Podcasts about dolby vision

Justin and LoySauce had a chance to catch Batman and Batman Returns for it's special Dolby Vision release this week. We breakdown all of the differences and if the release lived up to the hype!   Episode artwork by @julienricojr   Find us: Apple Podcasts: https://itunes.apple.com/us/podcast/epic-film-guys- Official Fan Group : https://www.facebook.com/groups/epicfilmguys Feed URL: https://epicfilmguys.podbean.com/feed/ Wordpress: http://epicfilmguys.wordpress.com YouTube: https://www.youtube.com/user/epicfilmguysny/live You can also catch us on most every podcatcher under the sun! Search for us on BluBrry, Stitcher, Spreaker, Google Podcasts, Overcast, and many others. Search and you will find us! There has never been a better time to join up with the elites at https://www.patreon.com/epicfilmguys! You can get access to pre-roll and outtakes from the show, exclusive episodes, free swag, and so much more. Tiers start as low as $1/month! Please consider supporting the show, and thank you for being one of the EFG faithful!

Emmy Award®-nominated Director Philip Barantini and fellow nominees — including cinematographer Matthew Lewis and the sound team of James Drake, Jules Woods, Rob Entwistle, and Kiff McManus — join us this week to discuss the making of “Adolescence,” Netflix's hit limited series. Nominated for thirteen Primetime Emmy Awards, including Outstanding Limited or Anthology Series, the show's four episodes were each filmed as single, continuous takes, creating a gripping real-time experience for viewers — and offering some unexpected advantages for the filmmakers.“For Netflix, it was very different for them because… they're very limited in what notes you can give. You can't say, ‘I think that scene needs to move to a different location' or whatever. It's literally got to be performance notes… And so, they were fantastic. Netflix were just amazing, really, really amazing partners.”—Philip Barantini, Director, Executive Producer, “Adolescence”Joining today's conversation: - Philip Barantini, Director, Executive Producer - Matthew Lewis, Director of Photography, Camera Operator - James Drake, Supervising Sound Editor, Re-Recording Mixer - Jules Woods, AMPS, CAS, Re-Recording Mixer - Rob Entwistle, AMPS, Production Sound Mixer - Kiff McManus, AMPS, Production Sound MixerBe sure to check out “Adolescence,” now streaming on Netflix, in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Academy Award®-winning composer Michael Giacchino returns to Dolby Creator Talks to discuss his bold and emotional score for “The Fantastic Four: First Steps.” In this in-depth conversation with guest host Jon Burlingame, Giacchino shares how he approached scoring one of Marvel's most iconic franchises, including how he balanced moments of sweeping sincerity with all that pulpy fun.“All I could think of in my head was like, if I took ‘The Right Stuff' and if I took the Disneyland Electric Light Parade and smashed them together… that's gonna give us our ‘Fantastic Four' music. And so I went right to town, over a year ago, on this theme. Which is something you never, ever get to do as a composer. It's so rare that you get to write a piece of music so early on.”—Michael Giacchino, Composer, “The Fantastic Four: First Steps”Be sure to check out “Fantastic Four: First Steps,” now playing in theaters and Dolby Cinemas® in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Check out Michael Giacchino's previous appearances on the Dolby podcast: - War for the Planet of the Apes - https://youtu.be/IMoypCm9pEc - The Sound and Music of The Batman - https://youtu.be/uZ_3Kdm_ZhE - The Making of Marvel's Werewolf by Night - https://youtu.be/vVALDtPJyss Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Composers John Murphy and David Fleming join guest host Jon Burlingame to discuss their original score for “Superman,” directed by James Gunn. In this two-part conversation, Murphy and Fleming share their personal connections to the character, the emotional and thematic goals of the music, and the creative process of scoring an iconic superhero story for a new generation. They also reflect on the legacy of John Williams's original theme and how it influenced their approach.“Everyone who works in film music reveres John Williams, and that score is kind of a gem of film music. So to be asked to explore the DNA of that theme was a privilege, but definitely a humbling privilege. You are confronted with this truly iconic theme… But at the same time, there still felt like there was a lot to explore within the confines of that theme… I remember, I was having a meeting with James [Gunn] and I said, the part of the John Williams theme that always really touched me is the end… There's something about it that's hopeful. Really, really hopeful. And I started playing around with it with some different chords, and I could tell James was getting sort of moved by it. It felt like we were discovering something and finding something new that fit his Clark Kent and his Superman, as well.”—David Fleming, Composer, “Superman”Be sure to check out “Superman,” now playing in theaters and Dolby Cinemas®, in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

On this week's show we design a high end home theater but one that is within reason because we are not going to spend your money just for the sake of spending money. We also read your emails and the week's news. News: Max Officially Changes Its Name Back to HBO Max Apple reportedly in pursuit of Formula 1 rights Streaming Subscriptions May Get Tougher to Cancel LG Debuts Wireless OLED Evo M5 Other: PWAYTEK Smart TV LED Backlight with HDMI New Balance - Saturday Night Live Nike Women's Ad - SNL Money is No Object Home Theater - Within Reason We have designed a budget based home theater system before so for this episode we decided to design a money is no object system. This high-end home theater system is centered around an 85" television and a 7.1.2 speaker configuration, optimized for premium performance since budget is not a constraint. We prioritize audio-visual quality, immersive surround sound, and aesthetic integration for a luxurious home theater experience. The room size for this theoretical theater is 15 X 20 feet or approximately 4.5 x 6 Meters. Note that some of these items are listed on our Amazon Influencer Store Front where we make a commission on the sales.  Television Samsung QN90D 85" Neo QLED 4K TV This 2025 model offers exceptional brightness (up to 2,000 nits), deep blacks with Mini LED technology, and a 120Hz refresh rate for smooth motion. Quantum HDR 64X enhances color and contrast, ideal for cinematic viewing. Its slim design and anti-glare coating suit various lighting conditions. Price: $2,300 Features:     4K Ultra HD with Quantum Dot technology     Dolby Vision and HDR10+ support     Built-in smart platform for streaming (Netflix, Disney+, etc.)     4 HDMI 2.1 ports for gaming and external devices Edit - after this week's announcement by LG we are changing this to the 83 inch LG OLED evo M5 series that costs about $8,750.  AV Receiver  Marantz Cinema 30  This 11.4 channel receiver delivers 140W per channel, supports Dolby Atmos, DTS:X, and Auro-3D, and handles 8K/60Hz passthrough. Sound Master Tuned & Calibrated For You. Powerful calibration and tuning tools are included, enabling you to get the best performance from your system. Price: $4,475 Features: 11 amplified channels (7.1.2 natively) HDMI eARC for lossless audio Advanced room correction for optimal sound Front Left/Right Speakers: Bowers & Wilkins 702 S3 (Pair) These floor-standing speakers deliver crystal-clear highs and robust mids with 6" midrange drivers and carbon dome tweeters. Their 200W power handling ensures dynamic sound for movies and music. Price: $7,000/pair Center Speaker: Bowers & Wilkins HTM71 S3 From the same family of the 702 S3. For clear dialogue and seamless soundstage integration. Its dual 6.5" woofers and carbon dome tweeter handle complex audio with precision. Price: $2,500 Surround Speakers (4): Bowers & Wilkins 705 S3 (2 pairs) These bookshelf speakers provide immersive surround effects with compact footprints. Their 5" midrange and tweeter design ensures clarity for side and rear channels. Price: $3,000/pair (x2 = $6,000) Height/Atmos Speakers (2): Bowers & Wilkins CCM7.3 S2 In-Ceiling Speakers These in-ceiling speakers are designed for Dolby Atmos, delivering precise overhead effects with a 3-way design (tweeter, midrange, and dual woofers). They blend discreetly into the ceiling for a clean aesthetic. Price: $2,000/pair Subwoofer: SVS SB-5000 This sealed subwoofer delivers deep, controlled bass down to 17Hz with a 2,000W RMS amplifier. Its DSP control and mobile app allow fine-tuning for room acoustics. Price: $2,000 Media Player - So this is where we get in trouble. Logic would say Kaleidescape since money is no object. But our recommendations Ara- Apple TV 4K $250  Braden - Roku Ultra $130 get you all you would need plus you can load your streamers, IPTV services, and automation controls. All with near perfect picture and sound quality. Acoustic Treatments - GIK Acoustics Panels and Bass Traps To optimize sound quality, acoustic panels reduce echo, and bass traps control low-frequency buildup. Custom designs can match room decor. Price: $2,000-$3,000 (depending on room size and coverage) Seating: Salamander Designs Synergy Home Theater Seating (4 seats) Premium leather recliners with motorized adjustments, built-in cup holders, and USB charging. Configurable for tiered rows in a dedicated theater room. Price: $8,000 for 4 seats TV Stand/Mount: Salamander Designs Archetype System Sleek, modular design supports an 85" TV with cable management and space for components. Wall-mount option available for a floating look. Price: $1,500-$2,000 Control System: Here we are going with a Crestron System with installation. These systems can cost as much as $100K for a large home. But for our modest yet high end system we are allocating $10K for the theater area.  Cabling and Power: No need for super expensive cables even though money is no object. Afterall, we didn't make all this money by throwing it away! We are allocating $1000 for monoprice cables and good power conditioners like  the Furman Elite-15 PF i Total Estimated Cost: TV: $2,300 or $8,750 for the LG M5 AV Receiver: $4,475 Speakers: $17,500 ($7,000 + $2,500 + $6,000 + $2,000) Subwoofer: $2,000 Media Player: $250 Acoustic Treatments: $2,500 Seating: $8,000 TV Stand/Mount: $1,750 Control System: 10,000 Cabling/Power: $1,000 Total before installation: $49,775 or $56,225 for the LG Total including Installation and calibration of $15,000: $64775 or $71,225 for the LG

Director Gareth Edwards returns to Dolby Creator Talks to discuss “Jurassic World: Rebirth,” the latest installment in the iconic dinosaur franchise. He and his sound team share how they crafted the film's breathtaking sonic landscape — along with the challenges of an accelerated production schedule, and why that constraint ultimately proved creatively liberating.“Normally, on a movie like this, from the day you first get contacted… to the day you go, ‘OK, we're finished,' it's about two-and-a-half years. And this was a year-and-a-quarter! Jabez [Olssen], who's our editor, he put a quote on the door of the edit suite… It was [from] Leonard Bernstein, and it said something like, ‘Art is when you have a plan but not quite enough time.' And there was something about that idea of when there isn't time to mess around — you can't experiment like crazy, you gotta go with your first gut instinct — something interesting happens. And I'm half-tempted now, in all future contracts to make another film, to ask, ‘Whatever schedule you're considering, can you just halve it?'”—Gareth Edwards, Director, “Jurassic World: Rebirth”Joining today's conversation: - Gareth Edwards - Director - Tim Nielsen - Sound Designer and Supervising Sound Editor - Bjørn Ole Schroeder - Supervising Sound Editor - Pete Horner - Re-recording MixerBe sure to check out “Jurassic World: Rebirth,” now playing in theaters and Dolby Cinemas®, in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

When director Joe Kosinski and producer Jerry Bruckheimer set out to make “F1,” their goal was to create the most authentic Formula One film ever made. Recorded in person at Skywalker Sound, this episode features the sound team behind the film, who share how they brought that vision to life. They discuss the extraordinary lengths they went to in order to craft a visceral, true-to-life experience for racing fans and everyday viewers alike — while also highlighting the invaluable support they received from the production and the film's director, Joe Kosinski.“I would say Joe is the grand master at giving us these opportunities [to succeed]. God bless him, because he gets it. He knows you can't just say, ‘I want this to be an authentic Formula One movie — figure it out.' He was like, ‘We're going to start early. We're going to give you whatever resources you need. And everything is going to be 100% perfect.' And he's not like, ‘This has to be perfect.' It's just, ‘We're going to do this together. What do you need? I'm going to help you. Let's get going.'”—Al Nelson, Supervising Sound Editor, “F1”Joining today's conversation: - Al Nelson – Supervising sound editor/sound designer - Juan Peralta – Re-recording mixer - Gary Rizzo – Re-recording mixer - Gwendolyn Yates Whittle – Supervising sound editorBe sure to check out “F1,” now in theaters and Dolby Cinemas®, in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Composer Rob Simonsen joins guest host Jon Burlingame to discuss his sweeping and emotionally rich score for Pixar's “Elio.” The composer shares how he approached scoring the story of a young boy making first contact with aliens, weaving together emotional warmth, cosmic wonder, and a sense of fun. He also discusses how Dolby Atmos® helped shape the immersive quality of the soundtrack, after being a bit of a skeptic of the technology at first.“Scott Michael Smith, who recorded and mixed the score, said early on that we were going to record in Atmos, and that's really the way to do it… I have to admit, I was a little like, ‘eh, do we need to do Atmos? I don't know.' And then Scott played me some Atmos files… and again, I am not being paid to say this. I was literally blown away… It gave me chills. I mean, I'm not sure what witchcraft is going on to make it as kind of amazing as it is, but I was really sold.”—Rob Simonsen, Composer, “Elio”Be sure to check out “Elio,” now in theaters and Dolby Cinemas®, in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Home Theater News Review Podcast Season 3, Episode 10 links and notes:Join our home theater community at AVNirvana.com. Build relationships with other Home Theater Enthusiasts and talk shop about speakers, processors, projectors, TVs, and more. We look forward to having you join our community!00:01 Intro01:23 Show Sponsor: madVR Labs02:13 Show Sponsor: SVS02:59 Time Machine Segment: First Streaming Movie05:48 Klipsch Giveaway Announcement07:38 Begin Lightning News: Sony Projectors Now Selling EU/UK08:32 Netflix Tudum Announcement - Stranger Things 509:39 Dirac, Denon Home Amp Marantz M110:24 Skullcandy Aviator 900 ANC 11:31 AVPro Acquires RTI13:30 Samsung OLED Sales14:19 Ascendo Elephant Conservation, Infrasonic Bass15:38 Harman Sues Klipsch, Party Speaker, Gig XXL18:21 Check in with Michael Scott, AV Nirvana Disc Reviews20:09 New to Disc this Week21:11 Kaleidescape Content Update22:20 What's Hot and What's Cold25:57 Disc and Gear DealsThis episode is sponsored by SVS: Visit them SVSound.comThis episode is also sponsored by madVR Labs: Visit them at https://madvrenvy.com/Enter Klipsch/Jurassic World Rebirth Giveaway: https://www.avnirvana.com/threads/klipsch-unveils-jurassic-world-sweepstakes-featuring-limited-edition-speakers-you-can-enter-and-win.15187/Strata-gee.com article about JBL and Klipsch: https://www.strata-gee.com/harman-hits-voxx-intl-klipsch-group-with-major-13-count-lawsuit/*DISC DEALS* 2 for $16 Blu-ray and 2 for $22 4K Disc - www.gruv.com*Gear Deal of the Week*Apple AirPods Pro 2 (Amazon): https://amzn.to/43HgdRWApple AirPods Pro 2 (Best Buy): https://fave.co/4dXKLSJ*Forum Links*-For the latest disc reviews, go to: https://www.avnirvana.com/forums/blu-ray-media-reviews.12/-For the latest news, including stories covered in this episode:https://www.avnirvana.com/forums/av-industry-news.6/*PODCAST LINKS*-Subscribe to the podcast on Spotify: https://open.spotify.com/show/2XZc1WVL7gGazxGLiURw0ESubscribe to the podcast on Apple: https://podcasts.apple.com/us/podcast/av-nirvanas-home-theater-news-review-htnr/id1715862636On this episode of HTNR, we have big stories to dig through from the likes of Sony, Denon, Marantz, Netflix, Skullcandy, AVPro, Hisense, Samsung, Harman, and Ascendo. We also discuss a notable lawsuit between two big players in the industry – Harman/JBL and Voxx/Klipsch – and I'll tell you how you can win a pair of limited edition Klipsch The Sevens powered speakers.We talk disc news - checkout what Michael Scott has been up to in the world of disc reviews… and if you're a collector, I've got a lead on a disc sale at GRUV.Please Note: AV Nirvana may make a small commission from affiliate links... thanks for your support!Keywords: iOS 18.5, energy, PS5, XBOX news, Disney Plus, Game of Thrones, Starlink, Black Mirror, Disney Movies, home theater tv, home cinema tv, home audio, surround sound, home theater, surround sound system, home theater system, home theater seat, home sound system, home audio systems, best tv soundbars, surround system for home, home cinemas, inflatable cinema screen, best surround sound system, best projector for home theater, best home cinema projector, good surround sound system, wireless surround sound, bose home theater system, home projector, wireless surround sound system, bose home theater, home cinema projector, bose home cinema, home theater news, SVS Ultra Evolution, SVS 4000 series subwoofers, madVR Envy Core, madVR Envy Extreme, HDR tone mapping, Kaleidescape 4K player, Dolby Vision home theater, DTS:X support, Dirac Live ART, Dirac Active Room Treatment, Denon Dirac upgrade, Marantz AV 20, Marantz AMP 20, HDMI 2.1 receiver, Trinnov headquarters, THX home audio, Apple TV Dolby Atmos sync, Dune Prophecy 4K, A Knight's Tale Dolby Atmos, Bass Hunters Trinnov, best war movies Blu-ray, JVC NZ9 projector deal, JVC Frame Adapt HDR, AV Nirvana podcast, multi channel home theatre, bose surround sound system,

NOTE: This interview contains spoilers from both Black Mirror: “USS Callister” episodes. Join us as we boldly go behind the scenes of Black Mirror: “USS Callister: Into Infinity,” with the creative team behind the episode. In this panel, the director, composer, supervising sound editor, and VFX supervisor share how they brought the nightmarish galaxy of Robert Daly back to life with bold visuals, cinematic music, and immersive sound, as well as the reasons why this became the very first Black Mirror sequel ever. “It's really tricky when you come back and do a sequel of something. None of us wanted to work on something that was going to be any lesser than the original. And the original is… speaking for myself… the closest thing to a perfect episode. It has such a great beginning, middle and end. And it has such a great conclusion, it feels so wrapped up. Yet it's still a great launching point into a whole new recognizable world. But it's its own IP. And so I always knew that it had the potential to be a series or a sequel. I knew that I wanted to explore these characters in that world even further.”—Toby Haynes, Director, Black Mirror: “USS Callister: Into Infinity”Joining today's conversation: - Toby Haynes - Director - Tom Jenkins - Supervising Sound Editor - James MacLachlan - VFX Supervisor - Daniel Pemberton - Composer Be sure to check out Black Mirror: “USS Callister: Into Infinity,” now streaming on Netflix, in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Recorded live at Netflix HQ in Hollywood, this special FYSEE panel brings together the visionary sound teams behind four standout Netflix titles. This conversation explores how these sound artists crafted the unique sonic identities of each project and reveal how they worked with their directors, showrunners, and creators to craft the perfect balance of emotion, tension, and, of course, storytelling. Panelists include: - James Drake — Supervising Sound Editor, “Adolescence” - Wylie Stateman — Sound Designer, “American Primeval” - Anne Jimkes-Root — Co-Supervising Sound Editor and Music Editor, “American Primeval” - Brad North — Supervising Sound Editor, “Love, Death + Robots,” Volume 4 - Drew Webster — Re-recording Mixer, “Rebel Ridge” Be sure to check out each of these titles now streaming on Netflix, in Dolby Vision® and Dolby Atmos® — Adolescence American Primeval Love, Death + Robots, Volume 4 Rebel Ridge Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Director of Photography Adam Newport-Berra joins us to discuss his incredible work on “The Studio,” the hilarious behind-the-scenes satire now streaming on Apple TV+. The cinematographer shares how he helped co-creators Seth Rogen and Evan Goldberg pull off the show's bold cinematic concept: shooting nearly every scene as a continuous long take. Join us as we go behind the camera on episode two, “The Oner,” a technical and comedic marvel executed as one uninterrupted 25-minute shot. Newport-Berra details the challenges of capturing ensemble performances, navigating comedic timing, and using cinematography to enhance the absurdity of Hollywood. “I think one thing I really learned on this show is to just never say no... Seth and Evan really supported me and believed in me... and it created an environment where it was almost impossible to say no, because we were so creative that we were always able to come up with a solution.” —Adam Newport-Berra, Director of Photography, “The Studio” Be sure to check out “The Studio,” now streaming on AppleTV+, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

This week we return to the stunning visual world of “Severance,” the critically acclaimed Apple TV+ series from creator Dan Erickson and director Ben Stiller. Cinematographer and fellow director Jessica Lee Gagné joins us to discuss her work on the show's second season, including how she crafted the eerie, sterile look of Lumon Industries and expanded the visual palette in new, unexpected ways. Jessica discusses her collaborative relationship with the creative team, the emotional and psychological subtext behind the framing, and how film was used to deepen the surreal, dreamlike atmosphere of the important flashbacks in episode 7, which she directed. “Life never looks more real and emotional than it does on film. Like it just has that texture... and I'm like, well, I feel that that makes so much sense with this world.” —Jessica Lee Gagné, Director of Photographer and Director, “Severance” Be sure to check out “Severance,” now streaming on AppleTV+, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

NOTE: This episode contains SPOILERS from the second season and season finale of Severance. Today we let Kier guide us into the extraordinary sound work of season two of "Severance," the hit Apple TV+ series from creator Dan Erickson and director Ben Stiller. Focusing on the groundbreaking storytelling of episodes 207 and 210, Supervising Sound Editor, Sound Designer, and Re-recording Mixer Jacob Ribicoff, Re-recording Mixer Bob Chefalas, and David Schwartz (the Production Sound Mixer on those two episodes), break down how they crafted the show's eerie, minimalist sonic landscape. They explore everything from the show's surreal dreamlike ambiences and rhythmic sound/music interplay, to that unforgettable marching band sequence in the season finale. “One of the primary objectives, according to Ben [Stiller], was that Lumon should be a quiet place, a place with the air sucked out of it… I thought, wouldn't that be really interesting to create room tones out of breathing, out of breath, and actually just fold those in and mix those in with normal room tones? So there's kind of some animal breath and some human breath in there — like, very long… just a breath that just goes on for an entire scene.” —Jacob Ribicoff, Supervising Sound Editor, Sound Designer, and Re-recording Mixer, “Severance” Be sure to check out “Severance,” now streaming on AppleTV+, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Home Theater News Review Podcast Season 3, Episode 9 links and notes:Join our home theater community at AVNirvana.com. Build relationships with other Home Theater Enthusiasts and talk shop about speakers, processors, projectors, TVs, and more. We look forward to having you join our community!00:01 Intro01:31 Show Sponsor: SVS02:31 Show Sponsor: madVR Labs03:40 Time Machine Segment: First Streaming Movie05:48 Begin Lightning News Round06:51 IMAX, Christopher Nolan, Matt Damon Odyssey08:12 Kaleidescape Strato E09:29 Dirac, Denon, Marantz, Active Room Treatment ART11:04 Trinnov Audio Paris Headquarters Update11:53 JBL Summit Series Speakers12:57 Mark Levinson 600 Series14:00 Apple TV 4K Atmos Fix OS 18.517:12 Headline News Story: Marantz AV 20, AMP 2019:32 Check in with Michael Scott, AV Nirvana Disc Reviews20:54 New to Disc this Week21:50 Kaleidescape Content Update23:33 What's Hot and What's Cold25:32 Disc and Gear DealsSVS 5% Codes: Two or more subs: "GoDual," or buy 5+ speakers and/or subs: "System"This episode of HTNR is sponsored by SVS: Visit them at: https://fave.co/4bCbL9rThis episode is also sponsored by madVR Labs: Visit them at https://madvrenvy.com/*DISC DEALS on AMAZON* -Kelly's Heros and Where Eagles Dare (BD): https://amzn.to/4mna70p-The Dirty Dozen (BD): https://amzn.to/3SMYl1y-Guns of Navarone (BD):https://amzn.to/4dyKk1g*Gear Deal of the Week*JVC DLA-NZ9 (Best Buy): https://fave.co/45mKtCB*TopTes TS-501B SPL Meter Giveaway Link*https://www.avnirvana.com/threads/win-a-toptes-ts-501b-handheld-sound-level-meter.15047/*Forum Links*-For the latest disc reviews, go to: https://www.avnirvana.com/forums/blu-ray-media-reviews.12/-For the latest news, including stories covered in this episode:https://www.avnirvana.com/forums/av-industry-news.6/*PODCAST LINKS*-Subscribe to the podcast on Spotify: https://open.spotify.com/show/2XZc1WVL7gGazxGLiURw0ESubscribe to the podcast on Apple: https://podcasts.apple.com/us/podcast/av-nirvanas-home-theater-news-review-htnr/id1715862636On this episode of HTNR, we have stories from the likes of JBL, IMAX, Mark Levinson, Trinnov, Dirac, Kaleidescape, and Denon. And our feature story spotlights two new gorgeous separates from Marantz and an update on tariff-related pricing from their camp… which is interesting because we haven't heard much from big manufacturers on that front. We also take a look at disc news and pay a visit to what's hot and what's not in the world of content. Plus disc and gear deals of the week!Please Note: AV Nirvana may make a small commission from affiliate links... thanks for your support!Keywords: iOS 18.5, energy, PS5, XBOX news, Disney Plus, Game of Thrones, Starlink, Black Mirror, Disney Movies, home theater tv, home cinema tv, home audio, surround sound, home theater, surround sound system, home theater system, home theater seat, home sound system, home audio systems, best tv soundbars, surround system for home, home cinemas, inflatable cinema screen, best surround sound system, best projector for home theater, best home cinema projector, good surround sound system, wireless surround sound, bose home theater system, home projector, wireless surround sound system, bose home theater, home cinema projector, bose home cinema, home theater news, SVS Ultra Evolution, SVS 4000 series subwoofers, madVR Envy Core, madVR Envy Extreme, HDR tone mapping, IMAX The Odyssey, Nolan IMAX film, Kaleidescape Strato E, Kaleidescape 4K player, Dolby Vision home theater, DTS:X support, Dirac Live ART, Dirac Active Room Treatment, Denon Dirac upgrade, SHARC+ DSP, Mark Levinson 600 Series, JBL Summit Series, JBL Makalu speaker, JBL Pumori speaker, JBL Ama standmount, Trinnov headquarters, THX home audio, Apple TV Dolby Atmos sync, Dune Prophecy 4K, A Knight's Tale Dolby Atmos, Bass Hunters Trinnov, best war movies Blu-ray, JVC NZ9 projector deal, JVC Frame Adapt HDR, AV Nirvana podcast, multi channel home theatre

On this week's show we shop the Internet and find you three incredible deals on UHD TVs. We also discuss some of the best plot twists in movies that we have seen. Be forewarned, there will be spoilers. We also read your emails and take a look at the week's news. News: Fox unveils ‘Fox One' as name of new streamer YouTube TV Is Now The 4th Largest TV Provider In the United States Free TV is booming tvOS 18.5 just gave your Apple TV 4K a new feature for Dolby Atmos Three Incredible Deals on a UHD TV As a public service the HT Guys have scoured the internet and found you three incredible deals on UHD TVs. These are not refurbished units and were available at the time of this writing. Samsung 70" Crystal UHD 4K HDR TV (DU7200) Price: $479.99 Retailer: Amazon Details: This is noted as the lowest price ever for this 2024 model. It features Samsung's Crystal UHD with 4K, Motion Xcelerator for reduced lag, and HDR (not Dolby Vision) support. Ideal for budget-conscious buyers seeking a large screen from a top brand. Why It's a Good Deal: At under $480 for a 70-inch 4K TV, this is a steal for a 2024 Samsung model, especially with its HDR capabilities. Hisense 85" U6 Mini-LED ULED 4K UHD Google Smart TV Price: $849.99 Retailer: Amazon Details: This is the lowest price ever for this model, featuring a Mini-LED backlight, quantum dot color, and Google TV for a seamless smart interface. It supports HDR10, HDR10+, and Dolby Vision, making it great for movies and gaming. Why It's a Good Deal: An 85-inch TV with premium features like Mini-LED and quantum dots at this price is exceptional for large home theater setups. Samsung 55" 4K Crystal UHD DU8000 HDR Smart TV Price: $447.99 Retailer: Amazon Details: Another record-low price for a 2024 Samsung model. It includes HDR (not Dolby Vision), a smart TV interface, and 4K upscaling, suitable for streaming and casual gaming. Why It's a Good Deal: This 55-inch TV offers solid performance for under $500, balancing size and features from a reliable brand. The Best Movie Plot Twists I came across an article that was discussing how a good movie will lead you down one path and then in a “Plot Twist” send you down a different and completely unexpected new path. That got me thinking about what were my most memorable plot twists from movies that I have watched over the years. I have come up with four that have stayed with me. What are your favorites? The Sixth Sense (1999) - The twist redefines the entire story, forcing viewers to rethink every scene. It's iconic for its emotional weight and subtle foreshadowing, often cited as the gold standard of plot twists. In this case you learn that Bruce Willis' character Malcolm Crowe was actually deceased. I hate to admit it but I never saw this coming. The Empire Strikes Back (1980) - The revelation Darth Vader is Luke's Father altered the saga's emotional core and is still one of the most quoted twists ever. Planet of the Apes (1968) - we are talking about the original here with Charlton Heston. The last scene leads up to the final payoff making it one of the most memorable twists in cinema. Se7en (1995) - The climax delivers a horrific surprise that ties the story's themes together. It's a twist that's both brutal and unforgettable, often debated for its boldness. The twist, John Doe played by Kevin Spacey manipulates Mills played by Brad Pitt emotionally to commit the seventh deadly sin. Braden's Pics: Usual Suspects Fight Club Shutter Island Memento

Supervising Sound Editor, Re-recording Mixer, and Sound Designer Mixer David Acord and Supervising Sound Editor and Dialogue & ADR Supervisor Margit Pfeiffer join us to discuss the powerful, visceral sound of the final season of "Andor." As one of the darkest and most grounded series in the Star Wars galaxy, "Andor" features a deeply cinematic soundscape — ranging from brutal hand-to-hand combat to haunting silence, immersive crowd scenes, and intentionally fuzzy radio transmissions. David and Margit break down their collaborative process, the evolution of the sonic language across the series, and how they used Dolby Atmos® to bring audiences even deeper into the world of espionage, rebellion, and sacrifice.“We want to make sure that the audience feels the threat and the danger of these weapons. The impact of those weapons has to be violent… A laser whiz by has to strike fear.”—David Acord, Supervising Sound Editor, Re-recording Mixer, and Sound Designer, "Andor"Be sure to check out “Andor,” all episodes now streaming on Disney+, in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

On this week's show we discuss whether physical media is making a comeback and could a Bezel-less OLED be the future of large format TVs. We also read your emails and take a look at the week's news. News: Google kills off Nest Protect, partners with First Alert for new smart smoke detector Christie to collaborate with Dolby to develop the next generation of Dolby Vision laser projection systems YouTube Sees Record Viewing, Beats Disney in TV Viewing Share Other: 2025 Box-Office Aims To Hit $34 Billion Physical media is finally making a comeback, and here's the proof Despite a decline in overall physical media sales, which dipped below $1 billion in 2024, there are signs of resilience and growth in specific sectors. Major retailers like Best Buy and Target are phasing out physical media, but Sony's announcement of a new Blu-ray player, the UBP-X700/K, set for release in 2025, signals continued investment in the format. This player, while currently only available in Japan, supports 4K Blu-rays, which are region-free and growing in market share despite the higher cost compared to its predecessor. There is a niche but dedicated community keeping physical media alive, supported by boutique retailers like Criterion Collection and Arrow, which preserve films such as David Lynch's catalog, including the upcoming 4K release of Twin Peaks: Fire Walk With Me. Mainstream releases still often get physical versions, and affordable options abound online and in thrift stores, offering DVDs, Blu-rays, and 4K discs compatible with modern players. There are personal advantages of physical ownership, like better quality and reliability compared to streaming, which can be plagued by shifting availability and rising costs. While consoles may soon abandon disc drives and companies like LG have discontinued Blu-ray players, the 4K Blu-ray market is a bright spot, with growing demand evidenced by the sell-out of Oppenheimer's 4K release in 2023. The new Sony player supports Dolby Vision (though it requires manual toggling), enhancing the viewing experience over consoles like Xbox or PS5. The article concludes that 2025 is an opportune time to embrace physical media, especially for those frustrated with streaming, as it offers a tangible, cost-effective alternative with no risk of content disappearing—though it comes with minor inconveniences like disc-swapping for TV binges. The future remains uncertain, but the 4K sector offers hope for collectors. Full article here… Bezel-less tile OLED TVs could be the future of large-screen displays (from Tom's Guide) Samsung Display showcased a variety of innovative display technologies at MWC 2025, with a standout being their "bezel-less" OLED tile design. This concept involves combining smaller OLED panels, such as two 31.5-inch QD-OLED screens, to form larger displays with significantly reduced bezels—40% narrower than typical current market offerings. This makes the seams nearly invisible from a standard viewing distance, opening up possibilities for future OLED TV designs. The bezel-less OLED tiles could revolutionize large-screen TVs by improving portability and setup logistics. Unlike traditional massive TVs (e.g., 98- or 110-inch models), which are cumbersome and costly to ship and install, these tiles could be transported and assembled in smaller, manageable parts—ideal for urban dwellers in older buildings with limited access. Additionally, the design might simplify wall-mounting, potentially eliminating the need for complex mounts by allowing the tiles to sit flush against walls, reminiscent of concepts like Displace TV's suction-cup OLEDs. This technology could particularly enhance lifestyle TVs, such as Samsung's The Frame, by offering a sleek, frameless look that blends seamlessly into home decor. However, challenges remain—similar to MicroLED, the intricate engineering might make these TVs prohibitively expensive initially. While not yet ready for consumers, Samsung Display's tile concept hints at an exciting future for bigger, better, and more practical OLED TVs. Full article here… Let's Discuss Why This is a Good Thing: Easier Transport and Setup for Large TVs Simplified Wall-Mounting  Enhanced Design for Lifestyle TVs Scalability and Customization Improved Visual Experience Easier Transport and Setup for Large TVs The tiled OLED concept tackles the logistical nightmare of moving and installing massive TVs. By breaking a large display (like a 115-inch screen) into smaller, manageable pieces (e.g., two 31.5-inch QD-OLED panels), it becomes far more practical to transport and assemble. This is a game-changer for people in tricky living situations—like those in high-rise apartments with no elevators or tight staircases—where hauling a giant, crated TV is a non-starter. Instead of wrestling with one unwieldy unit, you'd handle smaller components, making setup less of a Herculean task. Simplified Wall-Mounting The ultra-thin, virtually bezel-less design hints at a future where wall-mounting could be a breeze. These tiles seem to sit flush against surfaces, potentially reducing or even eliminating the need for bulky wall mounts and toolkits. While it's not clear if they'd use something like suction cups (à la Displace TV) or another method, the streamlined look suggests a setup that's less about drilling and more about placement. This could make mounting a TV—especially over a fireplace or in tight spaces—more accessible and less intimidating. Enhanced Design for Lifestyle TVs The bezel-less tile concept aligns perfectly with the aesthetic goals of lifestyle TVs, like Samsung's The Frame. A flush, frameless display could elevate the “TV as art” vibe, blending seamlessly into home decor. You could even add a custom frame around the tiles if desired, keeping the versatility intact. This design flexibility could redefine how TVs integrate into living spaces, making them less of an obtrusive tech piece and more of a stylish feature. Scalability and Customization Tiling smaller OLED panels to create a larger screen opens up possibilities for scalable TV sizes. Want a 65-inch TV today but a 98-inch tomorrow? In theory, you could add more tiles. While this might not be fully practical yet, the modular nature suggests a future where screen size isn't fixed at purchase, offering a level of adaptability that current TVs lack. Improved Visual Experience Shrinking bezels by 40% compared to standard displays means the seams between tiles are nearly invisible at normal viewing distances. This creates a more immersive, uninterrupted picture—crucial for OLED's strengths like deep blacks and vibrant colors. It's a step toward making massive OLED screens feel cohesive rather than patchwork, enhancing the viewing experience for movies, gaming, or VR applications. It's Not All Good News: Cost and Accessibility Manufacturing and Durability Challenges Installation Complexity Wall-Mounting Uncertainties Potential Visual Trade-Offs Cost and Accessibility Complex engineering often leads to high costs. Much like MicroLED TVs, which are expensive due to their manufacturing processes, these bezel-less OLED tiles could follow a similar path. If they hit the market, they might be priced out of reach for the average consumer. Manufacturing and Durability Challenges Shrinking bezels by 40% and tiling multiple panels together sounds impressive, but it raises questions about production complexity and long-term durability. Seamlessly connecting 31.5-inch QD-OLED panels could introduce weak points where the tiles meet, potentially leading to issues like uneven wear, panel misalignment over time, or vulnerability to damage during transport or installation. The "bezel-less" claim might also exaggerate real-world performance if micro-gaps or seams remain faintly visible up close. Installation Complexity While the concept promises to simplify transporting and setting up XXL TVs by breaking them into smaller components, the assembly process could still be a hurdle. Consumers might need precise instructions—or even professional help—to align and connect the tiles perfectly. If the panels don't lock together intuitively or require specialized tools, the setup could negate some of the portability benefits, especially for less tech-savvy users. Wall-Mounting Uncertainties The idea of tiles sitting flush against the wall (possibly without traditional mounts) is appealing, but it's unclear how practical this would be. If Samsung Display isn't using suction cups like Displace TV, the attachment method remains a mystery. Adhesive solutions could damage walls or lose strength over time, while a lack of standard mounting hardware might make the TVs harder to secure safely, especially in homes with kids or pets. The "glued-on" aesthetic might also limit repositioning or removal flexibility. Potential Visual Trade-Offs Tiling multiple OLED panels could introduce subtle visual inconsistencies, such as slight color or brightness variations between tiles, especially as they age. While the bezels are minimized, any imperfections in alignment or panel uniformity might become noticeable during close viewing or in scenes with solid colors, detracting from the premium OLED experience consumers expect.

Academy Award®-nominated cinematographer Ed Lachman joins us to discuss his gorgeous cinematography on “Maria,” directed by Pablo Larraín. The seasoned director of photography shares his approach to blending formats — including 35mm, Super 8, and 16mm — to capture the operatic essence of Maria Callas's life, as well as his use of color psychology, lighting techniques, and period-specific film stocks to evoke emotion and authenticity."Opera and cinema are very similar… Opera's images are not representational either. Like cinema. And they create the subtext for the emotions of the story. And what helps to create the nonverbal form of communication is the same thing that happens in music of the opera. It's a heightened reality… I felt the film could be a representation if her life, mirrored in the operas that she sang in. And even though people say she was the sum of the tragedies of the opera she sang, I believe she had the resistance and strength to overcome." —Ed Lachman, Director of Photography, “Maria”Be sure to check out “Maria,” now streaming on Netflix, in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Academy Award®-nominated composer Kris Bowers joins guest host Jon Burlingame to discuss his stunning orchestral score for "The Wild Robot," directed by Chris Sanders. The composer dives deep into how he crafted the film's sonic landscape, incorporating orchestral textures, electronic elements, and unique percussive sounds. He also shares insights into his collaboration with director Chris Sanders and how becoming a parent influenced his emotional approach to crafting the film's original score.“Chris [Sanders] talked about the role that music was going to need to play in this film... He already knew there were going to be these long stretches where we would have little to no dialogue. And he was trusting that music could help tell the story in those moments… Because for him, the idea of kindness as a survival technique, that was very, very key to the story... Really this idea of music needing to have this vulnerability, this warmth, clear melodic statements, and then also having the ability to go from small intimate moments to really big, huge action sequences.”—Kris Bowers, Composer, "The Wild Robot"Be sure to check out “The Wild Robot,” now available to stream and on Blu-ray, in Dolby Vision® and Dolby Atmos®.The soundtrack to “The Wild Robot” by Kris Bowers is also available to stream on Apple Music in Dolby Atmos!And don't miss our previous episode on the sound of “The Wild Robot,” with writer and director Chris Sanders.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Academy Award®-winning production sound mixer Simon Hayes joins us to discuss his groundbreaking work on “Wicked.” Nominated for his third Oscar®, Hayes shares how he captured live vocals on set, blending the technical innovation with the emotional. He reflects on lessons learned from “Les Misérables,” how he worked seamlessly with the music department, and the intricate process of ensuring performers like Cynthia Erivo and Ariana Grande had the freedom to deliver their most powerful performances while always staying in sync with the film's score."We had no idea that when Cynthia and Ari sung together, their voices would mesh the way that they did. And something very, very special happens when those two sing together… That first time when I had my cans on, and they were dueting, and the hairs on the back of my neck started standing up, and you get that tingle… You just know, as a sound mixer, 'My God, we've struck gold.' This is something very unique and special."—Simon Hayes, Production Sound Mixer, “Wicked”Be sure to check out “Wicked,” now available to stream at home in Dolby Vision® and Dolby Atmos®.And don't miss our previous episode featuring Stephen Schwartz and the music team behind “Wicked, as well as our episode with Director Jon M. Chu and the film's post-production team.You can also check out the video for this episode.Please subscribe to Dolby Creator Talks wherever you get your podcasts.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Academy Award®-winning composer Volker Bertelmann joins guest host Jon Burlingame to discuss his tense and atmospheric score for “Conclave,” directed by Edward Berger. Nominated for his third Oscar, Bertelmann — who won in 2023 for Berger's “All Quiet on the Western Front” — shares how he crafted the film's unique musical palette, eschewing the sounds of traditional church music in favor of experimental instruments like the Cristal Baschet. He also discusses his approach to scoring thrillers as well as his deep collaboration with Berger.“[Edward Berger's] feeling is that music is a third dimension, in a way. That it's something that adds a layer to the film… You can create links to scenes, but you can also use music detached from what you see… You can use it in areas where it's already starting to give someone a feeling, that you don't see in the scene, but somehow… undercurrent-ly… starts to rise… What I think Edward works a lot with is building tension up, but then cutting the music pretty hard, into silence. And then you're left in the silence. But the moment where it's cut is very important… It is intentionally being cut at a certain moment, and then there is maybe a natural sound where you suddenly feel much closer to the person than you felt before, because you are alone with a person in silence.”—Volker Bertelmann, Composer, “Conclave”Be sure to check out “Conclave,” now in theaters and available to stream in Dolby Vision® and Dolby Atmos®.Volker Bertelmann's soundtrack to “Conclave” is also available to stream on Apple Music in Dolby Atmos.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

We are joined by Director of Photography and first-time Academy Award® nominee Jarin Blaschke, as well as Director Robert Eggers, to discuss the stunning cinematography of “Nosferatu.” Together, the frequent collaborators delivered a gothic masterpiece, blending German romanticism and chilling horror into stunning, painterly visuals. In this conversation, Eggers and Blaschke discuss the meticulous development of the film's look, the challenges of shooting with practical lighting, and their shared love for highly composed one-take shots. From the fog-drenched crossroads to the eerie interiors of Orlok's castle, the pair reveal the painstaking care and simple, practical ingenuity that brought this cinematic fever dream to life.“I'm just trying to curate life… What kind of optics just feel right? The little flare around the windows. What is the lens that just feels nice? Let's just look at a bunch of those. Let's have lenses made. We're very privileged in that we can do that now and see what that looks like.”—Jarin Blaschke, Director of Photography, “Nosferatu”This conversation was a live webinar as part of Dolby Creator Lab's partnership with Sundance Collab, the digital platform from the Sundance Institute designed for filmmakers, with exclusive webinars, curated resources, and free educational videos.Be sure to check out “Nosferatu” in Dolby Vision® and Dolby Atmos®, in select theaters.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Our previous episode with Robert Eggers and Sound Designer Damian Volpe, discussing the sound of "Nosferatu,” is now on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

On this week's show we rundown the “Best of CES” as reported by the tech sites. We also read your emails and take a look at the week's news. News: Disney, Fox, Warner Bros. Discovery say Venu Sports won't launch DirecTV Launches ‘MySports' Streaming Package Other: Samsung Display CES 2025 showcase: All the cool tech we saw - SamMobile Star Wars Kid Star Wars kid Drunken Jedi Best of CES On this week's show we rundown the “Best of CES” as reported by the tech sites. Engadget LG OLED evo M5 - the company managed to further improve its most premium displays, adding the latest α (Alpha) 11 AI processor Gen2 to improve the look of lower-resolution content and power advanced features. Technics EAH-AZ100 earbuds ($300) - Technics' new Magnetic Fluid drivers have garnered a lot of headlines this week, but all you really need to know about the EAH-AZ100 earbuds is that the sound quality is massively improved. Powered by those new components, there's more clarity, detail and bass, all of which are upgrades from the already impressive AZ80 CNET LG G5 OLED TV - After seeing the picture quality, TV expert David Katzmaier singled this out as one of his favorite TVs of the show; he traditionally finds LG's OLED quality best-in-class (as do I for its monitors), and this year's is brighter with better contrast in ambient light. Xgimi Ascend - It's not the LG OLED rollable screen of your dreams, but the Ascend may be more within your grasp. It's a retractable, ambient light-rejecting screen with built-in speakers and an ultra short-throw projector that looks like a piece of furniture when the screen withdraws. TV tech guru Geoffrey Morrison has been an ultrashort throw skeptic, but thinks this pair may solve some of the issues he's had with them. There's no pricing yet for the screen (the projector is $2,700), but it's  bound to be less than models like the LG.  The Verge Awards at CES (Full List) Best TV Panasonic Z95B OLED - At CES 2025, it's the Panasonic Z95B OLED that I keep circling back to as my favorite. After a long hiatus from the US TV market, Panasonic is coming back for its crown. Like the G5, it features a new four-layer tandem OLED display that boosts brightness to new highs — this time without the micro-lens array technology that LG Display spent the last two years hyping. It also includes an impressive Dolby Atmos speaker array (tuned by Technics) that will rule out any need for a soundbar for many buyers. That audio hardware results in this being a thick TV by today's standards: Panasonic obviously favored nailing the picture and sound aspects over a thin design. And you know what? I'm here for it. Most no one asked for this, AI in TVs - AI is worming its way into everything, and at CES this year, it crawled into TVs and remotes. Naturally, that includes new sets from LG and Samsung, which are deploying AI to futz with your picture and sound settings and let you talk to a chatbot or analyze what's on your screen. Over at Hisense's “AI Your Life” booth, the company touted its AI Engine X that “optimizes every frame” with adjustments to color, brightness, and audio. Best smart home device Switchbot K20 Plus Pro - Switchbot's K20 Plus Pro is a robot vacuum that can have different devices strapped to its head using the company's modular “FusionPlatform.” As well as being able to deliver items around your home, it can have various SwitchBot products attached to it to perform tasks autonomously: purify your air, be a mobile home security camera, and carry your tablet around for you. They've even made an attachment to put a mini fridge on top. (So, yes, it can bring you a beer.) What intrigues me the most here is that its FusionPlatform is completely open; you can plug any device into its various power ports and customize this robot to do what you need. That's smart. Gizmodo's Best of CES 2025 Awards (Full List) Aurzen Zip Projector - The Aurzen Zip is the tiniest 720p projector I've ever seen. When folded, the $200 Zip is about the size of half an iPhone, making it the perfect on-the-go projector. The trifold projector can wirelessly mirror whatever is on your phone without a wifi connection. Two of the best features: it's MagSafe-compatible and has a 90-minute battery life. TCL QM6K TV - When it comes to TVs, bigger is always better—and it always comes with a higher price. But that's not the case with the TCL QM6K TV, with the 55-inch model costing $749 and the 98-inch version topping out at $3,499. Before you write the QM6K off as a no-frills budget brand, check out some of the specs. As a QD mini-LED device, the QM6K can give some of the pricier heavy hitters a run for their money in the color and brightness categories. In fact, the QM6K is 53% brighter than previous models and 10% more light efficient. Plus, it has a host of powerful tech onboard to make its case, including HDR10, HDR+, and Dolby Vision. You get integrated Onkyo speakers, which should produce solid audio. However, the screen's the star here, serving up captivating colors with deep blacks and sharp details. It's an absolute beauty of a TV that brings all the bells and whistles you'd expect from a premium television at a fraction of the price. Technics EAH-AZ100 Earbuds - It takes a lot to stand out in the crowded field of wireless earbuds, but Panasonic's new flagship Technics EAH-AZ100 manage to do just that. Panasonic claims its $300 earbuds, available now, can offer reference class HiFi audio without needing large wired cans, thanks to “magnetic fluid drivers.” The buds' sound quality was impressive, especially with the world snuffed-out with ANC mode turned on. The sound resolution and bass were especially surprising, even while surrounded by noisy throngs of CES goers.The brushed steel case design makes the buds feel as premium as their $300 price tag. XGIMI Ascend - The Xgimi Ascend is a gorgeous 2-in-1 prototype ALR (Ambient Light Rejection) projector screen with a powerful soundbar. The Ascend houses a 100-inch motorized floor-rising screen for an immersive home theater experience. We've seen rollup displays before, but none of them match the style of the Ascend. The screen is adjustable, allowing it to be partially lowered for ambient modes, like a cozy fireplace display or a music visualization. Though still a prototype, the Ascend has the potential to attract anyone who wants a pop-up movie theater without spending tens of thousands of dollars. AVS Forum Best of CES 2025 (Full List) Valerion VisonMaster Max Lifestyle Projector - This was easily one of the most anticipated booth visits for both us and our readers. When we tested the Valerion Pro2, we were impressed by its performance, but it lacked some key features you'd want for a fully dedicated home theater system. Enter the Valerion Max, the flagship model that was teased during the brand's Kickstarter campaign. It promised to deliver everything the Pro2 was missing, including a dynamic iris, and we finally got to see it in action. LG G5 OLED - It's easily one of the most impressive TVs we've seen at the show. Available in sizes ranging from 48 inches all the way up to 97 inches, the G5 is packed with features. All sizes (except the 48- and 97-inch models) include LG's Brightness Booster Ultimate. LG also gave the remote a much-needed makeover. it's now slimmer with fewer buttons, which is a welcome change. TCL QM6K Mini LED TV - TCL is taking a different approach this year with a phased rollout of their TV lineup, starting with the QM6K, the first model in their new Precise Dimming series. As an entry-level option, the QM6K brings a surprising amount to the table. It features 500 dimming zones, a 144Hz refresh rate (boosted to 288Hz with Game Accelerator), and TCL's AiPQ Pro Processor, carried over from last year's QM8 series. TCL 115QM7K - This one's a bit tricky. TCL is keeping most of the details about the QM7K under wraps for now, but from what we saw, it's shaping up to be a strong addition to their lineup. What we did find out is that the 115” model will have 25,000 dimming zones and 3000 nits of brightness. It's available in sizes up to 115 inches, this model expands on what was previously only offered in the QM8 series. The move could mean more affordable options for larger screens, which is always exciting. Onkyo Icon Series - The P-80 which is priced at $1,999, is a two-channel network preamplifier. It includes HDMI ARC, Dirac Live Room Correction, a phono output, and a fanless design to keep noise levels down. The build quality is sturdy as well, with a 5mm aluminum front panel and three-piece housing. The M-80 is also priced at $1,999, and is a two-channel power amplifier delivering 150 watts into 8 ohms or 200 watts into 4 ohms. It uses a Class AB 3-stage Inverted Darlington design, offering high current drive and low distortion. Focal DIVA Wireless Active Loudspeakers - The Focal DIVA speakers were announced about a month ago, and seeing them at CES 2025 confirmed they're as impressive as they sound on paper. These wireless active loudspeakers feature a 3-way bass reflex design and are surprisingly easy to set up. They support Bluetooth, AirPlay 2, Google Cast, and work with the Focal Naim app. Each speaker is equipped with its own DAC and DSP, delivering 75 watts to the midrange, 75 watts to the tweeter, and 125 watts to each bass driver. That's a total of 400 watts RMS powered by four Class AB amplifiers. At $39,999 a pair, the Divas aren't for everyone, but they began shipping during the show for those ready to invest in high-performance audio. LG CineBeam S Ultra Short Throw Projector - LG revealed their solution: the CineBeam S, an ultra short throw version of the projector. It retains all the features we liked from the CineBeam Q, including an RGB laser with native 4K resolution, 500 ANSI lumens of brightness, and auto screen adjustment. But the big update here is the ultra short throw design, making it much easier to fit into a variety of setups. Nexigo Aurora Pro MKII Ultra Short Throw Projector XGIMI Ascend 100-Inch ALR Motorized Screen Honorable Mentions Samsung Premiere 8K Ultra Short Throw Projector TCL's X11K Premium QD-OLED Mini LED TV

4K-Auflösung, QLED-Panel und Dolby Vision – so eine Ausstattung kostet normalerweise deutlich über 500 Euro. Aldi bietet jetzt einen Hisense-Fernseher zum Sonderpreis an, der genau diese Features besitzt. Der 50-Zoll-TV kombiniert hochwertige Bildtechnologie mit smarten Funktionen. Bei Amazon ist der Fernseher sogar noch günstiger zu haben.

On this week's show we cover the Home Theater announcements that we found interesting. It's not an exhaustive list of what was shown but things we wanted to share with you. We also read your email and take a look at the week's news. News: Disney to Merge Hulu + Live TV With Fubo, Taking on YouTube TV and Ending Venu Lawsuit RadioShack Returns To U.S. As Product Brand Roku tallies 90 million streaming households at start of 2025 Other: Samsung and Google's Eclipsa Audio is here to take on Dolby Atmos CES 2025 Up until now, CES has primarily showcased laptops, gaming, TVs, and smart home technology, excelling in these traditional areas. However, this year's event has shifted its focus to include some emerging, trendier categories. We are seeing AI announcements across the board and numerous innovative concepts aimed at making augmented reality more accessible. On this week's show we cover the Home Theater announcements that we found interesting. It's not an exhaustive list of what was shown but things we wanted to share with you. Next week, since we record before CES closes, we'll look at products that won awards as well as any announcements you may have found interesting as shared with us. RCA introduces two new NEXTGEN TV models in 55" and 65" sizes -  The 65” RCA NEXTGEN TV up to 1500 nits of peak brightness, 664-zone Mini-LED QLED, suggested retail price of $949.99.  The 55” RCA NEXTGEN TV up to 1500 nits of peak brightness, 240-zone Mini-LED QLED suggested retail price of $699.99.  New for 2025 is the attractive RCA ANTD8E, an amplified, multi-directional indoor antenna covered in a high-tech fabric with a diamond shape design. Equipped with SMARTBOOST advanced technology and dual-stage amplification and built-in 4G/LTE/5G filter to improve reception, the ANTD8E can be positioned on its included stand or mounted on a wall and includes nine feet of coaxial cable to connect to the TV at a suggested retail price of $59.99. A full line-up of RCA Outdoor Televisions is also planned in a range of screen sizes and price points, with a “spirit of wilderness” and Mossy Oak camouflage design. Built with a sleek, modern design in a weatherproof and durable dust-free case, RCA Outdoor TVs are designed to work in extreme temperatures – from minus 22 degrees to 122 degrees Fahrenheit. Our Outdoor RCA line includes an exceptionally bright 2000 nit display for crystal-clear viewing even in bright sunlight. Full Press Release RCA Outdoor TV  43-inch ($3,999, suggested retail price), 55-inch ($4,999, suggested retail price)  65-inch ($5,999, suggested retail price) 75-inch ($7,999, suggested retail price). Google Home hubs now work locally with Matter This week, Google announced the integration of Home Runtime into its Google Home hubs, allowing for full local control of Matter devices. With this update, Google Nest hubs, speakers, Chromecasts, Google TV devices running Android 14, and certain LG TVs can now connect to and manage Matter devices locally. This change enhances reliability, privacy, and reduces latency for users controlling their devices at home. Notably, even without internet access, Google Assistant will still be able to operate functions like turning on lights, marking a significant shift from the platform's previous reliance on cloud connectivity. Google Blog Post TCL's 2025 mini-LED TVs for 2025 The Super High Energy mini-LED chip may increase brightness by 53% TCL has made enhancements to its mini-LED backlight design that will result in less blooming or “halo” artifacts where light areas seep into dark areas – a 67% reduction, according to the company. 50- to 98-inch screen sizes, coming to the US in early 2025 Pricing for TCL's QM6K Series is as follows: 50-inch: $749.99  55-inch: $799.99  65-inch $999.99 75-inch: $1,299.99  85-inch: $1,999.99 98-inch: $3,499.99 The 65, 75 and 85-inch QM6K models are available now for preorder at TCL's website. More information from TCL LG G5, C5 and M5 OLED TV LG also announced AI-based features that seek to improve picture, audio and the overall user experience. LG is officially unveiling the LG G5 OLED, the C5 OLED and M5 OLED along with lots of AI upgrades, Here's what we know so far. The G5 will be available in the following sizes: 48, 55, 65, 77, 83 and 97 inches. The M5 is essentially a G5 with wireless connectivity. All of the TV's inputs are located on a separate box (dubbed the Zero Connect Box on the LG M4) which then wirelessly transmits audio and video to the M5's OLED display. The C4 will be available in 42-, 48-, 55-, 65-, 77- and 83-inch models. Full Press Release HDMI 2.2 Announced HDMI 2.2 has been announced at CES 2025. The new specification comes with 96Gbps bandwidth — double what you get with HDMI 2.1. It will be available in a new Ultra96 HDMI Cable. It features next-gen HDMI Fixed Rate Link tech to provide “optimal audio and video.” More impressively, it enables 4K resolution with up to 480 frames per second (fps), and up to 12K at 120 fps. Full Press Release HISENSE MARKS NEW ERA OF DISPLAY INNOVATION WITH ITS FIRST CONSUMER MICROLED AT CES 2025 Hisense unveiled the 136MX MicroLED, the brand's first consumer-ready MicroLED display. This launch marks a pivotal milestone in making cutting-edge display technology more accessible to households, catering to the growing demand for larger, more immersive screens without compromising durability or long-term performance. By eliminating traditional backlight limitations, 136MX delivers precise contrast, lifelike colors, and a viewing experience that sets a new standard for the industry. By combining MicroLED display technology with its R&D expertise, Hisense is once again redefining the possibilities of home entertainment. Powered by Hisense's flagship Hi-View AI Engine X chipset, the 136MX optimizes every frame with its AI-based algorithms, enabling precise color conversion, dynamic 3D color management, and rich display details. Black nanocrystals further enhance performance by reducing reflectivity to ensure exceptional clarity even in well-lit spaces. With brightness levels reaching up to 10,000 nits and a color gamut covering 95% of the BT.2020 color space, Hisense's 136MX delivers vivid, true-to-life colors, setting a new benchmark for home entertainment displays. Full Press Release Technics launched the EAH-AZ100 Wireless Noise Cancelling Earbuds Reference Class True Wireless Earbuds with Dolby Atmos and noise cancelling, The AZ100 earbuds feature, reference-quality high-resolution audio; advanced, industry-leading noise cancellation; and improved JustMyVoice™ technology to keep calls clear. Connects to 3 devices simultaneously. Launching in sleek Silver and Black with its signature stylish ergonomic design, Technics EAH-AZ100 Earbuds will be available for purchase online at Technics.com and at trusted retailers starting today, January 7, with a suggested retail price of $299.99. More info TiVo OS Will Be Launching in the U.S. Market With Sharp TiVo announced that it will be entering the U.S. television market with Sharp Home Electronics Company of America. The Sharp Smart TV Powered by TiVo will be the first television in the series to be made available to American consumers, as soon as February 2025. Boasting a beautiful Ultra High Definition and High Dynamic Range 55” QLED screen, plus Dolby Atmos®, and 3 HDMI ports, it will be a smart TV that reinforces Sharp's reputation for quality. In Europe, TiVo last year launched a range of Sharp models in the UK starting at the equivalent of $372 USD. Sharp's consumer website currently lists four TiVo-powered TV models/screen sizes (43 inches, 50 inches, 55 inches and 70 inches). Sharp also offers TVs powered by other platforms, including operating systems from Roku and Google. Nothing Earth Shattering in the way of Hardware from Sony Sony's press conference did not showcase exciting new hardware announcements. Instead, the emphasis was primarily on the entertainment aspect of their business. Valerion Unveils VisionMaster Max Valerion debuted their VisionMaster MAX, a cinematic-grade home theater projector. Its Kickstarter project raised over $10.7 million and became the highest-funded projector in crowdfunding history.  Featuring the OpticFlex Lens System for customizable viewing. The specifications include: 3000 ISO lumens, a 15,000:1 contrast ratio, and a 110% Rec. 2020 color gamut. The VisionMaster MAX promises stunning image quality and a theater-like experience, projecting up to 300 inches. Enhanced with Dolby Vision, IMAX Enhanced, and other advanced features, this flagship model sets a new standard for home entertainment technology. Additionally, its innovative external lens offers increased versatility, further enhancing the viewing experience. The VisionMaster Series is now available for global pre-order on Valerion's website, with deliveries starting February 2025. VisionMaster Max $3,999 USD, VisionMaster Pro2 & Pro $2,499 USD, and VisionMaster Plus2 & Plus $1,499 USD Samsung Brings Samsung Vision AI to Its Widest Lineup Yet Samsung is ushering in a new era of AI-driven screen technology, with Samsung Vision AI features now integrated across its most comprehensive lineup ever — including Neo QLED, OLED and QLED, and The Frame models. This expansion underscores Samsung's commitment to bringing intelligent, adaptive screens to more users, redefining what's possible in home entertainment and smart living. At the forefront of this innovation is the Neo QLED 8K QN990F, Samsung's most advanced TV to date, designed to deliver unparalleled performance, sleek design and smarter AI-driven experiences. Powered by the latest NQ8 AI Gen3 Processor, the TV leverages a suite of on-device AI features to enhance picture quality, sound clarity and overall viewing experience: 8K AI Upscaling Pro: Elevates lower-resolution content up to stunning 8K quality, ensuring incredible detail and clarity in every frame. Auto HDR Remastering Pro: Analyzes content frame by frame, applying scene-adaptive color expansion for lifelike visuals and vibrant colors, even in dark scenes. Adaptive Sound Pro: Uses AI to separate and optimize sound components like speech, music and sound effects, delivering clear, balanced audio. Color Booster Pro: Enriches color expression with AI-driven scene analysis and enhanced  image processing for each frame. AI Mode: Adaptively optimizes picture and sound leveraging AI-based content recognition  and TV area analysis for an optimal viewing experience in any setting. Samsung also unveiled The Premiere 5, the industry's first interactive triple-laser ultra-short-throw (UST) projector. Designed to redefine home entertainment, The Premiere 5 introduces an interactive touch feature, allowing users to engage directly with the screen. This innovation seamlessly combines high-quality projection with versatile functionality, featuring Samsung LightWARP technology to project images onto everyday objects for creative and immersive experiences. No Specs are available as this may be one of those items that never sees the light of day. Full Press Release  Displace TV: The World's First Truly Wireless 4K TVs with All-in-One Entertainment and Productivity Hubs Displace is bringing all-in-one entertainment and productivity hubs that go beyond the traditional TV experience. Both models offer a sleek, cable-free design, and revolutionary new features powered by Displace OS, an all-new AI Agent-driven operating system that will redefine how Displace users interact with their TVs and perform tasks easier than ever before. These next-generation 4K TVs are powered by two long-lasting, rechargeable Li-ion batteries, ensuring a truly wireless experience that eliminates the clutter of cords and cables. Consumers can either mount the TV on a wall in just 10 seconds without tools or drilling or place it on a table using the all-new concealed push-to-pop legs. All the Displace TV screens are OLED. Displace Pro and Basic are both offered in 55-inch and 27-inch models. Exclusively during CES, all Displace models will be available for pre-order for $1,000 off the original price. During CES, Pro models can be ordered in 55-inch for $4,999 or 27-inch for $2,999, while the Basic models will be available in 55-inch for $2,499 or 27-inch for $1,499. All models are available for pre-order with shipping expected to begin March 28, 2025. Full Press Release 

Ein 65-Zoll-Fernseher für unter 500 Euro? Otto macht es möglich und bietet den Hisense E6NT mit 4K-Auflösung und Dolby Vision für 469 Euro an. Der Smart-TV punktet mit authentischer Bildwiedergabe und umfangreichen Streaming-Möglichkeiten.

Le CES de Las Vegas avait lieu en cette première semaine de janvier… L'occasion de découvrir de nombreuses nouveautés, portés notamment par l'IA, mais pas que…Parmi les annonces marquantes, McAfee a présenté Scam Detector, un outil alimenté par l'intelligence artificielle capable d'analyser vos e-mails et SMS en temps réel pour détecter les arnaques. En alertant les utilisateurs dès les premiers signaux suspects, Scam Detector entend protéger des millions de consommateurs contre les pièges en ligne. Bonne nouvelle, cet outil sera gratuit pour les clients McAfee+ dès le printemps 2025.De son côté, AMD a dévoilé sa nouvelle gamme Ryzen 9 9000 « X3D » et des puces Ryzen AI optimisées pour les créatifs et gamers. Deux nouvelles cartes graphiques, les Radeon RX 9070 et 9070 XT, s'appuient sur la technologie FSR 4 pour rivaliser avec les solutions DLSS de NVIDIA. Mais AMD devra convaincre face à l'offensive de NVIDIA au CES. NVIDIA, justement, a frappé fort avec sa RTX 5070, promettant les performances de la RTX 4090 à moitié prix, dès 649 €. La nouvelle architecture Blackwell introduit le Neural Rendering, exploitant l'IA pour des graphismes ultra-réalistes. Ajoutez à cela le DLSS 4.0, capable de générer trois images par IA pour chaque image rendue. Résultat : des jeux plus fluides et immersifs que jamais.Dolby, déjà pionnier du son immersif avec Atmos, intègre désormais Dolby Vision dans les véhicules. En partenariat avec Li Auto et Samsung Display, cette innovation promet une expérience cinéma… en voiture. Les écrans OLED et l'audio de pointe marquent une nouvelle ère du luxe connecté sur la route. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Academy Award®-winning filmmaker Sir Steve McQueen joins us to discuss his latest feature, “Blitz,” alongside his acclaimed sound team. The film, which explores the harrowing experience of the London Blitz during World War II, is shortlisted for Best Sound at the upcoming Academy Awards. In this episode, McQueen and his team take a deep dive into the process of creating a visceral, immersive soundtrack that captures both the chaos and quiet moments of survival, all presented in stunning Dolby Atmos®. And the film starts off with a literal bang, all designed to plunge the audience directly into the horrors of this place and time.“The backbone of [films], for me as a filmmaker, is sound. It's always been sound. Sound is much more important to me than images in some ways. Because when you hear something, you feel the weight of it. When you hear something, you sort of even smell it… Images, yes, they illustrate. But they don't tell you about the size and the mass of things. And that's what we wanted to jump in with two feet with, immediately. With that terror.”—Sir Steve McQueen, Director, Producer, Screenwriter, “Blitz”Joining today's conversation: - Sir Steve McQueen – Director, Producer, and Screenwriter - Paul Cotterell – Re-Recording Mixer and Supervising Sound Editor - James Harrison – Re-Recording Mixer and Supervising Sound Editor - John Casali – Academy Award®-winning Production Sound MixerBe sure to check out “Blitz,” now streaming on AppleTV+ in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

On this week's show we discuss Braden's YouTubeTV price increase as well as a discussion on how to reboot your internet modem when it locks up even if you aren't home. One of our listeners, Josh in Huntsville AL, shares his experience dealing with warranty service on a large screen TV. We also read your emails and take a look at the week's news. News: LG stops making Blu-ray players, marking the end of an era Venu Sports backers lose motion to dismiss case Amazon's 2nd & 3rd Gen Echo Buds Are Dirt Cheap Try this easy trick to delay your upcoming YouTube TV price increase Other: Pioneer CS-707 | hifi-wiki.com Contact House of Sound NYC for Audio Tours, Events & Partnerships YouTube TV price update Braden received the following email from YouTubeTV raising his TV service costs by $10: YouTube TV has always worked hard to offer you the content you love, delivered the way you want, with features that make it easy to enjoy the best of live TV. To keep up with the rising cost of content and the investments we make in the quality of our service, we're updating our monthly price from $72.99/month to $82.99/month starting January 13, 2025. We don't make these decisions lightly, and we realize this has an impact on our members. We are committed to bringing you features that are changing the way we watch live TV, like unlimited DVR storage and multiview*, and supporting YouTube TV's breadth of content and vast on-demand library of movies and shows. The price of your YouTube TV Base Plan membership will change in your first billing cycle on or after January 13, 2025, and will be charged to your payment method on file going forward. To view your current plan, go to Settings > Membership for updated information. If you are currently on a trial or promotional price for the Base Plan, that promotion is still honored and unchanged. We hope YouTube TV continues to be your service of choice, but we understand that some of our members may want to cancel their subscriptions. As always, family managers have the ability to pause or cancel anytime. You can find more information in our Help Center. With lots of exciting shows and live events ahead in the new year, we'll continue to strive to deliver the best of TV, all in one place. Thank you for being a loyal YouTube TV member. Sincerely, The YouTube TV team Cable Internet Going Down While Away On a recent trip Ara's cable modem locked up and would not come back online until he returned home and cycled power. So how do you prevent this from happening again? Ara takes a look at a solution called Keep Connect, a $50 device that monitors your internet connection and reboots the system when connection to the internet is lost.  Features: Automatic Router Rebooter / Reset - Stop manually restarting your router! Automate the process to ensure highly reliable internet connection uptime  Constantly Monitors Router and/or Modem Internet Health. Keep Connect provides 24/7/365 protection to ensure that your smart home and connected devices are always online and available.  Notifications - Free Texts or Emails from Keep Connect notifying you of detected eventsif you choose to enter your phone number/email. You may also choose No Notifications.  Perfect for Smart Home Reliability - Schedule Periodic Resets to keep your connection fresh and fast.  Premium Cloud Services App Available (iOS App Store and Google Play Store) - Our Premium Keep Connect Cloud Services platform allows using our Online/Mobile App to monitor many locations in one place as well. Cloud Services allows remote management of devices at all locations as well as heartbeat monitoring of your Keep Connects to notify you in the event of an ISP internet outage at one of your sites. Large TV Warranty Experience I've meant to write about my TCL TV experience for quite some time.  What can I say, life is just busy.  I have two more kids than Braden! When I heard a couple of weeks ago a question about warranty experiences for large TVs, I thought I had put off writing this story long enough. After listening to Braden hype up TCL TVs for at least a couple of years, as well as reading many reviews for TVs and watching the developing technology trends at the time, in September 2020 I ordered a TCL 75R635, a so-called 6-series Roku 4K QLED 75-inch TV with a respectable 240-zone backlight array.  The TV had been announced earlier in the year, perhaps at CEDIA or CES and I was ready to replace my 10-year old Panasonic plasma HD TV with this TCL model.  I watched over the next many months for the TV to become available.  While I hoped for a sale, I also knew from watching similar TVs that the stock tended to get bought out pretty quickly.  Amazon finally had the TV available to order in September 2020 and I ordered immediately for a retail price of $1399 plus tax.  I received it on October 3. The TV worked great for about 6 months.  In late March 2021, the screen suddenly and mysteriously slowly faded to a sort of dark backlit state in the middle of whatever my wife was watching.  A backlight was on, but no picture elements were displayed.  You could still hear the TV making sounds associated with navigating the menu when pushing buttons on the remote.  I started a warranty claim March 31 nothing I was well within the 1-year warranty period.  I don't recall exact timing, but a service tech was scheduled to attempt to repair the TV within 10 days.  The day he was supposed to come, he called me beforehand and said he'd already been trying to repair the same model TV for another purchaser.  He asked me a couple of questions about what the TV was doing.  His conclusion over the phone and based on trying to work on the same model of TV was that it was not repairable and he would elevate the case to sending a replacement. Here is where the process got a little frustrating.  TCL honored the claim.  However, the process became surprisingly slow.  As I said, I don't recall exactly when the service tech came, but if it was Day 10, that would have been April 9.  TCL told me on April 23 the TV was finally being shipped.  It was considered a freight shipment, so TCL handed me off to Pilot Deliveries from that point forward.  I had to contact Pilot to arrange delivery if you can believe that!  I also had to coordinate with Pilot to pick up the defective unit.  I did all of this.  By May 3, I still had not received the replacement.  It took another call to TCL at this point to investigate the problem because tracking showed it bouncing all over the map.  I think it came from China.  Landed in California, then I think it made it to Nashville, then Chattanooga, back to Nashville, and hopped over me in Huntsville to wind up in Mobile, Alabama. By this point, Pilot seemed to finally acknowledge they weren't handling this delivery well.  It did get flown one last time to Huntsville.  Then they sent the TV on an unmarked box truck (No "Pilot" markings) with a kid who was maybe 20 to deliver the TV to my home.  The TV was the only thing on the truck.  And, it had fallen over which I suspected when I came around to the back of the truck and saw the driver just finishing standing the box back up.  The driver admitted this was the case when I asked.  But, jumping to the end, the TV has always worked fine.  I had to help get the very large box in the house because they should have sent two people to handle this delivery.  This was May 6 when I finally took possession.  So, a little over 5-week process.  I never expected it to take that long. The rumors amongst forums at the time were that because this was most likely a first production run model (remember, I bought it as soon as it was available), there were manufacturing defects.  And the failure itself was likely because TCL was wiring the backlight array in-series, so if one light goes out, they all stop working.  I think the “dark light” that we could see came from the edges, so maybe the light array was separated into zones somehow.  I guess I'll never really know. Finally, some anecdotes: Anecdote #1:  I am a sentimental sort and I was a little sad to see the original go as me and my kids had broken in that first TV watching the then new Mandalorian series which we greatly enjoyed. Anecdote #2:  My “finance committee” hates it when we spend “large” amounts of money all at once.  In all those years I was listening to you guys, doing research, and waiting for the TV to become available, I banked my Amazon credit card reward points just for a TV.  When the time came, I only paid $61.02 out of pocket for this TV. We've greatly enjoyed the TV ever since.  I couldn't swing $4000-$5000+ at the time for the 55-inch OLEDs that were out then.  But the TCL has always been enjoyable.  HDR and Dolby Vision content especially look great for deep dark blacks.  Would I buy one similar to this again?  Maybe—the technology continues to improve even in just the last 4 years and prices have also come down.  There are lots of options.  Honestly, I think more about a short throw projector for my next TV based on Ara's experiences. Hope you and the listeners enjoy this story about my warranty experience. Josh Huntsville, AL

Visionary director Robert Eggers joins forces with acclaimed sound artist Damian Volpe to deliver a stunning reimagining of the classic vampire tale “Nosferatu.” In this episode, Eggers and Volpe take us behind the scenes to discuss how they used cutting-edge sound design and Dolby Atmos® to create a truly terrifying and immersive experience. From the spectral sounds of Count Orlok's castle to the brilliant use of silence and dynamic range, this conversation unpacks the intricate audio techniques that make the film so unforgettable.“I mean, it begins even before [the first scene] with the quote-unquote logo animations. [We] recreated silent film-style logos… with audio analog hiss and some wind, which morph into each other. You know, I think these horror film cold openings that end with a jump scare, when they're done successfully… keep you on edge of your seat for the rest of the film because… you know that anything's possible.”—Robert Eggers - Director, Writer, and Producer, “Nosferatu”Joining today's conversation: - Damian Volpe - Sound Designer, Supervising Sound Editor, and Re-recording Mixer - Robert Eggers - Director, Writer, and ProducerDamian Volpe also wanted to thank his fellow team members: - Steve Little - Sound Supervisor - David Giammarco - Re-recording Mixer - Michael Fentum - Sound Designer - Heikki Kossi - Foley Artist - Shelley Rodin - Foley Artist - Joel Raabe - Foley Editor/Mixer - Grace Wong - Assistant Sound Editor - Tim Hands - ADR Editor - Samir Foco - Sound Effects EditorBe sure to check out “Nosferatu” in theaters and Dolby Cinemas®, in Dolby Vision® and Dolby Atmos®, when it premieres in the U.S. on December 25th.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

“Maria,” the latest film from director Pablo Larraín, offers a mind-bending exploration of the life and final days of legendary opera singer Maria Callas, with Angelina Jolie delivering a transformative performance. To bring her world to life, the acclaimed sound team faced the unique challenge of blending iconic original recordings of Callas with actual, live performances from Jolie, who trained extensively to sing opera at a professional level.“We absolutely went into this with the idea that Angelina was gonna do this live… She called it ‘face singing,' because it's so unnatural. It's not a pop song in your shower or in your car where you kind of just go along with it. It's constantly changing tempos and dynamics; that's super hard to reproduce. I mean, what she did was incredible to even begin to approach this.”—Mac Ruth, Production Sound Mixer, “Maria”From live on-set vocal performances to intricate post-production layering, the team reveals their cutting-edge techniques for weaving together these extraordinary performances into a seamless auditory experience.Joining today's discussion are: - Lars Ginzel – Re-Recording Mixer - Mac Ruth – Production Sound Mixer - Gwennolé Le Borgne – Sound Designer - John Warhurst – Supervising Sound EditorBe sure to check out Maria, now playing in select theaters and streaming on Netflix in Dolby Vision® and Dolby Atmos® starting December 11th.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

The director and sound team join us to discuss their work on the new Bob Dylan biopic, “A Complete Unknown,” covering the cast's extraordinary performances, how they recreated those iconic original recordings, and why it took so long to bring this film to the screen, after being greenlit five years ago.Joining the conversation: - James Mangold, Director, Co-Writer, and Producer - Ted Caplan, Supervising Music Editor - Tod Maitland, Sound Mixer - Donald Sylvester, Supervising Sound Editor - Paul Massey, Re-Recording MixerBe sure to check out “A Complete Unknown” in theaters in Dolby Vision® and Dolby Atmos®, when it premieres in the U.S. on December 25th.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Director Jon M. Chu joins us, alongside the brilliant editing and sound team behind “Wicked,” the hit movie musical based on the beloved Broadway show. Joining the discussion: - Jon M. Chu – Director - Myron Kerstein – Editor - John Marquis – Supervising Sound Editor, Sound Designer, Re-Recording Mixer - Nancy Nugent Title – Supervising Sound Editor - Jack Dolman – Supervising Music Editor - Andy Nelson – Re-Recording MixerFollowing our previous episode on the music of “Wicked,” this conversation dives deep into the film's innovative sound design, immersive mixing, and groundbreaking visual storytelling. Hear how the team seamlessly integrated sound, music, and picture to bring the world of Oz to life as well as how the live recordings brought authenticity and spontaneity to the performances, creating magical moments that could only happen on set."Some of the moments that we got in the movie were only because of the live [recordings]. There were moments that went viral... if we had tried to record that, Steven Schwartz would've killed that in one second in the recording... But by that point [on set], [Ariana Grande] was riffing, she was Glinda. Or even in 'I'm Not That Girl.' That beginning of it is just so delicate, that Cynthia's just barely singing coming in. And when she starts to do those riffs... that's the magic, actually, that happened."—Jon M. Chu, Director, “Wicked”Be sure to check out “Wicked,” now playing in theaters, in stunning Dolby Vision® and Dolby Atmos®.And don't miss last week's episode featuring Stephen Schwartz and the music team behind “Wicked,” now on YouTube!Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

The groundbreaking musical “Emilia Pérez,” which captured the Jury Prize at Cannes, is redefining the movie musical genre. Directed by the visionary Jacques Audiard, the film explores identity, transformation, and redemption with a powerful ensemble cast. From the vibrant choreography of its musical numbers to its daring and surreal visual style, “Emilia Pérez” is a boldly original film. Join us as we dive behind the scenes with the creative team to uncover how this extraordinary film was brought to life and how it all came together as a successful musical."[Director] Jacques [Audiard} always says he had this idea a long time ago — to make a little opera. And then for this movie, he finally decided to turn it into a musical. But for some reason, I think when he started the idea, he just made a treatment. And then, [composers and songwriters] Camille and Clément started to work."—Juliette Welfling, Editor, “Emilia Pérez”Joining today's conversation are: - Juliette Welfling – Editor - Paul Guilhaume – Director of Photography - Cyril Holtz – Re-Recording Mixer & Sound Supervisor - Clément Ducol – Composer - Camille – SongwriterBe sure to check out “Emilia Pérez,” now streaming in Dolby Vision® and Dolby Atmos® on Netflix.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Academy Award® and Grammy Award®-winning songwriter Stephen Schwartz, Tony Award®-winning musical director Stephen Oremus, and Oscar-nominated composer John Powell join guest host Jon Burlingame for an in-depth discussion about bringing the iconic Broadway musical “Wicked” to the big screen. Together they discuss how they collaborated with director Jon M. Chu to adapt the beloved musical into a cinematic experience, the challenges of blending live and pre-recorded vocal performances, and the ways in which they expanded the orchestral arrangements to match the scale of this massive Hollywood movie musical.“We had spent so much time — and by ‘we' I mean myself and [writer] Winnie Holtzman — when we were writing the screenplay, which of course includes the songs [and] going through everything very meticulously with [director] John Chu, that basically he came in knowing how he was going to shoot it… But then, of course, once you're actually there and working with bodies and working within the environment, things will change… This was an extremely collaborative process all along the way. It wasn't as if we did some music work, then went away, and came back and were surprised by what was done with it… Nobody sort of went off and did his thing by himself.”—Stephen Schwartz, Executive Producer, Music and Lyrics, “Wicked” Be sure to check out “Wicked,” now in theaters in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Renowned film composer Harry Gregson-Williams joins guest host Jon Burlingame to discuss his sweeping score for “Gladiator II,” the highly anticipated sequel to Ridley Scott's 2000 Academy Award®-winning classic. Having collaborated with Scott on seven films now, Gregson-Williams shares his approach to crafting a fresh sound for the world of Gladiator while also paying homage to Hans Zimmer's iconic original score. From using ancient-inspired instruments and choirs, to experimenting with vocalists from around the globe, Gregson-Williams reveals how he wove together a richly textured score that enhances the film's epic scale and emotional depth.“The conversation I had with Ridley at first was that this is a fresh movie. It relates to the first movie, [but] let's not make our first port of call anything to do with the first score, thematically or otherwise, which was quite liberating. I knew we would circle back somehow, and lean on some of Hans's thematic material, just occasionally.”—Harry Gregson-Williams, Composer, “Gladiator II”Be sure to check out “Gladiator II,” now in theaters and Dolby Cinemas in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Valerion goes Triple Laser for light source. Arendal or Klipsch? Front wide situation. HD Fury taking care of Dolby Vision for Projectors. Wharfedale, KEF Concerto, or MoFi Source Point 8? --- Support this podcast: https://podcasters.spotify.com/pod/show/dailyhifi/support

“I think that sound is, by far, the most powerful tool in the cinematic language.”—Denis Villeneuve, Director, Co-Writer, and Producer, “Dune: Part Two”Director Denis Villeneuve returns to Dolby Creator Talks to discuss the incredible sound work in “Dune: Part Two,” his latest adaptation of the epic sci-fi saga. He and his multiple Academy Award®-winning sound team share their thoughts on how sound plays such a pivotal role in his films, offering insights into his process of integrating sound design even during the early stages of development. From Paul's iconic worm-riding sequence to the hauntingly quiet deserts of Arrakis, this episode explores the bold artistic choices that make the film such an immersive sonic experience. Joining today's conversation: - Richard King - Supervising Sound Editor and Sound Designer - Ron Bartlett - Re-Recording Mixer - Doug Hemphill - Re-Recording Mixer - Clint Bennett - Supervising Music EditorBe sure to check out “Dune: Part Two,” now streaming in Dolby Vision® and Dolby Atmos® on MAX.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

On this week's show we take a quick look at a $20 set of earbuds, the Soundcore A30i. We also get you ready for your Black Friday TV shopping with 10 tips. We also read your email and take a look at the week's news. News: Disney+ Introduces Top 10 List Of Movies & TV Shows To Help Users Discover New Content Samsung To Cease LED Production This tiny smart puck can control your entire smart home Soundcore A30i by Anker The Soundcore A30i are earbuds that are housed in a lipstick-shaped case. They are lightweight and comfortable, ensuring they feel almost weightless during use. These earbuds have “noise cancellation” but I'd say it's more like noise isolation. Going from ANC to passthrough was almost imperceptible in the amount of sound coming from the outside.  Since they do block out sounds, they work well in noisy environments. In terms of audio quality, the soundcore A30i delivers decent sound once you set the EQ. I was not happy with any of the preset EQ modes. But increasing the bass and treble yielded a nice sound. This is done through the soundcore app.  You can turn on a 3D surround sound effect via the app as well. But after about 30 seconds it was turned off. Additionally, the earbuds feature four microphones equipped with AI technology that Anker claims yields crystal-clear calls, regardless of location. Not so! I made three test calls and everyone of them sounded bad to the person on the other end. When I reconnected with my AirPods the people I was talking with said it was much better. Range wasn't very good either. I put my phone on my workbench and by the time I got to the edge of my garage there were dropouts. I tested this multiple times. So is it all bad? Is there any redeeming features? Well yes there is, it only costs $20! For twenty dollars this makes a great stocking stuffer for a younger child who may be prone to losing things. They are also a good backup for when your Airpod Maxs start to hurt your ears. Sometimes you need to give your ears a break from the vice that's on your head! Tips for Buying your 4K TV on Black Friday   Buying a new 4K TV can be an exciting yet overwhelming experience due to the variety of options available. With Black Friday deals right around the corner we want you to consider a few things before you go out hunting. Here are steps you need to take to ensure you get the best TV for your budget: Budget - This has to be the first consideration. Everything else is impacted by cost. Fortunately, you can get higher quality TVs for less money than when we first started doing Black Friday episodes. Once you set your budget and determine size (next tip) you can begin to decide on the other criteria.   Screen Size: Choose the right size for your room. This is where you would expect us to come up with some cool formula about seating distance and screen size. Not us! Measure your available space and put the largest screen that will fit. Of course after you consider the remaining items on this list. Also, don't be opposed to knocking down walls or buying new furniture to gain a few more inches of diagonal ;-) Display Technology -  You'll have to decide between OLED, QLED, and LED. Each has their place and will have an impact on screen size. By that we mean a larger OLED will cost more than an LED so you may not get the size you want.  But in a nutshell OLED - Offers superior picture quality with deeper blacks and vibrant colors, ideal for dark rooms. QLED - Provides bright colors and is better in well-lit rooms, but can have slightly less contrast than OLED. LED -  Generally more affordable but may not offer the same level of picture quality as OLED or QLED. Refresh Rate - If you're watching sports or into gaming. Higher refresh rates can provide even smoother visuals. If you watch movies and TV shows any TV on the market will have sufficient refresh rates. HDR Support - High Dynamic Range (HDR) enhances picture quality significantly by offering a brighter, more vibrant image with better contrast. Look for TVs that support multiple HDR formats, such as HDR10, Dolby Vision, or HDR10+. But make sure it has Dolby Vision at the very least. Smart Features -  Most modern TVs have smart capabilities. Check the operating system and pre-installed apps. Ensure it supports the streaming services you use (like Netflix, Amazon Prime Video, Disney+, etc.). If you get a smoking deal on a TV that does not have the smart apps you are looking for, don't write it off. You can buy an AppleTV, Roku, etc with the money you saved. Audio Quality - This is a non issue. We assume ALL TVs have lousy speakers. So consider also buying a sound bar (if you don't already own one) while you are out buying your TV. Of course we recommend that you eventually buy a multi channel system that includes a receiver and 5.1.2 speakers!! Connectivity -  Ensure the TV has ample HDMI ports, including HDMI 2.1 if you plan to connect next-gen gaming consoles. This is less important if you have a receiver doing the source switching.  Viewing Angle -  If you have a large room or plan on watching from different angles, consider a TV with good viewing angles. OLED TVs are the best. But if your viewing is head on this becomes less of an issue. Warranty and Customer Service - Finally, look at the manufacturer's warranty and customer service reputation. A good warranty can provide added peace of mind as can buying a brand that has a good reputation. Using a particular credit card may extend the warranty. Likewise buying from Costco will do the same. Don't pay for extended warranties. If they throw them in, great! But if a TV is going to fail it “typically” will do so within the warranty period. It's an odds game but the odds are in the consumer's favor. By following these steps, you'll be better equipped to choose the right 4K TV for you. Happy Hunting!  

Tesla onthulde zijn zelfrijdende taxi met grote beloften. Maar zijn die zelfrijdende beloften wel waar te maken? Dat en meer autonieuwsbespreken we met onze autokenner Rutger. Daarnaast: onze nieuwste iPhone-koopgids, nieuwe speakers van Sonos, Android 15 en een toffe feature voor Whatsapp op iOS 18.Tips uit deze aflevering:Auto: De nieuwe Mini Cooper SE, een hele leuke elektrische auto die nog echt vooruitstrevend voelt ook. Rutger test 'm de komende weken in de Bright Duurtest, daarna volgt nog een video op Bright.nl en ons YouTube-kanaal.Serie: Nemesis. De eerste grote Nederlandse serie op Disney+. Een complot-thriller in de financiële wereld, met hoofdrollen voor Lies Visschedijk, Romana Vrede en Peter Blok. Nemesis is gemaakt door Willem Bosch, bekend van onder meer Feuten en The Spectacular. Alle acht de afleveringen staan meteen online, dat heb je niet zo vaak met Disney+. En ook heel tof: het is in Dolby Vision, en dat zie je nog niet vaak bij Nederlandse series. Podcast: De Decoder-aflevering met Jessi Lyu, oprichter van Rabbit. Mediatraining voor executives is zo slecht nog niet, maar voor ons als luisteraar is het genieten.Film: Leave the World Behind uit 2023, te zien op Netflix. Van de maker van de serie Mr. Robot, Sam Esmail, met rollen voor onder meer Julia Robert, Mahershala Ali en Ethan Hawke. Een gezin huurt een luxueus huis op Long Island als er een blackout plaatsvindt en plots de eigenaren op de stoep staan.De slaap-video's die Erwin noemde: meer dan 3 uur aan feitjes over de Tweede Wereldoorlog en een digitale wandeling door Athene – we zeiden Rome maar het is dus Athene.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Pharrell Williams has had a remarkable life and career in music, which are chronicled in the film “Piece By Piece,” a uniquely animated documentary made entirely out of LEGO. Joining today's discussion is Director Morgan Neville, Supervising Sound Editor Al Nelson, and Re-recording Mixer Pete Horner, to talk how Pharrell's creative vision for using LEGO opened up exciting storytelling possibilities, the film's imaginative sound design and immersive audio mix, and how they brought Pharrell's experience with synesthesia to life through sound and animation.“This film had so many more opportunities than a documentary normally [has]. Because of animation, I felt like we could time- and space-travel… That kind of freedom I got incredibly excited by. Normally we have so many constrictions, but both in terms of what I could do with sound, but also particularly with Pharrell, what I could do visually with sound. Both in terms of creating the synesthesia effect — which he sees color when he hears sound, and that we could actually see that — and by creating the beats, represented by physical objects of color, too. So that, from a storytelling point of view, was great.”—Morgan Neville, Director, Writer, and Producer, “Piece By Piece”Be sure to check out Piece by Piece, now in theaters and Dolby Cinemas in stunning Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Academy Award®-winning composer Hildur Guðnadóttir and executive music producer Jason Ruder join our guest host, music journalist Jon Burlingame, to discuss their extraordinary work on “Joker: Folie à Deux.” The sequel to 2019's Oscar-winning “Joker” comes with high expectations, and Hildur and Jason talk about the challenge of evolving the sound of the Joker universe, while incorporating new elements like live-recorded songs and experimental instruments. They discuss how the music helps define the tone of the movie, blurring the lines between score and song to create an immersive experience.“We really wanted to honor the sound world that we had already established [from the first film]... so we didn't want to go too far away from it. We knew that there would be strings and there would be a cello connection… Well, it just so happened that my instrument that I used in the first song got stolen a week before the recording session. So I had actually intended to just use the same instrument, but the Gods of Creativity forced me in a different direction… So I came up with this idea of creating what I call ‘the string prison.' It's literally like an electric fence that's playable... an electroacoustic, large scale, playable string instrument that formed this prison cell of very, very, very hot strings, that I played through another instrument.”—Hildur Guðnadóttir, Composer, “Joker: Folie à Deux”Be sure to check out “Joker: Folie à Deux,” now in theaters, in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Home Theater News 9.30.24 links and notes: Join our home theater community at AVNirvana.com. Build relationships with other Home Theater Enthusiasts and talk shop about speakers, processors, projectors, TVs, and more. We look forward to having you join our community! *Link to News Section of AV Nirvana's Forum for CEDIA Coverage* https://www.avnirvana.com/forums/av-industry-news.6/ *Link to YouTube CEDIA 2024 Playlist* https://www.youtube.com/playlist?list=PLG0TQFfpgEdJcbkxx1emqnzxnjrazUwyj *DISC DEALS on AMAZON*  - Dracula 4K: https://amzn.to/3TQUNMV - Silences of the Lambs (Criterion) 4K: https://amzn.to/4dvFIXX - The Excorcist 4K: https://amzn.to/3ZIg7Yr *Value Electronics Links For Sony Bravia Projector 8 and 9 models:* Buy the Sony Bravia Projector 8 (VPL-XW6100ES) from our trusted friends at Value Electronics, available in Black or White, and receive a 10% store credit worth $1,600: https://valueelectronics.com/product/sony-vpl-xw6100es-bravia-projector-8-laser-projector/ Buy the Sony Bravia Projector 9 (VPL-XW8100ES) from our trusted friends at Value Electronics and receive a 10% store credit worth $3,200: https://valueelectronics.com/product/sony-vpl-xw8100es-bravia-projector-9/ *Gear Deal of the Week* -Buy the JVC DLA-NP5 Projector from Best Buy ($3,999):  ⁠https://fave.co/4ev9jSD⁠ -Buy the JVC DLA-NP5 Projector from Audio Advice ($3,999): ⁠https://fave.co/4eMNWMy⁠ -Buy the JVC DLA-NP5 Projector from ⁠ProjectorScreen.com⁠ ($3,999): https://www.projectorscreen.com/jvc-np5-4k-d-ila-home-theater-Projector-1900-lumens?af=av-nirvana-af Episode Round-Up On this week's edition of the Home Theater News Review Podcast, we've got some heavy hitters making waves in the home theater world. Both JVC and Sony have dropped new projectors that are turning heads, and we'll dive into the exciting—and pricey—details. Plus, Sound United may be on the chopping block as its parent company faces a financial crossroads, leaving the future of brands like Denon and Marantz hanging in the balance. Ascendo has unleashed a subwoofer that you've got to hear about, while Disney has finally listened to physical media collectors by embracing Dolby Vision for future UHD releases, but Disney+ is shutting down sharing accounts. There's also interesting news coming out of DTS, which is tackling the issue of dialog intelligibility with an AI-driven solution that could change how we hear our favorite shows. And speaking of innovation, we'll talk about a company that's bringing low-latency head tracking to Bluetooth headphones for a more immersive sound experience—perfect for Dolby Atmos fans. Last but not least, we'll take a look at KEF's new Q Series speakers, packed with technology to make your music and movie sound better than ever, and Klipsch's Flexus Core 300 soundbar, which might just be the best-sounding Atmos bar to hit the market.  Of course we've have a lot more to cover, including disc news, so buckle and get ready to dive into the world of AV News. *Forum Links* -For the latest disc reviews, go to: https://www.avnirvana.com/forums/blu-ray-media-reviews.12/ -For the latest news, including stories covered in this episode: https://www.avnirvana.com/forums/av-industry-news.6/ -To see the Top 20 Disc Releases of 2023, go to: https://www.avnirvana.com/threads/holiday-gift-guide-top-20-movie-discs-of-the-year.12847/ *PODCAST LINKS* -Subscribe to the podcast on Spotify: https://open.spotify.com/show/2XZc1WVL7gGazxGLiURw0E Subscribe to the podcast on Apple: https://podcasts.apple.com/us/podcast/av-nirvanas-home-theater-news-review-htnr/id1715862636 Please Note: AV Nirvana may make a small commission from affiliate links... thanks for your support!

Legendary filmmaker, animator, writer, and voice actor Chris Sanders (you may know him as “Stitch”) joins his sound team — including our first-ever guest on this podcast, Randy Thom — to talk about their stunning work on the latest animated adventure/tearjerker from DreamWorks Animation, “The Wild Robot.” A truly visual spectacle, the film has an appropriately spectacular soundtrack, which Chris and the team relished in crafting its richness and complexity for over two years.“We didn't have any score at all for a while. So one of the really neat things about the opening [reel] is that it's all sound design. It's all sound effects, which is really, really cool. I was impressed with how much detail — and it was necessary to have that kind of detail — and because we had the opportunity of getting as deep into this as we wanted to. So it's an especially good reason to go see this movie on a big screen as the sound of this whole film is really is so spectacular.”—Chris Sanders, Writer and Director, “The Wild Robot”Joining today's discussion:- Chris Sanders - Writer and Director- Randy Thom - Sound Designer- Gary Rizzo - Re-recording Mixer- Leff Lefferts - Re-recording Mixer & Supervising Sound EditorBe sure to check out “The Wild Robot” in stunning Dolby Vision® and Dolby Atmos®, in theaters now.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

On this week's show DJ gives us a recap of what he liked at CEDIA and we go through the What Hi-Fi Best of Show winners. We also read your email and take a look at the week's news. News: YouTube TV, Sling, Fubo, Hulu, & More Added Just 49,000 Subscribers SwitchBot Launches Universal Remote With Matter Support Replace a pile of battery-hungry remotes with this solar-powered universal Other: Unfolded Circle What Hi-Fi? Best of Show Awards Winners SVS Ultra Evolution Pinnacle - Ultra Evolution is a complete reimagining of speaker design for SVS. This unprecedented marriage of acoustic design breakthroughs and passion for audio excellence has never existed and elevates the new series into the echelon of the finest loudspeakers in the world. Consisting of seven new models with advancements in driver design, cabinet architecture, and component materials, Ultra Evolution ushers in a new era of reference quality sound that transcends their class. $5K per pair for the top of the line Pinnacle.  Sony Electronics BRAVIA Theater Quad Wireless Speaker System - The true sound of cinema. With four wireless speakers and 360 Spatial Sound Mapping, our flagship Home Theater System brings the true sound of cinema home. $2500 Sony Electronics BRAVIA 9 65” class Mini LED QLED 4K HDR Google TV -  Thousands of Mini LEDs are precisely controlled by XR Backlight Master Drive™ to deliver authentic contrast and our brightest ever 4K TV. Access billions of accurate real-world colors with QLED technology and XR Triluminos Pro™. XR Processor™ intelligently enhances every scene in real-time boosting color, contrast, and clarity. $3K Sony Electronics BRAVIA Theater U Wearable TV Speaker - Experience true surround sound audio with Sony's 360 Spatial Sound Personalizer technology. Enjoy crystal clear sound with newly developed upward-facing X-Balanced Speaker Unit. Connect to your devices with a stable Bluetooth connection. $300 Sony Electronics BRAVIA Projector 9 VPL-XW8100ES - Up to 3,400 lumens of brightness, generated by a long-lasting laser light source, for vibrant images even on a large screen. Native 4K SXRD panel provides full 4K resolution with 3,840 x 2,160 resolution. XR Processor for projector brings you the best of Sony's image processing. $32K Sony Electronics BRAVIA Theater Bar 8 with 11 speakers, Dolby Atmos®/DTS:X® - Hear cinema-style surround sound all around you with 360 Spatial Sound Mapping. Sound is auto calibrated to your room's characteristics with Sound Field Optimization. Supports industry-standard audio formats including Dolby Atmos®, DTS:X®, and IMAX® Enhanced. $700 Kaleidescape, Inc. Kaleidescape Terra Prime 123TB Solid-State Movie Server - Terra Prime movie servers store Kaleidescape movies, TV series, and concerts. Kaleidescape movies have lossless audio and reference video, are downloaded asynchronously and then played back from local storage. This enables playback with full fidelity, irrespective of internet connectivity. Couldn't find pricing for the 123TB but the 31TB goes for $25K Coastal Source Coastal Source CUBE™ Subwoofer - The CUBE Subwoofer enhances the Coastal Source Outdoor Experience by providing high-performance bass (low-frequency) in a small and elegant package. CUBE makes outdoor music more three-dimensional. It provides audiophile bass from a classic, compact shape that blends into your landscape and provides years of outstanding performance in even the most challenging environments. Pricing TBD Linkplay Technology Inc. WiiM CI MOD A80 - Combines an ESS 9018K2M DAC with a TI TPA3255 Class-D amplifier, delivering 60W per channel at 8 ohms, and supporting the latest Wi-Fi 6E and Bluetooth 5.3 technologies. The inaugural batch of these products is scheduled to ship by October 2024. Hisense PX3-PRO Laser Cinema - The World's First Designed for XBOX UST Projector - With the HSR 240 high refresh rate and low-latency mode, get ready for smooth, lag-free gaming. $3.5K Hisense C2 Ultra - C2 Ultra redefines what's possible in home cinema. Featuring Hisense's advanced Tri-Chroma laser technology, the C2 Ultra delivers breathtaking visuals with 3,000 ANSI lumens of brightness and a 2,000:1 contrast ratio, ensuring that every scene is vivid   and lifelike. This model also boasts IMAX Enhanced and Dolby Vision® certification, providing a cinematic experience that rivals the best theaters. The built-in JBL 2.1 channel audio system, complete with a subwoofer, delivers powerful, room-filling sound that complements its top-tier visual performance. The C2 Ultra is the ultimate choice for those who want an all-in-one premium entertainment solution. $3K L-Acoustics Xi Series - The Xi Series offers a range of installation-focused coaxial enclosures with distinct formats, bandwidth, and SPL specifically tailored for short-throw applications. These enclosures provide pristine sound quality and discreet design, allowing them to integrate elegantly into venues requiring natural and powerful sound. Meridian Meridian Ellipse - Meridian Ellipse is the third loudspeaker to emerge from our Extreme Engineering Programme, producing a natural, authentic and lifelike sound which is immersive and room-filling. Ellipse is designed for music enjoyment: with a bass response usually associated with much larger speakers, Ellipse has complete control over the sound it plays, so your music is projected into the room with clarity and authority. $3K

Nominated for 13 Primetime Emmy Awards®, “Ripley,” the new Netflix limited series from creator Steven Zaillian, is a masterclass in filmmaking and the art of sound. So it's no wonder that two of those nominations are for Outstanding Sound Editing and Sound Mixing. And it's clear why the sound team was given so much creative freedom to explore the sonic possibilities of the show, as many of those details and nuances were written directly into the scripts, and overseen by a showrunner with a sharp attention to detail.“Without a doubt, Steve Zaillian pays attention to every footstep and every breath and every movement.”—Michael Barry, Re-recording Mixer, “Ripley”Today we are joined by members of the sound team behind the show, including:- Larry Zipf, Co-supervising Sound Editor/Sound Designer and Re-recording Mixer- Michael Feuser, Co-supervising Sound Editor- Michael Barry, Re-recording Mixer- Maurizio Argentieri, Sound MixerNOTE: This interview contains spoilers! So be sure to check out “Ripley,” now streaming on Netflix in Dolby Vision® and Dolby Atmos®, before listening.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on our YouTube channel.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

On this week's show we take a look at the summer's best TVs according to RTINGS.COM. We also read your emails and take a look at the week's news. News: This ‘Google TV Streamer' set-top box is what comes after Chromecast Spotify HiFi likely to cost $17 or $18 a month Verizon Can Get Free NFL Sunday Ticket on YouTube TV or YouTube DirecTV Warns FCC: Without Early Termination Fees, Our Equipment and Installation Costs Are Going To Be Paid For by Our Customers Upfront The  Best TVs - Summer 2024 - RTINGS.COM RTINGS.COM has published an article “The 8 Best TVs - Summer 2024” and we take a look at four of them. The article has the entire list. Best Budget TV - Hisense U6/U6K (Street Price $780 for 75” if you can find it) If you want to spend less, the best budget TV we've tested is the Hisense U6/U6K. It delivers a surprisingly great performance for the price. The Hisense has excellent contrast, so dark scenes look amazing in a dark room, with little blooming around bright areas of the screen. It also has good peak brightness in SDR and decent reflection handling, so glare isn't an issue in a brighter room. It has an excellent color volume, making this TV very colorful overall. It's bright enough in HDR for a pleasant viewing experience, and just like the Hisense U7N, it supports both HDR10+ and Dolby Vision HDR, although it doesn't support advanced DTS audio formats. Full Review… Mixed Usage 7.4, TV Shows 6.9, Sports 7.0, Video Games 7.8, HDR Movies 7.5, HDR Gaming 8.0, PC Monitor  7.7 Best Mid-Range TV - LG B3 OLED (Street Price $1800 for 77”) The LG B3 OLED is the best mid-range TV we've tested if you want something cheaper and still want high-end features. It's a great mid-range TV and can be an excellent entry point into the OLED market. The TV has all the features of the more expensive LG C3 OLED, but the B3 is dimmer and has only two HDMI 2.1 ports. It still delivers outstanding picture quality, especially in a dark room, with its near-infinite contrast ratio delivering deep, inky blacks with no distracting blooming. Its built-in webOS platform is just as fast on this lower-tier model, and it still has very good image processing, so it has no issues upscaling lower-resolution content if you watch DVDs, cable boxes, or Blu-rays. It also has Dolby Vision HDR and supports DTS advanced audio formats, which is great for physical media as it tends to use DTS for their audio tracks. Full Review… Mixed Usage 8.7, TV Shows 8.3, Sports 8.5, Video Games 9.3, HDR Movies 8.8, HDR Gaming 9.0, PC Monitor 9.2 Best Bright Room TV - Sony BRAVIA 9 QLED (Street Price $3500 for 75”) If you need a TV for a room with a lot of lights on, the Sony BRAVIA 9 QLED is an amazing option. Its superb reflection handling and SDR brightness mean it easily overcomes glare in the brightest rooms, so you aren't distracted by reflections on your TV screen. As impressive as this TV is in a bright room, it's also spectacular for use in a dark room. It has exceptional contrast that delivers incredibly deep blacks that are close to what you get from an OLED, with almost no blooming, thanks to its highly effective local dimming control. It's also a great option for 4k Blu-ray collectors or those looking to get the most out of high-quality streaming services due to its support for Dolby Vision and DTS audio formats. Full Review… Mixed Usage 8.8, TV Shows 8.4, Sports 8.3, Video Games 9.1, HDR Movies 9.0, HDR Gaming 9.0, PC Monitor 8.7 Best Home Theater TV - Sony A95L OLED (Street Price $5000 for 77”) If you're looking for the absolute best TV for a home theater setup and don't care as much about the price, check out the Sony A95L OLED. Although it's a very similar TV to the Samsung S90C OLED, it's better for home theaters thanks to its advanced video format support. Compared to Samsung's HDR10+ format, the Sony TV supports the more popular Dolby Vision HDR, so you'll enjoy the most advanced HDR experience possible from almost any source. Sony's processing does a better job following the content creator's intent, so the brightness and colors of HDR content look the way they're supposed to. It also offers better audio format support than the Samsung, including DTS:X passthrough over eARC, so you can simplify your connection to your audio-video receiver by running everything through your TV without sacrificing audio quality. Full Review… Mixed Usage 9.2, TV Shows 8.9, Sports 9.1, Video Games 9.3, HDR Movies 9.3, HDR Gaming 9.1, PC Monitor 9.4  

On this week's show we have an AppleTV and a native GoogleTV comparison from a listener. We also read your emails and take a look at the week's news.  News: Samsung is helping to bring AirPlay to more hotel rooms NBCUniversal to Offer 400+ Hours of 4K HDR Olympics Coverage on USA Network, a Record Turns out Netflix makes more money if it just acts like regular TV Other: Handcrafted in the USA - Vintage Reclaimed Maple & Elm Speakers Doitforme.solutions Apollo Group TV Apple TV vs Google TV - John Lyman Around Thanksgiving the finance committee allowed me to purchase a new Hisense U7K 75” 4K TV.  However, once I got the TV setup and ready to go, something weird happened with my Apple TV that I had been using on the TV in that room. Max just stopped working. I did all the troubleshooting to no avail.  I decided that I would give the built in Google TV a shot to see if that could be a long-term solution. Over the course of six months I went back and forth with the two platforms and took notes. I thought I would write up my findings for everyone.   A few caveats: This is my first experience with Google TV  The Google TV is the built in version on my TV  I live in the Apple ecosystem and I have owned every Apple TV from the 1st gen to the current.  So, I do know the Apple TV a lot better, but I did my best to be fair. User Interface  Apple TV: The user interface is very nice, it seems lighter, crisp and clean. You can easily design the Home Screen the way you would like it laid out and create folders. I have a folder for my main TV/Movie apps, then one for sports, another for movies, etc.   Because you can customize the Home Screen it is very easy to navigate to where you want to go.   Google TV:  When you open it, you are at the top of google TV page with their offerings and everything is laid out in rows.  The App icons seem smaller than apps on the Apple TV and smaller than the “Google Recommended” apps.  You must scroll past those to get to your apps. I have not found a way to rearrange the main page so I can move my apps above the recommended offerings.  You can move your apps in the order you would like but it is not as nice.  I did try to find out if you can use folders on Google TV and it does not look like you can.  The interface is what it is. Remotes: Apple TV: The metal Siri remote in my opinion is one of the best remotes out there.  I can control 98% of what I need to use from that one remote.  The other 2% is for those times I can't find a digital copy of a movie I own and need to use the Blu-Ray or tweak the picture of the TV.  Very quick to navigate with the remote around the Apple TV.  Also, the iPhone companion remote is really good too.  Google TV:  The remote that came with the TV controls my HT gear and if I used Google home I'm sure the remote's mic would give me voice control of lights and thermostat similar to the Apple remote.  Additionally, I find swiping over the touch-enabled clickpad much easier than clicking up/down/left/right buttons on the TV's remote.  I didn't have luck setting up the iPhone remote with the TV, this is probably a me item and I didn't spend a lot of time worrying about it.  Apple TV+ vs Google TV's Home app: Both apps have a lot in common, like Movie/TV suggestions, an area for your purchased content,  etc. Apple's implementation is self-contained and can be placed anywhere on your home screen.  Google's version is fixed at the top of the screen and you must scroll down the screen to get to your apps.  Picture quality, audio and App Responsiveness:  So the last test was to actually watch some video to see if there was any difference.   The setup: Internet – AT&T 1.0 GPS fiber, using a TPLink Mesh router – delivering 300 Mbs to the TV Denon AVR-X3200W receiver – running Dolby Atmos Speakers – RSL home theater package, 12” RSL speedwoofer and mirage omni-directional Atmos speakers I set up both the TV and my Apple TV for Dolby Vision and started watching content on both services.  One thing I couldn't do was turn on Dolby Vision for the Google TV which shocked me.  The TV did auto switch and even though HBO Max said the movie was in Dolby Vision it would only do HDR.  I tried to figure out the issue but couldn't quickly find an answer.  I quickly realized that any movie purchased from the Apple store was of higher quality than those from any of the streaming companies both in picture and sound.   I watched a few scenes from the latest Aqua man as there were some really dark scenes with good color and then some Star Wars.  With the Google TV setup to use HDR and the TV in the Movie preset, the picture was good. The AppleTV produced a little bit better picture with the same TV preset.  The AppleTV sounded better too. I could hear some additional sounds on the AppleTV that I couldn't hear while using GoogleTV.   The biggest difference was App responsiveness.  When opening an app on the AppleTV, its click and it opens. GoogleTV took a few seconds.  Then clicking the play button would buffer for about 10-20 seconds before playing and the picture was lower resolution for a few seconds. The video on the AppleTV started right up and I didn't notice any picture issues.   Built in vs Stand Alone Box  Built in OS strengths:  Built into the TV  Pretty easy to setup right out of the box  Integrated into the TV and remote  Stand Alone Strengths: Both hardware and software designed for a singular purpose  Not TV dependent  You can take it with you when you travel If new features are not supported due to hardware limitations you can buy a new STB Built in OS weakness: If new features are not supported due to hardware limitations you are stuck Hardware more likely designed for the TV and the OS a secondary  If you have multiple TVs with different OSes you will have an inconsistent experience May cause you to stay within a manufacturer's product line to keep the same OS within the home Can become slower than the stand-alone devices over time Stand Alone weakness: They cost extra  Hard to switch eco-systems due to cost of devices if you wanted to Summary: I was really surprised by a few things after doing the comparison. The first being the lack of Dolby Vision on the Google OS built into my Hisense TV.  The option was not available for the Google Home app.  I usually leave the TV in Dolby Vision on the Apple TV as I find the picture pretty good with all content and I'm not a fan of my TV's auto switching (going black for a few seconds).   The second was the difference in app responsiveness and picture start up times. The Apple TV was quicker in both aspects. The last was the difference in the quality of purchased movies from Apple versus the streamers and purchases from Amazon. Streamers and Amazon were inferior to the same content from Apple. I did not compare streamers and Amazon versus Google using native apps on the GoogleTV.   Bottom line I believe an Apple TV is like a well-made German car, over engineered, nice looking with features you didn't know you wanted until you lose them.  Google OS is your typical mid-range SUV that everyone makes, most people drive and they all look similar and they get the job done of getting you from here to there.

Layoffs at Paramount, Instacart & Mozilla; Musk must testify in SEC investigation of Twitter takeover; Tesla driver not sure if he killed pedestrians because he was on autopilot; crowd burns Waymo car; 23andMe selling DNA data; Amazon Prime Video pulls Dolby Vision, Atmos on ad-supported plan; queer.af shut down by Taliban; X blue checks sold to literal terrorists; Past Lives; We Are the World; Jacqueline Novak; Somebody Feed Feel; Star Trek Disco; Downtown Abbey; AMC fined for 1988 law; Apple Cash to offer virtual cards; AI news round up; don't get an AI girlfriend; thought crimes; Sora & floating feet; Infinity Gate by M.R. Carey; the Bad Batch; cybercriminals stealing iOS users' face scans... are they, though?Sponsors:Mood - For 20% off your order and a FREE THCa pre-roll, go to hellomood.com and use promo code GOG.1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordPrivate Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.Show notes at https://gog.show/636FOLLOW UPAxact sells fake diplomas and degrees. What could go wrong with this business plan?Found a cool easter egg on the Ookla speedtest appIN THE NEWSJust to keep the pink slips chat going.. Paramount doing some work.Paramount lays off 800 workers in cost-cutting bid: 'This is the right decision'Instacart lays off 250 employees, or 7% of its workforce, to 'reshape' companyMozilla is laying off around 60 workersCourt orders Elon Musk to testify in the SEC's investigation of his Twitter takeoverTesla Driver Says He's Not Sure If He Killed a Pedestrian Because He Was on AutopilotCrowd Sets Waymo Self-Driving Car on Fire: ‘They Couldn't Even Recognize the Vehicle'23andMe Admits ‘Mining' Your DNA Data Is Its Last HopeAmazon Prime Video won't offer Dolby Vision and Atmos on its ad-supported planTaliban Shuts Down 'queer.af' Domain, Breaking Mastodon InstanceElon Musk's X Gave Check Marks to Terrorist Group Leaders, Report SaysELON MUSK SELLING BLUE CHECKMARKS TO LITERAL TERRORISTSMEDIA CANDYLooney Tunes Movie Coyote vs Acme Expected to Be Destroyed ForeverPast LivesThe Greatest Night in PopJacqueline Novak: Get on Your KneesSomebody Feed Phil, Season 7 - March 1Star Trek: Discovery's Final Season Finally Has a Release DateA Hail Mary to Save ‘The Daily Show'Downton Abbey reportedly poised to return for a seventh seasonJohn Cleese has “always loathed and despised” Eric IdleAMC to pay $8M for allegedly violating 1988 law with use of Meta PixelAPPS & DOODADSApple Cash will offer virtual card numbers for online shoppingGoogle's Gemini AI Keeps Your Conversations for Up to 3 Years (Even If You Delete Them)OpenAI - Disrupting malicious uses of AI by state-affiliated threat actorsAI ‘companions' promise to combat loneliness, but history shows the dangers of one-way relationshipsYour AI Girlfriend Is a Data-Harvesting Horror ShowAI monitoring employee comms for 'thought crimes' in Slack & moreMemory and new controls for ChatGPTNVIDIA's new AI chatbot runs locally on your PCOpenAI's newest model Sora can generate videos — and they look decentUSPTO says AI models can't hold patentsAT THE LIBRARYInfinity Gate (The Pandominion Book 1) by M.R. CareyA different, darker take on The Long Earth series by Terry Pratchett & Stephen BaxterTHE DARK SIDE WITH DAVEThe CyberWireDave BittnerHacking HumansCaveatControl LoopWhat Has Happened So Far on Star Wars: The Bad Batch?Cybercriminals are stealing iOS users' face scans to break into mobile banking accountsLM StudioLily-Cybersecurity-7B-v0.2Propstore has an upcoming auction, including the Anthony Daniels collection.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.