Podcasts about canadian indie rock

The boys come in strong this week and talk about their time at Calgary Comis and Entertainment Expo and Spencer's shorts. They also dive into the genre defining Canadian Indie Rock album by Peach Pit, Being So Normal and they open up about some anxieties. Welcome to Misfits on Vinyl! A weekly comedy podcast where we review our favorite albums, and discuss the artist's history, cultural events, and everything else that influenced the album!Hosted by Comedian Spencer Streichert & his funny friend Aaron Walsh.Produced by Sam-Sam the Tech Man!Theme song by The VidosMisfits on Vinyl Instagram: https://www.instagram.com/misfitsonvinylpodcast/?hl=enSpencer Streichert Instagram: https://www.instagram.com/spencerstreichert/?hl=enThe Vidos Instagram: https://www.instagram.com/thevidosband/?hl=enThe Vidos Linktree: https://linktr.ee/thevidosband Hosted on Acast. See acast.com/privacy for more information.

Music biographer Michael Barclay details the explosion in popularity of Canada's indie rock scene and bands such as Alexisonfire, Arcade Fire, and Broken Social Scene in the early 2000s.See omnystudio.com/listener for privacy information.

On this rare Riley-less episode Dan is joined by Michael Barclay, Arlen Thompson and Tim Kingsbury to discuss Michaels new book on the rise (and rise!) of Canadian Indie Rock 2000-2006. Why do these bands have so many members? Did Fugazi brain poison a generation into self sabotage? Are the rents too damn high to facilitate another scene? All this and more as we survey The Half Decade When Canada Was Cool* *Canada was not and never will be cool

Julie Doiron - Entering her fourth decade in Canadian Indie Rock, Julie is in the company of very few. Since joining Eric's Trip in 1990, she has been a creative force putting out records in English, French and Spanish, doing two Tiny Desk Concerts (one with musician Mount Eerie) and winning a Juno for her collaboration with the Wooden Stars. Julie's down to earth nature and honesty are at the core of both her songwriting and her personality. That's what makes her so fun to listen to and to hang out with. This conversation was no exception. It was awesome. Big thanks to the Shivering Songs Festival in Fredericton for presenting this chat (which is also available on YouTube).  Go to Julie-Doiron.com to learn more and check out her new brilliant album “I Thought Of You”.

We chat with Canadian Indie Rock band BIRDS OF BELLWOODS. We talk about the great music industry we have here in Canada, FACTOR grants, working with JACK EMBLEM and the importance of a great last name. We also feature songs from their acclaimed debut LP "VICTORIA".

The images featured in Splashes (RVB Press, 2018) are characteristic of Gabriel Jones’ approach to making images by capturing the “backdrop”, things behind the original subject. There is a performative element to this series in that Gabriel invited friends to pretend to pose at a party, he focused his camera towards them but not on them which allowed him to actually photography the situations taking place in the background of the scene. The photographs were taken with early cellphone cameras, and have mostly been reframed to show only the situations and compositions that sparked the artist’s interest the most. This tight cropping resulted in highly pixelated images, and Jones applied some retouching techniques to further accentuate the strangeness of the scenes in his collections. Gabriel photographed the album cover The Suburbs, for Canadian Indie-Rock band Arcade Fire. The album won the 2012 Grammy Award for Best Record Packaging, and 2011Album of the Year. In 2010 and 2014, Jones curated an exhibition called The Pseudonym Project New York / Paris. A series of established and emerging artists– such as Robert Barry, Liam Gillick, Fouad Bouchoucha, Melanie Bonajo, Joseph Marzolla and Jonathan Monk–were invited to create new pieces under pseudonyms. Their real names were disclosed at the end of the exhibition. His photographs have been exhibited in venues such as Photo España Festival; Paris Photo; Galerie Le Château d’Eau, Toulouse; as well as Galleries Michèle Didier, Paris; Priska Juschka Fine Art, New York and Bugdahn und Kaimer, Dusseldorf. He is a faculty member at the Paris College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices

The images featured in Splashes (RVB Press, 2018) are characteristic of Gabriel Jones’ approach to making images by capturing the “backdrop”, things behind the original subject. There is a performative element to this series in that Gabriel invited friends to pretend to pose at a party, he focused his camera towards them but not on them which allowed him to actually photography the situations taking place in the background of the scene. The photographs were taken with early cellphone cameras, and have mostly been reframed to show only the situations and compositions that sparked the artist’s interest the most. This tight cropping resulted in highly pixelated images, and Jones applied some retouching techniques to further accentuate the strangeness of the scenes in his collections. Gabriel photographed the album cover The Suburbs, for Canadian Indie-Rock band Arcade Fire. The album won the 2012 Grammy Award for Best Record Packaging, and 2011Album of the Year. In 2010 and 2014, Jones curated an exhibition called The Pseudonym Project New York / Paris. A series of established and emerging artists– such as Robert Barry, Liam Gillick, Fouad Bouchoucha, Melanie Bonajo, Joseph Marzolla and Jonathan Monk–were invited to create new pieces under pseudonyms. Their real names were disclosed at the end of the exhibition. His photographs have been exhibited in venues such as Photo España Festival; Paris Photo; Galerie Le Château d’Eau, Toulouse; as well as Galleries Michèle Didier, Paris; Priska Juschka Fine Art, New York and Bugdahn und Kaimer, Dusseldorf. He is a faculty member at the Paris College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices

The images featured in Splashes (RVB Press, 2018) are characteristic of Gabriel Jones’ approach to making images by capturing the “backdrop”, things behind the original subject. There is a performative element to this series in that Gabriel invited friends to pretend to pose at a party, he focused his camera towards them but not on them which allowed him to actually photography the situations taking place in the background of the scene. The photographs were taken with early cellphone cameras, and have mostly been reframed to show only the situations and compositions that sparked the artist’s interest the most. This tight cropping resulted in highly pixelated images, and Jones applied some retouching techniques to further accentuate the strangeness of the scenes in his collections. Gabriel photographed the album cover The Suburbs, for Canadian Indie-Rock band Arcade Fire. The album won the 2012 Grammy Award for Best Record Packaging, and 2011Album of the Year. In 2010 and 2014, Jones curated an exhibition called The Pseudonym Project New York / Paris. A series of established and emerging artists– such as Robert Barry, Liam Gillick, Fouad Bouchoucha, Melanie Bonajo, Joseph Marzolla and Jonathan Monk–were invited to create new pieces under pseudonyms. Their real names were disclosed at the end of the exhibition. His photographs have been exhibited in venues such as Photo España Festival; Paris Photo; Galerie Le Château d’Eau, Toulouse; as well as Galleries Michèle Didier, Paris; Priska Juschka Fine Art, New York and Bugdahn und Kaimer, Dusseldorf. He is a faculty member at the Paris College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you have any questions, comments, or free-floating hostility, you can email us at: flailforwardpodcast@gmail.com Or yell at us on Reddit: reddit/r/flailforward Or tweet us on Twitter: twitter.com/FlailForward discord: discord.gg/Hz7zFwq Facebook & Instagram @flailforward Find us on the internet: Fred - twitter.com/TheHouseII Caraes Naur - Say something dumb on reddit.com/r/RPGdesign/ Catreece - tinyurl.com/SAORSA Mark - twitter.com/Praxis_Arcanum Johnathan - twitter.com/MongrelGames Rob - facebook.com/ashesofthemagi instagram.com/ashesofthemagi twitter.com/ashesofthemagi Kavoir - Elusive, look hard enough in the liner notes of a Canadian Indie Rock album, and he may just show himself to you. Intro and Outro by The Sarto Klyn V. thesartoklynv.bandcamp.com/

Episode 2 Of Desert Island Album, This Week My Guest Is GradCast Host Connor Chato and we talk about Canadian Indie Rock band Hey Rosetta! and their album Seeds. 

Hailing from the booming Canadian music scene, Ed Roman has made music for over 15 years. From his first album in 2000 to his current release, "Letters from High Latitudes", Roman has been a seasoned songwriter and performer having worked with some of the best Canadian performers.We will talk to Roman about his new album, his take on writing a song, and experiences on the road.