Podcasts about apple color

This episode is sponsored by Colorist Society International and Mixinglight.com. Senior Production Engineer and Colorist at Dolby, Shane Mario Ruggieri, CSI, joins me on this episode of the colorist podcast. In San Francisco during the 2000’s, Shane came up through the ranks, working in all aspects of production and post production. From the beginning of Final Cut Pro, and later Apple Color, he cut his teeth on the early stages of color grading on the Mac. He’s colored for features, commercial, corporate, and entertainment industries. His clients have included Apple, Sony, Netflix, Green Day, Carrie Underwood, and Universal Studios.  Now working at Dolby, Shane has specialized and is one of a handful of colorists that has been working with Dolby Vision HDR since 2010. He co-authored “A Perceptual EOTF for Extended Dynamic Range Imager” and authored “Breaking Out of the 100-nit Box: A Colorist’s View of Grading HDR”, which were presented at SMPTE. In this podcast, we talk about: How starting with SDR prepared him for working with HDR Working with Dolby Vision in Resolve Comparing HDR10 and Dolby Vision Grading tools in HDR and how they will change in the future Advantages of working with HDR as a starting point Workflow considerations for working with HDR versus SDR Using ACES and color management with HDR How HDR will change art direction, makeup, and lighting on the production side Using HDR subtlety and keeping your work invisible Why images over 1000 nits are more compelling and powerful   Shane Mario Ruggieri, Homepage Email IMDB Language of HDR   This episode is sponsored by: Colorist Society International For more information on how you can become a member, visit, https://coloristsociety.com/Join-the-Colorist-Society   Mixinglight.com Use the coupon code “josh15” for 15% off the first term of any Premium Color library subscription.

This episode is sponsored by Colorist Society International and Mixinglight.com. Director, writer, and colorist, Alexis Van Hurkman joins me on this episode of the Colorist Podcast.  There’s been many twists and turns in the career of Alexis Van Hurkman. He bounced around from audio, editorial, graphics, and visual effects. Ultimately, each of those steps in his journey contributed to his skills as a colorist. Along with grading his own projects, he’s finished programs for The History Channel, The Learning Channel, BBC Four, and WNET. Many listeners will recognize Alexis’s book titles, “The Color Correction Handbook” and “The Color Correction Look Book,” as well as the manuals for Apple Color, Final Cut Pro, and DaVinci Resolve. He’s also created several training titles with Ripple Training, featuring the newest features in Resolve. This epic podcast was one of the longest I’ve recorded yet. So long, in fact, that I’ve decided to split it up into two separate episodes. There’s a ton of great info and I didn’t want to lose any of it. In the first part, we talk about: The complicated path in becoming a colorist How writing increased his color knowledge and skills How he ended up working at Apple Working with and without a color control panel How the Fairlight page effects colorists Parallels between audio and color Learning to work in a client driven environment Visual Effects and how it contributes to a colorist’s skills Starting his own one man boutique grading facility   Alexis Van Hurkman Blog   Twitter   Facebook   LinkedIn   Ripple Training   Amazon: Titles by Alexis Van Hurkman   This episode is sponsored by:   Colorist Society International For more information on how you can become a member, visit, www.coloristsociety.com.   Mixinglight.com Use the coupon code “josh15” for 15% off the first term of any Premium Color library subscription.

On this episode of Colorist Podcast, I have a conversation with Ayumi Ashley. She is the co-founder of Mission Film and Design (MFDSF) in San Francisco, California. It's a boutique color, sound, and VFX facility, focusing mainly on commercials, music videos, and short films. She has completed work for North Face, Skyy Vodka, and Ben & Jerry's. Additionally, Silicon Valley clients like Adobe, Pinterest, and Square have also finished their work with her. Ayumi started working as a freelance colorist while still attending college. Apple Color and the reduced price of DaVinci Resolve helped her hone her skills and enter the ranks of working colorists quickly. The combination of affordable grading platforms, higher demand for colorists, and minimal competition in her area, helped her and founding partner Matt Notaro start and run her own finishing company. In this interview, we talk about: • How she got started as a colorist • Why the 5D mk ii had such a profound impact in her market • The low cost of entry for color tools: is it a good thing? • Working in San Francisco and why there aren't many colorists there • Helping clients understand why they need a colorist • Running a facility and prioritizing the budget accordingly • Making her clients feel pampered and comfortable • Listening and performing live for your clients • How she uses remote reviews with Frame IO • Handing off her work to other colorists • Using Full DaVinci panels verses using the Tangent Element • How to draw on inspiration when your sessions are only three hours long • Working with software other than DaVinci Resolve Mission Film and Design  http://mfdsf.com/ Personal Page http://www.ayumiashley.com/ Twitter https://twitter.com/ayumash Instagram https://www.instagram.com/aayummy/ This episode is sponsored by mixinglight.com. Use the coupon code josh10 for 15% off your first quarterly term or josh40 for 15% your first annual term.

In this show I'm talking about the classes I attended and some general commentary about Las Vegas.Here are the sessions I sat in on, check out the full scheduleFriday Seminars  Fast Start with Apple Color  Digital Video Production: LightingSaturday Seminars  Practical Triming for FCP  How to build a blog to support your podcast  Making a living off of your podcast  Under Podcast Metrics  Effective Documentary Production