Podcasts about Lincoln Center

Florencia Cuenca is a Mexican actress, singer, writer, and director currently starring on broadway in Real Women Have Curves. She entered the artistic world at the age of 3 acting alongside her father in stadiums and theaters throughout Mexico and the United States. In Mexico, she is known for telenovelas such as “De que te Quiero te Quiero, Muchachitas Como Tú, and for being part of the successful Mexican musical Si Nos Dejan, the Mexican premiere of Shrek the Musical and Selena the Musical. Her first album Aquí – The New Standards led to a tour around Mexico, Latin America, and New York City and being awarded the Hot House Jazz Award 2016 for Best New Jazz Artist. She has performed Off-Broadway in shows such as Children of Salt and A Never-Ending Line. She was recently seen playing the role of Estela in the world premiere of the musical Real Women Have Curves at A.R.T. As a singer-songwriter, she has performed in prestigious venues such as Lincoln Center, Joe's Pub, Feinstein's/54 Below, and others. Director selected credits: Desaparecidas (JACK), A Never Ending Line (Mexico City). Her new album Broadway in Spanglish was released by Concord Theatricals Recordings. She is interested in developing projects that celebrate diversity, and especially women and the Latinx and Hispanic community. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On today's podcast, musician and Artistic Director of the Musical Instrument Museum (MIM), Andrew Walesch shares how MIM offers a hands-on, immersive experience that celebrates music's role in shaping history and human connection. BACK STORY Like a good many before him, singer and pianist Andrew Walesch somehow manages to encapsulate the sophistication of a cosmopolite and the self-effacing charm of a country boy. Whether composing and arranging or appearing in settings ranging from solo artist to big band, this Minnesota native, who crisscrosses the country playing dates big and small, is as respectful of his predecessors as he is ready to take a leap into the unknown and chart a new course. In his monthly, sold-out shows with his 10-piece band, Walesch is a traditionalist and an iconoclast rolled into one. His audiences include jazz enthusiasts of a certain age, as well as a younger crowd compelled by his down-home insouciance, and the knowing irreverence of a tried-and-true American nightclub entertainer. “Although they are my idols, I don't attempt to imitate the great pop and jazz artists of the 50's and 60's,” says the singer and pianist, “but I go for broke when we do our shows -- vocally and musically — which is what they all did best and why they were in a class of their own." His vocal and piano chops, along with his keen sensibility to find and interpret a great lyric, have led to some great opportunities for Walesch, including an appearance on the nationally syndicated NPR broadcast Mountain Stage and more recently, an invitation to perform at the 33rd Annual Cabaret Convention at the Rose Theater at Jazz at Lincoln Center in New York City. Website: mim.org andrewwalesch.com   Instagram: mimphx Andrewwalesch    SUBSCRIBE TO ICONIC HOUR If you enjoyed today's podcast, I'd be so appreciative if you'd take two minutes to subscribe, rate and review ICONIC HOUR. It makes a huge difference for our growth. Thanks so much!   ICONIC LIFE MAGAZINE  Stay in touch with ICONIC LIFE magazine. We invite you to join our digital VIP list and SUBSCRIBE!   JOIN OUR ICONIC COMMUNITY Website: iconiclife.com Instagram: @iconiclifemag Facebook: Iconic Life YouTube: ICONIC LIFE   FOLLOW RENEE DEE Instagram: @iconicreneedee LinkedIn: Renee Dee   Thanks for being a part of our community to Live Beautifully. TAGS:  

El programa vuelve a recuperar y escuchar directos famosos. En esta ocasión 3 conciertos grabados por grandes de la música, unidos por una misma circunstancia. Los tres tuvieron lugar en el Lincoln Center de Nueva York. Primero EL MODERN JAZZ QUARTET, histórico grupo que se despidió allí, en 1975, cuando todavía no existían el gran escenario dedicado al jazz y por el que, desde los 90 han pasado todos los grandes acompañados por la orquesta dirigida por WYNTON MARSALIS. Y de allí recuperemos los dados por ERIC CLAPTON o RUBÉN BLADES.

El programa vuelve a recuperar y escuchar directos famosos. En esta ocasión 3 conciertos grabados por grandes de la música, unidos por una misma circunstancia. Los tres tuvieron lugar en el Lincoln Center de Nueva York. Primero EL MODERN JAZZ QUARTET, histórico grupo que se despidió allí, en 1975, cuando todavía no existían el gran escenario dedicado al jazz y por el que, desde los 90 han pasado todos los grandes acompañados por la orquesta dirigida por WYNTON MARSALIS. Y de allí recuperemos los dados por ERIC CLAPTON o RUBÉN BLADES.

He led the Goodman Theatre in Chicago and pretty much created theater at Lincoln Center. “The happiest moments of my life have been in rehearsal rooms.” Well, yeah. In there with him? David Mamet, Tennessee Williams, Samuel Beckett. Sequentially not simultaneously. Presented with Hunter College. 

This week we're excited to present a conversation from the 62nd New York Film Festival with Northern Lights directors John Hanson & Rob Nilsson and cast members Susan Lynch & Joe Spano. This conversation was moderated by NYFF62 Revivals programmer Dan Sullivan. An NYFF62 Revivals selection, Northern Lights is currently playing at Film at Lincoln Center, courtesy of Kino Lorber. Get tickets at filmlinc.org/lights Winner of the Camera d'Or at the 1979 Cannes Film Festival, the sui generis Northern Lights marks one of the most moving and committed works of political cinema from the late 1970s. Dramatizing the formation of the populist Nonpartisan League in North Dakota in the mid-1910s, Northern Lights captures the plight of immigrant Dakotan farmers as they toil and struggle against the combined forces of industry and finance. Amid this class tension, two young lovers find themselves swept up in the tide. Shot on location (on grain-rich black-and-white 16mm) in the dead of winter and featuring an astonishing cast of non-professional actors, this handmade masterpiece remains a stirring monument to collectivity.

Lincoln Center's vice president of artistic programming Jordana Leigh previews their annual Summer For The City series, including mostly free or pay-what-you-can ticketing for events that center global voices and new perspectives.

"Time spent traveling on trains, just staring out the window: I don't think that's lost time. That's when we have our best ideas." –Kim Krizan In this episode of Deviate, Rolf and Kiki introduce their interview with Kim Krizan by talking about their own personal love of the movie Before Sunrise, and how they first experienced it (0:30); Kim talks about her early travel experiences in Czechoslovakia as a teenager, and in England in her twenties (14:30); how the low-information technological moment of travel in the 1990s doesn't exist anymore in the 2020s (23:30); how Kim became involved with helping Richard Linklater write Before Sunrise, and their creative process in working together (34:00); Kim's ongoing relationship to the movie, 30 years after it came out (44:00); and an "Easter egg" segment featuring Kiki reading Melissa Fite Johnson's poem "Before Sunrise on the VCR" (55:30). Kim Krizan (@kimkrizan) is the Oscar-nominated cowriter of the Before Sunrise movies, and the author of Spy in the House of Anaïs Nin. Kristen “Kiki” Bush is an actress, known for Paterno, Liberal Arts, Suits, Law & Order: SVU, and onstage performances at Manhattan Theatre Club, The Public, and Lincoln Center. Notable Links: 2025 Screenwriting in Paris class, with Kim Krizan (creative writing class) Paris Writing Workshops (summer learning-vacation classes) Before Sunrise (1995 movie) Before Sunset (2004 movie) Ethan Hawke (American actor and director) Julie Delpy (French actress and director) Richard Linklater (American filmmaker) Kristen "Kiki" Bush in People, Places & Things (2022 play at the Studio Theatre) Thoughts on watching the Before trilogy, 25 years on, by Rolf Potts (essay) BritRail (train pass in the UK) London A-Z (street atlas) Siouxsie and the Banshees (British rock band) Wembley Stadium (London venue) Continuous partial attention (behavior) Slacker (1990 film) Dazed and Confused (1993 film) Anaïs Nin (French-American diarist and novelist) Eurail Pass (train pass to 33 European countries) The Game Camera (trailer for 2025 short film made by Kiki and Rolf) Uncle Vanya (play by Anton Chekhov) Robert Falls (former artistic director of Chicago's Goodman Theater) Melissa Fite Johnson (poet) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

Drama League Award Winners, Special Disney on Broadway Performance, Interview with Clint Ramos Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio For a transcript read more The post ToB: Monday, May 19, 2025 | Clint Ramos on ‘Maybe Happy Ending,’ Lincoln Center, ‘Into the Woods’ in Manila appeared first on BroadwayRadio.

In this episode of “Half Hour”, we dive into the latest Broadway, Off-Broadway, and Regional Theatre news. We cover upcoming musicals, exciting revivals like Ragtime at Lincoln Center, and live telecast announcements of Good Night and Good Luck on CNN. We also discuss the impact of star power on ticket sales, casting news such as Titus Burgess's return to Oh Mary, and the latest trends in attendance and grosses. Plus, we share our thoughts on a musical we first saw Off-Broadway and announced for Broadway in 2026.  Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠TikTok⁠⁠⁠, and ⁠⁠⁠YouTube⁠⁠⁠. Don't forget to leave a review if you enjoyed the episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we're excited to present a conversation from the 2025 edition of the New York African Film Festival with Black Tea director Abderrahmane Sissako and producer Kessen Tall. This conversation was moderated by Film Comment editor Devika Girish. After saying no on her wedding day, Aya leaves the Ivory Coast for a new life in the buzzing “Chocolate City” of Guangzhou, China. In this district where the African diaspora meets Chinese culture, she gets hired in a tea boutique owned by Cai, a Chinese man. In the secrecy of the back shop, Cai decides to initiate Aya to the tea ceremony. Through the teaching of this ancient art, their relationship slowly turns into tender love. But for their burgeoning passion to lead to mutual trust, they must let go of their burdens and face their past. Having made its New York Premiere at Film at Lincoln Center earlier this month, Black Tea is currently playing in select theaters, courtesy of Cohen Media Group.

"Time spent traveling on trains, just staring out the window: I don't think that's lost time. That's when we have our best ideas." –Kim Krizan In this episode of Deviate, Rolf and Kiki introduce their interview with Kim Krizan by talking about their own personal love of the movie Before Sunrise, and how they first experienced it (0:30); Kim talks about her early travel experiences in Czechoslovakia as a teenager, and in England in her twenties (14:30); how the low-information technological moment of travel in the 1990s doesn't exist anymore in the 2020s (23:30); how Kim became involved with helping Richard Linklater write Before Sunrise, and their creative process in working together (34:00); Kim's ongoing relationship to the movie, 30 years after it came out (44:00); and an "Easter egg" segment featuring Kiki reading Melissa Fite Johnson's poem "Before Sunrise on the VCR" (55:30). Kim Krizan (@kimkrizan) is the Oscar-nominated cowriter of the Before Sunrise movies, and the author of Spy in the House of Anaïs Nin. Kristen “Kiki” Bush is an actress, known for Paterno, Liberal Arts, Suits, Law & Order: SVU, and onstage performances at Manhattan Theatre Club, The Public, and Lincoln Center. Notable Links: 2025 Screenwriting in Paris class, with Kim Krizan (creative writing class) Paris Writing Workshops (summer learning-vacation classes) Before Sunrise (1995 movie) Before Sunset (2004 movie) Ethan Hawke (American actor and director) Julie Delpy (French actress and director) Richard Linklater (American filmmaker) Kristen "Kiki" Bush in People, Places & Things (2022 play at the Studio Theatre) Thoughts on watching the Before trilogy, 25 years on, by Rolf Potts (essay) BritRail (train pass in the UK) London A-Z (street atlas) Siouxsie and the Banshees (British rock band) Wembley Stadium (London venue) Continuous partial attention (behavior) Slacker (1990 film) Dazed and Confused (1993 film) Anaïs Nin (French-American diarist and novelist) Eurail Pass (train pass to 33 European countries) The Game Camera (trailer for 2025 short film made by Kiki and Rolf) Uncle Vanya (play by Anton Chekhov) Robert Falls (former artistic director of Chicago's Goodman Theater) Melissa Fite Johnson (poet) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

Actualmente, 2 de cada 10 personas que se encuentran con Isabel Vázquez por la calle o en cualquier de los mil eventos a los que acude esta intelectual de referencia la felicitan por lo bien que toca el piano. Nuestro trabajo aquí es seguir insistiendo fuertemente en esa línea hasta que al menos 4 ó 5 personas de cada diez le digan ‘joé, Isabel, qué bien tocas el piano, tía'. ¡Adelante, Isabel! Karaoke: Estuve en New York, fue genial, Su cultura gira, brilla, salta, Uhhh uhhhhuhhhhh Vete a New York, es vital Tienes freedom, moda, people, arte y tú uuuuuuuuuuu Todo el tiempo en la rueda, derrapando para dejarse ir. La rutina te azota. te golpea, cualquiera diría que eres el hazmerreir.Un día de pronto te escapas, ves el hueco, hay puerta de embarque para ti.Estás en Harlem, hermano. Bienvenido a Madison con 43 street.Tengo entradas para el Whitney Museum, vas a flipar con Amy Sherald. Oh my goss, qué mirada, hermanos de la raza negra os quiero, Black Lives Matter, hey man, what the fuck mielmano del Bronx. Busquen sus pinturas, Amy Sherald, Canelita en rama. Me he tomado un Old Fashion en el Blue Note, soy el super héroe Marvel que te dé la gana sobrevolando Vanderbilt, he visto a Carlito Brigante serpenteando por Grand Central to Brian de Palma. Y Hugh Jackman todo el rato en el Radio City Music Hall, levantando la pierna. Pero es que en junio, en el Beacon Theatre, Miley Cirus un día y otro día Paul Simon, tócate el melocotón. Y creo que me he cruzado con Denzel Washington, carajo, que está haciendo Otelo en Broadway. ¿Pero esto qué es? Bajando Bleecker Street me puse triste y bien perfumado, en Washington Square fui feliz cuánta maría y cuánta gente libre, dios mío, 153.000 portadas del New Yorker en la free exhibition de la Public Library. Se le ha caído la chiva a Abraham Lincoln, el del Lincoln Center, al escucharle a Pedro tanta diatriba vs Trump en el homenaje Almodóvar a sí mismo. Etc etc. 

Actualmente, 2 de cada 10 personas que se encuentran con Isabel Vázquez por la calle o en cualquier de los mil eventos a los que acude esta intelectual de referencia la felicitan por lo bien que toca el piano. Nuestro trabajo aquí es seguir insistiendo fuertemente en esa línea hasta que al menos 4 ó 5 personas de cada diez le digan ‘joé, Isabel, qué bien tocas el piano, tía'. ¡Adelante, Isabel! Karaoke: Estuve en New York, fue genial, Su cultura gira, brilla, salta, Uhhh uhhhhuhhhhh Vete a New York, es vital Tienes freedom, moda, people, arte y tú uuuuuuuuuuu Todo el tiempo en la rueda, derrapando para dejarse ir. La rutina te azota. te golpea, cualquiera diría que eres el hazmerreir.Un día de pronto te escapas, ves el hueco, hay puerta de embarque para ti.Estás en Harlem, hermano. Bienvenido a Madison con 43 street.Tengo entradas para el Whitney Museum, vas a flipar con Amy Sherald. Oh my goss, qué mirada, hermanos de la raza negra os quiero, Black Lives Matter, hey man, what the fuck mielmano del Bronx. Busquen sus pinturas, Amy Sherald, Canelita en rama. Me he tomado un Old Fashion en el Blue Note, soy el super héroe Marvel que te dé la gana sobrevolando Vanderbilt, he visto a Carlito Brigante serpenteando por Grand Central to Brian de Palma. Y Hugh Jackman todo el rato en el Radio City Music Hall, levantando la pierna. Pero es que en junio, en el Beacon Theatre, Miley Cirus un día y otro día Paul Simon, tócate el melocotón. Y creo que me he cruzado con Denzel Washington, carajo, que está haciendo Otelo en Broadway. ¿Pero esto qué es? Bajando Bleecker Street me puse triste y bien perfumado, en Washington Square fui feliz cuánta maría y cuánta gente libre, dios mío, 153.000 portadas del New Yorker en la free exhibition de la Public Library. Se le ha caído la chiva a Abraham Lincoln, el del Lincoln Center, al escucharle a Pedro tanta diatriba vs Trump en el homenaje Almodóvar a sí mismo. Etc etc. 

Unveiling Shen Yun: Chinese Dance, Culture, and Controversy Shenyun.com Leeshailemish.com About the Guest(s): Leeshai Lemish serves as the MC and podcast host for the Shen Yun Performing Arts, a globally renowned classical Chinese dance and music company. Having joined the company at its inception in 2006, Lemish has emceed nearly 2,000 performances in prestigious venues worldwide, including Lincoln Center, the Kennedy Center, and the London Coliseum. Lemish is also a dedicated activist, documenting over 100 cases of alleged Chinese Communist Party interference with Shen Yun. In addition to his performance and advocacy work, he hosts the podcast "Shen Yun Voices," giving voice to the stories behind the team. Episode Summary: In this insightful episode of The Chris Voss Show, host Chris Voss welcomes Leeshai Lemish, MC and podcast host for Shen Yun Performing Arts. The episode delves into Shen Yun's mission to revive 5,000 years of authentic Chinese culture, a task complicated by censorship from the Chinese Communist Party, which opposes representations of China that predate its rule. With gripping revelations about the struggles and triumphs of performing this culturally rich art form globally, Lemish sheds light on the enduring spirit and creative journey of Shen Yun. The podcast moves through the company's origins to its spectacular stages across the world, emphasizing the transformative power of Shen Yun's classical Chinese dance and music. Lemish shares personal anecdotes, revealing the arrests and threats that employees like him face from Chinese authorities due to Shen Yun's message, which prioritizes cultural authenticity and spiritual freedom. This episode resonates with powerful themes of art, resilience, and truth, all underscored by the threat posed to art that defies modern political narratives. Key Takeaways: Shen Yun Performing Arts is dedicated to reviving traditional Chinese culture, showcasing it globally, and highlighting the conditions under which the current Chinese regime operates. Artistic expression through Shen Yun is not merely about performance but also preserving a cultural lineage that the Communist Party has attempted to eliminate. The perceived threat by Shen Yun to the Chinese Communist Party has led to a series of alleged sabotage attempts, including threats to performers and partnering venues worldwide. Leeshai Lemish's involvement with Shen Yun reflects a greater commitment to spiritual practices and understanding Chinese culture while confronting censorship. Despite political pressure and threats, Shen Yun continues to perform worldwide, embracing global support and continuing its mission to educate and inspire through art. Notable Quotes: "They're very afraid of that because to establish their legitimacy, they felt that they had to wipe it out." "Maybe there's something I could do about this. I actually, in 2001 went to China and meditated in public and was immediately arrested." "This idea of reclaiming virtue to put it in a kind of metaphysical way of reclaiming integrity." "If you control the press. And, and so that was in 2001. And at the time we really didn't know." "Knowing that I learned the lesson to know unless you find you're giggling and caroling us can't have Kansas fighting rotting this of sunshine muggles." Join Chris Voss and Leeshai Lemish in this riveting episode that goes beyond the stage and highlights the immense cultural and political landscapes that Shen Yun navigates. Tune in to the full episode for a deeper understanding of the beauty, challenges, and inspirations that influence Shen Yun's global journey. Stay tuned for more from The Chris Voss Show, bringing you transformative conversations with extraordinary visionaries.

Mark Holloway is a Grammy winning Violist and Chamber Musician. He is a member of the World Famous Pacifica Quartet. He has been principal violist at Tanglewood and The New York String Orchestra. He's performed in the U.S., Chile, Greenland, France and Switzerland. On television he has performed at Live From Lincoln Center.My featured song is the live version of “I Can't Explain”. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with Mark:www.pacificaquartet.com—----------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

In this episode, we discuss the Broadway revival of Floyd Collins at the Vivian Beaumont Theater. We cover the show's historical background, Jeremy Jordan's performance, Adam Guettel's musical score, and the production design. We also share our thoughts on the Tony nominations and how the show connects with audiences.  Follow and connect with all things @HalfHourPodcast on Instagram, TikTok and YouTube. Share your thoughts with us on Floyd Collins on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

We would crawl a football field length down a cold, muddy cave tunnel to see this show.

This year marks the thirtieth annual Jazz at Lincoln Center Essentially Ellington festival, where high school big bands from around the country are selected to compete and perform. But this year, in honor of the anniversary, Jazz at Lincoln Center opened applications up to schools around the world, and bands from Australia, Japan, and Spain were selected to participate. To help preview the festival, students from the Celia Cruz Bronx High School of Music big band, selected this year, perform some live numbers in WNYC's studio, including this one called "St. Louis Blues," which did not air during the original conversation.

This year marks the thirtieth annual Jazz at Lincoln Center Essentially Ellington festival, where high school big bands from around the country are selected to compete and perform. But this year, in honor of the anniversary, Jazz at Lincoln Center opened applications up to schools around the world, and bands from Australia, Japan, and Spain were selected to participate. To help preview the festival, students from the Celia Cruz Bronx High School of Music big band, selected this year, perform some live numbers in WNYC's studio. Plus, Penelope Smetters-Jacono, director of Bands at Celia Cruz, and Todd Stoll, Jazz at Lincoln Center Vice President of Education, discuss the importance of education in jazz. Jazz at Lincoln Center's Essentially Ellington festival is open to the public May 7-11.

Johnny Mac highlights comedian Dave Chappelle's appearance at Lincoln Center honoring Duke Ellington. Nikki Glaser comments on Bill Belichick's girlfriend via Instagram, Sophie Buddle describes her quick writing process for Taylor Tomlinson's show, and John Mulaney debates fighting three 14-year-olds for TV. Nate Bargatze shares his future stand-up plans, John Stewart plays in a band, and Tina Fey debunks Golden Girls remake rumors. Upcoming comedy festivals in Nebraska and Dubai are discussed, along with new comedy albums from Simon Gibson and news on John Cleese's property settlements.00:00 Dave Chappelle at Lincoln Center00:55 Nikki Glaser Weighs in on Bill Belichick's Girlfriend01:57 John Mulaney's Gorilla Debate and Upcoming Fight02:48 Writing for Taylor Tomlinson's Show03:48 Nate Bargatze's Future Plans04:29 Jon Stewart's Band and Tina Fey's Golden Girls Rumor05:35 Comedy Festivals and Upcoming Shows07:04 New Comedy Album by Simon Gibson07:37 John Cleese's Financial Woes and Final ThoughtsGet the show without ads. Five bucks.  For Apple users, hit the banner on your Apple podcasts app which says UNINTERRUPTED LISTENING. For Spotify or other players, visit caloroga.com/plus.    Contact John at john@thesharkdeck dot com  John's free substack about the media:  Media Thoughts  is mcdpod.substack.com DCN on Threads: https://www.threads.net/@dailycomedynews https://linktr.ee/dailycomedynews You can also support the show at www.buymeacoffee.com/dailycomedynews Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news--4522158/support.

This week, interviews with Bryce Dallas Howard and Mahen Bonetti inspired us. Director and Actress Bryce Dallas Howard invites audiences into the world of dogs, cats, pigs, goats, birds and more with her heartwarming documentary Pets.  African Film Festival Founder and Programmer Mahen Bonetti gives us an insider's perspective for the upcoming festival at Lincoln Center in May 2025. Plus, co-host Tammy Reese shares the love, kindness and respect from the Broadway Inspirational Voices 30th Anniversary Fundraising Concert. To be featured on the podcast email us at communications@nywift.org. For more great content go to NYWIFT.org.Special thanks to⁠ Elspeth Collard⁠, the creator of our podcast theme song.Bryce Dallas Howard: Instagram: @brycedhoward / Twitter/X: @brycedhoward Disney Plus: Instagram: @DisneyPlus, @disneyorigdocs / Facebook: DisneyPlus / Twitter/X: @DisneyPlus / TikTok: @DisneyPlus /  #DisneyPlus #PetsDocumentaryMahen Bonetti: Instagram: @AfricanFilmFestNYWIFT: Instagram:⁠⁠ @NYWIFT⁠⁠ / Twitter/X⁠⁠ @NYWIFT⁠⁠ / #NYWIFT

For a bonus episode this week, Emilio goes solo for a (mostly) spoiler free talk about a film he really loves, Ang Lee's "The Wedding Banquet".  It was a successful and critically acclaimed independent film back when it was released in 1993, but has mostly stayed relevant as its esteemed director's international breakthrough.  Yet it's a timeless film full of humor, compassion,  and reflections on what we sacrifice of ourselves due to societal forces and the expectations of our families.  Its enduring place in cinema history is evidenced by it being reimagined by writer/director Andrew Ahn - this remake can currently be seen in theaters nationwide.   Emilio gets into what he enjoys so much about the original, shares his thoughts on the remake and how it is distinct from the original, and speaks with Professor Zhen Zhang, an NYU film professor who shared this film with him in an undergraduate seminar, about Ang Lee's original film.  Professor Zhen Zhang is a film professor at NYU's Tisch School of the Arts and the Director of the Tisch's Asian Film and Media Initiative.  She has a decades long, decorated career in academia that also includes guest-curating film programs for the Film Society at Lincoln Center of Performing Arts, Museum of Modern Art in New York, and the Women Make Waves Film Festival in Taipei.If you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

On this special episode, Little Kids, Big Hearts host Todd Loyd chats with award-winning composer, lyricist & performer Lance Horne

Daniela Candillari grew up in Serbia and Slovenia.  She holds a Doctorate in Musicology from the Universität für Musik in Vienna, a Master of Music in Jazz Studies from the Indiana University Jacobs School of Music, and a Master of Music and Bachelor's degree in Piano Performance from the Universität für Musik in Graz. She is also a Fulbright Scholarship recipient.Daniela is in her fourth season as principal conductor at Opera Theatre of Saint Louis. In celebration of its 50th anniversary season, she is conducting the company's 44th world premiere, This House, with music by Ricky Ian Gordon and libretto by Pulitzer Prize-winner Lynn Nottage and her daughter, Ruby Aiyo Gerber.Daniela made her New York Philharmonic debut in its inaugural season in the new David Geffen Hall, conducting cellist Yo-Yo Ma in Elgar's Cello Concerto.  And she made her “Carnegie Hall Presents” debut leading the American Composers Orchestra in a program of premieres.  Other engagements include debuts with the Metropolitan Opera and Deutsche Oper Berlin, and productions with Lyric Opera of Chicago, Minnesota Opera, Detroit Opera, Orchestre Métropolitan Montreal, and Classical Tahoe Festival.Finally, Daniela has been commissioned by established artists including instrumentalists from the Boston, Cleveland, Detroit, and Pittsburgh Symphonies, as well as the three resident orchestras of Lincoln Center: the Metropolitan Opera Orchestra, the New York Philharmonic, and the New York City Ballet. She is deeply involved with Music Academy of the West's programming for young artists and she recently participated in master classes and discussions at DePaul University, Chicago Humanities Festival, and Valissima Institute.It's a pleasure to have her with me on this episode.

Watch the Q&A session here: https://youtu.be/-TsWDdeQK34Composed by Jerry Herman of Hello, Dolly! fame, ‘I Am What I Am' first appeared in the Broadway musical La Cage aux Folles (1983). As well as gaining importance as a gay anthem during the AIDS crisis, the song has gone on to become a hit for several Black divas including Gloria Gaynor and Shirley Bassey. This lecture was recorded by Dominic Broomfield-McHugh on 3rd of April 2025 at Conway Hall, London.Dominic Broomfield-McHugh is Gresham Visiting Professor of Film and Theatre Music. He is also Professor of Music at the University of Sheffield and is a graduate of King's College London.His scholarship focuses on the American musical on stage and screen, and he has published eight books including Loverly: The Life and Times of 'My Fair Lady' (OUP, 2012), The Letters of Cole Porter (Yale, 2019) and The Oxford Handbook of the Hollywood Musical (2022).He is Associate Producer of the PBS documentary Meredith Willson: America's Music Man and has appeared on all the main BBC television and radio stations as well as NPR in America. He has given talks and lectures at the Sydney Opera House, New York City Center, the Library of Congress, New York Public Library, Sadler's Wells, and Lincoln Center, among many others.The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/lgbt-showstopper-i-am-what-i-amGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today Website:  https://gresham.ac.ukX: https://x.com/GreshamCollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeBluesky: https://bsky.app/profile/greshamcollege.bsky.social TikTok: https://www.tiktok.com/@greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

Coca-Cola was approaching its 100th birthday on 23rd April, 1985, when it unveiled a new beverage at New York City's Lincoln Center: the ‘smoother, rounder, bolder' flavour of ‘New Coke'. The success of Diet Coke had fragmented the market, and, in response to Pepsi's aggressive marketing campaigns targeting younger consumers, Coke had sought to introduce a sweeter formula. But, instead of offering the new formula alongside the original, they made the catastrophic decision to discontinue their classic recipe, known as Merchandise 7X.  The company had conducted extensive taste tests involving 190,000 consumers, which indicated a preference for the new formula. However, these tests overlooked the deep emotional connection many had with the original Coke. Protest groups like the Society for the Preservation of the Real Thing and Old Cola Drinkers of America, founded by Gay Mullins, emerged, reflecting the public's dissatisfaction, and, just 79 days after the launch, on July 11th, 1985, Coca-Cola held a press conference to announce the return of the original formula - now branded as "Coca-Cola Classic."  In this episode, Arion, Rebecca and Olly reveal those hardcore cola fans who stockpiled soda like it was gold; uncover the psychiatrist's opinion that Coke's most committed customers were behaving as if they'd experienced a bereavement; and consider the conspiracy theories that suggest Coca-Cola engineered the whole debacle deliberately… Further Reading:  • ‘Coke, The Taste That Distresses' (The Washington Post, 1985): https://www.washingtonpost.com/archive/lifestyle/1985/06/07/coke-the-taste-that-distresses/1f0758dd-98a2-4a9d-ae1c-c188c2228354/ • ‘New Coke Didn't Fail. It Was Murdered' (Mother Jones, 2019): https://www.motherjones.com/food/2019/07/what-if-weve-all-been-wrong-about-what-killed-new-coke/ • ‘1985: Coca-Cola launches new Coke' (CBS Evening News, 1985): https://www.youtube.com/watch?v=a8j97dOLsyk #80s #Advertising #Mistakes #Food Love the show? Support us!  Join 

This week we're excited to present a conversation with The Shrouds writer & director David Cronenberg and lead actress Diane Kruger, moderated by FLC programmer Tyler Wilson. An NYFF62 Main Slate selection, The Shrouds is now playing at Film at Lincoln Center. Get tickets: https://www.filmlinc.org/films/the-shrouds/ In an eerie, deceptively placid near-future, a techno-entrepreneur named Karsh (Vincent Cassel) has developed a new software that will allow the bereaved to bear witness to the gradual decay of loved ones dead and buried in the earth. While Karsh is still reeling from the loss of his wife (Diane Kruger) from cancer—and falling into a peculiar sexual relationship with his wife's sister (also Kruger)—a spate of vandalized graves utilizing his “shroud” technology begins to put his enterprise at risk, leading him to uncover a potentially vast conspiracy. Written following the death of the director's wife, the new film from David Cronenberg is both a profoundly personal reckoning with grief and a descent into noir-tinged dystopia, set in an ominous world of self-driving cars, data theft, and A.I. personal assistants. Offering Cronenberg's customary balance of malevolence and wit, The Shrouds is a sly and thought-provoking consideration of the corporeal and the digital, the mortal and the infinite. A Sideshow/Janus Films release.

From Cuba, Dafnis Prieto's revolutionary drumming techniques and compositions have had a powerful impact on the music landscape, nationally and internationally. His various awards and honors include a MacArthur “Genius” Fellowship, a GRAMMY Award for Back to the Sunset (2018), two additional GRAMMY nominations, two Latin GRAMMY nominations (including Best New Artist in 2007), and the Jazz Journalists Association's Up & Coming Musician of the Year in 2006. As a composer, Prieto has created music for dance, film, chamber ensembles, and most notably for his own bands, ranging from duets to big bands. He has received commissions, grants, and fellowships from Chamber Music America, Princeton University, Jazz at Lincoln Center, MoMA, Whitney Museum of American Art, National Association of Latino Arts and Cultures, Jerome Foundation, East Carolina University, Painted Bride Art Center, Meet The Composer, WNYC, New Music USA, Hazard Productions, and Metropole Orkest, among others. Prieto has performed at many national and international music festivals as a bandleader. Since his 1999 arrival in New York, he has also worked in bands led by Michel Camilo, Chucho and Bebo Valdés, Henry Threadgill, Steve Coleman, Eddie Palmieri, Chico and Arturo O'Farrill, Dave Samuels and the Caribbean Jazz Project, Jane Bunnett, D.D. Jackson, Edward Simon, Roy Hargrove, Don Byron, and Andrew Hill, among others. Also a gifted educator, Prieto has conducted numerous master classes, clinics, and workshops around the world. He was on the jazz studies faculty at New York University from 2005 to 2014, and in 2015 joined the faculty of the University of Miami's Frost School of Music. In 2016, Prieto published the groundbreaking analytical and instructional drum book, A World of Rhythmic Possibilities. In 2020, he published Rhythmic Synchronicity, a book for non-drummers inspired by a course of the same name that Prieto developed at the Frost School of Music. In 2025 he released the book "WHAT ARE THE ODDS" the third book in his catalog, and it shows not only his passion for rhythm and drumming but furthermore his commitment to music education at large. This one takes you to a fascinating journey of rhythms and meters. The book features 519 examples, and each of them comes with an audio track and a video clip. He is the founder of the independent music company Dafnison Music, established in 2008. In this episode Dafnis talks about: Building a career on your own terms Teaching at Frost School of Music at Miami University His new book: “What are the Odds” Asking tough questions about tradition as it relates to Latin music Allowing patterns and phrasing to dictate the time feel Valuing the content you play over the ability to play with a click Here's our PatreonHere's our YoutubeHere's our Homepage

Frank Mosley is an actor and filmmaker from Texas, now living in Los Angeles. He is an alumnus of the 2015 Berlinale Talents, the 2017 NYFF Artist Academy at Lincoln Center, and Black Factory Cinema's 2016 Auteur Workshop led by Abbas Kiarostami in San Antonio de los Banos, Cuba. He participated as an actor in the 2016 Austin Film Society Artist Intensive under the direction of Charles Burnett. Most notably, Frank is also the curator for Required Reading, a staged reading series in Los Angeles that highlights new work from both emerging and established playwrights. In this episode, we talk about his take on the classic table read, and how Required Reading is taking live readings to the next level. FOLLOW REQUIRED READING IG: @requiredreading.laVISIT FRANK'S WEBSITE HERE

Nicole Zuraitis is a 2X GRAMMY® winning and 4X GRAMMY-nominated jazz singer-songwriter, pianist and arranger, New York-based bandleader, and winner of the prestigious 2021 American Traditions Vocal Competition Gold Medal. With a “heart as big as her remarkable voice,” (Jazz Police), Nicole is a trailblazing artist who isredefining vocal jazz, earning her a place as one of the top artists and "prolificsongwriters" (Broadway World) to watch in jazz and beyond. As a recording artist, Nicole has released five albums as leader, and her sixth albumHow Love Begins, co-produced with eight-time GRAMMY-winner Christian McBride,features all original music and was awarded the 2024 GRAMMY for BEST JAZZVOCAL ALBUM. Nicole is the only artist ever to have won this award who wrote andarranged the entire album herself. In addition to leading her quartet, Nicole performedand recorded with the Birdland Big Band as premier vocalist before taking off as a large ensemble leader of her own, co-producing the Dan Pugach Big Band and guesting for major European big bands. She has headlined at Newport Jazz Festival, Melbourne International Jazz Festival, and Tanglewood, along with iconic NYC jazz clubs like Dizzy’s Club at Jazz at Lincoln Center, Birdland, the Blue Note, the Carlyle, 54 Below and the late, great 55 Bar. She also has appeared as a featured soloist with the Savannah Philharmonic, Asheville Symphony, and Macon Pops. Nicole is a featured artist and producer on her husband, renowned drummer,bandleader, and composer Dan Pugach’s 2025 GRAMMY-winning album, “BiancaReimagined: Music for Paws and Persistence” (Best Large Ensemble) for which theycomposed the GRAMMY-nominated song, “Little Fears” (Best Jazz Performance). Nicole is a vocalist on the GRAMMY-winning “Last Sunday in Plains: A CentennialCelebration” alongside Jon Batiste, Keb’ Mo’, and LeeAnn Rimes. In 2024, BroadwayWorld honored Nicole with the “Best Big Band Show” Award. Nicole's arrangement ofDolly Parton's Jolene, co-written with renowned drummer and bandleader Dan Pugach, was nominated for a 2019 GRAMMY®, springboarding her career and making her a household name in the modern-day jazz landscape. Nicole has collaborated with an extensive list of luminaries, including Christian McBride, David Cook, Gilad Hekselman, Veronica Swift, Benny Benack, Stephen Feifke, Cyrille Aimee, Antonio Sanchez, Dave Stryker, Omar Hakim, Rachel Z, Helen Sung, Melanie, Morgan James, Darren Criss, Livingston Taylor, and Bernard Purdie. She is a proud educator and currently vocal faculty at NYU and SUNY Purchase. FOLLOW HARMONYTALK PODCAST @harmonytalkpodcast Join Our Mailing List: https://mailchi.mp/fa5d124c4e19/harmonytalk-mailing-list Instagram: https://instagram.com/harmonytalkpodcast Facebook: https://www.facebook.com/harmonytalkpodcast YouTube: https://youtube.com/@HarmonyTALKPodcast LinkedIn: https://www.linkedin.com/company/harmonytalkpodcast https://harmonytalkpodcast.com/ Follow Host, Greg Frigoletto: https://www.instagram.com/gjfrig7/ Email harmonytalkpodcast@gmail.com for sponsorship and guest opportunities! See omnystudio.com/listener for privacy information.

We are excited to bring you this new episode in our podcast series, The Art of Collaboration with Anne Kauffman and dots. This series focuses on directors and choreographers in conversation with some of their collaborators. This series explores the ins and outs of these processes, both finer details as well as overarching ideas about what goes into a productive collaboration on a show. In this episode you will hear an in-depth and transparent conversation with Anne and dots focused on the collaboration between directors and designers as well as navigating the industry as a collective.   Bios: dots (Scenic Designer) is a design collective creating environments for theater, film, commercials, and immersive experiences. Hailing from Colombia, South Africa, and Japan, we are Santiago Orjuela-Laverde, Andrew Moerdyk, and Kimie Nishikawa. As collaborators, we believe that the whole is greater than the sum of its individual parts. Recent highlights include the Broadway productions of Oh, Mary! ; Romeo + Juliet, An Enemy of the People (Tony Award Nomination for Best Scenic Design of a Play); Appropriate (Tony Award, Drama Desk and Outer Critics Circle Award nominations for Outstanding Scenic Design); The Sign in Sidney Brustein's Window; and The Big Gay Jamboree ; Recent awards include a 2024 Obie Award for Sustained Achievement in Design, 2023 and 2024 Henry Hewes Design Award, recipient of 2025 USA Fellowship Award . designbydots.com. Anne Kauffman (Director)'s credits include the New York Philharmonic, BAM, Ars Nova, NYTW, Roundabout Theatre Company, Encores! Off-Center, Women's Project, Playwrights Horizons, MCC, The Public, P73 Productions, New Georges, Vineyard Theatre, LCT3, Yale Rep, Steppenwolf, Goodman Theatre, La Jolla Playhouse, Z Space, American Conservatory Theater, and Berkeley Rep. She is a Resident Director at Roundabout Theatre, Artistic Associate and Founding Member of The Civilians, a Clubbed Thumb Affiliated Artist and co-creator of the CT Directing Fellowship, a New Georges Affiliated Artist, an SDC Executive Board Member, Vice President and Trustee of SDCF 2020-2023, and Artistic Director of City Center's Encores! Off-Center 2017-2020. Her awards include a 2024 Tony nomination for Best Director for Mary Jane, a 2023 Tony nomination for Best Revival for The Sign in Sidney Brustein's Window, three Obies, the Joan and Joseph Cullman Award for Exceptional Creativity from Lincoln Center, the Alan Schneider Director Award, a Lucille Lortel Award, a Drama League Award, and the Joe A. Callaway. She is co-creator of the Cast Album Project with Jeanine Tesori.   dots headshot courtesy of dots Anne Kauffman's headshot by Tess Mayer

This week on the podcast is part two  of our interview with Ranee Ramaswamy, the Founding Artistic Director of the Ragamala Dance Company, along with her daughters Aparna and Ashwini. Aparna is the Executive Artistic Director, Choreographer and Principal Dancer in the company; and Ashwini is a Choreographic Associate, Dancer, and Communications Director.  ​The Ragamala Company tours extensively worldwide and has appeared at venues including the Kennedy Center, Lincoln Center, and Jacob's Pillow.  Individually, they have won numerous awards including Guggenheim Fellowships, US Artist Fellowships and over a dozen McKnight Fellowships.  This brief bio just scratches the surface of their accolades, so make sure you visit their website to see their impressive list of accomplishments and media! https://www.ragamaladance.org/

This week we're excited to present a conversation with Invention director Courtney Stephens and lead actress Calle Hernandez (moderated by FLC's Tyler Wilson) from this year's edition of New Directors/New Films. Presented by The Museum of Modern Art and Film at Lincoln Center, the 54th edition of New Directors/New Films (ND/NF) takes place through April 13, and has, since 1972, showcased new and emerging filmmakers whose distinctive visions and risk-taking works highlight the vitality and potential of cinema. Personal anguish and noirish mystery are inextricably bound in Invention, wherein Callie Hernandez (who co-conceptualized the film, and plays a cross between herself and some other vision) seeks the truth about her father—an inventor of devices boasting untapped power—whose death is not what it seems. Traversing a backwoods America of oddballs, cretins, estate vultures, and even the occasional sweetheart, Hernandez's journey is a constant reminder of how much our loved ones hide from us in life and death alike. Courtney Stephens's years in experimental documentary cinema help turn this Super 16mm–shot investigation narrative on its head, while a commanding performance confirms Hernandez as a captivating screen performer and artist.

Anne Thompson and Ryan Lattanzio recap the Cannes linuep before taking the stage at Film at Lincoln Center to talk with 'Killer Films' Producer Christine Vachon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join "Dance Talk” ® with Joanne Carey  and special guests: Duke Dang, Executive Director of Works & Process and Alison Manning, Co-Executive Director of Harkness Dance Center.In this episode of "Dance Talk” ®, host Joanne Carey chats with Duke Dang, and Alison Manning, about their organizations upcoming collaboration: the Uptown Rhythm Dance Festival. The festival is a collaborative project aimed at celebrating various forms of rhythm dance. Alison and Duke discuss the festival's programming, community engagement, and the importance of inclusivity and accessibility in dance. The dialogue highlights the festival's diverse lineup of artists, workshops, and the significance of dance in fostering community connections. Get your tickets, you won't want to miss this festival!Alison Manning is the former Executive Director and Co-Producer of The Yard on Martha's Vineyard, from 2008-2020. She is founding Co-Artistic Director and Choreographer of DanceTheYard, The Yard's year-round professional dance company, with choreographic partner and company Co-Artistic Director Jesse Keller Jason. Alison is a passionate Horton teacher and an avid tap and rhythm dancer and advocate. She discovered her love for the Horton technique as a scholarship student at Jacob's Pillow, working with the great Milton Myers, and has continued studying with mentors Mr. Myers, Kristina Berger, Karen Gayle and other lauded Horton Teachers through the years. She taught the technique on Faculty at The Yard each summer, and as a guest teaching artist at NYU Steinhardt School, Wesleyan Univeristy, Peridance Capezio Center, and STEPS on Broadway. In addition to teaching, Alison dances and performs with The Bang Group and has worked for The Peggy Spina Tap Company, Xodus Dance Collective, Kinodance company among others. She is the current President of the Marymount Manhattan College Dance Advisory Board as well as a member of the Adjunct Faculty. She graduated Magna Cum Laude from said institution with a BFA in Modern Dance and a Minor in Art History. Alison lives in New York City with her wife and four children and is honored to be shepherding the Harkness School of Dance during this exciting time at The 92nd Street Y, New York.https://www.92ny.org/Duke Dang is the executive director of Works & Process, a performing arts organization that champions and resources artists and their creative process from studio-to-stage by partnering with over a dozen residency centers across Massachusetts, New Jersey, and New York to provide fully-funded residencies and presents iteratively at the Guggenheim Museum, Lincoln Center, The New York Public Library for the Performing Arts, and SummerStage.  Works & Process was honored with a 2021 Dance Magazine Award and nominated in 2021 and 2022 for the APAP William Dawson Award for Programmatic Excellence and Sustained Achievement. Born at a UN refugee camp in the Philippines to Vietnamese parents seeking political asylum, Duke immigrated to California growing up with the assistance of Section 8 housing vouchers, food stamps, and attending Head Start. Prior to Works & Process, Duke worked at the J. Paul Getty Museum, Smithsonian American Art Museum, Glimmerglass Festival, and Sydney Theatre Company. He earned in BA in Art History from Boston University and MA in Performing Arts Administration from New York University.To Find out about Works & Process ⁠https://www.worksandprocess.org/ To get your tickets to Uptown Dance Festivalhttps://www.92ny.org/event/uptown-rhythm-dance-festival“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/...⁠ ⁠Follow Joanne on Instagram @westfieldschoolofdanceTune in. Follow. Like us. And Share.Please leave a review!“Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

JP Jofre is an Argentinian born 2x Grammy Nominated composer and Bandoneon player. His music has been recorded by the London Symphony Orchestra and by artists like Paquito d'Rivera. He's appeared as a performer at Lincoln Center, Carnegie Hall and the Beijing National Theatre.My featured song is “The Gift” my recent collaboration with Grammy winning arranger Michael Abene. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with JP:www.jpjofre.com—----------------------------------------ROBERT'S RECENT SINGLES:“ROUGH RIDER” is Robert's latest single. It's got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Eleni Katz is a world class bassoonist. She's a prominent soloist, chamber musician and orchestral player. She's performed with the Chamber Music Society of Lincoln Center, and the Milwaukee, Fort Worth and New World Symphonies. She's a winner of the Concert Artist Guild Competition and the Woolsey Hall Concerto Competition. Her approach to playing the bassoon has been described as “uncannily human”.My featured song is “Rough Rider” from the album East Side Sessions by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with Eleni:www.elenikatzbassoon.com—----------------------------------------ROBERT'S RECENT SINGLES:“ROUGH RIDER” is Robert's latest single. It's got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Mahogany L. Browne is a Kennedy Center Next 50 fellow, writer, play-wright, organizer, and educator. Browne received fellowships from ALL ARTS, Arts for Justice, AIR Serenbe, Baldwin for the Arts, Cave Canem, Poets House, Mellon Research, Rauschenberg, and Wesleyan University. Browne's books include A Bird in the Air Means We Can Still Breathe, Vinyl Moon, Chlorine Sky (optioned for Steppenwolf Theatre), Black Girl Magic, and banned books Woke: A Young Poet's Call to Justice and Woke Baby. Founder of the diverse lit initiative Woke Baby Book Fair, Browne is the 2024 Paterson Poetry Prize winner. She is the inaugural poet in residence at the Lincoln Center and lives in Brooklyn, New York.Yolanda Sealey-Ruiz, Ph.D. (she/her), is a Professor of English Education at Teachers College, Columbia University. Her poetry collections, Love from the Vortex & Other Poems (2020) and The Peace Chronicles (2021), explore themes of love, healing, and growth toward liberation. She is co-author of the multiple award-winning Advancing Racial Literacies in Teacher Education: Activism for Equity in Digital Spaces (2021). In 2024, Yolanda was recognized for her scholarship with the Dorothy Height Distinguished Alumni Award from NYU. She has been named to EdWeek's EduScholar Influencers list four years in a row, placing her among the top 1% of educational scholars in the U.S. At Teachers College, Yolanda founded the Racial Literacy Project @TC, fostering dialogue on race and diversity for over 17 years.About The Write TimeThe Write Time is a special series of NWP Radio, a podcast of the National Writing Project (NWP), where writing teachers from across the NWP Network interview young-adult and children's authors about their books, their composing processes, and writers' craft. You can view the archive at https://teach.nwp.org/series/the-write-time/

Discusses the importance of fostering AI literacy in research and higher education. Our guest today is Sarah Florini who is an Associate Director and Associate Professor in the Lincoln Center for Applied Ethics at Arizona State University. Sarah's work focuses on technology, social media, technology ethics, digital ethnography, and Black digital culture. Among other things, Sarah is dedicated to fostering critical AI literacy and ethical engagement with AI/ML technologies. She founded the AI and Ethics Workgroup to serve as a catalyst for critical conversations about the role of AI models in higher education.  Additional resources: Distributed AI Research Institute: https://www.dair-institute.org/ Mystery AI Hype Theater 3000: https://www.dair-institute.org/maiht3k/ Tech Won't Save Us: https://techwontsave.us/ CITI Program's Essentials of Responsible AI course: https://about.citiprogram.org/course/essentials-of-responsible-ai/ 

This week on the podcast is part one of our interview with Ranee Ramaswamy, the Founding Artistic Director of the Ragamala Dance Company, along with her daughters Aparna and Ashwini. Aparna is the Executive Artistic Director, Choreographer and Principal Dancer in the company; and Ashwini is a Choreographic Associate, Dancer, and Communications Director.  The Ragamala Company tours extensively worldwide and has appeared at venues including the Kennedy Center, Lincoln Center, and Jacob's Pillow.  Individually, they have won numerous awards including Guggenheim Fellowships, US Artist Fellowships and over a dozen McKnight Fellowships.  This brief bio just scratches the surface of their accolades, so make sure you visit their website to see their impressive list of accomplishments and media!  https://www.ragamaladance.org/

On this edition of Ask Joan, Joan answers one of the most popular questions: how to obtain discount tickets for Broadway shows. Joan highlights traditional methods like visiting the TKTS booths in Times Square and Lincoln Center, which offer last-minute tickets at up to 50% off. She also explains how to use online tools like the TDF website and the TodayTix app to track availability and prices in real-time, and discusses the benefits of lottery and rush ticket options for popular shows. By following Joan's tips, listeners can enjoy major Broadway productions at reduced prices. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we're excited to present a conversation from this year's edition of New Directors/New Films with Familiar Touch director Sarah Friedland and cast members Kathleen Chalfant, Carolyn Michelle, and H. Jon Benjamin. This conversation was moderated by New Directors/New Films co-chair Dan Sullivan. Presented by The Museum of Modern Art and Film at Lincoln Center, the 54th edition of New Directors/New Films (ND/NF) takes place through April 13, and has, since 1972, showcased new and emerging filmmakers whose distinctive visions and risk-taking works highlight the vitality and potential of cinema. The Opening Night selection of this year's festival, Familiar Touch is about an octogenarian named Ruth (played by Kathleen Chalfant) who has been living independently, but cracks have started to emerge: toast is placed to dry in the dish rack, confusion rests on her face, the dead are spoken of in present tense while the living (such as a son right before her) go entirely unrecognized. Her entrance into an assisted-living facility begins the strange, transcendent journey that is Familiar Touch, Sarah Friedland's feature debut, which earned three awards at the 2024 Venice Film Festival, including the Lion of the Future, Best Director, and Best Actress for Chalfant's astonishing turn. Friedland builds her drama through sharp honesty, and tough as its material may be, few films are so tonally flexible, so able to turn on a dime: stray moments of tenderness, humility, even absurdity poke through, with a love and care for Ruth shown by characters and creators alike. Familiar Touch portends the arrival of major directorial talent and we were honored to have it as the opening night selection of the 54th edition of New Directors/New Films. Familiar Touch will open in select theaters beginning June 20th, courtesy of Music Box Films.

Newt Gingrich- Judicial Tyranny, John Zmirak- The Anarcho (Anarchist) Tyranny of the NAZI Brownshirt Left. These are not our Fellow Americans. Trump's Purge of Political Filth and 'SWATting Continues.   X Post- Newt Gingrich @newtgingrich The Founding Fathers deeply distrusted judges. They thought the lawyer class was dangerous, and if given unbridled power they would undermine and destroy free society. 8:48 AM · Apr 1, 2025 578.5K Views   John Zmirak The Eric Metaxas Show  Mar 25 2025   Other Episodes Big Bad John s back for his weekly update on the state of America    -----------------------------------------------------------------------------------------------  John Zmirak makes his weekly appearance and covers current events and shares recent articles available at-   https://stream.org/author/johnzmirak/ Watch Eric Metaxas on Rumble-  https://rumble.com/c/TheEricMetaxasRadioShow  The Eric Metaxas Show- https://metaxastalk.com/podcasts/ Eric Metaxas Show on Apple Podcasts-    https://podcasts.apple.com/us/podcast/the-eric-metaxas-show/id991156680 Check out- Socrates in the City   Find All of John Zmirak Articles at- https://stream.org/author/johnzmirak/   Evil Exposes Itself in Burning Teslas and a Shredded Constitution By John Zmirak Published on March 24, 2025   John Zmirak An experience I'll never forget: Listening to Verdi's staggeringly powerful Requiem at New York's Lincoln Center back in the early 2000s. In case you haven't heard it, the piece is a highly operatic setting of the historic Catholic funeral Mass, composed by the irreligious Giuseppe Verdi to mourn the death of his closest friend.   The music was exquisite, the performers were among the most talented in the world, and I was comfy in a seat in the lavish Avery Fisher Hall. But one thing set my experience apart from most of my fellow music lovers': I believed in every word the singers were delivering — even if the singers didn't and Verdi himself had not.   One part of the text of the Dies Irae seems plucked from our current headlines: The section that centers on evils getting exposed, driven into the light. At the General Judgment, every sin ever committed will be unmasked for all to see — so that both God's justice and His mercy will be obvious to each soul ever created.   Nature sickens with dismay, Death may not retain its prey; And before the Maker stand All the creatures of his hand. The great book shall be unfurled, Whereby God shall judge the world; What was distant shall be near, What was hidden shall be clear.   We are seeing before us today in our country a faint foreshadowing of that great, world-ending exposé. The corruption, perversion, waste, and even hate that pervaded our government agencies and the institutions led by our self-selecting elites are all getting driven out into the light, thanks to the stern measures imposed by President Donald Trump.   Please Support The Stream: Equipping Christians to Think Clearly About the Political, Economic, and Moral Issues of Our Day. Neither a Spirit of Fear Nor of Vengeance No, Trump isn't God, or even especially godly as far as we can tell. That bothers me for his sake, but not for ours. Constantine saved the early Church from persecution despite his personal sins, and Charles Martel saved Europe from the Muslim hordes with the bloodstained hands of a war lord. However, insofar as a legitimate earthly ruler wields the sword on God's behalf, becoming “the legitimate avenger of crimes,” a just ruler can do God's will as surely as the Church does in its own quite separate sphere.   As we watch the violent antics and lawless abuses of power by the Left unfold in response to Trump's perfectly reasonable efforts to trim down the government and cease its persecution of ordinary citizens, we shouldn't be consumed with worry, afraid he will fail. Nor should we give in to a spirit of vindictiveness, taking a sadistic glee in the suffering of our enemies, however well-deserved.   Instead I think we ought to treat this political moment as a little window on the end of time, when every evil is dragged kicking and screaming into the light, even our own. As we pray for this great purge of political filth to fully succeed for the benefit of our nation and our neighbors, keeping such an apocalyptic perspective will help us avoid falling into the Enemy's snares, which he scatters plentifully both on the Left and on the Right.   With all of that said, let's review some of the skeletons the Trump team is tossing or driving out of our oligarchs' reeking closets.   Road Ragers and Vandals Target Tesla Owners and Their “Nazi Cars” The kind of people who pride themselves on their “compassion” for illegal immigrants, sexual eccentricities, and the government of Ukraine are showing much less tolerance and charity for their fellow Americans — targeting not just people who disagree with them politically, but total strangers who happened to buy a certain brand of car. Owners of Teslas who might not have cared or even known about Elon Musk's political views are now getting menaced on highways, seeing their vehicles vandalized, and otherwise living in fear. Here's one of the worst incidents:   Cowardly attacks on unattended Teslas are happening across the country, quite possibly as part of a coordinated effort along the lines of the Antifa and Black Lives Matter protests that savaged America's cities five years ago. And our chattering classes are gibbering their approval like a squadron of flying monkeys, as Joe Rogan reports:   Trying to Commit Murder by Police Other violence aimed at conservatives and Christians entails the criminal abuse of police that's colloquially called “SWATting.” That entails making an anonymous call from an untraceable phone to the police, claiming that an “active shooter” is present at the home of some political enemy — then sitting back and watching the news to find out if you successfully got that person, his spouse, or his children gunned down by the cops. Who's getting subjected to such attacks? One victim was gifted Christian author Larry Taunton:   Gateway Pundit reports on another potentially grim incident:   InfoWars host Owen Shroyer became the latest victim of a “swatting” incident at his home in Austin, Texas in what he calls a “terrorist attack” perpetrated by leftist extremists.   A fake police report claiming Shroyer had shot someone led to a full-blown armed raid on his residence, with at least a dozen officers storming his home with weapons drawn. …   Shroyer pointed fingers directly at the Democrat Party, naming names and calling for federal authorities to act.   “We know what's going on. The Democrat Party and all of their little street thugs — funded by Act Blue, stolen money from USAID, George Soros, and other groups — are behind it. They are behind the terror attacks against Elon Musk,” he said.   Keep in mind that just two weeks ago Shroyer's colleague, Jamie White, was murdered while on assignment reporting about leftist political violence.   Let's offer prayers of gratitude for the professionalism of the police who managed these incidents, and for protection of nonviolent American citizens just trying to go about their lives at a time when a spirit of savagery seems to have been let loose on our nation.   Canceling Elections Our elites aren't quite at the point where they can just cancel elections and jail the conservative candidate, as recently happened in Romania (perhaps with the collusion of American Deep State conspirator Anthony Blinken, according to Diplomatic Affairs.) Our political class was blindsided by Trump's 2016 win, and responded by spraying our media with the manufactured filth of the faked Steele Dossier to push the hoax that Trump was somehow “colluding” with Vladimir Putin's Russia — a charge that led to one of the two fraudulent impeachment efforts aimed at Trump. Here's the great Natalie Winters of Bannon's War Room confronting Christopher Steele himself, and it's glorious to hear a smart conservative be permitted to speak her mind without getting interrupted or shouted down. Just watch his face go from smugness to something approaching shame as Winters holds him accountable.   The Russia collusion hoax, with its associated faked prosecutions of Trump allies such as General Mike Flynn, Roger Stone, and others, effectively derailed his first term in office. The COVID panic permitted the Democrats to steal his second term in 2020. Now having failed (thanks to the efforts of shadowy patriots on whom Emerald Robinson has reported) to steal the 2024 race, our oligarchs are trying to nullify its effects via a full-scale judicial coup against the executive branch of government. Thanks to Gov. Ron DeSantis for calling this crime out and suggesting one realistic remedy:   As the author of the Dies Irae, channeling sacred scripture, promised us:   What was distant shall be near, What was hidden shall be clear.   Along The Stream … Later today, don't miss this eye-opening video from Apologetics Roadshow on the new, openly racist criminal sentencing policies in Great Britain, imposed to protect Muslim immigrants and punish native citizens.   Don't miss Jules Gomes' thoughtful piece this morning, “Only Radical Christianity Can Defeat Radical Islam.”    John Zmirak is a senior editor at The Stream and author or co-author of ten books, including The Politically Incorrect Guide to Immigration and The Politically Incorrect Guide to Catholicism. He is co-author with Jason Jones of “God, Guns, & the Government.”   John Zmirak's new book: No Second Amendment, No First  by John Zmirak  Available March 19, 2024 Today's Left endlessly preaches the evils of “gun violence." It is a message increasingly echoed from the nation's pulpits, presented as common-sense decency and virtue. Calls for “radical non-violence” are routinely endowed with the imprimatur of religious doctrine.   But what if such teachings were misguided, even damaging? What if the potential of a citizenry to exercise force against violent criminals and tyrannical governments is not just compatible with church teaching, but flows from the very heart of Biblical faith and reason? What if the freedoms we treasure are intimately tied to the power to resist violent coercion?  This is the long-overdue case John Zmirak makes with stunning clarity and conviction in No Second Amendment, No First. A Yale-educated journalist and former college professor, Zmirak shows how the right of self-defense against authoritarian government was affirmed in both the Old and New Testaments, is implied in Natural Law, and has been part of Church tradition over the centuries.                 The Brew: Judicial Tyranny Edition In case you thought that the JFK files declassification turned up mostly a bunch of nothingburgers, Rep. Anna Paulina Luna (R-Fla.) begs to differ. As Gateway Pundit reports, Luna (who leads the Task Force on the Declassification of Federal Secrets)… The Brew: JFK Didn't Kill Himself, and Other Things We're Learning from His Assassination Files   Ukrainians Are the Victims of a Two-Front War, Besieged by Brutal Russians and the Depraved Deep State   The Brew: Judge Orders Trump to Fly Terrorist Gang Members Back to U.S.; O.K. Corral Moment with Petty Dictators Comes Closer   The Brew: Conservative Journalist Gloriously Trumps Woke Podcaster in Open Debate   The Brew: It's October 7 for Christians in Syria. Trump's Team and The Stream Have Been Warning This Would Happen   --------------------------------------------------------------------  Check out our ACU Patreon page: https://www.patreon.com/ACUPodcast   HELP ACU SPREAD THE WORD!  Please go to Apple Podcasts and give ACU a 5 star rating. Apple canceled us and now we are clawing our way back to the top. Don't let the Leftist win. Do it now! Thanks. Also Rate us on any platform you follow us on. It helps a lot. Forward this show to friends. Ways to subscribe to the American Conservative University Podcast Click here to subscribe via Apple Podcasts Click here to subscribe via RSS You can also subscribe via Stitcher FM Player Podcast Addict Tune-in Podcasts Pandora Look us up on Amazon Prime …And Many Other Podcast Aggregators and sites ACU on Twitter- https://twitter.com/AmerConU . Warning- Explicit and Violent video content.   Please help ACU by submitting your Show ideas. Email us at americanconservativeuniversity@americanconservativeuniversity.com   Endorsed Charities -------------------------------------------------------- Pre-Born! Saving babies and Souls. https://preborn.org/ OUR MISSION To glorify Jesus Christ by leading and equipping pregnancy clinics to save more babies and souls. WHAT WE DO Pre-Born! partners with life-affirming pregnancy clinics all across the nation. We are designed to strategically impact the abortion industry through the following initiatives:… -------------------------------------------------------- Help CSI Stamp Out Slavery In Sudan Join us in our effort to free over 350 slaves. Listeners to the Eric Metaxas Show will remember our annual effort to free Christians who have been enslaved for simply acknowledging Jesus Christ as their Savior. As we celebrate the birth of Christ this Christmas, join us in giving new life to brothers and sisters in Sudan who have enslaved as a result of their faith. https://csi-usa.org/metaxas   https://csi-usa.org/slavery/   Typical Aid for the Enslaved A ration of sorghum, a local nutrient-rich staple food A dairy goat A “Sack of Hope,” a survival kit containing essential items such as tarp for shelter, a cooking pan, a water canister, a mosquito net, a blanket, a handheld sickle, and fishing hooks. Release celebrations include prayer and gathering for a meal, and medical care for those in need. The CSI team provides comfort, encouragement, and a shoulder to lean on while they tell their stories and begin their new lives. Thank you for your compassion  Giving the Gift of Freedom and Hope to the Enslaved South Sudanese -------------------------------------------------------- Food For the Poor https://foodforthepoor.org/ Help us serve the poorest of the poor Food For The Poor began in 1982 in Jamaica. Today, our interdenominational Christian ministry serves the poor in primarily 17 countries throughout the Caribbean and Latin America. Thanks to our faithful donors, we are able to provide food, housing, healthcare, education, fresh water, emergency relief, micro-enterprise solutions and much more. We are proud to have fed millions of people and provided more than 15.7 billion dollars in aid. Our faith inspires us to be an organization built on compassion, and motivated by love. Our mission is to bring relief to the poorest of the poor in the countries where we serve. We strive to reflect God's unconditional love. It's a sacrificial love that embraces all people regardless of race or religion. We believe that we can show His love by serving the “least of these” on this earth as Christ challenged us to do in Matthew 25. We pray that by God's grace, and with your support, we can continue to bring relief to the suffering and hope to the hopeless.   Report on Food For the Poor by Charity Navigator https://www.charitynavigator.org/ein/592174510   -------------------------------------------------------- Disclaimer from ACU. We try to bring to our students and alumni the World's best Conservative thinkers. All views expressed belong solely to the author and not necessarily to ACU. In all issues and relations, we hope to follow the admonitions of Jesus Christ. While striving to expose, warn and contend with evil, we extend the love of God to all of his children. ----------------------------------------------------------------------------------------- 

It's Maggie Smith Day on the podcast! Maggie Smith is the New York Times bestselling author of You Could Make This Place Beautiful; My Thoughts Have Wings, a picture book illustrated by SCBWI Portfolio grand prize winner Leanne Hatch; the national bestsellers Goldenrod and Keep Moving: Notes on Loss, Creativity, and Change; as well as Good Bones, named one of the Best Five Poetry Books of 2017 by the Washington Post and winner of the 2018 Independent Publisher Book Awards Gold Medal in Poetry; The Well Speaks of Its Own Poison, winner of the 2012 Dorset Prize and the 2016 Independent Publisher Book Awards Gold Medal in Poetry; and Lamp of the Body, winner of the 2003 Benjamin Saltman Award.In 2016 Maggie Smith's poem “Good Bones” went viral internationally, receiving coverage in the Washington Post, theGuardian, the Telegraph, Slate, Huffington Post Italia, and elsewhere. To date it has been translated into nearly a dozen languages; interpreted by a dance troupe in Chennai, India; and set to music by multiple composers. PRI (Public Radio International) called it “the official poem of 2016.” In 2017 the poem was featured on an episode of the CBS primetime drama Madam Secretary, also called “Good Bones,” and was read by Meryl Streep at Lincoln Center.In this conversation, we talk about how she became the incredible writer and poet that she is, why we must continue making art in the face of genocide, fascism, and climate change, and we talk about her brand new book, Dear Writer: Pep Talks & Practical Advice for the Creative Life. ✅ Buy a copy (or two) of her new book.✅ Subscribe to her Substack, For Dear Life. ✅ Follow Maggie on Instagram.✊

A few days ago, one of the most ubiquitous live shows in the country, Shen Yun, began its latest run at Lincoln Center, drawing thousands of people to a performance that is colorful, acrobatic and — according to many of its performers — shockingly abusive.Nicole Hong, one of the reporters behind a New York Times investigation of Shen Yun, discusses what that reporting has revealed about the secretive enterprise.Guest: Nicole Hong, an investigative reporter for The New York Times focusing on New York and its surrounding regions.Background reading: An ex-dancer accused Shen Yun of forced labor and trafficking in a lawsuit.Here are five takeaways from The Times's coverage of Shen Yun.For more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. Photo: The New York Times Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

This episode of The Other Side of the Bell, featuring trumpeter, band leader and iconic plunger mute designer Kenny Rampton, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Kenny Rampton trumpet interview"   About Kenny Rampton:   Trumpeter Kenny Rampton grew up in Las Vegas, and studied music at both the University of Nevada at Las Vegas and the Berklee College of Music. In 1989, he moved to New York, where he quickly established his reputation as a versatile musician, touring and performing with a veritable who's who in jazz.   Kenny's first road gig was a world tour with The Ray Charles Orchestra. He subsequently went on the road with legendary jazz drummer Panama Francis and The Savoy Sultans, and soon thereafter, with The Jimmy McGriff Quartet.   As a sideman, Kenny has also performed with jazz greats Jon Hendricks, Chico OFarrill's Afro-Cuban Jazz Big Band, Lionel Hampton, Charlie Persip and Supersound, Illinois Jacquet, Dr. John, Edy Martinez, Dr. Lonnie Smith, Reuben Wilson, Charles Earland, Tony Monaco, Clark Terry, Slide Hampton, Marcus Roberts, Christian McBride, Geoff Keezer, Richard Bona and a host of others.    Kenny Rampton joined the Jazz at Lincoln Center Orchestra with Wynton Marsalis as a full time member in 2010. He also leads his own groups in addition to performing with the Mingus Big Band, The Mingus Orchestra, The Mingus Dynasty, George Gruntz' Concert Jazz Band, and The Manhattan Jazz Orchestra.   Kenny is also well known as being the trumpet voice on the legendary Sesame Street. Some of his Broadway credits include "Anything Goes" (lead/solo trumpet), "Finian's Rainbow," "The Wiz," "Chicago: The Musical," "In The Heights," "Hair," "Young Frankenstein," and "The Producers," "The Drowsy Chaperone," "Spamalot," "Martin Short: Fame Becomes Me," "The Wedding Singer," "Hot Feet" and several other shows on Broadway.   Finally, in 2020 Kenny started collaborating with Hirschman Mutes to design the innovative KR Indigo plunger mute, which has been a hit ever since its release.   In our conversation today, Kenny shares how he got his start growing up in Las Vegas in a family of entertainers. Studying trumpet at the time largely meant classical trumpet, but Kenny soon developed a deep love for jazz. This took him across the country to Berklee, and the rest is history.   Kenny tells us what it was like getting a sudden call from Ray Charles to join his orchestra, being on-screen on Sesame Street, and working closely with Wynton Marsalis at the Lincoln Center.   And, we learn the story of how he developed the famous KR Indigo plunger mute, in the midst of the pandemic, as not just a useful tool for musicians but a way to stay engaged with the community during that tough time.   Kenny Rampton is brimming with inspiration and heart, and it was a pleasure to have him on the podcast today.   Podcast listeners! Enter code "podcast" at checkout for 15% off any of our guard bags! Visit trumpetmouthpiece.com for more info.   Episode Links: kennyrampton.com National Trumpet Competition YouTube channel International Women's Brass Conference, May 19-24, Hartford, Connecticut. Sign up sheet for valve alignments: bobreeves.com/iwbc International Trumpet Guild Conference, May 27-31, University of Utah, Salt Lake City. Sign up sheet for valve alignments: bobreeves.com/itg William Adam Trumpet Festival, June 19-22, Clarksville, Tennessee. Sign up sheet for valve alignments: bobreeves.com/williamadam hirschmanmutes.com   Podcast Credits: “A Room with a View“ – composed and performed by Howie Shear Podcast Host – John Snell Audio Engineer – Ted Cragg

Spring is finally in the air, and, for New York City cinephiles, that means it's time for another edition of New Directors/New Films, the annual showcase for standout works by emerging filmmakers co-hosted by Film at Lincoln Center and the Museum of Modern Art. The festival is always a reliable sign of trends to come and talents to look out for—past editions have featured early films by Spike Lee, Christopher Nolan, and Kelly Reichardt, among others. This year's iteration opens tonight and runs through April 13. Over the past few years, Film Comment has established our own annual tradition of previewing the best movies in the ND/NF lineup with some of our favorite critics. This time around, FC Editors Devika Girish and Clinton Krute invited Mark Asch and Natalia Keogan for a rundown of some of the gems in the 2025 edition, including Opening Night selection Familiar Touch (3:45); Mad Bills to Pay (or Destiny, dile que no soy malo) (18:55); Lost Chapters (28:41); Invention (37:06); Drowning Dry (45:45); Holy Electricity (53:52); and more.

Caroline Aaron is known to theatre, film and television audiences, as well as a published author and playwright.She made her Broadway debut in Robert Altman's "Come Back to the Five and Dime, Jimmy Dean,Jimmy Dean" and later appeared in the film. The following Broadway season, she starred in the revival of "The Iceman Cometh". She next starred in Mike Nichols's Broadway smash comedy "Social Security". She returned to Broadway starring in "I Hate Hamlet." She headlined the west coast premiere of Wendy Wasserstein's "The Sisters Rosensweig" and was acknowledged with both a Helen Hayes and Dramalogue Award. Next on Broadway she starred in Woody Allen's comedy "Honeymoon Hotel". She headlined Lincoln Center's award winning play "A Kid Like Jake." She played the title role in "All The Days" at the McCarter Theatre and was named best actress by several newspapers in the New York/New Jersey area. She headlined "Call Waiting" at The. Odyssey theatre which became a hit and was later made into a film available on Amazon Prime.On film Caroline has been in over a hundred films and is frequently in demand from top directors including Woody Allen, the late Mike Nichols, Nora Ephron, Paul Mazursky, and Robert Altman.Favorite film roles include “21 & 22 Jump Street”, “Just Like Heaven", "Nancy Drew", "Surveillance", "Love Comes Lately", "Edward Scissorhands", "Anywhere But Here", The Big Night", and "Bounce" among others. Later this year she will be seen in "Theatre Camp", "Between Two Temples", and "The Fourth Dementia".Television audiences are also familiar with her work as a guest star on hundreds of shows. She has recurred on Curb Your Enthusiasm, Ghosts, Episodes and Transparent. She is best known for her role as Shirley Maisel on the hit Amazon series "The Marvelous Mrs. Maisel." Learn more about your ad choices. Visit podcastchoices.com/adchoices