Podcasts about Cinematography

Join your horror hosts as they discover true happiness. Find the Broads on Instagram, Bluesky, and Patreon.Chapters00:00 Introduction to the Horror Genre02:21 Exploring Japanese Horror Elements05:06 Themes of Family and Expectations08:56 The Unraveling of Secrets12:51 The Disturbing Dinner Scene16:18 The Emotional Cannibalism19:52 The Climax and Revelations23:58 Cinematography and Symbolism26:19 Conclusion and Final Thoughts26:54 Exploring Themes of Sacrifice and Family Dynamics29:06 The Complexity of Happiness and Identity32:50 Perception and Societal Expectations35:12 Generational Trauma and Its Impact37:47 Consumerism and the Cost of Happiness41:01 Emotional Turmoil and Psychological Horror46:24 Technical Aspects and Cinematic Techniques47:31 Final Thoughts and RecommendationsKeywordshorror, Japanese cinema, family dynamics, emotional cannibalism, psychological horror, film analysis, Best Wishes for All, Shudder, movie review, existential themes

This week we dive into Shadow of a Doubt. This is Alfred Hitchcock's 1943 thriller about a small California town that get shaken up by a visitor from the city.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Universal Picture. Released on January 12, 1943. Produced by Jack H. Skirball and Directed by Alfred Hitchcock. Written by Written by Thornton Wilder, Sally Benson and Alma Reville (Mrs. Hitchcock) based on an original story by Gordon McDonell. Starring Teresa Wright, Joseph Cotton, Patricia Collinge, Henry Travers, Macdonald Carey, and Wallance Ford. Cinematography by Joseph A. Edited by Milton Carruth. Music by Dimitri Tiomkin. Ranking: 8 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Shadow of a Doubt got 2,582 ranking points.

The primary focus of this podcast episode revolves around the profound impact of personal narratives on human connection, particularly when discussing difficult life experiences. The speakers reflect on how sharing their challenging stories elicits emotional responses from listeners, often leading to moments of silence and sadness. This somber atmosphere prompts a desire to shift the conversation towards more uplifting topics, such as sports, which serves as a coping mechanism for navigating discomfort. Furthermore, the discussion delves into the speaker's professional journey in basketball and cinematography, emphasizing the significance of travel and cultural exchange in shaping their worldview. Ultimately, the episode underscores the importance of perspective and the transformative power of storytelling in fostering empathy and understanding among individuals.Takeaways: The emotional weight of sharing personal hardships often leads to somber reactions from the audience. Transitioning from professional basketball to cinematography shapes one's view on success and fulfillment. Experiencing diverse cultures while playing abroad profoundly alters one's perception of the world. Traveling exposes individuals to new perspectives that challenge preconceived notions about safety and opportunity. Personal growth often stems from overcoming adversity and redirecting one's life path toward new opportunities. The impact of global travel on personal identity cannot be overstated, as it broadens horizons and fosters deeper understanding. Companies mentioned in this episode: New Jersey Nets Brooklyn Nets Bobcats Spurs Toyota

Bond is back — and better than ever. In Episode 23 of my ongoing 007 series, I dive into one of the most celebrated entries in the franchise: Skyfall (2012). Directed by Sam Mendes with Cinematography by Roger Deakins, and starring Daniel Craig in peak form, Skyfall delivers emotional depth, high-stakes espionage, and stunning visuals — all while celebrating the 50th anniversary of James Bond on screen.To pair with this sleek, stylish Bond adventure, I'm pouring a glass of the 2024 release of Bomberger's Declaration Bourbon — a bold, complex whiskey that's as refined and powerful as 007 himself. I share tasting notes, my thoughts on the latest batch, and how it complements the themes and tone of Skyfall.

The Art of Filmmaking: Behind the Scenes with Josh Segundo - Get Reelisms Podcast #157 Join hosts Adam Chase Rani and Christine Chen in Episode 157 of the Get Reelisms Podcast as they dive deep into the world of filmmaking! This episode features an insightful conversation with Josh, a writer-director who shares his experiences and challenges in making short films. They discuss the importance of preparation, the complexities of crowdfunding, working with friends, and the nuances of shooting during the pandemic. Josh reflects on his latest project 'Where Do We Go?' and offers valuable advice for aspiring filmmakers. Tune in for secrets, advice, and filmmaking gossip!  Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf) Guest: Josh Segundo For more information about Christine Chen: christinewchen.comFor more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com  WEBISODE version of the Podcastgetreelisms.com 00:00 Introduction to the Get Reelisms Podcast 00:21 Meet the Hosts and Guest 00:43 Sports Talk and Personal Stories 02:39 Filmmaking Secrets and Advice 04:25 Guest's Filmmaking Journey 05:07 Crowdfunding Challenges 06:31 Production Insights and Challenges 18:40 Post-Production Reflections 21:35 Reflections on the Short Film 22:02 Navigating Film Festivals 22:44 Dealing with Vulnerability and Screenings 24:39 Pandemic Influence and Nostalgia 27:39 Inspiration and Cinematic Techniques 29:59 Future Projects and Filmmaking Philosophy 37:12 The Importance of Collaboration 42:59 Challenges and Rewards of Filmmaking 48:47 Final Thoughts and Encouragement Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

This week, we're joined by Matt Workman—filmmaker, developer, and creator of Cine Tracer—for a candid look at the shifting landscape of cinematography. We explore how filmmakers can better communicate, justify resources, and protect their creative choices in a rapidly evolving industry, and why futureproofing your skillset now means knowing both a light meter and a game engine. From the emergence of virtual production to the democratization of 3D previsualization, Workman unpacks how technology like Unreal Engine, once reserved for high-budget productions, is becoming a daily tool for working DPs.Matt Workman's Instagram | YouTubePeter Pascucci's Instagram | WebsiteLauren Guiteras's Instagram | WebsiteThis episode is sponsored by Fujifilm, Sandisk and TCP Insurance.

SEASON 2 - EPISODE 145 - Deliverables and Preserving Authorial Intent - with Steve Yedlin In this episode of the Team Deakins Podcast, cinematographer Steve Yedlin (Season 2, Episode 72) returns to talk with us about deliverables and preserving authorial intent in post-production. Throughout the episode, we tap into Steve's deep well of technical knowledge, and we make frequent reference to Steve's publicly available demonstration on what HDR really is and how it has affected the colour timing stage of post. We get into the weeds during our conversation, and we try to make sense of the growing number of variables, units of measurement, and home-video viewing options we're forced to contend with as filmmakers in the digital age. We also look at how our level of control over home-viewing deliverables has changed since the VHS days, and we attempt to peek into what the future may hold for us as technology and audience expectations continue to evolve. Towards the end of our conversation, we discuss the economic realities of restoring old films, and Steve offers his best advice to any young (or older!) filmmaker feeling overwhelmed by the endless technical jargon. Plus, we find some surprising and relevant wisdom within THIS IS SPINAL TAP. - We highly recommend watching Steve's demonstration on HDR for an even deeper investigation into the topics discussed in this episode. Tap here to watch. - This episode is sponsored by Aputure & Profoto

In this conversation, Ed Heil and Steve Mulholland discuss the intricacies of video production, emphasizing the importance of storytelling and understanding the audience's needs. They explore how to capture the essence of a club through various filming techniques, including documentary styles and the use of drones. The discussion also covers the significance of finding the right voices for interviews and mastering the art of conducting them effectively. In this conversation, Ed Heil and Steve Mulholland delve into the intricacies of video production, focusing on the art of cinematography, the emotional impact of storytelling in sports, the crucial role of music, and the importance of editing. They share insights on how to effectively capture compelling visuals, the significance of sound in enhancing viewer experience, and the challenges of editing to create a cohesive narrative. The discussion also touches on practical advice for aspiring producers, emphasizing the need for collaboration and clarity in messaging.   00:00: The Importance of Story in Video Production 05:52: Capturing the Essence of Your Club 12:05: Finding the Right Voices for Your Message 18:02: The Role of B-Roll and Aerial Shots 24:23: The Art of Cinematography 30:30: The Role of Music in Video Production 37:17: Editing: The Heart of Storytelling

Our Hitchcock series takes us to the master's famous long-take, single-setting, real time macabre thriller Rope. Loosely inspired by the real-life Leopold and Loeb case (depending on who you ask), we follow to cold-blooded students as the host a very unusual dinner party.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Warner Bros. Picture. Released on September 25, 1948. Produced and Directed by Alfred Hitchcock. Written by Arthur Laurents and story by Hume Cronyn, based on the play of the same name by Patrick Hamilton. Starring John Dall, Farley Granger, James Stewart, Joan Chandler, Cedric Hardwicke, and Constance Collier. Cinematography by Joseph A. Valentine and William V. Skall. Ranking: 9 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Rope got 2,547 ranking points.

We cover a few videos from a few different sources on the topic of Cinematography from the glory days of movies.Engage!

Director of Photography Adam Newport-Berra joins us to discuss his incredible work on “The Studio,” the hilarious behind-the-scenes satire now streaming on Apple TV+. The cinematographer shares how he helped co-creators Seth Rogen and Evan Goldberg pull off the show's bold cinematic concept: shooting nearly every scene as a continuous long take. Join us as we go behind the camera on episode two, “The Oner,” a technical and comedic marvel executed as one uninterrupted 25-minute shot. Newport-Berra details the challenges of capturing ensemble performances, navigating comedic timing, and using cinematography to enhance the absurdity of Hollywood. “I think one thing I really learned on this show is to just never say no... Seth and Evan really supported me and believed in me... and it created an environment where it was almost impossible to say no, because we were so creative that we were always able to come up with a solution.” —Adam Newport-Berra, Director of Photography, “The Studio” Be sure to check out “The Studio,” now streaming on AppleTV+, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Frank and Thomas dive into Pride and Prejudice (2005) with a surprising amount of insight. After catching a recent theatrical re-release of the Jane Austen adaptation, the hosts unpack its romantic tension, cinematography, performances, and themes of societal expectations. Along the way, they reflect on Keira Knightley's breakout role, Matthew Macfadyen's modern take on Mr. Darcy, and how 19th-century courtship still hits in 2025. With some help from Frank's wife and linked video essays, they make sense of the story's deeper layers—reluctantly, but respectfully. Timestamps and Topics: 00:00:00 Welcome and Thomas's reluctant movie pick 00:00:41 The theatrical re-release and first impressions 00:01:17 Breakdown of the plot, scene by scene 00:04:47 What this movie says about power, class, and gender 00:06:50 The Mr. Bennet and Elizabeth dynamic 00:09:15 Mr. Darcy's character and casting impact 00:14:32 Understanding the dialog and social codes 00:17:12 Cinematography and standout shots 00:20:26 The iconic rain scene and its symbolism 00:24:23 Keira Knightley's performance and casting 00:26:18 Star-studded supporting cast 00:27:06 Comparing both proposals as visual storytelling 00:29:44 Does the movie feel too rushed? 00:33:03 Trivia: red flags, fake book titles, and bad eyesight 00:36:00 Final thoughts and star ratings 00:37:04 Next movie pick revealed: Galaxy Quest Key Takeaways: Pride & Prejudice (2005) is a well-crafted adaptation that, despite not being made for everyone, earns respect for its care and attention to detail. Keira Knightley and Matthew Macfadyen bring depth to iconic characters, especially through subtext and physical acting. Joe Wright's direction is subtle but powerful, using natural lighting, one-shot sequences, and thoughtful framing. The story critiques societal norms by centering a woman (Elizabeth Bennet) who refuses to play by the rules. The movie has become a beloved comfort film, especially for those drawn to emotionally charged slow-burn romances. Quotes:

Our Hitchcock countdown takes us one last time into his British era. This week we discuss the 1938 classic, The Lady Vanishes. ***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Gainsborough Picture. Released October 7, 1938. Produced by Edward Black. Directed by Alfred Hitchcock. Screenplay by Sidney Gilliat and Frank Launder, based on the 1936 novel The Wheel Spins by Ethel Line White. Starring Margaret Lockwood, Michael Redgrave, Paul Lukas, May Whitty, Cecil Parker, Linden Travers, Naunton Wayne, and Basil Radford. Cinematography by Jack E. Cox. Edited by R. E. Dearing. Music by Louis Levy and Charles Williams.Ranking: 10 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines The Lady Vanishes got 2,519 ranking points.

We scorch Ben Stiller’s “Tropic Thunder” and discuss: Cinematography, selling satire; Story & Writing, satire vs tropes; and other such stuff and things and stuff. “I think that the power is the principle. The principle of moving forward, as though you have the confidence to move forward, eventually gives you confidence when you look back […] The post Ep 325: “Tropic Thunder” appeared first on The Pestle.

This week we return to the stunning visual world of “Severance,” the critically acclaimed Apple TV+ series from creator Dan Erickson and director Ben Stiller. Cinematographer and fellow director Jessica Lee Gagné joins us to discuss her work on the show's second season, including how she crafted the eerie, sterile look of Lumon Industries and expanded the visual palette in new, unexpected ways. Jessica discusses her collaborative relationship with the creative team, the emotional and psychological subtext behind the framing, and how film was used to deepen the surreal, dreamlike atmosphere of the important flashbacks in episode 7, which she directed. “Life never looks more real and emotional than it does on film. Like it just has that texture... and I'm like, well, I feel that that makes so much sense with this world.” —Jessica Lee Gagné, Director of Photographer and Director, “Severance” Be sure to check out “Severance,” now streaming on AppleTV+, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Episode Summary:What makes a scene feel cold, nostalgic, or magical—before a single word is spoken? In this illuminating episode, we're joined by Alice Abrams, a freelance colorist whose work has helped define the visual identity of campaigns for Netflix, Meta, Google, Volvo, and more. Based in Austin, TX, Alice brings a decade of experience in film to her color suite, where she transforms raw footage into emotionally resonant, cinematic experiences.Alice shares her unique journey from working as a director of photography and editor to discovering that color grading was her true calling. You'll hear how her background behind the camera influences her work in post-production, and why she views color not just as a technical tool—but as a storytelling language in its own right.Whether you're a filmmaker, editor, aspiring colorist, or just a visual storytelling enthusiast, this deep dive into the world of professional color grading offers both inspiration and practical insights.Alice Abrams is a seasoned freelance colorist with a background in cinematography, editing, and color grading. After spending years working across California and New York, Alice now resides in Austin, TX, where she operates her own grading suite and works with clients worldwide. Her work spans narrative film, commercials, branded content, and music videos—bringing a distinct visual signature that blends cinematic precision with emotional depth.

Need financing for your next investment property? Visit: https://www.academyfund.com/ Want to join us in San Antonio, TX on June 11th & 12th? Visit: https://www.10xvets.com/events ____ Zachary Guerra is a powerful force in storytelling, making the leap from Naval Aviator flying S-3B Vikings to directing multi-million-dollar productions for some of the world's biggest brands. Over the past decade, Zachary has directed and produced more than 25 high-impact campaigns for global brands such as Apple and ESPN, managing more than $34 million in production budgets. As a Director, Writer, and Producer, Zachary has written 15+ screenplays and directed over 20 commercials, all while actively developing feature films with both major studios and independent teams. Beyond his commercial success, Zachary is deeply invested in the next generation of creatives. He mentors aspiring filmmakers and imparts his knowledge of Editing, Cinematography, and Producing at esteemed institutions. His dedication to education reflects his belief in storytelling as a transformative tool. Zachary's approach to filmmaking is characterized by a relentless pursuit of compelling narratives and a commitment to excellence. Each project he undertakes is infused with a unique blend of strategic insight and creative vision, making him a distinctive voice in contemporary cinema. In this episode of the SABM podcast, Scott chats with Zachary about: Post-Navy Pivot: After flying jets, Zachary turned to filmmaking to follow his creative drive. Turning Points: He lost equipment and faced shutdowns but stayed focused on real, human stories. Canon Shot: His new documentary that captures the croquet rivalry between Navy and St. John's, spotlighting cultural gaps. The film reveals how two schools in the same town rarely engage with each other. Real-World Impact: How his documentary helped spark new partnerships, with midshipmen now taking classes at St. John's. Timestamps: 00:31 Zach's Journey into Filmmaking 01:55 Early Wins and Challenges 03:36 The Concept of 'Dance for Your Dinner' 09:52 The Making of 'Canon Shot' 16:12 Surprising Discoveries and Reflections 22:35 Current Status and Support Needed 30:01 Conclusion and Contact Information   Connect with Zachary: LinkedIn Contact Page   If you found value in today's episode, don't keep it to yourself—share it with a colleague or friend who could benefit. And if you're a Service Academy graduate ready to elevate your business, we'd love for you to join our community and get started today.   Make sure you never miss an episode—subscribe now and help support the show: Apple Podcasts Spotify Leave us a 5-star review! A special thank you to Zachary for joining me this week. Until next time! -Scott Mackes, USNA '01  

We're back and BACK in the movies as usual. Today we're talking about DEATH in the form of FINAL DESTINATION BLOODLINES.ENJOY!!!

"No one buys a ticket to hear your problems." For Episode 361, Thomas and Brandon finish off CineNation's Jukebox Musical series with BETTER MAN. Listen as they discuss how Hugh Jackman impacted the film's creation, what major event affected the film's production, how the movie was independentaly financed, and why director Michael Gracey made Robbie Williams a monkey in the film.  Also, don't forget to join our Patreon for more exclusive content:  Opening - What's in Theaters and Tom Cruise -  (00:00:10) Recap to the Jukebox Musical Genre (00:06:14) Intro to Better Man (00:11:32) How Better Man Got to Production (00:21:11) Favorite Scenes (00:34:01) On Set Life - (01:05:41) Aftermath: Release and Legacy (01:12:26) What Worked and What Didn't (01:18:19) Film Facts (01:25:43) Awards (01:27:39) Final Questions on the Movie (01:33:48) Final Genre Questions (01:40:24) Wrapping Up the Episode (01:45:19) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Send us a textIt started with jokes about zippers and tight flight suits—and somehow ended with tears, respect, and emotional damage. In this episode, Jared and Aaron go full live-reaction mode to Netflix's Thunderbirds documentary, expecting to roast some high-speed sky dancers… but end up with a full-blown redemption arc, complete with G-locks, dumb call signs, and some real leadership lessons.They question if the show is harder than combat, mock staged B-roll, and coin the term “Swag Maintainer,” all while secretly (and not-so-secretly) falling in love with the team. This isn't just about airplanes doing tricks—it's about pride, sacrifice, pain, and the power of not sucking when it counts. Bonus points if your call sign isn't “Primo.”

SPONSORS: - Grab your tickets at https://NASCAR.com/tickets. If you can't make it, grab a beer and your friends, find your seat on the couch, and gear up for some of the best racing in the world at Charlotte Motor speedway. Tune in to the Coca Cola 600 this Sunday at 6:00 PM Eastern - Brought to you by BetterHelp. Visit https://betterhelp.com/bears to get 10% off your first month - Sign up for a $1 per month trial period at https://shopify.com/bears. - Get your summer savings and shop premium wireless plans at https://mintmobile.com/BEARS. This week on 2 Bears 1 Cave, Tom Segura and Bert Kreischer go deep on Tom's new Netflix series Bad Thoughts — a disturbing, hilarious, and brilliantly unhinged ride that Charo absolutely hated. The Bears talk about favorite sketches, behind-the-scenes moments, bloopers, and why Bert is both joking and not joking about not being cast. They dive into the art of acting, working with writers, and getting lost in characters — plus Bert's dream roles if he had been invited. Also: Tom's Italian guy character, hair insecurity, Kevin James dying his beard, and Tom's nudity in the show. Elsewhere, Bert shares his Post Malone + Jelly Roll solo mission, NASCAR plans, and recent attempts at eating clean and not drinking again. There's debate over royal titles, Meghan Markle, Prince William, and a killer impression of the royal family worrying about baby skin tone. Plus: Bert's mail opening trauma, how he weighs himself, cauliflower pizza, bar takeovers, and why Tom might actually like who he is. It's full sketch comedy breakdown meets chaotic Bear therapy—don't miss it. 2 Bears, 1 Cave Ep. 289 https://tomsegura.com/tour https://www.bertbertbert.com/tour https://store.ymhstudios.com Chapters 00:00:00 - Intro 00:00:20 - Tom Talks Bad Thoughts 00:13:50 - Cinematography & Awkward Sex Scenes 00:21:45 - Casting Choices & Putting Friends In Movies 00:33:23 - Tom's Acting, Bert's "Sobriety", & NASCAR 00:40:20 - The Royals & Meghan Markle 00:55:01 - Bills 01:03:01 - Big Boys 01:09:31 - Wrap Up Learn more about your ad choices. Visit megaphone.fm/adchoices

Cinematographer Pedro Gomez Millan shares stories from the set of “Daredevil: Born Again”, Disney's 2025 continuation of the live action superhero saga that aired on Netflix between 2015 and 2018. Also continuing his co-host streak: Gianni Damaia!

SEASON 2 - EPISODE 141 - DP & VFX Relationship - with Greig Fraser & Paul Lambert In this episode of the Team Deakins Podcast, cinematographer Greig Fraser (Season 1, Episodes 29, 57, 63, 69 & Season 2, Episodes 50, 51, 100) and VFX supervisor Paul Lambert (Season 1, Episode 107) return to talk about the modern relationship between the cinematography and visual effects departments. Throughout the episode, we frequently refer to Paul's and Greig's collaboration on both DUNE films, and they reveal how they realized several scenes and overcame the endless challenges of shooting the film with the support of one another. They share why they utilized painted backings to assist in set extension over blue screens or LED walls, and we later swap strategies for figuring out how to maintain the illusion of a flying helicopter. Greig also reveals what makes him proud about a particular all-CG shot in DUNE: PART II, and Paul breaks down what an audience really means when they see “bad CGI” in a film. Towards the end, we discuss the merging of animation and live-action filmmaking, and we look ahead to what the future may bring. - Recommended Viewing: DUNE (2021), DUNE: PART II (2024) - This episode is sponsored by Aputure & Profoto

This week we take a look into Hitchcock's popular chamber room mystery, Dial M for Murder. Set in a luxurious London flat, a marital drama unfolds that leads into blackmail and murder. ***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Warner Bros. Picture. Released May 29, 1954. Produced and directed by Alfred Hitchcock. Screenplay by Frederick know, based on his 1952 play. Starring Ray Milland, Grace Kelly, Robert Cummings, John Williams, Anthony Dawson. Cinematography by Robert Burks. Edited by Rudi Fehr. Music by Dimitri Tiomkin.Ranking: 11 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Dial M for Murder got 2,510 ranking points.

Julian, Madeline, and Emilio are joined by Brendan McDonald, the producer of 'WTF with Marc Maron,' to finish off their cycle of New York City movies with a "Close-Up" on the works of legendary cinematographer Owen Roizman. A versatile visual talent ready for whatever came his way, Roizman burst out of the gate with William Friedkin's crime drama "The French Connection" (1971), in which he unforgettably and frantically photographed a plethora of New York locales. This showcase of his skills made him the perfect choice to shoot "The Taking of Pelham One Two Three" (1974), the Joseph Sargent-directed, subway-set thriller infused with workplace humor that indelibly captures a timeless spirit of New York. But Roizman's aptitude also extended beyond the grimy streets and subway tunnels, and rose up to the broadcasting towers of Midtown Manhattan in "Network" (1976), the darkly prescient media satire written by Paddy Chayefsky and directed by Sidney Lumet. Blending their eyes for detail with their lived experience as New Yorkers, the group get into how Roizman's visual sense cemented the iconic status of these films, and why they stand the test of time even as they were made just a few years apart from one another. To hear Brendan discuss movies and other topics regularly, subscribe to the WTF bonus feed, "The Full Maron," for access to The Friday Show and other bonus material. Learn more at https://www.wtfpod.com/If you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

It's the second half of our 100% Accurate Way Too Early Oscars Predictions for 2025/26. In this episode, we discuss the Supportings, Casting, Director, Picture and 12 categories in all! Cinematography - 2:16 Film Editing - 5:07 Animated 9:38 International - 13:09 Documentary - 17:51 Costume Design - 20:24 Production Design - 23:24 Supporting Actor - 29:00 Supporting Actress - 37:24 Casting - 41:17 Director - 45:00 Picture - 52:00 OUTRO - Go back and enjoy our entire Oscars Year In Preview Series as we discussed the calendar, reviewed Sundance, and previewed Cannes. Do look forward to our continuation of our Oscar Profile Movie Reviews series as we'll do film study episodes on upcoming contenders. But first, we cannot wait to review the reviewers and time the standing ovations from the 2025 Cannes Film Festival later this week. https://linktr.ee/mikemikeandoscar

We cross into Matthew Vaughn’s “Stardust” and discuss: Cinematography, polished camera moves; Story & Writing, fairytale rules, character wants, love; and other such stuff and things and stuff. “My bounty is as boundless as the sea, My love as deep. The more I give to thee, The more I have, for both are infinite.“ – […] The post Ep 322: “Stardust” appeared first on The Pestle.

As part of our Earth Serenade series, we honor French organist and Bach specialist Andre Isoir, who died in 2016. Working with Isoir's son, Daniel, we bring you this lovely and serene Fantasia and Fugue in C minor, by Carl Philipp Emmanual Bach, the son of Johann Sebastian Bach. Cinematography by astronauts on Expeditions 71 aboard the International Space Station in 2024. It's a magical journey and tribute to Andre Isoir. Series: "Earth Serenade" [Arts and Music] [Show ID: 40758]

As part of our Earth Serenade series, we honor French organist and Bach specialist Andre Isoir, who died in 2016. Working with Isoir's son, Daniel, we bring you this lovely and serene Fantasia and Fugue in C minor, by Carl Philipp Emmanual Bach, the son of Johann Sebastian Bach. Cinematography by astronauts on Expeditions 71 aboard the International Space Station in 2024. It's a magical journey and tribute to Andre Isoir. Series: "Earth Serenade" [Arts and Music] [Show ID: 40758]

The Cinematography Podcast Episode 309: Scott Siracusano The Hulu original horror film, Control Freak, plunges audiences into the unraveling world of Val (Kelly Marie Tran), a motivational speaker tormented by an unrelenting itch on the back of her head. Is it a manifestation of her own mind, or is she falling prey to a parasitic demon from her homeland? Control Freak is a body horror film that delves deep into themes of control, perfectionism, mental health, and generational trauma. Cinematographer Scott Siracusano has known Control Freak writer and director Shal Ngo since 2019. The two made a short, The Box, which went to the prestigious Cameraimage Film Festival in Poland. Their creative partnership continued on another short film, Control, for season two of Hulu's Bite Size Halloween. When Ngo was invited to expand Control into a feature-length film, Control Freak was conceived. Scott was captivated by the script and eager for the creative challenges it presented. Unfortunately, the film hit several roadblocks and delays before shooting was finally greenlit by the network. As a first-time feature DP, Scott had to meet with producers and pitch himself as the best cinematographer for the film. Championed by Ngo, Scott meticulously prepared a lookbook and presented his scene-by-scene shooting strategy in an hour-long meeting, ultimately securing his role as the film's cinematographer. One of the most significant cinematographic challenges on Control Freak was executing its underwater sequences. Due to a limited budget, there wasn't enough time or money to shoot the actors in real tanks of water. Scott chose to use dry for wet film techniques, where smoke, specialized filters, and dynamic lighting effects are skillfully combined to simulate an underwater environment. Inspiration for this approach came from Dan Laustsen's masterful work in The Shape of Water. “What I realized is that it is truly a less is more situation,” Scott says. “We need to have the caustics of water and moving lights that you would feel on your subject in tandem with atmosphere, and particles that could be added as effects. I was like, 'I think we could pull this off. I think we could actually do this.'” The biggest concern was creating realistic hair and body movement floating in water, so the actors' hair was tied back for these scenes. The production team found a music performance space where they could build a wire rig, enabling the actors to “float.” For close ups, Scott found simply having the actors sit and move around on a yoga ball effectively created a floating effect. Two projectors helped simulate water patterns, and the room was filled with atmospheric haze. Subtle fill light and slight camera movements completed the effect. Ultimately, these practical in-camera effects were so successful that the film required minimal visual effects for its underwater scenes. The lighting and color palette of Control Freak were crucial in establishing a claustrophobic atmosphere and exploring the film's central duality between sanity and madness. "We really wanted to lean into the surrealism and the dreamlike state of everything,” explains Scott. “Moonlight definitely allowed us a little bit more shaping, and being able to hide the monster. I really wanted to have rich, detailed shadows that were never true black—always some detail, no matter how dark the shadows.” Val's house was intentionally kept as an enclosed space, with curtains constantly drawn, immersing the audience in her confinement and heightening their sense of being trapped alongside her. As a horror fan himself, Scott loved creating the look and feel of Control Freak. “It's so cool and fun being on set, in the actual world with the creature there.” His takeaways from lensing his first feature included the importance of faithfully executing the director's vision while remaining adaptable to the unpredictable nature of filmmaking. “Going into a feature,

This week we discuss Hitchcock's 1963 thriller about birds attacking humans.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Universal Picture. Released March 28, 1963. Produced and directed by Alfred Hitchcock. Screenplay by Evan Hunter based on the short story by Daphne du Maurier. Starring Tippi Hedren, Rod Taylor, Jessica Tandy, Veronica Cartwright, and Suzanne Pleshette. Cinematography by Robert Burks. Edited by George Tomasini.Ranking: 12 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines The Birds got 2,479 ranking points.

We trek across Cormac McCarthy’s “The Road” and discuss: Cinematography, compositions, first frame last frame; Story & Writing, structure, morality, terse dialog; and other such stuff and things and stuff. “Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.“ – […] The post Ep 321: “The Road” (2009) appeared first on The Pestle.

“I am your Sai Mata”Dr J Geeta Reddy is a distinguished gynaecologist-turned-politician of the Indian National Congress who has served as a Member of the Telangana Legislative Assembly. She has been a minister multiple times and spearheaded various portfolios in the Government of Andhra Pradesh, such as Major Industries, Sugar, Commerce and Export Promotion Council, Culture, Cinematography, Sports and many others. How she was pulled to Bhagawan's presence in 1980 is indeed a thrilling account. Once she was convinced of Swami's divinity, her visits to Prasanthi Nilayam became frequent, and Swami's love and protection for her have been abundant. In this Satsang, she picks and shares some of those moving moments with Swami which have shaped her and which continue to fill her with strength, solace and grace.

This week, we did into one of the films that helped put Alfred Hitchcock's name on the map to international audiences, the spy thriller The 39 Steps.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Gaumont-British Picture. Released June 6, 1935. Produced by Michael Balcon and directed by Alfred Hitchcock. Written by Charles Bennett and Ian Hay, based on the 1915 novel The Thirty-Nine Steps by John Buchan. Starring Robert Donat, Madeleine Carroll, Lucie Mannheim, Godfrey Tearle, Peggy Ashcroft, John Laurie, and Wylie Watson. Cinematography by Bernard Knowles. Music by Louis Levy.Ranking: 13 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines The 39 Steps got 2,430 ranking points.

Van and Rachel welcome former NFL cornerback and ESPN contributor Domonique Foxworth to react to Shedeur Sanders's historic fall in the NFL draft (16:49) and Saquon Barkley spending quality time with President Trump (37:15). Then director of photography Autumn Durald Arkapaw joins to discuss how she shot arguably the most talked-about film of the decade, ‘Sinners' (50:41). Finally, Van has a plan on how to defeat a gorilla with 100 men (50:39). Hosts: Van Lathan and Rachel Lindsay Guest: Dominique Foxworth and Autumn Durald Arkapaw Producers: Donnie Beacham Jr. and Ashleigh Smith Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, the Academy of Motion Picture Arts and Sciences announced some new rule changes regarding eligibility and voting for the Oscars. The main change? Oscar voters are, as of this season, REQUIRED to watch all nominees in each category they vote in. Why this wasn't a rule beforehand is beyond me, but y'know, if the best time to throw water at a burning house is at the start, the second best time is now. Along with this is some language regarding generative AI, new submission deadlines, updates to the voting process for the Animated Short Film and Cinematography categories, and the rule reveal for how the new category for Best Casting will be decided.I was fully ready to let this Oscars news be the full episode, but Thierry Fremaux and his band of merry folx had different plans. Part deux of the 2025 Cannes Film Festival lineup dropped yesterday, adding 16 films to the official selection, including Kristen Stewart's directorial debut THE CHRONOLOGY OF WATER and Lynne Ramsay's DIE MY LOVE (which will be featured In Competition).How can I pass up an opportunity to talk about even more potentially kickass movies? Do you SEE the name of this podcast?---Please rate, review & subscribe to The Movies wherever you listen to podcasts!, Bluesky & Letterboxd

The X5 is the latest flagship camera from Insta360. With full 360° 8K30fps capture, enhanced low-light performance, and a 185-minute battery life, X5 is designed for all-day, all-night, all-angle shooting. Get the X5 now, the smartest and toughest 360° Camera ever made here and use code “PetaPixel” to get a free 114cm invisible selfie stick with your purchase.--This week on the PetaPixel Podcast, the team is joined by Cinematographer and Director Jessica Lee Gagné from the hit TV show Severance! She talks at length about how she approached lighting, framing, camera work, and more!--Check out PetaPixel Merch: store.petapixel.com/ We use Riverside to record The PetaPixel Podcast in our online recording studio.We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe.--In This Episode:00:00 - Intro07:25 - Insta360 announced the X5 360-degree camera13:02- Synology wants you to buy its official drives and restricts many features to them15:41 - Light Lens Lab is remaking the rare P. Angenieux Type S21 50mm f/1.519:48 - Fujifilm finally priced the new Instax mini 4121:31 - Fujifilm teases a "half" camera22:57 - Viltrox announced a new 35mm f/1.213:35 - Sorry, but we have to talk about tariffs again...25:48 - Blackmagic was going to build a US factory, but tariffs made it untenable26:51 - Harman is raising film prices in the US30:26 - Japan has no idea what the US wants33:21 - Fujifilm confirms it has paused shipments of some cameras amid trade disarray35:28 - Nikon's vending machine mini cameras have arrived in the US39:01 - Severance's Jessica Lee Gagné on Cinematography, Directing, and More!1:13:22 - What have you been up to?1:18:16 - Tech support1:31:38 - Feel good story of the week

This week we discuss Foreign Correspondent, Hitchcock's spy movie set at the outbreak of World War II and released only shortly after. This is Hitchcock's second American movie.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A United Artists Picture. Produced by Walter Wanger, directed by Alfred Hitchcock. Screenplay by Charles Bennett and Joan Harrison with dialogue by James Hilton and Robert Benchley. Starring Joel McCrea, Laraine Day, Herbert Harshall, George Sanders, Albert Bassermann, Edmund Gwenn, and Robert Benchley. Cinematography by Rudolph Mate. Music by Alfred Newman. Editor Dorothy Spencer.Ranking: 14 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Foreign Correspondent got 2,052 ranking points.

On this week's episode of the MalloryBros. podcast, the guys start with a recap of a busy weekend. Between Easter, NBA Playoffs, Wrestlemania and Sinners, they had alot to recap. Terrell gives a slight recap of Wrestlemania and speaks to his experience watching after 15 years. They take the rest of the Podcast to Deep Dive "Sinners". [SPOILERS]They speak to everything from their movie going experience to their thoughts on Direction, Performance, Cinematography, Establishment of Power, Character Development.. The Whole 9! If you havent seen the film, definitely check it out and give this episode a listen. It's one of those "once in a while" special films that create these deep dive conversations!

Aerial Coordinator and Stunt Pilot Kevin “K2” LaRosa shares how he brought some of the most complex aviation movie scenes to life.In this episode, Kevin discusses designing and flying the modified L-39 CineJet, filming iconic movies like "Top Gun: Maverick" and "Devotion", and training A-list Hollywood actors. If you've seen aerial cinematography on the big screen lately, it's likely Kevin had a hand in it. Be sure to tune in because there's an exclusive announcement this episode! This one is going to be cool!Want to hear more "Top Gun" stories? Check out Episode 40 with "Maverick" Stunt Pilot Scott "Intake" Kartvedt!Resources:Kevin LaRosa's Website Interview: Kevin LaRosa II, aerial coordinator and lead camera pilot for ‘Devotion,' on those high-flying sequences (Awards Watch) Chapters:(00:00) - Intro (01:19) - The Unknowns of Aerial Cinematography (02:41) - Early Interest in Aviation (04:21) - Designing the L-39 CineJet (06:10) - A Special Announcement (07:13) - Filming with the CineJet (08:48) - Picking the Right Cinema Aircraft (10:13) - Filming with the UH-60 MovieHawk (12:03) - A Typical Day on Set (15:29) - Biggest Filmmaking Challenges (17:29) - Aerial Training and Rehearsals (19:35) - Aborting a Shot (20:16) - Filming "Top Gun: Maverick" (22:32) - Working With Tom Cruise (24:06) - Flying Alongside Fighter Pilots (26:38) - Mentally Preparing for High-Speed Stunts (28:12) - Training Hollywood Actors (29:27) - CGI vs. the Real Deal (30:55) - Kevin's Heroes (32:56) - Dream Movie to Work On (33:12) - The Future of Aerial Cinematography (34:07) - Kevin's Advice (35:24) - Lacking an Off Button (36:06) - Outro

Director Andrew Ahn is back for a three-peat with his new film The Wedding Banquet, a re-imagining of Ang Lee's 1993 classic. We chat with Ahn about his updates to the original to capture the new nuances of queer lives today, get behind the scenes tidbits of his time working with his incredible AAvengers cast, and see how the original and his remake have shaped him on a personal level. The Wedding Banquet is currently premiering in the United States, get tickets in the cinema! Get married at our FREE patreon, discord server, and our socials @ www.deepcutpod.comTimestamps:(00:00:00) Intro(00:02:13) Film Synopsis(00:03:00) General Reactions (spoiler-free)(00:05:42) Spoiler warning (for both films)(00:06:21) Interview begins(00:12:45) Reimagining The Wedding Banquet(00:13:38) Ahn's first encounter with the original(00:15:19) Adapting with James Schamus(00:17:14) Ahn's updates to the original(00:23:05) Stylistic shifts(00:26:13) New concerns for an evolving queer audience(00:27:48) The films' endings(00:33:07) New families(00:34:06) The original being more subversive(00:36:00) Watching Ahn's version before Ang's(00:36:54) Connection between Ahn's features(00:38:40) Giving actors their due(00:41:29) Casting the ensemble(00:46:32) Good acting vs most acting(00:48:54) Directing a scene(00:52:01) Editing(00:53:41) Modern gay rom coms(00:55:28) Landscape and location(00:58:44) Coincidences(01:01:49) Has Ang Lee seen the remake?(01:03:19) Eat Drink Man Woman Sidebar(01:05:36) Cinematography(01:08:34) Favorite moment on set(01:11:23) Artmaking as personal diary(01:15:36) The artwork in the film(01:16:19) Directing Youn Yuh-jung(01:18:09) Good filmmaking(01:19:58) Wrap-up

 With the year 1/4th over, it is time to finally stick a fork into 2024 movies, with our list of our favorite films... AND awarding the best films of the year. It's the coveted Deucie Awards, and for the 12th year in a row, Mikey, d$ and Dr. Earl are here to give out the best in Comedy, Drama, Cinematography, Animation, Documentary, Music, Screenplay, Sci-Fi/Horror, Brain Candy, and of course, the acting awards, direction, and Best Picture! The Brutalist has a record 8 nominations, with Civil War getting 7 noms, A Complete Unknown with 6, while Dune Part Two and Wicked each getting 5.  Can Denis Villeneuve get his 3rd Deucie Award of his career?  Can Saoirse Ronan get her third?  Or can Florence Pugh join Denis, Saoirse, and Adam Driver as the only movie makers to get 2?   Plus, what films impressed Dr. Earl, Mikey, and d$ that they end up on their respective Top Ten lists of the year?  And you'll recognize a lot of the voices you hear on this ep, as we get all of our faves to assist!

This week's podcast is all about jewelry theft in the south of France. The lightly comic caper film, To Catch a Thief was released in 1955 and became one of Grace Kelly's last movies. It is her only pairing with Cary Grant.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes. A Paramount Picture. Produced and directed by Alfred Hitchcock. Screenplay by John Michael Hayes, based on the novel of the same name by David Dodge, Starring Cary Grant, Grace Kelly, Jessie Royce Landis, John Williams, and Brigitte Auber. Cinematography by Robert Burks. Music by Bernard Hermann.Ranking: 15 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines To Catch a Thief got 2,052 ranking points.

We devour Eva Green & Ewan McGregor’s “Perfect Sense” and discuss: Cinematography, contrast, camera movement; Story & Writing, scene character, relationship epidemics; and other such stuff and things and stuff. “Yes, there is joy, fulfillment, and companionship, but the loneliness of the soul in its appalling self-consciousness is horrible and overpowering.“ – Sylvia Plath Notes […] The post Ep 318: “Perfect Sense” (2011) appeared first on The Pestle.

We can't believe it's finally here! After much anticipation, we finally have creepers on screen, A Minecraft Movie, starring Jason Mamoa and Jack Black is easily the movie blockbuster release of the year— wait wait waitSorry, this is actually about the Robert Pattinson starring movie in which he plays the dual roles of Bruce Wayne / The Batman— wait wait waitSorry, this episode is about the other big Robert Pattinson blockbuster Mickey 17. We return for another hit of the Bong (Joon Ho) but some of us are not vibing! Ben and Eli take turns using the film, the script, the cinematography, and the direction as punching bags. Wilson is left to fight for his life (and the lives of Mickey 1-18). Who will come out on top? Is this movie worth watching? Listen to find out. Creep up on our FREE patreon, discord server, and our socials @ www.deepcutpod.comLinks:Deep Cut 012. Bong Joon-ho: Parasite & MotherGQ: Robert Pattinson and Bong Joon Ho on Mickey 17Timestamps:(00:00) Intro(03:10) General Reactions(10:50) Plot Summary(11:40) Spoilers from here / Bong Career Moves(14:10) Theme / Reflecting Current Moment(19:40) Movie Enjoyability VS Thematic Coherence(22:55) Performances(25:30) Voiceover / First Act Problems(27:50) Narrative Drive / Goals / Stakes(33:29) Bong Humor(34:45) Bong Sci-Fi(36:35) Cinematography(39:29) International Cast(42:38) Voiceover(44:32) Wilson's Enjoyments(47:30) Outro

We double-cross Tom Cruise’s original “Mission: Impossible” and discuss: Cinematography, split focus diopters; Story & Writing, the opening, big set pieces; and other such stuff and things and stuff. “Without promotion, something terrible happens… nothing!“ – P.T. Barnum Notes & References: David Koepp (IMDB) Robert Towne (IMDB) Watch us on YouTube! xx Art Spotlight: “The […] The post Ep 317: “Mission: Impossible” (1996) appeared first on The Pestle.

Send us a textThis episode is a re-run from season 1Russ Aldridge and cofounder Marc Christenson started Sisu in 2010 as an integrator for their former employer NI (National Instruments). They have expanded the company far beyond just NI and now serve a wide variety of industries developing highly sophisticated robotic & automated applications. Their team's skill and ingenuity is matched by their incredible dedication to serve the customer – case in point: team Sisu went from concept to 100 fully functioning ventilators in just 2 weeks to meet the massive need brought on by COVID. 

This week on Breaking Bread Seth Rogen joins us at the table! He discusses all things about his new Apple+ series, The Studio - the inspiration, finding the humor in Hollywood studio execs, and having no one to blame but himself for creating difficult filming situations. He also shares an INSANE story about filming with a real tiger and fearing death. A true comedy legend. Enjoy! The Studio is available to stream on Apple TV+ now! New episodes out every Wednesday. Subscribe to our Patreon to get extended episodes early, behind the scenes content, and bonus episodes! Patreon.com/BreakingBreadWithTomPapa ------------------------------- 0:00:00 Intro 0:00:15 Meeting & parties 0:02:05 Baking bread 0:03:34 The Studio, beauty of LA filming at WB 0:06:40 Cinematography, composition, comedy 0:11:40 Episodic television 0:15:30 List of questions 0:16:22 Shooting with a real tiger 0:21:45 The Interview controversy 0:24:05 Directing and creating the situations you live through 0:25:24 Growing up loving comedy 0:28:44 Writing jokes at 13 years old 0:31:30 Judd Apatow world 0:32:25 Evan Goldberg, comedy boom 0:36:45 Silly questions and homeware line 0:37:42 Vanderpump pug 0:39:30 Eating out 0:41:05 Not having kids 0:41:47 The Studio, finding the humor in studio execs 0:45:00 Testing projects 0:48:22 Uncomfortable moment 0:50:10 Canada, moving to LA 0:53:50 Comedy is always hard 0:57:30 Building production company 1:00:35 Writing, directing, producing 1:01:23 Thank you's ------------------------------- Tom Papa is a celebrated stand-up comedian with over 20 years in the industry. Watch Tom's new special "Home Free" out NOW on Netflix! Patreon - Patreon.com/BreakingBreadWithTomPapa Radio, Podcasts and more - https://linktr.ee/tompapa/ Website - http://tompapa.com/ Instagram - https://www.instagram.com/tompapa Tiktok - https://www.tiktok.com/@tompapa Facebook - https://www.facebook.com/comediantompapa Twitter - https://www.twitter.com/tompapa #tompapa #breakingbread #comedy #standup #standupcomedy #bread #sethrogen #thestudio #appletv