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This week Steve, Dana, and Julia discuss Tina Fey’s new Peacock sitcom Girls5Eva. Then the panel dives into vaccine personalities—how did Pfizer really become the “status vax”? Finally, the group discusses Netflix film The Disciple with LA Times film critic Justin Chang. In Slate Plus, the panel talks about their relationship with cars, courtesy of a listener question. Email us your questions at culturefest@slate.com Podcast production by Jasmine Ellis and Asha Saluja. Production assistance by Rachael Allen. Endorsements Dana: Morning Ragas, Bombay 1965 by Nikhil Banerjee Julia: Empire of Pain by Patrick Radden Keefe and “The Composer at the Frontier of Movie Music” by Jamie Fisher (and Nicholas Britell’s Culture Gabfest episode!) Steve: “Quintin Jones Is Not Innocent. But He Doesn’t Deserve to Die.” by Jonah M. Kessel, Suleika Jaouad, and Lindsay Crouse Further Reading “Pfizer Snobs Are Wong. Johnson & Johnson Is the Coolest Vaccine.” by Dan Kois in Slate “How Pfizer Became the Status Vax” by Heather Schwedel in Slate “Review: ‘The Disciple’ is already one of the year’s best movies. Does Netflix know—or care?” by Justin Chang in the LA Times Hosts Stephen Metcalf Dana Stevens Julia Turner Social Media @slatecultfest on Twitter https://twitter.com/slatecultfest @slateculturepodcasts on Facebook https://www.facebook.com/slateculturepodcasts/ Learn more about your ad choices. Visit megaphone.fm/adchoices
This week Steve, Dana, and Julia discuss Tina Fey’s new Peacock sitcom Girls5Eva. Then the panel dives into vaccine personalities—how did Pfizer really become the “status vax”? Finally, the group discusses Netflix film The Disciple with LA Times film critic Justin Chang. In Slate Plus, the panel talks about their relationship with cars, courtesy of a listener question. Email us your questions at culturefest@slate.com Podcast production by Jasmine Ellis and Asha Saluja. Production assistance by Rachael Allen. Endorsements Dana: Morning Ragas, Bombay 1965 by Nikhil Banerjee Julia: Empire of Pain by Patrick Radden Keefe and “The Composer at the Frontier of Movie Music” by Jamie Fisher (and Nicholas Britell’s Culture Gabfest episode!) Steve: “Quintin Jones Is Not Innocent. But He Doesn’t Deserve to Die.” by Jonah M. Kessel, Suleika Jaouad, and Lindsay Crouse Further Reading “Pfizer Snobs Are Wong. Johnson & Johnson Is the Coolest Vaccine.” by Dan Kois in Slate “How Pfizer Became the Status Vax” by Heather Schwedel in Slate “Review: ‘The Disciple’ is already one of the year’s best movies. Does Netflix know—or care?” by Justin Chang in the LA Times Hosts Stephen Metcalf Dana Stevens Julia Turner Social Media @slatecultfest on Twitter https://twitter.com/slatecultfest @slateculturepodcasts on Facebook https://www.facebook.com/slateculturepodcasts/ Learn more about your ad choices. Visit megaphone.fm/adchoices
This week Steve, Dana, and Julia discuss Tina Fey’s new Peacock sitcom Girls5Eva. Then the panel dives into vaccine personalities—how did Pfizer really become the “status vax”? Finally, the group discusses Netflix film The Disciple with LA Times film critic Justin Chang. In Slate Plus, the panel talks about their relationship with cars, courtesy of a listener question. Email us your questions at culturefest@slate.com Podcast production by Jasmine Ellis and Asha Saluja. Production assistance by Rachael Allen. Endorsements Dana: Morning Ragas, Bombay 1965 by Nikhil Banerjee Julia: Empire of Pain by Patrick Radden Keefe and “The Composer at the Frontier of Movie Music” by Jamie Fisher (and Nicholas Britell’s Culture Gabfest episode!) Steve: “Quintin Jones Is Not Innocent. But He Doesn’t Deserve to Die.” by Jonah M. Kessel, Suleika Jaouad, and Lindsay Crouse Further Reading “Pfizer Snobs Are Wong. Johnson & Johnson Is the Coolest Vaccine.” by Dan Kois in Slate “How Pfizer Became the Status Vax” by Heather Schwedel in Slate “Review: ‘The Disciple’ is already one of the year’s best movies. Does Netflix know—or care?” by Justin Chang in the LA Times Hosts Stephen Metcalf Dana Stevens Julia Turner Social Media @slatecultfest on Twitter https://twitter.com/slatecultfest @slateculturepodcasts on Facebook https://www.facebook.com/slateculturepodcasts/ Learn more about your ad choices. Visit megaphone.fm/adchoices
What’s this? There’s more? We talk in-depth about his job helping shape the visual language of The New York Times and his approach to video journalism, as well as an offbeat story set in North Korea that never quite happened. Countries featured: North Korea, USA Jonah's short doc about zoonotic diseases - https://nyti.ms/2F0fOkS Follow us on Twitter @foreignpod or on Facebook at facebook.com/foreignpod Music: LoveChances (makaihbeats.net) by Makaih Beats From: freemusicarchive.org CC BY NC
Gen X photo bum finds journalism, makes good. Well, ok, there’s about 15 more steps in the middle that leaves out. And like 60+ countries. Jonah Kessel (@jonah_kessel) is proof that the right camera can change someone’s life. Now at The New York Times, he is constantly trying to push the limits of what video and visuals can do, even when those limits are the visible spectrum of light. Countries featured: China, USA, Algeria, Hong Kong Publications featured: Burlington Free Press, Tahoe Daily Tribune, La Voix de l'Oranie, Sawt Al Gharb ( صوت الغرب ), China Daily, The New York Times Jonah discusses growing up in Vermont (6:24), dropping out of Tulane University to wander the U.S. for 3 years (9:58), going back to school for journalism...in three different countries (14:10), sweet-talking his way into a job at a Lake Tahoe newspaper (19:14), working in Algeria as a newspaper consultant (26:54), being recruited to redesign the China daily (29:32), the glory days freelancing and joining the NYT in not-so-old Beijing (35:28), an exit from China that was complicated in terms of his visa and medically (49:58), the insane plane-flying, ice-cold-camera-sensor shooting behind the groundbreaking NYT story about methane leaks (1:01:36) and the lightning round (1:11:13) Here are links to some of the things we talked about: Jonah's first NYT piece on Zhao Liang (scroll half way down for video) - https://nyti.ms/33qmFNQ Jonah’s NYT project on methane emissions - https://nyti.ms/33qV0wg How he did the methane story - https://nyti.ms/3inP6jO The Social Dilemma on Netflix - https://bit.ly/3d3bfTt Nicholas Kristof on Twitter - https://bit.ly/2HKJtiX Fear and Loathing in Las Vegas on Amazon - https://amzn.to/2Spb2k2 Follow us on Twitter @foreignpod or on Facebook at facebook.com/foreignpod Music: LoveChances (makaihbeats.net) by Makaih Beats From: freemusicarchive.org CC BY NC
SHOW NOTES: Jonah Kessel takes us behind the scenes of the New York Times interactive project: 18 Questions. 21 Democrats. Here’s What They Said. RESOURCES MENTIONED: 18 Questions. 21 Democrats. Here’s What They Said. https://www.nytimes.com/interactive/2019/us/politics/2020-candidate-interviews.html Jonah M. Kessel, Director of Cinematography at The New York Times https://www.nytimes.com/by/jonah-m-kessel RELATED EPISODES: EP56 - Jonah Kessel & Online Video Journalism SUBSCRIBE: iTunes: https://itunes.apple.com/gb/podcast/multimedia-week/id929384403 Stitcher: http://www.stitcher.com/podcast/d-j-clark/multimedia-week?refid=stpr Soundcloud - https://soundcloud.com/multi-media-week Our website is multimediaweek.net Facebook Page - https://www.facebook.com/multimediaweek SPONSOR The University of Bolton. See www.immj.ma for more details.