Podcasts about Lincoln Center

This week we're excited to present a conversation between film scholars Shana L. Redmond, Director of the Center for the Study of Social Difference at Columbia University, and Michael Gillespie, Associate Professor in NYU's Department of Cinema Studies, as they discuss a double feature of Oscar Micheaux's 1925 silent film Body and Soul and Jordan Peele's 2019 sophomore feature Us. Hailed as “a colossal achievement” and “blissfully ambitious” upon its release, Jordan Peele's 2019 feature Us plumbed everything from American isolationist fears and labyrinthine power structures to the rich lineage of the doppelgänger motif and home-invasion thrillers. Now with the recent publication Us: The Complete Annotated Screenplay by Inventory Press, in-depth footnotes, commentaries, and a constellation of images, definitions, and inspirations have untethered entirely new references orbiting the film. This past June, Film at Lincoln Center was thrilled to interpret the cosmology outlined in this book through a presentation of double features, supplementary reading material, in-person appearances from some of the book's contributing writers, and never-before-seen 35mm presentations of Us.

On this week's episode of Economic Update, Professor Wolff delivers updates on the political theater, of the U.S./Iran hostilities, the political shock of Zohran Mamdani's Democratic primary win in New York City, the withdrawal of union leaders from the Democratic National Committee, and the rising trade among BRICS crosses the $1 trillion milestone. In the second part of today's show, Prof. Wolff interviews two leaders of the musicians' union representing the orchestra of the Metropolitan Opera at Lincoln Center, New York City: Javier Gandara and Stephanie Mortimore.   The d@w Team Economic Update with Richard D. Wolff is a DemocracyatWork.info Inc. production. We make it a point to provide the show free of ads and rely on viewer support to continue doing so.  You can support our work by joining our Patreon community:  https://www.patreon.com/democracyatwork Or you can go to our website: https://www.democracyatwork.info/donate     Every donation counts and helps us provide a larger audience with the information they need to better understand the events around the world they can't get anywhere else.  We want to thank our devoted community of supporters who help make this show and others we produce possible each week.1:01  We kindly ask you to also support the work we do by encouraging others to subscribe to our YouTube channel and website: www.democracyatwork.info

Subscribe to The Best Idea Yet here: https://wondery.com/links/the-best-idea-yet/In 2008, Lin-Manuel Miranda badly needed a vacation. He'd just won the Tony for his musical “In The Heights,” he'd been going nonstop. So he took a break, bringing a book with him for poolside lounging: the 800-page biography of America's first treasury secretary, Alexander Hamilton. But what started as a light beach read soon became an obsession. Lin HAD to bring this man's incredible life to the stage. Thus began an epic journey: from the White House, to Lincoln Center, to (eventually) Broadway. “Hamilton” became a massive success, scoring a record 16 Tony noms, the Pulitzer Prize, and $1B+ in revenue. But along the way, Lin and his team had to reckon with a problem: when your show about democracy becomes too exclusive, how do you bring it back to the people? Find out how Ham4Ham broke the B'way mold, how a streaming deal with Disney+ set the stage for Taylor Swift, and why “Hamilton” is the best idea yet. Subscribe to The Best Idea Yet for the untold origin stories of the products you're obsessed with — and the bold risk takers who made them go viral.Episodes drop every Tuesday, listen here: https://wondery.com/links/the-best-idea-yet/—-----------------------------------------------------GET ON THE POD: Submit a shoutout or fact: https://tboypod.com/shoutouts FOR MORE NICK & JACK: Newsletter: https://tboypod.com/newsletter Connect with Nick: https://www.linkedin.com/in/nicolas-martell/ Connect with Jack: https://www.linkedin.com/in/jack-crivici-kramer/ SOCIALS:Instagram: https://www.instagram.com/tboypod TikTok: https://www.tiktok.com/@tboypodYouTube: https://www.youtube.com/@tboypod Anything else: https://tboypod.com/ See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max's Kansas City and lesser-known haunts like the Mercer Arts Center and Mother's that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense.   Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023).  Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max's Kansas City and lesser-known haunts like the Mercer Arts Center and Mother's that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense.   Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023).  Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Grammy nominated ngoni virtuoso Bassekou Kouyate and his 8 piece band Ngoni Ba wowed the crowd at Lincoln Center in 2011. Ngoni Ba re-wired the ancient ngoni to create a dense, 21st century sound. We'll hear the concert and talk with Bassekou about hunters, his precocious son, and his future plans. We hear a very different take on the ngoni from Sidi Touré who made his U.S. debut at BAM in Brooklyn. Sidi Touré is from the legendary city of Gao in northern Mali, the seat the ancient Songhai empire. Then we go to Egypt to hear how artists from Port Said are making music for instruments that go back to the time of the Pharoahs. [Produced by Sean Barlow. Originally aired 11-09-2011] APWW #626

On today's episode of "Conversations On Dance" we are joined by award winning ballerina Yuan Yuan Tan. We cover her meteoric rise, from entering San Francisco Ballet as a soloist at 18 directly from her schooling, a nearly unheard of feat, to anchoring the company as a principal for nearly three decades, and finally becoming a leader in the arts, most recently as the artistic director for the Chinese folktale production Lady White Snake, a stirring visual blend of dance, martial arts, music and costumes. To purchase tickets to Lady White Snake, coming to the David H Koch theater at Lincoln Center this July 26 and 27th, visit davidhkochtheater.com.Tickets to Conversations on Dance at the 2025 Vail Dance Festival on sale now! https://vaildance.org/conversations-on-dance/LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.

What if you had to work with your ex…and his new girlfriend? What if she was murdered and you were the one who found her body? Award-winning author, Marjorie McCown, discusses the first in her Hollywood Mystery series, FINAL CUT. When the key costumer on the set of Hollywood's next big blockbuster discovers the body of an assistant director, she becomes the primary suspect. As more and more dangerous accidents befall those on set, she must figure out who is behind it or risk becoming part of the body count. “A must-read...”—Ellen Byron, USA Today bestselling author Listen in as we chat about how institutionalization affects us all, hear stories about some of Hollywood's nicest folks, and get the exclusive on how the girl from “the girl and her squirrel” came to live in Marjorie's house! https://marjoriemccown.com https://www.mariesutro.com/twisted-passages-podcast ABOUT THE AUTHOR: Marjorie McCown has spent her entire professional life in the story-telling business, though she started out on the visual side of the craft. She began her career designing costumes for theater and opera companies all over the country, including the New York City Opera at Lincoln Center, before she moved to Los Angeles to work in film. She spent 25 years as a key member of the costume design teams for a string of successful movies. Her mysteries are set behind-the-scenes in the everyday working world of movies in production. She is a member of Sisters in Crime and Mystery Writers of America.

This week we're excited to present an archival conversation from the 52nd New York Film Festival in 2014 with Inherent Vice director Paul Thomas Anderson and his very large and talented cast. For one week only from July 4-10, join Film at Lincoln Center in revisiting this great American film on 70mm film, ahead of the director's highly anticipated new feature One Battle After Honor. Get tickets at filmlinc.org/vice This conversation was moderated by Kent Jones, former Director of the New York Film Festival. Paul Thomas Anderson's wild and entrancing Thomas Pynchon adaptation is a cinematic time machine, placing the viewer deep within the world of the paranoid, hazy L.A. dope culture of the early '70s. It's not just the look (which is ineffably right, from the mutton chops and the peasant dresses to the battered screen doors and the neon glow), it's the feel, the rhythm of hanging out, of talking yourself into a state of shivering ecstasy or fear or something in between. Joaquin Phoenix goes all in as Doc Sportello, the private investigator searching for his ex-girlfriend Shasta (Katherine Waterston), menaced at every turn by the telegenic police detective “Bigfoot” Bjornsen (Josh Brolin). Among the other members of Anderson's mind-boggling cast are Reese Witherspoon, Benicio Del Toro, Martin Short, Owen Wilson, and Jena Malone.

Send us a textIn this engaging conversation, Bob Sorrentino interviews Frank Ingrasciotta, the creator of 'Blood Type Ragu,' exploring themes of Italian heritage, family dynamics, and the immigrant experience. Frank shares his family's journey from Sicily to America, the challenges they faced, and the cultural nuances that shaped his identity. The discussion delves into the importance of storytelling in preserving family history, the differences in food traditions, and the emotional impact of reconnecting with family in Sicily. Frank's experiences highlight the resilience of immigrant families and the rich tapestry of Italian-American culture.Frank is the son of Sicilian immigrants from Mazzara del Vallo, Sicily.His family came to America in 1949 after World War II.Frank's father was born in America but returned to Sicily as a child.His mother struggled with homesickness after moving to America.Frank visited Sicily at the age of seven, gaining insight into his mother's life.He reconnected with family in Sicily after years of separation.Frank's one-man show, 'Blood Type Ragu,' explores his family stories.ABOUT THE SHOWBlood Type: RAGU is a hilarious and heartfelt coming-of-age story. A one-man play exploring a first-generation immigrant child's delicate dance between searching for identity, embracing Sicilian roots, and understanding forgiveness. Writer/Performer Frank Ingrasciotta gives a tour-de-force portrayal of over 20 characters who live, love, and laugh, in this fast-paced journey that is not just a comedy, not just a drama — It's family — and we all have one! ABOUT FRANKFRANK INGRASCIOTTA (writer/performer) Acting: Original Off-Broadway production of Godspell, Valley of the Dolls, Three Postcards, What Would Nora Ephron Say?, Dinner at 8, Edgar Degas in The Girl in the Blue Armchair, and the Pharaoh in Joseph & the Amazing Technicolor Dreamcoat at Lincoln Center. TV: Five years as Rene Buchanan's head maître d' on One Life to Live, other recurring roles on The Guiding Light, All My Children, ABC Afterschool Specials, and The Equalizer. Film: Featured roles in the award-winning SAG films Figs for Italo and Brooklyn in July directed by Bob Celli, presently touring the film festival circuit. Stream the Raguwww.bloodtyperagu.comTurnkey. The only thing you'll lift are your spirits.Instacart - Groceries delivered in as little as 1 hour.Free delivery on your first order over $35.Buzzsprout - Let's get your podcast launched!Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showPurchase my book "Farmers and Nobles" here or at Amazon.

In this special episode of Health Matters, we explore the power of storytelling in a health journey. As part of the Art of Wellbeing series at Lincoln Center, a collaborative effort with NewYork-Presbyterian, the official Hospital for Lincoln Center for the Performing Arts, we attend a storytelling workshop with The Moth, a nonprofit dedicated to the art and craft of storytelling. The workshop guided attendees through telling a personal story about their own health, led by an expert instructor. Health Matters host Courtney Allison discusses the healing power of storytelling with workshop facilitator, Anna Roberts, and reflects on the importance of stories with Dr. Rita Charon, a general internist, founder of the field of narrative medicine, and chief of the Division of Narrative Medicine at Columbia. Dr. Charon helps train doctors to be better listeners so that they can treat the whole patient.Click here to learn more about the Art of Wellbeing and upcoming events.___Dr. Rita Charon is a general internist and literary scholar who originated the field of narrative medicine. She is Professor and Founding Chair of the Department of Medical Humanities and Ethics and Professor of Medicine at Columbia University. She completed her MD at Harvard in 1978 and PhD in English at Columbia in 1999, concentrating on narratology. Her research focuses on the consequences of narrative medicine practice, narrative medicine pedagogy, and health care team effectiveness.___Health Matters is your weekly dose of health and wellness information, from the leading experts. Join host Courtney Allison to get news you can use in your own life. New episodes drop each Wednesday.If you are looking for practical health tips and trustworthy information from world-class doctors and medical experts you will enjoy listening to Health Matters. Health Matters was created to share stories of science, care, and wellness that are happening every day at NewYork-Presbyterian, one of the nation's most comprehensive, integrated academic healthcare systems. In keeping with NewYork-Presbyterian's long legacy of medical breakthroughs and innovation, Health Matters features the latest news, insights, and health tips from our trusted experts; inspiring first-hand accounts from patients and caregivers; and updates on the latest research and innovations in patient care, all in collaboration with our renowned medical schools, Columbia and Weill Cornell Medicine.To learn more visit: https://healthmatters.nyp.org

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features Julie Landsman, former Principal Horn of the Metropolitan Opera and teacher at University of Southern California. About Julie: Principal horn with the Metropolitan Opera Orchestra for 25 years, Julie Landsman is a distinguished performing artist and educator. She received a bachelor of music degree from The Juilliard School in 1975 under the tutelage of James Chambers and Ranier De Intinis, and has served as a member of the Juilliard faculty since 1989. A native of Brooklyn, New York, Landsman achieved her dream of becoming principal of the MET in 1985 and held that position until 2010. She has also shared her talent to many other ensembles within the city as a current member of the Orpheus Chamber Orchestra and having performed and recorded with the New York Philharmonic. Additionally, she has performed with numerous groups outside the city, including her co-principal position with the Houston Symphony, substitute principal position with the St. Paul Chamber Orchestra, and recent performances with The Philadelphia Orchestra as Associate principal horn, and the Los Angeles Chamber Orchestra, principal horn. She has recorded for RCA, Deutsche Gramophone, CRI, Nonesuch and Vanguard labels, and is most famous for her performance of Wagner's “Ring” cycle as solo horn with the MET Opera under the direction of James Levine. Landsman has performed as chamber musician at many festivals and concert series, including the Marlboro Music Festival, Chamber Music Northwest, the Santa Fe Chamber Music Festival, Sarasota Music Festival, La Jolla Summerfest, the Chamber Music Society of Lincoln Center,  Orcas Island Chamber Music  Festival,  and the Metropolitan Museum of Art, where she appeared as a guest artist with the Guarneri Quartet. In the summers she performs and teaches at the Music Academy of the West , the Sarasota Music  Festival, and the Aspen Music Festival. World renowned as a master teacher, Julie Landsman holds faculty positions at The Juilliard School and Bard College Conservatory, and teaches frequently as a guest at the Curtis Institute. She has presented master classes at such distinguished institutions as The Colburn School, Curtis Institute, Eastman School of Music, Mannes College of Music, Manhattan School of Music, USC Thornton School of Music, Cal State Long Beach, Rowan University, University of Oklahoma, and University of Southern Mississippi, to name a few. She is also a visiting master teacher at the New World Symphony in Miami. Her international presence includes master classes in Norway, Sweden, and Israel.  In 2016 Landsman was an honored jury member at the ARD horn competition in Munich, Germany. Her students hold positions in the Metropolitan Opera Orchestra, Philadelphia Orchestra, Los Angeles Philharmonic, San Francisco Opera and Ballet Orchestras, Washington National Opera Orchestra, Dallas Symphony, St. Louis Symphony, New Jersey Symphony, Colorado Symphony, and the American Brass Quintet. She recently received the “Pioneer Award” from the International Women's Brass Conference and was a featured artist at the International Horn Society Conference in 2012 and 2015. Her recent series of Carmine Caruso lessons on YouTube have led to further fame and renown among today's generation of horn players. Landsman currently resides in Santa Barbara, California.

S04E19 - Le Lincoln CenterLe Lincoln Center for the Performing Arts est l'un des lieux culturels les plus emblématiques de la ville de New York et, plus largement, des États-Unis. Niché au cœur de Manhattan, dans l'Upper West Side, ce vaste complexe dédié aux arts vivants constitue une véritable cité culturelle. Il rassemble en un seul endroit plusieurs institutions artistiques de renommée internationale qui couvrent l'ensemble du spectre des arts du spectacle : musique classique, opéra, théâtre, danse, cinéma, et enseignement artistique.Retrouvez tous les liens des réseaux sociaux et des plateformes du podcast ici : https://linktr.ee/racontemoinewyorkHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Today we released part two of our interview with Leslie Shampaine. She's an award-winning filmmaker and teaching artist. After a 13-year career as a professional ballet dancer, she transitioned into documentary film, producing content for PBS, CBS, the Discovery Channel, and National Geographic.Her feature documentary, Call Me Dancer, has won 23 prestigious awards, including China's top documentary prize. It has been showcased at major film festivals, New York's Lincoln Center, and screened by U.S. consulates in India and Nepal.As a Fulbright Scholar in India, she led workshops and screenings, using the universal language of art to foster cross-cultural dialogue. Her dedication to the arts continues to inspire global connections, bridging cultures and fostering understanding through storytelling and mentorship.Join us to hear Leslie's fascinating journey as she recounts how she applied what she learned as a leader in one art form to become a leader in another.  https://callmedancer.com/the-filmmakers/ 

As Lincoln Center's Summer In the City Series continues through August 7, we preview free public events and performances with David Dorfman Dance, from June 25-27, including the ever-popular Silent Disco. For more, visit DavidDorfmanDance.org and lincolncenter.org.

This week we're excited to present a conversation from the 62nd New York Film Festival with Afternoons of Solitude director Albert Serra. An NYFF62 Spotlight selection, Afternoons of Solitude opens at Film at Lincoln Center on June 28. Get tickets at filmlinc.org/solitude This conversation was moderated by FLC Vice President, Programming, Florence Almozini. Albert Serra trains a patient and poetic lens on the dazzling pomp and devastating brutality of bullfighting in his new documentary portrait of the charismatic Peruvian-born star torero Andrés Roca Rey. Intensely in-the-moment, Afternoons of Solitude expertly balances the visceral thrill of the battle inside the ring, pitting animal instinct against human technique, with a filmmaking style that allows the viewer to appreciate the emotional and physical toll the violence takes on both man and beast. Unflinching yet reflective, Serra's film is a monumental depiction of the persistence of the primitive in the present day, while acknowledging the extraordinary skill of the man who puts his life and spiritual endurance at risk as he faces down rampaging nature.

Carl Hancock Rux, poet, playwright, recording artist, essayist and radio journalist, talks about Lincoln Center's fifth annual Juneteenth celebration, which pays tribute to enslaved people and their use of folklore to survive the trauma of the Transatlantic slave trade.

Now in its 31st year, the AfroSolo Arts Festival is thrilled to return to Commonwealth Club World Affairs with "We Come This Far by Music—Let Freedom Ring! Part 2," featuring African American artists and music. The AfroSolo Arts Festival, directed by Thomas R. Simpson, is showcasing a cast of classically trained artists. This program is led by Dr. Carl Blake, pianist and director, and features Bradley Kynard, baritone; Shawnette Sulker, soprano; William Underwood, flutist. It's a joyful, soul-stirring program of music based on African American experiences, as part of San Francisco's Juneteenth Celebration—a national celebration that commemorates the freeing of enslaved people in Texas two years after the Emancipation Proclamation.  AfroSolo Arts Festival is made possible through the support of the California Arts Council, Grants for the Arts, Dream Keeper Initiative, Kenneth Rainin Foundation, SF Arts Commission, and The Friends of AfroSolo. About the Performers Dr. Carl Blake, piano and program director. Carnegie Recital Wigmore Hall (London) and L'Hermitage St. Petersburg, Russia Toured in France, England, Central and South America, Caribbean as artistic ambassador for the U.S. Department of State. Currently, director of music, Church for the Fellowship of All Peoples, San Francisco, and a board member, Noontime Concerts. Bradley Kynard, baritone. This season: The Emissary by Oh/Rourke and Prospero's Island by Shearer/Stevens, Zebul in Jeptha by Handel, Mer hahn en neue Oberkeet (BWV 212) by J.S. Bach, A Little Girl Dreams of Taking the Veil by Wold, Sophia's Forest by Beecher/Moscovitch, and Harriet's Spirit by Shelby/Olvera with Opera Parallèle, Moby Dick, Heggie/Scheer with San Francisco Opera. Brooke. In Little Women, by Adamo. Shawnette Sulker, soprano. Featured artist with San Francisco Opera; Die Königin der Nacht, Cleopatra, Porgy and Bess, Jake Heggie's Intelligence, Allen Shearer's Prospero's Island. Soloist, Carmina Burana, Messiah, and Mahler's symphonies concert performances at Teatro di San Carlo, Lincoln Center, and Leipzig's Gewandhaus. William Underwood III, flutist. Performs in traditional, avant-garde, social and sacred arenas as a solo, collaborative and recording flutist. A veteran of AfroSolo Festivals in San Francisco. Toured Japan extensively with Kyodo Tokyo Incorporated . An Arts Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. Organizer: Anne W Smith and Thomas R. Simpson  Learn more about your ad choices. Visit megaphone.fm/adchoices

The long awaited Broadway premiere of the musical FLOYD COLLINS arrived at Lincoln Center this year as a Tony Award nominated revival.The musical, based on true events, features a book and score by Tina Landau and Adam Guettel, with Jeremy Jordan starring in this production as Floyd Collins.Check out this full review for Mickey-Jo's thoughts on the material, this production, and its performances...•00:00 | introduction02:14 | overview / material14:19 | this revival 22:49 | performances•get tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

It's a packed house and still an economical episode this week. The gang discusses the animtaed film, Predator: Killer of Killers, The Assessment, Sinners (again), and Floyd Collins. The show opens with Andrew and Kevin discussing the new animated anthology film, Predator: Killer of Killers. It's a great entry in the Predator franchise with animation reminiscent of Arcane. The film is the telling of the Predators hunting on Earth of 3 different time periods, which culminates in a fantastic final battle on the Predator home world. All in all, it's great storytelling and visually exciting. Next up, Lauren talks about the film, The Assessment. This is a psychological grounded sci-fi flick about a post apocalyptic world where having children is a privilege, not a right. Before being allowed to have a child, a couple has to go through an assessment with an increasingly unhinged evaluator that turns the couples whole life on it's ear. It's twisty and turny and totally unhinged and definitely worth a watch. Kevin FINALLY watched Sinners, so he and Andrew dig into it again, this time with a little more insight into the making of the film thanks to the bonus features, which makes for an interesting conversation. Honestly, there isn't much to say here other than the film is incredible and is definitely a must see. After Andrew leaves for an early bedtime, Lauren closes out the show with a review of the Broadway revival of Floyd Collins, a tale of an early 20th century miner trapped in a cave and the sensationalism around it. While the premise isn't heartwarming, it has a solid soundtrack and creative set design and was a great show to see at the Lincoln Center. As always, thank you for watching. If you haven't already, don't forget to Like & Subscribe. We love new viewers! Also, leave us comments and let is know how we are doing and what we can be doing better. Enjoy the episode and have a great week! Facebook: @apncpodcast Twitter: @APNCPodcast Instagram: AllPopNoCulture

No Rest for the Weekend takes you to the opening night red carpet of the 32nd Edition of the New York African Film Festival at Lincoln Center. Interviews include: Lebert Bethune (Malcom X: Struggle for Freedom), Zoey Martison, (The Fisherman) Devin Powell (The Last Joint), Zoe Ramushu (Damsel, Not in Distress) Ahmed Samir (Grandma) Abderrahmane Sissako (Black Tea), Keith Siri (Film Africa Film Festival) and Afolabi Olalekan. Then we'll take you to the 24th Annual ChangeMakers Gala featuring interviews with ChangeMakers Honoree Kenan Thompson, Ego Nwodim, Joy Reid, Walter T. Geer III, ChangeMakers Co-Chair Yolanda Williams, Reel Works CEO John Williams.Music by Christopher GillardProduced by Jason GodbeyBtrayed OliverCoby Wise

Rachel talks about why people love or hate musicals, Crazy Ex- Girlfriend and how it would never be made today and how unlikely it was to get made back then.  She also talks about growing up in Manhattan Beach, Theater School in NY, not having billionaire friends, enjoying the now, writing her one woman show to get through the death of Adam Schlessenger and the birth of her daughter, how being married to a funny person can help, Hamilton, The Tony Awards, the amazing last year of Crazy Ex-Girlfriend, the magic of musical, theater, and having a stand-up comic/Hughes Aircraft Engineer grandpa. Bio:  RACHEL BLOOM is perhaps best known from the CW musical dramedy Crazy Ex-Girlfriend, which she co-created, executive produced, and starred in as ‘Rebecca Bunch.' For her acting work on the show, she was awarded a Golden Globe, Critics' Choice and TCA Award; for her songwriting work, she won an Emmy Award for Original Music and Lyrics along with her songwriting partners Adam Schlesinger and Jack Dolgen. Most recently, Bloom debuted her Drama Desk nominated, sold-out, four-week off Broadway one-woman musical comedy Death, Let Me Do My Show which she originally toured around London and the US. It was then released on Netflix as a comedy special Death, Let Me Do My Special and nominated for a Critic's Choice Award. She also co-starred in the Hulu comedy series Reboot and the second season of the Max series, Julia. Her past stage work includes selling out Radio City Music Hall and the London Palladium performing Crazy Ex-Girlfriend: LIVE. She also starred in her own solo tour, What Am I Going To Do With My Life Now? in 2019, which included a week-long residency at Just For Laughs. In addition, she appeared in a one-night only production of Crazy For You at Lincoln Center directed by Susan Stroman. In addition to her film and television work, in 2020, she published her book “I Want To Be Where The Normal People Are,” a collection of personal essays and poems on the subjects of insecurity, fame, anxiety, and much more.

The Hole in the Wall Gang Camp was founded in 1988 by legendary actor and philanthropist, Paul Newman. The camp is a haven for children with serious illnesses and their families, fostering joy, hope and friendship through both summer camp and year-round programming. Jimmy Canton, Ana Villafañe, and Luke Wilson join Google to talk about the Hole in the Wall Gang Camp and its mission. Jimmy is its CEO, and has been with the organization since its founding. Rising from counselor to CEO, he grew the camp from serving 288 children in its first summer to over 20,000 children and family members annually. Ana Villafañe is a board member for the camp and a Broadway actress. She recently starred opposite Holland Taylor in the world premiere of N/A at Lincoln Center, and plays the title character in the upcoming feature film, Castro's Daughter. Luke Wilson is an advocate for the camp and an actor, writer and director. He's collaborated with Wes Anderson and Owen Wilson on films like Rushmore and The Royal Tenenbaums, and is known for iconic comedies like Legally Blonde and Old School. Recently, he's starred in films like 12 Mighty Orphans, You Gotta Believe, Kevin Costner's Horizon, and the Netflix series No Good Deed. Watch this episode at youtube.com/TalksAtGoogle.

Today we released part one of our interview with Leslie Shampaine. She's an award-winning filmmaker and teaching artist. After a 13-year career as a professional ballet dancer, she transitioned into documentary film, producing content for PBS, CBS, the Discovery Channel, and National Geographic.Her feature documentary, Call Me Dancer, has won 23 prestigious awards, including China's top documentary prize. It has been showcased at major film festivals, New York's Lincoln Center, and screened by U.S. consulates in India and Nepal.As a Fulbright Scholar in India, she led workshops and screenings, using the universal language of art to foster cross-cultural dialogue. Her dedication to the arts continues to inspire global connections, bridging cultures and fostering understanding through storytelling and mentorship.Join us to hear Leslie's fascinating journey as she recounts how she applied what she learned as a leader in one art form to become a leader in another.  https://callmedancer.com/the-filmmakers/ 

If you’ve got a high school kid in public school in New Orleans and your kid is interested in pursuing anything in the arts – like music, dance, theater, film, even creative writing – you find out pretty quickly, the school doesn’t have a budget for that. To put on a play, publish a newspaper, learn dance, or most other musical and artistic pursuits, the funds required generally come from fundraisers, or parents’ pockets. Now, when you get to a public high school like NOCCA – the New Orleans Center for the Creative Arts – where education and excellence in the arts is the very reason for its existence – it would be impossible to expect bake sales or parents to foot the bill for those expenses. So where does that money come from? It comes from an organization dedicated to raising the funds that help power NOCCA, called the NOCCA Foundation. Adonis Rose is a NOCCA graduate who has gone on to a successful career as a jazz musician. Adonis has won a Grammy, he’s played on every stage that matters - including Carnegie Hall and the Lincoln Center - he’s accompanied legends like Dianne Reeves and Wynton Marsalis, and since 2024 he’s been Executive Director of the NOCCA Foundation. One of the arts your high school kid might like to study is film. If they do, maybe they’ll graduate and go to film school. And then, if they want to be in the film business they’ll have to move to someplace else where they make movies. Because everybody here seems to agree that apart from a few brief and wonderful years when we were known as “Hollywood South,” there’s no way to have a career in the film business in New Orleans. Don’t tell that to Kenny Morrison. Kenny has been making a nationwide career for himself as a New Orleans-based film-maker since 2001. He principally makes high-end and big-budget commercials – many of which you have certainly seen - for the likes of banks, shoes, hospitals and insurance companies. Kenny is what’s known in the film business as a triple threat – director, cinematographer, and an entrepreneurial film technologist, pioneering cutting-edge visual effects through his virtual-production company, Lucy XR. It used to be generally accepted that there were real jobs – like lawyers, doctors and plumbers – and then there were b.s. jobs like actors, musicians, and film makers. We don’t think so much like that anymore. Maybe it changed because an actor, Ronald Reagan, became one of the most popular Republican presidents of the 20th Century. Jay Z had a successful career as a musician before creating a music business empire. Artists have made millions of dollars selling works of art in the crypto space as NFT’s. Online content creators clean up collaborating with fashion houses and sneaker manufacturers. The demarcation line between art and business has gotten blurred. Locally, Adonis Rose and Kenny Morrison continue to demonstrate that creativity and commerce can happily co-exist. And that’s a lesson we need to take to heart here in New Orleans, perhaps more than any city in the country. Out to Lunch was recorded live over lunch at Columns in Uptown New Orleans. Andrew Ward sits in hosting for Peter Ricchiuti. You can find photos from this show at itsneworleans.com.See omnystudio.com/listener for privacy information.

[@ 5 min] Alright, this week…we go Inside the Huddle with Julia Bullock (!!!). The distinctive soprano and muse of John Adams just wrapped the Met premiere production of Antony and Cleopatra and is sticking around Lincoln Center with her collaborators at American Modern Opera Company for the upcoming Run AMOC Festival. Somehow, she agreed to spend her only 30 minutes of downtime with us! [@ 29 min] And then, in “Home Team,” we bring you a second exclusive interview with Elijah McCormack. The male soprano, who is set to star in Haymarket Opera's production of Artaserse, helps us celebrate Pride Month and the totally queer excesses of Italian opera seria during the high Baroque! [@ 52 min] Plus, in the ‘Two Minute Drill'…Donald Trump earns rave reviews in a Cantonese Opera, but his ticket sales at home are tanking at the Kennedy Center… GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

“Everything changed for the gay choral movement because they had twins: music and mission. They weren't just there for the music, and they weren't just there for the mission. I've been feeding my twins every day, and I feed them equally. Audiences that are interested in just music for music making are dying out. There are a lot more reasons to get them in: many concerts can reach into the community and be of service.”Tim Seelig is a conductor, speaker, author and educator. He is the Conductor Laureate of the San Francisco Gay Men's Chorus and Conductor Emeritus of the Turtle Creek Chorale in Dallas, Texas. He serves as founding conductor of the Portland Sage Singers.Dr. Seelig holds four degrees, including a Diploma from the Mozarteum in Salzburg, Austria and Doctor of Musical Arts from the University of North Texas. He has eight books and DVDs on choral technique published by Hal Leonard Music, several of which are best-sellers. His memoir, Tale of Two Tims, was published in 2020. He made his operatic debut in St. Gallen, Switzerland and solo debut at Carnegie Hall. He has been conducting at Carnegie Hall and Lincoln Center for 30 years, including an upcoming appearance at Lincoln Center in November 2025.He has conducted over 60 recordings which have been on Billboard Top Ten and iTunes Top Ten classical charts. His choruses have been the topic of three documentaries. The first PBS documentary was awarded the national Emmy for best documentary. The most recent had its world premiere at the Tribeca Film Festival, won the Audience Favorite and is streaming on Paramount +.He has commissioned major choral works for 35 years. Some of these include the first AIDS Requiem, When We No Longer Touch; Sing for the Cure for the Komen Breast Cancer Foundation featuring Dr. Maya Angelou; “Testimony,” by Stephen Schwartz and the 2022 “Songs of the Phoenix” by Andrew Lippa, Stephen Schwartz and Stephen Sondheim.Aside from guest-conducting, he is often seen trading in his podium for the speaking stage. He won the Moth Grand Slam and his recent TEDx Talk has passed 100K views.Fun facts: he conducted the Guinness Book of World Records Longest Choral Concert and carried the Olympic torch as a community Hero.  He has not run since.He is the proud grandfather of the amazing Clara Skye, Eden Mae, Cora Rose, and Ivy Hope.To get in touch with Tim, you can find him on Facebook (@tim.seelig) or email him at tgseelig@gmail.com.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Ute Lemper is an internationally celebrated German singer and actress. She first gained international acclaim playing Sally Bowles in Cabaret in Paris, a performance that earned her the Molière Award for Best Newcomer. She went on to star as Velma Kelly in Chicago in both the West End and on Broadway, winning the Olivier Award for Best Actress in a Musical and a Theatre World Award. Her early career also included key roles in Cats in Vienna and Peter Pan and The Blue Angel in Berlin. Ute has become an international cabaret icon, renowned for her interpretations of Kurt Weill, Marlene Dietrich, Édith Piaf, and Astor Piazzolla. She has performed at prestigious venues such as La Scala, Lincoln Center, and the Sydney Opera House. Her recording career includes over 30 albums, with standout projects like Ute Lemper Sings Kurt Weill, Illusions, and Punishing Kiss, featuring songs by Elvis Costello, Tom Waits, and Nick Cave. She was named Billboard's Crossover Artist of the Year in 1993/94. Her film work includes notable roles in L'Autrichienne as Marie Antoinette, Peter Greenaway's Prospero's Books, and Prêt-à-Porter. She also provided the German voice for Ariel in Disney's The Little Mermaid and Esmeralda in The Hunchback of Notre Dame. With multiple Grammy nominations and a ballet created for her by Maurice Béjart, Ute Lemper remains one of the most dynamic and influential performers of her generation .Ute Lemper is our guest in episode 499 of My Time Capsule and chats to Michael Fenton Stevens about the five things she'd like to put in a time capsule; four she'd like to preserve and one she'd like to bury and never have to think about again .For Ute Lemper's concert dates and tickets, music and videos, visit - https://www.utelemper.comFollow Ute Lemper on Instagram: @utelemperFollow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Hosted on Acast. See acast.com/privacy for more information.

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This week we're excited to present a conversation from the 2025 edition of Rendez-Vous with French Cinema with Meeting with Pol Pot director Rithy Panh and journalist Elizabeth Becker, moderated by FLC's Vice President, Programming, Florence Almozini. Meeting with Pol Pot will open at Film at Lincoln Center next Friday, June 13 with in-person Q&As at select screenings opening weekend. Get tickets at filmlinc.org/polpot In 1978, three French journalists arrive in Cambodia to survey the country and interview its leader, Pol Pot—but after a picture-perfect arrival, cracks begin to emerge in the murderous regime's facade of respectability. For Cambodian-born Rithy Panh, the damage inflicted upon his homeland by the Khmer Rouge has fueled a lifetime of innovative work in the vein of 2013's The Missing Picture, which reconstructed the period's events in part through clay-figurine dioramas. This real-life journalistic excursion, based on true events detailed in Elizabeth Becker's nonfiction book When the War Was Over: Cambodia and the Khmer Rouge Revolution, is brought to life thanks to exemplary lead performances from Irène Jacob, Grégoire Colin, and Cyril Gueï, meticulously conjuring the sights and sounds of 1978 Cambodia with the assistance of archival footage and more clay figurines. The result is a unique admixture—historical horror paired with a rich meditation on the impossibility of portraying it—that only Panh could make. A Strand Releasing release.

Amit Peled is a renowned Israeli-American cellist and conductor who has made a remarkable transition from growing up on a Kibbutz in Israel to becoming a Superstar Cellist and a Professor of Music at Johns Hopkins University. He's performed at Carnegie Hall, Lincoln Center, the Kennedy Center, Wigmore Hall and the Seoul Arts Center among many others. He's released over a dozen recordings and started an online cello academy. My featured song is “Because She Said So” from the album Play by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH AMIT:www.amitpeled.com________________________ROBERT'S RECENT SINGLES:“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

From the AOK archive: Broadway star Megan Hilty joins The Art of Kindness with Robert Peterpaul to discuss her incredible career through the lens of kindness. From Idina Menzel's career-changing act of kindness to what she learned from Dolly Parton herself, Megan shares countless inspiring stories and quips while reflecting on her journey. Megan Hilty is probably most recognizable for her portrayal of Ivy Lynn in the NBC Musical Drama “Smash.” Before that, Hilty started her career on Broadway, playing Glinda in “Wicked,” Doralee Rhodes in “9 to 5 The Musical,” and Brooke Ashton in “Noises Off,” which earned her a Tony Award Nomination. Other stage credits include Audrey in “Little Shop of Horrors” (Kennedy Center), Annie Oakley in “Annie Get Your Gun” (Encores/NY City Center) and Lorelei Lee in “Gentlemen Prefer Blondes” (Encores/NY City Center). Her numerous television credits include “Sean Saves The World” with Sean Hayes, “Difficult People,” “Braindead,” “The Good Fight,” playing the iconic Patsy Cline in “Patsy and Loretta” and Lily in NBC's “Annie Live!” Megan's voiceover work spans from audiobooks to kids animated favorites on Disney, Nickelodeon, Netfilx, Hulu & Cartoon Network. Hilty continues to tour her cabaret show with her band, led by Grammy Nominated Matt Cusson, which has been taped for “Live from Lincoln Center” on PBS, and regularly appears with world renowned orchestras including the NY Pops, Boston Pops and the National Symphony Orchestra. Follow Megan @meganhilty Follow us @artofkindnesspod / @robpeterpaul Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Please email us: ⁠artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. We are supported by the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Florencia Cuenca is a Mexican actress, singer, writer, and director currently starring on broadway in Real Women Have Curves. She entered the artistic world at the age of 3 acting alongside her father in stadiums and theaters throughout Mexico and the United States. In Mexico, she is known for telenovelas such as “De que te Quiero te Quiero, Muchachitas Como Tú, and for being part of the successful Mexican musical Si Nos Dejan, the Mexican premiere of Shrek the Musical and Selena the Musical. Her first album Aquí – The New Standards led to a tour around Mexico, Latin America, and New York City and being awarded the Hot House Jazz Award 2016 for Best New Jazz Artist. She has performed Off-Broadway in shows such as Children of Salt and A Never-Ending Line. She was recently seen playing the role of Estela in the world premiere of the musical Real Women Have Curves at A.R.T. As a singer-songwriter, she has performed in prestigious venues such as Lincoln Center, Joe's Pub, Feinstein's/54 Below, and others. Director selected credits: Desaparecidas (JACK), A Never Ending Line (Mexico City). Her new album Broadway in Spanglish was released by Concord Theatricals Recordings. She is interested in developing projects that celebrate diversity, and especially women and the Latinx and Hispanic community. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we're excited to present a conversation from the 2025 edition of Rendez-Vous with French Cinema with Ghost Trail director Jonathan Millet. Ghost Trail is currently playing at Film at Lincoln Center. Get tickets at filmlinc.org/ghost This conversation was moderated by FLC Vice President, Programming, Florence Almozini. Two years after being released from Syrian jail, Hamid (Adam Bessa) is making ends meet as a construction worker in the French city of Strasbourg, where, haunted by the memory of his imprisonment, the young man searches tirelessly for the man who tortured him, determined to get his revenge—but what's the real price of vengeance for the person seeking it? Inspired by true events, Jonathan Millet's deeply researched thriller excavates the too-little-examined moral dilemmas and political negligence that traumatized migrants must confront amid the struggle to rebuild their lives and take control of their destinies at the margins of contemporary French society, inviting audiences to better empathize with France's newest residents, and to better understand their place in the world—and our own. A Music Box Films release.

Peloton takes a bold step with new Peri/Menopause classes, catering to more diverse fitness needs.  The much-loved Free Mode is making a comeback! The PSL plans a multi-instructor ride to spice things up. Team Posts are officially live on the platform, offering new ways to connect.  Alex Toussaint Scam Alert. Stay informed about potential fraud.  Marcel Maurer faces health issues. Send him your support.  Tunde makes waves as a Sports Illustrated Swimsuit finalist!  Ally Love partners with Hyatt for an exclusive private class. Aditi Shah takes the stage to host an event at Lincoln Center.  Don't miss the latest Jeff Lynne's ELO Artist Series, plus a sneak peek at the June line-up. TCO Top 5. Listener-recommended classes you just have to try. TCORadar. Our team highlights classes that stood out this week. Peloton is all about collaboration this week! Check out these 2-For-1 opportunities: Matt Wilpers & Denis Morton bring their A-game to a Power Zone class. Kirra and Katie team up for an unforgettable yoga flow. Susie Chan & Joslyn Thompson Rule prepare an exciting duo session. Tunde and Alex Toussaint join forces for a dynamic ride. Unconventional Peloton meditations you'll want to explore.  Could Strength for Tennis be just around the corner? Stay tuned. Peloton Birthdays  Celebrate the June birthdays of Irene Scholz (6/3) and Rad Lopez (6/4). Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Peloton takes a bold step with new Peri/Menopause classes, catering to more diverse fitness needs.  The much-loved Free Mode is making a comeback! The PSL plans a multi-instructor ride to spice things up. Team Posts are officially live on the platform, offering new ways to connect.  Alex Toussaint Scam Alert. Stay informed about potential fraud.  Marcel Maurer faces health issues. Send him your support.  Tunde makes waves as a Sports Illustrated Swimsuit finalist!  Ally Love partners with Hyatt for an exclusive private class. Aditi Shah takes the stage to host an event at Lincoln Center.  Don't miss the latest Jeff Lynne's ELO Artist Series, plus a sneak peek at the June line-up. TCO Top 5. Listener-recommended classes you just have to try. TCORadar. Our team highlights classes that stood out this week. Peloton is all about collaboration this week! Check out these 2-For-1 opportunities: Matt Wilpers & Denis Morton bring their A-game to a Power Zone class. Kirra and Katie team up for an unforgettable yoga flow. Susie Chan & Joslyn Thompson Rule prepare an exciting duo session. Tunde and Alex Toussaint join forces for a dynamic ride. Unconventional Peloton meditations you'll want to explore.  Could Strength for Tennis be just around the corner? Stay tuned. Peloton Birthdays  Celebrate the June birthdays of Irene Scholz (6/3) and Rad Lopez (6/4). Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's podcast, musician and Artistic Director of the Musical Instrument Museum (MIM), Andrew Walesch shares how MIM offers a hands-on, immersive experience that celebrates music's role in shaping history and human connection. BACK STORY Like a good many before him, singer and pianist Andrew Walesch somehow manages to encapsulate the sophistication of a cosmopolite and the self-effacing charm of a country boy. Whether composing and arranging or appearing in settings ranging from solo artist to big band, this Minnesota native, who crisscrosses the country playing dates big and small, is as respectful of his predecessors as he is ready to take a leap into the unknown and chart a new course. In his monthly, sold-out shows with his 10-piece band, Walesch is a traditionalist and an iconoclast rolled into one. His audiences include jazz enthusiasts of a certain age, as well as a younger crowd compelled by his down-home insouciance, and the knowing irreverence of a tried-and-true American nightclub entertainer. “Although they are my idols, I don't attempt to imitate the great pop and jazz artists of the 50's and 60's,” says the singer and pianist, “but I go for broke when we do our shows -- vocally and musically — which is what they all did best and why they were in a class of their own." His vocal and piano chops, along with his keen sensibility to find and interpret a great lyric, have led to some great opportunities for Walesch, including an appearance on the nationally syndicated NPR broadcast Mountain Stage and more recently, an invitation to perform at the 33rd Annual Cabaret Convention at the Rose Theater at Jazz at Lincoln Center in New York City. Website: mim.org andrewwalesch.com   Instagram: mimphx Andrewwalesch    SUBSCRIBE TO ICONIC HOUR If you enjoyed today's podcast, I'd be so appreciative if you'd take two minutes to subscribe, rate and review ICONIC HOUR. It makes a huge difference for our growth. Thanks so much!   ICONIC LIFE MAGAZINE  Stay in touch with ICONIC LIFE magazine. We invite you to join our digital VIP list and SUBSCRIBE!   JOIN OUR ICONIC COMMUNITY Website: iconiclife.com Instagram: @iconiclifemag Facebook: Iconic Life YouTube: ICONIC LIFE   FOLLOW RENEE DEE Instagram: @iconicreneedee LinkedIn: Renee Dee   Thanks for being a part of our community to Live Beautifully. TAGS:  

El programa vuelve a recuperar y escuchar directos famosos. En esta ocasión 3 conciertos grabados por grandes de la música, unidos por una misma circunstancia. Los tres tuvieron lugar en el Lincoln Center de Nueva York. Primero EL MODERN JAZZ QUARTET, histórico grupo que se despidió allí, en 1975, cuando todavía no existían el gran escenario dedicado al jazz y por el que, desde los 90 han pasado todos los grandes acompañados por la orquesta dirigida por WYNTON MARSALIS. Y de allí recuperemos los dados por ERIC CLAPTON o RUBÉN BLADES.

Acclaimed composer, songwriter, and performer Randy Edelman is set to drop his latest single, “21 Again/Coming of Age,” on June 2, bringing his signature melodic brilliance and lyrical wit to a brand-new anthem that's poised to resonate across generations.Movie Reviews and More is broadcast live Tuesdays at 5PM PT on K4HD Radio - Hollywood Talk Radio (www.k4hd.com) part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). Movie Reviews and More TV Show is viewed on Talk 4 TV (www.talk4tv.com).Movie Reviews and More Podcast is also available on Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

We visit with Sarah Quintana as she calls in from “between the train tracks and the cemetery in New Orleans.” We discuss her NewOrleans roots, songwriting as medicine and of course her latest album “Baby Don't.”  Sarah Quintana is a singer-songwriter from New Orleans with a background rich in jazz, folk and popular music. She is a charming performer, devoted guitarist and her voice is instantly recognizable. Quintana splits her time between the US and France, working alongside Michael Doucet of BeauSoleil, saxophonist Raphael Imbert, touring on her own repertoire with French and American musicians. Quintana is a member of the Pantheatre (Linda Wise and Enrique Pardo) as well as a hatha yoga instructor. In her latest studio recording, Daddy Lies (Independent 2017), Quintana collaborates with Mark Bingham.  ​ Sarah Quintana grew up in New Orleans where live music is ingrained many aspects of daily life. In 2010 she went from singing on the streets of Provence with a traveling circus, to the stages of the Jazz and Heritage Festival and later, the Lincoln Center for Mid-Summer Swing with The New Orleans Moonshiners. In 2012, Quintana was awarded an artist residency at A Studio in the Woods where she composed "Miss River," music with water.  Check Sarah out here:  Bandcamp: Sarah Quintana  Website: Sarahquintana.com  IG: sarahjanequintana  Facebook: Sarah Quintana Music  YouTube: Sarah Quintana  

He led the Goodman Theatre in Chicago and pretty much created theater at Lincoln Center. “The happiest moments of my life have been in rehearsal rooms.” Well, yeah. In there with him? David Mamet, Tennessee Williams, Samuel Beckett. Sequentially not simultaneously. Presented with Hunter College. 

This week we're excited to present a conversation from the 62nd New York Film Festival with Northern Lights directors John Hanson & Rob Nilsson and cast members Susan Lynch & Joe Spano. This conversation was moderated by NYFF62 Revivals programmer Dan Sullivan. An NYFF62 Revivals selection, Northern Lights is currently playing at Film at Lincoln Center, courtesy of Kino Lorber. Get tickets at filmlinc.org/lights Winner of the Camera d'Or at the 1979 Cannes Film Festival, the sui generis Northern Lights marks one of the most moving and committed works of political cinema from the late 1970s. Dramatizing the formation of the populist Nonpartisan League in North Dakota in the mid-1910s, Northern Lights captures the plight of immigrant Dakotan farmers as they toil and struggle against the combined forces of industry and finance. Amid this class tension, two young lovers find themselves swept up in the tide. Shot on location (on grain-rich black-and-white 16mm) in the dead of winter and featuring an astonishing cast of non-professional actors, this handmade masterpiece remains a stirring monument to collectivity.

Lincoln Center's vice president of artistic programming Jordana Leigh previews their annual Summer For The City series, including mostly free or pay-what-you-can ticketing for events that center global voices and new perspectives.

"Time spent traveling on trains, just staring out the window: I don't think that's lost time. That's when we have our best ideas." –Kim Krizan In this episode of Deviate, Rolf and Kiki introduce their interview with Kim Krizan by talking about their own personal love of the movie Before Sunrise, and how they first experienced it (0:30); Kim talks about her early travel experiences in Czechoslovakia as a teenager, and in England in her twenties (14:30); how the low-information technological moment of travel in the 1990s doesn't exist anymore in the 2020s (23:30); how Kim became involved with helping Richard Linklater write Before Sunrise, and their creative process in working together (34:00); Kim's ongoing relationship to the movie, 30 years after it came out (44:00); and an "Easter egg" segment featuring Kiki reading Melissa Fite Johnson's poem "Before Sunrise on the VCR" (55:30). Kim Krizan (@kimkrizan) is the Oscar-nominated cowriter of the Before Sunrise movies, and the author of Spy in the House of Anaïs Nin. Kristen “Kiki” Bush is an actress, known for Paterno, Liberal Arts, Suits, Law & Order: SVU, and onstage performances at Manhattan Theatre Club, The Public, and Lincoln Center. Notable Links: 2025 Screenwriting in Paris class, with Kim Krizan (creative writing class) Paris Writing Workshops (summer learning-vacation classes) Before Sunrise (1995 movie) Before Sunset (2004 movie) Ethan Hawke (American actor and director) Julie Delpy (French actress and director) Richard Linklater (American filmmaker) Kristen "Kiki" Bush in People, Places & Things (2022 play at the Studio Theatre) Thoughts on watching the Before trilogy, 25 years on, by Rolf Potts (essay) BritRail (train pass in the UK) London A-Z (street atlas) Siouxsie and the Banshees (British rock band) Wembley Stadium (London venue) Continuous partial attention (behavior) Slacker (1990 film) Dazed and Confused (1993 film) Anaïs Nin (French-American diarist and novelist) Eurail Pass (train pass to 33 European countries) The Game Camera (trailer for 2025 short film made by Kiki and Rolf) Uncle Vanya (play by Anton Chekhov) Robert Falls (former artistic director of Chicago's Goodman Theater) Melissa Fite Johnson (poet) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

Drama League Award Winners, Special Disney on Broadway Performance, Interview with Clint Ramos Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio For a transcript read more The post ToB: Monday, May 19, 2025 | Clint Ramos on ‘Maybe Happy Ending,’ Lincoln Center, ‘Into the Woods’ in Manila appeared first on BroadwayRadio.

In this episode of “Half Hour”, we dive into the latest Broadway, Off-Broadway, and Regional Theatre news. We cover upcoming musicals, exciting revivals like Ragtime at Lincoln Center, and live telecast announcements of Good Night and Good Luck on CNN. We also discuss the impact of star power on ticket sales, casting news such as Titus Burgess's return to Oh Mary, and the latest trends in attendance and grosses. Plus, we share our thoughts on a musical we first saw Off-Broadway and announced for Broadway in 2026.  Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠TikTok⁠⁠⁠, and ⁠⁠⁠YouTube⁠⁠⁠. Don't forget to leave a review if you enjoyed the episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we're excited to present a conversation from the 2025 edition of the New York African Film Festival with Black Tea director Abderrahmane Sissako and producer Kessen Tall. This conversation was moderated by Film Comment editor Devika Girish. After saying no on her wedding day, Aya leaves the Ivory Coast for a new life in the buzzing “Chocolate City” of Guangzhou, China. In this district where the African diaspora meets Chinese culture, she gets hired in a tea boutique owned by Cai, a Chinese man. In the secrecy of the back shop, Cai decides to initiate Aya to the tea ceremony. Through the teaching of this ancient art, their relationship slowly turns into tender love. But for their burgeoning passion to lead to mutual trust, they must let go of their burdens and face their past. Having made its New York Premiere at Film at Lincoln Center earlier this month, Black Tea is currently playing in select theaters, courtesy of Cohen Media Group.

"Time spent traveling on trains, just staring out the window: I don't think that's lost time. That's when we have our best ideas." –Kim Krizan In this episode of Deviate, Rolf and Kiki introduce their interview with Kim Krizan by talking about their own personal love of the movie Before Sunrise, and how they first experienced it (0:30); Kim talks about her early travel experiences in Czechoslovakia as a teenager, and in England in her twenties (14:30); how the low-information technological moment of travel in the 1990s doesn't exist anymore in the 2020s (23:30); how Kim became involved with helping Richard Linklater write Before Sunrise, and their creative process in working together (34:00); Kim's ongoing relationship to the movie, 30 years after it came out (44:00); and an "Easter egg" segment featuring Kiki reading Melissa Fite Johnson's poem "Before Sunrise on the VCR" (55:30). Kim Krizan (@kimkrizan) is the Oscar-nominated cowriter of the Before Sunrise movies, and the author of Spy in the House of Anaïs Nin. Kristen “Kiki” Bush is an actress, known for Paterno, Liberal Arts, Suits, Law & Order: SVU, and onstage performances at Manhattan Theatre Club, The Public, and Lincoln Center. Notable Links: 2025 Screenwriting in Paris class, with Kim Krizan (creative writing class) Paris Writing Workshops (summer learning-vacation classes) Before Sunrise (1995 movie) Before Sunset (2004 movie) Ethan Hawke (American actor and director) Julie Delpy (French actress and director) Richard Linklater (American filmmaker) Kristen "Kiki" Bush in People, Places & Things (2022 play at the Studio Theatre) Thoughts on watching the Before trilogy, 25 years on, by Rolf Potts (essay) BritRail (train pass in the UK) London A-Z (street atlas) Siouxsie and the Banshees (British rock band) Wembley Stadium (London venue) Continuous partial attention (behavior) Slacker (1990 film) Dazed and Confused (1993 film) Anaïs Nin (French-American diarist and novelist) Eurail Pass (train pass to 33 European countries) The Game Camera (trailer for 2025 short film made by Kiki and Rolf) Uncle Vanya (play by Anton Chekhov) Robert Falls (former artistic director of Chicago's Goodman Theater) Melissa Fite Johnson (poet) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

A few days ago, one of the most ubiquitous live shows in the country, Shen Yun, began its latest run at Lincoln Center, drawing thousands of people to a performance that is colorful, acrobatic and — according to many of its performers — shockingly abusive.Nicole Hong, one of the reporters behind a New York Times investigation of Shen Yun, discusses what that reporting has revealed about the secretive enterprise.Guest: Nicole Hong, an investigative reporter for The New York Times focusing on New York and its surrounding regions.Background reading: An ex-dancer accused Shen Yun of forced labor and trafficking in a lawsuit.Here are five takeaways from The Times's coverage of Shen Yun.For more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. Photo: The New York Times Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.