Podcasts about smpte

In this episode, we welcome Amanda and Michael Drexton. Known as The Drextons, this filmmaking duo has their directorial debut, entitled Sour Party, releasing soon. Their film was the winner of the Andrews/Bernard Award, presented by Decentralized Pictures, Steven Soderbergh and Roman Coppola. In our chat, they share their backstories, pathways into filmmaking, and about the making of this project. They also talk about getting distribution — and offer practical advice for other creatives working their way up. “The Making Of” is presented by AJA:Introducing the all-new KUMO 6464-12GRedesigned for maximum reliability and performance, KUMO 6464-12G is a high-capacity 12G-SDI router featuring 64x 12G-SDI inputs and 64x 12G-SDI outputs that enables cost-effective signal routing for production and post. Ganged dual- and quad-port routing configurations let users combine multiple inputs and outputs for Dual Link video and key, 4K, UltraHD, and Quad Link 8K workflows. KUMO offers seamless routing of uncompressed, compressed, or camera raw signals. Learn more.High-Capacity Storage Meets Pro-Level DockingThe OWC Gemini delivers the best of both worlds—massive dual-drive storage and essential connectivity in one sleek Thunderbolt solution. Perfect for post-production pros, it offers RAID-ready backup, 2.5Gb Ethernet, an SD card reader, and ports for all your gear. Whether you're editing footage or offloading media, Gemini keeps your workflow fast, organized, and ready for anything. Explore it hereFeatured Event: DCS Pre-Cine Gear Kickoff PartyThursday, June 5 | 6PM - 9PM PDTJoin us as Canon hosts the Digital Cinema Society and fellow creatives from the HPA, CML, SMPTE, LACPUG, Filmmakers Alliance, PERG, and LAPPG.Enjoy great food, drinks, raffle prizes, & mingle with fellow creatives as we gear up for Cine Gear Expo 2025! Event is open to all, but confirmed RSVPs are mandatory. Free parking available…Free RSVP hereOne-Lens 360 Plates. Seamless by Design.IgelkottPlates.com offers the only plug-and-play driving and environment plates made specifically for virtual production. No stitching, no setup fuss—just clean, calibrated material designed to drop into any pipeline with zero surprises. Built for real-time workflows and in-camera results.Learn more hereNew Solutions from Videoguys:The Move 4K is the latest PTZ camera from PTZOptics, featuring auto-tracking for a more intelligent video production workflow. The Move 4K is available in 12x, 20x, or 30x zooms, and is capable of 4K at 60fps (1080p at 60fps over SDI), future-proofing your technology investment while still accommodating HD and Full HD video resolutions equipment. The Move 4K offers high performance in low-light scenarios, PoE+ capabilities, and a built-in tally light. The PTZOptics Move 4K is starting at $1,999.00 and is available at Videoguys.comExplore it hereCheck out the ZEISS Otus ML:Now on sale, the Otus ML 1.4/50mm photography lens from ZEISS is the new generation of high-quality optics for your photographic art. Find it at your favorite photo retailer!Learn more herePodcast Rewind:May 2025 - Ep. 81…“The Making Of” is created by Michael Valinsky.Promote your products or services to over 170K filmmakers, TV & broadcast production pros, and content creators reading this newsletter. Email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Church Front Show - NAB 2025 & Church Architecture Insights Episode Summary Jake Gosselin shares his experience at the NAB (National Association of Broadcasters) Show 2025, highlighting innovative broadcast technology for churches. He and Matt Woltjer also discuss church architecture trends and why thoughtful building design matters for worship spaces. Show Notes Timestamps 0:08 - Welcome and introduction 1:12 - Church Front hiring announcement 5:28 - NAB Show 2025 overview 6:43 - Hollyland cameras for vertical video 7:12 - Lyntec power sequencing systems 11:14 - Canon CR-N100 PTZ camera 12:33 - Church Front's studio camera setup (CR-N500 & CR-N300) 15:05 - Canon RC-IP1000 PTZ controller 17:40 - Canon C400 cinema camera 20:31 - Allen & Heath AHM matrix mixing system 24:18 - DiGiCo Quantum mixing console 25:39 - Blackmagic Design booth and new gear 27:47 - SMPTE 2110 IP video protocol benefits 32:16 - Blackmagic Pyxis 6K camera 33:55 - ATEM Mini Extreme ISO G2 switcher 36:01 - ATEM Constellation switchers 41:02 - PTZOptics Hive Studio for remote camera operation 42:07 - Meeting PTZOptics team 43:07 - Santa Barbara church architecture discussion 44:45 - Why modern churches favor utilitarian buildings 48:15 - Economic factors affecting church construction 52:49 - Revitalizing vs. building new facilities 54:16 - Church growth strategies and building acquisition Key Topics Church Front Job Opening AVL Technician position available at Church Front (Melbourne, FL) Apply at churchfront.com/avl-technician Responsibilities include equipment rack assembly and system deployment NAB Show Highlights Lyntec Power Sequencing Integrates power sequencing into electrical panels Offers motorized circuit breakers and remote control Provides flexibility for system automation in new church builds Canon Camera Technology CR-N100: More affordable alternative to the CR-N300 (no SDI, but keeps NDI capability) CR-N500: High-quality PTZ now used in Church Front studio C400: Cinema camera alternative to the RED Komodo with Canon's color science and autofocus Allen & Heath AHM Matrix mixing system for simpler audio control Perfect for events requiring basic microphone and playback functionality Can bypass the main console for volunteer-friendly operation Blackmagic Design Technology SMPTE 2110 IP protocol for video distribution over CAT6 cables Saves money compared to expensive 12G-SDI cabling ($2/foot) Studio cameras with 10Gb ethernet for single-cable connectivity Pyxis 6K camera at just $3,200 PTZOptics Hive Studio Remote camera operation via internet Allows volunteers to control cameras from home Part of growing remote production trend Church Architecture Discussion Critique of modern "black box" utilitarian church buildings Benefits of intentional, beautiful worship spaces Economic factors (inflation) making quality construction more difficult Strategies for church growth: Acquiring existing church buildings Building smaller (250-500 seats) beautiful spaces Multi-site approach vs. single large campus Community formation in different sized worship spaces Resources Mentioned Church Front Toolkit: churchfront.com/toolkit Church Front job board: churchfront.com/job-board/ Church Front Facebook Group (for discussions) Connect With Church Front Website: churchfront.com Subscribe to the podcast on Spotify and other platforms Next Episode Stay tuned for more church tech insights and integration project updates.   Apply to Join Churchfront Premium Apply to Join Churchfront Pro Free Worship and Production Toolkit Shop Our Online Courses Join us at the Churchfront Conference Follow Churchfront on Instagram or TikTok: @churchfront Follow on Twitter: @realchurchfront Gear we use to make videos at Churchfront Musicbed SyncID: MB01VWQ69XRQNSN  

SMPTE timecode gives pyros the means to tie a massive variety of hardware together to create special show experiences.  But like all relationships...it can be complicated...   In this episode, Bo drags YOU and Jamie through the basics behind comping and formatting tracks for use in SMPTE applications, the importance of signal chain integrity, and system prep to receive timecode.   Cake Talk gets a face-lift with Den Fireworks Playlist   Support the RPP -> Patreon  Hang with us -> Discord Buy some Merch, One Shot Ballz, DB25 Cables or leave us a Voicemail (we'll play it on-air)!

Recorded July 12, 2024 We're bookending the show with SMPTE 2110 stories, so we start with discussion of Cisco hosting a webinar on Precision Time Protocol (PTP).  If you don't know what all that is, it's potentially huge news for AVoIP to play nice on enterprise networks from the sleepy giant of networking.  Then we discuss the non-electronic products we prefer for building equipment racks, mounting projectors, hiding gear behind display monitors, and working with conference tables.  We're pretty well all over the place, but we all agree that ADA compliance and keeping things clean go hand-in-hand.   Finally, we consider an odd product from Blackmagic Design.  This could be the greatest thing we didn't see at InfoComm or the worst thing ever created.  And it's SMPTE 2110 native!   Cisco webinar: https://blogs.cisco.com/sports-media-entertainment/take-your-st-2110-workflow-to-the-next-level Blackmagic Ethernet switch: https://www.blackmagicdesign.com/products/blackmagicethernetswitch   Alternate show titles: Whatever the other acronyms are It nerdily excited me It's going to have to trickle down a lot They have to do things and figure it out Keeps hands out of places It's a 15 lumen projector Bop-it! There's always a better way to do it Be careful of people's knees It was kind of a b*tthole move on my part I've done weirder   We stream live on the first and third Friday every month and you can listen to everything we record over at AVSuperFriends.com    ▀▄▀▄▀ CONTACT LINKS ▀▄▀▄▀ ► Website: https://www.avsuperfriends.com ► Twitter: https://twitter.com/avsuperfriends ► LinkedIn: https://www.linkedin.com/company/avsuperfriends ► YouTube: https://www.youtube.com/@avsuperfriends ► Email: mailbag@avsuperfriends.com ► RSS: https://avsuperfriends.libsyn.com/rss   Individual Twitter links: ► Chris Dechter: @cdechter ► Jamie Rinehart: @avsfjamie ► Marc Cholewycynzski: @avdiplomat ► Rachel Bradshaw: @tempurity ► Larry Darling: @lsdarling1 ► Justin Rexing: @justinrexing   Donate to AVSF: https://www.avsuperfriends.com/support

In this latest episode of AVWeek, host Tim Albright and a panel of industry experts will discuss the significant trends shaping the commercial AV world. They will explore how digital signage is revolutionizing customer experiences in retail by providing dynamic, interactive content that enhances engagement and drives sales, a crucial development for any in-house integrator. They will uncover how Logitech and Microsoft are integrating Copilot AI into meetings to streamline collaboration and boost productivity with smart summaries and actionable insights, leveraging the power of network AV. Finally, they will witness broadcasting history as Eurovision 2024 adopts the SMPTE 2110 standard with Disguise, showcasing cutting-edge AV over IP technology for seamless live event production. Join them for insightful discussions on these transformative advancements!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Obcy bywają naprawdę dziwni. I naprawdę ciężko strawni. START 00:00:00 Nieznany Świat - zapowiedź numeru czerwcowego 00:01:08 Słowne interludium 00:16:40 Filmotekarium i Arcadian oraz Light 00:29:11 Słowne interludium 01:22:16 Bez tajemnic - Wojciech Chudzinski - Kim był Franek Kluski 01:22:58 Słowne interludium 01:35:02 Recenzarium Evivy - George Orwell - Rok 1984 01:36:58 Słowne interludium 01:48:10 MAUPA Luc Bürgin - Nowe zagadki archeologii 01:48:42 Słowne interludium 02:10:26 Alchemia Tworzenia Katarzyny Prychacz - Grzybki i fermenty 7 02:13:24 Słowne interludium 02:50:26 Nie wiem co to poezja - Spotkanie z Łucją Dudzińską 02:52:42 Słowne interludium 03:43:47 Pisząca z fiordami (24 V 2024) 03:44:18 Słowne interludium 04:18:40:00 00:04:40:00 SMPTE 30 fps Archiwum ABW 04:23:20 Słowo na dobranoc 05:22:30

Blackmagic Design announced new devices for SMPTE 2110 compliance, along with an updated Davinci Resolve 20 The post Blackmagic Design focusing on SMPTE 2110, Remote Production in 2024 appeared first on Geekazine.

Recorded April 17, 2024 Rather than a single news story, we cover a handful of product announcements from (and prior to) NAB.  Blackmagic announced a bunch of SMPTE 2110 devices (sorta), Osbot has an NDI adapter that goes the wrong way, Cleanfeed is now supporting video (yea!), and PTZ Optics has an entire software production suite for their cameras.   Then, we get into One Button Studios.  Please don't build these.  There's too many compromises and the experience is terrible.  What people really want are “Self-service studios” that fit existing (and supported) campus workflows.  Sure, you can build unicorns, but please stop.  Also, if you do build one, it had better well use only one button.  One of the AV SuperFriends works at a campus with a nominal one button studio that has a seven page instruction guide… Finally, Chris shares his concept of designing AV systems out of spite.  Some might call it malicious AV integration, but it's more of an opportunity to streamline and improve general classrooms.  Alternate show titles: I await the true mass disruption It's now for us poor people Curmudgedly Old Truck Guys Porn picking VHS I use foot pedals Everybody is on their own here This is where it gets slippery One button anonymous There is no metric out there Bring Your Own One Button Studio Studio If you build enough unicorns, it stops building a unicorn Rectal scan See that knob? That's what that does  Don't do this, but do that I'm afraid of it being successful I need it to have some success   ▀▄▀▄▀ CONTACT LINKS ▀▄▀▄▀ ► Website: https://www.avsuperfriends.com ► Twitter: https://twitter.com/avsuperfriends ► LinkedIn: https://www.linkedin.com/company/avsuperfriends ► Email: mailbag@avsuperfriends.com ► RSS: https://avsuperfriends.libsyn.com/rss   Individual Twitter links: ► Chris Dechter: @cdechter ► Jamie Rinehart: @avsfjamie ► Marc Cholewycynzski: @avdiplomat ► Rachel Bradshaw: @tempurity ► Larry Darling: @lsdarling1 ► Justin Rexing: @justinrexing Donate to AVSF: https://www.avsuperfriends.com/support

In this podcast Walt Zerbe, Sr. Director of Technology and Standards at CEDIA and Host of the CEDIA podcast talks with Owen Maddock, Owner of Cinema Works and Tom Dellicompagni, Director of Dellicompagni about their experience attending an Immersive Audio Design Recommended Practice [RP22] workshop and why everyone should do the same.  The Immersive Audio Design Recommended Practice and the workshop is for everyone.  Whether you just started in business, have ten years in or have been doing immersive audio systems for thirty years, this workshop is for you. This recommended practice was made through the R10 CEDIA/CTA standards group via the ANSI process which if consensus driven and balanced.  This RP was also publicy peer reviewed before release and included comments form AES, CEDIA, CTA and SMPTE members. This work effort took over three years to complete and over three and a half thousand volunteer hours. For the first time, the Immersive Audio Design Recommended Practice will be taught in the USA in Chicago.      Heres a link to the CEDIA Technology and Business Summits:  https://cedia.org/connection/tech-business-summits/#summits      

Welcome to Episode 8 of the Curious Refuge Podcast! Our guest today is one of the most accomplished people we've ever had the pleasure of chatting with on the podcast. Renard T. Jenkins is a senior executive in Hollywood and the current president of the Society of Motion Picture and Television Engineers (also known as SMPTE ) and on the board of the Hollywood Professional Association. Renard has two Emmy's and a Peabody among other awards. The Television Academy awarded him the innovator of the Year award for 2017. Renard has worked in various leadership capacities around the industry ranging from Senior Vice president of Integration & Creative technology series at Warner Brothers all the way to VP of operations, engineering, and distribution at PBS. He also holds degrees and certifications in various executive and technological fields from schools like MIT, UC Berkley, Cornell, & Florida State. Helpful Links: Join Our Newsletter for the Latest AI Filmmaking News: https://curiousrefuge.com/ Our AI Filmmaking Course Starts Soon: https://curiousrefuge.com/ai-filmmaking Check Out AI Advertising: https://curiousrefuge.com/ai-advertising Renard's LinkedIn: https://www.linkedin.com/in/renardjenkins/ Loose Ends: https://curiousrefuge.com/ai-film-gallery//loose-ends-an-ai-short-film

Gotowi na kolejny piątek? Gotowi! Zaczynamy! START 00:00:00 Nieznany Świat - omówienie numeru marcowego 00:06:33 Słowne interludium 00:21:46 Korepetycje filozoficzne - O transhumanizmie 00:26:14 Słowne interludium 00:38:49:29 00:00:00:00 SMPTE 30 fps Filmotekarium i Superposition 00:39:47 Słowne interludium 01:17:24 Alchemia Tworzenia Katarzyny Prychacz - s. 3 odc. 10 - Toksyczne Mistrzów Poszukiwanie 01:18:08 Slowne interludium 02:19:06 Sentymentalnik i Kapitan Żbik 02:20:32 Słowne interludium 02:59:20 Władysław Satke - Goście z Marsa - Księga 2 Rozdział 10 (czyta Reda Haddad) 02:59:51 Słowne interludium 03:14:24 Recenzarium Evivy - Złota kareta 03:14:46 Słowne interludium 03:20:58 Władysław Satke - Goście z Marsa - Księga 3 Prolog i Rozdział 1 (czyta Reda Haddad) 03:21:21 Słowne interludium 03:37:14 BEZ TAJEMNIC - Wanda Prątnicka - Opętani przez duchy (fragment) 03:37:56 Słowne interludium 03:57:14 Labirynt książek Mirosława Gołuńskiego - Morgan Audic - Jaskółki z Czarnobyla 03:57:53 Słowne interludium 04:15:20 Archiwum ABW 04:16:05 Słowo na dobranoc 05:01:40

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Television, it turns out, is massive. When we set out to choose ten television shows that we found inspiring for Changeling, we had no idea that there were so many options we'd end up with, even considering the criteria we set for ourselves. (We looked at shows we had seen ourselves, and ideally ones that weren't already called out as inspiration in the books.) And that was before listeners started suggesting a bunch more. Nevertheless, we feel pretty happy with our picks; these are entries which we are fond of on their own, but also find well-suited for consideration through the lens of the game. Herewith some of their trailers/theme songs/selected scenes in chronological order: Star Trek: Deep Space Nine (1993–1999) random scene from the pilot, "Emissary", that gives some characterization and talks about the Trill: https://www.youtube.com/watch?v=McyJA93MGhU Gargoyles (1994–1997) opening: https://www.youtube.com/watch?v=ygrEVnrg3Ic Recess: (1997–1999) opening: https://www.youtube.com/watch?v=zObiglKZKZc The 10th Kingdom (2000) trailer: https://www.youtube.com/watch?v=gbrXWWYopq8 Carnivàle (2003–2005) Emmy-winning opening: https://www.youtube.com/watch?v=ouTCtwNIYaQ Foster's Home for Imaginary Friends (2004–2009) teaser: https://www.youtube.com/watch?v=djNHGRkg2R4 Lost Girl (2010–2015) trailer: https://www.youtube.com/watch?v=W057R9MNRw4 Adventure Time: (2010–2018) opening: https://www.youtube.com/watch?v=kMDaAcfCYow The Almighty Johnsons (2011–2013) trailer: https://www.youtube.com/watch?v=bd80D347iSI Stranger Things (2016–) trailer: https://www.youtube.com/watch?v=b9EkMc79ZSU We hope that if you're in the market for some inspirational material of this variety, one or more of these will help up churn up the Glamour of game planning. And if you've got Thoughts about what we've chosen—or have other ones to suggest which we haven't seen!—feel free to get in touch via the links below... Discord: https://discord.me/ctp Email: podcast@changelingthepodcast.com Facebook: https://www.facebook.com/profile.php?id=100082973960699 Mastodon: https://dice.camp/@ChangelingPod Patreon: https://www.patreon.com/changelingthepodcast YouTube: https://www.youtube.com/@ChangelingThePodcast your hosts Josh Hillerup (any pronoun) built a chimerical companion out of vacuum tubes and SMPTE color bars. Pooka G (any pronoun/they) enjoys the sound of the phrase "sweeps week" much more than its meaning. Television: An advanced technical method of stopping people from making their own entertainment. —Leonard Rossiter, The Devil's Bedside Book

Bär McKinnon and Danny Heifetz recount many tales of their time in Mr Bungle, the rare recordings, vinyl pressings and band folklore, as well as their new project UMLAUT, new music and the future of playing together again. Topics include: Moving to Australia Mr Bungle bubble-bath promotion Joining Mr Bungle before "OU818" Outtakes from the debut album "Improv at the Bomb Factory" NFT Bass part for "Dead Goon" Setlist creation for live shows Approach to cover songs Early songs dropping off the setlist Demos for "Disco Volante" Mr Bungle & Warner Brothers Danny starts managing the band “The Secret Song” hidden vinyl groove Bernie Grundman speaks about Mr Bungle The Disco Volante Platypus 7” Any outtakes from the “California” sessions? Sessions of cover songs – tapes found Demos for “California” Finding time to make “California” Learning Mr Bungle was dissolving Legacy of Mr Bungle and the 3 early albums SMPTE issues while completing "Disco Volante" Learning of the 2019 Mr Bungle reunion Playing together again in Umlaut The new Umlaut song “Every Time” New album in the works / Upcoming shows Umlaut vinyl in the works Interview wrap up Listen to new Umlaut track here Extended, high-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Recorded April 28, 2023 Instead of AV news, we return to the topic of digital canvases only a few days after our previous discussion. We're joined by Atkins Fleming who has a suggestion for a software platform that seems perfect for digital canvases and remote teaching and learning, but the company seems unaware of the education market. Then we hash out the support tools and skills necessary for modern AV systems. Jamie puts it best when he says, “bring your laptop.” As AV becomes more and more IT, those with an IT background seem most comfortable supporting IP-based AV and many of those who grew up with analog AV are struggling. If nothing else, buy everyone a few managed network switches and get them comfortable with managing IPs and VLANs. Finally, Jamie covers the news from NAB. There were lots of announcements related to large, cloud-based delivery platforms, but perhaps the best news is the increasing support for SMPTE 2110 as a unified interoperable AVoIP standard. Fingers crossed! ON24: https://www.on24.com Alternate show titles: Don't Say WebEx Novelty Checkbook I don't know; talk to Marc about that one Our skillset made it easy for us Piece of Pizza The team is like “what the heck?” This is right up our wheelhouse Catered Zoom Rooms Stop Grabbing Your Toolbag and take your laptop Stop grabbing that too Judging success by the number of USB adapters That's the beauty about what we're doing and it's also terrible I have a couple that I pulled off Maybe sometimes Just click it and it goes Ready for me to blast across the WAN I'm on the fence; I keep flip flopping

On this exciting new episode, we have the pleasure of chatting with Renard T. Jenkins, President of the Society of Motion Picture and Television Engineers who's also the Senior Vice President of Production Integration & Creative Technology Services for Warner Bros. Discovery. Discussing the responsibilities within the role, we learn that it's both massive and multi-functional. With over 30 years in radio, film and television, Renard's early academic interest was in marine biology. We talk about what shifted his focus and how having grown up until the 3rd grade as selectively mute, totally introverted and an only child made him a better storyteller. Renard serves on a variety of boards including MovieLabs, Hollywood Professionals Association, UltraHD Forum and Content & Entertainment Council, to name a few. He's multiple award-winning, has two Emmys, a Peabody Award and has worked for entities such as Turner Broadcasting, TV One and PBS while his very first job was at ESPN. This conversation features many highlights and nestled inside is a retelling of a truly great Muhammad Ali encounter. Renard talks about the changes he'd like to see take place in the industry, what makes a great manager, getting into the flow of your purpose and living out one's own dreams. Stay tuned for more episodes of Post In Black's fourth season as we continue to amplify the stories and experiences of Black professionals working in post-production. Look out for new episodes every second and fourth Wednesday. Host: David Hunter Jr. | Executive Producers: Daniel K. Hunter, David Hunter Jr, Tatiana M. Johnson | Producers: Eric Johnson, Aurelia Belfield | Editor: Landon T. Bost | Audio Post/Re-recording Mixer: Trailblazer Studios® | Special Guest: Renard T. Jenkins | Theme Song: "Sanctuary" by Chvrles | BTS Photography: J Nyce | Produced by Made for More Entertainment in association with Trailblazer Studios and Landon Bost Media Stay tuned for more episodes of Post In Black's fourth season as we continue to amplify the stories and experiences of Black professionals working in post-production. Look out for new episodes every second and fourth Wednesday. RELATED VIDEOS Post in Black – Season 4: https://youtube.com/playlist?list=PLm2w_b9TK6WAYLhXPNkA52FWM49JEbMwY Post in Black – Season 3: https://youtube.com/playlist?list=PLm2w_b9TK6WDVPHsYggzwBdwOTsJvt5pb Post In Black – Season 2: https://youtube.com/playlist?list=PLm2w_b9TK6WCA1y1AEh-lSn9ga9yZv5sq Post In Black – Season 1: https://youtube.com/playlist?list=PLm2w_b9TK6WBUJGPdXlHNIn8nuQBxri4U CONNECT WITH POST IN BLACK & MADE FOR MORE ENTERTAINMENT https://www.madeformoreent.com/ IG: @PostInBlack & @MadeForMoreEnt Twitter: @PostInBlack & @MadeForMoreEnt FB: @PostInBlack & @MadeForMoreEntertainment CONNECT WITH RENARD T. JENKINS LINKEDIN: https://www.linkedin.com/in/renardjenkins/ IG: EARTHTONEMEDIA SUBSCRIBE TO OUR YOUTUBE CHANNEL https://www.youtube.com/@madeformoreentertainment LISTEN TO THE PODCAST https://anchor.fm/postinblack --- Support this podcast: https://podcasters.spotify.com/pod/show/postinblack/support

This episode of Broadcast Dialogue - The Podcast is the first in a series recapping NAB Show 2023 in Las Vegas, starting with a conversation with David Grindle, the Executive Director of SMPTE (Society of Motion Picture and Television Engineers), who took the helm of the organization last July. We also catch up with Paul Beck, President of the Museum of Broadcast Technology in Woonsocket, Rhode Island to talk about preserving broadcasting's analog heritage and the museum's move into providing props to the industry.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

HBO Max and Discovery+ will merge May 23 to become Max, with a new app and pricing tiers. SMPTE is working with all the other industry acronyms to create a Cinema HDR standard. And Tom’s SVS subs bottomed out! Pictures shown in this episode: https://flic.kr/s/aHBqjAAgVV 00:00:00 – Intro 00:03:02 – What We Watched Rob watched […] The post AV Rant #857: TV Series Break In appeared first on AV Rant.

It's all about virtual production in this episode with one of the industry experts, President of Roninfilms Virtual Production Joan Webb.Roninfilm Virtual Production pioneered in Unreal Engine as early adopters with 2 Epic Games/Unreal Engine MegaGrants, becoming evangelists, leading speaking engagements at NAB, AFM, CineGear, VES, Wacom, ASUS, Poppy Jasper Film Festival, and over 35 articles world-wide in American Cinematographer, Variety, Sci-Fi, NAB Show Daily, and other trades written on our accomplishments, discoveries and endeavors as the preeminent leaders in Virtual Production.As experts, in a field of limited experienced contenders/participants, our unmatched, deep experience, discoveries and knowledge in this new frontier provided Roninfilm Virtual Production the ability to recognize and identify the requirements necessary to create standards and offered guidance to Rapid Industry Solutions (RIS), SMPTE's new Virtual Production Standards advisory & working group focusing on On Set Virtual Production, by interjecting the necessity/inclusion of ASC for an accurate integration and representation for Virtual Production to create standards for this new workflow.Roninfilm Virtual Production's talent fulfilled Director, Writer, Creative Director, Virtual Production Supervisor, Virtual Production Producer, CG Supervisor, and Unreal Asset Creation for the first Super Bowl spots to air using this new workflow, as well our team has completed: Feature, Commercials, Shorts, Corp, Experimental in Virtual Production and 7 BTS how-to mini docs on Virtual Production.

Gast dieser Sonderausgabe ist Dr. Hans Hoffmann, Senior Manager der EBU, zuständig für Produktionstechnologie und Innovationsmanagement. Er war in 2021/22 als erster Europäer Präsident der SMPTE. Im Gespräch mit Jürgen Goeres-Petry erläutert er, wofür die EBU steht, was Sie tut und welche Audiothemen für die EBU relevant sind. Es geht um die Themen Lautheit, Immersive Audio, Object based audio, MPEG-H, aber auch die Zusammenarbeit mit den großen Medienplayern. Das Gespräch fand im Januar 2023 statt.

Ostatni styczniowy zjazd na AWF-ie czas zacząć. Zalecamy porządny dzbanek mocnej kawy czy jakiejś tam innej yerby (ehh, siorbio te jerbe, warjaty!), żeby nie zaliczyć zjazdu... przed końcem zjazdu... START 00:00:00 Pisarze vs alkohol 00:11:09 Joanna Bochaczek-Trąbska - Książki w moim życiu 00:25:50 Słowne interludium 01:13:24 Bogusław Raatz - "Przypadki Grenziego Bardoka" (fragment) 01:15:00 Słowne interludium 01:20:15 Rozmowa z Bogusławem Raatzem i Tadeuszem Krajewskim 01:22:26 Bogusław Raatz - "Przypadki Grenziego Bardoka" (jeszcze jeden fragment) 02:23:45 Słowne interludium 02:35:31 Filmotekarium z Piotrem Cielebiasiem: Ksenomorfy 02:37:05 Słowne interludium 04:28:10 Recenzarium Evivy - Zbigniew Herbert "Rój Hellstroma" 04:31:43 Słowne interludium 04:39:11 Labirynt książek Mirosława Gołuńskiego: Marlon James "Czarny Lampart, Czerwony Wilk" 04:42:36:01 00:00:00:00 SMPTE 30 fps Słowne interludium 04:57:40 Wywody Bruno Kadyny Bez Zbędnej Spiny (ponownie z Przemysławem R. Cichoniem) 05:00:34 Słowne interludium 05:22:16 Lech Baczyński i inni - "Spłacony dług" (czyta Reda Haddad) 05:26:10 Słowne interludium 06:01:44 Piotr Plebaniak - Prawidła wojny odc. 17 06:02:33 Słowo na dobranoc 06:22:56

All Things TechIE Podcast, Pre #ISE2023 Justin speaks with Andrew Starks who is  Alliance for IP Media Solutions (AIMS) Board Member, and Director of Product Management at Macnica America's Inc. In the episode we discuss AIMs and learn about The Internet Protocol Media Experience (IPMX) for Pro AV — the only free and open proposed set of standards and specifications for AV-over-IP — fostering the transmission of high-quality video, audio and control signals over standard IP networks. IPMX takes an open standard approach to ensure that accessibility, ease of use, and implementation are available to all. The authors of its components come from organizations that represent the best interests of the Pro AV market, rather than the interests of the few. IPMX builds on foundational work from SMPTE, AES, AMWA, and VSF and has an impressive list of members. Like, Comment, Subscribe and Share.Visit our official website www.AllThingsTech.IE for all our ISE Episodes in audio and video format.

[Keynote] La fin annoncée du SDI amène notre industrie à faire des choix stratégiques en termes de renouvellement technologique. Face à la nécessité de pallier aux différentes limites du SDI, l'IP paraît offrir des solutions flexibles, distribuées et modulables. Deux orientations IP se distinguent pour répondre au même besoin mais avec des approches et architectures différentes : - D'un côté l'IP qui hérite du transport non compressé du SDI et la rigueur de la synchro sans compromis avec l'arrivée depuis 4 ans d'un standard ‘broadcast' : SMPTE ST-2110 ; - De l'autre une solution moins lourde à mettre en place, plus économique, qui cherche le bon équilibre entre la qualité et la facilité d'intégration, avec le protocole NDI. Une présentation des deux univers SMPTE ST-2110 et NDI nous donnera un aperçu des avantages, inconvénients et points de force de chacune des deux solutions.Modérateur : Emanuele Di Mauro - Directeur de projet IIFA chez IIFA Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In particular, one sustainability panel featuring Barbara Lange, CEO of Kibo121 and previous Executive Director at SMPTE, Dom Robinson, Co-Founder, . Concerns around how to create sustainable workflows in media, the question of where media fits into the global emissions picture and how to identify and respond to key drivers for change were central themes at IBC2022. In particular, one sustainability panel featuring Barbara Lange, CEO of Kibo121 and previous Executive Director at SMPTE, Dom Robinson, Co-Founder, Director and Creative Firestarter of id3as, Khandiz Joni, Creative Sustainableist at Creative Zero and Kristan Bullett, CEO of Humans Not Robots, set out to provide some answers. The four speakers set out to raise awareness on the complex issues and responsibilities that the media industry must face up to. They pinpointed the lack of clear and consistent measurements currently in place and the need for education on energy consumption in all aspects of media, from production to distribution, and how navigating through the complexities can offer cost effectiveness and business opportunities. Defining Sustainability Lange opened the discussion, concerned about how many organisations have no idea where to start with sustainability in media, and to answer the questions is it real? she confirms, “It is most definitely real.” She gave a shout out to projects that are already looking at how productions can reduce their carbon footprint in the content creation phase, such as the Albert programme and the Green Production Guide, both of which offer organisations techniques to reduce their carbon footprint. She delved into the production workflow, from content creation to content manipulation and distribution, and pointed out that the biggest current challenge in implementing sustainable practices is that there are no standards of measurement and a lack of mandates, while some companies may even see implying a sustainability method as an added expense. “Sustainability means recognising that ending poverty and other deprivations go hand in hand with strategies that improve health and education, reduce inequality and spur economic growth, all while tackling climate change and environmental issues. Therefore, sustainability encompasses such Corporate Responsibility issues as diversity, equity and inclusion, as well as social justice issues”, said Lange. Joni emphasised the importance of defining sustainability via a human-centric approach - the intersection between people and planet: “Sustainability is about a stable resilient state of being and how do we get there? When we take the humanity out of this conversation, we are not going to drive the empathetic change we need to see in achieving this resilient state.” Blurred lines and gap-filling Dom Robinson spoke of energy consumption awareness in broadcasting vs. streaming: “In certain parts of broadcast and certainly in things like data centres, telco ISP, there's been a lot of [sustainability] thinking for a long time. But given that streaming is typically talked about as being 70% of network traffic these days, and we have a top line figure that ICT is burning 3% of all the world's energy.What I felt was [in] my industry, because we don't know, we haven't got that finger on the pulse yet and we're not ready to be transparent about things. We haven't worked out how to measure. [Energy consumption is] an afterthought.” Robinson added: “There was a lot of thinking that there's a linear relationship between bandwidth and energy. So if you reduce bandwidth, you're supposed to reduce energy. It doesn't really work like that. We don't quite know how it does work, because we are yet to go and measure it.There's no common framework of language.” Watch more Sustainability in news and sport operations Joni also recognised the lack of clarity surrounding sustainability in the industry: “You sort of cherry pick where we're going to use it so we can have an emissions reduction, and we'll give...

Sharpen your pencils and prepare to nerd out! Rusty, Jeremy and Zach sit down with Jeremy Lommori to learn about the SMPTE 2110 standard. We know you'll learn a lot, and we hope you enjoy the conversation.

This month's topic is software AV and we couldn't decide between software AVoIP content, software AV control, or software management platforms, so we'll cover all three! We start with an article about a semiconductor manufacturer widening software (and hardware) support for SMPTE 2110, which gets us one step closer to HDBaseT-style interoperability… in theory. Then, it's a whirlwind tour of software AV content, control, applications, and more. Why are we using legacy thinking when building our networks? Will we ever fully trust the PC to be a true AV endpoint? After all a huge amount of current content originates from or is delivered to the classroom PC, so why can't we (reliably) leverage that for multi-protocol high bandwidth content? Article discussed: https://www.ravepubs.com/macnica-new-software-hardware-smpte-2110/

24: I'll Meet You Halfway Via This USB Adapter | AV Superfriends Recorded August 19, 2022This month's topic is software AV and we couldn't decide between software AVoIP content, software AV control, or software management platforms, so we'll cover all three!  We start with an article about a semiconductor manufacturer widening software (and hardware) support for SMPTE 2110, which gets us one step closer to HDBaseT-style interoperability… in theory.  Then, it's a whirlwind tour of software AV content, control, applications, and more.  Why are we using legacy thinking when building our networks?  Will we ever fully trust the PC to be a true AV endpoint?  After all, a huge amount of current content originates from or is delivered to the classroom PC, so why can't we (reliably) leverage that for multi-protocol high bandwidth content?  Article discussed: https://www.ravepubs.com/macnica-new-software-hardware-smpte-2110/

Andrew and Jason are joined by special guest Scotty J, Shortcuts specialist and co-host of the podcast Nested Folders! He shares his tech experience and boosts representation of the Northern Hemisphere! Meanwhile, Martin interrupts the conversation from afar with a weird collection of stories... Missing Man Formation 00:00:00 Two years of this show!?

www.greeningofstreaming.org - a not for profit members organisation focussing the streaming industry on developing joined-up engineering strategies . www.greeningofstreaming.org - a not for profit members organisation focussing the streaming industry on developing joined-up engineering strategies to reduce energy waste in the delivery infrastructure - today welcomes V-Nova as a new member. V-Nova is committed to unlocking higher picture quality at scale. Its technologies improve data, video, imaging, and point-cloud compression efficiency, and have been granted international standard status by MPEG, ISO and SMPTE. V-Nova's relentless efforts have resulted in MPEG-5 LCEVC, an enhancement layer standard that simultaneously improves the compression efficiency, and reduces the energy consumption, of any standalone video codec. More about V-Nova: www.v-nova.com V-Nova's CEO, Guido Meardi noted "We welcome the creation of the Greening of Streaming. It will bring together the whole industry to agree on key metrics, principles, and objectives. V-Nova is determined to improve efficiency in video processing, so we are keen to join the group and contribute to its initiatives." To find out about becoming a member reach out to join@greeningofstreaming.org

Artist Song Time Album Year Bonus- The Absolute Universe 2021 Transatlantic Heart Like a Whirlwind 5:11 The Absolute Universe: Forevermore 2021 4. SMPTe 2000 Transatlantic We All Need Some Light 5:37 SMPTe 2000 3. The Whirlwind 2009 2009 Transatlantic Rose Colored Glasses 7:54 The Whirlwind 2009 2. Bridge Across Forever 2001 Transatlantic Bridge Across Forever […]

[PLATEAU D'EXPERTS] Ces concepts pourtant presque cinquantenaires n'arrivent massivement que depuis peu dans le monde de la vidéo (RTP, RTMP, SMPTE 2110...). Cet atelier propose d'aborder les bases du réseau afin de démystifier dans ce monde de "l'admin-sys" appliqué à l'audiovisuel. En repartant de la numérisation du signal nous verrons son transport et son adressage dans le réseau. Nous aborderons les différentes normes existantes et verrons comment monitorer les flux.Animé par Grégoire Cutzach - Formation et consulting Audiovisuel/IP et Loïc Gagnant - Consultant / Formateur / Réalisateur / Etalonneur / Journaliste Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Matrox took the lead in embracing the SMPTE 2110 standard (what's currently used in broadcast video) for ProAV AV-over-IP and helped form the AIMS Alliance. AIMS, in turn, created the IPMX proposed standard for sending AV-over-IP that hopes to be ratified in late 2022, becoming the first and only AV-over-IP standard for ProAV installs. However, Matrox's ConvertIP does more than that — it […]

In this cast Walt Zerbe (Sr. Director of Technology & Standards at CEDIA) hosts Shawn Nageli (Audio Engineer for SnapOne and CEDIA standards volunteer), and John Maizels (freelance audio czar and SMPTE Co-Papers Chair) talk about the SMPTE METexpo conference and the audio focused panel Shawn and Walt participated on titled, "Halls and Homes".

If you're reading this, there's a good chance you've heard of 8K video. But what is 8K video? Simply put, 8K refers to the resolution of the video - in other words, the number of pixels. 8K video has a resolution of 7680 x 4320, which is 16 times the resolution of 1080p HD! With consumer interest in 8K on the rise, now is the time for businesses to get on board and capitalize on this growing market. That's where the the 8K Association (8KA) comes in.As 8K content becomes more prevalent, it's important to have an organization that promotes the advancement of 8K video. The 8K Association is dedicated to accelerating industry-wide adoption of 8K content, products, and services. Their mission is to ensure the 8K ecosystem thrives, and they're doing this by establishing Work Groups to provide information about the state of the 8K ecosystem to consumers, organizations, and standards development groups.The history of the 8K AssociationThe 8KA was founded in 2017 by a group of key technology companies in the consumer and professional 8K ecosystem. These companies saw the potential for 8K and its impact on the future of video and wanted to create an organization that would help promote the adoption of 8K.What does the 8K Association do?The 8KA has several initiatives underway to promote 8K and help businesses make the transition to this new format. They offer resources such as white papers, webinars, case studies, and more to educate businesses about 8K and its benefits. They also advocate for standards development groups, such as SMPTE, to ensure that 8K is properly represented in industry standards.What are the limitations?The 8KA is still a relatively new organization, so they are limited in the resources and manpower they have available. However, they are quickly making progress and gaining support from businesses within the 8K ecosystem.4K vs 8K resolutionWhen it comes to 8K, there is a lot of confusion about the difference between 8K and other resolutions such as UHD and HD. UHD has a resolution of 3840 x 2400, which is twice the resolution of 1080p HD. HD has a resolution of 1280 x 720, which is one-quarter the resolution of 8K.So what does this mean for businesses? Simply put, if you're not already making the transition to UHD, you need to start thinking about making the jump to 8K. The benefits are clear - higher resolutions lead to better image quality and a more immersive viewing experience for your customers.When will this come to market?The 8K Association is working hard to promote the adoption of 8K, but it will still be a few years before we see widespread adoption. The first 8K TVs are already on the market, but they're very expensive and there's not a lot of 8K content available yet. Most businesses will probably wait until 8K becomes more affordable and mainstream before making the switch.In the meantime, the 8KA is working to educate businesses about 8K and its benefits so that they can be prepared for when this new format takes off. If you want to stay ahead of the curve, keep an eye on the 8K Association website and their work to promote 8K!Interview by Todd Cochrane of Geek News Central and Christopher Jordan of The Talking Sound.Sponsored by: Get $5 to protect your credit card information online with Privacy. Amazon Prime gives you more than just free shipping. Get free music, TV shows, movies, videogames and more. The most flexible tools for podcasting. Get a 30 day free trial of storage and statistics.

If you're reading this, there's a good chance you've heard of 8K video. But what is 8K video? Simply put, 8K refers to the resolution of the video - in other words, the number of pixels. 8K video has a resolution of 7680 x 4320, which is 16 times the resolution of 1080p HD! With consumer interest in 8K on the rise, now is the time for businesses to get on board and capitalize on this growing market. That's where the the 8K Association (8KA) comes in.As 8K content becomes more prevalent, it's important to have an organization that promotes the advancement of 8K video. The 8K Association is dedicated to accelerating industry-wide adoption of 8K content, products, and services. Their mission is to ensure the 8K ecosystem thrives, and they're doing this by establishing Work Groups to provide information about the state of the 8K ecosystem to consumers, organizations, and standards development groups.The history of the 8K AssociationThe 8KA was founded in 2017 by a group of key technology companies in the consumer and professional 8K ecosystem. These companies saw the potential for 8K and its impact on the future of video and wanted to create an organization that would help promote the adoption of 8K.What does the 8K Association do?The 8KA has several initiatives underway to promote 8K and help businesses make the transition to this new format. They offer resources such as white papers, webinars, case studies, and more to educate businesses about 8K and its benefits. They also advocate for standards development groups, such as SMPTE, to ensure that 8K is properly represented in industry standards.What are the limitations?The 8KA is still a relatively new organization, so they are limited in the resources and manpower they have available. However, they are quickly making progress and gaining support from businesses within the 8K ecosystem.4K vs 8K resolutionWhen it comes to 8K, there is a lot of confusion about the difference between 8K and other resolutions such as UHD and HD. UHD has a resolution of 3840 x 2400, which is twice the resolution of 1080p HD. HD has a resolution of 1280 x 720, which is one-quarter the resolution of 8K.So what does this mean for businesses? Simply put, if you're not already making the transition to UHD, you need to start thinking about making the jump to 8K. The benefits are clear - higher resolutions lead to better image quality and a more immersive viewing experience for your customers.When will this come to market?The 8K Association is working hard to promote the adoption of 8K, but it will still be a few years before we see widespread adoption. The first 8K TVs are already on the market, but they're very expensive and there's not a lot of 8K content available yet. Most businesses will probably wait until 8K becomes more affordable and mainstream before making the switch.In the meantime, the 8KA is working to educate businesses about 8K and its benefits so that they can be prepared for when this new format takes off. If you want to stay ahead of the curve, keep an eye on the 8K Association website and their work to promote 8K!Interview by Todd Cochrane of Geek News Central and Christopher Jordan of The Talking Sound.Sponsored by: Get $5 to protect your credit card information online with Privacy. Amazon Prime gives you more than just free shipping. Get free music, TV shows, movies, videogames and more. The most flexible tools for podcasting. Get a 30 day free trial of storage and statistics.

Worried that your facility's existing black burst architecture may not survive the move to IP and PTP? If you're still working with a lot of SDI equipment and you've started to invest in ST 2110 equipment too, this podcast episode is for you. Steve Holmes of Leader America and Kevin Salvidge of Leader Europe have been involved in a number of video-over-IP deployments globally. In this discussion you'll learn how to manage both environments simultaneously and leverage new and legacy gear without running into issues with PTP and black burst.You can request a free digital copy of the visual presentation used in this episode by emailing salvidge@leadereurope.com. Watch the video replay of this seminar on YouTube: https://youtu.be/kpNsdtVj2KYLeader Electronics: https://bit.ly/leader-electronicsPHABRIX Ltd: https://www.phabrix.comTo connect with Steve Holmes: https://www.linkedin.com/in/videodude/To connect with Kevin Salvidge: https://www.linkedin.com/in/kevinsalvidge/Leader Electronics on social media:YouTube - https://bit.ly/leader-youtubeLinkedIn - https://www.linkedin.com/company/leader-america/Facebook - https://www.facebook.com/LeaderElectronicsCorpTwitter - https://twitter.com/TestLeaderMusic from Zapsplat

Many people don't know that there is actually a “proposed” AV-over-IP standard, called IPMX, that's moving through the process of becoming an “adopted standard” for ProAV. Developed from SMPTE 2110 and managed by the AIMS Alliance, IPMX already exists. Also, a company called Macnica has a reference board, dubbed the MPA1000, that you can buy today — and, […]

Episode 94 - Now Here's Wuh WuhKyle and Gilbert talk about all the new stuff and Gilbert continues to clear his throat into the microphone for your enjoyment.Show NotesKyle's PSA vlog, featuring dystopian orange California fire skies.Kyle's iPhone preorder fail vlog.Kyle's iPhone order success vlog.Will Kyle complete the iPhone trilogy?Roger Deakins' stills photography book, which is now trivially easy to order on that one site everyone uses.Brett Goldstein is CGI? Nope. Tim Cook is.Aputure P600c video.GoPro Hero 10 video.Harry Potter and the Prisoner of Azkaban's opening scene.One Children of Men's amazing long takes.Here's a great talk on metamerism and other fundamentals of human color perception (the whole SMPTE series is recommended).

In this episode of the Immersive Audio Podcast, Oliver Kadel and Monica Bolles are joined by the founder and CEO of Sound Particles Nuno Fonseca from Leiria, Portugal.  Nuno Fonseca (PhD), is the founder and CEO of Sound Particles company, and was the creator of Sound Particles software, a 3D CGI-like audio software used in all major Hollywood studios in productions such as “Star Wars 9”, “Frozen II”, “Aquaman” or “Game of Thrones”. Former university professor (computer science and music technology areas),  Nuno is the author of the Portuguese book “Introdução à Engenharia de Som” (Introduction to Sound Engineering), co-author of the Portuguese book “Desenvolvimento em iOS” (iOS Development), author of "All You Need to Know About 3D Audio" ebook, and author of more than 20 papers regarding audio research. He is a member of AES, SMPTE, CAS, MPSE, AMPS, and a member of the Audio Engineering Society (AES) Technical Committee on “Audio for Cinema”.  In this episode, Nuno shares the story of the creation of Sound Particles and he explains the core operational principles of Physics-based Audio and its unique sonic properties. This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott. For extended show notes and more information on this episode go to https://www.1618digital.com/immersive-audio-podcast-episode-56-nuno-fonseca-sound-particles-physics-based-audio/ If you enjoy the podcast and would like to show your support please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - www.patreon.com/immersiveaudiopodcast We thank you kindly in advance! We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com

In Episode 2, Ken Kerschbaumer of Sports Video Group leads a panel discussion with Gerard Phillips and Robert Welch (Arista), Prinyar Boon (PHABRIX Ltd), Simen Frostad (Bridge Technologies), and Steve Holmes (Leader Electronics) about SMPTE 2110 and how it's influencing the future of Live Remote Production. Recorded March 2021.Leader Electronics: https://bit.ly/leader-electronicsPHABRIX Ltd: https://www.phabrix.comWatch the video of this episode: https://bit.ly/leader-america-live-remoteTo get in touch with the panelists: Ken Kerschbaumer - https://www.linkedin.com/in/ken-kerschbaumer-ab336b2/Steve Holmes - https://www.linkedin.com/in/videodude/Prinyar Boon - https://www.linkedin.com/in/prinyar-boon-9974891/Simen K. Frostad - https://www.linkedin.com/in/simen-k-frostad-04b2b21/Robert Welch - https://www.linkedin.com/in/robert-welch-2b1632/Gerard Phillips - https://www.linkedin.com/in/gerard-phillips-0037052/Leader Electronics on social media:YouTube - https://bit.ly/leader-youtubeLinkedIn - https://www.linkedin.com/company/leader-america/Facebook - https://www.facebook.com/LeaderElectronicsCorpTwitter - https://twitter.com/TestLeaderMusic from Zapsplat

Barbara Lange is the Executive Director of the Society of Motion Picture Television Engineers aka SMPTE. Founded in 1916, SMPTE is the global professional association that supports the technical framework and professional community which makes quality motion imaging available to consumers in a variety of media formats.She has been in this role since 2010 and in 2015, she led the acquisition of the Hollywood Professional Association - who focus on the application of technology in the creation, distribution and consumption of professional media content.So Barbara is one very cool woman and what makes her even cooler is that earlier this year, she has been honoured by TVB Europe as a 2021 Technology Leader to Watch and was also a recipient of Broadcast and Cable's 2021 Tech Leadership Award.She shared really personal ‘Keeping It Reals' with me and for that I am #grateful because we had the most moving conversation as a resultBarbara's x3 KIRs1️⃣ Her ability to be resilient no matter what2️⃣ Always remembering the death of her mother3️⃣ Working in a ‘man's world' inspires her to encourage girls to go fartherI always ask my guests to be as open as possible in the spirit of ‘Keeping It Real' and Barbara really did bare her soul to meHope you enjoy listening as much I enjoyed talking to Barbara.https://www.smpte.org/Intro & outro music credit: Dawn Awaits by Cody Martin, obtained from www.soundstripe.comI'm on social if you're interested…primarily Insta and occasionally Twitter: @diversityofme

La 8e #ConfPortzamparc dédiée aux #valeursMidAndSmall se tient du 29 mars au 1er avril en format 100% digital. 55 émetteurs iront à la rencontre des investisseurs. LA BOURSE ET LA VIE TV est partenaire de l’évènement et Didier Testot son fondateur a interrogé plusieurs entreprises sur leurs stratégies et perspectives. La société ATEME a donné cette semaine concernant ses résultats annuels 2020 les informations suivantes : “Comme indiqué le 29 janvier, le chiffre d’affaires total pour l’exercice clos au 31 décembre 2020 s’est élevé à 70,7 millions d’euros, en progression de 7 % par rapport à 2019 et stable sur une base comparable. Comme anticipé, le second semestre a été marqué par une nette accélération des ventes de logiciels, avec une amélioration consécutive du mix produit. En conséquence, la marge brute ressort à 58 % du chiffre d’affaires au second semestre, contre une marge de 50 % au premier semestre, ce qui conduit à une marge de 55 % pour l’exercice, soit un point au-dessus de celle de 2019. ATEME a continué d’investir dans son développement, en donnant la priorité à la R&D. Sur l’exercice, les dépenses opérationnelles s’élèvent à 37,0 millions d’euros, contre 31,4 millions d’euros en 2019, en progression de 18 %, avec l’intégration Anevia à compter du 1er novembre 2020“. Retour sur cette actualité, la stratégie de l’entreprise qui vise davantage de revenus récurrents et s’en explique dans cette interview. Michel Artières le Pdg de Ateme est mon invité.   Vous vous intéressez à l’actualité de la société, retrouvez toutes les vidéos avec Michel Artières Pdg d’Ateme uniquement sur la Web Tv www.labourseetlavie.com : https://www.labourseetlavie.com/?s=artieres       À propos d’ATEME : ATEME est le nouveau leader des technologies de diffusion vidéo, au service du contenu premium et des plus grands fournisseurs de services dans le monde. ATEME aide les fournisseurs de contenu et de services vidéo et TV à capter leurs audiences par une qualité d’expérience supérieure de sorte qu’ils peuvent doper l’engagement des spectateurs, remporter de nouveaux clients et dégager un nouveau potentiel de monétisation. Les solutions d’encodage multi-codec, d’origine/forfait tous formats, de DVR dans le cloud évolutif, de CDN sensibles aux audiences et d’insertion publicitaire dynamique génératrices de revenus d’ATEME permettent à des centaines de studios, détenteurs de contenus, diffuseurs et fournisseurs de services de diffusion en streaming par réseau terrestre, câble, satellite, IPTV et OTT de proposer des contenus de grande qualité à des milliards de spectateurs sur tout type d’écran. ATEME est à l’origine de multiples innovations dans des domaines qui vont de la qualité visuelle au caching (mise en cache) et à l’analyse intelligents. Grâce à ses équipes de R&D lauréates de nombreux prix, ATEME demeure un partenaire d’avenir par une participation active à des forums et des associations, au rang desquels DVB, SMPTE, ATSC, AOM, MPEG Streaming Video Alliance, CMAF-IF et 3GPP. Nom : ATEME – Code ISIN : FR0011992700 – Symbole boursier : ATEME – Compartiment : B     .pf-button.pf-button-excerpt { display: none; }L’article Michel Artières Pdg ATEME : “Nous sommes en train de migrer vers des revenus récurrents, c’est un levier qui peut accélérer l’effet de levier à moyen terme” : 8e #ConfPortzamparc dédiée aux #valeursMidAndSmall est apparu en premier sur La Bourse et la Vie TV L'information éco à valeur ajoutée.

Renard T. Jenkins has more than 30 years of experience in the television, radio and film industry. During his work on the media production industry he has received different recognitions and prizes, including Emmy Awards, a Peabody, as well as many other industry awards. Renard T. Jenkins is passionate about helping others in the industry, and has been an advisor and board member of different organizations. Today he serves as the VP, Membership of the Society of Motion Picture & Television Engineers (SMPTE) and Board Member of the Hollywood Professional Association. And in this episode he tell us about his work on those organizations.

Bruce Devlin LinkedIn profileBruce's consultancy, Mr. MXF, is hereThe IMF User GroupOur previous episode with Bruce is here---------------------------------------------------Join our LinkedIn Group so that you can get the latest video insider news and participate in the discussion.Email thevideoinsiders@beamr.com to be a guest on the show.Learn more about Beamr

This week on the show, we sit down with artist Joseph Game aka Chogrin - plus we talk Sony’s Drive-In Experience and Jason Reitman’s introduction, Richard Edlund’s engineering achievement award, and Bill Murray’s latest with Sofia Coppola. First up in the news, Jason Reitman introduced the original Ghostbusters at a special drive-in experience on the Sony Pictures lot and talked about how excited he is for Ghostbusters Afterlife to premiere on the big screen. Boss Films founder and Visual Effects legend Richard Edlund is receiving an honorary membership to the SMPTE organization that honors achievements in film technology. Oh and Bill Murray has a new movie with Sofia Coppola coming to Apple TV+ called “On the Rocks” and the boys talk about the trailer. Then in the second half of the show, the amazing artist CHOGRIN talks his first 3G show: Gremlins, Goonies and Ghostbusters, Crazy4Cult and Gallery 1988 shows, and a wild ride he spent in an Ecto with Ernie Hudson, his life and encounters with the paranormal in Ecuador, and his exclusive plans for a new show in 2021!

Entre AES, EBU et SMPTE, les normes et les travaux autour de l’audio évoluent…. Un point sur les travaux en cours dans les organisations de normalisation internationale et un rappel des grandes lignes directrices s'impose !Modérateur : Benoit StefaniIntervenants : Matthieu Parmentier - France TV, Christophe Martin de Montagu - INA Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Yeah, we know you haven't thought about COVID-19 for like...ten seconds, but here we are anyway, talking about it. At least, like, a little. It's the episode featuring the OG Lighting Nerd, Gavin Lake! Say hello, Gavin. In this episode: Industry news:  God almighty, the mother effing coronavirus. Wash your hands, blah blah, let’s commiserate about how super effed we all are.  New fixtures / gear Are high-powered arc-source moving lights a thing of the past for good? Craig and Gavin ponder. GLP Impression FR10: https://www.germanlightproducts.com/product/impression-fr10-bar/  Now we can have EVEN MORE X4 BAR  Cable testers: handy to have around, not as handy when you don’t have both ends as the same standard: https://plsn.com/featured/whirlwind-power-link-tlt-line-cord-testers/  Screen calibrator: The Hydra is a thing that exists, I think the tech will become more used and the prices will drop, and we’ll start to see these as standard on more shows to keep LED screens looking good.  Notable personnel movements Tyler Truss now owned by Glenn Cleland, previously owned by Mark Dodd of Dodd Technologies, which seems to be a production company. Notable tours / productions The Deadmau5 cube tour The Black Keys and the 325 Strike Ones. Tea Time Programming with SMPTE time code! As promised, the promised track Lighting trivia! Which of these did not exist: the Martin MAC 1200, the VL liquid lens, or the moving head confetti cannon? Craig sez: I know that I say "VL7" in this episode, but that's wrong. The VL7 had nothing specifically to do with the liquid lens Lighting Term of the Day Softgoods  

Join Jim Jachetta CTO of VidOvation and Jesse Forster Director of Product Development & Western Region Sales at MultiDyne to learn about how you can use fiber-optic camera adapters to incorporate large image sensor digital cinema cameras into live multi-camera production with remote power and bidirectional signal transmission on a single cable. Find out how… […] The post Turn any HD or 4K camera platform into an SMPTE studio camera – Webinar Recording appeared first on VidOvation Corporation.

Join Jim Jachetta CTO of VidOvation and Jesse Forster Director of Product Development & Western Region Sales at MultiDyne to learn about how you can use fiber-optic camera adapters to incorporate large image sensor digital cinema cameras into live multi-camera production with remote power and bidirectional signal transmission on a single cable. Find out how… […] The post Turn any HD or 4K camera platform into an SMPTE studio camera – Webinar Recording appeared first on VidOvation Corporation.

Resources:Today's guest: Bruce DevlinLearn more about: SMPTEThe Video Insiders LinkedIn Group is where we host engaging conversations with over 1,500 of your peers who are leading industry experts in video streaming, encoding, and distribution. Click here to join.If you would like to be a guest on the show, we want to hear from you! Send us an email thevideoinsiders@beamr.com.Learn more about Beamr's technology.

Ingeniero de Sonido y Compositor Comercial (Universidad Javeriana de Colombia). Cuenta con experiencia laboral desde los 12 años en campos artísticos y culturales con destrezas en diseño gráfico, ingeniería de sonido, ejecución de eventos, marketing, desarrollo web y blogging. Felipe nos cuenta para empezar, de su blog y plataforma de formación digital «mixahit.net» a la […]

Ingeniero de Sonido y Compositor Comercial (Universidad Javeriana de Colombia). Cuenta con experiencia laboral desde los 12 años en campos artísticos y culturales con destrezas en diseño gráfico, ingeniería de sonido, ejecución de eventos, marketing, desarrollo web y blogging. Felipe nos cuenta para empezar, de su blog y plataforma de formación digital «mixahit.net» a la cual invitamos a toda nuestra audiencia. También nos introduce al concepto de la sincronización de Shows y eventos en general. Nos habla tanto de los procesos como de las herramientas y recursos con los que debemos contar para desarrollar nuestros proyectos en este sentido. Nos da su punto de vista de los eventos que son susceptibles de ser sincronizados y por supuesto cuales son los aspectos y procesos a desarrollar, además nos cuenta de uno de los proyectos mas recientes que ha dirigido. También nos hace énfasis en que lo mejor son los sistemas alámbricos y que siempre estemos atentos a la latencia de cada dispositivo. En esta interesante charla, Felipe nos describe los protocolos utilizados para la comunicación de los dispositivos interconectados en un sistema de sicronización, tales como SMPTE, LTC, MTC, entre otros; El nivel al que debemos transmitir la señal en el protocolo LTC, Así como el software que él utiliza y nos recomienda. Para finalizar Felipe nos indica como podemos empezar a experimentar con la sincronía a costos mínimos. En fín, como siempre un episodio muy enriquecedor con un nuevo invitado de lujo! Gracias a nuestro invitado de hoy y a cada uno de ustedes por escucharnos, por dejarnos sus comentarios y calificaciones en las diferentes plataformas donde nos escuchan. Hasta la próxima semana! Chao, Chaooo! Las coordenadas de Felipe García son: Web: www.mixahit.net — Instagram: @mixahit — Facebook: /mixahit Instagram: FelipeGarciaMix — Facebook: FelipeGarciaMix La música de este podcast es creación de Jason Shaw de audionautix.com

Georges Laplanche at IBC.org 2019 for Technicolor.com https://sites.google.com/view/stijn-online/reports/ibc At #IBC2019 https://youtu.be/uUz7QLtoJJE amazing possibilities for #online and #cloud #broadcasting #technologies reported by http://stijn.online #stijnonline https://youtu.be/CPLXVonCCMY https://sites.google.com/site/euiapress http://ibc.org http://rai.nl --- Send in a voice message: https://anchor.fm/stijnonline/message

It's one of the most pressing trends facing the sports video production industry today: the move from baseband to IP. With the ratification of the SMPTE 2110 standard, IP has more momentum than ever before. Today on the show we take a deep look at the technology that promises to change broadcast facility infrastructures across the globe. We begin with a case study that looks at perhaps the largest IP facility out there: Telemundo Enterprises in Miami. First, you'll hear from Jeff Mayzurk, SVP, Operations and Technology at NBCUniversal Telemundo Enterprises who will give you the high-level look at the company and why they decided to make this crucial leap in their facility. Then, you'll hear a presentation from Chris Swisher, Director of Production Systems Engineering at NBCU to drill down into the tech specifics. Following all of that, we have a bonus conversation for you featuring some technology leaders in this space, including Sony, NewTek, and Lawo to help you determine which protocol is best for you. The conversation doesn't end with SMPTE 2110. Sony's NMI, Newtek's NDI, and Evertz's ASPEN are all still viable solutions. What should you consider before making the dive. We sit down with a roundtable of experts to tackle this topic. Joining us are Erling Hedkvist, SVP and Business Development Manager at Lawo, Deon LeCointe, Senior Manager, IP and Sports Solutions for Sony Electronics, and Brian Olson, VP, Product Management for NewTek. The conversation is moderated by our Executive Director, Editorial Services Ken Kerschbaumer. These talks took place at our annual SVG IP Production Forum which was held at Telemundo in Miami on August 20, 2019. This episode of The SVG Podcast is supported by Sony. IP technology has given us new ways to create the powerful content that viewers crave. That's why Sony has built IP technology into their entire lineup of live production products. They've helped broadcasters on four continents make the transition from baseband to IP. And they can help you design, configure, test and implement your IP systems. Migrating to IP is a journey. Sony is with you every step of the way. Learn more now over at pro.sony. The SVG Podcast is for the sports-video–production professional looking to keep up with the latest in sports-video–production operations and technology. The program features interviews with some of the biggest, most influential names in the sports-video business talking trends and topics that are making an impact on the industry.

Diseñador gráfico y desarrollador multimedia, comenzó hace más de 15 años en la industria, trabajando como técnico de montaje en una empresa de renta de la ciudad de Medellín y gracias a su talento y esfuerzo escaló a programador en la misma empresa y de ahí saltó al duro mundo del freelance. Contando con la gran fortuna de haberse enrolado en el staff del Artista Maluma hace aproximadamente unos siete años. «El proceso de aprendizaje de iluminación no empieza con aprender a manejar una consola, se requiere de conocimientos previos y muchos conceptos claros». Tosta nos cuenta de los eventos de música electrónica en los que empezó en la programación de iluminación en la empresa en la que trabajaba. Un lugar al que nunca pensó ir y, que trabajar con Maluma le dio la oportunidad de visitar es la ciudad Israelí de Tel Aviv. En cuanto a lo que puede salir mal en su trabajo, nos hace énfasis en la atención que debemos poner en la estabilidad de nuestras conexiones y enlaces de nuestra consola y sistema en general. Las herramientas que usa para sus diseños y previsualización son Wysiwyg, MA3D, Algo de Vector Works, Sketchup y Autocad y, en algunas ocasiones usa la conexión en red de su teléfono o tablet para hacer posiciones desde el escenario. También nos cuenta cuáles son sus tareas específicas y, que en las dos últimas giras el diseño de iluminación y el concepto en general ha sido externalizado. Siendo su trabajo hoy día, poner a punto y rodar el Show general de iluminación, la gran mayoría de temas están sincronizados con SMPTE y los demas los lanza en vivo con total apego al libreto. Siempre tener muy claro qué cosas son las que tienen la mayor prioridad, para ir resolviéndolas en ese orden al momento de programar o corregir un show. También nos habla de su buena relación con el VJ del Crew y, que lo importante del trabajo de ambos es que sea el artista el protagonista. En fin una conversación muy interesante con uno de los principales referentes del área de iluminación del momento y, para seguir y conocer más de Esteban Gil «Tosta» aquí estan sus coordenadas. Instagram: tostalight facebook: EstebanTosta Twitter: TostaLight ¡Mil gracias y Hasta la próxima semana! La música de este podcast es creación de Jason Shaw de audionautix.com

The impact AI and cloud are having on the audiovisual industry. Using a SMPTE standard for open-source AV over IP. Getting AVIXA standards in other industries.

The impact AI and cloud are having on the audiovisual industry. Using a SMPTE standard for open-source AV over IP. Getting AVIXA standards in other industries.

The impact AI and cloud are having on the audiovisual industry. Using a SMPTE standard for open-source AV over IP. Getting AVIXA standards in other industries.

Thursday, 10:30am | Sponsored by Bitcentral Host: Linda Rosner Guests: Barbara Lang - Executive Director | SMPTE & HPASubscribe to Broadcast Beat - Producer of NAB Show LIVE on Soundwise

Thursday, 12:00pm | Sponsored by Ruptly Host: Linda Rosner Guests: John Humphrey - VP of Business Development | Hitachi, Ray Kalo - President and CEO | Plura, Thomas Rock - Director of Operations | Plura EuropeSubscribe to Broadcast Beat - Producer of NAB Show LIVE on Soundwise

Boxer Systems CTO Marc Risby discusses NDI and SMPTE 2110, their applications, and how they happily coexist.

My guest is Niel Guilarte, founder of Wildstyle Media working on high-end video production, film, podcast production, and audio for gaming. He is also the Director & Editor of The Messengers: A Podcast Documentary! We discussed a lot, including: Rode Procaster microphone Focusrite Clarett 8 Pre audio interface Logic Pro X software Waves plugins iZotope RX Focusrite plugins Softube Machina - plugins Behringer X-touch controller Producing episodes for The Horse Radio Network Tascam portable recorder - DR-701-B w/ SMPTE timecode, Final Cut Pro for video editing Motion 5 for graphics After FX Thanks for such a fun conversation, Niel! DID YOU KNOW........We exist for the purpose of helping you, so please comment below with any questions or remarks. Thanks for listening! Want to Start a Business or Have a Career as a Podcast Producer/Engineer? Listen and Subscribe in Apple Podcasts, Google Play, iHeart Radio, Stitcher, TuneIn Radio, Android, RSS

This episode is sponsored by Colorist Society International and Mixinglight.com. Senior Production Engineer and Colorist at Dolby, Shane Mario Ruggieri, CSI, joins me on this episode of the colorist podcast. In San Francisco during the 2000’s, Shane came up through the ranks, working in all aspects of production and post production. From the beginning of Final Cut Pro, and later Apple Color, he cut his teeth on the early stages of color grading on the Mac. He’s colored for features, commercial, corporate, and entertainment industries. His clients have included Apple, Sony, Netflix, Green Day, Carrie Underwood, and Universal Studios.  Now working at Dolby, Shane has specialized and is one of a handful of colorists that has been working with Dolby Vision HDR since 2010. He co-authored “A Perceptual EOTF for Extended Dynamic Range Imager” and authored “Breaking Out of the 100-nit Box: A Colorist’s View of Grading HDR”, which were presented at SMPTE. In this podcast, we talk about: How starting with SDR prepared him for working with HDR Working with Dolby Vision in Resolve Comparing HDR10 and Dolby Vision Grading tools in HDR and how they will change in the future Advantages of working with HDR as a starting point Workflow considerations for working with HDR versus SDR Using ACES and color management with HDR How HDR will change art direction, makeup, and lighting on the production side Using HDR subtlety and keeping your work invisible Why images over 1000 nits are more compelling and powerful   Shane Mario Ruggieri, Homepage Email IMDB Language of HDR   This episode is sponsored by: Colorist Society International For more information on how you can become a member, visit, https://coloristsociety.com/Join-the-Colorist-Society   Mixinglight.com Use the coupon code “josh15” for 15% off the first term of any Premium Color library subscription.

Recorded on December 8, 2017  Hosts: Patrick Norton and Robert Heron  The rundown:   - Amazon Prime comes to Apple TV   - Best Dolby Vision Blu-ray players   - Ohm configuration with amps/speakers   - Post Black Friday bargains   - Chris' great Schiit Audio   - THX vs SMPTE viewing distances   - OLED model differences   - New color metric for CalMAN   - Convincing a loved one to upgrade - Your excellent feedback & questions AVexcel is 100% powered by our awesome crew of Patreon supporters - thank you!  Visit AVexcel.com for links, show notes, contact info, and more!

SMPTE's held their annual conference, and we've got the info on what's next when it comes to 8K, HDR, ATSC 3.0 and more -- and how it's definitely going to impact your business.

Jeff Turzo is a musician, producer, and founder of Overstayer Recording Equipment, a company that designs cool audio gear for the studio. Jeff started out as a musician and spent a decade producing and touring with his band, God Lives Under Water. His band was signed by Rick Rubin to American Recordings in 1993. GLU went on to record multiple albums with a heavy guitar, synth, loop driven pop sound that landed them a movie soundtrack hit for the Keanu Reeves film, Johnny Mnemonic, and airtime on alternative rock stations and MTV. This led to years of touring for his band sharing the stage with other heavy pop bands like KMFDM, Korn, Filter, Deftones, No Doubt, and Sublime. In the studio Jeff was a multi-instrumentalist and producer with synthesis/sampling knowledge, sometimes producing with Matt Mahaffey (episode 69), but also with his GLU partner David Reilly, staying busy with remix projects that included Skinny Puppy, Rob Zombie and Messiah. He also organized For the Masses: A Tribute To Depeche Mode in 1998, and released Up Off The Floor with GLU in 2004.   Get the full show notes at http://RSRockstars.com/83 -Also- Free mix training with Lij at MixMasterBundle.com Get yourself a Rockstar T-shirt at: RSRockstars.com/Tshirt Download the theme music at: SkadooshMusic.com

In part 6, we'll run through how to use ACES in your workflow. ACES is the new SMPTE standard for colour science developed by the Academy and this should allow you to composite with mathematical accuracy on top of great looking results. Please bear in mind that the ACEs 1.0 is more suited to working with CGI, log and camera native formats. So if all your media is already output-referred REC709, the Simple Linear Workflow policy may be a better fit which you can see in part 5.

CSI 3380 Series 3G/HD/SD-SDI Fiber Transmission The Fiberlink 3380 Series allows you to transmit 3G, HD or SD-SDI as per SMPTE 424M-2006, 292 and 259 with the ability to embed up to 4 channels (2 pairs) of analog line level audio. Convenient switches on the 3380 Series transmitter allow the operator to embed each of the two pairs of audio independently, to strip previously serialized audio, or to pass it through without modification. At the receive end of the fiber optic link, the operator can decide which audio pairs they need de-embedded. Features: 3G/HD/SD-SDI This product supports SMPTE complaint 3G, HD and SD-SDI data rates. HDTV Resolutions to 1080p This product supports HDTV resolutions of 480p, 720p and 1080p. Fiberlink Matrix Compatible This product is compatible with the Fiberlink Matrix Series of optical signal routers. Single Mode and Multimode Fiber This product supports both Single Mode and Multimode fiber types in the same unit with no special ordering, configuration or tweaks. Box and Card This product is available in a box or card configuration. Analog Audio Embedding This product can embed analog audio into the SDI signal

If you want better looking video and a smoother ride for your colorist seriously consider listening to this podcast and getting one of the OneShot Color reference card from DSC or SMPTE. The creator of this unique card (Art Adams) talks about how to use it in your production and post workflow to improve the quality of your productions. This is what separates you from the pack of others out there shooting and competing for the same jobs.

FiDO is a family of SDI/Optical Fiber converters. FiDO allows the transport of SDI, HD-SDI, and 3G SDI over distances up to 10km using standard single-mode fiber optic cable with LC connectors. FiDO converters meet all relevant SMPTE specifications and are rugged, versatile, and suitable for indoor or outdoor use. With 5 models, FiDO offers unmatched flexibility and cost efficiency. FiDO dual channel models allow the conversion of 2 channels—perfect for 3D, dual-link SDI, or 2 completely independent SDI channels (for example, SD, HD, and 3G can be mixed in any combination). Also, FiDO converters offer electrical isolation useful for eliminating ground loop problems. FiDO converters come in a compact, low-profile enclosure for use in tight spaces around and behind equipment racks, trucks and crowded facilities. Features: Transport of SDI, HD-SDI, and 3G HD-SDI over single mode optical fiber Auto-detection of video format All SDI Ancillary data including embedded audio is passed LC fiber connectors Simplex or duplex models available All inputs, either SDI or fiber, are equalized and re-clocked ASI compatible Useful for eliminating ground loop problems 5-20VDC power supply (sold separately) 5 year warranty

No longer do you need to purchase expensive 3G/HD/SD-SDI displays! The Fiberlink® 3353 Series receives SMPTE standard 3G, HD or SD-SDI signals transmitted from the Fiberlink® 3350, Fiberlink® 3360, or Fiberlink® 3380 Series transmitters, with or without embedded audio, and converts the baseband output to DVI. The Fiberlink® 3353 receiver provides an independent audio output providing you with the ability to separate your audio and video signals. The audio is also embedded into the HDMI cable. The Fiberlink® 3553 operates with both single mode and multimode fiber and can be configured with an ST connector or an LC connector Optional features include an equalized and re-clocked SDI output All Fiberlink® 3G/HD/SD-SDI products are compliant with SMPTE 297-2006 and has the ability to operate seamlessly with Fiberlink® Matrix and other SMPTE 297-2006 fiber optic compliant devices. All Fiberlink® 3G/HD/SD-SDI products are immune to pathological signals over the entire budget link and operating temperature range and operate with both single mode and multimode fiber types. With a small footprint box, it is ideal for confidence monitoring, broadcast or corporate studios, OB trucks, digital signage, rental and staging, auditoriums, stadiums and theaters, large venue projector installations, airport or transportation hubs, distance learning, surgical or medical imaging and more! Fiberlink® Matrix is a fully configurable and SMPTE compliant 32x32 optical router. The inputs and outputs can be ordered in quantities of one and the input and output quantities do not have to match providing you with the ability to build a Matrix that is ideal for your specific application and budget!

TASCAM's HS-P82 offers 8 tracks of the highest quality recording, yet it's built for the rigors of location recording with reliable solid-state performance. The HS-P82 is built for location television and film production audio, with eight microphone inputs for big shoots or reality programs. The standard XLR microphone inputs include phantom power and analog limiting, with trims controlled from recessed front-panel controls. In addition to the eight individual tracks, a stereo mixdown can be recorded for instant use during editing. Audio is recorded at up to 192kHz/24-bit WAV format to a pair of Compact Flash cards. This solid state media is completely reliable with no moving parts, and you can record to both cards simultaneously for extra security. The Broadcast WAV files include iXML metadata for quick import into nearly any video or audio editing system, either via the USB 2.0 connection or a standard card reader. The HS-P82 offers several options for power. It runs on either AA or NP batteries, an included AC adapter, external DC input or a V-mount adapter for Endura batteries. An internal slate microphone is available for naming takes. Functions like a 5-second pre-record buffer, front panel lockout and headphone output alert signal further inspire confidence. For high-resolution music recording, a set of AES/EBU connectors is available for attaching pedigree A/D converters and preamplifiers. SMPTE timecode in and out, video and word sync are provided. All of this is controlled from a color touchscreen interface which makes operation fast and simple. The HS-P82 from TASCAM is built on 30 years of reliable field recording. See how affordable the state of the art can be with TASCAM's flagship production recorder, the HS-P82.

Click to Play This video contains color bars followed by six actuality segments of Deptford NJ store manager Frank Pellicori (pell ih CORE ee) answering questions about the new supercenter store, which opened September 17, 2008. Actualities are separated by black roll and question title slides that describe the question, give the duration of Frank's answer in SMPTE units (mm:ss;frames) , and the outcue. It is the second Walmart supercenter in New Jersey. These actualities are cleared for use in broadcast or online video news reports about the supercenter. Please contact slubetkin@successcomgroup.com if you have any questions.

Markertek News Channel coverage of the new Fiberlink 3360 from Communications Specialties Inc. at NAB 2009, Las Vegas. The Fiberlink® 3360 Series allows you to transmit 3G, HD or SD-SDI as per SMPTE 424M-2006, 292 and 259 with the ability to embed up to 8 channels (4 pairs) of AES/EBU digital audio. Convenient switches on the 3360 Series transmitter allow the operator to embed each of the four pairs of audio independently, to strip previously serialized audio, or to pass it through without modification. At the receive end of the fiber optic link, the operator can decide which audio pairs they need de-embedded. Audio signals are not required to operate the Fiberlink® 3360 link and it can be used as a stand-alone 3G/HD/SD-SDI optical link. Previously serialized data is left intact throughout the entire transmission process and the 3360 Series is immune to pathological signals over the entire budget link and operating temperature range. Signals are equalized and re-clocked prior to fiber optic transmission and the 3361 receiver features a re-clocked SDI output. The 3360 Series is compliant with SMPTE 297-2006 and has the ability to operate seamlessly with Fiberlink® Matrix and other SMPTE 297-2006 fiber optic compliant devices. Available in card versions and a small footprint box version, it is ideal for broadcast or corporate studios, OB vans, rental and staging, auditoriums, stadiums and theaters, airport or transportation hubs, distance learning, surgical or medical imaging and more.

Tom Coughlin Tom is the Founder and President of Coughlin Associates and Chairman of the 2007 Data Protection Summit. Tom has over 25 years of experience in the data storage industry as a working engineer and high level technical and corporate executive. For several years he has been collaborating with the Center for Magnetic Recording Research at the University of California, San Diego on the sanitization of disk drive data. In addition to regular technical and market consulting projects he is the publisher of several reports covering technology and applications for digital storage devices and systems including storage components, capital spending, storage technology trends, a series on storage and digital entertainment and a series on system storage. He has 6 patents on magnetic recording and related technologies. Tom is the founder and organizer of the annual Storage Visions Conference (which celebrated its sixth year in 2007). Tom is a senior member and officer of the Santa Clara Valley IEEE, as well as a member of APS, AVS, IDEMA, SNIA, AAAS, and SMPTE. Websites:www.dataprotectionsummit.com or www.TomCoughlin.com Jay Kramer Jay brings to iStor over 20 years of sales and marketing executive management experience. He has been a world recognized technology consultant specializing in the network storage industry for both private and NASDAQ listed organizations along with providing consulting services to the leading network storage product companies. Prior to joining iStor Networks, Kramer was Chairman of the ILM Summit and Data Protection Summit which are leading sources of information on network storage. His background includes the emergence of Infinity I/O Inc. as a leading provider of storage network education, training, and certification. Jay has an extensive marketing management background having been VP of Marketing for Creative Design Solutions, Inc., an OEM provider of Network Attached Storage (NAS) technology, VP of Marketing for Maxtor/Seagate Corporation which acquired CDS and Director of Strategic Planning & Business Development for the Storage Systems Division of Unisys Corporation. In this position, Kramer directed their fibre channel and storage networking business initiatives. Kramer has also served the network storage industry in a number of leadership positions over the last decade. He was previously elected to the Board of Directors of the Fibre Channel Industry Association for 7 years running and served as the first CFO for the organization. He continues to serve in an advisory position with leading technology conferences such as the Flash Memory Summit and Data Protection Summit. Jay has also been a featured speaker for many industry conferences including Storage Networking World and Storage World Conference. Jay holds dual degrees in Marketing and Finance from The Whitman School of Management at Syracuse University. Visit Jay's Website: www.istor.com

om is the Founder and President of Coughlin Associates and Chairman of the 2007 Data Protection Summit. Tom has over 25 years of experience in the data storage industry as a working engineer and high level technical and corporate executive. For several years he has been collaborating with the Center for Magnetic Recording Research at the University of California, San Diego on the sanitization of disk drive data. In addition to regular technical and market consulting projects he is the publisher of several reports covering technology and applications for digital storage devices and systems including storage components, capital spending, storage technology trends, a series on storage and digital entertainment and a series on system storage. He has 6 patents on magnetic recording and related technologies. Tom is the founder and organizer of the annual Storage Visions Conference (which celebrated its sixth year in 2007). Tom is a senior member and officer of the Santa Clara Valley IEEE, as well as a member of APS, AVS, IDEMA, SNIA, AAAS, and SMPTE. Websites:www.dataprotectionsummit.com or www.TomCoughlin.com Jay Kramer Jay brings to iStor over 20 years of sales and marketing executive management experience. He has been a world recognized technology consultant specializing in the network storage industry for both private and NASDAQ listed organizations along with providing consulting services to the leading network storage product companies. Prior to joining iStor Networks, Kramer was Chairman of the ILM Summit and Data Protection Summit which are leading sources of information on network storage. His background includes the emergence of Infinity I/O Inc. as a leading provider of storage network education, training, and certification. Jay has an extensive marketing management background having been VP of Marketing for Creative Design Solutions, Inc., an OEM provider of Network Attached Storage (NAS) technology, VP of Marketing for Maxtor/Seagate Corporation which acquired CDS and Director of Strategic Planning & Business Development for the Storage Systems Division of Unisys Corporation. In this position, Kramer directed their fibre channel and storage networking business initiatives. Kramer has also served the network storage industry in a number of leadership positions over the last decade. He was previously elected to the Board of Directors of the Fibre Channel Industry Association for 7 years running and served as the first CFO for the organization. He continues to serve in an advisory position with leading technology conferences such as the Flash Memory Summit and Data Protection Summit. Jay has also been a featured speaker for many industry conferences including Storage Networking World and Storage World Conference. Jay holds dual degrees in Marketing and Finance from The Whitman School of Management at Syracuse University. Visit Jay's Website: www.istor.com

Tom is the Founder and President of Coughlin Associates and Chairman of the 2007 Data Protection Summit. Tom has over 25 years of experience in the data storage industry as a working engineer and high level technical and corporate executive. For several years he has been collaborating with the Center for Magnetic Recording Research at the University of California, San Diego on the sanitization of disk drive data. In addition to regular technical and market consulting projects he is the publisher of several reports covering technology and applications for digital storage devices and systems including storage components, capital spending, storage technology trends, a series on storage and digital entertainment and a series on system storage. He has 6 patents on magnetic recording and related technologies. Tom is the founder and organizer of the annual Storage Visions Conference (which celebrated its sixth year in 2007). Tom is a senior member and officer of the Santa Clara Valley IEEE, as well as a member of APS, AVS, IDEMA, SNIA, AAAS, and SMPTE.