Podcasts about annex theater

On this episode of Learning Matters, Sandy Cioffi discusses being present: embodied learning, blockchain and story.Sandy Cioffi is the founder and executive director of fearless360º, a new media and virtual reality production company in Seattle. Sandy recently founded and directed SIFFX 2016, a showcase of the most current and creative thinking in virtual reality (VR), augmented reality (AR) and 360° immersion. As a 2016 Stranger Genius Award nominee, Sandy has been recognized as a cultural innovator.Sandy has produced and/or directed several films as a film and video artist, including the critically acclaimed Sweet Crude, Crocodile Tears, Terminal 187, and Just Us. She has worked with human rights organizations in using video as a documentation and verification tool - specifically providing video evidence during the 1998 Marching Season in Northern Ireland. She documented the Immigrant Workers Freedom Ride in 2003. Sandy was also a frequent guest on the NPR show Rewind which ended production when host Bill Radke left Seattle for Los Angeles. Sandy has also created media design for live performance at the Annex Theater, Hugo House, The Seattle Repertory Theater and On the Boards.Sandy has worked with young people extensively as an artist in residence and through the mentor/apprentice film program at the Langston Hughes Cultural Arts Center. As a long-time educator, she has also taught film at Seattle Central Community College, Seattle University, and Cornish College of the Arts.Support the show (https://www.twu.ca/donate-now)

Here's part 2 of our show dedicated to Crewmates at the Annex Theater. This is the meaty part. We get a no holds barred interview with the director, the writer and 2 cast members. They pull no punches but we also have a lot of laughs. While you're listening you can play the drinking game that came up out of this interview. Whenever Sameer calls the director Faraz instead of Shahbaz, have a drink of your beverage of choice. It's a story of Islamic magical realism and it is coming to the Annex Theater in May. It's Crewmates, written by friend of the show Sameer Arshad. Daryl went to a rehearsal and got to talk with the cast about this show which is 100% POC. It's a show you haven't seen before. A story of angels, Jinn and Asians in love. Go to the Annex Theater and have some fun seeing something new.

It's a story of Islamic magical realism and it is coming to the Annex Theater in May. It's Crewmates, written by friend of the show Sameer Arshad. Daryl went to a rehearsal and got to talk with the cast about this show which is 100% POC. It's a show you haven't seen before. A story of angels, Jinn and Asians in love. Go to the Annex Theater and have some fun seeing something new.

What happens when a cast of about a dozen Baltimore art folk get together to make a Hannibal radio play based on a hilarious holiday fanfic that itself is based on the classic horror film “Black Christmas”? Listen and find out! Show Notes: A Very Hannibal Black Christmas by HermaiaMoira http://archiveofourown.org/works/5410586 The original Black Christmas https://en.wikipedia.org/wiki/Black_Christmas_(1974_film) Horatio Dark’s Between the Lines:  https://www.facebook.com/horatiodarksbetweenthelines/ Moxie Fords: https://www.facebook.com/moxiefords/ Annex Theater: http://www.baltimoreannextheater.org/ Baltimore Rock Opera Society (BROS): http://baltimorerockopera.org/ Transcendence Belly Dance Collective: https://www.facebook.com/TranscendenceTribal/ Yellow Sign Theater: https://www.facebook.com/TheYellowSignTheatre/ Fluid Movement: http://fluidmovement.org/ Lyra & LaPerle: Occasionally Awesome (and without a web presence) Belly Dance

In this episode I speak with Sarah Jacqueline, an actor at the Annex Theater, as well as co-writer and director of the upcoming play 1-800-Mice. We talk about how she got into theater, the local theater scene, audition nerves, and more! For more info on the Annex Theater go to Baltimoreannextheater.org. Their latest play, Stupid Ghost, is in it's last week. You can catch it this Thursday through Sunday at 8. They are also holding a Gala party on October 21st. You can find tickets and more info on their website.

Today, we continue our Focus on the Counties Series with a conversation with first term Harford County Executive Barry Glassman . He was one of three county executives elected in the Baltimore region in the 2014 Republican wave led by Governor Larry Hogan. Harford County is wrestling with a tenacious problem of opioid addiction, the tensions between rural and suburban land use, environmental contamination, and other issues. I’ll talk to County Executive Barry Glassman on what’s ahead for Harford County. Then, Theater Critic J.Wynn Rousuck reviews "The Lord of Flies", an adaptation at the Annex Theater of William Golding’s chilling 1954 novel of not quite the same name.

Carlos Murillo is a Chicago-based playwright, director and teacher. He is a Visiting Professor at the Theatre School of DePaul University. His play Mimesophobia (or before and after) was produced at Arielle Tepper’s 2005 NYC Summer Play Festival after previous workshops at J.A.W. West Festival at Portland Center Stage (2004), South Coast Rep’s Hispanic Playwrights Project (2003), the Chautauqua Institution Theatre Conservatory (2002) and A.S.K. Theatre Project in Los Angeles (2002). In NY Carlos’ plays have been seen at the Public Theater, New York Theatre Workshop, En Garde Arts, Lincoln Center, Soho Rep, the Hangar Theatre, the Chautauqua Institute Conservatory, the Flea,INTAR and Nada, Inc. Regionally his work has been seen at South Coast Rep, Theatre at Boston Court, Circle X Theatre, Son of Semele Ensemble and A.S.K.Theatre Projects all in southern California, Red Eye Collaboration and the Playwrights’ Center in Minneapolis, The Group Theatre and Annex Theater in Seattle, Portland Center Stage, Madison Repertory Theatre, the Sundance Institute, the Bay Area Playwrights Festival, Boston Theatre Works, Salvage Vanguard and the dirigo group in Austin, and others. In Chicago his plays have been produced at Walkabout Theatre and Barat College of DePaul University. Recently, dark play was presented in the 2006 Latino Theatre Festival at the Goodman Theatre.

Carlos Murillo is a Chicago-based playwright, director and teacher. He is a Visiting Professor at the Theatre School of DePaul University. His play Mimesophobia (or before and after) was produced at Arielle Tepper’s 2005 NYC Summer Play Festival after previous workshops at J.A.W. West Festival at Portland Center Stage (2004), South Coast Rep’s Hispanic Playwrights Project (2003), the Chautauqua Institution Theatre Conservatory (2002) and A.S.K. Theatre Project in Los Angeles (2002). In NY Carlos’ plays have been seen at the Public Theater, New York Theatre Workshop, En Garde Arts, Lincoln Center, Soho Rep, the Hangar Theatre, the Chautauqua Institute Conservatory, the Flea,INTAR and Nada, Inc. Regionally his work has been seen at South Coast Rep, Theatre at Boston Court, Circle X Theatre, Son of Semele Ensemble and A.S.K.Theatre Projects all in southern California, Red Eye Collaboration and the Playwrights’ Center in Minneapolis, The Group Theatre and Annex Theater in Seattle, Portland Center Stage, Madison Repertory Theatre, the Sundance Institute, the Bay Area Playwrights Festival, Boston Theatre Works, Salvage Vanguard and the dirigo group in Austin, and others. In Chicago his plays have been produced at Walkabout Theatre and Barat College of DePaul University. Recently, dark play was presented in the 2006 Latino Theatre Festival at the Goodman Theatre.