Podcasts about Indie

Knicks in five, baby! Let's trash this place in the name of unity! The Talking Comics podcast is back, with Bob, John, and Steve hodling down the fort while Joey and Aaron continue to distance themselves from our insufferable shenanigans! On this week's episode, we discuss the first four episodes of X-Men '97: Season 2, Nazis in the snow, skater girls, MASK, and much more! Comics Discussed: Neverlanders OGN, Odin #2, Red Hulk #1-10, Wolverine: Road to Armageddon #3-4, Avengers: Armageddon #1, MASK #1, Absolute Catwoman #1, Captain Marvel: Dark Past #3, Skate Ali #1, Soul! The Connie Hawkins Story Other Stuff: X-Men '97 Seasion 2 (animated TV series), Disclosure Day (movie) The Comic Book Podcast is brought to you by Talking Comics (talkingcomicbooks.wordpress.com). The podcast is hosted by Steve Seigh, Bob Reyer, Joey Braccino, Aaron Amos, John Burkle, and Bronwyn Kelly-Seigh, who weekly dissect everything comics-related, from breaking news to new releases. Our Instagram handle is @TalkingComicsPodcast, and you can email us at podcast@talkingcomicbooks.com.

This episode was recorded on April 3rd, 2026 at the Culture Center Theater in Charleston, WV. The lineup includes Chris Smither, Joan Shelley, Yarn, Calvin Arsenia, Hudost. ⁠https://bit.ly/4vsZEnH

Indie author Matthew Linton drops by for a yarn about his fantasy books, love of anime and a whole lot more.   Website: Matthewlinton.com X handle: @_knight_writer   Podcast Website: thetrueandthefictional.com Contact the show: thetrueandthefictional@gmail.com Support the show: Buymeacoffee.com/sttatf Buy Merch: Jabryden.printify.me   Follow us on the socials: FB: Facebook.com/storiesthetrueandthefictional IG: @stories_podcast X: @stories_ttatf Youtube: https://www.youtube.com/channel/UCzIXhRcUvPPAzpCL-_a9N4w   Dropbear/logo designed by Mike Crumbs: Cartooncrumbs.com   Sponsor 1: Rebecca Cassells Buy her books on Amazon: https://www.amazon.com/.../e/B08WCH6RHG/ X: RACassells_auth IG: Rebecca.cassells.92 FB: Facebook.com/RebeccacassellsbooksTikTok: @rebeccacassellsauthor   Sponsor 2: J.A. Bryden  Website: Jabryden.com Socials: @jabryden   Kearsells Indie Book Award Winners 2025:   Janelle Schiecke: Socials: J_Schiecke Buy her books: https://www.amazon.com.au/stores/author/B0CCXHKVGH/allbooks?_encoding=UTF8&ref_=aufs_ap_ahdr_dsk_ab&pd_rd_w=XSV9m&content-id=amzn1.sym.b4344408-bcb0-46d7-b9b0-ac31160009fa&pf_rd_p=b4344408-bcb0-46d7-b9b0-ac31160009fa&pf_rd_r=358-0097934-1431222&pd_rd_wg=8hy1R&pd_rd_r=f0f7368c-365a-4c1c-8cc2-4a75595b0f92   Alexander Rob: Socials: @TheStarwald Website: Alexanderrob.com   #indieauthorpodcast #meettheauthor #books #indiebooks #booktube

What happens when traditional publishing stalls your career — and you decide to take matters into your own hands?In this episode, Nicole sits down with award-winning novelist Annie Cathryn (The Friendship Breakup, Eat the Cake) to talk candidly about her journey from querying 125 literary agents, landing a traditional publishing deal, and ultimately making the leap to self-publishing her latest novel.Whether you're a fiction writer wondering how to self-publish your first novel, or a traditionally published author weighing a move to indie publishing, Annie's story is full of hard-won wisdom and practical insight.They cover:What it really takes to query literary agents — and why 125 rejections isn't failureWhy traditional publishing didn't work for Annie's sophomore novel (and why it had nothing to do with her writing)How she launched an indie publishing business in a single day — LLC, website, pub date and allThe honest learning curve of self-publishing: book formatting, cover design, IngramSpark vs. Amazon, and what she'd do differentlyThe real benefits of being an indie author: creative control, real-time sales data, and choosing your own pub dateHow to decide whether traditional or self-publishing is the right fit for your author careerAnnie's debut novel Eat the Cake — a story of grief, unexpected hope, and a scavenger hunt through Florence — releases July 21st. Find her on Instagram @msanniecathryn and pre-order at bookstoread.com/anniecatherine.For more on Nicole Meier, visit nicolemeier.com

Lauren's guest is fashion journalist Alice Cavanagh. They discuss shopping in Paris, the future of Moschino, the challenge of being a young designer, why editorial exclusives are kinda silly, why Lauren is no longer wearing 4-inch heels, and plenty more. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Sean Wood joins The Chairman and the Council of Nerds to discuss The Fog Within, his creator-owned post-apocalyptic comic series that blends science fiction, action, mystery, and time-bending adventure.With The Fog Within #5 launching on Kickstarter, Sean shares the origins of the series, how a simple run through a foggy day sparked the concept, the challenges of building a creator-owned comic universe, and the lessons he's learned from running multiple successful crowdfunding campaigns.The conversation explores worldbuilding, indie publishing, Kickstarter strategy, creator-owned storytelling, and the realities of building an independent comic career one issue at a time.Topics include:• The origins of The Fog Within• Worldbuilding and character creation• Kickstarter crowdfunding• Creator-owned comics• Indie publishing• Writing and storytelling• Building a comic universe• Lessons learned as an independent creator

How can horror writing help readers — and writers — work through psychological trauma? Why does cross-genre fiction take longer to find an audience, but pay off in the long run? Is running a direct sales store actually worth the inventory, postage, and learning curve? And how can SubStack work for fiction authors? With psychotherapist and award-winning author P.D. Alleva. In the intro, thoughts on why in-person conferences are still worth it, even when they are a challenge for sensitive introverts! and tips for making the best of conferences [Self-Publishing Show]. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why horror puts the human condition on display better than any other genre Emotional trauma as the silent psychological killer most people overlook The pros and challenges of cross-genre writing and finding your audience Practical lessons from running a direct store, including integration and signed-copy fulfilment How a 3 a.m. writing routine keeps the writing separate from the marketing and admin Serialising fiction on Substack, multiple newsletters, and avoiding paid subscriber promotions Why Facebook groups, TikTok Lives, and the three-to-one rule are working right now You can find P.D. at PDAlleva.com or on Substack. Transcript of the interview with P.D. Alleva Jo: P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. So welcome, Paul. PD: Thank you very much. Thank you for having me. This is a great opportunity. I love doing interviews, and I love talking to great people. Jo: Oh, good. Well, first up— Tell us a bit more about you and how you got into writing and being an indie author. PD: So I've been writing since I was a kid, at least second grade and more than likely even before that. I've always had that creative itch. Getting into indie author publishing, I published my first book in 2011. At the time I was also operating my own business, which took up about 24 hours of my time every single day. Then I kind of got through that and sold that in 2016, and I'm like, you know what? The time has come. I'd always written books, poetry, short stories, but never really did anything with them because I just didn't have the time. So in 2017, that's when I really came out and said, all right, the time is now. Indie publishing was doing great. The one good thing I do love about Amazon is they allowed us to come out there and start showing our craft to people. So in 2017, I just started—let's do this. Let's write full time. Let's put books out there. Let's be creative. Let's really get those juices flowing. Plus, I was getting a little bit old, and I was like, now is definitely the time to do this. Since then I've been publishing consistently, and most of my books are horror books, but I dabble. I have a sci-fi series, and I'm starting to get into psychological thrillers too. I've got a new psychological thriller that'll be published in early 2027 called Girl on a Mission. For the most part, I'm definitely into the horror genre—books, short stories, all that good fun stuff. Jo: Right, so a couple of follow-ups. You said you're a bit old. Can you give us what decade you're in at least? PD: Well, I'm 51, so born in 1971. Jo: Oh, there you go. Same age as me. PD: All right, good. See that? So we're going head-to-head there. Jo: I don't think that's old at all. Also, you mentioned you sold your business in 2016. So what was your business before? Because I think business experience is so important. PD: Agreed 100%. So I'm a psychotherapist, and I had owned a treatment centre for mental health and addiction. That was started in 2011, and in 2016 is when it sold. Since then, my wife and I started a private practice. So I still, even to this day—well, about a year and a half ago is when I stopped. I specialise in trauma, PTSD, and addiction. Trauma mostly. Most of my caseload has always been trauma, PTSD, sexual abuse, psychological abuse, war-type trauma. I was doing that mostly individually since 2016 in private practice, and I'll still go into treatment centres and see patients there too, specifically for trauma. About a year and a half ago is when I started wanting to do writing 100% full time. I thought about becoming a professor, maybe going to college, but then I wasn't sure if I wanted to get into that full time, as far as a caseload and school and everything like that. So I decided to just do group therapy, group facilitation, and I've been doing that consistently since then. It may be 15 hours a week. I do love to give back, and to me, it's more what I teach. I specialise in neuro-linguistic programming, bilateral stimulation or EMDR, hypnotherapy, science of mind concepts, psychopharmacology, biological bases of behaviour—which is pretty much how your brain works—ancient wisdom, quantum physics. I do this in a drug addiction treatment centre mostly, also mental health. And of course, just living an addictive lifestyle is traumatic, too, in and of itself. So pretty much I'm teaching them. Behaviour modification is a big part of what I'm teaching during that time. You'll see that, too, if you read my books. There's two things you can figure out from my books. You can figure out how to murder people and get away with it, and two, you can figure out how to overcome trauma as well. The whole “murder people and get away with it” comes from my upbringing. I have a very sorted past, let's put it that way. My upbringing was very different than what most people grow up in. Jo: Oh, can you give us any more than that? Now everyone's like, “Oh.” PD: “What's going on with this guy, right?” So I grew up, let's say, quote unquote, “in an Italian New York family.” Jo: Okay. All right. PD: That might give people ideas, right? Jo: That's going to give people a lot of ideas. PD: If you've ever seen the movie Goodfellas, I kind of grew up in that atmosphere, and with even some of those people too. My family had connections to those people in that movie, which I find very funny. If you watch that movie with me, you get a very different perspective on what's going on in the movie. Jo: Wow. So you're an interesting guy with an interesting background, with a very interesting backstory job as well. Some people are like, “Well, of course he's writing horror because horror is just awful and full of slasher gore and all that.” I often have to say to people who don't read horror, “Look, it's not like that.” Maybe some of it is, sure. But most of it isn't. Could you talk about how reading and writing horror can also be psychologically healthy? How do these worlds intertwine for you? PD: Well, sure. It 100% can be healthy. Especially over the last few years, there's a trend going on out there right now where people are taking their trauma and putting it into a creative process through poems, short stories, and even novels. They're taking their trauma and giving it a face, like a monster, where people are overcoming that monster within the creative process. I always say that horror is the genre that puts on display, better than any other genre out there, the human condition. Why is that? When people are in a terrifying situation, you really see who they are. You get to the heart of the matter of who that person is by putting them in these horrific but undefinable situations where it's like, what are they going to come out as? That real true personality needs to come out, and that courage comes out. That's huge in horror, and I think horror gets such a bad name. Now, I know there's the extreme horror and the splatterpunk, and that has its kind of role too in what I'm saying, but that's where horror is getting its bad reputation out there with the over-the-top type of gore. For the most part, that's a small part of the horror genre. It's a subgenre for a reason. It has its readership, and that's fine. Nothing wrong with it. I read it all the time. I find a lot of joy in it, a lot of excitement. However, for the most part, any horror novel that is not completely with the gore and stuff like splatterpunk can be seen as a psychological thriller, and a lot of psychological thrillers can be seen as a horror novel. Look at books like The Silence of the Lambs, Red Dragon. That's horrific as well, but if you read the novel, it's in there. It just gets that bad rap right now, and it's not all gore. Most horror novels that I read today are psychological horror. It's tame on the gore, and the psychological aspect is there. I always see that psychological aspect—it's like psychological trauma. Most people, even in my industry, when people are out there and you mention trauma, PTSD, they're thinking about sexual abuse, physical abuse, or war-type trauma. The silent psychological one—I once wrote an article called “Emotional Trauma: The Silent Psychological Killer.” The one that's out there is the psychological trauma, the emotional trauma that is widespread. Most people go through that, and it could even be from parent to child, and most people don't understand that that's a traumatic experience. It's like a distortion of reality that you're experiencing that then creates a belief system in your brain, and you're constantly acting out that belief system. That's where the psychological component of horror really comes out. People breaking through that psychological belief system that was created through a traumatic experience by reaching courage and coming out through a horrific situation. Jo: Yes, it really annoys me, because with romance, of course people understand that romance is a huge genre. Something like a small town sweet romance is a world away from the bully romantasy, dark, or mafia. Mafia romance is a really big thing with very dark themes. I'm like, well, how can you understand that romance is a huge genre with all these different subgenres, and not think that horror or thriller or fantasy or sci-fi all have so many different subgenres within them? I personally read a lot of supernatural horror, but rarely the slasher gore kind of stuff. So I'm really glad you said that, and hopefully more people will open up a bit more. I did also want to ask you about what you write. You write all these different things. You write standalone—I mean, often horror is standalone—but you also have some series. How do you balance it? What are the benefits of cross-genre writing, but also the challenges of it? PD: Okay. So obviously I love cross-genre writing. To me, I use fantasy to explain the supernatural elements. I blend mostly a tad of fantasy to help explain the supernatural components in my supernatural novels. When I write sci-fi, specifically sci-fi, that has the fantasy element in it too, but there's also a tad of horror in there as well. It's just who I am. When I grew up, I had a lot of different influences. I had Star Wars on one side, and then I'm watching B-rated '80s slasher films on the other side. Those two mixes just kind of followed me throughout my life, and that's why I like putting them into my novels. As I tell my patients, don't limit yourself. Never limit yourself. If you're just limiting yourself to one genre, you're missing out on so much more that's out there. So I love the blend of mixing genres. It just gets my goat each and every time. It is a challenge though. I remember when I first started getting into indie publishing, I was never big into Facebook and social media up until I started becoming an indie author. Before that, with my type of upbringing, you don't advertise yourself. You don't advertise where you're going. That's a big no-no. So I always had this aversion to social media. I'll tell you a funny story. It was the late 2000s, probably 2006. I was a full-time single father at that time, and I was living in Florida. My family—brothers and sisters-in-law—were living in New York, and my sister-in-law said, “Get a Facebook account so we can see pictures of the kids.” I said, “Oh.” I didn't want to do it, but I said, “Okay,” so I did it. And I'm thinking, looking at this Facebook thing, “How do I put pictures on here?” So I figured out how to put pictures in folders. Then I phone called her, and I'm like, “Okay, so they're on there.” And they're like, “Well, where are they?” I'm like, “I put them in these folders. You can go and look at them.” She's like, “No, you've got to post them.” That to me was like, “I'm not posting pictures of my kids.” That was a big no-no. It didn't click. When I got on there finally in 2016, 2017, I'm like, “Okay, so I need to figure out social media. As an indie author, I need to be on there, so I need to get through this aversion and get on there.” I started noticing how people are so particular with their genres. If they're reading a romance, it had to be very specific with that exact type of romance, and if you deviated from it, they're not going to like it. So that was the challenge. I was like, “All right, number one, I'm not going to dilute myself” and say, “All right, take things out of my writing or out of my novel just so I could cater to a certain type of audience.” I'm like, “I'm not going to do that.” I know with me, myself, as a reader, I'll read everything. I don't limit myself to a specific genre. I'll read psychological thrillers. I'll read romance. I've been doing that all my life. So I'm like, if there's a person like me out there—and look at this, I just met like four other people who also read cross genres—then I know that there's at least another 30,000 people, and I know that at least then there's 300,000, then there's three million people out there. So just write the books that you're writing and find your audience. Now, that takes longer. So you've got to chip away. Chip away. You're going to find readers here and there, and then that reader kind of tells a few people about you, and then you've got a few more readers. Then you keep going, and you go on these Facebook groups, and you do a whole bunch of different things, and then you gather a few more readers. Then they're telling some friends, and then you've got more. The process takes a lot longer, yes, 100% agreed, but I would say be true to yourself and you can never go wrong. Jo: Yes, I agree. I write cross-genre as well, and I've browsed your collection. Golem was the one I was like, “Ooh, yes, I like that one.” I haven't read it yet, it's on my list. I think when you're cross-genre, my people come to my store as well, and it's like, “Okay, I'm interested in lots of things, but this is the one by this author that I'm interested in.” Whereas with other authors who only write one type of thing, then I might not like any of their stuff. So I think there are definitely pros and cons and different ways into our world. I also wanted to ask you about the differences in business. Obviously you ran this treatment centre and there were physical humans on all sides, and now you've got a business as an author. So what have you learned in business from what you used to do and what you do now? PD: Okay. You're right. The treatment centre industry is very different from what I'm doing now, but it's still people. Treat those people right, have integrity. If you say you're going to do something, follow through with it. My word is my bond type of thing. That definitely has fed into the writing and publishing industry that I'm in now in a huge way. Just connecting with people is, to me, the biggest part of it. I mean, treatment centres, you've got to connect with people. When I would market the treatment centre, where would I go? I would go to hospitals, residential facilities, detoxes, and talk to them about my programme and why they should be referring clients there. It's the same thing here. Why should you be reading my books? You get there through interviews like what I'm doing here with you. Other podcasts. You get there by doing Facebook Lives, TikTok. I haven't started TikTok Lives yet, but I actually love that platform. I'm falling in love with it. IG Lives, anything like that where you're talking to people and you're making a connection with those people. Through that, I've gathered so many different types of readers who are like, “Yes, I'll give this book a shot.” And then they read it and they're like, “Hey, this is really good, and I'm going to read another book.” With my books, I have very different books. Golem is my psychological horror novel. It's my slow-burn psychological horror novel, heavily inspired by Frankenstein and the Pygmalion myth. It's my first true horror book that I published. Then there's Jigglyspot and the Zero Intellect, which is inspired by B-rated '80s horror movies and the old grindhouse movies of the '70s, and it's mind manipulation. It's just wild and bizarre. And then The Sleepy Hollow Incident is my Gothic tale—it's like a dark romance mixed in with Gothic horror. So I always try to put something for everyone that's out there. To me, when I'm writing, it's got to be about depth, psychological depth. I always refer to my books to be like peeling layers off a Texas-sized onion. The more you read, the more in-depth you get into not only the characters, but the story. It's just something that comes out of me. It's part of me. That's the way I always have to do it. I always have to put that depth in there. To me, that's good storytelling. When I grew up, I read a lot of classic literature. Yes, Edgar Allan Poe, but also Dante's Inferno, Milton's Paradise Lost, The Hunchback of Notre Dame, the Brontë sisters. Keep going. Ray Bradbury, Ayn Rand, Daphne du Maurier, Shirley Jackson. Those to me are my books that I absolutely love. So there's a sweet science in today's fast-paced, social media type of world in marrying the depth of the old classic literature and the entertainment value that is required today for being an author. There's that sweet science behind it, and I love just hitting that nail on the head every time. Jo: So did you ever pitch traditional publishing, or have you thought about going that way? Because I also find that a lot of horror actually sits very close to literary. Like, I read a lot more literary horror than I do in some of the other genres. PD: Correct. So in the beginning, yes. Not in a long time. I maybe went to a couple of indie publishers, but as far as traditional, the Big Five publishers, I have an aversion to them for a big reason. I know people who have worked in that industry that have told me some pretty bad horror stories about those places. So I haven't sent anything to that type of place in a very, very long time. Maybe close to 20 years. Indie publishers, the small presses, yes, here and there, but even then, I'm always moving at a fast pace. So if I've got a book and I'm sending it out as a query letter, by the time that query letter is even read, I'm almost done publishing. I love that aspect of it. The control of my story, where I know where this character's going. And listen, I've got my beta readers, I've got my ARC readers. They're there to tell me, “Hey, maybe you should change this or change that.” Whether I take that advice or not, of course my editor too, is really up to me. I always put out the book that I know is the one I want to read. And to me, I haven't gone wrong in doing so. I know with traditional publishing, you sometimes get too many thoughts in the pot there. Let's put it that way. Jo: Okay, so coming back to being indie then. You mentioned Amazon earlier, but you have a store where you sell direct. Many authors are doing this now, but it can be a challenge. So what have you found are the pros and cons of your direct store? What's working? Any lessons there? PD: Okay. So I use a place called Big Cartel. They're the platform where the books are on. They're hosting my website, PDAlleva.com. The big challenge was actually just starting it. It was so overwhelming. How do I put this on there? At the time, I've got all these books, so how do I present them? I'm even going to be doing another revamp with it too, because I want better pictures—taking pictures of the books, stuff like that, instead of just having the covers on there. I also have a lot of shirts that I'm selling. So I think the biggest challenge is just getting on there and starting it. Then of course, you've got to learn a whole new platform, and the mechanics, and how people are going to be downloading, and how that's done on an e-book versus a print version of the book. So it's a huge learning curve that you've really got to put your focus on and give it time. What most people like in indie publishing is signed copies. It's a huge part of indie publishing, selling those signed copies. People love a signed copy, and that's primarily what my website is for. You can order signed copies from me. I also use a place called IngramSpark, and they're more like a distributor. They're used by everyone. They've been around for a very long time. Traditional publishing uses them too, and they're just distributing your novel. I'd say about a year ago, maybe two years ago, they started where you can sell your books on discount through them as well. So I have that on my website too, where you're just clicking on the book and you're pretty much going directly to their site and you're buying paperbacks and hardbacks at a discount. That's going well too. For the most part, people are definitely coming to my site because they want the signed copies. A good thing with indie publishing is limited editions, first print copies, special editions. That type of stuff really just takes off. People love to see that, especially in the indie community. You can sell them too. I go to a few different book conventions during the year, and the limited editions are there. Like I said, people love the signed copies. They love being a part of that and getting that signed copy. They treasure it, just like I treasure my books too. I'm not referring to my books that I've written, but books that I have as well. I love my e-reader, don't get me wrong, but I still prefer the physical copy—the paperback, and even more so than the paperback, the hardback. So people love those signed copies, and that's why I created the website, to sell on there for them. Jo: Yes, I mean, we're getting to a point now though where I think some people are questioning the pros and cons of it. For example, you doing the signed copies—I don't do that from my Shopify store because I don't want to hold stock and I don't want to deal with postage. So I only do it when I do a Kickstarter. I've just finished one recently, Bones of the Deep, and I'm going up to the printer, and I'm going to sign a couple of hundred copies and then they do the postage. That's the only way I'm willing to do it because of the pain of getting books to your house, signing them, getting them in the post. So how do you manage that practically? PD: Okay, so the inventory's there. I don't go and sign everything right away. I just keep the inventory. Once somebody buys the book, then I'll pull out the book, log it and all that good fun stuff, sign it, and then ship it out immediately. Here in my country, we get discounts at the United States Post Office because they're books. So they pass that shipping cost over to the reader too, so it's a little bit cheaper for shipping. I'll just take books once or twice a week over to the United States Postal Service and ship those books out. I don't sign them until I actually get that order. Jo: How many do you have in your house? It's the holding stock of all the backlist that is the problem. PD: Ooh, gotcha. All right. That's why I have a two-car garage. But here's the thing, I won't order 500 at a time. I'll order 20 at a time. Jo: Okay. Right. PD: When I see that inventory's getting low, I'll order another 20 at a time. Jo: And you get those from IngramSpark? PD: Correct. When the new one comes out, maybe at that time I'm just selling those, bringing those to conventions that I go to. Or maybe doing a sale on those books at that time to get rid of the inventory so it's not sitting around anymore. Jo: I think that's so important. Then like you mentioned, you do T-shirts or shirts. That is also really hard because of sizing. So is that all print on demand? PD: Yes. So I don't really hold the stock on the shirts. When I get an order, whatever the size is at that time, I go directly to the place and order it. I use a place called Sublimation Station that's here in Orlando. They do great all-over print T-shirts. They're fantastic. I just did one for The Sleepy Hollow Incident. So The Sleepy Hollow Incident is one long story, and it's broken up into four books. Each book has its own. The covers are fantastic. I use a lady named Cherie Foxley. She's a phenomenal cover designer. So the shirts are, like, book one is on the front of one shirt with book two on the back, and then the second shirt is book three on the cover and book four on the back. However, I can customise those. I just did a giveaway in my Facebook group and I let people know I could customise them, and she wanted book one and book four, so I just got that and sent it out to her. Now, if people go ahead and order that on the website, I can just order it right away from them, boom, and that place will get it shipped right then and there. Jo: Right, so they do the shipping. These are all sort of practical things that people need to answer because I feel like sometimes it's like, “Oh, yes, having a direct store is great,” but there's actually quite a lot of work that goes into it, isn't there? PD: There is. There's a lot of work. You're pretty much opening almost like your own brick-and-mortar store at that point. You just don't have walk-in traffic coming in—your traffic is all coming online. So there is a lot to it, but it's worth it. If you're a self-published author or even a small indie press, it's good to have. Because like I said, people love the signed copies. Jo: When you say it's worth it, is it worth it financially or just because you like to serve the customers in that way? PD: Both. Jo: Right. So it is financially worth it for you? PD: Yes. Jo: I was talking to a friend of mine and saying, are you valuing your time in terms of things like taking the books to the post office and stuff like that? Do you find it eats into your writing at all, or do you just manage it all separately? PD: No, I manage it separately. So I'm an early morning riser. I get up at 3:00 in the morning, and that's when I write my books or do editing or brainstorming. I'm about to write a new novella now called The Adam and Eve Story, which is actually based on a little-known CIA shelved book from the 1990s called The Adam and Eve Story as well. So I've been brainstorming that, and I was doing that this morning. I get up at 3:00 a.m. and I do my writing, and by the time the kids are up and by the time the wife is up, it's like 8:00 a.m. is rolling around and I'm pretty much done at that point. Then I have my days. Tuesday I'm completely working from home and I do my thing in the morning, and then the rest of the day is marketing, fulfilling orders, stuff like that. On the days when I'm going to do group facilitation, I'll of course still get up at 3:00 o'clock in the morning, and then I'll plan out the day. I've got an hour between this group and I can go ahead and do that, and I'm already there so it's not a problem. The post office is right around the corner. You kind of figure out all the logistics for yourself. There are some days, like on Monday, I don't facilitate groups until the afternoon, so I've got the whole morning to work on marketing and do other things, and fulfilment. Then of course Saturday's a big day for that too. Jo: Oh, that's good. I feel like people always need to know how to balance their time, but it sounds like you manage, because at 3:00 a.m., as you say, there's not much else to do other than write. You mentioned marketing, and you have a Substack, pdsalternativefiction.substack.com. Talk about that and serialising fiction and how Substack works. Because I feel like a load of people are jumping in but might not necessarily know how it works, especially for fiction. PD: Correct. It is becoming quite popular out there. I think the one before that was Patreon, and Patreon is pretty big for that too, kind of the same thing. I wanted to start something and just get the work out there. I was very interested when Amazon came out a few years ago with what was called Vella. They kind of started that. I was like, “This is kind of cool.” Couple chapters at a time. I'm writing the books anyway, so why don't we kick this off and see how it goes—a type of experiment. I had a lot of fun doing it. I started on October 4th, 2024. I've done four novels so far. One is still going, which is Volume 3 of my Dark Veil serie— that's a sci-fi series. I wrote three other novels. The Hypnotist, which is a thriller, heavy on the sci-fi and a tad of horror in there too. And then I wrote Girl on a Mission, which is my psychological thriller, and then Cat Fight, which is a horror novel—all within that time. I think I finished all three of those novels in January, and then the first week of February they were all pretty much done. Now what I'm doing is, I went paid recently on the Substack. It's like everything else that's out there—chip away, chip away. I fell into that hole where they say, “Hey, we can promote you and get people to sign up for your newsletter.” And I'll be honest with you, don't do it. It's not worth it. You spend money, and what happens is they're what I refer to as dead leads. They don't click. You wind up shuffling them off after three to six months, because they're just not clicking. Everybody gets a star rating, so you know—are they clicking, are they staying on, are they not? So I got rid of pretty much all of those people, and I'll never do that again. It's got to be done organically. That's why when you read my books, especially the new books, towards the end it'll say, “Sign up for my newsletter.” I do more with that newsletter too. If you're on the free tier, every month I do a monthly newsletter, which is just me talking about updates, things going on in the publishing industry, things going on with me. My daughter puts together a weekly Horror and Sci-Fi Chronicles newsletter, which gives what's going on in new releases in the industry—sci-fi, horror, books, movies, television. She does deep dives into industry tropes, historical tidbits, and a weekly quiz. I also do a monthly Terrors and Tales newsletter. I started this last year, and it was a quarterly newsletter. It's other authors who are new, upcoming, never been published before, looking to get published. It's a chance for them to be on the newsletter where they have a flash fiction story or poem or even a short story that I publish for them. It's called the Terrors and Tales newsletter. What happened is I would put out calls for submissions. And a place called Duotrope—I don't even know who these people are, but all of a sudden I got an email from them stating, “Hey, we found that you're looking for submissions, and we posted your link. We hope you don't mind.” I'm like, “No, of course I don't mind.” I got so many submissions from that one link. I'm like, “Okay.” Do I really want to deny people? I'm not like that. I want to help promote other authors. I know what it's like when you're new and upcoming, no matter what age you are, to say, “Hey, here's a platform for you to see your stuff in print.” Obviously, I read through them just to make sure they're up to a certain standard, but for the most part, if you submit, you're getting in there. With Duotrope, I'm like, I have enough here to put out one a month. So in May 2026, the first one goes out, and then I'll have one each month until December, and then who knows? In 2027 I might go back to quarterly. I might get enough submissions to just keep it going once a month. So that's the Terrors and Tales newsletter, and it usually comes out towards the end of the month—the last two weeks. I have nothing to do with it in terms of content. None of my stories are on there. None of my poems are on there. None of my flash fiction. It's all other authors, just for them to see their name in print, see their work in print, share it with their friends, and put something on their resume, and to encourage people to keep reading and keep the craft going. Jo: When you say in print, you don't mean in physical print? PD: Oh, I mean in the newsletter. I'm sorry. Jo: I think that's important, or you're going to get a lot more submissions, and you will need to do publishing contracts and all that kind of thing. I think that's the difficult thing with a Substack newsletter approach—it's difficult to know where to categorise it. Is it marketing? Is it publishing? It's all of these things, I suppose. A bit like this podcast, it's all kinds of things. In terms of Substack actually making money on its own or leading to book sales that make money, do you think it does serve that purpose? PD: I think I've gotten more book sales through it, and also ARC readers who are enjoying the books and giving reviews. As far as the paid tiers, that's kind of a little bit slow, and that's where I'm saying chip away at it. Keep it up there. Keep it going. Over time, you're going to build that type of audience where it's going to be like, “Hey, this is financially feasible for me to continue to do this.” That's the response that I'm getting out there. Jo: Yes. Before, you mentioned you were doing Facebook Lives and you're looking at TikTok, but— Is anything else working for you in book marketing? If people have a few books and they're like, “What is working for book marketing right now?”—what do you recommend? PD: Okay. For me, the thing that has made the most sense is making sure the reader knows the book is out there through some sort of social media. I've had really good success on TikTok since the beginning of this year especially. I started it about a year ago, year and a half ago, but then my father got sick and passed away, and it was a new venture and I put it off to the side. I really got the flavour going at the beginning of this year. February, March of this year. It seems to be going really well, and I've noticed an uptick in sales from just getting the videos out there and getting it in front of people's eyes. There's an event I'm going to in August called ShiverCon, which is a pretty big event. After that event, I'm going to look to see what type of inventory I have left over from the event, and I'm going to start doing TikTok Lives. I'm very comfortable being on camera. So I'm like, “Yeah, that seems like a good way to go.” I know there's a few other horror authors who are doing it and having good success with TikTok Lives as well. A guy named Jason Davis is doing really well with TikTok Lives, and a few other authors too. I'm like, “Yes, I could definitely do that.” I want to get up to a certain number of people, and I want these events. I'm going to one in July, and then ShiverCon in August. Once those are done, I'm going to have more time to do the TikTok Lives. As far as Facebook is concerned, what I've had really great success with on Facebook is being in the groups and meeting other authors. That's not always about my book per se, but whatever books I'm reading, I'm posting my reviews about those books in those groups and meeting readers. Then obviously, they always say the three-to-one rule. Post about three different books and then post about your own book, whether you're doing a sale or a new release or a re-release or whatever. I've found success through that just by interacting with readers. When they post a book, I'll comment, “Hey, I've read that book,” or, “Hey, that book looks really cool. I like the review.” Commenting on it so you start these relationships with people who are out there in these Facebook groups. I've recently started my own Facebook reader group. I kind of go with the same thing. Last night, we did a live reading for another author. I like other authors to be on there. I always like to think, what does the reader need? What do I want to see as a reader? I would love to hear live readings from authors. So I kind of learn about them, learn about the book, and get a live reading. To me, that's a good way to go. So I started that recently, and it seems to be going well. I've got a new folk horror coming out soon, and I put out a call for ARC readers and got a fantastic response from that. That kind of drives the sales anyway, because when you get those reviews, then people see it gives credibility to the book, and then other people see it, and then they're buying it too. So that comes from the groups. There's so many wheels to spin in this industry as an indie author when you're doing this, especially when you're doing 99% of it on your own. You've got to get out there. No one's going to know your book exists if you don't get out there and tell somebody about it. Jo: Brilliant. Well, tell us— Where can people find you and your books online? PD: All right. Perfect. So obviously I'm on Amazon like everyone. Most of my books are worldwide, so you'll find them in Barnes & Noble as well. And of course, if you want the signed copies or discount print books, I always lead people straight to my website, PDAlleva.com. Then, of course, if you go to my Substack, you'll get all the updates, and you'll get all the links to purchase or find out where they are on Amazon and Barnes & Noble and things like that too. Jo: Brilliant. Well, thanks so much for your time, Paul. That was great. PD: Thank you very much for having me. It was great chatting with you. The post Writing Cross-Genre, Selling Direct, And Serialising On SubStack With P.D. Alleva first appeared on The Creative Penn.

Alexa Ray Corriea chats with Chandana Ekanayake of Outerloop Games. Together they discuss developing his newest game Dosa Divas, including the origin of the narrative and using food as a storytelling device; weaving together story with combat; the importance of the introductory hour of gameplay; his views on risk and team size; and his thoughts on working in indie development.  This episode is supported by  Xsolla iam8bit Episode Host: Alexa Ray Corriea Producers: Claudio Tapia and Josh Chu, The Academy of Interactive Arts & Sciences If you enjoyed this episode, please consider subscribing and leaving us a rating and review. Follow us: linktr.ee/AIAS Please consider supporting game dev students with: AIAS Foundation

This week's show, after a Graham Nash gutting: brand new Linda Lindas, Hurry (featuring Gerard Love), Death Cab For Cutie, Kristin Hersh, Gene, Flying Vipers (with Roger Miller), Kelley Stoltz, and Belle & Sebastian, plus Graham Nash, Pink Floyd (Syd B...

It's our Birthiverssary! We will accept gifts in the form of check or money orders (or Ko-fi subscriptions

Get 20% off HelixSleep mattresses site-wide: go to https://www.helixsleep.com/official Get an extra four months of ExpressVPN for free: go to https://www.expressvpn.com/official Get additional episodes and bonus content with early access (try now with 7 DAYS FREE): go to https://www.OFFICIAL.men Three close man-friends gather around to talk about a bad Nintendo Direct. This is the Official Podcast. Every Tuesday. Links Below. THE OFFICIAL NETWORK CHANNEL (SUBSCRIBE NOW): https://www.youtube.com/channel/UCcHYe-Qw7qUN5gFWMdj9nNw Episode 492: Recorded 10/06/26 --- Get additional episodes and bonus content with early access: Go to https://www.OFFICIAL.men or https://www.PATREON.com/THEOFFICIALPODCAST --- Timestamps: [00:00:00] Intro [00:01:04] Nintendo Direct [00:02:05] Few new announcements mentioned [00:06:53] Summer Game Fest [00:10:33] AAA games all feel the same [00:19:24] Indie games versus AAA [00:30:39] Sponsor break [00:35:11] Xbox showcase [00:41:49] Edgy restaurant branding [01:03:12] Outro --- Audio Platforms (Spotify, Apple, Amazon, & Castbox): https://linktr.ee/theofficialpodcast Other Shows: https://linktr.ee/theofficialnetwork --- Hosts: Jackson: https://twitter.com/zealotonpc Andrew: https://twitter.com/huggbeestv Kaya: https://twitter.com/kayaorsan --- Additional Links: Channel: https://www.youtube.com/channel/UCcHYe-Qw7qUN5gFWMdj9nNw Subreddit: https://reddit.com/r/theofficialpodcast Patreon: https://www.patreon.com/theofficialpodcast Intro by: https://www.youtube.com/c/Derpmii Music by: https://soundcloud.com/inst1nctive & https://www.instagram.com/00zaya Art by: https://www.instagram.com/nook_eilyk/ & https://www.instagram.com/vaux.z Edited by: https://www.instagram.com/00zaya Designer: http://www.jr-design-co.com/ Produced by Jackson Clarke for The Official Network Learn more about your ad choices. Visit megaphone.fm/adchoices

 Turning Green this week!Here's the Playlist: Grey Cell Green Ned's Atomic Dustbin God FodderSuggested by JakeGreen EyesHüsker Dü Flip Your WigSuggested by JerGreen Acres The Replacements 1984-10-30: I-Beam, San Francisco, CA BootlegWe'll Inherit ...

Recorded pre-colossalcon, this is a test run of our twice yearly Indie game panel, covering Indie Games that are spiritual succesors to dead franchies or game styles of a bygone era.Games covered includeSorry We're ClosedBug FablesRoutineYIIKAnd more....

Janie Kogan - BULLETPROOFMax Moose Band - Long Island DucklingAdam Leon feat. Jasmine Crowe – Boom She BoomAstrea – AunqueElena Schäfer - All That I Can BeTakki Dangerfield - Look At Me NowThe Rising Shine Project - Ain't my worldSHARV G - TAKEN BY THE SEATor James Faulkner - Spin Me Round (You Lift Me Up)Marina V - Labyrinthine RoseJoseph Schwartz - Maybe I Belong

Indie filmmaker Chris Vander Kaay talks about making "Go To Sleep", his new found footage feature.

The second part of the monthly new release series is generally dominated by the latest records Malibu Lou has put out on his legendary Rum Bar Records label. This month is no different, and it’s a perfect kick off to over two hours of great new ...

Full show: https://kNOwBETTERHIPHOP.com Artists Played: The Heart and Brain, conshus, Leisure Chief, Fly Anakin, Quelle Chris, Domo Genesis, Les Imprimes, Ama Li, Maka, Phlow, Nick Hakim, Dan Brown, Fleur, Odell, Bonobo, Mega Ran, DJ DN3, E-Turn, Chuck Strangers, Obii Say, Allison Russell, Joy Oladokun, Julie Williams, Awon, Jazzy Soto, Quadeca, corto.alto, anaiis, GAYANCE, Magi Merlin, funkywhat, Khujo, Cee Lo, OutKast, GOODie MOb, IMAKEMADBEATS

This episode brought to you by Ziva.sh The best way to help you develop your games through Godot. Gaming Hosts Ryan, Ace and Josh are back in court to argue another hot topic in gaming! Which are more important to the video game world - Indie games or AAA titles? On this episode of Game Court, Ace and Ryan go head to head to stand up for their cause and argue their cases to see which video game developers and games are most important. It's a fun, zany video game packed episode from your favorite gaming podcast! Thanks to our MYTHIC Supporters: Redletter, Disratory, Ol' Jake, Gaius, Jigglepuf, Phelps and NorwegianGreaser, Dettmarp and NightWizard63   Thanks to our Legendary Supporters: HypnoticPyro, PeopleWonder, Bobby S.   Connect with the show: Support us on Patreon: ⁠patreon.com/videogamerspod⁠ Join our Gaming Community: https://discord.gg/h2cHKAvSmu Follow us on Instagram:⁠ https://www.instagram.com/videogamerspod/⁠  Follow us on X:⁠ https://twitter.com/VideoGamersPod⁠  Subscribe to us on YouTube:⁠ ⁠⁠https://www.youtube.com/@VideoGamersPod?sub_confirmation=1⁠    Visit us on the web:⁠https://videogamerspod.com/⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's episode features NBA The Run, Dungeon Clawler, Do You even Forklift?, Psyvariar 3, Necrophosis: Full Consciousness, and Star Trek: Voyager - Across the Unknown.

Zum neunten Mal in Folge führen die Finnen den World Happiness Report an. Nicht weil sie dauernd lachen. Sondern weil sie etwas verstanden haben, das viele andere Länder noch suchen: Gemeinschaft schlägt Optimierung. Natur schlägt Speed. Und in der Sauna sind alle gleich.Jochen war im Sommer in Finnisch-Lappland — und saß in einer Schutzhütte, 20 Meter von einer Bärenmutter und ihren Jungen entfernt. Er hat Beeren direkt vom Boden gegessen, Pilze gesammelt, die in Deutschland ein Vermögen kosten würden. Und am Ende eines langen Tages: ein gelbes Holzhaus am See. Kein Mückenstich. Nur Stille.Helsinki ist dann das Gegenteil — und trotzdem dasselbe Gefühl. Ein Hauptbahnhof, der aussieht wie ein Kunstwerk. Eine Bibliothek, in der 8.000 Menschen täglich zusammenkommen und die vom Volk aktiv mitgestaltet wurde. Ein Designviertel, in dem man stundenlang entdecken könnte. Und die Sauna Löyly direkt am Meer, von der das Time Magazine sagt, sie gehöre zu den 100 schönsten Orten der Welt.–Bei „Bella Skandinavia" reisen Deutschlands bekannteste Urlaubs-Expertin Tamina Kallert (u. a. „WDR Wunderschön") sowie Jochen Schliemann und Michael Dietz von „Reisen Reisen – der Podcast" durch den magischen Norden Europas.Diese Folge entstand mit freundlicher Unterstützung der Deutschen Bahn: www.bahn.de / Inspirationen Reisen (u.a. Skandinavien) www.bahn.de/summerrail / Interrail: www.bahn.de/interrail

Punk Rock Demonstration Radio Show with Jack #1055 6/8/26. This is an archived broadcast of a previous Punk Rock Demonstration Radio Show. New shows broadcast every Monday 7:00PM - 9:00PM and every Tuesday 7:00AM - 9:00AM Pacific time. You can listen live and participate at https://punkrockdemo.com

Welcome to a brand-new episode of the WOAFM99 Radio Show and Podcast with your host, MTV EMA nominated and Billboard Top 10 artist Oliver Sean! This week, we are bringing you a heavy-hitting lineup of 'Certified Independent Songs of the Week' from around the globe, alongside an exclusive in-studio guest. Joining Oliver LIVE in the studio today is the phenomenal Kitt Chapman! Tune in for an insider chat about making music, legendary days spent in Hollywood, and a deep dive into the independent music scene.

RP tries to explain the WoW currency and the stupidity. Kermit and Listra tackle zombies in HumanitZ.A podcast by gamers for the gaming community. Join us each week as we talk new games, old games, AAA and Indie. No drama. No guilt. Games, a little real life and community. Gaming is an all inclusive world.Find us onhttps://twitter.com/3rdfactionshowhttps://twitter.com/MsListra https://bsky.app/profile/mslistra.bsky.social and Twitch.tv/Mslistrahttps://twitter.com/RPGamer4life and Twitch.tv/RPGovanTwitch.tv/organizedchaosgamesDiscord Serverhttps://discord.gg/jNYr9mVNN7You can email the show onthethirdfactionshow@gmail.comPatreonhttps://www.patreon.com/cw/thethirdfactionshow

HOUSE FOR THE BROKEN FILM SERIES Teaser https://cinemaministry.com/FacebookInstagramTiktokBIOFor Jaron Lockridge, filmmaking has always been an art form for telling authentic and relatable stories. He has garnered over 5 million streams with independent successes such as Betray, Betray: Thirst, Cubic Zirconia, and Down Bad across major streaming platforms, including Tubi, Amazon, and Roku. After nearly a decade of building Misguided Perceptions Media Group into a successful independent production house, Lockridge's creative path took a definitive turn.Following a transformative personal encounter with God, Jaron committed to using his craft solely for the Gospel, rebranding his company as Cinema Ministry Productions to reflect this new calling. This transition marks a courageous new chapter, bringing the same raw, uncompromising honesty of his previous work to the world of Christian media. Through projects like the faith-based series House for the Broken, Jaron continues to craft stories from an authentic perspective, proving that faith-based content can be as emotionally resonant and narratively bold as any secular drama. HOUSE FOR THE BROKEN FILM SERIESTeaser https://youtu.be/qPkZC22B0BE?si=AcuBED609Kuml45b House for the Broken is an eight episode streaming series which touches on several subjects from fatherhood, addiction, abuse, proper discipleship, and the weight of pastoral ministry. House for the Broken is set to release late July 2026 with platforms TBD. NOTE FROM JARON I wrote House for the Broken after gaining renewed faith after a difficult period in my life. House for the Broken is a multitude of stories I've experienced personally or witnessed from people around me and through my "day job" as a full-time police officer in the state of Tennessee. The show focuses on showing the side of Christianity that isn't regularly portrayed like the weight of being a pastor, being unequally yoked in a relationship with a non-believer and being a new Christian trying to escape the shame of their past. Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Matt is joined by film producer Mynette Louie, a cohead of creative producing and assistant professor at Columbia University, to explain how the money is distributed when an indie film is a big hit. They use Curry Barker's ‘Obsession' as an example to discuss how the financial waterfall flows, who profits the most and the least, and the state of indie film distribution (03:14). Matt finishes the show with a prediction about '24 Jump Street' (34:18). Host: Matt Belloni Guest: Mynette Louie Producers: Craig Horlbeck, Jessie Lopez, and Matt PevicTheme Song: Devon Renaldo In this darkly comedic series, a love triangle ends in death. Watch now. Landman Season 2: for your Emmy consideration in all Drama Series categories. Visit http://ParamountFYC.com . Learn more about your ad choices. Visit podcastchoices.com/adchoices

GG Hawkins continues No Film School's 2026 distribution experiment with filmmaker Pete Ohs, focusing on the release of Erupcja, his Warsaw-shot microbudget feature starring Charli XCX, Lena Góra, Will Madden, and Jeremy O. Harris. Pete breaks down how the movie was made, how its TIFF premiere led to a deal with One Two Special, and what he learned from theatrical touring, Q&As, VOD timing, marketing assets, fan edits, and the emotional sustainability of releasing independent films. In this episode, No Film School's GG Hawkins and guest Pete Ohs discuss... Making Erupcja in Warsaw, Poland, with Charli XCX and a small, experimental production model How SAG's Global Rule One affected the budget of an international indie production Premiering at TIFF and navigating sales conversations with CAA and multiple distributors Why Pete chose One Two Special based on alignment, communication, and “vibes” Building a release around Q&As, theatrical events, and in-person audience engagement Creating playful marketing assets, including a zine, a voicemail phone line, and fan-edit materials Releasing trailer stems and encouraging remix culture around the film How theatrical box office expectations were framed for a movie made under $100,000 The limits of relying on actors or stars to carry indie film promotion Why filmmakers should treat Q&As as another form of storytelling The idea of “regional filmmaking” and creating meaningful local releases Finishing and releasing projects as part of sustaining a long-term filmmaking practice Memorable Quotes: “We went to Poland in August of 2024 for two weeks with half of an outline and shot the movie in order.” “If the numbers were better or the percentages were better, but the vibe was worse. I would have been suffering.” “The work doesn't end.” “Treat it as practice for storytelling.” Guests: Pete Ohs Resources: Erupcja on IMDb No Film School: How a Film Score Actually Gets Made (Step by Step) & Pete Ohs' Distribution Experiment of 2026 No Film School: Pete Ohs' 2026 Distribution Experiment #1: 'OBEX' No Film School: Pete Ohs Rethinks How We Make Movies Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

In this episode of the Independent Thinking Show for ⁠⁠@FifthWrist⁠⁠ Radio, Roman (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TimesRomanAU⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Claus (⁠⁠@tapir_ffm⁠⁠) are joined by Felipe Pikullik (@felipepikullik), a fantastic German independent watchmaker.We chat about Felipe's early fascination with watches, persistence in gaining entry to watchmaking school in Glashütte, and formative work with Stefan Kudoke (skeletonization) and Rolf Lang (restoration and prototyping from scratch). Felipe describes the evolution of his watchmaking from decorating stock calibers to his most recent release of an in-house calibre Sternenhimmel FPA1; and explains his “in-house architecture” definition (FPA1 uses mostly in-house parts but not 100%), choices like German silver for finishing and patina, a handcrafted balance wheel displayed front-side, a retrograde date adjusted via lug mechanism to avoid pushers and danger zones, and his unique use of aventurine in the dial and movement construction.In our opinion, Felipe is one of the most exciting indie talents, delivering outstanding value and a unique voice in the indie horology space.We hope you enjoy this episode as much as we did.Make sure to check out Felipe's work @felipepikullik and www.felipe-pikullik.de Follow us on Instagram: ⁠⁠@FifthWrist ⁠⁠#fifthwrist #fifthwristradio #fifthwristradiopodcastIndependent Thinking Show is a place dedicated to showcasing the great people doing interesting and cool things in the world of horology.  To join our crew group chat then please email us at contact@fifthwrist.com and if you have time please leave us a review wherever you listen to our podcast.We remain fiercely independent with no commercial partners, or sponsored content. We only speak to people we respect and like - and that's a pretty rare thing these days! Thank you for joining us.Theme Music:  ⁠⁠The Wrong Time by Silent Partner⁠⁠ (via YouTube Free Music Channel)

Tonight we had some music in celebration of Pride Month and Black Music Month, we checked out the new Ugly Pop Records compilation, "Left Without Much Fuss," and more.

#183. Son Lux draws inspiration from a drum corps collab, Dent May builds big new bedroom pop, Beacon takes their sound to a dance floor space.Sponsored by DistroKid. Get 30% off your membership at distrokid.com/vip/independentmindedSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Gemma tries to keep the "train" on the track. James talks Lego convention & update on ankle. What happened to Mr Sox? We celebrate Sir David Attenborough 100th birthday by looking back at inventions over his lifetime. MANY laughs & Car Codswallop.  Talking Codswallop can be found on ALL social media: @CodswallopPod and we are on YOUTUBE too!!! :)  NOW ALSO ON TIKTOK. Talking Codswallop is NOW part of the UNFILTERED Studios. Find out more about them here: unfpod.com & help support INDIE podcasts. 

Today we put a creative spotlight on Damien Becton. Damien has a kickstarter for a 90s/00s cartoon inspired comic called The Ruth Avenue Raiders. CJ chops it up with Damien on the origin of this comic and also some background on Damien and how he broke into the comic book business. Be sure to check out and support The Ruth Avenue Raiders Kickstarter: https://www.kickstarter.com/projects/bectonbectonbecton/ruthavenueraiders Website: https://www.damienbecton.com/ Email Address: damiencbecton@gmail.com

Chapter 725 - "Doing Something With Our Anger" ...as read by Travis Shettel of Piebald Today we welcome Piebald frontman Travis Shettel to the podcast. Piebald will release their first new album in almost 20 years, Tales For the Rages, this Friday on Iodine Recordings! Travis talks about the band reuniting and what led to them writing new music, how he's evolved as a lyricist, the band's relationship with Iodine Recordings, American Hearts becoming a meme, and more.https://www.piebald.comhttps://iodinerecordings.bandcamp.com/album/tales-for-the-rageshttps://deathwishinc.com/collections/iodine-recordings/products/piebald-tales-for-the-ragesDiscordPatreonSubstack Email: asthestorygrows@gmail.com Chapter 725 Music: Piebald - "Still On The Couch" Piebald - "Gentleman Callers" Piebald - "American Hearts" Piebald - "This Thing Is Old"  

Stories:* ⭐ 7 Month Old EXECUTED, Gaza Deliberately Starved, Lebanon Ceasefire REJECTED, Hussam Abu Safiya Update* ⭐ ICE Turned Part of Newark, NJ Into a War Zone* ⭐ Trump's Duke Energy Trades, Ukraine TERRORIZES Donbass, Pacific EXECUTIONS, Ryan Knight RESURFACES!* ⭐ Rubio's Plan to Turn Cuba into Gaza WestFor the links to all the articles & videos shown on the show plus the links to watch/share on every other platform, click here: https://www.indiemediatoday.com/p/indie-news-now-live-links-06-09-26?r=539iuHelp fund the media you want to see! Indie Media Today and Indie News Network operate on a “Value for Value system.” Everything we do is free to all. We don't paywall our content, but we do need - and deeply appreciate - your support in order to keep running. One way to do that is with a monthly or annual subscription here.A $5/mo subscription here or on Ko-Fi.com helps us continue to produce quality content that challenges mainstream corporate funded narratives & amplify independent voices.Please support your favorite Indie Media creators! IndieNewsNow LIVE! covers stories corporate media doesn't want to tell, and from an angle they would NEVER tell it. Each episode, we showcase the work of dedicated independent reporters, researchers, and grassroots news outlets who are digging deeper on issues that matter, free from advertiser and corporate influence. Break free from the media focused on the duopoly and discover the news you're not supposed to see.Perfect for viewers who:* Are skeptical of corporate-controlled news narratives* Want to be more deeply informed on critical issues* Believe in supporting independent journalism* Feel like there's always more to the storySubscribe to IndieNews Network (INN) and hit the bell

On this week’s podcast, Ben Marwood asks Is it the World Cup yet?? And delivers an episode of new music tracks in between thoughts about Canada, garden tours, and a heartfelt reminder to hold onto hope. [edit] radio podcast 822 – Right Click and Save As to Download The post Podcast 822 | Featuring Madi Diaz, Cheekface & Among Legends appeared first on [edit] radio.

We're firing up the Mountain Stage time machine once again to look back two decades to the year 2006. Host Kathy Mattea revisits sets from The Derek Trucks Band, Bettye LaVette, Soulive (featuring Reggie Watts), Grace Potter & the Nocturnals, and more, all recorded live on Mountain Stage. https://bit.ly/4xBxqcv

Episode Overview:In this special on-location episode [00:14], the crew takes the podcast outside and broadcasts live from Philly Prints, a premier one-stop custom print and t-shirt shop located in North Philadelphia [00:21]. Hosts Rocky, Indie, and Izzy balance out their signature contrasting energies as they recap their week and dive into recent headlines before sitting down with the creative minds behind the venue.Episode Breakdown:Introductions & Catching Up: The hosts kick things off by joking about their personal routines, their aging journeys—debating exactly what age one officially becomes an "Unk" (Uncle) [11:12]—and sharing funny memories from their high school days, including skipping classes and befriending school security guards [09:14].Current Events & Wild News Headlines:The crew discusses recent legal updates surrounding local criminal investigations and arrests [13:27].They react to a wild local news story about two men who successfully robbed a Brinks truck in Philadelphia for $1.8 million [16:21].They share a laugh over a bizarre $34,000 "Lego Heist" scheme in California, where a man swapped out high-end Lego sets with bags of pasta before returning them to retail stores [21:34].The hosts touch upon larger retail issues, contrasting the atmospheres of shopping at Target versus Walmart, and discuss corporate diversity initiatives (DEI) [22:39].Special Interview with Philly Prints Owners:Xavier, the owner of Philly Prints, details how the business handles everything from custom t-shirts to graduation and birthday apparel, alongside his personal clothing brand, What If [26:29].Sonia, owner of the clothing line Self-Made Nation, shares her background in custom art, painting apparel, and expanding the shop's personalized gift services [26:44].The guests open up about their inspirations, growing up around tattoo artistry, and turning their artistic passions into thriving, positive family businesses within Philly [29:33].Connect with the Guests:Philly Prints / What If: Instagram: @philly_215_prints / @what_if_prints_ [33:50]Self-Made Nation: TikTok, Instagram, and Facebook: @self.nation [34:03]

Devolver QA experts Shona Feltham and Barnaby Panton take a crack at trying to decipher exactly what's wrong with JM, Jared, and the Forkcast as a whole, but mostly talk about what it means to break games for the good of mankind.

In this episode, we sit down with Mikey Banker — a hardworking veteran of the independent wrestling scene who has spent years building his reputation through dedication, perseverance, and a passion for professional wrestling. Known to fans throughout the Northeast independent circuit, Banker has shared the ring with a wide variety of talent while continuing to evolve his craft and leave his mark wherever he competes.We dive into the creation of Mikey Banker — from the origins of his wrestling persona to the influences that helped shape his style, character, and approach to the business. Banker opens up about the creative side of professional wrestling, developing his identity, and the challenges of standing out in a constantly evolving independent wrestling landscape.Mikey also takes us inside his journey into wrestling, discussing his training, early matches, and the lessons he learned while working his way through the ranks. From paying dues on the independent scene to competing in front of passionate wrestling crowds, he shares stories about the grind, sacrifices, and determination required to succeed in professional wrestling.We explore the state of independent wrestling today, the importance of connecting with fans, and what motivates him to continue pursuing his goals in the ring. Banker discusses memorable moments from his career, the opponents who helped shape him, and the experiences that continue to fuel his passion for sports entertainment and professional wrestling.Whether you're a fan of independent wrestling, the regional wrestling scene, or discovering the next breakout star before the rest of the wrestling world catches on, this conversation offers an inside look at the journey of a wrestler who continues to put in the work every time he steps through the curtain.

El segon cap

If you haven't seen Backrooms (2026) yet, you're missing out on one of the most intriguing horror experiences in recent years. Directed by Kane Parsons, this film takes the viral creepypasta concept and turns it into a dread-filled, must-watch nightmare.With an 89% on Rotten Tomatoes and a massive box office draw, it's proof that original, low-budget storytelling is becoming  the future of film. My short film, “Bishop's Day” is available to check out on YouTube, and make sure to check out my written reviews at www.ClassicAmericanMovies.com

This week's show, after Jim belts a Beths beauty: brand new Feeders, Social Distortion, Jack Grisham & the Life Undone, Guest Directors, Telephone Numbers, Lemon Twigs, she's green, and Endless, plus The Beatles Pete Townshend (The Who), Marianne Faith...

Thanks for bringing me the new episode of dotzip! Could you go out to my car and grab my headphones? Grab whatever else you want out of there too I don't need it. Now I'm in the pool!Today we're talking about The Norwood Suite by CosmoD! A game about going to a DJ set and helping people out.Get The Norwood Suite on itch.io or Steam!!! Follow CosmoD's work work on their website!!Discussed in the episode:Saturn V by Cosmo DCall me stupid, but what the h*ll happened at the end?  - CosmoD explains his interpretation of the ending of Norwood Suite---Support us on Ko-fi!Visit our website!Follow us on YouTube!Follow the show on Bluesky!Check out The Worst Garbage Online!---Art by Tara CrawfordTheme music by _amaranthineAdditional sounds by BoqehProduced and edited by AJ Fillari---Timecodes:(00:00) - AJ is rearranging AGAIN, don't talk about it (01:13) - Foreboding vibes (01:40) - Who is CosmoD (02:06) - What is The Norwood Suite (04:14) - This is a game about feelings (06:03) - The world and the people (14:03) - The aesthetics and styling (23:57) - The space (32:00) - Spoilers????????? (32:41) - Hey what's happening (33:49) - June (44:42) - The commodification of art and creation of hierarchy (53:11) - That final shot... (56:29) - The credits (57:09) - Big Takeaways (57:16) - Kim's Big Takeaway (01:00:15) - Robin's Big Takeaway (01:04:13) - AJ's Big Takeaway (01:08:36) - Thank you for listening! ★ Support this podcast ★

El episodio 119 llegó con framework, números y oportunidades que no te podés perder.Arrancamos con lo más accionable del episodio: los 7 principios de Y Combinator para construir una empresa en la era AI. No es AI como herramienta, es AI como sistema operativo de toda la organización. Loops cerrados en cada proceso, empresas legibles para los modelos, fábricas de software donde los humanos definen los specs y la AI construye el código, y equipos lo más flat posible donde cada persona tiene una responsabilidad directa y no hay lugar para esconderse. Si estás construyendo algo hoy, este es el episodio.Después el número que más sorprendió de la semana: Uber gastó 500 millones de dólares en tokens en tres meses y su CFO admitió públicamente que no vio ningún resultado. La contracara fascinante es que los propios modelos de AI no saben cuánto les cuesta producir cada token. Están vendiendo algo a un precio que ellos mismos no entienden todavía. Y mientras tanto, la mayoría de las empresas está descubriendo que un modelo open source más chico instalado en sus propios servidores les da el 90% del resultado al 2% del costo.También hablamos de la nueva métrica que define esta era: el EBITDA ya tiene una T nueva. Ya no es solo Before Interest, Taxes, Depreciation and Amortization. Ahora es Before Tokens también. Si tu empresa no está midiendo cuánto gasta en tokens, no está midiendo bien.En el frente de IPOs, Anthropic hizo su filing privado, OpenAI apunta a septiembre y SpaceX está cada vez más cerca. Tres movimientos que van a redefinir el mercado en los próximos meses.Cerramos con dos temas más personales. Primero, el debate entre Oura, Whoop y Fitbit — cuál sirve, para quién y por qué el nuevo monitor de glucosa Lingo de Abbott a 30 dólares puede ser uno de los dispositivos más importantes para entender tus hábitos. Segundo, cómo filtrar el spam de family offices y brokers de secundarios que llega por LinkedIn todos los días sin perder tiempo.

While Nashville is synonymous with country music, Music City's indie scene is vital. In this special episode of Rolling Stone's Nashville Now podcast, we introduce you to Crystal Rose, a singer-songwriter with a stunner of a voice working in the R&B and folk space. At a recent showcase in East Nashville, Rose hypnotized the crowd with a flash choir, making for an indelible musical moment. Rose tells us how it came about, what's on the horizon, and why Nashville is an important creative hub for musicians of all genres. Country is Here… Nashville is Now. Check out our Hear Now playlist on Spotify, updated weekly. Learn more about your ad choices. Visit podcastchoices.com/adchoices

I have long described the contents of the first episode of my monthly new release series as “friends of the show” Well, that is more true than usual this month. Yes, there are the usual suspects (Numb Surprise, Phil Cook & the Fall Dog...

This week's episode features thoughts on PlayStation's State of Play, Sledding Game, Slots & Daggers, SummerHouse, Middle Evil: The Priest, Adorable Adventures, ZPF, Nullstar: Solus, MonsterBlast Infinity, Midnight Swamp, Tale of Dark Lands, and Formula Legends: Formula E - Electric Evolution.

→ Help us improve our podcast! Click here to fill out this three-minute survey. Three Big Conversations: Off Campus is already a frontrunner for teen show of the summer - 10:16 Students are scared to eat in front of their peers - 24:32 What the success of Backrooms says about the state of the movies - 34:20 Slang of the Week - Lida Bida Boda Butt - 2:18 → Mike Novotny's NEW BOOK - Newlywed: A Christian Guide for Loving Year One In Other News: - 43:20 Taylor Swift's new song "I Knew It, I Knew You" comes out today and was inspired by an early screening of Toy Story. PlayStation's "State of Play" gaming showcase happened this week, with most of the buzz being around an announcement of a new God of War game where you play as Kratos' wife, Faye, and an extended look at the M-rated Marvel's Wolverine game, coming out in September. Recent releases of UAP footage from the US government have some Christians debating whether these supposed alien visitations could actually represent demonic activity. Indie group Boards of Canada's first album since 2013, Inferno, explores faith, spirituality, and existential dread over eerie electronic beats. A YouTuber known as "Reckless Ben" was arrested for trespassing in his attempt to pursue justice against the Bricks & Minifigs store after the store allegedly stole $200,000 (language) worth of LEGO sets from an elderly man.

(After Model Home by Rivers Solomon and Bless the Daughter Raised by a Voice in her Head by Warsan Shire) Hey y'all,While Mike was in Guyana for the first time since 2001, Randie's feelings caught up to her. Tune in as she reveals the real about going No Contact with her family. Brought on by a convo with Drew and the propaganda about No Contact being, “trendy” Randie tells you the truth.No Contact is the bottom. The last resort. Because in the words of Warsan Shire, “No one would leave home unless home chased you.”Who would self-orphan themselves for shits and giggles? Not Ran. Not many people, actually. While one of the best decision she's made for herself, No Contact has left Randie achy and on many days full of grief. So, in this Indie, the shorter half of the BMM podcast invites you to learn what sovereignty of self and freedom has cost and required of her and other Adult Children making the hard decisions to live a life of integrity and courage.Items Mentioned:Model Home by Rivers Solomon, https://bookshop.org/p/books/model-home-a-novel-rivers-solomon/daba1ac77f597af3?ean=9781250397591&next=t Bless the Daughter Raised by a Voice in Her Head by Warsan Shire, https://bookshop.org/p/books/bless-the-daughter-raised-by-a-voice-in-her-head-poems-warsan-shire/e25042b1966c5b0c?ean=9780593134351&next=tThis episode of the Black Millennial Marriage Podcast was edited by Randie Chapman at Wordie Productions www.wordieproductions.comFollow Randie on Substack at little ran aka the Littles' Chronicles https://substack.com/@littleranFollow Randie over on Pagebound https://pagebound.co/users/ranthesolarpunkOther Resources:Out of the Fog website: https://outofthefog.website/Going No Contact with Parents, A Trauma-Informed Choice (Article), https://www.livewellwithsharonmartin.com/going-no-contact-with-parents-a-trauma-informed-perspective/Adult Children of Emotionally Immature Parents (book), by Lindsay C. Gibson, https://bookshop.org/p/books/adult-children-of-emotionally-immature-parents-how-to-heal-from-distant-rejecting-or-self-involved-parents-psy-d-lindsay-c-gibson-psyd/c76b830ed14fe568?ean=9781626251700&next=t Follow us on Social MediaFB: http://bit.ly/BMMonFBIG: http://bit.ly/BMMonIGContactEmail: blackmilmar@gmail.comLeave a voicemail: 770-750-4098P.S. To hang out with us and support our work as independent creators, join us on Patreon at http://bit.ly/JOINBMM there you'll get access to our Discord channel, unedited, edited and ad-free episodes, zoom meetings with us, and more. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We know many of you are tired of talking about Bungie, and frankly, we're kind of tired of discussing them, too. Then again, we're captive to the news, so blame Sony for purchasing them. On the back of last week's discussion about the end of Destiny 2 comes word that Bungie is planning major layoffs as it attempts to greenlight a new project to develop alongside the ongoing Marathon. And no, Destiny 3 isn't happening. At least not yet. What's next for this beleaguered team? If we're being totally candid and honest, does a future for Bungie even really exist at all? There's lots of other news this week, too, including rumors surrounding Media Molecule's next game, the peculiar re-reveal of the long-in-development Dragon Quest XII, the confirmation of Call of Duty: Modern Warfare 4 and its October release, trouble surrounding PlayStation 3 emulation on Linux, The Witcher 3's new expansion coming more than a decade after the last, Persona 4 Remake's surprise South Korean games rating, and much more. Then: Listener inquiries! Are indie games treated more softly than AA/AAA games when it comes to reviews? What could the drastic increase in SteamDeck pricing mean for PlayStation 6? Is former Sony second party partner Quantic Dream doomed? Why would anyone try to talk about Sacred Symbols with Magic: The Gathering nerds? This episode is sponsored by BetterHelp. Get 10% off at https://www.betterhelp.com/sacred Sign up for your $1 per month trial at https://www.shopify.com/sacred Please keep in mind that our timestamps are approximate, and will often be slightly off due to dynamic ad placement. 0:00:00 - Intro0:35:05 - AI Questions0:36:44 - assumacide0:57:01 - Naming rights1:01:57 - Do we have drama?1:03:50 - MLB: The Show Mobile is live1:09:32 - Marathon is free June 2-91:20:21 - Bungie layoffs1:52:25 - Media Molecule is working on a new open world IP2:00:12 - Dragon Quest XII re-revealed2:16:16 - Call of Duty: Modern Warfare 42:23:09 - PS3 emulation on PS52:30:59 - RIP Destruction AllStars2:36:03 - New Witcher 3 expansion2:43:22 - Remedy's CEO claims2:52:04 - Persona 4 Revival rated in South Korea2:57:21 - June PS+ Games3:02:37 - What We're Playing (Pragmata, 007: First Light)3:23:26 - Indie game boost3:31:57 - Steam's price issues and Sony3:44:53 - Are platinum trophies getting easier?3:49:34 - Will retro games lose value?3:59:25 - Will Quantic Dream be okay?4:08:55 - Are Sony First Party teams too protective? Learn more about your ad choices. Visit podcastchoices.com/adchoices