Podcasts about Indie

Send us a textA four-month plan turned into eight years on the road, and that leap reshaped everything. We sit down with Caryl Eve Delinko, author of A Woman's Guide to World Travel, to unpack how purpose-led planning makes travel deeply rewarding—especially for women considering solo adventures.What do you actually want from your trip? Whether it's tracing your ancestry, learning to cook regional dishes, studying music, or chasing landscapes, your why helps you choose your how—solo freedom, a trusted travel buddy, or an interest-driven group. Caryl highlights woman-friendly destinations with strong infrastructure and cultural openness—Thailand, Spain, Israel, Japan, Denmark, the Netherlands—and shares ways to navigate more complex regions through women-only hostel rooms, local rail options, and online communities that turn safety into solidarity.More tips: Caryl's keeps packing simple: neutral layers, multi-use pieces, and a compact medical kit with prescriptions in original containers. We dig into airline fees, the power of carry-on travel, and the truth that you can buy what you forgot—often better and cheaper—once you arrive. Ships can be a smart option at any age: onboard medical care, built-in security, and an unpack-once lifestyle that opens up new ports without the hassle.Solo travel gets special attention: how to meet people naturally, make dining alone feel purposeful, and turn restaurants into planning hubs. We map practical budget moves—museum free days, transit passes, street markets, and neighborhood lunches—and show how a few local phrases build instant rapport. We also go there on romance abroad, both the allure and the boundaries, and we share grounded safety tactics. Caryl closes with a luminous memory from Machu Picchu.Follow the podcast, share the episode with a friend who needs a nudge.Our guest, Caryl Eve Delinko, author of A Woman's Guide to World Travel, has traveled to almost 100 countries, and speaks and writes about travel around the world.Podcast host Lea Lane has traveled to over 100 countries, and has written nine books, including the award-winning Places I Remember  (Kirkus Reviews star rating, and  'one of the top 100 Indie books of  the year'). She has contributed to dozens of guidebooks and has written thousands of travel articles. _____Our award-winning travel podcast, Places I Remember with Lea Lane, has produced over 125 travel episodes! New episodes drop on the first Tuesday of the month, on Apple, Spotify, and wherever you listen to podcasts. All episodes are also on her website: placesirememberlealane.com_____Travel vlogs of featured  podcasts-- with video and graphics -- now also drop on YouTube.  

How can indie authors raise their game through academic-style rigour? How might AI tools fit into a thoughtful research process without replacing the joy of discovery? Melissa Addey explores the intersection of scholarly discipline, creative writing, and the practical realities of building an author career. In the intro, mystery and thriller tropes [Wish I'd Known Then]; The differences between trad and indie in 2026 [Productive Indie Fiction Writer]; Five phases of an author business [Becca Syme]; Bones of the Deep – J.F. Penn; Today's show is sponsored by Bookfunnel, the essential tool for your author business. Whether it's delivering your reader magnet, sending out advanced copies of your book, handing out ebooks at a conference, or fulfilling your digital sales to readers, BookFunnel does it all. Check it out at bookfunnel.com/thecreativepenn This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Melissa Addey is an award-winning historical fiction author with a PhD in creative writing from the University of Surrey. She was the Leverhulme Trust Writer in Residence at the British Library, and now works as campaigns lead for the Alliance of Independent Authors. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Making the leap from a corporate career to full-time writing with a young family Why Melissa pursued a PhD in creative writing and how it fuelled her author business What indie authors can learn from academic rigour when researching historical fiction The problems with academic publishing—pricing, accessibility, and creative restrictions Organising research notes, avoiding accidental plagiarism, and knowing when to stop researching Using AI tools effectively as part of the research process without losing your unique voice You can find Melissa at MelissaAddey.com. Transcript of the interview with Melissa Addey JOANNA: Melissa Addey is an award-winning historical fiction author with a PhD in creative writing from the University of Surrey. She was the Leverhulme Trust Writer in Residence at the British Library, and now works as campaigns lead for the Alliance of Independent Authors. Welcome back to the show, Melissa. MELISSA: Hello. Thank you for having me. JOANNA: It's great to have you back. You were on almost a decade ago, in December 2016, talking about merchandising for authors. That is really a long time ago. So tell us a bit more about you and how you got into writing and self-publishing. MELISSA: I had a regular job in business and I was writing on the side. I did a couple of writing courses, and then I started trying to get published, and that took seven years of jumping through hoops. There didn't seem to be much progress. At some point, I very nearly had a small publisher, but we clashed over the cover because there was a really quite hideous suggestion that was not going to work. I think by that point I was really tired of jumping through hoops, really trying to play the game traditional publishing-wise. I just went, you know what? I've had enough now. I've done everything that was asked of me and it's still not working. I'll just go my own way. I think at the time that would've been 2015-ish. Suddenly, self-publishing was around more. I could see people and hear people talking about it, and I thought, okay, let's read everything there is to know about this. I had a little baby at the time and I would literally print off stuff during the day to read—probably loads of your stuff—and read it at two o'clock in the morning breastfeeding babies. Then I'd go, okay, I think I understand that bit now, I'll understand the next bit, and so on. So I got into self-publishing and I really, really enjoyed it. I've been doing it ever since. I'm now up to 20 books in the last 10 or 11 years. As you say, I did the creative writing PhD along the way, working with ALLi and doing workshops for others—mixing and matching lots of different things. I really enjoy it. JOANNA: You mentioned you had a job before in business. Are you full-time in all these roles that you're doing now, or do you still have that job? MELISSA: No, I'm full-time now. I only do writing-related things. I left that in 2015, so I took a jump. I was on maternity leave and I started applying for jobs to go back to, and I suddenly felt like, oh, I really don't want to. I want to do the writing. I thought, I've got about one year's worth of savings. I could try and do the jump. I remember saying to my husband, “Do you think it would be possible if I tried to do the jump? Would that be okay?” There was this very long pause while he thought about it. But the longer the pause went on, the more I was thinking, ooh, he didn't say no, that is out of the question, financially we can't do that. I thought, ooh, it's going to work. So I did the jump. JOANNA: That's great. I did something similar and took a massive pay cut and downsized and everything back in the day. Having a supportive partner is so important. The other thing I did—and I wonder if you did too—I said to Jonathan, my husband, if within a year this is not going in a positive direction, then I'll get another job. How long did you think you would leave it before you just gave up? And how did that go? Because that beginning is so difficult, especially with a new baby. MELISSA: I thought, well, I'm at home anyway, so I do have more time than if I was in a full-time job. The baby sleeps sometimes—if you're lucky—so there are little gaps where you could really get into it. I had a year of savings/maternity pay going on, so I thought I've got a year. And the funny thing that happened was within a few months, I went back to my husband and I was like, I don't understand. I said, all these doors are opening—they weren't massive, but they were doors opening. I said, but I've wanted to be a writer for a long time and none of these doors have opened before. He said, “Well, it's because you really committed. It's because you jumped. And when you jump, sometimes the universe is on board and goes, yes, all right then, and opens some doors for you.” It really felt like that. Even little things—like Writing Magazine gave me a little slot to do an online writer-in-residence thing. Just little doors opened that felt like you were getting a nod, like, yes, come on then, try. Then the PhD was part of that. I applied to do that and it came with a studentship, which meant I had three years of funding coming in. That was one of the biggest creative gifts that's ever been given to me—three years of knowing you've got enough money coming in that you can just try and make it work. By the time that finished, the royalties had taken over from the studentship. That was such a gift. JOANNA: A couple of things there. I've got to ask about that funding. You're saying it was a gift, but that money didn't just magically appear. You worked really hard to get that funding, I presume. MELISSA: I did, yes. You do have to do the work for it, just to be clear. My sister had done a PhD in an entirely different subject. She said, “You should do a PhD in creative writing.” I said, “That'd be ridiculous. Nobody is going to fund that. Who's going to fund that?” She said, “Oh, they might. Try.” So I tried, and the deadline was something stupid like two weeks away. I tried and I got shortlisted, but I didn't get it. I thought, ah, but I got shortlisted with only two weeks to try. I'll try again next year then. So then I tried again the next year and that's when I got it. It does take work. You have to put in quite a lot of effort to make your case. But it's a very joyful thing if you get one. JOANNA: So let's go to the bigger question: why do a PhD in creative writing? Let's be clear to everyone—you don't need even a bachelor's degree to be a successful author. Stephen King is a great example of someone who isn't particularly educated in terms of degrees. He talks about writing his first book while working at a laundry. You can be very successful with no formal education. So why did you want to do a PhD? What drew you to academic research? MELISSA: Absolutely. I would briefly say, I often meet people who feel they must do a qualification before they're allowed to write. I say, do it if you'd like to, but you don't have to. You could just practise the writing. I fully agree with that. It was a combination of things. I do actually like studying. I do actually enjoy the research—that's why I do historical research. I like that kind of work. So that's one element. Another element was the funding. I thought, if I get that funding, I've got three years to build up a back catalogue of books, to build up the writing. It will give me more time. So that was a very practical financial issue. Also, children. My children were very little. I had a three-year-old and a baby, and everybody went, “Are you insane? Doing a PhD with a three-year-old and a baby?” But the thing about three-year-olds and babies is they're quite intellectually boring. Emotionally, very engaging—on a number of levels, good, bad, whatever—but they're not very intellectually stimulating. You're at home all day with two small children who think that hide and seek is the highlight of intellectual difficulty because they've hidden behind the curtains and they're shuffling and giggling. I felt I needed something else. I needed something for me that would be interesting. I've always enjoyed passing on knowledge. I've always enjoyed teaching people, workshops, in whatever field I was in. I thought, if I want to do that for writing at some point, it will sound more important if I've done a PhD. Not that you need that to explain how to do writing to someone if you do a lot of writing. But there were all these different elements that came together. JOANNA: So to summarise: you enjoy the research, it's an intellectual challenge, you've got the funding, and there is something around authority. In terms of a PhD—and just for listeners, I'm doing a master's at the moment in death, religion, and culture. MELISSA: Your topic sounds fascinating. JOANNA: It is interesting because, same as you, I enjoy research. Both of us love research as part of our fiction process and our nonfiction. I'm also enjoying the intellectual challenge, and I've also considered this idea of authority in an age of AI when it is increasingly easy to generate books—let's just say it, it's easy to generate books. So I was like, well, how do I look at this in a more authoritative way? I wanted to talk to you because even just a few months back into it—and I haven't done an academic qualification for like two decades—it struck me that the academic rigour is so different. What lessons can indie authors learn from this kind of academic rigour? What do you think of in terms of the rigour and what can we learn? MELISSA: I think there are a number of things. First of all, really making sure that you are going to the quality sources for things—the original sources, the high-quality versions of things. Not secondhand, but going back to those primary sources. Not “somebody said that somebody said something.” Well, let's go back to the original. Have a look at that, because you get a lot from that. I think you immerse yourself more deeply. Someone can tell you, “This is how they spoke in the 1800s.” If you go and read something that was written in the 1800s, you get a better sense of that than just reading a dictionary of slang that's been collated for you by somebody else. So I think that immerses you more deeply. Really sticking with that till you've found interesting things that spark creativity in you. I've seen people say, “I used to do all the historical research. Nowadays I just fact-check. I write what I want to write and I fact-check.” I think, well, that's okay, but you won't find the weird little things. I tend to call it “the footnotes of history.” You won't find the weird little things that really make something come alive, that really make a time and a place come alive. I've got a scene in one of my Regency romances—which actually I think are less full of historical emphasis than some of my other work—where a man gives a woman a gift. It's supposed to be a romantic gift and maybe slightly sensual. He could have given her a fan and I could have fact-checked and gone, “Are there fans? Yes, there are fans. Do they have pretty romantic poems on them? Yes, they do. Okay, that'll do.” Actually, if you go round and do more research than that, you discover they had things like ribbons that held up your stockings, on which they wrote quite smutty things in embroidery. That's a much more sexy and interesting gift to give in that scene. But you don't find that unless you go doing a bit of research. If I just fact-check, I'm not going to find that because it would never have occurred to me to fact-check it in the first place. JOANNA: I totally agree with you. One of the wonderful things about research—and I also like going to places—is you might be somewhere and see something that gives you an idea you never, ever would have found in a book or any other way. I used to call it “the serendipity of the stacks” in the physical library. You go looking for a particular book and then you're in that part of the shelf and you find several other books that you never would have looked for. I think it's encouraging people, as you're saying, but I also think you have to love it. MELISSA: Yes. I think some people find it a bit of a grind, or they're frightened by it and they think, “Have I done enough?” JOANNA: Mm-hmm. MELISSA: I get asked that a lot when I talk about writing historical fiction. People go, “But when do I stop? How do I know it's enough? How do I know there wasn't another book that would have been the book? Everyone will go, ‘Oh, how did you not read such-and-such?'” I always say there are two ways of finding out when you can stop. One is when you get to the bibliographies, you look through and you go, “Yep, read that, read that, read that. Nah, I know that one's not really what I wanted.” You're familiar with those bibliographies in a way that at the beginning you're not. At the beginning, every single bibliography, you haven't read any of it. So that's quite a good way of knowing when to stop. The other way is: can you write ordinary, everyday life? I don't start writing a book till I can write everyday life in that historical era without notes. I will obviously have notes if I'm doing a wedding or a funeral or a really specific battle or something. Everyday life, I need to be able to just write that out of my own head. You need to be confident enough to do that. JOANNA: One of the other problems I've heard from academics—people who've really come out of academia and want to write something more pop, even if it's pop nonfiction or fiction—they're also really struggling. It is a different game, isn't it? For people who might be immersed in academia, how can they release themselves into doing something like self-publishing? Because there's still a lot of stigma within academia. MELISSA: You're going to get me on the academic publishing rant now. I think academic publishing is horrendous. Academics are very badly treated. I know quite a lot of academics and they have to do all the work. Nobody's helping them with indexing or anything like that. The publisher will say things like, “Well, could you just cut 10,000 words out of that?” Just because of size. Out of somebody's argument that they're making over a whole work. No consideration for that. The royalties are basically zilch. I've seen people's royalty statements come in, and the way they price the books is insane. They'll price a book at 70 pounds. I actually want that book for my research and I'm hesitating because I can't be buying all of them at that price. That's ridiculous. I've got people who are friends or family who bring out a book, and I'm like, well, I would gladly buy your book and read it. It's priced crazy. It's priced only for institutions. I think actually, if academia was written a little more clearly and open to the lay person—which if you are good at your work, you should be able to do—and priced a bit more in line with other books, that would maybe open up people to reading more academia. You wouldn't have to make it “pop” as you say. I quite like pop nonfiction. But I don't think there would have to be such a gulf between those two. I think you could make academic work more readable generally. I read someone's thesis recently and they'd made a point at the beginning of saying—I can't remember who it was—that so-and-so academic's point of view was that it should be readable and they should be writing accordingly. I thought, wow, I really admired her for doing that. Next time I'm doing something like that, I should be putting that at the front as well. But the fact that she had to explain that at the beginning… It wasn't like words of one syllable throughout the whole thing. I thought it was a very quality piece of writing, but it was perfectly readable to someone who didn't know about the topic. JOANNA: I might have to get that name from you because I've got an essay on the Philosophy of Death. And as you can imagine, there's a heck of a lot of big words. MELISSA: I know. I've done a PhD, but I still used to tense up a little bit thinking they're going to pounce on me. They're going to say that I didn't talk academic enough, I didn't sound fancy enough. That's not what it should be about, really. In a way, you are locking people out of knowledge, and given that most academics are paid for by public funds, that knowledge really ought to be a little more publicly accessible. JOANNA: I agree on the book price. I'm also buying books for my course that aren't in the library. Some of them might be 70 pounds for the ebook, let alone the print book. What that means is that I end up looking for secondhand books, when of course the money doesn't go to the author or the publisher. The other thing that happens is it encourages piracy. There are people who openly talk about using pirate sites for academic works because it's just too expensive. If I'm buying 20 books for my home library, I can't be spending that kind of money. Why is it so bad? Why is it not being reinvented, especially as we have done with indie authors for the wider genres? Has this at all moved into academia? MELISSA: I think within academia there's a fear because there's the peer reviews and it must be proven to be absolutely correct and agreed upon by everybody. I get that. You don't want some complete rubbish in there. I do think there's space to come up with a different system where you could say, “So-and-so is professor of whatever at such-and-such a university. I imagine what they have to say might be interesting and well-researched.” You could have some sort of kite mark. You could have something that then allows for self-publishing to take over a bit. I do just think their system is really, really poor. They get really reined in on what they're allowed to write about. Alison Baverstock, who is a professor now at Kingston University and does stuff about publishing and master's programmes, started writing about self-publishing because she thought it was really interesting. This was way back. JOANNA: I remember. I did one of those surveys. MELISSA: She got told in no uncertain terms, “Do not write about this. You will ruin your career.” She stuck with it. She was right to stick with it. But she was told by senior academics, “Do not write about self-publishing. You're just embarrassing yourself. It's just vanity press.” They weren't even being allowed to write about really quite interesting phenomena that were happening. Just from a historical point of view, that was a really interesting rise of self-publishing, and she was being told not to write about it. JOANNA: It's funny, that delay as well. I'm looking to maybe do my thesis on how AI is impacting death and the death industry. And yet it's such a fast-moving thing. MELISSA: Yes. JOANNA: Sometimes it can take a year, two years or more to get a paper through the process. MELISSA: Oh, yes. It moves really, really fast. Like you say, by the time it comes out, people are going, “Huh? That's really old.” And you'll be going, “No, it's literally two years.” But yes, very, very slow. JOANNA: Let's come back to how we can help other people who might not want to be doing academic-level stuff. One of the things I've found is organising notes, sources, references. How do you manage that? Any tips for people? They might not need to do footnotes for their historical novel, but they might want to organise their research. What are your thoughts? MELISSA: I used to do great big enormous box files and print vast quantities of stuff. Each box file would be labelled according to servant life, or food, or seasons, or whatever. I've tried various different things. I'm moving more and more now towards a combination of books on the shelf, which I do like, and papers and other materials that are stored on my computer. They'll be classified according to different parts of daily life, essentially. Because when you write historical fiction, you have to basically build the whole world again for that era. You have to have everything that happens in daily life, everything that happens on special events, all of those things. So I'll have it organised by those sorts of topics. I'll read it and go through it until I'm comfortable with daily life. Then special things—I'll have special notes on that that can talk me through how you run a funeral or a wedding or whatever, because that's quite complicated to just remember in your head. MELISSA: I always do historical notes at the end. They really matter to me. When I read historical fiction, I really like to read that from the author. I'll say, “Right, these things are true”—especially things that I think people will go, “She made that up. That is not true.” I'll go, “No, no, these are true.” These other things I've fudged a little, or I've moved the timeline a bit to make the story work better. I try to be fairly clear about what I did to make it into a story, but also what is accurate, because I want people to get excited about that timeline. Occasionally if there's been a book that was really important, I'll mention it in there because I don't want to have a proper bibliography, but I do want to highlight certain books. If you got excited by this novel, you could go off and read that book and it would take you into the nonfiction side of it. JOANNA: I'm similar with my author's notes. I've just done the author's note for Bones of the Deep, which has some merfolk in it, and I've got a book on Merpeople. It's awesome. It's just a brilliant book. I'm like, this has to go in. You could question whether that is really nonfiction or something else. But I think that's really important. Just to be more practical: when you're actually writing, what tools do you use? I use Scrivener and I keep all my research there. I'm using EndNote for academic stuff. MELISSA: I've always just stuck to Word. I did get Scrivener and played with it for a while, but I felt like I've already got a way of doing it, so I'll just carry on with that. So I mostly just do Word. I have a lot of notes, so I'll have notepads that have got my notes on specific things, and they'll have page numbers that go back to specific books in case I need to go and double-check that again. You mentioned citations, and that's fascinating to me. Do you know the story about Angle of Repose by Wallace Stegner? It won the Pulitzer. It's a novel, but he used 10% of that novel—and it's a fairly slim novel—10% of it is actually letters written by somebody else, written by a woman before his time. He includes those and works with them in the story. He mentioned her very briefly, like, “Oh, and thanks to the relatives of so-and-so.” Very brief. He got accused of plagiarism for using that much of it by another part of her family who hadn't agreed to it. I've always thought it's because he didn't give enough credence to her. He didn't give her enough importance. If he'd said, “This was the woman who wrote this stuff. It's fascinating. I loved it. I wanted to creatively respond and engage with it”—I think that wouldn't have happened at all. That's why I think it's quite important when there are really big, important elements that you're using to acknowledge those. JOANNA: That's part of the academic rigour too— You can barely have a few of your own thoughts without referring to somebody else's work and crediting them. What's so interesting to me in the research process is, okay, I think this, but in order to say it, I'm going to have to go find someone else who thought this first and wrote a paper on it. MELISSA: I think you would love a PhD. When you've done a master's, go and do a PhD as well. Because it was the first time in academia that I genuinely felt I was allowed my own thoughts and to invent stuff of my own. I could go, “Oh no, I've invented this theory and it's this.” I didn't have to constantly go, “As somebody else said, as somebody else said.” I was like, no, no. This is me. I said this thing. I wasn't allowed to in my master's, and I found it annoying. I remember thinking, but I'm trying to have original thoughts here. I'm trying to bring something new to it. In a PhD, you're allowed to do that because you're supposed to be contributing to knowledge. You're supposed to be bringing a new thing into the world. That was a glorious thing to finally be allowed to do. JOANNA: I must say I couldn't help myself with that. I've definitely put my own opinion. But a part of why I mention it is the academic rigour—it's actually quite good practice to see who else has had these thoughts before. Speed is one of the biggest issues in the indie author community. Some of the stuff you were talking about—finding original sources, going to primary sources, the top-quality stuff, finding the weird little things—all of that takes more time than, for example, just running a deep research report on Gemini or Claude or ChatGPT. You can do both. You can use that as a starting point, which I definitely do. But then the point is to go back and read the original stuff. On this timeframe— Why do you think research is worth doing? It's important for academic reasons, but personal growth as well. MELISSA: Yes, I think there's a joy to be had in the research. When I go and stand in a location, by that point I'm not measuring things and taking photos—I've done all of that online. I'm literally standing there feeling what it is to be there. What does it smell like? What does it feel like? Does it feel very enclosed or very open? Is it a peaceful place or a horrible place? That sensory research becomes very important. All of the book research before that should lead you into the sensory research, which is then also a joy to do. There's great pleasure in it. As you say, it slows things down. What I tend to say to people if they want to speed things up again is: write in a series. Because once you've done all of that research and you just write one book and then walk away, that's a lot. That really slows you down. If you then go, “Okay, well now I'm going to write four books, five books, six books, still in that place and time”—obviously each book will need a little more research, but it won't need that level of starting-from-scratch research. That can help in terms of speeding it back up again. Recently I wrote some Regency romances to see what that was like. I'd done all my basic research, and then I thought, right, now I want to write a historical novel which could have been Victorian or could have been Regency. It had an openness to it. I thought, well, I've just done all the research for Regency, so I'll stick with that era. Why go and do a whole other piece of research when I've only written three books in it so far? I'll just take that era and work with that. So there are places to make up the time again a bit. But I do think there's a joy in it as well. JOANNA: I just want to come back to the plagiarism thing. I discovered that you can plagiarise yourself in academia, which is quite interesting. For example, my books How to Write a Novel and How to Write Nonfiction—they're aimed at different audiences. They have lots of chapters that are different, but there's a chapter on dictation. I thought, why would I need to write the same chapter again? I'm just going to put the same chapter in. It's the same process. Then I only recently learned that you can plagiarise yourself. I did not credit myself for that original chapter. MELISSA: How dare you not credit yourself! JOANNA: But can you talk a bit about that? Where are the lines here? I'm never going to credit myself. I think that's frankly ridiculous. MELISSA: No, that's silly. I mean, it depends what you're doing. In your case, that completely makes sense. It would be really peculiar of you to sit down and write a whole new chapter desperately trying not to copy what you'd said in a chapter about exactly the same topic. That doesn't make any sense. JOANNA: I guess more in the wider sense. Earlier you mentioned you keep notes and you put page numbers by them. I think the point is with research, a lot of people worry about accidental plagiarism. You write a load of notes on a book and then it just goes into your brain. Perhaps you didn't quote people properly. It's definitely more of an issue in nonfiction. You have to keep really careful notes. Sometimes I'm copying out a quote and I'll just naturally maybe rewrite that quote because the way they've put it didn't make sense, or I use a contraction or something. It's just the care in note-taking and then citing people. MELISSA: Yes. When I talk to people about nonfiction, I always say, you're basically joining a conversation. I mean, you are in fiction as well, but not as obviously. I say, well, why don't you read the conversation first? Find out what the conversation is in your area at the moment, and then what is it that you're bringing that's different? The most likely reason for you to end up writing something similar to someone else is that you haven't understood what the conversation was, and you need to be bringing your own thing to it. Then even if you're talking about the same topic, you might talk about it in a different way, and that takes you away from plagiarism because you're bringing your own view to it and your own direction to it. JOANNA: It's an interesting one. I think it's just the care. Taking more care is what I would like people to do. So let's talk about AI because AI tools can be incredible. I do deep research reports with Gemini and Claude and ChatGPT as a sort of “give me an overview and tell me some good places to start.” The university I'm with has a very hard line, which is: AI can be used as part of a research process, but not for writing. What are your thoughts on AI usage and tools? How can people balance that? MELISSA: Well, I'm very much a newbie compared to you. I follow you—the only person that describes how to use it with any sense at all, step by step. I'm very new to it, but I'm going to go back to the olden days. Sometimes I say to people, when I'm talking about how I do historical research, I start with Wikipedia. They look horrified. I'm like, no. That's where you have to get the overview from. I want an overview of how you dress in ancient Rome. I need a quick snapshot of that. Then I can go off and figure out the details of that more accurately and with more detail. I think AI is probably extremely good for that—getting the big picture of something and going, okay, this is what the field's looking like at the moment. These are the areas I'm going to need to burrow down into. It's doing that work for you quickly so that you're then in a position to pick up from that point. It gets you off to a quicker start and perhaps points you in the direction of the right people to start with. I'm trying to write a PhD proposal at the moment because I'm an idiot and want to do a second one. With that, I really did think, actually, AI should write this. Because the original concept is mine. I know nothing about it—why would I know anything about it? I haven't started researching it. This is where AI should go, “Well, in this field, there are these people. They've done these things.” Then you could quickly check that nobody's covered your thing. It would actually speed up all of that bit, which I think would be perfectly reasonable because you don't know anything about it yet. You're not an expert. You have the original idea, and then after that, then you should go off and do your own research and the in-depth quality of it. I think for a lot of things that waste authors' time—if you're applying for a grant or a writer-in-residence or things like that—it's a lot of time wasting filling in long, boring forms. “Could you make an artist statement and a something and a blah?” You're like, yes, yes, I could spend all day at my desk doing that. There's a moment where you start thinking, could you not just allow the AI to do this or much of it? JOANNA: Yes. Or at least, in that case, I'd say one of the very useful things is doing deep searches. As you were mentioning earlier about getting the funding—if I was to consider a PhD, which the thought has crossed my mind—I would use AI tools to do searches for potential sources of funding and that kind of research. In fact, I found this course at Winchester because I asked ChatGPT. It knows a lot about me because I chat with it all the time. I was talking about hitting 50 and these are the things I'm really interested in and what courses might interest me. Then it found it for me. That was quite amazing in itself. I'd encourage people to consider using it for part of the research process. But then all the papers it cites or whatever—then you have to go download those, go read them, do that work yourself. MELISSA: Yes, because that's when you bring your viewpoint to something. You and I could read the exact same paper and choose very different parts of it to write about and think about, because we're coming at it from different points of view and different journeys that we're trying to explore. That's where you need the individual to come in. It wouldn't be good enough to just have a generic overview from AI that we both try and slot into our work, because we would want something different from it. JOANNA: I kind of laugh when people say, “Oh, I can tell when it's AI.” I'm like, you might be able to tell when it's AI writing if nobody has taken that personal spin, but that's not the way we use it. If you're using it that way, that's not how those of us who are independent thinkers are using it. We're strong enough in our thoughts that we're using it as a tool. You're a confident person—intellectually and creatively confident—but I feel like some people maybe don't have that. Some people are not strong enough to resist what an AI might suggest. Any thoughts on that? MELISSA: Yes. When I first tried using AI with very little guidance from anyone, it just felt easy but very wooden and not very related to me. Then I've done webinars with you, and that was really useful—to watch somebody actually live doing the batting back and forth. That became a lot more interesting because I really like bouncing ideas and messing around with things and brainstorming, essentially, but with somebody else involved that's batting stuff back to you. “What does that look like?” “No, I didn't mean that at all.” “How about what does this look like?” “Oh no, no, not like that.” “Oh yes, a bit like that, but a bit more like whatever.” I remember doing that and talking to someone about it, going, “Oh, that's really quite an interesting use of it.” And they said, “Why don't you use a person?” I said, “Well, because who am I going to call at 8:30 in the morning on a Thursday and go, ‘Look, I want to spend two hours batting back and forth ideas, but I don't want you to talk about your stuff at all. Just my stuff. And you have to only think about my stuff for two hours. And you have to be very well versed in my stuff as well. Could you just do that?'” Who's going to do that for you? JOANNA: I totally agree with you. Before Christmas, I was doing a paper. It was an art history thing. We had to pick a piece of art or writing and talk about Christian ideas of hell and how it emerged. I was writing this essay and going back and forth with Claude at the time. My husband came in and saw the fresco I was writing about. He said, “No one's going to talk to you about this. Nobody.” MELISSA: Yes, exactly. JOANNA: Nobody cares. MELISSA: Exactly. Nobody cares as much as you. And they're not prepared to do that at 8:30 on a Thursday morning. They've got other stuff to do. JOANNA: It's great to hear because I feel like we're now at the point where these tools are genuinely super useful for independent work. I hope that more people might try that. JOANNA: Okay, we're almost out of time. Where can people find you and your books online? Also, tell us a bit about the types of books you have. MELISSA: I mostly write historical fiction. As I say, I've wandered my way through history—I'm a travelling minstrel. I've done ancient Rome, medieval Morocco, 18th century China, and I'm into Regency England now. So that's a bit closer to home for once. I'm at MelissaAddey.com and you can go and have a bit of a browse and download a free novel if you want. Try me out. JOANNA: Brilliant. Well, thanks so much for your time, Melissa. MELISSA: That was great. Thank you. It was fun. The post Research Like An Academic, Write Like an Indie With Melissa Addey first appeared on The Creative Penn.

January 2026 RecapToday you'll Dave Lee of Signal Snowboard, Sabine Edelsbacher and Arne "Lanvall" Stockhammer of Edenbridge, David Grossman of New Miserable Experience, Uri Dijk of Textures, Mike Gitter of BLKIIBLK Records, Joe Nally of Urne, Nils Wittrock and John Lappin of The Hirsch Effect and Manuel Möbs of Our Mirage.February Sponsor - Tapehead City https://tapeheadcity.com/DiscordPatreonSubstackEmail: asthestorygrows@gmail.comMusic:Turnstile - "Holiday"Edenbridge - "Where The Wild Things Are"New Miserable Experience - "Payback From God"Textures - "At The Edge Of Winter"Unto Others - "Angel Of The Night"Urne - "The Spirit Alive"The Hirsch Effekt - "Das Seil"Our Mirage - "Violent Spin"

Well, we've seen our fair share of Xbox earnings reports. As expected, there's a lot of negative discourse around it, but this time there are some more troubling facts resting within these underlying numbers. As we've seen Xbox's hardware has been down for almost two years now. That continues in this quarter, so it is not much of a shocker by this point. That is if you only consider the console and not the recently released Xbox Ally. When it comes to gaming revenue as well as content and services, they're down. This is significant because this is all based on the holiday window where we usually see spending go up. In a window where they had the likes of Call Of Duty, which became the number one selling game of the month in December, they still ended up with losses. The likes of Outer Worlds 2, Keeper, or Ninja Gaiden 4 couldn't do enough, nor should they be fully expected to make up that sort of difference. The sum of it all is despite this being one of Xbox's busier holidays, they couldn't escape a loss and that comes shortly after a Game Pass price hike. Please keep in mind that our timestamps are approximate, and will often be slightly off due to dynamic ad placement. 0:00:00 - Intro0:05:04 - Snowy Dukes0:11:48 - Our workflow0:19:03 - A second Xbox Developer Direct in 2026?0:26:37 - Forza Horizon 6's pricey premium upgrade0:31:33 - State Of Decay 3 has a pulse0:39:00 - The Coalition opens up on Gears Of War: E-Day0:45:14 - Achievement overhaul inbound?0:50:53 - Xbox Q2 earnings are in1:04:48 - PS6 after 2028?1:18:45 - State Of Play and Nintendo Direct in February?1:22:57 - Beyond Good & Evil 2 has survived the Ubisoft purge1:30:26 - Indie publishers should be avoided1:42:37 - Emberville gets a release window1:45:16 - BioWare is quietly hiring for Mass Effect1:46:34 - Dragon Ball Age 1000 Announced1:56:13 - Resident Evil Requiem will not be open world2:01:17 - Code Veronica Remake is targeting H1 20272:03:31 - What We're Playing2:50:50 - Xbox realizes the most obvious thing ever3:05:22 - Brian Fargo opens up on Clockwork Revolution Learn more about your ad choices. Visit podcastchoices.com/adchoices

Check out host Bidemi Ologunde's new show: The Work Ethic Podcast, available on Spotify and Apple Podcasts.In this episode, host Bidemi Ologunde discusses the global disruption rocking the video game industry, connecting the headlines (layoffs, studio closures, and delayed releases) to the deeper structural shifts (rising development costs, investor pressure, market saturation, and the evolution of monetization from premium sales to live services and in-game purchases). Why did so many companies cut jobs even as blockbuster games kept shipping? Is the "games-as-a-service" model reaching a breaking point, or just entering a tougher, more sustainable phase? What happens when thousands of new titles flood digital storefronts every year, and attention becomes the scarcest resource? And as mobile, AAA, indie, and esports collide in the same attention economy, who is best positioned to survive, and what does the next era of gaming look like for creators, players, and investors?Email: bidemiologunde@gmail.comSupport the show

Join Gemma & James as we finally let loose and unload a whole heap of built-up codswallop. From fireworks to roofs (yes, really) and plenty more in between, nothing is off limits and we absolutely do not hold back. Expect strong opinions, relatable moans, and the kind of laughs that come from saying exactly what everyone else is thinking. This episode will have you nodding along one minute and laughing out loud the next. If you have Codswallop to share, get in touch via our social media.  Talking Codswallop can be found on ALL social media: @CodswallopPod and we are on YOUTUBE too!!! :)  NOW ALSO ON TIKTOK. Talking Codswallop is NOW part of the UNFILTERED Studios. Find out more about them here: unfpod.com & help support INDIE podcasts. 

This week's episode features a new trailer for The Super Mario Galaxy Movie, not-so-great news for Xbox, more Ubisoft nonsense, and a whole bunch of games--including Rightfully, Beary Arms, Look Mum No Computer, Apartment No 129, Heroes Battle Awakening, Hextreme Void, and Roguematch : The Extraplanar Invasion. Anyway and as always, thank you for watching or listening, I hope you enjoy this here episode, and I hope you have a wonderful wonderful rest of your day. (And if you haven't already, or are a listener and not a watcher, please like, subscribe, hit the bell, and all that jazz; it may not seem like much, but it goes a long way in helping support the show and site in general. I would appreciate it greatly.)

Indie country artist Tyler Dial joins the show for a real conversation about what it takes to build a career outside the Nashville machine. Fresh off the release of his newest song “Little Brother,” Tyler breaks down the story behind the track, the songwriting process that shaped it, and why it's resonating with fans right now.We get into the realities of being an independent artist in today's country music scene, how relationships with major country artists can open doors without selling your soul, and why this new generation of country musicians is rewriting the rules.If you're into honest songwriting, the behind-the-scenes grind of indie music, or discovering the next wave of country artists before they blow up, this episode is for you.

(00:00:00) Introduction to the Podcast (00:04:07) Personal Histories and Community Forum (00:12:42) Development and Design Philosophy (00:30:51) Mechanics (01:01:41) Music and Sound (01:17:27) Lore and Story (01:58:32) Wrapping Up Please consider supporting the show on Patreon!You can also click the following to join our free Discord server, or connect with us on Bluesky, Instagram, and TikTok!"No cost too great. No mind to think. No will to break. No voice to cry suffering. Born of God and Void."We're finally doing it: might be pretty late to the party, but today we're talking all about Hollow Knight, the metroidvania that had — and arguably still has — the gaming world rapt since 2017. Co-host Doug (Nostalgium Arcanum, Playing by Ear) joins the show to look into just what makes this game work...and what makes it work so impeccably well. Hollow Knight is rich with thematic strands, lurid visuals, affecting music, and enough lore to make even the most dedicated Wiki editor blush. Hope you love the show today. Enjoy!Kotaku interview w/ Kirk Hamilton Team Cherry AMA Larkin Interview Full game script c/o mossbagThank you for listening! Want to reach out to PPR? Send your questions, comments, and recommendations to pixelprojectradio@gmail.com! And as ever, any ratings and/or reviews left on your platform of choice are greatly appreciated!

In this episode, we welcome Keith Finch to discuss his journey from #comics fan to creator, the founding of Full Service Comics, and his ambitious project adapting the obscure 1985 Morphodroids toy line into a comic book series. Finch explains the meta-narrative where the toys existed within the comic's universe, distinguishing Morphodroids from Transformers, and how he assembled an international team of twenty artists led by Sergio Ríos. He also describes how he connected with the toy line's creator to digitize vintage footage while incorporating extensive backmatter and crowdfunding through Kickstarter to bring this passion project to life. You can follow Keith on Instagram @realkeithfinch. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

https://realpunkradio.com/podcast/tommyunitlive/tommyunitlive644.mp3 January 28th, 2026. Tommy Unit LIVE!! #644 – Two weeks in a row! And back on Wednesday night! Spun the new Disket 7-inch along with new/upcoming stuff from SpaghettyTown Records! Brad Marino, Micah and the Mirrors, The Stripp, and The Melmacs! Turn it up! We go LIVE!! every Wednesday night at 10pm ET / … Continue reading Tommy Unit LIVE!! #644 →

Conan Exiles! What did we think?A podcast by gamers for the gaming community. Join us each week as we talk new games, old games, AAA and Indie. No drama. No guilt. Games, a little real life and community. Gaming is an all inclusive world.Find us onhttps://twitter.com/3rdfactionshowhttps://twitter.com/MsListra https://bsky.app/profile/mslistra.bsky.social and Twitch.tv/Mslistrahttps://twitter.com/RPGamer4life and Twitch.tv/RPGovanDiscord Serverhttps://discord.gg/jNYr9mVNN7You can email the show onthethirdfactionshow@gmail.comPatreonhttps://www.patreon.com/cw/thethirdfactionshow

Twenty years ago today a very young sounding, rather naïve, 45 year old bloke recorded his first podcast. He’d just been given an iPod for Christmas 2005 and just discovered these things called podcasts on the iTunes website. Finding that some of these podcasts featured independent, hobbyist DJs he decided to throw his own hat […]

This week on the Boxoffice podcast, co-hosts Daniel Loria, Rebecca Pahle, and Chad Kennerk cover the weekend box office and review the 2026 Oscar nominations. Then in the feature segment, Rebecca speaks with Wynn Salisch, the president of the Mid-South Theatre Association and Casablanca Payments, to preview the Mid-South Theatre Convention coming up in Memphis, TN from March 30 to April 1. Give us your feedback on our podcast by accessing this survey: https://forms.gle/CcuvaXCEpgPLQ6d18 What to Listen For00:42 Weekend Box Office Overview01:00 Mercy Takes #1 in Weak January01:35 Post-Avatar Box Office Slowdown02:00 Upcoming Releases & Tracking Forecasts03:00 Indie & January Action Releases04:15 Documentary Box Office Expectations05:00 UK & Ireland Box Office Forecast06:02 Oscar Nominations Overview07:04 Major Oscar Snubs & Surprises08:27 Best Picture Race Breakdown10:00 Supporting Acting Categories16:00 Lead Actor & Actress Races23:00 Director, Editing & Score Discussion39:39 International Feature Film Race42:00 Technical Awards & Visual Effects43:31 Best Picture Predictions48:57 Mid-South Theater Convention Promo50:04 Interview: Win Salish Begins55:00 Value of Regional Theater Conventions01:00:00 Future of Exhibition & Gen Z01:02:31 Registration Reminder & Wrap-Up

Tonight we had brand new tracks from Fret Rattles, Druglords of the Avenues, Stepmother, and Doe St, plus some songs of resistance and solidarity.

 Originally Published 1/12/20It's all about Dick tonight - well, actually Richard.....Here's the Playlist:Richard Billy Bragg Life's A Riot With Spy Vs SpySuggested by DarrenDick on a Dog Rocket from the Crypt RFTCAndrogynous The Replacements Let ...

The Council is now in session, and today we're giving ourselves the challenge of making an indie game themed zoo! What'll be included? Listen to find out!

In this episode of Beauty is Your Business, Ayal Pascal, head of beauty at Bold Brands Co., shares insights from his extensive career in the beauty industry, including his time at L'Oreal and his transition to indie brands. He discusses the importance of strategy, the role of AI in marketing, and the challenges of building credibility in a crowded market. Ayal also emphasizes the need for agility in the fast-paced beauty landscape and offers advice for marketers looking to make a leap into entrepreneurial environments. Instagram: https://www.instagram.com/beautybizshow/See omnystudio.com/listener for privacy information.

On the day of Wonder Man, Marvel also gifted us with the teaser trailer for Daredevil: Born Again season two, which will begin on March 24. Our full cast of characters returns, with the teaser even showing Foggy Nelson, and debuts Krysten Ritter's Jessica Jones in the MCU. The eight episode second season looks promising and we know a third season is already greenlit.Lucasfilm's first property of 2026 will be the animated series Maul: Shadow Lord. The show's trailer dropped online last Friday to acclaim from fans of Star Wars animation. The eight episode series will premiere with two episodes on April 6 and release two episodes a week leading up to the finale episodes on May 4th - a significant day for Star Wars fandom. The character of Maul debuted in The Phantom Menace and has a storied reputation through other animated properties such as The Clone Wars and Star Wars Rebels.It's Mattel's next outing bringing toys to life on screen as the trailer for Masters of the Universe premiered a few days ago. The popular 1980s franchise is becoming lifelike through performances of Nicholas Galitzine as He-Man, Alison Brie as Evil-Lyn, Jared Leto as Skeletor, and more stars like Idris Elba, Kristen Wiig, and Sasheer Zamata.Christina Hodson has been tapped to write The Brave and the Bold, an upcoming Batman film set in the DCU for DC Studios with Andy Muschietti set to direct. Hodson has several other DC credentials, having worked with Andy Muschietti on The Flash. She also penned the Margot Robbie-led Birds of Prey movie. Her other credits include the 2018 Transformers movie Bumblebee.Max Parker, star of the Netflix series Boots, has joined the cast of Prime Video's God of War adaptation series. Parker will play Heimdall who first appeared in the second God of War game, God of War Ragnarök, as an antagonist.Oscar nominations have been announced and Ryan Coogler's Sinners set a record with 16 total nominations. Paul Thomas Anderson's One Battle After Another followed with 13 nominations. Warner Bros. scored 30 nominations in total, tying its record number of nominations set in 2005. Indie distributor Neon and streamer Netflix had 18 noms each, while Focus Features had 13 and A24 had 11. Netflix's Frankenstein, A24's Marty Supreme and Neon's Sentimental Value all garnered nine nominations, while Focus' Hamnet had eight. All are in the marquee Best Picture race joining Sinners, One Battle, Focus' Bugonia, Apple's F1, Neon's The Secret Agent and Netflix's Train Dreams.Illumination and Nintendo's The Super Mario Galaxy Movie will now open on Wednesday, April 1 instead of April 3. Illumination also revealed an extended teaser trailer that features the first look at Yoshi.A massive winter storm impacting much of the U.S. is taking a toll on the domestic box office as numerous communities and cities advised citizens to stay home, and more than 400 hundred theaters closed. Overall revenue is expected to fall to the lowest point of the year to date. The weekend's winner is new thriller Mercy, starring Chris Pratt and Rebecca Ferguson. On Saturday, MGM Amazon Studios reported an estimated $12.6 million opening before the extent of theater closures was known. Overseas, it started off with a promising $11.6 million.AppleTV has renewed Shrinking for a fourth season ahead of its season 3 premiere this week.

Sports culture isn't exactly built for vulnerability, but stories like Shattered Ice can change that. In this episode, filmmaker Jake Miskin shares how his real-life experiences inspired this film about sports, mental health, and the impact of suicide on the people left behind. You'll hear what it takes to produce an independent film, how he got iconic hockey brands on board, and what coaches, parents, and leaders can do to create a supportive team culture for young athletes. Topics discussed: Introduction (00:00) The premise of the film, Shattered Ice (03:59) How hockey became the vehicle for a mental health story (05:26) The shifting stigma around mental health and suicide (06:42) Casting actors with personal connections to the film (10:42) Why vulnerability from coaches and team leaders matters (12:45) How iconic hockey brands became involved in the film (15:32) What it takes to produce and distribute an independent film (18:48) How to support the mental health of young athletes (23:12) What brought you JOY today? (27:21 Resources: Sending your child to college will always be emotional but are you financially ready? Take the College Readiness Quiz for Parents: https://www.mitlinfinancial.com/college-readiness-quiz/ Doing your taxes might not be enJOYable but being more organized can make the process less painful. Get Your Gathering Your Tax Documents Checklist: https://www.mitlinfinancial.com/wp-content/uploads/2024/06/Mitlin_ChecklistForGatheringYourTaxDocuments_Form_062424_v2.pdf Will you be able to enJOY the Retirement you envision? Take the Retirement Ready Quiz: https://www.mitlinfinancial.com/retirement-planning-quiz/ Connect with Larry Sprung: LinkedIn: https://www.linkedin.com/in/lawrencesprung/ Instagram: https://www.instagram.com/larry_sprung/ Facebook: https://www.facebook.com/LawrenceDSprung/ X (Twitter): https://x.com/Lawrence_Sprung Connect with Jake Miskin: Shattered Ice Instagram: https://www.instagram.com/ShatteredIceFilm/ Jake's Instagram: https://www.instagram.com/jcmiskin/ Facebook: https://www.facebook.com/officialshatteredicethemovie/ YouTube: https://www.youtube.com/@NehoidenBlackBears Jake's LinkedIn: https://www.linkedin.com/in/jake-miskin-25107231 Nehoiden Street Films LinkedIn: https://www.linkedin.com/company/nehoiden-street-films-llc/ Website: http://www.officialshatteredicethemovie.com/ About Our Guest: Jake Miskin is an American screenwriter & producer, born and raised in Needham, Massachusetts. Jake graduated from Needham High School and he went on and played collegiate soccer at Springfield College. Jake graduated with a Bachelor of Science in Sport Management. He is the founder of Nehoiden Street Films and independent film company based in Boston, MA. He is the writer and producer of the film Shattered Ice. Disclosure: Guests on the Mitlin Money Mindset are not affiliated with CWM, LLC, and opinions expressed herein may not be representative of CWM, LLC. CWM, LLC is not responsible for the guest's content linked on this site. This episode was produced by Podcast Boutique https://www.podcastboutique.com

Proč vlastně chceme tak velký deficit? Případ Macinka. EU a Indie uzavřely „matku všech dohod“, Trumpovi natruc a navzdory. Zajímavé dění na predikčních trzích. Česká Platforma pro sociální bydlení slaví mezinárodní úspěchy, vláda se však snaží její práci podkopat. Souboj o Čeburaška. Moderuje Ondřej Konrád.

Fitz and the Tantrums Joined The Morning Scramble! Indie band Fitz and the Tantrums is kicking off their new “Man on the Moon” tour at Riverside Casino & Golf Resort this Thursday at 8pm. But before they make their way onstage, they’re swinging by The Morning Scramble! Hate Valentine's Day? The Morning Scramble has your ... Read more

Sotva mohly Evropská unie a Indie lépe reagovat na obchodní politiku prezidenta Spojených států než uzavřením velké obchodní dohody. Místo zavádění cel jejich odstraňování, místo ochranářství otevřené trhy, místo diktátu velmocí férové obchodování podle pravidel. Druhá a čtvrtá největší ekonomika světa se daleko více propojily, a měly by z toho těžit ekonomický i politický kapitál.

Send us a textThis week, my guest is Tracy Hicks, a doctorally-prepared and dual-certified family and psychiatric mental health nurse practitioner. She also holds an MBA, which is particularly useful in her role as a CEO.Tracy is the founder of C-Trilogy Comprehensive Clinical Care and C-Trilogy Outreach, a certified community behavioral health clinic that provides mental health services, substance use support, primary care, and 24-hour crisis help.I was excited to talk with Tracy, who is an expert in the care and treatment of individuals with schizophrenia, because in my 36 years as a nurse, I have encountered only two patients with this diagnosis, both of whom were teenagers. I knew very little about the condition and was eager to learn from Tracy, and she did not disappoint.We discussed long-acting injectables as a successful treatment option, the challenges of compliance, and the management of a long-term chronic disease. We also emphasized the crucial importance of a strong support system to help patients lead meaningful lives.A recurring theme in our conversation was Tracy's passion when discussing these complex cases. This emotion stems from her lived experience, as two of her beloved family members—her father and her daughter—both have the disease. Growing up with the stigma of having a father with schizophrenia has shaped her perspective, and even though her daughter is now grown, Tracy's concerns for her never waver.Tracy's days are incredibly busy. Between practicing in the clinic, serving on multiple boards that advocate for marginalized populations, and shaping the next generation of nurses as an Associate Professor, people often ask her how she manages it all. Her answer? When you align with your purpose from God, He will guide your steps. She truly is a blessing to her community.In the five-minute snippet: Be prepared to jump! For Tracy's bio, visit my website (link below).Dr. Tracy Hicks Puts Her Mind to Improving Access to Mental Care, Frontier Nursing Empowering Care Partners Through Psychoeducation in Schizophrenia Care, Psychiatric TimesContact The Conversing Nurse podcastInstagram: https://www.instagram.com/theconversingnursepodcast/Website: https://theconversingnursepodcast.comYour review is so important to this Indie podcaster! You can leave one here! https://theconversingnursepodcast.com/leave-me-a-reviewWould you like to be a guest on my podcast? Pitch me! https://theconversingnursepodcast.com/intake-formCheck out my guests' book recommendations! https://bookshop.org/shop/theconversingnursepodcast I've partnered with RNegade.pro! You can earn CE's just by listening to my podcast episodes! Check out my CE library here: https://rnegade.thinkific.com/collections/conversing-nurse-podcast Thanks for listening!

#174. Winged Wheel see poseurs every day, Ken Park makes the most of a spur-of-the-moment smartphone recording, Holy Fuck reconvenes to resurrect a decade-old jam.Sponsored by DistroKid. Get 30% off your membership at distrokid.com/vip/independentmindedSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Indie Show with Kev Andrews 22nd Jan '26. On www.bootboyradio.co.uk Please Play, Like, Comment, Follow, Download & Share.

Proč se stupňuje napětí mezi prezidentem Petrem Pavlem a vládou Andreje Babiše? Co by mohl z obchodní dohody Evropské unie s Indií vytěžit zdejší průmysl? Izrael našel tělo posledního rukojmí odvlečeného Hamásem. Zesílí díky tomu humanitární dodávky do Pásma Gazy?

What makes a podcast worth coming back to again and again? What turns a single episode into something listeners want to sit with, revisit, and recommend? Today, we continue with another installment of Jonathan Howard's Obsession-Worthy Podcast series, using Song Exploder as a case study to explore what makes a podcast truly re-listenable. We take a closer look at an episode, breaking down Fleetwood Mac's Go Your Own Way, focusing less on the song itself and more on how the story is told. We explore how clear structure, intentional editing, and listener-first decisions build trust. We talk about why strong questions don't need to be heard to be felt, and how letting listeners experience uncertainty, decision-making, and emotional stakes keeps them engaged. If you interview guests or tell stories on your show, this episode offers a lasting reminder: obsession-worthy podcasts are designed with the listener in mind. Where could you let your listeners hear the moment something clicked?This episode includes brief music excerpts used for educational and commentary purposes. We do not own the rights to the music featured.Episode Highlights: [07:41] What makes this episode obsession-worthy? [11:31] Breaking down Fleetwood Mac's “Go Your Own Way”[22:12] An emotional opening and the songwriting process[28:00] Applying creative processes beyond music[30:09] Exploring song lyrics and personal storytelling[35:16] Storytelling elements in podcasting[41:01] Asking better questions and interview techniques[43:04] Podcast evaluations and community building[46:02] What's coming nextLinks & Resources: The Podcasting Morning Chat: www.podpage.com/pmcJoin The Empowered Podcasting Facebook Group:www.facebook.com/groups/empoweredpodcasting⁠Empowered Podcasting Conference Course with Recordings: https://ironickmedia.com/courses/epc2025/Empowered Podcasting Conference 3: Use discount code ‘Podfest26' to get your ticket for under $200: https://empoweredpodcasting.comApplication To Submit Your Show For Evaluation: https://docs.google.com/forms/d/e/1FAIpQLSc8-Xv6O6lrNPcPJwj3N0Z5Osdl-5kHGz_PiAU45U57S-XgoA/viewform?usp=headerSong Exploder “Go Your Own Way” https://songexploder.net/fleetwood-macRemember to rate, follow, share, and review our podcast. Your support helps us grow and bring valuable content to the podcasting community.Join us LIVE every weekday morning at 7 am ET (US) on ⁠Clubhouse⁠: ⁠⁠⁠ https://www.clubhouse.com/house/empowered-podcasting-e6nlrk0w⁠⁠Live on YouTube: ⁠https://youtube.com/@marcronick⁠Brought to you by⁠ ⁠iRonickMedia.com⁠⁠ Please note that some links may be affiliate links, which support the hosts of the PMC. Thank you!--- Send in your mailbag question at:⁠ https://www.podpage.com/pmc/contact/⁠ or ⁠marc@ironickmedia.com⁠Want to be a guest on The Podcasting Morning Chat? Send me a message on PodMatch, here: ⁠https://www.podmatch.com/hostdetailpreview/1729879899384520035bad21b⁠

0:00 Wstęp0:51 Unia Europejska zakończyła negocjacje na temat umowy handlowej z Indiami2:16 Szef NATO podkreśla, że sojusz nie byłby w stanie obronić się bez Stanów Zjednoczonych3:49 Państwa Unii Europejskiej zatwierdziły plan przewidujący zakończenie importu gazu ziemnego z Rosji5:08 Najwyższy rangą chiński dowódca miał zostać oskarżony o ujawnienie Amerykanom tajnych informacji6:34 Sudan Południowy domagał się od Stanów Zjednoczonych korzyści w zamian za przyjęcie deportowanych imigrantów8:02 Komisja Europejska wszczęła postępowanie wobec sztucznej inteligencji dostępnej na portalu Elona MuskaInformacje przygotował Maurycy Mietelski. Nadzór redakcyjny – Igor Janke. Czyta Michał Ziomek.

From episode 317 it is our segment counting down the Top 5 Most Anticipated Films of 2026! Check it out! We would love to hear from all of you! What are your picks? Who would you add or remove from the list? Let us know!Website: https://crazyantmedia.comMerchandise: https://crazyantmedia.com/crazy-ant-m...Our film, Deadlines: https://crazyantmedia.com/deadlinesPodcasts:ITCAFpodcast:Apple Podcast: https://podcasts.apple.com/us/podcast...Spotify: https://open.spotify.com/show/1tf6L0e...Everything's Okay Podcast:Apple Podcast: https://podcasts.apple.com/us/podcast...Spotify: https://open.spotify.com/show/0uMm80M...Social Media:ITCAFpodcastTwitter: https://twitter.com/itcafpodcast?s=21...Instagram: https://instagram.com/itcafpodcast?ig...Tiktok: https://www.tiktok.com/t/ZTRLQ7hHn/Everything's OkayTwitter: https://twitter.com/everythingsokp?s=...Instagram: https://instagram.com/everythingsokp?...Crazy Ant MediaTwitter: https://twitter.com/crazyantmedia?s=2...Instagram: https://instagram.com/crazyantmedia?i...Tiktok: https://www.tiktok.com/t/ZTRLQP1c1/

This week's show, after a 1967 The Move move: brand new Sugar, Bevis Frond, Young Fresh Fellows (with Neko Case), New Pornographers, Cut Worms, Savages, Snail Mail, and Tombstones in Their Eyes, plus The Attack, Byrds, Big Three, Ray Charles, Coleman O...

In this one AJ and Robin experience every human emotion at once!Today we're talking about The Sea Will Claim Everything by Jonas Kyratzes! A game about a sentient house and needing to read more philosophy. This game was suggested by Alex! If you'd like to suggest a game head over to our website!Get The Lands of Dream collection on Steam!!! Follow Jonas Kyratzes' work on their website!Discussed in the episode:The Sea Will Claim Everything walkthrough and review on jayisgames.com (for the love of god don't click anywhere else around the website lol)Emergence blog post on Jonas Kyratzes' websiteFear of Twine: Zombies and Elephants (Verena Kyratzes) on YouTubeLife Support by Veran Kyratzes---Support us on Ko-fi!Visit our website!Follow us on Twitch!Follow the show on Bluesky!Check out The Worst Garbage Online!---Art by Tara CrawfordTheme music by _amaranthineAdditional sounds by BoqehProduced and edited by AJ Fillari---Timecodes:(00:00) - Remember that you have free will (00:52) - The podcast intro equivalent of waking up in a pitch dark hotel room (01:43) - The saga of The Lands of Dream (04:52) - What is The Sea Will Claim Everything? (08:09) - It's goofy! (14:12) - Some advice (14:59) - Some of the first text things you see (15:18) - "The Sea Will Claim Everything, part II" by Chris Christodoulou, The Sea Will Claim Everything (17:41) - Welcome to Underhome (24:43) - Out into the world (31:46) - The Isle of Stars (34:20) - The Isle of Becoming (38:58) - "Grains of Sand" by Chris Christodoulou, The Sea Will Claim Everything (40:36) - Saying "No" (40:49) - "Victory March" by Chris Christodoulou, The Sea Will Claim Everything (41:15) - Saying "No" (43:36) - The Oracle (47:41) - Goodbye (48:28) - "The Sea Will Claim Everything, part II" by Chris Christodoulou, The Sea Will Claim Everything (52:31) - The packaging (52:47) - SPOILERS FOR GREAT GOD GROVE (52:59) - The packaging (54:21) - All abooooard! (54:27) - AJ's Big Takeaways (56:59) - Robin's Big Takeaway (58:42) - Hoo baby that's a video game (59:14) - A little bit of diving (01:00:34) - Thank you for listening! ★ Support this podcast ★

January 2026's edition of BLUES TIME. PLAYLIST: ARTIST - ALBUM - TRACK. 1 The Reverend Peyton's Big Damn Band - Honesuckle - I Can't Sleep. 2 James Cotton - Deep in the Blues - Blues In My Sleep. 3 Misty Blues - Outside the Lines - I Don't Sleep. 4 Wayne Hancock - Tulsa - No Sleep Blues. 5 Anna McCue - Nobody's Sleeping. 6 Diego Mongue Band - While You Were Gone - Sleepless Night Blues. 7 Lower Case Blues - Take it for a ride - Couldn't Get To Sleep. 8 Big Dave & The Dutchmen - When You Go To Sleep. 9 Joanne Shaw Taylor - Wild - Sleeping On a Bed of Nails. 10 Blues Blend - One More Turn - Let's Sleep In Late. 11 Bob Corritore and Friends - Spider In My Stew - Sleeping With The Blues. 12 Brother Dege - Aurora - Sleep Beside You. 13 Mark Campbell & The Ravens - Sleep on my own - Sleep on my own. 14 Roomful of Blues - In A Roomful of Blues - Let The Sleeping Dog Lie. 15 Stephen Fretwell - Man on the Roof - Sleep. 16 The Black Sorrows - Endless Sleep. Size: 143 MB (150,887,298 bytes) Duration: 1:02:49

Felipe Mesquita, André Campos,  Evandro de Freitas e Bruno Carvalho batem um papo sobre "Blue Prince", um jogo independente de quebra-cabeça com elementos de roguelike. Na história, você é Simon, um garoto de 14 anos que recebe de seu tio-avô uma herança no mínimo curiosa: todo o conteúdo da sala 46 de Mount Holly, a antiga mansão da família. Acontece que tal sala não aparece em nenhuma planta oficial da propriedade, nem nos detalhados registros da família. O seu objetivo é desvendar os quebra-cabeças e as limitações de movimento para desbravar a grande mansão. É o melhor indie de 2025? Como o jogo conseguiu fazer tanto sucesso?- MAIS DESCONTO NA ALURA | Estude na Alura, a maior escola de tecnologia on-line do Brasil! Acesse o nosso link e ganhe 26% de desconto na matrícula! https://alura.com.br/99vidas

Gemma & James are back for their first episode of 2026! Expect a proper comical catch-up, plenty of laughs, and not one... but TWO Twat Taxes. Shout out to Dark Arts Bar in Southampton which is an incredible experience: darkartsbar.co.uk.  Talking Codswallop can be found on ALL social media: @CodswallopPod and we are on YOUTUBE too!!! :)  NOW ALSO ON TIKTOK. Talking Codswallop is NOW part of the UNFILTERED Studios. Find out more about them here: unfpod.com & help support INDIE podcasts. 

Join Buzz Knight on Takin’ A Walk for an inspiring replay conversation with Sloan Struble, the creative force behind Dayglow, one of indie pop’s most exciting breakthrough artists. In this replay episode, Sloan opens up about his journey from recording in his Texas bedroom to amassing hundreds of millions of streams worldwide. Discover the story behind viral hit “Can I Call You Tonight?” and how his debut album ‘Fuzzybrain’ captured the hearts of a generation seeking authentic, feel-good music. Sloan shares his DIY recording process, the evolution of his sound from ‘Fuzzybrain’ through ‘Harmony House’ and beyond, and what it’s like navigating the modern music industry as an independent artist. From his influences and songwriting approach to the challenges of touring and maintaining creative authenticity, this conversation reveals the mind behind Dayglow’s infectious melodies and sun-soaked production. Whether you’re a longtime fan of Dayglow’s nostalgic indie pop sound or discovering Sloan Struble’s music for the first time, this episode offers rare insight into one of contemporary music’s most genuine talents. Topics discussed include: ∙ The creation and unexpected success of “Can I Call You Tonight?” ∙ Recording albums independently and the DIY ethos ∙ Influences ranging from classic rock to modern indie ∙ Building a dedicated fanbase through streaming platforms ∙ The balance between artistic vision and commercial success ∙ Life on tour and connecting with audiences worldwide Takin’ A Walk with Buzz Knight explores the creative journeys of music’s most compelling artists. Subscribe for more in-depth conversations with legends and rising stars.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

The Oscar nominations are out, the internet is on fire, and on this episode of ITCAF, the guys are unpacking the biggest surprises, the most painful snubs, and why awards season discourse is already out of control. Then they're joined by our first guest of the year, Casimere Jollette, from the upcoming film, Return of the Living Dead, diving into horror, fandom, and reviving a legendary franchise. Our Top 5 this week is All-Time Biggest Oscar Snubs, and as always we wrap things up with a full box office recap and IMDb's top-trenders. Big movies. Big opinions. Bigger chaos. Buckle up and get crazy.Chapters:Guest Tease 0:00Show intro :50Show Open 1:10 Oscar Nominations 3:00Sinners & WBD 11:45What we're worried about 14:02Oscars so Trendy? 20:542026 Oscar Snubs 23:54Deliver Me From Nowhere 31:24Big Bold Beautiful Journey 33:14The Oscars Trying New things 37:10Forsure Oscar Wins 38:06Guest Intro 41:49Casimere Jollette Interview 42:25Top 5 Oscar Snubs of all time 1:15:31Box office 1:28:02IMDb trending 1:29:33Show wrap 1:30:15Follow Us Here:Website: https://crazyantmedia.comMerchandise: https://crazyantmedia.com/crazy-ant-merchandiseOur first film, Deadlines: https://crazyantmedia.com/deadlinesPodcasts:ITCAFpodcast:Apple Podcast: https://podcasts.apple.com/us/podcast/itcafpodcast/id1644145531Spotify: https://open.spotify.com/show/1tf6L0e7vO9xnVtWaip67s?si=tYPrIVr_R36qpYns4qeZ8gEverything's Okay Podcast:Apple Podcast: https://podcasts.apple.com/us/podcast/everythings-okay/id1664547993Spotify: https://open.spotify.com/show/0uMm80MW4K50f8uURgVUYp?si=9mF7mwf_Qe-ZDqKBhEovMgSocial Media:ITCAFpodcastTwitter: https://twitter.com/itcafpodcast?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/itcafpodcast?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQ7hHn/Everything's OkayTwitter: https://twitter.com/everythingsokp?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/everythingsokp?igshid=YmMyMTA2M2Y=Crazy Ant MediaTwitter: https://twitter.com/crazyantmedia?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/crazyantmedia?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQP1c1/Logan (Left)Twitter: https://twitter.com/jloganaustin?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/jloganaustin?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@j.loganaustin?_t=8ZMB9Hp1yxf&_r=1Dustin (Right)Twitter: https://twitter.com/crazyantceo?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/crazyantceo?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@crazyantceo?_t=8ZMB84k7BUM&_r=1

I always love when tracks show up just hours before the show, and that's what happened with this all-covers episode. As I've said many times before, I have a folder on my laptop where I toss in new cover tunes whenever I come across them. When the folder is full, that's when it's time for a show. That's exactly what happened, this time around. With this week's release of the new album by The Damned where they remake tracks that the recently deceased Brian James loved, I saw the following post on Instagram: “Fret Rattles are excited to announce the release of our third full-length studio LP, titled “As the World Falls Apart.” It features thirteen tracks and comes in at the furious pace of 36 minutes. The LP was recorded in 2024 and 2025 at Flowers Studio (Minneapolis, MN) and Ecstattic Studio (St. Paul, MN) by our long-time producer Ali Jaafar.” A tracklist accompanied the post that indicated the new album was going to include two cover tunes, so I immediately sent a DM to requst their inclusion in tonight's broadcast. They agreed, and in the early afternoon I received an email that included their explosive cover of “What […]

WOAFM99 Radio Show – Season 30, Episode 10  Host: Oliver Sean Release Date: January 24, 2026   Episode Summary Welcome to a landmark edition of the WOAFM99 Show! Episode 10 of Season 30 is officially live, and it is a massive one for the WOA community. Tonight, we celebrate the 15th-anniversary milestone of one of our most beloved projects, alongside a stacked playlist of fresh independent music. The Official Goa Chillout Zone Vol. 15 Artist Reveal The wait is over! Following yesterday's global reveal of the anniversary artwork, we are officially announcing the artists who have secured a spot on The Goa Chillout Zone Vol. 15. To commemorate this 15th Anniversary Edition, we have curated a lineup of 15 main acts to represent the 15 years of this record-breaking series. The 15 Main Acts: Crooner Ed Mix Of Diz Jim Sinur Seelenherz Texan Spitfires Didka D Jacques Péna The Rogue Commandos Juice Tha Black Beethoven Shar Jerard Rice Cathy Varna Moon and Aries Doo Todd Barrow Special Anniversary Inclusions: In addition to our 15 main acts, we are proud to include two legendary figures within the WOA family to complete this historic album: Oliver Sean: The creator of this multi-number 1, chart-topping compilation. An MTV EMA Nominee and Platinum-selling artist, Oliver is one of the few indie acts to have 5 Billboard Top 10s to his name. Having broken records worldwide through the years, the album simply wouldn't be complete without the vision of the man who started it all. Silent Stranger: An elite WOA Artist and Billboard Top 25 Rock Artist. Known for being one of the few indie acts to ever break into the Billboard Rock Charts alongside legends like AC/DC and Imagine Dragons, Silent Stranger has been a cornerstone of almost every Goa Chillout Zone and Independent No.1's album ever released. Certified Indie Songs of the Week This week's playlist is extra special. Due to an overwhelming number of requests from WOA listeners, we have curated a selection that features high-rotation brand-new singles alongside two specifically requested WOA artists. Tonight's Featured Tracks: Trevor Sewell feat. Lorainne Crosby - Don't Break the law  Copperstone – Springfield Cam Cummings – Her Town William Samuel – Hold me close Nico.S – Letter to L The Cautious Arc – I Couldn't See Past You Tom Morgan – Mad Ship Jacques Péna – Je Suis Jaloux Kent Musick – So Kind VMES – Pull me closer Tim Hayn – Home Jonathan Hirsch – I've got you Connect with WOA Entertainment Official Website: www.woafm99.com Submit Your Music: Be part of the next season by submitting your tracks via the website. Follow Us: Join the conversation on social media using #WOAFM99 and #GoaChilloutZone. Thank you for supporting independent music and being part of the WOA family for 30 seasons! www.woaentertainment.com www.oliversean.com http://linktr.ee/woaentertainment  

Full show: https://kNOwBETTERHIPHOP.com Artists Played: Nova, MoZaic, Tall Black Guy, conshus, Midaz the Beast, Brother Wallace, K-Rec, Vicky Farewell, Devine Carama, Ego Ella May, Melo Zed, Ana Tijoux, Odell, Shabaka, Leisure Chief, D.R.U.M.S. Rugged, DJ Kawon, Sebastien Tellier, Slayyyter, Nile Rodgers, Kista, F.E.E.L. Fearlessly Elevating Eliminating Limitations, Funky DL, E1EVENSHAY, Eddie Chacon, Errol Eats Everything, Planet Asia, Killer Mike, OutKast, GOODie MOb, IMAKEMADBEATS

This week's episode features Ubisoft imploding, the Xbox Developer_Direct, Running Fable Petite Party, SPEAR, Shroomtopia, Deathless. The Hero Quest, Labyrinthine, Milo's Dream, and Icebound Secrets: The Frostwood Bane. Anyway and as always, thank you for watching or listening, I hope you enjoy this here episode, and I hope you have a wonderful wonderful rest of your day. (And if you haven't already, or are a listener and not a watcher, please like, subscribe, hit the bell, and all that jazz; it may not seem like much, but it goes a long way in helping support the show and site in general. I would appreciate it greatly.)

Lets start 2026 off right! Music this week by:Battle FlaskKombatThe WavebirdsThe Stress BallsDirect Order 82send me music to izzysmut@gmail.comIf you like what I do, feel free to tip! I have a venmo link on my rss feed for the show!

Punk Rock Demonstration Radio Show with Jack #1035 1/19/26. This is an archived broadcast of a previous Punk Rock Demonstration Radio Show. New shows broadcast every Monday 7:00PM - 9:00PM and every Tuesday 7:00AM - 9:00AM Pacific time. You can listen live and participate at https://punkrockdemo.com

We all played the same game!!! Once Human latest review to date.A podcast by gamers for the gaming community. Join us each week as we talk new games, old games, AAA and Indie. No drama. No guilt. Games, a little real life and community. Gaming is an all inclusive world.Find us onhttps://twitter.com/3rdfactionshowhttps://twitter.com/MsListra https://bsky.app/profile/mslistra.bsky.social and Twitch.tv/Mslistrahttps://twitter.com/RPGamer4life and Twitch.tv/RPGovanDiscord Serverhttps://discord.gg/jNYr9mVNN7You can email the show onthethirdfactionshow@gmail.comPatreonhttps://www.patreon.com/cw/thethirdfactionshow

Indie comics writer Ray MacKay joins me to break down Zenescope's wild mini-series Poo vs. Bambi—a brutal forest showdown where betrayal, survival, and revenge drive Pooh on a relentless hunt.   Fantastic Comic Fan Podcast Website

In this episode of The Corner of Story and Game, I sit down with Batuhan Gözlüklü for a conversation about quest design, narrative ownership, and what it means to earn creative control one decision at a time. We talk about how missions and objectives become the backbone of player experience, how narrative can stay present at every layer of development, and why “healthy escapism” might be one of the most underrated design goals we have. Together, we dig into how a narrative designer can think like a systems builder, how to avoid story getting flattened into “just content,” and how to keep meaning and emotion alive even when scope, tools, or production realities get tight. Batuhan also shares what he is building with his studio Newmind Interactive, including the mindset behind shipping small, polished releases as stepping stones toward bigger worlds.

In Episode 130, Spencer and I settle into a long, thoughtful conversation about Dragon Quest VII, why comfort and tradition still matter in JRPGs, and how remakes should evolve without losing their identity. From there, we talk candidly about indie coverage, media burnout, Square Enix's struggles with smaller games, and how traffic incentives quietly shape what gets covered. It's a loose, reflective episode about taste, responsibility, and loving games for the right reasons.

https://realpunkradio.com/podcast/tommyunitlive/tommyunitlive643.mp3 January 22nd, 2026. Tommy Unit LIVE!! #643 – For Pops – Back after a looooong break. Played some tunes for my Pops who passed away right before Xmas. Also scoped out the new Gluecifer and Mala Vista rekkids! And ended with a tear-jerker as The Man in Black does NIN…..Grab a tissue and Turn … Continue reading Tommy Unit LIVE!! #643 →

This show was heavy on great new music from the likes of Grail Guard, NOi!se, Taste Testors, The Stripp, Fret Rattles and Preacher Boy, plus some other stuff as well, of course. Punk rock, hardcore, hard rock, street punk, alt-blues and more.

In episode 556 of 'Coffee with Butterscotch,' the brothers talk about How Many Dudes riding the waves of Steam discovery and what they've learned about keeping that Wishlist train rolling. From premium price woes to free to try realities, they explore what it takes to bring one game to two very different worlds without losing their minds or the vibe.Support How Many Dudes!Official Website: https://www.bscotch.net/games/how-many-dudesTrailer Teaser: https://www.youtube.com/watch?v=IgQM1SceEpISteam Wishlist: https://store.steampowered.com/app/3934270/How_Many_Dudes00:00 Cold Open00:26 Introduction and Welcome00:55 Discussing How Many Dudes and Marketing Strategies04:15 Insights on Game Discovery and Visibility06:40 Launch Strategy and Expectations09:36 Exploring Mobile Platforms and Monetization19:20 Challenges of Premium Games on Mobile24:40 Cross-Platform Challenges26:47 User Data Management Issues29:36 Monetization Strategies35:48 Free-to-Try Model Discussion39:56 Final Thoughts and Community EngagementTo stay up to date with all of our buttery goodness subscribe to the podcast on Apple podcasts (apple.co/1LxNEnk) or wherever you get your audio goodness. If you want to get more involved in the Butterscotch community, hop into our DISCORD server at discord.gg/bscotch and say hello! Submit questions at https://www.bscotch.net/podcast, disclose all of your secrets to podcast@bscotch.net, and send letters, gifts, and tasty treats to https://bit.ly/bscotchmailbox. Finally, if you'd like to support the show and buy some coffee FOR Butterscotch, head over to https://moneygrab.bscotch.net. ★ Support this podcast ★