Podcasts about Final Cut Pro

Trusting the process is a really important way to free yourself, and the film, to discover what it is.Viridiana Lieberman is an award-winning documentary filmmaker. She recently edited the Netflix sensation The Perfect Neighbor.In this interview we talk:* Viri's love of the film Contact* Immersion as the core goal in her filmmaking* Her editing tools and workflow* Film school reflections* The philosophy and process behind The Perfect Neighbor — crafting a fully immersive, evidence-only narrative and syncing all audio to its original image.* Her thoughts on notes and collaboration* Techniques for seeing a cut with fresh eyesYou can see all of Viri's credits on her IMD page here.Thanks for reading The Creativity, Education, and Leadership Newsletter! Subscribe for free to receive new posts and support my work.Here is an AI-generated transcript of our conversation. Don't come for me.BEN: Viri, thank you so much for joining us today.VIRI: Oh, thank you for having me. I'm excited to be here.BEN: And I always like to start with a fun question. So senior year of high school, what music were you listening to?VIRI: Oh my goodness. Well, I'm class of 2000, so I mean. I don't even know how to answer this question because I listen to everything.I'm like one of those people I was raving, so I had techno in my system. I have a lot of like, um. The, like, everything from Baby Ann to Tsta. Like, there was like, there was a lot, um, Oak and like Paul Oak and Full, there was like techno. Okay. Then there was folk music because I loved, so Ani DeFranco was the soundtrack of my life, you know, and I was listening to Tori Amos and all that.Okay. And then there's like weird things that slip in, like fuel, you know, like whatever. Who was staying? I don't remember when they came out. But the point is there was like all these intersections, whether I was raving or I was at Warp Tour or I was like at Lili Fair, all of those things were happening in my music taste and whenever I get to hear those songs and like that, that back late nineties, um, rolling into the Ox.Yeah.BEN: I love the Venn diagram of techno and folk music.VIRI: Yeah.BEN: Yeah. What, are you a fan of the film inside Lou and Davis?VIRI: Uh, yes. Yes. I need to watch it again. I watched it once and now you're saying it, and I'm like writing it on my to-dos,BEN: but yes, it, it, the first time I saw it. I saw in the East Village, actually in the theater, and I just, I'm a Cohen Brothers fan, but I didn't love it.Mm-hmm. But it, it stayed on my mind and yeah. Now I probably rewatch it once a year. It might, yeah. In my, in my, on my list, it might be their best film. It's so good. Oh,VIRI: now I'm gonna, I'm putting it on my, I'm literally writing it on my, um, post-it to watch it.BEN: I'mVIRI: always looking for things to watch in the evening.BEN: What, what are some of the docs that kind of lit your flame, that really turned you on?VIRI: Uh, this is one of those questions that I, full transparency, get very embarrassed about because I actually did not have a path of documentary set for me from my film Loving Passion. I mean, when I graduated film school, the one thing I knew I didn't wanna do was documentary, which is hilarious now.Hilarious. My parents laugh about it regularly. Um. Because I had not had a good documentary education. I mean, no one had shown me docs that felt immersive and cinematic. I mean, I had seen docs that were smart, you know, that, but, but they felt, for me, they didn't feel as emotional. They felt sterile. Like there were just, I had seen the most cliched, basic, ignorant read of doc.And so I, you know, I dreamed of making space epics and giant studio films. Contact was my favorite movie. I so like there was everything that about, you know, when I was in film school, you know, I was going to see those movies and I was just chasing that high, that sensory high, that cinematic experience.And I didn't realize that documentaries could be. So it's not, you know, ever since then have I seen docs that I think are incredible. Sure. But when I think about my origin tale, I think I was always chasing a pretty. Not classic, but you know, familiar cinematic lens of the time that I was raised in. But it was fiction.It was fiction movies. And I think when I found Docs, you know, when I was, the very long story short of that is I was looking for a job and had a friend who made docs and I was like, put me in coach, you know, as an editor. And she was like, you've never cut a documentary before. I love you. Uh, but not today.But no, she hired me as an archival producer and then I worked my way up and I said, no, okay, blah, blah, blah. So that path showed me, like I started working on documentaries, seeing more documentaries, and then I was always chasing that cinema high, which by the way, documentaries do incredibly, you know, and have for many decades.But I hadn't met them yet. And I think that really informs. What I love to do in Docs, you know, I mean, I think like I, there's a lot that I like to, but one thing that is very important to me is creating that journey, creating this, you know, following the emotion, creating big moments, you know, that can really consume us.And it's not just about, I mean, not that there are films that are important to me, just about arguments and unpacking and education. At the same time, we have the opportunity to do so much more as storytellers and docs and we are doing it anyway. So that's, that's, you know, when, it's funny, when light my fire, I immediately think of all the fiction films I love and not docs, which I feel ashamed about.‘cause now I know, you know, I know so many incredible documentary filmmakers that light my fire. Um, but my, my impulse is still in the fiction world.BEN: Used a word that it's such an important word, which is immersion. And I, I first saw you speak, um, a week or two ago at the doc NYC Pro panel for editors, documentary editors about the perfect neighbor, which I wanna talk about in a bit because talk about a completely immersive experience.But thank you first, uh, contact, what, what is it about contact that you responded to?VIRI: Oh my goodness. I, well, I watched it growing up. I mean, with my dad, we're both sci-fi people. Like he got me into that. I mean, we're both, I mean he, you know, I was raised by him so clearly it stuck around contact for me. I think even to this day is still my favorite movie.And it, even though I'm kind of a style nut now, and it's, and it feels classic in its approach, but. There's something about all the layers at play in that film. Like there is this crazy big journey, but it's also engaging in a really smart conversation, right? Between science and faith and some of the greatest lines from that film.Are lines that you can say to yourself on the daily basis to remind yourself of like, where we are, what we're doing, why we're doing it, even down to the most basic, you know, funny, I thought the world was what we make it, you know, it's like all of these lines from contact that stick with me when he says, you know, um, did you love your father?Prove it. You know, it's like, what? What is proof? You know? So there were so many. Moments in that film. And for me, you know, climbing into that vessel and traveling through space and when she's floating and she sees the galaxy and she says they should have sent a poet, you know, and you're thinking about like the layers of this experience and how the aliens spoilers, um, you know, show up and talk to her in that conversation herself.Anyways, it's one of those. For me, kind of love letters to the human race and earth and what makes us tick and the complexity of identity all in this incredible journey that feels so. Big yet is boiled down to Jody Foster's very personal narrative, right? Like, it's like all, it just checks so many boxes and still feels like a spectacle.And so the balance, uh, you know, I, I do feel my instincts normally are to zoom in and feel incredibly personal. And I love kind of small stories that represent so much and that film in so many ways does that, and all the other things too. So I'm like, how did we get there? But I really, I can't, I don't know what it is.I can't shake that film. It's not, you know, there's a lot of films that have informed, you know, things I love and take me out to the fringe and take me to the mainstream and, you know, on my candy and, you know, all those things. And yet that, that film checks all the boxes for me.BEN: I remember seeing it in the theaters and you know everything you said.Plus you have a master filmmaker at the absolute top Oh god. Of his class. Oh my,VIRI: yes,BEN: yes. I mean, that mirror shot. Know, know, I mean, my jaw was on the ground because this is like, right, right. As CGI is started. Yes. So, I mean, I'm sure you've seen the behind the scenes of how theyVIRI: Yeah.BEN: Incredible.VIRI: Years.Years. We would be sitting around talking about how no one could figure out how he did it for years. Anybody I met who saw contact would be like, but how did they do the mirror shot? Like I nobody had kind of, yeah. Anyways, it was incredible. And you know, it's, and I,BEN: I saw, I saw it just with some civilians, right?Like the mirror shot. They're like, what are you talking about? The what? Huh?VIRI: Oh, it's so funny you bring that up because right now, you know, I went a friend, I have a friend who's a super fan of Wicked. We went for Wicked for Good, and there is a sequence in that film where they do the mirror jot over and over and over.It's like the, it's like the. Special device of that. It feels that way. That it's like the special scene with Glenda and her song. And someone next to me was sitting there and I heard him under his breath go,wow.Like he was really having a cinematic. And I wanted to lean over and be like, watch contact, like, like the first time.I saw it was there and now it's like people have, you know, unlocked it and are utilizing it. But it was, so, I mean, also, let's talk about the opening sequence of contact for a second. Phenomenal. Because I, I don't think I design, I've ever seen anything in cinema in my life like that. I if for anybody who's listening to this, even if you don't wanna watch the entire movie, which of course I'm obviously pitching you to do.Watch the opening. Like it, it's an incredible experience and it holds up and it's like when, yeah. Talk about attention to detail and the love of sound design and the visuals, but the patience. You wanna talk about trusting an audience, sitting in a theater and that silence Ah, yeah. Heaven film heaven.BEN: I mean, that's.That's one of the beautiful things that cinema does in, in the theater. Right. It just, you're in, you're immersed in this case, you know, pulling away from earth through outer space at however many, you know, hundreds of millions of miles an hour. You can't get that anywhere else. Yeah. That feeling,VIRI: that film is like all the greatest hits reel of.Storytelling gems. It's like the adventure, the love, the, you know, the, the complicated kind of smart dialogue that we can all understand what it's saying, but it's, but it's doing it through the experience of the story, you know, and then someone kind of knocks it outta the park without one quote where you gasp and it's really a phenomenal.Thing. Yeah. I, I've never, I haven't talked about contact as much in ages. Thank you for this.BEN: It's a great movie. It's there, and there were, there were two other moments in that movie, again when I saw it, where it's just like, this is a, a master storyteller. One is, yeah. When they're first like trying to decode the image.Mm-hmm. And you see a swastika.VIRI: Yeah. Oh yeah. And you're like,BEN: what the, what the f**k? That was like a total left turn. Right. But it's, it's, and I think it's, it's from the book, but it's like the movie is, it's, it's, you know, it's asking these questions and then you're like totally locked in, not expecting.You know, anything from World War II to be a part of this. And of course in the movie the, go ahead.VIRI: Yeah, no, I was gonna say, but the seed of thatBEN: is in the first shot,VIRI: scientifically educating. Oh yes. Well, the sensory experience, I mean, you're like, your heart stops and you get full Bo chills and then you're scared and you know, you're thinking a lot of things.And then when you realize the science of it, like the first thing that was broadcast, like that type of understanding the stakes of our history in a space narrative. And, you know, it, it just, there's so much. You know, unfurling in your mind. Yeah. In that moment that is both baked in from your lived experiences and what you know about the world, and also unlocking, so what's possible and what stakes have already been outside of this fiction, right?Mm-hmm. Outside of the book, outside of the telling of this, the reality of what has already happened in the facts of it. Yeah. It's really amazing.BEN: And the other moment we're just, and now, you know, being a filmmaker, you look back and I'm sure this is, it falls neatly and at the end of the second act. But when Tom scars, you know, getting ready to go up on the thing and then there's that terrorist incident or whatever, and the whole thing just collapses, the whole, um, sphere collapses and you just like, wait, what?Is that what's gonna happen now?VIRI: Yeah, like a hundred million dollars in it. It does too. It just like clink pun. Yeah. Everything.BEN: Yeah.VIRI: Think they'll never build it again. I mean, you just can't see what's coming after that and how it went down, who it happened to. I mean, that's the magic of that film, like in the best films.Are the ones where every scene, every character, it has so much going into it. Like if somebody paused the film there and said, wait, what's happening? And you had to explain it to them, it would take the entire movie to do it, you know, which you're like, that's, we're in it. Yeah. Anyway, so that's a great moment too, where I didn't, and I remember when they reveal spoilers again, uh, that there's another one, but when he is zooming in, you know, and you're like, oh, you know, it just, it's, yeah.Love it. It's wonderful. Now, I'm gonna watch that tonight too. IBEN: know, I, I haven't probably, I probably haven't watched that movie in 10 years, but now I gotta watch it again.VIRI: Yeah.BEN: Um, okay, so let's talk doc editing. Yes. What, um, I always like to, I heard a quote once that something about when, when critics get together, they talk meaning, and when artists get together, they talk paint.So let's talk paint for a second. What do you edit on?VIRI: I cut mainly on Avid and Premier. I, I do think of myself as more of an avid lady, but there's been a lot of probably the films that have done the most. I cut on Premier, and by that I mean like, it's interesting that I always assume Avid is my standard yet that most of the things that I love most, I cut on Premiere right now.I, I toggle between them both multiple projects on both, on both, um, programs and they're great. I love them equal for different reasons. I'm aBEN: big fan of Avid. I think it gets kind of a, a bad rap. Um, what, what are the benefits of AVID versus pr? I've never used Premier, but I was a big final cut seven person.So everybody has said that. Premier kind of emulates Final cut. Seven.VIRI: I never made a past seven. It's funny, I recently heard people are cutting on Final Cut Pro again, which A adds off. But I really, because I thought that ship had sailed when they went away from seven. So with, I will say like the top line things for me, you know, AVID forces you to control every single thing you're doing, which I actually think it can feel hindering and intimidating to some folks, but actually is highly liberating once you learn how to use it, which is great.It's also wonderful for. Networks. I mean, you can send a bin as a couple kilobyte. Like the idea that the shared workflow, when I've been on series or features with folks, it's unbeatable. Uh, you know, it can be cumbersome in like getting everything in there and stuff like that and all, and, but, but it kind of forces you to set up yourself for success, for online, for getting everything out.So, and there's a lot of good things. So then on conversely Premier. It's amazing ‘cause you can hit the ground running. You just drag everything in and you go. The challenge of course is like getting it out. Sometimes that's when you kind of hit the snaps. But I am impressed when I'm working with multiple frame rates, frame sizes, archival for many decades that I can just bring it into Premier and go and just start cutting.And you know, also it has a lot of intuitive nature with other Adobe Pro, you know, uh, applications and all of this, which is great. There's a lot of shortcuts. I mean, they're getting real. Slick with a lot of their new features, which I have barely met. I'm like an archival, I'm like a ancient picture editor lady from the past, like people always teach me things.They're just like, you know, you could just, and I'm like, what? But I, so I guess I, you know, I don't have all the tech guru inside talk on that, but I think that when I'm doing short form, it does feel like it's always premier long form. Always seems to avid. Team stuff feels avid, you know, feature, low budge features where they're just trying to like make ends meet.Feel Premier, and I think there's an enormous accessibility with Premier in that regard. But I still feel like Avid is a studios, I mean, a, a studio, well, who knows? I'm cut in the studios. But an industry standard in a lot of ways it still feels that way.BEN: Yeah, for sure. How did you get into editing?VIRI: I went to film school and while I was there, I really like, we did everything.You know, we learned how to shoot, we learned everything. Something about editing was really thrilling to me. I, I loved the puzzle of it, you know, I loved putting pieces together. We did these little funny exercises where we would take a movie and cut our own trailer and, you know, or they'd give us all the same footage and we cut our scene from it and.Itwas really incredible to see how different all those scenes were, and I loved finding ways to multipurpose footage, make an entire tone feel differently. You know, like if we're cutting a scene about a bank robbery, like how do you all of a sudden make it feel, you know, like romantic, you know, or whatever.It's like how do we kind of play with genre and tone and how much you can reinvent stuff, but it was really structure and shifting things anyways, it really, I was drawn to it and I had fun editing my things and helping other people edit it. I did always dream of directing, which I am doing now and I'm excited about, but I realized that my way in with editing was like learning how to do a story in that way, and it will always be my language.I think even as I direct or write or anything, I'm really imagining it as if I'm cutting it, and that could change every day, but like when I'm out shooting. I always feel like it's my superpower because when I'm filming it's like I know what I have and how I'll use it and I can change that every hour.But the idea of kind of knowing when you've got it or what it could be and having that reinvented is really incredible. So got into edit. So left film school. And then thought and loved editing, but wasn't like, I'm gonna be an editor. I was still very much on a very over, you know what? I guess I would say like, oh, I was gonna say Overhead, broad bird's eye.I was like, no, I'm gonna go make movies and then I'll direct ‘em and onward, but work, you know, worked in post houses, overnights, all that stuff and PA and try made my own crappy movies and you know, did a lot of that stuff and. It kept coming back to edit. I mean, I kept coming back to like assistant jobs and cutting, cutting, cutting, cutting, and it just felt like something that I had a skill for, but I didn't know what my voice was in that.Like I didn't, it took me a long time to realize I could have a voice as an editor, which was so dumb, and I think I wasted so much time thinking that like I was only search, you know, like that. I didn't have that to bring. That editing was just about. Taking someone else's vision. You know, I'm not a set of hands like I'm an artist as well.I think we all are as editors and I was very grateful that not, not too long into, you know, when I found the doc path and I went, okay, I think this is where I, I can rock this and I'm pretty excited about it. I ended up working with a small collection of directors who all. Respected that collaboration.Like they were excited for what I do and what I bring to it and felt, it made me feel like we were peers working together, which was my fantasy with how film works. And I feel like isn't always the constant, but I've been spoiled and now it's what I expect and what I want to create for others. And you know, I hope there's more of us out there.So it's interesting because my path to editing. Was like such a, a practical one and an emotional one, and an ego one, and a, you know, it's like, it's like all these things that have led me to where I am and the perfect neighbor is such a culmination of all of that. For sure.BEN: Yeah. And, and I want to get into it, uh, first the eternal question.Yeah. Film school worth it or not worth it?VIRI: I mean, listen, I. We'll share this. I think I've shared this before, but relevant to the fact I'll share it because I think we can all learn from each other's stories. I did not want to go to college. Okay? I wanted to go straight to la. I was like, I'm going to Hollywood.I wanted to make movies ever since I was a kid. This is what I'm gonna do, period. I come from a family of teachers. All of my parents are teachers. My parents divorced. I have my stepparent is teacher, like everybody's a teacher. And they were like, no. And not just a teacher. My mom and my dad are college professors, so they were like college, college, college.I sabotaged my SATs. I did not take them. I did not want to go to college. I was like, I am going to Los Angeles. Anyways, uh, my parents applied for me. To an accredited arts college that, and they were like, it's a three year try semester. You'll shoot on film, you can do your, you know, and they submitted my work from high school when I was in TV production or whatever.Anyways, they got me into this little college, and when I look back, I know that that experience was really incredible. I mean, while I was there, I was counting the days to leave, but I know that it gave me not only the foundation of. You know, learning, like, I mean, we were learning film at the time. I don't know what it's like now, but like we, you know, I learned all the different mediums, which was great on a vocational level, you know, but on top of that, they're just throwing cans of film at us and we're making all the mistakes we need to make to get where we need to get.And the other thing that's happening is there's also like the liberal arts, this is really, sounds like a teacher's kid, what I'm about to say. But like, there's also just the level of education To be smarter and learn more about the world, to inform your work doesn't mean that you can't. You can't skip college and just go out there and find your, and learn what you wanna learn in the stories that you journey out to tell.So I feel really torn on this answer because half of me is like. No, you don't need college. Like just go out and make stuff and learn what you wanna learn. And then the other half of me have to acknowledge that, like, I think there was a foundation built in that experience, in that transitional time of like semi-structure, semi independence, you know, like all the things that come with college.It's worth it, but it's expensive as heck. And I certainly, by the time I graduated, film wasn't even a thing and I had to learn digital out in the world. And. I think you can work on a film set and learn a hell of a lot more than you'll ever learn in a classroom. And at the same time, I really love learning.So, you know, my, I think I, my parents were right, they know it ‘cause I went back to grad school, so that was a shock for them. But I think, but yeah, so I, I get, what I would say is, it really is case, this is such a cop out of an answer, case by case basis. Ask yourself, you know, if you need that time and if you, if you aren't gonna go.You need to put in the work. You have to really like go out, go on those sets, work your tail off, seek out the books, read the stuff, you know, and no one's gonna hand you anything. And my stories are a hell of a lot, I think smarter and eloquent because of the education I had. Yeah.BEN: So you shuttle on, what was the school, by the way?VIRI: Well, it was called the, it was called the International Fine Arts College. It no longer exists because Art Institute bought it. It's now called the Miami International University of Art and Design, and they bought it the year I graduated. So I went to this tiny little arts college, uh, but graduated from this AI university, which my parents were like, okay.Um, but we were, it was a tiny little college owned by this man who would invite all of us over to his mansion for brunch every year. I mean, it was very strange, but cool. And it was mainly known for, I think fashion design and interior design. So the film kids, we all kind of had, it was an urban campus in Miami and we were all like kind of in a wado building on the side, and it was just kind of a really funky, misfit feeling thing that I thought was, now when I look back, I think was like super cool.I mean, they threw cans of film at us from the very first semester. There was no like, okay, be here for two years and earn your opportunity. We were making stuff right away and all of our teachers. All of our professors were people who were working in the field, like they were ones who were, you know, writing.They had written films and fun fact of the day, my, my cinematography professor was Sam Beam from Iron and Wine. If anybody knows Iron and Wine, like there's like, there's like we, we had crazy teachers that we now realize were people who were just probably trying to pay their bills while they were on their journey, and then they broke out and did their thing after we were done.BEN: Okay, so shooting on film. Yeah. What, um, was it 16 or 35? 16. And then how are you doing sound? No, notVIRI: 35, 16. Yeah. I mean, we had sound on Dax, you know, like we were recording all the mm-hmm. Oh, when we did the film. Yeah, yeah. Separate. Yeah, yeah, yeah. We did the Yeah. Syncs soundBEN: into a We did a,VIRI: yeah, we did, we did one.We shot on a Bolex, I think, if I remember it right. It did like a tiny, that probably was eight, you know? But the point is we did that on. The flatbed. After that, we would digitize and we would cut on media 100, which was like this. It was, I think it was called the, I'm pretty sure it was called Media 100.It was like this before avid, you know. A more archaic editing digital program that, so we did the one, the one cut and splice version of our, our tiny little films. And then we weren't on kind of beautiful steam backs or anything. It was like, you know, it was much, yeah, smaller. But we had, but you know, we raced in the changing tents and we did, you know, we did a lot of film, love and fun.And I will tell you for your own amusement that we were on set once with somebody making their short. The girl at the AC just grabbed, grabbed the film, what's, oh my God, I can't even believe I'm forgetting the name of it. But, um, whatever the top of the camera grabbed it and thought she had unlocked it, like unhinged it and just pulled it out after all the film just come spooling out on set.And we were like, everybody just froze and we were just standing there. It was like a bad sketch comedy, like we're all just standing there in silence with like, just like rolling out of the camera. I, I'll never forget it.BEN: Nightmare. Nightmare. I, you know, you said something earlier about when you're shooting your own stuff.Being an editor is a little bit of a superpower because you know, oh, I'm gonna need this, I'm gonna need that. And, and for me it's similar. It's especially similar. Like, oh, we didn't get this. I need to get an insert of this ‘cause I know I'm probably gonna want that. I also feel like, you know, I came up, um, to instill photography, 35 millimeter photography, and then when I got into filmmaking it was, um, digital, uh, mini DV tape.So, but I feel like the, um, the structure of having this, you know, you only have 36 shots in a still camera, so you've gotta be sure that that carried over even to my shooting on digital, of being meticulous about setting up the shot, knowing what I need. Whereas, you know, younger people who have just been shooting digital their whole lives that just shoot everything and we'll figure it out later.Yeah. Do do you, do you feel you had that Advant an advantage? Yes. Or sitting on film gave you some advantages?VIRI: I totally, yes. I also am a firm believer and lover of intention. Like I don't this whole, like we could just snap a shot and then punch in and we'll, whatever. Like it was my worst nightmare when people started talking about.We'll shoot scenes and something, it was like eight K, so we can navigate the frame. And I was like, wait, you're not gonna move the camera again. Like, it just, it was terrifying. So, and we passed that, but now the AI stuff is getting dicey, but the, I think that you. I, I am pretty romantic about the hands-on, I like books with paper, you know, like, I like the can, the cinematographer to capture, even if it's digital.And those benefits of the digital for me is like, yes, letting it roll, but it's not about cheating frames, you know, like it's about, it's about the accessibility of being able to capture things longer, or the technology to move smoother. These are good things. But it's not about, you know, simplifying the frame in something that we need to, that is still an art form.Like that's a craft. That's a craft. And you could argue that what we choose, you know, photographers, the choice they make in Photoshop is the new version of that is very different. Like my friends who are dps, you know, there's always like glasses the game, right? The lenses are the game. It's like, it's not about filters In posts, that was always our nightmare, right?The old fix it and post everybody's got their version of their comic strip that says Fix it and post with everything exploding. It's like, no, that's not what this is about. And so, I mean, I, I think I'll always be. Trying to, in my brain fight the good fight for the craftiness of it all because I'm so in love with everything.I miss film. I'm sad. I miss that time. I mean, I think I, it still exists and hopefully someday I'll have the opportunity that somebody will fund something that I'm a part of that is film. And at the same time there's somewhere in between that still feels like it's honoring that freshness. And, and then now there's like the, yeah, the new generation.It's, you know, my kids don't understand that I have like. Hand them a disposable camera. We'll get them sometimes for fun and they will also like click away. I mean, the good thing you have to wind it so they can't, they can't ruin it right away, but they'll kind of can't fathom that idea. And um, and I love that, where you're like, we only get 24 shots.Yeah, it's veryBEN: cool. So you said you felt the perfect neighbor, kind of, that was the culmination of all your different skills in the craft of editing. Can you talk a little bit about that?VIRI: Yes. I think that I spent, I think all the films, it's like every film that I've had the privilege of being a part of, I have taken something like, there's like some tool that was added to the tool belt.Maybe it had to do with like structure or style or a specific build to a quote or, or a device or a mechanism in the film, whatever it is. It was the why of why that felt right. That would kind of be the tool in the tool belt. It wouldn't just be like, oh, I learned how to use this new toy. It was like, no, no.There's some kind of storytelling, experience, technique, emotion that I felt that Now I'm like, okay, how do I add that in to everything I do? And I want every film to feel specific and serve what it's doing. But I think a lot of that sent me in a direction of really always approaching a project. Trying to meet it for like the, the work that only it can do.You know, it's like, it's not about comps. It's not about saying like, oh, we're making a film that's like, fill in the blank. I'm like, how do we plug and play the elements we have into that? It's like, no, what are the elements we have and how do we work with them? And that's something I fought for a lot on all the films I've been a part of.Um, and by that I mean fight for it. I just mean reminding everybody always in the room that we can trust the audience, you know, that we can. That, that we should follow the materials what, and work with what we have first, and then figure out what could be missing and not kind of IME immediately project what we think it needs to be, or it should be.It's like, no, let's discover what it is and then that way we will we'll appreciate. Not only what we're doing in the process, but ultimately we don't even realize what it can do for what it is if we've never seen it before, which is thrilling. And a lot of those have been a part of, there have been pockets of being able to do that.And then usually near the end there's a little bit of math thing that happens. You know, folks come in the room and they're trying to, you know, but what if, and then, but other people did. Okay, so all you get these notes and you kind of reel it in a little bit and you find a delicate balance with the perfect neighbor.When Gita came to me and we realized, you know, we made that in a vacuum like that was we, we made that film independently. Very little money, like tiny, tiny little family of the crew. It was just me and her, you know, like when we were kind of cutting it together and then, and then there's obviously producers to kind of help and build that platform and, and give great feedback along the way.But it allowed us to take huge creative risks in a really exciting way. And I hate that I even have to use the word risks because it sounds like, but, but I do, because I think that the industry is pushing against, you know, sometimes the spec specificity of things, uh, in fear of. Not knowing how it will be received.And I fantasize about all of us being able to just watch something and seeing how we feel about it and not kind of needing to know what it is before we see it. So, okay, here comes the perfect neighbor. GTA says to me early on, like, I think. I think it can be told through all these materials, and I was like, it will be told through like I was determined and I held us very strict to it.I mean, as we kind of developed the story and hit some challenges, it was like, this is the fun. Let's problem solve this. Let's figure out what it means. But that also came within the container of all this to kind of trust the audience stuff that I've been trying to repeat to myself as a mantra so I don't fall into the trappings that I'm watching so much work do.With this one, we knew it was gonna be this raw approach and by composing it completely of the evidence, it would ideally be this kind of undeniable way to tell the story, which I realized was only possible because of the wealth of material we had for this tracked so much time that, you know, took the journey.It did, but at the same time, honoring that that's all we needed to make it happen. So all those tools, I think it was like. A mixed bag of things that I found that were effective, things that I've been frustrated by in my process. Things that I felt radical about with, you know, that I've been like trying to scream in, into the void and nobody's listening.You know, it's like all of that because I, you know, I think I've said this many times. The perfect neighbor was not my full-time job. I was on another film that couldn't have been more different. So I think in a, in a real deep seated, subconscious way, it was in conversation with that. Me trying to go as far away from that as possible and in understanding what could be possible, um, with this film.So yeah, it's, it's interesting. It's like all the tools from the films, but it was also like where I was in my life, what had happened to me, you know, and all of those. And by that I mean in a process level, you know, working in film, uh, and that and yes, and the values and ethics that I honor and wanna stick to and protect in the.Personal lens and all of that. So I think, I think it, it, it was a culmination of many things, but in that approach that people feel that has resonated that I'm most proud of, you know, and what I brought to the film, I think that that is definitely, like, I don't think I could have cut this film the way I did at any other time before, you know, I think I needed all of those experiences to get here.BEN: Oh, there's so much there and, and there's something kind of the. The first part of what you were saying, I've had this experience, I'm curious if you've had this experience. I sort of try to prepare filmmakers to be open to this, that when you're working with something, especially Doc, I think Yeah. More so Doc, at a certain point the project is gonna start telling you what it wants to be if you, if you're open to it.Yes. Um, but it's such a. Sometimes I call it the spooky process. Like it's such a ephemeral thing to say, right? Like, ‘cause you know, the other half of editing is just very technical. Um, but this is like, there's, there's this thing that's gonna happen where it's gonna start talking to you. Do you have that experience?VIRI: Yes. Oh, yes. I've also been a part of films that, you know, they set it out to make it about one person. And once we watched all the footage, it is about somebody else. I mean, there's, you know, those things where you kind of have to meet the spooky part, you know, in, in kind of honoring that concept that you're bringing up is really that when a film is done, I can't remember cutting it.Like, I don't, I mean, I remember it and I remember if you ask me why I did something, I'll tell you. I mean, I'm very, I am super. Precious to a fault about an obsessive. So like you could pause any film I've been a part of and I'll tell you exactly why I used that shot and what, you know, I can do that. But the instinct to like just grab and go when I'm just cutting and I'm flowing.Yeah, that's from something else. I don't know what that is. I mean, I don't. People tell me that I'm very fast, which is, I don't know if that's a good or a bad thing, but I think it really comes from knowing that the job is to make choices and you can always go back and try different things, but this choose your own adventure novel is like just going, and I kind of always laugh about when I look back and I'm like, whoa, have that happen.Like, you know, like I don't even. And I have my own versions of imposter syndrome where I refill mens and I'm like, oh, got away with that one. Um, or every time a new project begins, I'm like, do I have any magic left in the tank? Um, but, but trusting the process, you know, to what you're socking about is a really important way to free yourself and the film to.Discover what it is. I think nowadays because of the algorithm and the, you know, I mean, it's changing right now, so we'll see where, how it recalibrates. But for a, for a while, over these past years, the expectations have, it's like shifted where they come before the film is like, it's like you create your decks and your sizzles and you write out your movie and you, and there is no time for discovery.And when it happens. It's like undeniable that you needed to break it because it's like you keep hitting the same impasse and you can't solve it and then you're like, oh, that's because we have to step outta the map. But I fear that many works have suffered, you know, that they have like followed the map and missed an opportunity.And so, you know, and for me as an editor, it's always kinda a red flag when someone's like, and here's the written edit. I'm like, what? Now let's watch the footage. I wanna know where There's always intention when you set up, but as people always say, the edit is kind of the last. The last step of the storytelling process.‘cause so much can change there. So there is, you know, there it will reveal itself. I do get nerdy about that. I think a film knows what it is. I remember when I was shooting my first film called Born to Play, that film, we were. At the championship, you know, the team was not, thought that they were gonna win the whole thing.We're at the championship and someone leaned over to me and they said, you know, it's funny when a story knows it's being filmed. And I was like, ah. I think about that all the time because now I think about that in the edit bay. I'm like, okay, you tell me, you know, what do you wanna do? And then you kind of like, you match frame back to something and all of a sudden you've opened a portal and you're in like a whole new theme.It's very cool. You put, you know, you put down a different. A different music temp, music track, and all of a sudden you're making a new movie. I mean, it's incredible. It's like, it really is real world magic. It's so much fun. Yeah,BEN: it is. It's a blast. The, so, uh, I saw you at the panel at Doc NYC and then I went that night or the next night and watched Perfect Neighbor blew me away, and you said something on the panel that then blew me away again when I thought about it, which is.I think, correct me if I'm wrong, all of the audio is syncedVIRI: Yeah. To the footage.BEN: That, to me is the big, huge, courageous decision you made.VIRI: I feel like I haven't said that enough. I don't know if folks understand, and it's mainly for the edit of that night, like the, I mean, it's all, it's, it's all that, but it was important.That the, that the sound would be synced to the shock that you're seeing. So when you're hearing a cop, you know, a police officer say, medics, we need medics. If we're in a dashboard cam, that's when it was, you know, echoing from the dashboard. Like that's what, so anything you're hearing is synced. When you hear something coming off from the per when they're walking by and you hear someone yelling something, you know, it's like all of that.I mean, that was me getting really strict about the idea that we were presenting this footage for what it was, you know, that it was the evidence that you are watching, as you know, for lack of a better term, unbiased, objectively as possible. You know, we're presenting this for what it is. I, of course, I have to cut down these calls.I am making choices like that. That is happening. We are, we are. Composing a narrative, you know, there, uh, that stuff is happening. But to create, but to know that what you're hearing, I'm not applying a different value to the frame on, on a very practical syn sound way. You know, it's like I'm not gonna reappropriate frames.Of course, in the grand scheme of the narrative flow with the emotions, you know, the genre play of this horror type film, and there's a lot happening, but anything you were hearing, you know, came from that frame. Yeah.BEN: That's amazing. How did you organize the footage and the files initially?VIRI: Well, Gita always likes to laugh ‘cause she is, she calls herself my first ae, which is true.I had no a, you know, I had, she was, she had gotten all that material, you know, she didn't get that material to make a film. They had originally, this is a family friend who died and when this all happened, they went down and gathered this material to make a case, to make sure that Susan didn't get out. To make sure this was not forgotten.You know, to be able to utilize. Protect the family. And so there was, at first it was kind of just gathering that. And then once she got it, she realized that it spanned two years, you know, I mean, she, she popped, she was an editor for many, many years, an incredible editor. She popped it into a system, strung it all out, sunk up a lot of it to see what was there, and realized like, there's something here.And that's when she called me. So she had organized it, you know, by date, you know, and that, that originally. Strung out a lot of it. And then, so when I came in, it was just kind of like this giant collection of stuff, like folders with the nine one calls. How long was the strung out? Well, I didn't know this.Well, I mean, we have about 30 hours of content. It wasn't one string out, you know, it was like there were the call, all the calls, and then the 9 1 1 calls, the dash cams. The ring cams. Okay. Excuse me. The canvassing interviews, audio only content. So many, many. Was about 30 hours of content, which honestly, as most of us editors know, is not actually a lot I've cut.You know, it's usually, we have tons more than that. I mean, I, I've cut decades worth of material and thousands of hours, you know, but 30 hours of this type of material is very specific, you know, that's a, that's its own challenge. So, so yeah. So the first, so it was organized. It was just organized by call.Interview, you know, some naming conventions in there. Some things we had to sync up. You know, the 9 1 1 calls would overlap. You could hear it in the nine one one call center. You would hear someone, one person who called in, and then you'd hear in the background, like the conversation of another call. It's in the film.There's one moment where you can hear they're going as fast as they can, like from over, from a different. So there was so much overlap. So there was some syncing that we kind of had to do by ear, by signals, by, you know, and there's some time coding on the, on the cameras, but that would go off, which was strange.They weren't always perfect. So, but that, that challenge unto itself would help us kind of really screen the footage to a finite detail, right. To like, have, to really understand where everybody is and what they're doing when,BEN: yeah. You talked about kind of at the end, you know, different people come in, there's, you know, maybe you need to reach a certain length or so on and so forth.How do you, um, handle notes? What's your advice to young filmmakers as far as navigating that process? Great question.VIRI: I am someone who, when I was a kid, I had trouble with authority. I wasn't like a total rebel. I think I was like a really goody goody too. She was borderline. I mean, I had my moments, but growing up in, in a journey, an artistic journey that requires you to kind of fall in love with getting critiques and honing things and working in teams.And I had some growing pains for a long time with notes. I mean, my impulse was always, no. A note would come and I'd go, no, excuse me. Go to bed, wake up. And then I would find my way in and that would be great. That bed marinating time has now gone away, thank goodness. And I have realized that. Not all notes, but some notes have really changed the trajectory of a project in the most powerful waves.And it doesn't always the, to me, what I always like to tell folks is it's, the notes aren't really the issues. It's what? It's the solutions people offer. You know? It's like you can bring up what you're having an issue with. It's when people kind of are like, you know what I would do? Or you know what you think you should do, or you could do this.You're like, you don't have to listen to that stuff. I mean, you can. You can if you have the power to filter it. Some of us do, some of us don't. I've worked with people who. Take all the notes. Notes and I have to, we have to, I kind of have to help filter and then I've worked with people who can very quickly go need that, don't need that need, that, don't need that.Hear that, don't know how to deal with that yet. You know, like if, like, we can kind of go through it. So one piece of advice I would say is number one, you don't have to take all the notes and that's, that's, that's an honoring my little veary. Wants to stand by the vision, you know, and and fight for instincts.Okay. But the second thing is the old classic. It's the note behind the note. It's really trying to understand where that note's coming from. Who gave it what they're looking for? You know, like is that, is it a preference note or is it a fact? You know, like is it something that's really structurally a problem?Is it something that's really about that moment in the film? Or is it because of all the events that led to that moment that it's not doing the work you think it should? You know, the, the value is a complete piece. So what I really love about notes now is I get excited for the feedback and then I get really excited about trying to decipher.What they mean, not just taking them as like my to-do list. That's not, you know, that's not the best way to approach it. It's really to get excited about getting to actually hear feedback from an audience member. Now, don't get me wrong, an audience member is usually. A producer in the beginning, and they have, they may have their own agenda, and that's something to know too.And maybe their agenda can influence the film in an important direction for the work that they and we all wanted to do. Or it can help at least discern where their notes are coming from. And then we can find our own emotional or higher level way to get into solving that note. But, you know, there's still, I still get notes that make me mad.I still get notes where I get sad that I don't think anybody was really. Watching it or understanding it, you know, there's always a thought, you know, that happens too. And to be able to read those notes and still find that like one kernel in there, or be able to read them and say, no kernels. But, but, but by doing that, you're now creating the conviction of what you're doing, right?Like what to do and what not to do. Carrie, equal value, you know, so you can read all these notes and go, oh, okay, so I am doing this niche thing, but I believe in it and. And I'm gonna stand by it. Or like, this one person got it and these five didn't. And I know that the rules should be like majority rules, but that one person, I wanna figure out why they got it so that I can try to get these, you know, you get what I'm saying?So I, I've grown, it took a long time for me to get where I am and I still have moments where I'm bracing, you know, where I like to scroll to see how many notes there are before I even read them. You know, like dumb things that I feel like such a kid about. But we're human. You know, we're so vulnerable.Doing this work is you're so naked and you're trying and you get so excited. And I fall in love with everything. I edit so furiously and at every stage of the process, like my first cut, I'm like, this is the movie. Like I love this so much. And then, you know, by the 10th root polling experience. I'm like, this is the movie.I love it so much. You know, so it's, it's painful, but at the same time it's like highly liberating and I've gotten a lot more flowy with it, which was needed. I would, I would encourage everybody to learn how to really enjoy being malleable with it, because that's when you find the sweet spot. It's actually not like knowing everything right away, exactly what it's supposed to be.It's like being able to know what the heart of it is. And then get really excited about how collaborative what we do is. And, and then you do things you would've never imagined. You would've never imagined, um, or you couldn't have done alone, you know, which is really cool. ‘cause then you get to learn a lot more about yourself.BEN: Yeah. And I think what you said of sort of being able to separate the idea of, okay, something maybe isn't clicking there, versus whatever solution this person's offering. Nine times outta 10 is not gonna be helpful, but, but the first part is very helpful that maybe I'm missing something or maybe what I want to connect is not connecting.VIRI: And don't take it personally. Yeah. Don't ever take it personally. I, I think that's something that like, we're all here to try to make the best movie we can.BEN: Exactly.VIRI: You know? Yeah. And I'm not gonna pretend there aren't a couple sticklers out there, like there's a couple little wrenches in the engine, but, but we will, we all know who they are when we're on the project, and we will bind together to protect from that.But at the same time, yeah, it's, yeah. You get it, you get it. Yeah. But it's really, it's an important part of our process and I, it took me a while to learn that.BEN: Last question. So you talked about kind of getting to this cut and this cut and this cut. One of the most important parts of editing, I think is especially when, when you've been working on a project for a long time, is being able to try and see it with fresh eyes.And of course the, one of the ways to do that is to just leave it alone for three weeks or a month or however long and then come back to it. But sometimes we don't have that luxury. I remember Walter Merch reading in his book that sometimes he would run the film upside down just to, mm-hmm. You know, re re redo it the way his brain is watching it.Do you have any tips and tricks for seeing a cut with fresh eyes? OhVIRI: yeah. I mean, I mean, other than stepping away from it, of course we all, you know, with this film in particular, I was able to do that because I was doing other films too. But I, one good one I always love is take all the music out. Just watch the film without music.It's really a fascinating thing. I also really like quiet films, so like I tend to all of a sudden realize like, what is absolutely necessary with the music, but, but it, it really, people get reliant on it, um, to do the work. And you'd be pleasantly surprised that it can inform and reinvent a scene to kind of watch it without, and you can, it's not about taking it out forever, it's just the exercise of watching what the film is actually doing in its raw form, which is great.Switching that out. I mean, I can, you know, there's other, washing it upside down, I feel like. Yeah, I mean like there's a lot of tricks we can trick our trick, our brain. You can do, you could also, I. I think, I mean, I've had times where I've watched things out of order, I guess. Like where I kind of like go and I watch the end and then I click to the middle and then I go back to the top, you know?And I'm seeing, like, I'm trying to see if they're all connecting, like, because I'm really obsessed with how things begin and how they end. I think the middle is highly important, but it really, s**t tells you, what are we doing here? Like what are we set up and where are we ending? And then like, what is the most effective.Journey to get there. And so there is a way of also kind of trying to pinpoint the pillars of the film and just watching those moments and not kind, and then kind of reverse engineering the whole piece back out. Yeah, those are a couple of tricks, but more than anything, it's sometimes just to go watch something else.If you can't step away from the project for a couple of weeks, maybe watch something, you could, I mean, you can watch something comparable in a way. That tonally or thematically feels in conversation with it to just kind of then come back and feel like there's a conversation happening between your piece and that piece.The other thing you could do is watch something so. Far different, right? Like, even if you like, don't like, I don't know what I'm suggesting, you'd have to, it would bend on the project, but there's another world where like you're like, all right, I'm gonna go off and watch some kind of crazy thrill ride and then come back to my slow burn portrait, you know, and, and just, just to fresh the pal a little bit, you know?I was like that. It's like fueling the tanks. We should be watching a lot of stuff anyways, but. That can happen too, so you don't, you also get to click off for a second because I think we can get, sometimes it's really good to stay in it at all times, but sometimes you can lose the force for the, you can't see it anymore.You're in the weeds. You're too close to it. So how do we kind of shake it loose? Feedback sessions, by the way, are a part, is a part of that because I think that when you sit in the back of the room and you watch other people watch the film, you're forced to watch it as another person. It's like the whole thing.So, and I, I tend to watch people's body language more than, I'm not watching the film. I'm like watching for when people shift. Yeah, yeah. I'm watching when people are like coughing or, you know, or when they, yeah. Whatever. You get it. Yeah. Yeah. That, that, soBEN: that is the most helpful part for me is at a certain point I'll bring in a couple friends and I'll just say, just want you to watch this, and I'm gonna ask you a couple questions afterwards.But 95% of what I need is just sitting there. Watching them and you said exactly. Watching their body language.VIRI: Yeah. Oh man. I mean, this was shoulder, shoulder shooks. There's, and you can tell the difference, you can tell the difference between someone's in an uncomfortable chair and someone's like, it's like whenever you can sense it if you're ever in a theater and you can start to sense, like when they, when they reset the day, like whenever we can all, we all kind of as a community are like, oh, this is my moment.To like get comfortable and go get a bite of popcorn. It's like there's tells, so some of those are intentional and then some are not. Right? I mean, if this is, it goes deeper than the, will they laugh at this or will they be scared at this moment? It really is about captivating them and feeling like when you've, when you've lost it,BEN: for sure.Yeah. Very. This has been fantastic. Oh my God, how fun.VIRI: I talked about things here with you that I've haven't talked, I mean, contact so deeply, but even film school, I feel like I don't know if that's out there anywhere. So that was fun. Thank you.BEN: Love it. Love it. That, that that's, you know, that's what I hope for these interviews that we get to things that, that haven't been talked about in other places.And I always love to just go in, you know, wherever the trail leads in this case. Yeah. With, uh, with Jody Foster and Math McConaughey and, uh, I mean, go see it. Everybody met this. Yeah. Uh, and for people who are interested in your work, where can they find you?VIRI: I mean, I don't update my website enough. I just go to IMDB.Look me up on IMDB. All my work is there. I think, you know, in a list, I've worked on a lot of films that are on HBO and I've worked on a lot of films and now, you know, obviously the perfect neighbor's on Netflix right now, it's having an incredible moment where I think the world is engaging with it. In powerful ways beyond our dreams.So if you watch it now, I bet everybody can kind of have really fascinating conversations, but my work is all out, you know, the sports stuff born to play. I think it's on peacock right now. I mean, I feel like, yeah, I love the scope that I've had the privilege of working on, and I hope it keeps growing. Who knows.Maybe I'll make my space movie someday. We'll see. But in the meantime, yeah, head over and see this, the list of credits and anything that anybody watches, I love to engage about. So they're all, I feel that they're all doing veryBEN: different work. I love it. Thank you so much.VIRI: Thank you. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

Sono Alex Raccuglia — The Morning Rant (video) / Techno Pillz (audio). In questo episodio scarico un'idea che mi è venuta per un'app che potrebbe salvare la vita a quei video che “scattano” come il cazzo. Parlo di frame rate, di perché montare a 25fps oggi è spesso una cagata se il tuo video finirà su smartphone, di come l'AI (optical flow/interpolazione) può ricostruire fotogrammi mancanti, e di quanto sarebbe bello avere un'app che lo faccia in semi-automatico. Ho anche la mia storia-clienti-da-incubo: contributi in verticale, timeline a 25, oggetti girati a 30 che scattano, fotogrammi persi = problemi.Cosa trovi in questo episodio:- Perché la maggior parte dei video è pensata per dispositivi mobili (telefono = driver della produzione).- Differenze tra 24/25/30/60 fps e perché non è solo teoria.- Il problema concreto: passare clip da 30 a 25 e perdere fotogrammi (1 su 6 sparito).- Come l'AI / optical flow può interpolare fotogrammi e quando funziona (e quando no).- Idee e possibili feature per un'app (nome provvisorio: "Smoochie") — trova i punti che scattano, aggiunge o sostituisce fotogrammi, upscaling integrato.- Riferimenti pratici: Final Cut, BestFrame, Ultimedia Converter, WWDC 2025 e le nuove API/video model di Apple.- Perché potrebbe essere una nicchia interessante (o una fregatura commerciale).Se ti è piaciuto il video (o l'hai trovato utile anche solo per ridere delle mie paranoie), fai la manina: metti like, iscriviti e attiva la campanella. Il commento è oro: ditemi se comprereste Smoochie, che feature vorreste, o se avete storie horror simili su frame rate e clienti last minute.Partecipa alla discussione:- Gruppo Telegram: https://telegram.me/tecnopillsriotAltri progetti citati:- BestFrame / Ultimedia Converter (menzionati nel video)- WWDC 2025 – nuove API AI per video/fotoVuoi che sviluppi davvero quest'app? Scrivilo qui sotto, condividi la tua esperienza con i frame rate e ditemi se siete della fazione “25 forever” o “30/60 sempre”.Grazie per aver ascoltato/guardato — io vado in ufficio, la bisarca magari gira a destra e mi rovina la giornata, ma intanto ci sentiamo nei commenti. Ciao.[00:15:46] Spot[00:24:40] Spot[00:31:45] Il riassunto di Sciatta GPTTechnoPillzFlusso di coscienza digitale.Vieni a chiacchierare sul riot:https://t.me/TechnoPillzRiotSono su Mastodon: @shylock74@mastodon.unoI video di The Morning Rant sul canale YouTube di Runtime:https://www.youtube.com/playlist?list=PLgGSK_Rq9Xdh1ojZ_Qi-rCwwae_n2LmztAscoltaci live tutti i giorni 24/7 su: http://runtimeradio.itScarica l'app per iOS: https://bit.ly/runtAppContribuisci alla Causa andando su:http://runtimeradio.it/ancheio/

FCPRadio Podcast Episode 156 FCPRadio 156 Final Cut Pro 11.2, ProRes RAW, the new iPhone 17 Pro Max and The FCP Summit in the Spring the FCP Team and lots more! Year 10 of Final Cut Pro Radio. 2 Millions+ podcast downloads Buy Me A Coffee https://buymeacoffee.com/RichardTaylor Twitter @fcpradio1 FCPRadio.com Facebook YouTube.com/RichardTaylorTV https://www.facebook.com/groups/finalcutradiotv ©2025 Richard Taylor

n questa puntata Alex Raccuglia racconta la storia (e gli aggiornamenti recenti) della sua prima app venduta, FCP Autoduck: cosa è il “ducking”, come l'ha implementato per i suoi podcast e video, perché Final Cut Pro ancora non lo integra bene, e le funzionalità future che vorrebbe aggiungere — dall'analisi della dinamica della musica al ducking sugli effetti sonori fino a un'equalizzazione dinamica intelligente. Tra aneddoti, swear-free rant e idee tech, una puntata per chi fa audio/video e per chi ama il lato pratico dello sviluppo.Riassunto dei contenuti (punti chiave)- Cos'è il ducking e perché serve: spiegazione tecnica semplice (cluster, soglie, sottocampionamento) e considerazioni di timing e “morbidezza” nel trattamento audio.- Storia di FCP Autoduck: nata come tool a riga di comando, prima vendita 15/12/2017 a 1,99$, ora venduta a 9,99$; funzione principale: analizza tracce parlato e musica e genera automazioni di volume esportabili in Final Cut.- Aggiornamento recente: aggiunto supporto per applicare il ducking anche alla traccia degli effetti sonori + piccoli miglioramenti UI.- Perché Final Cut Pro non ha (ancora) un ducking integrato: complessità dovuta a timeline innestate, multicam, segmenti estratti ecc.- Funzionalità future ipotizzate: analisi del livello della musica per modulare il ducking (non abbassare dove la musica è già bassa), equalizzazione dinamica (ridurre frequenze della musica che “mascherano” il parlato), autolivellamento del parlato, integrazione con altri tool di denoising/normalizzazione, e un mixing automatico “intelligente”.- Tecnologie e modelli citati: Parakit (NVIDIA) per trascrizione/analisi audio rapida, SciattaGPT (il riassuntore automatico della puntata), riferimento a Whisper (modelli di trascrizione) e Core ML per integrazioni locali.- Note pratiche e aneddoti: sviluppo su codice molto vecchio (UIKit/AppKit), difficoltà a mantenere app di 8 anni, esperienze di lavoro video/sound design, tentazioni di creare altri tool (es. TITUS per titoli animati).- Link utili citati: gruppo Telegram del podcast per discussioni.Brand / nomi / servizi citati (con breve descrizione)- Alex Raccuglia — conduttore e sviluppatore, autore dell'episodio.- Techno Pillz / The Morning Rant — nome del podcast/segmento condotto da Alex.- Runtime Radio — podcast network che ospita lo show.- FCP Autoduck — applicazione di Alex che automatizza il ducking tra tracce parlato/musica (e ora anche effetti sonori); prima vendita 15/12/2017, prezzo iniziale 1,99$ ora venduta intorno a 9,99$ (citato nell'episodio).- Final Cut Pro (Apple) — software di montaggio video citato come ambiente principale in cui Alex lavora; motivo per cui FCP Autoduck esporta automazioni verso Final Cut invece di essere un plugin interno.- iMovie — citato come software che invece ha il ducking (commento dell'episodio).- Premiere (probabilmente Adobe Premiere Pro) — menzionato come esempio di NLE che “probabilmente” ha il ducking.- Justin Rosati / Justin Tech — co-conduttore con cui Alex faceva podcast in passato, menzionato nella storia iniziale.- Parakit (NVIDIA) — modello audio citato da Alex per analisi rapida di tracce (Parakit v3, modello di NVIDIA; Alex parla dell'idea di integrarlo).- Whisper V2 / Whisper V3 Turbo — modelli di trascrizione/modelli di riferimento per qualità delle trascrizioni (citati a confronto).- SciattaGPT / ShataGPT — tool/servizio che Alex usa per riassumere la puntata (bot interno/strumento di automazione).- After Effects — software di motion graphics citato in relazione al suo progetto TITUS (generazione titoli animati).- TITUS — idea/progetto di Alex per generazione automatica di titoli animati (menzionato come progetto futuro).- Telegram (gruppo) — canale di community dove discutere il podcast: telegram.me/tecnofiltriot (link citato nell'episodio).Link esplicitamente menzionati- telegram.me/tecnofiltriot — gruppo Telegram del podcast “Techno Pillz” per discussioni con la community.Interviste / ospiti- Non ci sono interviste formali né ospiti in puntata: è un monologo/racconto di Alex. Vengono citate persone (es. Justin Rosati) e amici (compositore/sound designer) ma non compaiono come ospiti in questa registrazione.Note finali ed emoji- Episodio consigliato a podcaster, montatori video, sound designer e sviluppatori di tool audio/video.

Is the new iPhone 17 Pro and Pro Max susceptible to scratches? iFixit tears down the new iPhone Air! New immersive films are coming to the Apple Vision Pro. And is TechWoven better than its predecessor, FineWoven? iPhone 17 Pro, iPhone 17 Pro Max units cited as readily susceptible to scratches and scuffs. The wafer-thin iPhone Air is surprisingly strong. iPhone Air teardown reveals that Apple's thinnest iPhone is still very repairable. Apple announces a new set of immersive film releases. Apple's new Vision Pro films among first shot on Blackmagic Ursa Cine Immersive Cameras. Apple spotted filming in 3D at iPhone 17 launch. Two years after the FineWoven fiasco, is TechWoven better? New iPhone 17 unveiled in Moscow, as pre-orders jump despite slowing economy. Worried about phone searches? 1Password's (a sponsor of the TWiT network) Travel Mode can clean up your data. Tap to Pay on iPhone comes to yet more European countries. Apple to fix camera glitch affecting iPhone Air and iPhone 17 Pro. Inside the Apple audio lab where AirPods are tested and tuned. I went inside Apple's Labs to see how Apple Watch connectivity is tested. A19 Pro's Geekbench 6 'Performance Per Watt' analysis; achieves highest multi-core score against all SoCs with 34% better efficiency. Memory Integrity Enforcement changes the game on iOS. Liquid Glass is causing a disorienting optical illusion for some iPhone users. $599 MacBook with iPhone chip expected to enter production this year. Apple steps up war of words with European regulators. Here's everything Trump is changing with H-1B visas. Picks of the Week Jason's Picks: Final Cut Camera & Final Cut Pro for iPad. Alex's Pick: Revopoint MetroX Andy's Pick: Epson MX-80 Fonts by Micahel Walden. Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsor: threatlocker.com

Is the new iPhone 17 Pro and Pro Max susceptible to scratches? iFixit tears down the new iPhone Air! New immersive films are coming to the Apple Vision Pro. And is TechWoven better than its predecessor, FineWoven? iPhone 17 Pro, iPhone 17 Pro Max units cited as readily susceptible to scratches and scuffs. The wafer-thin iPhone Air is surprisingly strong. iPhone Air teardown reveals that Apple's thinnest iPhone is still very repairable. Apple announces a new set of immersive film releases. Apple's new Vision Pro films among first shot on Blackmagic Ursa Cine Immersive Cameras. Apple spotted filming in 3D at iPhone 17 launch. Two years after the FineWoven fiasco, is TechWoven better? New iPhone 17 unveiled in Moscow, as pre-orders jump despite slowing economy. Worried about phone searches? 1Password's (a sponsor of the TWiT network) Travel Mode can clean up your data. Tap to Pay on iPhone comes to yet more European countries. Apple to fix camera glitch affecting iPhone Air and iPhone 17 Pro. Inside the Apple audio lab where AirPods are tested and tuned. I went inside Apple's Labs to see how Apple Watch connectivity is tested. A19 Pro's Geekbench 6 'Performance Per Watt' analysis; achieves highest multi-core score against all SoCs with 34% better efficiency. Memory Integrity Enforcement changes the game on iOS. Liquid Glass is causing a disorienting optical illusion for some iPhone users. $599 MacBook with iPhone chip expected to enter production this year. Apple steps up war of words with European regulators. Here's everything Trump is changing with H-1B visas. Picks of the Week Jason's Picks: Final Cut Camera & Final Cut Pro for iPad. Alex's Pick: Revopoint MetroX Andy's Pick: Epson MX-80 Fonts by Micahel Walden. Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsor: threatlocker.com

Is the new iPhone 17 Pro and Pro Max susceptible to scratches? iFixit tears down the new iPhone Air! New immersive films are coming to the Apple Vision Pro. And is TechWoven better than its predecessor, FineWoven? iPhone 17 Pro, iPhone 17 Pro Max units cited as readily susceptible to scratches and scuffs. The wafer-thin iPhone Air is surprisingly strong. iPhone Air teardown reveals that Apple's thinnest iPhone is still very repairable. Apple announces a new set of immersive film releases. Apple's new Vision Pro films among first shot on Blackmagic Ursa Cine Immersive Cameras. Apple spotted filming in 3D at iPhone 17 launch. Two years after the FineWoven fiasco, is TechWoven better? New iPhone 17 unveiled in Moscow, as pre-orders jump despite slowing economy. Worried about phone searches? 1Password's (a sponsor of the TWiT network) Travel Mode can clean up your data. Tap to Pay on iPhone comes to yet more European countries. Apple to fix camera glitch affecting iPhone Air and iPhone 17 Pro. Inside the Apple audio lab where AirPods are tested and tuned. I went inside Apple's Labs to see how Apple Watch connectivity is tested. A19 Pro's Geekbench 6 'Performance Per Watt' analysis; achieves highest multi-core score against all SoCs with 34% better efficiency. Memory Integrity Enforcement changes the game on iOS. Liquid Glass is causing a disorienting optical illusion for some iPhone users. $599 MacBook with iPhone chip expected to enter production this year. Apple steps up war of words with European regulators. Here's everything Trump is changing with H-1B visas. Picks of the Week Jason's Picks: Final Cut Camera & Final Cut Pro for iPad. Alex's Pick: Revopoint MetroX Andy's Pick: Epson MX-80 Fonts by Micahel Walden. Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsor: threatlocker.com

Is the new iPhone 17 Pro and Pro Max susceptible to scratches? iFixit tears down the new iPhone Air! New immersive films are coming to the Apple Vision Pro. And is TechWoven better than its predecessor, FineWoven? iPhone 17 Pro, iPhone 17 Pro Max units cited as readily susceptible to scratches and scuffs. The wafer-thin iPhone Air is surprisingly strong. iPhone Air teardown reveals that Apple's thinnest iPhone is still very repairable. Apple announces a new set of immersive film releases. Apple's new Vision Pro films among first shot on Blackmagic Ursa Cine Immersive Cameras. Apple spotted filming in 3D at iPhone 17 launch. Two years after the FineWoven fiasco, is TechWoven better? New iPhone 17 unveiled in Moscow, as pre-orders jump despite slowing economy. Worried about phone searches? 1Password's (a sponsor of the TWiT network) Travel Mode can clean up your data. Tap to Pay on iPhone comes to yet more European countries. Apple to fix camera glitch affecting iPhone Air and iPhone 17 Pro. Inside the Apple audio lab where AirPods are tested and tuned. I went inside Apple's Labs to see how Apple Watch connectivity is tested. A19 Pro's Geekbench 6 'Performance Per Watt' analysis; achieves highest multi-core score against all SoCs with 34% better efficiency. Memory Integrity Enforcement changes the game on iOS. Liquid Glass is causing a disorienting optical illusion for some iPhone users. $599 MacBook with iPhone chip expected to enter production this year. Apple steps up war of words with European regulators. Here's everything Trump is changing with H-1B visas. Picks of the Week Jason's Picks: Final Cut Camera & Final Cut Pro for iPad. Alex's Pick: Revopoint MetroX Andy's Pick: Epson MX-80 Fonts by Micahel Walden. Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsor: threatlocker.com

Is the new iPhone 17 Pro and Pro Max susceptible to scratches? iFixit tears down the new iPhone Air! New immersive films are coming to the Apple Vision Pro. And is TechWoven better than its predecessor, FineWoven? iPhone 17 Pro, iPhone 17 Pro Max units cited as readily susceptible to scratches and scuffs. The wafer-thin iPhone Air is surprisingly strong. iPhone Air teardown reveals that Apple's thinnest iPhone is still very repairable. Apple announces a new set of immersive film releases. Apple's new Vision Pro films among first shot on Blackmagic Ursa Cine Immersive Cameras. Apple spotted filming in 3D at iPhone 17 launch. Two years after the FineWoven fiasco, is TechWoven better? New iPhone 17 unveiled in Moscow, as pre-orders jump despite slowing economy. Worried about phone searches? 1Password's (a sponsor of the TWiT network) Travel Mode can clean up your data. Tap to Pay on iPhone comes to yet more European countries. Apple to fix camera glitch affecting iPhone Air and iPhone 17 Pro. Inside the Apple audio lab where AirPods are tested and tuned. I went inside Apple's Labs to see how Apple Watch connectivity is tested. A19 Pro's Geekbench 6 'Performance Per Watt' analysis; achieves highest multi-core score against all SoCs with 34% better efficiency. Memory Integrity Enforcement changes the game on iOS. Liquid Glass is causing a disorienting optical illusion for some iPhone users. $599 MacBook with iPhone chip expected to enter production this year. Apple steps up war of words with European regulators. Here's everything Trump is changing with H-1B visas. Picks of the Week Jason's Picks: Final Cut Camera & Final Cut Pro for iPad. Alex's Pick: Revopoint MetroX Andy's Pick: Epson MX-80 Fonts by Micahel Walden. Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsor: threatlocker.com/twit

Is the new iPhone 17 Pro and Pro Max susceptible to scratches? iFixit tears down the new iPhone Air! New immersive films are coming to the Apple Vision Pro. And is TechWoven better than its predecessor, FineWoven? iPhone 17 Pro, iPhone 17 Pro Max units cited as readily susceptible to scratches and scuffs. The wafer-thin iPhone Air is surprisingly strong. iPhone Air teardown reveals that Apple's thinnest iPhone is still very repairable. Apple announces a new set of immersive film releases. Apple's new Vision Pro films among first shot on Blackmagic Ursa Cine Immersive Cameras. Apple spotted filming in 3D at iPhone 17 launch. Two years after the FineWoven fiasco, is TechWoven better? New iPhone 17 unveiled in Moscow, as pre-orders jump despite slowing economy. Worried about phone searches? 1Password's (a sponsor of the TWiT network) Travel Mode can clean up your data. Tap to Pay on iPhone comes to yet more European countries. Apple to fix camera glitch affecting iPhone Air and iPhone 17 Pro. Inside the Apple audio lab where AirPods are tested and tuned. I went inside Apple's Labs to see how Apple Watch connectivity is tested. A19 Pro's Geekbench 6 'Performance Per Watt' analysis; achieves highest multi-core score against all SoCs with 34% better efficiency. Memory Integrity Enforcement changes the game on iOS. Liquid Glass is causing a disorienting optical illusion for some iPhone users. $599 MacBook with iPhone chip expected to enter production this year. Apple steps up war of words with European regulators. Here's everything Trump is changing with H-1B visas. Picks of the Week Jason's Picks: Final Cut Camera & Final Cut Pro for iPad. Alex's Pick: Revopoint MetroX Andy's Pick: Epson MX-80 Fonts by Micahel Walden. Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsor: threatlocker.com/twit

Peter and Eden cover a whirlwind couple of weeks—family milestones, stressful schedules, and the search for meaning outside of work—before diving into media updates like Escaflone, In Mourning's crushing new album, and the delightfully cursed Ice Cube–starring War of the Worlds (2025). From there, things spiral into chaos with a marathon of “Would You Rather?” questions that range from the silly to the philosophical, including fart announcements, glitter burps, pinky-finger super strength, and whether you'd rather have a South Park wedding or a Family Guy funeral. It's the most chaotic fun you'll have all week.Episode NotesLife updates:Peter's son Alex returns from his mission and prepares for a wedding.The challenge of balancing work, family, and downtime.Reflections on identity outside of your career.Media check-ins:Peter on Tiny Experiments and the joy of learning Final Cut Pro.New music: The Immortal by In Mourning, and “End of You” with Amy Lee, Poppy, and Courtney LaPlante.Eden's anime binge: Azumanga Daioh (finished), Escaflone (technical mishaps + stationary bike viewing).Bad Movie Bros watch: War of the Worlds (2025) starring Ice Cube—possibly the worst movie ever made.Manga spotlight: Yoritama: From Third Wheel to Trifecta (romantic chaos).Main Event: Would You Rather?Pajamas vs. tuxedos, freakishly big mouths vs. tiny noses.Public fart announcements vs. peeing your pants.Superpowers you don't want: invisibility only when sneezing, pinky-only super strength, screaming flight.Food fiascos: pizza hands vs. donut feet, glitter burps vs. bubble hiccups.Social nightmares: every text to mom vs. marching band of lies.Philosophical turns: 20 years with no regrets vs. 100 with many.The ultimate cursed choice: South Park wedding or Family Guy funeral.

Struggling to keep up with your youth group's social media? In this episode, I'll show you how to build a student-led social media team for your youth ministry—from recruiting Gen Z content creators to assigning creative roles like studio recruiter, sermon recap editors, and “man on the street” interviewers. Plus, I'll show you how my Fall Social Media Pack (available on Patreon) gives you 3 months of done-for-you content your students can run without you lifting a finger. //Social Team Checklist https://www.patreon.com/posts/social-media-138081327?utmmedium=clipboardcopy&utmsource=copyLink&utmcampaign=postsharecreator&utmcontent=join_link

www.taletellerclub.bandcamp.co...Become a supporter of this podcast: https://www.spreaker.com/podcast/iservalan-film-frame--5932843/support.Immersion Static — sci-fi, music & 360° art by Sarnia (iServalan).Watch: https://youtube.com/@taletellerclubJoin: https://bookofimmersion.comSupport: https://taletellerclub.bandcamp.comShop: https://redbubble.com/people/taletellerclubArt: https://saatchiart.com/sarniaKids: https://youtube.com/@taletellerclubkids

Join this week's discussion with Johnnie and Nino! While there haven't been any major camera announcements, we're working on something exciting—our very own CineD Camera Bag. We're sharing the journey behind the project and exploring what's possible. Plus, there are a few new camera updates, a fresh lens release, and some new tripods worth talking about. As always, tune in and stick around until the end!   Sponsor: This episode is sponsored by FUJIFILM. Check it out at 20:25 Chapters & Articles Mentioned in This Episode: (00:00) – Introduction   (04:37) - Poll: Camera to Cloud Workflow – How Much Has This Technology Really Caught On? https://www.cined.com/poll-camera-to-cloud-workflow-how-much-has-this-technology-really-caught-on/   (11:10) - Hohem iSteady M7 AI Tracking Smartphone Gimbal Stabilizer – First look https://www.cined.com/hohem-isteady-m7-ai-tracking-smartphone-gimbal-stabilizer-first-look/   (16:02) - A CineD Bag – Call for Action for Manufacturers https://www.cined.com/a-cined-bag-call-for-action-for-manufacturers/   (21:17) - Magic Lantern is Back and Supports New Cameras Such as EOS 200D, 6D Mark II, and 7D Mark II https://www.cined.com/magic-lantern-is-back-and-supports-new-cameras-such-as-eos-200d-6d-mark-ii-and-7d-mark-ii/   (28:22) - Panasonic Firmware updates for LUMIX S1RII, S1II, and S1IIE Cameras Announced https://www.cined.com/panasonic-firmware-updates-for-lumix-s1rii-s1ii-and-s1iie-cameras-announced/ (31:54) - Blackmagic Camera 9.6 Update Enhances Micro Studio Camera 4K G2 https://www.cined.com/blackmagic-camera-9-6-update-enhances-micro-studio-camera-4k-g2/   (36:32) - iPadOS 26 Will Enable Background Renders for Final Cut Pro & DaVinci Resolve https://www.cined.com/ipados-26-will-enable-background-renders-for-final-cut-pro-davinci-resolve/   (44:37) - Inside the First Feature-Length Immersive Film for Apple Vision Pro: Bono – Stories of Surrender https://www.cined.com/inside-the-first-feature-length-immersive-film-for-apple-vision-pro-bono-stories-of-surrender/   (47:16) - Peak Design Pro Tripod Launched https://www.cined.com/peak-design-pro-tripod-launched/   (51:59) - Laowa 8-15mm Fisheye Full-Frame Lenses Introduced – Circular and Rectangular Fisheye in One Lens https://www.cined.com/laowa-8-15mm-fisheye-full-frame-lenses-introduced-circular-and-rectangular-fisheye-in-one-lens/   (53:43) - Eddie AI Update Announced – Support for Multiple Languages, B-roll and A-roll Logging https://www.cined.com/eddie-ai-update-announced-support-for-multiple-languages-b-roll-and-a-roll-logging/ We hope you enjoyed this episode! You have feedback, comments, or suggestions? Write us at podcast@cined.com   

The latest In Touch With iOS with Dave he is joined by guests Mike Potter, Chuck Joiner, Jill McKinley, Marty Jencius, Jeff Gamet, discusses Apple's Vision Pro headset and the upcoming AI smart glasses expected next year. They highlight an interactive Vision Pro app called D-Day: The Camera Soldier that combines immersive tech with history. The episode covers Apple's shift to a year-based OS naming system, updates to Logic Pro and Final Cut Pro, the new Sky AI helper for Mac, and improvements in CarPlay navigation.  The show notes are at InTouchwithiOS.com  Direct Link to Audio  Links to our Show Give us a review on Apple Podcasts! CLICK HERE we would really appreciate it! Click this link Buy me a Coffee to support the show we would really appreciate it. intouchwithios.com/coffee  Another way to support the show is to become a Patreon member patreon.com/intouchwithios Website: In Touch With iOS YouTube Channel In Touch with iOS Magazine on Flipboard Facebook Page BlueSky Mastodon X Instagram Threads Spoutible Summary In this episode, the panel dives into the latest from Apple, focusing heavily on the Vision Pro and the upcoming AI smart glasses expected next year. They discuss the expected features, pricing, and how Apple is positioning these devices in the market while learning from competitors. They explore a fascinating new Vision Pro app called "D-Day: The Camera Soldier," an interactive documentary blending history with spatial technology, highlighting how immersive storytelling can educate in novel ways. The show also covers changes in Apple's operating system naming conventions, switching from version numbers to a year-based system starting with iOS 26, discussing the potential benefits and challenges of this change. Updates to creative tools like Logic Pro and Final Cut Pro are reviewed, emphasizing usability and creative enhancement. They also discuss the Sky AI helper tool for Mac and the implications of AI integration in user workflows, including privacy concerns. Additional topics include enhancements in CarPlay navigation, Apple's new self-service repair program for iPads and other devices, signaling Apple's push towards user autonomy. Finally, the panel announces Macstock 9, a community-focused Apple event featuring workshops, sessions, and social events, underscoring the value of community among Apple enthusiasts. Topics and Links In Touch With Vision Pro this week.  Report: Apple aiming to release AI smart glasses next year D-DAY The camera soldier D-Day: The Camera Soldier on the App Store 20-minute experience D-Day: The Camera Soldier Bono Movie releases tomorrow.  Beta this week.  No iOS 19: Apple Going Straight to iOS 26 With iOS 18 Jumping to iOS 26, Will Apple Renumber iPhones Too? In Touch With Mac this week Shortcuts Creators Debut Sky, an AI Helper That Understands Everything on Your Mac's Screen This Tiny MacintoThis Tiny Macintosh Replica Actually Works - MacRumorssh Replica Actually Works Apple Updates Logic Pro for Mac and iPad With Several New Features Final Cut Pro 11.1.1 and Compressor 4.10.1 macOS 26 Rumored to Drop Support for These Five Macs - MacRumors Other Topics, Tips, and Apps 7 Google Maps tips to use with Android Auto and CarPlay | Popular Science Cool app to catalog all Apple Watch bands. iPhone App for Keeping Track of More Than 800 Apple Watch Bands Receives Major Update In Touch with AI Being Polite to ChatGPT is Pointless New Research Shows Today in Apple history: First-gen iPad rolls out around the world News Apple's Invites App Gains New Link Feature for Trip Planning, Potlucks and More - MacRumors Apple Launches Self Service Repair for iPad and Apple Announces Expanded Access to iPhone and iPad Repair Parts Apple Card Savings Account's Interest Rate Lowered Again Apple Card Savings Account vs. Competitors: Which Can Earn You More? Apple TV+ sets premiere date for ‘The Morning Show' Season 4 T-Life app has screen recording on by default, T-Mobile says not a privacy risk   Announcements Macstock 9 is here for 3 Days on July 11, 12, and 13th, 2025. We have an exclusive coupon code use INTOUCH50 at checkout and save $50..Click here to Register | Macstock Conference & Expo Book your room with a Macstock discount here. Location | Macstock Conference & Expo I hope to see you there! Our Host Dave Ginsburg is an IT professional supporting Mac, iOS and Windows users and shares his wealth of knowledge of iPhone, iPad, Apple Watch, Apple TV and related technologies. Visit the YouTube channel https://youtube.com/intouchwithios follow him on Mastadon @daveg65, and the show @intouchwithios   Our Regular Contributors Jeff Gamet is a podcaster, technology blogger, artist, and author. Previously, he was The Mac Observer's managing editor, and Smile's TextExpander Evangelist. You can find him on Mastadon @jgamet as well as Twitter and Instagram as @jgamet  His YouTube channel https://youtube.com/jgamet Marty Jencius, Ph.D., is a professor of counselor education at Kent State University, where he researches, writes, and trains about using technology in teaching and mental health practice. His podcasts include Vision Pro Files, The Tech Savvy Professor and Circular Firing Squad Podcast. Find him at jencius@mastodon.social  https://thepodtalk.net  About our Guest Chuck Joiner is the host of MacVoices and hosts video podcasts with influential members of the Apple community. Make sure to visit macvoices.com and subscribe to his podcast. You can follow him on Twitter @chuckjoiner and join his MacVoices Facebook group. Eric Bolden is into macOS, plants, sci-fi, food, and is a rural internet supporter. You can connect with him by email at embolden@mac.com, on Mastodon at @eabolden@techhub.social, on his blog, Trending At Work, and as co-host on The Vision ProFiles podcast.   Mike Potter is the organizer of Macstock Conference: and the host of the For Mac Eyes Only Podcast. You can reach him on Mastodon: https://tooting.ninja/@formaceyesonly https://tooting.ninja/@macstockexpo Jill McKinley works in enterprise software, server administration, and IT. A lifelong tech enthusiast, she started her career with Windows but is now an avid Apple fan. Beyond technology, she shares her insights on nature, faith, and personal growth through her podcasts—Buzz Blossom & Squeak, Start with Small Steps, and The Bible in Small Steps. Watch her content on YouTube at @startwithsmallsteps and follow her on X @schmern.

FCPRadio 155 Final Cut Pro 11.1 Update, Final Cut Pro 11.1.1 Bug fix, Hollywood, WWDC 2025, Logic Pro 11.2 Update, the FCP Team, The Final Cut Pro Creative Summit and lots more! Year 10 of Final Cut Pro Radio. 2 Millions+ podcast downloads Buy Me A Coffee https://buymeacoffee.com/RichardTaylor Twitter @fcpradio1 FCPRadio.com Facebook YouTube.com/RichardTaylorTV https://www.facebook.com/groups/finalcutradiotv ©2025 Richard Taylor

Contrairement à ce qui est dit dans l'épisode, il s'agit bien de l'épisode 496 cette semaine avec Thierry et Aurélien.• Quand même Apple se met à l'abo (00:02:34) : Final Cut Pro 11 : nouveautés IA, sous-titres automatiques, version iPad…. (Sources : apple.com et blogdumoderateur.com) • Retour sur le blackout électrique en Espagne et réponse d'EDF (00:10:52) : EDF veut monétiser l'inertie de ces machines tournantes. (Sources : revolution-energetique.com, atlantico.fr et lenergeek.com) • Quand la Suisse va très vite (00:20:46) : Un étudiant bat un record du monde de vitesse avec son drone. (Sources : swissinfo.ch et rtbf.be) • Recherche scientifique : Les Zombie Papers pullulent ! (00:32:35) : Plagiat, fraude, trucage.... la communauté scientifique est touchée. (Source : numerama.com) • Quand tu a(vai)s le choix de t'opposer (00:42:01) : Comment Meta utilisera vos contenus pour entraîner son intelligence artificielle. (Sources : www.rts.ch et lesoir.be) • La collection de Laurent Moreno mise en vente (00:49:30) : L'un des premiers lecteurs . (Sources : lsa-conso.fr et france-memoire.fr) Retrouvez toutes nos informations, liens, versions du podcast via notre site Abonnez-vous à notre infolettre afin d'être informé de notre veille technologique de la semaine et de la parution de nos épisodes

On today's repeat episode, our guest is Steve Chazin, CEO & Founder of Skytech.io and formerly VP of Products at Alarm.com. In this episode, we discuss: Steve's experience working at Apple, competing with Final Cut Pro, and his current role at alarm.com The time he said no to Steve Jobs — and how that pushed his career forward The importance of user-centered product design and the impact of AI in home security Links LinkedIn: https://www.linkedin.com/in/chazin/ Chapters 00:00 Intro 03:05 Reviving Apple: The University Consortium 07:04 The iMac and Think Different Campaign 07:37 Lessons from Steve Jobs 11:35 Competing with Apple: The Avid Story 19:05 Current Role at Alarm.com 21:41 The Future of AI in Home Security 27:15 Advice for Aspiring Technologists 29:49 Conclusion and Final Thoughts Follow LaunchPod on YouTube We have a new YouTube page (https://www.youtube.com/@LaunchPod.byLogRocket)! Watch full episodes of our interviews with PM leaders and subscribe! What does LogRocket do? LogRocket's Galileo AI watches user sessions for you and surfaces the technical and usability issues holding back your web and mobile apps. Understand where your users are struggling by trying it for free at LogRocket.com (https://logrocket.com/signup/?pdr). Special Guest: Steve Chazin.

Sun, 27 Apr 2025 21:00:00 GMT http://relay.fm/mpu/794 http://relay.fm/mpu/794 Back to the Mac, with Chris Lawley 794 David Sparks and Stephen Hackett YouTuber and podcaster Chris Lawley joins the show to talk to Stephen and David about how the Mac has replaced the iPad as his primary computer. YouTuber and podcaster Chris Lawley joins the show to talk to Stephen and David about how the Mac has replaced the iPad as his primary computer. clean 4769 YouTuber and podcaster Chris Lawley joins the show to talk to Stephen and David about how the Mac has replaced the iPad as his primary computer. This episode of Mac Power Users is sponsored by: 1Password: Never forget a password again. Ecamm: Powerful live streaming platform for Mac. Get one month free. Indeed: Join more than 3.5 million businesses worldwide using Indeed to hire great talent fast. Guest Starring: Chris Lawley Links and Show Notes: Sign up for the MPU email newsletter and join the MPU forums. More Power Users: Ad-free episodes with regular bonus segments Submit Feedback Christopher Lawley - YouTube Comfort Zone - MacStories The Untitled Site by Christopher Lawley Christopher Lawley (@ChrisLawley@mastodon.social) - Mastodon Christopher Lawley (@chrislawley.me) — Bluesky Final Cut Pro for iPad - Apple Final Cut Pro for Mac - Apple Changing My Relationship with the iPad - Christopher Lawley on YouTube Riverside: HD Podcast & Video Software VIA Keyboard Tools The iPad's "Sweet" Solution - MacStories iPad Pro Review: A New Canvas - MacStories (2015) iOS 9: The MacStories Review: Slide Over - MacStories iOS 9: The MacStories Review: Split View - MacStories Stage Manager in iPadOS 16: At the Intersection of Bugs, Missing Features, and Flawed Design - MacStories Use Mac Virtual Display on Apple Vision Pro - Apple Support Keyboard Maestro Change clip speed in Final Cut Pro for Mac - Apple Support Todoist Introduction to Deadlines - Todoist Obsidian - Sharpen your thinking Google NotebookLM Raycast Hush MacWhisper Hyperkey

Sun, 27 Apr 2025 21:00:00 GMT http://relay.fm/mpu/794 http://relay.fm/mpu/794 David Sparks and Stephen Hackett YouTuber and podcaster Chris Lawley joins the show to talk to Stephen and David about how the Mac has replaced the iPad as his primary computer. YouTuber and podcaster Chris Lawley joins the show to talk to Stephen and David about how the Mac has replaced the iPad as his primary computer. clean 4769 YouTuber and podcaster Chris Lawley joins the show to talk to Stephen and David about how the Mac has replaced the iPad as his primary computer. This episode of Mac Power Users is sponsored by: 1Password: Never forget a password again. Ecamm: Powerful live streaming platform for Mac. Get one month free. Indeed: Join more than 3.5 million businesses worldwide using Indeed to hire great talent fast. Guest Starring: Chris Lawley Links and Show Notes: Sign up for the MPU email newsletter and join the MPU forums. More Power Users: Ad-free episodes with regular bonus segments Submit Feedback Christopher Lawley - YouTube Comfort Zone - MacStories The Untitled Site by Christopher Lawley Christopher Lawley (@ChrisLawley@mastodon.social) - Mastodon Christopher Lawley (@chrislawley.me) — Bluesky Final Cut Pro for iPad - Apple Final Cut Pro for Mac - Apple Changing My Relationship with the iPad - Christopher Lawley on YouTube Riverside: HD Podcast & Video Software VIA Keyboard Tools The iPad's "Sweet" Solution - MacStories iPad Pro Review: A New Canvas - MacStories (2015) iOS 9: The MacStories Review: Slide Over - MacStories iOS 9: The MacStories Review: Split View - MacStories Stage Manager in iPadOS 16: At the Intersection of Bugs, Missing Features, and Flawed Design - MacStories Use Mac Virtual Display on Apple Vision Pro - Apple Support Keyboard Maestro Change clip speed in Final Cut Pro for Mac - Apple Support Todoist Introduction to Deadlines - Todoist Obsidian - Sharpen your thinking Google NotebookLM Raycast Hush MacWhisper Hyperkey

Riley Hill is back to talk about a grab bag of different topics including; Beats Solo Buds, Final Cut Pro, DaVinci Resolve 20, ZBrush, Pages Removing Apple Books Integration, Affinity Update 2.6, 15 Years Of iPad, and iPadOS 18.4.Early episodes with chapter markers are available by supporting the podcast at www.patreon.com/ipadpros. Early episodes are also now available in Apple Podcasts!Show notes are available at www.iPadPros.net. Feedback is welcomed at iPadProsPodcast@gmail.com.Links:https://slatepad.orgChapter Markers:00:00:00: Opening00:00:28: Beats Solo Buds00:06:43: Magnetic Pencil00:13:26: Final Cut Pro00:20:35: DaVinci Resolve 2000:27:29: ZBrush00:29:07: Pages00:33:35: Affinity 2.600:36:31: 15 Years Of iPad00:40:10: iPadOS 18.400:47:17: Follow Riley And Closing02:45:27: Closing Hosted on Acast. See acast.com/privacy for more information.

Send us a textHey there, wild ones—and welcome back to Wildly Unplug, the podcast where we trade burnout for beauty, hustle for healing, and discover ourselves again through nature, art, and adventure.So… you're thinking podcasting might be for you? Then I'm here to tell you—it IS.If you feel the nudge, the whisper, the wild idea that you have something to say—follow that. The world needs your voice. Your stories. Your perspective. In this episode, I breakdown for you how to get started on your own podcasting journey! My personal notes that I have shared with people who have asked me how to get started: Hosting Platform- https://www.buzzsprout.com/2278247. I like Buzzsprout because it is user-friendly, lets me upload transcripts, can create sound bites to use for social media, and has a monetization option. I used Podbean for the first podcast, and it is lackluster.Intro and Outro- Fivver.  I used Bearnie Baggs on Fivver. I shopped around and asked several creators if they could do the style I was looking for. I asked for a Mutual of Omaha's Wild Kingdom style- all of them asked, "What is that?" and only one took the time to look it up and provide me with a sample I liked, so he is the one I went with. I also asked for the song that he used for the background with no voice on it- it was a little extra, but then I have the rights to that song to use in between clips or if I ever decide to change the intro verbiage, I can do that and still have the same song. To find Guests- https://podcastguests.com/featured-guest/ I use Google Drive under an email I made just for the podcast. I have an Excel style sheet (you will notice the name is in blue and underlined because I link it to the "script Google doc" with a checklist for each show to make sure I have done all the things and I also have a "script" for each show with a checklist, list of questions, and other info. Attached is a picture of my Excel checklist, and at the very end of this, I will have a link to the script so you can have visibility to your show.I schedule everything on Zoom and send the guest a Google Calendar invite through ZoomI save all my Zoom recordings on an external hard drive by the date To edit, I use Final Cut Pro. This is nice because I can export audio for the podcast and video for YouTubeITranscribe to get the transcript I use GoDaddy to host my website for my artwork and the show and blog ("field notes")Canva is handy for creating social media content- they also have a good section to help keep you "on brand" with your colorsLet's hear your story! Click here to submit your tale.Connect with me on social media! InstagramFacebookYouTubeLinkedInTikTok Support the show

✅ Get free Productivity System Check inside membership: https://paperlessmovement.com/join-paperless-movement-membership/

Join co-hosts Michael Sorg, Katie Dudas, and Dave Podnar as they get geeky and awesome with this week's wild ride of tech, pop culture, and AI-fueled adventures.

The latest In Touch With iOS with Dave is joined by guests,Jill McKinley, Guy Serle, and Marty Jencius. We discuss Apple's Vision Pro updates, including UI improvements and Apple Intelligence features, debating its commercial viability. We review iOS 18.4 and macOS betas, enhanced DJ integration in Apple Music, and Marty's experience with the iPhone 16e C1 modem. Lighter topics include Apple Car interest rates, T-Mobile's MLB.tv offer, and Apple Music Classical updates. We wrap up by highlighting Apple TV+'s new series “The Studio” and promoting the upcoming Macstock conference in July. The show notes are at InTouchwithiOS.com  Direct Link to Audio  Links to our Show Give us a review on Apple Podcasts! CLICK HERE we would really appreciate it! Click this link Buy me a Coffee to support the show we would really appreciate it. intouchwithios.com/coffee  Another way to support the show is to become a Patreon member patreon.com/intouchwithios Website: In Touch With iOS YouTube Channel In Touch with iOS Magazine on Flipboard Facebook Page BlueSky Mastodon X Instagram Threads Spoutible Summary We dive headfirst into the world of Apple's Vision Pro, unpacking the latest release candidate for version 2.4. The updates promise sharper interfaces and smoother spatial experiences, but we can't help but speculate about those elusive Apple Intelligence features lurking on the horizon. While some are dazzled by the enhancements, others remain unconvinced—sparking a spirited debate over whether Vision Pro can justify its hefty price tag and overcome lukewarm reviews. The question lingers: Can Vision Pro truly redefine spatial computing? Shifting focus, we explore the newest iOS 18.4 and macOS betas, where priority notifications and ambient music control take center stage. Jill tests out the new sketch features, delivering a candid review of their usability and what she hopes to see polished by the final release. Meanwhile, the Apple Music app steps up its game with improved DJ integration, aiming to stake its claim as a heavyweight in the music scene. Marty then takes us on a real-world test drive with the iPhone 16e and its shiny new C1 modem during a conference in Orlando. The connectivity results? Surprising and impressive. We dissect his findings, comparing them to other devices and contemplating what these performance gains mean for Apple's hardware evolution. With WWDC looming on the horizon, we can't help but speculate about the big reveals and potential breakthroughs that could reshape user experiences. Switching gears to lighter fare, we chat about the Apple Car's savings account interest rates and how they stack up against competitors. Nostalgia kicks in when we reminisce about T-Mobile's annual MLB.tv offer, a testament to loyalty perks that keep customers hooked year after year. As we wrap up, we delve into Apple's entertainment ecosystem with updates on Apple Music Classical and the latest Apple TV+ comedy series, “The Studio.” We celebrate Apple's relentless push for innovation across content and subscription services while encouraging listeners to join us at the upcoming Macstock conference this July—a must-attend event for Apple enthusiasts. It's a jam-packed discussion filled with fresh insights, hot takes, and plenty of excitement for what Apple has planned next. Topics and Links In Touch With Vision Pro this week Apple Seeds Release Candidate Versions of visionOS 2.4, tvOS 18.4, and watchOS 11.4  4 visionOS 3 features that can turn Vision Pro into an everyday device Beta this week. iOS 18.4 Release candidate this week.  Apple Seeds iOS 18.4 and iPadOS 18.4 Release Candidate With Priority Notifications, Ambient Music and More iOS 18.4 Release Candidate comes bundled with over 50 new changes and features [Video] This sneaky new musiciOS 18.4 Release Candidate comes bundled with over 50 new changes and features [Video] - 9to5Mac feature in iOS 18.4 is actually a hidden gem CarPlay in iOS 18.4 adds three new features that will be here soon iPadOS 18.4: Your iPad's getting four new features soon iOS 18.4 Coming Soon With These New Features for Your iPhone  iOS 18.4's notification upgrade is easily one of Apple's best AI features  watchOS 11.4 Will Make Sure You Don't Miss Alarms In Touch With Mac this week Apple Seeds Second macOS Sequoia 15.4 Release Candidate With Mail Categorization Can't Update to the macOS 15.4 RC? Here's Why Apple Seeds macOS Sequoia 15.4 Release Candidate With Mail Categorization Marty's iPhone 16e C1 Modem experience. Apple announces 'incredible' WWDC 2025 slated for June 9-13 WWDC 2025 Includes In-Person Apple Park Event - Here's How to Attend Sorry, iPhone Mini Fans: Apple Isn't Planning Another Small Phone Apple Music Now Integrated With More DJ Apps AirPods Max With Lightning vs. USB-C Buyer's Guide: All Differences Compared AirPods Max to Gain Lossless Audio and Low-Latency Audio in iOS 18.4 Don't Buy Into Apple's Hype About AirPods Max Gaining Lossless Audio Apple Now Selling USB-C to 3.5mm Audio Cable Apple's base iPad didn't get AI, and this chart totally explains why News Apple Leadership Reshuffle Continues as Company Appoints New Global Head of Stores Apple names Vanessa Trigub to new role as VP of retail stores Final Cut Pro for Mac Gains Adjustment Clips, Image Playground Integration and More - MacRumors Apple Card Savings Account's Interest Rate Lowered Apple Card Savings still holds strong, here's how its interest rate compares to others WhatsApp Can Now Be Your Default Call and Messaging App on iPhone Hilarious new comedy series 'The Studio' streaming now on Apple TV+ T-Mobile Brings Back Free MLB.TV Subscription Perk Apple Music Classical Updated With Three New Features Announcements Macstock 9 is here for 3 Days on July 11, 12, and 13th, 2025. Super Early bird tickets here save $100. Register | Macstock Conference & Expo Book your room with a Macstock discount here. Location | Macstock Conference & Expo Our Host Dave Ginsburg is an IT professional supporting Mac, iOS and Windows users and shares his wealth of knowledge of iPhone, iPad, Apple Watch, Apple TV and related technologies. Visit the YouTube channel https://youtube.com/intouchwithios follow him on Mastadon @daveg65, and the show @intouchwithios   Our Regular Contributors Jeff Gamet is a podcaster, technology blogger, artist, and author. Previously, he was The Mac Observer's managing editor, and Smile's TextExpander Evangelist. You can find him on Mastadon @jgamet as well as Twitter and Instagram as @jgamet  His YouTube channel https://youtube.com/jgamet Marty Jencius, Ph.D., is a professor of counselor education at Kent State University, where he researches, writes, and trains about using technology in teaching and mental health practice. His podcasts include Vision Pro Files, The Tech Savvy Professor and Circular Firing Squad Podcast. Find him at jencius@mastodon.social  https://thepodtalk.net  About our Guest Guy Serle is the host of the MyMac Podcast and the (hopefully) reconstituted Guy's Daily Drive…which isn't daily, but is done by driving so half accurate. email Guy@mymac.com @MacParrot and @VertShark on Twitter Vertshark.com,  Vertshark on YouTube, Skype +1 Area code  703-828-4677 Jill McKinley works in enterprise software, server administration, and IT. A lifelong tech enthusiast, she started her career with Windows but is now an avid Apple fan. Beyond technology, she shares her insights on nature, faith, and personal growth through her podcasts—Buzz Blossom & Squeak, Start with Small Steps, and The Bible in Small Steps. Watch her content on YouTube at @startwithsmallsteps and follow her on X @schmer

In this episode, I interview Andrew Ostrander, who shares his journey from education to youth ministry, discussing the challenges and surprises he faced during the transition. He walks you through the importance of engaging social media content to connect with students, detailing his approach to creating interview-style videos that resonate with youth culture. Andrew also highlights the benefits of delegating tasks, the significance of personal connections in ministry, and his future plans for expanding social media efforts. The conversation concludes with encouragement for new youth pastors to embrace social media as a tool for building community and fostering relationships.

EJ jams with Barton Damer, the creative muscle behind Already Been Chewed (ABC)...basically the Tony Hawk of motion design. This dude turned his skateboarding obsession into a full-blown 3D animation studio that now cranks out mind-blowing work for Nike, Adidas, Star Wars, and Marvel. Check out the corresponding blog post with key takeaways: https://www.schoolofmotion.com/blog/already-been-chewed Artists Barton Damer https://www.linkedin.com/in/barton-damer-92a32918 EJ Hassenfratz https://www.youtube.com/@eyedesyn/videos Nick Campbell https://greyscalegorilla.com/about-us/ Paul Babb https://www.linkedin.com/in/paulbabb/ Rob Dyrdek https://robdyrdek.com/ Mark Fancher https://www.youtube.com/c/MarkFancherFX Dan Arsham https://www.danielarsham.com/ PJ Richardson https://www.laundry.studio/ Jonathan Winbush https://www.youtube.com/channel/UCmzWP6o2cw73moEF7LO_KvA Studios Already Been Chewed (ABC) https://www.alreadybeenchewed.tv/ Greyscale Gorilla https://greyscalegorilla.com/ Maxon https://www.maxon.net/en LRG https://l-r-g.com/ Nike https://www.nike.com/ Adidas https://www.adidas.com/ Under Armour https://www.underarmour.com/en-us/ Street League Skateboarding https://www.streetleague.com/ MTV https://www.mtv.com/ ESPN https://www.espn.com/ Discovery Channel https://www.discovery.com/ New Balance https://www.newbalance.com/ Louis Vuitton https://www.alreadybeenchewed.tv/louisvuitton Tiffany and Co. https://www.tiffany.com/stories/collaborations/daniel-arsham-pokemon/ Legwork https://legworkstudio.com/animation/ Laundry Studio https://www.laundry.studio/ SoFi Stadium https://www.laundry.studio/ooh/project-four-l3zw3-jecsr-hr7em-6yptl Work Fantasy Factory https://www.paramountplus.com/shows/rob-dyrdeks-fantasy-factory/ Rob & Big https://en.wikipedia.org/wiki/Rob_%26_Big Snack Off https://tv.apple.com/us/show/snack-off/umc.cmc.3cjzt6066id3jq5koxur3vx9p Ridiculousness https://tv.apple.com/us/show/ridiculousness/umc.cmc.234le4y5rrb4satzsf28ix6yx Digital Artist of the Year https://www.behance.net/gallery/12189735/COMPUTER-ARTS-MAGAZINE-Digital-Artist-of-the-Year?locale=en_US Resources NAB https://www.nabshow.com/ Cinema 4D https://www.maxon.net/en/cinema-4d After Effects https://www.adobe.com/products/aftereffects.html Computer Arts Magazine https://www.creativebloq.com/computer-arts Adobe Photoshop https://www.adobe.com/products/photoshop.html Adobe Illustrator https://www.adobe.com/products/illustrator.html Final Cut Pro https://www.apple.com/final-cut-pro/ iMovie https://support.apple.com/imovie Houdini https://www.sidefx.com/products/houdini/ Unreal Engine https://www.unrealengine.com/en-US Behance https://www.behance.net/onboarding/hirerCreative Nixon https://www.nixon.com/ Rob & Bart Interview https://www.youtube.com/watch?v=frJ4rcpyFvI

Episode 228: "Lagos 2 Crazy"In this episode of Submarine and A Roach, Nigeria's funniest podcast and Nigeria's #1 comedy podcast, hosts Tmt and Koj are joined by the exceptionally talented Ua.x—a singer, songwriter, performer, dancer, producer, director, filmmaker, and one of Nigeria's top location scouts.The episode kicks off with a discussion on mental health, framed as a transactional process where individuals accumulate "mental health points" on good days to utilize during challenging times.Koj presents his "Premise of the Week," asserting that religion is inherently transactional and expressing fatigue over the pretense that it isn't. This leads to a conversation about how many perceive God's existence through answered prayers or explicit denials, noting that the silence accompanying unanswered prayers can challenge one's faith. Koj humorously mentions wishing he had witnessed King Belshazzar's feast, where a divine hand appeared, as such an event would have solidified his faith unequivocally.The discussion naturally transitions to the scorching Lagos heat, humorously likened to hell. Tmt shares an anecdote about narrowly avoiding an accident, only to realize he had swerved to miss a Rolls Royce, prompting immediate regret.The hosts then delve into a captivating conversation with the recently married Ua.x, who recently released a video for his single "Lagos2Crazy." Ua.x recounts how the song came to him during a serene walk in Abuja amidst the pandemic, contrasting with Lagos's typical chaos. He also directed Burna Boy's latest music video for "Update," leading to a discussion about his journey in the Nigerian music industry.Koj and Ua.x reminisce about their university days, recalling their early music collaborations. Koj fondly remembers providing Ua.x with a pirated version of Final Cut Pro just before Ua.x ventured into video production—a journey that has now led him to direct a video for Koj's personal G.O.A.T.Ua.x candidly discusses his directorial journey, acknowledging the on-the-job learning curve and the humble beginnings of his initial productions. Musically, he credits Styl-Plus for inspiring his desire to create music and P-Square's "Game Over" album for fueling his passion for dynamic performances.Tmt shares his experience attending a St. Patrick's Day celebration in Lagos, sparking a conversation about the similarities between the Nigerian, Irish, and Ivorian flags. This leads to a humorous debate about alcohol preferences, with Koj revealing his aversion to BIPOC (Black, Indigenous, and People of Color) liquors in favor of white liquors, prompting Tmt to quip, "He don't want no D.E.I. in his D.U.I."The trio explores what differentiates those who achieve significant success from equally talented peers, referencing Anthony Mackie's recent discussion about the pivotal role of being "hand-selected" in an artist's breakthrough.Koj reflects on the humbling experience of his best joke falling flat for the first time, and Ua.x concludes the episode by listing famous music videos he has directed for renowned artists.Tune in to this episode filled with insightful discussions, personal anecdotes, and the signature humor that defines Submarine and A Roach. Don't forget to check out Ua.x's latest album, "Love and Hustle": https://open.spotify.com/album/28UnTAsmLHRV708ogPuL4D

In today's episode of Double Tap, Steven Scott and Shaun Preece dive into the biggest announcements from Mobile World Congress 2025, including the latest advancements in 5G, AI, and telecommunications accessibility. We also explore Apple's new MacBook Air and Mac Studio, plus a look at accessible video editing software for blind users.Special guest Chris Lewis, founder and managing director of Lewis Insight, joins the show to share insider perspectives on the telecom industry, the future of connectivity, and accessibility challenges in a rapidly evolving digital world.Topics Covered in This Episode:✅ Mobile World Congress Highlights & Emerging Trends✅ Apple's New MacBook Air, Mac Studio & M3/M4 Chip Updates✅ Accessibility Challenges in Video Editing (Final Cut Pro & Clipchamp)✅ The Evolution of 5G & What's Next for Telecom Networks✅ AI's Role in Telecommunications & Assistive Tech✅ Spatial Audio in Phone Calls – Nokia's Latest Innovation✅ Apple Watch Accessibility Tip: Improve Speech Clarity

EPISODIO #65_______En este episodio de El Corte Final, Jordi Extremera y Jesús Hernández, de MotionFX (www.motionfx.es), discuten una variedad de temas relacionados con la edición de vídeo, herramientas para filmmakers y emprendimiento audiovisual. Jesús comparte su experiencia con el lanzamiento de su curso de DaVinci Resolve, que ha tenido una buena acogida, pero no tanto como sus cursos de FCP.El episodio también aborda la popularidad de diferentes programas de edición, con Adobe Premiere liderando el mercado profesional, seguido de Final Cut Pro y DaVinci Resolve. Se menciona el crecimiento exponencial de DaVinci Resolve, que ha pasado de 324,000 usuarios en 2018 a más de 5.5 millones en 2023.Jesús y Jordi analizan la importancia de los plugins y plantillas en el flujo de trabajo de los editores, destacando la falta de un ecosistema robusto en DaVinci Resolve en comparación con Final Cut Pro. Se mencionan varios plugins, como los de Jake Wipe  (https://wipptemplates.com/ y su canal de YouTube https://www.youtube.com/@JakeWipp) y Video Editor Studio (https://videoeditorstudio.com/), que ofrecen herramientas útiles para la edición, aunque con ciertas limitaciones en términos de rendimiento en DaVinci Resolve.Además, se discute el uso de CapCut, un editor de vídeo móvil que ha ganado popularidad por su facilidad de uso y herramientas específicas para redes sociales, aunque no está diseñado para proyectos profesionales de gran envergadura.También hablamos sobre Notion, una herramienta de organización que Jordi ha estado utilizando para gestionar sus proyectos. Recomienda una plantilla específica llamada Video Production Agency OS (https://simonotion.gumroad.com/l/tsqjqo), creada por Simo, que ofrece una solución integral para la gestión de productoras audiovisuales.También se habla del nuevo plugin multisistema de Kromatica, llamado DigiDiff (https://www.kromatica.co/pages/digidiff), que emula los filtros difusores tipo glow o mist, y explican la diferencia de hacerlo en set o en postproducción. Por fin se resuelven una de las grandes incógnitas.No olvidan la importancia del audio, y hablan de unos de los paquetes de efectos de sonido mas grandes y económicos que puedes conseguir en la red. Se trata de Ocular Sounds (https://ocularsounds.com/en-es), que con un precio imbatible, puede llegar a cubrir practicamente todas tus necesidades de edición de sonido.Finalmente, Jesús anuncia que ha subido un curso gratuito de Final Cut Pro y DaVinci Resolve a su canal de YouTube, con más de siete horas de contenido dividido en capítulos (http://www.youtube.com/watch?v=mBNvSD7QB2k&t=123s).Sin mas, aquí tienes un programazo lleno de contenido que seguro que le sacas el provecho necesario._______Si quieres colaborar conmigo e invitarme a un café (el que me tomo mientras grabo el podcast) lo puedes hacer a través de la plataforma https://www.buymeacoffee.com/elcortefinal y así estaré mas despierto para el siguiente episodio

FCPRadio 154 Final Cut Pro 11.0.1 Update Final Cut Pro 11 Bug fix, Mac mini Pro, NAB 2025, the FCP Team and lots more! Year 10 of Final Cut Pro Radio. 2 Millions+ podcast downloads Buy Me A Coffee https://buymeacoffee.com/RichardTaylor Twitter @fcpradio1 FCPRadio.com Facebook YouTube.com/RichardTaylorTV https://www.facebook.com/groups/finalcutradiotv ©2025 Richard Taylor

Apple has done a great job of providing first-party applications to achieve pretty much anything you would want to do using their devices. From iMovie to Final Cut Pro, contentious changes to the Photos app, and the productivity tools like Pages, Numbers, and the awesome power of Keynote. Despite this, we generally need to provide much more than this to our users, installing applications from many different vendors with wildly varying approaches to installation, configuration and updates. There are almost as many approaches to managing the installation and patching of third-party software as there are vendors, and today we are going to speak to Adam Derrick from Jamf, and Dave Goldberg from Horizon BCBS about using Jamf App Installers in production. Hosts: Tom Bridge - @tbridge@theinternet.social Marcus Ransom - @marcusransom Guests: Adam Derrick, SE @ Jamf Dave Goldberg, Horizon BCBS of NJ Links: #JNUC 2024: Save Time with #Jamf App Installers - A Modern Approach to App Management Software Titles - Jamf App Catalog Release Notes - Jamf App Catalog Feature Requests - jamf.it/featurerequest Sponsors: Kandji 1Password Smallstep iMazing Watchman Monitoring If you're interested in sponsoring the Mac Admins Podcast, please email podcast@macadmins.org for more information. Get the latest about the Mac Admins Podcast, follow us on Twitter! We're @MacAdmPodcast! The Mac Admins Podcast has launched a Patreon Campaign! Our named patrons this month include Weldon Dodd, Damien Barrett, Justin Holt, Chad Swarthout, William Smith, Stephen Weinstein, Seb Nash, Dan McLaughlin, Joe Sfarra, Nate Cinal, Jon Brown, Dan Barker, Tim Perfitt, Ashley MacKinlay, Tobias Linder Philippe Daoust, AJ Potrebka, Adam Burg, & Hamlin Krewson  

On this episode of For Mac Eyes Only: Mike and Eric provide their Retro Reactions to Apple's debut of three new M4-based Macs including an updated iMac, two new MacBook Pros, plus the newly redesigned Mac mini. Mike asks if Apple buying Pixelmator could be the beginnings of a new pro photo management app from Apple. Final Cut Pro 11 debuts with its amazing new Magnetic Mask feature. Mike and Eric cover a Mac migration question from Listener Michael who wants to avoid a lot of Intel garbage. And they wrap the episode with Mike's Essential App pick: DeskPad

Riley Hill from SlatePad.org is back to discuss the Kindle Colorsoft and Final Cut Pro 2.1.Early episodes with chapter markers are available by supporting the podcast at www.patreon.com/ipadpros. Early episodes are also now available in Apple Podcasts!Show notes are available at www.iPadPros.net. Feedback is welcomed at iPadProsPodcast@gmail.com.Links:https://www.amazon.com/All-New-Amazon-Kindle-Colorsoft-Signature-Edition/https://www.apple.com/newsroom/2024/11/final-cut-pro-11-begins-a-new-chapter-for-video-editing-on-mac/https://slatepad.org/2024/11/16/kindle-colorsoft-vs-ipad-mini-which-is-the-better-color-reader/Chapter Markers:00:00:00: Opening00:00:29: Support The Podcast00:00:55: Riley Hill00:02:31: Kindle Colorsoft00:38:27: Final Cut Pro 2.100:52:13: Where To Follow You00:53:00: Closing Hosted on Acast. See acast.com/privacy for more information.

Is Final Cut Pro 11 falling behind in the professional editing world? This in-depth analysis reveals why Apple's latest update might be too focused on ecosystem lock-in rather than professional editing needs. A professional editor's perspective on why Final Cut Pro 11's new features like magnetic masking and spatial video editing might not be enough to compete with rapidly evolving alternatives like DaVinci Resolve and CapCut. Key points covered: • How Final Cut Pro's 14-year head start in the industry might not matter anymore • Why features like magnetic masking feel more like gimmicks than revolutionary tools • The rise of DaVinci Resolve as the new industry standard • CapCut's emergence as a powerful alternative for content creators • Real-world comparison of editing capabilities across platforms As a former Army Combat photographer and owner of a successful production company, I share honest insights about choosing the right editing software for your career growth. Whether you're a beginner or seasoned pro, this video helps you make an informed decision about your editing future. Get professional guidance on choosing the right editing software and building your content creation career. Ready to transform your editing skills into a thriving business? Visit FlashFilm Academy for your free Capture and Convert Kit. #finalcutpro11 #fcp11 #finalcutpro #finalcutprotutorial #davinciresolve#fcp11 #finalcutpro11 #blackmagicdesign #finalcutpro #davinciresolvetutorial CHAPTERS: 00:00 - Final Cut Pro 11 Overview 01:08 - New Features in Final Cut Pro 11 03:02 - Apple's Position with Final Cut Pro 11

Coca-Cola is getting a lot of flack over its new AI Christmas ad. Are AI ads the future? A whole lot of people 'tuned' into Netflix to watch some boxing, how did that go? Instagram has a new reset feature that could be very helpful. Those are just a few of the tech news stories we discuss on this week's show. Enjoy! Watch on YouTube! Visit Notnerd.com INTRO (00:00) Final Cut Pro 11 Released (06:35) MAIN TOPIC: AI Coca-Cola Christmas Ad (10:15) Coca-Cola's New AI-Generated Holiday Ad Slammed as 'Soulless' and 'Embarrassing': 'This Is Such Slop' Coca Cola's AI-Generated Ad Controversy, Explained Toys ‘R' Us AI-generated ad controversy explained DAVE'S PRO-TIP OF THE WEEK: Turn off auto app install on iOS devices (18:50) JUST THE HEADLINES: (22:55) A.I. chatbots defeated doctors at diagnosing illness Threads grew by a Bluesky this month Ukraine, US to partner on developing small modular nuclear reactors for reconstruction Multiple emus on the loose in South Carolina – while 8 escaped lab monkeys also still large New Pentagon report on UFOs includes hundreds of new incidents but no evidence of aliens Fake bear commits insurance fraud Researchers are trying to reinvent the wheel TAKES Netflix says 60M households worldwide watched Paul-Tyson (28:00) Why Everyone Is Now Watching Podcasts on YouTube (33:50) Are your Instagram recommendations a mess? You can now start from scratch (37:15) Apple's new home hub could be the smart home kit you've been dreaming of (39:20) Yes, the 10 worst passwords still include ‘password' and ‘secret' (42:50) BONUS ODD TAKE: 10,946: a Year-Long Post-It Note Animation (46:15) PICKS OF THE WEEK: Dave: Tomb Raider Remastered (50:40) Nate: Kasa Apple HomeKit Outdoor Smart Plug, 2 Sockets, IP64 Weather Resistance for Outdoor String Lights, Compatible with Siri, Alexa & Google Home, Long Wi-Fi Range, 2.4G Wi-Fi Only, ETL Certified (54:55)  RAMAZON PURCHASE - Giveaway! (59:20)

Could Apple be ramping up its efforts to bolster itself in the smart home market? Apple released Final Cut Pro 11 with new features. The M4 MacBook Pro quietly got a quantum dot display over an LCD display. And Apple releases updates to iOS 18 and macOS that you should update to if you haven't yet! Apple's next device is an AI wall tablet for home control, Siri and video calls. Apple's fiscal 2024 in charts. Apple releases updates to Final Cut Pro and Logic Pro for the Mac and iPad. Apple quietly gave the M4 MacBook Pro a quantum dot display. Apple faces UK 'iCloud monopoly' compensation claim worth $3.8 billion. Apple removes another RFE/RL app at request of Russian regulator. Apple releases iOS 18.1.1 with 'important security fixes' for iPhone. PSA: iPhone users receiving AppleCare+ refunds multiple years after Apple trade-in. Top execs explain Apple's chip philosophy: 'We are not a merchant silicon company, trying to leave nothing on the table'. Apple offers $100M to undo Indonesia iPhone 16 ban. Trump's tariff proposal could add $240 to the cost of an iPhone. Here's the math. Discriminatory job ads for iPhone workers ended after Reuters report; Apple didn't comment. Apple now sells its own Apple News ads for the first time. Apple shares the most popular podcasts of 2024. Apple debuts The Weeknd: Open Hearts, the first-of-its-kind immersive music experience for Apple Vision Pro. Porch pirates appear to be accessing AT&T data to track iPhone deliveries. Apple seemingly discontinuing lightning to headphone jack adapter introduced alongside iPhone 7. Picks of the Week: Alex's Pick: Kondor Blue USB-C Mobile Andy's Picks: Charlie Brown Thanksgiving & Feedbin Jason's Picks: ReadKit & Unread Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: 1password.com/macbreak zocdoc.com/macbreak

Could Apple be ramping up its efforts to bolster itself in the smart home market? Apple released Final Cut Pro 11 with new features. The M4 MacBook Pro quietly got a quantum dot display over an LCD display. And Apple releases updates to iOS 18 and macOS that you should update to if you haven't yet! Apple's next device is an AI wall tablet for home control, Siri and video calls. Apple's fiscal 2024 in charts. Apple releases updates to Final Cut Pro and Logic Pro for the Mac and iPad. Apple quietly gave the M4 MacBook Pro a quantum dot display. Apple faces UK 'iCloud monopoly' compensation claim worth $3.8 billion. Apple removes another RFE/RL app at request of Russian regulator. Apple releases iOS 18.1.1 with 'important security fixes' for iPhone. PSA: iPhone users receiving AppleCare+ refunds multiple years after Apple trade-in. Top execs explain Apple's chip philosophy: 'We are not a merchant silicon company, trying to leave nothing on the table'. Apple offers $100M to undo Indonesia iPhone 16 ban. Trump's tariff proposal could add $240 to the cost of an iPhone. Here's the math. Discriminatory job ads for iPhone workers ended after Reuters report; Apple didn't comment. Apple now sells its own Apple News ads for the first time. Apple shares the most popular podcasts of 2024. Apple debuts The Weeknd: Open Hearts, the first-of-its-kind immersive music experience for Apple Vision Pro. Porch pirates appear to be accessing AT&T data to track iPhone deliveries. Apple seemingly discontinuing lightning to headphone jack adapter introduced alongside iPhone 7. Picks of the Week: Alex's Pick: Kondor Blue USB-C Mobile Andy's Picks: Charlie Brown Thanksgiving & Feedbin Jason's Picks: ReadKit & Unread Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: 1password.com/macbreak zocdoc.com/macbreak

Could Apple be ramping up its efforts to bolster itself in the smart home market? Apple released Final Cut Pro 11 with new features. The M4 MacBook Pro quietly got a quantum dot display over an LCD display. And Apple releases updates to iOS 18 and macOS that you should update to if you haven't yet! Apple's next device is an AI wall tablet for home control, Siri and video calls. Apple's fiscal 2024 in charts. Apple releases updates to Final Cut Pro and Logic Pro for the Mac and iPad. Apple quietly gave the M4 MacBook Pro a quantum dot display. Apple faces UK 'iCloud monopoly' compensation claim worth $3.8 billion. Apple removes another RFE/RL app at request of Russian regulator. Apple releases iOS 18.1.1 with 'important security fixes' for iPhone. PSA: iPhone users receiving AppleCare+ refunds multiple years after Apple trade-in. Top execs explain Apple's chip philosophy: 'We are not a merchant silicon company, trying to leave nothing on the table'. Apple offers $100M to undo Indonesia iPhone 16 ban. Trump's tariff proposal could add $240 to the cost of an iPhone. Here's the math. Discriminatory job ads for iPhone workers ended after Reuters report; Apple didn't comment. Apple now sells its own Apple News ads for the first time. Apple shares the most popular podcasts of 2024. Apple debuts The Weeknd: Open Hearts, the first-of-its-kind immersive music experience for Apple Vision Pro. Porch pirates appear to be accessing AT&T data to track iPhone deliveries. Apple seemingly discontinuing lightning to headphone jack adapter introduced alongside iPhone 7. Picks of the Week: Alex's Pick: Kondor Blue USB-C Mobile Andy's Picks: Charlie Brown Thanksgiving & Feedbin Jason's Picks: ReadKit & Unread Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: 1password.com/macbreak zocdoc.com/macbreak

Could Apple be ramping up its efforts to bolster itself in the smart home market? Apple released Final Cut Pro 11 with new features. The M4 MacBook Pro quietly got a quantum dot display over an LCD display. And Apple releases updates to iOS 18 and macOS that you should update to if you haven't yet! Apple's next device is an AI wall tablet for home control, Siri and video calls. Apple's fiscal 2024 in charts. Apple releases updates to Final Cut Pro and Logic Pro for the Mac and iPad. Apple quietly gave the M4 MacBook Pro a quantum dot display. Apple faces UK 'iCloud monopoly' compensation claim worth $3.8 billion. Apple removes another RFE/RL app at request of Russian regulator. Apple releases iOS 18.1.1 with 'important security fixes' for iPhone. PSA: iPhone users receiving AppleCare+ refunds multiple years after Apple trade-in. Top execs explain Apple's chip philosophy: 'We are not a merchant silicon company, trying to leave nothing on the table'. Apple offers $100M to undo Indonesia iPhone 16 ban. Trump's tariff proposal could add $240 to the cost of an iPhone. Here's the math. Discriminatory job ads for iPhone workers ended after Reuters report; Apple didn't comment. Apple now sells its own Apple News ads for the first time. Apple shares the most popular podcasts of 2024. Apple debuts The Weeknd: Open Hearts, the first-of-its-kind immersive music experience for Apple Vision Pro. Porch pirates appear to be accessing AT&T data to track iPhone deliveries. Apple seemingly discontinuing lightning to headphone jack adapter introduced alongside iPhone 7. Picks of the Week: Alex's Pick: Kondor Blue USB-C Mobile Andy's Picks: Charlie Brown Thanksgiving & Feedbin Jason's Picks: ReadKit & Unread Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: 1password.com/macbreak zocdoc.com/macbreak

本期嘉宾：彭林、十天、蓝白、恺伦本期节目的主要内容有：· 苹果推出 Final Cut Pro 11· 苹果 Vision Pro 2 有望在 2025 年秋季至 2026 年春季之间上市· 传苹果将推出 AI 智能家居中控屏· 红魔 10 Pro 系列正式发布还有众多观众朋友的热心提问~感谢大家的支持让我们得到了这份荣誉下周播客上传前在喜马拉雅平台留言我们将抽出一位朋友送出一个轻如智能双模充电宝每周五晚 8 点，爱否直播间，我们一起开心聊天

There's a big new update to Final Cut Pro, a smaller one for Logic Pro, and an ever-increasing number of rumors about an Apple Home Hub.Contact your hosts:@williamgallagher_ on Threads@WGallagher on TwitterWilliam's 58keys on YouTubeWilliam Gallagher on email@hillithreads on Threads@Hillitech on TwitterWes on MastodonWes Hilliard on emailSponsored by:Zocdoc: Go to zocdoc.com/appleinsider and download the app to sign-up for FREE. Find doctors and specialists that take your insurance and even book appointments online!Notion: Try out the incredible power of Notion AI today! For a limited time, try Notion AI for free when you visit: notion.com/appleinsiderLinks from the Show:Apple's smart display with smart home AI focus predicted for March 2025Apple Vision Pro 2 with M5 chip likely to arrive before budget modelsBattery problems threaten the iPhone Slim and iPhone FoldSupply chain leak hints at two potential Apple home automation releases set for 2026There will never be an Apple Ring, says rival with crossed fingersM4 Mac mini review: The first redesign in years hides incredible computing powerApple execs address Mac mini's hidden power button in 2024 redesignPower press: Fixes for Apple's oddly-placed Mac mini buttoniPad mini 7 review: a more mighty micro tabletiPhone 16 Pro Max review two months later — Like Apple says, the best iPhone yetiPhones on iOS 18.1 will automatically reboot and lock down after being idle for a whileEU's latest demand on Apple about geolocking is unforgivably naiveiOS 18.2 could receive a full public release with Image Playground & ChatGPT on December 9Support the show:Support the show on Patreon or Apple Podcasts to get ad-free episodes every week, access to our private Discord channel, and early release of the show! We would also appreciate a 5-star rating and review in Apple PodcastsMore AppleInsider podcastsTune in to our HomeKit Insider podcast covering the latest news, products, apps and everything HomeKit related. Subscribe in Apple Podcasts, Overcast, or just search for HomeKit Insider wherever you get your podcasts.Subscribe and listen to our AppleInsider Daily podcast for the latest Apple news Monday through Friday. You can find it on Apple Podcasts, Overcast, or anywhere you listen to podcasts.Podcast artwork from Basic Apple Guy. Download the free wallpaper pack here.Those interested in sponsoring the show can reach out to us at: advertising@appleinsider.com (00:00) - Intro (02:11) - Final Cut Pro and Logic Pro (09:22) - Apple Arcade (24:46) - Home Hub and Apple cameras (47:42) - Apple Vision Pro rumors again (56:44) - Mac and iPhone reviews (01:02:25) - Police and restarting iPhones (01:06:57) - Europe and the App Store ★ Support this podcast on Patreon ★

E hoje é dia de MacMagazine no Ar!

Buckle up cause it's going to be a regulation heavy day. Meta is served up its first big EU fine. The FBI is investigating Polymarket? The CFPB might require regular inspections of Google? A new AI agent from OpenAI in about a month? And forget the streaming wars, are we entering the age of the puzzle wars?Sponsors:Notion.com/rideLinks:Meta fined nearly €800mn for breaking EU law over classified ads practices (FT)Polymarket Investigated by DOJ for Allegedly Letting US Users Bet on Platform (Bloomberg)CFPB looks to place Google under federal supervision, setting up clash (WashingtonPost)OpenAI Nears Launch of AI Agent Tool to Automate Tasks for Users (Bloomberg)Live Scam Detection in calls rolling out to Pixel 6-9 Phone app (9to5Google)Apple Releases Updates to Final Cut Pro and Logic Pro for the Mac and iPad (MacStories)Meta to Launch Ads on Threads in Early 2025 (The Information)Words With Friends takes on Wordle with new single-player daily puzzles (The Verge)AI Avatar YouTube ExperimentSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Apple released Final Cut Pro 11 with Magnetic Mask, caption transcriptions, and more, OpenAI nearing the launch of AI agents to automate user tasks, Apple's AI Home Hub rumored to come soon, the high barrier to enter the smart home world, and Jason's wrong about his macOS Dock.Sponsored by:MoFT: Get the MoFT Tripod Stand and Invisible Tripod Wallet on SALE for just 7 days when you use promo code primarytechbf10 at: https://bit.ly/4flajsUHelloFresh: Get 10 FREE meals across 7 boxes with HelloFresh when you go to: hellofresh.com/freeprimaryGet Primary Tech Show Merch! Big thanks to Basic Apple Guy for creating our first run of Primary Tech Merch! Get our PTS OG shirt or hoodie, battery percentage ON/OFF, and The Other Guy at: primarytech.fm/merch Watch on YouTube!Subscribe and watch our weekly episodes plus bonus clips at: youtube.com/@primarytechshowJoin the CommunityDiscuss new episodes, start your own conversation, and join the Primary Tech community here: social.primarytech.fmSupport the showJoin our member community and get an ad-free versions of the show, plus exclusive bonus episodes every week! Subscribe directly in Apple Podcasts or here: primarytech.memberful.com/joinReach out:Stephen's YouTube Channel@stephenrobles on ThreadsStephen on BlueskyStephen on Mastodon@stephenrobles on XJason's Inc.com Articles@jasonaten on Threads@JasonAten on XJason on BlueskyJason on MastodonWe would also appreciate a 5-star rating and review in Apple Podcasts and SpotifyPodcast artwork with help from Basic Apple Guy.Those interested in sponsoring the show can reach out to us at: podcast@primarytech.fmLinks from the showFinal Cut Pro 11 begins a new chapter for video editing on Mac - AppleKino — Pro Video Camera for iPhoneApple's Find My enables sharing location of lost items with third parties - AppleOpenAI Nears Launch of AI Agents to Automate Tasks For Users - BloombergChatGPT Search Made Me Quit Google for GoodBluesky reaches 15 million users; people look for alternatives to XCroissant AppApple Home Hub Detailed: Apple Intelligence, HomeOS, Square iPad-Like Design - BloombergMark Gurman on Apple AI Home Device - XSonos revenue falls in the aftermath of the company's messy app debacle - The VergeMeta to Launch Ads on Threads in Early 2025 — The Information (00:00) - Intro (00:58) - Jason At Web Summmit (05:18) - Primary Tech Merch! (08:48) - Final Cut Pro 11 (16:53) - Find My Item Sharing iOS 18.2 (22:27) - Sponsor: MoFT (25:14) - OpenAI Operator Agent (26:01) - SearchGPT Over Google Search (35:51) - Bluesky Makes a Comeback (41:24) - Sponsor: HelloFresh (45:10) - Apple's AI Smart Home Device (49:29) - Barriers to Smart Home (55:11) - Sonos Still Struggling (56:17) - Threads Ads Coming (57:03) - macOS Dock Preferences ★ Support this podcast ★

Final Cut Final took it up a notch and Thomas Grove Carter created the release trailer (https://www.youtube.com/watch?v=G0ZCZgmhOI0) for Apple. Watch the video (https://youtu.be/_OYG37lZGCE) Special Guest: Thomas Grove Carter.

Opting out of META AI data training; 11 steps, or be in the EU; why I hate Elon, let me count the ways; SCiFi Foods, Fisker shut down; social media warning labels; TikTok child privacy case; Safe SuperIntelligence; Apple Pay Later discontinued; Adobe lawsuit; Amazon labor law fines; emotion canceling & mental shields; Dell return to work not working; real phot wins AI image contest; Time Bandits reboot, Spaceballs sequel; the Boys; Disco: Soundtrack of a Revolution; Runway Gen-3; SoundLabs; McDonalds ditches drive-thru AI; the Acolyte & Oreos; small home projects that spin out of control.Show notes at https://gog.show/653Sponsors:Mood - For 20% off your order and a FREE THCa pre-roll, go to hellomood.com and use promo code GOG.1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordPrivate Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.SetApp - With a single monthly subscription you get 240+ apps for your Mac. Go to SetApp and get started today!!!DeleteMe - Head over to JoinDeleteMe.com/GOG and use the code "GOG" for 20% off.FOLLOW UP11 steps to keep Meta from stealing your data to train AIIN THE NEWSTesla investors sue Elon Musk for diverting carmaker's resources to xAISPACEX'S STARLINK MAY BE KEEPING THE OZONE FROM HEALING, RESEARCH FINDSSpaceX debuts portable Starlink Mini for $599Buzzy Bay Area lab-grown meat company shuts downFisker is the latest EV startup to declare bankruptcySocial media apps with tobacco-like warning labels? It may happenSurgeon General Can't Convince Himself on Social Media WarningThe FTC has referred its child privacy case against TikTok to the Justice DepartmentIlya Sutskever, OpenAI's former chief scientist, launches new AI companyMeta pauses plans to train AI using European users' data, bowing to regulatory pressureApple discontinuing Apple Pay Later, ahead of new features launching this fallApple Pay Later withdrawal likely because of a law passed in 1968The US has sued Adobe over early termination fees and making subscriptions hard to cancelAmazon faces nearly $6 million in fines over California labor law violationsCall Centers Introduce ‘Emotion Canceling' AI as a ‘Mental Shield' for WorkersMore than 1,000 students pledge not to work at Google and Amazon due to Project NimbusDell said return to the office or else—nearly half of workers chose “or else”Pornhub prepares to block five more states rather than check IDsArtist Wins AI Image Contest with Real Photo, Then Gets DisqualifiedMEDIA CANDYApple TV+ announces the date for “Time Bandits” starring Lisa KudrowShaun of the DeadThe BoysDisco: Soundtrack of a RevolutionThe Schwartz Is With Us: That Spaceballs Sequel Is Apparently Actually HappeningMoviePass Gets Investment From Comcast's Forecast LabsAPPS & DOODADSAffinity SuiteMylioApple @ Work: If you think Apple 'Sherlocked' 1Password, you aren't paying attentionDon't Expect a Next-Gen Apple Vision Pro Anytime SoonFinal Cut Camera and Updates to Final Cut Pro for iPad and Mac Are Available TodayRunway Gen-3 Can Make AI Videos of 'Photorealistic Humans'The World's Largest Music Company Is Helping Musicians Make Their Own AI Voice ClonesMcDonald's Ditches AI Drive-Thru Partnership With IBMGOP Candidate Endorsed By ‘Back From The Dead' MLK In Unhinged AI VideoU.S. House of Representatives Narrowly Passes DJI Drone Ban BillYour Apple Watch can now control DJI Osmo Mobile gimbalsTDK claims insane energy density in solid state battery breakthroughGet ready for a wave of Threads apps for iPhone, iPad, and MacTHE DARK SIDE WITH DAVEThe CyberWireDave BittnerHacking HumansCaveatControl LoopOnly Malware in the BuildingThe AcolyteStar Wars OreosCLOSING SHOUT-OUTSI Will Fucking Piledrive You If You Mention AI AgainGiants legend Willie Mays dies at 93Donald Sutherland Dead at 88See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.