Podcasts about Cinematography

"It was a headless horseman!" For Episode 379, Brandon and David continue CineNation's series on Folk Horror with a mainstream version of the genre, SLEEPY HOLLOW. Listen as they discuss the history of Washington Irving's original story, how the film was originally going to be a low-budget slasher film, why Tim Burton became involved in the project, why the movie ended up filming in England over the US, how they broke new ground with their creation of the Headless Horseman, how Paramount used an early version of online marketing for the film, and more!  Also, don't forget to join our Patreon for more exclusive movie content:  Opening - One Battle After Another -  (00:00:10) Early Thoughts on Sleepy Hollow (00:08:02) Recap of Folk Horror Movies (00:10:14) Intro to Sleepy Hollow (00:13:52) How Sleepy Hollow Got to Production (00:23:32) Favorite Scenes (00:44:55) On Set Life - (01:09:42) Aftermath: Release and Legacy (01:23:18) What Worked and What Didn't (01:30:40) Film Facts (01:35:15) Awards (01:35:54) Final Questions on the Movie (01:41:50) Wrapping Up the Episode (01:46:45) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

On episode 310 of The AwardsWatch Podcast, Associate Editor Sophia Ciminello is joined by Editor-In-Chief Erik Anderson and Executive Editor Ryan McQuade to chat about the 63rd edition of the New York Film Festival and two below-the-line Oscar categories.  First, the gang shares their overall experience at the festival before diving into quick reviews on the World Premieres of Anemone, Mr. Scorsese, and Is This Thing On? Then, they discuss the hype surrounding the electric Secret Screening of Josh Safdie's Marty Supreme. The film, starring Timothée Chalamet, Gwyneth Paltrow, and Odessa A'zion, had a tremendous response at the festival, but what does that mean for Oscar season and the movie's upcoming Christmas release? Finally, Sophia, Erik, and Ryan take a look at two major technical categories, Film Editing and Cinematography. They discuss the upcoming Cinematography shortlist, the potential for history to be made, and the possible crossover between these two categories and Best Picture. Films mentioned include One Battle After Another, Hamnet, Sinners, Sentimental Value, Frankenstein, F1: The Movie, Marty Supreme, and more.  You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube, and more. This podcast runs 1h8m. We will be back soon with a brand new episode. Until then, let's get into it.

In this episode of Screens in Focus, Diana and Renee break down The Walking Dead: Daryl Dixon Season 3, Episode 5, “Limbo.” Daryl rides solo across a brutal desert in true spaghetti western style, dust, danger, and discovery all around, while Carol faces emotional crossroads back in Solaz del Mar. Together, their journeys explore survival, strength, and what it means to keep hope alive on the edge of the apocalypse. Listeners share their thoughts on the best Walking Dead weapons, and our hosts tackle rapid-fire questions, from standout moments to spaghetti western vibes. Plus, a Screen Nugget reveals the real Spanish ruins that set the stage for this episode's haunting beauty, and Diana and Renee share their latest TV and movie recommendations—perfect for spooky season watching. 00:00 Introduction and Welcome 00:21 Question of the Day 00:49 Listener Feedback 02:14 Episode Highlights 02:45 Daryl's Solo Journey 05:30 Carol's Emotional Journey 05:52 Character Dynamics and Relationships 06:55 Deep Dive into the Episode 23:56 Themes and Symbolism 29:34 Lola the Iguana and Eyeball Feeding 31:13 Cinematography and Landscape Insights 32:17 Rapid Fire Questions 32:29 Spaghetti Western Moments 35:25 Biggest Wow Moments 37:21 Favorite and Funniest Moments 38:59 Screen Nugget and Historical Insights 40:21 Question of the Day: Apocalypse Essentials 42:26 Looking Forward to the Next Episode 44:54 TV and Movie Recommendations   Renee Hansen:  https://linktr.ee/renee.hansen  https://reneehansen.journoportfolio.com                            Follow and subscribe to Screens in Focus. Website: www.screensinfocus.com Email: screensinfocus@gmail.com  X https://x.com/screensinfocus Instagram: https://www.instagram.com/screensinfocuspodcast/ Facebook: https://www.facebook.com/screensinfocus  Feedback and TV/Movie Recommendations:    Google voice (669) 223-8542‬  Free background music from JewelBeat.com: www.jewelbeat.com  

SEASON 2 - EPISODE 162 - Dante Spinotti - Cinematographer In this episode of the Team Deakins Podcast, we speak with cinematographer Dante Spinotti (ANT-MAN AND THE WASP, HEAT, THE LEGEND OF THE HOLY DRINKER). During our conversation, Dante reflects on his Italian upbringing and on the formative year he spent shooting photographs in Nairobi, Kenya. Dante has also frequently shot films with director Michael Mann, and he shares a number of stories from their years of working together. While best-known for his work in Hollywood, Dante still found time to shoot films in his native country, and we specifically discuss his experiences working with director Ermanno Olmi on THE LEGEND OF THE HOLY DRINKER. Dante has also survived the Marvel movie machine, and he reflects on the changes in technology and filmmakers' approach to filmmaking that he's witnessed over the course of his career. We also discuss his experiences transitioning to using digital cameras, and we reflect on the value of discipline and preparation—no matter your shooting format. - This episode is sponsored by Sandstorm & Aputure

Dana and Tom with 5x Club member, Peterson W. Hill (Co-Host of the War Starts at Midnight podcast) discuss Spartacus (1960) for its 65th Anniversary: directed by Stanley Kubrick, written by Dalton Trumbo, Cinematography by Russell Metty, Music by Alex North, starring Kirk Douglas, Jean Simmons, Tony Curtis, Laurence Olivier, Charles Laughton, and Peter Ustinov.Plot Summary: Spartacus tells the story of a slave in ancient Rome who refuses to accept a life of cruelty and injustice. Born into slavery, Spartacus is forced to fight as a gladiator for the entertainment of wealthy Romans. However, his strength, courage, and sense of dignity inspire other slaves to follow him when he leads a massive revolt, freeing thousands of men, women, and children. Spartacus dreams of escaping Rome's control and living freely. However, the Roman army is powerful and relentless. Despite many victories, Spartacus and his followers cannot escape Rome's reach. In the end, Spartacus is captured and crucified, but his spirit of resistance lives on. The film shows how his fight for freedom challenged the might of an empire and became a symbol of courage against oppression.Chapters:00:00 Introduction, Cast, and Background for Sparatacus03:24 Relationship(s) to Spartacus09:00 Kirk Douglas' Crowning Achievement?15:59 Plot Summary for Spartacus17:04 What is Spartacus About?21:54 Where is Spartacus in the Kubrick Rankings?26:16 Did You Know?31:39 First Break32:28 What's Happening with Peterson?38:19 The Cinema Legacy Poll - #79-7150:50 Best Performance(s)01:05:45 Best Scene(s)01:14:59 Second Break01:15:45 Best/Funniest Lines01:18:07 The Stanley Rubric - Legacy01:25:43 The Stanley Rubric - Impact/Significance01:32:12 The Stanley Rubric - Novelty01:37:53 The Stanley Rubric - Classicness01:42:10 The Stanley Rubric - Rewatchability01:45:11 The Stanley Rubric - Audience Score and Final Total01:47:20 Remaining Questions for Spartacus01:52:21 Thank You Peterson and Final Thoughts02:01:53 CreditsGuest:Peterson W. Hill - Co-Host of the War Starts at Midnight podcast@petersonwhill on IG, Letterboxd, and TwitterPrevious Guest on Gone Girl (2014), Parasite (2019), Fight Club (1999), Ben-Hur (1959), Up in the Air (2009), The Shop Around the Corner (1940),

We spy Pierre Jeunet’s “Amélie” and discuss: Cinematography, dramatic camerawork; Story & Writing, voiceover, themes; and other such stuff and things and stuff. “Be the change that you wish to see in the world.“ – Mahatma Gandhi Notes & References: Supports us on our Patreon here! The Problem with Mary’s Room – thought experiment (Wiki […] The post Ep 341: “Amélie” appeared first on The Pestle.

This week, our hosts, Josh and Jade give a full review of 28 Years Later (Netflix). The post-apocalyptic horror film is produced and directed by Danny Boyle and written by Alex Garland. The third film in the 28 Days Later series, following 28 Days Later (2002) and 28 Weeks Later (2007), it stars Jodie Comer, Aaron Taylor-Johnson, Alfie Williams in his feature film debut, and Ralph Fiennes.Listen in as Josh and Jade give their opinions on what was trash and what was treasure in this film. They also ask the important questions like, "who brings a 12-year-old to a zombie filled island?"

⸻ Podcast: Redefining Society and Technologyhttps://redefiningsocietyandtechnologypodcast.com _____ Newsletter: Musing On Society And Technology https://www.linkedin.com/newsletters/musing-on-society-technology-7079849705156870144/_____ Watch on Youtube: https://youtu.be/nFn6CcXKMM0_____ My Website: https://www.marcociappelli.com_____________________________This Episode's SponsorsBlackCloak provides concierge cybersecurity protection to corporate executives and high-net-worth individuals to protect against hacking, reputational loss, financial loss, and the impacts of a corporate data breach.BlackCloak:  https://itspm.ag/itspbcweb_____________________________A Musing On Society & Technology Newsletter Written By Marco Ciappelli | Read by TAPE3A new transmission from Musing On Society and Technology Newsletter, by Marco CiappelliReflections from Our Hybrid Analog-Digital SocietyFor years on the Redefining Society and Technology Podcast, I've explored a central premise: we live in a hybrid -digital society where the line between physical and virtual has dissolved into something more complex, more nuanced, and infinitely more human than we often acknowledge.Introducing a New Series: Analog Minds in a Digital World:Reflections from Our Hybrid Analog-Digital SocietyPart II: Lo-Fi Music and the Art of Imperfection — When Technical Limitations Become Creative LiberationI've been testing small speakers lately. Nothing fancy—just little desktop units that cost less than a decent dinner. As I cycled through different genres, something unexpected happened. Classical felt lifeless, missing all its dynamic range. Rock came across harsh and tinny. Jazz lost its warmth and depth. But lo-fi? Lo-fi sounded... perfect.Those deliberate imperfections—the vinyl crackle, the muffled highs, the compressed dynamics—suddenly made sense on equipment that couldn't reproduce perfection anyway. The aesthetic limitations of the music matched the technical limitations of the speakers. It was like discovering that some songs were accidentally designed for constraints I never knew existed.This moment sparked a bigger realization about how we navigate our hybrid analog-digital world: sometimes our most profound innovations emerge not from perfection, but from embracing limitations as features.Lo-fi wasn't born in boardrooms or designed by committees. It emerged from bedrooms, garages, and basement studios where young musicians couldn't afford professional equipment. The 4-track cassette recorder—that humble Portastudio that let you layer instruments onto regular cassette tapes for a fraction of what professional studio time cost—became an instrument of democratic creativity. Suddenly, anyone could record music at home. Sure, it would sound "imperfect" by industry standards, but that imperfection carried something the polished recordings lacked: authenticity.The Velvet Underground recorded on cheap equipment and made it sound revolutionary—so revolutionary that, as the saying goes, they didn't sell many records, but everyone who bought one started a band. Pavement turned bedroom recording into art. Beck brought lo-fi to the mainstream with "Mellow Gold." These weren't artists settling for less—they were discovering that constraints could breed creativity in ways unlimited resources never could.Today, in our age of infinite digital possibility, we see a curious phenomenon: young creators deliberately adding analog imperfections to their perfectly digital recordings. They're simulating tape hiss, vinyl scratches, and tube saturation using software plugins. We have the technology to create flawless audio, yet we choose to add flaws back in.What does this tell us about our relationship with technology and authenticity?There's something deeply human about working within constraints. Twitter's original 140-character limit didn't stifle creativity—it created an entirely new form of expression. Instagram's square format—a deliberate homage to Polaroid's instant film—forced photographers to think differently about composition. Think about that for a moment: Polaroid's square format was originally a technical limitation of instant film chemistry and optics, yet it became so aesthetically powerful that decades later, a digital platform with infinite formatting possibilities chose to recreate that constraint. Even more, Instagram added filters that simulated the color shifts, light leaks, and imperfections of analog film. We had achieved perfect digital reproduction, and immediately started adding back the "flaws" of the technology we'd left behind.The same pattern appears in video: Super 8 film gave you exactly 3 minutes and 12 seconds per cartridge at standard speed—grainy, saturated, light-leaked footage that forced filmmakers to be economical with every shot. Today, TikTok recreates that brevity digitally, spawning a generation of micro-storytellers who've mastered the art of the ultra-short form, sometimes even adding Super 8-style filters to their perfect digital video.These platforms succeeded not despite their limitations, but because of them. Constraints force innovation. They make the infinite manageable. They create a shared language of creative problem-solving.Lo-fi music operates on the same principle. When you can't capture perfect clarity, you focus on capturing perfect emotion. When your equipment adds character, you learn to make that character part of your voice. When technical perfection is impossible, artistic authenticity becomes paramount.This is profoundly relevant to how we think about artificial intelligence and human creativity today. As AI becomes capable of generating increasingly "perfect" content—flawless prose, technically superior compositions, aesthetically optimized images—we find ourselves craving the beautiful imperfections that mark something as unmistakably human.Walking through any record store today, you'll see teenagers buying vinyl albums they could stream in perfect digital quality for free. They're choosing the inconvenience of physical media, the surface noise, the ritual of dropping the needle. They're purchasing imperfection at a premium.This isn't nostalgia—most of these kids never lived in the vinyl era. It's something deeper: a recognition that perfect reproduction might not equal perfect experience. The crackle and warmth of analog playback creates what audiophiles call "presence"—a sense that the music exists in the same physical space as the listener.Lo-fi music replicates this phenomenon in digital form. It takes the clinical perfection of digital audio and intentionally degrades it to feel more human. The compression, the limited frequency range, the background noise—these aren't bugs, they're features. They create the sonic equivalent of a warm embrace.In our hyperconnected, always-optimized digital existence, lo-fi offers something precious: permission to be imperfect. It's background music that doesn't demand your attention, ambient sound that acknowledges life's messiness rather than trying to optimize it away.Here's where it gets philosophically interesting: we're using advanced digital technology to simulate the limitations of obsolete analog technology. Young producers spend hours perfecting their "imperfect" sound, carefully curating randomness, precisely engineering spontaneity.This creates a fascinating paradox. Is simulated authenticity still authentic? When we use AI-powered plugins to add "vintage" character to our digital recordings, are we connecting with something real, or just consuming a nostalgic fantasy?I think the answer lies not in the technology itself, but in the intention behind it. Lo-fi creators aren't trying to fool anyone—the artifice is obvious. They're creating a shared aesthetic language that values emotion over technique, atmosphere over precision, humanity over perfection.In a world where algorithms optimize everything for maximum engagement, lo-fi represents a conscious choice to optimize for something else entirely: comfort, focus, emotional resonance. It's a small rebellion against the tyranny of metrics.As artificial intelligence becomes increasingly capable of generating "perfect" content, the value of obviously human imperfection may paradoxically increase. The tremor in a hand-drawn line, the slight awkwardness in authentic conversation, the beautiful inefficiency of analog thinking—these become markers of genuine human presence.The challenge isn't choosing between analog and digital, perfection and imperfection. It's learning to consciously navigate between them, understanding when limitations serve us and when they constrain us, recognizing when optimization helps and when it hurts.My small speakers taught me something important: sometimes the best technology isn't the one with the most capabilities, but the one whose limitations align with our human needs. Lo-fi music sounds perfect on imperfect speakers because both embrace the same truth—that beauty often emerges not from the absence of flaws, but from making peace with them.In our quest to build better systems, smarter algorithms, and more efficient processes, we might occasionally pause to ask: what are we optimizing for? And what might we be losing in the pursuit of digital perfection?The lo-fi phenomenon—and its parallels in photography, video, and every art form we've digitized—reveals something profound about human nature. We are not creatures built for perfection. We are shaped by friction, by constraint, by the beautiful accidents that occur when things don't work exactly as planned. The crackle of vinyl, the grain of film, the compression of cassette tape—these aren't just nostalgic affectations. They're reminders that imperfection is where humanity lives. That the beautiful inefficiency of analog thinking—messy, emotional, unpredictable—is not a bug to be fixed but a feature to be preserved.Sometimes the most profound technology is the one that helps us remember what it means to be beautifully, imperfectly human. And maybe, in our hybrid analog-digital world, that's the most important thing we can carry forward.Let's keep exploring what it means to be human in this Hybrid Analog Digital Society.End of transmission.______________________________________

Flaming walkers crash into Solaz del Mar, and chaos erupts, kicking off one of the most action-packed episodes of Daryl Dixon yet. In this episode of the Screens in Focus podcast, hosts Diana and Renee break down all the fire, fury, and heartbreak: Cooper's tragic fate, Carol and Daryl fighting side by side like warriors, Antonio and Fede's mysterious secret, and Roberto's anger and loss. They also dig into the emotional reveals shaping Carol and Daryl, explore themes of loyalty, friendship, sacrifice, and survival, and spotlight the stunning cinematography and fight choreography.  Plus, they wrap up with rapid-fire fun, a California-inspired screen nugget, and TV/movie recommendations, including Ride with Norman Reedus and the creators of Peaky Blinders' House of Guinness. Chapters: 00:00 Introduction and Episode Overview 00:24 Question of the Day: Coolest Weapon 00:45 Episode Highlights and Key Moments 02:45 Character Analysis: Carol and Daryl 17:15 Themes and Conflicts 22:43 Cinematography and Fight Choreography 23:52 Cinematic Action and Beautiful Scenery 25:53 Rapid Fire Questions 26:03 Favorite Fight Moments 27:20 Biggest Surprises and Disappointments 30:02 Screen Nugget: Monterey Bay and Banana Slugs 32:28 Coolest Weapons in the Episode 34:16 Looking Forward to the Next Episode 38:18 TV and Movie Recommendations 44:37 Final Thoughts and Farewell Renee Hansen:  https://linktr.ee/renee.hansen  https://reneehansen.journoportfolio.com                         Follow and subscribe to Screens in Focus. Website: www.screensinfocus.com Email: screensinfocus@gmail.com  X https://x.com/screensinfocus Instagram: https://www.instagram.com/screensinfocuspodcast/ Facebook: https://www.facebook.com/screensinfocus  Feedback and TV/Movie Recommendations:    Google voice (669) 223-8542‬  Free background music from JewelBeat.com: www.jewelbeat.com

In this episode, hosts Sean and Lexi dive deep into an in-depth review of all three versions of 'Salem's Lot'—1979, 2004, and 2024. They provide a detailed analysis by scoring various aspects such as character portrayal, town design, Stephen King vibes, cinematography, and more. Despite its shortcomings, a particular fondness is held for the 2004 version. Additionally, upcoming events are teased, including a live show at the LA Film School and an interview with James Jude Courtney. Join the hosts as they wrap up Stephen King Month with fascinating insights and dumb banter. 00:00 Introduction and Banter 00:53 Upcoming Live Show Announcement 04:38 Guest Appearances and Collaborations 05:54 Salem's Lot Deep Dive 20:38 Rating the Salem's Lot Adaptations 48:03 Rating the Accents 49:33 Town Design Critique 53:26 The Marston House 55:13 Overall King Vibes 58:10 Acting Performances 01:00:50 Dialogue Analysis 01:02:51 Cinematography and Pacing 01:11:23 Music and Sound 01:26:51 Final Scores and Reflections Learn more about your ad choices. Visit megaphone.fm/adchoices

We track down Paul Thomas Anderson’s “One Battle After Another” and discuss: Cinematography, tracking shot; Story & Writing, rats, chase sequence; Music adding tone, driving the story; Performances; and other such stuff and things and stuff. “Yes, we do defend our office as we do defend our homes. This is a constitutional right everybody has, […] The post Ep 340: “One Battle After Another” appeared first on The Pestle.

OMG! Carol mentioned “a friend's brother.”

In this episode of Outside the Cinema, hosts Bill and Chris discuss various cult movies, share personal updates, and delve into reviews of 'The Revenant' and 'Dead Calm'. They explore themes of personal milestones, the intricacies of film reviews, and the importance of supporting independent content creators through Patreon. The conversation highlights the strengths and weaknesses of the films, particularly focusing on special effects and narrative structure. In this conversation, the hosts delve into the film 'Dead Calm,' discussing its themes of grief, isolation, and the dynamics of relationships. They explore Nicole Kidman's early career, the impact of graphic content, and the performances of the cast, particularly Billy Zane. The conversation highlights the film's cinematography and the tension built throughout the narrative, culminating in a discussion about the film's ending and its overall impact.

"Sometimes I think I have felt everything I'm ever gonna feel." For Episode 376, Brandon and David are joined by Paige again to close out CineNation's series on Hard Sci-Fi movies. Listen as they discuss Spike Jonze's inspiration from the film, why it was a big career change for him, the wild story of how Scarlett Johansson was cast in the film, how they combined two cities to make a futuristic Los Angeles, what food chain inspired the film's visual style, and more! Also, don't forget to join our Patreon for more exclusive movie content:  Opening - The Passing of Robert Redford -  (00:00:10) Re-Introducing Paige Klaniecki - (00:06:32) Recap of Hard Sci-Fi Movies (00:07:15) Intro to Spike Jonze's Her (00:12:05) How Her Got to Production (00:20:02) Favorite Scenes (00:31:28) On Set Life - (01:02:20) Aftermath: Release and Legacy (01:13:06) What Worked and What Didn't (01:24:54) Film Facts (01:30:07) Awards (01:33:19) Final Questions on the Movie (01:41:16) Final Genre Questions (01:49:37) Wrapping Up the Episode (01:57:05) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast Visit to find out more about Mission: Rejected!

We trudge through Stephen King’s “The Long Walk” and discuss: Cinematography, constantly bouncing subjects; Story & Writing, themes; Reading books; and other such stuff and things and stuff. “You don’t have to burn books to destroy a culture. Just get people to stop reading them.“ – Ray Bradbury Notes & References: Supports us on our […] The post Ep 339: “The Long Walk” appeared first on The Pestle.

Get Reelisms Podcast #165: Oscars Predictions and Filmmaking Stories with Christine Chen In this episode of the Get Reelisms Podcast, hosts Adam Chase Rani and Christine Chen dive into the complexities of the transgender and Mexican representations in media, share personal filmmaking experiences, and discuss the recent fires in LA. Christine also highlights her recent acting gig and a fun translation job for a food documentary. The duo shifts to an in-depth talk about the upcoming Oscars, sharing insights and predictions on the nominated films. Featuring discussions on the substance, genre-bending films, and the challenges of filmmaking, this episode is packed with insider knowledge and engaging commentary on the arts.  Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf)  For more information about Christine Chen: christinewchen.comFor more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com  WEBISODE version of the Podcastgetreelisms.com 00:00 Introduction and Controversial Representation 00:47 Welcome to Get Reelisms Podcast 01:28 Christine's Sleep Struggles and LA Fires 03:41 Recent Filmmaking Experiences 06:53 Christine's Food Adventures 12:34 Christine's Mandarin Skills and Career Opportunities 17:10 Upcoming Projects and Genre-Bending Films 19:34 Discussion on Emilia Perez and Representation Issues 22:38 Oscars Nominations Overview 23:04 Actor and Actress Nominations 25:54 Mixed Genres in Film 28:20 Voting Dynamics and Film Awards 31:50 Animated Features and Short Films 36:07 Best Picture Nominees 42:10 Production Design and Visual Effects 43:41 Writing Categories and Final Thoughts Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

Fluent Fiction - Hindi: Weathering the Storm: Capturing Culture Near Qutub Minar Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hi/episode/2025-09-23-22-34-02-hi Story Transcript:Hi: दिल्ली में कुतुब मीनार के पास, आसमान में बादल छाए हुए थे।En: Near Qutub Minar in Delhi, the sky was overcast with clouds.Hi: हवा में ठंडक और मैदान में हलचल थी।En: There was a chill in the air and a bustle in the field.Hi: नवदुर्गा की मूर्तियों से सजा मेला हो रहा था।En: A fair adorned with Navdurga idols was taking place.Hi: लोग रंग-बिरंगे कपड़ों में घूम रहे थे।En: People were wandering around in colorful clothes.Hi: उसी भीड़-भाड़ में, एक टीम ने अपनी जगह बनाई थी - आरव, नेहा और नीलम।En: Amidst that crowd, a team had made their place – Aarav, Neha, and Neelam.Hi: आरव एक महत्वाकांक्षी निर्देशक था, जिसका सपना था कि उसकी बनाई ऐतिहासिक डॉक्यूमेंट्री को लोगों तक पहुँचना चाहिए।En: Aarav was an ambitious director whose dream was for his historical documentary to reach people.Hi: आसमान के बदलते मिजाज और कुतुब मीनार का अद्भुत दृश्य हर किसी का मन मोह रहा था, पर अचानक बारिश ने उनकी मुश्किलें बढ़ा दीं।En: The changing moods of the sky and the magnificent view of Qutub Minar were capturing everyone's heart, but suddenly the rain increased their difficulties.Hi: कैमरे के लेंस पर पानी के छींटे पड़ने लगे थे।En: Splashes of water began to land on the camera lens.Hi: नीलम, जो कि साउंड तकनीशियन थी, बार-बार अपने उपकरणों को बचाने की कोशिश कर रही थी।En: Neelam, who was a sound technician, was repeatedly trying to protect her equipment.Hi: चिंता ने उसे घेर लिया था।En: Anxiety surrounded her.Hi: किसी तरह उसका माइक्रोफोन काम करता रहे, यही उसकी कोशिश थी।En: Her main concern was to somehow keep her microphone working.Hi: आरव के सपने को खतरा लग रहा था, लेकिन फिर भी उसने हार नहीं मानी।En: Aarav's dream seemed to be in danger, but even then, he did not give up.Hi: "हमें बारिश से डरना नहीं है," प्रियात्वा ने मुस्कुराते हुए कहा।En: "We must not fear the rain," said Priyatva with a smile.Hi: वो कैमरा वुमन थी, और आरव के हर मुश्किल वक्त में उसके साथ खड़ी थी।En: She was the camerawoman, and she stood by Aarav during every tough time.Hi: वो पास के दुकानदारों से कुछ छाते ले आई, ताकि उपकरणों को बचाया जा सके।En: She brought some umbrellas from nearby shopkeepers to protect the equipment.Hi: आरव को एक विचार आया।En: Aarav had an idea.Hi: उन्होंने स्थानीय लोगों में से कुछ को छोटे-छोटे किरदार निभाने के लिए मनाया।En: He persuaded some of the locals to play small roles.Hi: वे लोग नवदुर्गा के उत्साह में डूबे हुए थे, और खुशी-खुशी मदद करने को तैयार हो गए।En: These people were immersed in the enthusiasm of Navdurga and were happy and ready to help.Hi: हालांकि बारिश से दृश्य कठिन हो गए, लेकिन प्रियात्वा ने कैमरे का एंगल और शॉट्स इस तरह से सेट किए कि सारे रंग और उत्तेजना कैद हो सके।En: Though the rain made the scenes difficult, Priyatva adjusted the camera angles and shots in such a way that all the colors and excitement could be captured.Hi: नीलम की आँखें बारिश से भरी हुई थीं, लेकिन कैमरा और साउंड चालू थे।En: Neelam's eyes were filled with rain, but the camera and sound were rolling.Hi: उनके दृढ़ संकल्प ने उन्हें मंझधार से निकाल लिया था।En: Their determination had got them out of the mire.Hi: अंत में, शूट पूरा हुआ।En: In the end, the shoot was completed.Hi: नीलम ने मुस्कुरा कर देखा, उसे अपना आत्मविश्वास लौट आया था।En: Neelam smiled, her confidence restored.Hi: डॉक्यूमेंट्री का क्लाइमैक्स शानदार था।En: The climax of the documentary was magnificent.Hi: उसने नवदुर्गा के समय में मानवता और भारतीय संस्कृति की अनूठी झलक को पकड़ लिया था।En: It captured a unique glimpse of humanity and Indian culture during Navdurga.Hi: आरव ने महसूस किया कि हर सफर की सफलता उसकी टीम के अद्वितीय सहयोग से ही होती है।En: Aarav realized that the success of every journey is due to the unique cooperation of his team.Hi: यहां तक ​​कि वो अनजाने में ही सही, पर इस उत्सव की आत्मा को कैद करने में सफल हुए थे।En: Even unknowingly, they succeeded in capturing the soul of the festival.Hi: आरव ने मुस्कुरा कर कहा, "हमारा काम तो बस आरम्भ है।En: Aarav smiled and said, "Our work has just begun."Hi: " और वहां, कुतुब मीनार के पास, उन्होंने एक नया पाठ सीखा था - इंसान की इच्छा और सहयोग ही हर मुश्किल को आसान बना सकता है।En: And there, near Qutub Minar, they learned a new lesson – human will and cooperation can make every difficulty easier. Vocabulary Words:overcast: छाए हुएbustle: हलचलadorned: सज़ाambitious: महत्वाकांक्षीmagnificent: अद्भुतsplashes: छींटेtechnician: तकनीशियनanxiety: चिंताpersuaded: मनायाimmersed: डूबे हुएenthusiasm: उत्साहadjusted: सेटdetermination: दृढ़ संकल्पmire: मंझधारclimax: क्लाइमैक्सglimpse: झलकcooperation: सहयोगunknowingly: अनजानेcapturing: कैदlesson: पाठwill: इच्छाunique: अनूठीcoldness: ठंडकfestival: उत्सवapplied: लागूdifficulties: मुश्किलेंprotector: रक्षकscenes: दृश्यrolling: चालूsuccess: सफलता

We are very excited to welcome Prof. Lisa Dombrowski to our podcast! She is a Professor of Film Studies and East Asian Studies at Wesleyan University. She's the author of the books: The Films of Samuel Fuller: If You Die, I'll Kill You! (2008), the editor of Kazan Revisited (2011), and co-editor of ReFocus: The Later Works and Legacy of Robert Altman (2022). (Ben worked on that last one!) We took Lisa's fantastic film classes and she's a big reason this podcast exists, and why we talk about movies the way we do. (You can read more about the podcast's origin story on Patreon!) Together, we preview a newly restored film showing at the upcoming New York Film Festival and M+ Restored programmes, T'ang Shushuen's The Arch, which Lisa teaches in her classes. Lisa shares with us the film's unconventional transnational production context, and we have an in-depth discussion about the film's groundbreaking use of film form to portray female subjectivity. Eli highlights the film's use of deep staging, Wilson compares the film with Ann Hui's A Simple Life (2011), and Ben explains what he means by an “oyako-don” pantheon.Links:Read more about and get tickets for the M+ Restored programmeScreening in NYC for NYFF at Film at Lincoln CenterObey your ancestors at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:01:36 Introducing Prof. Lisa Dombrowski00:06:48 M+ Restored00:09:39 Context on director Tang Shu-shuen and The Arch00:11:16 Lisa's relationship with The Arch00:17:16 General reactions00:23:30 Adaptation and subjectivity00:26:06 Subtitles00:28:06 Female gaze and melodramatic situation00:30:28 The opening setup00:33:28 Cinematography context00:40:28 Love triangle and deep staging00:43:34 Plum scene00:52:37 Source material00:55:28 Cultural context and societal norms01:00:04 River scene and Mid-Autumn Festival01:03:39 A Simple Life (2011) sidebar, subjective realism01:07:25 Confucianism and social conditioning01:10:29 Loom scene01:13:04 Editing for meaning01:16:32 The arch, the ending, the takeaway01:24:57 Fractured images and liminal spaces01:30:15 Lisa Lu and casting01:31:32 The film's reception01:33:56 Tang's approach01:39:03 Cultural identity, transnational cinema, aesthetic expectations01:43:32 Tang's career post The Arch01:46:05 Outro

Rick's brother in Spain!? We dive into this mind-blowing theory

SEASON 2 - EPISODE 159 - Michael McDonough - Cinematographer We speak with cinematographer Michael McDonough (BOSCH, SUNSET SONG, WINTER'S BONE) in this episode of the Team Deakins Podcast. If you listened to our conversation with Debra Granik (Season 2, Episode 158), then you know a bit about Michael already. He fills in what she left out, and we learn how he came to pursue filmmaking as a career after roaming around Rome on a year-long printmaking scholarship during his time in art college. We further discuss his professional partnership with Debra, and we also trade stories about working with director Michael Radford. In addition to his work in film, Michael has shot long-running television series such as FEAR THE WALKING DEAD and BOSCH, and he shares how he does the best he can given the limitations of working in the format. Michael also reflects on how BOSCH incorporates Los Angeles' rich noir history into the show's look, and we learn what advice he would give his younger self if he were starting out again. Among the other topics discussed in our conversation: lighting lessons learned from observing cinematographer Vilmos Zsigmond and the allure of Venice Beach in the winter. - This episode is sponsored by Aputure & Sandstorm

We run through Tom Hanks’ “Forrest Gump” and discuss: Cinematography, long takes, Vietnam; Story & Writing, destiny vs random chance, stories of the downtrodden; Favorite moments; and other such stuff and things and stuff. “Sooner or later, if man is ever to be worthy of his destiny, we must fill our hearts with tolerance.“ – […] The post Ep 338: “Forrest Gump” appeared first on The Pestle.

Director Steven Bernstein DGA, ASC, WGA wrote and directed the award-winning feature film "Decoding Annie Parker" (U.S. theatrical release Summer 2014) which won Best Actress for Samantha Morton at The Seattle International Film Festival and also won Bernstein The Alfred P. Sloan Foundation Feature Film Award at The Hamptons International Film Festival. Bernstein was also nominated for best screenwriter and best director at the Milan Film Festival. Bernstein was a 2013 nominee for The ASC Award for outstanding achievement in Cinematography for his work on Magic City.steven bernstein website

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This week, we sit down with acclaimed cinematographer Autumn Durald Arkapaw, the first woman ever to shoot on IMAX for the film Sinner. She discusses her unique journey into filmmaking, including her work in 16mm on The Last Showgirl and her credits on major studio projects like Black Panther: Wakanda Forever and Marvel's Loki. Autumn highlights the vital importance of finding a creative community and emphasizes how her career has been built on trust and collaboration with fellow artists. Autumn also dives deep into the dynamic (and sometimes frustrating) relationship between cinematographers and visual effects artists. Using her experience on Sinner as a prime example, she advocates for a more collaborative approach, stressing the need for on-set decisions and in-camera solutions to create more authentic and emotionally resonant images. The conversation is a masterclass in filmmaking, exploring everything from the subtle power of light and shadow to her experience as the first woman to shoot on IMAX for a narrative feature film. Autumn Durald Arkapaw's website > Autumn Durald Arkapaw's wikipedia > Autumn Durald Arkapaw's IMDB > Autumn Durald Arkapaw's Instagram >

Multi-disciplinary artist & Author Chanell J. Wilson.She has a vocational certificate in Recording Arts and has studied Cinematography, Film Editing, Screenwriting, & Editing. Chanell has released Black Heart on the Table EP Vol 1: a warrior's lament on her label Beaver-Wilson Girls & Son Media LLC. Currently, she is working on her Aura & Orbit EP inspired by her latest single Aura & Orbit. Chanell is no stranger, she has been on my show many times, and made good history with me with her knowlege through music. I will be spinning her newest release and her other songs in this episode. We discuss topics belongs with her music in this showcase Become a supporter of this podcast: https://www.spreaker.com/podcast/ladydiva-live-radio--2579466/support.

Daryl Dixon is back! In the Season 3 premiere, Diana and Renee dive into hope, hot dogs, and heartstrings. From boat rides and stormy waters to Daryl and Carol's unshakable bond, we break down the biggest moments, emotional themes, and surprising symbols. Along the way, we touch on the haunting English landscapes and the first glimpses of Spain. Plus, our apocalypse food question, best kills, and TV recs you won't want to miss: The Runarounds, Inside Man, Entitled, Only Murders In The Building and more!  00:00 Introduction and Welcome 00:21 Trailer Talk and Episode Highlights 00:56 Question of the Day: Apocalypse Food 01:11 Episode Recap: Key Moments and Reactions 03:50 Daryl and Carol's Chemistry 04:21 Exploring Carol and Daryl's Relationship 14:53 Themes and Cinematography 16:00 New Characters and Mysterious Encounters 24:37 Intriguing First Episode and Mysterious Disappearance 26:20 Rapid Fire Questions: Scariest Walker Moments 28:35 Emotional Moments and Character Reflections 30:28 Best Kills and Action Beats 32:47 Symbolism of Canned Hot Dogs 35:08 Question of the Day: Food That Reminds You of Home 36:56 Parting Thoughts and Anticipations 38:43 TV and Movie Recommendations 46:32 Conclusion and Farewell Renee Hansen:  https://linktr.ee/renee.hansen  https://reneehansen.journoportfolio.com                               Follow and subscribe to Screens in Focus. Website: www.screensinfocus.com Email: screensinfocus@gmail.com  X https://x.com/screensinfocus Instagram: https://www.instagram.com/screensinfocuspodcast/ Facebook: https://www.facebook.com/screensinfocus  Feedback and TV/Movie Recommendations:    Google voice (669) 223-8542‬  Free background music from JewelBeat.com: www.jewelbeat.com  

Ever wondered if there's a secret formula to becoming a better leader, parent, or creative professional? In this candid conversation, hosts Indiana and Haley reveal what might be the most profound insight they've discovered through their entrepreneurial journey - the transformative power of self-love and acceptance.The duo shares fascinating research showing how the psychology of building a company mirrors parenting in unexpected ways. Whether you're nurturing a child or growing an organization, both require protection, guidance, and eventually letting go as they mature beyond your complete control. This parallel particularly resonates as they reflect on their own company's growth journey, where they're experiencing the bittersweet reality of their creation outgrowing them.Technology takes center stage as they discuss their experiences with AI wearable devices that help manage their hectic schedules and interactions. These "Bee" devices not only provide practical work assistance but surprisingly offer relationship insights by connecting dots between conversations, therapy sessions, and self-improvement content they consume.The episode culminates with two major announcements: the launch of League of Filmmakers, a comprehensive digital trade publication serving the filmmaking community with daily coverage on films, interviews, gear reviews, and festival guides; and their upcoming Filmmaker Summit in partnership with Holly Shorts Film Festival on August 6th. Both initiatives reflect their commitment to education and community building within the industry.Between business insights and professional updates, the conversation takes a delightfully unexpected detour into 90s nostalgia with a detailed plot synopsis of the Mary-Kate and Ashley movie "It Takes Two" - showcasing the authentic, unfiltered relationship between these creative partners. Subscribe now to join this vibrant community dedicated to bridging the gap between talent and crew while exploring the intersection of creativity, leadership, and personal growth.Send us a textFor our listeners, CFA's teamed up with We Make Movies to get you a discount on production management services, including access to comprehensive production insurance and workers' comp for your next shoot. Visit wemakemovies.org/insurance and use code CFA23 on your intake form for 10% off your quote.Calling all actors! Take 25% off your membership at WeAudition with code: CFA25 Website: www.cinematographyforactors.com Instagram: https://www.instagram.com/cinematographyforactors TikTok: https://www.tiktok.com/@cinematographyforactors Cinematography for Actors is a community aimed at bridging the gap between talent & crew through our weekly podcast & community events. Our weekly show supports the filmmaking community through transparent, honest & technically focused interviews with the goal of elevating the art of effective storytelling.

We visit Edson Oda’s “Nine Days” and discuss: Cinematography, natural lighting, poor man’s process; Story & Writing, world building; and other such stuff and things and stuff. “Hold fast to dreams, For if dreams die, Life is a broken-winged bird, That cannot fly.“ – Langston Hughes “Dreams” Notes & References: Supports us on our Patreon […] The post Ep 337: “Nine Days” appeared first on The Pestle.

In this episode of the Tapehead Massacre podcast, hosts Caleb and Ed dive deep into the 1988 J-Horror film 'Evil Dead Trap.' They explore the film's unique blend of genres, its impactful cinematography, and the chilling soundtrack that enhances the horror experience. The conversation covers character development, the role of gore and special effects, and the twists surrounding the killer's identity. The hosts share their overall impressions and ratings, highlighting the film's strengths and its place within the horror genre.Chapters00:00 Introduction to J-Horror and Evil Dead Trap02:40 Exploring the Unique Aspects of Foreign Horror05:46 Cinematography and Soundtrack Analysis08:10 Plot Overview and Character Introductions11:13 Setting and Visual Aesthetics14:13 Character Dynamics and Relationships16:44 First Kill and Gore Elements19:12 Thematic Elements and Symbolism22:12 Final Thoughts on Evil Dead Trap25:50 The Prowler's Identity and Appearance27:11 Character Development in Horror28:05 Gruesome Kill Sequences29:53 The Role of the Suit Man32:23 The Tension of the Strobe Light35:06 The Revelation of the Prowler37:51 The Twist of the Suit Man40:38 The Final Confrontation41:31 Reflections on the Film42:47 Upcoming Events and Future Plans

Chinese star Xin Zhilei won the Best Actress award at the 82nd Venice International Film Festival on Saturday, becoming the second actress from the Chinese mainland to receive the honor, more than three decades after Gong Li's historic win in 1992.当地时间周六，中国演员辛芷蕾在第82 届威尼斯国际电影节上斩获最佳女演员奖，成为继 1992 年巩俐历史性获奖后，第二位摘得该荣誉的中国内地女演员。With her vivid portrayal of a woman trapped in a love triangle in the arthouse flick The Sun Rises on Us All, Xin received the Volpi Cup for Best Actress from Zhao Tao, also a famous Chinese actress who served as one of this year's international jurors.在影片《日掛中天》中，辛芷蕾生动演绎了一位深陷情感纠葛的女性角色。这部艺术电影的颁奖环节，由本届电影节国际评审团成员、中国知名演员赵涛为辛芷蕾颁发了最佳女演员沃尔皮杯。Directed by Cai Shangjun, who is regarded as a leading figure in Chinese neo-noir cinema, the film — shot in multiple cities across South China's Guangdong province — tells the story of two former lovers who reunite after seven years, only to find their encounter ending in tragedy at the hands of an inescapable fate.《日掛中天》由中国新黑色电影代表导演蔡尚君执导，取景于中国南方广东省多个城市。影片讲述了一对昔日恋人时隔七年重逢，却在命运的捉弄下，最终以悲剧收场的故事。Overcome with joy, Xin, the 39-year-old actress, tearfully said in her acceptance speech: "This feels like a dream. Over a decade ago, when I first started in the film industry, I made a bold claim — I wanted to become an international superstar on a world-class stage. Back then, I faced a lot of ridicule."39 岁的辛芷蕾在领奖时难掩激动，含泪发表获奖感言：“这感觉像一场梦。十几年前刚进入电影行业时，我曾大胆立下目标 —— 要在世界级舞台上成为国际巨星。那时，我遭到了不少嘲讽。”Having begun her showbiz career in 2005, the actress overcame many difficulties to stand on the award stage in Venice, one of the three most prestigious film festivals in Europe. She said she felt proud of herself and encouraged all women by saying: "If you have a dream, dare to dream big and dare to go for it. Who knows — one day it might just come true, just like it did for me."辛芷蕾于2005 年开启演艺生涯，历经诸多挑战，最终站上了欧洲三大顶级电影节之一 —— 威尼斯国际电影节的领奖台。她表示，为自己感到骄傲，同时鼓励所有女性：“只要心怀梦想，就大胆去畅想、勇敢去追逐。说不定有一天，梦想就会像我这样，照进现实。”The film's title is inspired by a line from a Cantonese Opera, which is based on a script by Ming Dynasty (1368-1644) playwright Tang Xianzu. The original work depicts a tragic romance between a poet and a young woman during the Tang Dynasty (618-907).该片片名灵感源自一部粤剧的台词，而这部粤剧改编自明代（1368-1644 年）戏曲家汤显祖的剧本。原著讲述了唐代（618-907 年）一位诗人与一名女子之间的悲情爱情故事。Xin revealed she was captivated by her character — an ordinary person striving to overcome a painful past and build a better life. She explained that the character is difficult to define as simply "good" or "bad", and that audiences may find her choices challenging to understand.辛芷蕾透露，自己被所饰演的角色深深吸引—— 这个普通人物努力摆脱痛苦过往、追寻美好生活的经历极具感染力。她解释道，这个角色难以简单用 “好” 或 “坏” 来定义，观众或许会对角色的选择感到费解。Recounted through a delicate and nuanced narrative, the film focuses not on a dramatic plotline, but on the inner emotional journey of a woman grappling with her own tsunami-like feelings, added Xin.辛芷蕾补充说，影片采用细腻入微的叙事手法，并未侧重紧张刺激的剧情，而是聚焦于女性角色的内心情感历程，展现她如何应对汹涌如潮的复杂情绪。According to her agency, filming in Guangdong was challenging due to the humid temperatures, which frequently left Xin's costume and hair drenched. Despite this, she gave her best performance in every scene.据辛芷蕾所属经纪公司介绍，影片在广东拍摄期间，当地潮湿的气候给拍摄带来不小挑战，辛芷蕾的戏服和头发常常被汗水浸湿。即便如此，她在每一场戏中都展现出最佳状态。A native of Northeast China's Heilongjiang province, Xin first earned international recognition for the 2016 Chinese film Crosscurrent, which won the Silver Bear for Outstanding Artistic Contribution for Cinematography at the 66th Berlin International Film Festival. Her most popular roles include an emperor's favored concubine in the hit costume drama Ruyi's Royal Love in the Palace (2018) and a mysterious restaurant operator in Hong Kong auteur Wong Kar-wai's directorial TV debut Blossoms Shanghai (2023).辛芷蕾籍贯为中国东北黑龙江省。2016 年，她凭借中国电影《长江图》首次获得国际关注，该片曾在第 66 届柏林国际电影节上荣获杰出艺术贡献银熊奖（摄影奖）。她的代表作还包括 2018 年热门古装剧《如懿传》中饰演的皇帝宠妃，以及 2023 年香港导演王家卫首部电视剧《繁花》中塑造的神秘餐厅经营者。In an earlier interview, director Cai recalled that because the film is told from a woman's perspective, it placed particularly high demands on casting the female lead. After an initial struggle — having reached out to around 20 actresses and 10 actors for the two leading roles — Cai finally chose Xin, with the recommendation from his wife and co-writer, Han Nianjin, who saw Xin on a variety show and was impressed by her natural, easygoing and decisive temperament.导演蔡尚君在早前采访中回忆，由于影片以女性视角展开叙事，对女主角的选角要求极高。起初，为男女主角两个核心角色，剧组接触了约20 位女演员和 10 位男演员，选角工作一度陷入困境。最终，在妻子兼联合编剧韩念瑾的推荐下，蔡尚君确定由辛芷蕾出演。韩念瑾此前在一档综艺节目中关注到辛芷蕾，被她自然随性、果断干练的气质所打动。Cai said that China's film industry has undergone a significant transformation in recent years, challenged by a shrinking box office, as well as the unprecedented expansion of short videos and micro-dramas. In this climate, an enduring event like the Venice International Film Festival becomes a cherished destination for artists, he added.蔡尚君表示，近年来中国电影行业经历了显著变革，不仅面临票房下滑的压力，还受到短视频和微短剧爆发式发展带来的冲击。他认为，在此背景下，威尼斯国际电影节这样具有持久影响力的国际影展，成为了电影人珍视的展示平台。

We are joined by special guest Alex Heeney, the founder and editor in chief of Seventh Row, to dive into Luca Guadagnino's 2017 coming-of-age masterpiece, Call Me By Your Name. They talk about their deep personal connections to the film, with Alex recounting her experience at the world premiere at Sundance and Wilson sharing his obsessive journey preparing for the New York Film Festival premiere of the film. Eli discusses the film's sensual direction, and Ben explains why he thinks this is Guadagnino's most mature work. Links:Find more of Alex on Seventh Row. They are hosting a summit celebrating queer and trans stories called Living Out Loud. Check it out here.Mina Le: why does hollywood love an age gap romance?Ben's CMBYN meme videoWomen around the fountain videoCall us by your name at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00:00 Intro00:01:14 Introducing Alex Heeney00:04:14 Our histories with CMBYN00:23:40 Masculinity00:27:18 Narrative structure00:32:04 The statue scene00:38:09 The peach scene00:43:48 Mr. Perlman's speech00:50:47 The age gap and power dynamics00:56:48 The emotional reality of the ending01:03:00 Cinematography and direction01:08:44 The role of the parents and the book's context01:17:34 Specific Scenes01:28:44 The use of music01:33:06 Walter Fasano's editing01:38:40 The film's legacy01:42:00 Outro

Join screenwriter Stuart Wright as he dives into movies that changed your life with filmmaker Joanne Mitchell, in this engaging episode of 3 Films That Have Impacted Everything In Your Adult Life. Explore Wizard Of Oz impact, The Exorcist analysis, and The Babadook influence on her personal growth and cinema's transformative power. Joanne Mitchell also discusses the making of her feature length directorial debut Broken Bird and remembers the world premiere at Frightfest 2024 Movies That Changed Your Life   Find out about how filmmaker Joanne Mitchell made her feature length directorial debut Broken Bird and the lasting impact of cinema with Stuart Wright's movie podcast.   [0:42] The making of Joanne's feature length directorial debut Broken Bird [1:51] Remembering the world premiere at Frightfest 2024 [4:29] What were the storytelling challenges of developing the short film CYBIL into the feature film Broken Bird [10:45] What were the challenges of shooting in Serbia and showing it as the North Of England? [13:10] Rebecca Calder in the lead role – a change from the short [18:10] The look and feel of the film – Cinematography [20:49] Creating fantastical moments in camera [24:15] 3 Films That Have Impacted Everything In Your Adult Life Wizard Of Oz impact  [24:50] Joanne Mitchell shares how Wizard Of Oz crosses all the genres and is one of her first movie watching memories. How the themes are timeless and the cartoon characters of the scarecrow, tin man and lion had such a magical and profound impact on her. For a child and an adult, it's stunning. The Exorcist analysis [30:45] Joanne Mitchell shares how The Exorcist is storytelling and filmmaking at its best. She saw this for the first time aged just 13 with friends, during the day and with curtains still open. Given she was so close in age to Regan, she could relate to the lead character and her relationship with her mother.  The Babadook Influence   [37:58] Joanne Mitchell talks about how The Babadook really landed with her. It touched her on so many levels at the time because she was a new mum with a baby who wouldn't sleep. In particular, the isolation of one's self when it appears everyone else around you is coping so well. Joanne also offers her own theory on who the ‘Babadook' is – real or metaphor? Key Takeaways:   - Discover how movies that changed your life shape personal and professional growth. - Learn about how Joanne Mitchell made her feature length directorial debut Broken Bird - Developing a feature film from a short film - Memories of a world premiere at Frightfest 2024 - Understand cinema's transformative power through Wizard Of Oz (1939), The Exorcist (1973), The Babadook (2014)  - Full show notes and transcript:  About the Guest:   Joanne Mitchell is is an English film, stage and TV actress and also Director and Producer. In 2011 she co-founded Mitchell Brunt Films with husband and Emmerdale colleague Dominic Brunt and has worked as producer/writer and Director on several of the company's films. Get Involved:  Subscribe on Apple Podcasts, follow on Spotify or wherever you listen to your podcasts for more movies that impacted your life!  Share your favourite movies that impacted your life on X (@leytonrocks) and leave a 5-star review to tell us which 3 films that impacted your life. Credits:   Intro/Outro music: *Rocking The Stew* by Tokyo Dragons (⁠https://www.instagram.com/slomaxster/⁠)  Written, produced, and hosted by Stuart Wright for [Britflicks.com](⁠https://www.britflicks.com/britflicks-podcast/⁠)   Learn more about your ad choices. Visit megaphone.fm/adchoices

Award-winning cinematographer, director, screenwriter, and author Steven Bernstein (Monster, White Chicks, SWAT, Like Water for Chocolate) joins host Floyd Marshall Jr. for an in-depth conversation on filmmaking, storytelling, and the creative process. Bernstein shares how he broke into the film industry, why he avoids traditional outlines in screenwriting, and how he builds authentic, emotionally compelling characters.From the set of Monster with Charlize Theron to directing and writing acclaimed projects, Bernstein opens up about the importance of imperfection in art, the future of filmmaking in the age of AI, and why risk-taking and personal truth lead to the most powerful stories.

The boys are focusing on recent releases like Jurassic World Rebirth, Superman and the new MCU entry Fantastic Four First Steps. They discuss the box office success of films despite their quality, the rise of animation in cinema, and share recent film recommendations. The conversation delves into character dynamics, visual style, and the political commentary present in Superman, ultimately reflecting on the evolution of superhero films and their impact on audiences. 00:00 Introduction to Superhero Movies and Themes 03:14 Jurassic World Rebirth: A Disappointing Sequel06:22 Franchise Fatigue: Comparing Jurassic Park and Alien09:17 Box Office Success: The Economics of Blockbusters12:20 Recent Film Reviews: A Summer Roundup15:21 Superman: A New Direction in DC Films 27:55 Superhero Fatigue and Character Depth31:09 The Tone and Stakes of Superman35:04 Lex Luthor and Supporting Characters39:10 Political Themes and Audience Expectations43:13 Emotional Moments and Character Relationships47:05 Comparative Analysis of Superman and Fantastic Four54:33 The Balance of Humor in Superhero Films56:03 Cinematography and Visual Aesthetics in Marvel Films57:38 The Freshness of Fantastic Four01:02:07 Character Dynamics and Relationships01:04:36 The Future of Superhero Films01:10:36 Cinematography Comparisons: Superman vs. Spider-Man

Send us a textIn this inspiring episode of Living the Dream with Curveball, we are thrilled to welcome Tara Sanders Brooks, a talented writer and cinematographer based in Los Angeles. Tara shares her journey into the film industry, beginning with her graduate studies at USC and her passion for cinematography, where she captures the essence of storytelling through the lens. As she navigates the challenges of the film world, Tara opens up about her recent return to prose writing during the industry strikes, leading to her debut novel, It Will Last Longer, set for release on September 16, 2025. This literary work explores the life of a fine art photographer who inadvertently becomes embroiled in a crime scene, raising questions about morality and the pursuit of creative dreams. Tara also discusses her experiences writing for esteemed publications like American Cinematographer and her ongoing projects, including an independent feature film that delves into modern motherhood. Join us for a heartfelt conversation that encourages listeners to embrace their creative passions, persevere through challenges, and find fulfillment in their artistic journeys.

Join me as we dive into the sun-soaked paradise of Gran Canaria, where the LGBTQ community is not just accepted but celebrated! This episode features the fabulous Raquel Rojas, an award-winning media exec who spills the tea on life in this vibrant island. We'll explore everything from the dreamy beaches and delicious local cuisine to the surprisingly low cost of living and the warm, friendly vibes of the locals. Plus, get the scoop on why Gran Canaria is a go-to spot for retirees looking to soak up the sun and enjoy life to the fullest. So grab your sunscreen, and let's find out if this could be your next retirement destination!Gran Canaria, an island paradise in the Atlantic, is the focal point of today's conversation on the Where Do Gays Retire podcast. We kick off with an exploration of the island's charm through the eyes of Raquel Rojas, who was born and raised here. She paints a picture of Gran Canaria as a welcoming haven for the LGBTQ community, sharing her personal journey from the island to the bustling streets of Canada and back again. With a PhD in Cinematography and years of experience in media, Raquel brings a unique perspective on life in Gran Canaria, emphasizing its exceptional climate, rich culture, and vibrant community. The discussion flows into the nitty-gritty of what makes Gran Canaria so attractive for retirees, particularly those in the LGBTQ community. We chat about the island's mild temperatures year-round, making it a perfect escape from harsh winters. Raquel highlights the affordability of living here, especially when compared to other European destinations. Imagine renting a spacious apartment for just €600 a month or snagging a three-bedroom sea-view home for around €200,000! It's a dream come true for many looking to enjoy their golden years in a beautiful, sunny locale. As we dive deeper, we get the scoop on the island's safety and healthcare system, which are both top-notch. Gran Canaria boasts one of the best public healthcare systems in the world, and English-speaking doctors are readily available, providing peace of mind for expats. Raquel reassures us that the island is incredibly safe, allowing residents to enjoy life without the constant fear that often comes with living in larger cities. With all these perks, it's no wonder Gran Canaria is becoming a go-to destination for LGBTQ retirees seeking a vibrant, inclusive community to call home.Takeaways: Gran Canaria boasts an amazing climate with mild temperatures year-round, making it a perfect retirement spot. The cost of living in Gran Canaria is significantly lower than in many other European countries, so your money stretches further here. Gran Canaria has a vibrant LGBTQ community, with a welcoming atmosphere and no discrimination, making it a safe haven for all. Healthcare in Gran Canaria is excellent, with both public and private options available to expats and retirees alike. Transportation is super convenient, with a great bus system and walkable neighborhoods, making it easy to get around without a car. Food in Gran Canaria is delicious and diverse, featuring fresh seafood, tropical fruits, and local wines that are very affordable. Links referenced in this episode:wheredogaysretire.comMentioned in this episode:Introducing LGBTQSeniors.com – A Free Community for Connection & PrideMark Goldstein, host of the Where Do Gays Retire Podcast, shares exciting news: LGBTQSeniors.com is live! It's a free online community for LGBTQ folks 50+ featuring: Private messaging & forums Monthly Zoom meetups Real connection—without the social media clutter If you love what Mark's building, please support the cause at

Join me as we dive into the sun-soaked paradise of Gran Canaria, where the LGBTQ community is not just accepted but celebrated! This episode features the fabulous Raquel Rojas, an award-winning media exec who spills the tea on life in this vibrant island. We'll explore everything from the dreamy beaches and delicious local cuisine to the surprisingly low cost of living and the warm, friendly vibes of the locals. Plus, get the scoop on why Gran Canaria is a go-to spot for retirees looking to soak up the sun and enjoy life to the fullest. So grab your sunscreen, and let's find out if this could be your next retirement destination!Gran Canaria, an island paradise in the Atlantic, is the focal point of today's conversation on the Where Do Gays Retire podcast. We kick off with an exploration of the island's charm through the eyes of Raquel Rojas, who was born and raised here. She paints a picture of Gran Canaria as a welcoming haven for the LGBTQ community, sharing her personal journey from the island to the bustling streets of Canada and back again. With a PhD in Cinematography and years of experience in media, Raquel brings a unique perspective on life in Gran Canaria, emphasizing its exceptional climate, rich culture, and vibrant community. The discussion flows into the nitty-gritty of what makes Gran Canaria so attractive for retirees, particularly those in the LGBTQ community. We chat about the island's mild temperatures year-round, making it a perfect escape from harsh winters. Raquel highlights the affordability of living here, especially when compared to other European destinations. Imagine renting a spacious apartment for just €600 a month or snagging a three-bedroom sea-view home for around €200,000! It's a dream come true for many looking to enjoy their golden years in a beautiful, sunny locale. As we dive deeper, we get the scoop on the island's safety and healthcare system, which are both top-notch. Gran Canaria boasts one of the best public healthcare systems in the world, and English-speaking doctors are readily available, providing peace of mind for expats. Raquel reassures us that the island is incredibly safe, allowing residents to enjoy life without the constant fear that often comes with living in larger cities. With all these perks, it's no wonder Gran Canaria is becoming a go-to destination for LGBTQ retirees seeking a vibrant, inclusive community to call home.Takeaways: Gran Canaria boasts an amazing climate with mild temperatures year-round, making it a perfect retirement spot. The cost of living in Gran Canaria is significantly lower than in many other European countries, so your money stretches further here. Gran Canaria has a vibrant LGBTQ community, with a welcoming atmosphere and no discrimination, making it a safe haven for all. Healthcare in Gran Canaria is excellent, with both public and private options available to expats and retirees alike. Transportation is super convenient, with a great bus system and walkable neighborhoods, making it easy to get around without a car. Food in Gran Canaria is delicious and diverse, featuring fresh seafood, tropical fruits, and local wines that are very affordable. Links referenced in this episode:wheredogaysretire.comMentioned in this episode:Introducing LGBTQSeniors.com – A Free Community for Connection & PrideMark Goldstein, host of the Where Do Gays Retire Podcast, shares exciting news: LGBTQSeniors.com is live! It's a free online community for LGBTQ folks 50+ featuring: Private messaging & forums Monthly Zoom meetups Real connection—without the social media clutter If you love what Mark's building, please support the cause at

We dive into James Cameron’s “The Abyss” and discuss: Cinematography; Story & Writing, original ending changes everything, “yes, but” storytelling; Dramatizing real life things; and other such stuff and things and stuff. “Curiosity is the most powerful thing you own.“ – James Cameron Notes & References: Supports us on our Patreon here! Michael Arndt Insanely […] The post Ep 336: “The Abyss” appeared first on The Pestle.

Sharpen your blade! This week on Enjoy Stuff we duel through the best sword fights in movie history, from Errol Flynn and Basil Rathbone to Luke Skywalker and The Bride. En garde and Enjoy Stuff! Whether you're swinging a wrapping paper tube, a sharp saber, or just a stick, we all love the romanticism of sword fighting. Let's look at the best ones in the movies.  News Discover magical new treats: Harry Potter Krispy Kremes    The new A Book of Dragons by Mike Witwer is now available   Teenage Mutant Ninja Turtles and Hello Kitty at McDonald's? Sounds like a match made in heaven   RIP Terrance Stamp   Check out our TeePublic store for some enjoyable swag and all the latest fashion trends What we're Enjoying Jay celebrates Texas Massacre Day (Aug 18) with a special screening of the 1974 horror classic The Texas Chain Saw Massacre. Shua dives into the fascinating world of Disney fandom with AJ Wolf's book Disney Adults     Sci-Fi Saturdays -  This week on Sci-Fi Saturdays Jay takes a look at Coherence (2014), a twisty tale that truly defines the meaning of “coherence,” both in its story and its theme. Read Jay's full breakdown on RetroZap.com. Also check out his latest work on MCULocationScout.com. Plus, you can tune in to SHIELD: Case Files where Jay and Shua talk about great stuff in the MCU. Enjoy Sword Fighting!  Sharpen your blade and tighten your grip! This week Jay and Shua celebrate the art of the sword fight, both in history and on the big screen. From legendary real-world figures like Miyamoto Musashi, Joan of Arc, and Julie d'Aubigny to Hollywood's masters of swashbuckling like Errol Flynn and Basil Rathbone, they slice into the roots of swordsmanship and how it translates into movie magic.   They look at the evolution of sword fights on screen:   Silent Era swashbucklers like The Mark of Zorro (1920) with Douglas Fairbanks   Golden Age Hollywood spectacle in The Adventures of Robin Hood   Post-War Realism in Japanese samurai cinema (Seven Samurai)   Modern Era duels ranging from Star Wars lightsabers to Game of Thrones brutality   Plus, they salute the fight choreographers who make it all possible, Nick Gillard, Bob Anderson, Donnie Yen and break down famous sword fighting techniques like the parry and riposte, feints, disarms, and Iaido precision strikes.   Finally, they take a tour through some of cinema's greatest sword battles:   The Princess Bride's witty duel   Rob Roy's brutal finale   Pirates of the Caribbean's rolling water wheel fight   Kill Bill's unforgettable Crazy 88 showdown   The operatic lightsaber clashes of Star Wars   And many more from Crouching Tiger, Hidden Dragon to The Lord of the Rings What makes a sword fight truly great? Choreography? Stakes? Cinematography? First person that emails me with the subject line, “En Garde!” will get a special mention on the show.  Let us know. Come talk to us in the Discord channel or send us an email to EnjoyStuff@RetroZap.com 

From Boy Scouts to Big Decks: Filmmaker Rylan Tuohy Shares His Journey In episode 162 of the Get Reelisms Podcast, Christine Chen and Adam Chase Rani welcome special guest Rylan Tuohy. Rylan talks about his creative beginnings on YouTube, his experience in participating and winning Boy Scouts video competitions, and his journey into filmmaking. He elaborates on his process in creating the project 'Big Decks,' discussing how he raised over $115,000 on Kickstarter and managed a crew of 70 people. The conversation also delves into the importance of marketing, the transition from YouTube to Instagram as a content platform, and the value of collaboration and effective communication on set. This episode is full of insightful advice for aspiring filmmakers and those interested in the behind-the-scenes of independent filmmaking and self-distribution. Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf) Guest: Rylan Tuohy For more information about Christine Chen: christinewchen.comFor more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com  WEBISODE version of the Podcastgetreelisms.com  00:00 Introduction to the Get Reelisms Podcast 00:59 Meet Rylan Tuohy: Filmmaker and Navy Veteran 01:54 The Making of Big Decks: Inspiration and Process 04:13 From Small Crews to Big Productions 13:21 The Evolution of YouTube and Social Media 15:06 The Importance of Marketing for Filmmakers 21:29 Inspiration from Established Filmmakers 22:19 The Reality of Self-Distribution 24:53 Don't Be Precious About Your Work 26:22 Diversifying Your Skills 28:18 The Importance of Communication on Set 37:03 Empowering Your Crew 44:51 Final Thoughts and Reflections Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

This week we talk about what may be Alfred Hitchcock's most enduringly popular film, Psycho.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Universal Picture. Released on September 8, 1960. Produced and directed by Alfred Hitchcock. Written by Joseph Stefano, based on the novel by Robert Block. Starring Anthony Perkins, Janet Leigh, Vera Miles, Martin Balsam, John Gavin, and Pat Hitchcock. Cinematography by John L. Russell. Edited by George Tomansini. Score by Bernard Hermann.Ranking: 1 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Psycho got 3,094 ranking points

We load up Zach Cregger’s “Weapons” and discuss: Cinematography, zooms and high angles; Story & Writing, witchy stuff; Music; and other such stuff and things and stuff. “Our job as Americans and as Republicans is to dislodge the traitors from every place where they’ve been sent to do their traitorous work.” – Joseph McCarthy Notes […] The post Ep 335: “Weapons” (2025) appeared first on The Pestle.

BUY THE BOOKS - STORY QUESTIONS and 17 Steps To Writing A Great Main Character https://payhip.com/StoryQuestions Watch the video version of this podcast here on YouTube: https://www.youtube.com/watch?v=nMIFINOXhto 0:00 - What Beginning Cinematographers Should Know As They Get Started 10:09 - Pro Cinematographer Reveals The Truth About Cinematography 21:05 - Biggest Difference Between Bad Cinematography and Great Cinematography 30:01 - Most Common Mistake That New Cinematographers Make 38:56 - Pro Cinematographer On The Best Way To Learn Lighting 47:29 - If You Want To Be A Cinematographer This Is A Great Lesson Suki was born in Derventa, Bosnia and Herzegovina. While in high school he became interested in still photography but his real involvement in film started when he was accepted at The National Film School for Dramatic Arts, FDU, Belgrade, Yugoslavia. He continued his education at the renowned National Film School (FAMU), Prague, Czech Republic, where he earned his Master's Degree with Honors in cinematography. Shortly thereafter, he came to the USA to continue his professional career. He was involved in several high profile documentaries for Pixar, ILM, The Hearst Corporation, "The History of Imagineering" for Disney Studios being one of them. In 2024 he received "Jan Award" by ASBH for his cinematography at "Shining Vale" series. In 2010, he became a member of the American Cinematographers Society (ASC). In addition, for his academic achievements and contribution to the art of cinematography, he was awarded a Honorary Doctorate Degree in Fine Arts. Suki is a proud father and husband and living and working in Los Angeles. CONNECT WITH SUKI MEDENCEVIC https://www.sukiasc.com https://www.imdb.com/name/nm0575530 https://www.instagram.com/sukimedeni/ Founded in 1992 by Jerry Sherlock, the New York Film Academy (NYFA) provides an accessible, hands-on education in filmmaking, media, and the performing arts. With a mission to make the film industry more accessible to all, NYFA empowers students from diverse backgrounds to tell powerful stories through a project-based, immersive curriculum. Students work closely with industry professionals, gaining invaluable mentorship and real-world experience while building creative, technical, and collaborative skills. NYFA's global community includes students from over 160 countries, fostering a network of passionate storytellers. From day one, students dive into creating projects that refine their craft and prepare them for successful careers. With a focus on practical experience and individualized support, NYFA equips students with the tools and confidence to excel in the competitive world of filmmaking and the arts. CONNECT WITH NYFA https://www.nyfa.edu https://www.nyfa.edu/location/nyfa-los-angeles/

This week we turn our lens to Alfred Hitchcock's 1954 classic Rear Window. Jimmy Stewart stars as a photographer stuck in his apartment while recovering from an injury who takes to watching his neighbors.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Paramount Picture. Released on September 1, 1954. Produced and directed by Alfred Hitchcock. Written by John Michael Hayes, based on the short story, “It Had to Be Murder” by Cornell Woolrich. Starring James Stewart, Grace Kelly, Thelma Ritter, Wendell Corey, Raymond Burr, and Judith Evelyn. Cinematography by Robert Burks. Edited by George Tomansini. Score by Franz Waxman.Ranking: 2 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Rear Window got 3,077 ranking points.

Emmy Award®-nominated Director Philip Barantini and fellow nominees — including cinematographer Matthew Lewis and the sound team of James Drake, Jules Woods, Rob Entwistle, and Kiff McManus — join us this week to discuss the making of “Adolescence,” Netflix's hit limited series. Nominated for thirteen Primetime Emmy Awards, including Outstanding Limited or Anthology Series, the show's four episodes were each filmed as single, continuous takes, creating a gripping real-time experience for viewers — and offering some unexpected advantages for the filmmakers.“For Netflix, it was very different for them because… they're very limited in what notes you can give. You can't say, ‘I think that scene needs to move to a different location' or whatever. It's literally got to be performance notes… And so, they were fantastic. Netflix were just amazing, really, really amazing partners.”—Philip Barantini, Director, Executive Producer, “Adolescence”Joining today's conversation: - Philip Barantini, Director, Executive Producer - Matthew Lewis, Director of Photography, Camera Operator - James Drake, Supervising Sound Editor, Re-Recording Mixer - Jules Woods, AMPS, CAS, Re-Recording Mixer - Rob Entwistle, AMPS, Production Sound Mixer - Kiff McManus, AMPS, Production Sound MixerBe sure to check out “Adolescence,” now streaming on Netflix, in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Join your horror hosts as they revisit Southport with a new generation. Find the Broads on⁠⁠⁠ IG,⁠⁠⁠ ⁠⁠⁠Bluesky⁠⁠⁠, and ⁠⁠⁠Patreon.Chapters00:00 Introduction to the New Era of Horror06:08 Nostalgia and Franchise Expectations10:25 The Role of Male Characters in Horror15:28 Plot Twists and Killer Revelations21:03 Expectations vs. Reality in Horror Films25:35 The Impact of CGI on Character Representation31:26 Character Motivations and Psychological Depth37:55 The Importance of Female Perspectives in Horror42:57 Character Development and Friendships47:39 Cinematography and Music in Film

This week we discuss Vertigo. Arguably Hitchcock's most critically acclaimed film, it follows a former detective who reluctantly takes up a new case at the behest of an old college friend. What follows is a tale of romance and obsession.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Paramount Picture. Released on May 9, 1958. Produced and directed by Alfred Hitchcock. Written by Alec Coppel and Samuel Taylor, based on the novel D'entre les morts by Pierre Boileau and Thomas Narcejac. Starring James Stewart, Kim Novak, Barbara Bel Geddes, and Tom Helmore. Cinematography by Robert Burks. Edited by George Tomasini. Music by Bernard Herrmann.Ranking: 3 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Vertigo got 3,066 ranking points.

Cinematographer Romain Lacourbas returns to Below the Line to talk about crafting Ballerina, the latest stylish installment in the John Wick universe. This week on Below the Line, Skid is joined by Cinematographer Romain Lacourbas to discuss his visual approach to Ballerina, from the film's sweeping Prague exteriors to its tightly choreographed fight scenes. Romain breaks down his collaboration with Director Len Wiseman, the decision to shoot single-camera action, and the creative problem-solving behind some of the film's most explosive moments. We cover: Building trust with Len Wiseman — and how the director's homemade pre-vis videos helped shape their collaboration Adapting the look of John Wick to a new city — with its own palette and texture Leveraging Alexa 35 cameras and Hawk Class-X anamorphic lenses to add volume and texture — a deliberate choice to highlight Philip Ivey's distinctive production design Planning and executing long-take action — including that grenade-filled basement sequence Why most stunt scenes were shot with a single camera — and how that impacted timing, blocking, and performance Leaning into practical effects, from real explosions to blood rigs and rain-slicked streets Capturing Hallstatt's natural beauty — even on a tight shooting schedule  Romain also reflects on the freedom he had as a DP, his continued partnership with Camera Operator James Frater, and how working with a detail-driven director made the difference.

Sci-Fi July dives deep into the sublime with Upstream Color (2013), Shane Carruth's mesmerizing meditation on identity, connection, and control. Co-hosts Ben Buckingham and Jim Laczkowski join Mike to untangle the film's elliptical narrative, which follows a woman who is drugged, robbed, and psychically linked to a pig as part of a surreal cycle of manipulation and rebirth. A bold, enigmatic follow-up to Primer, Carruth's film is an audiovisual trance, blurring the line between organism and environment, memory and self. We explore the film's layered metaphors, sound design, and experimental structure — and maybe, just maybe, crack its code.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.