Podcasts about Final Cut Pro

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On this week's episode of The MacRumors Show, we discuss Apple's newly launched AirTag 2 and Apple Creator Studio.Earlier this week, Apple announced the second-generation ‌AirTag‌, marking the first major update to its item tracker since the product's introduction in 2021, with improvements focused on tracking range, audio output, and device support rather than changes to its physical design.The new ‌AirTag‌ uses a second-generation Ultra Wideband chip that extends Precision Finding range by up to 50%, adds support for Precision Finding on compatible Apple Watch models for the first time, and includes an upgraded Bluetooth specification designed to improve general tracking range. Apple also says the built-in speaker is up to 50% louder, making it easier to locate items in noisy environments.Externally, the ‌AirTag‌ remains visually similar to the original and continues to use a replaceable CR2032 coin battery with more than a year of battery life, while internally Apple has made a significant number of internal changes. The second-generation ‌AirTag‌ is priced the same as before at $29 for a single unit or $99 for a four-pack, is compatible with existing ‌AirTag‌ accessories, and requires devices running iOS 26.2.1 or later.Apple also launched Creator Studio, a new all-in-one subscription aimed at content creators. For $12.99 per month, or $129 per year, Creator Studio provides access to Final Cut Pro, Logic Pro, Pixelmator Pro, Motion, Compressor, and MainStage, consolidating tools for video editing, music production, image editing, and live performance. The bundle replaces Apple's long-standing one-time purchase model for these apps with a subscription approach, while keeping standalone versions available for users who do not want access to the full package.Beyond bundling existing apps, Creator Studio introduces a set of AI-powered features that are exclusive to subscribers. These include transcript and visual search in Final Cut Pro, enhanced beat detection and new dynamic titles, AI-assisted session players and harmonic analysis in Logic Pro, and new design and warp tools in Pixelmator Pro, which is now available on iPad for the first time. The subscription also unlocks premium AI features in Apple's free productivity apps, including Keynote, Pages, and Numbers, with Freeform support coming later.Creator Studio is available now via the App Store, with a one-month free trial for all users and a three-month trial for customers who purchase a qualifying new Mac or ‌iPad‌. The subscription supports Family Sharing for up to six people, includes discounted pricing for students and educators.

Jacob Ward joins the show this week! Big Tech is brewing up a battle for your kids. Scientists are using AI to identify dinosaur footprints. Looking into Apple's Creator Studio. And TikTok USDS blames Sunday's outages on a power outage. Jacob Ward talks about recently released documents in lawsuits against big tech that showcase how social media companies are aggressively recruiting teens to their platforms. Mikah Sargent gets very excited about scientists using AI in identifying dinosaur footprints. Dan Moren of SixColors stops by to talk about the Apple Creator Studio collection that makes Final Cut Pro, Logic Pro, and other creative apps available for users for a single subscription. And Emma Roth of The Verge joins the show to talk about the outage the US side of TikTok suffered earlier this week following the finalization of the new TikTok USDS Joint Venture. Hosts: Mikah Sargent and Jacob Ward Guests: Dan Moren and Emma Roth Download or subscribe to Tech News Weekly at https://twit.tv/shows/tech-news-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsor: zscaler.com/security

Jacob Ward joins the show this week! Big Tech is brewing up a battle for your kids. Scientists are using AI to identify dinosaur footprints. Looking into Apple's Creator Studio. And TikTok USDS blames Sunday's outages on a power outage. Jacob Ward talks about recently released documents in lawsuits against big tech that showcase how social media companies are aggressively recruiting teens to their platforms. Mikah Sargent gets very excited about scientists using AI in identifying dinosaur footprints. Dan Moren of SixColors stops by to talk about the Apple Creator Studio collection that makes Final Cut Pro, Logic Pro, and other creative apps available for users for a single subscription. And Emma Roth of The Verge joins the show to talk about the outage the US side of TikTok suffered earlier this week following the finalization of the new TikTok USDS Joint Venture. Hosts: Mikah Sargent and Jacob Ward Guests: Dan Moren and Emma Roth Download or subscribe to Tech News Weekly at https://twit.tv/shows/tech-news-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsor: zscaler.com/security

Jacob Ward joins the show this week! Big Tech is brewing up a battle for your kids. Scientists are using AI to identify dinosaur footprints. Looking into Apple's Creator Studio. And TikTok USDS blames Sunday's outages on a power outage. Jacob Ward talks about recently released documents in lawsuits against big tech that showcase how social media companies are aggressively recruiting teens to their platforms. Mikah Sargent gets very excited about scientists using AI in identifying dinosaur footprints. Dan Moren of SixColors stops by to talk about the Apple Creator Studio collection that makes Final Cut Pro, Logic Pro, and other creative apps available for users for a single subscription. And Emma Roth of The Verge joins the show to talk about the outage the US side of TikTok suffered earlier this week following the finalization of the new TikTok USDS Joint Venture. Hosts: Mikah Sargent and Jacob Ward Guests: Dan Moren and Emma Roth Download or subscribe to Tech News Weekly at https://twit.tv/shows/tech-news-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsor: zscaler.com/security

Jacob Ward joins the show this week! Big Tech is brewing up a battle for your kids. Scientists are using AI to identify dinosaur footprints. Looking into Apple's Creator Studio. And TikTok USDS blames Sunday's outages on a power outage. Jacob Ward talks about recently released documents in lawsuits against big tech that showcase how social media companies are aggressively recruiting teens to their platforms. Mikah Sargent gets very excited about scientists using AI in identifying dinosaur footprints. Dan Moren of SixColors stops by to talk about the Apple Creator Studio collection that makes Final Cut Pro, Logic Pro, and other creative apps available for users for a single subscription. And Emma Roth of The Verge joins the show to talk about the outage the US side of TikTok suffered earlier this week following the finalization of the new TikTok USDS Joint Venture. Hosts: Mikah Sargent and Jacob Ward Guests: Dan Moren and Emma Roth Download or subscribe to Tech News Weekly at https://twit.tv/shows/tech-news-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsor: zscaler.com/security

Jacob Ward joins the show this week! Big Tech is brewing up a battle for your kids. Scientists are using AI to identify dinosaur footprints. Looking into Apple's Creator Studio. And TikTok USDS blames Sunday's outages on a power outage. Jacob Ward talks about recently released documents in lawsuits against big tech that showcase how social media companies are aggressively recruiting teens to their platforms. Mikah Sargent gets very excited about scientists using AI in identifying dinosaur footprints. Dan Moren of SixColors stops by to talk about the Apple Creator Studio collection that makes Final Cut Pro, Logic Pro, and other creative apps available for users for a single subscription. And Emma Roth of The Verge joins the show to talk about the outage the US side of TikTok suffered earlier this week following the finalization of the new TikTok USDS Joint Venture. Hosts: Mikah Sargent and Jacob Ward Guests: Dan Moren and Emma Roth Download or subscribe to Tech News Weekly at https://twit.tv/shows/tech-news-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsor: zscaler.com/security

Jacob Ward joins the show this week! Big Tech is brewing up a battle for your kids. Scientists are using AI to identify dinosaur footprints. Looking into Apple's Creator Studio. And TikTok USDS blames Sunday's outages on a power outage. Jacob Ward talks about recently released documents in lawsuits against big tech that showcase how social media companies are aggressively recruiting teens to their platforms. Mikah Sargent gets very excited about scientists using AI in identifying dinosaur footprints. Dan Moren of SixColors stops by to talk about the Apple Creator Studio collection that makes Final Cut Pro, Logic Pro, and other creative apps available for users for a single subscription. And Emma Roth of The Verge joins the show to talk about the outage the US side of TikTok suffered earlier this week following the finalization of the new TikTok USDS Joint Venture. Hosts: Mikah Sargent and Jacob Ward Guests: Dan Moren and Emma Roth Download or subscribe to Tech News Weekly at https://twit.tv/shows/tech-news-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsor: zscaler.com/security

TikTok just updated its terms, and it's one of those changes that's easy to scroll past but hard to ignore once you slow down and read it. Recent platform updates raise important questions about ownership, precise location data, and what creators are actually agreeing to when they publish their work. Today, we take a look at what changed and why it matters if you're building anything that lasts. We also zoom out to see where podcasting fits into the bigger picture. Recent studies show podcast ads outperform YouTube when it comes to driving real results. If you're a Mac user, we break down Apple's new Creator Studio bundle and the value it offers with tools like Logic Pro and Final Cut Pro. Apps that once required separate purchases are now bundled together, raising an important question: Is this a response to creators looking for alternatives to the increasingly expensive Adobe suite? Listen in to learn what changes are coming and how you can best prepare. Episode Highlights: [02:27] Podcast evaluations explained[04:33] Statistics and industry trends[05:29] Top shows on Spotify and Apple[11:15] Empowered Podcasting Conference updates[17:32] Odyssey and Fountain platform updates[21:24] Apple's new Creator Studio subscription bundle[27:26] Debating the price hike and whether it's justified[31:07] Sean Bean joins Get Birding as a new podcast host[37:07] Charmed stars launch a new club inspired by P3[40:28] TikTok's new terms and what they mean for users[48:07] Podcast ads versus YouTube ads: which performs betterLinks & Resources: The Podcasting Morning Chat: www.podpage.com/pmcJoin The Empowered Podcasting Facebook Group:www.facebook.com/groups/empoweredpodcasting⁠Podcaster Directory Event Use Discount Code ‘PMC for free admission: http://podcastersdirectory.comEmpowered Podcasting Conference 3: Use discount code ‘Podfest26' to get your ticket for under $200: https://empoweredpodcasting.comWorld's most followed TikToker closes nearly $900 Million Deal: https://timesofindia.indiatimes.com/world/us-streamers/worlds-most-followed-tiktoker-khaby-lame-closes-nearly-900m-business-deal/articleshow/127328336.cmsPodNews: www.podnews.netPodcast News Daily: www.podcastnewsdaily.comSean Bean announced as new host of award winning get birding podcast: https://podnews.net/press-release/sean-bean-get-birdingLate Bloomer Living: https://www.latebloomerliving.com/blog/episode-257Podcast ads beat YouTube where it hurts: www.podcastnewsdaily.com/news/audio-is-the-performance-unlock-for-digital-campaigns/article_565b0a8e-96ea-445e-b616-91ede8d9d28e.htmlApplication To Submit Your Show For Evaluation: https://docs.google.com/forms/d/e/1FAIpQLSc8-Xv6O6lrNPcPJwj3N0Z5Osdl-5kHGz_PiAU45U57S-XgoA/viewform?usp=headerRemember to rate, follow, share, and review our podcast. Your support helps us grow and bring valuable content to the podcasting community.Join us LIVE every weekday morning at 7 am ET (US) on ⁠Clubhouse⁠: ⁠⁠⁠ https://www.clubhouse.com/house/empowered-podcasting-e6nlrk0w⁠⁠Live on YouTube: ⁠https://youtube.com/@marcronick⁠Brought to you by⁠ ⁠iRonickMedia.com⁠⁠ Please note that some links may be affiliate links, which support the hosts of the PMC. Thank you!--- Send in your mailbag question at:⁠ https://www.podpage.com/pmc/contact/⁠ or ⁠marc@ironickmedia.com⁠Want to be a guest on The Podcasting Morning Chat? Send me a message on PodMatch, here: ⁠https://www.podmatch.com/hostdetailpreview/1729879899384520035bad21b⁠

Apple is shaking up creative workflows with its Creator Studio subscription, bundling pro apps and unleashing new AI-powered features that could change how students, artists, and power users work. But does this shift mark a new era or just another subscription headache? • Creator Studio pricing, student and educator discounts, and included apps • Paid features vs. existing free and owned apps clarified • Subscriptions vs. 1-time purchases • Family Sharing option extends Creator Studio to up to five users • Student and educator benefits • Freeform's role, delayed features, and real-world usefulness • Pages, Numbers, and Keynote gain premium templates and content hub • Keynote to auto-generate presentations from outlines using AI • Final Cut Pro: new AI tools, transcript search, beat detection, montage maker • Logic Pro: AI-assisted music creation, chord ID, royalty-free packs, smart search • Motion, Compressor, and Mainstage overview and macOS exclusivity • Pixelmator and Photomator transition concerns addressed • Creator Studio lowers pro app entry barriers but keeps 1-time purchases • News: Setapp's EU iOS app store to shut down due to business model issues • Feedback: switching from iPad Pro to iPad Mini experience • Shortcuts Corner: shortcut for HAM radio contact location logging • App Caps: Spigen Classic LS case and CANSHN magnetic case Hosts: Mikah Sargent and Rosemary Orchard Contact iOS Today at iOSToday@twit.tv. Download or subscribe to iOS Today at https://twit.tv/shows/ios-today Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.

Apple is shaking up creative workflows with its Creator Studio subscription, bundling pro apps and unleashing new AI-powered features that could change how students, artists, and power users work. But does this shift mark a new era or just another subscription headache? • Creator Studio pricing, student and educator discounts, and included apps • Paid features vs. existing free and owned apps clarified • Subscriptions vs. 1-time purchases • Family Sharing option extends Creator Studio to up to five users • Student and educator benefits • Freeform's role, delayed features, and real-world usefulness • Pages, Numbers, and Keynote gain premium templates and content hub • Keynote to auto-generate presentations from outlines using AI • Final Cut Pro: new AI tools, transcript search, beat detection, montage maker • Logic Pro: AI-assisted music creation, chord ID, royalty-free packs, smart search • Motion, Compressor, and Mainstage overview and macOS exclusivity • Pixelmator and Photomator transition concerns addressed • Creator Studio lowers pro app entry barriers but keeps 1-time purchases • News: Setapp's EU iOS app store to shut down due to business model issues • Feedback: switching from iPad Pro to iPad Mini experience • Shortcuts Corner: shortcut for HAM radio contact location logging • App Caps: Spigen Classic LS case and CANSHN magnetic case Hosts: Mikah Sargent and Rosemary Orchard Contact iOS Today at iOSToday@twit.tv. Download or subscribe to iOS Today at https://twit.tv/shows/ios-today Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.

Apple is shaking up creative workflows with its Creator Studio subscription, bundling pro apps and unleashing new AI-powered features that could change how students, artists, and power users work. But does this shift mark a new era or just another subscription headache? Creator Studio pricing, student and educator discounts, and included apps Paid features vs. existing free and owned apps clarified Subscriptions vs. 1-time purchases Family Sharing option extends Creator Studio to up to five users Student and educator benefits Freeform's role, delayed features, and real-world usefulness Pages, Numbers, and Keynote gain premium templates and content hub Keynote to auto-generate presentations from outlines using AI Final Cut Pro: new AI tools, transcript search, beat detection, montage maker Logic Pro: AI-assisted music creation, chord ID, royalty-free packs, smart search Motion, Compressor, and Mainstage overview and macOS exclusivity Pixelmator and Photomator transition concerns addressed Creator Studio lowers pro app entry barriers but keeps 1-time purchases News: Setapp's EU iOS app store to shut down due to business model issues Feedback: switching from iPad Pro to iPad Mini experience Shortcuts Corner: shortcut for HAM radio contact location logging App Caps: Spigen Classic LS case and CANSHN magnetic case Hosts: Mikah Sargent and Rosemary Orchard Contact iOS Today at iOSToday@twit.tv. Download or subscribe to iOS Today at https://twit.tv/shows/ios-today Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.

Apple is shaking up creative workflows with its Creator Studio subscription, bundling pro apps and unleashing new AI-powered features that could change how students, artists, and power users work. But does this shift mark a new era or just another subscription headache? Creator Studio pricing, student and educator discounts, and included apps Paid features vs. existing free and owned apps clarified Subscriptions vs. 1-time purchases Family Sharing option extends Creator Studio to up to five users Student and educator benefits Freeform's role, delayed features, and real-world usefulness Pages, Numbers, and Keynote gain premium templates and content hub Keynote to auto-generate presentations from outlines using AI Final Cut Pro: new AI tools, transcript search, beat detection, montage maker Logic Pro: AI-assisted music creation, chord ID, royalty-free packs, smart search Motion, Compressor, and Mainstage overview and macOS exclusivity Pixelmator and Photomator transition concerns addressed Creator Studio lowers pro app entry barriers but keeps 1-time purchases News: Setapp's EU iOS app store to shut down due to business model issues Feedback: switching from iPad Pro to iPad Mini experience Shortcuts Corner: shortcut for HAM radio contact location logging App Caps: Spigen Classic LS case and CANSHN magnetic case Hosts: Mikah Sargent and Rosemary Orchard Contact iOS Today at iOSToday@twit.tv. Download or subscribe to iOS Today at https://twit.tv/shows/ios-today Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.

Apple is shaking up creative workflows with its Creator Studio subscription, bundling pro apps and unleashing new AI-powered features that could change how students, artists, and power users work. But does this shift mark a new era or just another subscription headache? Creator Studio pricing, student and educator discounts, and included apps Paid features vs. existing free and owned apps clarified Subscriptions vs. 1-time purchases Family Sharing option extends Creator Studio to up to five users Student and educator benefits Freeform's role, delayed features, and real-world usefulness Pages, Numbers, and Keynote gain premium templates and content hub Keynote to auto-generate presentations from outlines using AI Final Cut Pro: new AI tools, transcript search, beat detection, montage maker Logic Pro: AI-assisted music creation, chord ID, royalty-free packs, smart search Motion, Compressor, and Mainstage overview and macOS exclusivity Pixelmator and Photomator transition concerns addressed Creator Studio lowers pro app entry barriers but keeps 1-time purchases News: Setapp's EU iOS app store to shut down due to business model issues Feedback: switching from iPad Pro to iPad Mini experience Shortcuts Corner: shortcut for HAM radio contact location logging App Caps: Spigen Classic LS case and CANSHN magnetic case Hosts: Mikah Sargent and Rosemary Orchard Contact iOS Today at iOSToday@twit.tv. Download or subscribe to iOS Today at https://twit.tv/shows/ios-today Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.

This week on AwesomeCast 764, cohosts Michael Sorg, Dave Podnar, and Katie Dudas dive into the week's biggest tech and creator stories—plus a special Animal Crossing 3.0 update field report from Charlotte. Katie checks in with her Animal Crossing–obsessed niece Charlotte to break down what's new, what's addictive, and how “slumber islands” change the way you build and share your island adventures.  Then the crew hits a surprisingly heartfelt app story with “Are You Dead?”, a daily check-in safety app built for modern life when friends and family live far apart.  We also get into the rise of cozy “chore games” like PowerWash Simulator and other satisfyingly organized gaming obsessions.  On the creator side, we break down Apple's new Creator Studio approach—what it could mean for Final Cut, Logic, Motion, and Compressor—and why AI-assisted editing features are starting to matter for everyday workflows.  Plus: OpenAI's push toward age prediction and the complications that come with automated verification.  Show notes + links: (include the link list above) Animal Crossing • Animal Crossing video (Katie segment) (no URL listed in the sheet row; included as an on-show segment) “Chore games” / cozy games • A Game About Digging a Hole (Xbox): https://www.xbox.com/en-US/play/games/a-game-about-digging-a-hole/9NGLST31DG26 • A Game About Digging a Hole (Nintendo): https://www.nintendo.com/us/store/products/a-game-about-digging-a-hole-switch/ • PowerWash Simulator (Apple App Store): https://apps.apple.com/us/app/powerwash-simulator/id6477445344 “Are You Dead?” app • BGR story: https://www.bgr.com/2074610/are-you-dead-top-paid-iphone-app-china/ • DeMumu app listing: https://apps.apple.com/us/app/demumu/id6745099872 ChachiSays Video Game Minute items (from the sheet) • David Rosen / Sega co-founder (Tom's Hardware): https://www.tomshardware.com/video-games/sega-co-founder-david-r…d-former-us-airman-set-up-sega-after-his-service-ended-in-japan • Assassin's Creed Netflix casting (Deadline): https://deadline.com/2026/01/assassins-creed-tanzyn-crawford-cast-netflix-series-1236658813/ • John Wick universe AAA game (Tech4Gamers): https://tech4gamers.com/aaa-john-wick-game-development/ AI / OpenAI / Sora • Mattel on Sora profile: https://sora.chatgpt.com/profile/mattel • OpenAI age prediction (Engadget): https://www.engadget.com/ai/openai-is-launching-age-prediction-for-chatgpt-accounts-222650340.html • ChatGPT Health page: https://openai.com/index/introducing-chatgpt-health/ Creator tools • Apple Creator Studio (Apple Newsroom): https://www.apple.com/newsroom/2026/01/introducing-apple-creator-studio-an-inspiring-collection-of-creative-apps/ • Adobe Premiere AI updates (Engadget): https://www.engadget.com/ai/adobe-unveils-new-ai-powered-vide…vlq1gStDzB9i-clNMdAMo4O0o4ro8ohtbVXETV41pRXvEFAQZh6nDH-1vO91dYLO

Send us a text!Watch this episode on YouTubeThis week: Google's Gemini is officially powering next-gen Siri, Apple overhauls all its pro apps, details on OpenAI's first hardware product, and we go hands-on with a folding iPhone model!The new Cult of Mac podcast:Apple PodcastsSpotify PodcastsOvercastCastroRSS feedAmazon MusicPocket CastsPodcast AddictDeezerPlayer FMPodchaserListen NotesCastboxGoodpodsMetacastThis week's stories:It's official — Google Gemini will power Siri's major AI overhaulGoogle's Gemini AI is now set to power the long-promised overhaul of Apple's Siri voice assistant, turning months of speculation into confirmation after Apple made the partnership official in a statement released Monday.Gemini-powered Siri reportedly will gain these capabilitiesNew Apple Creator Studio subscription gives you 6 incredible apps for low priceApple Creator Studio bundles 6 big-time apps into a subscription, including Final Cut Pro, Logic Pro and Pixelmator Pro.OpenAI's first device might take on AirPodsOpenAI's first consumer product may be AI-powered earbuds, designed by Jony Ive and positioned as a direct AirPods rival.Hands-on with a folding iPhone mock-up: This thing is weirdI got my hands on a model, and have lots of thoughts — if the folding iPhone looks anything like this, it'll be weird

You start with Quick Tips that tighten up your daily Apple workflow fast. You learn how CarPlay scrubbing actually works while driving, how Siri can jump forward or back in precise time chunks, and why Apple's vision for Siri, Gemini, and personal intelligence matters more than the hype suggests. You unlock practical wins like copying Voice Memos transcripts, using Continuity for clipboard magic across devices, mastering iPhone copy and paste gestures, and understanding when dragging photos quietly converts them to JPEGs. Along the way, you revisit Apple Newton roots, discover why tools like Yoink still matter, and pick up slick tricks for prepping images in Messages and pausing voice recordings mid-thought. Then you move into real-world problem solving. You figure out how to record a selfie video on iPhone while reading a script without breaking your flow, why Sign in With Apple is still worth using, and how to monitor drive health without guessing. You finally get clarity on weird Trash behavior, stop your mouse from waking your Mac, and understand why green bubble RCS and SMS sometimes fail on macOS. The episode wraps with a discussion about Apple Creator Studio tools like Logic Pro, Final Cut Pro, Pixelmator Pro, Compressor, MainStage, and premium content across Apple's productivity apps. Listen to sharpen your instincts so when it counts, you Don't Get Caught. 00:00:00 Mac Geek Gab 1125 for Monday, January 19th, 2026 January 19th: Brew a Potion Day MGG Monthly Giveaway – Enter to win a copy of Ecamm Live or Carbon Copy Cloner 7! The MGG Merch Store is Live! MGG's CES 2026 Sponsors: BusyCal (with code MACGEEK10)! Eero Ecamm for Zoom integration MacPaw CCC Backup Quick Tips 00:00:01 Chris-QT-CarPlay lets you scrub while driving 00:04:01 QT-Use Siri to skip forwards and backwards in specific time increments 00:06:18 The future of Siri, Gemini, and Personal Intelligence 00:14:33 QT-See and copy transcripts from Voice Memos 00:15:44 QT-Continuity works for Clipboard Too 00:18:21 iPhone Copy/Paste Gestures 00:21:55 Doug-QT-Dragging photos on iPhone converts them to JPEG Copying/Pasting on the Apple Newton Yoink 00:27:01 Jeff-QT-Dragging an image into Messages preps it to send 00:28:15 Pete-QT-Pause Voice Recording on iOS 00:29:54 How do I record a selfie video on my iPhone while being able to read a script? Teleprompter for Video for iPhone Also Teleprompter is free with in app purchases 00:34:43 GW-QT-Don’t forget about Sign in With Apple Sponsors 00:38:50 SPONSOR: Tempo. For a limited time, Tempo is offering my listeners SIXTY PERCENT OFF your first box! Go to TempoMeals.com/MGG. 00:40:22 SPONSOR: Stamps.com. Try Stamps dot com risk-free for sixty days at stamps.com and use code mgg! Sixty days gives you plenty of time to see exactly how much time and money you’re saving on every shipment. 00:41:42 SPONSOR: CleanMyMac. Get Tidy Today! Try 7 days free and use our code MACGEEK for 20% off at clnmy.com/MACGEEK Your Questions Answered and Tips Shared! 00:43:12 Andy-What should I use to monitor drive health? Disk Drill DriveDx Techtool Pro for repairing APFS volumes 00:48:52 Gary-Why Sometime Trash? Why Sometimes NO Trash? 00:59:37 Andrew-How can I keep my mouse from waking up my Mac? 01:03:25 Caleb-Why can’t I send green bubble RCS/SMS messages from my Mac? Cool Stuff Found 01:07:19 CSF? Apple Creator Studio Logic Pro Pixelmator Pro Final Cut Pro Compressor MainStage Premium content for Pages, Numbers, Keynote, Freeform, Motion and more 01:18:31 MGG 1125 Outtro MGG Monthly Giveaway Bandwidth Provided by CacheFly MGG's CES 2026 Sponsors Pilot Pete's Aviation Podcast: So There I Was (for Aviation Enthusiasts) The Debut Film Podcast – Adam's new podcast! Dave's Business Brain (for Entrepreneurs) and Gig Gab (for Working Musicians) Podcasts MGG Merch is Available! Mac Geek Gab YouTube Page Mac Geek Gab Live Calendar This Week's MGG Premium Contributors MGG Apple Podcasts Reviews feedback@macgeekgab.com 224-888-GEEK Active MGG Sponsors and Coupon Codes List BackBeat Media Podcast Network

In this episode of Basic AF, Tom Anderson and Jeff Battersby kick off the year by digging into some of the biggest Apple stories in early 2026—starting with the news that Apple is partnering with Google to have Gemini power a revamped Siri and Apple Intelligence. The discussion looks at how Gemini might be integrated behind the scenes, and whether Apple's privacy promises can hold up when Google enters the equation.The conversation then turns to Apple Creator Studio, Apple's new subscription bundle that includes Final Cut Pro, Logic Pro, Pixelmator Pro, and other creative tools. Tom and Jeff debate who this bundle is really for, how it compares to Apple's older one-time purchase model, and whether subscription fatigue is simply the cost of modern software.From there, they break down Apple's controversial new app icons and macOS Tahoe design changes, followed by concerns over App Store ads becoming harder to distinguish from real search results. The episode wraps with a broader look at Apple's record-breaking services revenue and what it signals about the company's priorities moving forward.Links from the show:Google and Apple issue joint partnership statementReport: Google Gemini will expand Siri's capabilitiesReport: Apple will fine-tune Gemini independentlyApple confirms Google Gemini will power new Siri featuresApple announces Apple Creator StudioApple reports record-breaking Services revenue in 2025Question or Comment? Send us a Text Message!Contact Us Drop us a line at feedback@basicafshow.com You'll find Jeff at @reyespoint on Threads and reyespoint.bsky.social on Bluesky Find Tom at @tomanderson on Threads Join Tom's newsletter, Apple Talk, for more Apple coverage and tips & tricks. Tom has a new YouTube channel Show artwork by the great Randall Martin Design Enjoy Basic AF? Leave a review or rating! Review on Apple Podcasts Rate on Spotify Recommend in Overcast Intro Music: Psychokinetics - The Chosen Apple Music Spotify Transcripts and some images are AI generated and may contain errors and general silliness....

The latest In Touch With iOS  Dave is joined by Jeff Gamet, Chuck Joiner, Jill McKinley, and Eric Bolden to break down the biggest Apple and tech stories of the week. The panel dives into Chuck's firsthand CES 2026 experiences, Apple's surprise Creative Studio subscription bundle, upcoming iOS 26 updates, Apple Podcasts' record year, shifting trade-in values, Google Gemini's expanding role in Apple Intelligence, and the return of Apple TV+'s Monarch: Legacy of Monsters. The show notes are at InTouchwithiOS.com  Direct Link to Audio  Links to our Show Give us a review on Apple Podcasts! CLICK HERE we would really appreciate it! Click this link Buy me a Coffee to support the show we would really appreciate it. intouchwithios.com/coffee  Another way to support the show is to become a Patreon member patreon.com/intouchwithios Website: In Touch With iOS YouTube Channel In Touch with iOS Magazine on Flipboard Facebook Page BlueSky Mastodon X Instagram Threads Summary In Episode 404 of In Touch With iOS, the panel kicks things off with an in-depth discussion of CES 2026, where Chuck Joiner shares firsthand impressions from CES Unveiled, Pepcom, and ShowStoppers. Highlights include solar-powered tech, innovative dash cams, creative accessories, audio gear, docks, and a surprisingly thoughtful retro-inspired digital camera. The conversation then turns to Apple software updates, including the imminent release of iOS 26.2.1 and beta testing of iOS 26.3 across Apple platforms. A major highlight is Apple's progress toward end-to-end encrypted RCS messaging, reinforcing Apple's ongoing privacy stance. Apple's surprise announcement of the Creative Studio Bundle sparks lively debate. The new subscription includes Final Cut Pro, Logic Pro, Pixelmator Pro, Motion, Compressor, and MainStage across Mac and iPad. The panel discusses subscription fatigue, student pricing, competition with Adobe Creative Cloud, and what this means for professionals and educators. The episode also covers Apple Podcasts' strongest year ever, despite increased competition from Spotify and YouTube. While Apple may hold a smaller share of a growing podcast market, engagement and subscriptions continue to climb. Other topics include updated Apple trade-in values, new firmware releases for AirPods Pro and MagSafe batteries, Shazam's 2026 Fast Forward artist list, and Apple Services' continued growth across Music, TV+, Arcade, and digital ID adoption. The show wraps with excitement around the return of Apple TV+'s sci-fi hit: The panel previews Monarch: Legacy of Monsters – Season 2, praising its character-driven storytelling and expanding MonsterVerse mythology. Topics and Links CES 2026 Chuck Joiner returned from CES last week to give us some insight on the show and a few cool things.  Beta this week.  iOS 26.2.1 Update Coming Soon for iPhones Apple releases iPadOS 26.3 beta 2 for iPad  Apple releases second iOS 26.3 beta for iPhone Apple Seeds Second Betas of iOS 26.3 and iPadOS 26.3 to Public Beta Testers iOS 26.3 beta 2 hints at upcoming end-to-end encryption for RCS messages Apple Releases Second watchOS 26.3, tvOS 26.3 and visionOS 26.3 Betas In Touch With Mac this week macOS Tahoe 26.3 beta 2 now available, here's what to expect Second macOS Tahoe 26.3 Beta Now Available for Developers Will Apple Announce New MacBook Pros This January? Apple may have hinted at a high-end MacBook Pro launch on January 28 PSA: Google Chrome 151 to drop support for macOS 12 Monterey Other Topics Apple Introduces New 'Creator Studio' Bundle of Apps for $129 Per Year Pixelmator Pro is Coming to iPad With Apple Pencil Support and More Apple Says 'Pixelmator' App on iOS Will No Longer Receive Updates Some Apple Apps Will No Longer Receive Every New Feature Without a Subscription iOS 26 Shows Unusually Slow Adoption Months After Release Google Gemini Partnership With Apple Will Go Beyond Siri Revamp   Apple Confirms Google Gemini Will Power Next-Generation Siri This Year Google Gemini-Powered Siri Will Reportedly Have These 7 New Features News Apple Releases New Firmware Update for iPhone Air MagSafe Battery Apple Releases New AirPods Pro 3 Firmware Update Shazam's Fast Forward Playlist Reveals Music Artists Set to Rise in 2026 Setapp Mobile 3rd-party app store for iPhone fails due to 'still-evolving and complex terms' 2025 marked a record-breaking year for Apple services Apple Podcasts is officially more popular than it's ever been Apple Adjusts Trade-In Values for iPhones, Macs, and More - MacRumor Apple TV unveils return of major sci-fi series coming next month  Shout out to NMUG and MacInTech Chita mentioned Drive Buddy DriveBuddy Announcements FIX THIS Macstock 9 they're ready in 30-45 days. If you missed Macstock we missed you! Why not purchase a digital pass to relive all the amazing presentations? Click the link below to purchase the digital pass. Macstock X has already been announced July 10,11,12, 2026 hopeful you all can join us.  Macstock IX Digital Pass Our Host Dave Ginsburg is an IT professional supporting Mac, iOS and Windows users and shares his wealth of knowledge of iPhone, iPad, Apple Watch, Apple TV and related technologies. Visit the YouTube channel https://youtube.com/intouchwithios follow him on Mastodon @daveg65, , BlueSky @daveg65  and the show @intouchwithios   Our Regular Contributors Jeff Gamet is a podcaster, technology blogger, artist, and author. Previously, he was The Mac Observer's managing editor, and Smile's TextExpander Evangelist. You can find him on Mastadon @jgamet Pixelfed @jgamet@pixelfed.social and Bluesky @jgamet.bsky.social‬ Podcasts The Context Machine Podcast  Retro Rewatch Retro Rewatch His YouTube channel https://youtube.com/jgamet Marty Jencius, Ph.D., is a professor of counselor education at Kent State University, where he researches, writes, and trains about using technology in teaching and mental health practice. His podcasts include Vision Pro Files, The Tech Savvy Professor and Circular Firing Squad Podcast. Find him at jencius@mastodon.social  https://thepodtalk.net  Eric Bolden is into macOS, plants, sci-fi, food, and is a rural internet supporter. You can connect with him by email at eabolden@mac.com, on Mastodon at @eabolden@techhub.social, on his blog, Trending At Work, and as co-host on The Vision ProFiles podcast.   Jill McKinley works in enterprise software, server administration, and IT A lifelong tech enthusiast, she started her career with Windows but is now an avid Apple fan. Beyond technology, she shares her insights on nature, faith, and personal growth through her podcasts—Buzz Blossom & Squeak, Start with Small Steps, and The Bible in Small Steps. Watch her content on YouTube at @startwithsmallsteps and follow her on X @schmern. Find all her work at http://jillfromthenorthwoods.com  Chuck Joiner is the host of MacVoices and hosts video podcasts with influential members of the Apple community. Make sure to visit macvoices.com and subscribe to his podcast. You can follow him on Twitter @chuckjoiner and join his MacVoices Facebook group. Guy Serle is one of the hosts of the new The Gmen Show along with GazMaz and email GMenshow@icloud.com  @MacParrot and @VertShark on X  Vertshark on YouTube, Google Voice +1 Area code  703-828-4677

Apple comienza el año ofreciendo una nueva suscripción para creadores: Final Cut Pro, Pixelmator, Motion, Compressor y otras apps por 12,99€ al mes o 129€ anuales. ¿Es oro todo lo que reluce? Además comentamos todas las noticias de las últimas semanas tras nuestro descanso navideño. Además de las noticias y la opinión acerca de las novedades de la semana, también responderemos a las preguntas de nuestros oyentes. Tendremos durante toda la semana activo en Twitter el hashtag #podcastapple para que nos preguntéis lo que queráis, nos hagáis sugerencias o lo que se os pase por la cabeza. Dudas, tutoriales, opinión y review de aplicaciones, cualquier cosa tiene cabida en esta sección que ocupará la parte final de nuestro podcast y que queremos que nos ayudéis a hacer todas las semanas. Os recordamos que que si queréis formar parte de una de las comunidades más grandes de Apple en español, entréis a nuestra comunidad de Telegram (enlace) donde podréis opinar, preguntar dudas, comentar las noticias, etc. Y aquí no cobramos por entrar, ni te tratamos mejor si pagas. Os recomendamos que os suscribáis en iTunes en iVoox o en Spotify para que los episodios se descarguen de forma automática en cuanto estén disponibles. También puedes escucharlo en Cuonda, tú eliges.

Send us a text!THIS WEEKiPhone 18 Pro Launching Later This Year With These 12 New Features. Apple's new Creator Studio - will Final Cut Pro on Mac will keep getting new features without paying a subscription?  A new Studio or Pro XDR Display is RIGHT around the corner.And, it's official!  Google Gemini will overhaul Siri - what can we expect?CultClubJoin us in the CultClub (it's totally free!)Our sponsorsCleanMyMacCleanMyMac is your ultimate solution for Mac control and care, notarized by Apple and meticulously crafted by MacPaw, a leading macOS & iOS software development company.  Get Tidy Today! Try 7 days free and use my code CULTCAST for 20% off at clnmy.com/CULTCASTFactorHead to factormeals.com/cultcast50off and use code cultcast50off to get 50% off your first Factor box PLUS free breakfast for 1 year.This weeks' storiesiPhone 18 Pro Launching Later This Year With These 12 New FeaturesNew Studio Display or Pro Display XDR Spotted in Regulatory DatabaseApple's Google Gemini Deal Could Be Worth $5 BillionGoogle Gemini-Powered Siri Will Reportedly Have These 7 New FeaturesWill Final Cut Pro on Mac Get Every New Feature Without a Subscription? Here's What Apple Says

E hoje é dia de MacMagazine no Ar!

On this year's first episode of The MacRumors Show, we take a look at CES 2026, Apple Creator Studio, and the confirmation that Google Gemini will power the next-generation version of Siri. Following ‌CES 2026‌, we talk through this year's tech showcase, which saw major announcements related to robotics, AI, and display technology, as well as plenty of new Apple accessories. We discuss some of our favorite products highlighted at the event, such as Strada and the Clicks Power Keyboard.Apple this week announced a new bundle called “Apple Creator Studio" that offers access to six creative apps, as well as exclusive AI features and content, as part of a single subscription. In the U.S., pricing is set at $12.99 per month or $129 per year. Six apps are included with the subscription: Final Cut Pro on the Mac and iPad Logic Pro on the Mac and ‌iPad‌ Pixelmator Pro on the Mac and ‌iPad‌ Motion on the Mac Compressor on the Mac MainStage on the Mac For college students, Apple Creator Studio costs $2.99 per month or $29.99 per year. If you set up Family Sharing, you can share an Apple Creator Studio subscription with up to five other family members with a linked Apple Account for free. Pixelmator Pro was previously only available on the Mac, but it is now coming to the iPad. Apple Creator Studio subscribers will receive access to exclusive AI features and premium content across not only the Final Cut Pro and Pixelmator Pro apps, but also the iWork apps Numbers, Pages, and Keynote, and the Freeform app later this year. Apple Creator Studio will be available through the App Store starting on Wednesday, January 28. Final Cut Pro, Logic Pro, Pixelmator Pro, Motion, Compressor, and MainStage will each remain available for one-time purchase, and free versions of the Numbers, Pages, Keynote, and Freeform apps will continue to exist, but only Apple Creator Studio subscribers will receive access to some of the premium new AI features and content.In other news, Apple this week released a statement confirming that Google Gemini will power the next-generation version of ‌Siri‌ that is slated to launch later this year, as was widely rumored. After a considerable delay, the new capabilities will deliver better understanding of a user's personal context, on-screen awareness, and deeper per-app controls.Apple's decision to lean on Google's artificial intelligence technology should result in the revamped ‌Siri‌ being more capable and advanced than it otherwise would have been, as Gemini's large language model is significantly larger than Apple's own model. Apple and Google added that Gemini will help power not only a more personalized version of Siri, but a range of future Apple Intelligence features.The next-generation version of ‌Siri‌ is expected to be introduced with iOS 26.4, which will likely be officially released to the public in March or April.Save more than fifty percent on term life insurance at https://www.selectquote.com/macrumors and get started today!

Apple has a package deal for creative software including Final Cut Pro, Keynote, and Pages, in an effort to compete with Adobe Creative Cloud. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Apple & Google enter a multi-year collaboration to integrate Apple's AI with Google's Gemini model. Apple unveils its Apple Creator Studio app collection. And JPMorganChase will become the new issuer of the Apple Card. Joint statement from Google and Apple. Introducing Apple Creator Studio, an inspiring collection of creative apps. Some first thoughts about live immersive basketball. Apple: You (still) don't understand the Vision Pro. Chase is taking over Apple's credit card. Apple loses Safari lead designer to The Browser Company. Removing Tahoe's unwanted menu icons. iOS 26 shows unusually slow adoption months after release [updated]. Global smartphone shipments grew 2% YoY in 2025; Apple emerged as market leader. Exclusive: India proposes forcing smartphone makers to give source code in security overhaul. Verizon no longer needs to unlock phones after 60 days, thanks to FCC. Apple scores at the 83rd annual Golden Globe Awards with Best Comedy and Best Actor wins for record-breaking hit "The Studio," alongside a Best Actress win for "Pluribus". Legendary classic Macintosh game 'Dark Castle' is coming back to the Mac. Texas man discovers 2.09-carat brown diamond at Arkansas State Park after asking Siri for mining tips. Lego iMac G3 clears key hurdle, moves closer to release. Picks of the Week Doc's Pick: Corsair Xeneon Edge 14.5" LCD Touchscreen Leo's Pick: Insta360 Link 2 & 2CPro Jason's Pick: xteink x4 Andy's Pick: Dark Castle on Internet Archive Hosts: Leo Laporte, Andy Ihnatko, and Jason Snell Guest: Doc Rock Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit

Apple & Google enter a multi-year collaboration to integrate Apple's AI with Google's Gemini model. Apple unveils its Apple Creator Studio app collection. And JPMorganChase will become the new issuer of the Apple Card. Joint statement from Google and Apple. Introducing Apple Creator Studio, an inspiring collection of creative apps. Some first thoughts about live immersive basketball. Apple: You (still) don't understand the Vision Pro. Chase is taking over Apple's credit card. Apple loses Safari lead designer to The Browser Company. Removing Tahoe's unwanted menu icons. iOS 26 shows unusually slow adoption months after release [updated]. Global smartphone shipments grew 2% YoY in 2025; Apple emerged as market leader. Exclusive: India proposes forcing smartphone makers to give source code in security overhaul. Verizon no longer needs to unlock phones after 60 days, thanks to FCC. Apple scores at the 83rd annual Golden Globe Awards with Best Comedy and Best Actor wins for record-breaking hit "The Studio," alongside a Best Actress win for "Pluribus". Legendary classic Macintosh game 'Dark Castle' is coming back to the Mac. Texas man discovers 2.09-carat brown diamond at Arkansas State Park after asking Siri for mining tips. Lego iMac G3 clears key hurdle, moves closer to release. Picks of the Week Doc's Pick: Corsair Xeneon Edge 14.5" LCD Touchscreen Leo's Pick: Insta360 Link 2 & 2CPro Jason's Pick: xteink x4 Andy's Pick: Dark Castle on Internet Archive Hosts: Leo Laporte, Andy Ihnatko, and Jason Snell Guest: Doc Rock Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit

Apple & Google enter a multi-year collaboration to integrate Apple's AI with Google's Gemini model. Apple unveils its Apple Creator Studio app collection. And JPMorganChase will become the new issuer of the Apple Card. Joint statement from Google and Apple. Introducing Apple Creator Studio, an inspiring collection of creative apps. Some first thoughts about live immersive basketball. Apple: You (still) don't understand the Vision Pro. Chase is taking over Apple's credit card. Apple loses Safari lead designer to The Browser Company. Removing Tahoe's unwanted menu icons. iOS 26 shows unusually slow adoption months after release [updated]. Global smartphone shipments grew 2% YoY in 2025; Apple emerged as market leader. Exclusive: India proposes forcing smartphone makers to give source code in security overhaul. Verizon no longer needs to unlock phones after 60 days, thanks to FCC. Apple scores at the 83rd annual Golden Globe Awards with Best Comedy and Best Actor wins for record-breaking hit "The Studio," alongside a Best Actress win for "Pluribus". Legendary classic Macintosh game 'Dark Castle' is coming back to the Mac. Texas man discovers 2.09-carat brown diamond at Arkansas State Park after asking Siri for mining tips. Lego iMac G3 clears key hurdle, moves closer to release. Picks of the Week Doc's Pick: Corsair Xeneon Edge 14.5" LCD Touchscreen Leo's Pick: Insta360 Link 2 & 2CPro Jason's Pick: xteink x4 Andy's Pick: Dark Castle on Internet Archive Hosts: Leo Laporte, Andy Ihnatko, and Jason Snell Guest: Doc Rock Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit

Apple & Google enter a multi-year collaboration to integrate Apple's AI with Google's Gemini model. Apple unveils its Apple Creator Studio app collection. And JPMorganChase will become the new issuer of the Apple Card. Joint statement from Google and Apple. Introducing Apple Creator Studio, an inspiring collection of creative apps. Some first thoughts about live immersive basketball. Apple: You (still) don't understand the Vision Pro. Chase is taking over Apple's credit card. Apple loses Safari lead designer to The Browser Company. Removing Tahoe's unwanted menu icons. iOS 26 shows unusually slow adoption months after release [updated]. Global smartphone shipments grew 2% YoY in 2025; Apple emerged as market leader. Exclusive: India proposes forcing smartphone makers to give source code in security overhaul. Verizon no longer needs to unlock phones after 60 days, thanks to FCC. Apple scores at the 83rd annual Golden Globe Awards with Best Comedy and Best Actor wins for record-breaking hit "The Studio," alongside a Best Actress win for "Pluribus". Legendary classic Macintosh game 'Dark Castle' is coming back to the Mac. Texas man discovers 2.09-carat brown diamond at Arkansas State Park after asking Siri for mining tips. Lego iMac G3 clears key hurdle, moves closer to release. Picks of the Week Doc's Pick: Corsair Xeneon Edge 14.5" LCD Touchscreen Leo's Pick: Insta360 Link 2 & 2CPro Jason's Pick: xteink x4 Andy's Pick: Dark Castle on Internet Archive Hosts: Leo Laporte, Andy Ihnatko, and Jason Snell Guest: Doc Rock Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit

Apple & Google enter a multi-year collaboration to integrate Apple's AI with Google's Gemini model. Apple unveils its Apple Creator Studio app collection. And JPMorganChase will become the new issuer of the Apple Card. Joint statement from Google and Apple. Introducing Apple Creator Studio, an inspiring collection of creative apps. Some first thoughts about live immersive basketball. Apple: You (still) don't understand the Vision Pro. Chase is taking over Apple's credit card. Apple loses Safari lead designer to The Browser Company. Removing Tahoe's unwanted menu icons. iOS 26 shows unusually slow adoption months after release [updated]. Global smartphone shipments grew 2% YoY in 2025; Apple emerged as market leader. Exclusive: India proposes forcing smartphone makers to give source code in security overhaul. Verizon no longer needs to unlock phones after 60 days, thanks to FCC. Apple scores at the 83rd annual Golden Globe Awards with Best Comedy and Best Actor wins for record-breaking hit "The Studio," alongside a Best Actress win for "Pluribus". Legendary classic Macintosh game 'Dark Castle' is coming back to the Mac. Texas man discovers 2.09-carat brown diamond at Arkansas State Park after asking Siri for mining tips. Lego iMac G3 clears key hurdle, moves closer to release. Picks of the Week Doc's Pick: Corsair Xeneon Edge 14.5" LCD Touchscreen Leo's Pick: Insta360 Link 2 & 2CPro Jason's Pick: xteink x4 Andy's Pick: Dark Castle on Internet Archive Hosts: Leo Laporte, Andy Ihnatko, and Jason Snell Guest: Doc Rock Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit

**Techno Pillz: Il Futuro del Montaggio Video e l'Intelligenza Artificiale con Alex Raccuglia

Trusting the process is a really important way to free yourself, and the film, to discover what it is.Viridiana Lieberman is an award-winning documentary filmmaker. She recently edited the Netflix sensation The Perfect Neighbor.In this interview we talk:* Viri's love of the film Contact* Immersion as the core goal in her filmmaking* Her editing tools and workflow* Film school reflections* The philosophy and process behind The Perfect Neighbor — crafting a fully immersive, evidence-only narrative and syncing all audio to its original image.* Her thoughts on notes and collaboration* Techniques for seeing a cut with fresh eyesYou can see all of Viri's credits on her IMD page here.Thanks for reading The Creativity, Education, and Leadership Newsletter! Subscribe for free to receive new posts and support my work.Here is an AI-generated transcript of our conversation. Don't come for me.BEN: Viri, thank you so much for joining us today.VIRI: Oh, thank you for having me. I'm excited to be here.BEN: And I always like to start with a fun question. So senior year of high school, what music were you listening to?VIRI: Oh my goodness. Well, I'm class of 2000, so I mean. I don't even know how to answer this question because I listen to everything.I'm like one of those people I was raving, so I had techno in my system. I have a lot of like, um. The, like, everything from Baby Ann to Tsta. Like, there was like, there was a lot, um, Oak and like Paul Oak and Full, there was like techno. Okay. Then there was folk music because I loved, so Ani DeFranco was the soundtrack of my life, you know, and I was listening to Tori Amos and all that.Okay. And then there's like weird things that slip in, like fuel, you know, like whatever. Who was staying? I don't remember when they came out. But the point is there was like all these intersections, whether I was raving or I was at Warp Tour or I was like at Lili Fair, all of those things were happening in my music taste and whenever I get to hear those songs and like that, that back late nineties, um, rolling into the Ox.Yeah.BEN: I love the Venn diagram of techno and folk music.VIRI: Yeah.BEN: Yeah. What, are you a fan of the film inside Lou and Davis?VIRI: Uh, yes. Yes. I need to watch it again. I watched it once and now you're saying it, and I'm like writing it on my to-dos,BEN: but yes, it, it, the first time I saw it. I saw in the East Village, actually in the theater, and I just, I'm a Cohen Brothers fan, but I didn't love it.Mm-hmm. But it, it stayed on my mind and yeah. Now I probably rewatch it once a year. It might, yeah. In my, in my, on my list, it might be their best film. It's so good. Oh,VIRI: now I'm gonna, I'm putting it on my, I'm literally writing it on my, um, post-it to watch it.BEN: I'mVIRI: always looking for things to watch in the evening.BEN: What, what are some of the docs that kind of lit your flame, that really turned you on?VIRI: Uh, this is one of those questions that I, full transparency, get very embarrassed about because I actually did not have a path of documentary set for me from my film Loving Passion. I mean, when I graduated film school, the one thing I knew I didn't wanna do was documentary, which is hilarious now.Hilarious. My parents laugh about it regularly. Um. Because I had not had a good documentary education. I mean, no one had shown me docs that felt immersive and cinematic. I mean, I had seen docs that were smart, you know, that, but, but they felt, for me, they didn't feel as emotional. They felt sterile. Like there were just, I had seen the most cliched, basic, ignorant read of doc.And so I, you know, I dreamed of making space epics and giant studio films. Contact was my favorite movie. I so like there was everything that about, you know, when I was in film school, you know, I was going to see those movies and I was just chasing that high, that sensory high, that cinematic experience.And I didn't realize that documentaries could be. So it's not, you know, ever since then have I seen docs that I think are incredible. Sure. But when I think about my origin tale, I think I was always chasing a pretty. Not classic, but you know, familiar cinematic lens of the time that I was raised in. But it was fiction.It was fiction movies. And I think when I found Docs, you know, when I was, the very long story short of that is I was looking for a job and had a friend who made docs and I was like, put me in coach, you know, as an editor. And she was like, you've never cut a documentary before. I love you. Uh, but not today.But no, she hired me as an archival producer and then I worked my way up and I said, no, okay, blah, blah, blah. So that path showed me, like I started working on documentaries, seeing more documentaries, and then I was always chasing that cinema high, which by the way, documentaries do incredibly, you know, and have for many decades.But I hadn't met them yet. And I think that really informs. What I love to do in Docs, you know, I mean, I think like I, there's a lot that I like to, but one thing that is very important to me is creating that journey, creating this, you know, following the emotion, creating big moments, you know, that can really consume us.And it's not just about, I mean, not that there are films that are important to me, just about arguments and unpacking and education. At the same time, we have the opportunity to do so much more as storytellers and docs and we are doing it anyway. So that's, that's, you know, when, it's funny, when light my fire, I immediately think of all the fiction films I love and not docs, which I feel ashamed about.‘cause now I know, you know, I know so many incredible documentary filmmakers that light my fire. Um, but my, my impulse is still in the fiction world.BEN: Used a word that it's such an important word, which is immersion. And I, I first saw you speak, um, a week or two ago at the doc NYC Pro panel for editors, documentary editors about the perfect neighbor, which I wanna talk about in a bit because talk about a completely immersive experience.But thank you first, uh, contact, what, what is it about contact that you responded to?VIRI: Oh my goodness. I, well, I watched it growing up. I mean, with my dad, we're both sci-fi people. Like he got me into that. I mean, we're both, I mean he, you know, I was raised by him so clearly it stuck around contact for me. I think even to this day is still my favorite movie.And it, even though I'm kind of a style nut now, and it's, and it feels classic in its approach, but. There's something about all the layers at play in that film. Like there is this crazy big journey, but it's also engaging in a really smart conversation, right? Between science and faith and some of the greatest lines from that film.Are lines that you can say to yourself on the daily basis to remind yourself of like, where we are, what we're doing, why we're doing it, even down to the most basic, you know, funny, I thought the world was what we make it, you know, it's like all of these lines from contact that stick with me when he says, you know, um, did you love your father?Prove it. You know, it's like, what? What is proof? You know? So there were so many. Moments in that film. And for me, you know, climbing into that vessel and traveling through space and when she's floating and she sees the galaxy and she says they should have sent a poet, you know, and you're thinking about like the layers of this experience and how the aliens spoilers, um, you know, show up and talk to her in that conversation herself.Anyways, it's one of those. For me, kind of love letters to the human race and earth and what makes us tick and the complexity of identity all in this incredible journey that feels so. Big yet is boiled down to Jody Foster's very personal narrative, right? Like, it's like all, it just checks so many boxes and still feels like a spectacle.And so the balance, uh, you know, I, I do feel my instincts normally are to zoom in and feel incredibly personal. And I love kind of small stories that represent so much and that film in so many ways does that, and all the other things too. So I'm like, how did we get there? But I really, I can't, I don't know what it is.I can't shake that film. It's not, you know, there's a lot of films that have informed, you know, things I love and take me out to the fringe and take me to the mainstream and, you know, on my candy and, you know, all those things. And yet that, that film checks all the boxes for me.BEN: I remember seeing it in the theaters and you know everything you said.Plus you have a master filmmaker at the absolute top Oh god. Of his class. Oh my,VIRI: yes,BEN: yes. I mean, that mirror shot. Know, know, I mean, my jaw was on the ground because this is like, right, right. As CGI is started. Yes. So, I mean, I'm sure you've seen the behind the scenes of how theyVIRI: Yeah.BEN: Incredible.VIRI: Years.Years. We would be sitting around talking about how no one could figure out how he did it for years. Anybody I met who saw contact would be like, but how did they do the mirror shot? Like I nobody had kind of, yeah. Anyways, it was incredible. And you know, it's, and I,BEN: I saw, I saw it just with some civilians, right?Like the mirror shot. They're like, what are you talking about? The what? Huh?VIRI: Oh, it's so funny you bring that up because right now, you know, I went a friend, I have a friend who's a super fan of Wicked. We went for Wicked for Good, and there is a sequence in that film where they do the mirror jot over and over and over.It's like the, it's like the. Special device of that. It feels that way. That it's like the special scene with Glenda and her song. And someone next to me was sitting there and I heard him under his breath go,wow.Like he was really having a cinematic. And I wanted to lean over and be like, watch contact, like, like the first time.I saw it was there and now it's like people have, you know, unlocked it and are utilizing it. But it was, so, I mean, also, let's talk about the opening sequence of contact for a second. Phenomenal. Because I, I don't think I design, I've ever seen anything in cinema in my life like that. I if for anybody who's listening to this, even if you don't wanna watch the entire movie, which of course I'm obviously pitching you to do.Watch the opening. Like it, it's an incredible experience and it holds up and it's like when, yeah. Talk about attention to detail and the love of sound design and the visuals, but the patience. You wanna talk about trusting an audience, sitting in a theater and that silence Ah, yeah. Heaven film heaven.BEN: I mean, that's.That's one of the beautiful things that cinema does in, in the theater. Right. It just, you're in, you're immersed in this case, you know, pulling away from earth through outer space at however many, you know, hundreds of millions of miles an hour. You can't get that anywhere else. Yeah. That feeling,VIRI: that film is like all the greatest hits reel of.Storytelling gems. It's like the adventure, the love, the, you know, the, the complicated kind of smart dialogue that we can all understand what it's saying, but it's, but it's doing it through the experience of the story, you know, and then someone kind of knocks it outta the park without one quote where you gasp and it's really a phenomenal.Thing. Yeah. I, I've never, I haven't talked about contact as much in ages. Thank you for this.BEN: It's a great movie. It's there, and there were, there were two other moments in that movie, again when I saw it, where it's just like, this is a, a master storyteller. One is, yeah. When they're first like trying to decode the image.Mm-hmm. And you see a swastika.VIRI: Yeah. Oh yeah. And you're like,BEN: what the, what the f**k? That was like a total left turn. Right. But it's, it's, and I think it's, it's from the book, but it's like the movie is, it's, it's, you know, it's asking these questions and then you're like totally locked in, not expecting.You know, anything from World War II to be a part of this. And of course in the movie the, go ahead.VIRI: Yeah, no, I was gonna say, but the seed of thatBEN: is in the first shot,VIRI: scientifically educating. Oh yes. Well, the sensory experience, I mean, you're like, your heart stops and you get full Bo chills and then you're scared and you know, you're thinking a lot of things.And then when you realize the science of it, like the first thing that was broadcast, like that type of understanding the stakes of our history in a space narrative. And, you know, it, it just, there's so much. You know, unfurling in your mind. Yeah. In that moment that is both baked in from your lived experiences and what you know about the world, and also unlocking, so what's possible and what stakes have already been outside of this fiction, right?Mm-hmm. Outside of the book, outside of the telling of this, the reality of what has already happened in the facts of it. Yeah. It's really amazing.BEN: And the other moment we're just, and now, you know, being a filmmaker, you look back and I'm sure this is, it falls neatly and at the end of the second act. But when Tom scars, you know, getting ready to go up on the thing and then there's that terrorist incident or whatever, and the whole thing just collapses, the whole, um, sphere collapses and you just like, wait, what?Is that what's gonna happen now?VIRI: Yeah, like a hundred million dollars in it. It does too. It just like clink pun. Yeah. Everything.BEN: Yeah.VIRI: Think they'll never build it again. I mean, you just can't see what's coming after that and how it went down, who it happened to. I mean, that's the magic of that film, like in the best films.Are the ones where every scene, every character, it has so much going into it. Like if somebody paused the film there and said, wait, what's happening? And you had to explain it to them, it would take the entire movie to do it, you know, which you're like, that's, we're in it. Yeah. Anyway, so that's a great moment too, where I didn't, and I remember when they reveal spoilers again, uh, that there's another one, but when he is zooming in, you know, and you're like, oh, you know, it just, it's, yeah.Love it. It's wonderful. Now, I'm gonna watch that tonight too. IBEN: know, I, I haven't probably, I probably haven't watched that movie in 10 years, but now I gotta watch it again.VIRI: Yeah.BEN: Um, okay, so let's talk doc editing. Yes. What, um, I always like to, I heard a quote once that something about when, when critics get together, they talk meaning, and when artists get together, they talk paint.So let's talk paint for a second. What do you edit on?VIRI: I cut mainly on Avid and Premier. I, I do think of myself as more of an avid lady, but there's been a lot of probably the films that have done the most. I cut on Premier, and by that I mean like, it's interesting that I always assume Avid is my standard yet that most of the things that I love most, I cut on Premiere right now.I, I toggle between them both multiple projects on both, on both, um, programs and they're great. I love them equal for different reasons. I'm aBEN: big fan of Avid. I think it gets kind of a, a bad rap. Um, what, what are the benefits of AVID versus pr? I've never used Premier, but I was a big final cut seven person.So everybody has said that. Premier kind of emulates Final cut. Seven.VIRI: I never made a past seven. It's funny, I recently heard people are cutting on Final Cut Pro again, which A adds off. But I really, because I thought that ship had sailed when they went away from seven. So with, I will say like the top line things for me, you know, AVID forces you to control every single thing you're doing, which I actually think it can feel hindering and intimidating to some folks, but actually is highly liberating once you learn how to use it, which is great.It's also wonderful for. Networks. I mean, you can send a bin as a couple kilobyte. Like the idea that the shared workflow, when I've been on series or features with folks, it's unbeatable. Uh, you know, it can be cumbersome in like getting everything in there and stuff like that and all, and, but, but it kind of forces you to set up yourself for success, for online, for getting everything out.So, and there's a lot of good things. So then on conversely Premier. It's amazing ‘cause you can hit the ground running. You just drag everything in and you go. The challenge of course is like getting it out. Sometimes that's when you kind of hit the snaps. But I am impressed when I'm working with multiple frame rates, frame sizes, archival for many decades that I can just bring it into Premier and go and just start cutting.And you know, also it has a lot of intuitive nature with other Adobe Pro, you know, uh, applications and all of this, which is great. There's a lot of shortcuts. I mean, they're getting real. Slick with a lot of their new features, which I have barely met. I'm like an archival, I'm like a ancient picture editor lady from the past, like people always teach me things.They're just like, you know, you could just, and I'm like, what? But I, so I guess I, you know, I don't have all the tech guru inside talk on that, but I think that when I'm doing short form, it does feel like it's always premier long form. Always seems to avid. Team stuff feels avid, you know, feature, low budge features where they're just trying to like make ends meet.Feel Premier, and I think there's an enormous accessibility with Premier in that regard. But I still feel like Avid is a studios, I mean, a, a studio, well, who knows? I'm cut in the studios. But an industry standard in a lot of ways it still feels that way.BEN: Yeah, for sure. How did you get into editing?VIRI: I went to film school and while I was there, I really like, we did everything.You know, we learned how to shoot, we learned everything. Something about editing was really thrilling to me. I, I loved the puzzle of it, you know, I loved putting pieces together. We did these little funny exercises where we would take a movie and cut our own trailer and, you know, or they'd give us all the same footage and we cut our scene from it and.Itwas really incredible to see how different all those scenes were, and I loved finding ways to multipurpose footage, make an entire tone feel differently. You know, like if we're cutting a scene about a bank robbery, like how do you all of a sudden make it feel, you know, like romantic, you know, or whatever.It's like how do we kind of play with genre and tone and how much you can reinvent stuff, but it was really structure and shifting things anyways, it really, I was drawn to it and I had fun editing my things and helping other people edit it. I did always dream of directing, which I am doing now and I'm excited about, but I realized that my way in with editing was like learning how to do a story in that way, and it will always be my language.I think even as I direct or write or anything, I'm really imagining it as if I'm cutting it, and that could change every day, but like when I'm out shooting. I always feel like it's my superpower because when I'm filming it's like I know what I have and how I'll use it and I can change that every hour.But the idea of kind of knowing when you've got it or what it could be and having that reinvented is really incredible. So got into edit. So left film school. And then thought and loved editing, but wasn't like, I'm gonna be an editor. I was still very much on a very over, you know what? I guess I would say like, oh, I was gonna say Overhead, broad bird's eye.I was like, no, I'm gonna go make movies and then I'll direct ‘em and onward, but work, you know, worked in post houses, overnights, all that stuff and PA and try made my own crappy movies and you know, did a lot of that stuff and. It kept coming back to edit. I mean, I kept coming back to like assistant jobs and cutting, cutting, cutting, cutting, and it just felt like something that I had a skill for, but I didn't know what my voice was in that.Like I didn't, it took me a long time to realize I could have a voice as an editor, which was so dumb, and I think I wasted so much time thinking that like I was only search, you know, like that. I didn't have that to bring. That editing was just about. Taking someone else's vision. You know, I'm not a set of hands like I'm an artist as well.I think we all are as editors and I was very grateful that not, not too long into, you know, when I found the doc path and I went, okay, I think this is where I, I can rock this and I'm pretty excited about it. I ended up working with a small collection of directors who all. Respected that collaboration.Like they were excited for what I do and what I bring to it and felt, it made me feel like we were peers working together, which was my fantasy with how film works. And I feel like isn't always the constant, but I've been spoiled and now it's what I expect and what I want to create for others. And you know, I hope there's more of us out there.So it's interesting because my path to editing. Was like such a, a practical one and an emotional one, and an ego one, and a, you know, it's like, it's like all these things that have led me to where I am and the perfect neighbor is such a culmination of all of that. For sure.BEN: Yeah. And, and I want to get into it, uh, first the eternal question.Yeah. Film school worth it or not worth it?VIRI: I mean, listen, I. We'll share this. I think I've shared this before, but relevant to the fact I'll share it because I think we can all learn from each other's stories. I did not want to go to college. Okay? I wanted to go straight to la. I was like, I'm going to Hollywood.I wanted to make movies ever since I was a kid. This is what I'm gonna do, period. I come from a family of teachers. All of my parents are teachers. My parents divorced. I have my stepparent is teacher, like everybody's a teacher. And they were like, no. And not just a teacher. My mom and my dad are college professors, so they were like college, college, college.I sabotaged my SATs. I did not take them. I did not want to go to college. I was like, I am going to Los Angeles. Anyways, uh, my parents applied for me. To an accredited arts college that, and they were like, it's a three year try semester. You'll shoot on film, you can do your, you know, and they submitted my work from high school when I was in TV production or whatever.Anyways, they got me into this little college, and when I look back, I know that that experience was really incredible. I mean, while I was there, I was counting the days to leave, but I know that it gave me not only the foundation of. You know, learning, like, I mean, we were learning film at the time. I don't know what it's like now, but like we, you know, I learned all the different mediums, which was great on a vocational level, you know, but on top of that, they're just throwing cans of film at us and we're making all the mistakes we need to make to get where we need to get.And the other thing that's happening is there's also like the liberal arts, this is really, sounds like a teacher's kid, what I'm about to say. But like, there's also just the level of education To be smarter and learn more about the world, to inform your work doesn't mean that you can't. You can't skip college and just go out there and find your, and learn what you wanna learn in the stories that you journey out to tell.So I feel really torn on this answer because half of me is like. No, you don't need college. Like just go out and make stuff and learn what you wanna learn. And then the other half of me have to acknowledge that, like, I think there was a foundation built in that experience, in that transitional time of like semi-structure, semi independence, you know, like all the things that come with college.It's worth it, but it's expensive as heck. And I certainly, by the time I graduated, film wasn't even a thing and I had to learn digital out in the world. And. I think you can work on a film set and learn a hell of a lot more than you'll ever learn in a classroom. And at the same time, I really love learning.So, you know, my, I think I, my parents were right, they know it ‘cause I went back to grad school, so that was a shock for them. But I think, but yeah, so I, I get, what I would say is, it really is case, this is such a cop out of an answer, case by case basis. Ask yourself, you know, if you need that time and if you, if you aren't gonna go.You need to put in the work. You have to really like go out, go on those sets, work your tail off, seek out the books, read the stuff, you know, and no one's gonna hand you anything. And my stories are a hell of a lot, I think smarter and eloquent because of the education I had. Yeah.BEN: So you shuttle on, what was the school, by the way?VIRI: Well, it was called the, it was called the International Fine Arts College. It no longer exists because Art Institute bought it. It's now called the Miami International University of Art and Design, and they bought it the year I graduated. So I went to this tiny little arts college, uh, but graduated from this AI university, which my parents were like, okay.Um, but we were, it was a tiny little college owned by this man who would invite all of us over to his mansion for brunch every year. I mean, it was very strange, but cool. And it was mainly known for, I think fashion design and interior design. So the film kids, we all kind of had, it was an urban campus in Miami and we were all like kind of in a wado building on the side, and it was just kind of a really funky, misfit feeling thing that I thought was, now when I look back, I think was like super cool.I mean, they threw cans of film at us from the very first semester. There was no like, okay, be here for two years and earn your opportunity. We were making stuff right away and all of our teachers. All of our professors were people who were working in the field, like they were ones who were, you know, writing.They had written films and fun fact of the day, my, my cinematography professor was Sam Beam from Iron and Wine. If anybody knows Iron and Wine, like there's like, there's like we, we had crazy teachers that we now realize were people who were just probably trying to pay their bills while they were on their journey, and then they broke out and did their thing after we were done.BEN: Okay, so shooting on film. Yeah. What, um, was it 16 or 35? 16. And then how are you doing sound? No, notVIRI: 35, 16. Yeah. I mean, we had sound on Dax, you know, like we were recording all the mm-hmm. Oh, when we did the film. Yeah, yeah. Separate. Yeah, yeah, yeah. We did the Yeah. Syncs soundBEN: into a We did a,VIRI: yeah, we did, we did one.We shot on a Bolex, I think, if I remember it right. It did like a tiny, that probably was eight, you know? But the point is we did that on. The flatbed. After that, we would digitize and we would cut on media 100, which was like this. It was, I think it was called the, I'm pretty sure it was called Media 100.It was like this before avid, you know. A more archaic editing digital program that, so we did the one, the one cut and splice version of our, our tiny little films. And then we weren't on kind of beautiful steam backs or anything. It was like, you know, it was much, yeah, smaller. But we had, but you know, we raced in the changing tents and we did, you know, we did a lot of film, love and fun.And I will tell you for your own amusement that we were on set once with somebody making their short. The girl at the AC just grabbed, grabbed the film, what's, oh my God, I can't even believe I'm forgetting the name of it. But, um, whatever the top of the camera grabbed it and thought she had unlocked it, like unhinged it and just pulled it out after all the film just come spooling out on set.And we were like, everybody just froze and we were just standing there. It was like a bad sketch comedy, like we're all just standing there in silence with like, just like rolling out of the camera. I, I'll never forget it.BEN: Nightmare. Nightmare. I, you know, you said something earlier about when you're shooting your own stuff.Being an editor is a little bit of a superpower because you know, oh, I'm gonna need this, I'm gonna need that. And, and for me it's similar. It's especially similar. Like, oh, we didn't get this. I need to get an insert of this ‘cause I know I'm probably gonna want that. I also feel like, you know, I came up, um, to instill photography, 35 millimeter photography, and then when I got into filmmaking it was, um, digital, uh, mini DV tape.So, but I feel like the, um, the structure of having this, you know, you only have 36 shots in a still camera, so you've gotta be sure that that carried over even to my shooting on digital, of being meticulous about setting up the shot, knowing what I need. Whereas, you know, younger people who have just been shooting digital their whole lives that just shoot everything and we'll figure it out later.Yeah. Do do you, do you feel you had that Advant an advantage? Yes. Or sitting on film gave you some advantages?VIRI: I totally, yes. I also am a firm believer and lover of intention. Like I don't this whole, like we could just snap a shot and then punch in and we'll, whatever. Like it was my worst nightmare when people started talking about.We'll shoot scenes and something, it was like eight K, so we can navigate the frame. And I was like, wait, you're not gonna move the camera again. Like, it just, it was terrifying. So, and we passed that, but now the AI stuff is getting dicey, but the, I think that you. I, I am pretty romantic about the hands-on, I like books with paper, you know, like, I like the can, the cinematographer to capture, even if it's digital.And those benefits of the digital for me is like, yes, letting it roll, but it's not about cheating frames, you know, like it's about, it's about the accessibility of being able to capture things longer, or the technology to move smoother. These are good things. But it's not about, you know, simplifying the frame in something that we need to, that is still an art form.Like that's a craft. That's a craft. And you could argue that what we choose, you know, photographers, the choice they make in Photoshop is the new version of that is very different. Like my friends who are dps, you know, there's always like glasses the game, right? The lenses are the game. It's like, it's not about filters In posts, that was always our nightmare, right?The old fix it and post everybody's got their version of their comic strip that says Fix it and post with everything exploding. It's like, no, that's not what this is about. And so, I mean, I, I think I'll always be. Trying to, in my brain fight the good fight for the craftiness of it all because I'm so in love with everything.I miss film. I'm sad. I miss that time. I mean, I think I, it still exists and hopefully someday I'll have the opportunity that somebody will fund something that I'm a part of that is film. And at the same time there's somewhere in between that still feels like it's honoring that freshness. And, and then now there's like the, yeah, the new generation.It's, you know, my kids don't understand that I have like. Hand them a disposable camera. We'll get them sometimes for fun and they will also like click away. I mean, the good thing you have to wind it so they can't, they can't ruin it right away, but they'll kind of can't fathom that idea. And um, and I love that, where you're like, we only get 24 shots.Yeah, it's veryBEN: cool. So you said you felt the perfect neighbor, kind of, that was the culmination of all your different skills in the craft of editing. Can you talk a little bit about that?VIRI: Yes. I think that I spent, I think all the films, it's like every film that I've had the privilege of being a part of, I have taken something like, there's like some tool that was added to the tool belt.Maybe it had to do with like structure or style or a specific build to a quote or, or a device or a mechanism in the film, whatever it is. It was the why of why that felt right. That would kind of be the tool in the tool belt. It wouldn't just be like, oh, I learned how to use this new toy. It was like, no, no.There's some kind of storytelling, experience, technique, emotion that I felt that Now I'm like, okay, how do I add that in to everything I do? And I want every film to feel specific and serve what it's doing. But I think a lot of that sent me in a direction of really always approaching a project. Trying to meet it for like the, the work that only it can do.You know, it's like, it's not about comps. It's not about saying like, oh, we're making a film that's like, fill in the blank. I'm like, how do we plug and play the elements we have into that? It's like, no, what are the elements we have and how do we work with them? And that's something I fought for a lot on all the films I've been a part of.Um, and by that I mean fight for it. I just mean reminding everybody always in the room that we can trust the audience, you know, that we can. That, that we should follow the materials what, and work with what we have first, and then figure out what could be missing and not kind of IME immediately project what we think it needs to be, or it should be.It's like, no, let's discover what it is and then that way we will we'll appreciate. Not only what we're doing in the process, but ultimately we don't even realize what it can do for what it is if we've never seen it before, which is thrilling. And a lot of those have been a part of, there have been pockets of being able to do that.And then usually near the end there's a little bit of math thing that happens. You know, folks come in the room and they're trying to, you know, but what if, and then, but other people did. Okay, so all you get these notes and you kind of reel it in a little bit and you find a delicate balance with the perfect neighbor.When Gita came to me and we realized, you know, we made that in a vacuum like that was we, we made that film independently. Very little money, like tiny, tiny little family of the crew. It was just me and her, you know, like when we were kind of cutting it together and then, and then there's obviously producers to kind of help and build that platform and, and give great feedback along the way.But it allowed us to take huge creative risks in a really exciting way. And I hate that I even have to use the word risks because it sounds like, but, but I do, because I think that the industry is pushing against, you know, sometimes the spec specificity of things, uh, in fear of. Not knowing how it will be received.And I fantasize about all of us being able to just watch something and seeing how we feel about it and not kind of needing to know what it is before we see it. So, okay, here comes the perfect neighbor. GTA says to me early on, like, I think. I think it can be told through all these materials, and I was like, it will be told through like I was determined and I held us very strict to it.I mean, as we kind of developed the story and hit some challenges, it was like, this is the fun. Let's problem solve this. Let's figure out what it means. But that also came within the container of all this to kind of trust the audience stuff that I've been trying to repeat to myself as a mantra so I don't fall into the trappings that I'm watching so much work do.With this one, we knew it was gonna be this raw approach and by composing it completely of the evidence, it would ideally be this kind of undeniable way to tell the story, which I realized was only possible because of the wealth of material we had for this tracked so much time that, you know, took the journey.It did, but at the same time, honoring that that's all we needed to make it happen. So all those tools, I think it was like. A mixed bag of things that I found that were effective, things that I've been frustrated by in my process. Things that I felt radical about with, you know, that I've been like trying to scream in, into the void and nobody's listening.You know, it's like all of that because I, you know, I think I've said this many times. The perfect neighbor was not my full-time job. I was on another film that couldn't have been more different. So I think in a, in a real deep seated, subconscious way, it was in conversation with that. Me trying to go as far away from that as possible and in understanding what could be possible, um, with this film.So yeah, it's, it's interesting. It's like all the tools from the films, but it was also like where I was in my life, what had happened to me, you know, and all of those. And by that I mean in a process level, you know, working in film, uh, and that and yes, and the values and ethics that I honor and wanna stick to and protect in the.Personal lens and all of that. So I think, I think it, it, it was a culmination of many things, but in that approach that people feel that has resonated that I'm most proud of, you know, and what I brought to the film, I think that that is definitely, like, I don't think I could have cut this film the way I did at any other time before, you know, I think I needed all of those experiences to get here.BEN: Oh, there's so much there and, and there's something kind of the. The first part of what you were saying, I've had this experience, I'm curious if you've had this experience. I sort of try to prepare filmmakers to be open to this, that when you're working with something, especially Doc, I think Yeah. More so Doc, at a certain point the project is gonna start telling you what it wants to be if you, if you're open to it.Yes. Um, but it's such a. Sometimes I call it the spooky process. Like it's such a ephemeral thing to say, right? Like, ‘cause you know, the other half of editing is just very technical. Um, but this is like, there's, there's this thing that's gonna happen where it's gonna start talking to you. Do you have that experience?VIRI: Yes. Oh, yes. I've also been a part of films that, you know, they set it out to make it about one person. And once we watched all the footage, it is about somebody else. I mean, there's, you know, those things where you kind of have to meet the spooky part, you know, in, in kind of honoring that concept that you're bringing up is really that when a film is done, I can't remember cutting it.Like, I don't, I mean, I remember it and I remember if you ask me why I did something, I'll tell you. I mean, I'm very, I am super. Precious to a fault about an obsessive. So like you could pause any film I've been a part of and I'll tell you exactly why I used that shot and what, you know, I can do that. But the instinct to like just grab and go when I'm just cutting and I'm flowing.Yeah, that's from something else. I don't know what that is. I mean, I don't. People tell me that I'm very fast, which is, I don't know if that's a good or a bad thing, but I think it really comes from knowing that the job is to make choices and you can always go back and try different things, but this choose your own adventure novel is like just going, and I kind of always laugh about when I look back and I'm like, whoa, have that happen.Like, you know, like I don't even. And I have my own versions of imposter syndrome where I refill mens and I'm like, oh, got away with that one. Um, or every time a new project begins, I'm like, do I have any magic left in the tank? Um, but, but trusting the process, you know, to what you're socking about is a really important way to free yourself and the film to.Discover what it is. I think nowadays because of the algorithm and the, you know, I mean, it's changing right now, so we'll see where, how it recalibrates. But for a, for a while, over these past years, the expectations have, it's like shifted where they come before the film is like, it's like you create your decks and your sizzles and you write out your movie and you, and there is no time for discovery.And when it happens. It's like undeniable that you needed to break it because it's like you keep hitting the same impasse and you can't solve it and then you're like, oh, that's because we have to step outta the map. But I fear that many works have suffered, you know, that they have like followed the map and missed an opportunity.And so, you know, and for me as an editor, it's always kinda a red flag when someone's like, and here's the written edit. I'm like, what? Now let's watch the footage. I wanna know where There's always intention when you set up, but as people always say, the edit is kind of the last. The last step of the storytelling process.‘cause so much can change there. So there is, you know, there it will reveal itself. I do get nerdy about that. I think a film knows what it is. I remember when I was shooting my first film called Born to Play, that film, we were. At the championship, you know, the team was not, thought that they were gonna win the whole thing.We're at the championship and someone leaned over to me and they said, you know, it's funny when a story knows it's being filmed. And I was like, ah. I think about that all the time because now I think about that in the edit bay. I'm like, okay, you tell me, you know, what do you wanna do? And then you kind of like, you match frame back to something and all of a sudden you've opened a portal and you're in like a whole new theme.It's very cool. You put, you know, you put down a different. A different music temp, music track, and all of a sudden you're making a new movie. I mean, it's incredible. It's like, it really is real world magic. It's so much fun. Yeah,BEN: it is. It's a blast. The, so, uh, I saw you at the panel at Doc NYC and then I went that night or the next night and watched Perfect Neighbor blew me away, and you said something on the panel that then blew me away again when I thought about it, which is.I think, correct me if I'm wrong, all of the audio is syncedVIRI: Yeah. To the footage.BEN: That, to me is the big, huge, courageous decision you made.VIRI: I feel like I haven't said that enough. I don't know if folks understand, and it's mainly for the edit of that night, like the, I mean, it's all, it's, it's all that, but it was important.That the, that the sound would be synced to the shock that you're seeing. So when you're hearing a cop, you know, a police officer say, medics, we need medics. If we're in a dashboard cam, that's when it was, you know, echoing from the dashboard. Like that's what, so anything you're hearing is synced. When you hear something coming off from the per when they're walking by and you hear someone yelling something, you know, it's like all of that.I mean, that was me getting really strict about the idea that we were presenting this footage for what it was, you know, that it was the evidence that you are watching, as you know, for lack of a better term, unbiased, objectively as possible. You know, we're presenting this for what it is. I, of course, I have to cut down these calls.I am making choices like that. That is happening. We are, we are. Composing a narrative, you know, there, uh, that stuff is happening. But to create, but to know that what you're hearing, I'm not applying a different value to the frame on, on a very practical syn sound way. You know, it's like I'm not gonna reappropriate frames.Of course, in the grand scheme of the narrative flow with the emotions, you know, the genre play of this horror type film, and there's a lot happening, but anything you were hearing, you know, came from that frame. Yeah.BEN: That's amazing. How did you organize the footage and the files initially?VIRI: Well, Gita always likes to laugh ‘cause she is, she calls herself my first ae, which is true.I had no a, you know, I had, she was, she had gotten all that material, you know, she didn't get that material to make a film. They had originally, this is a family friend who died and when this all happened, they went down and gathered this material to make a case, to make sure that Susan didn't get out. To make sure this was not forgotten.You know, to be able to utilize. Protect the family. And so there was, at first it was kind of just gathering that. And then once she got it, she realized that it spanned two years, you know, I mean, she, she popped, she was an editor for many, many years, an incredible editor. She popped it into a system, strung it all out, sunk up a lot of it to see what was there, and realized like, there's something here.And that's when she called me. So she had organized it, you know, by date, you know, and that, that originally. Strung out a lot of it. And then, so when I came in, it was just kind of like this giant collection of stuff, like folders with the nine one calls. How long was the strung out? Well, I didn't know this.Well, I mean, we have about 30 hours of content. It wasn't one string out, you know, it was like there were the call, all the calls, and then the 9 1 1 calls, the dash cams. The ring cams. Okay. Excuse me. The canvassing interviews, audio only content. So many, many. Was about 30 hours of content, which honestly, as most of us editors know, is not actually a lot I've cut.You know, it's usually, we have tons more than that. I mean, I, I've cut decades worth of material and thousands of hours, you know, but 30 hours of this type of material is very specific, you know, that's a, that's its own challenge. So, so yeah. So the first, so it was organized. It was just organized by call.Interview, you know, some naming conventions in there. Some things we had to sync up. You know, the 9 1 1 calls would overlap. You could hear it in the nine one one call center. You would hear someone, one person who called in, and then you'd hear in the background, like the conversation of another call. It's in the film.There's one moment where you can hear they're going as fast as they can, like from over, from a different. So there was so much overlap. So there was some syncing that we kind of had to do by ear, by signals, by, you know, and there's some time coding on the, on the cameras, but that would go off, which was strange.They weren't always perfect. So, but that, that challenge unto itself would help us kind of really screen the footage to a finite detail, right. To like, have, to really understand where everybody is and what they're doing when,BEN: yeah. You talked about kind of at the end, you know, different people come in, there's, you know, maybe you need to reach a certain length or so on and so forth.How do you, um, handle notes? What's your advice to young filmmakers as far as navigating that process? Great question.VIRI: I am someone who, when I was a kid, I had trouble with authority. I wasn't like a total rebel. I think I was like a really goody goody too. She was borderline. I mean, I had my moments, but growing up in, in a journey, an artistic journey that requires you to kind of fall in love with getting critiques and honing things and working in teams.And I had some growing pains for a long time with notes. I mean, my impulse was always, no. A note would come and I'd go, no, excuse me. Go to bed, wake up. And then I would find my way in and that would be great. That bed marinating time has now gone away, thank goodness. And I have realized that. Not all notes, but some notes have really changed the trajectory of a project in the most powerful waves.And it doesn't always the, to me, what I always like to tell folks is it's, the notes aren't really the issues. It's what? It's the solutions people offer. You know? It's like you can bring up what you're having an issue with. It's when people kind of are like, you know what I would do? Or you know what you think you should do, or you could do this.You're like, you don't have to listen to that stuff. I mean, you can. You can if you have the power to filter it. Some of us do, some of us don't. I've worked with people who. Take all the notes. Notes and I have to, we have to, I kind of have to help filter and then I've worked with people who can very quickly go need that, don't need that need, that, don't need that.Hear that, don't know how to deal with that yet. You know, like if, like, we can kind of go through it. So one piece of advice I would say is number one, you don't have to take all the notes and that's, that's, that's an honoring my little veary. Wants to stand by the vision, you know, and and fight for instincts.Okay. But the second thing is the old classic. It's the note behind the note. It's really trying to understand where that note's coming from. Who gave it what they're looking for? You know, like is that, is it a preference note or is it a fact? You know, like is it something that's really structurally a problem?Is it something that's really about that moment in the film? Or is it because of all the events that led to that moment that it's not doing the work you think it should? You know, the, the value is a complete piece. So what I really love about notes now is I get excited for the feedback and then I get really excited about trying to decipher.What they mean, not just taking them as like my to-do list. That's not, you know, that's not the best way to approach it. It's really to get excited about getting to actually hear feedback from an audience member. Now, don't get me wrong, an audience member is usually. A producer in the beginning, and they have, they may have their own agenda, and that's something to know too.And maybe their agenda can influence the film in an important direction for the work that they and we all wanted to do. Or it can help at least discern where their notes are coming from. And then we can find our own emotional or higher level way to get into solving that note. But, you know, there's still, I still get notes that make me mad.I still get notes where I get sad that I don't think anybody was really. Watching it or understanding it, you know, there's always a thought, you know, that happens too. And to be able to read those notes and still find that like one kernel in there, or be able to read them and say, no kernels. But, but, but by doing that, you're now creating the conviction of what you're doing, right?Like what to do and what not to do. Carrie, equal value, you know, so you can read all these notes and go, oh, okay, so I am doing this niche thing, but I believe in it and. And I'm gonna stand by it. Or like, this one person got it and these five didn't. And I know that the rules should be like majority rules, but that one person, I wanna figure out why they got it so that I can try to get these, you know, you get what I'm saying?So I, I've grown, it took a long time for me to get where I am and I still have moments where I'm bracing, you know, where I like to scroll to see how many notes there are before I even read them. You know, like dumb things that I feel like such a kid about. But we're human. You know, we're so vulnerable.Doing this work is you're so naked and you're trying and you get so excited. And I fall in love with everything. I edit so furiously and at every stage of the process, like my first cut, I'm like, this is the movie. Like I love this so much. And then, you know, by the 10th root polling experience. I'm like, this is the movie.I love it so much. You know, so it's, it's painful, but at the same time it's like highly liberating and I've gotten a lot more flowy with it, which was needed. I would, I would encourage everybody to learn how to really enjoy being malleable with it, because that's when you find the sweet spot. It's actually not like knowing everything right away, exactly what it's supposed to be.It's like being able to know what the heart of it is. And then get really excited about how collaborative what we do is. And, and then you do things you would've never imagined. You would've never imagined, um, or you couldn't have done alone, you know, which is really cool. ‘cause then you get to learn a lot more about yourself.BEN: Yeah. And I think what you said of sort of being able to separate the idea of, okay, something maybe isn't clicking there, versus whatever solution this person's offering. Nine times outta 10 is not gonna be helpful, but, but the first part is very helpful that maybe I'm missing something or maybe what I want to connect is not connecting.VIRI: And don't take it personally. Yeah. Don't ever take it personally. I, I think that's something that like, we're all here to try to make the best movie we can.BEN: Exactly.VIRI: You know? Yeah. And I'm not gonna pretend there aren't a couple sticklers out there, like there's a couple little wrenches in the engine, but, but we will, we all know who they are when we're on the project, and we will bind together to protect from that.But at the same time, yeah, it's, yeah. You get it, you get it. Yeah. But it's really, it's an important part of our process and I, it took me a while to learn that.BEN: Last question. So you talked about kind of getting to this cut and this cut and this cut. One of the most important parts of editing, I think is especially when, when you've been working on a project for a long time, is being able to try and see it with fresh eyes.And of course the, one of the ways to do that is to just leave it alone for three weeks or a month or however long and then come back to it. But sometimes we don't have that luxury. I remember Walter Merch reading in his book that sometimes he would run the film upside down just to, mm-hmm. You know, re re redo it the way his brain is watching it.Do you have any tips and tricks for seeing a cut with fresh eyes? OhVIRI: yeah. I mean, I mean, other than stepping away from it, of course we all, you know, with this film in particular, I was able to do that because I was doing other films too. But I, one good one I always love is take all the music out. Just watch the film without music.It's really a fascinating thing. I also really like quiet films, so like I tend to all of a sudden realize like, what is absolutely necessary with the music, but, but it, it really, people get reliant on it, um, to do the work. And you'd be pleasantly surprised that it can inform and reinvent a scene to kind of watch it without, and you can, it's not about taking it out forever, it's just the exercise of watching what the film is actually doing in its raw form, which is great.Switching that out. I mean, I can, you know, there's other, washing it upside down, I feel like. Yeah, I mean like there's a lot of tricks we can trick our trick, our brain. You can do, you could also, I. I think, I mean, I've had times where I've watched things out of order, I guess. Like where I kind of like go and I watch the end and then I click to the middle and then I go back to the top, you know?And I'm seeing, like, I'm trying to see if they're all connecting, like, because I'm really obsessed with how things begin and how they end. I think the middle is highly important, but it really, s**t tells you, what are we doing here? Like what are we set up and where are we ending? And then like, what is the most effective.Journey to get there. And so there is a way of also kind of trying to pinpoint the pillars of the film and just watching those moments and not kind, and then kind of reverse engineering the whole piece back out. Yeah, those are a couple of tricks, but more than anything, it's sometimes just to go watch something else.If you can't step away from the project for a couple of weeks, maybe watch something, you could, I mean, you can watch something comparable in a way. That tonally or thematically feels in conversation with it to just kind of then come back and feel like there's a conversation happening between your piece and that piece.The other thing you could do is watch something so. Far different, right? Like, even if you like, don't like, I don't know what I'm suggesting, you'd have to, it would bend on the project, but there's another world where like you're like, all right, I'm gonna go off and watch some kind of crazy thrill ride and then come back to my slow burn portrait, you know, and, and just, just to fresh the pal a little bit, you know?I was like that. It's like fueling the tanks. We should be watching a lot of stuff anyways, but. That can happen too, so you don't, you also get to click off for a second because I think we can get, sometimes it's really good to stay in it at all times, but sometimes you can lose the force for the, you can't see it anymore.You're in the weeds. You're too close to it. So how do we kind of shake it loose? Feedback sessions, by the way, are a part, is a part of that because I think that when you sit in the back of the room and you watch other people watch the film, you're forced to watch it as another person. It's like the whole thing.So, and I, I tend to watch people's body language more than, I'm not watching the film. I'm like watching for when people shift. Yeah, yeah. I'm watching when people are like coughing or, you know, or when they, yeah. Whatever. You get it. Yeah. Yeah. That, that, soBEN: that is the most helpful part for me is at a certain point I'll bring in a couple friends and I'll just say, just want you to watch this, and I'm gonna ask you a couple questions afterwards.But 95% of what I need is just sitting there. Watching them and you said exactly. Watching their body language.VIRI: Yeah. Oh man. I mean, this was shoulder, shoulder shooks. There's, and you can tell the difference, you can tell the difference between someone's in an uncomfortable chair and someone's like, it's like whenever you can sense it if you're ever in a theater and you can start to sense, like when they, when they reset the day, like whenever we can all, we all kind of as a community are like, oh, this is my moment.To like get comfortable and go get a bite of popcorn. It's like there's tells, so some of those are intentional and then some are not. Right? I mean, if this is, it goes deeper than the, will they laugh at this or will they be scared at this moment? It really is about captivating them and feeling like when you've, when you've lost it,BEN: for sure.Yeah. Very. This has been fantastic. Oh my God, how fun.VIRI: I talked about things here with you that I've haven't talked, I mean, contact so deeply, but even film school, I feel like I don't know if that's out there anywhere. So that was fun. Thank you.BEN: Love it. Love it. That, that that's, you know, that's what I hope for these interviews that we get to things that, that haven't been talked about in other places.And I always love to just go in, you know, wherever the trail leads in this case. Yeah. With, uh, with Jody Foster and Math McConaughey and, uh, I mean, go see it. Everybody met this. Yeah. Uh, and for people who are interested in your work, where can they find you?VIRI: I mean, I don't update my website enough. I just go to IMDB.Look me up on IMDB. All my work is there. I think, you know, in a list, I've worked on a lot of films that are on HBO and I've worked on a lot of films and now, you know, obviously the perfect neighbor's on Netflix right now, it's having an incredible moment where I think the world is engaging with it. In powerful ways beyond our dreams.So if you watch it now, I bet everybody can kind of have really fascinating conversations, but my work is all out, you know, the sports stuff born to play. I think it's on peacock right now. I mean, I feel like, yeah, I love the scope that I've had the privilege of working on, and I hope it keeps growing. Who knows.Maybe I'll make my space movie someday. We'll see. But in the meantime, yeah, head over and see this, the list of credits and anything that anybody watches, I love to engage about. So they're all, I feel that they're all doing veryBEN: different work. I love it. Thank you so much.VIRI: Thank you. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

*n questo episodio di Techno Pillz, Alex Raccuglia ci porta in un viaggio entusiasmante nel mondo del "Wild Coding", raccontando la sua esperienza con l'utilizzo dell'intelligenza artificiale per creare un'applicazione in soli 25 minuti. Dalla produzione di spot pubblicitari alla risoluzione di problemi tecnici complessi, Alex dimostra come gli LLM stiano rivoluzionando il workflow creativo e produttivo.**Riassunto:**Alex Raccuglia esplora come l'AI, in particolare Gemini Pro 3 e ChatGPT, stia trasformando il modo in cui sviluppa strumenti per la produzione audiovisiva. Racconta la genesi della sua applicazione "Make It Pop", creata per automatizzare l'animazione di elementi grafici, dimostrando la rapidità e l'efficacia del "vibe coding". L'episodio presenta anche le riflessioni di alcuni amici di Alex che collaborano al podcast "Good Vibrations", i quali condividono le proprie esperienze con il potenziale travolgente dell'AI e la necessità di mantenere il focus.**Intervista/Ospiti:**In puntata intervengono amici di Alex, collaboratori del podcast **Good Vibrations**, che discutono della loro esperienza con il "vibe coding" e il potenziale impatto degli LLM sulla creatività e sullo sviluppo. I nomi specifici non vengono menzionati, ma la loro partecipazione è focalizzata sul tema centrale dell'episodio.**Note:**L'episodio esplora il concetto di "vibe coding" e il potenziale illimitato che offre, ma anche la sfida di rimanere focalizzati e non farsi sopraffare dalla vastità delle possibilità creative.[00:13:00] Spot[00:20:16] Spot[00:25:05] Valerio Galano[00:25:24] Simone Pizzi[00:30:16] Luca Francesca[00:31:20] Spot[00:36:55] Il riassunto di Sciatta GPTQuesto episodio include contenuti generati dall'IA.

FCPRadio Podcast Episode 156 FCPRadio 156 Final Cut Pro 11.2, ProRes RAW, the new iPhone 17 Pro Max and The FCP Summit in the Spring the FCP Team and lots more! Year 10 of Final Cut Pro Radio. 2 Millions+ podcast downloads Buy Me A Coffee https://buymeacoffee.com/RichardTaylor Twitter @fcpradio1 FCPRadio.com Facebook YouTube.com/RichardTaylorTV https://www.facebook.com/groups/finalcutradiotv ©2025 Richard Taylor

Is the new iPhone 17 Pro and Pro Max susceptible to scratches? iFixit tears down the new iPhone Air! New immersive films are coming to the Apple Vision Pro. And is TechWoven better than its predecessor, FineWoven? iPhone 17 Pro, iPhone 17 Pro Max units cited as readily susceptible to scratches and scuffs. The wafer-thin iPhone Air is surprisingly strong. iPhone Air teardown reveals that Apple's thinnest iPhone is still very repairable. Apple announces a new set of immersive film releases. Apple's new Vision Pro films among first shot on Blackmagic Ursa Cine Immersive Cameras. Apple spotted filming in 3D at iPhone 17 launch. Two years after the FineWoven fiasco, is TechWoven better? New iPhone 17 unveiled in Moscow, as pre-orders jump despite slowing economy. Worried about phone searches? 1Password's (a sponsor of the TWiT network) Travel Mode can clean up your data. Tap to Pay on iPhone comes to yet more European countries. Apple to fix camera glitch affecting iPhone Air and iPhone 17 Pro. Inside the Apple audio lab where AirPods are tested and tuned. I went inside Apple's Labs to see how Apple Watch connectivity is tested. A19 Pro's Geekbench 6 'Performance Per Watt' analysis; achieves highest multi-core score against all SoCs with 34% better efficiency. Memory Integrity Enforcement changes the game on iOS. Liquid Glass is causing a disorienting optical illusion for some iPhone users. $599 MacBook with iPhone chip expected to enter production this year. Apple steps up war of words with European regulators. Here's everything Trump is changing with H-1B visas. Picks of the Week Jason's Picks: Final Cut Camera & Final Cut Pro for iPad. Alex's Pick: Revopoint MetroX Andy's Pick: Epson MX-80 Fonts by Micahel Walden. Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsor: threatlocker.com

Is the new iPhone 17 Pro and Pro Max susceptible to scratches? iFixit tears down the new iPhone Air! New immersive films are coming to the Apple Vision Pro. And is TechWoven better than its predecessor, FineWoven? iPhone 17 Pro, iPhone 17 Pro Max units cited as readily susceptible to scratches and scuffs. The wafer-thin iPhone Air is surprisingly strong. iPhone Air teardown reveals that Apple's thinnest iPhone is still very repairable. Apple announces a new set of immersive film releases. Apple's new Vision Pro films among first shot on Blackmagic Ursa Cine Immersive Cameras. Apple spotted filming in 3D at iPhone 17 launch. Two years after the FineWoven fiasco, is TechWoven better? New iPhone 17 unveiled in Moscow, as pre-orders jump despite slowing economy. Worried about phone searches? 1Password's (a sponsor of the TWiT network) Travel Mode can clean up your data. Tap to Pay on iPhone comes to yet more European countries. Apple to fix camera glitch affecting iPhone Air and iPhone 17 Pro. Inside the Apple audio lab where AirPods are tested and tuned. I went inside Apple's Labs to see how Apple Watch connectivity is tested. A19 Pro's Geekbench 6 'Performance Per Watt' analysis; achieves highest multi-core score against all SoCs with 34% better efficiency. Memory Integrity Enforcement changes the game on iOS. Liquid Glass is causing a disorienting optical illusion for some iPhone users. $599 MacBook with iPhone chip expected to enter production this year. Apple steps up war of words with European regulators. Here's everything Trump is changing with H-1B visas. Picks of the Week Jason's Picks: Final Cut Camera & Final Cut Pro for iPad. Alex's Pick: Revopoint MetroX Andy's Pick: Epson MX-80 Fonts by Micahel Walden. Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsor: threatlocker.com

Is the new iPhone 17 Pro and Pro Max susceptible to scratches? iFixit tears down the new iPhone Air! New immersive films are coming to the Apple Vision Pro. And is TechWoven better than its predecessor, FineWoven? iPhone 17 Pro, iPhone 17 Pro Max units cited as readily susceptible to scratches and scuffs. The wafer-thin iPhone Air is surprisingly strong. iPhone Air teardown reveals that Apple's thinnest iPhone is still very repairable. Apple announces a new set of immersive film releases. Apple's new Vision Pro films among first shot on Blackmagic Ursa Cine Immersive Cameras. Apple spotted filming in 3D at iPhone 17 launch. Two years after the FineWoven fiasco, is TechWoven better? New iPhone 17 unveiled in Moscow, as pre-orders jump despite slowing economy. Worried about phone searches? 1Password's (a sponsor of the TWiT network) Travel Mode can clean up your data. Tap to Pay on iPhone comes to yet more European countries. Apple to fix camera glitch affecting iPhone Air and iPhone 17 Pro. Inside the Apple audio lab where AirPods are tested and tuned. I went inside Apple's Labs to see how Apple Watch connectivity is tested. A19 Pro's Geekbench 6 'Performance Per Watt' analysis; achieves highest multi-core score against all SoCs with 34% better efficiency. Memory Integrity Enforcement changes the game on iOS. Liquid Glass is causing a disorienting optical illusion for some iPhone users. $599 MacBook with iPhone chip expected to enter production this year. Apple steps up war of words with European regulators. Here's everything Trump is changing with H-1B visas. Picks of the Week Jason's Picks: Final Cut Camera & Final Cut Pro for iPad. Alex's Pick: Revopoint MetroX Andy's Pick: Epson MX-80 Fonts by Micahel Walden. Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsor: threatlocker.com

Is the new iPhone 17 Pro and Pro Max susceptible to scratches? iFixit tears down the new iPhone Air! New immersive films are coming to the Apple Vision Pro. And is TechWoven better than its predecessor, FineWoven? iPhone 17 Pro, iPhone 17 Pro Max units cited as readily susceptible to scratches and scuffs. The wafer-thin iPhone Air is surprisingly strong. iPhone Air teardown reveals that Apple's thinnest iPhone is still very repairable. Apple announces a new set of immersive film releases. Apple's new Vision Pro films among first shot on Blackmagic Ursa Cine Immersive Cameras. Apple spotted filming in 3D at iPhone 17 launch. Two years after the FineWoven fiasco, is TechWoven better? New iPhone 17 unveiled in Moscow, as pre-orders jump despite slowing economy. Worried about phone searches? 1Password's (a sponsor of the TWiT network) Travel Mode can clean up your data. Tap to Pay on iPhone comes to yet more European countries. Apple to fix camera glitch affecting iPhone Air and iPhone 17 Pro. Inside the Apple audio lab where AirPods are tested and tuned. I went inside Apple's Labs to see how Apple Watch connectivity is tested. A19 Pro's Geekbench 6 'Performance Per Watt' analysis; achieves highest multi-core score against all SoCs with 34% better efficiency. Memory Integrity Enforcement changes the game on iOS. Liquid Glass is causing a disorienting optical illusion for some iPhone users. $599 MacBook with iPhone chip expected to enter production this year. Apple steps up war of words with European regulators. Here's everything Trump is changing with H-1B visas. Picks of the Week Jason's Picks: Final Cut Camera & Final Cut Pro for iPad. Alex's Pick: Revopoint MetroX Andy's Pick: Epson MX-80 Fonts by Micahel Walden. Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsor: threatlocker.com

Is the new iPhone 17 Pro and Pro Max susceptible to scratches? iFixit tears down the new iPhone Air! New immersive films are coming to the Apple Vision Pro. And is TechWoven better than its predecessor, FineWoven? iPhone 17 Pro, iPhone 17 Pro Max units cited as readily susceptible to scratches and scuffs. The wafer-thin iPhone Air is surprisingly strong. iPhone Air teardown reveals that Apple's thinnest iPhone is still very repairable. Apple announces a new set of immersive film releases. Apple's new Vision Pro films among first shot on Blackmagic Ursa Cine Immersive Cameras. Apple spotted filming in 3D at iPhone 17 launch. Two years after the FineWoven fiasco, is TechWoven better? New iPhone 17 unveiled in Moscow, as pre-orders jump despite slowing economy. Worried about phone searches? 1Password's (a sponsor of the TWiT network) Travel Mode can clean up your data. Tap to Pay on iPhone comes to yet more European countries. Apple to fix camera glitch affecting iPhone Air and iPhone 17 Pro. Inside the Apple audio lab where AirPods are tested and tuned. I went inside Apple's Labs to see how Apple Watch connectivity is tested. A19 Pro's Geekbench 6 'Performance Per Watt' analysis; achieves highest multi-core score against all SoCs with 34% better efficiency. Memory Integrity Enforcement changes the game on iOS. Liquid Glass is causing a disorienting optical illusion for some iPhone users. $599 MacBook with iPhone chip expected to enter production this year. Apple steps up war of words with European regulators. Here's everything Trump is changing with H-1B visas. Picks of the Week Jason's Picks: Final Cut Camera & Final Cut Pro for iPad. Alex's Pick: Revopoint MetroX Andy's Pick: Epson MX-80 Fonts by Micahel Walden. Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsor: threatlocker.com/twit

Is the new iPhone 17 Pro and Pro Max susceptible to scratches? iFixit tears down the new iPhone Air! New immersive films are coming to the Apple Vision Pro. And is TechWoven better than its predecessor, FineWoven? iPhone 17 Pro, iPhone 17 Pro Max units cited as readily susceptible to scratches and scuffs. The wafer-thin iPhone Air is surprisingly strong. iPhone Air teardown reveals that Apple's thinnest iPhone is still very repairable. Apple announces a new set of immersive film releases. Apple's new Vision Pro films among first shot on Blackmagic Ursa Cine Immersive Cameras. Apple spotted filming in 3D at iPhone 17 launch. Two years after the FineWoven fiasco, is TechWoven better? New iPhone 17 unveiled in Moscow, as pre-orders jump despite slowing economy. Worried about phone searches? 1Password's (a sponsor of the TWiT network) Travel Mode can clean up your data. Tap to Pay on iPhone comes to yet more European countries. Apple to fix camera glitch affecting iPhone Air and iPhone 17 Pro. Inside the Apple audio lab where AirPods are tested and tuned. I went inside Apple's Labs to see how Apple Watch connectivity is tested. A19 Pro's Geekbench 6 'Performance Per Watt' analysis; achieves highest multi-core score against all SoCs with 34% better efficiency. Memory Integrity Enforcement changes the game on iOS. Liquid Glass is causing a disorienting optical illusion for some iPhone users. $599 MacBook with iPhone chip expected to enter production this year. Apple steps up war of words with European regulators. Here's everything Trump is changing with H-1B visas. Picks of the Week Jason's Picks: Final Cut Camera & Final Cut Pro for iPad. Alex's Pick: Revopoint MetroX Andy's Pick: Epson MX-80 Fonts by Micahel Walden. Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsor: threatlocker.com/twit

Peter and Eden cover a whirlwind couple of weeks—family milestones, stressful schedules, and the search for meaning outside of work—before diving into media updates like Escaflone, In Mourning's crushing new album, and the delightfully cursed Ice Cube–starring War of the Worlds (2025). From there, things spiral into chaos with a marathon of “Would You Rather?” questions that range from the silly to the philosophical, including fart announcements, glitter burps, pinky-finger super strength, and whether you'd rather have a South Park wedding or a Family Guy funeral. It's the most chaotic fun you'll have all week.Episode NotesLife updates:Peter's son Alex returns from his mission and prepares for a wedding.The challenge of balancing work, family, and downtime.Reflections on identity outside of your career.Media check-ins:Peter on Tiny Experiments and the joy of learning Final Cut Pro.New music: The Immortal by In Mourning, and “End of You” with Amy Lee, Poppy, and Courtney LaPlante.Eden's anime binge: Azumanga Daioh (finished), Escaflone (technical mishaps + stationary bike viewing).Bad Movie Bros watch: War of the Worlds (2025) starring Ice Cube—possibly the worst movie ever made.Manga spotlight: Yoritama: From Third Wheel to Trifecta (romantic chaos).Main Event: Would You Rather?Pajamas vs. tuxedos, freakishly big mouths vs. tiny noses.Public fart announcements vs. peeing your pants.Superpowers you don't want: invisibility only when sneezing, pinky-only super strength, screaming flight.Food fiascos: pizza hands vs. donut feet, glitter burps vs. bubble hiccups.Social nightmares: every text to mom vs. marching band of lies.Philosophical turns: 20 years with no regrets vs. 100 with many.The ultimate cursed choice: South Park wedding or Family Guy funeral.

Struggling to keep up with your youth group's social media? In this episode, I'll show you how to build a student-led social media team for your youth ministry—from recruiting Gen Z content creators to assigning creative roles like studio recruiter, sermon recap editors, and “man on the street” interviewers. Plus, I'll show you how my Fall Social Media Pack (available on Patreon) gives you 3 months of done-for-you content your students can run without you lifting a finger. //Social Team Checklist https://www.patreon.com/posts/social-media-138081327?utmmedium=clipboardcopy&utmsource=copyLink&utmcampaign=postsharecreator&utmcontent=join_link

www.taletellerclub.bandcamp.co...Become a supporter of this podcast: https://www.spreaker.com/podcast/iservalan-film-frame--5932843/support.Immersion Static — sci-fi, music & 360° art by Sarnia (iServalan).Watch: https://youtube.com/@taletellerclubJoin: https://bookofimmersion.comSupport: https://taletellerclub.bandcamp.comShop: https://redbubble.com/people/taletellerclubArt: https://saatchiart.com/sarniaKids: https://youtube.com/@taletellerclubkids

Join this week's discussion with Johnnie and Nino! While there haven't been any major camera announcements, we're working on something exciting—our very own CineD Camera Bag. We're sharing the journey behind the project and exploring what's possible. Plus, there are a few new camera updates, a fresh lens release, and some new tripods worth talking about. As always, tune in and stick around until the end!   Sponsor: This episode is sponsored by FUJIFILM. Check it out at 20:25 Chapters & Articles Mentioned in This Episode: (00:00) – Introduction   (04:37) - Poll: Camera to Cloud Workflow – How Much Has This Technology Really Caught On? https://www.cined.com/poll-camera-to-cloud-workflow-how-much-has-this-technology-really-caught-on/   (11:10) - Hohem iSteady M7 AI Tracking Smartphone Gimbal Stabilizer – First look https://www.cined.com/hohem-isteady-m7-ai-tracking-smartphone-gimbal-stabilizer-first-look/   (16:02) - A CineD Bag – Call for Action for Manufacturers https://www.cined.com/a-cined-bag-call-for-action-for-manufacturers/   (21:17) - Magic Lantern is Back and Supports New Cameras Such as EOS 200D, 6D Mark II, and 7D Mark II https://www.cined.com/magic-lantern-is-back-and-supports-new-cameras-such-as-eos-200d-6d-mark-ii-and-7d-mark-ii/   (28:22) - Panasonic Firmware updates for LUMIX S1RII, S1II, and S1IIE Cameras Announced https://www.cined.com/panasonic-firmware-updates-for-lumix-s1rii-s1ii-and-s1iie-cameras-announced/ (31:54) - Blackmagic Camera 9.6 Update Enhances Micro Studio Camera 4K G2 https://www.cined.com/blackmagic-camera-9-6-update-enhances-micro-studio-camera-4k-g2/   (36:32) - iPadOS 26 Will Enable Background Renders for Final Cut Pro & DaVinci Resolve https://www.cined.com/ipados-26-will-enable-background-renders-for-final-cut-pro-davinci-resolve/   (44:37) - Inside the First Feature-Length Immersive Film for Apple Vision Pro: Bono – Stories of Surrender https://www.cined.com/inside-the-first-feature-length-immersive-film-for-apple-vision-pro-bono-stories-of-surrender/   (47:16) - Peak Design Pro Tripod Launched https://www.cined.com/peak-design-pro-tripod-launched/   (51:59) - Laowa 8-15mm Fisheye Full-Frame Lenses Introduced – Circular and Rectangular Fisheye in One Lens https://www.cined.com/laowa-8-15mm-fisheye-full-frame-lenses-introduced-circular-and-rectangular-fisheye-in-one-lens/   (53:43) - Eddie AI Update Announced – Support for Multiple Languages, B-roll and A-roll Logging https://www.cined.com/eddie-ai-update-announced-support-for-multiple-languages-b-roll-and-a-roll-logging/ We hope you enjoyed this episode! You have feedback, comments, or suggestions? Write us at podcast@cined.com   

The latest In Touch With iOS with Dave he is joined by guests Mike Potter, Chuck Joiner, Jill McKinley, Marty Jencius, Jeff Gamet, discusses Apple's Vision Pro headset and the upcoming AI smart glasses expected next year. They highlight an interactive Vision Pro app called D-Day: The Camera Soldier that combines immersive tech with history. The episode covers Apple's shift to a year-based OS naming system, updates to Logic Pro and Final Cut Pro, the new Sky AI helper for Mac, and improvements in CarPlay navigation.  The show notes are at InTouchwithiOS.com  Direct Link to Audio  Links to our Show Give us a review on Apple Podcasts! CLICK HERE we would really appreciate it! Click this link Buy me a Coffee to support the show we would really appreciate it. intouchwithios.com/coffee  Another way to support the show is to become a Patreon member patreon.com/intouchwithios Website: In Touch With iOS YouTube Channel In Touch with iOS Magazine on Flipboard Facebook Page BlueSky Mastodon X Instagram Threads Spoutible Summary In this episode, the panel dives into the latest from Apple, focusing heavily on the Vision Pro and the upcoming AI smart glasses expected next year. They discuss the expected features, pricing, and how Apple is positioning these devices in the market while learning from competitors. They explore a fascinating new Vision Pro app called "D-Day: The Camera Soldier," an interactive documentary blending history with spatial technology, highlighting how immersive storytelling can educate in novel ways. The show also covers changes in Apple's operating system naming conventions, switching from version numbers to a year-based system starting with iOS 26, discussing the potential benefits and challenges of this change. Updates to creative tools like Logic Pro and Final Cut Pro are reviewed, emphasizing usability and creative enhancement. They also discuss the Sky AI helper tool for Mac and the implications of AI integration in user workflows, including privacy concerns. Additional topics include enhancements in CarPlay navigation, Apple's new self-service repair program for iPads and other devices, signaling Apple's push towards user autonomy. Finally, the panel announces Macstock 9, a community-focused Apple event featuring workshops, sessions, and social events, underscoring the value of community among Apple enthusiasts. Topics and Links In Touch With Vision Pro this week.  Report: Apple aiming to release AI smart glasses next year D-DAY The camera soldier D-Day: The Camera Soldier on the App Store 20-minute experience D-Day: The Camera Soldier Bono Movie releases tomorrow.  Beta this week.  No iOS 19: Apple Going Straight to iOS 26 With iOS 18 Jumping to iOS 26, Will Apple Renumber iPhones Too? In Touch With Mac this week Shortcuts Creators Debut Sky, an AI Helper That Understands Everything on Your Mac's Screen This Tiny MacintoThis Tiny Macintosh Replica Actually Works - MacRumorssh Replica Actually Works Apple Updates Logic Pro for Mac and iPad With Several New Features Final Cut Pro 11.1.1 and Compressor 4.10.1 macOS 26 Rumored to Drop Support for These Five Macs - MacRumors Other Topics, Tips, and Apps 7 Google Maps tips to use with Android Auto and CarPlay | Popular Science Cool app to catalog all Apple Watch bands. iPhone App for Keeping Track of More Than 800 Apple Watch Bands Receives Major Update In Touch with AI Being Polite to ChatGPT is Pointless New Research Shows Today in Apple history: First-gen iPad rolls out around the world News Apple's Invites App Gains New Link Feature for Trip Planning, Potlucks and More - MacRumors Apple Launches Self Service Repair for iPad and Apple Announces Expanded Access to iPhone and iPad Repair Parts Apple Card Savings Account's Interest Rate Lowered Again Apple Card Savings Account vs. Competitors: Which Can Earn You More? Apple TV+ sets premiere date for ‘The Morning Show' Season 4 T-Life app has screen recording on by default, T-Mobile says not a privacy risk   Announcements Macstock 9 is here for 3 Days on July 11, 12, and 13th, 2025. We have an exclusive coupon code use INTOUCH50 at checkout and save $50..Click here to Register | Macstock Conference & Expo Book your room with a Macstock discount here. Location | Macstock Conference & Expo I hope to see you there! Our Host Dave Ginsburg is an IT professional supporting Mac, iOS and Windows users and shares his wealth of knowledge of iPhone, iPad, Apple Watch, Apple TV and related technologies. Visit the YouTube channel https://youtube.com/intouchwithios follow him on Mastadon @daveg65, and the show @intouchwithios   Our Regular Contributors Jeff Gamet is a podcaster, technology blogger, artist, and author. Previously, he was The Mac Observer's managing editor, and Smile's TextExpander Evangelist. You can find him on Mastadon @jgamet as well as Twitter and Instagram as @jgamet  His YouTube channel https://youtube.com/jgamet Marty Jencius, Ph.D., is a professor of counselor education at Kent State University, where he researches, writes, and trains about using technology in teaching and mental health practice. His podcasts include Vision Pro Files, The Tech Savvy Professor and Circular Firing Squad Podcast. Find him at jencius@mastodon.social  https://thepodtalk.net  About our Guest Chuck Joiner is the host of MacVoices and hosts video podcasts with influential members of the Apple community. Make sure to visit macvoices.com and subscribe to his podcast. You can follow him on Twitter @chuckjoiner and join his MacVoices Facebook group. Eric Bolden is into macOS, plants, sci-fi, food, and is a rural internet supporter. You can connect with him by email at embolden@mac.com, on Mastodon at @eabolden@techhub.social, on his blog, Trending At Work, and as co-host on The Vision ProFiles podcast.   Mike Potter is the organizer of Macstock Conference: and the host of the For Mac Eyes Only Podcast. You can reach him on Mastodon: https://tooting.ninja/@formaceyesonly https://tooting.ninja/@macstockexpo Jill McKinley works in enterprise software, server administration, and IT. A lifelong tech enthusiast, she started her career with Windows but is now an avid Apple fan. Beyond technology, she shares her insights on nature, faith, and personal growth through her podcasts—Buzz Blossom & Squeak, Start with Small Steps, and The Bible in Small Steps. Watch her content on YouTube at @startwithsmallsteps and follow her on X @schmern.

FCPRadio 155 Final Cut Pro 11.1 Update, Final Cut Pro 11.1.1 Bug fix, Hollywood, WWDC 2025, Logic Pro 11.2 Update, the FCP Team, The Final Cut Pro Creative Summit and lots more! Year 10 of Final Cut Pro Radio. 2 Millions+ podcast downloads Buy Me A Coffee https://buymeacoffee.com/RichardTaylor Twitter @fcpradio1 FCPRadio.com Facebook YouTube.com/RichardTaylorTV https://www.facebook.com/groups/finalcutradiotv ©2025 Richard Taylor

On today's repeat episode, our guest is Steve Chazin, CEO & Founder of Skytech.io and formerly VP of Products at Alarm.com. In this episode, we discuss: Steve's experience working at Apple, competing with Final Cut Pro, and his current role at alarm.com The time he said no to Steve Jobs — and how that pushed his career forward The importance of user-centered product design and the impact of AI in home security Links LinkedIn: https://www.linkedin.com/in/chazin/ Chapters 00:00 Intro 03:05 Reviving Apple: The University Consortium 07:04 The iMac and Think Different Campaign 07:37 Lessons from Steve Jobs 11:35 Competing with Apple: The Avid Story 19:05 Current Role at Alarm.com 21:41 The Future of AI in Home Security 27:15 Advice for Aspiring Technologists 29:49 Conclusion and Final Thoughts Follow LaunchPod on YouTube We have a new YouTube page (https://www.youtube.com/@LaunchPod.byLogRocket)! Watch full episodes of our interviews with PM leaders and subscribe! What does LogRocket do? LogRocket's Galileo AI watches user sessions for you and surfaces the technical and usability issues holding back your web and mobile apps. Understand where your users are struggling by trying it for free at LogRocket.com (https://logrocket.com/signup/?pdr). Special Guest: Steve Chazin.

Sun, 27 Apr 2025 21:00:00 GMT http://relay.fm/mpu/794 http://relay.fm/mpu/794 Back to the Mac, with Chris Lawley 794 David Sparks and Stephen Hackett YouTuber and podcaster Chris Lawley joins the show to talk to Stephen and David about how the Mac has replaced the iPad as his primary computer. YouTuber and podcaster Chris Lawley joins the show to talk to Stephen and David about how the Mac has replaced the iPad as his primary computer. clean 4769 YouTuber and podcaster Chris Lawley joins the show to talk to Stephen and David about how the Mac has replaced the iPad as his primary computer. This episode of Mac Power Users is sponsored by: 1Password: Never forget a password again. Ecamm: Powerful live streaming platform for Mac. Get one month free. Indeed: Join more than 3.5 million businesses worldwide using Indeed to hire great talent fast. Guest Starring: Chris Lawley Links and Show Notes: Sign up for the MPU email newsletter and join the MPU forums. More Power Users: Ad-free episodes with regular bonus segments Submit Feedback Christopher Lawley - YouTube Comfort Zone - MacStories The Untitled Site by Christopher Lawley Christopher Lawley (@ChrisLawley@mastodon.social) - Mastodon Christopher Lawley (@chrislawley.me) — Bluesky Final Cut Pro for iPad - Apple Final Cut Pro for Mac - Apple Changing My Relationship with the iPad - Christopher Lawley on YouTube Riverside: HD Podcast & Video Software VIA Keyboard Tools The iPad's "Sweet" Solution - MacStories iPad Pro Review: A New Canvas - MacStories (2015) iOS 9: The MacStories Review: Slide Over - MacStories iOS 9: The MacStories Review: Split View - MacStories Stage Manager in iPadOS 16: At the Intersection of Bugs, Missing Features, and Flawed Design - MacStories Use Mac Virtual Display on Apple Vision Pro - Apple Support Keyboard Maestro Change clip speed in Final Cut Pro for Mac - Apple Support Todoist Introduction to Deadlines - Todoist Obsidian - Sharpen your thinking Google NotebookLM Raycast Hush MacWhisper Hyperkey

Sun, 27 Apr 2025 21:00:00 GMT http://relay.fm/mpu/794 http://relay.fm/mpu/794 David Sparks and Stephen Hackett YouTuber and podcaster Chris Lawley joins the show to talk to Stephen and David about how the Mac has replaced the iPad as his primary computer. YouTuber and podcaster Chris Lawley joins the show to talk to Stephen and David about how the Mac has replaced the iPad as his primary computer. clean 4769 YouTuber and podcaster Chris Lawley joins the show to talk to Stephen and David about how the Mac has replaced the iPad as his primary computer. This episode of Mac Power Users is sponsored by: 1Password: Never forget a password again. Ecamm: Powerful live streaming platform for Mac. Get one month free. Indeed: Join more than 3.5 million businesses worldwide using Indeed to hire great talent fast. Guest Starring: Chris Lawley Links and Show Notes: Sign up for the MPU email newsletter and join the MPU forums. More Power Users: Ad-free episodes with regular bonus segments Submit Feedback Christopher Lawley - YouTube Comfort Zone - MacStories The Untitled Site by Christopher Lawley Christopher Lawley (@ChrisLawley@mastodon.social) - Mastodon Christopher Lawley (@chrislawley.me) — Bluesky Final Cut Pro for iPad - Apple Final Cut Pro for Mac - Apple Changing My Relationship with the iPad - Christopher Lawley on YouTube Riverside: HD Podcast & Video Software VIA Keyboard Tools The iPad's "Sweet" Solution - MacStories iPad Pro Review: A New Canvas - MacStories (2015) iOS 9: The MacStories Review: Slide Over - MacStories iOS 9: The MacStories Review: Split View - MacStories Stage Manager in iPadOS 16: At the Intersection of Bugs, Missing Features, and Flawed Design - MacStories Use Mac Virtual Display on Apple Vision Pro - Apple Support Keyboard Maestro Change clip speed in Final Cut Pro for Mac - Apple Support Todoist Introduction to Deadlines - Todoist Obsidian - Sharpen your thinking Google NotebookLM Raycast Hush MacWhisper Hyperkey

Riley Hill is back to talk about a grab bag of different topics including; Beats Solo Buds, Final Cut Pro, DaVinci Resolve 20, ZBrush, Pages Removing Apple Books Integration, Affinity Update 2.6, 15 Years Of iPad, and iPadOS 18.4.Early episodes with chapter markers are available by supporting the podcast at www.patreon.com/ipadpros. Early episodes are also now available in Apple Podcasts!Show notes are available at www.iPadPros.net. Feedback is welcomed at iPadProsPodcast@gmail.com.Links:https://slatepad.orgChapter Markers:00:00:00: Opening00:00:28: Beats Solo Buds00:06:43: Magnetic Pencil00:13:26: Final Cut Pro00:20:35: DaVinci Resolve 2000:27:29: ZBrush00:29:07: Pages00:33:35: Affinity 2.600:36:31: 15 Years Of iPad00:40:10: iPadOS 18.400:47:17: Follow Riley And Closing02:45:27: Closing Hosted on Acast. See acast.com/privacy for more information.

EJ jams with Barton Damer, the creative muscle behind Already Been Chewed (ABC)...basically the Tony Hawk of motion design. This dude turned his skateboarding obsession into a full-blown 3D animation studio that now cranks out mind-blowing work for Nike, Adidas, Star Wars, and Marvel. Check out the corresponding blog post with key takeaways: https://www.schoolofmotion.com/blog/already-been-chewed Artists Barton Damer https://www.linkedin.com/in/barton-damer-92a32918 EJ Hassenfratz https://www.youtube.com/@eyedesyn/videos Nick Campbell https://greyscalegorilla.com/about-us/ Paul Babb https://www.linkedin.com/in/paulbabb/ Rob Dyrdek https://robdyrdek.com/ Mark Fancher https://www.youtube.com/c/MarkFancherFX Dan Arsham https://www.danielarsham.com/ PJ Richardson https://www.laundry.studio/ Jonathan Winbush https://www.youtube.com/channel/UCmzWP6o2cw73moEF7LO_KvA Studios Already Been Chewed (ABC) https://www.alreadybeenchewed.tv/ Greyscale Gorilla https://greyscalegorilla.com/ Maxon https://www.maxon.net/en LRG https://l-r-g.com/ Nike https://www.nike.com/ Adidas https://www.adidas.com/ Under Armour https://www.underarmour.com/en-us/ Street League Skateboarding https://www.streetleague.com/ MTV https://www.mtv.com/ ESPN https://www.espn.com/ Discovery Channel https://www.discovery.com/ New Balance https://www.newbalance.com/ Louis Vuitton https://www.alreadybeenchewed.tv/louisvuitton Tiffany and Co. https://www.tiffany.com/stories/collaborations/daniel-arsham-pokemon/ Legwork https://legworkstudio.com/animation/ Laundry Studio https://www.laundry.studio/ SoFi Stadium https://www.laundry.studio/ooh/project-four-l3zw3-jecsr-hr7em-6yptl Work Fantasy Factory https://www.paramountplus.com/shows/rob-dyrdeks-fantasy-factory/ Rob & Big https://en.wikipedia.org/wiki/Rob_%26_Big Snack Off https://tv.apple.com/us/show/snack-off/umc.cmc.3cjzt6066id3jq5koxur3vx9p Ridiculousness https://tv.apple.com/us/show/ridiculousness/umc.cmc.234le4y5rrb4satzsf28ix6yx Digital Artist of the Year https://www.behance.net/gallery/12189735/COMPUTER-ARTS-MAGAZINE-Digital-Artist-of-the-Year?locale=en_US Resources NAB https://www.nabshow.com/ Cinema 4D https://www.maxon.net/en/cinema-4d After Effects https://www.adobe.com/products/aftereffects.html Computer Arts Magazine https://www.creativebloq.com/computer-arts Adobe Photoshop https://www.adobe.com/products/photoshop.html Adobe Illustrator https://www.adobe.com/products/illustrator.html Final Cut Pro https://www.apple.com/final-cut-pro/ iMovie https://support.apple.com/imovie Houdini https://www.sidefx.com/products/houdini/ Unreal Engine https://www.unrealengine.com/en-US Behance https://www.behance.net/onboarding/hirerCreative Nixon https://www.nixon.com/ Rob & Bart Interview https://www.youtube.com/watch?v=frJ4rcpyFvI