Podcasts about Lincoln Center

[REBROADCAST FROM Oct 22, 2024] Collaborators Lin-Manuel Miranda and Eisa Davis discuss their new project, the concept album Warriors. It's a multi-genre musical adaptation of the 1979 movie 'The Warriors,' which tells the story of a Coney Island gang who need to fight their way back to Brooklyn after they are framed for a murder in the Bronx. Miranda and Davis will be hosting a listening party and silent disco at Lincoln Center on July 30, 2025.

Today's episode is an entry in our regular Rep Report series, where we survey the best and most interesting offerings at repertory theaters in New York City. This month and next, the rep calendar is particularly packed with gems, so Film Comment Editor Devika Girish invited filmmaker, critic, and archivist Gina Telaroli, film scholar Benjamin Crais, and Film Comment's Assistant Editor Michael Blair to spotlight some of the unmissable series on view right now or on the horizon.  The group discussed a program at Anthology Film Archives dedicated to unusual stories about immigration, which features Kidlat Tahimik's 1970s classic Perfumed Nightmare (5:56); a series at the Asia Society that pairs films from India's Parallel, or arthouse, cinema movement with classics of Bollywood (16:39); and upcoming retrospectives and screenings of the works of Luc Moullet at Film at Lincoln Center and Anthology (32:00). They also reflected on the state of repertory moviegoing in New York more broadly—including the admittedly enviable problem of too many things going on at the same time as well as what it means to see works made defiantly outside of institutional structures at august institutions.

Magos Herrera is the extraordinary 2x Grammy nominated Mexican jazz singer-songwriter, activist and educator. She's known for her vocal improvisation and for combining contemporary jazz with Ibero-American melodies and rhythms. She's released 11 albums including “Aire” her latest. She's performed at top venues like Carnegie Hall, Lincoln Center, the Kennedy Center, the Montreux Jazz Festival and the Montreal Jazz Festival. Forbes has named her “One of the most creative Mexicans”. And she serves as spokesperson for UN Women to promote gender equality. My featured song is “It Don't Matter” from the album East Side Sessions by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH MAGOS:www.magosherrera.com____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Így készül egy nézett film! - Goda Krisztina rendező, forgatókönyv író   Magyarok Óriási Kalandjai Amerikában - ep 273   A magyar film egyik legnagyobb alkotóját, Goda Krisztinát látjuk vendégül a M.ÓK.A. Podcastban! Krisztina neve fo.galom a hazai filmvilágban. Ő az, aki bebizonyította, hogy a magyar közönségfilm lehet igényes, sikeres és nemzetközi szinten is elismert. A Csak szex és más semmi, a Szabadság, szerelem, a Kaméleon, a Veszettek vagy a BÚÉK – mind olyan filmek, amelyek a magyar mozinézők tízezreit ültették be a vetítőtermekbe, és a kritikusok is emlegetik őket. De milyen út vezetett idáig? Hogyan építette fel a karrierjét egy olyan nő, aki ma már a magyar filmipar meghatározó alakja?   Ebben az epizódban nemcsak a legújabb filmjéről, a Hogyan tudnék élni nélküled? című Demjén Ferenc-dalok ihlette zenés romantikus vígjátékról beszélgetünk, hanem arról is, hogy mi kell ahhoz, hogy egy ilyen nagyszabású projekt megvalósuljon. Pénz? Kapcsolatok? Tehetség? Krisztina őszintén mesél arról, hogyan működik a magyar filmes világ a kulisszák mögött, és mit tanult a londoni National Film and Television Schoolban vagy a UCLA forgatókönyvíró szakán, ami a mai napig meghatározza a munkáját.   Miről beszélgetünk ebben az epizódban? – Gyerekkorról, inspirációkról, azokról a pillanatokról, amikor eldőlt, hogy a kamera mögött érzi magát igazán otthon. – A pályafutása első nagy áttöréséről, a Csak szex és más semmi forgatásáról és arról, miért hitt benne, hogy a magyar vígjáték új szintre emelhető. – Az 1956-os forradalmat bemutató Szabadság, szerelem filmről, amelyet a washingtoni Fehér Házban is vetítettek, és amire még George W. Bush is felfigyelt. – A Hogyan tudnék élni nélküled? kulisszatitkairól, ami nemcsak itthon, hanem a környező országokban is rekordokat döntött, és már a folytatás is készül Mindig ugyanúgy címmel. – Törőcsik Franciska alakításairól, aki három különböző karaktert formált meg Krisztina három filmjében – és miért tartja őt az egyik legizgalmasabb magyar színésznőnek. – A New York-i Lincoln Center premierről, ahol a Liszt Intézet szervezésében Krisztina személyesen is képviselte a filmet. Hogyan fogadta az amerikai közönség a Demjén-slágerekből szőtt történetet?   Goda Krisztina nemcsak rendező, hanem forgatókönyvíró, kreatív producer és igazi műfaji „kaméleon”. Tud drámát és vígjátékot, történelmi filmet és modern kamaradarabot, miközben minden munkájában ott van az emberi történetek iránti érzékenysége. Filmjei gyakran érzelmesek, humorosak, és tele vannak olyan karakterekkel, akikben saját magunkra ismerhetünk.   Az adásban arról is szó esik, hogy a magyar filmipar mennyire pénzfüggő műfaj, és hogyan lehet ma Magyarországon nagy költségvetésű, közönségbarát filmet készíteni. Krisztina nem rejti véka alá a véleményét: beszél arról, milyen támogatások és kreatív csapatmunka kell egy sikerfilmhez, és miért fontos, hogy a forgatókönyv mindig sziklaszilárd alap legyen.   Miért érdemes végignézned ezt az epizódot? Ha érdekel a magyar film világa, vagy egyszerűen csak szereted a kulisszatitkokat, ez a beszélgetés kötelező. Ritkán hallunk ennyire őszinte, inspiráló gondolatokat arról, hogyan készül egy sikerfilm. Krisztina története nemcsak filmeseknek szól: tele van tanulságokkal, kitartásról, kreativitásról és arról, hogy hogyan maradjunk hitelesek egy olyan iparágban, ahol minden a nézők figyelméért folytatott harcról szól.   Ha tetszett az adás, ne felejts el feliratkozni a csatornánkra, hogy ne maradj le a következő inspiráló történetekről! Írd meg kommentben, melyik Goda Krisztina film a kedvenced, vagy melyik jelenet maradt meg benned legjobban. Imádjuk a közös nosztalgiát és beszélgetéseket!  

New York City's Summer Streets program returns for five consecutive Saturdays starting this weekend, closing more than 22 miles of roadway to cars across the boroughs. Meanwhile, Prospect Park's LeFrak Center at Lakeside is also set to reopen after its first major renovation since 2013. Also, the New York Public Library for the Performing Arts is celebrating its 60th anniversary with events in partnership with Lincoln Center. Plus, in this week's politics segment: mayoral candidate Zohran Mamdani's trip to Uganda, Andrew Cuomo's campaign promises, and the latest on the governor's race.

www.patreon.com/banjopodcast   Cynthia is a modern virtuoso of the 4-string plectrum banjo! She is celebrated not only for her talents in the traditional jazz/plectrum repertoire, but also for her original pieces and creative interpretations of different musical genres from around the world. Her accolades include the 2023 Steve Martin Banjo Prize and an inductee into the American Banjo Hall Of Fame, the first banjoist to win the 2019 Bistro Award and 2018 Global Music Awards, and in 2018 the first 4-string jazz banjoist to be a featured artist at the iconic Newport Jazz Festival. Cynthia rose to international prominence as a founding member of Woody Allen's New Orleans Jazz Band, and has played with leading jazz, popular, and roots music artists including Bucky Pizzarelli, Dick Hyman, Andy Statman, Les Paul, Marvin Hamlisch, Wynton Marsalis, Scott Bradlee's Postmodern Jukebox, Vince Giordano, The Kingston Trio, Scott Robinson, and many others.  Sayer has appeared as a guest and performer on CBS, FOX & ABC network television, on NPR's “Piano Jazz,” and elsewhere. Her work has been featured in The New York Times, DownBeat, Fretboard Journal, People Magazine, The Wall Street Journal, and countless other local, trade, and foreign media outlets.   Cynthia Sayer is also an avid educator. She has been a guest clinician at The Berklee College Of Music, The New School and others, given multiple educational programs at Lincoln Center, in public schools, and more. She's on the faculty of the NY Hot Jazz Camp, and gives lessons and workshops. Her play-along program, You're IN The Band is popular with players of all instruments learning and practicing traditional/hot jazz and swing. Her newest book for banjo, guitar and mandolin, The Swinging Solos Of Elmer Snowden, was published in 2022.  Cynthia lives in New York City and endorses Ome banjos, GHS Strings, Blue Chip Picks, and The Realist Banjo Pickups by David Gage.   Sponsored by Elderly Instruments, Peghead Nation, Bluegrass Country Radio, and Sullivan Banjos   Cynthia on the web: https://cynthia-sayer.squarespace.com/  

En este episodio especial de La Clave Pop, conversamos con el multipremiado mandolinista brasileño Hamilton de Holanda sobre su más reciente álbum "Hamilton de Holanda e Trio - Live in NYC", grabado en vivo en el legendario Dizzy's Club en Jazz at Lincoln Center.Hamilton, ganador de cuatro Latin GRAMMY incluyendo Mejor Álbum de Jazz, nos lleva tras bambalinas de esa noche mágica en Nueva York donde capturó la esencia de su música junto a Chris Potter. Descubre cómo preparó este álbum durante una gira de 12 ciudades, la historia íntima detrás de su mandolín brasileño que recibió a los cinco años, y cómo logra esa conexión emocional única con el público internacional.El músico brasileño nos habla sobre el choro, ese primo del jazz con herencia africana, y cómo su instrumento poco convencional ha conquistado audiencias en Estados Unidos y el mundo. También exploramos temas como "Flying Chicken" con Chris Potter, el momento especial de "Mantra da Criação" donde el público cantó con él, y por qué considera este proyecto como la realización de un sueño.Palabras clave: Hamilton de Holanda, mandolín, choro brasileño, jazz, Dizzy's Club, Nueva York, Latin GRAMMY, música brasileña, Chris Potter, música en vivo, Jazz at Lincoln Center. Sigue a Marysabel Huston en sus redes sociales: Instagram y Threads: @marysabelhuston TikTok: @marysabelhuston Facebook: Marysabel.HustonX (antes Twitter): @hustonmarysabelYouTube: Marysabel HustonCréditos: Producción ejecutiva, edición y mezcla por Marysabel HustonMúsica: Una producción de Techy Fatule

Send us your thoughts! Fini joins Rob Cope to chat about her 5th studio album, Last Night of the World. Fini Bearman is a singer-songwriter, multi-instrumentalist & composer who has built an impressive profile on the UK Jazz scene as both an imaginative and expressive soloist and as a side-woman. She tours regularly across Europe and notable performances include Ronnie Scotts, The Sage Gateshead, The Barbican, The A-Trane (Berlin), Cafe Mercedes Jazz (Valencia), Manzioli (Izola, Slovenia) and Dizzys (Jazz at the Lincoln Center, New York). Festival highlights include the London Jazz Festival, Manchester Jazz Festival, Berlin Jazz Festival,  'Jazz Voices' in Lithuania and 'Voicingers' in Poland.Fini has been supported by the Arts Council & Musicians Benevolent Fund and has been nominated for awards including London Jazz Singer of the Year (Global Music Foundation).Support the show

This week we're excited to present a conversation with legendary Japanese director Kiyoshi Kurosawa as he discusses his new feature Cloud, currently playing daily at Film at Lincoln Center. Get tickets at filmlinc.org/cloud This conversation was moderated by New York magazine and Vulture film critic Alison Willmore. Kiyoshi Kurosawa (Cure, Pulse) delivers one of his most chillingly prescient films with this riveting fusion of social satire, techno-thriller, and survival-action. Yoshii (Masaki Suda), a T-shirt factory worker, supplements his income by flipping merchandise online—dubious medical devices, counterfeit designer handbags, collectible figurines—until disgruntled customers begin organizing against him on an anonymous message board. As his profits grow and he quits his day job (even hiring an assistant), he becomes the target of a coordinated vendetta that ratchets into something increasingly brutal, absurd, yet eerily plausible. At once a pulse-pounding provocation and a cautionary tale for our atomized, hustle-economy era, Cloud—Japan's official submission for the 97th Oscars—is a genre-bending vision of virtual grievances mutating into real-world terror, orchestrated with Kurosawa's signature precision and nerve. A Sideshow/Janus Films release.

Latin Grammy-award winning Brazilian artist Liniker is town this week for her free show at Lincoln Center on July 18. Ahead of the concert, she performs live in our studio, discusses her latest album, CAJU, and reflects on what it meant to her to be the first transgender woman to ever win a Latin Grammy.

ITSPmagazine Weekly Update | From AI Agents to Tape Mixes, to Guitars and Black Hat Buzzwords and much more with Marco & Sean's Random & Unscripted Podcast ⸻ In this weekly unscripted update, Marco Ciappelli and Sean Martin catch up on their latest stories, from AI agents replacing SOC analysts to mixtape nostalgia and vintage guitars made from NYC history. They also tease big things coming at Black Hat USA and reflect on why collaboration is core to ITSPmagazine. ⸻ In this week's Random and Unscripted episode, Marco Ciappelli and Sean Martin return with another lively behind-the-scenes update from the ITSPmagazine world. As always, the conversation flows unpredictably—from music and nostalgia to cybersecurity, AI, and everything in between. Marco kicks off the episode by confessing he saw ASIS live—twice—and is now on a mission for the perfect mod haircut. Sean follows with an unexpected review of an avant-garde opera at Lincoln Center, which explores humanity's attempt to extend life through technology. That sets the stage for deeper reflection on AI, with both co-founders digging into the role of AI agents in cybersecurity operations. Sean recaps his recent contributor-led newsletters on threat intelligence and AI-powered SOC roles. Marco, meanwhile, teases the next chapter in his “Robbie the Robot” newsletter series, which will explore the merger of humans and machines. The episode also spotlights a series of published interviews: a brand story with Greg and John from White Knight Labs, Marco's conversation with Ken Munro wrapping up Infosecurity Europe 2025, and an episode with Abadesi from the Women in Cybersecurity track—discussing how diverse teams build better tech. Sean also drops new Music Evolves episodes, including a conversation with Summer McCoy of the Mixtape Museum and a new story on Carmine Guitars, where vintage NYC wood is repurposed into one-of-a-kind instruments. That sparks a philosophical reflection from Marco on the contrast between analog warmth and digital impermanence. As the episode winds down, Marco and Sean turn their attention to Black Hat USA 2025. With sponsorships nearly sold out, they encourage companies to claim one of the last remaining spots. They also preview an upcoming live webinar where they'll debate the event's inevitable buzzwords with industry peers. As always, the tone is informal, curious, and community-driven. If you want the inside scoop on what's shaping the stories and strategies at ITSPmagazine—this is the episode to hear. ⸻ Keywords: cybersecurity, AI agents, threat intelligence, SOC analyst, mixtape museum, custom guitars, Black Hat USA 2025, ITSPmagazine, analog vs digital, diversity in tech, robotic automation, newsletter strategy, editorial collaboration, pen testing, brand storytelling, tech culture, cybersecurity events, operational technology, digital transformation, music and techHosts links:

Bruce Wolosoff is an acclaimed American pianist and composer known for his integration of classical, jazz and blues. He likes to compose in response to visual art. His music has been performed by the Chamber Music Society of Lincoln Center and many others, and his compositions span ballet, opera, chamber and orchestral music.My featured song is my version of the Thelonious Monk classic “Well, You Needn't” from the album Miles Behind by The Robert Miller Group. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH BRUCE:www.brucewolosoff.comhttps://www.reflectionsinmusic.org/______________________ROBERT'S RECENT SINGLES:“THE CUT OF THE KNIFE” is Robert's latest single. An homage to jazz legend Dave Brubeck and his hit “Take Five”. It features Guest Artist Kerry Marx, Musical Director of The Grand Ole Opry band, on guitar solo. Called “Elegant”, “Beautiful” and “A Wonder”! CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Today's Guest Mary Lou is a sought-after speaker and advocate on Lewy Body Dementia and Caregiving since writing her first book. I didn't see it coming. Scenes of love, loss, and Lewy Body Dementia. Mary Lou was inspired to write her memoir after her late husband, illustrator Nicky Zann, died from Lewy Body Dementia in 2020. Mary Lou's journey with Nicky was not her first time as a caregiver. When Mary Lou was 10 years old, her father at age 37 suffered a massive stroke that robbed him of his ability to speak as well as his employment.  The oldest of three kids, Mary Lou helped her mom care for her dad and family. A former opera singer and educator, Mary Lou is internationally known as the classical music publicist slash strategist who for 50 years has helped guide the careers of celebrated artists and advised many institutions including Carnegie Hall, the Los Angeles, New York, and Vienna Philharmonic. She now adds another layer, advocate for Lewy Body Dementia awareness. Mary Lou serves on the board of the Lewy Body Dementia Resource Center of New York City.  She is also an executive producer along with Renee Fleming, musician Yo-Yo Ma, and actor David Hyde Pierce, of a new documentary film about Lewy Body Dementia entitled Facing the Wind. The documentary had its world premiere at the Doc NYC Film Festival November 2024, along with a preview presentation at New York's Lincoln Center that same month. Links from May Lou https://maryloufalcone.com/ https://facingthewindfilm.com/ I Didn't See It Coming About Dr. Raj Dr Raj is a quadruple board certified physician and associate professor at the University of Southern California. He was a co-host on the TNT series Chasing the Cure with Ann Curry, a regular on the TV Show The Doctors for the past 7 seasons and has a weekly medical segment on ABC news Los Angeles. More from Dr. Raj The Dr. Raj Podcast Dr. Raj on Twitter Dr. Raj on Instagram Learn more about your ad choices. Visit megaphone.fm/adchoices

My only family heirloom is my Dad's 1960s stereo console he had at boarding school. As a kid my parents listened to the music of that time and I'll always have a special place for the likes of Barbra Striesand, The Bee Gees, and James Taylor. Around the age of seven a family friend gifted me with a transistor radio and though I had a couple dogs, my best friend became music, and the love affair not only never ended, it continues to flourish. I've always felt music was more than just a mere accoutrement to life but had never dug into any psychological research. Until now. What you are about to hear I feel will elevate your utilization of music to improve your life. Sara Leila Sherman is my guest. Sara is a big name in the New York music scene. She's a distinguished classical musician and a graduate of the Manhattan School of Music and has performed at Lincoln Center, Steinway Hall, Yamaha Artist Salon and all the impressive places. But it's her interest in blending music and mindfulness that got my attention. Sara has pioneered innovative approaches that empower educators and parents to use music as a tool for mindful learning and personal growth. Sara is a music lover, from classical to pop. She grew up with a Dad, Mort Sherman, who loved music and ingrained Sara in its glory and power. Together they've written a book, Resonant Minds: The Transformative Power of Music, One Note at a Time. I brought Sara on to help understand why I've felt so much power and resonance in music. One aspect you're about to hear is Sara's research into how music engages all the parts of your brain, so it makes sense that when you feel emotions or have experiences accompanied by intentional music, it makes a bigger impact on you. That info alone was worth the conversation. But we covered…more. https://www.resonantminds.com/ Sign up for your $1/month trial period at shopify.com/kevin Go to shipstation.com and use code KEVIN to start your free trial. Learn more about your ad choices. Visit megaphone.fm/adchoices

The 55th annual summer music festival by Chamber Music Northwest is now underway. This year’s theme is Echoes of Bach, featuring the composer's work and dozens of other masterpieces from other eras that resonate with it. For decades, the nonprofit was led by the renowned clarinetist David Shifrin. In 2020, pianist Gloria Chien and her husband, violinist Soovin Kim, were named as artistic directors. We first talked with them in 2021, the year they received the Chamber Music Society of Lincoln Center’s Award for Extraordinary Service for their work during the pandemic. We talk with the duo about their time at the helm and how the organization has grown since then -- and what makes Chamber Music Northwest’s summer festival an annual draw for some of the most talented musicians from around the world.

Interview date: March 16, 2025Episode Summary:Mfoniso Akpan, Artistic Director of Step Afrika, shares her unique journey from a science student at Stony Brook University to leading a renowned dance company. With training in various dance styles, she combines creativity with analytical problem-solving, using skills from her science background to enhance her choreography.She discusses her extensive travels with Step Afrika, performing in 60 countries and 49 U.S. states, and the company's mission to preserve African American stepping traditions. The episode emphasizes the importance of professionalism and discipline in managing the logistics of touring and rehearsals, while also highlighting the business skills dancers need.Mfoniso encourages aspiring dancers to combine their passions with persistence and curiosity, offering valuable advice on building a sustainable career in dance.Show Notes:(1:00) Mfoniso Akpan's early dance journey and starting with percussive dance(5:00) Balancing dance with academics: Majoring in biochemistry and molecular genetics(8:00) Joining Step Afrika in 2005 and her transition from dancer to Artistic Director(12:00) Step Afrika's mission to preserve and promote African American stepping traditions(15:00) Performing across 49 U.S. states and 60 countries with Step Afrika(18:00) Breaking the Guinness World Record for the most steppers in a live performance(22:00) The importance of professionalism: Timeliness, responsibility, and teamwork on tour(25:00) Combining science and dance: How Mfoniso uses problem-solving in choreography(30:00) Teaching dancers the business side of dance: Professionalism, contracts, and logistics(35:00) Networking and building relationships in the dance industry(40:00) Mfoniso's approach to balancing multiple passions and staying organized(43:00) Final advice: Believe in yourself, keep learning, and make the most of every opportunityBiography:Mfoniso Akpan is a distinguished dancer and the Artistic Director of Step Afrika!, a Washington, D.C.-based arts organization dedicated to the African American tradition of stepping. Her extensive training encompasses tap, ballet, jazz, modern, African dance, hip-hop, and step. While attending the State University of New York at Stony Brook, she majored in biochemistry and molecular genetics, minored in dance, and honed her stepping skills as a member of Delta Sigma Theta Sorority, Inc.Akpan began her dance training at the Bernice Johnson Cultural Arts Center and has performed at prestigious venues such as Carnegie Hall, Avery Fisher Hall, the Apollo Theater, the Brooklyn Academy of Music, and Lincoln Center. She also toured with the off-Broadway show "Hoofin' 2 Hittin," where she was a featured stepper and dancer.Since joining Step Afrika!, in 2005, Akpan served as a performer and leader, becoming the Artistic Director in 2015. Under her leadership, the company has premiered off-Broadway, continued extensive national and international tours, headlined President Barack Obama's Black History Month Reception at the White House, and is featured prominently at the Smithsonian's National Museum of African-American History & Culture with the world's first stepping interactive exhibit.Akpan maintains that stepping is a national treasure, an American cultural art form that is a keeper of history—past, present, and future—that should be preserved, innovated, and shared with the world. She continues to share her love of movement and education with students and art lovers globally.Connect on Social Media:https://www.facebook.com/mfoniso.akpan.9https://www.instagram.com/kokoma22

This week we're excited to present a conversation between film scholars Shana L. Redmond, Director of the Center for the Study of Social Difference at Columbia University, and Michael Gillespie, Associate Professor in NYU's Department of Cinema Studies, as they discuss a double feature of Oscar Micheaux's 1925 silent film Body and Soul and Jordan Peele's 2019 sophomore feature Us. Hailed as “a colossal achievement” and “blissfully ambitious” upon its release, Jordan Peele's 2019 feature Us plumbed everything from American isolationist fears and labyrinthine power structures to the rich lineage of the doppelgänger motif and home-invasion thrillers. Now with the recent publication Us: The Complete Annotated Screenplay by Inventory Press, in-depth footnotes, commentaries, and a constellation of images, definitions, and inspirations have untethered entirely new references orbiting the film. This past June, Film at Lincoln Center was thrilled to interpret the cosmology outlined in this book through a presentation of double features, supplementary reading material, in-person appearances from some of the book's contributing writers, and never-before-seen 35mm presentations of Us.

This lecture considers ‘You'll Never Walk Alone' from Carousel (1945). Perhaps Rodgers and Hammerstein's most operatic song, it was originally written for Metropolitan Opera star Christine Johnson but has gone on to be recorded by artists as diverse as Elvis Presley and Marcus Mumford and sung at both the Last Night of the Proms and Liverpool Football Club.This lecture will include live performances by international soprano and Grammy Award winner Rebecca Evans CBE.This lecture was recorded by Dominic Broomfield-McHugh on 2nd of May 2025 at Conway Hall, London.Dominic Broomfield-McHugh is Gresham Visiting Professor of Film and Theatre Music. He is also Professor of Music at the University of Sheffield and is a graduate of King's College London.His scholarship focuses on the American musical on stage and screen, and he has published eight books including Loverly: The Life and Times of 'My Fair Lady' (OUP, 2012), The Letters of Cole Porter (Yale, 2019) and The Oxford Handbook of the Hollywood Musical (2022).He is Associate Producer of the PBS documentary Meredith Willson: America's Music Man and has appeared on all the main BBC television and radio stations as well as NPR in America. He has given talks and lectures at the Sydney Opera House, New York City Center, the Library of Congress, New York Public Library, Sadler's Wells, and Lincoln Center, among many others.The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/operatic-showstopperGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today Website:  https://gresham.ac.ukX: https://x.com/GreshamCollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeBluesky: https://bsky.app/profile/greshamcollege.bsky.social TikTok: https://www.tiktok.com/@greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

On this week's episode of Economic Update, Professor Wolff delivers updates on the political theater, of the U.S./Iran hostilities, the political shock of Zohran Mamdani's Democratic primary win in New York City, the withdrawal of union leaders from the Democratic National Committee, and the rising trade among BRICS crosses the $1 trillion milestone. In the second part of today's show, Prof. Wolff interviews two leaders of the musicians' union representing the orchestra of the Metropolitan Opera at Lincoln Center, New York City: Javier Gandara and Stephanie Mortimore.   The d@w Team Economic Update with Richard D. Wolff is a DemocracyatWork.info Inc. production. We make it a point to provide the show free of ads and rely on viewer support to continue doing so.  You can support our work by joining our Patreon community:  https://www.patreon.com/democracyatwork Or you can go to our website: https://www.democracyatwork.info/donate     Every donation counts and helps us provide a larger audience with the information they need to better understand the events around the world they can't get anywhere else.  We want to thank our devoted community of supporters who help make this show and others we produce possible each week.1:01  We kindly ask you to also support the work we do by encouraging others to subscribe to our YouTube channel and website: www.democracyatwork.info

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Subscribe to The Best Idea Yet here: https://wondery.com/links/the-best-idea-yet/In 2008, Lin-Manuel Miranda badly needed a vacation. He'd just won the Tony for his musical “In The Heights,” he'd been going nonstop. So he took a break, bringing a book with him for poolside lounging: the 800-page biography of America's first treasury secretary, Alexander Hamilton. But what started as a light beach read soon became an obsession. Lin HAD to bring this man's incredible life to the stage. Thus began an epic journey: from the White House, to Lincoln Center, to (eventually) Broadway. “Hamilton” became a massive success, scoring a record 16 Tony noms, the Pulitzer Prize, and $1B+ in revenue. But along the way, Lin and his team had to reckon with a problem: when your show about democracy becomes too exclusive, how do you bring it back to the people? Find out how Ham4Ham broke the B'way mold, how a streaming deal with Disney+ set the stage for Taylor Swift, and why “Hamilton” is the best idea yet. Subscribe to The Best Idea Yet for the untold origin stories of the products you're obsessed with — and the bold risk takers who made them go viral.Episodes drop every Tuesday, listen here: https://wondery.com/links/the-best-idea-yet/—-----------------------------------------------------GET ON THE POD: Submit a shoutout or fact: https://tboypod.com/shoutouts FOR MORE NICK & JACK: Newsletter: https://tboypod.com/newsletter Connect with Nick: https://www.linkedin.com/in/nicolas-martell/ Connect with Jack: https://www.linkedin.com/in/jack-crivici-kramer/ SOCIALS:Instagram: https://www.instagram.com/tboypod TikTok: https://www.tiktok.com/@tboypodYouTube: https://www.youtube.com/@tboypod Anything else: https://tboypod.com/ See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max's Kansas City and lesser-known haunts like the Mercer Arts Center and Mother's that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense.   Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023).  Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max's Kansas City and lesser-known haunts like the Mercer Arts Center and Mother's that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense.   Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023).  Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max's Kansas City and lesser-known haunts like the Mercer Arts Center and Mother's that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense.   Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023).  Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max's Kansas City and lesser-known haunts like the Mercer Arts Center and Mother's that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense.   Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023).  Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices

In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max's Kansas City and lesser-known haunts like the Mercer Arts Center and Mother's that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense.   Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023).  Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Grammy nominated ngoni virtuoso Bassekou Kouyate and his 8 piece band Ngoni Ba wowed the crowd at Lincoln Center in 2011. Ngoni Ba re-wired the ancient ngoni to create a dense, 21st century sound. We'll hear the concert and talk with Bassekou about hunters, his precocious son, and his future plans. We hear a very different take on the ngoni from Sidi Touré who made his U.S. debut at BAM in Brooklyn. Sidi Touré is from the legendary city of Gao in northern Mali, the seat the ancient Songhai empire. Then we go to Egypt to hear how artists from Port Said are making music for instruments that go back to the time of the Pharoahs. [Produced by Sean Barlow. Originally aired 11-09-2011] APWW #626

On today's episode of "Conversations On Dance" we are joined by award winning ballerina Yuan Yuan Tan. We cover her meteoric rise, from entering San Francisco Ballet as a soloist at 18 directly from her schooling, a nearly unheard of feat, to anchoring the company as a principal for nearly three decades, and finally becoming a leader in the arts, most recently as the artistic director for the Chinese folktale production Lady White Snake, a stirring visual blend of dance, martial arts, music and costumes. To purchase tickets to Lady White Snake, coming to the David H Koch theater at Lincoln Center this July 26 and 27th, visit davidhkochtheater.com.Tickets to Conversations on Dance at the 2025 Vail Dance Festival on sale now! https://vaildance.org/conversations-on-dance/LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.

What if you had to work with your ex…and his new girlfriend? What if she was murdered and you were the one who found her body? Award-winning author, Marjorie McCown, discusses the first in her Hollywood Mystery series, FINAL CUT. When the key costumer on the set of Hollywood's next big blockbuster discovers the body of an assistant director, she becomes the primary suspect. As more and more dangerous accidents befall those on set, she must figure out who is behind it or risk becoming part of the body count. “A must-read...”—Ellen Byron, USA Today bestselling author Listen in as we chat about how institutionalization affects us all, hear stories about some of Hollywood's nicest folks, and get the exclusive on how the girl from “the girl and her squirrel” came to live in Marjorie's house! https://marjoriemccown.com https://www.mariesutro.com/twisted-passages-podcast ABOUT THE AUTHOR: Marjorie McCown has spent her entire professional life in the story-telling business, though she started out on the visual side of the craft. She began her career designing costumes for theater and opera companies all over the country, including the New York City Opera at Lincoln Center, before she moved to Los Angeles to work in film. She spent 25 years as a key member of the costume design teams for a string of successful movies. Her mysteries are set behind-the-scenes in the everyday working world of movies in production. She is a member of Sisters in Crime and Mystery Writers of America.

This week we're excited to present an archival conversation from the 52nd New York Film Festival in 2014 with Inherent Vice director Paul Thomas Anderson and his very large and talented cast. For one week only from July 4-10, join Film at Lincoln Center in revisiting this great American film on 70mm film, ahead of the director's highly anticipated new feature One Battle After Honor. Get tickets at filmlinc.org/vice This conversation was moderated by Kent Jones, former Director of the New York Film Festival. Paul Thomas Anderson's wild and entrancing Thomas Pynchon adaptation is a cinematic time machine, placing the viewer deep within the world of the paranoid, hazy L.A. dope culture of the early '70s. It's not just the look (which is ineffably right, from the mutton chops and the peasant dresses to the battered screen doors and the neon glow), it's the feel, the rhythm of hanging out, of talking yourself into a state of shivering ecstasy or fear or something in between. Joaquin Phoenix goes all in as Doc Sportello, the private investigator searching for his ex-girlfriend Shasta (Katherine Waterston), menaced at every turn by the telegenic police detective “Bigfoot” Bjornsen (Josh Brolin). Among the other members of Anderson's mind-boggling cast are Reese Witherspoon, Benicio Del Toro, Martin Short, Owen Wilson, and Jena Malone.

Send us a textIn this engaging conversation, Bob Sorrentino interviews Frank Ingrasciotta, the creator of 'Blood Type Ragu,' exploring themes of Italian heritage, family dynamics, and the immigrant experience. Frank shares his family's journey from Sicily to America, the challenges they faced, and the cultural nuances that shaped his identity. The discussion delves into the importance of storytelling in preserving family history, the differences in food traditions, and the emotional impact of reconnecting with family in Sicily. Frank's experiences highlight the resilience of immigrant families and the rich tapestry of Italian-American culture.Frank is the son of Sicilian immigrants from Mazzara del Vallo, Sicily.His family came to America in 1949 after World War II.Frank's father was born in America but returned to Sicily as a child.His mother struggled with homesickness after moving to America.Frank visited Sicily at the age of seven, gaining insight into his mother's life.He reconnected with family in Sicily after years of separation.Frank's one-man show, 'Blood Type Ragu,' explores his family stories.ABOUT THE SHOWBlood Type: RAGU is a hilarious and heartfelt coming-of-age story. A one-man play exploring a first-generation immigrant child's delicate dance between searching for identity, embracing Sicilian roots, and understanding forgiveness. Writer/Performer Frank Ingrasciotta gives a tour-de-force portrayal of over 20 characters who live, love, and laugh, in this fast-paced journey that is not just a comedy, not just a drama — It's family — and we all have one! ABOUT FRANKFRANK INGRASCIOTTA (writer/performer) Acting: Original Off-Broadway production of Godspell, Valley of the Dolls, Three Postcards, What Would Nora Ephron Say?, Dinner at 8, Edgar Degas in The Girl in the Blue Armchair, and the Pharaoh in Joseph & the Amazing Technicolor Dreamcoat at Lincoln Center. TV: Five years as Rene Buchanan's head maître d' on One Life to Live, other recurring roles on The Guiding Light, All My Children, ABC Afterschool Specials, and The Equalizer. Film: Featured roles in the award-winning SAG films Figs for Italo and Brooklyn in July directed by Bob Celli, presently touring the film festival circuit. Stream the Raguwww.bloodtyperagu.comTurnkey. The only thing you'll lift are your spirits.Instacart - Groceries delivered in as little as 1 hour.Free delivery on your first order over $35.Buzzsprout - Let's get your podcast launched!Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showPurchase my book "Farmers and Nobles" here or at Amazon.

In this special episode of Health Matters, we explore the power of storytelling in a health journey. As part of the Art of Wellbeing series at Lincoln Center, a collaborative effort with NewYork-Presbyterian, the official Hospital for Lincoln Center for the Performing Arts, we attend a storytelling workshop with The Moth, a nonprofit dedicated to the art and craft of storytelling. The workshop guided attendees through telling a personal story about their own health, led by an expert instructor. Health Matters host Courtney Allison discusses the healing power of storytelling with workshop facilitator, Anna Roberts, and reflects on the importance of stories with Dr. Rita Charon, a general internist, founder of the field of narrative medicine, and chief of the Division of Narrative Medicine at Columbia. Dr. Charon helps train doctors to be better listeners so that they can treat the whole patient.Click here to learn more about the Art of Wellbeing and upcoming events.___Dr. Rita Charon is a general internist and literary scholar who originated the field of narrative medicine. She is Professor and Founding Chair of the Department of Medical Humanities and Ethics and Professor of Medicine at Columbia University. She completed her MD at Harvard in 1978 and PhD in English at Columbia in 1999, concentrating on narratology. Her research focuses on the consequences of narrative medicine practice, narrative medicine pedagogy, and health care team effectiveness.___Health Matters is your weekly dose of health and wellness information, from the leading experts. Join host Courtney Allison to get news you can use in your own life. New episodes drop each Wednesday.If you are looking for practical health tips and trustworthy information from world-class doctors and medical experts you will enjoy listening to Health Matters. Health Matters was created to share stories of science, care, and wellness that are happening every day at NewYork-Presbyterian, one of the nation's most comprehensive, integrated academic healthcare systems. In keeping with NewYork-Presbyterian's long legacy of medical breakthroughs and innovation, Health Matters features the latest news, insights, and health tips from our trusted experts; inspiring first-hand accounts from patients and caregivers; and updates on the latest research and innovations in patient care, all in collaboration with our renowned medical schools, Columbia and Weill Cornell Medicine.To learn more visit: https://healthmatters.nyp.org

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features Julie Landsman, former Principal Horn of the Metropolitan Opera and teacher at University of Southern California. About Julie: Principal horn with the Metropolitan Opera Orchestra for 25 years, Julie Landsman is a distinguished performing artist and educator. She received a bachelor of music degree from The Juilliard School in 1975 under the tutelage of James Chambers and Ranier De Intinis, and has served as a member of the Juilliard faculty since 1989. A native of Brooklyn, New York, Landsman achieved her dream of becoming principal of the MET in 1985 and held that position until 2010. She has also shared her talent to many other ensembles within the city as a current member of the Orpheus Chamber Orchestra and having performed and recorded with the New York Philharmonic. Additionally, she has performed with numerous groups outside the city, including her co-principal position with the Houston Symphony, substitute principal position with the St. Paul Chamber Orchestra, and recent performances with The Philadelphia Orchestra as Associate principal horn, and the Los Angeles Chamber Orchestra, principal horn. She has recorded for RCA, Deutsche Gramophone, CRI, Nonesuch and Vanguard labels, and is most famous for her performance of Wagner's “Ring” cycle as solo horn with the MET Opera under the direction of James Levine. Landsman has performed as chamber musician at many festivals and concert series, including the Marlboro Music Festival, Chamber Music Northwest, the Santa Fe Chamber Music Festival, Sarasota Music Festival, La Jolla Summerfest, the Chamber Music Society of Lincoln Center,  Orcas Island Chamber Music  Festival,  and the Metropolitan Museum of Art, where she appeared as a guest artist with the Guarneri Quartet. In the summers she performs and teaches at the Music Academy of the West , the Sarasota Music  Festival, and the Aspen Music Festival. World renowned as a master teacher, Julie Landsman holds faculty positions at The Juilliard School and Bard College Conservatory, and teaches frequently as a guest at the Curtis Institute. She has presented master classes at such distinguished institutions as The Colburn School, Curtis Institute, Eastman School of Music, Mannes College of Music, Manhattan School of Music, USC Thornton School of Music, Cal State Long Beach, Rowan University, University of Oklahoma, and University of Southern Mississippi, to name a few. She is also a visiting master teacher at the New World Symphony in Miami. Her international presence includes master classes in Norway, Sweden, and Israel.  In 2016 Landsman was an honored jury member at the ARD horn competition in Munich, Germany. Her students hold positions in the Metropolitan Opera Orchestra, Philadelphia Orchestra, Los Angeles Philharmonic, San Francisco Opera and Ballet Orchestras, Washington National Opera Orchestra, Dallas Symphony, St. Louis Symphony, New Jersey Symphony, Colorado Symphony, and the American Brass Quintet. She recently received the “Pioneer Award” from the International Women's Brass Conference and was a featured artist at the International Horn Society Conference in 2012 and 2015. Her recent series of Carmine Caruso lessons on YouTube have led to further fame and renown among today's generation of horn players. Landsman currently resides in Santa Barbara, California.

Today we released part two of our interview with Leslie Shampaine. She's an award-winning filmmaker and teaching artist. After a 13-year career as a professional ballet dancer, she transitioned into documentary film, producing content for PBS, CBS, the Discovery Channel, and National Geographic.Her feature documentary, Call Me Dancer, has won 23 prestigious awards, including China's top documentary prize. It has been showcased at major film festivals, New York's Lincoln Center, and screened by U.S. consulates in India and Nepal.As a Fulbright Scholar in India, she led workshops and screenings, using the universal language of art to foster cross-cultural dialogue. Her dedication to the arts continues to inspire global connections, bridging cultures and fostering understanding through storytelling and mentorship.Join us to hear Leslie's fascinating journey as she recounts how she applied what she learned as a leader in one art form to become a leader in another.  https://callmedancer.com/the-filmmakers/ 

This week we're excited to present a conversation from the 62nd New York Film Festival with Afternoons of Solitude director Albert Serra. An NYFF62 Spotlight selection, Afternoons of Solitude opens at Film at Lincoln Center on June 28. Get tickets at filmlinc.org/solitude This conversation was moderated by FLC Vice President, Programming, Florence Almozini. Albert Serra trains a patient and poetic lens on the dazzling pomp and devastating brutality of bullfighting in his new documentary portrait of the charismatic Peruvian-born star torero Andrés Roca Rey. Intensely in-the-moment, Afternoons of Solitude expertly balances the visceral thrill of the battle inside the ring, pitting animal instinct against human technique, with a filmmaking style that allows the viewer to appreciate the emotional and physical toll the violence takes on both man and beast. Unflinching yet reflective, Serra's film is a monumental depiction of the persistence of the primitive in the present day, while acknowledging the extraordinary skill of the man who puts his life and spiritual endurance at risk as he faces down rampaging nature.

Carl Hancock Rux, poet, playwright, recording artist, essayist and radio journalist, talks about Lincoln Center's fifth annual Juneteenth celebration, which pays tribute to enslaved people and their use of folklore to survive the trauma of the Transatlantic slave trade.

Now in its 31st year, the AfroSolo Arts Festival is thrilled to return to Commonwealth Club World Affairs with "We Come This Far by Music—Let Freedom Ring! Part 2," featuring African American artists and music. The AfroSolo Arts Festival, directed by Thomas R. Simpson, is showcasing a cast of classically trained artists. This program is led by Dr. Carl Blake, pianist and director, and features Bradley Kynard, baritone; Shawnette Sulker, soprano; William Underwood, flutist. It's a joyful, soul-stirring program of music based on African American experiences, as part of San Francisco's Juneteenth Celebration—a national celebration that commemorates the freeing of enslaved people in Texas two years after the Emancipation Proclamation.  AfroSolo Arts Festival is made possible through the support of the California Arts Council, Grants for the Arts, Dream Keeper Initiative, Kenneth Rainin Foundation, SF Arts Commission, and The Friends of AfroSolo. About the Performers Dr. Carl Blake, piano and program director. Carnegie Recital Wigmore Hall (London) and L'Hermitage St. Petersburg, Russia Toured in France, England, Central and South America, Caribbean as artistic ambassador for the U.S. Department of State. Currently, director of music, Church for the Fellowship of All Peoples, San Francisco, and a board member, Noontime Concerts. Bradley Kynard, baritone. This season: The Emissary by Oh/Rourke and Prospero's Island by Shearer/Stevens, Zebul in Jeptha by Handel, Mer hahn en neue Oberkeet (BWV 212) by J.S. Bach, A Little Girl Dreams of Taking the Veil by Wold, Sophia's Forest by Beecher/Moscovitch, and Harriet's Spirit by Shelby/Olvera with Opera Parallèle, Moby Dick, Heggie/Scheer with San Francisco Opera. Brooke. In Little Women, by Adamo. Shawnette Sulker, soprano. Featured artist with San Francisco Opera; Die Königin der Nacht, Cleopatra, Porgy and Bess, Jake Heggie's Intelligence, Allen Shearer's Prospero's Island. Soloist, Carmina Burana, Messiah, and Mahler's symphonies concert performances at Teatro di San Carlo, Lincoln Center, and Leipzig's Gewandhaus. William Underwood III, flutist. Performs in traditional, avant-garde, social and sacred arenas as a solo, collaborative and recording flutist. A veteran of AfroSolo Festivals in San Francisco. Toured Japan extensively with Kyodo Tokyo Incorporated . An Arts Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. Organizer: Anne W Smith and Thomas R. Simpson  Learn more about your ad choices. Visit megaphone.fm/adchoices

It's a packed house and still an economical episode this week. The gang discusses the animtaed film, Predator: Killer of Killers, The Assessment, Sinners (again), and Floyd Collins. The show opens with Andrew and Kevin discussing the new animated anthology film, Predator: Killer of Killers. It's a great entry in the Predator franchise with animation reminiscent of Arcane. The film is the telling of the Predators hunting on Earth of 3 different time periods, which culminates in a fantastic final battle on the Predator home world. All in all, it's great storytelling and visually exciting. Next up, Lauren talks about the film, The Assessment. This is a psychological grounded sci-fi flick about a post apocalyptic world where having children is a privilege, not a right. Before being allowed to have a child, a couple has to go through an assessment with an increasingly unhinged evaluator that turns the couples whole life on it's ear. It's twisty and turny and totally unhinged and definitely worth a watch. Kevin FINALLY watched Sinners, so he and Andrew dig into it again, this time with a little more insight into the making of the film thanks to the bonus features, which makes for an interesting conversation. Honestly, there isn't much to say here other than the film is incredible and is definitely a must see. After Andrew leaves for an early bedtime, Lauren closes out the show with a review of the Broadway revival of Floyd Collins, a tale of an early 20th century miner trapped in a cave and the sensationalism around it. While the premise isn't heartwarming, it has a solid soundtrack and creative set design and was a great show to see at the Lincoln Center. As always, thank you for watching. If you haven't already, don't forget to Like & Subscribe. We love new viewers! Also, leave us comments and let is know how we are doing and what we can be doing better. Enjoy the episode and have a great week! Facebook: @apncpodcast Twitter: @APNCPodcast Instagram: AllPopNoCulture

No Rest for the Weekend takes you to the opening night red carpet of the 32nd Edition of the New York African Film Festival at Lincoln Center. Interviews include: Lebert Bethune (Malcom X: Struggle for Freedom), Zoey Martison, (The Fisherman) Devin Powell (The Last Joint), Zoe Ramushu (Damsel, Not in Distress) Ahmed Samir (Grandma) Abderrahmane Sissako (Black Tea), Keith Siri (Film Africa Film Festival) and Afolabi Olalekan. Then we'll take you to the 24th Annual ChangeMakers Gala featuring interviews with ChangeMakers Honoree Kenan Thompson, Ego Nwodim, Joy Reid, Walter T. Geer III, ChangeMakers Co-Chair Yolanda Williams, Reel Works CEO John Williams.Music by Christopher GillardProduced by Jason GodbeyBtrayed OliverCoby Wise

Rachel talks about why people love or hate musicals, Crazy Ex- Girlfriend and how it would never be made today and how unlikely it was to get made back then.  She also talks about growing up in Manhattan Beach, Theater School in NY, not having billionaire friends, enjoying the now, writing her one woman show to get through the death of Adam Schlessenger and the birth of her daughter, how being married to a funny person can help, Hamilton, The Tony Awards, the amazing last year of Crazy Ex-Girlfriend, the magic of musical, theater, and having a stand-up comic/Hughes Aircraft Engineer grandpa. Bio:  RACHEL BLOOM is perhaps best known from the CW musical dramedy Crazy Ex-Girlfriend, which she co-created, executive produced, and starred in as ‘Rebecca Bunch.' For her acting work on the show, she was awarded a Golden Globe, Critics' Choice and TCA Award; for her songwriting work, she won an Emmy Award for Original Music and Lyrics along with her songwriting partners Adam Schlesinger and Jack Dolgen. Most recently, Bloom debuted her Drama Desk nominated, sold-out, four-week off Broadway one-woman musical comedy Death, Let Me Do My Show which she originally toured around London and the US. It was then released on Netflix as a comedy special Death, Let Me Do My Special and nominated for a Critic's Choice Award. She also co-starred in the Hulu comedy series Reboot and the second season of the Max series, Julia. Her past stage work includes selling out Radio City Music Hall and the London Palladium performing Crazy Ex-Girlfriend: LIVE. She also starred in her own solo tour, What Am I Going To Do With My Life Now? in 2019, which included a week-long residency at Just For Laughs. In addition, she appeared in a one-night only production of Crazy For You at Lincoln Center directed by Susan Stroman. In addition to her film and television work, in 2020, she published her book “I Want To Be Where The Normal People Are,” a collection of personal essays and poems on the subjects of insecurity, fame, anxiety, and much more.

The Hole in the Wall Gang Camp was founded in 1988 by legendary actor and philanthropist, Paul Newman. The camp is a haven for children with serious illnesses and their families, fostering joy, hope and friendship through both summer camp and year-round programming. Jimmy Canton, Ana Villafañe, and Luke Wilson join Google to talk about the Hole in the Wall Gang Camp and its mission. Jimmy is its CEO, and has been with the organization since its founding. Rising from counselor to CEO, he grew the camp from serving 288 children in its first summer to over 20,000 children and family members annually. Ana Villafañe is a board member for the camp and a Broadway actress. She recently starred opposite Holland Taylor in the world premiere of N/A at Lincoln Center, and plays the title character in the upcoming feature film, Castro's Daughter. Luke Wilson is an advocate for the camp and an actor, writer and director. He's collaborated with Wes Anderson and Owen Wilson on films like Rushmore and The Royal Tenenbaums, and is known for iconic comedies like Legally Blonde and Old School. Recently, he's starred in films like 12 Mighty Orphans, You Gotta Believe, Kevin Costner's Horizon, and the Netflix series No Good Deed. Watch this episode at youtube.com/TalksAtGoogle.

Today we released part one of our interview with Leslie Shampaine. She's an award-winning filmmaker and teaching artist. After a 13-year career as a professional ballet dancer, she transitioned into documentary film, producing content for PBS, CBS, the Discovery Channel, and National Geographic.Her feature documentary, Call Me Dancer, has won 23 prestigious awards, including China's top documentary prize. It has been showcased at major film festivals, New York's Lincoln Center, and screened by U.S. consulates in India and Nepal.As a Fulbright Scholar in India, she led workshops and screenings, using the universal language of art to foster cross-cultural dialogue. Her dedication to the arts continues to inspire global connections, bridging cultures and fostering understanding through storytelling and mentorship.Join us to hear Leslie's fascinating journey as she recounts how she applied what she learned as a leader in one art form to become a leader in another.  https://callmedancer.com/the-filmmakers/ 

If you’ve got a high school kid in public school in New Orleans and your kid is interested in pursuing anything in the arts – like music, dance, theater, film, even creative writing – you find out pretty quickly, the school doesn’t have a budget for that. To put on a play, publish a newspaper, learn dance, or most other musical and artistic pursuits, the funds required generally come from fundraisers, or parents’ pockets. Now, when you get to a public high school like NOCCA – the New Orleans Center for the Creative Arts – where education and excellence in the arts is the very reason for its existence – it would be impossible to expect bake sales or parents to foot the bill for those expenses. So where does that money come from? It comes from an organization dedicated to raising the funds that help power NOCCA, called the NOCCA Foundation. Adonis Rose is a NOCCA graduate who has gone on to a successful career as a jazz musician. Adonis has won a Grammy, he’s played on every stage that matters - including Carnegie Hall and the Lincoln Center - he’s accompanied legends like Dianne Reeves and Wynton Marsalis, and since 2024 he’s been Executive Director of the NOCCA Foundation. One of the arts your high school kid might like to study is film. If they do, maybe they’ll graduate and go to film school. And then, if they want to be in the film business they’ll have to move to someplace else where they make movies. Because everybody here seems to agree that apart from a few brief and wonderful years when we were known as “Hollywood South,” there’s no way to have a career in the film business in New Orleans. Don’t tell that to Kenny Morrison. Kenny has been making a nationwide career for himself as a New Orleans-based film-maker since 2001. He principally makes high-end and big-budget commercials – many of which you have certainly seen - for the likes of banks, shoes, hospitals and insurance companies. Kenny is what’s known in the film business as a triple threat – director, cinematographer, and an entrepreneurial film technologist, pioneering cutting-edge visual effects through his virtual-production company, Lucy XR. It used to be generally accepted that there were real jobs – like lawyers, doctors and plumbers – and then there were b.s. jobs like actors, musicians, and film makers. We don’t think so much like that anymore. Maybe it changed because an actor, Ronald Reagan, became one of the most popular Republican presidents of the 20th Century. Jay Z had a successful career as a musician before creating a music business empire. Artists have made millions of dollars selling works of art in the crypto space as NFT’s. Online content creators clean up collaborating with fashion houses and sneaker manufacturers. The demarcation line between art and business has gotten blurred. Locally, Adonis Rose and Kenny Morrison continue to demonstrate that creativity and commerce can happily co-exist. And that’s a lesson we need to take to heart here in New Orleans, perhaps more than any city in the country. Out to Lunch was recorded live over lunch at Columns in Uptown New Orleans. Andrew Ward sits in hosting for Peter Ricchiuti. You can find photos from this show at itsneworleans.com.See omnystudio.com/listener for privacy information.

[@ 5 min] Alright, this week…we go Inside the Huddle with Julia Bullock (!!!). The distinctive soprano and muse of John Adams just wrapped the Met premiere production of Antony and Cleopatra and is sticking around Lincoln Center with her collaborators at American Modern Opera Company for the upcoming Run AMOC Festival. Somehow, she agreed to spend her only 30 minutes of downtime with us! [@ 29 min] And then, in “Home Team,” we bring you a second exclusive interview with Elijah McCormack. The male soprano, who is set to star in Haymarket Opera's production of Artaserse, helps us celebrate Pride Month and the totally queer excesses of Italian opera seria during the high Baroque! [@ 52 min] Plus, in the ‘Two Minute Drill'…Donald Trump earns rave reviews in a Cantonese Opera, but his ticket sales at home are tanking at the Kennedy Center… GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

This week we're excited to present a conversation from the 2025 edition of Rendez-Vous with French Cinema with Meeting with Pol Pot director Rithy Panh and journalist Elizabeth Becker, moderated by FLC's Vice President, Programming, Florence Almozini. Meeting with Pol Pot will open at Film at Lincoln Center next Friday, June 13 with in-person Q&As at select screenings opening weekend. Get tickets at filmlinc.org/polpot In 1978, three French journalists arrive in Cambodia to survey the country and interview its leader, Pol Pot—but after a picture-perfect arrival, cracks begin to emerge in the murderous regime's facade of respectability. For Cambodian-born Rithy Panh, the damage inflicted upon his homeland by the Khmer Rouge has fueled a lifetime of innovative work in the vein of 2013's The Missing Picture, which reconstructed the period's events in part through clay-figurine dioramas. This real-life journalistic excursion, based on true events detailed in Elizabeth Becker's nonfiction book When the War Was Over: Cambodia and the Khmer Rouge Revolution, is brought to life thanks to exemplary lead performances from Irène Jacob, Grégoire Colin, and Cyril Gueï, meticulously conjuring the sights and sounds of 1978 Cambodia with the assistance of archival footage and more clay figurines. The result is a unique admixture—historical horror paired with a rich meditation on the impossibility of portraying it—that only Panh could make. A Strand Releasing release.

Amit Peled is a renowned Israeli-American cellist and conductor who has made a remarkable transition from growing up on a Kibbutz in Israel to becoming a Superstar Cellist and a Professor of Music at Johns Hopkins University. He's performed at Carnegie Hall, Lincoln Center, the Kennedy Center, Wigmore Hall and the Seoul Arts Center among many others. He's released over a dozen recordings and started an online cello academy. My featured song is “Because She Said So” from the album Play by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH AMIT:www.amitpeled.com________________________ROBERT'S RECENT SINGLES:“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

From the AOK archive: Broadway star Megan Hilty joins The Art of Kindness with Robert Peterpaul to discuss her incredible career through the lens of kindness. From Idina Menzel's career-changing act of kindness to what she learned from Dolly Parton herself, Megan shares countless inspiring stories and quips while reflecting on her journey. Megan Hilty is probably most recognizable for her portrayal of Ivy Lynn in the NBC Musical Drama “Smash.” Before that, Hilty started her career on Broadway, playing Glinda in “Wicked,” Doralee Rhodes in “9 to 5 The Musical,” and Brooke Ashton in “Noises Off,” which earned her a Tony Award Nomination. Other stage credits include Audrey in “Little Shop of Horrors” (Kennedy Center), Annie Oakley in “Annie Get Your Gun” (Encores/NY City Center) and Lorelei Lee in “Gentlemen Prefer Blondes” (Encores/NY City Center). Her numerous television credits include “Sean Saves The World” with Sean Hayes, “Difficult People,” “Braindead,” “The Good Fight,” playing the iconic Patsy Cline in “Patsy and Loretta” and Lily in NBC's “Annie Live!” Megan's voiceover work spans from audiobooks to kids animated favorites on Disney, Nickelodeon, Netfilx, Hulu & Cartoon Network. Hilty continues to tour her cabaret show with her band, led by Grammy Nominated Matt Cusson, which has been taped for “Live from Lincoln Center” on PBS, and regularly appears with world renowned orchestras including the NY Pops, Boston Pops and the National Symphony Orchestra. Follow Megan @meganhilty Follow us @artofkindnesspod / @robpeterpaul Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Please email us: ⁠artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. We are supported by the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Florencia Cuenca is a Mexican actress, singer, writer, and director currently starring on broadway in Real Women Have Curves. She entered the artistic world at the age of 3 acting alongside her father in stadiums and theaters throughout Mexico and the United States. In Mexico, she is known for telenovelas such as “De que te Quiero te Quiero, Muchachitas Como Tú, and for being part of the successful Mexican musical Si Nos Dejan, the Mexican premiere of Shrek the Musical and Selena the Musical. Her first album Aquí – The New Standards led to a tour around Mexico, Latin America, and New York City and being awarded the Hot House Jazz Award 2016 for Best New Jazz Artist. She has performed Off-Broadway in shows such as Children of Salt and A Never-Ending Line. She was recently seen playing the role of Estela in the world premiere of the musical Real Women Have Curves at A.R.T. As a singer-songwriter, she has performed in prestigious venues such as Lincoln Center, Joe's Pub, Feinstein's/54 Below, and others. Director selected credits: Desaparecidas (JACK), A Never Ending Line (Mexico City). Her new album Broadway in Spanglish was released by Concord Theatricals Recordings. She is interested in developing projects that celebrate diversity, and especially women and the Latinx and Hispanic community. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Peloton takes a bold step with new Peri/Menopause classes, catering to more diverse fitness needs.  The much-loved Free Mode is making a comeback! The PSL plans a multi-instructor ride to spice things up. Team Posts are officially live on the platform, offering new ways to connect.  Alex Toussaint Scam Alert. Stay informed about potential fraud.  Marcel Maurer faces health issues. Send him your support.  Tunde makes waves as a Sports Illustrated Swimsuit finalist!  Ally Love partners with Hyatt for an exclusive private class. Aditi Shah takes the stage to host an event at Lincoln Center.  Don't miss the latest Jeff Lynne's ELO Artist Series, plus a sneak peek at the June line-up. TCO Top 5. Listener-recommended classes you just have to try. TCORadar. Our team highlights classes that stood out this week. Peloton is all about collaboration this week! Check out these 2-For-1 opportunities: Matt Wilpers & Denis Morton bring their A-game to a Power Zone class. Kirra and Katie team up for an unforgettable yoga flow. Susie Chan & Joslyn Thompson Rule prepare an exciting duo session. Tunde and Alex Toussaint join forces for a dynamic ride. Unconventional Peloton meditations you'll want to explore.  Could Strength for Tennis be just around the corner? Stay tuned. Peloton Birthdays  Celebrate the June birthdays of Irene Scholz (6/3) and Rad Lopez (6/4). Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Peloton takes a bold step with new Peri/Menopause classes, catering to more diverse fitness needs.  The much-loved Free Mode is making a comeback! The PSL plans a multi-instructor ride to spice things up. Team Posts are officially live on the platform, offering new ways to connect.  Alex Toussaint Scam Alert. Stay informed about potential fraud.  Marcel Maurer faces health issues. Send him your support.  Tunde makes waves as a Sports Illustrated Swimsuit finalist!  Ally Love partners with Hyatt for an exclusive private class. Aditi Shah takes the stage to host an event at Lincoln Center.  Don't miss the latest Jeff Lynne's ELO Artist Series, plus a sneak peek at the June line-up. TCO Top 5. Listener-recommended classes you just have to try. TCORadar. Our team highlights classes that stood out this week. Peloton is all about collaboration this week! Check out these 2-For-1 opportunities: Matt Wilpers & Denis Morton bring their A-game to a Power Zone class. Kirra and Katie team up for an unforgettable yoga flow. Susie Chan & Joslyn Thompson Rule prepare an exciting duo session. Tunde and Alex Toussaint join forces for a dynamic ride. Unconventional Peloton meditations you'll want to explore.  Could Strength for Tennis be just around the corner? Stay tuned. Peloton Birthdays  Celebrate the June birthdays of Irene Scholz (6/3) and Rad Lopez (6/4). Learn more about your ad choices. Visit megaphone.fm/adchoices