Podcasts about Lincoln Center

Ep. 427: Amy Taubin on Arthur Jafa, NYFF: La Gradiva, Rose, Naza, Everything Else Is Noise, I Deserve a Lover, The Unknown, The Dreamed Adventure, plus Godard Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. As the fall film season begins in New York, I sat down once again with Amy Taubin to make sense of it all. We talked about The New York Film Festival 2026, but first Taubin singles out two other notable events: the career-spanning Arthur Jafa exhibition at the New Museum (“I Am Tony”), and the uniquely assembled series “Jean-Luc Godard: Unmade and Abandoned” at L'Alliance New York. Then it's on to a slew of selections in NYFF: Naza (directed by Yuval Abraham and Rachel Szor), La Gradiva (Marine Atlan), Rose (Markus Schleinzer, starring Sandra Hüller), Everything Else Is Noise (Nicolas Pereda), The Dreamed Adventure (Valeska Grisebach), The Unknown (Arthur Harari, starring Léa Seydoux), All of a Sudden (Ryusuke Hamaguchi, starring Virginie Efira and Tao Okamoto), My Undesirable Friends: Part II—Exile (Julia Loktev), Paper Tiger (James Gray, starring Scarlett Johansson, Adam Driver, Miles Teller), and I Deserve a Lover Whose Every Rise Sets Fiery Dooms Raging Across the Skies (Mani Haghighi). Arthur Jafa: I Am Tony is on display at the New Museum through January 3. Jean-Luc Godard: Unmade and Abandoned screens through October 15 at L'Alliance New York. The 64th New York Film Festival runs through October 12 at Lincoln Center. Several NYFF selections discussed also open in theaters in October, November, and December. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

At the 64th New York Film Festival, Lee Chang-dong, Jeon Do-yeon, Sul Kyung-gu, Zo In-sung, and Cho Yeo-jeong discuss Possible Love with NYFF Artistic Director Dennis Lim. Thanks to Haley Yung, Estelle Lee, and Iris Jang for interpretation. Possible Love opens at Film at Lincoln Center on October 23. Tickets on sale now. The lives of two married couples from different social strata collide in Lee Chang-dong's brilliantly unfolding narrative about economic precarity, in which a laid-off factory worker and his wife become the camera subjects for a documentary filmmaker. Winner of the Silver Lion at the 2026 Venice Film Festival and South Korea's entry for Best International Feature Film at the 2027 Academy Awards. The 64th New York Film Festival is presented in partnership with Rolex.

Laurie Berkner has been recognized by People Magazine as “the queen of kids' music.” Laurie's a singer, songwriter, performer, author, and founder of Two Tomatoes Records. Laurie's songs have become beloved classics for children worldwide. Her work has received more than 1.7 billion online streams, averaging more than 22 million streams monthly. She's also amassed more than 578 million YouTube channel views. And her CDs and DVDs have sold in the millions.A leader and innovator in children's music and entertainment for the past quarter century, Laurie has released 17 bestselling, award-winning albums. She was the first recording artist ever to perform in music videos on Noggin and Nick, Jr., appearing regularly on Jack's Big Music Show. She helped develop the Universal Kids short-form animated musical preschool series, Sing It, Laurie!  She also created two Laurie Berkner's Song and Story Kitchen series with Audible Studios, later released as audiobooks.Laurie's also authored several picture books based on her songs. I've read two of those, Monster Boogie and Pillowland. Like her music, I found her writing to be colorful, energetic, and entertaining in ways that help children perceive, absorb, and live life.She's also written the music and lyrics for three Off-Broadway children's musicals: Wanda's Monster, The Amazing Adventures of Harvey and the Princess, and Interstellar Cinderella. And you can catch her in the children's music documentary, Happy and You Know It, directed by Penny Lane, which is streaming on HBO Max.Laurie maintains a busy, nationwide touring schedule, both solo and with The Laurie Berkner Band. She's performed at Lincoln Center, Carnegie Hall, Macy's Thanksgiving Day Parade, and the White House, among many other prestigious venues.  Please be sure to stick around at the end of the show for a very special treat.  Laurie has generously lent us her wonderfully fun song, “Everyone's Demanding Bananas,” which you can find on her new tonie, “Harry the Chipmunk's Treasure Hunt.” You can also find it on Laurie's album, Walking With The Penguins.

Apologies for the unexpected rerun, folks, but it was out of our control. Please enjoy another episode of ART CLASS. Episode originally aired June 4, 2024.--Happy Pride, Classmates and welcome back to ART CLASS! We're back to our regularly scheduled programming this week with two fantastic conversations for you to enjoy. First, we're joined by the fabulous and talented Giselle Byrd, Executive Director of The Theater Offensive in Boston and the first Black trans woman to hold such a title at an American theater company. We'll chat about the need for representation and change in the theater industry, particularly for marginalized communities, as well as the challenges faced by trans leaders everywhere. Then Career Day is back! We're joined by esteemed artist and author Shawn Martinbrough, who'll teach us all about breaking into the comic book industry. Plus, the Morning Announcements with Emilia, a nerdy little PBJ for your soul, and we'll be joined all show by our dear, dear friend and Lincoln Center colleague, Frankie Charles! Take your seats, y'all! Class is in session!Hosts: Lee Bynum, Rocky Jones, Paige Reynolds (Mabolé Inawale)Guests: Giselle Byrd, Shawn MartinbroughContributor: Emilia Mettenbrink, Frankie CharlesProducer: Rocky Jones--LinksThe Theater Offensive (Website)Giselle Byrd (Insta)Shawn Martinbrough (Website) (Insta)Anansi Boys Announcement (THR)Judge Kim Book Seriese (Forbes)--New episodes of THE SCORE drop every other Tuesday. If you like what you hear, please support us and SUBSCRIBE to the show on your favorite podcast app and be sure to SHARE our show with your friends. Also, leaving a 5-star REVIEW on Apple Podcasts, Spotify or wherever you're listening is a great way to help people find our show. Email your questions or comments to thescorepodcast2.0@gmail.com.Ways to Listen: Apple | Spotify | YouTubeFollow Your Hosts on Insta! Lee | Paige | Rocky

Sophia Agranovich is a Ukrainian born multi-award winning pianist acclaimed for her virtuosity and sensitivity. She's been called “a tigress of the keyboard”. She has performed worldwide including recent solo performances in France. She's appeared at Lincoln Center, Carnegie Hall, and Merkin Hall among many other venues. She's released 12 albums and several singles. And she's listed in "Who's Who in America" and "Who's Who in the World". My featured song is “The Gift”. This is my original jazz ballad from the album Made In New York by my band Project Grand Slam. Spotify link.—------------------------------------Top 1% of all podcasts with Listeners in 200 countries!Click here for Start HereClick here for All Episodes Click here for Guest List Click here for Guest TestimonialsClick here for PillarsClick here for Robert's Project Grand SlamClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH SOPHIA:www.sophiagranovich.com--------------------------SUBMITTED FOR GRAMMY CONSIDERATION:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Cello). "Short, Sweet and Totally Different"CLICK HERE FOR OFFICIAL VIDEOCLICK HERE FOR ALL LINKS---------------------ROBERT''S LATEST RELEASE:"MA PETITE FLEUR STRING QUARTET"“Nine minutes of genuinely enjoyable chamber music-making: thoughtful, expressive, beautifully played and full of personality!” (Broadway World)"Robert Miller's "Ma Petite Fleur String Quartet” is a true musical treasure in the string quartet repertoire. Beautifully performed!”. (GRAMMY® nominee cellist Tess Remy-Schumacher)“I love it! Such an amazing work!” (Award Winning Pianist, GRAMMY® U Mentor, Vivian Fang Liu)CLICK HERE FOR ALL LINKS—--------------------------------------Audio production:Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com

Dias 2 e 3 de outubro, arte contemporânea portuguesa instala-se no Lincoln Center em Nova Iorque, EUA. Restaurante Vadio em Oslo, Noruega, aberto há quase um ano.See omnystudio.com/listener for privacy information.

El pulso victrolero de los últimos años 50 nos permite recordar al bolerista Domingo Lugo. Con el respaldo musical del Conjunto Club, fundado en la localidad habanera de Regla por el trompetista Alfonso Salinas, su estilo comenzó a llamar la atención a través de sus grabaciones para las etiquetas independientes Panart, Fama y Modiner. Lágrimas de alcohol y desengaños que dan paso a las históricas emisiones de la CMQ RadioCentro. El arte del maestro Luis Carbonell llega con dos estampas del escritor Álvaro de Villa. El formidable acuarelista de la poesía afroantillana nos devuelve dos nostálgicas pinceladas dedicadas a La Habana. Unos minutos donde repasamos los catálogos de la antigua Víctor de los años 30 y de Panart, el primer sello independiente cubano que en los años 50 hizo de Barbarito Diez, junto a la orquesta del gran Antonio María Romeu, uno de sus artistas exclusivos. La eterna voz de cristal del danzón cantado en la memoria de Cubakústica. Como parte indisoluble de la era del swing y las grandiosas big bands norteamericanas de los primeros años 40, llegaron a la isla cuartetos armónicos como "The Modernaires" despertando entre los músicos criollos la fascinación por sus trabajos vocales. Seguidamente los cuartetos de Orlando de la Rosa, Facundo Rivero y D'Aida. Integrando el primero y el segundo, respectivamente, unas juveniles y ya extraordinarias Elena Burke y Celeste Mendoza. Unos minutos con el Jazz cubano más contemporáneo a cargo del contrabajista, arreglista y compositor Néstor del Prado. Modalidad bien vigorosa, a trío, marcando el pulso de lo que este músico cubano, radicado ya hace varios años en los Estados Unidos, ha dado en llamar "Cuban Hard Bop". Le acompañan Irving Aday en piano y Armando Arce "Pututi III" en drums. Dos piezas a tener en cuenta "Influenciando el mambo" de la autoría de Alexis Bosch y "Sin el rocío de esta mañana" del propio Néstor. El ayer y hoy de la música popular cubana. Buen recuerdo para el virtuoso contrabajista, arreglista y compositor Cachao López. Junto a su hermano el pianista Orestes "Macho" López oxigenó el movimiento charanguero cubano de la frontera de los años 30 a los 40 con el innovador "danzón de nuevo ritmo". Nos despedimos con una memorable presentación de este mítico músico en el Lincoln Center newyorquino del año 1995.

Lumanyano Mzi is a South African drummer whose music is shaped by reggae, jazz, African music, and gospel. He attended Berklee Music School in Boston. He's performed at Lincoln Center and the JFK Library among many other venues.My featured song is my version of Miles Davis's “Nardis”, from the album Miles Behind by The Robert Miller Group. Spotify link.—------------------------------------Top 1% of all podcasts with Listeners in 200 countries!Click here for Start HereClick here for All Episodes Click here for Guest List Click here for Guest TestimonialsClick here for PillarsClick here for Robert's Project Grand SlamClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH LUMANYANO:info@lumanyanomzi.com-----------------------------ROBERT''S LATEST RELEASE:"MA PETITE FLEUR STRING QUARTET"“Nine minutes of genuinely enjoyable chamber music-making: thoughtful, expressive, beautifully played and full of personality!” (Broadway World)"Robert Miller's "Ma Petite Fleur String Quartet” is a true musical treasure in the string quartet repertoire. Beautifully performed!”. (GRAMMY® nominee cellist Tess Remy-Schumacher)“I love it! Such an amazing work!” (Award Winning Pianist, GRAMMY® U Mentor, Vivian Fang Liu)CLICK HERE FOR ALL LINKS------------------------------ROBERT'S RECENT RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Cello). "Short, Sweet and Totally Different"Submitted for GRAMMY® considerationCLICK HERE FOR OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------------Audio production:Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com

On this episode we continue our reviews of films featured at this year's Scary Movies Festival at Lincoln Center as well as reviews for End of Oak Street and The Wrong Girls. Music by Christopher GillardProduced by Jason Godbey & Yasin LagoCreated & Hosted by Jason GodbeyFor more content: www.norestfortheweekendpodcast.comPatreon:www.patreon.com/btrpmediawww.btrpmedia.com

If you live in New York, you know this is the best time of year for filmgoing; if you don't, you probably realize such and just wish you were here. The 64th New York Film Festival begins this Friday, September 25, and runs a little over two weeks, accounting for encores that are appreciable and often still insufficient for seeing everything on offer at Lincoln Center. I can speak from experience that seeing as much as you want—or, let's be honest, seeing even more than you wish—is like a full-time job. Imagine the task of being its architect. That man is Dennis Lim, with whom I spoke last year on the eve of the 63rd edition. Dennis has plenty more to say as this year begins, not least on the theme of sorts that has emerged from our dystopian moment. This conversation is not doom and gloom, though—by his read, cinema is in a strong-enough place that there's reason to be hopeful, even cherish the medium. Plus: there's always Hong Sangsoo.

If you asked me what theater to see in New York last year, I would have told you to head to Lincoln Center for one of two shows - Ragtime or Night Side Songs. For this episode I sat down with Brooke Ishibashi, the lead actress from the cast of Night Side Songs, to talk about grief, breast cancer, mammograms, and our shared love of the show. (Full disclosure: fellow cast member Jonathan Raviv is a friend and I try to see everything he's in and that's how I was introduced to the Lazour brothers and this work of heartbreaking (and heartmending) genius).  We talk about breast cancer A LOT in this episode and the liminal space in between a mammogram and an answer.  As a listener of Finding Favorites, you are now required to listen to the cast recording of Night Side Songs. Brooke's Links Website: https://www.brookeishibashi.com/ Instagram: https://www.instagram.com/brookeishibashi Coaching email: ishibashicoaching@gmail.com Night Side Songs cast recording: https://castalbums.org/recordings/night-side-songs-2026-original-off-broadway-cast/52272 Mentions Mary Kageyama Nomura: https://en.wikipedia.org/wiki/Mary_Nomura College Audition Pros: https://collegeauditionpros.com/ Felicity: https://en.wikipedia.org/wiki/Felicity_(TV_series)  Under the Radar: https://utrfest.org/ Sharsheret: https://www.sharsheret.org/ Lincoln Center for the Performing Arts Archives: https://archives.lincolncenter.org/ Follow Finding Favorites on Instagram at @FindingFavsPod and leave a 5 star rating on Apple Podcasts, GoodPods or Spotify. Got a question or want to suggest a guest? email Leah at FindingFavoritesPodcast@gmail.com This episode was edited and mixed by Rob Abrazado. Thanks for coming back! Support Finding Favorites by shopping for books by guests or recommended by guests on Bookshop.

This week we're excited to present a special preview of the 64th New York Film Festival, beginning next Friday, September 25 and running through October 12. NYFF Artistic Director Dennis Lim is joined by Jordan Raup, Associate Director of Marketing at Film at Lincoln Center, to break down the films and events you can't miss throughout this year's 18-day festival. Lim takes your questions from Discord and Reddit, including what a year in programming looks like, navigating the late additions this year, reflecting on the legacy of the festival, and much more. Don't forget to subscribe for more daily filmmaker conversations throughout the festival. Tickets to this year's festival are still available but going fast. Get yours here: https://filmlinc.org/tix The 64th New York Film Festival is presented in partnership with Rolex.

In honor of the 60th anniversary of the opening of the new Metropolitan Opera House at Lincoln Center on September 16, 1966, we replay a portion of a conversation with Susan Froemke, who directed and co-produced a documentary film titled "The Opera House". that chronicles the long and complicated story of how the Met found it necessary to find a new home, the arduous process by which the location and design of that new home, and the monumental challenges involved with the world premiere production of Samuel Barber's ANTONY & CLEOPATRA that opened the house with Leontyne Price. (The film can be view via the Met's website, metopera.org.)

Goldberg sits down with executive producer Brian Teta to reflect on her 20th season at 'The View' table. She also opens up about Kerry Washington's idea to bring back her one-woman show, 'The Whoopi Monologues,' at Lincoln Center this summer and what it meant to see the production receive such a positive response. She reflects on what her younger self would think of the life and career she has today and discusses what it has been like having a documentary crew follow her life behind the scenes. Whoopi also answers a viewer question about grief and shares her own perspective on navigating loss. Plus, Whoopi talks about her upcoming film project, 'Women Like Us,' which will be produced by the Obamas. Text us your questions at ‪(917) 960-3037‬ or call and leave a voicemail! Learn more about your ad choices. Visit podcastchoices.com/adchoices

This is the Music History Today podcast for September 16. On today's show, Miami Vice debuts, the Met opens at Lincoln Center, & Rapper's Delight gets released.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:34 What happened on this date in music history20:19 Music award ceremonies that were held on this date in music history22:19 Albums released on this date in music history 37:35 Singles released on this date in music history 40:33 Birthdays of music artists on this date in music history 47:19 Artists who died on this date in music history 53:06 What's on tomorrow's episode

Orfeh is a Tony and Grammy Award-nominated New Yorker. Last summer she completed a run in her West End debut in “Burlesque The Musical” as Tess. On Broadway, she is best known for originating the role of Paulette in “Legally Blonde: The Musical” (Tony nomination) and was most recently seen as Mama Morton in “Chicago.” Other NY stage credits include Kit De Luca in “Pretty Woman: The Musical,” Janis Joplin in “Love, Janis” and Annette in “Saturday Night Fever.” TV appearances include roles on “Law & Order: SVU” and “Sex and the City,” among others. As a producer, she is Tony-nominated for this season's "The Lost Boys" on Broadway. A singer, songwriter and recording artist, Orfeh and her band have performed everywhere from Jazz at Lincoln Center to Theatre Royal Drury Lane in London. Upcoming projects include Heidi in the Heidi Fleiss musical "Little Black Book." She began her music career as a teen, when she landed on the Billboard charts with her album “Or-N-More.” Her latest singles “Live My Life” and “Back In Love Again” are available on all streaming platforms. Instagram: @orfeh, tiktok: @offical_orfeh Learn more about your ad choices. Visit podcastchoices.com/adchoices

On the latest Whisper in the Wings from Stage Whisper, we were honored to welcome on the performers Has Ruoqi and Tian to talk about their upcoming production of MULAN, coming to Lincoln Center this fall. These fantastic artists shared some unique insight and brilliant behind the scenes looks at tis internationally acclaimed production. So be sure that you hit play and get your tickets today!China Arts and Entertainment Group PresentsMULANSeptember 18th-20th@ David H. Koch Theater, Lincoln CenterTickets and more information are available at davidkochtheater.com And be sure to follow our guests to stay up to date on all their upcoming projects and productions: davidkochtheater.com

Vivian Fang Liu is an award-winning concert pianist, singer, songwriter, music educator, and researcher. But this description just scratches the surface. Her works are like a three ring circus. So much going on. You'll hear when we get to the Songfest portion. She's performed all over the place. At Carnegie Hall, Lincoln Center, the Kennedy Center, and the Grammy Museum among others. She's recorded on multiple Grammy-nominated albums. She's been honored with four Global Music Awards. Her music has been featured on PBS, SinoVision, and SiriusXM. And One of her songs - “Belong” - is an anti-Asian hate crime song which she wrote for children to encourage them to take pride in themselves and their heritage. My featured song is “Redemption Road” from the album PGS 7 by my band Project Grand Slam. Spotify link.—------------------------------------Top 1% of all podcasts with Listeners in 200 countries!Click here for Start HereClick here for All Episodes Click here for Guest List Click here for Guest TestimonialsClick here for PillarsClick here for Robert's Project Grand SlamClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH VIVIAN:Click Here—-----------------------------------ROBERT''S LATEST RELEASE:"MA PETITE FLEUR STRING QUARTETCLICK HERE FOR ALL LINKS—-----------------------------------ROBERT'S RECENT RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally DifferentCLICK HERE FOR OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------------Audio production:Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com

In this episode of the Sumud Podcast, Dr. Ed Hasan sits down with Palestinian singer-songwriter Mona Miari and legendary musician Roger Waters to discuss their powerful reimagining of Comfortably Numb and the story behind its creation. Mona and Roger reflect on the year-long creative process, the grief and inspiration behind the song, Palestinian history and culture, and how music can challenge indifference and keep people from becoming numb to human suffering. They also discuss the emotional story behind the song's Palestinian lullaby, the making of its accompanying film, and the responsibility artists have to speak out for freedom, justice, and human rights. Watch 'Roger Waters & Mona Miari – Comfortably Numb Re-Imagined (Official Music Video)': https://www.youtube.com/watch?v=WBmrT3uqmeM Mona Miari is an internationally acclaimed Palestinian singer-songwriter and artistic director based in New York City, whose work bridges global audiences while rooted in Arabic traditions. The first Arab singer to perform at Boston's Hatch Memorial Shell with the Boston Landmarks Orchestra, she has headlined major venues including Lincoln Center, BAM, and The Public Theater, and performed internationally across Europe, the Arab world, and South Africa. She is the Artistic Director of the New York Arab Chorus and a recipient of residencies from the Rockefeller Brothers Fund and La Maison de Beaumont. Her debut album, releasing in 2026, showcases a bold body of original work grounded in storytelling and cross-cultural influence. Roger Waters, founding member and principal lyricist of Pink Floyd, is one of the most influential figures in modern music history. As the creative force behind landmark albums including The Dark Side of the Moon and The Wall, his work has shaped generations of listeners through its political consciousness and emotional depth. A lifelong activist, Waters' connection to Palestine traces back to his childhood, when his father worked as a teacher in the region, shaping his early awareness of its realities. In this project, Waters revisits Comfortably Numb not as nostalgia, but as a living work - reframed through collaboration as a response to the present moment. In this conversation, we explore → The story behind Comfortably Numb Reimagined → How Roger Waters and Mona Miari began collaborating  → Roger Waters' response and the year-long creative collaboration → Hind Rajab, the Palestinian lullaby, and the story behind the rising sun → Palestinian musical traditions and the meaning of “Falastin” → Centering Palestinian humanity, culture, memory, and everyday life → How music and artists can challenge propaganda, injustice, and indifference → The meaning of Sumud, resilience, and remaining human through resistance  Sponsored by The Karate Attorney (@karateattorney) fighting for justice inside and outside the courtroom. Visit KarateAttorney.com Full episode on https://sumudpod.com Follow @dredhasan | @sumudpod | @monamiari | @rogerwaters | @empire.wana Learn more about your ad choices. Visit megaphone.fm/adchoices

Following his conversation with Film at Lincoln Center programmer Maddie Whittle, Eli returns from watching the series she programmed, Scary Movies XIV, to tell Ben and Wilson about fright, fear, thrill, chill… you get it. Stay tuned for Eli's thoughts on new films Buddy (dir. Casper Kelly) and Something Real (dir. Evar Anvelt) and revival screenings of Cam (dir. Daniel Goldhaber), Henry: Portrait of a Serial Killer (dir. John McNaughton), and Wendigo (dir. Larry Fessenden), plus exclusive insights from directors during their Q&A sessions.Links:The full slate of films at Scary Movies XIVScare us in our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00 Intro01:42 Festival intro09:30 General horror discussion12:13 Buddy (2026) dir. Casper Kelly17:00 Something Real (2026) dir. Evar Anvelt21:09 Revivals21:34 Cam (2018) dir. Daniel Goldhaber34:31 Henry: Portrait of a Serial Killer (1986) dir. John McNaughton42:56 Wendigo (2001) dir. Larry Fessenden50:31 Wrap-up

This week we're excited to present a conversation from this year's edition of New Directors/New Films with the directors and lead actress of Chronovisor, moderated by New Directors/New Films selection committee member Tyler Wilson. Chronovisor will be opening at Film at Lincoln Center next Friday, September 4 with in-person Q&As at select screenings opening weekend! Get tickets at filmlinc.org/chronovisor Ahead of the film's release, don't miss Bibliomania: A Preface to Chronovisor (taking place August 28–September 3), a curated anthology of features and shorts that brilliantly wring suspense, humor, and terror from seemingly undramatizable subjects. The series serves as a great preface to Chronovisor. View the full screening schedule and secure tickets at filmlinc.org/bibliomania Inspired by the true story of a “fake” invention, Kevin Walker and Jack Auen's Chronovisor follows a Columbia professor deep into a Borgesian labyrinth of textual clues pointing to a time-travel device rumored to have been suppressed by the Vatican.

William "Bill" Easley, born in Olean, NY, is a saxophonist, flutist and clarinetist, has performed with some of the most iconic musicians, including George Benson, Isaac Hayes, Ruth Brown, Ron Carter, Grady Tate, Bobby Short, John Lewis, Winton Marsalis and Louis Bells, just to name a few! He has been part of the orchestra of 10 Broadway Shows, including Black and Blue, Sophisticated Ladies, The Wiz, Jelly Last Jam, Fosse.As side from being a sideman on many recording, he has 5 recording as a leader.He has performed in a host of club such as Minton's, Village Vanguard in New York, Plugged Nickel in Chicago, The Jazz Work Shop in Boston to Carnegie Hall and Lincoln Center. He began performing with his father, a bandleader with his own band and his mother, who was a master pianist. This episode is informative, historic yet oh so funny! It is not to be missed. You'll love meeting Bill Easley!!! Produced, directed, edited and hosted by Stephen E Davis Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

'The View' celebrates its 2026 Daytime Emmy nominations for Outstanding Daytime Talk Series and Outstanding Daytime Talk Series Host!  The co-hosts weigh in as officials work to contain a nationwide cyclosporiasis outbreak, raising questions about food safety and whether cuts to the CDC have affected the agency's response. Whoopi Goldberg reflects on attending the opening night of 'The Whoopi Monologues' at Lincoln Center and seeing her groundbreaking one-woman show brought to life for a new generation. Plus, Jennifer Garner joins the show to discuss teaming up with Regina Hall, Chloë Sevigny, D'Arcy Carden, and Gemma Chan to bring Elin Hilderbrand's bestselling novel 'The Five-Star Weekend' to life in a new series. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Joel “Jay-Ray” Anderson is a drummer that was recently touring with The Wiz.I caught up with him mid-tour. We talked about growing up in a musical family in Fort Lauderdale, learning drums from YouTube and his oldest brother, coming up through the Dillard High School drumline, studying music at Broward College and Florida Memorial University, landing his first tour (Pretty Woman) the week after graduation, and transitioning to The Wiz through a network built one relationship at a time. We got into gospel drumming history, drumline battles, a month spent touring Japan, and why networking, not just chops, is what actually opens doors.Jay-Ray comes from a house full of musicians. His father plays guitar and sings; his oldest brother plays drums and keys; another brother sings, plays drums, and plays saxophone; and a third brother plays bass, guitar, and keys while producing. Jay-Ray's own introduction to the drums came at six years old, when his oldest brother sat him down in front of a kit for the first time. By twelve, he had his own Sonor drum set, a gift from that same brother, and was already teaching himself by copying drumming videos on YouTube.Jay-Ray attended Dillard Center for the Arts, where he played in two jazz bands, marched snare in the wind orchestra and drumline, and got pulled onto snare drum as a freshman after impressing section leader Javon with a string of paradiddles. He talks about the discipline instilled by band directors Christopher Dorsey and Dr. Sheldon McClain, learning traditional grip for the first time, and the intensity of real drumline battles.Jay-Ray studied at Broward College (Associate's in Music Performance) before transferring to Florida Memorial University for his bachelor's degree, where he played under percussion director Taurus Lovely, a 25-year Broadway touring veteran (including Tina Turner: The Musical) who would later become the person who got Jay-Ray his first tour. Jay-Ray's first trip to New York came in 2018, when Dillard's jazz band won the Essentially Ellington competition at Jazz at Lincoln Center, the same trip where he first saw a Broadway show, Ain't Too Proud.The day after Jay-Ray graduated from Florida Memorial in May 2023, Taurus Lovely called with an audition opportunity for the Pretty Woman national tour. Jay-Ray recorded four songs from the show, landed the gig, and was in rehearsals in Syracuse, New York within months. He talks candidly about the learning curve of running click tracks and Ableton on the road, getting walked through the system by original drummer Kevin Maynard, and the parts of touring nobody warns you about, like setting up and breaking down your own kit on travel days. Over roughly two years with the show, he toured extensively across the U.S. and spent a month performing in Japan (Shinjuku, Tachikawa, Kyoto, and Osaka).Jay-Ray's move to The Wiz came through his network: Sammy Merandino and Quentin “Q” Robinson recommended him, and MD Michael Aarons brought him in. Jay-Ray left Pretty Woman in Wichita and, within a week, was in New York starting rehearsals, spending his off-hours studying original drummer Trevor Holder's book and comparing the Broadway cast recording to the touring arrangement. He also shares how he first met Q Robinson years earlier, showing up at Hamilton's closing show in Fort Lauderdale just to introduce himself.Asked what he'd tell a high school or college drummer chasing a career like his, Jay-Ray's answer is simple: networking. Every opportunity in his career, from Pretty Woman to The Wiz to this very podcast episode, traces back to a relationship someone else made on his behalf.Where to Find Jay-Ray* Instagram & TikTok: @jay.ray04* Facebook: Joel Anderson* Email: joel.r.anderson04@gmail.comResources * Free: How to Land a Broadway Gig Roadmap — subscribe to Broadway Drumming 101 (free or paid) and grab it at broadwayboundbook.com/roadmap* The Broadway Sub Playbook ($7.99) — available at signaturebrandworks.com* Broadway Drumming 101 merch (backpacks, tees, hats, mugs, and more) — signaturebrandworks.com* Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career by Clayton Craddock — out nowClayton Craddock was most recently the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This week Andrew talks with kids music superstar Laurie Berkner. Laurie's songs have been streamed over 1.7 billion times and People magazine called her “the queen of kids' music”. In this conversation, Laurie shares a behind-the-scenes look at her extraordinary journey — from her early days juggling late-night cover band gigs and kids birthday parties to ultimately performing at Carnegie Hall, Lincoln Center, & the White House. Laurie opens up about her creative process, how she built her music career from the ground up, & the raw emotions of connecting generations through music. This episode will inspire you to follow your passions, try new things, & do whatever it takes to break through.** Follow Andrew **Instagram: @AndrewMoses123X: @andrewhmosesSign up for e-mails to keep up with the podcast at everybodypullsthetarp.com/newsletterDISCLAIMER: This podcast is solely for educational & entertainment purposes. It is not intended to be a substitute for the advice of a physician, psychotherapist, or other qualified professional.

"I really do believe that the arts are critical to how we move forward together, and live performance in particular, I think, is a way of us practicing how to move across our ideological boundaries and find one another and imagine these new worlds together and create together."Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts—the nation's largest performing arts complex. Before stepping into this role, she spent nineteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance.(01:30) The Gift of Pause(04:19) Art as the Oldest Technology(07:12) Reimagining Lincoln Center(09:35) A Collective Caretaking(10:13) The Curiosity of Childhood(15:19) San Juan Hill and The Wall(17:57) globalFEST: Music and ConnectionEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Lincoln Center is multiple stages. I think probably over three dozen stages across 16 acres. It is a vast canvas in and of itself. And then we have this beautiful plaza that leads to this beautiful campus, and that's the visual I think that most people have when they think of Lincoln Center is this beautiful fountain in the center and these three gorgeous buildings.It's New York's biggest plaza, and it feels very vibrant and beautiful. In the summer, we really take that plaza and we transform it into a dance floor. So this idea of also interrupting what people's notion of Lincoln Center is because it's a space that is very aspirational, which is a great thing.”Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts—the nation's largest performing arts complex. Before stepping into this role, she spent nineteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance.(0:00) Reimagining Lincoln Center(2:27) Art and the Human Experience(4:40) The Curiosity of Childhood(5:44) Alvin Ailey and the Pivot(8:29) The Invisible Arts(9:06) The Power of Public Theater(17:03) Curation, Programming and the Art of Listening(23:42) San Juan Hill and The Wall(31:23) Art as the Oldest Technology(35:02) globalFEST: Music and Connection(38:20) Finding Universal Belonging(41:20) The Gift of Pause(54:27) A Collective CaretakingEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

"I really do believe that the arts are critical to how we move forward together, and live performance in particular, I think, is a way of us practicing how to move across our ideological boundaries and find one another and imagine these new worlds together and create together."Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts—the nation's largest performing arts complex. Before stepping into this role, she spent nineteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance.(00:00) Reimagining Lincoln Center(03:09) A Collective Caretaking(03:47) The Technology of Human Creation(04:20) The Curiosity of Childhood(09:25) San Juan Hill and The Wall(14:20) globalFEST: Music and Connection(16:06) The Gift of Pause(17:20) A Collective CaretakingEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

"I really do believe that the arts are critical to how we move forward together, and live performance in particular, I think, is a way of us practicing how to move across our ideological boundaries and find one another and imagine these new worlds together and create together."Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts—the nation's largest performing arts complex. Before stepping into this role, she spent nineteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance.(00:00) Reimagining Lincoln Center(03:09) A Collective Caretaking(03:47) The Technology of Human Creation(04:20) The Curiosity of Childhood(09:25) San Juan Hill and The Wall(14:20) globalFEST: Music and Connection(16:06) The Gift of Pause(17:20) A Collective CaretakingEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

"I really do believe that the arts are critical to how we move forward together, and live performance in particular, I think, is a way of us practicing how to move across our ideological boundaries and find one another and imagine these new worlds together and create together."Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts—the nation's largest performing arts complex. Before stepping into this role, she spent nineteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance.(00:00) Reimagining Lincoln Center(03:09) A Collective Caretaking(03:47) The Technology of Human Creation(04:20) The Curiosity of Childhood(09:25) San Juan Hill and The Wall(14:20) globalFEST: Music and Connection(16:06) The Gift of Pause(17:20) A Collective CaretakingEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Lincoln Center is multiple stages. I think probably over three dozen stages across 16 acres. It is a vast canvas in and of itself. And then we have this beautiful plaza that leads to this beautiful campus, and that's the visual I think that most people have when they think of Lincoln Center is this beautiful fountain in the center and these three gorgeous buildings.It's New York's biggest plaza, and it feels very vibrant and beautiful. In the summer, we really take that plaza and we transform it into a dance floor. So this idea of also interrupting what people's notion of Lincoln Center is because it's a space that is very aspirational, which is a great thing.”Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts—the nation's largest performing arts complex. Before stepping into this role, she spent nineteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance.(0:00) Reimagining Lincoln Center(2:27) Art and the Human Experience(4:40) The Curiosity of Childhood(5:44) Alvin Ailey and the Pivot(8:29) The Invisible Arts(9:06) The Power of Public Theater(17:03) Curation, Programming and the Art of Listening(23:42) San Juan Hill and The Wall(31:23) Art as the Oldest Technology(35:02) globalFEST: Music and Connection(38:20) Finding Universal Belonging(41:20) The Gift of Pause(54:27) A Collective CaretakingEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Lincoln Center is multiple stages. I think probably over three dozen stages across 16 acres. It is a vast canvas in and of itself. And then we have this beautiful plaza that leads to this beautiful campus, and that's the visual I think that most people have when they think of Lincoln Center is this beautiful fountain in the center and these three gorgeous buildings.It's New York's biggest plaza, and it feels very vibrant and beautiful. In the summer, we really take that plaza and we transform it into a dance floor. So this idea of also interrupting what people's notion of Lincoln Center is because it's a space that is very aspirational, which is a great thing.”Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts—the nation's largest performing arts complex. Before stepping into this role, she spent nineteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance.(0:00) Reimagining Lincoln Center(2:27) Art and the Human Experience(4:40) The Curiosity of Childhood(5:44) Alvin Ailey and the Pivot(8:29) The Invisible Arts(9:06) The Power of Public Theater(17:03) Curation, Programming and the Art of Listening(23:42) San Juan Hill and The Wall(31:23) Art as the Oldest Technology(35:02) globalFEST: Music and Connection(38:20) Finding Universal Belonging(41:20) The Gift of Pause(54:27) A Collective CaretakingEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

"I really do believe that the arts are critical to how we move forward together, and live performance in particular, I think, is a way of us practicing how to move across our ideological boundaries and find one another and imagine these new worlds together and create together."Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts—the nation's largest performing arts complex. Before stepping into this role, she spent sixteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance.(00:00) Reimagining Lincoln Center(03:09) A Collective Caretaking(03:47) The Technology of Human Creation(04:20) The Curiosity of Childhood(09:25) San Juan Hill and The Wall(14:20) globalFEST: Music and Connection(16:06) The Gift of Pause(17:20) A Collective CaretakingEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

"I really do believe that the arts are critical to how we move forward together, and live performance in particular, I think, is a way of us practicing how to move across our ideological boundaries and find one another and imagine these new worlds together and create together."Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts—the nation's largest performing arts complex. Before stepping into this role, she spent nineteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance.(00:01) Art as the Oldest Technology(07:50) The Gift of Pause(09:55) Reimagining Lincoln Center(12:19) A Collective Caretaking(12:56) The Curiosity of Childhood(18:02) San Juan Hill and The Wall(20:39) globalFEST: Music and ConnectionEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Lincoln Center is multiple stages. I think probably over three dozen stages across 16 acres. It is a vast canvas in and of itself. And then we have this beautiful plaza that leads to this beautiful campus, and that's the visual I think that most people have when they think of Lincoln Center is this beautiful fountain in the center and these three gorgeous buildings.It's New York's biggest plaza, and it feels very vibrant and beautiful. In the summer, we really take that plaza and we transform it into a dance floor. So this idea of also interrupting what people's notion of Lincoln Center is because it's a space that is very aspirational, which is a great thing.”Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts—the nation's largest performing arts complex. Before stepping into this role, she spent sixteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance.(0:00) Reimagining Lincoln Center(2:27) Art and the Human Experience(4:40) The Curiosity of Childhood(5:44) Alvin Ailey and the Pivot(8:29) The Invisible Arts(9:06) The Power of Public Theater(17:03) Curation, Programming and the Art of Listening(23:42) San Juan Hill and The Wall(31:23) Art as the Oldest Technology(35:02) globalFEST: Music and Connection(38:20) Finding Universal Belonging(41:20) The Gift of Pause(54:27) A Collective CaretakingEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

[REBROADCAST FROM July 18, 2025] Latin Grammy-award winning Brazilian artist Liniker is town this week for her free show at Lincoln Center on July 18. Ahead of the concert, she performs live in our studio, discusses her latest album, CAJU, and reflects on what it meant to her to be the first transgender woman to ever win a Latin Grammy.  Photo courtesy of the artist Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

“Lincoln Center is multiple stages. I think probably over three dozen stages across 16 acres. It is a vast canvas in and of itself. And then we have this beautiful plaza that leads to this beautiful campus, and that's the visual I think that most people have when they think of Lincoln Center is this beautiful fountain in the center and these three gorgeous buildings.It's New York's biggest plaza, and it feels very vibrant and beautiful. In the summer, we really take that plaza and we transform it into a dance floor. So this idea of also interrupting what people's notion of Lincoln Center is because it's a space that is very aspirational, which is a great thing.”Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts—the nation's largest performing arts complex. Before stepping into this role, she spent nineteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance.(0:00) Reimagining Lincoln Center(2:27) Art and the Human Experience(4:40) The Curiosity of Childhood(5:44) Alvin Ailey and the Pivot(8:29) The Invisible Arts(9:06) The Power of Public Theater(17:03) Curation, Programming and the Art of Listening(23:42) San Juan Hill and The Wall(31:23) Art as the Oldest Technology(35:02) globalFEST: Music and Connection(38:20) Finding Universal Belonging(41:20) The Gift of Pause(54:27) A Collective CaretakingEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Eli sits down with programmer Madeline Whittle to chat about this year's edition of SCARY MOVIES, which showcases the latest offerings in horror from all around the world. Maddie talks about her relationship with horror films, the process of selecting films for SCARY MOVIES XIV, and previews some of the offerings at the festival! SCARY MOVIES XIV will run from August 12 - 20 at New York City's Film at Lincoln Center.Links:Film at Lincoln Center: Scary Movies XIVMaddie's TwitterSpook us in our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00 Intro00:45 Maddie's relationship with horror films and the festival05:54 Programming the Scary Movies festival09:25 Festival highlights 15:27 Why do we watch scary movies?19:12 Maddie's Deep Cut Pick

"Late Fame" is an American drama film directed by Kent Jones, written by Samy Burch, and based on the posthumously published novella by Arthur Schnitzler. It stars Willem Dafoe as a legendary New York poet who rediscovers his artistic passion after befriending an eccentric group of young creatives played by Greta Lee and Edmund Donovan. The film had its world premiere in the Orizzonti section of the 82nd Venice International Film Festival, where it received positive reviews for Jones's direction, Burch's script, and the performances. Jones was kind enough to spend some time talking with us about his work and experience making the film, which you can watch or listen to below. Please be sure to check out the film, which is now playing in New York at the Film Forum and Film at Lincoln Center, and opens in Los Angeles on August 14th at the Laemmle Royal, with additional cities to follow from Magnolia Pictures. Thank you, and enjoy! https://youtu.be/o-W9SeWsyHQ Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

"I really do believe that the arts are critical to how we move forward together, and live performance in particular, I think, is a way of us practicing how to move across our ideological boundaries and find one another and imagine these new worlds together and create together."Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts—the nation's largest performing arts complex. Before stepping into this role, she spent sixteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance.(00:00) Reimagining Lincoln Center(03:09) A Collective Caretaking(03:47) The Technology of Human Creation(04:20) The Curiosity of Childhood(09:25) San Juan Hill and The Wall(14:20) globalFEST: Music and Connection(16:06) The Gift of Pause(17:20) A Collective CaretakingEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

"I really do believe that the arts are critical to how we move forward together, and live performance in particular, I think, is a way of us practicing how to move across our ideological boundaries and find one another and imagine these new worlds together and create together."Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts—the nation's largest performing arts complex. Before stepping into this role, she spent nineteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance.(00:00) Reimagining Lincoln Center(03:09) A Collective Caretaking(03:47) The Technology of Human Creation(04:20) The Curiosity of Childhood(09:25) San Juan Hill and The Wall(14:20) globalFEST: Music and Connection(16:06) The Gift of Pause(17:20) A Collective CaretakingEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Based in NYC since 2011, Adam came to New York by way of Houston, TX, where he completed his Master's Degree at Rice University's Shepherd School of Music (2008). Adam grew up in Northeast Ohio, where he attended Cleveland State University (2006). Formally studying classical percussion throughout his education, Adam also actively performed as a freelancer on drum set — his classical background combined with his drum set skills gave him a unique blend that turned out to be very well-suited for musical theater.After playing its out-of-town tryout at Houston's Alley Theatre, Adam had his Broadway debut as the drummer on Frank Wildhorn's WONDERLAND when it transferred to Broadway (Spring 2011). OBCR on Sony Masterworks.With his foot in the door from his first Broadway show, Adam set about the work of subbing and building a reputation in and around the city. Subbing on NYC productions as diverse as RENT, EVITA, MATILDA the Musical, AVENUE Q, CATS, HELLO DOLLY, ANASTASIA, THE PROM, WEST SIDE STORY, COME FROM AWAY, and LITTLE SHOP OF HORRORS — and many more — Adam routinely demonstrates a wide-ranging versatility. A unique hybrid player, Adam is equally at home on drum set and percussion, excelling in situations that demand both contemporary drum set styles and legit classical/orchestral sensibilities.Adam's most recent NYC chairs include 2017's BANDSTAND on Broadway (TONY Nomination for Best Orchestrations, TONY WINNER for Best Choreography), Jerry Springer the Opera, and Between the Lines with acclaimed writers Samsel & Anderson — where Adam not only played drums and percussion but helped create the percussive mix elements. Adam is often found developing new works in NYC's rehearsal studios, working with established and new writing teams whenever possible. Most recently, Adam subbed on CATS: The Jellicle Ball.Adam has supported many of NYC's finest singers, including Caroline Bowman, Austin Colby, Jordan Dobson, Natalie Weiss, Justin Guarini, Sierra Boggess, Laura Osnes, Josh Young, Orfeh, Andy Karl, Patti LuPone, Jeremy Jordan, Ben Fankhauser, Brian Justin Crumm, Jenna Ushkowitz, Jay Armstrong Johnson, Kacey Velazquez, Loren Allred, Andy Mientus, and Crystal Monee Hall, among many others.When not in the theater, Adam is often found in NYC recording studios playing for singer/songwriters and composers like Desi Oakley, The Jack Mosbacher Band, Michael Mott, and David Mallamud — playing cabaret spots like Feinstein's 54 Below, performing at Lincoln Center, and downtown venues such as Rockwood Music Hall, Piano's, and The Bitter End. Adam also records drum tracks and produces at his studio in Midtown Manhattan.Recordings Adam Has Played On:* Between the Lines Original Cast Recording* BANDSTAND Original Broadway Cast Recording* Desi Oakley, “Repeat”* Michael Mott, “Abandoned Heart” (Released on Broadway Records, September 15, 2017)* A Rockin' Midsummer Night's Dream – World Premiere Recording* You're a Good Man, Charlie Brown (2016 Off-Broadway Cast Recording) — available on iTunes, Amazon, and Barnes & NobleCollaborators featured on these recordings include David Mallamud, Nat Zegree, The Jack Mosbacher Band, and Desi Oakley.Connect with Adam:Facebook | Twitter | Instagram | Contact form for bookings and inquiries.Site: home | about | media | recording/programmingClayton Craddock was most recently the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

"I really do believe that the arts are critical to how we move forward together, and live performance in particular, I think, is a way of us practicing how to move across our ideological boundaries and find one another and imagine these new worlds together and create together."Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts—the nation's largest performing arts complex. Before stepping into this role, she spent nineteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance.(00:00) Reimagining Lincoln Center(03:09) A Collective Caretaking(03:47) The Technology of Human Creation(04:20) The Curiosity of Childhood(09:25) San Juan Hill and The Wall(14:20) globalFEST: Music and Connection(16:06) The Gift of Pause(17:20) A Collective CaretakingEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

This week we're excited to present a recent conversation with The Samurai and the Prisoner director Kiyoshi Kurosawa, moderated by film critic Siddhant Adlakha. The Samurai and the Prisoner is currently playing daily at Film at Lincoln Center, courtesy of Janus Films. Get tickets at filmlinc.org/samurai In 16th-century Japan, Lord Murashige (Masahiro Motoki) turns against Oda, the warlord he once served, and is besieged inside his own castle, where inexplicable crimes begin to look to Murashige and his frightened advisors like signs of divine judgment. As Oda's invading army tightens its grip outside and suspicion infiltrates the stronghold, Murashige is forced to consult Kanbei (Masaki Suda of Cloud), the cunning strategist he has locked in the dungeon, while his wife Chiyoho (Yuriko Yoshitaka) and his generals try to keep the court from devouring itself. Kiyoshi Kurosawa's stately jidaigeki—adapted from Honobu Yonezawa's best-selling, Naoki Prize–winning novel and selected at this year's Cannes Film Festival—is a tense and metaphysical whodunit with the director's characteristic philosophical overtones, bringing the winding investigations of Cure and Serpent's Path into a meticulously composed period piece about the manipulation of terror.

On this week's episode, Nick and Sophia run through the recent marathon of film festival announcements. First, they dig into the Venice International Film Festival lineup, where films like Danny Boyle's Ink, Martin McDonagh's Wild Horse Nine, and Lee Chang-dong's Possible Love will have their world premieres. Next, they discuss the plethora of films headed to the Toronto International Film Festival (TIFF), including world premieres of Sian Heder's Being Heumann and Peter Farrelly's I Play Rocky. They also chat about the films debuting in the Platform section and what the "Canadian Premiere" designation can tell us about Telluride's secret lineup. Finally, they chat about their hometown fest, the New York Film Festival, where Behemoth! and Godzilla: Minus Zero will premiere at Lincoln Center. Listen along and let us know which festival films you think will make a splash in this year's Oscar race.Follow Nick @sauerkraut27Follow Sophia @sophia_cimFollow the pod @oscarwildpodMusic: "The Greatest Adventure" by Jonathan Adamich

Rubio, la artista chilena detrás de Espero podamos ver un ovni juntxs, se sienta con Marysabel Huston a cinco meses del lanzamiento de su disco más orgánico y personal. Fran Straube habla de guitarras reales, cero autotune y de un sonido que, por primera vez, abraza el folk y el country sin perder su universo electrónico.En esta conversación, Rubio cuenta cómo su mudanza de Chile a México marcó el disco, qué significó cantar sin efectos en el Tiny Desk de NPR, y por qué en algún momento sintió que este sería su último álbum. También habla del color rosado que nunca quiso usar y que hoy define la estética de este proyecto, de aprender a tocar la guitarra viendo tutoriales en YouTube, y de por qué ya está pensando en un disco mucho más oscuro y rockero, inspirado en Radiohead y Nirvana.Cierra la charla hablando de su debut en el Austin City Limits, de su participación en el Ruidosa Fest en el Lincoln Center de Nueva York y hasta de sus teorías sobre extraterrestres.Sigue a Marysabel Huston en sus redes sociales: Instagram y Threads: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@marysabelhuston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@marysabelhuston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Marysabel.Huston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X (antes Twitter): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@hustonmarysabel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Marysabel Huston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Créditos: Producción ejecutiva, edición y mezcla por Marysabel HustonMúsica: Una producción de Techy Fatule

Tired of ADHD strategies that don't work? Start with this training: Stop Trying to “Fix” Your ADHD. You're Not Broken: https://programs.tracyotsuka.com/sign-up_____About one in nine adults is on a GLP-1 right now. And women with ADHD kept telling me the exact same thing after starting GLP-1 medications: they expected to lose weight, but they did not expect their brains to feel different.The brain fog lifted. The food noise got quieter. Energy felt steadier. Emotional reactions became easier to interrupt. For some, inflammation, pain, bloating, cravings, and compulsive behaviors changed too.So I brought back Dr. Kalin Johnson to tell us whether there is real science behind that or whether we are getting ahead of the evidence. Kalin is a licensed clinical pharmacist, functional medicine wellness coach, and patient advocate who runs a concierge whole-person care practice for high-achieving, high-masking neurodivergent adults. She is also queer, ADHD, autistic, and living with hypermobile Ehlers-Danlos Syndrome, and this is her fourth time on the show.In this episode, Kalin and I get into how GLP-1 receptors communicate across the gut, brain, pancreas, immune system, and vagus nerve, and why that matters for ADHD women. They also talk about food noise, brain fog, inflammation, metabolic health, emotional regulation, microdosing, side effects, muscle loss, access, and what the research still cannot tell us.ResourcesWebsite: https://www.kalinjohnson.comInstagram: https://www.instagram.com/kalinpharmdLinkedIn: https://www.linkedin.com/in/kalin-johnsonpharmdAnia Jastreboff, MD - Director of the Yale Obesity Research Center, principal investigator on many of the landmark trials for tirzepatide and retatrutide. If you watch only one thing, watch her Lincoln Center talk. https://medicine.yale.edu/profile/ania-jastreboffDr. Spencer Nadolsky - https://www.instagram.com/drnadolskyRocio Salas-Whalen MD - https://www.instagram.com/drsalaswhalenSend a Message: Your Name | Email | Message Explore more from me:

"I really do believe that the arts are critical to how we move forward together, and live performance in particular, I think, is a way of us practicing how to move across our ideological boundaries and find one another and imagine these new worlds together and create together."Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts—the nation's largest performing arts complex. Before stepping into this role, she spent nineteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance.(00:00) Reimagining Lincoln Center(03:09) A Collective Caretaking(03:47) The Technology of Human Creation(04:20) The Curiosity of Childhood(09:25) San Juan Hill and The Wall(14:20) globalFEST: Music and Connection(16:06) The Gift of Pause(17:20) A Collective CaretakingEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Betty Buckley is a legendary, multi-award-winning actress/singer whose career spans theater, film, television and concert halls around the world. She is a 2012 Theatre Hall of Fame inductee and the 2017 recipient of  the Julie Harris Awards from The Actor's Fund for Artistic Achievement and received The Lifetime Achievement Award from The American Songbook Association in 2023. She won a Tony Award for her performance as Grizabella, the Glamour Cat, in Andrew Lloyd Webber's Cats and received her second Tony Award nomination for Best Actress in a musical for her performance as Hesione in Triumph of Love. She received an Olivier Award nomination for her critically acclaimed interpretation of Norma Desmond in the London production of Andrew Lloyd Webber's Sunset Boulevard, which she repeated to more rave reviews on Broadway. Ms. Buckley is featured in the film By Design, written and directed by Amanda Kramer, and it made its debut at The Sundance Film Festival in January 2025. She is also featured in the film Eternity for A24 Studios, starring Miles Teller and Elizabeth Olsen, released in November 2025. In March 2024, she co-starred in Imaginary for Blumhouse Productions and released by Lionsgate. She co-starred with James McAvoy in the M. Night Shyamalan hit film Split, one of the top international box office hits of 2017. She received a Saturn Award Nomination for Best Featured Actress for her work in the film. Her other films include her debut in Brian de Palma's screen version of Stephen King's Carrie, Bruce Beresford's Tender Mercies, Roman Polanski's Frantic, Woody Allen's Another Woman, Lawrence Kasdan's  Wyatt Earp and M. Night Shyamalan's The Happening. In 2024, The Mayfly, an animated short film written, produced and narrated by Ms. Buckley played the film festival circuit and won several awards, including Best of Festival, Best Director and Best 2D Character Based Animation at The Los Angeles Animation Festival. The film also won Best Animation at The Lady Filmmakers Festival in Los Angeles. A love letter to New York City and music, The Mayfly is a lyrical tale that was inspired by a true event at the Café Carlyle, with a score composed by seven-time GRAMMY® nominee Christian Jacob. Her other Broadway credits include 1776, Pippin, Song and Dance, The Mystery of Edwin Drood and Carrie. She headlined the first National Tour of the new Broadway production of Hello, Dolly! in 2018/2019. Off-Broadway credits include the world premiere of Horton Foote's The Old Friends, for which she received  a Drama Desk Nomination in 2014, White Lies, Lincoln Center's Elegies, the original NYSF production of The Mystery of Edwin Drood, The Eros Trilogy, Juno's Swans. Getting My Act Together and Taking It On  The Road. Regional credits include The Perfectionist, Gypsy, The Threepenny Opera, Camino Real, Buffalo  Gal, Arsenic and Old Lace, The Old Friends at Houston's Alley Theatre and Grey Gardens at the Bay Street Theatre in Sag Harbor, NY and The Ahmanson Theater in Los Angeles in 2016 for which she received an Ovation Award Nomination. In London, she starred in Promises, Promises for which she was nominated for An Evening Standard Award and in the 2013 British premiere of Dear World. On television, Buckley had a recurring role on Law & Order SVU for NBC. She co-starred in the third season  of AMC's hit series Preacher and has guest starred on the Fox/Warner Bros. TV shows: The Cleaning Lady, The CW hit Supergirl, the NBC Series Chicago Med and ABC Family's Pretty Little Liars. For HBO, she has appeared on Getting On, The Leftovers, The Pacific and for three seasons had a recurring role on OZ. She  starred as Abby Bradford in the hit series Eight is Enough. For more information, visit www.bettybuckley.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jon Tenney is a Juilliard-trained actor and director whose work spans film, television, and theater. Best known for portraying FBI Agent Fritz Howard on the hit TNT drama “The Closer”, Tenney appeared on the series for all seven seasons and directed episodes of both “The Closer” and its spin-off, "Major Crimes”. His television credits also include roles in “Scandal”, “True Detective”, “And Just Like That…”, and “The Lincoln Lawyer”. Tenney has appeared in films such as “I See You”, “The Seagull”, “Tombstone”, “You Can Count on Me”, and “Rabbit Hole”. A respected stage actor, he has performed on Broadway and at Lincoln Center in works by playwrights including Tom Stoppard and David Mamet. His latest role is on the new MGM+ comedy series “American Classic,” which was a labor of love for Tenney, who is also an Executive Producer in addition to a principal cast member alongside Kevin Kline and Laura Linney.See omnystudio.com/listener for privacy information.