Podcasts about Indie

Indie troubadour and Rolling Stone darling Brian Dunne gets real about his work as a songwriter who take the craft seriously. PART ONE:  Paul and Scott talk about the Earth, Wind & Fire documentary, musical gibberish, Michael Jackson's lyrical theft, Scott's Cameroonian music phase, and perhaps the most irritating song mashup of all time. PART TWO: Our in-depth conversation with Brian DunneABOUT BRYAN DUNNE Brian Dunne is a New York–based singer-songwriter whose sharp storytelling, dark humor, and blue-collar perspective have earned him a devoted following in the Americana and indie-rock worlds. A longtime fixture on the East Coast club circuit, Dunne built his career the old-fashioned way—by writing songs, touring relentlessly, and cultivating a fiercely independent DIY approach. Over the course of multiple solo albums, including Selling Things in 2020, Loser on the Ropes in 2023, and Clams Casino in 2025, he has developed a reputation for pairing deeply human observations with memorable, hook-filled songs that draw from the traditions of artists such as Bruce Springsteen, Tom Petty, and Billy Joel while maintaining a distinctly modern voice. Dunne's profile expanded internationally when his 2021 single “New Tattoo” became an unexpected hit in the Netherlands, and in 2022 he co-founded the acclaimed folk-rock collective Fantastic Cat alongside fellow songwriters Anthony D'Amato, Don DiLego, and Mike Montali. Dunne continues to balance his solo career with Fantastic Cat, earning praise for songs that explore failure, resilience, class, ambition, and the everyday struggles of modern life with equal parts wit, empathy, and heart. His work has attracted praise from Rolling Stone, where writer Joseph Hudak championed his 2025 album Clams Casino and later singled it out as his favorite album of the year. It has been described as if novelist Sam Lipsyte wrote the lyrics for Billy Joel's Glass Houses, or if the Jason Isbell of Southeastern cut his teeth in scuzzy NYC rock clubs. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Microphone issues explained. Funny Glasses. Frustrating Blood Tests. Bad Customer Service. Codswallop and James Traumatises Gemma with The Dark Side of Pokémon. Also, lots of laughter. Episode available on YouTube for visual references. Check out the YouTube episode NOW!!  Talking Codswallop can be found on ALL social media: @CodswallopPod and we are on YOUTUBE too!!! :)  NOW ALSO ON TIKTOK. Talking Codswallop is NOW part of the UNFILTERED Studios. Find out more about them here: unfpod.com & help support INDIE podcasts. 

This episode was recorded on May 17th, 2026 at the Culture Center Theater in Charleston, WV. The lineup includes Paul Thorn, Ray Benson, Sunny Sweeney, Andy Friedman. https://bit.ly/4afWiMG⁠

Noyer on filmmaking, Tax Incentives, Folk Horror, and Directing Love is the Monster What do you do when your folk horror film is deeply rooted in Finnish mythology, but the financing dictates you have to shoot it in Canada? You adapt, you pivot, and you get your movie made. This week on The Filmmakers Podcast, Giles Alderson sits down with returning guest, writer-director, and genre champion Alex Noyer (Sound of Violence) to unpack the production of his latest feature, the creature-feature folk horror Love is the Monster. Starring Madeline Zima and Leonardo Nam, the film follows a toxic couple whose trip to a remote wellness retreat plunges them into a deadly mythological ritual. Alex strips back the curtain on the grueling reality of independent film financing, sharing the exact strategic choices that moved his production across the globe to secure the best tax rebates possible.

Holy Cow! Gregg is back, and so is pod alum Balazs Ferenczi (Fratello, Chrono24)! In this one, we record live at the beautiful Casa de Gregg to chat as a prelude to our most recent SOTP x Chrono24 community get together. Along the way, we have a few beers, examine some unusual Indie pieces, and get to go hands-on with the truly amazing Polymesh bracelet from Ming. We recorded live at Gregg's, and it wouldn't be an in-person recording without some random power tools dropping in unexpectedly. That's live recording for you! Thanks for listening.

This week's show, after a Buckinghams botch: brand new Tift Merritt, Nyte Skye, Guided By Voices, Social Distortion, Sonny Wilsons (with Jon Auer), Toilet Rats, School of Design, and The Black Watch, plus The Buckinghams, Rolling Stones, Bee Gees, Bull...

It is Next Fest once again.Today we're talking about video games that we played from the June 2026 Steam Next Fest.Discussed in the episode:9 ESSENTIAL Wishlists From Steam Next Fest (June 2026) from noclip_2 on YouTubeBlood DungeonSteamDB "AI Content Disclosed" filtered out Next Fest list"Call of Dookie" post on BlueskyDad Games:Normal Golf Game - https://store.steampowered.com/app/3510740/Normal_Golf_Game/ Wind Runners - https://store.steampowered.com/app/1101370/Wind_Runners/Omen - https://store.steampowered.com/app/2859970/Omen/Ascenders: Beyond the Peak - https://store.steampowered.com/app/4267860/Ascenders_Beyond_the_Peak/Dungeon Settlers - https://store.steampowered.com/app/2798330/Dungeon_Settlers/Enginefall - https://store.steampowered.com/app/2437390/Enginefall/over the hill - https://store.steampowered.com/app/2929250/over_the_hill/Mym's Sword - https://store.steampowered.com/app/4673730/Myms_Sword/Gonna go do a little work in the garage:Factomancer - https://store.steampowered.com/app/3979570/Factomancer/Slime Soup - https://store.steampowered.com/app/4655800/Slime_Soup/IRON NEST: Heavy Turret Simulator - https://store.steampowered.com/app/2950790/IRON_NEST_Heavy_Turret_Simulator/ Burn-9 - https://store.steampowered.com/app/4377480/Burn9/ Sludgineers - https://store.steampowered.com/app/4073860/Sludgineers/Fortune Fragments - https://store.steampowered.com/app/3601160/Fortune_Fragments/The Message from Deep Space - https://store.steampowered.com/app/4080030/The_Message_from_Deep_Space/Just gotta rest my eyes for a second:Hearth and Hamlet - https://store.steampowered.com/app/4315040/Hearth_and_Hamlet/if you stay - https://store.steampowered.com/app/4437140/if_you_stay/Twinkle Seek - https://store.steampowered.com/app/4600620/Twinkle_Seek/walk - https://store.steampowered.com/app/4563880/walk/Weird aunt/uncle games:My Beautiful Faraway, Please Don't Be Cruel To Me - https://store.steampowered.com/app/4516190/My_Beautiful_Faraway_Please_Dont_Be_Cruel_To_Me/Entropy - https://store.steampowered.com/app/3940340/Entropy/Femme Fatality - https://store.steampowered.com/app/4682660/Femme_Fatality/lily's world XD - https://store.steampowered.com/app/3195580/lilys_world_XD/ Cloud Sculptor - https://store.steampowered.com/app/4101700/Cloud_Sculptor/Critter-like:WOIM - https://store.steampowered.com/app/4272020/WOIM/ The bird of the North - https://store.steampowered.com/app/4655600/The_bird_of_the_North/Haha, yeah this is it:ReStory: Chill Electronics Repairs - https://store.steampowered.com/app/3812600/ReStory_Chill_Electronics_Repairs/Pigeon: A Love Story - https://store.steampowered.com/app/3876710/Pigeon_A_Love_Story/Virtue and a Sledgehammer - https://store.steampowered.com/app/3743260/Virtue_and_a_Sledgehammer/---Support us on Ko-fi!Visit our website!Follow us on YouTube!Follow the show on Bluesky!Check out The Worst Garbage Online!---Art by Tara CrawfordTheme music by _amaranthineAdditional sounds by BoqehProduced and edited by AJ Fillari---Timecodes:(00:00) - A child (01:24) - Next???? Fest!!!!!!!!! (01:41) - Talkin about this Next Fest a little bit (11:07) - Dad Games (Normal Games) (12:05) - Normal Golf Game (15:57) - Wind Runners (19:48) - Omen (23:27) - Ascenders: Beyond the Peak (28:05) - Dungeon Settlers (30:48) - Enginefall (36:09) - over the hill (41:44) - Mym's Sword (44:32) - Gonna go do a little work in the garage (44:54) - Factomancer (49:29) - Slime Soup (52:52) - IRON NEST: Heavy Turret Simulator (01:02:36) - Burn-9 (01:04:34) - Sludgineers (01:07:18) - Fortune Fragments (01:10:13) - The Message from Deep Space (01:14:38) - Just gotta rest my eyes for a second (01:14:52) - Hearth and Hamlet (01:17:23) - if you stay (01:18:57) - Twinkle Seek (01:22:10) - walk (01:25:00) - Weird aunt/uncle games (01:25:13) - My Beautiful Faraway, Please Don't Be Cruel To Me (01:29:04) - Entropy (01:32:43) - Femme Fatality (01:36:43) - lily's world XD (01:40:30) - Cloud Sculptor (01:42:49) - Critter-likes (01:42:57) - WOIM (01:44:18) - The bird of the North (01:46:58) - Haha, yeah this is it (01:47:09) - ReStory: Chill Electronics Repairs (01:51:22) - Pigeon: A Love Story (01:58:18) - Virute and a Sledgehammer (01:59:23) - That's the end of the episode!!!!!!!!!!!!!!! ★ Support this podcast ★

Does Hollywood have a problem with censorship? What's the best post-pandemic movie? Is Andy Burnham, Britain's next potential Prime Minister, actually cool? Amazon MGM Studios has dropped their upcoming Luca Guadagnino film 'Artificial', with some speculating it's because the movie features an unflattering portrayal of OpenAI founder Sam Altman. Is this yet another example of tech billionaires censoring the media industry? Richard Osman and Marina Hyde discuss if studios can do anything to fight back? Keir Starmer is out. Andy Burnham is in (maybe). Richard discusses the former Manchester Mayor's 'indie-kid' credentials with a rifle through his record collection. Quentin Tarantino says there are no good movies post-pandemic. Is he wrong? We discuss the best films of the last half-decade, and why the world is so list obsessed. Recommendations: Return To Space (Netflix) Pompeii: Out Of Time (Trailer) Roy Keane Complaining About Wags (The Overlap) The Rest is Entertainment is brought to you by Octopus Energy, Britain's most awarded energy supplier. Lloyds. 250 years on and still backing the nation's aspirations. Lending is subject to status. You could lose your home if you don't keep up your mortgage repayments. Conditions apply.1996 average first-time buyer deposit based on Office National Statistics House Price Index data. Summer sale is here: get an annual membership for a third off with code SUMMER26. That's ad-free listening, every bonus episode, and full access to our exclusive members' series. Sale ends August 31st, so grab it before summer's over. For more Goalhanger Podcasts, head to www.goalhanger.com Video Editor: Adam Thornton & Lorcan Moullier Assistant Producer: Imee Marriott Senior Producer: Joey McCarthy Social Producer: Emma Jackson Exec Producer: Sam Psyk Filmed at www.westdigitalstudios.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

El episodio 119 llegó con historia, escándalo y datos que no te podés perder.Arrancamos con el hito más grande del momento: Elon Musk se convirtió en el primer trillonario de la historia. SpaceX salió pública a 2.3 trillones de dólares y lo puso en una categoría donde nadie más existe. Lucas lo dijo mejor que nadie: él está más cerca de Larry Page que Larry Page de Elon. Un número que no tiene sentido hasta que lo escuchás.Después hablamos de por qué SpaceX no es solo una empresa espacial. Es la única compañía verticalmente integrada de principio a fin para la era AI: tiene datos, centros de cómputo, energía solar, telecomunicaciones satelitales y exploración espacial bajo el mismo techo. El bull case es simple y brutal.Luego viene el escándalo de la semana. El fundador de Cloudflare contó públicamente que Vinod Khosla, uno de los VCs más respetados del mundo, intentó convencerlo de echar a sus co-founders a cambio de quedarse con todo el equity. Y cuando lo negó, publicó el term sheet como prueba. Una historia que debería leer todo founder antes de levantar su primera ronda.También hablamos de un caso cercano que sirve de advertencia real: un co-founder que quiso salirse de una startup que no funcionaba y recibió amenazas legales de sus socios y los VCs para que perdiera su vesting. La lección es clara — antes de arrancar una compañía, hay que tener las conversaciones incómodas.En el frente de IPOs, Anthropic y OpenAI hicieron sus filings privados casi al mismo tiempo y están obligando a los banqueros a elegir bando. Lucas se queda con Anthropic. Cristóbal también, aunque reconoce que la flexibilidad moral de Sam Altman en el mundo de Trump puede ser una ventaja.Después analizamos a Bending Spoons, los italianos que compraron Evernote, Vimeo y WeTransfer entre otros, y los están exprimiendo con AI desde Milano a una fracción del costo americano. Un modelo de negocio que muchos subestiman y que ya factura más de un billón de dólares al año.Cerramos con tres temas que tocan directamente la vida cotidiana. AI destruyó el modelo de las grandes consultoras — Accenture cayó 18% en un solo día y los puestos entry-level están desapareciendo, lo que pone en jaque el ROI del MBA. Los smartphones y la caída global de la natalidad tienen una correlación que empieza a asustarnos a todos. Y los propios CEOs de las redes sociales no le dan pantallas a sus hijos, que es la señal más honesta que existe sobre lo que realmente piensan de sus productos.

Aos fins de semana na Radar, duas partes Indie, uma parte tónica

Don't let the cloud cover fool you, it is in fact the day after the Summer Solstice, and there is scattered sunshine throughout this week's AM. This week's throwbacks is to one of the all-time great debuts — Belle and Sebastian's Tigermilk — along with atmospheric electronics, Thai psychedelia, a spin-off from Project Gemini, and other sounds to start your week off right. Enjoy!Playlist: Pierre-Yves Martel, featuring Six Organs of Admittance - For the SunPrairiewolf - Burning EdgesRose Keeler-Schaffeler - Boy Faced BoyHusha Husha - Wurlitzer, Flugelhorn, SynthesizerJack Wyllie - Eternal SpringGhost Cartridge, Mantrakid - Family DinnerMayerling - HerminiaDohnavùr - UnwaveringObli - Sun Sun SunDanalogue - You Are On the Right TrackStelar Door - Giants WithinPye Corner Audio - Rays of SunshineBill Orcutt, Mabe Fratti - Steps of the SunFiver - Too Far, Too FairFull Moon Bummer - Don't Wake MeBelle and Sebastian - ExpectationsBelle and Sebastian - I Could Be DreamingMaisy Owen - Dark on a Sunny DayZoon - Beautiful IIBodywash - SunspotsBeautify Junkyards - Golden Apples of the SunKhun Narin's Electric Phin Band - Phuthai JPOrbital Ensemble - ResiliênciaOrganic Pulse Ensemble - Redemption ArcThe Empress - Switch BladeRichard Bundy, Anna Phoebe - Secrets and SpacesPatche - HoweHorse Lords - First Galactic UtopiaSaul Williams, featuring Moor Mother, Gonjasufi - ConspiracyWill Graefe, Spencer Zahn - I Envy LightKamikaze Nurse - Sun SongBIG|BRAVE - in grief or in hope

Playlist: MALINOWSKI - RainmakerThievery Corporation - Sol Tapado (The Covered Sun)Bob Moses - Days Gone ByAncient Astronaut - Peace In The EastElujay - StarchildSlakah the Beatchild - Bryams GrooveThundercat - ChangesTerez - Hot MessLupe Fiasco - No 1 HeadbandShad - Limoncello

A little over two years ago, I put together a show based only on songs released on the ten inch EP format. I'm still wondering why there aren't more ten inchers released these days. It's the perfect format for the EP's that waste way too much space on most twelve inch releases.  Anyway, since that previous show, I've not only acquired a few more of these type of records, but I've expanded my knowledge of the format. For new titles, there's the live Replacements EP that accompanied preorders of the box set reissue of Let It Be. There's also a couple of Streetwalkin' Cheetahs EPs, and a reissue by The Delmonas.  For older titles, I must give a bit of praise to my record collecting geek friend Phil. Over the years, he's handed me a few titles that he knew that I'd enjoy. One of those was a record by a 90s band called Speedway. As I was looking at it the other day, I was pleasantly shocked to see that this was an early band by Miss Georgia Peach! I definitely needed to air a couple of tracks off that. Phil also alerted me to a various artists ten […]

Full show: https://kNOwBETTERHIPHOP.com Artists Played: L.O.T. Lovers of Truth, conshus, Jorok, Kristen Warren, Ruste Juxx, Preed One, DJ TMB, Bitter:Sweet, Biko, Kendrick Lamar, Jay Rock, Ray Vaughn, Seun Kuti, Egypt 80, Tom Morello, Danielle Ponder, DJ Shadow, Run The Jewels, Denzel Curry, TiaCorine, The Allergies, Erik Jackson, Paradox, DJ Dolo76, Antonio Carlos, Jocafi, Adrian Younge, Ali Shaheed Muhammad, Bop Alloy, Substantial, Marcus D, Slowe, Ethan Mark, DJ Center, Oddisee, Shinobi Stalin, TABLEEK, Boogie Fields, Maribou State, Andreya Triana, Mic King, Rakim, Killer Mike, Sleepy Brown, OutKast, GOODie MOb, IMAKEMADBEATS

This week on Sludge Underground  @Thorns_Of_Sludge shares his experience at Misty Waters Music Festival. This festival was nothing short of a love letter to artist, festival goers, anda most importantly music lovers. Hired along as a second shooter he was front and center for all 27 bands who played seeing familiar faces but also a ton of new ones. This was one of the most diverse lineups imaginable from artists within Indie, electronic, blues, rock, punk to almost everything inbetween.Here's a breakdown of almost everything Marcel experienced, from meeting fans of the channel to Fokofpolisiekar's frontman conveying his thoughts on our videos, to the overall experience of a festival Sludge Underground will definitely be returning to. A massive shoutout goes to  @DizzyKhaki for providing all the band footage used in this video and for giving Marcel this opportunity! Artists mentioned and music used:Simeon krielAbsolute SilenceTaxi Violence Van PletzenSwimmerMaxx And LoveIndie DogThe Black Cat BonesFokofpolosiekarCrash And The VoidSA Blues SocietyTidal WavesZaan SonnekusDie Heuwels FantastiesMan MotelsDoomFairyJoin the discord to be part of the discussion:https://discord.gg/JUDEUeKTPKExplore our exclusive merch store for unique and high-quality items inspired by our podcast! From stylish t-shirts to snug beanies, there's something for every listener. Show your support and grab your favourite merch today!Support the showHelp us continue making great content for listeners everywhere by subscribing to Sludge Underground Podcast +Websitehttps://www.sludgeunderground.comMerchhttps://sludgeunderground.store/Instagramhttps://www.instagram.com/sludgeundergroundTikTokhttps://www.tiktok.com/@sludgeundergroundYouTubehttps://www.youtube.com/@sludgeundergroundTwitterhttps://twitter.com/Sludge031Facebookhttps://www.facebook.com/SludgeUnderground

Reimann, Christoph www.deutschlandfunk.de, Corso

This week's episode features Realm of Ink, Poppy Playtime: Chapter 5, Gobliiins Collection, One Move Away, A Frog's Job 2: Froggina, Steamboat Incident, Pitstop in Purgatory, Chicken Climber, and FORENSIC - M.E. Protocol.

Exploring genre in Indie video games leads down many paths; some strange and unpredictable, and others odd yet familiar. For roguelikes, titles like Balatro, Raccoin, and Cursed Words, has found the genre's "once again" nature in parlor and tabletop games. Matt & Gen are joined by CGDannyB and Jill Grodt to discuss the agility of indie development, how limiting genre labels can be, but how the loop of a roguelike can bring any of us to a new experience Be sure to check out The Indie Informer, The Indie Council, and Playlog Podcast! We have a Patreon! Gain access to episode shout outs, bonus content, early downloads of regular episodes, an exclusive rss feed and more! Click here! You can find the show on Bluesky, Instagram and YouTube! Please rate and review us on Apple Podcasts! Rate us on Pocket Casts! Wanna join the Certain POV Discord? Click here! Episode Art by Case Aiken Episode Music by Gen Moonen  

Welcome to Four Records! Each episode, we feature one guest as they discuss the four records that helped shape them at four different times in their life. This week, Forrest speaks with Ben Haberland, singer and songwriter of the band Onesie. Their new...

Punk Rock Demonstration Radio Show with Jack #1056 6/15/26. This is an archived broadcast of a previous Punk Rock Demonstration Radio Show. New shows broadcast every Monday 7:00PM - 9:00PM and every Tuesday 7:00AM - 9:00AM Pacific time. You can listen live and participate at https://punkrockdemo.com

WOAFM99 Radio Show - Certified Indie Songs of the Week (The Ultimate Seamless Weekend Mix!) Description: Kick off your weekend with an extraordinary musical journey on today's episode of the WOAFM99 Radio Show and Podcast with your host, Oliver Sean! This week, the WOA International Team has curated an exceptional Spotlight playlist featuring our latest Certified Indie Songs of the Week. We are breaking the mold with a masterfully crafted sonic experience that transitions seamlessly across genres to keep you completely hooked from start to finish. We begin the show with raw, stripped-back, live acoustic vibes, effortlessly blending into beautifully produced folk and roots tracks. From there, we gradually crank up the energy with highly produced anthems and driving rock, before closing out the night with an infectious, electronic-fueled wave of dance, hip-hop, and atmospheric music. It's a masterclass in musical curation, covering an incredible range of independent music while maintaining a perfect, seamless flow. Discover your next favorite track and let the WOA Team soundtrack your weekend! Today's Certified Indie Spotlight Tracklist: The Raw & Acoustic Beginnings Oliver Sean – Before You Accuse Me (Unplugged) Honolulu O'Dughin – Freight Train Rolling in the Night The McDades – The Lily of the West The Roots & Evolving Production Elam McKnight & Bob Bogdan – The Rural Wasteland Firecamino – Vodka Sweet Tea Leave the Bones – Pinch Me Darlin The High-Energy Rock Peak Reva K – Something Bob Martinez – The Devil's Dance Floor The Dance & Electronic Finale Pixel Pulse The Lab – Painted Nature Saint Louis – Dancing with the Dark Inside Catch WOA TV Show Season 7 & Exclusive Video Extras! Fans and artists can also catch the latest WOA TV Show Season 7, produced by the WOAFM99 Team and masterfully packaged and edited by the WOA Films team to showcase Breakthrough Independent Music Videos. The show has officially expanded its massive global footprint and is now licensed to network TV in Brazil and the broader Latin American markets, Cable TV in India, and dedicated TV and Community TV channels in Dubai and London! Where to Watch & Listen: The Main Shows: The main WOAFM99 Radio Show and the WOA TV Show are fully available wherever you get your favorite podcasts, as well as on woafm99.com and woafilms.com. Exclusive Video Extras: To catch all of our video extras, companion episodes, the popular Get To Know Your Artists series, and special WOA TV Show preview intro shows, head over exclusively to the official YouTube channel at YouTube.com/@OliverSean/Podcasts. Tune in now to discover the very best independent artists from around the globe! Artists can submit their music and videos at www.woaentertainment.com/store

RP Gives us the update on the fully released TImberborn. Kermit and Listra do some more dungeon diving. This time with Demeo x Dungeons & Dragons: Battlemarked.A podcast by gamers for the gaming community. Join us each week as we talk new games, old games, AAA and Indie. No drama. No guilt. Games, a little real life and community. Gaming is an all inclusive world.Find us onhttps://twitter.com/3rdfactionshowhttps://twitter.com/MsListra https://bsky.app/profile/mslistra.bsky.social and Twitch.tv/Mslistrahttps://twitter.com/RPGamer4life and Twitch.tv/RPGovanTwitch.tv/organizedchaosgamesDiscord Serverhttps://discord.gg/jNYr9mVNN7You can email the show onthethirdfactionshow@gmail.comPatreonhttps://www.patreon.com/cw/thethirdfactionshow

Send James and Sam a message or voicemailLosh Moodaley's article: https://podnews.net/article/beyond-the-cpm-podcast-advertising We test whether a 30-second threshold actually changes podcast stats, then pull apart why the definition of a “play” gets slippery once streaming, caching, and platform politics enter the mix. We also challenge the idea that better measurement automatically leads to better creator income, with practical advice for independents and nonprofits trying to build trust, outcomes, and sustainable revenue. • 30-second plays vs 60-second downloads and what hosting data shows • Why simplifying measurement helps but does not equal engagement • AMP definition changes, missing technical detail, and platform participation questions • The caching problem with HLS video and why server logs can mislead • Losh Moodley's roadmap beyond CPMs: audience economy, exclusivity, outcome-based selling, trust over attention • Spam podcasts selling drugs and why link tracking matters • AI-generated podcast flooding, disclosure ethics, and search discoverability • VoxTopica on mission-driven podcasting, nonprofit success metrics, and when subscriptions can work • Listener trends, weekly listening hours, and why listen time is becoming the headline number Support the showConnect With Us: Email: weekly@podnews.netFediverse: @james@bne.social and @samsethi@podcastindex.socialSupport us: www.buzzsprout.com/1538779/supportGet Podnews: podnews.net

Catch up with or listen again to Going Indieground broadcast on Mad Wasp Radio week commencing 15 June 2026. On this sow you can hear:Word – Wide AwakeWedding Present – Why Are You Being So Reasonable Now (Peel Session)Wadi Vision – The Place to BeWe Are Going To Eat You – Heart In HandMadness – … Continue reading →

Playlist: exhaust - two years on welfarethree-layer cake - deliverdancedwarfs of east agouza - double mothersilluminati hotties - declutterharamia tapes - pfunkemiliana torrini - black waterDamaged Bug - the end of the warbrandon woody - never gonna run awaymagella - you're always talking when no one can hear youhaley caliman - watercressAndrew MacKelvie's Many Worlds - time dilation w/aquakultrehélėne barbier - you little nothingisaiah collier & the chosen few - the time is nowjed arbour - parasiteflorida bc - one, two and three eyesgastr del sol - the seasons reverseniloo - surrenderAngine De Poitrine - sarniezzOri Kaplan & Lihu Melamed - tuntelChuck D and John Densmore - the bones of my fatherAstral Swans - no home left in the heartthee silver mt. zion memorial orchestra - sisters! brothers! small boats of fire are falling from the skies

About Ivan Van NormanIvan Van Norman is a true powerhouse of indie tabletop publishing and media innovation, bringing over 15 years of deep industry expertise to the table. Our paths cross all the way back to the very first year Gen Con introduced Entrepreneur's Alley, where our tiny 10x10 booths were literally shoved into the back corner of the convention hall, facing a wall right next to the food court. While I was out there hawking the first print run of Ascension, Ivan was launching Hunters Entertainment. Since then, Ivan has carved out an incredible track record, serving as an executive producer and host at Geek & Sundry during the wild dawn of the web-streaming boom, helping lay the early foundational blocks for massive cultural phenomena like Critical Role, and co-owning Hunters Entertainment. He's the publisher behind brilliant, boundary-pushing projects like the silent, text-messaging RPG Alice Is Missing. In this episode, we discuss the brutal realities of transitioning from a broke creator to a successful studio owner, how shifting mediums completely transform the mechanics of storytelling, and why your graveyard of discarded ideas is secretly your greatest design asset.Ah-ha! Justin's Takeaways* Everybody Prepares You for Failure, Nobody Prepares You for Success: When you're broke and just starting out, you are completely free to take massive risks because you have absolutely nothing to lose. However, the moment an indie project hits it big, the landscape completely flips. Ivan shares a wild reality check about running his first hit Kickstarter as a sole proprietor and suddenly getting hit with a massive personal tax bill he didn't see coming. Success brings structural obligations to payroll, to investors, and to an audience that wants you to repeat your tricks.* The Medium is the Mechanic: If you want your creative stories to break through the modern cultural noise, you have to design explicitly for the technology where your audience actually lives. Felicia Day and Geek & Sundry did it by leveraging the wild west of early YouTube and Twitch to unlock long-form TTRPG streaming. Alice Is Missing did it by turning a standard smartphone group text into an intensely emotional narrative engine. During our chat, Ivan's insights actually inspired me start work on a brand-new design concept right at the table: how to build an ultra-short-form video RPG engineered entirely for Shorts, Reels, and Twitch.* Less Money Equals More Radical Execution: Starting out broke right out of college gives you a massive, counterintuitive edge, because without a cash cushion, you are forced into a level of radical execution you just can't fake. Ivan and I launched right in a brutal recession, building display tables out of inventory boxes and dragging ammo cans down the hot streets of Indianapolis. That said, the real secret to surviving over the long haul as a serial entrepreneur is a beautiful touch of amnesia. We are naturally wired to avoid pain, and if you perfectly remembered the bone-deep exhaustion and near-failures of a launch, you'd never take a big risk again. You need that selective memory loss to trick yourself into thinking "this next launch will be smooth" just to find the sheer audacity to stand at the starting line again. It acts as a psychological shock absorber, wiping away the baggage of past failures so you can always approach a blank sheet of paper with total confidence. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit justingarydesign.substack.com/subscribe

We talk about time in Solarpunk and Astroneer, plus the start of Steam Next Fest and more Xbox reset news. That and more on this episode of the New Overlords Podcast with Sema and @MaxTheGrey. MP3 Direct Download Link YouTube Link Catch us in Discord at http://newoverlords.com/discord for notes on when we record live and … More indie survival – New Overlords Podcast 611: Solarpunk and Astroneer Read More » The post More indie survival – New Overlords Podcast 611: Solarpunk and Astroneer first appeared on NEW OVERLORDS.

Just a heads up, this one starts out a bit heavy, and I don't mean music-wise. Beyond that, we had new stuff from Golden Shitters and Bad Idea, plus lots of songs about this Hellscape we call home.

https://realpunkradio.com/podcast/tommyunitlive/tommyunitlive657.mp3 June 18th, 2026. Tommy Unit LIVE!! #657 – Tonight, we all over the road! We go LIVE!! every Thursday night at 10pm ET / 7:00pm PT on REAL PUNK RADIO – Radio Done Right! Nine Pound Hammer – Too Outlaw for Outlaw Country (single) The Hellacopters – Faraway LooksHookers – Back Alley TrashThe Nomads … Continue reading Tommy Unit LIVE!! #657 →

June 2026's edition of Roots Rendezvous. Mark Knopfler's song 'Sailing to Philadelphia' explores the historical journey of the two English surveyors, Charles Mason and Jeremiah Dixon, who created the famous border, the Mason-Dixon Line, the symbolic boundary that still denotes the divide between the Northern and Southern United States. In this podcast we travel down the line and engage in songs about lines. Dividing lines, state lines, county lines, lines in the middle, lines crossed, lines in between, lines all the way through to the end of the line. Playlist: Artist - Album - Track. 1 Mark Knopfler - Sailing to Philadelphia - Sailing to Philadelphia. 2 Babaux & the Peacemakers - Moments in Time - Step Below the Line. 3 Eilen Jewell - Letters from Sinners & Strangers - Walking Down the Line. 4 The Delines - Colfax - State line. 5 Chad Richard - Worthy Cause - Slow rollin' State Line. 6 Jenny Lewis - On the Line - On the Line. 7 Kelsey Waldon - White Noise, White Lines - White Noise, White Lines. 8 Morgan Wade - Obsessed - Crossing State Lines. 9 Dropkick Murphys - Okemah Rising – Rippin' Up the Boundary Line. 10 Cowboy Junkies - Ghosts - Desire Lines. 11 Dave Alvin - Eleven Eleven - Harlan County Line. 12 Ron Sexsmith - Long Player Late Bloomer - Get in Line. 13 Hurray for The Riff Raff - Small Town Heroes - End of the Line. 14 Julie Rhodes - Bound to meet the Devil - End of the Line. 15 Ghost Hounds - A Little Calamity - End of the Line. Size: 159 MB (167,725,705 bytes) Duration: 01:09:45

Estación GNG podcast musical - El lugar donde escuchar música se convierte en un auténtico placer entre locos/as Estación GNG Podcast Musical - El lugar donde escuchar música se convierte en un auténtico placer entre locos/as Bienvenido/a a una nueva aventura musical en Estación GNG, un espacio creado para quienes sienten la música como algo más que simples canciones. Aquí compartimos emociones, recuerdos, novedades, clásicos inolvidables y ese buen rollo que nos une cada día a miles de oyentes repartidos por toda España y más allá. Pop, Rock, Indie, Remember, Comercial, Flamenco, éxitos internacionales, descubrimientos musicales y muchas sorpresas te esperan en este viaje diario donde la única norma es disfrutar. Porque en Estación GNG creemos que la música tiene el poder de cambiar un día gris, levantar el ánimo y hacernos sentir parte de una gran familia. Gracias por acompañarnos, por escucharnos desde casa, el trabajo, el coche, bares, cafeterías, restaurantes o desde cualquier rincón del mundo. Este podcast sigue creciendo gracias a vosotros y a vuestra pasión por la buena música. Dale al play, sube el volumen y disfruta. ☮️ Paz y música. ️ Con Guillermo Nieto y toda la familia de Estación GNG. #EstacionGNG #PodcastMusical #MusicaSinLimites #PazyMusica #Pop #Rock #Indie #Remember #Exitos #RadioOnline #GuillermoNieto #PodcastEnEspañol #iVoox iVoox es una de las principales plataformas de podcast en español y permite descubrir, escuchar y compartir programas musicales como Estación GNG con miles de oyentes cada día. Danos tu suscripción en iVoox y estarás haciendo que Estación GNG podcast musical sea cada día más influyente en el género música en España. Seguimosssssssss

Knicks in five, baby! Let's trash this place in the name of unity! The Talking Comics podcast is back, with Bob, John, and Steve hodling down the fort while Joey and Aaron continue to distance themselves from our insufferable shenanigans! On this week's episode, we discuss the first four episodes of X-Men '97: Season 2, Nazis in the snow, skater girls, MASK, and much more! Comics Discussed: Neverlanders OGN, Odin #2, Red Hulk #1-10, Wolverine: Road to Armageddon #3-4, Avengers: Armageddon #1, MASK #1, Absolute Catwoman #1, Captain Marvel: Dark Past #3, Skate Ali #1, Soul! The Connie Hawkins Story Other Stuff: X-Men '97 Seasion 2 (animated TV series), Disclosure Day (movie) The Comic Book Podcast is brought to you by Talking Comics (talkingcomicbooks.wordpress.com). The podcast is hosted by Steve Seigh, Bob Reyer, Joey Braccino, Aaron Amos, John Burkle, and Bronwyn Kelly-Seigh, who weekly dissect everything comics-related, from breaking news to new releases. Our Instagram handle is @TalkingComicsPodcast, and you can email us at podcast@talkingcomicbooks.com.

Get your tickets today for a wine tasting paired with music curated by MTPR's Bryan Ramirez.

In this podcast episode of your favourite, longest running English language, video game radio show we see Ste getting invited into a Moomin's dressing room while Simon gets Charlesbot into hot water at the Houses of Parliament! We also cover the latest Nintendo Direct/Thumb Wrestling, Steam axing physical gift cards and EA making up World Cup winner predictions again (Ste predicts the loser). Meanwhile Simon continues his War On Players, we give out SECRET GAME DESIGN TIPS and consider who/what is Indie?! And it won't cost you a penny. Promise. We got three letters this week!!! Thank you!! Can we get four for the next episode?? Fire them to us at team@onelifeleft.com or skip across to our Discord and pop a letter in there! Link below! TTFN,Team OLL x Links: The OLL Everything Link (that might currently be broken!)http://hello.onelifeleft.com/ The OLL Discord Link!https://discord.gg/pdtGYvFx8r The Maraoke Everything Link!https://hello.maraoke.com Mindset GO! Link!https://mindset.game/ Block Words Link!https://blockwords.app/ The Shure link!https://tag.gs/OneLifeLeft_Shure Reviews: 007 First LightTR-49 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us Fan MailThere are people in the hospital who walk into the room when everything is falling apart.Not to fix it or rush through, but simply to be there.Today's guest, Mark Wilson, lives in that space—right in the emergency room, where life can change in a single moment. Where nurses are moving fast, families are trying to make sense of the unthinkable, and patients are meeting some of the hardest moments of their lives.But what makes his story different… is that he's been on the other side of the bed.After a severe bicycle accident, Mark suffered a traumatic brain injury and spent months in a rehabilitation hospital, learning how to walk again, relearning his body, his independence—his life. And somewhere in that process, something shifted.What started as survival… became a calling.Now, he shows up for patients and families in crisis as an emergency room chaplain, bringing a kind of presence that only comes from someone who truly understands what it feels like to be vulnerable, uncertain, and afraid.His experience as a former EMT, firefighter and lead pastor, gives him a unique lens on faith, meaning, and what people actually need in moments of crisis—whether they consider themselves spiritual or not.This conversation is for those on the frontlines of healthcare—the nurses and others who journey through the tough times and often carry unprocessed burdens. It's for anyone seeking insight into what truly matters when life hangs in the balance. Mark offers a message of comfort and compassion, encouraging us to embrace the uncertain and the deep insights that occur in moments of crisis.In the five-minute snippet: a shop teacher with a messy garage? Find Mark Wilson here:pastormarkwilson@sbcglobal.netmwilson@kaweahhealth.orgSierra Baptist ChurchContact The Conversing Nurse podcastInstagram: https://www.instagram.com/theconversingnursepodcast/Website: https://theconversingnursepodcast.comYour review is so important to this Indie podcaster! You can leave one here!  https://theconversingnursepodcast.com/leave-me-a-reviewWould you like to be a guest on my podcast? Pitch me! https://theconversingnursepodcast.com/intake-formCheck out my guests' book recommendations! https://bookshop.org/shop/theconversingnursepodcast I've partnered with RNegade.pro! You can earn CE's just by listening to my podcast episodes! Check out my CE library here: https://rnegade.thinkific.com/collections/conversing-nurse-podcastThanks for listening!

Bongeziwe Mabandla zeigt, wie man back to the roots und back to the future zugleich ist. Sein neuestes Album «Ndingubani» beginnt mit einer Rückkehr in seine Heimat Tsolo in der südafrikanischen Provinz Ostkap und katapultiert ihn in die musikalische Zukunft. Eine Dualität, die wunderbar aufgeht.

This episode was recorded on April 3rd, 2026 at the Culture Center Theater in Charleston, WV. The lineup includes Chris Smither, Joan Shelley, Yarn, Calvin Arsenia, Hudost. ⁠https://bit.ly/4vsZEnH

Indie author Matthew Linton drops by for a yarn about his fantasy books, love of anime and a whole lot more.   Website: Matthewlinton.com X handle: @_knight_writer   Podcast Website: thetrueandthefictional.com Contact the show: thetrueandthefictional@gmail.com Support the show: Buymeacoffee.com/sttatf Buy Merch: Jabryden.printify.me   Follow us on the socials: FB: Facebook.com/storiesthetrueandthefictional IG: @stories_podcast X: @stories_ttatf Youtube: https://www.youtube.com/channel/UCzIXhRcUvPPAzpCL-_a9N4w   Dropbear/logo designed by Mike Crumbs: Cartooncrumbs.com   Sponsor 1: Rebecca Cassells Buy her books on Amazon: https://www.amazon.com/.../e/B08WCH6RHG/ X: RACassells_auth IG: Rebecca.cassells.92 FB: Facebook.com/RebeccacassellsbooksTikTok: @rebeccacassellsauthor   Sponsor 2: J.A. Bryden  Website: Jabryden.com Socials: @jabryden   Kearsells Indie Book Award Winners 2025:   Janelle Schiecke: Socials: J_Schiecke Buy her books: https://www.amazon.com.au/stores/author/B0CCXHKVGH/allbooks?_encoding=UTF8&ref_=aufs_ap_ahdr_dsk_ab&pd_rd_w=XSV9m&content-id=amzn1.sym.b4344408-bcb0-46d7-b9b0-ac31160009fa&pf_rd_p=b4344408-bcb0-46d7-b9b0-ac31160009fa&pf_rd_r=358-0097934-1431222&pd_rd_wg=8hy1R&pd_rd_r=f0f7368c-365a-4c1c-8cc2-4a75595b0f92   Alexander Rob: Socials: @TheStarwald Website: Alexanderrob.com   #indieauthorpodcast #meettheauthor #books #indiebooks #booktube

What happens when traditional publishing stalls your career — and you decide to take matters into your own hands?In this episode, Nicole sits down with award-winning novelist Annie Cathryn (The Friendship Breakup, Eat the Cake) to talk candidly about her journey from querying 125 literary agents, landing a traditional publishing deal, and ultimately making the leap to self-publishing her latest novel.Whether you're a fiction writer wondering how to self-publish your first novel, or a traditionally published author weighing a move to indie publishing, Annie's story is full of hard-won wisdom and practical insight.They cover:What it really takes to query literary agents — and why 125 rejections isn't failureWhy traditional publishing didn't work for Annie's sophomore novel (and why it had nothing to do with her writing)How she launched an indie publishing business in a single day — LLC, website, pub date and allThe honest learning curve of self-publishing: book formatting, cover design, IngramSpark vs. Amazon, and what she'd do differentlyThe real benefits of being an indie author: creative control, real-time sales data, and choosing your own pub dateHow to decide whether traditional or self-publishing is the right fit for your author careerAnnie's debut novel Eat the Cake — a story of grief, unexpected hope, and a scavenger hunt through Florence — releases July 21st. Find her on Instagram @msanniecathryn and pre-order at bookstoread.com/anniecatherine.For more on Nicole Meier, visit nicolemeier.com

Lauren's guest is fashion journalist Alice Cavanagh. They discuss shopping in Paris, the future of Moschino, the challenge of being a young designer, why editorial exclusives are kinda silly, why Lauren is no longer wearing 4-inch heels, and plenty more. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Sean Wood joins The Chairman and the Council of Nerds to discuss The Fog Within, his creator-owned post-apocalyptic comic series that blends science fiction, action, mystery, and time-bending adventure.With The Fog Within #5 launching on Kickstarter, Sean shares the origins of the series, how a simple run through a foggy day sparked the concept, the challenges of building a creator-owned comic universe, and the lessons he's learned from running multiple successful crowdfunding campaigns.The conversation explores worldbuilding, indie publishing, Kickstarter strategy, creator-owned storytelling, and the realities of building an independent comic career one issue at a time.Topics include:• The origins of The Fog Within• Worldbuilding and character creation• Kickstarter crowdfunding• Creator-owned comics• Indie publishing• Writing and storytelling• Building a comic universe• Lessons learned as an independent creator

Indie game marketing advice spreads fast but much of it is rooted in conditions that have quietly changed, and in some cases, no longer apply. The problem? Most developers haven't noticed yet. In this episode, we break down why the strategies studios have relied on are losing effectiveness, what's driving that shift, and what a smarter, more adaptive approach looks like for reaching players in today's market. Episode Shownotes Link: https://rengenmarketing.com/458

How can horror writing help readers — and writers — work through psychological trauma? Why does cross-genre fiction take longer to find an audience, but pay off in the long run? Is running a direct sales store actually worth the inventory, postage, and learning curve? And how can SubStack work for fiction authors? With psychotherapist and award-winning author P.D. Alleva. In the intro, thoughts on why in-person conferences are still worth it, even when they are a challenge for sensitive introverts! and tips for making the best of conferences [Self-Publishing Show]. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why horror puts the human condition on display better than any other genre Emotional trauma as the silent psychological killer most people overlook The pros and challenges of cross-genre writing and finding your audience Practical lessons from running a direct store, including integration and signed-copy fulfilment How a 3 a.m. writing routine keeps the writing separate from the marketing and admin Serialising fiction on Substack, multiple newsletters, and avoiding paid subscriber promotions Why Facebook groups, TikTok Lives, and the three-to-one rule are working right now You can find P.D. at PDAlleva.com or on Substack. Transcript of the interview with P.D. Alleva Jo: P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. So welcome, Paul. PD: Thank you very much. Thank you for having me. This is a great opportunity. I love doing interviews, and I love talking to great people. Jo: Oh, good. Well, first up— Tell us a bit more about you and how you got into writing and being an indie author. PD: So I've been writing since I was a kid, at least second grade and more than likely even before that. I've always had that creative itch. Getting into indie author publishing, I published my first book in 2011. At the time I was also operating my own business, which took up about 24 hours of my time every single day. Then I kind of got through that and sold that in 2016, and I'm like, you know what? The time has come. I'd always written books, poetry, short stories, but never really did anything with them because I just didn't have the time. So in 2017, that's when I really came out and said, all right, the time is now. Indie publishing was doing great. The one good thing I do love about Amazon is they allowed us to come out there and start showing our craft to people. So in 2017, I just started—let's do this. Let's write full time. Let's put books out there. Let's be creative. Let's really get those juices flowing. Plus, I was getting a little bit old, and I was like, now is definitely the time to do this. Since then I've been publishing consistently, and most of my books are horror books, but I dabble. I have a sci-fi series, and I'm starting to get into psychological thrillers too. I've got a new psychological thriller that'll be published in early 2027 called Girl on a Mission. For the most part, I'm definitely into the horror genre—books, short stories, all that good fun stuff. Jo: Right, so a couple of follow-ups. You said you're a bit old. Can you give us what decade you're in at least? PD: Well, I'm 51, so born in 1971. Jo: Oh, there you go. Same age as me. PD: All right, good. See that? So we're going head-to-head there. Jo: I don't think that's old at all. Also, you mentioned you sold your business in 2016. So what was your business before? Because I think business experience is so important. PD: Agreed 100%. So I'm a psychotherapist, and I had owned a treatment centre for mental health and addiction. That was started in 2011, and in 2016 is when it sold. Since then, my wife and I started a private practice. So I still, even to this day—well, about a year and a half ago is when I stopped. I specialise in trauma, PTSD, and addiction. Trauma mostly. Most of my caseload has always been trauma, PTSD, sexual abuse, psychological abuse, war-type trauma. I was doing that mostly individually since 2016 in private practice, and I'll still go into treatment centres and see patients there too, specifically for trauma. About a year and a half ago is when I started wanting to do writing 100% full time. I thought about becoming a professor, maybe going to college, but then I wasn't sure if I wanted to get into that full time, as far as a caseload and school and everything like that. So I decided to just do group therapy, group facilitation, and I've been doing that consistently since then. It may be 15 hours a week. I do love to give back, and to me, it's more what I teach. I specialise in neuro-linguistic programming, bilateral stimulation or EMDR, hypnotherapy, science of mind concepts, psychopharmacology, biological bases of behaviour—which is pretty much how your brain works—ancient wisdom, quantum physics. I do this in a drug addiction treatment centre mostly, also mental health. And of course, just living an addictive lifestyle is traumatic, too, in and of itself. So pretty much I'm teaching them. Behaviour modification is a big part of what I'm teaching during that time. You'll see that, too, if you read my books. There's two things you can figure out from my books. You can figure out how to murder people and get away with it, and two, you can figure out how to overcome trauma as well. The whole “murder people and get away with it” comes from my upbringing. I have a very sorted past, let's put it that way. My upbringing was very different than what most people grow up in. Jo: Oh, can you give us any more than that? Now everyone's like, “Oh.” PD: “What's going on with this guy, right?” So I grew up, let's say, quote unquote, “in an Italian New York family.” Jo: Okay. All right. PD: That might give people ideas, right? Jo: That's going to give people a lot of ideas. PD: If you've ever seen the movie Goodfellas, I kind of grew up in that atmosphere, and with even some of those people too. My family had connections to those people in that movie, which I find very funny. If you watch that movie with me, you get a very different perspective on what's going on in the movie. Jo: Wow. So you're an interesting guy with an interesting background, with a very interesting backstory job as well. Some people are like, “Well, of course he's writing horror because horror is just awful and full of slasher gore and all that.” I often have to say to people who don't read horror, “Look, it's not like that.” Maybe some of it is, sure. But most of it isn't. Could you talk about how reading and writing horror can also be psychologically healthy? How do these worlds intertwine for you? PD: Well, sure. It 100% can be healthy. Especially over the last few years, there's a trend going on out there right now where people are taking their trauma and putting it into a creative process through poems, short stories, and even novels. They're taking their trauma and giving it a face, like a monster, where people are overcoming that monster within the creative process. I always say that horror is the genre that puts on display, better than any other genre out there, the human condition. Why is that? When people are in a terrifying situation, you really see who they are. You get to the heart of the matter of who that person is by putting them in these horrific but undefinable situations where it's like, what are they going to come out as? That real true personality needs to come out, and that courage comes out. That's huge in horror, and I think horror gets such a bad name. Now, I know there's the extreme horror and the splatterpunk, and that has its kind of role too in what I'm saying, but that's where horror is getting its bad reputation out there with the over-the-top type of gore. For the most part, that's a small part of the horror genre. It's a subgenre for a reason. It has its readership, and that's fine. Nothing wrong with it. I read it all the time. I find a lot of joy in it, a lot of excitement. However, for the most part, any horror novel that is not completely with the gore and stuff like splatterpunk can be seen as a psychological thriller, and a lot of psychological thrillers can be seen as a horror novel. Look at books like The Silence of the Lambs, Red Dragon. That's horrific as well, but if you read the novel, it's in there. It just gets that bad rap right now, and it's not all gore. Most horror novels that I read today are psychological horror. It's tame on the gore, and the psychological aspect is there. I always see that psychological aspect—it's like psychological trauma. Most people, even in my industry, when people are out there and you mention trauma, PTSD, they're thinking about sexual abuse, physical abuse, or war-type trauma. The silent psychological one—I once wrote an article called “Emotional Trauma: The Silent Psychological Killer.” The one that's out there is the psychological trauma, the emotional trauma that is widespread. Most people go through that, and it could even be from parent to child, and most people don't understand that that's a traumatic experience. It's like a distortion of reality that you're experiencing that then creates a belief system in your brain, and you're constantly acting out that belief system. That's where the psychological component of horror really comes out. People breaking through that psychological belief system that was created through a traumatic experience by reaching courage and coming out through a horrific situation. Jo: Yes, it really annoys me, because with romance, of course people understand that romance is a huge genre. Something like a small town sweet romance is a world away from the bully romantasy, dark, or mafia. Mafia romance is a really big thing with very dark themes. I'm like, well, how can you understand that romance is a huge genre with all these different subgenres, and not think that horror or thriller or fantasy or sci-fi all have so many different subgenres within them? I personally read a lot of supernatural horror, but rarely the slasher gore kind of stuff. So I'm really glad you said that, and hopefully more people will open up a bit more. I did also want to ask you about what you write. You write all these different things. You write standalone—I mean, often horror is standalone—but you also have some series. How do you balance it? What are the benefits of cross-genre writing, but also the challenges of it? PD: Okay. So obviously I love cross-genre writing. To me, I use fantasy to explain the supernatural elements. I blend mostly a tad of fantasy to help explain the supernatural components in my supernatural novels. When I write sci-fi, specifically sci-fi, that has the fantasy element in it too, but there's also a tad of horror in there as well. It's just who I am. When I grew up, I had a lot of different influences. I had Star Wars on one side, and then I'm watching B-rated '80s slasher films on the other side. Those two mixes just kind of followed me throughout my life, and that's why I like putting them into my novels. As I tell my patients, don't limit yourself. Never limit yourself. If you're just limiting yourself to one genre, you're missing out on so much more that's out there. So I love the blend of mixing genres. It just gets my goat each and every time. It is a challenge though. I remember when I first started getting into indie publishing, I was never big into Facebook and social media up until I started becoming an indie author. Before that, with my type of upbringing, you don't advertise yourself. You don't advertise where you're going. That's a big no-no. So I always had this aversion to social media. I'll tell you a funny story. It was the late 2000s, probably 2006. I was a full-time single father at that time, and I was living in Florida. My family—brothers and sisters-in-law—were living in New York, and my sister-in-law said, “Get a Facebook account so we can see pictures of the kids.” I said, “Oh.” I didn't want to do it, but I said, “Okay,” so I did it. And I'm thinking, looking at this Facebook thing, “How do I put pictures on here?” So I figured out how to put pictures in folders. Then I phone called her, and I'm like, “Okay, so they're on there.” And they're like, “Well, where are they?” I'm like, “I put them in these folders. You can go and look at them.” She's like, “No, you've got to post them.” That to me was like, “I'm not posting pictures of my kids.” That was a big no-no. It didn't click. When I got on there finally in 2016, 2017, I'm like, “Okay, so I need to figure out social media. As an indie author, I need to be on there, so I need to get through this aversion and get on there.” I started noticing how people are so particular with their genres. If they're reading a romance, it had to be very specific with that exact type of romance, and if you deviated from it, they're not going to like it. So that was the challenge. I was like, “All right, number one, I'm not going to dilute myself” and say, “All right, take things out of my writing or out of my novel just so I could cater to a certain type of audience.” I'm like, “I'm not going to do that.” I know with me, myself, as a reader, I'll read everything. I don't limit myself to a specific genre. I'll read psychological thrillers. I'll read romance. I've been doing that all my life. So I'm like, if there's a person like me out there—and look at this, I just met like four other people who also read cross genres—then I know that there's at least another 30,000 people, and I know that at least then there's 300,000, then there's three million people out there. So just write the books that you're writing and find your audience. Now, that takes longer. So you've got to chip away. Chip away. You're going to find readers here and there, and then that reader kind of tells a few people about you, and then you've got a few more readers. Then you keep going, and you go on these Facebook groups, and you do a whole bunch of different things, and then you gather a few more readers. Then they're telling some friends, and then you've got more. The process takes a lot longer, yes, 100% agreed, but I would say be true to yourself and you can never go wrong. Jo: Yes, I agree. I write cross-genre as well, and I've browsed your collection. Golem was the one I was like, “Ooh, yes, I like that one.” I haven't read it yet, it's on my list. I think when you're cross-genre, my people come to my store as well, and it's like, “Okay, I'm interested in lots of things, but this is the one by this author that I'm interested in.” Whereas with other authors who only write one type of thing, then I might not like any of their stuff. So I think there are definitely pros and cons and different ways into our world. I also wanted to ask you about the differences in business. Obviously you ran this treatment centre and there were physical humans on all sides, and now you've got a business as an author. So what have you learned in business from what you used to do and what you do now? PD: Okay. You're right. The treatment centre industry is very different from what I'm doing now, but it's still people. Treat those people right, have integrity. If you say you're going to do something, follow through with it. My word is my bond type of thing. That definitely has fed into the writing and publishing industry that I'm in now in a huge way. Just connecting with people is, to me, the biggest part of it. I mean, treatment centres, you've got to connect with people. When I would market the treatment centre, where would I go? I would go to hospitals, residential facilities, detoxes, and talk to them about my programme and why they should be referring clients there. It's the same thing here. Why should you be reading my books? You get there through interviews like what I'm doing here with you. Other podcasts. You get there by doing Facebook Lives, TikTok. I haven't started TikTok Lives yet, but I actually love that platform. I'm falling in love with it. IG Lives, anything like that where you're talking to people and you're making a connection with those people. Through that, I've gathered so many different types of readers who are like, “Yes, I'll give this book a shot.” And then they read it and they're like, “Hey, this is really good, and I'm going to read another book.” With my books, I have very different books. Golem is my psychological horror novel. It's my slow-burn psychological horror novel, heavily inspired by Frankenstein and the Pygmalion myth. It's my first true horror book that I published. Then there's Jigglyspot and the Zero Intellect, which is inspired by B-rated '80s horror movies and the old grindhouse movies of the '70s, and it's mind manipulation. It's just wild and bizarre. And then The Sleepy Hollow Incident is my Gothic tale—it's like a dark romance mixed in with Gothic horror. So I always try to put something for everyone that's out there. To me, when I'm writing, it's got to be about depth, psychological depth. I always refer to my books to be like peeling layers off a Texas-sized onion. The more you read, the more in-depth you get into not only the characters, but the story. It's just something that comes out of me. It's part of me. That's the way I always have to do it. I always have to put that depth in there. To me, that's good storytelling. When I grew up, I read a lot of classic literature. Yes, Edgar Allan Poe, but also Dante's Inferno, Milton's Paradise Lost, The Hunchback of Notre Dame, the Brontë sisters. Keep going. Ray Bradbury, Ayn Rand, Daphne du Maurier, Shirley Jackson. Those to me are my books that I absolutely love. So there's a sweet science in today's fast-paced, social media type of world in marrying the depth of the old classic literature and the entertainment value that is required today for being an author. There's that sweet science behind it, and I love just hitting that nail on the head every time. Jo: So did you ever pitch traditional publishing, or have you thought about going that way? Because I also find that a lot of horror actually sits very close to literary. Like, I read a lot more literary horror than I do in some of the other genres. PD: Correct. So in the beginning, yes. Not in a long time. I maybe went to a couple of indie publishers, but as far as traditional, the Big Five publishers, I have an aversion to them for a big reason. I know people who have worked in that industry that have told me some pretty bad horror stories about those places. So I haven't sent anything to that type of place in a very, very long time. Maybe close to 20 years. Indie publishers, the small presses, yes, here and there, but even then, I'm always moving at a fast pace. So if I've got a book and I'm sending it out as a query letter, by the time that query letter is even read, I'm almost done publishing. I love that aspect of it. The control of my story, where I know where this character's going. And listen, I've got my beta readers, I've got my ARC readers. They're there to tell me, “Hey, maybe you should change this or change that.” Whether I take that advice or not, of course my editor too, is really up to me. I always put out the book that I know is the one I want to read. And to me, I haven't gone wrong in doing so. I know with traditional publishing, you sometimes get too many thoughts in the pot there. Let's put it that way. Jo: Okay, so coming back to being indie then. You mentioned Amazon earlier, but you have a store where you sell direct. Many authors are doing this now, but it can be a challenge. So what have you found are the pros and cons of your direct store? What's working? Any lessons there? PD: Okay. So I use a place called Big Cartel. They're the platform where the books are on. They're hosting my website, PDAlleva.com. The big challenge was actually just starting it. It was so overwhelming. How do I put this on there? At the time, I've got all these books, so how do I present them? I'm even going to be doing another revamp with it too, because I want better pictures—taking pictures of the books, stuff like that, instead of just having the covers on there. I also have a lot of shirts that I'm selling. So I think the biggest challenge is just getting on there and starting it. Then of course, you've got to learn a whole new platform, and the mechanics, and how people are going to be downloading, and how that's done on an e-book versus a print version of the book. So it's a huge learning curve that you've really got to put your focus on and give it time. What most people like in indie publishing is signed copies. It's a huge part of indie publishing, selling those signed copies. People love a signed copy, and that's primarily what my website is for. You can order signed copies from me. I also use a place called IngramSpark, and they're more like a distributor. They're used by everyone. They've been around for a very long time. Traditional publishing uses them too, and they're just distributing your novel. I'd say about a year ago, maybe two years ago, they started where you can sell your books on discount through them as well. So I have that on my website too, where you're just clicking on the book and you're pretty much going directly to their site and you're buying paperbacks and hardbacks at a discount. That's going well too. For the most part, people are definitely coming to my site because they want the signed copies. A good thing with indie publishing is limited editions, first print copies, special editions. That type of stuff really just takes off. People love to see that, especially in the indie community. You can sell them too. I go to a few different book conventions during the year, and the limited editions are there. Like I said, people love the signed copies. They love being a part of that and getting that signed copy. They treasure it, just like I treasure my books too. I'm not referring to my books that I've written, but books that I have as well. I love my e-reader, don't get me wrong, but I still prefer the physical copy—the paperback, and even more so than the paperback, the hardback. So people love those signed copies, and that's why I created the website, to sell on there for them. Jo: Yes, I mean, we're getting to a point now though where I think some people are questioning the pros and cons of it. For example, you doing the signed copies—I don't do that from my Shopify store because I don't want to hold stock and I don't want to deal with postage. So I only do it when I do a Kickstarter. I've just finished one recently, Bones of the Deep, and I'm going up to the printer, and I'm going to sign a couple of hundred copies and then they do the postage. That's the only way I'm willing to do it because of the pain of getting books to your house, signing them, getting them in the post. So how do you manage that practically? PD: Okay, so the inventory's there. I don't go and sign everything right away. I just keep the inventory. Once somebody buys the book, then I'll pull out the book, log it and all that good fun stuff, sign it, and then ship it out immediately. Here in my country, we get discounts at the United States Post Office because they're books. So they pass that shipping cost over to the reader too, so it's a little bit cheaper for shipping. I'll just take books once or twice a week over to the United States Postal Service and ship those books out. I don't sign them until I actually get that order. Jo: How many do you have in your house? It's the holding stock of all the backlist that is the problem. PD: Ooh, gotcha. All right. That's why I have a two-car garage. But here's the thing, I won't order 500 at a time. I'll order 20 at a time. Jo: Okay. Right. PD: When I see that inventory's getting low, I'll order another 20 at a time. Jo: And you get those from IngramSpark? PD: Correct. When the new one comes out, maybe at that time I'm just selling those, bringing those to conventions that I go to. Or maybe doing a sale on those books at that time to get rid of the inventory so it's not sitting around anymore. Jo: I think that's so important. Then like you mentioned, you do T-shirts or shirts. That is also really hard because of sizing. So is that all print on demand? PD: Yes. So I don't really hold the stock on the shirts. When I get an order, whatever the size is at that time, I go directly to the place and order it. I use a place called Sublimation Station that's here in Orlando. They do great all-over print T-shirts. They're fantastic. I just did one for The Sleepy Hollow Incident. So The Sleepy Hollow Incident is one long story, and it's broken up into four books. Each book has its own. The covers are fantastic. I use a lady named Cherie Foxley. She's a phenomenal cover designer. So the shirts are, like, book one is on the front of one shirt with book two on the back, and then the second shirt is book three on the cover and book four on the back. However, I can customise those. I just did a giveaway in my Facebook group and I let people know I could customise them, and she wanted book one and book four, so I just got that and sent it out to her. Now, if people go ahead and order that on the website, I can just order it right away from them, boom, and that place will get it shipped right then and there. Jo: Right, so they do the shipping. These are all sort of practical things that people need to answer because I feel like sometimes it's like, “Oh, yes, having a direct store is great,” but there's actually quite a lot of work that goes into it, isn't there? PD: There is. There's a lot of work. You're pretty much opening almost like your own brick-and-mortar store at that point. You just don't have walk-in traffic coming in—your traffic is all coming online. So there is a lot to it, but it's worth it. If you're a self-published author or even a small indie press, it's good to have. Because like I said, people love the signed copies. Jo: When you say it's worth it, is it worth it financially or just because you like to serve the customers in that way? PD: Both. Jo: Right. So it is financially worth it for you? PD: Yes. Jo: I was talking to a friend of mine and saying, are you valuing your time in terms of things like taking the books to the post office and stuff like that? Do you find it eats into your writing at all, or do you just manage it all separately? PD: No, I manage it separately. So I'm an early morning riser. I get up at 3:00 in the morning, and that's when I write my books or do editing or brainstorming. I'm about to write a new novella now called The Adam and Eve Story, which is actually based on a little-known CIA shelved book from the 1990s called The Adam and Eve Story as well. So I've been brainstorming that, and I was doing that this morning. I get up at 3:00 a.m. and I do my writing, and by the time the kids are up and by the time the wife is up, it's like 8:00 a.m. is rolling around and I'm pretty much done at that point. Then I have my days. Tuesday I'm completely working from home and I do my thing in the morning, and then the rest of the day is marketing, fulfilling orders, stuff like that. On the days when I'm going to do group facilitation, I'll of course still get up at 3:00 o'clock in the morning, and then I'll plan out the day. I've got an hour between this group and I can go ahead and do that, and I'm already there so it's not a problem. The post office is right around the corner. You kind of figure out all the logistics for yourself. There are some days, like on Monday, I don't facilitate groups until the afternoon, so I've got the whole morning to work on marketing and do other things, and fulfilment. Then of course Saturday's a big day for that too. Jo: Oh, that's good. I feel like people always need to know how to balance their time, but it sounds like you manage, because at 3:00 a.m., as you say, there's not much else to do other than write. You mentioned marketing, and you have a Substack, pdsalternativefiction.substack.com. Talk about that and serialising fiction and how Substack works. Because I feel like a load of people are jumping in but might not necessarily know how it works, especially for fiction. PD: Correct. It is becoming quite popular out there. I think the one before that was Patreon, and Patreon is pretty big for that too, kind of the same thing. I wanted to start something and just get the work out there. I was very interested when Amazon came out a few years ago with what was called Vella. They kind of started that. I was like, “This is kind of cool.” Couple chapters at a time. I'm writing the books anyway, so why don't we kick this off and see how it goes—a type of experiment. I had a lot of fun doing it. I started on October 4th, 2024. I've done four novels so far. One is still going, which is Volume 3 of my Dark Veil serie— that's a sci-fi series. I wrote three other novels. The Hypnotist, which is a thriller, heavy on the sci-fi and a tad of horror in there too. And then I wrote Girl on a Mission, which is my psychological thriller, and then Cat Fight, which is a horror novel—all within that time. I think I finished all three of those novels in January, and then the first week of February they were all pretty much done. Now what I'm doing is, I went paid recently on the Substack. It's like everything else that's out there—chip away, chip away. I fell into that hole where they say, “Hey, we can promote you and get people to sign up for your newsletter.” And I'll be honest with you, don't do it. It's not worth it. You spend money, and what happens is they're what I refer to as dead leads. They don't click. You wind up shuffling them off after three to six months, because they're just not clicking. Everybody gets a star rating, so you know—are they clicking, are they staying on, are they not? So I got rid of pretty much all of those people, and I'll never do that again. It's got to be done organically. That's why when you read my books, especially the new books, towards the end it'll say, “Sign up for my newsletter.” I do more with that newsletter too. If you're on the free tier, every month I do a monthly newsletter, which is just me talking about updates, things going on in the publishing industry, things going on with me. My daughter puts together a weekly Horror and Sci-Fi Chronicles newsletter, which gives what's going on in new releases in the industry—sci-fi, horror, books, movies, television. She does deep dives into industry tropes, historical tidbits, and a weekly quiz. I also do a monthly Terrors and Tales newsletter. I started this last year, and it was a quarterly newsletter. It's other authors who are new, upcoming, never been published before, looking to get published. It's a chance for them to be on the newsletter where they have a flash fiction story or poem or even a short story that I publish for them. It's called the Terrors and Tales newsletter. What happened is I would put out calls for submissions. And a place called Duotrope—I don't even know who these people are, but all of a sudden I got an email from them stating, “Hey, we found that you're looking for submissions, and we posted your link. We hope you don't mind.” I'm like, “No, of course I don't mind.” I got so many submissions from that one link. I'm like, “Okay.” Do I really want to deny people? I'm not like that. I want to help promote other authors. I know what it's like when you're new and upcoming, no matter what age you are, to say, “Hey, here's a platform for you to see your stuff in print.” Obviously, I read through them just to make sure they're up to a certain standard, but for the most part, if you submit, you're getting in there. With Duotrope, I'm like, I have enough here to put out one a month. So in May 2026, the first one goes out, and then I'll have one each month until December, and then who knows? In 2027 I might go back to quarterly. I might get enough submissions to just keep it going once a month. So that's the Terrors and Tales newsletter, and it usually comes out towards the end of the month—the last two weeks. I have nothing to do with it in terms of content. None of my stories are on there. None of my poems are on there. None of my flash fiction. It's all other authors, just for them to see their name in print, see their work in print, share it with their friends, and put something on their resume, and to encourage people to keep reading and keep the craft going. Jo: When you say in print, you don't mean in physical print? PD: Oh, I mean in the newsletter. I'm sorry. Jo: I think that's important, or you're going to get a lot more submissions, and you will need to do publishing contracts and all that kind of thing. I think that's the difficult thing with a Substack newsletter approach—it's difficult to know where to categorise it. Is it marketing? Is it publishing? It's all of these things, I suppose. A bit like this podcast, it's all kinds of things. In terms of Substack actually making money on its own or leading to book sales that make money, do you think it does serve that purpose? PD: I think I've gotten more book sales through it, and also ARC readers who are enjoying the books and giving reviews. As far as the paid tiers, that's kind of a little bit slow, and that's where I'm saying chip away at it. Keep it up there. Keep it going. Over time, you're going to build that type of audience where it's going to be like, “Hey, this is financially feasible for me to continue to do this.” That's the response that I'm getting out there. Jo: Yes. Before, you mentioned you were doing Facebook Lives and you're looking at TikTok, but— Is anything else working for you in book marketing? If people have a few books and they're like, “What is working for book marketing right now?”—what do you recommend? PD: Okay. For me, the thing that has made the most sense is making sure the reader knows the book is out there through some sort of social media. I've had really good success on TikTok since the beginning of this year especially. I started it about a year ago, year and a half ago, but then my father got sick and passed away, and it was a new venture and I put it off to the side. I really got the flavour going at the beginning of this year. February, March of this year. It seems to be going really well, and I've noticed an uptick in sales from just getting the videos out there and getting it in front of people's eyes. There's an event I'm going to in August called ShiverCon, which is a pretty big event. After that event, I'm going to look to see what type of inventory I have left over from the event, and I'm going to start doing TikTok Lives. I'm very comfortable being on camera. So I'm like, “Yeah, that seems like a good way to go.” I know there's a few other horror authors who are doing it and having good success with TikTok Lives as well. A guy named Jason Davis is doing really well with TikTok Lives, and a few other authors too. I'm like, “Yes, I could definitely do that.” I want to get up to a certain number of people, and I want these events. I'm going to one in July, and then ShiverCon in August. Once those are done, I'm going to have more time to do the TikTok Lives. As far as Facebook is concerned, what I've had really great success with on Facebook is being in the groups and meeting other authors. That's not always about my book per se, but whatever books I'm reading, I'm posting my reviews about those books in those groups and meeting readers. Then obviously, they always say the three-to-one rule. Post about three different books and then post about your own book, whether you're doing a sale or a new release or a re-release or whatever. I've found success through that just by interacting with readers. When they post a book, I'll comment, “Hey, I've read that book,” or, “Hey, that book looks really cool. I like the review.” Commenting on it so you start these relationships with people who are out there in these Facebook groups. I've recently started my own Facebook reader group. I kind of go with the same thing. Last night, we did a live reading for another author. I like other authors to be on there. I always like to think, what does the reader need? What do I want to see as a reader? I would love to hear live readings from authors. So I kind of learn about them, learn about the book, and get a live reading. To me, that's a good way to go. So I started that recently, and it seems to be going well. I've got a new folk horror coming out soon, and I put out a call for ARC readers and got a fantastic response from that. That kind of drives the sales anyway, because when you get those reviews, then people see it gives credibility to the book, and then other people see it, and then they're buying it too. So that comes from the groups. There's so many wheels to spin in this industry as an indie author when you're doing this, especially when you're doing 99% of it on your own. You've got to get out there. No one's going to know your book exists if you don't get out there and tell somebody about it. Jo: Brilliant. Well, tell us— Where can people find you and your books online? PD: All right. Perfect. So obviously I'm on Amazon like everyone. Most of my books are worldwide, so you'll find them in Barnes & Noble as well. And of course, if you want the signed copies or discount print books, I always lead people straight to my website, PDAlleva.com. Then, of course, if you go to my Substack, you'll get all the updates, and you'll get all the links to purchase or find out where they are on Amazon and Barnes & Noble and things like that too. Jo: Brilliant. Well, thanks so much for your time, Paul. That was great. PD: Thank you very much for having me. It was great chatting with you. The post Writing Cross-Genre, Selling Direct, And Serialising On SubStack With P.D. Alleva first appeared on The Creative Penn.

Alexa Ray Corriea chats with Chandana Ekanayake of Outerloop Games. Together they discuss developing his newest game Dosa Divas, including the origin of the narrative and using food as a storytelling device; weaving together story with combat; the importance of the introductory hour of gameplay; his views on risk and team size; and his thoughts on working in indie development.  This episode is supported by  Xsolla iam8bit Episode Host: Alexa Ray Corriea Producers: Claudio Tapia and Josh Chu, The Academy of Interactive Arts & Sciences If you enjoyed this episode, please consider subscribing and leaving us a rating and review. Follow us: linktr.ee/AIAS Please consider supporting game dev students with: AIAS Foundation

This week's show, after a Graham Nash gutting: brand new Linda Lindas, Hurry (featuring Gerard Love), Death Cab For Cutie, Kristin Hersh, Gene, Flying Vipers (with Roger Miller), Kelley Stoltz, and Belle & Sebastian, plus Graham Nash, Pink Floyd (Syd B...

Get 20% off HelixSleep mattresses site-wide: go to https://www.helixsleep.com/official Get an extra four months of ExpressVPN for free: go to https://www.expressvpn.com/official Get additional episodes and bonus content with early access (try now with 7 DAYS FREE): go to https://www.OFFICIAL.men Three close man-friends gather around to talk about a bad Nintendo Direct. This is the Official Podcast. Every Tuesday. Links Below. THE OFFICIAL NETWORK CHANNEL (SUBSCRIBE NOW): https://www.youtube.com/channel/UCcHYe-Qw7qUN5gFWMdj9nNw Episode 492: Recorded 10/06/26 --- Get additional episodes and bonus content with early access: Go to https://www.OFFICIAL.men or https://www.PATREON.com/THEOFFICIALPODCAST --- Timestamps: [00:00:00] Intro [00:01:04] Nintendo Direct [00:02:05] Few new announcements mentioned [00:06:53] Summer Game Fest [00:10:33] AAA games all feel the same [00:19:24] Indie games versus AAA [00:30:39] Sponsor break [00:35:11] Xbox showcase [00:41:49] Edgy restaurant branding [01:03:12] Outro --- Audio Platforms (Spotify, Apple, Amazon, & Castbox): https://linktr.ee/theofficialpodcast Other Shows: https://linktr.ee/theofficialnetwork --- Hosts: Jackson: https://twitter.com/zealotonpc Andrew: https://twitter.com/huggbeestv Kaya: https://twitter.com/kayaorsan --- Additional Links: Channel: https://www.youtube.com/channel/UCcHYe-Qw7qUN5gFWMdj9nNw Subreddit: https://reddit.com/r/theofficialpodcast Patreon: https://www.patreon.com/theofficialpodcast Intro by: https://www.youtube.com/c/Derpmii Music by: https://soundcloud.com/inst1nctive & https://www.instagram.com/00zaya Art by: https://www.instagram.com/nook_eilyk/ & https://www.instagram.com/vaux.z Edited by: https://www.instagram.com/00zaya Designer: http://www.jr-design-co.com/ Produced by Jackson Clarke for The Official Network Learn more about your ad choices. Visit megaphone.fm/adchoices

Indie filmmaker Chris Vander Kaay talks about making "Go To Sleep", his new found footage feature.

This episode brought to you by Ziva.sh The best way to help you develop your games through Godot. Gaming Hosts Ryan, Ace and Josh are back in court to argue another hot topic in gaming! Which are more important to the video game world - Indie games or AAA titles? On this episode of Game Court, Ace and Ryan go head to head to stand up for their cause and argue their cases to see which video game developers and games are most important. It's a fun, zany video game packed episode from your favorite gaming podcast! Thanks to our MYTHIC Supporters: Redletter, Disratory, Ol' Jake, Gaius, Jigglepuf, Phelps and NorwegianGreaser, Dettmarp and NightWizard63   Thanks to our Legendary Supporters: HypnoticPyro, PeopleWonder, Bobby S.   Connect with the show: Support us on Patreon: ⁠patreon.com/videogamerspod⁠ Join our Gaming Community: https://discord.gg/h2cHKAvSmu Follow us on Instagram:⁠ https://www.instagram.com/videogamerspod/⁠  Follow us on X:⁠ https://twitter.com/VideoGamersPod⁠  Subscribe to us on YouTube:⁠ ⁠⁠https://www.youtube.com/@VideoGamersPod?sub_confirmation=1⁠    Visit us on the web:⁠https://videogamerspod.com/⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's episode features NBA The Run, Dungeon Clawler, Do You even Forklift?, Psyvariar 3, Necrophosis: Full Consciousness, and Star Trek: Voyager - Across the Unknown.

GG Hawkins continues No Film School's 2026 distribution experiment with filmmaker Pete Ohs, focusing on the release of Erupcja, his Warsaw-shot microbudget feature starring Charli XCX, Lena Góra, Will Madden, and Jeremy O. Harris. Pete breaks down how the movie was made, how its TIFF premiere led to a deal with One Two Special, and what he learned from theatrical touring, Q&As, VOD timing, marketing assets, fan edits, and the emotional sustainability of releasing independent films. In this episode, No Film School's GG Hawkins and guest Pete Ohs discuss... Making Erupcja in Warsaw, Poland, with Charli XCX and a small, experimental production model How SAG's Global Rule One affected the budget of an international indie production Premiering at TIFF and navigating sales conversations with CAA and multiple distributors Why Pete chose One Two Special based on alignment, communication, and “vibes” Building a release around Q&As, theatrical events, and in-person audience engagement Creating playful marketing assets, including a zine, a voicemail phone line, and fan-edit materials Releasing trailer stems and encouraging remix culture around the film How theatrical box office expectations were framed for a movie made under $100,000 The limits of relying on actors or stars to carry indie film promotion Why filmmakers should treat Q&As as another form of storytelling The idea of “regional filmmaking” and creating meaningful local releases Finishing and releasing projects as part of sustaining a long-term filmmaking practice Memorable Quotes: “We went to Poland in August of 2024 for two weeks with half of an outline and shot the movie in order.” “If the numbers were better or the percentages were better, but the vibe was worse. I would have been suffering.” “The work doesn't end.” “Treat it as practice for storytelling.” Guests: Pete Ohs Resources: Erupcja on IMDb No Film School: How a Film Score Actually Gets Made (Step by Step) & Pete Ohs' Distribution Experiment of 2026 No Film School: Pete Ohs' 2026 Distribution Experiment #1: 'OBEX' No Film School: Pete Ohs Rethinks How We Make Movies Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram