Film and Television (Video)

In collaboration with the Transnational Italian Studies Program, the Carsey-Wolf Center presents a discussion examining the long history of Black African life in Italy with filmmakers Daphne Di Cinto and Medhin Paolos and UCSB moderator Stephanie Malia Hom. They discuss the short films Il Moro and Asmarina. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40541]

Screenwriter and playwright Phyllis Nagy joins moderator Patrice Petro for a discussion of Alfred Hitchcock's 1951 classic Strangers on a Train. Adapted from Patricia Highsmith's debut novel, the film follows tennis player Guy Haines (Farley Granger), who meets the charming but disturbed Bruno Anthony (Robert Walker) during a chance encounter on a train. Bruno proposes they “swap” murders—he'll kill Guy's wife, and Guy will kill Bruno's father—eliminating any obvious motive. When Bruno follows through, Guy finds himself caught in a dangerous game of blackmail and suspense. Known for its striking visual style and psychological complexity, Strangers on a Train is celebrated as one of Hitchcock's most influential thrillers, offering a masterclass in tension and moral ambiguity. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40542]

Nicholas Baer, author of Historical Turns: Weimar Cinema and the Crisis of Historicism, joins moderator and Carsey-Wolf Center Director Patrice Petro for a discussion of Sunrise: A Song of Two Humans. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40537]

Thirty years after the film's release, Fresh Kill has been remastered by the Fales Library & Special Collections of New York University. Fresh Kill director/producer Shu Lea Cheang traveled with filmmakers Jean-Paul Jones and Jazz Franklin on a nationwide roadtrip to screen the remastered 35mm print of the film at independent arthouse cinemas across the country, and to engage local communities on issues of environmental racism and activist resistance. Shu Lea Cheang joins moderator Jigna Desai from UCSB's Center for Feminist Futures to discuss the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40538]

Filmmaker Madhuja Mukherjee joins moderator Bishnupriya Ghosh of UCSB's English and Global Studies Department to discuss Deep6. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40539]

Director Pamela Yates joines moderator Giovanni Batz of UCSB's Chicana and Chicano Studies Department for discussion of Borderland | The Line Within. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40532]

Memoria (2021), the most recent feature from Palme d'Or-winning filmmaker Apichatpong Weerasethakul, follows Scottish orchid farmer Jessica Holland (Tilda Swinton) over the course of a trip to visit her sister in Bogotá, Colombia. After Jessica is startled awake by a loud bang that only she is able to hear, she becomes afflicted with a mysterious sensory syndrome. Sound editor Javier Umpierrez joins moderator Greg Siegel of UCSB's Film and Media Studies Department for a discussion of Umpierrez's work on Memoria. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40531]

In the early 20th century, Budapest was the second-largest Jewish city in Europe, and Jewish artists and intellectuals played a major role in the city's cosmopolitan cultural life. Among them was theater and cinema director and producer Béla Pásztor, whose career was marked by early success and later oppression. In a conversation with UC San Diego history professor Deborah Hertz, Béla's son, Rafael Pastor, explores his family's history before, during, and after the Nazi occupation of Hungary, including his parents' emigration to Israel, where he was born. In commemoration of the 80th anniversary of the deportations and annihilations of Hungarian Jews in 1944, which Béla survived in hiding, the conversation is preceded by a brief historical overview and survivor testimonies of this harrowing—and unforgettable—tragedy. Series: "Library Channel" [Humanities] [Show ID: 40227]

Director Don Hertzfeldt joins moderator Miguel Penabella (Film and Media Studies, UCSB) for a discussion of his films ME and It's Such a Beautiful Day. They discuss his time as a UCSB student and his early interest in animation, as well as the development of his new film. Hertzfeldt also shares insights into his influences from silent cinema, and his thematic interests in deep time and memory across his work. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40070]

Composer Christopher Willis joins moderator Tyler Morgenstern (Assistant Director, Carsey-Wolf Center) for a discussion of his work on Schmigadoon! They discuss how theatrical and movie musical history, as well as Willis' musicology background, informs the music of the show. They explore the challenge of composing an underscore, and incorporating the stylistic variation of decades of musicals, from the Golden Age musical tradition to the darker themes of 1960s and 1970s productions. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39993]

Director Lynn Hershman Leeson joins moderator Letícia Cobra Lima (History of Art & Architecture, UCSB and curator of A Box of One's Own) for a discussion of her film !Women Art Revolution. They discuss her history as an artist, and the difficult process of piecing together a narrative from hundreds of hours of footage, interviews, and extensive archival research. They also examine the institutional issues faced by women in the art world and make connections between past and present artists. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39975]

Writer/director Sam Kadi and actors William Atherton and Rizwan Manji join moderator Juan Campo (Religious Studies, UCSB) for a discussion of their film The Citizen. They share their experiences making the film and drawing inspiration from real Arab-American stories. They also discuss the continued relevance of the film's themes, including issues of citizenship, the immigrant experience, racial prejudice, and the right to protest, as well as the representation of Arab-Americans on-screen. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39978]

Filmmaker Sreemoyee Singh joins moderator Shiva Balaghi (Area Global Initiative, UCSB) for a discussion of her film And, Towards Happy Alleys. They discuss the impetus for the film and Singh's research into the cinema of Iran, as well as her travels to the country. Singh reflects on her experiences documenting Iranian filmmakers like Jafar Panahi and meeting those close to and following in the footsteps of the late Forugh Farrokhzad. She also discusses lessons learned as a documentary filmmaker. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39779]

Producer Angela Laprete and actor Lindsay Watson join moderator Tyler Morgenstern (Assistant Director of the Carsey-Wolf Center) for a discussion of their film The Wind and the Reckoning. They discuss the film's origins and telling the story in the ʻŌlelo Hawaiʻi language. They also speak on the development of the script, its approach to genres like the Western and historical drama, working with cultural consultants, and the importance of authentic and thoughtful cultural representation. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39977]

Director Sam Pollard joins moderator Wendy Eley Jackson (Film and Media Studies, UCSB) for a discussion of his film Max Roach: The Drum Also Waltzes. They discuss his long and remarkable career as a documentary filmmaker and the life of jazz musician Max Roach. They also reflect on Pollard's varied documentary subject matter throughout the decades, from dressage to graffiti to the civil rights movement, and working closely with director Spike Lee. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39974]

Director and co-writer Erica Tremblay joins moderator Lisa Parks (Film and Media Studies, UCSB) for a discussion of her film, Fancy Dance. They discuss the development of the film and Tremblay's three-year-long journey to study the Cayuga language in preparation. They also discuss Lily Gladstone's central performance, the role of dance as a central motif, and the foregrounding of queer identity and culture in the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39971]

Director Kemp Powers joins moderator Mireille Miller-Young (Feminist Studies, UCSB) for a discussion of his film Spider-Man: Across the Spider-Verse. They discuss the development of the film, the origins of characters like Spider-Punk, and various artistic influences. Powers also shares his experiences working with a large, diverse animation team and thoughtfully addressing issues of representation and authenticity. They also discuss the storytelling and expressive possibilities of animation. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39976]

Director Nicole Newnham joins moderator Kyna McClenaghan (Film and Media Studies, UCSB) for a discussion of her film The Disappearance of Shere Hite. They discuss the origin of the film and her interest in Shere Hite, as well as the archival research undertaken in making the documentary. Together, they also detail the work of Shere Hite in the context of the feminist movement of the time, the sexist backlash she received, and the enduring impact of The Hite Report and other studies. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39973]

Filmmaker Jess X. Snow joins UCSB's Heidi Amin-Hong to discuss a selection of Snow's films and their broader artistic journey. As a multidisciplinary artist, Snow's work encompasses poetry, visual art, and film, often addressing themes like the model minority myth, community care, mutual aid, and the Asian-American immigrant experience. They also explore how their films depict queer intimacy and the romantic and erotic agency of Asian-Americans. The conversation provides a deep dive into Snow's creative process and how their diverse body of work challenges stereotypes and offers empowering narratives for marginalized communities. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39972]

Writer/director Gregg Araki joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his film, Nowhere. Araki reflects on post-punk and do-it-yourself subcultures, as well as his memories taking film classes at UCSB as an influence on his work. He also discusses the cult following and home distribution of the film, the legacy of independent and new queer cinema on his career, and finding influence in new wave film movements and the city of Los Angeles. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39781]

Filmmaker/curator Márton Orosz joins moderator George Legrady (Media Arts & Technology, UCSB) for a discussion of György Kepes: Interthinking Art + Science. They discuss the career of György Kepes and his groundbreaking work at MIT, and presenting his life onscreen. They also explore the development of the field of art and technology in the twentieth century, as well as Kepes' continued significance and legacy in the present day. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39735]

Actor Meg Ryan joins moderator Brad Silberling for a discussion of the romantic comedy classic When Harry Met Sally. They share behind-the-scenes stories of the film's late screenwriter Nora Ephron and the enduring legacy of the film. They also reflect on the development of the film's script and iconic characters, the process of shooting scenes and bringing Harry and Sally to life onscreen, and Meg Ryan's work both in front of and behind the camera over the course of her career. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39638]

Associate producer Steve Starkey and screenwriter Peter S. Seaman join moderator Tyler Morgenstern (Assistant Director of the Carsey-Wolf Center) for a discussion of the film Who Framed Roger Rabbit. They discuss the early development and complex visual effects of the film. They also discuss the state of Walt Disney Studios in the 1980s and the industrial contexts surrounding the film, as well as allegories of segregation and urban sprawl in Los Angeles worked into the narrative. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39737]

Director Deborah Stratman joins moderator Alex Lilburn (Film and Media Studies, UCSB) for a discussion of her film, Last Things. Stratman discusses the varied ecological, geological, literary, and cinematic inspirations of the film and thinking beyond anthropic time scales. Together, they also discuss the structure of the documentary, the use of voiceover and outside excerpts, the scientific concepts explored throughout, and the research undertaken in the development process for the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39639]

Kashif Shaikh, co-founder and president of Pillars Fund, joins moderator Mona Damluji (Film and Media Studies, UCSB) for a discussion of the film Polite Society. Shaikh discusses working closely with director Nida Manzoor and themes of sisterhood, class hierarchy, and patriarchal power in the film. Together, they also discuss ways of subverting cliches and stereotypes in South Asian and Muslim representation onscreen and share perspectives on authenticity and a new generation of filmmakers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39736]

Filmmakers Valerio Ciriaci and Isaak Liptzin join UC Santa Barbara moderator Stephanie Malia Hom to discuss their film, Stonebreakers. They detail the origins of the project and their interest in monuments as a trigger for political action and historical discourse. They also discuss their experiences filming protests and broader political action against police brutality and systemic racism, and share perspectives on documentary film's delicate tension between history and memory. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39636]

Filmmaker James N. Kienitz Wilkins joins moderator Tyler Morgenstern, Assistant Director of the Carsey-Wolf Center, for a discussion of Still Film. They discuss its narrative and formal structure, as well as its thematic interests in the problems plaguing contemporary Hollywood. They also reflect on the film's use of language and larger questions of cinema, memory, and nostalgia. Moreover, Wilkins discusses his use of 35mm press kit photos in the film and multiple meanings behind the term “stillness.” Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39637]

Lucas Hilderbrand of UC Irvine joins UC Santa Barbara moderator Graham Feyl to discuss the film Paris is Burning. They review the history of its exhibition and the film's enduring legacy as a powerful portrait of queer life, resistance, beauty, and art. They also discuss the unique structure of the documentary, the cultural contexts of drag balls for trans communities of color, and Paris is Burning's significance in the history of trans representation onscreen. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39635]

Director Miguel Coyula and actor Lynn Cruz join UC Santa Barbara's Kiley Guyton Acosta and Cristina Venegas to discuss their film, Corazón Azul. They discuss the allegorical significance of its imagery, which draws from Cuban political and historical contexts for its alternate reality narrative. They also share insights into the long, complicated development of the film over the years and reflect on what independent cinema means in Cuba. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39634]

Filmmaker Juel Taylor joins UC Santa Barbara moderator Mireille Miller-Young for a discussion of his film They Cloned Tyrone as part of our Black Hollywood series. Taylor details the development of the film and its narrative and thematic inspirations and ideas. Together, they discuss each of the three main characters and the film's playful subversion of racial stereotypes and Blaxploitation tropes. They also reflect on the film's exploration of conspiracy theories in Black communities. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39633]

Filmmaker Alejandro M. Flores Aguilar and moderator Giovanni Batz discuss the film Ixiles: Voices from the Shadows of Time. Aguilar details the origin of the project, as well as the historical contexts of Indigenous resistance in the Ixil region of Guatemala. They also discuss issues surrounding ethnographic research, the responsibilities of academics, and the future of anti-colonial resistance. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39575]

Filmmaker Anthony Banua-Simon joins moderator Patrice Petro to discuss his documentary film Cane Fire. They explore the historical and colonial relationships between the plantation economy, the film industry, and tourism in Hawai'i, and larger questions posed by the film. Banua-Simon also discusses his approach to interrogating Hollywood history and how archival materials, oral records, and conspicuous historical absences drive his central critique. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39574]

Writer/producer Gabe Liedman and moderator Tyler Morgenstern discuss the film Barb and Star Go to Vista Del Mar, a screening programmed alongside a workshop on comedy writing. Liedman discusses the collaborative work of comedy and the unique comedic style of the film. He also shares his favorite jokes and moments in the movie, and how the film has been impactful for their own work as a comedian and screenwriter. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39565]

Director Arthur Jones and producer Giorgio Angelini join moderator Chelsea Kai Roesch from UC Santa Barbara to discuss their film "Feels Good Man." They talk about working with artist Matt Furie and unpack the social and political contexts behind Pepe the Frog and its cooptation by the alt-right. They also reflect on the cinematic challenges in telling a story about the internet and discuss the larger implications of internet culture and political polarization in the United States. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39567]

Timothy Corrigan of the University of Pennsylvania joins moderator Patrice Petro to discuss Rainer Werner Fassbinder's classic film Ali: Fear Eats the Soul. Together, they examine the larger body of work and influences of the German filmmaker, which include Brechtian aesthetics and classical Hollywood melodramas like that of Douglas Sirk. They also offer close readings of scenes from the film, analyzing themes of class, race, and gender and the social relations of melodrama. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39573]

Filmmaker Sam Kadi joins moderator Juan Campo, professor of religious studies at UC Santa Barbara, for a discussion of the film Lamya's Poem. Together, they consider how the film employs magical realism to interweave scenes from the lives of contemporary Syrian refugees with the experiences of 13th century poet Rumi. Kadi discusses the uses of animation in crafting a fantastical world, and shares perspectives on the important role of music, a conversation that continued with input from composer Christopher Willis, who was in attendance for the screening. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 39479]

Māori novelist Witi Ihimaera, author of the 1987 novel The Whale Rider, joins moderator Nicola Daly (University of Waikato) for a post-screening discussion of Niki Caro's 2002 film Whale Rider. Ihimaera discusses the novel's relationship to Māori stories and cultural practices, his writing process, and the film's enduring legacy. This event was presented in conjunction with the 26th biennial Congress of the International Research Society for Children's Literature (IRSCL). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39338]

UC San Diego Library's Signature Event Series kicks off with a conversation with filmmaker and author Mason Engel. Engel talks about his current work, “Books Across America,” as well as his past films and his novel “2084.” The discussion is moderated by Audrey Geisel University Librarian Erik T. Mitchell. Series: "Writers" [Humanities] [Show ID: 39321]

Professors France Winddance Twine (Sociology, UCSB) and Lisa Parks (Film and Media Studies, UCSB) join Marc Francis (Assistant Editor of Film Quarterly) in a conversation about power dynamics and inequality in the tech world of Silicon Valley, showing and discussing clips of the shows Super-Pumped and WeCrash. The topics they discuss expand upon their published article in Film Quarterly, addressing the exploitative working conditions for women and people of color inside this industry. Their conversation highlights the wastefulness and corruption of massive Silicon Valley corporations and unpacks larger cultural assumptions about corporate self-regulation and the celebrity personas of CEOs. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39055]

Writer/director Todd Field joins moderator Tyler Morgenstern (Assistant Director of the Carsey-Wolf Center) in a post-screening discussion of TÁR. Field details the origins and development of the film, including the creation of protagonist Lydia Tár. He elaborates on the public persona she curates in the film and larger thematic questions of exploitation, cultural authority, and the geopolitics of abuse. They also discuss the involvement of non-profit organization Xapiri Ground and their work with the Indigenous people of the Amazon rainforest, as well as photographer David Díaz Gonzales, who created a key image with actress Cate Blanchett for the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39057]

Director/executive producer David Mandel joins Patrice Petro (Dick Wolf Director of the Carsey-Wolf Center) for a post-screening discussion about the HBO miniseries White House Plumbers. In their discussion, Mandel details the origins of the show and distinguishes it from other noteworthy historical adaptations of the Watergate scandal, emphasizing its focus on overlooked figures and its balancing of political drama and tragedy. He also shares his experiences working with lead actors Justin Theroux and Woody Harrelson, as well as the efforts he and his crew made to faithfully recreate the show's period aesthetic in the midst of a pandemic. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39056]

Shelley Stamp (Film & Digital Media, UC Santa Cruz) joins moderator Kelsey Moore (Film and Media Studies, UCSB) in a post-screening discussion on George Cukor's classic 1944 film Gaslight, sharing thoughts on genre, the origin of gaslighting as a term, and the film's historical legacy. Their conversation also dives into the complexities of gender and the historical contexts of the Second World War and Hollywood's Golden Age. They discuss the relationships between Gothic melodrama and film noir, as well as these films' appeal to female audiences. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39053]