Podcast appearances and mentions of cristina venegas

In this episode, we sit down with the legendary Cristina Venegas, the Dame of Drapery behind Drapes of Wrath. If you've ever wondered what it's like to be an upholsterer in the film industry, this one's for you!  Cristina has worked on some of the biggest productions, including The Crown and Marvel's Loki.  We dive into the artistry of drapery, the pressures of deadline-driven upholstery, and what it takes to be one of the few female Drapesmasters in the industry. Don't miss this fascinating peek behind the curtain!   Thank you to our Sponsors BEA Martins   Other interesting links connected to this podcast Kays Directory Royal Scottish Conservatoire of Scotland Sit on This website ARC The Upholstery Cabin

Director Miguel Coyula and actor Lynn Cruz join UC Santa Barbara's Kiley Guyton Acosta and Cristina Venegas to discuss their film, Corazón Azul. They discuss the allegorical significance of its imagery, which draws from Cuban political and historical contexts for its alternate reality narrative. They also share insights into the long, complicated development of the film over the years and reflect on what independent cinema means in Cuba. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39634]

Director Miguel Coyula and actor Lynn Cruz join UC Santa Barbara's Kiley Guyton Acosta and Cristina Venegas to discuss their film, Corazón Azul. They discuss the allegorical significance of its imagery, which draws from Cuban political and historical contexts for its alternate reality narrative. They also share insights into the long, complicated development of the film over the years and reflect on what independent cinema means in Cuba. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39634]

Director Miguel Coyula and actor Lynn Cruz join UC Santa Barbara's Kiley Guyton Acosta and Cristina Venegas to discuss their film, Corazón Azul. They discuss the allegorical significance of its imagery, which draws from Cuban political and historical contexts for its alternate reality narrative. They also share insights into the long, complicated development of the film over the years and reflect on what independent cinema means in Cuba. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39634]

Director Miguel Coyula and actor Lynn Cruz join UC Santa Barbara's Kiley Guyton Acosta and Cristina Venegas to discuss their film, Corazón Azul. They discuss the allegorical significance of its imagery, which draws from Cuban political and historical contexts for its alternate reality narrative. They also share insights into the long, complicated development of the film over the years and reflect on what independent cinema means in Cuba. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39634]

Filmmakers Heidi Hassan and Patricia Pérez Fernández discuss the making of their autoethnographic documentary In a Whisper (A media voz) with Cristina Venegas. They discuss a lifelong search for optimism during difficult times, which informed the tone of their film. Patricia Pérez Fernández elaborates on creating the films' letters, as well as how they both restructured their own archival footage to shape the film. Spanish w/ English subtitles. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38838]

A Q&A session with Writer/Director/Producer Miguel Coyula and Actor/Co-Producer Lynn Cruz of the documentary Nadie (2017). Coyula and Cruz discuss the production of the film and their work with the subject of the documentary, the reclusive Cuban poet, Rafael Alcides. The Q&A session, moderated by UCSB FIlm and Media Studies Professor, Cristina Venegas, covers the banning of the film in Cuba, the effect that making an “Anti-Revolutionary Film” has had on Coyula and Cruz, and the reception of the film in light of the deaths of both Fidel Castro and Alcides. This is Coyula’s first documentary feature, he was previously awarded a Guggenheim Fellowship for the production of Memories of Overdevelopment (2010). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34472]

A Q&A session with Writer/Director/Producer Miguel Coyula and Actor/Co-Producer Lynn Cruz of the documentary Nadie (2017). Coyula and Cruz discuss the production of the film and their work with the subject of the documentary, the reclusive Cuban poet, Rafael Alcides. The Q&A session, moderated by UCSB FIlm and Media Studies Professor, Cristina Venegas, covers the banning of the film in Cuba, the effect that making an “Anti-Revolutionary Film” has had on Coyula and Cruz, and the reception of the film in light of the deaths of both Fidel Castro and Alcides. This is Coyula’s first documentary feature, he was previously awarded a Guggenheim Fellowship for the production of Memories of Overdevelopment (2010). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34472]

A Q&A session with Writer/Director/Producer Miguel Coyula and Actor/Co-Producer Lynn Cruz of the documentary Nadie (2017). Coyula and Cruz discuss the production of the film and their work with the subject of the documentary, the reclusive Cuban poet, Rafael Alcides. The Q&A session, moderated by UCSB FIlm and Media Studies Professor, Cristina Venegas, covers the banning of the film in Cuba, the effect that making an “Anti-Revolutionary Film” has had on Coyula and Cruz, and the reception of the film in light of the deaths of both Fidel Castro and Alcides. This is Coyula’s first documentary feature, he was previously awarded a Guggenheim Fellowship for the production of Memories of Overdevelopment (2010). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34472]

A Q&A session with Writer/Director/Producer Miguel Coyula and Actor/Co-Producer Lynn Cruz of the documentary Nadie (2017). Coyula and Cruz discuss the production of the film and their work with the subject of the documentary, the reclusive Cuban poet, Rafael Alcides. The Q&A session, moderated by UCSB FIlm and Media Studies Professor, Cristina Venegas, covers the banning of the film in Cuba, the effect that making an “Anti-Revolutionary Film” has had on Coyula and Cruz, and the reception of the film in light of the deaths of both Fidel Castro and Alcides. This is Coyula’s first documentary feature, he was previously awarded a Guggenheim Fellowship for the production of Memories of Overdevelopment (2010). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34472]

A Q&A session with Writer/Director/Producer Miguel Coyula and Actor/Co-Producer Lynn Cruz of the documentary Nadie (2017). Coyula and Cruz discuss the production of the film and their work with the subject of the documentary, the reclusive Cuban poet, Rafael Alcides. The Q&A session, moderated by UCSB FIlm and Media Studies Professor, Cristina Venegas, covers the banning of the film in Cuba, the effect that making an “Anti-Revolutionary Film” has had on Coyula and Cruz, and the reception of the film in light of the deaths of both Fidel Castro and Alcides. This is Coyula’s first documentary feature, he was previously awarded a Guggenheim Fellowship for the production of Memories of Overdevelopment (2010). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34472]

A Q&A session with Writer/Director/Producer Miguel Coyula and Actor/Co-Producer Lynn Cruz of the documentary Nadie (2017). Coyula and Cruz discuss the production of the film and their work with the subject of the documentary, the reclusive Cuban poet, Rafael Alcides. The Q&A session, moderated by UCSB FIlm and Media Studies Professor, Cristina Venegas, covers the banning of the film in Cuba, the effect that making an “Anti-Revolutionary Film” has had on Coyula and Cruz, and the reception of the film in light of the deaths of both Fidel Castro and Alcides. This is Coyula’s first documentary feature, he was previously awarded a Guggenheim Fellowship for the production of Memories of Overdevelopment (2010). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34472]

Marsha Kinder, Professor of Cinematic Arts at USC, joins moderator Cristina Venegas, Professor of Film and Media Studies at UCSB, for a discussion of Víctor Erice’s 1973 directorial debut, The Spirit of the Beehive (El espíritu de la colmena). Their conversation addresses the significance of Spirit of the Beehive in terms of the history of Spanish cinema, and particularly its production at the end of the Franco Era in Spain and its setting at the end of the Spanish Civil War. Part of the Carsey-Wolf Center’s Frankenstein: Afterlives series, Kinder also addresses the significance of Mary Shelley's Frankenstein as an influence for the film, as well as Whale’s 1931 film Frankenstein, which appears and motivates characters in Erice’s Film. This discussion situates Spirit of the Beehive in the history of Spanish dictatorship and as an allegory for life under fascism. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34296]

Marsha Kinder, Professor of Cinematic Arts at USC, joins moderator Cristina Venegas, Professor of Film and Media Studies at UCSB, for a discussion of Víctor Erice’s 1973 directorial debut, The Spirit of the Beehive (El espíritu de la colmena). Their conversation addresses the significance of Spirit of the Beehive in terms of the history of Spanish cinema, and particularly its production at the end of the Franco Era in Spain and its setting at the end of the Spanish Civil War. Part of the Carsey-Wolf Center’s Frankenstein: Afterlives series, Kinder also addresses the significance of Mary Shelley's Frankenstein as an influence for the film, as well as Whale’s 1931 film Frankenstein, which appears and motivates characters in Erice’s Film. This discussion situates Spirit of the Beehive in the history of Spanish dictatorship and as an allegory for life under fascism. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34296]

Marsha Kinder, Professor of Cinematic Arts at USC, joins moderator Cristina Venegas, Professor of Film and Media Studies at UCSB, for a discussion of Víctor Erice’s 1973 directorial debut, The Spirit of the Beehive (El espíritu de la colmena). Their conversation addresses the significance of Spirit of the Beehive in terms of the history of Spanish cinema, and particularly its production at the end of the Franco Era in Spain and its setting at the end of the Spanish Civil War. Part of the Carsey-Wolf Center’s Frankenstein: Afterlives series, Kinder also addresses the significance of Mary Shelley's Frankenstein as an influence for the film, as well as Whale’s 1931 film Frankenstein, which appears and motivates characters in Erice’s Film. This discussion situates Spirit of the Beehive in the history of Spanish dictatorship and as an allegory for life under fascism. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34296]

Marsha Kinder, Professor of Cinematic Arts at USC, joins moderator Cristina Venegas, Professor of Film and Media Studies at UCSB, for a discussion of Víctor Erice’s 1973 directorial debut, The Spirit of the Beehive (El espíritu de la colmena). Their conversation addresses the significance of Spirit of the Beehive in terms of the history of Spanish cinema, and particularly its production at the end of the Franco Era in Spain and its setting at the end of the Spanish Civil War. Part of the Carsey-Wolf Center’s Frankenstein: Afterlives series, Kinder also addresses the significance of Mary Shelley's Frankenstein as an influence for the film, as well as Whale’s 1931 film Frankenstein, which appears and motivates characters in Erice’s Film. This discussion situates Spirit of the Beehive in the history of Spanish dictatorship and as an allegory for life under fascism. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34296]

Latino: The Changing Face of America is a new documentary by Los Angeles-born filmmaker and UCSB alumna Roxanne Frias. She discusses the film's glimpse into the future of the world’s biggest economy, a future in which Latinos will form the largest demographic group. The discussion includes Chicano Studies & History Professor Mario Garcia and Cristina Venegas of UCSB Film and Media Studies. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 31623]

Latino: The Changing Face of America is a new documentary by Los Angeles-born filmmaker and UCSB alumna Roxanne Frias. She discusses the film's glimpse into the future of the world’s biggest economy, a future in which Latinos will form the largest demographic group. The discussion includes Chicano Studies & History Professor Mario Garcia and Cristina Venegas of UCSB Film and Media Studies. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 31623]