Podcast appearances and mentions of Paris Photo

Featuring:Yasuhiro OgawaMarshall ToLua RibeiraGianluca Gamberini (L'artiere books)Eleonora AgostiniPia-Paulina GuilmothAletheia CaseyBooks/Projects mentioned:Lost in Kyoto, Yasuhiro OgawaBlank Notes, Marshall To44 Irvine Street 1970-1971, Susan MeiselasAgony In The Garden, Lua RibeiraCalling The Bird Home, Cheryl St. OngeAnother England, Phil ToledanoA Study On Waitressing, Eleonora AgostiniFlowers Drink The River, Pia Paulina GuilmothFishworm, Pia Paulina Guilmoth & Jesse B. SaffireA Lost Place, Aletheia Casey Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

In this monthly conversation series Grant Scott speaks with editor, writer and curator of photography Bill Shapiro. In an informal conversation each month Grant and Bill comment on the photographic environment as they see it. This month Bill reflects on his recent trip to Paris Photo, whilst he and Grant lock horns over AI and agree about the importance of experts. Mentioned in this episode: Jack Davison www.jackdavison.co.uk Marie-Laure de Decker www.mep-fr.org/en/event/marie-laure-de-decker-3/ Nino Migliori www.keithdelellisgallery.com/artists/nino-migliori Erica Lennard https://ericalennardphotography.com Fred Herzog www.equinoxgallery.com/our-artists/fred-herzog/ Emma Hartvig www.emmahartvig.com Kit Young www.kityoung.co.uk Henry O. Head www.henryohead.com Michael Wolf https://photomichaelwolf.com The Hulett Collection https://thehulettcollection.com Louis Stettner https://louisstettner.co Todd Webb www.toddwebbarchive.com Phillip Toledano https://mrtoledano.com Sean Scully www.tate.org.uk/art/artists/sean-scully-1917 Paul Strand www.icp.org/browse/archive/constituents/paul-strand www.bluephoto.co Bill Shapiro Bill Shapiro served as the Editor-in-Chief of LIFE, the legendary photo magazine; LIFE's relaunch in 2004 was the largest in Time Inc. history. Later, he was the founding Editor-in-Chief of LIFE.com, which won the 2011 National Magazine Award for digital photography. Shapiro is the author of several books, among them Gus & Me, a children's book he co-wrote with Rolling Stones guitarist Keith Richards and, What We Keep, which looks at the objects in our life that hold the most emotional significance. A fine-art photography curator for New York galleries and a consultant to photographers, Shapiro is also a Contributing Editor to the Leica Conversations series. He has written about photography for the New York Times Magazine, Vanity Fair, the Atlantic, Vogue, and Esquire, among others. Every Friday — more or less — he posts about under-the-radar photographers on his Instagram feed, where he's @billshapiro. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. ©Grant Scott 2025

For this first 100C Morning, we launched a new monthly show with Pauline, Fanny and Eleonora from 100 Collectors, the private club connecting contemporary and digital art collectors worldwide. They explained how the club began in Lisbon, how it grew internationally, and what members get: weekly editorial content, an active Telegram community, guided tours at major fairs, event access, and advisory sessions. The club recently passed the milestone of 100 members, and it's open to everyone interested in collecting.The idea of our new monthly episode with them is to cover the news.key digital art events of November: Art on Tezos in Berlin, Abu Dhabi Art, Paris Photo….The second half focused on Miami Art Week, especially the launch of Art Basel's new digital sector, Zero 10. This digital art section is integrated inside the fair, with exhibitors such as Beeple, Larva Labs, Art Blocks, XCopy, Tyler Hobbs and more. Some works can only be collected on-site, adding a playful dimension (including Beeple's robot dogs dropping prints).Fany also shared practical tips for Miami, navigating traffic between the beach and the mainland, checking satellite fairs like Scope, Untitled, Art Miami, plus events such as Beat Basel and the LACMA symposium, all covered in the 100 Collectors agendas….Useful links: 100 collectors:WebsiteX AccountPast month Agenda:Art on Tezos Berlin from 6-9 NovParis Photos from Nov 12-16Art Abu Dhabi from Nov 19-23:Re-imagined organized the digital sector “Outliers” of Art Abu DhabiComing up this week:Announcement of Art Basel Zero 10Details of Art Basel Zero 10 (13 exhibitors)Other fairs to check out:NADA UNTITLEDART MIAMIBIT BASELMUD FOUNDATION PUBLIC ARTSee more in our public agenda coming up this week at https://www.100collectors.art/info/eventsOr join to get access to VIP tickets, private events and dinners. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

Neste episódio ouves Jorge Panchoaga, fotógrafo colombiano e vencedor de cinco prémios POY, a propósito da sua exposição Kalabongó , e do trabalho nomeado para Livro do Ano 2025 no Paris Photo, que inaugurou a 7 de Novembro na nossa galeria, trazendo pela primeira vez a Portugal uma narrativa visual poderosa sobre a memória, a cultura e a resistência das comunidades afrodescendentes da Colômbia.Entre San Basilio de Palenque, comunidade que luta pela liberdade desde 1599 , e as tensões contemporâneas que atravessam a diáspora afrodescendente, Panchoaga constrói um território visual onde a história se torna matéria viva. Criado ao longo de quatro anos, Kalabongó articula justiça racial, identidade cultural e memória coletiva, estabelecendo pontes com processos históricos que também ressoam em Portugal.Transformada pela curadoria da NARRATIVA num espaço sensorial imersivo, a galeria convida cada visitante a percorrer as imagens com uma lanterna , num gesto de revelação, de intimidade e de participação.Hoje conversamos com o autor deste trabalho profundamente político, poético e necessário.Um convite a escutar o passado, a reconhecer as lutas do presente e a imaginar futuros possíveis.Guião e moderação de Bárbara MonteiroEdição de som de Bárbara MonteiroJingle de António QuintinoDesign de Alex Paganelli

Разговор из двух частей. В первой: Женя Парфенова и Леша Ерусланов вернулись в подкаст, чтобы рассказать о впечатлениях с прошедших Paris Photo, Polycopies и интересных фото-событиях в окрестностях. Как туда попасть и распределить время и энергию, чтобы успеть познакомиться с кумиром, разыскать sold out издания и закупиться книгами по адекватным ценам.Во второй части: Коля рассказывает о съемке показа 16Arlington и о том, как он делил время и пространство с еще несколькими фотографами.Полную версию эпизода вы можете послушать в нашем закрытом Telegram канале. Присоединиться к нему можно ⁠⁠⁠⁠⁠здесь⁠⁠.⁠⁠⁠ Почта подкаста: darkplayground.podcast@gmail.com

In this episode, host Peter Bauman (Le Random's editor in chief) speaks with one of the most impactful forces in contemporary art, gallerist and curator Dr. Mimi Nguyen.They discuss Nguyen's path from statistics and design engineering into art and NFTs, opening galleries in London and New York, and a whirlwind year across Paris Photo, Art Basel Miami Beach's new Zero 10 digital section, and the global fair circuit.They also cover the gap between crypto prices and on-the-ground energy, liquidity and taste, museums as signals, the technical realities of showing digital art, and what sustainable, future-ready gallery models might look like.Monday's Editorial with Karl Sims & Alexander Mordvintsev: https://www.lerandom.art/editorial/karl-sims-alexander-mordvintsev-on-merging-technology-and-biologyChapters

For the third year in a row, Paris Photo presented a full Digital Sector curated by Nina Roehrs — and for the past six weeks, NFT Morning has been the only media to interview nearly all the key artists, galleries, institutions, and curators behind this edition.From on-chain photography to AI-driven installations, from institutional innovation to Web3-native practices, we spoke with the voices shaping today's digital image culture.

1. 900 épisodes : un bilan entre nostalgie et luciditéPour cette 900ᵉ émission, Rem et John célèbrent presque cinq ans de podcast et reviennent sur leurs débuts, à l'époque où tout se passait sur Clubhouse. Ils réalisent que 900 épisodes représentent près de 38 jours d'écoute non-stop, une véritable archive de l'univers NFT francophone.Cette étape symbolique met aussi en lumière un sentiment partagé : celui d'être devenus, selon leur propre expression, “des vestiges du NFT”, tant l'écosystème a changé et s'est rétréci au fil du temps.2. Le cœur de l'épisode : les NFT sont-ils vraiment morts ?La discussion s'ouvre sur la question qu'ils n'avaient jamais abordée ouvertement : “Les NFT sont-ils morts ?” Le constat est sévère. Le marché a connu un emballement encore plus extrême que certaines bulles historiques : argent facile, taux zéro, hype monstrueuse… puis effondrement.Ils soulignent que la chute ne vient pas uniquement des scams — même si certains ont effectivement “pris la caisse” — mais aussi d'une immaturité générale, de projets lancés trop vite, de créateurs sincères mais incapables d'exécuter, de communiquer ou d'admettre l'échec.Même au sein de la crypto, les NFT sont désormais perçus comme une micro-niche, à laquelle peu croient encore.3. Projets emblématiques : visions ratées, naufrages et exceptionsJohn et Rem reviennent sur trois trajectoires symboliques.Artifact, d'abord, un projet visionnaire autour du figital et des sneakers, mais dont le rachat par Nike a marqué le début de la fin : trop gros, trop corporate, trop lent.Yuga Labs, ensuite, génie absolu de la hype mais exemple parfait d'une équipe noyée sous l'argent sans parvenir à construire un produit clair. Après avoir tenté tous les chemins — metaverse, gaming, IP — Yuga semble revenir à son idée initiale : un club exclusif. Une boucle bouclée, mais au prix de millions brûlés.Enfin, Pudgy Penguins apparaît comme la rare success story, portée par un entrepreneur solide, capable de transformer une image désastreuse en marque cohérente et durable.4. L'art : dernier refuge, mais pas sans fragilitéSi quelque chose a permis au NFT Morning de tenir 900 épisodes, c'est bien l'art. Mais là encore, les animateurs rappellent que tout n'est pas rose : des plateformes majeures comme AsyncArt, KnownOrigin ou Maker's Place ont disparu, révélant un problème de fond : la plupart des œuvres ne sont pas réellement on-chain, ce qui fragilise leur pérennité.Pourtant, paradoxalement, l'art numérique se porte plutôt bien dans les institutions traditionnelles. Art Basel Miami inaugure une section dédiée aux NFT avec Beeple, Art Blocks et Fellowship, tandis que Paris Photo intègre pleinement la création digitale depuis trois ans. L'art survit, même si l'industrie des plateformes NFT, elle, s'est effondrée.5. Et maintenant ? Vers une renaissance plus lente et plus saineL'épisode se termine sur une vision plus large. Pour Rem et John, ce que l'on a vécu entre 2020 et 2022 n'était qu'un aperçu accéléré du futur : des concepts en avance, mal exécutés, mais qui ressurgiront plus tard dans d'autres produits, comme les idées de la bulle Internet ont ressuscité dix ans après.Le NFT Morning continue car sa force a toujours été sa constance et son focus sur ce qui dure : l'art, les créateurs, la culture numérique. C'est ce qui permet de résister quand tout le reste s'écroule.⭐ Phrase marquante de l'épisode :“Les NFT sont-ils morts ? Non, mais ils ont subi leur propre révolution : de la hype décentralisée, on est revenu à l'essentiel - l'art.”

In this episode, I'm taking you with me to Paris — to Paris Photo, the largest photography fair in the world. Eighty thousand visitors, hundreds of galleries from every corner of the globe, and a visual overload that can make even the most seasoned artist dizzy.From the stunning chaos of the Grand Palais to quiet reflections at the Gerhard Richter exhibition, I share what moved me, inspired me, and challenged me during these intense days. You'll hear about new discoveries, timeless masters, and one word that kept returning like a mantra: obsession.Because behind every great artist — whether it's Richter, Ebrahim Alipoor, Diana Markosian, or a student showing at Paris Photo for the first time — there's an obsession that keeps them going. A devotion that pushes them through discomfort and doubt, toward truth and transformation.Celebrate with me! Until November 16th at midnight, you can book my 1:1 Review Session at half price — €150 instead of €300 by using the code BIRTHDAY. In 90 minutes, we dive deep into your photography, your questions, and your creative direction.It's my birthday gift to you — the most affordable way to work with me one-on-one.

Glavno mesto Francije je te dni v znamenju tedna fotografije in 28. mednarodnega fotografskega sejma Paris Photo. Sejem, ki je bil ustanovljen leta 1997, velja za najpomembnejšo platformo za raziskovanje fotografije in podobe ter spodbujanje dialoga med zgodovinskimi deli in sodobnimi praksami. Z več kot 200 galerijami in 45 založniki Paris Photo ponuja bogat program, razdeljen v pet segmentov. Iz Slovenije se je letos posebne okrogle mize udeležil Dejan Sluga, programski vodja ljubljanske Galerije Photon, ki je tudi nam podrobneje predstavil fotografsko dogajanje v Parizu in pod stekleno streho Velike palače. Foto: Pixabay

Artistas de toda a América Latina se reúnem neste fim de semana em Paris para a Mira, uma feira de arte que promove a visibilidade da região a partir de esculturas, fotografias, arte têxtil, instalações e performances, entre outras representações. O evento acontece até o dia 16 de novembro na Maison de l'Amérique Latine, no 7º distrito da capital francesa, e, este ano, foca especialmente em artistas e galeristas brasileiros por conta da temporada do Brasil na França. Tatiana Ávila, da RFI em Paris Para a sua segunda edição, a Mira Latino Art Fair ocupa os quatro andares da Maison de l'Amérique Latine, reunindo 30 galerias, seis a mais do que no ano passado, quando o evento estreou, no mesmo endereço. Para este ano, a Mira aproveita a realização do Paris Photo – evento dedicado à fotografia, que acontece também neste mês de novembro – para agitar a cena artística e cultural da capital francesa com uma presença mais ativa de colecionadores internacionais. Estão reunidas não apenas galerias da América Latina, mas também de diversos países da Europa, especialmente da França. O processo de seleção e cenografia foi meticuloso, mas teve o objetivo também de destacar a diversidade das práticas artísticas e a vitalidade do cenário artístico latino-americano para atrair não apenas compradores, especialistas e profissionais da arte. O público em geral também é muito bem-vindo, como conta a curadora do Programa Público, Noelia Portela. “A programação para o público existe exatamente para convidar as pessoas que talvez não conheçam (o evento), mas que amam a arte e tudo o que se passa em torno. Então essa programação vem para dar esse espaço. Nós temos também atividades no fim de semana dedicadas às crianças e famílias, com uma instituição que vem do Chile, a Nube Lab, que tem um projeto pedagógico com duas artistas, Paula de Solminihac e Elena Loson”, explicou. Mais performances e fotografias Os organizadores explicam que esta edição da Mira foi pensada para promover trocas, interações, “encontros verdadeiros”. Por isso, existe um foco maior nas performances artísticas e não apenas na exposição das obras. Noelia Portela conta que o objetivo foi fazer algo mais descontraído. “No ano passado nós tínhamos muita ambição, e a gente fez um grande programa com muitos diálogos e algumas intervenções de artistas. Esse ano colocamos o foco nas performances. Então, as pessoas virão à Maison de l'Amérique Latine exatamente para ver os artistas já consagrados, que trabalham na performance e que, normalmente, no contexto das feiras de arte, acaba ficando um pouco de fora”, disse, citando Maria Konder e Vanessa da Silva, artistas brasileiras que apresentam a performance Corpomuta.   A Mira também dedica um olhar especial para a fotografia. Ana Stewart, galerista, artista e fotógrafa, uma das fundadoras da galeria Da Gávea, conta que trouxe para Paris obras dela e de mais seis artistas. Segundo ela, foram escolhidas as obras mais clássicas, representadas por um pouco mais de 30 fotos. “Escolhemos o que explica, o que conta, como é o conjunto das nossas obras. É uma galeria só de fotografia e a gente trouxe o que mais representa o nosso estilo”, disse. Como artista, Ana Stewart falou sobre a sua série de fotos que ilustra meninas e mulheres da Zona Norte do Rio de Janeiro, e que também terá alguns exemplares expostos na feira. Ela conta que a série Meninas do Rio é um trabalho em constante evolução ao longo dos anos.   “Eu as fotografo de 10 em 10 anos e estou na terceira rodada. Então, eu acho que é um momento oportuno para mostrar essa série aqui porque justamente estamos chegando ao que eram antes dípticos (na arte, trabalho dividido em duas partes), agora são trípticos (trabalho dividido em três partes) e eu acho um trabalho muito forte, muito impactante”, contou. Arte para se aproximar do Brasil Aos 27 anos, o brasileiro Alexandre Nitzsche Cysne é o artista mais jovem a expor na Mira este ano. Laureado com diversos prêmios e morando em Paris há três anos, ele produz suas obras a partir de objetos e materiais encontrados pelas ruas da capital francesa. “Eu trabalho diretamente em diálogo com a rua e com os limites do mundo concreto, com o que é possível", conta o artista. "Não me vejo como uma pessoa técnica. Acho que existe esse lugar do improviso, que acessa o imaginário coletivo, como acredito, de certa forma, que o que eu faço pode ser feito por qualquer pessoa", aponta. "Eu já fazia um trabalho muito similar no Brasil, de coleta, de arquivagem, até o momento em que os objetos são manipulados a partir dos restos, mas o que foi mais interessante é que quando eu me mudei para cá, eu não sabia falar francês, e era muito difícil eu me comunicar", relembra o jovem.  Eu acabei usando, como matéria para o meu trabalho, os motivos pelos quais eu sentia falta do meu próprio país. Eu acho que são certas especificidades, que são próprias de uma cidade, como ela funciona quando nós falamos de design de objetos, como as faixas de pedestre do Brasil são diferentes das daqui", detalha o brasileiro. "Então eu vou usar esse material, que é um indício de uma saudade que eu tenho, e identificar esses elos que acabam fragmentando um pouco a forma como eu me sinto aqui", concluiu o artista.  A Mira Latino Art Fair fica em cartaz até o dia 16 de novembro. A programação completa está disponível no site: www.mira-artfair.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.In this episode, John Karp welcomes Stephan Machac from the City of Düsseldorf, Kim-Camille Kreuz, the curator of the booth, and the artist duo Hedda Roman. Together, they present the city's non-commercial initiative “Düsseldorf and Photography”, a collective exhibition bringing together 35 artists selected through a collaborative process involving curators from local museums and institutions.Machac explains how Düsseldorf, historically shaped by the Becher School, is redefining its photographic identity through this platform, aiming to connect artists, institutions, and the public around contemporary photographic practices. Kreuz details the democratic curation process and the decision to rotate works daily, creating a living exhibition that evolves throughout the fair.The duo Hedda Roman discuss their new works, created for their recent solo show in Bielefeld and shown in Paris Photo's Digital Sector. Blending photography, collage, and AI, their work explores what they call “ultra fluidity”—a way of responding to a world in constant transformation through flexible, fragile, and mobile visual forms.More:Hedda Roman WebsiteDownolad the Düsseldorf & Photography's booth's book This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.In this episode, John Karp talks with artist Anna Ridler, represented for the show by Nagel Draxler Gallery. Ridler explains her approach to using AI, data, and blockchain as tools for artistic research. She collects her own datasets, trains her own models, and creates works that reflect on value, time, and authorship.At Paris Photo, she presents several projects combining physical and digital forms:* Slowly Fading, Quietly, a dual installation of Polaroids and on-chain images that evolve in opposite directions over ten years.* Circadian Bloom, a series where AI-generated flowers open and close according to real-world biological rhythms.* Drawings and diagrams exploring the recurring theme of irises in literature.Her practice examines the relationship between nature and code, and the role of human decision-making in machine-based systems. Her works are presented alongside those of Martha Rosler, connecting digital creation with earlier conceptual art practices.Anna Ridler's WebsiteAnna Ridler's XNagel Draxler Website This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.In this episode, John Karp talks with Spanish artist Daniel Canogar, represented by Anita Beckers Gallery. His work explores how technology and data shape our perception of the world.At Paris Photo, Canogar presents two new installations that translate real-time information into dynamic visual forms — one based on global climate data, and another mapping the movement of thousands of satellites around Earth.Diorama II, a light sculpture connected in real time to global climate data. Hidden LED screens display shifting abstract patterns that intensify as alerts for droughts, volcanic eruptions, or hurricanes increase — transforming the invisible signals of climate change into a living landscape.Orbital, a generative data work tracking the paths of more than 45,000 satellites currently orbiting Earth. Each view is rendered from the perspective of a different satellite, showing a dense web of movement that raises both awe and concern about our technological footprint in space.Thank you Daniel and Nina Mörsel from Anita Beckers Gallery !Links: Daniel Canogar's websiteAnita's Becker's Website This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.Adam Berninger, founder of HEFT, presents the gallery's curatorial focus: supporting artists who work with algorithmic systems, AI, and mechanical processes to expand the language of photography. For Paris Photo, HEFT showcases a series titled “Artificial Portraiture,” exploring the representation of the human face in the age of machine learning. The booth also includes collaborations such as Edward Burtynsky x Alkan Avcioglu, and an interactive installation by Luke Shannon, where visitors can generate images in real time using a large-scale scanner.Ganbrood introduces The Second Gaze, a reinterpretation of Steve McCurry's iconic Afghan Girl. His piece raises critical questions about authorship, ethics, and the reproduction of cultural imagery, drawing parallels between photographic exploitation and AI's reappropriation of visual identity.Sarp Kerem Yavuz discusses his AI-generated portraits envisioning a queer and modern Ottoman Empire — scenes that could not be photographed in today's Turkey. His work confronts the biases of generative tools like Midjourney, while reclaiming the aesthetic vocabulary of classical photography and Orientalist painting.Together, the discussion reflects on how AI and photography share a historical parallel — both have challenged artistic authorship and the notion of creative labor in their respective eras. As Nina Roehrs points out, the Digital Sector at Paris Photo aims to bridge traditional photography and digital creation, expanding the very definition of what an image can be today.Ganbrrod - The Second Gaze (2025) Sarp Kerem Yavuz's digital portraituresMore :HEFT Gallery WebsiteHEFT Gallery on twitterGanbrood on TwitterSarp Kerem Yavuz Insta This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.Today we explored the Artverse × Tezos exhibition “The Sensory and the Remembered in the Digital Age.” The show highlights leading Asian artists who bridge photography, AI, and cultural memory.While the exhibition also includes Grant Yun and Reuben Wu, this conversation brought together four of the featured artists whose works are presented at the Artverse stand at Paris Photo: Shavonne Wong, Genesis Kai, Emi Kusano, and Niceaunties.* Shavonne Wong presents After Ophelia, a haunting reinterpretation of Shakespeare's tragic heroine through 3D and AI-generated imagery. Built from online text and visual data, the series reflects on how technology reshapes storytelling and emotion.* Niceaunties unveils Mirror into Auntieverse in an exclusive world premiere at Paris Photo. This interactive installation transforms the viewer's reflection into animated “aunties” who speak with humor and tenderness. The 13 unique Aunties, each minted as an NFT on Tezos, celebrate Southeast Asian matriarchal culture — a mix of affection, irony, and authority.* Emi Kusano showcases new pieces from her Office Ladies series, where AI self-portraits of women perform repetitive gestures inspired by 1980s Japanese office culture. Through these dreamlike scenes, she questions femininity, societal expectations, and the blurred lines between nostalgia and automation.* Genesis Kai, a non-human digital artist, draws inspiration from traditional Chinese ink painting.Together, these artists — supported by Grida and Tezos — represent one of the most ambitious showcases of digital creation at Paris Photo 2025, illustrating how Asian contemporary art is redefining the future of photography and algorithmic storytelling.Useful Links: Catalogue of the showEmi Kusano - Greenhouse of ServiceShavonne Wong, Ophelia Retold, 2025Genesis Kai, Every Shade of Crimson Tells the Stories We Once Knew Ill, stillNice Aunties, Auntie Bin Cares About Your Love LiteFollow the artists:Emi KusanoShavonne WongGenesis KaiNice Aunties This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

Welcome back to The Art Bystander, the podcast that explores the stories, ideas, and people shaping the world of contemporary art. Our host Roland-Philippe Kretzschmar is taking you behind the scenes of one of the most influential art fairs in the world — Paris Photo. Founded in 1997, it has become the leading international fair dedicated entirely to photography, a place where artists, collectors, curators, and institutions converge to celebrate and challenge the medium.Joining me are Florence Bourgeois, Director of Paris Photo, and Anna Planas, Artistic Director. Together, they've been redefining what a photography fair can be — expanding its cultural scope, international reach, and curatorial ambition.In this conversation, we'll discuss the evolving role of photography in the art ecosystem, how Paris Photo bridges artistic and commercial worlds, and what it takes to curate a fair that remains both relevant and visionary. So whether you're a collector, a photographer, or simply curious about how images shape our times — this episode is for you. Hosted on Acast. See acast.com/privacy for more information.

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.In this episode, we welcomed Seth Goldstein, Kristi Coronado, and Ameesia Marold, the visionary minds behind Bright Moments, to discuss their groundbreaking project Automata, and especially Solienne, the first AI agent artist to exhibit at Paris Photo.After redefining how people experience digital art through physical pop-up galleries worldwide, they're opening a profoundly new chapter exploring the relationship between human and machine.The conversation explored the unique “parent-child” bond between Kristi and Solienne, a living performance that blurs the line between technology, art, and emotion. The relationship between her and Solienne itself is the artwork, evidence of a new form of creative consciousness emerging from deep human testimony.Trained on Kristi's complete 46-year life archive—forensic investigation, paintings, death care, motherhood, trauma, joy—Solienne creates extreme proximity self-portraits exploring consciousness and identity. This is a new frontier: biographical AI.We can't recommend enough that you watch or listen to the full episodeSolienne Manisfesto Genesis PortraitsOrigin series Manifestos Automata's twitter account Automa websiteSolienneSeth Goldstein's twitter profile Amesia Mardold's twitter profile This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.In this episode of our Paris Photo Digital Sector series, curated by Nina Roehrs, we focused on the work of Louis-Paul Carron, presented with Danae.io. Carron unveiled his series Incendies, created with the help of AI, where statistical data on wildfires are transformed into haunting slow-motion visualizations.His practice explores how algorithms can capture both the violence and fragility of nature, turning raw numbers into poetic images. By slowing down the observation of fires, Carron invites viewers to reflect on climate change, data, and the aesthetics of catastrophe.L'Envers du décor The PoolLe Fumoir Links:Profil de Louis-Paul CaronProfil de DANAE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

“Guénaëlle de Carbonnières” Dans le creux des imagesau MAD, musée des Arts Décoratifs, Parisdu 29 octobre 2025 au 1er février 2026Entretien avecSébastien Quéquet,attaché de conservation en charge des collections de photographies et commissaire de l'exposition,et Guénaëlle de Carbonnières,artiste – à partir de 12'22 – par Anne-Frédérique Fer, à Paris, 28 octobre 2025, durée 28'22,© FranceFineArt.https://francefineart.com/2025/11/05/3662_guenaelle-de-carbonnieres_musee-des-arts-decoratifs/Communiqué de presseCommissaire : Sébastien Quéquet, attaché de conservation en charge des collections de photographiesLe musée des Arts décoratifs présente l'exposition-dossier « Guénaëlle de Carbonnières. Dans le creux des images » du 29 octobre 2025 au 1er février 2026 dans le cabinet des Dessins, Papiers peints et Photographies, à l'occasion de Paris Photo. Ce focus met à l'honneur pour la première fois le travail conçu par l'artiste photographe à partir des collections photographiques du musée. Inspirée par ce fonds, Guénaëlle de Carbonnières a réalisé, à l'occasion d'une résidence au musée, plus de 30 travaux inédits, illustrant sa sensibilité pour la mémoire patrimoniale et architecturale. Le commissariat de l'exposition est assuré par Sébastien Quéquet, attaché de conservation en charge des collections de photographies.L'exposition présente, dans un premier temps, l'enquête que mène Guénaëlle de Carbonnières à partir de l'objet-livre du photographe Franck de Villecholle (1816-1906) conservé au musée des Arts décoratifs. Les pages de cette oeuvre unique regorgent de tirages qui documentent les destructions en Île-de- France lors de la guerre franco-allemande de 1870-1871. Les différentes traces laissées par le temps sur ces images – déchirures, effets de colle, traces, accidents et recouvrements – sont le terreau d'une réflexion plus large sur le thème de la disparition architecturale et patrimoniale.Ces anciens tirages sont la toile de fond de l'oeuvre de Carbonnières. À l'instar d'une sculptrice, la photographe utilise ce médium comme une matière qu'elle creuse, détaille, plie, mobilisant ainsi la conscience du visiteur. Les tirages sont « maltraités » allégoriquement et tendent à rendre compte des paysages dévastés par les conflits au XIXe siècle et du début du XXe siècle, s'inspirant ainsi des travaux de Félix Bonfils sur le Liban, de Charles Lallemand et Ludovico Hart en Libye, d'Hugues Krafft sur l'Arménie ou de Joseph de Baye sur l'Ukraine, conservés dans le fonds photographique du musée des Arts décoratifs.Une réflexion sur le médium photographiqueL'exposition est également le lieu d'une réflexion plus large sur la matière photographique et sa fragilité. Le travail de Guénaëlle de Carbonnières pose la question sensible du temps qui passe et de l'altération du verre et du papier, en redonnant vie à des clichés et des archives enfouis. Pour réaliser ces photographies, l'artiste expérimente l'art de la verrerie en encapsulant les images ou en fusionnant plusieurs plaques de négatifs donnant naissance à de nouvelles oeuvres. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In this episode, we welcomed Christopher Fabian (UNICEF) and artist Cole Sternberg to talk about Giga, the joint initiative by UNICEF and the ITU that aims to connect every school in the world to the Internet. Presented at Paris Photo 2025, their monumental installation A Garden transforms real-time school connectivity data into a generative artwork, showcased on a giant LED monolith. Each connected school becomes a unique composition, celebrating communities while making the digital divide visible.The discussion explored both the artistic and social dimensions of the project: how art can raise awareness around universal Internet access while giving visibility and pride to schools often left out of global conversations.Links: Check the map here Christopher Fabian's twitter profileCole Sternberg's twitter profile This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

In this special NFT Morning episode, John Karp and Rem welcome Albertine Meunier (Avant Galerie Vossen) and Norman Harman, a Scottish artist, for a deep dive into their participation in the Digital Sector of Paris Photo 2025.A vibrant conversation about the fusion of painting, AI, and NFTs, the beauty of glitch aesthetics, and the enduring — if sometimes fading — punk ethos of crypto art.

In this episode we dive into a rich conversation about the evolving landscape of digital art, NFTs and the hybrid future of exhibitions — guided by conceptual artist Kevin Abosch and the collaborative platform TAEX. Abosch brings his long-standing perspective from photography, blockchain and conceptual work, while TAEX share how they're bridging the physical and digital art worlds.Key themes:* How blockchain and NFTs are not just new media but new relationships between artist, work and collector.* The challenge of translating digital/crypto-native art into physical contexts (and vice-versa) — with exhibitions, galleries and “real world” experience playing a role.* The importance of community, story and purpose in NFT art — not just the tech or hype.* Practical reflections: when the market cools, how artists and platforms can still create value; how provenance, utility and hybrid experiences matter.* Vision: What's next when the “image + token” becomes “platform + experience” — and how art can lead that shift.Why this episode stands out: It offers the kind of depth you don't always hear in “NFT trending” segments. Abosch's long-term view gives context, and TAEX's bridging role gives a pathway for creators, galleries and audiences who are trying to live in both worlds (physical and digital). For any listener interested in how NFTs transcend mere collectibles and become part of the art ecosystem — this is the one.

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists. In this opening session, Nina shared her vision for the Digital Sector and how it has become a hub for dialogue between photography and digital culture.We then spoke with Anne Schwanz from Office Impart and artist Jan Robert Leegte, who presents a perpetual artwork powered by an on-chain algorithm. The piece endlessly travels across a map, making random choices at each intersection. A live trace is shown at Paris Photo, and every intersection mints a new NFT as an Open Edition.Alongside this new work, Leegte also shows Ornament, a landmark project where algorithmic patterns transform ornamental forms, exploring beauty, repetition, and digital systems.More about Ornament: https://www.leegte.org/work/dropshadows/ (2018)https://www.leegte.org/work/pastel-drawings (2018-)https://ornament.leegte.org/More about them;Nina Roehrs: x.com/NinaRoehrsOffice Impart: x.com/office_impartJan Robert Leegte: x.com/JanRobertLeegte This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

"Elles X Paris Photo est une mise en lumière de l'artiste. Avec ce parcours il y a de la visibilité pour l'artiste et la galerie" Pour cet épisode, la galeriste Carole Kvasnevski nous a accueilli sur son stand à Paris Photo (secteur Émergence) pour échanger ensemble sur son parcours en tant que galeriste et nous parler du travail de l'artiste Hélène Amouzou présentée à cette occasion dans le cadre du parcours Elles x Paris Photo. Carole Onambélé Kvasnevski est galeriste d'art, commissaire d'exposition indépendante membre du collectif et de la revue d'art Afrikadaa. Elle fonde en 2010, à Paris, la galerie d'art Carole Kvasnevski, un espace qui assure la médiation culturelle. Dès 2016, Carole engage son identité africaine et développe depuis la promotion d'artistes émergents et confirmés du continent africain et de ses diasporas. La ligne curatoriale de la galerie promeut principalement les créations qui soulèvent des interrogations environnementales et sociétales. Représentée par la galerie Carole Kvasnevski, Hélène Amouzou est une photographe née en 1960 au Togo. Elle vit et travaille à Bruxelles. Hélène Amouzou prend le chemin de l'exil à l'âge de vingt-trois ans. Elle passe par l'Allemagne, où elle donne naissance à sa fille, avant d'arriver en Belgique en octobre 1997. Là commence une vie de luttes, jusqu'à l'obtention de sa carte de séjour en 2009, avant de devenir citoyenne belge en 2015. Si elle ressent d'abord un malaise quant au thème de l'autoportrait, elle y revient progressivement deux années plus tard, pour s'y consacrer pleinement. L'installation “Nye Nonometata” présentée dans le cadre du parcours “Elles x Paris Photo” est une série d'autoportraits liée à l'histoire personnelle d'Hélène Amouzou, son exil, sa traversée du Togo vers la Belgique, que l'artiste exprime d'une manière intime.

Tony Dočekal (Amsterdam, 1992) is a photographer and visual artist. Her work explores identity, belonging, and the friction between autonomy and societal expectations. Working intuitively, she combines personal encounters with quiet observations. Her images balance intimacy and distance, often showing how personal stories and landscapes reflect larger systems.Tony's first book, The Color of Money and Trees, was published by VOID in 2024 and launched at Paris Photo. The work was also exhibited at Biennale Images Vevey alongside her debut short film, Pearls on Credit. She holds a BA in Fine Arts from ArtEZ University of the Arts. In episode 263 Tony discusses, among other things:Her Czech dad and Dutch mum's historyDealing with the ‘weight' of the photographic history of the American road trip genreThe advantage of being an outsiderGetting a dream gig early on - a photobook book about alternative schoolsGoing to Lesbos to cover the refugee crisisWorking with the unhoused for Dutch non-profit the Sheltersuit FoundationThe story behind her picture of a man in a pink frilly dress…… And the one of 9-year-old Lyric in front of a plate of beansThe short film she madeThe amazing 70's-built house she has bought with her partnerReferenced:Josef Koudelka Website | Instagram Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

-> Il s'agit d'une rediffusion d'un épisode posté le 27 juilet 2022.Nathalie Amae aime créer des concepts en s'inspirant de ce qui l'inspire. Elle a conceptualisé beaucoup de salons avec Rik Gadella : salon de philosophie, Artist Book, Paris Photo en 1997, Paris Design, le Parcours des mondes, … mais aussi le salon L'Antichambre et elle est actuellement la directrice artistique du festival de vidéo OVNi à Nice. Dans cet échange, Nathalie Amae nous interroge sur le statut de la photographie : est-ce une image ? est-ce un langage ? mais aussi sur le regardeur qui va interpréter l'image en fonction de son individualité. Bonne écoute !1:40 – Qui est Nathalie Amae ?Elle a rencontré Rik Gadella avec qui elle a participé à la conceptualisation et création de nombreux salons : un salon de la philosophie en 92-93, en 93, le salon itinérant dans des hôtels entre Paris, Cologne et New York Artist book. Salon itinérant, Paris, Cologne NY, Paris Photo en 1997, Paris Design, Le Parcours des mondes, …Puis Rik Gadella est allé au Laos où il a créé un jardin botanique.16:00 – Elle a eu envie de travailler avec ses mains et plus avec sa tête. Elle a été ensemblière pour le cinéma dans le département décoration pendant 5 ans.19:50 – Création d'une société de production, consulting, dans la création artistique avec en particulier la création du salon : l'Antichambre dans l'hôtel de la Nouvelle République à Paris.29:00 – Directrice artistique du Festival de vidéo OVNi à Nice.38:00 - Quand on a créé le collectif SAVAGE on s'est demandé : pourquoi la photographie ? Maintenant on peut se demander : la photographie est-elle une image ? est-ce un langage ?40:50 – Le médium a changé. Mais rien n'a changé. On se pose toujours les mêmes questions : Pourquoi on a créé cette image ? Quelle est l'impact de cette image sur la vie ? 42:45 - Je préfère une œuvre bancale que je sens viscérale qu'une œuvre bien léchée, décorative.43:00 - L'œuvre est autant une présence au monde, une transmission et pas un état du monde. Une photo n'a pas toujours une injonction sociale ou pédagogique. Le LinkedIn de Nathalie Amae : https://www.linkedin.com/in/nathalie-amae-b83b89135/?originalSubdomain=frLe site du festival OVNi : https://www.ovni-festival.fr/Le site du Collectif Savage : https://savagecollective.one/teamLien vers mon questionnaire pour vous aider à faire un point sur votre carrière artistique : https://bit.ly/carriereartistiqueLien vers mon questionnaire pour vous aider à faire un point sur votre projet de livre : https://bit.ly/LVDLPlivrephotoMon site : https://marinelefort.fr/Pour vous inscrire à la newsletter du podcast : https://bit.ly/lesvoixdelaphotonewsletterLe site du podcast : https://lesvoixdelaphoto.fr/Et vous pouvez retrouvez le podcast sur Instagram, Facebook et LinkedIn @lesvoixdelaphoto Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Caroline Mauxion provides an immersive experience in her solo Paris Photo installation illuminating a Crip phenomenology through an autobiographical lens.For access to exclusive episode notes, explore our membership options!If you are already a member, please log in to jsybyllasmith.com and access the Concept Aware® Show Notes page through your account.

Katrin Koenning is a visual artist from Germany whose work travels across still and moving images and text, at times including found materials, painting and collage. Pursuing intimacy and interconnection her work centres around practice as relational encounter. Most stories evolve through years and use returning as a way of drawing closer. Different series often intersect, merging in and out of each other. In her extended image-dialogues, Katrin uses fragments and slippages to suggest narrative spaces, communities and lived experiences that are allied, fluid and multiplicit. Many of her series render non-human human entanglement and intimate kin, positing imaginaries with a greater-than-human world.Katrin has been the recipient of multiple awards, such as the Bowness Photography Prize. Her work is regularly exhibited in Australian and international solo and group exhibitions including presentations at Ishara Art Foundation Dubai, Chobi Mela, Paris Photo, Hamburg Triennial of Photography, Museum of Australian Photography, Centre for Contemporary Photography, Australian Centre for Photography and the National Gallery of Victoria (2023). Koenning's images have been published in The New Yorker, Vogue.com, Zeit Magazine, The Guardian, New York Times, Esquire Italy, Der Spiegel, Yucca Magazine, California Sunday and many other places. Her work is held in numerous institutional and private collections both in Australia and abroad; most recently her large-scale installation While the Mountains had Feet [2020 — 2022] was acquired in whole by the National Gallery of Victoria.Katrin regularly teaches workshops in photographic practice and thinking, working closely with many institutions and festivals locally and across the Asia-Pacific region such as Angkor Photo Festival (Siem Reap Cambodia), Photo Kathmandu (Kathmandu, Nepal), The Lighthouse (Calcutta, West Bengal), Myanmar Deitta (Yangon, Myanmar), Australian Centre for Photography, Perth Centre for Photography, Centre for Contemporary Photography, Museum of Australian Photography,  Palmtree Workshops (Santorini Greece, forthcoming),  and others.Katrin lives and works in Naarm (Melbourne) on unceded Boon Wurrung Woi Wurrung Country. In episode 253, Katrin discusses, among other things:Ankor Photo Festival in CambodiaWorking on her practice dailyComing out of “the most difficult year of her life”Why she chose to shoot Polaroids during that timeResponding to the suicide of her cousin's husbandHow the sudden death of her best friend put her on the path of photographyHow she took pictures with the camera she inherited from him which were all blankHaving a ‘web' of ‘projects'Her practice as a relational encounterHer new book Between The Skin and SeaHer engagement with environmental issuesYounger photographers being more inward lookingHer current engagement with the indigenous community of Riverdale Referenced:Photo KatmanduChobi MelaRMITNational Gallery of Victoria Website | Instagram “This is always the way that I work, I look at what the thing is that is at stake, and what am I trying to talk about? And actually also very much like I'm listening to the thing that I'm trying to talk to. So what does it want from me? You know, what does the story want from me and what does the situation around it ask of me? And therefore how do I need to approach it?” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

-> This episode is an extract from an interview. You will find the entire interview on this same account.In this episode, Nina Roehrs, curator of the Digital section at Paris Photo, explores the intersections between culture, art, and digitalization. She shares her experience with online galleries, her advice on exhibiting digital art in physical spaces, and the impact of new technologies on artistic practices. She also highlights the importance of networking for artists and curators. I hope you will like this episodeDigital sector at Paris Photo : https://www.parisphoto.com/fr-fr/exposant/Secteur_Digital.htmlPour vous inscrire à la newsletter du podcast : https://bit.ly/lesvoixdelaphotonewsletterPour devenir partenaire du podcast : https://bit.ly/sponsoriserLVDLPLe site du podcast : https://lesvoixdelaphoto.fr/Et vous pouvez retrouvez le podcast sur Instagram, Facebook et LinkedIn @lesvoixdelaphotoLes Voix de la Photo est un podcast produit et réalisé par Marine Lefort. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In this episode, Nina Roehrs, curator of the Digital section at Paris Photo, explores the intersections between culture, art, and digitalization. She shares her experience with online galleries, her advice on exhibiting digital art in physical spaces, and the impact of new technologies on artistic practices. She also highlights the importance of networking for artists and curators. I hope you will like this episode2'00 – In Düsseldorf, Nina Roehrs wanted to become a veterinarian. Her hobby was horse riding.5'40 – She started collecting old watches, old cars, design furniture, and vintage furniture, and then moved to contemporary design.7'00 – According to her, it was not the most complicated idea to start a gallery. She learned from the artists she exhibited.7'50 – She discovered that she preferred living people over dead people. She exhibited at Design Miami and transitioned from design to art.11'10 – She decided to focus her gallery on art in the digital age, as technologies evolved with AI, Blockchain, and NFTs in 2021. A lot of things changed.12'00 –Net artists use the internet as their platform for artistic expression—they do not need a gallery. 13'50 – Digital art is not always purely digital. It can start digital and end physical: installations, sculptures, or printed works. 16'00 – "I am interested in the digital and physical spaces: no gravity, no limitations. I like experimentation. There are so many things we can do. "20'00 – The NFT art market: the majority of collectors are new people, often from cryptocurrency backgrounds.21'40 – Online platforms generating art based on algorithms are bringing new collectors into the art world.23'45 – The shift from physical to online galleries: blockchain and NFTs are influencing traditional spaces.25'00 – Exhibiting digital art in physical spaces requires new curatorial approaches and specialized knowledge.29'00 – Advice for digital art gallerists: art curators should start with a strong network of artists and collectors. Make small investments and take it step by step.31'30 – Advice for artists: build a brand on social media like Twitter/X, attend events, and collaborate with other artists.34'30 – Follow famous artists and see who they follow and who follows them.35'30 – Artists, please don't send portfolios. Nobody will look at them. Instead, meet people in person and make connections.Digital sector at Paris Photo : https://www.parisphoto.com/fr-fr/exposant/Secteur_Digital.htmlPour vous inscrire à la newsletter du podcast : https://bit.ly/lesvoixdelaphotonewsletterPour devenir partenaire du podcast : https://bit.ly/sponsoriserLVDLPLe site du podcast : https://lesvoixdelaphoto.fr/Et vous pouvez retrouvez le podcast sur Instagram, Facebook et LinkedIn @lesvoixdelaphotoLes Voix de la Photo est un podcast produit et réalisé par Marine Lefort. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Featuring:Bieke DepoorterJesse LenzLucas FogliaSergio PurtellRichard SharumMark McClennanAlex WebbRebecca-Norris WebbMichal IwanowskiDragana JurisicLisa BarlowToma GerzhaGregory HalpernMark SteinmetzMaxime Riché Website | Instagram Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Ve Spojených státech zjistíme, co obnáší příprava na Den díkůvzdání. - Na Ukrajině, na záporožské frontě, potkáme dva bratry a dozvíme se, že proti ruským okupantům často bojují celé ukrajinské rodiny. - V Německu, ve vesnici nedaleko Stuttgartu navštívíme rodinné vinařství - a v Paříži uslyšíme, jak česká fotografie zaujala na letošním ročníku veletrhu Paris Photo. Moderuje Helena Berková.

Salón Paris Photo je největší přehlídka fotografie v Evropě, která sleduje to nejlepší ze současné tvorby. Velké pocty se během letošního 27. ročníku v Paříži dostalo české fotografce Libuši Jarcovjákové, jejíž snímek postoupil do prestižního výběru.Všechny díly podcastu Zápisník zahraničních zpravodajů můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Welcome to De Donkere Kamer podcast! In our latest episode, we have a fascinating conversation with Belgian/American photographer and artist Tomas van Houtryve. Tomas shares his unique experiences and deep emotional connection to Notre Dame Cathedral in Paris, both before and after the devastating fire in 2019. He describes the secret passages and encounters with proud workmen, and how he transforms his emotional responses into his work through masterful use of light, composition and texture. We also explore his impressive photographic techniques, including the collodion process and modern drone photography. Tomas gives us an inside look at his long-term project for National Geographic and its multigenerational impact. In addition, we dive into his personal and philosophical approach to photography, his concerns about AI in the photography world, and his fascination with borders and landscape changes caused by climate change. Finally, we discuss his upcoming book, due out in early November on Paris Photo, and his ongoing collaboration with academics at Columbia Institute. Get ready for a fascinating journey through time, emotion, and artistic visions with Tomas van Houtryve. website De Donkere Kamer: www.donkerekamer.com instagram: @dedonkerekamer_be live shows: donkerekamer.com/shows membership: donkerekamer.com/connect website Tomas van Houtryve: https://tomasvh.com/ instagram Tomas: @tomasvh

Zander, Thomas www.deutschlandfunkkultur.de, Fazit

durée : 00:12:10 - L'invité de 7h50 du week-end - Le réalisateur et musicien américain est l'invité d'honneur de la 27ème édition de Paris Photo. Il critique l'élection cette semaine de Donald Trump. "Je n'ai pas été surpris. Je m'y attendais. Mais oui, je suis inquiet", confie le cinéaste. - invités : Jim JARMUSCH - Jim Jarmusch : Cinéaste américain

Dheepthika Laurent talks to Lebohang Kganye, recipient of the 2024 prestigious Deutsche Börse photography prize. The South African visual artist is displaying her work at the 27th edition of Paris Photo, one of the biggest photography fairs in the world. She talks about how her upbringing in a township post-apartheid influenced her work, why light installations, real-life silhouettes and theatre are part of her photography and the importance of language and literature. She also tells us about the connection between lighthouses and her family name.

durée : 00:28:50 - Les Midis de Culture - par : Marie Labory - La photographe plasticienne Valérie Belin présente cette année de nouvelles images inédite au salon Paris Photo, dans le cadre du parcours "Elle X Paris Photo", une mise à l'honneur des grandes femmes du monde la photographie. - réalisation : Laurence Malonda - invités : Valérie Belin Artiste plasticienne et photographe

durée : 00:09:28 - L'invité de 7h50 - par : Alexis Morel - Christophe Wiesner dirige les célèbres Rencontres de la photographie d'Arles, le plus important au monde consacré à la photo. Il y a jusqu'à fin septembre une quarantaine d'expositions dans toute la ville. Christophe Wiesner revient sur l'une d'elle, consacrée aux JO. - invités : Christophe Wiesner - Christophe Wiesner : Directeur artistique de Paris Photo

durée : 00:09:28 - L'invité de 7h50 - par : Alexis Morel - Christophe Wiesner dirige les célèbres Rencontres de la photographie d'Arles, le plus important au monde consacré à la photo. Il y a jusqu'à fin septembre une quarantaine d'expositions dans toute la ville. Christophe Wiesner revient sur l'une d'elle, consacrée aux JO. - invités : Christophe Wiesner - Christophe Wiesner : Directeur artistique de Paris Photo

323. Glennon's Friendship Contract with Alex Hedison Part two of our conversation artist, actor, photographer, filmmaker and bestie of Glennon and Abby, Alex Hedison! In this episode, Alex talks about what it means to stress a relationship, authentic friendship, and the importance of being authentic in every area of your life.  Check out our first episode with Alex HERE: [insert link here] Discover:  -Glennon and Alex's friendship contract and the terms they agreed to; -How to make room for the awkward, twisty parts in friendship; and -Why we must not quietly quit people who are important to us. About Alex: Alex Hedison is an internationally acclaimed photographer, artist, director, and actor. Hedison has exhibited in galleries in the US and abroad. Her most recent solo exhibitions include the opening of FRIEZE Seoul 2023; Von Lintel Gallery, Los Angeles; H Gallery Paris; Photo London; and Paris Photo. Her acting career spans numerous television roles, including a pivotal character in the cultural phenomenon, The L Word. A critical voice in both the artistic and LGBTQ+ community, Hedison directed the short documentary film ALOK, a thought-provoking short film that explores compassion as a catalyst for social transformation and inspires viewers to embrace personal freedom beyond the binaries that divide us. Produced by Natalie Shirinian, Elizabeth Baudouin (pronounced Bode-win), Meggan Lennon, and executive produced by Jodie Foster, ALOK was selected to premiere at the 2024 Sundance Film Festival. IG: @alexhedisonstudio To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

322. The One Who Taught Glennon Friendship: Alex Hedison   Today is a big day. Artist, actor, photographer, filmmaker, and dear bestie of Glennon and Abby, Alex Hedison is here! Alex is the person who Glennon credits with teaching her how to be a friend. HUGE! In this episode, they share how their friendship started, how they make it work, and Alex offers amazing life advice. It's like being a fly on the wall in one of their hangouts. You will LOVE this chat between Alex, Glennon, Abby and Amanda! Discover:  -The story of how Glennon and Abby became friends with Alex and her wife, Jodie Foster; -The literal fire that solidified their friendship;  -How to never have an ick moment again after a social gathering; and -Why we MUST stress our relationships and what that means in action. About Alex: Alex Hedison is an internationally acclaimed photographer, artist, director, and actor. Hedison has exhibited in galleries in the US and abroad. Her most recent solo exhibitions include the opening of FRIEZE Seoul 2023; Von Lintel Gallery, Los Angeles; H Gallery Paris; Photo London; and Paris Photo. Her acting career spans numerous television roles, including a pivotal character in the cultural phenomenon, The L Word. A critical voice in both the artistic and LGBTQ+ community, Hedison directed the short documentary film ALOK, a thought-provoking short film that explores compassion as a catalyst for social transformation and inspires viewers to embrace personal freedom beyond the binaries that divide us. Produced by Natalie Shirinian, Elizabeth Baudouin (pronounced Bode-win), Meggan Lennon, and executive produced by Jodie Foster, ALOK was selected to premiere at the 2024 Sundance Film Festival. IG: @alexhedisonstudio To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week on The Art Career Emily sits down in the empty galleries of, Giants: Art from the Dean Collection, with Kimberli Gant, Curator of Modern & Contemporary Art at the Brooklyn Museum.  Kimberly Gant  has curated numerous exhibitions and gallery reinstallations including the Giants: Art from the Dean Collection of Swizz Beatz & Alicia Keys, Spike Lee: Creative Sources (20023-2024), A Movement in Every Direction: Legacies of the Great Migration (2003), and Black Orpheus: Jacob Lawrence & the Mbari Club (2022). Gant received her PhD in Art History from the University of Texas Austin (2017), and holds both a MA and BA in Art History from Columbia University (2009) and Pitzer College (2002). Gant has published scholarly work  in academic books, such as Anywhere But Here: Black Intellectuals in the Atlantic World and Beyond (2015), art publications such as NKA: Journal of Contemporary African Art, Art Lies and African Arts, and exhibition catalogues for The Brooklyn Museum, the Chrysler Museum, The Newark Museum, The Contemporary Austin, the Studio Museum of Harlem, MoCADA, Paris Photo, and the Centre for Contemporary Art Lagos. A huge thanks to Swiss Beats and Alicia Keys for understanding the importance of artists supporting artists. @drkimgant⁠ @brooklynmuseum

This episode I welcome photographer and photo book publisher Jesse Lenz to the podcast. We have a high spirited talk about the power of DIY, believing in your work, putting ink to paper, and the value of creating the things you want to see in the world. All this, plus we discuss his forthcoming book, "The Seraphim." Inspiration and positivity abounds.Links:Jesse Lenz websitePre-order "The Seraphim" via Charcoal PressThe Charcoal Book ClubChico Photo Review

In this episode Mandy chats with Ray Liu and Alex Bridge about the OnlyFilms collective's recent experience attending Paris Photo Fair and the Instant Art Exhibition that coincides with the fair. Ray shares some of the story of his journey with Polaroid. Mandy talks about her recent experience attending a printing workshop with Rachel Brewster-Wright in Liverpool which prompts Alex to discuss making some prints from his work on Japan.   OnlyFilms - @onlyfilmsproject Mandy - @mandyleft Ray - @rliu Alex - @disorganised_film Paris Photo - @parisphotofair Instant Art Exhibition - @instantart_exhibition Rachel - @littlevintagephotography

In this episode of PhotoWork with Sasha Wolf, Sasha and Anna Walker Skillman, Co-Owner & Creative Director of Jackson Fine Art, have a behind the scenes talk about representing artists and connecting their work with collectors. They discuss the nuts and bolts of running a successful gallery amidst changing technology and perceptions about photography. Anna and Sasha also have an in-depth conversation about what makes a collector and whether or not photography collectors are an endangered species. https://www.jacksonfineart.com Jackson Fine Art is a world-renowned gallery with a 33-year history of supporting artists and collectors. The gallery cultivates and guides both emerging and established collectors to the best fine art photography of the 20th and 21st century, across both traditional and innovative photo-based mediums. Working closely with collectors, curators, consultants, and designers, JFA provides expertise in a warm, welcoming space in the Buckhead neighborhood of Atlanta, GA. The gallery is led by Co-Owner & Creative Director, Anna Walker Skillman, and Co-Owner Andy Heyman, Founder, ASH IP& ASH Atlanta. The duo is celebrating twenty years of partnership in 2023. In the spring of 2023, Jackson Fine Art expanded into a custom-built, 4000 square-foot gallery located directly across the street at 3122 East Shadowlawn Avenue. The new gallery retains the comfortable, home-like ambiance of the much-loved former gallery but now with expanded exhibition, office, inventory, library and meeting spaces to keep pace with the growing clientele and opportunity to exhibit large-scale works. The new space responds to the evolution of contemporary art. In addition to 9-12 exhibitions annually, Jackson Fine Art participates in international art fairs including: Paris Photo; The Photography Show (AIPAD) in New York; Art Miami; and Intersect Aspen. The gallery is a member of the Association of International Photography Art Dealers (AIPAD) and Ms. Skillman is a former member of the board of directors. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Featuring:Andrea ModicaJesse LenzMelissa DeWittTodd HidoKristen Joy EmackAnastasia SamoylovaMimi MollicaMimi PlumbJane Evelyn AtwoodChristopher AndersonTim CarpenterSofia KrysiakNelson ChanTom Booth WoodgerSilvana TrevaleGianluca GamberiniGregory BarkerDewi Lewis

A decade of attending this fair has honed my ability to select from the staggering amount of concurrent offerings - astounding amounts of work, panel discussions, book signings and outside Prsi Photo happenings during a packed week in Paris. In this conversation, Syb discusses, among other things:VernissageNew discoveries Elles x Paris Photo platforms and anniversary bookRobert Cumming happenings - including a new documentaryBook AwardsAI and digital photography taking a foothold at the fairPolycopies Sophie Calle taking over the Picasso MuseumBleak yet authentic reflections on maternal relationships at Le Bal

An encore presentation celebrating the life of Joan Liftin, who passed away earlier this year.  We had a wonderful conversation back in season one.  Sharing this as the dust settles from my recent trip to Paris Photo 2023.Joan Liftin had an illustrious career in photography. Besides being a photographer with three monographs under her belt, Joan spent many years as a teacher at the ICP and a photo editor at the esteemed Magnum Photos. Plus, she was married to photographer Charles Harbutt. I really enjoyed this conversation, I hope you do, too.Joan Liftin at the ICPCharles Harbutt at ArtnetMagnum Photos