Podcasts about Cinematography

"I'm not afraid of dying tomorrow, only of getting killed." For Episode 365, David and Brandon kick-off CineNation's World War I series with Stanley Kubrick's PATHS OF GLORY. Listen as they discuss Kubrick's career before the film, why so many studios turned the movie down, the screenwriter controversery, how they pulled off the trench scenes, why one major actor was fired during production because of an alleged kidnapping, how Kubrick's detailed style of directing annoyed some actors, and more! Also, don't forget to join our Patreon for more exclusive content:  Opening - The Round-Up Series and More -  (00:00:10) Intro to World War I (00:09:22) Intro to World War I Movies (00:20:28) Intro to Paths of Glory (00:24:31) How Paths of Glory Got to Production (00:35:54) Favorite Scenes (00:44:40) On Set Life - (01:17:54) Aftermath: Release and Legacy (01:25:31) What Worked and What Didn't (01:28:49) Film Facts (01:35:28) Awards (01:36:58) Final Questions on the Movie (01:41:40) Wrapping Up the Episode (01:47:55) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

The focus of this week's podcast episode is Alfred Hitchcock's 1946 romantic spy thriller Notorious. We are into the top five, and this is probably the least well-known of the top five. But don't sleep on it! Check out this gem and come back and listen to our yapping about it.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.An RKO Radio Picture. Released on September 6, 1946. Produced and Directed by Alfred Hitchcock. Written Ben Hecht. Starring Cary Grant, Ingrid Bergman, Claude Rains, Leopoldine Konstantin, and Louis Calhern. Cinematography by Ted Tetzlaff. Edited by Theron Warth. Music by Roy Webb. Ranking: 5 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Notorious got 2,764 ranking points.

Send us a textIn this episode, we discuss the TV show's connection to the HBO show 'Succession' and how the filmmakers should take some inspiration from it. Enjoy!Topics/Summary:·      3:30 Different cinematography. Longer shots, less music, and more personal moments can really make a difference in how we understand the show. Now that the audience in older and has a better handle on the story, a more sophisticated portrayal could go a long way.·      15:05 Focusing on relationships. Further, how relationships change. Succession follows a business family which is incredibly dysfunctional, and it is the relationships that really drive the story forward. Though Harry Potter isn't similar in that way, focusing on a relationship driven story could show us more of the characters we think we know. ·      19:56 The day doesn't always have to be saved. If an episode ends on a huge downer, that might add something to the show.·      24:23 More on Voldemort's rise to power. We don't have a strong connection between Tom Riddle and Voldemort. Additionally, we only really see the inner workings of his life at the final few acts of the story. It is an interesting story we should see more of. Having anything you want to hear or say? Click here for a voice submission or here for text. ThePotterDiscussion@gmail.comthepotterdiscussion.comNox

Wedding films are as unique as the couples they celebrate—each one telling a different story. But with so many styles out there, how do you know which type of wedding film is right for you? In today's episode of Wedding Secrets Unveiled!, we're joined by Larry Minick of LMproductions, who brings his passion for storytelling to the conversation. Larry dives into what makes a wedding film truly unforgettable, how the industry has evolved, and the latest trends couples are loving. Whether you're leaning toward a cinematic feature or a short highlight reel, this episode is packed with insights to help you choose the perfect way to relive your big day! Please rate, review and subscribe to this podcast wherever you're listening so you never miss an episode. Even better share it with a friend! It's a great way to show your support and let us know what you think. Thank you for listening. To get the full show notes head to https://sarazarrella.com/2025/07/the-art-of-wedding-films/ Check us out on YouTube! Make sure to like and subscribe! https://www.youtube.com/@SaraZarrella/podcasts For more information check out our website at https://sarazarrella.com/wedding-podcast Join our Monthly Newsletter for tips, tricks and Freebies! https://sarazarrella.com/newsletter Would love to be friends on the gram at https://www.instagram.com/sarazarrellaphotography/

This week we return once again to Manderley. We podcasted about Rebecca a while back during our Best Picture Oscar countdown, and now we encounter it again in our Hitchcock countdown. Tune in to hear us discuss how the film has held up for us.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Selznick International Picture. Released on April 12, 1940. Produced by David O. Selznick and Directed by Alfred Hitchcock. Written by Robert E. Sherwood, Joan Harrison, Philip MacDonald, and Michael Hogan based on the novel by Daphne du Maurier. Starring Joan Fontaine, Laurence Olivier, Judith Anderson, George Sanders, Gladys Cooper, Reginald Denny, C. Aubrey Smith, and Florence Bates. Cinematography by George Barnes. Edited by Hal C. Kern and James E. Newcom. Music by Franz Waxman. Ranking: 6 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Rebecca got 2,730 ranking points.

We joyride through Brad Pitt’s “F1: The Movie” and discuss: Cinematography, wide angles; Story & Writing, exposition, the real antagonist; and other such stuff and things and stuff. “No one is bigger than the team. If you can’t do things our way, you’re not getting time here and we don’t care who you are.“ – […] The post Ep 328: “F1” appeared first on The Pestle.

Marty, Eric, and Dave talk about the flood of stories from one rumor post about future Vision Pro devices and new video about editing immersive video.Product Prediction Kuo: Apple working on 7 head-mounted products, roadmap starts in 2025https://9to5mac.com/2025/06/29/apple-working-on-7-head-mounted-products/ After Vision Pro's Flop, Apple Doubles Down on Headsetshttps://www.androidheadlines.com/2025/06/after-vision-pros-flop-apple-doubles-down-on-headsets.html Samsung Headset PredictionsSamsung's Upcoming XR Headset Could Beat Apple Vision Pro With Sharper 3,800 PP| OLEDoS Displays, But A Smaller Field Of View Might Be Its Biggest Drawbackhttps://wccftech.com/samsung-headset-display-better-than-vision-pro/ Samsung's Project Moohan XR headset could be similar to Vision Pro in more ways than onehttps://www.androidauthority.com/samsung-xr-headset-project-moohan-display-suppliers-3571210/Samsung's Project Moohan to have more Pixel Density than Apple Vision Prohttps://samlover.com/2025/06/26/project-moohan-to-have-more-pixel-density/ Inside BonoInside the First Feature-Length Immersive Film for Apple Vision Pro: Bono - Stories of Surrenderhttps://www.cined.com/inside-the-first-feature-length-immersive-film-for-apple-vision-pro-bono-stories-of-surrender/ Behind the Work: How The Artery Brought Bono: Stories of Surrender to Apple Vision ProHow The-Artery Brought Bono: Stories of Surrender to Apple Vision Pro | LBBOnline Vision Pro Colonoscopy Apple Vision Pro will help get to the bottom of colonoscopy cancer detectionhttps://appleinsider.com/articles/25/06/25/apple-vision-pro-will-help-get-to-the-bottom-of-colonoscopy-cancer-detection Medtronic, Cosmo to conduct GI Genius trial on Apple Visionhttps://www.massdevice.com/medtronic-cosmo-gi-genius-apple-vision-pro-study/ Rush University to Host Colonoscopy Study Using Apple Vision Prohttps://hitconsultant.net/2025/06/25/apple-vision-pro-and-medtronics-gi-genius-to-be-used-in-live-colonoscopies/Mantel Group review for enterpriseThe Vision Pro, and how to unlock its potential: a tech consultant's perspectivehttps://mantelgroup.com.au/the-vision-pro-how-to-unlock-its-potential-a-tech-consultancy-perspective/ Spatial NPC released  We released an open source "spatially intelligent NPC" app for VisionPro!https://www.reddit.com/r/augmentedreality/comments/1lkmxlb/we_released_an_open_source_spatially_intelligent/ BlackMagic camerasFilmmaking for the Vision Pro Era: Apple and Blackmagic's Immersive Video Workflowhttps://www.cined.com/filmmaking-for-the-vision-pro-era-apple-and-blackmagics-immersive-video-workflow/ CANAL+ BRINGS MOTOGP TO VISION PRO WITH BLACKMAGIC URSA CINE IMMERSIVEhttps://www.mactech.com/2025/06/27/canal-brings-motogp-to-vision-pro-with-blackmagic-ursa-cine-immersive/Blackmagic URSA Cine IMMERSIVE Tech Explainer - Shooting Apple Immersive Video for the Vision Prohttps://www.youtube.com/watch?v=QpkIEncCOfw HTML Model element A step into the spatial web: The HTML model element in Apple Vision Prohttps://www.webkit.org/blog/17118/a-step-into-the-spatial-web-the-html-model-element-in-apple-vision-pro/ New smart glassesXiaomi Unveils China's Answer to Ray-Ban Meta Smart Glasses with a Few Killer Featureshttps://www.roadtovr.com/xiaomi-ai-glasses-meta-smart-glasses-features/ Image editors2 Cool Image Editors for Vision Prohttps://www.iphoneness.com/apple-vision-pro-apps/cool-image-editors-for-vision-pro/ APPS BezelBezel app - Show your iPhone inside Apple Vision Prohttps://www.reddit.com/r/VisionPro/comments/1agdon5/bezel_app_show_your_iphone_inside_apple_vision_pro/ Show your iPhone inside Apple Vision Prohttps://nonstrict.eu/bezel/vision/ Bezel: Spatial Phone Mirroringhttps://apps.apple.com/us/app/bezel-spatial-phone-mirroring/id6476657945 MacStockMacstockconferenceandexpo.com  50$ off with code “PODTALK50”

In this episode, we welcome Phil Arntz and Will Banks. Phil is an Aerial Director of Photography and Will a top Camera Pilot. This filmmaking team has worked on a range of projects including F1: The Movie, Mission: Impossible - The Final Reckoning, The Gorge, Mission: Impossible - Dead Reckoning Part One, “The Agency: Central Intelligence,” “The Day of the Jackal” and “The Diplomat”. In our chat, they share their back stories, how they learned their skill-sets, and about working on the latest Mission: Impossible. They also talk about their unique collaboration — and reveal some of the tools, technologies and techniques used to capture these iconic shots. “The Making Of” is presented by AJA:AJA DRM2-Plus 3RU Frame Unlocks Flexible Mini-Converter ConfigurationsIdeal for production and post environments where signal conversion needs vary, the AJADRM2-Plus is a high-capacity, 3RU Mini-Converter frame houses up to 12 full-size AJA Mini-Converters of any kind, and up to 24 of AJA's compact Mini-Converters. DRM2-Plus boasts flexible cooling and redundant power supply options and an intuitive faceplate design that lets users quickly access installed converters. Learn more about DRM2-Plus.Massive Speed. Big Capacity. DIY Ready.The OWC Express 4M2 delivers up to 32TB of high-performance NVMe storage with real-world speeds up to 3200MB/s over USB4. Built for demanding workflows like 4K/8K editing and VFX, it features thermally controlled fans for quiet, sustained performance. With massive capacity, a compact footprint, and easy drive installation, it's the ultimate DIY solution for creative pros who need speed and flexibility.Browse hereFeatured Book: The Horror Movie ReportBlumhouse calls The Horror Movie Report, “the ultimate guide to every horror movie ever made” and that it “helped us shape how we think about horror”. Get under the skin of over 27,000 horror movies with the most detailed data-led insights ever compiled at HorrorMovieReport.comRead more here The new ZEISS Otus ML:Now on sale, the Otus ML 1.4/50mm photography lens from ZEISS is the new generation of high-quality optics for your photographic art. Find it at your favorite photo retailer!Learn more hereNew Solutions from Videoguys:The SanDisk Professional G-RAID PROJECT 2 is a powerhouse 2-bay storage system built for serious creators. Pre-configured in RAID 0 and featuring Thunderbolt™ 3 connectivity, it delivers the speed and capacity you need for demanding 4K, 8K, and VR video workflows—up to a massive 52TB. With a PRO-BLADE™ SSD Mag slot for ultra-fast offloads and edits, it's the perfect solution for high-performance production environments. Call Videoguys at 800-323-2325 to for free tech advice and to learn more!Browse herePodcast Rewind:June 2025 - Ep. 88…“The Making Of” is created by Michael Valinsky.Advertise your products or services to 202,000 filmmakers, TV production pros, and content creators reading this newsletter — contact us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Welcome back to another episode of the High Heels and Tea Podcas. Terry Bams opens up about personal growth, cinematography Inspo, and creating PTB St. Louis

Filmmaking Insights, Academy Screenings, and Creative Struggles | Get Reelisms Podcast Episode 158 In Episode 158 of the Get Reelisms Podcast, hosts Adam Chase Rani and Christine Chen, both filmmakers, share advice, stories, and behind-the-scenes insights into their creative processes. Christine discusses her recent excursions to Academy screenings and encounters with industry legends like Jim Plannette, gaffer for 'ET', and Jonathan Goldstein, director of 'Dungeons and Dragons'. The duo also talks about the challenges of screenwriting, the importance of avoiding distractions, and the inspirations they draw from mundane activities like walking or driving. Additionally, Christine reflects on the impact of biased reviews on independent films, emphasizing the value of forming personal opinions about movies. The episode concludes with a reminder to support the podcast and its mission to democratize filmmaking knowledge.  Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf)  For more information about Christine Chen: christinewchen.comFor more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com  WEBISODE version of the Podcastgetreelisms.com 00:00 Introduction and Podcast Overview 01:12 Christine's Writing Retreat 02:16 The Creative Process and Overcoming Writer's Block 05:30 Engaging with the Audience 08:52 Christine's New Projects and Challenges 12:27 Networking and Industry Insights 18:25 Connecting with a Filmmaker 19:10 Mel Brooks' Influence on Comedy 19:50 Catching Up on Classic Films 20:40 Reviewing Recent Film Screenings 21:16 Challenges in Filmmaking 22:39 Meeting Industry Professionals 24:44 The Subjectivity of Film Criticism 26:58 The Impact of Negative Reviews 31:26 Attending Academy Screenings 36:15 Podcast Sign-Off and Encouragement Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

On this week's Haven't Scene It, Tim & Tommy head to the moon as they cover Apollo 13! This is Tommy's first time watching the film. Was Dean Cundey's Cinematography in Space breath taking? What's up with Ed Harris's hair? Could you imagine the version of this where John Travolta was the lead? Plus we discuss our Top 10 Movies of the 21st Century! All this and more on this week's Haven't Scene It!Follow us on Social Media:Twitter: @SceneItPodInstagram: @SceneItPodTiktok: @SceneItPodBluesky: ‪@podsceneit.bsky.social‬

SEASON 2 - EPISODE 147 - Turning the Tables - TRUE GRIT - David Mullen Cinematographer David Mullen (Season 1, Episode 83 & Season 2, Episode 113) returns for a new edition of the “Turning the Tables” series in this episode of the Team Deakins Podcast. David's questions center around our work on the Coen Brothers' 2010 version of TRUE GRIT, and we had a wonderful time answering them. In addition to the questions concerning how we actually made the film, we also discuss the long history of westerns and the visual variety within the genre. We also reveal the story behind the push-in in the opening shot of the film, what was on location and what was on stage, and how we shot the river crossing scene. We later reflect on working with then-child actor Hailee Steinfeld, and we discuss the script's unique and engaging dialogue. We also reflect on the utility of cowboy hats and on the visual strength of westerns directed by John Ford and Sergio Leone, and we swap stories from our early-career, low-budget exterior shoots. Topics also include: film stocks, aspect ratios, lighting locations and sets, and nighttime nightmares shooting a black mare against a black sky. - Recommended Viewing: TRUE GRIT (2010) - This episode is sponsored by Aputure & Profoto

This week's podcast covers Alfred Hitchcock's classic murder swap thriller, Strangers on a Train. A tennis player has a chance meeting on a train that suddenly turns his world upside down.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Warner Brothers Picture. Released on June 30, 1951. Produced and Directed by Alfred Hitchcock. Written by Raymond Chandler, Czenzi Ormonde and Whitfield Cook based on the novel by Patricia Highsmith.Starring Farley Granger, Robert Walker, Ruth Roman, Patricia Hitchcock, Kasey Rogers, Leo G. Carroll, and Marion Lorne. Cinematography by Robert Burks. Edited by William Ziegler. Music by Dimitri Tiomkin. Ranking: 7 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Strangers on a Train got 2,722 ranking points.

We behold Danny Boyle’s “28 Years Later” and discuss: Cinematography, silhouettes; Story & Writing, sequels, genre tropes; and other such stuff and things and stuff. “The reason that clichés become clichés is that they are the hammers and screwdrivers in the toolbox of communication.“ – Terry Pratchett Notes & References: 28 Days Later budget was […] The post Ep 327: “28 Years Later” appeared first on The Pestle.

In this episode of The Commentary Booth, hosts Jamie Apps and Corrina Mabey conclude (for now!) their Frightening Flashback series with a deep dive into 28 Years Later, the long-awaited sequel to the iconic 28 Days Later franchise. Set nearly three decades after the initial outbreak, the film follows a group of survivors on a fortified island as one member ventures to the mainland, uncovering mutated threats, new horrors, and cult-like survivors with disturbing influences.Highlights Breakdown:- First Impressions: Does 28 Years Later live up to the franchise's legacy?- Ralph Fiennes Shines: Why Dr. Ian Kelson is the film's saving grace.- Tonal Whiplash: The bizarre Power Rangers-meets-Teletubbies cult that derails the ending.- Infected Evolutions: From spine-ripping Alphas to bloated, worm-eating zombies.- The Baby Mystery: WTF was up with that infected birth scene?!- This Was Filmed On An iPhone?!: Cinematography, Behind-the-Scenes & Future Sequels- Box Office & Future: Will the planned trilogy stick the landing?Jamie and Corinna debate the film's strengths, its jarring flaws, and whether Danny Boyle's vision still holds up. Plus, ranting about Jimmy Savile-inspired villains and the worst tonal shift in horror history!This week's episode is brought to you byAustralian Wrestling CardsCheck out more great content from Pario Magazine on our website.-------------------------------------------------------------SUPPORT PARIO MAGAZINE & THE COMMENTARY BOOTH- PATREON- SAVE 15% ON OODIE- TUBEBUDDY- COMPLETE PAID SURVEYS WITH OCTOPUS GROUP- COMPLETE PAID SURVEYS WITH PUREPROFILE- COMPLETE PAID SURVEYS WITH SURVEYZ- PRODUCTIVITY PLANNER NOTIONMY EQUIPMENT- Elgato Facecam- Rode PodMic- Elgato Wave Mic Arm LP- Streamlabs Talk StudioFOLLOW JAMIE ON SOCIAL MEDIA- Twitter- Facebook- Instagram- TikTokFOLLOW PARIO MAGAZINE ON SOCIAL MEDIA- Twitter- Facebook- Instagram

Ever wondered how independent filmmakers create high-production value films on tight budgets? Join us as director Emelie Claxton and producer Cindy Allen reveal the ingenious strategies that transformed their short film “Doggone” from an impossible dream into a festival success story. From raising an impressive amount through crowdfunding to turning one movie theater into six different shooting locations, they share the practical wisdom they gained along the way.This episode unpacks the power of collaboration, the importance of working with specialists rather than doing everything yourself, and the game-changing “big board” technique that kept everyone on set informed and aligned. You'll hear how breaking traditional filmmaking rules, rekindling old friendships for fundraising, and trusting in specialized talent created a film that audiences are falling in love with.Whether you're an actor, filmmaker, or film enthusiast, this conversation offers valuable insights into maximizing resources and creating meaningful stories that connect with audiences. Don't miss their final inspiring advice: “Don't say no to yourself.”Send us a textFor our listeners, CFA's teamed up with We Make Movies to get you a discount on production management services, including access to comprehensive production insurance and workers' comp for your next shoot. Visit wemakemovies.org/insurance and use code CFA23 on your intake form for 10% off your quote.Calling all actors! Take 25% off your membership at WeAudition with code: CFA25 Website: www.cinematographyforactors.com Instagram: https://www.instagram.com/cinematographyforactors TikTok: https://www.tiktok.com/@cinematographyforactors Cinematography for Actors is a community aimed at bridging the gap between talent & crew through our weekly podcast & community events. Our weekly show supports the filmmaking community through transparent, honest & technically focused interviews with the goal of elevating the art of effective storytelling.

From cinematography to the C-suite? Yes, you read that right. In this episode, TC Gill talks with Chris Geiser, CTO at DCG ONE, about an unconventional leadership journey that blends creativity, marketing, and tech strategy. If you're into leadership lessons with a personal twist, this one's for you.

In this episode, the hosts Patrick Evans and Randy Florence delve into the fascinating world of cinematography with accomplished cinematographer Alan Gitlin. With a career spanning decades, Gitlin shares his experiences working on iconic films, including Star Trek Generations and Titanic. He discusses his journey from his early days in Hollywood to his production and mentoring role with Palm Springs Women in Film and Television. Listeners gain insights into the intricacies of filmmaking, the creative process behind storytelling, and the importance of mentorship in the industry. Join Patrick and Randy as they explore Gitlin's remarkable career and his contributions to the local film community.Takeaways:• Alan Gitlin has extensive experience in cinematography, working on major films and series.• He emphasizes the importance of mentorship in the film industry.• Gitlin's involvement with Palm Springs Women in Film and Television has focused on empowering aspiring filmmakers.• The editing process is crucial for storytelling and audience engagement.• Gitlin shares fascinating behind-the-scenes stories from his time on set.• He highlights the unique culture and talent present in the Coachella Valley film community.• The importance of collaboration among different departments in film production is vital for success.• Gitlin's work has been recognized in various awards circuits, showcasing his talent and dedication.#BigConversationsLittleBarPodcast #PatrickEvans #RandyFlorence #SkipsLittleBar #PSWIFT #McCallumTheatre #MutualBroadcastingSystem #CoachellaValleyResidents #SkipPaige #Cinematography #Filmmaking #AlanGitlin #Hollywood #FilmIndustry #FilmMentorship #StarTrek #Editing #WomenInFilm #PalmSpringsFilm #FilmCommunity #Storytelling #IndieFilm

There were many great films in 1985.  However, the Academy decided to give its Best Picture Oscar to a long and sweeping epic that was touted as a romance for the ages. A film that had the beauty of a continent, A-list actors in Meryl Streep and Robert Redford, and it's love story.  Out of Africa was a box-office blockbuster. However, many critics have felt that film's shine has tarnished over the years. Well, did it really deserve to win the top prize of that year?Listen to film critic Jack Ferdman's take on it as he analyzes everything about Out of Africa, as well as many other films from that year, and hear which film he gives his Rewatch Oscar of 1985.Download, listen, and share ALL Rewatching  Oscar episodes.SUBSCRIBE and FOLLOW Rewatching Oscar:Website: https://rewatchingoscar.buzzsprout.comApple Podcasts/iTunesSpotifyGoogle PodcastsiHeart RadioPodchaserPodcast AddictTuneInAlexaAmazon Overcasts Podcast Addict Player FMRSS Feed: https://feeds.buzzsprout.com/1815964.rssWebsite: https://rewatchingoscar.buzzsprout.comSocial Media Links: Facebook, Twitter, LinkedIn, Instagram, BlueSkyShare your thoughts and suggestions with us through:Facebook Messanger or email us atjack@rewatchingoscar.com or jackferdman@gmail.comMusic by TurpacShow Producer: Jack FerdmanPodcast Logo Design: Jack FerdmanMovie (audio) trailer courtesy of MovieClips Classic TrailersMovie (audio) clips courtesy of YouTubeSupport us by downloading, sharing, and giving us a 5-star Rating.  It helps our podcast continue to reach many people and make it available to share more episodes with everyone.Send us a text

How do you bring a game world to life for the screen — especially when that world already has millions of devoted fans? Cinematographer Catherine Goldschmidt knows firsthand — and her work on The Last of Us reveals just how complex that challenge can be. Catherine Goldschmidt joins Robert “Skid” Skidmore to discuss her work on the second season of HBO's The Last of Us, with co-host Gianni Damaia bringing the perspective of a longtime fan and gamer. Together, they dig into the complex visual language of an adaptation that blurs the line between game and cinema — from shot-for-shot recreations to bold deviations. We cover: Catherine's approach to adapting game cinematics into film language — including when to match and when to break away How The Last of Us uses space, light, and camera movement to draw viewers into Ellie's experience Constructing visual set pieces like the subway ambush and Jackson assault with a blend of practical stunts, VFX, and strategic camera placement The emotional and logistical challenges of staging Joel's death The visual shift from chaos to quiet in Episode 2's final montage — and how that deliberate pacing reshapes the episode's emotional impact Catherine also reflects on how her collaboration with multiple directors and departments shaped the season's look and feel, and how visual storytelling can remain grounded even in the most heightened, post-apocalyptic moments.

Join your horror hosts as they discover true happiness. Find the Broads on Instagram, Bluesky, and Patreon.Chapters00:00 Introduction to the Horror Genre02:21 Exploring Japanese Horror Elements05:06 Themes of Family and Expectations08:56 The Unraveling of Secrets12:51 The Disturbing Dinner Scene16:18 The Emotional Cannibalism19:52 The Climax and Revelations23:58 Cinematography and Symbolism26:19 Conclusion and Final Thoughts26:54 Exploring Themes of Sacrifice and Family Dynamics29:06 The Complexity of Happiness and Identity32:50 Perception and Societal Expectations35:12 Generational Trauma and Its Impact37:47 Consumerism and the Cost of Happiness41:01 Emotional Turmoil and Psychological Horror46:24 Technical Aspects and Cinematic Techniques47:31 Final Thoughts and RecommendationsKeywordshorror, Japanese cinema, family dynamics, emotional cannibalism, psychological horror, film analysis, Best Wishes for All, Shudder, movie review, existential themes

This week we dive into Shadow of a Doubt. This is Alfred Hitchcock's 1943 thriller about a small California town that get shaken up by a visitor from the city.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Universal Picture. Released on January 12, 1943. Produced by Jack H. Skirball and Directed by Alfred Hitchcock. Written by Written by Thornton Wilder, Sally Benson and Alma Reville (Mrs. Hitchcock) based on an original story by Gordon McDonell. Starring Teresa Wright, Joseph Cotton, Patricia Collinge, Henry Travers, Macdonald Carey, and Wallance Ford. Cinematography by Joseph A. Edited by Milton Carruth. Music by Dimitri Tiomkin. Ranking: 8 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Shadow of a Doubt got 2,582 ranking points.

The primary focus of this podcast episode revolves around the profound impact of personal narratives on human connection, particularly when discussing difficult life experiences. The speakers reflect on how sharing their challenging stories elicits emotional responses from listeners, often leading to moments of silence and sadness. This somber atmosphere prompts a desire to shift the conversation towards more uplifting topics, such as sports, which serves as a coping mechanism for navigating discomfort. Furthermore, the discussion delves into the speaker's professional journey in basketball and cinematography, emphasizing the significance of travel and cultural exchange in shaping their worldview. Ultimately, the episode underscores the importance of perspective and the transformative power of storytelling in fostering empathy and understanding among individuals.Takeaways: The emotional weight of sharing personal hardships often leads to somber reactions from the audience. Transitioning from professional basketball to cinematography shapes one's view on success and fulfillment. Experiencing diverse cultures while playing abroad profoundly alters one's perception of the world. Traveling exposes individuals to new perspectives that challenge preconceived notions about safety and opportunity. Personal growth often stems from overcoming adversity and redirecting one's life path toward new opportunities. The impact of global travel on personal identity cannot be overstated, as it broadens horizons and fosters deeper understanding. Companies mentioned in this episode: New Jersey Nets Brooklyn Nets Bobcats Spurs Toyota

Bond is back — and better than ever. In Episode 23 of my ongoing 007 series, I dive into one of the most celebrated entries in the franchise: Skyfall (2012). Directed by Sam Mendes with Cinematography by Roger Deakins, and starring Daniel Craig in peak form, Skyfall delivers emotional depth, high-stakes espionage, and stunning visuals — all while celebrating the 50th anniversary of James Bond on screen.To pair with this sleek, stylish Bond adventure, I'm pouring a glass of the 2024 release of Bomberger's Declaration Bourbon — a bold, complex whiskey that's as refined and powerful as 007 himself. I share tasting notes, my thoughts on the latest batch, and how it complements the themes and tone of Skyfall.

The Art of Filmmaking: Behind the Scenes with Josh Segundo - Get Reelisms Podcast #157 Join hosts Adam Chase Rani and Christine Chen in Episode 157 of the Get Reelisms Podcast as they dive deep into the world of filmmaking! This episode features an insightful conversation with Josh, a writer-director who shares his experiences and challenges in making short films. They discuss the importance of preparation, the complexities of crowdfunding, working with friends, and the nuances of shooting during the pandemic. Josh reflects on his latest project 'Where Do We Go?' and offers valuable advice for aspiring filmmakers. Tune in for secrets, advice, and filmmaking gossip!  Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf) Guest: Josh Segundo For more information about Christine Chen: christinewchen.comFor more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com  WEBISODE version of the Podcastgetreelisms.com 00:00 Introduction to the Get Reelisms Podcast 00:21 Meet the Hosts and Guest 00:43 Sports Talk and Personal Stories 02:39 Filmmaking Secrets and Advice 04:25 Guest's Filmmaking Journey 05:07 Crowdfunding Challenges 06:31 Production Insights and Challenges 18:40 Post-Production Reflections 21:35 Reflections on the Short Film 22:02 Navigating Film Festivals 22:44 Dealing with Vulnerability and Screenings 24:39 Pandemic Influence and Nostalgia 27:39 Inspiration and Cinematic Techniques 29:59 Future Projects and Filmmaking Philosophy 37:12 The Importance of Collaboration 42:59 Challenges and Rewards of Filmmaking 48:47 Final Thoughts and Encouragement Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

This week, we're joined by Matt Workman—filmmaker, developer, and creator of Cine Tracer—for a candid look at the shifting landscape of cinematography. We explore how filmmakers can better communicate, justify resources, and protect their creative choices in a rapidly evolving industry, and why futureproofing your skillset now means knowing both a light meter and a game engine. From the emergence of virtual production to the democratization of 3D previsualization, Workman unpacks how technology like Unreal Engine, once reserved for high-budget productions, is becoming a daily tool for working DPs.Matt Workman's Instagram | YouTubePeter Pascucci's Instagram | WebsiteLauren Guiteras's Instagram | WebsiteThis episode is sponsored by Fujifilm, Sandisk and TCP Insurance.

In this episode of Psycho-Cinematic, Vic is joined by the Director of Photography (Gregory Middleton) and the Production Designer (John Paino) of Netflix's "Sirens" to discuss the cinematography, the sets, and how they crafted the visuals of the show.0:00 Intro0:30 Where was Sirens filmed2:02 The significance of the pillars in the house2:42 The visual aesthetic of Sirens4:40 Creating a hospital or filming in a hospital 5:47 Using tight angles to tell a story7:57 The WAP scene10:09 The artwork in the house10:58 Decorating Ethan's house with intention13:04 The use of mirrors in Sirens17:50 How they filmed Barnaby flying into the window19:20 The cliffside stairs20:27 The perfect sunset at the end of the series21:53 John working on The Last of Us22:40 Does being an award winning filmmaker help your career24:57 OutroFollow me on IG: https://www.instagram.com/bigvicmedia/Follow me on TikTok: https://www.tiktok.com/@bigvicmedia?_t=8nLBsEUZy0c&_r=1Psycho-Cinematic Merch: https://www.bigvicmedia.com/store/short-sleeve-t-shirtListen to Psycho-Cinematic on Spotify: https://open.spotify.com/show/6jeNRygaQjsC8eCJBIr2IdGuests: Gregory Middleton and John PainoFollow Gregory on IG: https://www.instagram.com/middlecam/?hl=en

SEASON 2 - EPISODE 145 - Deliverables and Preserving Authorial Intent - with Steve Yedlin In this episode of the Team Deakins Podcast, cinematographer Steve Yedlin (Season 2, Episode 72) returns to talk with us about deliverables and preserving authorial intent in post-production. Throughout the episode, we tap into Steve's deep well of technical knowledge, and we make frequent reference to Steve's publicly available demonstration on what HDR really is and how it has affected the colour timing stage of post. We get into the weeds during our conversation, and we try to make sense of the growing number of variables, units of measurement, and home-video viewing options we're forced to contend with as filmmakers in the digital age. We also look at how our level of control over home-viewing deliverables has changed since the VHS days, and we attempt to peek into what the future may hold for us as technology and audience expectations continue to evolve. Towards the end of our conversation, we discuss the economic realities of restoring old films, and Steve offers his best advice to any young (or older!) filmmaker feeling overwhelmed by the endless technical jargon. Plus, we find some surprising and relevant wisdom within THIS IS SPINAL TAP. - We highly recommend watching Steve's demonstration on HDR for an even deeper investigation into the topics discussed in this episode. Tap here to watch. - This episode is sponsored by Aputure & Profoto

In this conversation, Ed Heil and Steve Mulholland discuss the intricacies of video production, emphasizing the importance of storytelling and understanding the audience's needs. They explore how to capture the essence of a club through various filming techniques, including documentary styles and the use of drones. The discussion also covers the significance of finding the right voices for interviews and mastering the art of conducting them effectively. In this conversation, Ed Heil and Steve Mulholland delve into the intricacies of video production, focusing on the art of cinematography, the emotional impact of storytelling in sports, the crucial role of music, and the importance of editing. They share insights on how to effectively capture compelling visuals, the significance of sound in enhancing viewer experience, and the challenges of editing to create a cohesive narrative. The discussion also touches on practical advice for aspiring producers, emphasizing the need for collaboration and clarity in messaging.   00:00: The Importance of Story in Video Production 05:52: Capturing the Essence of Your Club 12:05: Finding the Right Voices for Your Message 18:02: The Role of B-Roll and Aerial Shots 24:23: The Art of Cinematography 30:30: The Role of Music in Video Production 37:17: Editing: The Heart of Storytelling

Our Hitchcock series takes us to the master's famous long-take, single-setting, real time macabre thriller Rope. Loosely inspired by the real-life Leopold and Loeb case (depending on who you ask), we follow to cold-blooded students as the host a very unusual dinner party.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Warner Bros. Picture. Released on September 25, 1948. Produced and Directed by Alfred Hitchcock. Written by Arthur Laurents and story by Hume Cronyn, based on the play of the same name by Patrick Hamilton. Starring John Dall, Farley Granger, James Stewart, Joan Chandler, Cedric Hardwicke, and Constance Collier. Cinematography by Joseph A. Valentine and William V. Skall. Ranking: 9 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Rope got 2,547 ranking points.

We cover a few videos from a few different sources on the topic of Cinematography from the glory days of movies.Engage!

Director of Photography Adam Newport-Berra joins us to discuss his incredible work on “The Studio,” the hilarious behind-the-scenes satire now streaming on Apple TV+. The cinematographer shares how he helped co-creators Seth Rogen and Evan Goldberg pull off the show's bold cinematic concept: shooting nearly every scene as a continuous long take. Join us as we go behind the camera on episode two, “The Oner,” a technical and comedic marvel executed as one uninterrupted 25-minute shot. Newport-Berra details the challenges of capturing ensemble performances, navigating comedic timing, and using cinematography to enhance the absurdity of Hollywood. “I think one thing I really learned on this show is to just never say no... Seth and Evan really supported me and believed in me... and it created an environment where it was almost impossible to say no, because we were so creative that we were always able to come up with a solution.” —Adam Newport-Berra, Director of Photography, “The Studio” Be sure to check out “The Studio,” now streaming on AppleTV+, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Frank and Thomas dive into Pride and Prejudice (2005) with a surprising amount of insight. After catching a recent theatrical re-release of the Jane Austen adaptation, the hosts unpack its romantic tension, cinematography, performances, and themes of societal expectations. Along the way, they reflect on Keira Knightley's breakout role, Matthew Macfadyen's modern take on Mr. Darcy, and how 19th-century courtship still hits in 2025. With some help from Frank's wife and linked video essays, they make sense of the story's deeper layers—reluctantly, but respectfully. Timestamps and Topics: 00:00:00 Welcome and Thomas's reluctant movie pick 00:00:41 The theatrical re-release and first impressions 00:01:17 Breakdown of the plot, scene by scene 00:04:47 What this movie says about power, class, and gender 00:06:50 The Mr. Bennet and Elizabeth dynamic 00:09:15 Mr. Darcy's character and casting impact 00:14:32 Understanding the dialog and social codes 00:17:12 Cinematography and standout shots 00:20:26 The iconic rain scene and its symbolism 00:24:23 Keira Knightley's performance and casting 00:26:18 Star-studded supporting cast 00:27:06 Comparing both proposals as visual storytelling 00:29:44 Does the movie feel too rushed? 00:33:03 Trivia: red flags, fake book titles, and bad eyesight 00:36:00 Final thoughts and star ratings 00:37:04 Next movie pick revealed: Galaxy Quest Key Takeaways: Pride & Prejudice (2005) is a well-crafted adaptation that, despite not being made for everyone, earns respect for its care and attention to detail. Keira Knightley and Matthew Macfadyen bring depth to iconic characters, especially through subtext and physical acting. Joe Wright's direction is subtle but powerful, using natural lighting, one-shot sequences, and thoughtful framing. The story critiques societal norms by centering a woman (Elizabeth Bennet) who refuses to play by the rules. The movie has become a beloved comfort film, especially for those drawn to emotionally charged slow-burn romances. Quotes:

Our Hitchcock countdown takes us one last time into his British era. This week we discuss the 1938 classic, The Lady Vanishes. ***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Gainsborough Picture. Released October 7, 1938. Produced by Edward Black. Directed by Alfred Hitchcock. Screenplay by Sidney Gilliat and Frank Launder, based on the 1936 novel The Wheel Spins by Ethel Line White. Starring Margaret Lockwood, Michael Redgrave, Paul Lukas, May Whitty, Cecil Parker, Linden Travers, Naunton Wayne, and Basil Radford. Cinematography by Jack E. Cox. Edited by R. E. Dearing. Music by Louis Levy and Charles Williams.Ranking: 10 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines The Lady Vanishes got 2,519 ranking points.

We scorch Ben Stiller’s “Tropic Thunder” and discuss: Cinematography, selling satire; Story & Writing, satire vs tropes; and other such stuff and things and stuff. “I think that the power is the principle. The principle of moving forward, as though you have the confidence to move forward, eventually gives you confidence when you look back […] The post Ep 325: “Tropic Thunder” appeared first on The Pestle.

This week we return to the stunning visual world of “Severance,” the critically acclaimed Apple TV+ series from creator Dan Erickson and director Ben Stiller. Cinematographer and fellow director Jessica Lee Gagné joins us to discuss her work on the show's second season, including how she crafted the eerie, sterile look of Lumon Industries and expanded the visual palette in new, unexpected ways. Jessica discusses her collaborative relationship with the creative team, the emotional and psychological subtext behind the framing, and how film was used to deepen the surreal, dreamlike atmosphere of the important flashbacks in episode 7, which she directed. “Life never looks more real and emotional than it does on film. Like it just has that texture... and I'm like, well, I feel that that makes so much sense with this world.” —Jessica Lee Gagné, Director of Photographer and Director, “Severance” Be sure to check out “Severance,” now streaming on AppleTV+, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Need financing for your next investment property? Visit: https://www.academyfund.com/ Want to join us in San Antonio, TX on June 11th & 12th? Visit: https://www.10xvets.com/events ____ Zachary Guerra is a powerful force in storytelling, making the leap from Naval Aviator flying S-3B Vikings to directing multi-million-dollar productions for some of the world's biggest brands. Over the past decade, Zachary has directed and produced more than 25 high-impact campaigns for global brands such as Apple and ESPN, managing more than $34 million in production budgets. As a Director, Writer, and Producer, Zachary has written 15+ screenplays and directed over 20 commercials, all while actively developing feature films with both major studios and independent teams. Beyond his commercial success, Zachary is deeply invested in the next generation of creatives. He mentors aspiring filmmakers and imparts his knowledge of Editing, Cinematography, and Producing at esteemed institutions. His dedication to education reflects his belief in storytelling as a transformative tool. Zachary's approach to filmmaking is characterized by a relentless pursuit of compelling narratives and a commitment to excellence. Each project he undertakes is infused with a unique blend of strategic insight and creative vision, making him a distinctive voice in contemporary cinema. In this episode of the SABM podcast, Scott chats with Zachary about: Post-Navy Pivot: After flying jets, Zachary turned to filmmaking to follow his creative drive. Turning Points: He lost equipment and faced shutdowns but stayed focused on real, human stories. Canon Shot: His new documentary that captures the croquet rivalry between Navy and St. John's, spotlighting cultural gaps. The film reveals how two schools in the same town rarely engage with each other. Real-World Impact: How his documentary helped spark new partnerships, with midshipmen now taking classes at St. John's. Timestamps: 00:31 Zach's Journey into Filmmaking 01:55 Early Wins and Challenges 03:36 The Concept of 'Dance for Your Dinner' 09:52 The Making of 'Canon Shot' 16:12 Surprising Discoveries and Reflections 22:35 Current Status and Support Needed 30:01 Conclusion and Contact Information   Connect with Zachary: LinkedIn Contact Page   If you found value in today's episode, don't keep it to yourself—share it with a colleague or friend who could benefit. And if you're a Service Academy graduate ready to elevate your business, we'd love for you to join our community and get started today.   Make sure you never miss an episode—subscribe now and help support the show: Apple Podcasts Spotify Leave us a 5-star review! A special thank you to Zachary for joining me this week. Until next time! -Scott Mackes, USNA '01  

We're back and BACK in the movies as usual. Today we're talking about DEATH in the form of FINAL DESTINATION BLOODLINES.ENJOY!!!

"No one buys a ticket to hear your problems." For Episode 361, Thomas and Brandon finish off CineNation's Jukebox Musical series with BETTER MAN. Listen as they discuss how Hugh Jackman impacted the film's creation, what major event affected the film's production, how the movie was independentaly financed, and why director Michael Gracey made Robbie Williams a monkey in the film.  Also, don't forget to join our Patreon for more exclusive content:  Opening - What's in Theaters and Tom Cruise -  (00:00:10) Recap to the Jukebox Musical Genre (00:06:14) Intro to Better Man (00:11:32) How Better Man Got to Production (00:21:11) Favorite Scenes (00:34:01) On Set Life - (01:05:41) Aftermath: Release and Legacy (01:12:26) What Worked and What Didn't (01:18:19) Film Facts (01:25:43) Awards (01:27:39) Final Questions on the Movie (01:33:48) Final Genre Questions (01:40:24) Wrapping Up the Episode (01:45:19) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Send us a textIt started with jokes about zippers and tight flight suits—and somehow ended with tears, respect, and emotional damage. In this episode, Jared and Aaron go full live-reaction mode to Netflix's Thunderbirds documentary, expecting to roast some high-speed sky dancers… but end up with a full-blown redemption arc, complete with G-locks, dumb call signs, and some real leadership lessons.They question if the show is harder than combat, mock staged B-roll, and coin the term “Swag Maintainer,” all while secretly (and not-so-secretly) falling in love with the team. This isn't just about airplanes doing tricks—it's about pride, sacrifice, pain, and the power of not sucking when it counts. Bonus points if your call sign isn't “Primo.”

SPONSORS: - Grab your tickets at https://NASCAR.com/tickets. If you can't make it, grab a beer and your friends, find your seat on the couch, and gear up for some of the best racing in the world at Charlotte Motor speedway. Tune in to the Coca Cola 600 this Sunday at 6:00 PM Eastern - Brought to you by BetterHelp. Visit https://betterhelp.com/bears to get 10% off your first month - Sign up for a $1 per month trial period at https://shopify.com/bears. - Get your summer savings and shop premium wireless plans at https://mintmobile.com/BEARS. This week on 2 Bears 1 Cave, Tom Segura and Bert Kreischer go deep on Tom's new Netflix series Bad Thoughts — a disturbing, hilarious, and brilliantly unhinged ride that Charo absolutely hated. The Bears talk about favorite sketches, behind-the-scenes moments, bloopers, and why Bert is both joking and not joking about not being cast. They dive into the art of acting, working with writers, and getting lost in characters — plus Bert's dream roles if he had been invited. Also: Tom's Italian guy character, hair insecurity, Kevin James dying his beard, and Tom's nudity in the show. Elsewhere, Bert shares his Post Malone + Jelly Roll solo mission, NASCAR plans, and recent attempts at eating clean and not drinking again. There's debate over royal titles, Meghan Markle, Prince William, and a killer impression of the royal family worrying about baby skin tone. Plus: Bert's mail opening trauma, how he weighs himself, cauliflower pizza, bar takeovers, and why Tom might actually like who he is. It's full sketch comedy breakdown meets chaotic Bear therapy—don't miss it. 2 Bears, 1 Cave Ep. 289 https://tomsegura.com/tour https://www.bertbertbert.com/tour https://store.ymhstudios.com Chapters 00:00:00 - Intro 00:00:20 - Tom Talks Bad Thoughts 00:13:50 - Cinematography & Awkward Sex Scenes 00:21:45 - Casting Choices & Putting Friends In Movies 00:33:23 - Tom's Acting, Bert's "Sobriety", & NASCAR 00:40:20 - The Royals & Meghan Markle 00:55:01 - Bills 01:03:01 - Big Boys 01:09:31 - Wrap Up Learn more about your ad choices. Visit megaphone.fm/adchoices

Cinematographer Pedro Gomez Millan shares stories from the set of “Daredevil: Born Again”, Disney's 2025 continuation of the live action superhero saga that aired on Netflix between 2015 and 2018. Also continuing his co-host streak: Gianni Damaia!

SEASON 2 - EPISODE 141 - DP & VFX Relationship - with Greig Fraser & Paul Lambert In this episode of the Team Deakins Podcast, cinematographer Greig Fraser (Season 1, Episodes 29, 57, 63, 69 & Season 2, Episodes 50, 51, 100) and VFX supervisor Paul Lambert (Season 1, Episode 107) return to talk about the modern relationship between the cinematography and visual effects departments. Throughout the episode, we frequently refer to Paul's and Greig's collaboration on both DUNE films, and they reveal how they realized several scenes and overcame the endless challenges of shooting the film with the support of one another. They share why they utilized painted backings to assist in set extension over blue screens or LED walls, and we later swap strategies for figuring out how to maintain the illusion of a flying helicopter. Greig also reveals what makes him proud about a particular all-CG shot in DUNE: PART II, and Paul breaks down what an audience really means when they see “bad CGI” in a film. Towards the end, we discuss the merging of animation and live-action filmmaking, and we look ahead to what the future may bring. - Recommended Viewing: DUNE (2021), DUNE: PART II (2024) - This episode is sponsored by Aputure & Profoto

This week we take a look into Hitchcock's popular chamber room mystery, Dial M for Murder. Set in a luxurious London flat, a marital drama unfolds that leads into blackmail and murder. ***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Warner Bros. Picture. Released May 29, 1954. Produced and directed by Alfred Hitchcock. Screenplay by Frederick know, based on his 1952 play. Starring Ray Milland, Grace Kelly, Robert Cummings, John Williams, Anthony Dawson. Cinematography by Robert Burks. Edited by Rudi Fehr. Music by Dimitri Tiomkin.Ranking: 11 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Dial M for Murder got 2,510 ranking points.

It's the second half of our 100% Accurate Way Too Early Oscars Predictions for 2025/26. In this episode, we discuss the Supportings, Casting, Director, Picture and 12 categories in all! Cinematography - 2:16 Film Editing - 5:07 Animated 9:38 International - 13:09 Documentary - 17:51 Costume Design - 20:24 Production Design - 23:24 Supporting Actor - 29:00 Supporting Actress - 37:24 Casting - 41:17 Director - 45:00 Picture - 52:00 OUTRO - Go back and enjoy our entire Oscars Year In Preview Series as we discussed the calendar, reviewed Sundance, and previewed Cannes. Do look forward to our continuation of our Oscar Profile Movie Reviews series as we'll do film study episodes on upcoming contenders. But first, we cannot wait to review the reviewers and time the standing ovations from the 2025 Cannes Film Festival later this week. https://linktr.ee/mikemikeandoscar

We cross into Matthew Vaughn’s “Stardust” and discuss: Cinematography, polished camera moves; Story & Writing, fairytale rules, character wants, love; and other such stuff and things and stuff. “My bounty is as boundless as the sea, My love as deep. The more I give to thee, The more I have, for both are infinite.“ – […] The post Ep 322: “Stardust” appeared first on The Pestle.

The Cinematography Podcast Episode 309: Scott Siracusano The Hulu original horror film, Control Freak, plunges audiences into the unraveling world of Val (Kelly Marie Tran), a motivational speaker tormented by an unrelenting itch on the back of her head. Is it a manifestation of her own mind, or is she falling prey to a parasitic demon from her homeland? Control Freak is a body horror film that delves deep into themes of control, perfectionism, mental health, and generational trauma. Cinematographer Scott Siracusano has known Control Freak writer and director Shal Ngo since 2019. The two made a short, The Box, which went to the prestigious Cameraimage Film Festival in Poland. Their creative partnership continued on another short film, Control, for season two of Hulu's Bite Size Halloween. When Ngo was invited to expand Control into a feature-length film, Control Freak was conceived. Scott was captivated by the script and eager for the creative challenges it presented. Unfortunately, the film hit several roadblocks and delays before shooting was finally greenlit by the network. As a first-time feature DP, Scott had to meet with producers and pitch himself as the best cinematographer for the film. Championed by Ngo, Scott meticulously prepared a lookbook and presented his scene-by-scene shooting strategy in an hour-long meeting, ultimately securing his role as the film's cinematographer. One of the most significant cinematographic challenges on Control Freak was executing its underwater sequences. Due to a limited budget, there wasn't enough time or money to shoot the actors in real tanks of water. Scott chose to use dry for wet film techniques, where smoke, specialized filters, and dynamic lighting effects are skillfully combined to simulate an underwater environment. Inspiration for this approach came from Dan Laustsen's masterful work in The Shape of Water. “What I realized is that it is truly a less is more situation,” Scott says. “We need to have the caustics of water and moving lights that you would feel on your subject in tandem with atmosphere, and particles that could be added as effects. I was like, 'I think we could pull this off. I think we could actually do this.'” The biggest concern was creating realistic hair and body movement floating in water, so the actors' hair was tied back for these scenes. The production team found a music performance space where they could build a wire rig, enabling the actors to “float.” For close ups, Scott found simply having the actors sit and move around on a yoga ball effectively created a floating effect. Two projectors helped simulate water patterns, and the room was filled with atmospheric haze. Subtle fill light and slight camera movements completed the effect. Ultimately, these practical in-camera effects were so successful that the film required minimal visual effects for its underwater scenes. The lighting and color palette of Control Freak were crucial in establishing a claustrophobic atmosphere and exploring the film's central duality between sanity and madness. "We really wanted to lean into the surrealism and the dreamlike state of everything,” explains Scott. “Moonlight definitely allowed us a little bit more shaping, and being able to hide the monster. I really wanted to have rich, detailed shadows that were never true black—always some detail, no matter how dark the shadows.” Val's house was intentionally kept as an enclosed space, with curtains constantly drawn, immersing the audience in her confinement and heightening their sense of being trapped alongside her. As a horror fan himself, Scott loved creating the look and feel of Control Freak. “It's so cool and fun being on set, in the actual world with the creature there.” His takeaways from lensing his first feature included the importance of faithfully executing the director's vision while remaining adaptable to the unpredictable nature of filmmaking. “Going into a feature,

Van and Rachel welcome former NFL cornerback and ESPN contributor Domonique Foxworth to react to Shedeur Sanders's historic fall in the NFL draft (16:49) and Saquon Barkley spending quality time with President Trump (37:15). Then director of photography Autumn Durald Arkapaw joins to discuss how she shot arguably the most talked-about film of the decade, ‘Sinners' (50:41). Finally, Van has a plan on how to defeat a gorilla with 100 men (50:39). Hosts: Van Lathan and Rachel Lindsay Guest: Dominique Foxworth and Autumn Durald Arkapaw Producers: Donnie Beacham Jr. and Ashleigh Smith Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week's episode of the MalloryBros. podcast, the guys start with a recap of a busy weekend. Between Easter, NBA Playoffs, Wrestlemania and Sinners, they had alot to recap. Terrell gives a slight recap of Wrestlemania and speaks to his experience watching after 15 years. They take the rest of the Podcast to Deep Dive "Sinners". [SPOILERS]They speak to everything from their movie going experience to their thoughts on Direction, Performance, Cinematography, Establishment of Power, Character Development.. The Whole 9! If you havent seen the film, definitely check it out and give this episode a listen. It's one of those "once in a while" special films that create these deep dive conversations!