Podcast appearances and mentions of ross melnick

The Moon and Back is the directorial debut of UCSB Film and Media Studies alumnus Leah Bleich. The Carsey-Wolf Center was proud to welcome Leah back to campus for a discussion of her film with UCSB moderator Ross Melnick. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40543]

The Moon and Back is the directorial debut of UCSB Film and Media Studies alumnus Leah Bleich. The Carsey-Wolf Center was proud to welcome Leah back to campus for a discussion of her film with UCSB moderator Ross Melnick. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40543]

The Moon and Back is the directorial debut of UCSB Film and Media Studies alumnus Leah Bleich. The Carsey-Wolf Center was proud to welcome Leah back to campus for a discussion of her film with UCSB moderator Ross Melnick. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40543]

The Moon and Back is the directorial debut of UCSB Film and Media Studies alumnus Leah Bleich. The Carsey-Wolf Center was proud to welcome Leah back to campus for a discussion of her film with UCSB moderator Ross Melnick. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40543]

#309: In honor of the American Cinematheque's "Friend of the Fest" program, we're rerunning their feature from our mini-series, Revival House! Victoria Alejandro is one of the podcasters invited to present a film this year. This Sunday, 8/25 at the Egyptian Theater, she'll be introducing the 80s classic "To Live and Die in L.A." You can find tickets here: https://www.americancinematheque.com/now-showing/laist-presents-to-live-and-die-in-l-a-8-25-24/ Celebrating their 40th anniversary this year, screening 1500 movies a year in three iconic theaters across Los Angeles, the American Cinematheque has a movie for everybody, every night of the week. In this episode, How To LA producer Victoria Alejandro jumps into the history of these movie theaters and this programming group to shine a light on a little L.A. moviegoing history and spotlight the future of the American Cinematheque in this city. Check out our deep dive into the Egyptian Theatre's history and reopening here:  https://omny.fm/shows/howtola/revival-house-the-egyptian-theater-redux Guests: Professor and historian Ross Melnick, American Cinematheque artistic director Grant Moninger, Programmers Imani Davis and Cindy Flores, Senior Film Programmer Chris Lemaire

Revival House says goodbye for now with a look at one of the biggest programming groups in town, the American Cinematheque.    Celebrating their 40th anniversary this year, screening 1500 movies a year in three iconic theaters across Los Angeles, the American Cinematheque has a movie for everybody, every night of the week. In this episode, How To LA producer Victoria Alejandro jumps into the history of these movie theaters and this programming group to shine a light on a little L.A. moviegoing history and spotlight the future of the American Cinematheque in this city.   Check out our deep dive into the Egyptian Theatre's history and reopening here:  https://omny.fm/shows/howtola/revival-house-the-egyptian-theater-redux   Guests: Professor and historian Ross Melnick, American Cinematheque artistic director Grant Moninger, Programmers Imani Davis and Cindy Flores, Senior Film Programmer Chris Lemaire

Revival House says goodbye for now with a look at one of the biggest programming groups in town, the American Cinematheque.    Celebrating their 40th anniversary this year, screening 1500 movies a year in three iconic theaters across Los Angeles, the American Cinematheque has a movie for everybody, every night of the week. In this episode, How To LA producer Victoria Alejandro jumps into the history of these movie theaters and this programming group to shine a light on a little L.A. moviegoing history and spotlight the future of the American Cinematheque in this city.   Check out our deep dive into the Egyptian Theatre's history and reopening here:  https://omny.fm/shows/howtola/revival-house-the-egyptian-theater-redux   Guests: Professor and historian Ross Melnick, American Cinematheque artistic director Grant Moninger, Programmers Imani Davis and Cindy Flores, Senior Film Programmer Chris Lemaire

Revival House says goodbye for now with a look at one of the biggest programming groups in town, the American Cinematheque.    Celebrating their 40th anniversary this year, screening 1500 movies a year in three iconic theaters across Los Angeles, the American Cinematheque has a movie for everybody, every night of the week. In this episode, How To LA producer Victoria Alejandro jumps into the history of these movie theaters and this programming group to shine a light on a little L.A. moviegoing history and spotlight the future of the American Cinematheque in this city.   Check out our deep dive into the Egyptian Theatre's history and reopening here:  https://omny.fm/shows/howtola/revival-house-the-egyptian-theater-redux   Guests: Professor and historian Ross Melnick, American Cinematheque artistic director Grant Moninger, Programmers Imani Davis and Cindy Flores, Senior Film Programmer Chris Lemaire

Revival House says goodbye for now with a look at one of the biggest programming groups in town, the American Cinematheque.    Celebrating their 40th anniversary this year, screening 1500 movies a year in three iconic theaters across Los Angeles, the American Cinematheque has a movie for everybody, every night of the week. In this episode, How To LA producer Victoria Alejandro jumps into the history of these movie theaters and this programming group to shine a light on a little L.A. moviegoing history and spotlight the future of the American Cinematheque in this city.   Check out our deep dive into the Egyptian Theatre's history and reopening here:  https://omny.fm/shows/howtola/revival-house-the-egyptian-theater-redux   Guests: Professor and historian Ross Melnick, American Cinematheque artistic director Grant Moninger, Programmers Imani Davis and Cindy Flores, Senior Film Programmer Chris Lemaire

Revival House says goodbye for now with a look at one of the biggest programming groups in town, the American Cinematheque.    Celebrating their 40th anniversary this year, screening 1500 movies a year in three iconic theaters across Los Angeles, the American Cinematheque has a movie for everybody, every night of the week. In this episode, How To LA producer Victoria Alejandro jumps into the history of these movie theaters and this programming group to shine a light on a little L.A. moviegoing history and spotlight the future of the American Cinematheque in this city.   Check out our deep dive into the Egyptian Theatre's history and reopening here:  https://omny.fm/shows/howtola/revival-house-the-egyptian-theater-redux   Guests: Professor and historian Ross Melnick, American Cinematheque artistic director Grant Moninger, Programmers Imani Davis and Cindy Flores, Senior Film Programmer Chris Lemaire

#281: Revival House says goodbye for now with a look at one of the biggest programming groups in town, the American Cinematheque.    Celebrating their 40th anniversary this year, screening 1500 movies a year in three iconic theaters across Los Angeles, the American Cinematheque has a movie for everybody, every night of the week. In this episode, How To LA producer Victoria Alejandro jumps into the history of these movie theaters and this programming group to shine a light on a little L.A. moviegoing history and spotlight the future of the American Cinematheque in this city.   Check out our deep dive into the Egyptian Theatre's history and reopening here:  https://omny.fm/shows/howtola/revival-house-the-egyptian-theater-redux   Guests: Professor and historian Ross Melnick, American Cinematheque artistic director Grant Moninger, Programmers Imani Davis and Cindy Flores, Senior Film Programmer Chris Lemaire

Go back to the movies with us! We're still profiling LA's repertory theaters in Revival House cause there are SO MANY to check out! In this episode, we explore a cool space with some deep, messy history. Fashion label Brain Dead has taken over a site that some would consider....a little cursed. Originally opened in the 1940s as The Silent Movie Theater on Fairfax, the venue was home to premieres and parties. Until a theft and murder shut the theater down. In the 2000s, it was taken over by Cinefamily, which programmed in that space until allegations of abuse came to light in 2017. But today, Brain Dead Studios is keeping the lights on for nerds, artists, and skate punks in Los Angeles -- aiming to create an eclectic community space to inspire creatives and show good movies. Take a listen as we explain the history and present of this theater. Guests: Professor and historian Ross Melnick, Brain Dead founder Kyle Ng  

Go back to the movies with us! We're still profiling LA's repertory theaters in Revival House cause there are SO MANY to check out! In this episode, we explore a cool space with some deep, messy history. Fashion label Brain Dead has taken over a site that some would consider....a little cursed. Originally opened in the 1940s as The Silent Movie Theater on Fairfax, the venue was home to premieres and parties. Until a theft and murder shut the theater down. In the 2000s, it was taken over by Cinefamily, which programmed in that space until allegations of abuse came to light in 2017. But today, Brain Dead Studios is keeping the lights on for nerds, artists, and skate punks in Los Angeles -- aiming to create an eclectic community space to inspire creatives and show good movies. Take a listen as we explain the history and present of this theater. Guests: Professor and historian Ross Melnick, Brain Dead founder Kyle Ng  

Go back to the movies with us! We're still profiling LA's repertory theaters in Revival House cause there are SO MANY to check out! In this episode, we explore a cool space with some deep, messy history. Fashion label Brain Dead has taken over a site that some would consider....a little cursed. Originally opened in the 1940s as The Silent Movie Theater on Fairfax, the venue was home to premieres and parties. Until a theft and murder shut the theater down. In the 2000s, it was taken over by Cinefamily, which programmed in that space until allegations of abuse came to light in 2017. But today, Brain Dead Studios is keeping the lights on for nerds, artists, and skate punks in Los Angeles -- aiming to create an eclectic community space to inspire creatives and show good movies. Take a listen as we explain the history and present of this theater. Guests: Professor and historian Ross Melnick, Brain Dead founder Kyle Ng  

Go back to the movies with us! We're still profiling LA's repertory theaters in Revival House cause there are SO MANY to check out! In this episode, we explore a cool space with some deep, messy history. Fashion label Brain Dead has taken over a site that some would consider....a little cursed. Originally opened in the 1940s as The Silent Movie Theater on Fairfax, the venue was home to premieres and parties. Until a theft and murder shut the theater down. In the 2000s, it was taken over by Cinefamily, which programmed in that space until allegations of abuse came to light in 2017. But today, Brain Dead Studios is keeping the lights on for nerds, artists, and skate punks in Los Angeles -- aiming to create an eclectic community space to inspire creatives and show good movies. Take a listen as we explain the history and present of this theater. Guests: Professor and historian Ross Melnick, Brain Dead founder Kyle Ng  

Go back to the movies with us! We're still profiling LA's repertory theaters in Revival House cause there are SO MANY to check out! In this episode, we explore a cool space with some deep, messy history. Fashion label Brain Dead has taken over a site that some would consider....a little cursed. Originally opened in the 1940s as The Silent Movie Theater on Fairfax, the venue was home to premieres and parties. Until a theft and murder shut the theater down. In the 2000s, it was taken over by Cinefamily, which programmed in that space until allegations of abuse came to light in 2017. But today, Brain Dead Studios is keeping the lights on for nerds, artists, and skate punks in Los Angeles -- aiming to create an eclectic community space to inspire creatives and show good movies. Take a listen as we explain the history and present of this theater. Guests: Professor and historian Ross Melnick, Brain Dead founder Kyle Ng  

#264:  Go back to the movies with us! We're still profiling LA's repertory theaters in Revival House cause there are SO MANY to check out! In this episode, we explore a cool space with some deep, messy history. Fashion label Brain Dead has taken over a site that some would consider....a little cursed. Originally opened in the 1940s as The Silent Movie Theater on Fairfax, the venue was home to premieres and parties. Until a theft and murder shut the theater down. In the 2000s, it was taken over by Cinefamily, which programmed in that space until allegations of abuse came to light in 2017. But today, Brain Dead Studios is keeping the lights on for nerds, artists, and skate punks in Los Angeles -- aiming to create an eclectic community space to inspire creatives and show good movies. Take a listen as we explain the history and present of this theater. Guests: Professor and historian Ross Melnick, Brain Dead founder Kyle Ng  

Revival House is breaking format for this episode, and we're saying goodbye to a historic first-run movie theater.   The Highland Theatre in Highland Park was one of the only movie theaters in Northeast LA. A designated historic cultural monument, the exterior will remain intact, but its future is uncertain.    In this episode, How To LA producer Victoria Alejandro chats with host Brian De Los Santos about community memories, the history of the theater, and what might be next…   Links we mentioned in this episode: Eastsider LA Los Angeles Theatres Guests: Highland Park Independent Film Festival co-founder and executive director, Marita De La Torre; historian and film professor Ross Melnick, and local employee Denise Hernandez

Revival House is breaking format for this episode, and we're saying goodbye to a historic first-run movie theater.   The Highland Theatre in Highland Park was one of the only movie theaters in Northeast LA. A designated historic cultural monument, the exterior will remain intact, but its future is uncertain.    In this episode, How To LA producer Victoria Alejandro chats with host Brian De Los Santos about community memories, the history of the theater, and what might be next…   Links we mentioned in this episode: Eastsider LA Los Angeles Theatres Guests: Highland Park Independent Film Festival co-founder and executive director, Marita De La Torre; historian and film professor Ross Melnick, and local employee Denise Hernandez

Revival House is breaking format for this episode, and we're saying goodbye to a historic first-run movie theater.   The Highland Theatre in Highland Park was one of the only movie theaters in Northeast LA. A designated historic cultural monument, the exterior will remain intact, but its future is uncertain.    In this episode, How To LA producer Victoria Alejandro chats with host Brian De Los Santos about community memories, the history of the theater, and what might be next…   Links we mentioned in this episode: Eastsider LA Los Angeles Theatres Guests: Highland Park Independent Film Festival co-founder and executive director, Marita De La Torre; historian and film professor Ross Melnick, and local employee Denise Hernandez

Revival House is breaking format for this episode, and we're saying goodbye to a historic first-run movie theater.   The Highland Theatre in Highland Park was one of the only movie theaters in Northeast LA. A designated historic cultural monument, the exterior will remain intact, but its future is uncertain.    In this episode, How To LA producer Victoria Alejandro chats with host Brian De Los Santos about community memories, the history of the theater, and what might be next…   Links we mentioned in this episode: Eastsider LA Los Angeles Theatres Guests: Highland Park Independent Film Festival co-founder and executive director, Marita De La Torre; historian and film professor Ross Melnick, and local employee Denise Hernandez

Revival House is breaking format for this episode, and we're saying goodbye to a historic first-run movie theater.   The Highland Theatre in Highland Park was one of the only movie theaters in Northeast LA. A designated historic cultural monument, the exterior will remain intact, but its future is uncertain.    In this episode, How To LA producer Victoria Alejandro chats with host Brian De Los Santos about community memories, the history of the theater, and what might be next…   Links we mentioned in this episode: Eastsider LA Los Angeles Theatres Guests: Highland Park Independent Film Festival co-founder and executive director, Marita De La Torre; historian and film professor Ross Melnick, and local employee Denise Hernandez

Neon! Mullets! Video stores! Relive the 80s with us... As we continue our series "Revival House," How to LA producer Victoria Alejandro is taking us to Eagle Rock to check out Vidiots. The iconic video store opened in Santa Monica in the 80s, and closed its doors in 2017. But, Vidiots reopened last year in the historic Eagle theater. And yes, all of its 60,000 DVDs made the move too. Vidiots has made renting a movie cool again – and you can check out any DVD in their massive catalog for just $3. And, the renovated theater will be hosting screenings as part of the new Los Angeles Festival of Movies this coming April.  Check out the past and present of Vidiots and the Eagle theater with us. Guests: Executive director Maggie Mckay, founding member and filmmaker Noah Segan, programmer Saila Reyes, and film professor and theater historian Ross Melnick.

Neon! Mullets! Video stores! Relive the 80s with us... As we continue our series "Revival House," How to LA producer Victoria Alejandro is taking us to Eagle Rock to check out Vidiots. The iconic video store opened in Santa Monica in the 80s, and closed its doors in 2017. But, Vidiots reopened last year in the historic Eagle theater. And yes, all of its 60,000 DVDs made the move too. Vidiots has made renting a movie cool again – and you can check out any DVD in their massive catalog for just $3. And, the renovated theater will be hosting screenings as part of the new Los Angeles Festival of Movies this coming April.  Check out the past and present of Vidiots and the Eagle theater with us. Guests: Executive director Maggie Mckay, founding member and filmmaker Noah Segan, programmer Saila Reyes, and film professor and theater historian Ross Melnick.

As we continue our series "Revival House," How to LA producer Victoria Alejandro is taking us to The New Beverly Cinema over in Fairfax, where movies are always on film. The theater, owned by Quentin Tarantino, has a long history as complex as LA's. Join us as we explore the building's history and discover what makes it a special place to catch a double feature today.  Guests: Theater and operations manager Jules McLean, projectionist Danielle Wakin, and film professor and theater historian Ross Melnick. 

As we continue our series "Revival House," How to LA producer Victoria Alejandro is taking us to The New Beverly Cinema over in Fairfax, where movies are always on film. The theater, owned by Quentin Tarantino, has a long history as complex as LA's. Join us as we explore the building's history and discover what makes it a special place to catch a double feature today.  Guests: Theater and operations manager Jules McLean, projectionist Danielle Wakin, and film professor and theater historian Ross Melnick. 

Neon! Mullets! Video stores! Relive the 80s with us... As we continue our series "Revival House," How to LA producer Victoria Alejandro is taking us to Eagle Rock to check out Vidiots. The iconic video store opened in Santa Monica in the 80s, and closed its doors in 2017. But, Vidiots reopened last year in the historic Eagle theater. And yes, all of its 60,000 DVDs made the move too. Vidiots has made renting a movie cool again – and you can check out any DVD in their massive catalog for just $3. And, the renovated theater will be hosting screenings as part of the new Los Angeles Festival of Movies this coming April.  Check out the past and present of Vidiots and the Eagle theater with us. Guests: Executive director Maggie Mckay, founding member and filmmaker Noah Segan, programmer Saila Reyes, and film professor and theater historian Ross Melnick.

Neon! Mullets! Video stores! Relive the 80s with us... As we continue our series "Revival House," How to LA producer Victoria Alejandro is taking us to Eagle Rock to check out Vidiots. The iconic video store opened in Santa Monica in the 80s, and closed its doors in 2017. But, Vidiots reopened last year in the historic Eagle theater. And yes, all of its 60,000 DVDs made the move too. Vidiots has made renting a movie cool again – and you can check out any DVD in their massive catalog for just $3. And, the renovated theater will be hosting screenings as part of the new Los Angeles Festival of Movies this coming April.  Check out the past and present of Vidiots and the Eagle theater with us. Guests: Executive director Maggie Mckay, founding member and filmmaker Noah Segan, programmer Saila Reyes, and film professor and theater historian Ross Melnick.

#245: Revival House is breaking format for this episode, and we're saying goodbye to a historic first-run movie theater.   The Highland Theatre in Highland Park was one of the only movie theaters in Northeast LA. A designated historic cultural monument, the exterior will remain intact, but its future is uncertain.    In this episode, How To LA producer Victoria Alejandro chats with host Brian De Los Santos about community memories, the history of the theater, and what might be next…   Links we mentioned in this episode: Eastsider LA Los Angeles Theatres Guests: Highland Park Independent Film Festival co-founder and executive director, Marita De La Torre; historian and film professor Ross Melnick, and local employee Denise Hernandez

Neon! Mullets! Video stores! Relive the 80s with us... As we continue our series "Revival House," How to LA producer Victoria Alejandro is taking us to Eagle Rock to check out Vidiots. The iconic video store opened in Santa Monica in the 80s, and closed its doors in 2017. But, Vidiots reopened last year in the historic Eagle theater. And yes, all of its 60,000 DVDs made the move too. Vidiots has made renting a movie cool again – and you can check out any DVD in their massive catalog for just $3. And, the renovated theater will be hosting screenings as part of the new Los Angeles Festival of Movies this coming April.  Check out the past and present of Vidiots and the Eagle theater with us. Guests: Executive director Maggie Mckay, founding member and filmmaker Noah Segan, programmer Saila Reyes, and film professor and theater historian Ross Melnick.

In this episode, our guide is How to LA producer Victoria Alejandro is taking us to a midnight movie at the historic Nuart Theatre.The Nuart Theatre's art deco marquee lights up Santa Monica and Sawtelle — so head west with us to a screening of "The Rocky Horror Picture Show" and discover cult cinema past and present.  Guests: Austin Fresh and Nina Minnelli, performers in the Nuart's "Rocky Horror" shadow cast; longtime, retired Nuart film programmer Mark Valen; president of Landmark Theatres Kevin Holloway; and theater historian Ross Melnick. Read her love letter to LA's indie theaters: https://laist.com/news/how-to-la/revival-house-movies-hollywood-essay

In this episode, our guide is How to LA producer Victoria Alejandro is taking us to a midnight movie at the historic Nuart Theatre.The Nuart Theatre's art deco marquee lights up Santa Monica and Sawtelle — so head west with us to a screening of "The Rocky Horror Picture Show" and discover cult cinema past and present.  Guests: Austin Fresh and Nina Minnelli, performers in the Nuart's "Rocky Horror" shadow cast; longtime, retired Nuart film programmer Mark Valen; president of Landmark Theatres Kevin Holloway; and theater historian Ross Melnick. Read her love letter to LA's indie theaters: https://laist.com/news/how-to-la/revival-house-movies-hollywood-essay

As we continue our series "Revival House," How to LA producer Victoria Alejandro is taking us to The New Beverly Cinema over in Fairfax, where movies are always on film. The theater, owned by Quentin Tarantino, has a long history as complex as LA's. Join us as we explore the building's history and discover what makes it a special place to catch a double feature today.  Guests: Theater and operations manager Jules McLean, projectionist Danielle Wakin, and film professor and theater historian Ross Melnick. 

As we continue our series "Revival House," How to LA producer Victoria Alejandro is taking us to The New Beverly Cinema over in Fairfax, where movies are always on film. The theater, owned by Quentin Tarantino, has a long history as complex as LA's. Join us as we explore the building's history and discover what makes it a special place to catch a double feature today.  Guests: Theater and operations manager Jules McLean, projectionist Danielle Wakin, and film professor and theater historian Ross Melnick. 

As we continue our series "Revival House," How to LA producer Victoria Alejandro is taking us to The New Beverly Cinema over in Fairfax, where movies are always on film. The theater, owned by Quentin Tarantino, has a long history as complex as LA's. Join us as we explore the building's history and discover what makes it a special place to catch a double feature today.  Guests: Theater and operations manager Jules McLean, projectionist Danielle Wakin, and film professor and theater historian Ross Melnick. 

How To LA is kicking off a new 10-part series we're calling Revival House.  We are going to take you inside these spaces — the vintage spots and some newer ones — to explore their past and their present…and help you connect with some indie theaters in YOUR neighborhoods. Independent movie theaters are having a moment. Many just turned — or are turning —  100 years old and several have reopened after extensive remodels. This matters because movie history is LOS ANGELES history. Some of these older venues can tell us a lot about the early days of Hollywood and this city. But what's cool is that they continue to create spaces for community, to come together and watch a film on the big screen. So today we're kicking off a new 10-part series we're calling Revival House.  We are going to take you inside these spaces — the vintage spots and some newer ones — to explore their past and their present…and help you connect with some indie theaters in YOUR neighborhoods. Our guide is How to LA producer Victoria Alejandro. our Los Feliz girly who loves to explore entertainment and the arts in LA. In this episode, she talks about she wants to put the spotlight on all these places, from The Vista to The Nuart to Braindead Studios, housed in The Silent Movie Theater on Fairfax Read her love letter to LA's indie theaters: https://laist.com/news/how-to-la/revival-house-movies-hollywood-essayGuests: How to LA producer Victoria Alejandro with tape from film theater historian Ross Melnick and programmer for The New Beverly Cinema, Jules McLean, plus moviegoers from all over L.A. 

How To LA is kicking off a new 10-part series we're calling Revival House.  We are going to take you inside these spaces — the vintage spots and some newer ones — to explore their past and their present…and help you connect with some indie theaters in YOUR neighborhoods. Independent movie theaters are having a moment. Many just turned — or are turning —  100 years old and several have reopened after extensive remodels. This matters because movie history is LOS ANGELES history. Some of these older venues can tell us a lot about the early days of Hollywood and this city. But what's cool is that they continue to create spaces for community, to come together and watch a film on the big screen. So today we're kicking off a new 10-part series we're calling Revival House.  We are going to take you inside these spaces — the vintage spots and some newer ones — to explore their past and their present…and help you connect with some indie theaters in YOUR neighborhoods. Our guide is How to LA producer Victoria Alejandro. our Los Feliz girly who loves to explore entertainment and the arts in LA. In this episode, she talks about she wants to put the spotlight on all these places, from The Vista to The Nuart to Braindead Studios, housed in The Silent Movie Theater on Fairfax Read her love letter to LA's indie theaters: https://laist.com/news/how-to-la/revival-house-movies-hollywood-essayGuests: How to LA producer Victoria Alejandro with tape from film theater historian Ross Melnick and programmer for The New Beverly Cinema, Jules McLean, plus moviegoers from all over L.A. 

How To LA is kicking off a new 10-part series we're calling Revival House.  We are going to take you inside these spaces — the vintage spots and some newer ones — to explore their past and their present…and help you connect with some indie theaters in YOUR neighborhoods. Our guide is How to LA producer Victoria Alejandro. our Los Feliz girly who loves to explore entertainment and the arts in LA. In this episode, Victoria is taking us to a midnight movie at the historic Nuart Theatre.The Nuart Theatre's art deco marquee lights up Santa Monica and Sawtelle — so head west with us to a screening of "The Rocky Horror Picture Show" and discover cult cinema past and present.  Guests: Austin Fresh and Nina Minnelli, performers in the Nuart's "Rocky Horror" shadow cast; longtime, retired Nuart film programmer Mark Valen; president of Landmark Theatres Kevin Holloway; and theater historian Ross Melnick. Read her love letter to LA's indie theaters: https://laist.com/news/how-to-la/revival-house-movies-hollywood-essay

How To LA is kicking off a new 10-part series we're calling Revival House.  We are going to take you inside these spaces — the vintage spots and some newer ones — to explore their past and their present…and help you connect with some indie theaters in YOUR neighborhoods. Our guide is How to LA producer Victoria Alejandro. our Los Feliz girly who loves to explore entertainment and the arts in LA. In this episode, Victoria is taking us to a midnight movie at the historic Nuart Theatre.The Nuart Theatre's art deco marquee lights up Santa Monica and Sawtelle — so head west with us to a screening of "The Rocky Horror Picture Show" and discover cult cinema past and present.  Guests: Austin Fresh and Nina Minnelli, performers in the Nuart's "Rocky Horror" shadow cast; longtime, retired Nuart film programmer Mark Valen; president of Landmark Theatres Kevin Holloway; and theater historian Ross Melnick. Read her love letter to LA's indie theaters: https://laist.com/news/how-to-la/revival-house-movies-hollywood-essay

#245   Neon! Mullets! Video stores! Relive the 80s with us... As we continue our series "Revival House," How to LA producer Victoria Alejandro is taking us to Eagle Rock to check out Vidiots. The iconic video store opened in Santa Monica in the 80s, and closed its doors in 2017. But, Vidiots reopened last year in the historic Eagle theater. And yes, all of its 60,000 DVDs made the move too. Vidiots has made renting a movie cool again – and you can check out any DVD in their massive catalog for just $3. And, the renovated theater will be hosting screenings as part of the new Los Angeles Festival of Movies this coming April.  Check out the past and present of Vidiots and the Eagle theater with us. Guests: Executive director Maggie Mckay, founding member and filmmaker Noah Segan, programmer Saila Reyes, and film professor and theater historian Ross Melnick.

How To LA is kicking off a new 10-part series we're calling Revival House.  We are going to take you inside these spaces — the vintage spots and some newer ones — to explore their past and their present…and help you connect with some indie theaters in YOUR neighborhoods. Our guide is How to LA producer Victoria Alejandro. our Los Feliz girly who loves to explore entertainment and the arts in LA. In this episode, Victoria is taking us to a midnight movie at the historic Nuart Theatre.The Nuart Theatre's art deco marquee lights up Santa Monica and Sawtelle — so head west with us to a screening of "The Rocky Horror Picture Show" and discover cult cinema past and present.  Guests: Austin Fresh and Nina Minnelli, performers in the Nuart's "Rocky Horror" shadow cast; longtime, retired Nuart film programmer Mark Valen; president of Landmark Theatres Kevin Holloway; and theater historian Ross Melnick. Read her love letter to LA's indie theaters: https://laist.com/news/how-to-la/revival-house-movies-hollywood-essay

#239: As we continue our series "Revival House," How to LA producer Victoria Alejandro is taking us to The New Beverly Cinema over in Fairfax, where movies are always on film. The theater, owned by Quentin Tarantino, has a long history as complex as LA's. Join us as we explore the building's history and discover what makes it a special place to catch a double feature today.  Guests: Theater and operations manager Jules McLean, projectionist Danielle Wakin, and film professor and theater historian Ross Melnick. 

#235: Wanna catch a late show with us?  As we continue our series "Revival House," How to LA producer Victoria Alejandro is taking us to a midnight movie at the historic Nuart Theatre. The Nuart Theatre's art deco marquee lights up Santa Monica and Sawtelle — so head west with us to a screening of "The Rocky Horror Picture Show" and discover cult cinema past and present.  Guests: Austin Fresh and Nina Minnelli, performers in the Nuart's "Rocky Horror" shadow cast; longtime, retired Nuart film programmer Mark Valen; president of Landmark Theatres Kevin Holloway; and theater historian Ross Melnick. 

#234 Independent movie theaters are having a moment. Many just turned — or are turning —  100 years old and several have reopened after extensive remodels. This matters because movie history is LOS ANGELES history. Some of these older venues can tell us a lot about the early days of Hollywood and this city. But what's cool is that they continue to create spaces for community, to come together and watch a film on the big screen. So today we're kicking off a new 10-part series we're calling Revival House.  We are going to take you inside these spaces — the vintage spots and some newer ones — to explore their past and their present…and help you connect with some indie theaters in YOUR neighborhoods. Our guide is How to LA producer Victoria Alejandro. our Los Feliz girly who loves to explore entertainment and the arts in LA. In this episode, she talks about she wants to put the spotlight on all these places, from The Vista to The Nuart to Braindead Studios, housed in The Silent Movie Theater on Fairfax Read her love letter to LA's indie theaters: https://laist.com/news/how-to-la/revival-house-movies-hollywood-essayGuests: How to LA producer Victoria Alejandro with tape from film theater historian Ross Melnick and programmer for The New Beverly Cinema, Jules McLean, plus moviegoers from all over L.A. 

Beginning in the 1920s, audiences around the globe were seduced not only by Hollywood films but also by lavish movie theaters that were owned and operated by the major American film companies. These theaters aimed to provide a quintessentially “American” experience. Outfitted with American technology and accoutrements, they allowed local audiences to watch American films in an American-owned cinema in a distinctly American way. In a history that stretches from Buenos Aires and Tokyo to Johannesburg and Cairo, Ross Melnick considers these movie houses as cultural embassies. He examines how the exhibition of Hollywood films became a constant flow of political and consumerist messaging, selling American ideas, products, and power, especially during fractious eras. Melnick demonstrates that while Hollywood's marketing of luxury and consumption often struck a chord with local audiences, it was also frequently tone-deaf to new social, cultural, racial, and political movements. He argues that the story of Hollywood's global cinemas is not a simple narrative of cultural and industrial indoctrination and colonization. Instead, it is one of negotiation, booms and busts, successes and failures, adoptions and rejections, and a precursor to later conflicts over the spread of American consumer culture. A truly global account, Hollywood's Embassies: How Movie Theaters Projected American Power Around the World (Columbia UP, 2022) shows how the entanglement of worldwide movie theaters with American empire offers a new way of understanding film history and the history of U.S. soft power. Ross Melnick is professor of film and media studies at the University of California, Santa Barbara. He is the author of American Showman: Samuel “Roxy” Rothafel and the Birth of the Entertainment Industry, 1908–1935 (Columbia, 2012) and co-editor of Rediscovering U.S. Newsfilm: Cinema, Television, and the Archive (2018). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Beginning in the 1920s, audiences around the globe were seduced not only by Hollywood films but also by lavish movie theaters that were owned and operated by the major American film companies. These theaters aimed to provide a quintessentially “American” experience. Outfitted with American technology and accoutrements, they allowed local audiences to watch American films in an American-owned cinema in a distinctly American way. In a history that stretches from Buenos Aires and Tokyo to Johannesburg and Cairo, Ross Melnick considers these movie houses as cultural embassies. He examines how the exhibition of Hollywood films became a constant flow of political and consumerist messaging, selling American ideas, products, and power, especially during fractious eras. Melnick demonstrates that while Hollywood's marketing of luxury and consumption often struck a chord with local audiences, it was also frequently tone-deaf to new social, cultural, racial, and political movements. He argues that the story of Hollywood's global cinemas is not a simple narrative of cultural and industrial indoctrination and colonization. Instead, it is one of negotiation, booms and busts, successes and failures, adoptions and rejections, and a precursor to later conflicts over the spread of American consumer culture. A truly global account, Hollywood's Embassies: How Movie Theaters Projected American Power Around the World (Columbia UP, 2022) shows how the entanglement of worldwide movie theaters with American empire offers a new way of understanding film history and the history of U.S. soft power. Ross Melnick is professor of film and media studies at the University of California, Santa Barbara. He is the author of American Showman: Samuel “Roxy” Rothafel and the Birth of the Entertainment Industry, 1908–1935 (Columbia, 2012) and co-editor of Rediscovering U.S. Newsfilm: Cinema, Television, and the Archive (2018). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Beginning in the 1920s, audiences around the globe were seduced not only by Hollywood films but also by lavish movie theaters that were owned and operated by the major American film companies. These theaters aimed to provide a quintessentially “American” experience. Outfitted with American technology and accoutrements, they allowed local audiences to watch American films in an American-owned cinema in a distinctly American way. In a history that stretches from Buenos Aires and Tokyo to Johannesburg and Cairo, Ross Melnick considers these movie houses as cultural embassies. He examines how the exhibition of Hollywood films became a constant flow of political and consumerist messaging, selling American ideas, products, and power, especially during fractious eras. Melnick demonstrates that while Hollywood's marketing of luxury and consumption often struck a chord with local audiences, it was also frequently tone-deaf to new social, cultural, racial, and political movements. He argues that the story of Hollywood's global cinemas is not a simple narrative of cultural and industrial indoctrination and colonization. Instead, it is one of negotiation, booms and busts, successes and failures, adoptions and rejections, and a precursor to later conflicts over the spread of American consumer culture. A truly global account, Hollywood's Embassies: How Movie Theaters Projected American Power Around the World (Columbia UP, 2022) shows how the entanglement of worldwide movie theaters with American empire offers a new way of understanding film history and the history of U.S. soft power. Ross Melnick is professor of film and media studies at the University of California, Santa Barbara. He is the author of American Showman: Samuel “Roxy” Rothafel and the Birth of the Entertainment Industry, 1908–1935 (Columbia, 2012) and co-editor of Rediscovering U.S. Newsfilm: Cinema, Television, and the Archive (2018). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Beginning in the 1920s, audiences around the globe were seduced not only by Hollywood films but also by lavish movie theaters that were owned and operated by the major American film companies. These theaters aimed to provide a quintessentially “American” experience. Outfitted with American technology and accoutrements, they allowed local audiences to watch American films in an American-owned cinema in a distinctly American way. In a history that stretches from Buenos Aires and Tokyo to Johannesburg and Cairo, Ross Melnick considers these movie houses as cultural embassies. He examines how the exhibition of Hollywood films became a constant flow of political and consumerist messaging, selling American ideas, products, and power, especially during fractious eras. Melnick demonstrates that while Hollywood's marketing of luxury and consumption often struck a chord with local audiences, it was also frequently tone-deaf to new social, cultural, racial, and political movements. He argues that the story of Hollywood's global cinemas is not a simple narrative of cultural and industrial indoctrination and colonization. Instead, it is one of negotiation, booms and busts, successes and failures, adoptions and rejections, and a precursor to later conflicts over the spread of American consumer culture. A truly global account, Hollywood's Embassies: How Movie Theaters Projected American Power Around the World (Columbia UP, 2022) shows how the entanglement of worldwide movie theaters with American empire offers a new way of understanding film history and the history of U.S. soft power. Ross Melnick is professor of film and media studies at the University of California, Santa Barbara. He is the author of American Showman: Samuel “Roxy” Rothafel and the Birth of the Entertainment Industry, 1908–1935 (Columbia, 2012) and co-editor of Rediscovering U.S. Newsfilm: Cinema, Television, and the Archive (2018). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Beginning in the 1920s, audiences around the globe were seduced not only by Hollywood films but also by lavish movie theaters that were owned and operated by the major American film companies. These theaters aimed to provide a quintessentially “American” experience. Outfitted with American technology and accoutrements, they allowed local audiences to watch American films in an American-owned cinema in a distinctly American way. In a history that stretches from Buenos Aires and Tokyo to Johannesburg and Cairo, Ross Melnick considers these movie houses as cultural embassies. He examines how the exhibition of Hollywood films became a constant flow of political and consumerist messaging, selling American ideas, products, and power, especially during fractious eras. Melnick demonstrates that while Hollywood's marketing of luxury and consumption often struck a chord with local audiences, it was also frequently tone-deaf to new social, cultural, racial, and political movements. He argues that the story of Hollywood's global cinemas is not a simple narrative of cultural and industrial indoctrination and colonization. Instead, it is one of negotiation, booms and busts, successes and failures, adoptions and rejections, and a precursor to later conflicts over the spread of American consumer culture. A truly global account, Hollywood's Embassies: How Movie Theaters Projected American Power Around the World (Columbia UP, 2022) shows how the entanglement of worldwide movie theaters with American empire offers a new way of understanding film history and the history of U.S. soft power. Ross Melnick is professor of film and media studies at the University of California, Santa Barbara. He is the author of American Showman: Samuel “Roxy” Rothafel and the Birth of the Entertainment Industry, 1908–1935 (Columbia, 2012) and co-editor of Rediscovering U.S. Newsfilm: Cinema, Television, and the Archive (2018). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

Beginning in the 1920s, audiences around the globe were seduced not only by Hollywood films but also by lavish movie theaters that were owned and operated by the major American film companies. These theaters aimed to provide a quintessentially “American” experience. Outfitted with American technology and accoutrements, they allowed local audiences to watch American films in an American-owned cinema in a distinctly American way. In a history that stretches from Buenos Aires and Tokyo to Johannesburg and Cairo, Ross Melnick considers these movie houses as cultural embassies. He examines how the exhibition of Hollywood films became a constant flow of political and consumerist messaging, selling American ideas, products, and power, especially during fractious eras. Melnick demonstrates that while Hollywood's marketing of luxury and consumption often struck a chord with local audiences, it was also frequently tone-deaf to new social, cultural, racial, and political movements. He argues that the story of Hollywood's global cinemas is not a simple narrative of cultural and industrial indoctrination and colonization. Instead, it is one of negotiation, booms and busts, successes and failures, adoptions and rejections, and a precursor to later conflicts over the spread of American consumer culture. A truly global account, Hollywood's Embassies: How Movie Theaters Projected American Power Around the World (Columbia UP, 2022) shows how the entanglement of worldwide movie theaters with American empire offers a new way of understanding film history and the history of U.S. soft power. Ross Melnick is professor of film and media studies at the University of California, Santa Barbara. He is the author of American Showman: Samuel “Roxy” Rothafel and the Birth of the Entertainment Industry, 1908–1935 (Columbia, 2012) and co-editor of Rediscovering U.S. Newsfilm: Cinema, Television, and the Archive (2018). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beginning in the 1920s, audiences around the globe were seduced not only by Hollywood films but also by lavish movie theaters that were owned and operated by the major American film companies. These theaters aimed to provide a quintessentially “American” experience. Outfitted with American technology and accoutrements, they allowed local audiences to watch American films in an American-owned cinema in a distinctly American way. In a history that stretches from Buenos Aires and Tokyo to Johannesburg and Cairo, Ross Melnick considers these movie houses as cultural embassies. He examines how the exhibition of Hollywood films became a constant flow of political and consumerist messaging, selling American ideas, products, and power, especially during fractious eras. Melnick demonstrates that while Hollywood's marketing of luxury and consumption often struck a chord with local audiences, it was also frequently tone-deaf to new social, cultural, racial, and political movements. He argues that the story of Hollywood's global cinemas is not a simple narrative of cultural and industrial indoctrination and colonization. Instead, it is one of negotiation, booms and busts, successes and failures, adoptions and rejections, and a precursor to later conflicts over the spread of American consumer culture. A truly global account, Hollywood's Embassies: How Movie Theaters Projected American Power Around the World (Columbia UP, 2022) shows how the entanglement of worldwide movie theaters with American empire offers a new way of understanding film history and the history of U.S. soft power. Ross Melnick is professor of film and media studies at the University of California, Santa Barbara. He is the author of American Showman: Samuel “Roxy” Rothafel and the Birth of the Entertainment Industry, 1908–1935 (Columbia, 2012) and co-editor of Rediscovering U.S. Newsfilm: Cinema, Television, and the Archive (2018). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

How Elinor Glyn Changed Sex, with biographer Hilary A. Hallett • How Hollywood Changed Going to the Movies, with author Ross Melnick (100:58)

On this episode, we take a look back not at the career of an actor or director, nor about a specific movie or a distributor, but at a movie theatre that opened forty years ago today, that would change the course of the theatrical exhibition industry forever: The Cineplex Beverly Center. ----more---- The Beverly Center and its flagship movie theatre, the first theatre in America to have a double-digit number of screens under one roof, opened on July 16th, 1982, and the theatre would quickly become one of the busiest movie theatres in the country, and whose success would help drive an astounding wave of new builds and acquisitions that would take Cineplex from a single theatre complex in Toronto to the biggest exhibitor in North America in less than ten years. In addition to the host's personal recollections of working at the theatre in the 1990s, the 2000s and the 2010s, we also talk to film historian, author and UCSB professor Ross Melnick about the impact the theatre had on the entire film industry.

On this episode, we take a look back not at the career of an actor or director, nor about a specific movie or a distributor, but at a movie theatre that opened forty years ago today, that would change the course of the theatrical exhibition industry forever: The Cineplex Beverly Center. ----more---- The Beverly Center and its flagship movie theatre, the first theatre in America to have a double-digit number of screens under one roof, opened on July 16th, 1982, and the theatre would quickly become one of the busiest movie theatres in the country, and whose success would help drive an astounding wave of new builds and acquisitions that would take Cineplex from a single theatre complex in Toronto to the biggest exhibitor in North America in less than ten years. In addition to the host's personal recollections of working at the theatre in the 1990s, the 2000s and the 2010s, we also talk to film historian, author and UCSB professor Ross Melnick about the impact the theatre had on the entire film industry.

On this episode, we speak with film historian, author and UCSB professor Ross Melnick about his new book, his 80s cinema class, and five films from the decade he thinks you should watch again. ----more---- Ross Melnick was also named as a 2017 Academy Film Scholar, one of only two film scholars who were bestowed this honor by the Academy of Motion Pictures Arts and Sciences. His new book, Hollywood Embassies: How Movie Theatres Projected American Power Around the World, has just been released by Columbia University Press, and it has been a great honor to have him guest on the show. The movies we discussed on this episode include: A Better Tomorrow (1986, John Woo) Cruising (1980, William Freidkin) El Norte (1983, Gregory Nava) Escape from Liberty Cinema (1990, Wojciech Marczewski) Ferris Bueller's Day Off (1986, John Hughes) Moscow on the Hudson (1984, Paul Mazursky) Radio Days (1987, Woody Allen) Reds (1981, Warren Beatty) Soul Man (1986, Steve Miner)* To Live and Die in L.A. (1985, William Freidkin) *Although discussed during the episode, neither Mr. Havens nor Mr. Melnick condones the viewing of Soul Man.  

On this episode, we speak with film historian, author and UCSB professor Ross Melnick about his new book, his 80s cinema class, and five films from the decade he thinks you should watch again. ----more---- Ross Melnick was also named as a 2017 Academy Film Scholar, one of only two film scholars who were bestowed this honor by the Academy of Motion Pictures Arts and Sciences. His new book, Hollywood Embassies: How Movie Theatres Projected American Power Around the World, has just been released by Columbia University Press, and it has been a great honor to have him guest on the show. The movies we discussed on this episode include: A Better Tomorrow (1986, John Woo) Cruising (1980, William Freidkin) El Norte (1983, Gregory Nava) Escape from Liberty Cinema (1990, Wojciech Marczewski) Ferris Bueller's Day Off (1986, John Hughes) Moscow on the Hudson (1984, Paul Mazursky) Radio Days (1987, Woody Allen) Reds (1981, Warren Beatty) Soul Man (1986, Steve Miner)* To Live and Die in L.A. (1985, William Freidkin) *Although discussed during the episode, neither Mr. Havens nor Mr. Melnick condones the viewing of Soul Man.  

Beginning in the 1920s, audiences around the globe were seduced not only by Hollywood films but also by lavish movie theaters that were owned and operated by the major American film companies. These theaters aimed to provide a quintessentially "American" experience. Outfitted with American technology and accoutrements, they allowed local audiences to watch American films in an American-owned cinema in a distinctly American way.   In Hollywood's Embassies, a history that stretches from Buenos Aires and Tokyo to Johannesburg and Cairo, Ross Melnick considers these movie houses as cultural embassies. He examines how the exhibition of Hollywood films became a constant flow of political and consumerist messaging, selling American ideas, products, and power, especially during fractious eras. Melnick demonstrates that while Hollywood's marketing of luxury and consumption often struck a chord with local audiences, it was also frequently tone-deaf to new social, cultural, racial, and political movements. He argues that the story of Hollywood's global cinemas is not a simple narrative of cultural and industrial indoctrination and colonization. Instead, it is one of negotiation, booms and busts, successes and failures, adoptions and rejections, and a precursor to later conflicts over the spread of American consumer culture. A truly global account, Hollywood's Embassies shows how the entanglement of worldwide movie theaters with American empire offers a new way of understanding film history and the history of U.S. soft power. _______________________________________________   Produced by Nat Freeman, Lance Morgan, & Michael Kowaleski. Theme: "I Love All My Friends," an unreleased demo by Fragile Gang.

On this week's episode of The Boxoffice Podcast, hosts Daniel Loria and Shawn Robbins look at the latest opening weekend forecast for Doctor Strange in the Multiverse of Madness. Can the new Marvel movie cross the $200 million mark over its domestic debut in theaters? The hosts also look ahead to the latest tracking figures for Memorial Day weekend, where Top Gun: Maverick will open alongside The Bob's Burgers Movie to kick off the summer box office. The world premiere of Top Gun: Maverick has exhibitors raving about the movie—but can the film connect with a younger generation of moviegoers? In the feature segment, Daniel speaks with Ross Melnick, professor of film and media studies at the University of California at Santa Barbara. Melnick's new book, “Hollywood's Embassies: How Movie Theaters Projected American Power Around the World,” looks at how the American conception of the movie theater was exported around the world. In a wide-ranging conversation going over 90 years of theatrical exhibition history, Loria and Melnick draw parallels between film history and today's multinational expansion of the movie theater business. Give us your feedback on our podcast by accessing this survey: https://forms.gle/CcuvaXCEpgPLQ6d18 Episode Resources:Cinema TreasuresWhat to Listen For 00:00 Intro 04:08 Doctor Strange domestic opening forecast 12:29 Cinema Treasures 15:18 It happened in about a 15-year period 19:15 MGM and Paramount building cinemas overseas 26:24 The export of the American concept of a movie theater  35:44 Decline in building the massive movie houses 41:04 The perception of privatized spaces

Colin Gunckel and Mirasol Enríquez discuss the impact and importance of the 1983 epic film El Norte, directed by Gregory Nava. In conversation with moderator Ross Melnick, Gunckel and Enríquez reflect on the production and reception of the film in the context of Chicanx filmmaking in the 80s. El Norte tells the story of a Guatemalan brother and sister who flee persecution and journey north along the length of Mexico, with a dream of finding a new home in the United States. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37066]

Colin Gunckel and Mirasol Enríquez discuss the impact and importance of the 1983 epic film El Norte, directed by Gregory Nava. In conversation with moderator Ross Melnick, Gunckel and Enríquez reflect on the production and reception of the film in the context of Chicanx filmmaking in the 80s. El Norte tells the story of a Guatemalan brother and sister who flee persecution and journey north along the length of Mexico, with a dream of finding a new home in the United States. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37066]

Colin Gunckel and Mirasol Enríquez discuss the impact and importance of the 1983 epic film El Norte, directed by Gregory Nava. In conversation with moderator Ross Melnick, Gunckel and Enríquez reflect on the production and reception of the film in the context of Chicanx filmmaking in the 80s. El Norte tells the story of a Guatemalan brother and sister who flee persecution and journey north along the length of Mexico, with a dream of finding a new home in the United States. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37066]

Colin Gunckel and Mirasol Enríquez discuss the impact and importance of the 1983 epic film El Norte, directed by Gregory Nava. In conversation with moderator Ross Melnick, Gunckel and Enríquez reflect on the production and reception of the film in the context of Chicanx filmmaking in the 80s. El Norte tells the story of a Guatemalan brother and sister who flee persecution and journey north along the length of Mexico, with a dream of finding a new home in the United States. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37066]

Colin Gunckel and Mirasol Enríquez discuss the impact and importance of the 1983 epic film El Norte, directed by Gregory Nava. In conversation with moderator Ross Melnick, Gunckel and Enríquez reflect on the production and reception of the film in the context of Chicanx filmmaking in the 80s. El Norte tells the story of a Guatemalan brother and sister who flee persecution and journey north along the length of Mexico, with a dream of finding a new home in the United States. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37066]

Colin Gunckel and Mirasol Enríquez discuss the impact and importance of the 1983 epic film El Norte, directed by Gregory Nava. In conversation with moderator Ross Melnick, Gunckel and Enríquez reflect on the production and reception of the film in the context of Chicanx filmmaking in the 80s. El Norte tells the story of a Guatemalan brother and sister who flee persecution and journey north along the length of Mexico, with a dream of finding a new home in the United States. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37066]

Colin Gunckel and Mirasol Enríquez discuss the impact and importance of the 1983 epic film El Norte, directed by Gregory Nava. In conversation with moderator Ross Melnick, Gunckel and Enríquez reflect on the production and reception of the film in the context of Chicanx filmmaking in the 80s. El Norte tells the story of a Guatemalan brother and sister who flee persecution and journey north along the length of Mexico, with a dream of finding a new home in the United States. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37066]

Colin Gunckel and Mirasol Enríquez discuss the impact and importance of the 1983 epic film El Norte, directed by Gregory Nava. In conversation with moderator Ross Melnick, Gunckel and Enríquez reflect on the production and reception of the film in the context of Chicanx filmmaking in the 80s. El Norte tells the story of a Guatemalan brother and sister who flee persecution and journey north along the length of Mexico, with a dream of finding a new home in the United States. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37066]

New film release models, cinemas in a post-COVID world, and opening night vibes at Magic Mike XXL all arise in this conversation about moviegoing during a pandemic between New York Times film critic Manohla Dargis, Art House Convergence managing director Alison Kozberg, and UC-Santa Barbara professor Ross Melnick. In this video, the three reminisce about favorite movie theater memories and find hope in the potential for revitalized public cinema going after the current health crisis. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36064]

New film release models, cinemas in a post-COVID world, and opening night vibes at Magic Mike XXL all arise in this conversation about moviegoing during a pandemic between New York Times film critic Manohla Dargis, Art House Convergence managing director Alison Kozberg, and UC-Santa Barbara professor Ross Melnick. In this video, the three reminisce about favorite movie theater memories and find hope in the potential for revitalized public cinema going after the current health crisis. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36064]

New film release models, cinemas in a post-COVID world, and opening night vibes at Magic Mike XXL all arise in this conversation about moviegoing during a pandemic between New York Times film critic Manohla Dargis, Art House Convergence managing director Alison Kozberg, and UC-Santa Barbara professor Ross Melnick. In this video, the three reminisce about favorite movie theater memories and find hope in the potential for revitalized public cinema going after the current health crisis. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36064]

New film release models, cinemas in a post-COVID world, and opening night vibes at Magic Mike XXL all arise in this conversation about moviegoing during a pandemic between New York Times film critic Manohla Dargis, Art House Convergence managing director Alison Kozberg, and UC-Santa Barbara professor Ross Melnick. In this video, the three reminisce about favorite movie theater memories and find hope in the potential for revitalized public cinema going after the current health crisis. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36064]

New film release models, cinemas in a post-COVID world, and opening night vibes at Magic Mike XXL all arise in this conversation about moviegoing during a pandemic between New York Times film critic Manohla Dargis, Art House Convergence managing director Alison Kozberg, and UC-Santa Barbara professor Ross Melnick. In this video, the three reminisce about favorite movie theater memories and find hope in the potential for revitalized public cinema going after the current health crisis. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36064]

New film release models, cinemas in a post-COVID world, and opening night vibes at Magic Mike XXL all arise in this conversation about moviegoing during a pandemic between New York Times film critic Manohla Dargis, Art House Convergence managing director Alison Kozberg, and UC-Santa Barbara professor Ross Melnick. In this video, the three reminisce about favorite movie theater memories and find hope in the potential for revitalized public cinema going after the current health crisis. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36064]

New film release models, cinemas in a post-COVID world, and opening night vibes at Magic Mike XXL all arise in this conversation about moviegoing during a pandemic between New York Times film critic Manohla Dargis, Art House Convergence managing director Alison Kozberg, and UC-Santa Barbara professor Ross Melnick. In this video, the three reminisce about favorite movie theater memories and find hope in the potential for revitalized public cinema going after the current health crisis. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36064]

New film release models, cinemas in a post-COVID world, and opening night vibes at Magic Mike XXL all arise in this conversation about moviegoing during a pandemic between New York Times film critic Manohla Dargis, Art House Convergence managing director Alison Kozberg, and UC-Santa Barbara professor Ross Melnick. In this video, the three reminisce about favorite movie theater memories and find hope in the potential for revitalized public cinema going after the current health crisis. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36064]

The challenge of blending three sound sources, the kinescope recording system, and the multimedia afterlives of 1950s television programs all arise in this conversation between film professor Ross Melnick, UCLA archivist Mark Quigley, and sound engineer Nicholas Bergh about the ABC television program Stars of Jazz. In this video, Quigley discusses the process of selecting which episodes to restore, and Bergh describes the principles of sound fidelity that guide his restoration work. Series: "Carsey-Wolf Center" [Show ID: 35806]

The challenge of blending three sound sources, the kinescope recording system, and the multimedia afterlives of 1950s television programs all arise in this conversation between film professor Ross Melnick, UCLA archivist Mark Quigley, and sound engineer Nicholas Bergh about the ABC television program Stars of Jazz. In this video, Quigley discusses the process of selecting which episodes to restore, and Bergh describes the principles of sound fidelity that guide his restoration work. Series: "Carsey-Wolf Center" [Show ID: 35806]

The challenge of blending three sound sources, the kinescope recording system, and the multimedia afterlives of 1950s television programs all arise in this conversation between film professor Ross Melnick, UCLA archivist Mark Quigley, and sound engineer Nicholas Bergh about the ABC television program Stars of Jazz. In this video, Quigley discusses the process of selecting which episodes to restore, and Bergh describes the principles of sound fidelity that guide his restoration work. Series: "Carsey-Wolf Center" [Show ID: 35806]

The challenge of blending three sound sources, the kinescope recording system, and the multimedia afterlives of 1950s television programs all arise in this conversation between film professor Ross Melnick, UCLA archivist Mark Quigley, and sound engineer Nicholas Bergh about the ABC television program Stars of Jazz. In this video, Quigley discusses the process of selecting which episodes to restore, and Bergh describes the principles of sound fidelity that guide his restoration work. Series: "Carsey-Wolf Center" [Show ID: 35806]

The challenge of blending three sound sources, the kinescope recording system, and the multimedia afterlives of 1950s television programs all arise in this conversation between film professor Ross Melnick, UCLA archivist Mark Quigley, and sound engineer Nicholas Bergh about the ABC television program Stars of Jazz. In this video, Quigley discusses the process of selecting which episodes to restore, and Bergh describes the principles of sound fidelity that guide his restoration work. Series: "Carsey-Wolf Center" [Show ID: 35806]

The challenge of blending three sound sources, the kinescope recording system, and the multimedia afterlives of 1950s television programs all arise in this conversation between film professor Ross Melnick, UCLA archivist Mark Quigley, and sound engineer Nicholas Bergh about the ABC television program Stars of Jazz. In this video, Quigley discusses the process of selecting which episodes to restore, and Bergh describes the principles of sound fidelity that guide his restoration work. Series: "Carsey-Wolf Center" [Show ID: 35806]

The challenge of blending three sound sources, the kinescope recording system, and the multimedia afterlives of 1950s television programs all arise in this conversation between film professor Ross Melnick, UCLA archivist Mark Quigley, and sound engineer Nicholas Bergh about the ABC television program Stars of Jazz. In this video, Quigley discusses the process of selecting which episodes to restore, and Bergh describes the principles of sound fidelity that guide his restoration work. Series: "Carsey-Wolf Center" [Show ID: 35806]

The challenge of blending three sound sources, the kinescope recording system, and the multimedia afterlives of 1950s television programs all arise in this conversation between film professor Ross Melnick, UCLA archivist Mark Quigley, and sound engineer Nicholas Bergh about the ABC television program Stars of Jazz. In this video, Quigley discusses the process of selecting which episodes to restore, and Bergh describes the principles of sound fidelity that guide his restoration work. Series: "Carsey-Wolf Center" [Show ID: 35806]

Arguably the finest screen actress of her generation reflects on her unlikely journey to 'Titanic' — in which she played her first leading role, at 21 — and the massive celebrity that came with its success; why, seven years later, 'Eternal Sunshine of the Spotless Mind' proved a career game-changer; and why she despised Harvey Weinstein long before the revelations about his sexual misconduct. But first: Dr. Ross Melnick, an associate professor of film and media studies at UC-Santa Barbara and and an expert on film exhibition (he's one of two 2017 Academy Film Scholars), about recent acquisitions of movie theater chains, closings of art-house movie theaters in America and how MoviePass actually works. Credits: Hosted by Scott Feinberg, recorded and produced by Matthew Whitehurst.

Who can forget the increasingly violent attacks by wild birds in Hitchcock's 1963 horror-thriller? Actress Tippi Hedren discusses the process of filming The Birds with moderator Ross Melnick of the UCSB Film and Media Studies Department. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 32217]

Who can forget the increasingly violent attacks by wild birds in Hitchcock's 1963 horror-thriller? Actress Tippi Hedren discusses the process of filming The Birds with moderator Ross Melnick of the UCSB Film and Media Studies Department. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 32217]

With a recently restored version of this 1975 film directed by Haile Gerimaa led to this conversation with Jan-Christopher Horak, Director of the UCLA Film and Television Archive and co-editor of the recent collection documenting the archive’s restoration of LA Rebellion films. He is joined by UCSB Department of Film and Media Studies Professors Anna Everett and Ross Melnick. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 30806]

With a recently restored version of this 1975 film directed by Haile Gerimaa led to this conversation with Jan-Christopher Horak, Director of the UCLA Film and Television Archive and co-editor of the recent collection documenting the archive’s restoration of LA Rebellion films. He is joined by UCSB Department of Film and Media Studies Professors Anna Everett and Ross Melnick. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 30806]

Ridley Scott’s 1982 film Blade Runner, set in a dystopian city-world of the future, presented extreme cinematographic challenges. UCSB Film and Media Studies faculty members Ross Melnick and Anna Brusutti discuss the making of the film and why it resonates so many years after its original release. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 29844]