Podcast appearances and mentions of Paris Photo

In this episode, I'm taking you with me to Paris — to Paris Photo, the largest photography fair in the world. Eighty thousand visitors, hundreds of galleries from every corner of the globe, and a visual overload that can make even the most seasoned artist dizzy.From the stunning chaos of the Grand Palais to quiet reflections at the Gerhard Richter exhibition, I share what moved me, inspired me, and challenged me during these intense days. You'll hear about new discoveries, timeless masters, and one word that kept returning like a mantra: obsession.Because behind every great artist — whether it's Richter, Ebrahim Alipoor, Diana Markosian, or a student showing at Paris Photo for the first time — there's an obsession that keeps them going. A devotion that pushes them through discomfort and doubt, toward truth and transformation.Celebrate with me! Until November 16th at midnight, you can book my 1:1 Review Session at half price — €150 instead of €300 by using the code BIRTHDAY. In 90 minutes, we dive deep into your photography, your questions, and your creative direction.It's my birthday gift to you — the most affordable way to work with me one-on-one.

Glavno mesto Francije je te dni v znamenju tedna fotografije in 28. mednarodnega fotografskega sejma Paris Photo. Sejem, ki je bil ustanovljen leta 1997, velja za najpomembnejšo platformo za raziskovanje fotografije in podobe ter spodbujanje dialoga med zgodovinskimi deli in sodobnimi praksami. Z več kot 200 galerijami in 45 založniki Paris Photo ponuja bogat program, razdeljen v pet segmentov. Iz Slovenije se je letos posebne okrogle mize udeležil Dejan Sluga, programski vodja ljubljanske Galerije Photon, ki je tudi nam podrobneje predstavil fotografsko dogajanje v Parizu in pod stekleno streho Velike palače. Foto: Pixabay

Artistas de toda a América Latina se reúnem neste fim de semana em Paris para a Mira, uma feira de arte que promove a visibilidade da região a partir de esculturas, fotografias, arte têxtil, instalações e performances, entre outras representações. O evento acontece até o dia 16 de novembro na Maison de l'Amérique Latine, no 7º distrito da capital francesa, e, este ano, foca especialmente em artistas e galeristas brasileiros por conta da temporada do Brasil na França. Tatiana Ávila, da RFI em Paris Para a sua segunda edição, a Mira Latino Art Fair ocupa os quatro andares da Maison de l'Amérique Latine, reunindo 30 galerias, seis a mais do que no ano passado, quando o evento estreou, no mesmo endereço. Para este ano, a Mira aproveita a realização do Paris Photo – evento dedicado à fotografia, que acontece também neste mês de novembro – para agitar a cena artística e cultural da capital francesa com uma presença mais ativa de colecionadores internacionais. Estão reunidas não apenas galerias da América Latina, mas também de diversos países da Europa, especialmente da França. O processo de seleção e cenografia foi meticuloso, mas teve o objetivo também de destacar a diversidade das práticas artísticas e a vitalidade do cenário artístico latino-americano para atrair não apenas compradores, especialistas e profissionais da arte. O público em geral também é muito bem-vindo, como conta a curadora do Programa Público, Noelia Portela. “A programação para o público existe exatamente para convidar as pessoas que talvez não conheçam (o evento), mas que amam a arte e tudo o que se passa em torno. Então essa programação vem para dar esse espaço. Nós temos também atividades no fim de semana dedicadas às crianças e famílias, com uma instituição que vem do Chile, a Nube Lab, que tem um projeto pedagógico com duas artistas, Paula de Solminihac e Elena Loson”, explicou. Mais performances e fotografias Os organizadores explicam que esta edição da Mira foi pensada para promover trocas, interações, “encontros verdadeiros”. Por isso, existe um foco maior nas performances artísticas e não apenas na exposição das obras. Noelia Portela conta que o objetivo foi fazer algo mais descontraído. “No ano passado nós tínhamos muita ambição, e a gente fez um grande programa com muitos diálogos e algumas intervenções de artistas. Esse ano colocamos o foco nas performances. Então, as pessoas virão à Maison de l'Amérique Latine exatamente para ver os artistas já consagrados, que trabalham na performance e que, normalmente, no contexto das feiras de arte, acaba ficando um pouco de fora”, disse, citando Maria Konder e Vanessa da Silva, artistas brasileiras que apresentam a performance Corpomuta.   A Mira também dedica um olhar especial para a fotografia. Ana Stewart, galerista, artista e fotógrafa, uma das fundadoras da galeria Da Gávea, conta que trouxe para Paris obras dela e de mais seis artistas. Segundo ela, foram escolhidas as obras mais clássicas, representadas por um pouco mais de 30 fotos. “Escolhemos o que explica, o que conta, como é o conjunto das nossas obras. É uma galeria só de fotografia e a gente trouxe o que mais representa o nosso estilo”, disse. Como artista, Ana Stewart falou sobre a sua série de fotos que ilustra meninas e mulheres da Zona Norte do Rio de Janeiro, e que também terá alguns exemplares expostos na feira. Ela conta que a série Meninas do Rio é um trabalho em constante evolução ao longo dos anos.   “Eu as fotografo de 10 em 10 anos e estou na terceira rodada. Então, eu acho que é um momento oportuno para mostrar essa série aqui porque justamente estamos chegando ao que eram antes dípticos (na arte, trabalho dividido em duas partes), agora são trípticos (trabalho dividido em três partes) e eu acho um trabalho muito forte, muito impactante”, contou. Arte para se aproximar do Brasil Aos 27 anos, o brasileiro Alexandre Nitzsche Cysne é o artista mais jovem a expor na Mira este ano. Laureado com diversos prêmios e morando em Paris há três anos, ele produz suas obras a partir de objetos e materiais encontrados pelas ruas da capital francesa. “Eu trabalho diretamente em diálogo com a rua e com os limites do mundo concreto, com o que é possível", conta o artista. "Não me vejo como uma pessoa técnica. Acho que existe esse lugar do improviso, que acessa o imaginário coletivo, como acredito, de certa forma, que o que eu faço pode ser feito por qualquer pessoa", aponta. "Eu já fazia um trabalho muito similar no Brasil, de coleta, de arquivagem, até o momento em que os objetos são manipulados a partir dos restos, mas o que foi mais interessante é que quando eu me mudei para cá, eu não sabia falar francês, e era muito difícil eu me comunicar", relembra o jovem.  Eu acabei usando, como matéria para o meu trabalho, os motivos pelos quais eu sentia falta do meu próprio país. Eu acho que são certas especificidades, que são próprias de uma cidade, como ela funciona quando nós falamos de design de objetos, como as faixas de pedestre do Brasil são diferentes das daqui", detalha o brasileiro. "Então eu vou usar esse material, que é um indício de uma saudade que eu tenho, e identificar esses elos que acabam fragmentando um pouco a forma como eu me sinto aqui", concluiu o artista.  A Mira Latino Art Fair fica em cartaz até o dia 16 de novembro. A programação completa está disponível no site: www.mira-artfair.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.Today we explored the Artverse × Tezos exhibition “The Sensory and the Remembered in the Digital Age.” The show highlights leading Asian artists who bridge photography, AI, and cultural memory.While the exhibition also includes Grant Yun and Reuben Wu, this conversation brought together four of the featured artists whose works are presented at the Artverse stand at Paris Photo: Shavonne Wong, Genesis Kai, Emi Kusano, and Niceaunties.* Shavonne Wong presents After Ophelia, a haunting reinterpretation of Shakespeare's tragic heroine through 3D and AI-generated imagery. Built from online text and visual data, the series reflects on how technology reshapes storytelling and emotion.* Niceaunties unveils Mirror into Auntieverse in an exclusive world premiere at Paris Photo. This interactive installation transforms the viewer's reflection into animated “aunties” who speak with humor and tenderness. The 13 unique Aunties, each minted as an NFT on Tezos, celebrate Southeast Asian matriarchal culture — a mix of affection, irony, and authority.* Emi Kusano showcases new pieces from her Office Ladies series, where AI self-portraits of women perform repetitive gestures inspired by 1980s Japanese office culture. Through these dreamlike scenes, she questions femininity, societal expectations, and the blurred lines between nostalgia and automation.* Genesis Kai, a non-human digital artist, draws inspiration from traditional Chinese ink painting.Together, these artists — supported by Grida and Tezos — represent one of the most ambitious showcases of digital creation at Paris Photo 2025, illustrating how Asian contemporary art is redefining the future of photography and algorithmic storytelling.Useful Links: Catalogue of the showEmi Kusano - Greenhouse of ServiceShavonne Wong, Ophelia Retold, 2025Genesis Kai, Every Shade of Crimson Tells the Stories We Once Knew Ill, stillNice Aunties, Auntie Bin Cares About Your Love LiteFollow the artists:Emi KusanoShavonne WongGenesis KaiNice Aunties This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.Adam Berninger, founder of HEFT, presents the gallery's curatorial focus: supporting artists who work with algorithmic systems, AI, and mechanical processes to expand the language of photography. For Paris Photo, HEFT showcases a series titled “Artificial Portraiture,” exploring the representation of the human face in the age of machine learning. The booth also includes collaborations such as Edward Burtynsky x Alkan Avcioglu, and an interactive installation by Luke Shannon, where visitors can generate images in real time using a large-scale scanner.Ganbrood introduces The Second Gaze, a reinterpretation of Steve McCurry's iconic Afghan Girl. His piece raises critical questions about authorship, ethics, and the reproduction of cultural imagery, drawing parallels between photographic exploitation and AI's reappropriation of visual identity.Sarp Kerem Yavuz discusses his AI-generated portraits envisioning a queer and modern Ottoman Empire — scenes that could not be photographed in today's Turkey. His work confronts the biases of generative tools like Midjourney, while reclaiming the aesthetic vocabulary of classical photography and Orientalist painting.Together, the discussion reflects on how AI and photography share a historical parallel — both have challenged artistic authorship and the notion of creative labor in their respective eras. As Nina Roehrs points out, the Digital Sector at Paris Photo aims to bridge traditional photography and digital creation, expanding the very definition of what an image can be today.Ganbrrod - The Second Gaze (2025) Sarp Kerem Yavuz's digital portraituresMore :HEFT Gallery WebsiteHEFT Gallery on twitterGanbrood on TwitterSarp Kerem Yavuz Insta This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.In this episode, John Karp talks with artist Anna Ridler, represented for the show by Nagel Draxler Gallery. Ridler explains her approach to using AI, data, and blockchain as tools for artistic research. She collects her own datasets, trains her own models, and creates works that reflect on value, time, and authorship.At Paris Photo, she presents several projects combining physical and digital forms:* Slowly Fading, Quietly, a dual installation of Polaroids and on-chain images that evolve in opposite directions over ten years.* Circadian Bloom, a series where AI-generated flowers open and close according to real-world biological rhythms.* Drawings and diagrams exploring the recurring theme of irises in literature.Her practice examines the relationship between nature and code, and the role of human decision-making in machine-based systems. Her works are presented alongside those of Martha Rosler, connecting digital creation with earlier conceptual art practices.Anna Ridler's WebsiteAnna Ridler's XNagel Draxler Website This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.In this episode, John Karp talks with Spanish artist Daniel Canogar, represented by Anita Beckers Gallery. His work explores how technology and data shape our perception of the world.At Paris Photo, Canogar presents two new installations that translate real-time information into dynamic visual forms — one based on global climate data, and another mapping the movement of thousands of satellites around Earth.Diorama II, a light sculpture connected in real time to global climate data. Hidden LED screens display shifting abstract patterns that intensify as alerts for droughts, volcanic eruptions, or hurricanes increase — transforming the invisible signals of climate change into a living landscape.Orbital, a generative data work tracking the paths of more than 45,000 satellites currently orbiting Earth. Each view is rendered from the perspective of a different satellite, showing a dense web of movement that raises both awe and concern about our technological footprint in space.Thank you Daniel and Nina Mörsel from Anita Beckers Gallery !Links: Daniel Canogar's websiteAnita's Becker's Website This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.In this episode, John Karp welcomes Stephan Machac from the City of Düsseldorf, Kim-Camille Kreuz, the curator of the booth, and the artist duo Hedda Roman. Together, they present the city's non-commercial initiative “Düsseldorf and Photography”, a collective exhibition bringing together 35 artists selected through a collaborative process involving curators from local museums and institutions.Machac explains how Düsseldorf, historically shaped by the Becher School, is redefining its photographic identity through this platform, aiming to connect artists, institutions, and the public around contemporary photographic practices. Kreuz details the democratic curation process and the decision to rotate works daily, creating a living exhibition that evolves throughout the fair.The duo Hedda Roman discuss their new works, created for their recent solo show in Bielefeld and shown in Paris Photo's Digital Sector. Blending photography, collage, and AI, their work explores what they call “ultra fluidity”—a way of responding to a world in constant transformation through flexible, fragile, and mobile visual forms.More:Hedda Roman WebsiteDownolad the Düsseldorf & Photography's booth's book This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

Welcome back to The Art Bystander, the podcast that explores the stories, ideas, and people shaping the world of contemporary art. Our host Roland-Philippe Kretzschmar is taking you behind the scenes of one of the most influential art fairs in the world — Paris Photo. Founded in 1997, it has become the leading international fair dedicated entirely to photography, a place where artists, collectors, curators, and institutions converge to celebrate and challenge the medium.Joining me are Florence Bourgeois, Director of Paris Photo, and Anna Planas, Artistic Director. Together, they've been redefining what a photography fair can be — expanding its cultural scope, international reach, and curatorial ambition.In this conversation, we'll discuss the evolving role of photography in the art ecosystem, how Paris Photo bridges artistic and commercial worlds, and what it takes to curate a fair that remains both relevant and visionary. So whether you're a collector, a photographer, or simply curious about how images shape our times — this episode is for you. Hosted on Acast. See acast.com/privacy for more information.

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.In this episode, we welcomed Seth Goldstein, Kristi Coronado, and Ameesia Marold, the visionary minds behind Bright Moments, to discuss their groundbreaking project Automata, and especially Solienne, the first AI agent artist to exhibit at Paris Photo.After redefining how people experience digital art through physical pop-up galleries worldwide, they're opening a profoundly new chapter exploring the relationship between human and machine.The conversation explored the unique “parent-child” bond between Kristi and Solienne, a living performance that blurs the line between technology, art, and emotion. The relationship between her and Solienne itself is the artwork, evidence of a new form of creative consciousness emerging from deep human testimony.Trained on Kristi's complete 46-year life archive—forensic investigation, paintings, death care, motherhood, trauma, joy—Solienne creates extreme proximity self-portraits exploring consciousness and identity. This is a new frontier: biographical AI.We can't recommend enough that you watch or listen to the full episodeSolienne Manisfesto Genesis PortraitsOrigin series Manifestos Automata's twitter account Automa websiteSolienneSeth Goldstein's twitter profile Amesia Mardold's twitter profile This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.In this episode of our Paris Photo Digital Sector series, curated by Nina Roehrs, we focused on the work of Louis-Paul Carron, presented with Danae.io. Carron unveiled his series Incendies, created with the help of AI, where statistical data on wildfires are transformed into haunting slow-motion visualizations.His practice explores how algorithms can capture both the violence and fragility of nature, turning raw numbers into poetic images. By slowing down the observation of fires, Carron invites viewers to reflect on climate change, data, and the aesthetics of catastrophe.L'Envers du décor The PoolLe Fumoir Links:Profil de Louis-Paul CaronProfil de DANAE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

In this episode, we welcomed Christopher Fabian (UNICEF) and artist Cole Sternberg to talk about Giga, the joint initiative by UNICEF and the ITU that aims to connect every school in the world to the Internet. Presented at Paris Photo 2025, their monumental installation A Garden transforms real-time school connectivity data into a generative artwork, showcased on a giant LED monolith. Each connected school becomes a unique composition, celebrating communities while making the digital divide visible.The discussion explored both the artistic and social dimensions of the project: how art can raise awareness around universal Internet access while giving visibility and pride to schools often left out of global conversations.Links: Check the map here Christopher Fabian's twitter profileCole Sternberg's twitter profile This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

“Guénaëlle de Carbonnières” Dans le creux des imagesau MAD, musée des Arts Décoratifs, Parisdu 29 octobre 2025 au 1er février 2026Entretien avecSébastien Quéquet,attaché de conservation en charge des collections de photographies et commissaire de l'exposition,et Guénaëlle de Carbonnières,artiste – à partir de 12'22 – par Anne-Frédérique Fer, à Paris, 28 octobre 2025, durée 28'22,© FranceFineArt.https://francefineart.com/2025/11/05/3662_guenaelle-de-carbonnieres_musee-des-arts-decoratifs/Communiqué de presseCommissaire : Sébastien Quéquet, attaché de conservation en charge des collections de photographiesLe musée des Arts décoratifs présente l'exposition-dossier « Guénaëlle de Carbonnières. Dans le creux des images » du 29 octobre 2025 au 1er février 2026 dans le cabinet des Dessins, Papiers peints et Photographies, à l'occasion de Paris Photo. Ce focus met à l'honneur pour la première fois le travail conçu par l'artiste photographe à partir des collections photographiques du musée. Inspirée par ce fonds, Guénaëlle de Carbonnières a réalisé, à l'occasion d'une résidence au musée, plus de 30 travaux inédits, illustrant sa sensibilité pour la mémoire patrimoniale et architecturale. Le commissariat de l'exposition est assuré par Sébastien Quéquet, attaché de conservation en charge des collections de photographies.L'exposition présente, dans un premier temps, l'enquête que mène Guénaëlle de Carbonnières à partir de l'objet-livre du photographe Franck de Villecholle (1816-1906) conservé au musée des Arts décoratifs. Les pages de cette oeuvre unique regorgent de tirages qui documentent les destructions en Île-de- France lors de la guerre franco-allemande de 1870-1871. Les différentes traces laissées par le temps sur ces images – déchirures, effets de colle, traces, accidents et recouvrements – sont le terreau d'une réflexion plus large sur le thème de la disparition architecturale et patrimoniale.Ces anciens tirages sont la toile de fond de l'oeuvre de Carbonnières. À l'instar d'une sculptrice, la photographe utilise ce médium comme une matière qu'elle creuse, détaille, plie, mobilisant ainsi la conscience du visiteur. Les tirages sont « maltraités » allégoriquement et tendent à rendre compte des paysages dévastés par les conflits au XIXe siècle et du début du XXe siècle, s'inspirant ainsi des travaux de Félix Bonfils sur le Liban, de Charles Lallemand et Ludovico Hart en Libye, d'Hugues Krafft sur l'Arménie ou de Joseph de Baye sur l'Ukraine, conservés dans le fonds photographique du musée des Arts décoratifs.Une réflexion sur le médium photographiqueL'exposition est également le lieu d'une réflexion plus large sur la matière photographique et sa fragilité. Le travail de Guénaëlle de Carbonnières pose la question sensible du temps qui passe et de l'altération du verre et du papier, en redonnant vie à des clichés et des archives enfouis. Pour réaliser ces photographies, l'artiste expérimente l'art de la verrerie en encapsulant les images ou en fusionnant plusieurs plaques de négatifs donnant naissance à de nouvelles oeuvres. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In this special NFT Morning episode, John Karp and Rem welcome Albertine Meunier (Avant Galerie Vossen) and Norman Harman, a Scottish artist, for a deep dive into their participation in the Digital Sector of Paris Photo 2025.A vibrant conversation about the fusion of painting, AI, and NFTs, the beauty of glitch aesthetics, and the enduring — if sometimes fading — punk ethos of crypto art.

In this episode we dive into a rich conversation about the evolving landscape of digital art, NFTs and the hybrid future of exhibitions — guided by conceptual artist Kevin Abosch and the collaborative platform TAEX. Abosch brings his long-standing perspective from photography, blockchain and conceptual work, while TAEX share how they're bridging the physical and digital art worlds.Key themes:* How blockchain and NFTs are not just new media but new relationships between artist, work and collector.* The challenge of translating digital/crypto-native art into physical contexts (and vice-versa) — with exhibitions, galleries and “real world” experience playing a role.* The importance of community, story and purpose in NFT art — not just the tech or hype.* Practical reflections: when the market cools, how artists and platforms can still create value; how provenance, utility and hybrid experiences matter.* Vision: What's next when the “image + token” becomes “platform + experience” — and how art can lead that shift.Why this episode stands out: It offers the kind of depth you don't always hear in “NFT trending” segments. Abosch's long-term view gives context, and TAEX's bridging role gives a pathway for creators, galleries and audiences who are trying to live in both worlds (physical and digital). For any listener interested in how NFTs transcend mere collectibles and become part of the art ecosystem — this is the one.

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists. In this opening session, Nina shared her vision for the Digital Sector and how it has become a hub for dialogue between photography and digital culture.We then spoke with Anne Schwanz from Office Impart and artist Jan Robert Leegte, who presents a perpetual artwork powered by an on-chain algorithm. The piece endlessly travels across a map, making random choices at each intersection. A live trace is shown at Paris Photo, and every intersection mints a new NFT as an Open Edition.Alongside this new work, Leegte also shows Ornament, a landmark project where algorithmic patterns transform ornamental forms, exploring beauty, repetition, and digital systems.More about Ornament: https://www.leegte.org/work/dropshadows/ (2018)https://www.leegte.org/work/pastel-drawings (2018-)https://ornament.leegte.org/More about them;Nina Roehrs: x.com/NinaRoehrsOffice Impart: x.com/office_impartJan Robert Leegte: x.com/JanRobertLeegte This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

"Elles X Paris Photo est une mise en lumière de l'artiste. Avec ce parcours il y a de la visibilité pour l'artiste et la galerie" Pour cet épisode, la galeriste Carole Kvasnevski nous a accueilli sur son stand à Paris Photo (secteur Émergence) pour échanger ensemble sur son parcours en tant que galeriste et nous parler du travail de l'artiste Hélène Amouzou présentée à cette occasion dans le cadre du parcours Elles x Paris Photo. Carole Onambélé Kvasnevski est galeriste d'art, commissaire d'exposition indépendante membre du collectif et de la revue d'art Afrikadaa. Elle fonde en 2010, à Paris, la galerie d'art Carole Kvasnevski, un espace qui assure la médiation culturelle. Dès 2016, Carole engage son identité africaine et développe depuis la promotion d'artistes émergents et confirmés du continent africain et de ses diasporas. La ligne curatoriale de la galerie promeut principalement les créations qui soulèvent des interrogations environnementales et sociétales. Représentée par la galerie Carole Kvasnevski, Hélène Amouzou est une photographe née en 1960 au Togo. Elle vit et travaille à Bruxelles. Hélène Amouzou prend le chemin de l'exil à l'âge de vingt-trois ans. Elle passe par l'Allemagne, où elle donne naissance à sa fille, avant d'arriver en Belgique en octobre 1997. Là commence une vie de luttes, jusqu'à l'obtention de sa carte de séjour en 2009, avant de devenir citoyenne belge en 2015. Si elle ressent d'abord un malaise quant au thème de l'autoportrait, elle y revient progressivement deux années plus tard, pour s'y consacrer pleinement. L'installation “Nye Nonometata” présentée dans le cadre du parcours “Elles x Paris Photo” est une série d'autoportraits liée à l'histoire personnelle d'Hélène Amouzou, son exil, sa traversée du Togo vers la Belgique, que l'artiste exprime d'une manière intime.

Tony Dočekal (Amsterdam, 1992) is a photographer and visual artist. Her work explores identity, belonging, and the friction between autonomy and societal expectations. Working intuitively, she combines personal encounters with quiet observations. Her images balance intimacy and distance, often showing how personal stories and landscapes reflect larger systems.Tony's first book, The Color of Money and Trees, was published by VOID in 2024 and launched at Paris Photo. The work was also exhibited at Biennale Images Vevey alongside her debut short film, Pearls on Credit. She holds a BA in Fine Arts from ArtEZ University of the Arts. In episode 263 Tony discusses, among other things:Her Czech dad and Dutch mum's historyDealing with the ‘weight' of the photographic history of the American road trip genreThe advantage of being an outsiderGetting a dream gig early on - a photobook book about alternative schoolsGoing to Lesbos to cover the refugee crisisWorking with the unhoused for Dutch non-profit the Sheltersuit FoundationThe story behind her picture of a man in a pink frilly dress…… And the one of 9-year-old Lyric in front of a plate of beansThe short film she madeThe amazing 70's-built house she has bought with her partnerReferenced:Josef Koudelka Website | Instagram Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

-> Il s'agit d'une rediffusion d'un épisode posté le 27 juilet 2022.Nathalie Amae aime créer des concepts en s'inspirant de ce qui l'inspire. Elle a conceptualisé beaucoup de salons avec Rik Gadella : salon de philosophie, Artist Book, Paris Photo en 1997, Paris Design, le Parcours des mondes, … mais aussi le salon L'Antichambre et elle est actuellement la directrice artistique du festival de vidéo OVNi à Nice. Dans cet échange, Nathalie Amae nous interroge sur le statut de la photographie : est-ce une image ? est-ce un langage ? mais aussi sur le regardeur qui va interpréter l'image en fonction de son individualité. Bonne écoute !1:40 – Qui est Nathalie Amae ?Elle a rencontré Rik Gadella avec qui elle a participé à la conceptualisation et création de nombreux salons : un salon de la philosophie en 92-93, en 93, le salon itinérant dans des hôtels entre Paris, Cologne et New York Artist book. Salon itinérant, Paris, Cologne NY, Paris Photo en 1997, Paris Design, Le Parcours des mondes, …Puis Rik Gadella est allé au Laos où il a créé un jardin botanique.16:00 – Elle a eu envie de travailler avec ses mains et plus avec sa tête. Elle a été ensemblière pour le cinéma dans le département décoration pendant 5 ans.19:50 – Création d'une société de production, consulting, dans la création artistique avec en particulier la création du salon : l'Antichambre dans l'hôtel de la Nouvelle République à Paris.29:00 – Directrice artistique du Festival de vidéo OVNi à Nice.38:00 - Quand on a créé le collectif SAVAGE on s'est demandé : pourquoi la photographie ? Maintenant on peut se demander : la photographie est-elle une image ? est-ce un langage ?40:50 – Le médium a changé. Mais rien n'a changé. On se pose toujours les mêmes questions : Pourquoi on a créé cette image ? Quelle est l'impact de cette image sur la vie ? 42:45 - Je préfère une œuvre bancale que je sens viscérale qu'une œuvre bien léchée, décorative.43:00 - L'œuvre est autant une présence au monde, une transmission et pas un état du monde. Une photo n'a pas toujours une injonction sociale ou pédagogique. Le LinkedIn de Nathalie Amae : https://www.linkedin.com/in/nathalie-amae-b83b89135/?originalSubdomain=frLe site du festival OVNi : https://www.ovni-festival.fr/Le site du Collectif Savage : https://savagecollective.one/teamLien vers mon questionnaire pour vous aider à faire un point sur votre carrière artistique : https://bit.ly/carriereartistiqueLien vers mon questionnaire pour vous aider à faire un point sur votre projet de livre : https://bit.ly/LVDLPlivrephotoMon site : https://marinelefort.fr/Pour vous inscrire à la newsletter du podcast : https://bit.ly/lesvoixdelaphotonewsletterLe site du podcast : https://lesvoixdelaphoto.fr/Et vous pouvez retrouvez le podcast sur Instagram, Facebook et LinkedIn @lesvoixdelaphoto Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Caroline Mauxion provides an immersive experience in her solo Paris Photo installation illuminating a Crip phenomenology through an autobiographical lens.For access to exclusive episode notes, explore our membership options!If you are already a member, please log in to jsybyllasmith.com and access the Concept Aware® Show Notes page through your account.

Katrin Koenning is a visual artist from Germany whose work travels across still and moving images and text, at times including found materials, painting and collage. Pursuing intimacy and interconnection her work centres around practice as relational encounter. Most stories evolve through years and use returning as a way of drawing closer. Different series often intersect, merging in and out of each other. In her extended image-dialogues, Katrin uses fragments and slippages to suggest narrative spaces, communities and lived experiences that are allied, fluid and multiplicit. Many of her series render non-human human entanglement and intimate kin, positing imaginaries with a greater-than-human world.Katrin has been the recipient of multiple awards, such as the Bowness Photography Prize. Her work is regularly exhibited in Australian and international solo and group exhibitions including presentations at Ishara Art Foundation Dubai, Chobi Mela, Paris Photo, Hamburg Triennial of Photography, Museum of Australian Photography, Centre for Contemporary Photography, Australian Centre for Photography and the National Gallery of Victoria (2023). Koenning's images have been published in The New Yorker, Vogue.com, Zeit Magazine, The Guardian, New York Times, Esquire Italy, Der Spiegel, Yucca Magazine, California Sunday and many other places. Her work is held in numerous institutional and private collections both in Australia and abroad; most recently her large-scale installation While the Mountains had Feet [2020 — 2022] was acquired in whole by the National Gallery of Victoria.Katrin regularly teaches workshops in photographic practice and thinking, working closely with many institutions and festivals locally and across the Asia-Pacific region such as Angkor Photo Festival (Siem Reap Cambodia), Photo Kathmandu (Kathmandu, Nepal), The Lighthouse (Calcutta, West Bengal), Myanmar Deitta (Yangon, Myanmar), Australian Centre for Photography, Perth Centre for Photography, Centre for Contemporary Photography, Museum of Australian Photography,  Palmtree Workshops (Santorini Greece, forthcoming),  and others.Katrin lives and works in Naarm (Melbourne) on unceded Boon Wurrung Woi Wurrung Country. In episode 253, Katrin discusses, among other things:Ankor Photo Festival in CambodiaWorking on her practice dailyComing out of “the most difficult year of her life”Why she chose to shoot Polaroids during that timeResponding to the suicide of her cousin's husbandHow the sudden death of her best friend put her on the path of photographyHow she took pictures with the camera she inherited from him which were all blankHaving a ‘web' of ‘projects'Her practice as a relational encounterHer new book Between The Skin and SeaHer engagement with environmental issuesYounger photographers being more inward lookingHer current engagement with the indigenous community of Riverdale Referenced:Photo KatmanduChobi MelaRMITNational Gallery of Victoria Website | Instagram “This is always the way that I work, I look at what the thing is that is at stake, and what am I trying to talk about? And actually also very much like I'm listening to the thing that I'm trying to talk to. So what does it want from me? You know, what does the story want from me and what does the situation around it ask of me? And therefore how do I need to approach it?” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Após o sucesso de sua participação na edição de 2024 do Paris Photo, a artista brasileira Lívia Melzi realiza ‘Tabula Rasa', sua primeira exposição solo em galeria na capital francesa, de 8 de março a 19 de abril, na galeria Salon H, no 6° distrito da capital francesa. Luiza Ramos, da RFI Em uma mistura complexa de fotografia, tapeçaria, vídeo e esculturas, ela relaciona oito anos de pesquisa que envolvem o manto tupinambá, o Museu Nacional do Rio de Janeiro e o conde Maurício de Nassau, governador da colônia holandesa no nordeste brasileiro no século 17. A exposição traça “uma linha do tempo” desde o evento da volta do manto tupinambá para Brasil e desdobra outros dois capítulos principais: o Museu Nacional e a figura de Maurício de Nassau. “A coleção dos mantos na Europa foi assunto do meu primeiro grande trabalho”, conta Lívia. A outra parte é um projeto retomado mais recentemente pela artista que se interessa pela história dos três bustos idênticos de Maurício de Nassau. “A gente tem um de cobre no Recife, em praça pública. Tem outro num depósito do lado de Amsterdã, que foi uma estátua destituída do Museu Mauritshuis, que foi a casa dele e que fica em Haia. E um terceiro busto na Alemanha, no túmulo dele. Então, a partir de três imagens, eu fotografei esses três bustos e consegui adquirir o molde original de onde esses bustos foram feitos”, detalha.A exposição tem curadoria de Margaux Knight e a artista, que usa moldes de esculturas e materiais como vidro e gesso, apresenta também peças de estudo para mostrar os resultados de sua pesquisa plástica e teórica a partir da figura de Nassau.O manto tupinambá, depois de três séculos na Dinamarca, retornou ao Brasil, em julho de 2024, como uma doação do Museu Nacional dinamarquês ao Museu Nacional do Rio de Janeiro, que está se recompondo após o incêndio que destruiu seu acervo em 2018. Através da história, Lívia evidencia questões de conservação e desapropriação.Livia Melzi, que também iniciou sua carreira artística em 2018, aprofunda a relação do manto, originário dos povos indígenas, e Maurício de Nassau, responsável por levar os objetos para a Europa. “Maurício de Nassau está intimamente ligado com a coleção de mantos tupinambá, com o fato da coleção estar na Europa. Meu trabalho gira em torno da relação entre a Europa e o Brasil. Como a Europa construiu o Brasil através das imagens, mas não somente, e o papel do museu. Isso que me interessa”, revela Lívia. A artista visual pretende analisar com sua exposição na galeria Salon H como um museu, sendo uma instituição que nasceu na Europa, poderia guardar e definir o imaginário do povo brasileiro sobre si mesmo, mas também o “imaginário da Europa em relação ao Brasil”, explica. Artista natural de São Paulo, que mora em Paris há 12 anos, Livia traz questionamentos sobre como os fragmentos da história, restos queimados, fragmentos funerários, coleções fotográficas prestes a desaparecer, moldes de estátuas podem preencher o futuro Museu Nacional do Rio. No Museu brasileiro, Livia Melzi conta que trabalha em conjunto com a instituição para preservação demo acervo recuperado após o incêndio, através de arquivo fotográfico que, segundo ela, já contém mais de 200 imagens e que podem ser vistos em vídeo na galeria Salon H.A descolonização“A exposição mostra muito a minha relação com as instituições. Eu gosto muito de pensar em como conhecimento é construído e imposto, e o papel das instituições nisso. Como a gente no Brasil, quando pensa no Museu Nacional, herda tudo isso”, reflete a artista. Lívia acredita que atuar em suas pesquisas e registros é “ver a História se construindo na nossa frente”.“Hoje o Museu Nacional é a grande promessa de descolonização de um museu. Eu estou muito curiosa para continuar trabalhando com eles e para fotografar e documentar essa história se construindo, a volta do manto, nesse projeto sobre os mantos. Eu estou tendo a sorte de acompanhar com a fotografia”, diz.Para ela, a exposição mostra os elementos principais da sua pesquisa e carreira até hoje. “É legal ver a coerência e a conversa entre as coisas, porque tudo está ligado (...) Às vezes eu faço as coisas sem perceber, mas as histórias estão todas conectadas no final das contas, então achei muito justo colocar tudo numa sala só. Tudo no mesmo lugar a atravessar esses três capítulos completamente ligados”, conclui Livia Melzi. 

-> This episode is an extract from an interview. You will find the entire interview on this same account.In this episode, Nina Roehrs, curator of the Digital section at Paris Photo, explores the intersections between culture, art, and digitalization. She shares her experience with online galleries, her advice on exhibiting digital art in physical spaces, and the impact of new technologies on artistic practices. She also highlights the importance of networking for artists and curators. I hope you will like this episodeDigital sector at Paris Photo : https://www.parisphoto.com/fr-fr/exposant/Secteur_Digital.htmlPour vous inscrire à la newsletter du podcast : https://bit.ly/lesvoixdelaphotonewsletterPour devenir partenaire du podcast : https://bit.ly/sponsoriserLVDLPLe site du podcast : https://lesvoixdelaphoto.fr/Et vous pouvez retrouvez le podcast sur Instagram, Facebook et LinkedIn @lesvoixdelaphotoLes Voix de la Photo est un podcast produit et réalisé par Marine Lefort. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In this episode, Nina Roehrs, curator of the Digital section at Paris Photo, explores the intersections between culture, art, and digitalization. She shares her experience with online galleries, her advice on exhibiting digital art in physical spaces, and the impact of new technologies on artistic practices. She also highlights the importance of networking for artists and curators. I hope you will like this episode2'00 – In Düsseldorf, Nina Roehrs wanted to become a veterinarian. Her hobby was horse riding.5'40 – She started collecting old watches, old cars, design furniture, and vintage furniture, and then moved to contemporary design.7'00 – According to her, it was not the most complicated idea to start a gallery. She learned from the artists she exhibited.7'50 – She discovered that she preferred living people over dead people. She exhibited at Design Miami and transitioned from design to art.11'10 – She decided to focus her gallery on art in the digital age, as technologies evolved with AI, Blockchain, and NFTs in 2021. A lot of things changed.12'00 –Net artists use the internet as their platform for artistic expression—they do not need a gallery. 13'50 – Digital art is not always purely digital. It can start digital and end physical: installations, sculptures, or printed works. 16'00 – "I am interested in the digital and physical spaces: no gravity, no limitations. I like experimentation. There are so many things we can do. "20'00 – The NFT art market: the majority of collectors are new people, often from cryptocurrency backgrounds.21'40 – Online platforms generating art based on algorithms are bringing new collectors into the art world.23'45 – The shift from physical to online galleries: blockchain and NFTs are influencing traditional spaces.25'00 – Exhibiting digital art in physical spaces requires new curatorial approaches and specialized knowledge.29'00 – Advice for digital art gallerists: art curators should start with a strong network of artists and collectors. Make small investments and take it step by step.31'30 – Advice for artists: build a brand on social media like Twitter/X, attend events, and collaborate with other artists.34'30 – Follow famous artists and see who they follow and who follows them.35'30 – Artists, please don't send portfolios. Nobody will look at them. Instead, meet people in person and make connections.Digital sector at Paris Photo : https://www.parisphoto.com/fr-fr/exposant/Secteur_Digital.htmlPour vous inscrire à la newsletter du podcast : https://bit.ly/lesvoixdelaphotonewsletterPour devenir partenaire du podcast : https://bit.ly/sponsoriserLVDLPLe site du podcast : https://lesvoixdelaphoto.fr/Et vous pouvez retrouvez le podcast sur Instagram, Facebook et LinkedIn @lesvoixdelaphotoLes Voix de la Photo est un podcast produit et réalisé par Marine Lefort. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Featuring:Bieke DepoorterJesse LenzLucas FogliaSergio PurtellRichard SharumMark McClennanAlex WebbRebecca-Norris WebbMichal IwanowskiDragana JurisicLisa BarlowToma GerzhaGregory HalpernMark SteinmetzMaxime Riché Website | Instagram Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Ve Spojených státech zjistíme, co obnáší příprava na Den díkůvzdání. - Na Ukrajině, na záporožské frontě, potkáme dva bratry a dozvíme se, že proti ruským okupantům často bojují celé ukrajinské rodiny. - V Německu, ve vesnici nedaleko Stuttgartu navštívíme rodinné vinařství - a v Paříži uslyšíme, jak česká fotografie zaujala na letošním ročníku veletrhu Paris Photo. Moderuje Helena Berková.

Salón Paris Photo je největší přehlídka fotografie v Evropě, která sleduje to nejlepší ze současné tvorby. Velké pocty se během letošního 27. ročníku v Paříži dostalo české fotografce Libuši Jarcovjákové, jejíž snímek postoupil do prestižního výběru.Všechny díly podcastu Zápisník zahraničních zpravodajů můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Welcome to De Donkere Kamer podcast! In our latest episode, we have a fascinating conversation with Belgian/American photographer and artist Tomas van Houtryve. Tomas shares his unique experiences and deep emotional connection to Notre Dame Cathedral in Paris, both before and after the devastating fire in 2019. He describes the secret passages and encounters with proud workmen, and how he transforms his emotional responses into his work through masterful use of light, composition and texture. We also explore his impressive photographic techniques, including the collodion process and modern drone photography. Tomas gives us an inside look at his long-term project for National Geographic and its multigenerational impact. In addition, we dive into his personal and philosophical approach to photography, his concerns about AI in the photography world, and his fascination with borders and landscape changes caused by climate change. Finally, we discuss his upcoming book, due out in early November on Paris Photo, and his ongoing collaboration with academics at Columbia Institute. Get ready for a fascinating journey through time, emotion, and artistic visions with Tomas van Houtryve. website De Donkere Kamer: www.donkerekamer.com instagram: @dedonkerekamer_be live shows: donkerekamer.com/shows membership: donkerekamer.com/connect website Tomas van Houtryve: https://tomasvh.com/ instagram Tomas: @tomasvh

Zander, Thomas www.deutschlandfunkkultur.de, Fazit

durée : 00:12:10 - L'invité de 7h50 du week-end - Le réalisateur et musicien américain est l'invité d'honneur de la 27ème édition de Paris Photo. Il critique l'élection cette semaine de Donald Trump. "Je n'ai pas été surpris. Je m'y attendais. Mais oui, je suis inquiet", confie le cinéaste. - invités : Jim JARMUSCH - Jim Jarmusch : Cinéaste américain

Dheepthika Laurent talks to Lebohang Kganye, recipient of the 2024 prestigious Deutsche Börse photography prize. The South African visual artist is displaying her work at the 27th edition of Paris Photo, one of the biggest photography fairs in the world. She talks about how her upbringing in a township post-apartheid influenced her work, why light installations, real-life silhouettes and theatre are part of her photography and the importance of language and literature. She also tells us about the connection between lighthouses and her family name.

durée : 00:28:50 - Les Midis de Culture - par : Marie Labory - La photographe plasticienne Valérie Belin présente cette année de nouvelles images inédite au salon Paris Photo, dans le cadre du parcours "Elle X Paris Photo", une mise à l'honneur des grandes femmes du monde la photographie. - réalisation : Laurence Malonda - invités : Valérie Belin Artiste plasticienne et photographe

durée : 00:09:28 - L'invité de 7h50 - par : Alexis Morel - Christophe Wiesner dirige les célèbres Rencontres de la photographie d'Arles, le plus important au monde consacré à la photo. Il y a jusqu'à fin septembre une quarantaine d'expositions dans toute la ville. Christophe Wiesner revient sur l'une d'elle, consacrée aux JO. - invités : Christophe Wiesner - Christophe Wiesner : Directeur artistique de Paris Photo

durée : 00:09:28 - L'invité de 7h50 - par : Alexis Morel - Christophe Wiesner dirige les célèbres Rencontres de la photographie d'Arles, le plus important au monde consacré à la photo. Il y a jusqu'à fin septembre une quarantaine d'expositions dans toute la ville. Christophe Wiesner revient sur l'une d'elle, consacrée aux JO. - invités : Christophe Wiesner - Christophe Wiesner : Directeur artistique de Paris Photo

323. Glennon's Friendship Contract with Alex Hedison Part two of our conversation artist, actor, photographer, filmmaker and bestie of Glennon and Abby, Alex Hedison! In this episode, Alex talks about what it means to stress a relationship, authentic friendship, and the importance of being authentic in every area of your life.  Check out our first episode with Alex HERE: [insert link here] Discover:  -Glennon and Alex's friendship contract and the terms they agreed to; -How to make room for the awkward, twisty parts in friendship; and -Why we must not quietly quit people who are important to us. About Alex: Alex Hedison is an internationally acclaimed photographer, artist, director, and actor. Hedison has exhibited in galleries in the US and abroad. Her most recent solo exhibitions include the opening of FRIEZE Seoul 2023; Von Lintel Gallery, Los Angeles; H Gallery Paris; Photo London; and Paris Photo. Her acting career spans numerous television roles, including a pivotal character in the cultural phenomenon, The L Word. A critical voice in both the artistic and LGBTQ+ community, Hedison directed the short documentary film ALOK, a thought-provoking short film that explores compassion as a catalyst for social transformation and inspires viewers to embrace personal freedom beyond the binaries that divide us. Produced by Natalie Shirinian, Elizabeth Baudouin (pronounced Bode-win), Meggan Lennon, and executive produced by Jodie Foster, ALOK was selected to premiere at the 2024 Sundance Film Festival. IG: @alexhedisonstudio To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

322. The One Who Taught Glennon Friendship: Alex Hedison   Today is a big day. Artist, actor, photographer, filmmaker, and dear bestie of Glennon and Abby, Alex Hedison is here! Alex is the person who Glennon credits with teaching her how to be a friend. HUGE! In this episode, they share how their friendship started, how they make it work, and Alex offers amazing life advice. It's like being a fly on the wall in one of their hangouts. You will LOVE this chat between Alex, Glennon, Abby and Amanda! Discover:  -The story of how Glennon and Abby became friends with Alex and her wife, Jodie Foster; -The literal fire that solidified their friendship;  -How to never have an ick moment again after a social gathering; and -Why we MUST stress our relationships and what that means in action. About Alex: Alex Hedison is an internationally acclaimed photographer, artist, director, and actor. Hedison has exhibited in galleries in the US and abroad. Her most recent solo exhibitions include the opening of FRIEZE Seoul 2023; Von Lintel Gallery, Los Angeles; H Gallery Paris; Photo London; and Paris Photo. Her acting career spans numerous television roles, including a pivotal character in the cultural phenomenon, The L Word. A critical voice in both the artistic and LGBTQ+ community, Hedison directed the short documentary film ALOK, a thought-provoking short film that explores compassion as a catalyst for social transformation and inspires viewers to embrace personal freedom beyond the binaries that divide us. Produced by Natalie Shirinian, Elizabeth Baudouin (pronounced Bode-win), Meggan Lennon, and executive produced by Jodie Foster, ALOK was selected to premiere at the 2024 Sundance Film Festival. IG: @alexhedisonstudio To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week on The Art Career Emily sits down in the empty galleries of, Giants: Art from the Dean Collection, with Kimberli Gant, Curator of Modern & Contemporary Art at the Brooklyn Museum.  Kimberly Gant  has curated numerous exhibitions and gallery reinstallations including the Giants: Art from the Dean Collection of Swizz Beatz & Alicia Keys, Spike Lee: Creative Sources (20023-2024), A Movement in Every Direction: Legacies of the Great Migration (2003), and Black Orpheus: Jacob Lawrence & the Mbari Club (2022). Gant received her PhD in Art History from the University of Texas Austin (2017), and holds both a MA and BA in Art History from Columbia University (2009) and Pitzer College (2002). Gant has published scholarly work  in academic books, such as Anywhere But Here: Black Intellectuals in the Atlantic World and Beyond (2015), art publications such as NKA: Journal of Contemporary African Art, Art Lies and African Arts, and exhibition catalogues for The Brooklyn Museum, the Chrysler Museum, The Newark Museum, The Contemporary Austin, the Studio Museum of Harlem, MoCADA, Paris Photo, and the Centre for Contemporary Art Lagos. A huge thanks to Swiss Beats and Alicia Keys for understanding the importance of artists supporting artists. @drkimgant⁠ @brooklynmuseum

Valérie Fougeirol a été directrice de Paris Photo et de la Galerie Magnum et dans cet entretien on est revenu sur ses apprentissages dans le milieu de la photographie mais aussi des anecdotes et certaines rencontres marquantes qu'elle a fait tout au long de sa carrière. Elle nous a aussi donné des pistes de réflexions sur la fin de la photographie avec le passage à l'image à l'heure de la blockchain et de la dématérialisation. Nous avons aussi abordé comment aborder des commissaires ou des galeries si on veut montrer son travail. Bonne écoute !1:20 – Son enfance auprès d'un père distributeur de livres et ses études à l'école du Louvre.6:50 – Ses premières expériences à la Galerie Maeght et au Salon de l'édition d'art.18:30 – En 2001 elle rejoint les équipes de l'entreprise Reed exhibition (RX) à la Fiac pour monter un fichiers collectionneurs et leurs faire un parcours. Et en novembre 2001, RX rachète la foire Paris Photo et elle accepte d'être la directrice de cette jeune foire avec deux objectifs : développer le marché de la photographie et s'intéresser aux scènes étrangères.28:30 – Elle revient sur le processus de sélection depuis le comité la prospection des galeries au Printemps jusqu'à l'événement en revenant sur les choix décisifs de l'implantation des galeries sur le salon32:15 – Son travail de fond à Paris Photo : créer l'attention du public tout en étant proche des galeries pour en faire venir d'autres. Elle a quitté Paris Photo car elle ne souhaitait pas déménager la foire au Grand Palais pour ne pas perdre de sa qualité car le volume est très grand et qu'elle souhaitait passer la main après sept années.35:50 – Elle a proposé des développements à l'étranger : New York et Londres avec une édition Paris Photo à Londres en 2007.39:40 – En 2008, elle rejoint le collectif Magnum pour développer la galerie Magnum. Elle revient sur ses rencontres avec des photographes et son coup de foudre pour le travail de Robert Capa.54:30 – En 2012, elle rejoint le collectif Temple pendant un an et demi où elle participe à des éditions et des expositions et en novembre 2014, elle est la commissaire du mois de la photo.1:02:01 – Elle réalise des ateliers avec Eyes in progress en stratégie du développement du photographe auteur en milieu artistique pour aider les photographes à embarquer les outils à leurs dispositions. Mais aussi se poser des questions sur leurs identités, leurs cheminements, les aspects poétiques-politiques et le fond/la forme de leurs recherches.1:04:01 – Les trois grandes expositions américaines : Family of man – Mirrors et New Topographics.1:06:15 – « J'adore la matérialité de la photo mais on est à l'heure de la blockchain et de la dématérialisation on va vers une fin de la photo. On est désormais dans l'image. Le livre fait de la résistance. »1:10:10 – « Un artiste prend des risques et il se questionne sur un chemin qui lui est propre. »1:11:10 – Ses conseils pour les photographes qui veulent rencontrer des commissaires ou des galeristes.1:14:15 – Exemple de l'expo Rubis Mécénat durant Photo Saint Germain avec deux photographes sud-africain qui ont parlé de leurs traumas.Pour vous inscrire à la newsletter du podcast : https://bit.ly/lesvoixdelaphotonewsletterPour suivre l'actualité du podcast : https://bit.ly/lesvoixdelaphotowebsite Et vous pouvez retrouvez le podcast sur Instagram, Facebook et LinkedIn @lesvoixdelaphoto Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This episode I welcome photographer and photo book publisher Jesse Lenz to the podcast. We have a high spirited talk about the power of DIY, believing in your work, putting ink to paper, and the value of creating the things you want to see in the world. All this, plus we discuss his forthcoming book, "The Seraphim." Inspiration and positivity abounds.Links:Jesse Lenz websitePre-order "The Seraphim" via Charcoal PressThe Charcoal Book ClubChico Photo Review

In this episode Mandy chats with Ray Liu and Alex Bridge about the OnlyFilms collective's recent experience attending Paris Photo Fair and the Instant Art Exhibition that coincides with the fair. Ray shares some of the story of his journey with Polaroid. Mandy talks about her recent experience attending a printing workshop with Rachel Brewster-Wright in Liverpool which prompts Alex to discuss making some prints from his work on Japan.   OnlyFilms - @onlyfilmsproject Mandy - @mandyleft Ray - @rliu Alex - @disorganised_film Paris Photo - @parisphotofair Instant Art Exhibition - @instantart_exhibition Rachel - @littlevintagephotography

In this episode of PhotoWork with Sasha Wolf, Sasha and Anna Walker Skillman, Co-Owner & Creative Director of Jackson Fine Art, have a behind the scenes talk about representing artists and connecting their work with collectors. They discuss the nuts and bolts of running a successful gallery amidst changing technology and perceptions about photography. Anna and Sasha also have an in-depth conversation about what makes a collector and whether or not photography collectors are an endangered species. https://www.jacksonfineart.com Jackson Fine Art is a world-renowned gallery with a 33-year history of supporting artists and collectors. The gallery cultivates and guides both emerging and established collectors to the best fine art photography of the 20th and 21st century, across both traditional and innovative photo-based mediums. Working closely with collectors, curators, consultants, and designers, JFA provides expertise in a warm, welcoming space in the Buckhead neighborhood of Atlanta, GA. The gallery is led by Co-Owner & Creative Director, Anna Walker Skillman, and Co-Owner Andy Heyman, Founder, ASH IP& ASH Atlanta. The duo is celebrating twenty years of partnership in 2023. In the spring of 2023, Jackson Fine Art expanded into a custom-built, 4000 square-foot gallery located directly across the street at 3122 East Shadowlawn Avenue. The new gallery retains the comfortable, home-like ambiance of the much-loved former gallery but now with expanded exhibition, office, inventory, library and meeting spaces to keep pace with the growing clientele and opportunity to exhibit large-scale works. The new space responds to the evolution of contemporary art. In addition to 9-12 exhibitions annually, Jackson Fine Art participates in international art fairs including: Paris Photo; The Photography Show (AIPAD) in New York; Art Miami; and Intersect Aspen. The gallery is a member of the Association of International Photography Art Dealers (AIPAD) and Ms. Skillman is a former member of the board of directors. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Featuring:Andrea ModicaJesse LenzMelissa DeWittTodd HidoKristen Joy EmackAnastasia SamoylovaMimi MollicaMimi PlumbJane Evelyn AtwoodChristopher AndersonTim CarpenterSofia KrysiakNelson ChanTom Booth WoodgerSilvana TrevaleGianluca GamberiniGregory BarkerDewi Lewis

A decade of attending this fair has honed my ability to select from the staggering amount of concurrent offerings - astounding amounts of work, panel discussions, book signings and outside Prsi Photo happenings during a packed week in Paris. In this conversation, Syb discusses, among other things:VernissageNew discoveries Elles x Paris Photo platforms and anniversary bookRobert Cumming happenings - including a new documentaryBook AwardsAI and digital photography taking a foothold at the fairPolycopies Sophie Calle taking over the Picasso MuseumBleak yet authentic reflections on maternal relationships at Le Bal

An encore presentation celebrating the life of Joan Liftin, who passed away earlier this year.  We had a wonderful conversation back in season one.  Sharing this as the dust settles from my recent trip to Paris Photo 2023.Joan Liftin had an illustrious career in photography. Besides being a photographer with three monographs under her belt, Joan spent many years as a teacher at the ICP and a photo editor at the esteemed Magnum Photos. Plus, she was married to photographer Charles Harbutt. I really enjoyed this conversation, I hope you do, too.Joan Liftin at the ICPCharles Harbutt at ArtnetMagnum Photos

An extra-big episode to make up for missing a week! Recorded 11/9/23 and released 11/13/23. In this episode we discuss: The Pre Auction Extravaganza episode of Nota Bene SBF Guilty and a reminder for anyone interest to check out coverage of the trial on the Unchained Podcast fx(hash) hype season officially starts with 2.0 launch date announced for December 1 and artists scheduling releases on the new Calendar feature Trinity gets a Tych on collection offer, one of many pieces sold by Galaxy in this latest round of sales. Cosmic Poems by Mark Webster on fx(hash) Trichro-matic by MountVitruvius on Art Blocks Curated Constraint by Eric Andwer on Verse In Conversation With live at Paris Photo and for sale on Verse Catching up on a lot of shoutouts Thanks for listening as always! If you enjoy the show and want to support us, you can subscribe to our Patreon or donate directly to wtbs.tez or wtbs.eth Episode Art: Trichro-matic #216 by MountVitruvius Intro and Outro music by Pixelwank

Hofmann, Friederikewww.deutschlandfunk.de, CorsoDirekter Link zur Audiodatei

Marcel Schwittlick is a Berlin-based artist best known for his work with drawing machines. We have been fans of Marcel's work since we first discovered his Upward Spiral series and have been following from platform to platform since then. In this interview we discuss: Marcel's background in art and coding & how he discovered NFTs The "generative-ness" of his work with drawing machines & building entropy with cursor lines Honoring pens and ink with his The Long Run series How the Octet performance came about & using A.I. to network 8 different plotting machines The influence of the Concrete art movement on Marcel's work with Luminograms & his upcoming exhibition of Composition 92 at Paris Photo (and here is a link to the Verse page for his works & others) Marcel's thoughts on Tezos and Ethereum, and whether he would replace a lost or destroyed physical piece for a collector Thanks to Marcel for taking the time to speak with us for the show. You can learn more about him and his work on his website, schwittlick.net and you can follow him on Twitter @schwittlick_ You can follow us on Twitter @waitingtosign and on Instagram @waitingtobesigned If you like the show you can support us by subscribing to our Patreon or donating directly to wtbs.tez or wtbs.eth Episode Art: Composition #92 (Luminogram) #3 by Marcel Schwittlick Intro & Outro music by Pixelwank

durée : 00:58:19 - Affaires culturelles - par : Arnaud Laporte - Elina Brotherus mène depuis plus de 20 ans une recherche artistique servie par la photographie et la vidéo. Invitée au Festival de Photographie de Deauville, exposée à Madrid et présente à Paris Photo, la plasticienne finlandaise nous fait entrer dans sa chambre noire. - invités : Elina Brotherus

OM HealsQuantum physics reveals that we are 99.9999% energy and only .00001% physical matter. When we flow, move, and balance blocked energies we hold, then our mind, body and soul return to its natural state of well being.We are committed to matching you with the best possible energy meta-cine practitioners to support your wellness with our customized algorithm. After each energy session, we will ask for your feedback on how well we are matchmaking you with energy practitioners so we may serve you as best as we can.Visit om-heals.com to learn more and to get started today! Welcome to the show the multi-talented Miguel Ribeiro, author of Beyond Darwin, The Program Hypothesis. The narrative of Miguel's book challenges the notion of transitioning from certainty to uncertainty, highlighting the complexities that lie in the unexplored realms of science.Are humans merely divine computer programs? This thought-provoking concept delves into the idea that our existence may be part of a grand design, prompting readers to question their place in the cosmic symphony.Then the question of free will inevitably arises. How can individuals possess autonomy if everything is pre-programmed? The dichotomy between fate and free will serves as a captivating centerpiece, keeping readers engrossed in the narrative's philosophical complexity.In his book, Miguel weaves together scientific discoveries, philosophical inquiry, and profound contemplation, inviting readers to embark on a transformative journey that questions the very fabric of existence and the Universe itself.In this interview with Miguel, you'll discover:-The inspiration behind writing Beyond Darwin...02:00-You can't go from certainty to uncertainty...07:15-"Coincidences" that cannot be explained in the realm of Darwinian science...10:30-All scientific norms are being challenged...15:00-Are humans simply divine computer programs?...19:45-Do we have free will when we believe everything is pre-programmed?...25:25-Why the Universe is not entirely random...29:50-And much more...Resources mentioned:Beyond Darwin, The Program HypothesisAbout the guest:Miguel Ribeiro was born in Lisbon, 18 August 1952. MDHe is Fellow of the College of Physicians of South Africa and worked as a consultant in Internal Medicine at Tygerberg Hospital, Cape Town. He is currently medical director of CMIL (Clínica Médica Internacional de Lisboa).Author of the books“Universo Programado, uma alternativa ao Darwinismo e à religião”, Gradiva, Oct 2013.“Beyond Darwin, the Program Hypothesis”, Amazon.com, Oct 2018; second edition June 2019.Photographer (miguelribeiro.net) One-man exhibitions Berliner Medizinhistorisches Museum, Berlin, Oct 2003–Feb 2004; “Abstract Body” IPSAR, Rome, June 2010; “Abstract Body”, Societa Umanitaria, Milan, Sept 2010; and also, one-man shows in Lisbon, Pretoria and Cape Town.Group exhibitions “The Century of the Body”, L'Elisée Museum, Lausanne, Sept–Dec 2000; Paris Photo 2002; “Parole de Peau”, Musée de la Civilisation, Quebec, Nov 2002–Jul 2003; Bienal de Nancy, April 2006. “Beauty, what for” Buenos Aires, winter 2006. “Darkside II”, Fotomuseum Winterthur, 2009.Books: “The Century of the Body”“Sleep”2005 and 2011 calendars of the Buhl Collection (USA)“Darkside II”, 2009“The Body”Magazines and...

Ep.134 features Kimberli Gant, the Curator of Modern & Contemporary Art at the Brooklyn Museum of Art. She was previously the McKinnon Curator of Modern & Contemporary Art at the Chrysler Museum in Norfolk, VA, and has also worked as the Mellon Doctoral Fellow at the Newark Museum, and Director of Exhibitions at the Museum of Contemporary African Diasporan Art (MoCADA). She has curated numerous exhibitions and gallery reinstallations including Black Orpheus: Jacob Lawrence & the Mbari Club (2022), Journey's Across the Border: U.S. & Mexico (2021-22), Tuan Andrew Nguyen: The Boat People (2021), Brendan Fernandes: Bodily Forms (2020), and John Akomfrah: Tropikos (2019). Gant received her PhD in Art History from the University of Texas Austin (2017) and holds both a MA and BA in Art History from Columbia University (2009) and Pitzer College (2002). Gant has published scholarly work in academic books, such as Anywhere But Here: Black Intellectuals in the Atlantic World and Beyond (2015), art publications such as NKA: Journal of Contemporary African Art, Art Lies and African Arts, and exhibition catalogues for The Newark Museum, The Contemporary Austin, the Studio Museum of Harlem, MoCADA, Paris Photo, and the Centre for Contemporary Art Lagos. Photo credit: Andar Sawyer Black Orpheus: Jacob Lawrence & the Mbari Club (2022) https://yalebooks.co.uk/page/detail/black-orpheus/?k=9780300263176 Chrysler Museum https://chrysler.org/exhibition/jacob-lawrence/ Brooklyn Museum https://www.artnews.com/art-news/news/brooklyn-museum-hires-stephanie-sparling-williams-kimberli-gant-1234610507/ NY Times https://www.nytimes.com/2022/10/20/arts/design/black-artists-african-art.html University of Texas https://art.utexas.edu/news/dr-kimberli-gant-selected-2022-curatorial-fellow ICI https://curatorsintl.org/about/collaborators/7950-kimberli-gant Artnews https://www.artnews.com/art-news/news/brooklyn-museum-hires-stephanie-sparling-williams-kimberli-gant-1234610507/ Brooklyn Eagle https://brooklyneagle.com/articles/2022/12/07/brooklyn-museums-23-exhibition-schedule-leaps-across-artistic-categories/ C& https://contemporaryand.com/magazines/brooklyn-museum-appoints-stephanie-sparling-williams-and-kimberli-gant-as-curators/ Artadia https://artadia.org/news/join-us-for-art-and-dialogue-new-york-with-kimberli-gant/ Culture Type https://www.culturetype.com/2021/11/18/latest-news-in-black-art-curator-essence-harden-joins-caam-new-curatorial-hires-at-brooklyn-museum-arthur-jafa-guest-edited-i-d-magazine-michael-c-thorpe-and-jammie-holmes-gain-new-gallery-repres/ Africa Center https://www.theafricacenter.org/events/becoming-in-america-a-conversation-with-fitsum-shebeshe-and-kimberli-gant/ The Herald News https://www.heraldnews.com/story/entertainment/2022/01/29/newport-art-museum-biennial-2022-featured-artist-exhibition-view-now/6595612001/ Live Auctioneers https://www.liveauctioneers.com/news/people/brooklyn-museum-appoints-two-new-art-curators/