Podcasts about Cinematography

In this compelling episode, host Chris Stafford welcomes German cinematographer Bebe Dierken for an intimate and revealing conversation about the art and emotional power of visual storytelling. Known for Dangerous Truth, Sexy Beast, Midas Man, Bridgerton with her distinctive visual language and ability to translate narrative into striking imagery, Bebe Dierken has built a career behind the camera shaping stories through light, composition, and movement. In this episode, she shares her journey into cinematography, the creative influences that shaped her eye, and the challenges and rewards of working in a field where technical precision meets artistic instinct.Through Chris Stafford's signature unscripted and deeply personal interview style, Bebe opens up about the realities of working on set, collaborating with directors, and finding her voice as a cinematographer in a competitive global industry. The conversation explores how she approaches why cinematography is as much about emotion as it is about technique. Bebe reflects on the evolving role of cinematographers today and the importance of authenticity, perspective, and creative courage in her work.As part of the Women Unscripted podcast network, this episode continues the tradition of elevating the voices of women in the arts through honest, insightful, and deeply human conversations. Chris Stafford's ability to create a trusted space allows guests like Bebe Dierken to share not just their professional journey, but the personal experiences that inform their artistry. Whether you are a filmmaker, artist, or simply fascinated by the power of cinema, this episode offers inspiration, insight, and a deeper appreciation for the visual storytelling that shapes the way we see the world.Bebe's links: https://www.bebedierken.com/https://www.instagram.com/bebedierken/https://www.imdb.com/name/nm1029068/Favorite female artists: Nancy Schreiber, Amy Vincent.Dinner party guests: Tom Ford,  Kevin de lay Noy, Madonna, John Kevin Gibb, Neill deGrass Tyson, 

We loved the cinematography of Maul: Shadow Lord so much that it inspired us to go back to our roots and analyze the cinematography of the Star Wars Original Trilogy. We specifically focus on Luke Skywalker in three character-building scenes: the binary sunset from A New Hope, when he meets Yoda in Empire Strikes Back, and when he resists the Emperor in Return of the Jedi. We discuss lighting, costumes, framing, and so much more! We hope you enjoy this deep dive into one of cinema's most iconic characters.Watch our special EXTRA 200th episode for free on our Patreon (it's different from this audio episode): ⁠⁠⁠https://www.patreon.com/posts/its-our-200th-156470434⁠⁠⁠Support us on Patreon for as little as $3/month: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/MostThingsKenobi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠most_things_kenobi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠mostthingskenobi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MostThingsKenobi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠most_things_kenobi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tumblr: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MostThingsKenobi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this compelling episode, host Chris Stafford welcomes German cinematographer Bebe Dierken for an intimate and revealing conversation about the art and emotional power of visual storytelling. Known for Dangerous Truth, Sexy Beast, Midas Man, Bridgerton with her distinctive visual language and ability to translate narrative into striking imagery, Bebe Dierken has built a career behind the camera shaping stories through light, composition, and movement. In this episode, she shares her journey into cinematography, the creative influences that shaped her eye, and the challenges and rewards of working in a field where technical precision meets artistic instinct.Through Chris Stafford's signature unscripted and deeply personal interview style, Bebe opens up about the realities of working on set, collaborating with directors, and finding her voice as a cinematographer in a competitive global industry. The conversation explores how she approaches why cinematography is as much about emotion as it is about technique. Bebe reflects on the evolving role of cinematographers today and the importance of authenticity, perspective, and creative courage in her work.As part of the Women Unscripted podcast network, this episode continues the tradition of elevating the voices of women in the arts through honest, insightful, and deeply human conversations. Chris Stafford's ability to create a trusted space allows guests like Bebe Dierken to share not just their professional journey, but the personal experiences that inform their artistry. Whether you are a filmmaker, artist, or simply fascinated by the power of cinema, this episode offers inspiration, insight, and a deeper appreciation for the visual storytelling that shapes the way we see the world.Bebe's links: https://www.bebedierken.com/https://www.instagram.com/bebedierken/https://www.imdb.com/name/nm1029068/Favorite female artists: Nancy Schreiber, Amy Vincent.Dinner party guests: Tom Ford,  Kevin de lay Noy, Madonna, John Kevin Gibb, Neill deGrass Tyson, 

⚠️ SPOILER REVIEW: Star Wars: The Mandalorian & Grogu | Geek Buddies Din Djarin and Grogu have finally made the leap to the big screen — and the Geek Buddies have THOUGHTS. John Rocha, Michael Vogel and Shannon McClung sit down for a full spoiler-filled breakdown of Star Wars: The Mandalorian & Grogu. Nothing is off limits — we're diving deep into every moment, every twist, and everything this movie means for the future of Star Wars!

Watch on YOUTUBECinematographer Natasha Braier ASC returns to Drinks and a Movie Podcast to talk about her mentorship platform Deep-Light, the realities of working in cinematography, leadership on film sets, creative problem solving, and her upcoming work with director Boots Riley on I Love Boosters. Known for her stunning work on films like The Neon Demon, Honey Boy and The Rover, Natasha opens up about the side of filmmaking nobody talks about: navigating pressure, collaboration, leadership, imposter syndrome, difficult film sets, and the emotional reality of being a cinematographer.If you're a filmmaker, cinematographer, film student, director, or creative trying to survive the industry while protecting your voice, this conversation is packed with real insight. Visit www.deep-light.com for more information on Natasha's mentorship program.Listen to my first podcast episode with Natasha Here https://podcasts.apple.com/us/podcast...

Welcome back! This week the ladies dive into "The Drama", the uncomfortable, anxiety-inducing A24 film starring  Zendaya and Robert Pattinson. What starts as an awkward romantic drama about an engaged couple heading into their wedding week, quickly spirals into something much darker after a “worst thing you've ever done” conversation goes completely off the rails. Emma reveals a disturbing part of her teenage past, and that one confession detonates the relationship, the "friend"group, and the entire wedding weekend. We break down the film's tense atmosphere, uncomfortable chemistry, and the bigger conversations surrounding alienation, radical honesty, identity, and whether people should be permanently defined by their teenage years. We also discuss how the movie intentionally challenges audience expectations by centering a Black woman in a narrative typically associated with a very different demographic, and whether that changes the level of empathy viewers are willing to extend. If you watched this movie and immediately needed to unpack all of that emotional chaos with somebody, this episode is for you. Cheers!

We thirst for Curry Barker’s “Obsession” and discuss: Cinematography, story-motivated silhouettes; Sound Effects, revealing story through sound; Story & Writing, obsessions; and other such stuff and things and stuff. “Do not wait to strike till the iron is hot; but make it hot by striking.“ – W.B. Yeats Notes & References: Supports us on our […] The post Ep 368: “Obsession” appeared first on The Pestle.

ఇండియాలో B.Tech పూర్తి చేసి…అమెరికాలో IT రంగంలో Senior Lead గా స్థిరపడినా…మనసు మాత్రం “సినిమా” అనే కలను వదల్లేదు!కల కోసం ఉద్యోగాన్ని కాదు…ఉద్యోగంతో పాటు కలను కూడా నడిపించాడు.. విహాన్ విదూర్.Lee Strasberg Theater & Film Institute లో Acting…New York Film Academy లో Direction & Cinematography నేర్చుకుని…తన short films తో ప్రపంచవ్యాప్తంగా గుర్తింపు తెచ్చుకున్నాడు.Dada Saheb Phalke Film Festival నుండిWorldFest Houston వరకు అవార్డులు అందుకున్న ఈయన ప్రయాణం…కేవలం ఒక filmmaker కథ కాదు…“కలలు నిజం కావాలంటే వయసు కాదు… పట్టుదల కావాలి” అని నిరూపించిన కథ.ఆయన గురించి మరిన్ని వివరా వినండి!After completing B.Tech in India and settling in the US as a Senior Lead in the IT industry…he still never gave up on his dream called “Cinema”!Instead of leaving his job for his passion, Vihan Vidur chose to pursue both together.He studied Acting at the Lee Strasberg Theatre & Film Institute and learned Direction & Cinematography at the New York Film Academy.With his short films, he earned recognition across the globe and received awards from prestigious platforms like the Dada Saheb Phalke Film Festival and WorldFest Houston.His journey is not just about becoming a filmmaker…It's a story that proves dreams don't need age — they need determination.Our host Renushree shares more inspiring details about his journey in this podcast. Don't miss it!Guest: Vihan VidurHost: Renu Sree#TALRadioTelugu #VihanVidur #FilmmakerJourney #DreamBig #CinemaLife #ShortFilms #IndianFilmmaker #Tollywood #HollywoodDreams #FilmDirection #Cinematography #WorldFestHouston #DadaSahebPhalke #NewYorkFilmAcademy #LeeStrasberg #PassionForCinema #TALRadio #TochALifeFoundation

Marvin Rush joins us this week on The D-Con Chamber for a wide-ranging conversation about his extraordinary career behind the camera.Best known to Trek fans for helping define the look of The Next Generation era and for directing episodes like Voyager's “The Thaw” and Enterprise's “In a Mirror, Darkly, Part II” and “Terra Prime,” Marvin opens up to Connor and Dominic in a way that surprised even us. What starts as a conversation about cinematography quickly turns into stories about the people, pressures, creative decisions, and strange moments that shaped decades of television history.We also spend time talking about his work outside of Star Trek, the changing nature of filmmaking, and what it was really like working through some of the biggest shifts in television production over the years.Each week in The D-Con Chamber, we boldly revisit Star Trek: Enterprise through behind-the-scenes stories, watch-along commentaries, and conversations with the people whose lives were forever changed by the franchise. Whether they are breaking down classic episodes or welcoming special guests from across the Trek universe and beyond, hosts Dominic Keating and Connor Trinneer mix laughs, insider perspective, and Trek appreciation in every episode.

Send us Fan MailLegends of The Lens - Episode 3 for 2026The Master of Light & Shadow - Steven Bernstein - 50 Years of CinematographyWhat does it take to sustain five decades at the top of the film industry? In this technical archive session, we sit down with —Steven Bernstein, ASC. With over 50 years of cinematography experience, Steven has shaped the visual language of some of the most culturally significant films in history; Mr. Bernstein is also a director, screenwriter, author and podcast host. From his early days at the BBC and the high-energy era of music videos to winning an Oscar for the raw, haunting aesthetic of Monster (Charlize Theron), Steven deconstructs the craft behind the camera. We go deep into the lighting techniques of global cult classics like The Waterboy, White Chicks, and Half Baked, and discuss the magical realism of Like Water for Chocolate.We also tackle the massive shifts of 2026: The role of AI in filmmaking, the technical evolution of drones in cinema, and why the "cinema experience" remains a vital battleground against the streaming giants. This is more than an interview; it is a technical masterclass and a legacy archive for anyone serious about the craft of filmmaking.Chapters0:00 Intro – 50 Years of Cinematography – Steven Bernstein ASC3:03 The UK Roots – BBC & The Era of Music Videos8:36 Steven's ‘Yes' Moment: Breaking into Hollywood12:37 The Real Role of a Cinematographer (Masterclass)16:34 Steven's First Film – Lessons from the Set18:00 Like Water for Chocolate – Visual Storytelling20:57 Bulletproof – Action & Lighting Techniques26:18 Drones in Cinema + The Impact of AI in 202637:04 Streaming vs. The Cinema Experience45:07 The Water Boy & White Chicks – Lighting Comedy47:23 Scary Movie 2 – Horror Parody Aesthetics50:02 Half Baked – The Stoners Cult Classic51:04 Monster – How to Film Oscar Winning Cinema 59:34 Steven's 2026 Outlook + New Novel: GRQ1:03:06 Steven's Final Advice for Filmmakers1:05:01 Outro & Audible 30-Day Free Trial Follow Steven Bernstein – Social Media + Websites:Instagramhttps://www.instagram.com/stevenbernsteindirectorwriter?igsh=dmQwdjhrZ2FoZTNqPodcast – Filmmaker and Fanshttps://podcasts.apple.com/au/podcast/filmmaker-and-fans-podcast/id1728761046Directors Guild Of Americawww.dga.org International Cinematographers Guildwww.icg600.com DMR is proud to be part of the Audible Creator Program. Support the channel and grab a 30-day free trial + any audiobook for free (even if you cancel!)  (I earn a commission if you sign up via this link at no extra cost to you. Thanks for the support!) The link isn is the show!#cinema #cinematography #scarymovie #monster #adamsandler #interview #masterclass #whitechicks #halfbakedSupport the showThe audio clips used in this podcast, including excerpts from movie/series/documentary trailers, are used under the principles of fair use and fair dealing for the purpose of criticism, commentary, and review. All rights to the original trailer content & music belong to the respective copyright holders. DMR (Dewey's Movie Reviews) is an independent production and is not affiliated with or endorsed by any film studios or distributors.

Podcast Show Notes In this expansive and intimate conversation, Damien Swaby welcomes legendary cinematographer Stuart Dryburgh for a masterclass in visual storytelling, collaboration, and creative longevity.Born in the UK in 1952 and raised largely in New Zealand, Stuart's early life was shaped by both migration and discipline.He earned a Bachelor of Architecture from the University of Auckland, a foundation that continues to inform his sensitivity to structure, space, and composition within the frame.Stuart began his career working on early New Zealand films such as Goodbye Pork Pie and Smash Palace, before spending several years as a gaffer — an experience he credits with giving him a deep, practical understanding of light.By the mid-1980s, he transitioned fully into cinematography, shooting short films, music videos, and commercials.A pivotal turning point came with his collaboration with director Jane Campion on the television miniseries An Angel at My Table, followed by The Piano — a film that earned Stuart an Academy Award nomination for Best Cinematography in 1994 and cemented his international reputation.The conversation traces his move from New Zealand to the United States after projects like Once Were Warriors, and his evolution into a globally sought-after cinematographer. His credits include The Secret Life of Walter Mitty, Bridget Jones's Diary, and more recently high-profile series such as Fallout for Jonathan Nolan at Amazon and East of Eden as a limited series for Netflix.Throughout the episode, Stuart speaks candidly about:How architecture shaped his visual thinkingWhy working as a gaffer was essential to his developmentBuilding trust-based relationships with directorsResisting the urge to impose a “signature style”Letting emotion, performance, and light guide the cameraAt its core, this episode is a meditation on restraint, intuition, and the quiet decisions that shape unforgettable images. A must-listen for cinematographers, directors, and anyone drawn to the invisible art of cinema.https://www.stuartdryburgh.comUse Promo Code "FILMMAKINGSWABY" for all my deals or just click the link:25% Off More Labshttps://www.morelabs.com/discount/FILMMAKINGSWABY20% Off Strong Coffee Companyhttps://strongcoffeecompany.com/discount/FILMMAKINGSWABY15% Off Tusslehttps://www.tusslegear.com/discount/FILMMAKINGSWABY20% Off Eric Javitshttps://ericjavits.com/discount/FILMMAKINGSWABY25% Off Quantum Energy Squarehttps://quantumsquares.com/discount/FILMMAKINGSWABY20% Off Long Tablehttps://longtablepancakes.com/discount/FILMMAKINGSWABY20% Off HyperNaturalhttps://hypernaturalstyle.com/discount/FILMMAKINGSWABY20% Off wearplaygroundhttps://wearplayground.com/discount/FILMMAKINGSWABY15% Off STAND+https://www.standshoes.com/discount/FILMMAKINGSWABY10% Off Molly Bzhttps://mollybz.com/discount/FILMMAKINGSWABY41% Off Cozy Earthhttps://cozyearth.com/discount/FILMMAKINGSWABYX (Twitter): @DamienSwaby https://x.com/DamienSwaby/status/1864468655582437405Instagram: @filmmaker__damien_swaby. https://www.instagram.com/filmmaker__damien_swaby/?hl=en 

It's Part 2 of our 100% Accurate Way Too Early Oscar Predictions, where we discuss the Best Picture, Screenplays, Director and many of the other craft categories. Plus, you get our Nomination Tallies for our overall leaders and Winner Picks! Post Narnia-Move Prediction Changes - 1:54 Original Screenplay - 4:45 Adapted Screenplay - 9:28 Makeup and Hairstyling - 12:55 Costume Design - 17:33 Production Design - 22:24 Cinematography - 25:21 Film Editing - 27:33 Casting - 30:05 Director - 34:10 Going Back To Pick Winners - 39:27 Best Picture + Nomination Tallies - 43:55 OUTRO: Stay tuned to our podcast feed for more Oscar Race Checkpoints covering the upcoming Cannes Film Festival, and many more Oscar Profile Reviews covering the releases of this year. We'll also continue to have special episodes and interviews with great guests. https://linktr.ee/mikemikeandoscar

On this podcast we focus on mental health and technology - the good, the bad and the ugly. Paris McCoy is the executive director of Tec Leimert an organization dedicated to bringing arts and technology and bringing tech opportunity to South Los Angeles. Ms. McCoy is a transmedia creative producer and technologist, cinematographer, and business strategist.https://www.tecleimert.org/ https://www.facebook .com/tech Leimert https://www.instagram.com/diprimaradio/

On this week's podcast, we check out Normal, which features Bob Odenkirk as a hangdog lawman who's been assigned as the temporary sheriff of a small town in Minnesota called Normal. But, you guessed it, it turns out this sleepy town and its quaint residents aren't that normal at all. Much punching, shooting and exploding ensues in this B-movie action flick from director Ben Wheatley and writer Derek Kolstad, who created the John Wick and Nobody franchises.  Then we're off to Malaysia for Queer as Punk, a meditative documentary following the queer punk band Shh... Diam!, whose music and existence stand in protest against the rise of anti-LGBTQ sentiment from the Malaysian government. And finally, after much discussion and confusion on The CineSkinny WhatsApp group chat, we discuss the subtle art of cinematography and ask what draws people to certain cinematographic styles and aesthetics… or something. TIMESTAMPS: What We've Been Watching: Akira (again), Mother Mary, the Sonic the Hedgehog trilogy, Alchemy Film and Moving Image Festival (01:25) Normal review (15:18) Queer as Punk review (30:28) The team talk 'cinematography'! (44:18) If you like The Cineskinny, tell your pals! Leave us a five-star review! Share the episode on socials! Follow us on Instagram @thecineskinny, email us at cineskinny@theskinny.co.uk Music: Too Cool by Kevin MacLeod  (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-

Dana and Tom with guest, Myke Emal (Host and Creator of the Cinemusts podcast), discuss Yojimbo (1961) for its 65th anniversary: written and directed by Akira Kurosawa with Ryūzō Kikushima and Hideo Oguni, cinematography by Kazuo Miyagawa, music by Masaru Sato, editing by Akira Kurosawa, starring Toshiro Mifune, Eijirō Tōno, Tatsuya Nakadai, and Daisuke Katō.Plot Summary: In a small, lawless town divided by two rival gangs, Toshiro Mifune plays a wandering ronin who sees an opportunity. Pretending to work for both sides, he tricks each gang into fighting the other, hoping to wipe them out and bring peace to the town. As his plan unfolds, the violence grows, and innocent people are caught in the middle.The ronin must rely on his intelligence and sword skills to survive as both gangs begin to suspect his true intentions. In the end, he faces the consequences of his dangerous game while trying to restore some sense of justice.Guest:Myke EmalHost and Creator of the Cinemusts podcast@cinemusts on Twitter, Letterboxd, Facebook, and IGPreviously on Anatomy of a Murder (1959), Sabotage (1936)Chapters:00:00 Introduction, Cast, and Background for Yojimbo05:59 Welcome Back, Myke Emal!06:46 Getting Into Yojimbo10:48 Is the Divided Town Symbolic of Anything?12:55 Endorsement of Violence?18:05 Dana's War Stories19:48 Plot Summary for Yojimbo20:37 What is Yojimbo About?21:39 Did You Know?27:35 First Break28:18 What's Happening with Myke Emal?29:49 Best Performance(s)42:17 Best Scene(s)48:51 Second Break52:18 In Memoriam55:36 Best/Funniest Lines57:57 The Stanley Rubric - Legacy01:04:56 The Stanley Rubric - Impact/Significance01:09:16 The Stanley Rubric - Novelty01:16:13 The Stanley Rubric - Classicness01:22:36 The Stanley Rubric - Rewatchability01:26:39 The Stanley Rubric - Audience Score and Final Total01:29:54 Remaining Questions for Yojimbo01:37:29 Thank You to Myke and Final Thoughts01:42:56 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, Bluesky, Threads, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/yojimbo-1961-ft-myke-emalFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:Yojimbo, Kurosawa, Samurai Films, Cinematography, Film Influence, Western Adaptations, Film Analysis, film legacy, cinema influence, Japanese cinema, film analysis, rewatchability, film impact, classic films, film discussionRonny Duncan Studios

Watch this episode on YouTubeIn this episode of Drinks and a Movie, I sit down with cinematographer Brandon Cox to talk about his work on the visually striking new film One Spoon of Chocolate, directed by the RZA. We dive into the creative process behind the film's look, how Brandon approached lighting and camera movement, and what it was like collaborating with RZA to bring this story to life.Pour yourself a drink and join us for a laid-back but in-depth discussion on cinematography, storytelling, and the art of making movies.

Tom Duncan and Sara Shea continue their journey through Season 1 of The West Wing, this time with episode 1.22 - the first season finale. We are joined by friend of the show, Klarissa Beckstead (I've Seen That One podcast). In this episode, Sara is given a difficult choice, our intrepid hosts grade The West Wing - Season 1, and they pick what's to come next for Season 2.Chapters:00:00 Introduction02:45 Recap of Season One and Episode 22 of The West Wing05:59 Emotional Reactions to the Season Finale08:52 Character Development and Plot Predictions11:48 Political Themes and Real-World Parallels14:45 Interpersonal Relationships and Character Dynamics17:47 Discussion on the Iraqi Plotline20:52 Reflections on Historical Context and Relevance26:12 Character Favorites and Dynamics28:42 Exploring Toby's Depth and Complexity29:44 Emotional Resonance of Space Tragedies31:34 Cliffhangers and Viewer Reactions33:44 Anticipation for Future Episodes39:39 Navigating Choices, Decisions, and Chaos48:39 Overview of Season Ratings and Rankings51:33 Acting Performance Evaluation54:33 Writing Quality Assessment57:36 Intangibles and Emotional Impact01:00:35 Cinematography and Visual Presentation01:03:30 Narrative Structure and Cohesion01:06:34 Character Development and Dynamics01:20:27 Character Development and Mistakes01:22:41 Ratings and Expectations for Season One01:25:03 Editing and Pacing in Aaron Sorkin's Work01:28:15 Final Thoughts on Season One Ratings01:29:30 Choosing the Next Show: Options and Decisions01:41:27 Deciding on 'The Good Wife' for Next SeasonKeywords:The West Wing, TV analysis, character development, political drama, episode review, emotional impact, storytelling, season one, character analysis, show notes, TV show analysis, binge-watching, season finale, show grading, streaming options

On April 12th, 1961, Yuri Gagarin became the first human in space. Sixty-five years later, we celebrated that milestone at Griffith Observatory in Los Angeles, CA. We began on the lawn of Griffith Observatory, where host Sarah Al-Ahmed spoke with exhibitors about the tools, dreams, and technology that drive space exploration. Laura Tomlin, CEO of Space for Teachers, shares how microgravity research projects inspire the next generation. Robotics engineer Kalind Carpenter from NASA’s Jet Propulsion Laboratory (JPL) walks us through the machines he’s helping to build to explore the moon and beyond. Software engineer David Hernandez from Blue Origin describes the work happening at Club for the Future to get young people excited about space. Research scientist Robert Green from JPL talks about the invention of imaging spectroscopy and how it’s used to unlock the secrets of distant worlds. And aerospace engineer Andy Sadhwani, who flew to space aboard Virgin Galactic, reflects on seeing Earth from above and what the Artemis II astronauts experienced. We then move inside for Yuri's Night's evening stage show, where the focus shifts to human experience and the overview effect. Cinematographer and polar explorer Jannicke Mikkelsen, Norway's first astronaut, shares her experience as part of the first crew to orbit over both Earth's north and south poles. Space philosopher Frank White, author of "The Overview Effect," leads a panel discussion with actress Nadine Nicole from The Expanse and commercial space explorer Christopher Huie about what happens to humans when we see Earth from space. Finally, NASA astronaut Ron Garan brings it all together with a powerful vision of our planet's fragility, our interconnectedness, and humanity's potential when we work together. The episode closes with Bruce Betts' What's Up segment, revealing a little-known story about what went wrong during Yuri Gagarin's historic first flight. Discover more at: https://www.planetary.org/planetary-radio/2026-yuris-night-2026See omnystudio.com/listener for privacy information.

How do you shoot a film where time doesn't move forward, but folds in on itself? For Fabian Gamper, the answer was building a visual language that treats every image like a memory — layered, subjective, and deeply tied to place. This week on Below the Line, Skid is joined by Fabian Gamper and co-host David Tuttman to discuss the cinematography behind Sound of Falling, the Cannes Jury Prize-winning film that blends four time periods into a single, interconnected visual experience. From the beginning, Fabian approached the project with a guiding principle: the farmhouse location would dictate the look. Rather than designing separate visual styles for each era, he and director Mascha Schilinski chose to unify the film through a consistent, naturalistic approach — allowing light, texture, and production design to signal shifts in time while maintaining a shared emotional language across generations.  Topics include: Building a “memory structure” visually — and why all time periods were treated with the same cinematic language Using a single farmhouse location as both logistical anchor and creative constraint Designing naturalistic lighting that still carries emotional intent, from candlelight to LED sources Creating a filmic look digitally, including Look-up Table development and 16mm emulation Balancing available light with precise planning — including timing shots to the position of the sun Solving complex practical challenges, from child actor scheduling to in-camera stunt solutions Using long lenses and selective framing to reflect how memory distorts perspective Reinforcing theme through technique — including recurring visual motifs like reflected light What emerges is a conversation about control and surrender — knowing when to shape the image, and when to let the environment lead. Whether working with limited resources or ambitious ideas, Fabian's process shows how a clear visual philosophy can unify even the most complex narrative structures.

Identity fractures and reality starts to slip in this deep dive into The Infinite Husk. Mike sits down with the film's writer-director-composer-etc., Aaron Silverstein, to unpack a mind-bending indie that blurs memory, selfhood, and the fragile boundaries of perception. The conversation cuts straight to process—how the film's layered structure took shape, the challenges of sustaining ambiguity without losing emotional grounding, and the visual language that turns disorientation into design. Expect talk of influences, production hurdles, and the tightrope walk between narrative coherence and existential drift.Find out more at https://www.theinfinitehuskmovie.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Identity fractures and reality starts to slip in this deep dive into The Infinite Husk. Mike sits down with the film's writer-director-composer-etc., Aaron Silverstein, to unpack a mind-bending indie that blurs memory, selfhood, and the fragile boundaries of perception. The conversation cuts straight to process—how the film's layered structure took shape, the challenges of sustaining ambiguity without losing emotional grounding, and the visual language that turns disorientation into design. Expect talk of influences, production hurdles, and the tightrope walk between narrative coherence and existential drift.Find out more at https://www.theinfinitehuskmovie.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Forgive us our slight post-Oscar delay, dear listeners, but here we are for our eighth annual year-end review show, which we call 2025: Juke Joints and a Few Small Beers in honor of two of the year's (and perhaps the decade's or even the century's) most unforgettable films. This episode represents an exciting step for us as, for the first time, we welcome a guest: the redoubtable Kerry Cowan, brilliant teacher, lifelong film fan, and an old old friend of mine. Looking back at the year in film that was 2025, we noted that this was the first year since we started back in 2018 that we all really had trouble narrowing the field to a top ten. In the past, we've often had to stretch for the last couple, ending up with Top 7 or Top 8 lists. This year, as you shall see below and hear within, our problem was what to leave off. In a year of triumphs from sources both expected and unexpected, perhaps the best thing about the year was the return to form of some of our favorite directors: Coogler with "Sinners", PTA with "One Battle", our beloved Chloe with "Hamnet", Aronofsky with the underseen "Caught Stealing", Del Toro with "Frankenstein", Aster with "Eddington", Bigelow with "House of Dynamite" and the astonishing Richard Linklater with not one but two wonderful films. As always, we considered the eternal question of which of these films will be watched by anyone in 25 years, let alone show up the Sight and Sound poll in 2032. No doubt whatsoever about "Sinners" and "One Battle". I would throw "Eddington" on that list, as uneven as it is, since it points to a vivid moment in the American pageant, reminding us exactly when it was that we lost our minds. "Hamnet" will surely be there, and we suspect that the luminous "Train Dreams" might have some legs down the road. With Michael in the lead, we all loved "Sentimental Value" (besides the facial morph montage). None of us cared much for "Bugonia", though I actually came within 10 minutes of liking a Lanthimos film before that ending. We also ended up underwhelmed by "Marty Supreme", which personally killed me with its 50's setting clashing with 80's synth-pop throughout. Yes, we would have gotten the idea that the go-go Wall Street/American Psycho 80's had its roots in figures from the 50's like Marty without being hit over the head with it musically. Trust your audience, filmmakers! As for the Oscars themselves, it was another great party this year, only slightly spoiled by the fact that Michael won the pool by a landslide again this year. It's now 98 years and running with no black person winning for Best Director, but it's hard to complain about Paul Thomas Anderson finally winning after 14 nominations in almost 30 years of work. And the Cinematography award going to Autumn Durald Arkapaw, the first woman and black person to win that one, indicates that we may in fact be making progress. And they got it right with Michael B (finally), the lit-from-within Jessie Buckley (best acceptance speech), and "Sentimental Value"'s win for Foreign Language Film. As for the show itself, Conan was fine, though the bits were hit and miss as usual. We loved the "Bridesmaids" reunion, the "Moulin Rouge!" one not so much, and loved the painfully accurate "Casablanca" bit with Sterling K. Brown where plot elements have to be restated every couple of minutes or so to accommodate declining attention spans. And they finally got the necrology right, though we wish we had more time to see who came onstage for Rob Reiner; Rachel McAdams' tribute to Diane Keaton was lovely, but it did turn out that Babs' singing voice was not exactly like butter. So kick back, relax, and enjoy Kerry's star turn as our D'Artagnan, our Fourth Musketeer, as Team Vintage Sand reflects and reports on what was perhaps the best year in film since we started this lunacy some eight years ago, in the Before Time.

This week, we discuss the Coen Brothers' stylish satire of the Golden Age of Hollywood, Hail, Caesar!SPOILER ALERT We will be talking about this movie in its entirety, including the mystery of "The Future" and the ultimate resolution of Baird Whitlock's kidnapping. If you haven't seen this film, we strongly suggest you watch it before listening to our takes.A Universal Pictures and Working Title Films production. Released on February 5, 2016. Directed, written, produced, and edited by Joel and Ethan Coen. Starring Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes, Jonah Hill, Scarlett Johansson, Frances McDormand, Tilda Swinton, and Channing Tatum. Cinematography by Roger Deakins. Music by Carter Burwell.The story follows a single, chaotic day in the life of Eddie Mannix (Josh Brolin), a "fixer" for Capitol Pictures in 1951. Mannix spends his days (and nights) suppressing scandals and managing the fragile egos of the studio's stars. His world is thrown into disarray when the studio's biggest star, Baird Whitlock (George Clooney), is kidnapped from the set of the prestige Roman epic Hail, Caesar! Tales of the Christ by a mysterious group calling themselves "The Future." As Mannix juggles a pregnant starlet's image, a singing cowboy's transition into high-society drama, and a persistent pair of rival gossip columnists (both played by Tilda Swinton), he must also weigh a lucrative, low-stress job offer from Lockheed against his grueling but soul-stirring devotion to the magic of the movies.

Love stories just have a different energy...In theatres this coming Friday is a quiet charm of a love story that is just grounded enough to actually feel real.  It's time for 'Erupcja'.In a film that evokes memories of the French New Wave, 'Erupcja' is the story of the combustible chemistry between a Polish florist and a British tourist in this charming postcard of sapphic synchronicity.There's a minimalist yet still joyful vibe to 'Erupcja' as it takes us into one of those moments of emotional eruption that can happen in all of our lives.  It's a gorgeous piece of cinema starring the enigmatic Charlie XCX in perhaps her most genuine performance in a film to date.We had the pleasure of sitting down with co-writer/director Pete Ohs about the origins of the story, developing this story with Charlie, the nature of his filmmaking, shooting on a tight schedule, having collaborators willing to go on a quick creative journey with him (he prides himself in short shooting schedules) and the art of being willing to try something just a little different.Check your local listings this coming Friday Apr 24th for 'Erupcja'

We unravel “Lee Cronin’s The Mummy” and discuss: Cinematography, sound design, creating a horror experience; Story & Writing, opening sequence, respecting the horror audience; and other such stuff and things and stuff. “I've always been faithful to monsters. I've always felt they are the patron saints of our blissful imperfection.“ – Guillermo Del Toro Notes […] The post Ep 365: “Lee Cronin’s The Mummy” appeared first on The Pestle.

Seven Samurai by Akira Kurosawa is a classic film that has shaped cinema worldwide. This episode explores its themes of responsibility and heroism, along with its groundbreaking storytelling and cinematography. We discuss why the film remains relevant today and how it continues to inspire. Whether you're a film enthusiast or just curious, you'll gain fresh insights into this influential work.

This week we talk about Steven Spielberg's choatic comedy flop 1941. When I Google "1941 movie" I get Citizen Kane. This movie is not Citizen Kane.SPOILER ALERT We do talk about this movie in its entirety. If you plan on watching it, for God knows what reason, we suggest you do so before listening to our takes.A Universal Pictures and Columbia Pictures production. Released on December 14, 1979. Directed by Steven Spielberg. Written by Robert Zemeckis and Bob Gale, based on a story by Zemeckis, Gale, and John Milius. Starring Dan Aykroyd, Ned Beatty, John Belushi, John Candy, Christopher Lee, Toshiro Mifune, and Robert Stack. Cinematography by William A. Fraker. Edited by Michael Kahn. Score by John Williams.

Send us Fan MailEthan Nagel is a Marine Corps Infantrymen and Scout Sniper that served during the height of Iraq and Afghanistan war. He deployed to the Haditha Triad and Fallujah Provinces in Iraq and volunteered for a third deployment to Afghanistan as a Combat Advisor on Embedded Training Team 1-11. While attached to 10th Special Forces group and on patrol deep in the Mountains of Uzbin Valley, the team would be ambushed and then surrounded by Taliban fighters. Ethan would be wounded twice in the battle and would go on to recieve the Silver Star for protecting the body of Chief Warrant Officer Vose from being taken by the enemy. After his service the Marine Corps Ethan would deploy multiple times into combat zones with various roles included Advanced Static Secuirtty for CIA black sites and mobile protection for VIP's in Kabul. After earning his Bachelors Degree in Intelligence Studies , he would go onto study Cinematography in Film school and go into film, direct and edit project for various companies and brands to include Netflix, Redbull, Black Rifle Coffee Company, Nine Line Apparel and Vet Tv. Ethan hosts his own show called Into The Breach, focusing on sit down interviews with veterans and a weekly OSINT show that keepsup with current conflicts around the world.Ethan's podcast, Into The Breach: https://www.youtube.com/@INTOTHEBREACHSHOWEthan's socials: @ethan.nagel.filmsVeteran State Of Mind Youtube: https://www.youtube.com/@veteranstateofmindIf you are interested in being a guest on the podcast, please email us at info@vsompodcast.com, or follow us on social media: @veteranstateofmindSupport the show

This week on the podcast, we take you behind the scenes of Marvel Television's Daredevil: Born Again Season 2! We'll hear from the show's Directors of Photography, Hillary Spera and Jeffrey Waldron (2:04), as well as Production Designer Michael Shaw (14:37), as they share insights into their creative processes. All time codes are approximate. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We serve up Zendaya’s “Challengers” and discuss: Cinematography, Editing, Music, creating energy and fun; Story & Writing, sports as a metaphor; and other such stuff and things and stuff. “Luck has nothing to do with it because I have spent many, many hours, countless hours, on the court working for my one moment in time.“ […] The post Ep 364: “Challengers” appeared first on The Pestle.

This week, we discuss the atmospheric, dystopian sci-fi noir, Blade Runner, the film that ranks number 97 on the AFI list.SPOILER ALERT We will be talking about this movie in its entirety. If you haven't seen this classic, we strongly suggest you watch it before listening to our takes.A Warner Bros. and The Ladd Company production. Released on June 25, 1982. Directed by Ridley Scott. Screenplay by Hampton Fancher and David Peoples, based on the novel Do Androids Dream of Electric Sheep? by Philip K. Dick. Starring Harrison Ford, Rutger Hauer, Sean Young, and Edward James Olmos. Cinematography by Jordan Cronenweth. Edited by Terry Rawlings. Music by Vangelis.

E468 Ungė Zavistauskaitė is most well-known for hosting the travel show Kitokios Trobos (Different Huts). Born and raised in Lithuania, she attended Russian State University of Cinematography, and has appeared in several TV series and film. She recently moved to Los Angeles and is full-throttle exploring her life's new adventure! For more information and links, […]

In our final episode of our Women's History Month series, Women in Cinematography, Morgan is joined by two thirds of WATCH PARTY: A Comedy Gals Movie Night, Halley Platz and Ronnie Murphy.  Ronnie and Halley are on to discuss the 2025 film, "Song Sung Blue" directed by Craig Brewer with cinematography by Amy Vincent. The trio dive into the film's use of lighting, how the film handles the women at the center of the film, and Kate Hudson. You can follow WATCH PARTYInstagramYou can follow HalleyInstagramYou can follow RonnieInstagramYou can follow MelissaInstagramYou can follow Female Gaze: The Film ClubInstagramBlueSkyWebsite

This week, we discuss Steven Spielberg's follow-up to Jaws, the science fiction classic, Close Encounters of the Third Kind, a film that traded the alien invasion tropes of the 1950s for a sense of spiritual wonder, mystery and awe. And five famous bars of John WIlliams music.SPOILER ALERT We will be talking about this movie in its entirety, including the iconic five-tone sequence and the transformative finale at Devil's Tower. If you haven't seen this masterpiece, we strongly suggest you watch it before listening to our takes.A Columbia Pictures and EMI Films production. Released on November 16, 1977. Directed and written by Steven Spielberg. Starring Richard Dreyfuss, François Truffaut, Melinda Dillon, Teri Garr, and Bob Balaban. Cinematography by Vilmos Zsigmond. Edited by Michael Kahn. Music by John Williams.

Things got a little wonky this week, so we are re-releasing an episode that can keep with the theme of Women in Cinematography. So, this week, we are revisiting Chantal Akerman's 1975 film, "Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles" with guest Sam Meltzer. This film was shot by cinematographer Babette Mangolte. The film is truly an exemplary feminist cinematic work. With long lingering shots,  “Jeanne Dielman” brilliantly frames a woman's ever-shrinking existence. The production design keeps Jeanne's world relatively stark. But it is Mangolte's cinematography that plays with this idea of a stifling, sometimes suffocating, existence. When Sam was on, we discussed Jeanne Dielman through Chantal Akerman's direction, but it also makes sense this film had a woman as the director of photography. In lesser hands, Jeanne could have easily been reduced to her age, her profession, or her proximity to men. For a film that has minimal dialogue, the cinematography is critical to articulating so much about Jeanne, her life, and her inner workings. So, while we may not explicitly discuss Mangolte's work, it certainly permeates the conversation. Enjoy revisiting "Jeanne Dielman."You can follow SamLetterboxdYou can follow Female Gaze: The Film ClubInstagramBlueSkyWebsite

This week, we discuss Billy Wilder's other definitive LA-based film noir, the gothic movie-about-movies classic, Sunset Boulevard, famous for its daring narrative and one of the most iconic "mad scenes" in cinema history.SPOILER ALERT We will be talking about this movie in its entirety, including the famous opening image of the floating narrator and the tragic, delusional finale. If you haven't seen this classic, we strongly suggest you watch it before listening to our takes.A Paramount Pictures production. Released on August 10, 1950. Directed by Billy Wilder. Screenplay by Charles Brackett, Billy Wilder, and D.M. Marshman Jr. Starring Gloria Swanson, William Holden, Erich von Stroheim, and Nancy Olson. Cinematography by John F. Seitz. Edited by Arthur P. Schmidt and Doane Harrison. Score by Franz Waxman.

It's Critical Darlings' biggest morning! After a marathon season, we react to this year's Academy Awards: the winners, losers, presenters, performances, and awkward play-offs. One Battle After Another and Sinners nearly split the ballot with One Battle and Paul Thomas Anderson taking the biggest prizes in Best Director and Best Picture, while Sinners took home Best Actor, Score, Adapted Screenplay, and Cinematography. But for as many questions as the ceremony answered, it raised more: Do Sinners and Amy Madigan's wins signal a shift in how the Academy sees horror? What exactly is the Best Casting Oscar tracking? Are we now doomed to see Timmy eat a raw elk in an Iñárritu film? As part of this special episode, we also check in with Critical Darlings fashion correspondent Ben “The Other Ben” Hosley on this year's Oscars fashion, review the best popcorn buckets of the year with Vulture's Rebecca Alter, and reveal the future of Critical Darlings.  ✨Subscribe to our new feed in your podcast player of choice, and join us next week for Project Hail Mary!✨ Apple Podcasts: https://podcasts.apple.com/us/podcast/critical-darlings/id1885681327Spotify: https://open.spotify.com/show/60n6Z9BUUMUR81CQoHbE8bPocket Casts: https://pca.st/1beh8dxuAmazon Music: https://music.amazon.com/podcasts/a3598b5c-6f4a-4819-9457-44082cfea1fc/critical-darlings Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

We rescue Dustin Hoffman’s “Hero” and discuss: Cinematography, revelation shots, exposure; Story & Writing, news reporting, human nature; and other such stuff and things and stuff. “Good people do not need laws to tell them to act responsibly, while bad people will find a way around the laws.“ – Plato Notes & References: Supports us […] The post Ep 361: “Hero” (1992) appeared first on The Pestle.

On the show today... we are officially shells of human beings. The 2026 Oscars finally happened, and between the historic wins and the high-stakes snubs, we are going through it. We need to debrief why the "two-movie race" between Sinners and One Battle After Another left us with a major adrenaline headache.Plus, we are crumbling over Michael B. Jordan’s Best Actor win. It felt like our team won the Super Bowl, and we have thoughts on his emotional speech (and Timothée Chalamet’s very polite "loser" face). We’re breaking down the history-making cinematography win that stopped us in our tracks and why the Academy is finally, slowly, getting over its fear of horror movies.And, the weirdest moments that have us obsessed: Why was Sean Penn a total no-show? What was with the awkward Zendaya and Rob Pattinson presentation? And we need to discuss "Oscars Leo"—because Leonardo DiCaprio hasn't looked this good since the 90s and we have theories.Listen to The Spill New episodes drop every Monday–Friday!Mamamia: https://www.mamamia.com.au/podcasts/the-spill/Spotify: https://open.spotify.com/show/3mjNFVvJp1irXNVxKXXABOApple Podcasts: https://podcasts.apple.com/au/podcast/the-spill/id1473523403Follow The Spill:Instagram: https://www.instagram.com/thespillpodcast/TikTok: https://www.tiktok.com/@thespillpodFacebook: https://www.facebook.com/thespillpodcast/Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/Support Independent Women’s Media:https://www.mamamia.com.au/subscribe/Your subscription helps us continue to tell the stories that matter to women.Want to join the conversation?Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP!Discover more Mamamia podcasts here: https://www.mamamia.com.au/podcasts/CREDITSHosts: Laura Brodnik & Em VernemExecutive Producer: Monisha IswaranAudio Producer: Scott StronachMamamia acknowledges the traditional owners of the land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

"One Battle After Another" had a big night at the 98th Academy Awards, collecting six Oscars, including the big three for Paul Thomas Anderson: Best picture, best director and best adapted screenplay. But there were plenty of other highlights, including Amy Madigan winning her first 40 years after her only other nomination, Michael B. Jordan winning over Timothée Chalamet for best actor and touching tributes to Rob Reiner, Diane Keaton and Robert Redford. In this week's episode of Streamed & Screened, co-hosts Bruce Miller and Terry Lipshetz break down the winners and losers, discuss Conan O'Brien's hosting duties, the unique fashions of the night and Sean Penn's absence. 2026 ACADEMY AWARDS WINNERS Best picture “One Battle After Another” Best Actor Michael B. Jordan, “Sinners” Best Actress Jessie Buckley, “Hamnet” Best Supporting Actress Amy Madigan, “Weapons” Best Supporting Actor Sean Penn, “One Battle After Another” Director Paul Thomas Anderson, “One Battle After Another” Original Song “Golden” from “KPop Demon Hunters,” EJAE, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seon and Teddy Park Original Score “Sinners,” Ludwig Göransson. Animated Film “KPop Demon Hunters” International Film “Sentimental Value,” Norway Documentary Feature “Mr. Nobody Against Putin” Casting Cassandra Kulukundis, “One Battle After Another” Best Sound Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo and Juan Peralta, “F1” Cinematography Autumn Durald Arkapaw, “Sinners” Original Screenplay “Sinners,” Ryan Coogler Adapted Screenplay “One Battle After Another,” Paul Thomas Anderson Live Action Short Film (tie) “The Singers” and “Two People Exchanging Saliva” Animated Short Film “The Girl Who Cried Pearls” Documentary Short Film “All the Empty Rooms” Visual Effects Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett, “Avatar: Fire and Ash” Production Design Tamara Deverell and Shane Vieau, “Frankenstein” Film Editing Andy Jurgensen, “One Battle After Another” Makeup and Hairstyling Mike Hill, Jordan Samuel, Cliona Furey, “Frankenstein” Costume Design Kate Hawley, “Frankenstein” About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

In this Oscars special episode of Kermode & Mayo's Take, Simon Mayo and Mark Kermode break down the biggest moments from the 2026 Academy Awards. Mark shares his reactions to the ceremony, from Avatar: Fire and Ash winning Visual Effects to the triumph of Sentimental Value.   Simon and Mark unpack the night's major wins — including One Battle After Another sweeping six awards and Paul Thomas Anderson's backstage reflections on politics, culture, and “bringing common sense and decency back into fashion.” They also explore the fierce race between One Battle After Another and Sinners, Michael B. Jordan's emotional Best Actor win, and Autumn Durald Arkapaw's groundbreaking Cinematography victory.  Hear extended backstage moments from Paul Thomas Anderson, Michael B. Jordan, and Jessie Buckley as they reflect on the significance of their awards, artistic responsibility, and historymaking achievements. The duo also discuss Amy Madigan's longawaited Supporting Actress win, Norway's triumph with Sentimental Value, and the powerful documentary Mr Nobody Against Putin.  Plus: the rise of KPop Demon Hunters, Guillermo del Toro's three craft wins for Frankenstein, a rare Oscars tie, Conan O'Brien's sharp hosting, emotional tributes to Rob Reiner, Catherine O'Hara, Diane Keaton and Robert Redford — and the films that left emptyhanded.  The video version of this episode is available on our Patreon: https://www.patreon.com/cw/kermodeandmayo  You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo  Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey    

On this week's episode of Women in Cinematography, Morgan is joined by Nick Ruhrkraut, critic and co-host of the podcast Oscar Wild. The pair discuss the 1998 film, "A Bug's Life," and the work by director of photography, Sharon Calahan. In their discussion, Nick and Morgan dive into the animation of the film, the film's action sequences, and the lighting throughout the film. Also, Happy Oscar Sunday!You can follow NickTwitterBlueSkyYou can follow Oscar WildBlueskyInstagramLinktreeYou can follow Female Gaze: The Film ClubInstagramBlueSkyWebsite

[REBROADCAST FROM January 14, 2026] The meditative drama "Train Dreams" follows a logger in the Northwest at the turn of the century dealing with loss and a quickly changing industrial landscape. It won a Critic's Choice for Best Cinematography and is garnering Oscar buzz for actor Joel Edgerton, who plays the protagonist. It was directed by Clint Bentley who also wrote and directed the acclaimed film "Sing Sing." They discuss the film, which has been nominated in four categories at this year's Academy Awards. 

Join hosts Matt Diaz and Ernesto Santos as we dive into ALL 24 Oscar nominations and give you our predictions on who we think should and will win the top honors at the 98th Academy Awards. We'll also recap the entire 2026 Awards Season by discussing the winners of the Golden Globes, The Critics Choice Awards, The Actors Awards and other notable awards shows. Time Stamps for every category in episode description. Time Stamps:Awards Season Recap: (00:07:35)Oscar Predictions: (00:26:00)Casting: (00:28:00)Animated Short Film: (00:32:18)Live Action Short Film: (00:35:56)Documentary Short Film: (00:39:14)Visual Effects: (00:44:47)Editing: (00:54:21)Production Design: (00:58:34)Cinematography: (01:01:16)Costume Design: (01:04:50)Makeup and Hairstyling: (01:06:45)Sound: (01:21:53)Original Song: (01:22:58)Original Score: (01:31:21)Documentary: (01:33:12)International Film: (01:34:52)Animated Film: (01:38:40)Adapted Screenplay: (01:40:45)Original Screenplay: (01:42:53)Supporting Actor: (01:44:55)Supporting Actress: (01:48:39)Lead Actor: (01:54:48)Lead Actress: (01:57:32)Directing: (01:59:05)Best Picture: (02:02:38)

We made it to Episode 500!

David Long returns to predict and bet the 98th Academy Awards as we break down the gambling lines / betting odds for each of the 24 categories at the Oscars. Mike 1 explains betting to AlsoMom - 3:35 CATEGORIES WITH HEAVY FAVORITES: Lead Actress - 8:48 Original Score - 12:53 Director - 14:08 Original Screenplay - 18:04 Adapted Screenplay - 19:50 VFX - 20:25 Costumes - 22:34 Makeup & Hairstyling - 27:00 Animated Feature - 28:55 Original Song - 31:02 Production Designer - 38:40 Sound - 39:37 BET OR DON'T BET: Film Editing - 42:42 Best Picture - 47:31 Casting - 57:34 Supporting Actor - 1:02:35 THE BATTLEGROUND CATEGORIES: International Feature - 1:11:41 Cinematography - 1:17:13 Documentary Feature - 1:22:50 Lead Actor - 1:28:10 Supporting Actress - 1:34:17 The Shorts - 1:43:10 OUTRO: The Words of Wisdom today are to follow David Long. https://x.com/1DavidLong Otherwise, go back and enjoy all our guests from this season, including David Long's last episodes with us for Holiday Bets. Plus, you can follow us on social media and support our show AND our habits by rating and reviewing, following, liking and subscribing… and as always, by telling your friends about our shows. https://linktr.ee/mikemikeandoscar

Our Women's History Month series, Women in Cinematography, continues, and Morgan is joined by returning guest, the busiest woman in podcasting, host of Nightmare on Fierce Street, and co-host of Blerdy Massacre Podcast and Gated Podcast, Sharai Bohannon. Sharai and Morgan discuss the movie of 2025, "Sinner," directed by Ryan Coogler with cinematography by Autumn Durald Arkapaw. The pair delve into the specificity of the film, Arkapaw's incredible tracking shots, and her impact on cinematography as the fourth woman and first woman of color ever nominated for an Academy Award for Cinematography. It's a jammed packed episode but feels like the perfect way to celebrate International Women's Day!You can follow SharaiTwitterInstagramBlueSkyYou can follow A Nightmare on Fierce StreetTwitterInstagramBlueSkyYou can follow Blerdy MassacreTwitterInstagramTikTokBlueSkyYou can follow Gated PodcastBlueSkyInstagramYou can follow Female Gaze: The Film ClubInstagramBlueSkyWebsite

Cinematography is where intention meets execution — in the choice of lens, the placement of light, and the movement of the camera. For Episode 9 of Below the Line's 2026 Oscar series, we turn to the nominees for the Academy Award for Best Cinematography at the 98th Academy Awards. Skid is joined by cinematographers Patrick Cady and David Tuttman, who return to examine this year's field from the inside — balancing technical precision, aesthetic philosophy, and the lived reality of production. As with the rest of this year's Oscar series, the conversation is available both as an audio podcast and as a full video episode on YouTube. In this episode, the conversation explores: • The “military operation of joy” behind Frankenstein — and how large-format photography, depth of field, and camera movement supported a unified creative vision • The disciplined exposure control and 1970s-influenced grit of Marty Supreme, shot largely on film with exacting precision • The ambitious VistaVision approach of One Battle After Another, and why certain sequences demand to be seen on the biggest screen possible • The bold format shifts and musical visual language of Sinners, including the challenge of blending IMAX, 70mm, and intimate close-ups • The natural-light philosophy of Train Dreams, and why “lighting with fire” is anything but simple • Patrick's case for five additional films he believes deserved recognition — and what that reveals about how deep this year's cinematography field really is Along the way, Patrick and David reflect on film versus digital workflows, lens design, aspect ratios, shutter angle choices, and the subtle collaboration between cinematography, production design, and performance. The discussion moves easily between the granular (film stocks, lenses, exposure latitude) and the philosophical (joy in the process, trust between departments, and how cinematography shapes story without announcing itself).

The Cinematography Podcast Episode 348: Danny Cohen, BSC DP Danny Cohen, BSC, reveals how he crafted the "dirty London" look of Slow Horses through motivated lighting, high ASA grain, and the grit of Slough House. Key Podcast Highlights: -How Slow Horses ditches the typical block shooting system, with one DP and one director to create the entire season's visual look. -Using camera settings to bake in noise and deep, inky blacks for that signature London grit. -Shooting with 2–3 cameras, which allows for weird, accidental angles that a single camera would never catch. -Why Danny bans traditional backlighting and soft fill to keep his characters trapped—and embedded—in their murky environments. - A look at the multi-story Slough House sets that let actors and cameras move through floors without ever hitting a fake wall. Find Danny Cohen: http://wwwb.co.uk/ See Slow Horses on Apple TV. SHOW RUNDOWN: 02:23 Close Focus 13:41-51:27 Danny Cohen Interview 51:53 Short ends 01:03:18 Wrap up/Credits The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Cinematographer Autumn Durald Arkapaw has earned an Oscar nomination for her work on the film "Sinners," which involved capturing vampire fights, musical numbers, and Michael B. Jordan playing twins. She discusses her work on the film as part of our ongoing Oscars series "The Big Picture." Photo courtesy of Warner Bros