Roma, cuando muere su padre en el 44 d.C. Claudio está dispuesto a hacerle rey de los judíos, pero tenía sólo 17 años. Su actuación contra la revuelta del año 66 d.C. hace que Nerón le recompense dándole mayor autoridad. Agripa está su hermana Bernice o Berenice, como le llama Josefo. Su padre le había dado en matrimonio a su hermano Herodes, rey de Calcis, pero cuando muere, va a casa de su hermano Agripa, al que regresa incluso después de casarse con Polemón, rey de Cilicia. Los Herodes se casan entre sí en una continua mezcla incestuosa, pero tienen mucha curiosidad por lo que el apóstol pueda decir sobre "la esperanza de la resurrección".. Así que dicen a Festo que están muy interesados en escuchar a Pablo y lo que afirma sobre "un tal Jesús, que estaba muerto, pero que Pablo afirmaba que estaba vivo".

In episode 310 of Beyond The Story, Sebastian Rusk interviews Drew Hitchcock, a YouTube strategist and growth consultant, as he shares how leadership and consistent action helped transition from a gaming enthusiast to the go-to expert for YouTube monetization optimization, achieving explosive growth for client channels, including transforming a client's channel from under 100 subscribers to over 100,000—and making YouTube the #1 source for qualified business leads. Tune in to learn how you can harness YouTube to elevate your brand, grow your team, and achieve your most ambitious business goals! TIMESTAMPS[00:01:30] Drew's journey from StarCraft shoutcaster to YouTube consultant.[00:04:20] Transforming clients: From 57 subscribers to 100,000+.[00:06:32] Key strategies for new and growing YouTube channels.[00:13:01] Mining comments and uncovering content opportunities.[00:15:20] YouTube as a powerful, evergreen lead generation source.[00:16:47] The reality of using ads and advice for channel growth.[00:26:46] The impact of AI and Semantic ID on YouTube today.[00:29:38] Metrics that matter: Viewers, retention, and channel health.[00:30:02] The video podcast controversy—who wins with “video podcasts”?[00:39:12] The 80/20 of getting started: Titles, thumbnails, retention, and taking action. QUOTES"YouTube is the only platform where people actively go to get educated and ultimately find the people that they want to work with and help them solve the problems they're looking to get solved." – Drew Hitchcock“Implementation isn't just about posting—you need a system and science behind your YouTube strategy for real results.” – Sebastian Frost"Play the long game. Consistent, simple action and a focus on fundamentals are what set you up for sustainable success." – Drew Hitchcock==========================Need help launching your podcast?Schedule a Free Podcast Strategy Call TODAY!PodcastLaunchLabNow.com==========================SOCIAL MEDIA LINKSInstagram: https://www.instagram.com/podcastlaunchlab/Facebook: Facebook.com/sruskLinkedIn: LinkedIn.com/in/sebastianrusk/YouTube: Youtube.com/@PodcastLaunchLabDrew HitchcockYouTube: https://www.youtube.com/@drewhitchcock ==========================Take the quiz now! https://podcastquiz.online/==========================Need Money For Your Business? Our Friends at Closer Capital can help! Click here for more info: PodcastsSUCK.com/money==========================PAYING RENT? Earn airline miles when you use the Bilt Rewards MastercardAPPLY HERE: https://bilt.page/r/2H93-5474 

Not gonna lie ... this episode kinda went off the rails. We're supposed to talk about why Hitchcock's Vertigo is such a fabulous story — after all, it is lauded as one of his greatest films. Buuuut ... I didn't watch it before I recommended it for our What Went Right episode. Yes, the narrative drive works well in places. No question. However, to say this movie doesn't age well is an understatement and Melanie lets Hitchcock have it with both barrels. I roared with laugher through her whole bit (thankfully, my mic was muted so you'll have no trouble hearing her). This episode is worth a listen for the laugh if nothing else. And please let us know ... do you think Vertigo is one of Hitchcock's greatest films? - V.

Kurt and Steve are joined by Mike from The Old SwitchAroo to discuss Alfred Hitchcock's Frenzy. The trio explores the director's return to London, the film's darker tone, memorable suspense, and shocking violence while examining why this late career thriller deserves far more recognition among Hitchcock's greatest works.

In a Crime Time FM/Verve Special Editor Jenna Gordon chats to author Laura Sims about her new novel, The Man, Vivian Maier, Diane Argus, Hitchcock and Highsmith, Rear Window, obsession, perspective and the male gaze. The Man: From the highly acclaimed author of How Can I Help You comes a masterful domestic suspense novel that follows a 1960s housewife turned amateur photographer who begins to fear for her life when she notices the dark silhouette of a man in the background of her self-portraits. The photos Judith Stanley takes are just for her, a private passion to fill her suburban days. But when she shares them with Paul Sorenson, her new photography instructor, she's unprepared to hear his astonished praise. 'Stunning,' he calls her photos. 'Extraordinary.' She has an uncanny eye, he says, and should consider publication. He could help. Except Judith has no interest in sharing her work; in fact, the mere idea of it frightens her. Still, emboldened by Paul's encouragement, Judith ventures out beyond her quiet neighbourhood to the city in search of increasingly striking images. When she starts to notice the dark shape of a man in the corner of her self-portraits, Judith is certain he's an attacker from her past. She doesn't know why he has returned, but she's sure of his presence: the hoarse sound of his breathing, his hard grip on her elbow. Perhaps it would appease the man if she were to put her camera down and give up her private passion. But she can't; she refuses. Until one night when the man finally emerges from the shadows, and Judith's story suddenly and irrevocably becomes his own. Chilling and heart-poundingly propulsive, The Man explores the inescapable fear of living as a woman, the tantalizing seduction of artistic freedom and the very real dangers that lurk both inside and outside the confines of the mind.Laura Sims's third novel, THE MAN, Verve/Putnam, July 2026. Her novels HOW CAN I HELP YOU (2023) and LOOKER (2019) have been on Best Books lists in The New York Times, Vogue, People Magazine, Entertainment Weekly, Real Simple, Publishers Weekly, and more. An award-winning poet, Sims has published four poetry collections; her essays and poems have appeared in The New Republic, Boston Review, Lit Hub, and Electric Lit. She lives in New Jersey, where she works part-time as a children's librarian. Recommends: In a Lonely Place by Dorothy B Hughes, Bright Young Women by Jessica Knoll, Sea Wife by Amity Gage.Jenna Gordon is the Editorial Director at Verve BooksProduced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023 & 2025CrimeFest 2023CWA Daggers 2023-2026 & National Crime Reading Month& Newcastle Noir 2023 and 20242024 Slaughterfest,  

Kurt and Steve are joined by Mike from The Old SwitchAroo to discuss Alfred Hitchcock's Frenzy. The trio explores the director's return to London, the film's darker tone, memorable suspense, and shocking violence while examining why this late career thriller deserves far more recognition among Hitchcock's greatest works.

Paranoia sexual, o novo NOVO noir, cigarros em ambientes fechados, romances policiais, as políticas de Paul Verhoeven, yuppies em crise, fetiche por escritores, bissexuais de Schrödinger, suspenses de banca milionários, tretas hollywoodianas e Hitchcock tresloucado. Hoje, revisitamos Instinto Selvagem, o filme que transformou Sharon Stone em estrela e redefiniu o thriller erótico dos anos 90.Apresentado por:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Luiz Machado⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ e ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠João Neto⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Com a participação especial de Filipe Matzembacher e Marcio Reolon.Confira o nosso site:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠esqueletosnoarmario.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@esqueletosgays no ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠e ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Acesse o⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠apoia.se/esqueletosgays⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠E o⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠orelo.cc/esqueletosgays⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

The highly literate British psych-folk pop rock raver Robyn Hitchcock returns for his third RSD podcast appearance, this time to unveil his cracking new album, The Confuser (Tiny Ghost Records). Naturally, if you know Hitchcock, there are plenty of digressions into topics such as; people named "Roger," temporal literacy, trams and trolley buses, the polka dots of Angine de Poitrine, the culinary prowess of Gillian Welch, and why, as the author of two memoirs (including his newly published Stranded In The Future) he's often an "unreliable narrator" in his own life story.   The Record Store Day Podcast is a weekly music chat show written, produced, engineered, and hosted by Paul Myers, who also composed the theme music and selected interstitial music. Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton.   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends!

August at the New Beverly features dark comedies with Danny Devito, buddy movies, a big Scorsese anniversary, a new Eli Roth movie, classic screwball, dirty cops, early Hitchcock and much much more! Our returning guest this month is John Moret from the Trylon Cinema in Minneapolis who is always fun to talk movies with! Enjoy! Check out all things New Beverly here: https://thenewbev.com/ Have A look at what's Happening at The Vista/Video Archives Cinema Club Here: https://ticketing.uswest.veezi.com/sessions/?siteToken=20xhpa3yt2hhkwt4zjvfcwsaww If You Enjoy the show, You can help support us at Pure Cinema by going to: https://www.patreon.com/purecinemapod Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts

Robert Donat & Madeleine Carroll were due for a reviewin' on Have You Ever Seen, so episode #753 has them starring in a Hitchcock movie. Ol' Al has come up a lot on this channel...and The 39 Steps isn't even in his Top 10 best movies. This fun thriller was one of his best movies made in England, sure, but his resume is filled with plenty of better stuff. In this one (where the title itself is Hitch's "McGuffin"), Donat pulls off repeatedly impressive escapes, even though he's an ordinary and innocent man falsely accused. That's a regular Hitchcock trope...and the end result is highly entertaining. Then I talked Ann Sheridan in Norman Foster's Woman On The Run. She's a cool customer who has to outfox the cops and also a curious reporter (Dennis O'Keefe) to find her husband, who fled after witnessing a murder. Sheridan is a big name I've never reviewed either...and this not-so-famous flick ended up being a solid bit of entertainment too.  To tell me YOUR thoughts about The 39 Steps and/or Woman On The Run, fire off an email (haveyoueverseenpodcast@gmail.com). Tweet me (@moviefiend51) or Bluesky me (Ryan-Ellis). I'm on Letterboxd (RyanHYES). Also, subscribe to this show, rate it, review it and spread the word to your fellow film fans.

Grab your paintbrush and put on your best grey suit because it's time for Vertigo! We discuss the insanity of the plot behind the plot, why Hitchcock may not have been as self aware as we give him credit for, what we learned (and didn't learn) over the course of our series on Edith Head, Jimmy Stewart stops by and we demand justice and love for the real star of the film: Midge. Also: Michelle goes to Ireland! Seth gets his shoes shined..shoned. A whole lot of yelling! Check it out! Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, shout out on the show AND you get to vote on monthly episodes and themes and a 25% discount in our merch store. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Check out our merch store Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

¡Pónganse cómodos y ajusten sus cinturones! En el episodio de hoy nos vestimos de etiqueta para viajar hasta 1959 y sumergirnos de lleno en 'Con la muerte en los talones' (North by Northwest), una de las cumbres absolutas en la carrera de Alfred Hitchcock y la película que redefinió para siempre el cine de intriga y espías. Para la ocasión, desplegamos un dossier absoluto donde repasamos el fascinante proceso de gestación de este clásico. Arrancamos desde el origen de la idea, nacida del deseo de Hitchcock y el guionista Ernest Lehman de crear la película de suspense definitiva, hasta los secretos de un rodaje mítico. Analizamos el carisma arrollador de Cary Grant como el inolvidable Roger O. Thornhill, la sofisticación de Eva Marie Saint y la elegancia villana de James Mason. Además, nos adentramos en los desafíos técnicos de filmar con cámara oculta en la sede de la ONU en Nueva York, la genialidad tras la famosa secuencia de la avioneta en Bakersfield y los problemas con las autoridades estadounidenses para rodar el clímax final en los rostros del Monte Rushmore, sin olvidar la inmortal banda sonora de Bernard Herrmann y los títulos de crédito de Saul Bass. Pero eso no es todo. En la segunda parte del programa, nos sentamos a la mesa junto a Guillermo, Pablito Terrores y Salva Vargas para realizar un exhaustivo recorrido por toda la trama de la película. Escena a escena, desmenuzamos el funcionamiento impecable del malentendido del "falso culpable", la brillantez narrativa de sus set pieces, la enorme carga de erotismo y doble sentido que esquivó a la censura de la época y esa combinación perfecta entre comedia elegante y thriller frenético que convirtió a esta obra en la abuela de sagas como James Bond o Misión Imposible. EN LA PAUSA DEL PODCAST: Películas que nunca se hicieron En nuestro interludio central viajamos a un universo paralelo de la historia del cine para rescatar un proyecto fantasma fascinante: 'The Blind Man'. Os contamos la historia del borrador que el propio Hitchcock y Ernest Lehman prepararon justo después de Con la muerte en los talones, centrado en un hombre ciego que recuperaba la vista en Disneyland tras un trasplante de córneas y se veía envuelto en un asesinato. Descubriréis cómo la negativa de Walt Disney a permitir rodar en su parque de atracciones dinamitó uno de los proyectos más bizarros e interesantes de la historia del cine. ¡Acompañanos en esta aventura! Este programa cuenta con la producción ejecutiva de nuestr@s mecenas, l@s grandes, l@s únicos Kamy, Lobo Columbus, Enfermera en Mordor, Javier Ramírez, La Casa del Acantilado, Shinyoru, Lestat, Kal-el__80, Cohaggen, Elena Gómez, José Ángel Sanz, Rudy Ayose, Ian Pérez, Ed Salas, Mario López, Sergio, Cristina AR, Bichodiablo, Javi, Iñaki Pinto, Alejandro Martínez Ribes, AgVe, David Torrent Durán. ¿Quieres ayudarnos a seguir mejorando y creciendo? Pues tienes varias opciones para ello. Dándole Me gusta o Like a este programa. Por supuesto estando suscrito para no perderte ninguno de los próximos episodios, y ya para rematar la faena, compartiendo el podcast con tus amigos en redes sociales y hablando a todo el que te cruce en la calle de nosotros…. Y todo esto encima, GRATIS!!! Y si ya nos quieres mucho, mucho, mucho y te sobra la pasta…. 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Camisetas, Sudaderas, tazas o mochilas en el siguiente enlace: https://www.latostadora.com/shop/criteriocero/?shop_trk Y Criterio Cero no acaba ya en el audio, ahora también nos tenéis en vídeo: En Twitch hacemos directos de Criterio En Serie: https://www.twitch.tv/criteriocero En YouTube: https://www.youtube.com/@criteriocero Y también puedes seguirnos en nuestras diferentes redes sociales: En Telegram en nuestro grupo: https://t.me/criteriocerogrupo En Facebook en nuestro grupo: https://www.facebook.com/groups/630098904718786 Y en la página: https://www.facebook.com/criterioceropodcast ✖️ En X (el difunto Twitter) como @criteriocero En Instagram como criterioceropodcast En TikTok como criteriocero ✉️ Para ponerte en contacto con nosotros al correo criterioceropodcast@gmail.com De paso aprovechamos para recomendaros podcasts que no debéis perderos: Hudson´s Podcast, Puede ser una charla más, Luces en el horizonte, La Catedral Atroz, La guarida del Sith, Crónicas de Nantucket, Más que cine de los 80, Fílmico, Tiempos de Videoclub, Sector Gaming , El Dátil de ET, La Casa del Acantilado, Kiosko Chispas, Just Live it, Filmotecast, La Tetera, Fuera de continuidad, Campamento Krypton, La órbita de Endor, Archivo007, El bastón de Chaplin, Cinco Duros: La historia del videojuego español

Alfred Hitchcock remains cinema's Master of Suspense a century after directing his first film, but decades of biography have blurred the line between the man and the myth. Mike talks with author Tony Lee Moral about his sixth Hitchcock book, A Century of Hitchcock, and the archival discovery that reshaped it: a 36-page 1980 transcript of biographer Donald Spoto's own interview with Tippi Hedren.Moral traces how Spoto's personal grievances against Hitchcock — including being routinely ignored by name and bitten by the director's West Highland terrier — colored The Darkside of Genius and shaped decades of tabloid narrative. Drawing on new interviews with secretaries, screenwriters, and script supervisors who worked alongside Hitchcock, Moral makes the case for reexamining the record on Hitchcock's treatment of women, from Tippi Hedren's shifting accounts to the making of The Birds and Marnie.The conversation also revisits The Pleasure Garden on its hundredth anniversary, Hitchcock's collaboration with Salvador Dalí on Spellbound, and what a possible sixth Hitchcock book might hold. Find Tony Lee Moral's book and more of his work at tonyleemoralbooks.com.Buy the book at: https://amzn.to/4fvEBKG Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Alfred Hitchcock remains cinema's Master of Suspense a century after directing his first film, but decades of biography have blurred the line between the man and the myth. Mike talks with author Tony Lee Moral about his sixth Hitchcock book, A Century of Hitchcock, and the archival discovery that reshaped it: a 36-page 1980 transcript of biographer Donald Spoto's own interview with Tippi Hedren.Moral traces how Spoto's personal grievances against Hitchcock — including being routinely ignored by name and bitten by the director's West Highland terrier — colored The Darkside of Genius and shaped decades of tabloid narrative. Drawing on new interviews with secretaries, screenwriters, and script supervisors who worked alongside Hitchcock, Moral makes the case for reexamining the record on Hitchcock's treatment of women, from Tippi Hedren's shifting accounts to the making of The Birds and Marnie.The conversation also revisits The Pleasure Garden on its hundredth anniversary, Hitchcock's collaboration with Salvador Dalí on Spellbound, and what a possible sixth Hitchcock book might hold. Find Tony Lee Moral's book and more of his work at tonyleemoralbooks.com.Buy the book at: https://amzn.to/4fvEBKG Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

It’s the final edition of Lions, Towers & Trek, wherein we feature someone from Star Trek: The Original Series in a film they made before the show. Here’s DeForest Kelley’s film debut; a rare lead role for him. DK is a man suspected of a crime, who must rely on his disjointed memories and his cop brother-in-law to learn what happened. Shelly Brisbin with Nathan Alderman, Micheline Maynard and David J. Loehr.

Take 241: Harrison Ford In Review — Episode 2The Peter Weir years. Jonathan and JP dig into the two-film stretch that makes the strongest case for Harrison Ford as a serious actor — and the one that proves audiences weren't ready to follow him there.First, Witness. The film every major studio passed on, that John Badham dismissed as "just another cop movie," that Sylvester Stallone turned down and later called one of the worst decisions of his career. The film that got Ford his only Oscar nomination, that Roger Ebert called a thriller Hitchcock would have been proud of, and that Peter Weir shot with the same cinematographer, composer, and editor he'd bring to the very next film. The barn-raising sequence. The dance to Wonderful World. The final porch scene with no dialogue at all. The big question: is this the best performance Ford ever gave?Then The Mosquito Coast. The film Weir had been trying to make since 1981, the one Jack Nicholson left over salary, the one Paul Schrader wrote, the one River Phoenix made at 15 years old before Stand By Me had even come out. Ford playing Allie Fox — brilliant, volatile, increasingly unhinged, dragging his family into the jungle on the conviction that America is finished and he can build something better from scratch. A character so far from Han Solo and John Book that audiences simply didn't show up. $14.3 million on a $25 million budget. Zero Oscar nominations. A genuine financial disaster.And underneath both films, the same question: Weir and Ford missed the Witness Oscar ceremony because they were already in Belize shooting Mosquito Coast. The film they skipped the ceremony for then flopped. Ford went back toward safer, more commercial roles. Indiana Jones. Patriot Games. The rest of the career we all know.Did the failure of Mosquito Coast close a door? And if audiences had embraced it — what kind of actor does Harrison Ford become?

It’s the final edition of Lions, Towers & Trek, wherein we feature someone from Star Trek: The Original Series in a film they made before the show. Here’s DeForest Kelley’s film debut; a rare lead role for him. DK is a man suspected of a crime, who must rely on his disjointed memories and his cop brother-in-law to learn what happened. Shelly Brisbin with Nathan Alderman, Micheline Maynard and David J. Loehr.

Eric on Blue Sky: @eric-hauter   Eric on Youtube.   Check out Gaming Nexus  Jeff can also be found on The Movie Draft House Jeff and Eric are on Letterboxd.  Just search JeffyPods and Eric Hauter.

durée : 01:28:56 - Les Nuits de France Culture - par : Albane Penaranda - En 1993, "Les Mardis du cinéma" proposent une émission sur l'acteur américain Montgomery Clift. Une analyse de la courte mais éblouissante carrière du comédien qui joua avec Marilyn Monroe, Elizabeth Taylor, John Wayne, Clark Gable dans des films signés Hitchcock, Mankiewicz, Kazan, Huston, etc. - équipe : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

  Junk Food Supper is back and ready to review an all-time classic of bummer cinema, Michael Cimino's 1978 anti-war film The Deer Hunter. It's that classic tale of how the pressures of capitalism might cause you to play fast and loose with bullets to the head. Starring: Robert Deniro, Christopher Walken, John Cazale, John Savage, Meryl Streep - so what else could you want? So #DonloydNow and enjoy this bite-sized Junk Food Supper. We got all this plus the local stench situation, Hitchcock zoomin' (on big butts), the trauma of a modern Evil Dead movie, Bowman doubles down on an unpopular cinematic viewing selection, post-dated Letterboxd diary entries, Sean's memory gets tested, our official nomination for Top Dong Dropper in Cinema History (e-mail us yours) and so much more!! Recorded live-to-tape from rat-infested waters!~! Direct Donloyd Here Got a movie suggestion for the show, or better yet an opinion on next week's movies? Drop us a line at JFDPodcast@gmail.com. Or leave us a voicemail: 347-746-JUNK (5865). Add it to your telephone now! JOIN THE CONVERSATION! Also, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll drum funkily for your love and support. With picks like these, you GOTTA #DonloydNow and listen in!

Hit the highway for one of the greatest hidden gems in horror history as Johnny Spoiler takes a spoiler-filled ride through Richard Franklin's Roadgames (1981)—the Australian cult classic that asks: What if Alfred Hitchcock made a slasher on the open road?This week, Johnny breaks down why Roadgames deserves a place alongside The Hitcher, Joy Ride, and Breakdown, explores its reputation as one of the defining films of the Ozploitation era, and reveals the behind-the-scenes stories that make this thriller legendary—including Stacy Keach learning to drive a 16-gear semi in just two days, the Sean Connery casting that almost happened, and why Quid's dingo had to be renamed Boswell.Danny McBride's gritty new G.I. Joe movie heads to Springfield... but not the Springfield you expect.Remembering the legendary Sam Neill with a look back at Possession, Jurassic Park, Event Horizon, Merlin, and Bicentennial Man.Sydney Sweeney saddles up for Hollow, a gothic reimagining of Sleepy Hollow, plus three must-watch Sweeney films.JOLT Modern Soda Bundle - JOLT Cola & JOLT Root Beer - Zero Sugar, 80mg Natural Caffeine, Alpha GPC Focus Nootropics, Prebiotics, B Vitaminshttps://amzn.to/3RLxtSGHarry's Original Shaving Kit for Menhttps://amzn.to/4yvLq7VMeatzy meat on demand and get rewarded for sharing the sizzle https://tr.ee/GetMeatzyJohnnyWhy Roadgames is basically Rear Window on Wheels.Jamie Lee Curtis as the mysterious hitchhiker "Hitch."How this overlooked thriller inspired The Hitcher, Joy Ride, Wolf Creek, and modern highway horror.Hitchcock references, Ozploitation history, and the terrifying green van that haunted a generation of genre fans.Johnny answers your questions about A Nightmare on Elm Street 2: Freddy's Revenge, dives into why it's become one of horror's most fascinating cult classics, and shares behind-the-scenes trivia from The Dream Master.Before Workaholics became a Comedy Central hit, it was a broke YouTube sketch group called Mail Order Comedy. Johnny tells the unbelievable story of how Blake, Adam, Anders, and Kyle turned homemade videos into one of TV's funniest comedies. Rating: SCREAM NOW!Next week, Summer Slash continues with Brain Dead (1990) starring Bill Pullman and Bill Paxton—a mind-bending psychological horror trip into corporate conspiracies, neurosurgery, and insanity.Subscribe, binge, and remember...Johnny Spoiler doesn't ruin movies. He ruins the wait.

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comDavid is a historian and perhaps the greatest living film critic. He's the author of more than 20 books, including biographies of David O. Selznick and Orson Welles, and The New Biographical Dictionary of Film. His new book is called A Sudden Flicker of Light: A Revisionist History of Movies. It's a wonderful extended rant in some ways, a love letter and a searing indictment of cinema. I was a little intimidated talking with him, but it was a lot of fun.For two clips of the episode — on the uptight genius of Hitchcock, and the authoritarian nature of cinema — head to our YouTube page.Other topics: born in South London in 1941 and his home damaged by the Blitz; his father leaving when he was born; his boyish mix of fear and delight at the cinema; the shower scene in Psycho; how film denies you the chance to stop and think; the directors who relish white space (e.g. PT Anderson); Birth of a Nation and Triumph of the Will; newsreels before TV; real nuke explosions on screen; Oppenheimer; from communal theater viewing to solo smartphone viewing; Game of Thrones and the insane production value of TV these days; Breaking Bad; Trump the ultimate product of TV; his telegenic Cabinet; the danger of deepfakes; Paul Schrader's First Reformed; the audience's love of car crashes and villains; Godfather I and II; contrasting Hitchcock and Malick; Tree of Life; nature in Thin Red Line; Fincher's Seven; Robert Bresson's religious films; Scorsese's Silence and Last Temptation of Christ; the vulgarity of Spielberg (e.g. the red dress in Schindler's List); ep. 3 of Adolescence; and Nolan's new Odyssey.Browse the Dishcast archive for an episode you might enjoy. Coming up: John O'Sullivan on conservatism, Azam Ahmed on terrifying new drugs, Robby George on natural law, and Megan McArdle on pretty much anything. Please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.

Subscribe to our channel!    Jonathan Moody and G Larry Butler discuss the 1937 film, "Young and Innocent"   Follow us on social media:  @indiefilmcafe    Websites: http://sickflickproductions.com  http://indiefilmcafe.reviews  http://indiefilmcafe.podbean.com  http://patreon.com/indiefilmcafe 

Eric on Blue Sky: @eric-hauter   Eric on Youtube.   Check out Gaming Nexus  Jeff can also be found on The Movie Draft House Jeff and Eric are on Letterboxd.  Just search JeffyPods and Eric Hauter.

Christopher Nolan's The Odyssey arrives amid enormous anticipation. Jason considers whether the mythic epic can live up to the hype.A tribute to Sam Neill, who died this week, as we revisit a beautiful highlight from our archives: Neill reflecting on his favourite film - a clue, it was directed by Alfred Hitchcock.We speak with filmmaker Alain Gomis ahead of the Melbourne International Film Festival about Dao, his visually striking exploration of memory, history and identity; and MIFF Senior programmer Kate Jinx is in for a preview of this year's festival.Presenter, Jason Di RossoProducer, Sarah CorbettSound, Angie GrantArts editor, Sarah L'Estrange

Special Guest: Jason Hitchcock, CEO of Greenlane Holdings, Inc. (NASDAQ: GNLN) We welcome Mr. Hitchcock to the show to discuss cryptocurrency as an industry, his role as CEO of Greenlane Holdings, and BeraStrategy. Originally envisioned as a cannibus-based organization, Greenlane is now taking advantage of Berachain's Proof-of-Liquidity model to create and maintain a digital asset treasury.  Innovative yield and emissions offerings are only part of the larger plan. Greenlane's website: https://www.gnln.com Greenlane on X: @GNLNHoldings Jason Hitchcock on X: @JasonHitchcock Learn More: Investor Relations: https://investor.gnln.com/ BeraStrategy: https://www.gnln.com/berastrategy BeraChain (BERA): https://www.berachain.com/ #Crypto #Cryptocurrency #podcast #BasicCryptonomics Website: ⁠⁠⁠⁠https://CryptoTalk.FM Facebook: ⁠⁠⁠⁠@ThisIsCTR⁠⁠⁠⁠ Chapters (00:00:01) - Crypto Talk Radio(00:02:16) - Ethereum vs. Bitcoin: Supply and Affordability(00:07:52) - Interviewing Crypto Talk fm's Guest(00:10:05) - How Barachain Is Investing in Crypto(00:12:27) - How to Get Started in Crypto(00:17:07) - How Do Stablecoins Work?(00:18:03) - Stable Coins and Decentralization: Do They Matter?(00:24:01) - The Need to Raise Crypto Money(00:33:33) - Barachain Capital's Green Lane Holdings(00:37:15) - Cannabis Whey Reverse Stock Split(00:38:44) - NASDAQ: Validators are part of the Bitcoin Ecosystem(00:40:07) - Cannabis stocks stable, but headcounts are rising(00:41:11) - In addition to the cannabis wind down, there were also some operational(00:42:36) - Barachain: What Makes The Chain Unique?(00:48:30) - Bear Chain: The Crypto Uncover Story(00:52:35) - Greenlane on Barachain

We welcomed Dan Wallace to the Lounge for another Sanity Cinema episode, where we took a deep dive into Alfred Hitchcock's classic North by Northwest.Dan joined us for the movie conversation, sharing his thoughts on what makes the film one of Hitchcock's best and why it still holds up today.Before the discussion, Dan was joined by Jack Gruber on keys for a few live performances, with Dan on saxophone.If you're a fan of classic films, great music, or both, this one's for you.Full episode available now on YouTube, Spotify, and all podcast platforms.Sponsored by Christopher Schafer Clothier

Grab your giant bowl of milk and call your Ma, it's time for The Ladies Man! Seth's pick for Edith Head month brings us to the directorial work of Jerry Lewis, comedian, writer and all around not great guy! We discuss the insane and elaborate set, the Singin' in the Rain connections, what jokes work well and what don't and where this movie may surpass Hitchcock and Buster Keaton. Also: James! Getting locked in! Sound effects! Check it out! Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, shout out on the show AND you get to vote on monthly episodes and themes and a 25% discount in our merch store. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Check out our merch store Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

STRANDED IN THE FUTURE is a kind of dystopian self-portrait. It's about obsession, and obsessive behavior. Spanning from 1968 to 1978, it takes in the mythology that teenagers weave around their musical heroes and their early loves: in this case, one specific hero and one specific love. The book explores the way that Hitchcock, in his own head, linked these two figures to each other, although they never actually met.On the way, the story mines the incremental hangover of the 1970s as Hitchcock begins to play live, teaches himself to write songs, and eventually forms the Soft Boys. There's a side order of trolleybuses too! Hitchcock's beautiful prose will resonate far beyond the fans of his music, and build on the literary following he established with his first book, 1967: How I Got There and Why I Never Left.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

This week on the Talk Without Rhythm Podcast I'm joined by Paul of the Strange Highways Podcast for his Patreon Pick of two "not quite Hitchcock" movies: 1963's Charade and 1977's High Anxiety. [00:00] INTRO [01:50] CromCast Podcast Promo [02:34] RANDOM CONVERSATION [14:31] Charade (1963) [56:55] High Anxiety (1977) [01:34:44] FEEDBACK [01:38:19] ENDING MUSIC: High Anxiety by Mel Brooks Buy Charade (1963) Buy High Anxiety (1977) Support TWoRP Contact Us talkwithoutrhythm@gmail.com  

STRANDED IN THE FUTURE is a kind of dystopian self-portrait. It's about obsession, and obsessive behavior. Spanning from 1968 to 1978, it takes in the mythology that teenagers weave around their musical heroes and their early loves: in this case, one specific hero and one specific love. The book explores the way that Hitchcock, in his own head, linked these two figures to each other, although they never actually met.On the way, the story mines the incremental hangover of the 1970s as Hitchcock begins to play live, teaches himself to write songs, and eventually forms the Soft Boys. There's a side order of trolleybuses too! Hitchcock's beautiful prose will resonate far beyond the fans of his music, and build on the literary following he established with his first book, 1967: How I Got There and Why I Never Left.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Front Row Classics welcomes author Tony Lee Moral. Tony recently penned "A Century of Hitchcock: The Man, The Myths, The Legacy". He addressed a series of narratives regarding the Master of Suspense through new archival research and unpublished interviews.  Now available from The University Press of Kentucky wherever books are sold Tony Lee Moral is a mystery author and screenwriter with a deep passion for suspense, mystery, and the cinematic legacy of Alfred Hitchcock. Over the course of his career, he has become a leading voice in both the world of Hitchcock scholarship and contemporary crime fiction. With four critically acclaimed books dedicated to Alfred Hitchcock, including Alfred Hitchcock Storyboards (2024), The Young Alfred Hitchcock's Moviemaking Master Class (2022), The Making of Hitchcock's The Birds (2013), and Hitchcock and the Making of Marnie (2013), Tony's writing offers a unique insight into the art of filmmaking, the creative process, and the mind of one of cinema's most iconic directors. But Tony's talents don't end with nonfiction. He is also an accomplished novelist, weaving intricate plots filled with suspense, intrigue, and unforgettable characters. His novels include The Two Masks of Vendetta and its thrilling sequel The Passion of the Cross (both released in 2024) and Ghost Maven: The Haunting of Alice May (2019). These novels blend elements of mystery, suspense, and the supernatural, taking readers on unforgettable journeys that explore complex characters, twisted secrets, and the darkest corners of the human psyche. As a writer, Tony is dedicated to crafting stories that keep readers on the edge of their seats. His work in suspenseful thrillers, like The Two Masks of Vendetta, shows his knack for creating tension and atmosphere, while his paranormal novels, such as Ghost Maven, blend supernatural elements with heartfelt emotions, bringing a fresh approach to the genre. Drawing on his expertise in both film and fiction, Tony writes with an eye for cinematic detail, ensuring that each page feels like a scene from a gripping film. His deep understanding of Hitchcock's techniques — suspense, misdirection, and character-driven storytelling — shines through in every novel, making his books essential reading for fans of mystery, crime, and psychological thrillers.

Send us Fan MailAngelo, Rhea, and Jay are back — and this week they pull Philly sports legend Glen MacNow into the chair for an episode built on a genuinely scary idea: the shows and movies you love can just… disappear. They lead with the number Netflix would rather bury: its biggest hits are hemorrhaging 30 to 70 percent of their audience by season two. Beef won a pile of Emmys and then lost 70% of its viewers. A Good Girl's Guide to Murder dropped 80%. The theory? Netflix trained us to binge a season in a weekend, wait two years, and stop caring. Glen and Rhea will die on the binge hill; Angelo wants his TV doled out week to week so audiences actually stay invested.THEN: Cocoon, the 1985 Ron Howard movie that won Don Ameche an Oscar, has vanished. You can't stream it, you can't buy it, the out-of-print DVD is going for hundreds of dollars, and your only real move is Amazon Japan with a VPN. The culprit is music rights nobody will license, even though the rights holders earn exactly zero dollars leaving it locked in a vault. Angelo makes the wild case that scarcity is actually GOOD!  He drags Hitchcock deliberately embargoing Rear Window into it, while Glen and Rhea argue everything should be available to everyone. Who's right?ALL THAT PLUS: Sony just deleted 500 movies that people BOUGHT, Rhea's hooked on Inspector Ellis on Acorn; Angelo's all-in on Tuner with Leo Woodall and Dustin Hoffman (no explosions, all twists), and much MUCH more!See Glen Macnbow perform "The Greatest Moments in Philadelphia Sports History" with Ray Didinger and Joe Conklin on August 6th at the Ocean City Music Pier, tickets at GreatestPhillySports.com.MAKE SURE TO VISIT OUR SPONSOR: Steven Singer Jewelers!The TV Show is a weekly podcast hosted by Jay Black, with regular guests Angelo Cataldi and Rhea Hughes. Each week, we dive into the new Golden Age of Television, with a discussion of the latest shows and news.

A Century of Hitchcock Front Row Classics welcomes author Tony Lee Moral. Tony recently penned “A Century of Hitchcock: The Man, The Myths, The Legacy”. He addressed a series of narratives regarding the Master of Suspense through new archival research and unpublished interviews.  Now available from The University Press of Kentucky wherever books are sold … Continue reading Ep. 471- A Century of Hitchcock with Tony Lee Moral →

Jake welcomes first time guest Carolynn onto the show! This week, it's time to dive more into Hitchcock. How does it hold up to the rest of his work? Do Cary Grant and Ingrid Bergman sizzle on screen? Probably, but you'll have to listen to actually find out!

“For all the paperwork of democracy — government by and for the people — we have become a citizenry of spectators who simply want to be entertained. And we are accustomed to the realization that we can't do anything about what's on the screen.” — David Thomson Has the prolific film critic David Thomson fallen out of love with the movies? That's the question I began my conversation with Thomson, arguably the greatest living writer on film. My question was triggered by his revisionist movie history (out today), A Sudden Flicker of Light, which, while still glorifying film, nonetheless recognizes the damage that the medium has done to us. No, he hasn't fallen out of love with the movies, Thomson responded. But he did acknowledge a new kind of wariness about his beloved medium — a suspicion of auteur worship, that tradition which concentrates on the great artistry of individual directors like Welles, Hitchcock, and Scorsese while ignoring what the motion picture medium as a whole has done to society. “What has God wrought?” Samuel Morse asked about the telegraph. David Thomson is asking the same question about the consequence of movies. Cinema, particularly Hollywood, Thomson argues, has spent a century disempowering audiences. Sitting in the dark, gazing at the screen, people have lost their agency. This passivity, Thomson argues, has invaded our political life, transforming us from citizens into spectators. No, Mr Smith hasn't gone to Washington. Instead, America has become a theater of gawkers addicted to screen entertainment, unable to discriminate between a sudden flicker of light and reality. Thus the degeneration of America into a violent Coppola movie. Thus The Joker who has crawled out of primeval darkness and now monopolizes all our screens. You could make a movie about it. Call it “Being There” or “Network.” Or perhaps “The Truman Show.” Five Takeaways •       Cinema Has Trained Us to Be Spectators — and That Has Destroyed Our Agency: Thomson's central argument: sitting in the dark watching a bright light in front of them, audiences learned that the thing on the screen is not their responsibility. People are not really hurt on screen, no matter their bodies are torn apart. They are not really happy, no matter what they say in the film. And whatever happens, the audience remains a spectator. Extrapolate that out into a broader world and you have a society in which, for all the paperwork of democracy and government by and for the people, people have become a citizenry of spectators who simply want to be entertained. America, Thomson believes, is in that state. •       Every Cut Is Violent — and Every Cut Is a Marriage: Thomson's most original observation is the smallest: the cut. A cut is where the stream of imagery you are watching goes from one shot to another. It is a separation — but it is also a marriage. Every cut says: join them up. The way we measure the effectiveness of directors from D.W. Griffith onward is that they found ways to put shots together so that film had sequence and order, like the order of sentences in writing. And every cut has an element of violence in it, because you are seeing one thing and then, bang, you are watching something quite different. We have never taught our children what a cut is — even though they have spent far more of their lives watching moving imagery than reading. That neglect, Thomson argues, is consequential. •       The Culture of Manhood and the Systematic Neglect of Women: Thomson's most politically charged observation: the culture of manhood and the serious neglect of women was going on in virtually every film he saw until at least the 1980s, and you could argue well beyond that. That is, he says, a kind of tacit advertising — a way of saying, look, this is really a very good way for how the world should be. It is something that has become harder and harder for him to endure as an idea. And he thinks that the war in Iran would not have been as likely if America had had enough women running the country — because women feel and think together in concert in different ways, with more room for compassion, sentiment, and plain rationality. •       Cinema Is Deeply Educational — and We Have Ignored That: Thomson's answer to Andrew's challenge: what does any of this have to do with movies? Everything. You cannot have a mass medium without the mass being affected, without the ways in which they think being shaped. The movies have given us examples of how to live that have been intensely persuasive. They are deeply educational. And yet we have permitted them, and like every technology humans have ever invented, we have let the technology take control of us rather than the other way around. Children spend far more time watching moving imagery than reading — and yet we do not teach them what a cut is, what a camera angle means, how the medium constructs its reality. That neglect has been, Thomson believes, catastrophic. •       Citizen Kane Is the Definitive American Film — Not The Godfather: Andrew's final question: what is the definitive movie about America? Not The Godfather, Thomson says, because the Godfather films cannot overcome their attraction to authority. There is a reverence for dark power in the Godfather films. Whereas in Citizen Kane, there is all through the film a terrible ruefulness about what happens to people who seek power. Welles absolutely understood and was intensely critical of the personality that needed power and authority — and he was afraid of it. For that reason, it is still for Thomson the definitive American film. Thomson has been known to doze off watching it, because he knows it too well. On July 4, he plans to watch something different. Ideally, The Odyssey. About the Guest David Thomson is the author of more than twenty books on film, including A Sudden Flicker of Light: A Revisionist History of the Movies (Simon & Schuster, July 7, 2026), The New Biographical Dictionary of Film (six editions, 1975–2014), Orson Welles, The Big Screen, Have You Seen…?, and biographies of David O. Selznick, Marlon Brando, and Nicole Kidman. Michael Ondaatje has called him “the best writer on film in our time.” He lives in San Francisco, where he is Andrew Keen's neighbour. References: •       A Sudden Flicker of Light: A Revisionist History of the Movies by David Thomson (Simon & Schuster, July 7, 2026). •       Citizen Kane (Orson Welles, 1941) — Thomson's definitive American film; discussed extensively in the conversation. •       The Godfather (Francis Ford Coppola, 1972) — referenced as ...

In a series of topic-focused GGACP mini-episodes, Gilbert and Frank share their love of unheralded films, underrated TV shows, underappreciated pop songs and often unknown performers, discussing, dissecting and (occasionally) defending their handpicked guilty pleasures and buried treasures. This week: Stanley Donen does Hitchcock! The brilliance of Henry Mancini! The cinema of John Cazale! And Gilbert makes a guest appearance on Turner Classic Movies!https://www.gilbertpodcast.com/mini-ep-6-charade-and-the-conversation/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

The woman behind Alfred Hitchcock's success. PatreonMerchTikTokBskyInstagramPipedream podcastsSpreakerClips used in this episode:Alfred Hitchcock Accepts the AFI Life Achievement Award (1979)Alfred Hitchcock Intro ThemeThe 39 Steps (1935)Frenzy (1972)Dial M for Murder (1954)Rebecca (1940)Patton Oswald - Male directors, female editorsMarnie (1964)Rear Window (1954)Rope (1948)Shadow of a Doubt (1943)The Birds (1963)The Murder composed by Bernard HerrmannMusic: Kevin MacLeod"Jazz Brunch""Discovery Hit""Miami Nights""This House"

The Grant-A-Thon Has Arrived! Join Ryan Frost (Reel Nerds Podcast) & I as we get CARY-d away in  unveiling our Top Ten Cary Grant Performances in Grant-A- Thon! Will someone like Only Angels Have Wings more than Bringing Up Baby? Will Mr. Lucky make the cut? And who lives the Hitchcock collabs more? Tune in to find out all that and more! Plus: A Sneak Peak At Our Next Top Ten Special!     Listen to Ryan each and every week on REEL NERDS PODCAST Website: https://reelnerdspodcast.com/ Apple Podcasts: https://podcasts.apple.com/us/podcast/reel-nerds-podcast/id442184939 Spotify: https://open.spotify.com/show/2NMZkh3WRDuIgIGuFRraEV and Follow the Reel Nerds on Social Twitter: https://twitter.com/reelnerds Facebook: https://www.facebook.com/ReelNerdsPodcast/ Instagram: https://www.instagram.com/reelnerds/?hl=en  

Robert Bloch vuelve a nuestro Podcast. Ya de joven publicó relatos en revistas pulp, y elaboró fanzines sobre ciencia ficción. Formó parte del círculo de admiradores de H.P. Lovecraft, con quien se carteaba y por el que fue muy influenciado en una primera época, si bien desarrolló posteriormente un estilo muy propio. Trabajó como guionista cinematográfico y también como adaptador de sus propias novelas, siendo ejemplo famoso la adaptación de Psicosis, que sería dirigida por Hitchcock. Logró numerosos premios a su labor literaria, como el Hugo y el Bram Stoker. Fue presidente de la Asociación de Escritores de Misterio de América. Su producción se compone de numerosísimos relatos cortos y novelas. Cultivó los géneros de la fantasía, terror y ciencia ficción. ------------------------------------------------------------------------------ Intro: Bienvenidos al Consultorio de Monstruos de Cassilda. 🎙 El único espacio de la radiofonía que no tiene ninguna intención de consolaros. Olga dice que tengo que escuchar vuestros pequeños miedos nocturnos y yo he aceptado porque me aburro, jijjiji. Seguramente te encuentres conmigo cuando menos te lo esperes... 🕸️🖤 Pero os advierto tres cosas:👩🏻🎙 Id al grano. No lloréis y si os enrolláis corto la línea. 💻Mi correo es suspirokokoro@gmail.com Aquí podéis enviar vuestras notas de audio.📻 ------------------------------------------------------------------------------------ Si disfrutas de estas historias y quieres que sigamos alimentando las sombras, puedes apoyarnos siendo mecenas en iVoox. Cada pequeño gesto nos ayuda a que el aquelarre crezca. Muchas Gracias!! 🔗 Enlace directo para unirte al pacto https://www.ivoox.com/support/552842 🎙Sonido y voz Olga Paraíso Música epidemic sound licencia premium autorizada para este podcast Imagen Boris Karloff 🕯BIO Olga Paraíso: https://instabio.cc/Hleidas Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Good evening. Welcome to Dial P for Podcast, Patrick Ripoll's year-long chronological voyage through the films of Alfred Hitchcock. Every month Patrick will be watching four Hitchcock features and talking about them here, from The Pleasure Garden to Family Plot, all across the year of 2026, examining the life and work of England's most famous cinema pervert.As we reach the midpoint of Alfred Hitchcock's career we see a variety of films, including a screwball comedy and another 39 Steps re-run, but we also see the full flowering of a Hitchcock driven by psychology, by terror of a much more domestic variety, a world at war while things aren't right at home, where the person you sleep next to could be your most sinister enemy. Homicidal Cary Grant, Thorton Wilder slumming it, the statue of liberty, fourth wall dismissal, surrealism and even honest-to-God psychic powers saturate this batch of films as Hitchcock settles into Hollywood and begins to turn it upside down.It's glowing like a poisoned glass of milk but you better drink it down anyway!0:00 - 0:36 - Intro0:37 - 30:55 - Mr. and Mrs. Smith (1941)30:56 - 1:38:47 - Suspicion (1941)1:38:48 - 2:24:53 - Saboteur (1942)2:24:54 - 4:13:55 - Shadow of a Doubt (1943)4:14:56 - 4:15:04 - Outro

In August 1940, Alfred Hitchcock released FOREIGN CORRESPONDENT, a spy thriller that looked like simple entertainment but carried a hidden message for American audiences. In this episode of Cracking the Code of Spy Movies, Dan and Tom dig into how Hitchcock, working in Hollywood while Europe burned, smuggled a warning into one of his lesser-known masterpieces. Hitchcock is the master of suspense, so listen now to this espionage spy thriller that oozes with Hitchcockian brilliance. Join us as we trace the story of Johnny Jones, a green American reporter sent to Europe under a fake name, who stumbles into a web of assassins, double agents, and a missing diplomat holding a secret that could decide the fate of a continent. Along the way, we explore the real history behind the film, including the journalists who inspired it, the genuine spycraft Hitchcock borrowed from British intelligence, and the wartime tension that shaped nearly every scene. We also break down the film's most famous sequences, talk about the standout cast performances, including an Oscar-nominated actor who did not know how to speak a word of English. Here are some things you'll learn: ·         Hitchcock's spy thriller had a hidden political message — and the U.S. government noticed it before America even joined the war. ·         One real Hollywood reporter inspired the story, but several characters were modeled after actual Nazi agents operating in Europe. ·         A famous rain-soaked assassination scene hides a clever visual trick that still feels shockingly modern. ·         An Oscar-nominated actor delivered every line of dialogue without understanding a single word he was saying. ·         The film's final scene wasn't part of the original script — real-world events changed the ending just before release. By the end, you will never watch FOREIGN CORRESPONDENT the same way again. Stick around to the finish, where we reveal exactly where to spot Hitchcock's tricky cameo appearance. Tell us what you think of our discussion FOREIGN CORRESPONDENT Have you seen this movie?  If so, what did we miss?   If you haven't seen it, does this episode put it on your watch list? Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage: https://spymovienavigator.com/episode/foreign-correspondent-decoded

Allie is joined by Mark Hitchcock, the senior pastor of Faith Bible Church in Edmond, Oklahoma, to discuss how modern events could be fulfilling the Biblical end times. Hitchcock correlates the formation of Israel and the Iran war with scriptural prophecies, while saying a peace treaty could usher in the Antichrist. However, Mark warns against trying to figure out who the Antichrist is, while he also believes the rapture will rescue believers before his appearance. Mark also has a special message for potential parents worried about the final judgment. In the end, there is no hope in this world beyond the coming of Christ. Check out Mark on Substack: https://endtimes.substack.com/s/marking-the-end-times Share the Arrows 2026 is on October 10 in Dallas, Texas! Tickets are on sale now at: ⁠⁠⁠⁠⁠⁠https://sharethearrows.com⁠⁠⁠ Share the Arrows is sponsored by: A'del Natural Cosmetics: AdelNaturalCosmetics.com Range Leather: RangeLeather.com/ALLIE We Heart Nutrition: WeHeartNutrition.com Buy Allie's book "Toxic Empathy: How Progressives Exploit Christian Compassion": ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.toxicempathy.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Time Codes 0:00 Introduction 1:12 Could the Iran War Kick Off the End Times? 12:18 Will the Antichrist Gain Power Through Peace? 20:09 Will Believers Be Spared from the Antichrist's Wrath? 25:01 Iran's Eschatology 30:00 Does Israel Play a Part? 38:07 How to Think About Doomsday 48:43 Should You Bring Children into the Apocalypse? – Today's Sponsors: Cozy Earth | Discover how care in every detail transforms simple routines into real comfort. Head to cozyearth.com and use my code RELATABLE for up to 20% off. And if you get a post-purchase survey, be sure to mention you heard about Cozy Earth right here. Pre-Born | To donate, dial #250 and say the keyword “BABY.” Or visit Preborn.com/ALLIE. Crowd Health | Join CrowdHealth to get started today for $99 for your first three months using code ALLIE at ⁠⁠⁠JoinCrowdHealth.com⁠⁠⁠⁠. CrowdHealth is not insurance. Opt out. Take your power back. This is how we win. Good Ranchers | If you go to ⁠⁠⁠GoodRanchers.com⁠⁠⁠ and subscribe to any box of 100% American meat, you'll save up to $500 a year! Plus, if you use code ALLIE, you'll get an additional $25 off your first order. EveryLife | Visit EveryLife.com and use promo code ALLIE10 to get 10% off your first order today! Episodes You May Like: Ep 1312 | Prophecy Fulfilled? Iran Strikes & the End Times https://podcasts.apple.com/us/podcast/ep-1312-prophecy-fulfilled-iran-strikes-the-end-times/id1359249098?i=1000753109932 Ep 283 | Are We in the End Times? Part 1: How We Interpret Revelation Matters | Guest: Jeff Durbin https://podcasts.apple.com/us/podcast/ep-283-are-we-in-the-end-times-part-1-how-we/id1359249098?i=1000486948647 Ep 134 | End Times https://podcasts.apple.com/us/podcast/ep-134-end-times/id1359249098?i=1000443918714 --- ► Buy Allie's book "You're Not Enough (& That's Okay): Escaping the Toxic Culture of Self-Love": https://alliebethstuckey.com/book ► Subscribe to the podcast: iTunes: https://apple.co/2UVssnP Spotify: https://spoti.fi/2FwkXxj ► Connect with Allie on Social Media: https://twitter.com/conservmillen https://www.instagram.com/alliebstuckey/ https://facebook.com/allieBlazeTV/ ► "Relatable" merchandise — use promo code ALLIE10 for a discount: https://shop.blazemedia.com/collections/allie-stuckey

For over a century, Alfred Hitchcock has remained one of cinema’s most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller “The Lodger” (1927) marked the start of his signature style, which was later exemplified in classic films like “Vertigo” (1958), “North by Northwest” (1959), “Psycho” (1960), and “The Birds” (1963). Hitchcock’s work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. https://www.youtube.com/watch?v=0NUJN1fq0Sc Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, “A Century of Hitchcock” challenges the long-standing narratives that have shaped Hitchcock’s legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock’s alleged abuses, scrutinizing biographer Donald Spoto’s interpretations—particularly Spoto’s portrayal of the director’s relationship with actress Tippi Hedren. With his analysis of Spoto’s 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. In this comprehensive reappraisal of Hitchcock’s career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock’s first film, “The Pleasure Garden”, and fifty years since his last film, “Family Plot”, Moral reexamines the director’s cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock’s legacy in the post-#MeToo era.

This time, it's a crazy-long Peter Lorre triple feature. First, he's a Mexican detective whom George Peppard and Mary Scott wish they'd never met, then he's in two early Hitchcock films: “The (First) Man Who Knew Too Much” and “Secret Agent.”