Podcasts about bombay

Fraudsters are increasingly using deepfake videos of CEOs and other company executives to trick firms out of millions of dollars. And with the evolution of AI, these videos are becoming ever-more sophisticated and convincing. We speak to two CEOs who have been deepfaked: the head of the Bombay stock exchange and the boss of password security company LastPass. And we hear how criminals used deepfake videos to trick British engineering firm Arup into handing over $25 million. How easy is it to make these videos? Ed Butler visits a cybersecurity company which shows him how it can be done, using readily available software. Ed's hosts make a deepfake of him and we compare the real Ed to the fake Ed. We also put figures on the size of this problem and explain how much it's costing businesses.If you'd like to get in touch with the team, our email address is businessdaily@bbc.co.ukPresenter: Ed Butler Producer: Gideon Long Sound Mix: Toby JamesBusiness Daily is the home of in-depth audio journalism devoted to the world of money and work. From small startup stories to big corporate takeovers, global economic shifts to trends in technology, we look at the key figures, ideas and events shaping business.Each episode is a 17-minute deep dive into a single topic, featuring expert analysis and the people at the heart of the story.Recent episodes explore the weight-loss drug revolution, the growth in AI, the cost of living, why bond markets are so powerful, China's property bubble, and Gen Z's experience of the current job market.We also feature in-depth interviews with company founders and some of the world's most prominent CEOs. These include Google's Sundar Pichai, Wikipedia founder Jimmy Wales, and the CEO of Starbucks, Brian Niccol.(Picture: An image of a man in a cap being deepfaked. Credit: Getty Images)

Using public storytelling as a driving force, Moral Storytelling in 1920s New York, Odessa, and Bombay: Sex, Crime, Violence, and Nightlife in the Modern City (Bloomsbury, 2026) by Dr. Mark D. Steinberg explores everyday social moralities relating to stories of sex, crime, violence, and nightlife in the 1920s city space. Focusing on capitalist New York, communist Odessa, and colonial Bombay, Dr. Steinberg taps into the global dimension of complex everyday moral anxiety that was prevalent in a vital and troubled decade.Moral Storytelling in 1920s New York, Odessa, and Bombay compares and connects stories of the street in three compelling cosmopolitan port cities. It offers novel insights into significant and varied areas of study, including city life, sex, prostitution, jazz, dancing, gangsters, criminal undergrounds, cinema, ethnic and racial experiences and conflicts, prohibition and drinking, street violence, 'hooliganism' and other forms of 'deviance' in the contexts of capitalism, colonialism, communism, and nationalism.The book tells the stories of moralizers: empowered and insistent critics of deviance driven to investigate, interpret, and interfere with how people lived and played. Beside them, not always comfortably, were the policemen and journalists who enforced and documented these efforts. It also reveals the histories of women and men, mostly working class and young, who were observed and categorized: those judged to be wayward, disreputable, disorderly, debauched, and wild. Dr. Steinberg explores this global culture war and the everyday moral improvisations-shaped by experiences of class, generation, gender, ethnicity, and race-that came with it. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Using public storytelling as a driving force, Moral Storytelling in 1920s New York, Odessa, and Bombay: Sex, Crime, Violence, and Nightlife in the Modern City (Bloomsbury, 2026) by Dr. Mark D. Steinberg explores everyday social moralities relating to stories of sex, crime, violence, and nightlife in the 1920s city space. Focusing on capitalist New York, communist Odessa, and colonial Bombay, Dr. Steinberg taps into the global dimension of complex everyday moral anxiety that was prevalent in a vital and troubled decade.Moral Storytelling in 1920s New York, Odessa, and Bombay compares and connects stories of the street in three compelling cosmopolitan port cities. It offers novel insights into significant and varied areas of study, including city life, sex, prostitution, jazz, dancing, gangsters, criminal undergrounds, cinema, ethnic and racial experiences and conflicts, prohibition and drinking, street violence, 'hooliganism' and other forms of 'deviance' in the contexts of capitalism, colonialism, communism, and nationalism.The book tells the stories of moralizers: empowered and insistent critics of deviance driven to investigate, interpret, and interfere with how people lived and played. Beside them, not always comfortably, were the policemen and journalists who enforced and documented these efforts. It also reveals the histories of women and men, mostly working class and young, who were observed and categorized: those judged to be wayward, disreputable, disorderly, debauched, and wild. Dr. Steinberg explores this global culture war and the everyday moral improvisations-shaped by experiences of class, generation, gender, ethnicity, and race-that came with it. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Using public storytelling as a driving force, Moral Storytelling in 1920s New York, Odessa, and Bombay: Sex, Crime, Violence, and Nightlife in the Modern City (Bloomsbury, 2026) by Dr. Mark D. Steinberg explores everyday social moralities relating to stories of sex, crime, violence, and nightlife in the 1920s city space. Focusing on capitalist New York, communist Odessa, and colonial Bombay, Dr. Steinberg taps into the global dimension of complex everyday moral anxiety that was prevalent in a vital and troubled decade.Moral Storytelling in 1920s New York, Odessa, and Bombay compares and connects stories of the street in three compelling cosmopolitan port cities. It offers novel insights into significant and varied areas of study, including city life, sex, prostitution, jazz, dancing, gangsters, criminal undergrounds, cinema, ethnic and racial experiences and conflicts, prohibition and drinking, street violence, 'hooliganism' and other forms of 'deviance' in the contexts of capitalism, colonialism, communism, and nationalism.The book tells the stories of moralizers: empowered and insistent critics of deviance driven to investigate, interpret, and interfere with how people lived and played. Beside them, not always comfortably, were the policemen and journalists who enforced and documented these efforts. It also reveals the histories of women and men, mostly working class and young, who were observed and categorized: those judged to be wayward, disreputable, disorderly, debauched, and wild. Dr. Steinberg explores this global culture war and the everyday moral improvisations-shaped by experiences of class, generation, gender, ethnicity, and race-that came with it. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

In this episode of Best in Fest, host Leslie LaPage sits down with Sandhya Hermon — an award-winning screenwriter and former research psychologist — to explore how a second career in storytelling can emerge from lived experience, global identity, and persistence.Sandhya shares her journey from earning a doctorate in psychology to pursuing an MFA in screenwriting at UT Austin, and how her scripts have gone on to place at top competitions including Austin Film Festival, PAGE Awards, BlueCat, Nichols Fellowship, and more.In this episode, we explore:

In this second episode of the Culinary Travel series, we go around the world through some very exotic flavors with Chef Kelvin Cheung of Jun's in Dubai. Kelvin has eaten his way across the globe, traveling through continents and cities exploring cultures, cuisines, heritage and so much more. On this episode Kelvin gives us a glimpse of his journeys and takes us on a super delicious ride.Destination Highlights and Culinary Insights:1. Thailand - Fireworks of flavor.Kelvin calls Thailand one of the most dynamic food destinations in the world.• Exploring small towns and villages beyond Bangkok.• Best street food in the world.https://www.instagram.com/cheftonn/?hl=en – All of Chef Ton's restaurants come highly recommended.https://www.instagram.com/restaurant.potong/?hl=en – Highly recommended.2. China - A Culinary awakening.• Regional diversity across South, East and Northwest China.• Border cuisines blending Chinese, Thai, and Lao influences3. Japan - The benchmark of excellence.4. Singapore - Nostalgia on a plate5. Jordan - A delicious surprise.https://www.instagram.com/qaismalhas/?hl=en – highly recommended.6. Vietnam - The ingredient revelation - a ‘rice paddy herb'.7. India – A culinary renaissance.Highly recommended - https://www.instagram.com/veronicasbombay/?hl=en                                    https://www.instagram.com/masquerestaurant/?hl=en                                    https://www.instagram.com/restaurantnaar/?hl=enThis special Culinary Series is brought to you by Emirates NBD Voyager Credit Cards.Connect with Kelvin at:https://www.instagram.com/chefkelvincheung/Thank you all for tuning in today!If you enjoyed this episode, please hit that subscribe button here, or on your favorite podcast platform. I'd love to hear from you! What destinations or journeys should we feature next? Drop a comment, leave a rating, or write a review - it truly makes a difference.Stay connected with me on Instagram @moushtravels to find out who's joining me next week. You can also explore all past episodes and destinations mentioned by our guests on www.moushtravels.com or in the episode show notes.Thanks for listening! Until next time, safe travels and keep adventuring.     "Want a spotlight on our show? Visit https://admanager.fm/client/podcasts/moushtravels and align your brand with our audience."Connect with me on the following:Instagram @moushtravelsFacebook @travelstorieswithmoushLinkedIn @Moushumi BhuyanYou Tube @travelstorieswithmoush Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Is Mumbai still a city for everyone, or just for those who can afford it?In this episode of Books & Beyond, Tara sits down with veteran journalist and author Sidharth Bhatia to discuss his latest book, Mumbai: A Million Islands. The book is not about the history of Marine Lines or the Gateway of India, but the thing that actually builds this city... PEOPLE!Tara and Sidharth explore the bubonic plague of 1896, the transformation of Parel's textile mills into high-end malls, and what it's like for 28 families to build a rooftop community, hauling groceries, furniture, and even dead bodies up by rope. They discuss displacement of both slum and middle-class communities, the stories of activist Gauri Sawant and Kanthibai of Kamathipura, and how walking across the city reveals the hidden lives and stories that often go unnoticed.Whether you're a lifelong Mumbaikar or a curious outsider, this episode is a love letter and a critique that will make you question what it truly means to belong in Mumbai today.Books and Documentaries mentioned in the episode:Bachelor Girls by Shikha Makan (2016)Manto: Selected Short Stories by Saadat Hasan MantoNight in Bombay by Louis Bromfield Imagine spending five days of uninterrupted creativity in a serene, century-old Indo-Portuguese villa. Join an exclusive group of twelve writers for a transformative writing retreat. 5 seats left, apply now!Learn more: https://boundindia.com/retreats/annual-writers-retreatApply now: https://tinyurl.com/46rhn7hz‘Books and Beyond with Bound' is the podcast where Tara Khandelwal and Michelle D'costa uncover how their books reflect the realities of our lives and society today. Find out what drives India's finest authors: from personal experiences to jugaad research methods, insecurities to publishing journeys. Created by Bound, a storytelling company that helps you grow through stories. Follow us @boundindia on all social media platforms.

Schon gewusst? 5 spannende Fakten aus der Wikipedia! Dieser Podcast wird durch Werbung finanziert. Weitere Podcasts, Infos und Angebote unserer Werbepartner: https://linktr.ee/WikiPods Quellen: https://en.wikipedia.org/wiki/Mecki https://en.wikipedia.org/wiki/Shark_fin_soup https://en.wikipedia.org/wiki/four_sea_delicacies https://en.wikipedia.org/wiki/Bombay_sandwich https://en.wikipedia.org/wiki/Julio_Vargas_Garayar https://en.wikipedia.org/wiki/Cyclone_Dana Dieser Inhalt wurde mithilfe künstlicher Intelligenz erstellt oder bearbeitet. CC BY-SA 4.0 (https://creativecommons.org/licenses/by-sa/4.0/)

Guest: Grant Newsham. Newsham discusses the PLA purge of leadership, analyzing the implications of Xi Jinping'sremoval of top military officials and what it signals about internal instability within China's armed forces. Guest: Grant Newsham. Newsham critiques the weaknesses of national security studies that expect Chinese attack only at Taiwan, arguing this narrow focus leaves the U.S. vulnerable to broader PRC strategic threats. Guest: John Cochrane. Cochrane analyzes the inadequacy of tariffs as an economic tool, explaining why they fail to achieve their intended goals and often harm domestic consumers and businesses. Guest: John Cochrane. Cochrane discusses the demand for foreign investment, examining how capital flows impact the U.S. economy and the complexities of managing trade imbalances. Guest: Rebecca Grant. Grant compares U.S. carrier capabilities into the future against China's naval expansion plans, assessing the shifting balance of power in the Pacific. Guest: Rick Fisher. Fisher details China's century-long plan for space supremacy, warning that Beijing's strategic investments in space technology pose a significant threat to American dominance. Guest: Steve Yates. Yates examines how allies Australia, Canada, and the UK are seeking favorable trade deals with China, raising concerns about alliance cohesion amid PRC economic pressure. Guest: Steve Yates. Yates discusses strategies for dealing with the PRC as an adversary seeking supremacy, emphasizing the need for coordinated Western responses to Chinese ambitions. Guest: Sinan Ciddi. Ciddi analyzes Erdogan succession prospects in Turkey, examining potential successors and the implications for Turkish domestic and foreign policy. Guest: Sinan Ciddi. Ciddi assesses the possibility of democracy in Turkey, discussing the structural obstacles and political dynamics that shape the country's democratic trajectory. Guest: Sadanand Dhume. Dhume reports on the India-EU trade deal after 21 years of negotiation, analyzing the significance of this agreement for both economies and regional geopolitics. Guest: Michael Bernstam. Bernstam examines Russia's budget gap widening with the sinking price of oil, detailing the fiscal pressures facing Moscow as energy revenues decline. Guest: Simon Constable. Constable reports from France with a resident European pine marten, offering observations on rural life and wildlife in the French countryside. Guest: Simon Constable. Constable discusses the Labour scandal with the Epstein revelations, analyzing the political fallout affecting Britain's governing party. Guest: Bob Zimmerman. Zimmerman reports on Artemis plans for a launch in March, detailing NASA's progress toward returning American astronauts to the Moon. Guest: Bob Zimmerman. Zimmerman analyzes the failing Roscosmos, describing Russia's declining space program and its inability to compete with American and Chinese advancements.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Envisioning Hopeful Futures Host Miko Lee speaks with two Bay Area artists, activists, and social change makers: Tara Dorabji and Cece Carpio. Both of these powerful people have been kicking it up in the bay for a minute. They worked in arts administration as community organizers and as artist activists.   LINKS TO OUR GUESTS WORK Tara Dorabji Author's website New book Call Her Freedom Find more information about what is happening in Kashmir Stand With Kashmir Cece Carpio  Tabi Tabi Po running at Somarts   SHOW Transcript Opening Music: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express. Miko Lee: Good evening. I'm your host Miko Lee, and tonight I have the pleasure of speaking with two Bay Area local artists, activists, and social change makers, Tara Dorabji and Cece Carpio. Both of these powerful people have been kicking it up in the bay for a minute. They worked in arts administration as community organizers and as artist activists. I so love aligning with these multi hyphenated women whose works you can catch right now. First up, I talk with my longtime colleague, Tara Dorabji Tara is an award-winning writer whose first book Call Her Freedom just came out in paperback. And I just wanna give a little background that over a decade ago I met Tara at a workshop with the Great Marshall Gantz, and we were both asked to share our stories with the crowd. During a break, Tara came up to me and said, Hey, are you interested in joining our radio show, Apex Express? And that began my time with Apex and the broader Asian Americans for Civil Rights and Equality community. So if you hear a tinge of familiarity and warmth in the interview, that's because it's real and the book is so great. Please check it out and go to a local bookstore and listen next to my chat with Tara. Welcome Tara Dorabji to Apex Express.  Tara Dorabji: Thank you so much for having me. It's wonderful to be with you, Miko. Miko Lee: And you're actually the person who pulled me into Apex Express many a moon ago, and so now times have changed and I'm here interviewing you about your book Call Her Freedom, which just was released in paperback, right? Tara Dorabji: Yep. It's the one year book-anniversary. Miko Lee: Happy book anniversary. Let's go back and start with a little bit for our audience. They may have heard you, if they've been a long time Apex listener, but you as an artist, as a creator, as a change maker tell me who are your people and what legacy do you carry with you? Tara Dorabji: Who are my people? My people I would say are those who really align with truth. Truth in the heart. That's like at the very core of it. And I'm from the Bay Area. I've been organizing in the Bay a long time. I started out organizing around contaminated sites from nuclear weapons. I've moved into organizing with young people and supporting storytelling. So arts and culture has been a huge part of it. Of course, KPFA has been a big part of my journey, amplifying stories that have been silenced, and I think in terms of legacy, I've been thinking about this more and more. I think it goes into two categories for me. One are the relationships and who remembers you and and those deep heart connections. So that's one part. And then for my artistry, it's the artists that come and can create. On the work that I've done and from that create things that I couldn't even imagine. And so I really think that's the deepest gift is not the art that you're able to make, but what you create so that others can continue to create. Miko Lee: Thank you so much for sharing the deep kind of legacy and sense of collaboration that you've had with all these different artists that you've worked with and it's, your work is very powerful. I read it a year ago when it first came out, and I love that it's out in paper back now. Can you tell our audience what inspired Call her Freedom. Tara Dorabji: Call Her Freedom is very much inspired by the independence movement in Indian occupied Kashmir. And for me it was during the summer uprisings when, and this was way back in, In 2010-2009, after the Arab Spring and for the entire summer, Kashmir would be striking. It would shut down from mothers, grandmothers, women, children in the street. This huge nonviolent uprising, and I was really drawn to how it's both one of the most militarized zones on earth. And how there was this huge nonviolent uprising happening and questions about what it could look like, even like liberation beyond the nation state. And so I was really drawn to that. My dad's from Bombay, from Mumbai, that's the occupying side of it, and ethnically we're Parsi. So from Persia a thousand years ago. And so I think for me, at a personal level, there's this question of, okay, my people have been welcomed and assimilated for generations, and yet you have indigenous folks to the region that are under a complete seizure and occupation as part of the post-colonial legacy. And so I went and when I went to Kashmir for the first time was in 2011, and I was there. Right when the state was verifying mass graves and was able to meet with human rights workers and defenders, and there was a woman whose husband had disappeared and she talked to me about going to the graves and she told me, she said I wanted to crawl in and hug those bones. Those are the lost and stolen brothers, sons, uncles, those are our people. And another woman I spoke to talked about how it gave her hope for the stories to carry beyond the region and for other people to hear them. And so that became a real core part of my work and really what call her freedom is born from. Miko Lee: Thank you for sharing and I know that you did a film series and I wonder if you could about Kashmir and about what's going on, and I think that's great because so many times we in American media don't really hear what's going on in these occupied lands. Can you talk a little bit about how the interconnectedness of your film series and the book and was that part of your research? Was it woven together? How did you utilize those two art forms?  Tara Dorabji: I think we're both accidental filmmakers. That might be another way that our cross, our paths cross. In terms of medium. So for me, I was actually working with Youth Speaks the Brave New Voices Network at that time and doing a lot of short form. So video content, three minutes, 10 minutes, six minutes. And it was playing really well and what I was seeing coming outta kir by local filmmakers was beautiful, gorgeous, highly repressed work generally, longer form, and not always immediately accessible to an audience that didn't have context, that hadn't been, didn't understand. And my thinking was this was a gap I could fill. I had experience, not as a filmmaker, but like overseeing film teams doing the work, right? And then here are some of the most silent stories of our time. So when I went back to do book research in 2018, I was like, Hey, why don't I make some short form films now? I didn't even know what I was getting into. And also I think. When you go in as a novelist, you're absorbing your hearing and it takes time. There's no clock. It was, it's been the hardest project to get from start to finish. And I couldn't be like, okay, Miko, like I've done it once. Now this is how you do it. And when people trust you with their story, there's an urgency. So throughout the whole project, I was always seeking form. So my first trip went straight to KPFA radio. Took the stories, project sensor, took the stories, and so I wanted to build on that. And so the documentary films provided a more some are, I'm still working on, but there was some immediacy that I could release, at least the first film and the second film, and also I could talk about how can this work dovetail with campaigns happening on the ground and how can my work accelerate what human rights defenders are doing? So the first film here still was released with the first comprehensive report on torture from the region. And so it gave that report a whole different dimension in terms of conversation and accessibility. It was a difficult film but necessary, and because I had to spend so much time with. It was a difficult film but necessary, and because I had to spend so much time with transcribing, watching the footage over and over again, it really did inform my research from the B-roll to sitting and hearing the content and also for what people were willing to share. I think people shared in a different way during video interviews than when I was there for novel research. So it worked really well. And what I am, I think most proud of is that the work was able to serve what people were doing in a really good way, even though it's really difficult work.  Miko Lee: It built on the communication strategies of those issues like the torture report and others that you're working on.  Tara Dorabji: Exactly. And in that way I wasn't just coming and taking stories, I was applying storytelling to the legal advocacy strategies that were underway. And, you make mistakes, so it's not like there weren't difficulties in the production and all of that. And then also being able to work with creatives on the ground and at times it just. You, it became increasingly difficult, like any type of money going out was too heavily scrutinized. But for a time you could work with creatives as part of the projects in the region and then that's also super exciting.    [00:11:18] Miko Lee: Yeah. Can you talk a little bit more, I heard you say something about how the, when people are telling your story for the novel versus telling the story for the video that the cadence changes. Can you share a little bit more about what you mean by that?    Tara Dorabji: Yeah, I think when I'm doing novel research, it's very expansive, so I'm dealing with these really big questions like, what is freedom? How do you live in it? How do you, how do you choose freedom when your rights are being eroded? And so that conversation, you could take me in so many different directions, but if I am focused on a very specific, okay, I'm doing a short documentary film around torture, we're gonna go into those narratives. Or if I'm coming with a film medium, like people just see it differently and they'll speak and tell their stories differently than with a novel. It's gonna be fictionalized. Some of it might get in there or not. And also with a novel, I don't ever, I don't take people and apply them to fiction. I have characters that like, I guess come to me and then they're threaded through with reality. So one character may hold anecdotes from like dozens of different people and are threaded through. And so in that way you're just taking like bits and pieces become part of it, but. You don't get to see yourself in the same way that you do with the film. So in some ways. It can be safer when the security environment is as extreme as is as it is right now. But there's also this real important part of documentary film where it's people are expressing themselves in their own words, and I'm just curating the container.  Miko Lee: Was there an issue like getting film out during the time that you were doing the documentary work? Because I've heard from other folks that were in Kashmir that were talking about smuggling film, trying to upload it and finding different, did you have to deal with any of that, or was that before the hardest crackdown? Tara Dorabji: I mean there were, there's been series, so 2019 was abrogation where there was a six month media blockade. And so just your ability to upload and download. And so that was after I had been there. The environment was there was challenges to the environment. I was there for a short time and you just come and you go. You just do what you're gonna do and you be discreet. Miko Lee: And what is going on in Kashmir now?  Tara Dorabji: The situation is really difficult. One of the lead leads of the report on torture and coordinator from the human rights group that put, that helped put out that report has been incarcerated for four years Koran Perve. Miko Lee: Based on what?  Tara Dorabji: His human rights work. So they've just been detaining him and the United Nations keeps calling for his release.  Miko Lee: And what do they give a reason even?  Tara Dorabji: They, it's yeah, they give all kinds of trumped up charges about the state and terrorism and this and that. And also. One of the journalists and storyteller and artists in the first film that I released, Iran Raj, he's been incarcerated for two years. He was taken shortly after he was married, the press, the media has been dismantled. So there was, prolific local press. Now it's very few and it's all Indian State sponsored narrative propaganda coming through. ] Miko Lee: How are concerned folks here in the US able to get any news about what's happening in Kashmere, what's really going down?  ara Dorabji: It's really hard. Stand with cashmere is a really good source. That's one. There's cashmere awareness. There's a few different outlets that cover what happens, but it's very difficult to be getting the information and there's a huge amount of repression. So I definitely think the more instagram orgs, like the organizations that go straight to the ground and then are having reels and short information and stories on Instagram is some of the most accurate information because the longer form journalism. It is just not happening right now. In that way people are being locked up and the press is being dismantled and people running, the papers are being charged. It's just horrendous. Entire archives are being pulled and destroyed. So hard. Really hard. So those, Stand With Kashmir is my go-to source, and then I see where else they're looking.  Miko Lee: So your book Call Her Freedom is a fictionalized version, but it's based around the real situation of what's been going on in Kashmir. Can you share a little bit more about your book, about what people should expect and about what you want them to walk away with understanding.  Tara Dorabji: It's a mother daughter story. It's a love story. It's about love and loss and families, how you find home when it's taken. And the mom is no Johan. She's a healer. She's a midwife. She has a complex relationship with her daughter and she haunts the book. So the story told from multiple points of view, we never get and ignore the mom's head, but. She comes back as she has a lot to say. And I think it's interesting too because in this village that's largely run by men, you have these two women living by themselves and really determining their own fate. And a lot of it has to do with both nors ability to look at ancient healing practices, but also a commitment that her daughter gets educated. And so she really like positions her daughter in between the worlds and all the while you have increasing militarization. And Aisha starts as a young girl just starting school. And then at the end of the story, she's a grandmother. We get to see her relationships evolve, her relationship with love evolve, and a lot of the imperfections in it. And one of the things in writing this is when you're dealing. Living in occupation, there's still the day-to-day challenges that so many of us endure. And you have these other layers that are horrific.  Miko Lee: Yeah. And I'm wondering how much of yourself as a mother you embedded into the book as a mother, as an activist, as a mother of daughters, how much of yourself do you feel like you put into the book?  Tara Dorabji: A ton. It's my heart and spirit in there. And there were some really, there's this scene where the mom does die, and I actually wrote that before my mom passed away. And I do remember like after my mom died, going through and editing that part. And it was just like. It was really, it was super intense and yeah, I mean it definitely made me cry and it was also like the emotion was already there, which was interesting for me to have written it before but then have it come back and a full circle, I think.  Miko Lee: So did you change it after you experienced your own mom dying?  Tara Dorabji: It was soft edits. In my second novel, there's a scene and it, that one completely changed 'cause I didn't hit the emotion. Emotional tenor, right? It's funny, but in this one it was pretty good. I was like, I did pretty good on that one. But yeah, so it was just like tinkering with it a little. I think also my daughters were about four when I started.  Miko Lee: Oh, wow.  Tara Dorabji: And it came out as, when they're 18. So the other part was I was able to use their age references constantly throughout it because. I could just map to what it's like being a mom of a kid that age. So I did ob yeah, definitely used my own. So it's an amalgam and also it's fictionalized. So in the book, it's not Kashmir, it's Poshkarbal there's right a village. And so trying to take people out of something that they can identify as reality, but then at the same time, you can see the threads of reality and create a new experience. Miko Lee: So since you brought that up, tell us about the next book that you're working on right now.  Tara Dorabji: Yes, it's still very much in a draft form, but takes place here in the Bay Area. Similar themes around militarization, family secret love, lineage loss, and part of it's in Livermore Home to one of the world's nuclear weapons lab. Mm-hmm. Part of it's in San Francisco, so exploring into the future tech, AI, and. There's an underpinning around humans' relationship to technology, and I think at this point. We know that technology isn't gonna solve the crisis of technology. And so also looking at our relationship to land and culture and lineage. So there's, it's about, now I'm looking at about a hundred year span in it.  Miko Lee: Wow. Really?  Tara Dorabji: Yeah. Contained with the geography of the Bay Area  Miko Lee: Toward the future. Toward the past? Tara Dorabji: both past and future Miko Lee: Whoa. Interesting.  Tara Dorabji: Yeah.  Miko Lee: I'm reading Empire of AI right now. I don't know if you're familiar with that, but, oh, the AI stuff is so deeply disturbing about humanity. You're really thinking about where we're going, so I'm curious to find out your fictionalized versions of the impact.  Tara Dorabji: It's a major change we're going through. Yeah, and you and I grew up in a time when we didn't have cell phones and we used maps, and Yeah. If I was gonna meet you, I had to be there and we'd have to make a plan in advance and yeah. It's just shifting so rapidly. So we went  Miko Lee: through that. Even how to read a, how to read a clock like my girls, I had to show them as adults how to read a clock. Wow, I didn't realize these things. Our world is so digitized that even the most basic, that concepts ha how are shifting and even fine motor skills. Like most young people do not have good, fine motor skills.  Tara Dorabji: Yeah.  Miko Lee: Because they're just used to being on their phone all the time.  Tara Dorabji: Yes, and the, and I would give it is during the rain over the holidays, there is just always a family out with a small child in their yellow rain boots. And the kid like reaching into the tree, grabbing, smelling it dad or mom holding them. And so there are these anchors.  Miko Lee: Yeah.  Tara Dorabji: And even though humanity is accelerating in this one way, that's very scary and digitize. It's like the anchor of the earth in our community and our relationships still is holding us. Some of, you know, there's still that pull. And so I think that how people form their communities in the future and the way that. The choices that are gonna be made are just gonna become increasingly difficult. We faced it in our generation, parenting around cell phones, social media. We're seeing that impact of the suicidality, all of those things coming up. And that's gonna accelerate. So I do think it's, definitely a major change in transition some dark times, but also some really beautiful possibilities still rooting in our communities and in the world.  Miko Lee: And because we both work in movement spaces, I'm really curious I heard you talk a lot about connection and land and I'm just curious in your book. I got this vibe and I know a lot of the work that we do in the community. I'm wondering if you could speak a little bit on the land back movement internationally. In so many of those spaces, women are at the forefront of that. I wonder if you could talk a little bit about that.  Tara Dorabji: That's one of the most exciting things happening right now is the land back movement. In my younger days when I was studying what determines a woman's quality of life internationally at a scale, it's, it was really came down to land ownership. So in societies where land ownership went to women, they were able, and it was like. Outpaced by far, education and those other things is like that access to the land and the resource in that way. And land back is an acceleration of that, and I think particularly when we're looking at a lot of questions around philanthropy, spun downs, how it's done. When you transition an asset back into the community as land and land stewardship, right? Because then there's like the ownership for the stewardship and yeah, the different ways that it's done. But that is a lasting impact for that community. And so often when you're investing in women. Then it goes not just in terms of their quality of life, but the children, right? And the whole community tends to benefit from that. And I think even looking at Kir in the, one of the things that always has fascinated me is Kashmir during, it was independence was a carve up by the British, so that's a post-colonial strategy to keep people fighting. That has been very successful in the subcontinent. Kashmir had  Miko Lee: all over the world.  Tara Dorabji: Exactly. And Kashmir had a semi-autonomous status. That's what was really stripped in 2019, was that article from the Constitution. And so in the very early days when their autonomy was stronger, they started some pretty revolutionary land reforms. And so there was actually clauses where the people that were working the land could have it. And people Kashmiris were transferring land. To two other cashmeres. And so it was this radical re resource redistribution and you have a really strong legacy of feminism and women protesting and leading in Kashmir and I think that part from my perspective is that was a threat. This fear of redistribution of resources, land distribution other areas started to follow suit and the nation state didn't want that to happen. They wanted a certain type of concentration of wealth. And so I think that was one of the factors that. There were many, but I do think that was one that contributed to it. So I do think this idea of land backed land reform is extraordinarily important, and particularly looking at our own relationship with it. How do we steward it? How do we stop stripping the land? Of its resources and start realigning our relationship to it where humans are supposed to be the caretakers. Not the ones taking from.  Miko Lee: Thank you for sharing. I was thinking so much about your book, but also about the movement that we live in and the more positive visions of the future. Because right now it's devastating all the things that are happening in our communities. So I'm trying to be a bit hopeful and honestly just to keep through it make sure that we get through each day. Given so many of our brothers and sisters are at risk right now I'm wondering what gives you hope these days?  Tara Dorabji: Yeah, a lot of things do, I think like when I do try to take the breaths for the grief and the devastation because that loss of life is deep and it's heavy and it's real and it's mounting. So one, not to shy away from feeling it. Obviously not, it's hard. You don't want to 24 7, but when it comes in to let it come in and move through. And for me it's also this idea of not. It's just like living in hope. How do you live each moment and hope? And so a big part of it for me is natural beauty, like just noticing the beauty around me and filling myself up in it because that can never be taken away. And I think also in some of the most violent acts that are being committed right now, the way people are meeting them with a pure heart.  Miko Lee: Yeah.  Tara Dorabji: It's like you can't stop, like that's unstoppable is like that beauty and that purity and that love. And so to try to live in love, to try to ground in hope and to try to really take in the beauty. And then also like how do we treat each other day to day, and really take the time to be kind to one another. To slow it down and connect. So there are, these are tremendously difficult times. I think that reality of instability, political violence, assassination, disappearances, paramilitary have come visibly. They've been in the country, but at a, in the US at a more quiet pace, and now it's so visible and visceral  Miko Lee: And blatant. Yeah. It's just out there. There's no, they're not hiding about it. They're just out there saying out there, roaming the streets of Minnesota right now and other states to come. It's pretty wild.  Tara Dorabji: Yeah. And I think that the practice is not to move in fear. The grief is there, the rage and outrage can be there. But the love and the beauty exists in our communities and and in the young people. Miko Lee: Yeah.  Tara Dorabji: And our elders too. There's so much wisdom in our, in the elders. So really soaking up those lessons as much as possible.  Miko Lee: Thank you so much for chatting with me and I hope everybody that checks out your book call Her Freedom, which has gotten some acclaim, won some awards, been out there, people can have access to it in Paper Book. We'll put a link in our show notes so people can have access to buy it from an independent bookstore.  Tara Dorabji: Thank you so much. Wonderful to catch up and thank you for all your work on Apex as well.  Miko Lee: Thank you. Next up, take a listen to “Live It Up” by Bay Area's Power Struggle.    MUSIC “Live It Up” by Bay Area's Power Struggle.  Next up I chat with Visual artist, cultural strategist and Dream Weaver, Cece Carpio about her solo exhibition that is up and running right now at SOMArts through March. Welcome, Cece Carpio to Apex Express.   [00:33:37] Cece Carpio: Thank you for having me here.   [00:33:39] Miko Lee: I am so excited to talk with you, and I wanna start with my very first question that I ask all of my guests, which is, who are your people and what legacy do you carry with you? [00:33:52] Cece Carpio: That's a packed question and something I love. just in terms of where I come from, I was born and raised in the Philippines, small little farming village town, and migrated as my first so ground in the United States here in San Francisco. So my peoples consists of many different beings in all track of. The world whom I met, who I've loved and fought with, and, relate with and connect with and vision the world with. So that includes my family, both blood and extended, and the people who are here claiming the streets and claiming. Claiming our nation and claiming our world to make sure that we live in the world, that we wanna envision, that we are visioning, that we are creating. I track along indigenous immigrant folks in diaspora. black, indigenous people of color, community, queer folks, and those are folks that resonate in, identify and relate, and live, and pray and play and create art with.  [00:35:11] Miko Lee: Thank you so much. And do you wanna talk, chat a little bit about the legacy that you carry with you? [00:35:16] Cece Carpio: I carry a legacy of. Lovers and fighters, who are moving and shaking things, who are creating things, who are the healers, the teachers, the artists and it's a lot of load to carry in some extent, but something I'm very proud of, and those are the folks I'm also rocking with right now. I think we're still continuing and we're still making that legacy. And those are the people that are constantly breathing on my neck to make sure that I'm doing and walking the path. And it's a responsibility I don't take lightly, but it's also a responsibility I take proudly. [00:35:58] Miko Lee: Thank you for sharing. We are talking today because you have an exhibit that's at SOMArts Space, your first solo exhibit, and it's running all the way through March 29th, and it's called Tabi Tabi Po: Come Out With the Spirits! You Are Welcome Here First, tell me about the title and what that evokes for you. [00:36:18] Cece Carpio: Yes, so Tabi Tabi Po is a saying from the Philippines that essentially. Acknowledge, like it's most often used when you walk in the forest. And I think collectively acknowledge that there are other beings and spirits there beyond ourselves. So it's asking for permission. It's almost kind of like, excuse me, we're walking your territory right now. And, acknowledging that they're there and acknowledging that we're here or present and that, we're about to. Coexist in that space for that moment. So can we please come through? I think this is also not just like my open idea and choosing this title is not that we're only just coming through, but we're actually coming out to hang out for a little while and see what's happening here and kick it. Opening up space and welcoming folks who wants to come out and play with us and who wants to come and share the space.  [00:37:15] Miko Lee: Ooh. I really love that. I feel that when I walk in the forest to this ancestors that are with us. That's beautiful. This is your first solo exhibit, so I'm wondering what that feels like. You have been a cultural bearer for a really long time, and also an arts administrator. So what does it feel like to have your first solo exhibit and see so much of all of your work all around?  [00:37:36] Cece Carpio: Well, I'm a public artist. Most of the stuff that I've been doing the last decade has been out in public, creating murals and installations and activations, in different public spaces, and went somewhere. Specifically Carolina, who is the curator at SOMA have asked me to do this. To be honest, I was a little bit hesitant because I'm like, oh, it's a big space. I don't know. 'cause I've done group exhibitions in different parts of the years, but most of the stuff I do are affordable housing to like public activations to support the movement. Then I kind of retracted back and it's like, maybe this is the next step that I wanna explore. And it was a beautiful and amazing decision to work alongside so Mars and Carolina to make this happen 'cause I don't think it would've happened the way we did it in any other space, and it was amazing. Stressful that moments because I was still doing other projects and as I tried to conceive of a 2000 square footage gallery and so my district in San Francisco. But it was also the perfect opportunity. 'cause my community, my folks are here and. We are saying that it's a solo exhibition, but it really did take the village to make it all happen, and, which was one of my favorite part because I've been tracking this stem for so long and he is like folks on my back and I wanted to tell both my stories and our stories together. It was very opening, very humbling. Very vulnerable and exciting. All at the same time, I was able to talk or explore other mediums within the show. I've never really put out my writing out into public and is a big part and component of the exhibition as well as creating installations in the space. Alongside, what I do, which is painting mostly. But to be honest, the painting part is probably just half of the show. So it was beautiful to play and explore those different parts of me that was also playing with the notion of private and public, like sharing some of my own stories is something as I'm still trying to find ease and comfort in. Because as a public artist, I'm mostly translating our collective stories out, to be a visual language for folks to see. So this time around I was challenged a little bit to be like, what is it that you wanna share? What is it that you wanna tell? And that part was both scary and exciting. And, and he was, it was wonderful. It was great. I thought he was received well. And also, it was actually very relieving to share parts and pieces of me out with my community who have known for a long time. There were still different parts of that there were just now still learning. [00:40:39] Miko Lee: What did you discover about yourself as you're kind of grappling with this public versus private presentation? [00:40:45] Cece Carpio: What I learned about myself through this process is I can actually pretty shy. I mean, I might be, you know, um, contrary to like popular belief, but it was definitely, I'm like, Ooh, I don't know. I don't know. My folks who had been standing close with me, just like, this is dope. And also just in the whole notion that, the more personal it is, the more universal it becomes and learning that, being able to share those part of me in a way of just for the pure sake of sharing, actually allows more people to resonate and relate, and connect, which at this moment in time is I thing very necessary for all of us to know who our peoples are when this tyranny, trying to go and divide us and trying to go and separate us and trying to go and erase us. So I think there's something really beautiful in being able to find those connections with folks and spaces and places that otherwise wouldn't have opened up if you weren't sharing parts and pieces of each other.   [00:42:00] Miko Lee: That's so interesting. The more personal, kind of vulnerable you make yourself, the more it resonates with folks around the world. I think that's such a powerful sentiment because the, even just having a gallery, any piece of artwork is like a piece of yourself. So opening up a huge space like Somar, it's, that's like, come on in people. Thank you for sharing with us. To your point about the shocking, horrible, challenging, awful times that we live in. As we talk right now, which is Saturday, January 31st, there protests going on all around the country. I'm wondering if you can talk a little bit about what it means to be a visual artist, a cultural bearer in a time of fascism and in a time of struggle. [00:42:43] Cece Carpio: Well, if you go and see the exhibition, that's actually very much intertwined. My practice has always been intertwined with, creating a vision in solidarity with our communities who are believing and fighting for another world that's possible. My practice of this work has been embedded and rooted with the movement and with organizations and people who have the same goals and dreams to, bring in presence and existence of just us regular, everyday people who are still fighting to just be here to exist. So just to your question of, but what it means to do this work at this time. I think it is the imagination. It is the creativity that allow us to imagine something different. It is the imagination, it is the dreams that allow us to create that. Other world that we wanna envision when, everything else around us is telling us another way that's not really the best for ourselves and for our peoples and for the future generations that's gonna be carrying this load for us. And with this. In so many ways, a lot of my. my creating process, my making process has always carried that, and even myself, immigrating to this place that was once foreign is figuring out where I can belong. My art practice has not only been a way in which I express myself, but it has been the way in which I navigate the world. That's how I relate to people. That's how I am able to be part of different groups and community. And it's also how I communicate. , And that's always been, and still is a very big portion of my own practice.   [00:44:37] Miko Lee: Can you share a little bit more about your arts practice, especially when we're living in times where, people are trying to get a paycheck and then go to the rally, and then maybe phone banking and organizing and there's so many outside pressures for us to just continue to move on and be in community and be in movement work. I'm wondering how do you do it? Do you carve out times? Is it in your dreams? Where and how do you put yourself in your arts practice. [00:45:04] Cece Carpio: I don't think there is a wrong or right way of doing this. I think being an artist, it is not only about being creative on what, a paint on the walls, it is about being creative on how you live your life. I don't know if there's a formula and it's also been something that, to be honest, it's a real conversation. I mean, most of us artists. We're asking each other that, you know, like You do it. How do you figure out, like how do you add hours in your day? How do you continue doing what it is that you love and still fall in love with it when we're under capitalism trying to survive, all these different things. Everyone has a different answer and everyone has different ways of doing it. I'm just kind of figuring it out as I go, you know? I'm an independent artist. It is the center of the work that I do, both as a livelihood and as a creative practice, as a spiritual practice, as a connective practice. This is what I do. For me it is just like finding my peoples who wants to come and trek along. Finding folks who wants to support and make it happen. Beyond painting on walls, I'm also an educator. I've taught and pretty much most of the different levels of, what this nation's education system is like and still do that in practice, in both workshops, , sometimes classrooms, community group workshops and folks who wants to learn stern, both technical and also like conceptual skills. I consider myself also a cultural strategist, within a lot of my public activation and how I can support the movement is not just, creating banners or like little cards, but actually how to strategize how we utilize art. To speak of those things unspoken. But to gather folks together in order to create gateways for, other everyday folks who might not be as involved with, doesn't have time or availability or access to be involved to make our revolution irresistible. Many different cultural strategist comes together and we produce public art activations to make it both irresistible, but also to provide access, to folks who otherwise probably would just walk by and have to go to their everyday grind to just make it on this work. As long as I see it aligned within kind of divisions that we have together to consistently rise up and get our stories known and become. Both a visual translator but also a visual communicator in spaces and places sometimes, you know, unexpected, like for example, within the protest when protest is over, like what are left behind within those spaces where we can create memories. And not just like a moment in time, but actually how do we mark. The space and places we share and that we learn from and that we do actions with. We can make a mark and let it be seen.   [00:48:05] Miko Lee: Thank you for that. I'm wondering, as you're talking about your profound work, and how you move through the world, I'm wondering who are some of the artists that inspire you right now?  [00:48:17] Cece Carpio: So many, so many folks. Artists at this moment have been becoming vital because of the intensity of our political climate that's happening. There's so many artists right now who are. doing a lot of amazing, amazing things. I definitely always have to give shout out to my mama, Esra, which is one Alicia, who's just consistently and prolifically still creating things. And she, I've been doing and collaborating with her for many, many years. What I think I really love and enjoy is that she's continuously doing it and like it gives us more hunger to like, all right, we gotta catch up. it's amazing and  [00:48:58] Miko Lee: beautiful. Amazing work.  [00:49:00] Cece Carpio: Yes, and I've been very fortunate and been very lucky to be part of an artist Has been such an inspiration , and a collaborator and in the many process of the different works that we do. So some of the crew members definitely shout out to my brother Miguel to, folks like Frankie and Sean Sacramento. Then we have span over in New York, like we've, we're now spreading like Voltron. ‘ve been very lucky to have some amazing people around me that love doing the same things who are my family. We're continuing to do that. So many more. It's really countless. I feel like I definitely have learned my craft and this trait by. Both being out there and making happen and then meeting folks along the way who actually are in the same path. And it's such a beautiful meeting and connection when that happens. Not only just in path of creating work, but, and path of we down to do something together. There's so many, there's so many. It's so nameless.  [00:50:05] Miko Lee: Thank you for sharing some of them, some of the artists that helped to feed you, and I'm sure you feed them. You just have finished up an artist in residence with the Ohlone people. I'm wondering if you could talk a little bit about what that experience was like being an artist in residence there. [00:50:21] Cece Carpio: It has been an amazing, and the relationship continues. Karina actually gave the spirit plate on the opening, which is such a big honor because I consider her, both a mentor and a comrade and, and  [00:50:34] Miko Lee: Karina Gold, the Chair of the Ohlone tribe.  [00:50:38] Cece Carpio: Yes. And who I have such admiration for, because if. Both integrity and also the knowledge that she carries and the work that she's doing and how she opens it up for different folks. How she walks is such a big part of how that collaboration started in the first place. As an indigenous immigrant that's been consistent. Like what does even mean to be indigenous in the land that's not yours, you know? Just the notion of what is our responsibility as stewards of this land to live on stolen land? I had this specific skill that I wanted to share, and they were more than willing, and open to dream together of what that could look like and was able to do. Many different projects and different sites , of land that's been returned to indigenous hands. It was such an honor to be part of that. Creating visual markers and visual acknowledgement in spaces that, you know, kind of telling the autobiographical stories of those spaces and how it was returned, what our divisions, and to work alongside the young people, the various different communities she believes and wanted to take part of the movement. I learned as much or if not more. I share my knowledge of like how to paint a mural or all the different skills. So it was very much a reciprocal relationship and it's still a continuous relationship that we're building. It's gonna be an ongoing fight, an ongoing resistance, but an ongoing victory. They've already have shared and won and have shown and shared with us the experiences of that. It's been very rejuvenating, regenerating, revitalizing, and in all those different ways, being able to bear witness to that, but taking small part in pieces, and certain projects to uplift and support that and also just to learn from the many different folks, and people from both Sego and the communities that they've able to like. Create and build through the time, I mean through the young time actually that they've been here, but definitely still growing.  [00:52:46] Miko Lee: Thank you. Your show is up until the end of March. What do you want folks to feel after they go see Tabi Tabi Po  [00:52:55] Cece Carpio: Mostly are gonna feel whatever they wanna feel. I'm kind of curious to know actually, what is it that people are feeling and thinking, but I think Enchantment, I wanna recapture that feeling of Enchantment in a time and moment where. It can be very frustrating. It can be very, depressing. Seeing the series of event in this nation and just uncaring, and like the pickable violence that's imposed to our peoples. I wanna be able to give folks a little bit of glimpse of like, why we are fighting and why we were doing this for and even see the magic in the fight. I think that's a big part of the story that's being told and that the, knowing that we're still writing a story as we go. Within this exhibition, there's a lot of spaces of me sharing parts of my story, but a big part of that is also spaces for folks to share theirs. That exchange of magic is something that we can use as ammunitions, we can use as tools to keep us going in times that is very, very trying.  [00:53:59] Miko Lee: The magical exchange to make the revolution irresistible.  [00:54:03] Cece Carpio: Let's do it. Let's go.  [00:54:05] Miko Lee: Sounds great. We're gonna put links to the show at SoMarts we'll put them on our Apex Express, um, page, and I'm wondering what's next for you? [00:54:14] Cece Carpio: We will also have programs that coincides alongside the various stories that we're telling with this exhibition to welcome for other community members, other artists, other cultural bearers, other fighters to come and join us, and be part of it and tell stories, heal time. Imagine a magical future to celebrate the victories and wins as big and small as they come. So that is gonna be happening. What's nice for me is, actually it's going simultaneously is I'm still painting. I'm going to be in support of painting a new space opening for a Palestinian owned bakery. They're opening up a new space back in their hometown right here in Oakland. And Reem is a close friend, but also a very frontline fighter. 'cause you know, genocide is still happening right now. I wanna be able to support that and also support her. Another public art installation is actually gonna be unveiling within next month over at soma. In the district of Soma Filipino with the Jean Friend Recreation Center. I'm actually trying to carve out more time to write. I'm still exploring, definitely like in the infants stages of exploring it, but falling in love with it. At some point in time within this show, . Wanna be able to actually get it published, in a written form where both the images can accompany some of the written work , and wanna see like its duration last beyond the exhibition show. There's always the streets to come and protest to happen and contributing to that work that we do to reclaim what is ours, the world that is ours.  [00:55:53] Miko Lee: Thank you so much. You're doing so many things so powerfully, so beautifully, so articulately and I guess the best way for folks to follow up is on your Instagram. [00:56:04] Cece Carpio: Yeah, I'm still actually operating in myself.  [00:56:06] Miko Lee: Okay. Okay. Well thank you so much for your work, everything that you do in the community, so powerful, and thanks so much for speaking with us today. Thank you. Thanks so much for listening to our show tonight. Please go check out Cece's exhibition Tabi Tabi Po at SoMarts and go to a local bookstore to get the paperback version of Tara's Call Her Freedom. Support artists who are paving the way towards a vision for a new future. They are working to make the revolution irresistible. Join us. [00:56:41] Closing Music: Please check out our website, kpfa.org/program/apex Express to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane- Lee. Have a great night.     The post APEX Express – 2.5.26-Envisioning Hopeful Futures appeared first on KPFA.

Degens Andy S and Brandon Bombay decide to let off some steam and talk about a classic that epitomized '80s action, 'Commando.' Bombay starts it off by recalling how his parents introduced him to adult movies when he was 7 years old by renting this banger. Then the boys talk about multiple ludicrous elements of this film that was seemingly only made as a way to showcase Arnold Schwarzenegger's bulging body. Naturally, his John Matrix is matched up against Vernon Wells' chainmail vest-wearing Bennett, who is more obsessed with Arnie than director Mark Lester. The movie is loaded with iconic one-liners, and wildly illogical decision making. After jumping out of a plane, Schwarzenegger teams up with the adorable Rae Dawn Chong, who coincidentally happens to be getting her pilot's license. After taking out about 40 security guards/mall cops, Schwarzenegger flies out to Val Verde to face off against Dan Hedaya — who was inexplicably cast as a Central American dictator — and his army of goons. In order to save his daughter, Matrix must kill every last one of them, and in the most brutal ways possible. Will you have a bad time listening to this gonzo episode? No chance! 

TRANSCRIPT Gissele: Hello, and welcome to the Love and Compassion Podcast with Gissele. We believe that love and compassion have the power to heal our lives and our world. Don’t forget to like and subscribe for more amazing content. Today we’re talking with Rashi Nayar, and she’s on a mission to shift humanity from lower states of consciousness to higher states of consciousness. Gissele: I’m so, so excited to talk to her today. We’re gonna have a great conversation and she’s gonna do a practice with me. Maybe you can tag along as well. So welcome Rashi. Hi Gissele: Rashi. Rashi: Hi Gissele. Rashi: I’m so honored to be here with you. Gissele: Oh, thank you so much for being on the show. I’m really looking forward to it. Gissele: What led you to be on this mission to increase the consciousness of humanity? Rashi: My own path to increasing my own consciousness, you know, to operate from higher states of consciousness, which is peace, joy, and love. You know, these are actually who we are and we explore that more as we go along. Rashi: But I was very depressed for 18 years of my life, you know, since [00:01:00] 2007 when I lost my dog and in a car accident. And that was the first time I had experienced unconditional love that way, you know, someone loved me for who I am, not for, I had to prove myself or I had to perform. I had to be someone. Rashi: I could just be whatever. And he loved me that way, right? And it’s very beautiful to get that type of love from someone in that way. And when I lost him, he was only two years old and he met with a car accident and he died in my arms. But that was like it was like an opening. And it was like my heart broke for the very first time. Rashi: I had never experienced something like that before and I was grieving, but that was the first time I started asking questions like, who am I? Why am I here? What’s our true purpose? What is God? What is enlightenment? You know, all of that. Because what my soul was longing for was to connect back to that unconditional love that I had experienced from him. Rashi: But I didn’t know, [00:02:00] I was always looking outside, you know, outside myself. And I entered toxic relationships because I thought that other people were gonna give that to me. I was very disappointed and I was very depressed. I wasn’t chronically depressed. I was depressed, but I was also living in a low, low grade anxiety for a very, like, very long time until 2025. Rashi: This year when I lost another family member, I lost my aunt to ms. So that episode really shook me to the core and it forced me to sit in stillness with just with myself. Like no more reading books, no more going outwards, right? Because that’s what I always did. I would go to a spiritual retreat. Rashi: I would, you know, go outwards, read books, do therapies, you know, do coaching. I did a lot of work, technically a lot of healing work, and maybe that was required, but. Nothing really significantly changed. You know, I was still the same. I was [00:03:00] still living with low grade anxiety and I was still the same. And but this time I went inwards and I connected with the part of myself that is infinite, that is peaceful, that is love. Rashi: And I realized that everything that I thought about myself or the identity that was caring was actually not who I truly was or not, or not who I am. The identities or the masks that I was wearing, you know, the mom, the entrepreneur, and the aunt and the friend, all of those were really masks and identities that I was carrying. Rashi: But who I truly am, my most authentic self is actually free already. She’s already free. And it’s not even a, she, I wouldn’t even, we cannot really label, right? It’s, it’s. The vast infinite being that we are is inherently peaceful. Is [00:04:00] inherently open. Infinitely joyful. Infinitely blissful and loving. Rashi: Compassionate. That peaceful, that’s who we are inherently. And I, stayed in that high, right? Let’s just say I was in those higher states of consciousness for three days straight and I was floating. Gissele: Mm-hmm. Rashi: Yeah. I was so high. But then came the day I went down, the anxiety was back again, and I was like, wait, I thought I was enlightened. Gissele: I did it. What happened? Rashi: But that is what what’s supposed to happen, because now. I could see the contrast, right? I had experienced something so profound, and now there’s the contrast or the lower states of consciousness, which is fear, anxiety, lack. I was back, I was back in the fully humanness, you know, the human part of me, but [00:05:00] now my aunts, so she passed away and three days later she, she was in my head, she kept telling me, Rashi, love yourself. Rashi: Rashi, love yourself rash. It’s like, it was constant. And I realized that I didn’t love the parts of me that were so-called dark or negative. I was trying to get rid of anxiety. I was trying to get rid of the darkness, right? I was trying to resist whatever I was experiencing in the moment, and that was profound because now my only job is to love myself unconditionally. Rashi: In all parts of myself, the shadows they call it in the psychology. But I realized that the parts that I’m trying to get rid of, the anxiety, the so-called depression, the low level depression that I was constantly feeling the numbness or the sometimes of sometimes just sadness, [00:06:00] like it would just come up. Rashi: What if I fell in love with those parts of myself? Then what would happen? And that became the journey that became the practice. And when I did that, I no longer resisted those. So it was just the experience and me in love with whatever what is right, whatever the experience is. And now I’m whole, now I’m not broken, you know, there’s some, nothing’s wrong with me. Rashi: You know, and that was the narrative that I lived with for 18 years. If something is wrong with me, I need to be fixed. I need the healing, I need the therapy. But really there is nothing inherently is wrong with me. We all experienced this human side of things and what if I fell in love with the humanness, Rashi: And that’s why the being that I experienced, so in those three days when I experienced the so-called enlightenment or the awakening, it was when I touched my being. And our being is inherently free. We who we are, our [00:07:00] authenticity, we are inherently free. We are peaceful. And yet the human side of things or you know, how we grow up, our conditioning, our identity, our beliefs that we carry, all of that is there. Rashi: And that is the conditioning. So the constructed itself or the human is still there, but we cannot try to get rid of it. It’s like, you know, the snake leaves its skin. By its own. We cannot force the skin. We cannot rip the skin out of the snake, you know? So it’s going to happen only when we fully and completely fall in love with who we are in the humanness. Rashi: And that brings me back to that connection, to that love, to that peace that resides within all of us. So that’s in a nutshell, that that’s the story. That’s why I do what I do. Gissele: beautifully said. First I wanna go back to the, the loss of your dog as a person who had a dog. Gissele: Never wanted a dog to be honest, but we got one for a family and felt completely in love with the dog. And after [00:08:00] 13 years to have lost him. And I realize now that he had to go the way that he did. But he did teach me about unconditional love and patience and forgiveness and joy. And so the grief that you experience after having that can feel very overwhelming. And so where I was going with this question is, the human experience can feel so real, I have sat with some really difficult emotions it’s almost as if your mind tells you that something’s gonna happen something bad or you’re gonna die. Gissele: What do you say to people that say, you know, This is all we are because this is what we can concretely see and touch and experience. How do you go from that to understanding and embodying the fact that we are more than this reality? Rashi: Yes. Oh, that’s such an important question. Something that I live with almost every day. Rashi: You know, there’s this low grade anxiety that I still experience on a daily basis. [00:09:00] The only thing that’s different is I’m no longer resisting it. Gissele: Hmm. Rashi: So, you know, and we human beings, we are either, we’re only living in two A states at all time. We’re either to attach to the state that we want, which has happiness, joy, love, bliss, or we are resisting the lower states of consciousness, which is anxiety. Rashi: We’re really in, in these two states or all times. So it’s like when we get that love from the dog or the baby, you know, I have two babies, two little girls. And I’m like, I want it all the time. Right. So now there’s attachment, because if she says something like, I have a 4-year-old, which is a, she’s a very mischievous toddler. Rashi: Right. When you say something that can feel like hurtful. I mean, I don’t take her things seriously because I know better, but Gissele: yeah, Rashi: for someone else it could feel like, what, what would just happen? Like we were in love and now, or the, the spouse says something, right? Like, I have my husband who really triggers me, so he’s, he’s like my [00:10:00] best enemy, right? Rashi: Like he’s my favorite person, so mm-hmm. He says some things that can feel hurtful, and in the beginning it really used to bother me because I would resist those things. I would resist the experience of whatever’s happening in the moment, right? But now I lean into it, and that’s the difference when we are getting this anxiety or when we are getting something and the experience doesn’t feel pleasant. Rashi: The mind itself because the mind is like that. Mind wants to go navigate towards pleasure and it wants to avoid pain. That’s how the mind is, right? Gissele: Mm-hmm. Rashi: But we are not the mind though. So in the moment, if we can witness the mind’s neuros, whatever it does is like trying to resist. What we do is we say, first I love you mind. Rashi: Because the thing is the mind in itself is what it’s doing. It’s movement what it’s supposed to be doing. [00:11:00] And the second thing is, I love you, anxiety and that love it. It’s the experience that feels heavy, that feels not good, right? And that experience now is infused with love. So there’s no longer a problem with what is, with the experience itself. Rashi: And there’s a beautiful book written by Byron Kitty and her, the name of the book is Loving What Is, and apparently, you know, she’s enlightened, you know, every like, so she’s the enlightened being, right? We can talk in that way. I’m not enlightened for sure, but that’s what she meant. I didn’t understand it back then. Rashi: But this is what she means is whatever our experience is, if we are not attaching ourself to it, which means we are not craving more of that, or we are not resisting that, [00:12:00] then we have no problem with the experience. So the experience in itself is not a problem, Gissele. It’s our relationship with the experience that’s the problem. Rashi: So the anxiety in itself is not a problem. It’s how I relate to anxiety, how I see it. That in itself is the issue here. So if we’re like, okay, anxiety is here, can I love it? Can I lean into it? And when I do, and it can feel scary because some people might think that if I lean into that, that means it’s gonna expand, it’s gonna grow more. Rashi: Right? That’s sometimes where the belief is, and I definitely have that, but it’s actually what happens is the other way that anxiety or that bubble becomes love. And you know, there’s a great saint in India, I really, really respect him. He’s no longer in body and that’s, I always keep this picture over here. Rashi: Mm-hmm. [00:13:00] His name is named Carol Baba, and he was apparently he’s the same behind Apple. You know, Steve Jobs went to his temple. Rashi: I love him. I’ve never met him, but somehow I love him. Rashi: And, you know, love has no logic. Gissele: And it has no boundary either. It doesn’t, it doesn’t mean that you can’t love somebody who’s passing. And I think that’s the difficulty perception about, we think that when somebody crosses over that the love ends. I still love my dog bear and I still think about him. Gissele: I think about caressing him. I think about, I talk to him. But anyways, go on. Rashi: Yes, you’re right. Exactly. So, because love is unconditional and love is who we are. Mm-hmm. Which I’m going to take you back to so you can experience it yourself. But he used to say that suffering brings us closer to God. Rashi: Mm. And God is love. And so suffering, meaning anxiety, pain, whatever, chronic pain. I mean, people who are his devotees and people who have written books about him, they [00:14:00] said that, I’m so glad that there’s this pain in my life because it helps me take back to him love or God. And that’s exactly what we’re doing here, is we are saying, whatever comes to our experience, I love you. Rashi: Anxiety, I love you. Guilt, depression, grief, It can feel really hard in that moment, but that is the portal, the bridge between the lower states of consciousness, which is anxiety, fear, all of that to higher states of consciousness, which is love, peace, joy, abundance, that love and saying it mentally in the beginning it could feel like a mental repetition. Rashi: Everything is like, and then you’re like, I love you. I honor you. Even if you’re here, I love myself and I love, I mean, that’s loving kindness. The practice of loving kindness meta in Buddhism is loving ourselves and then loving people in our lives and loving [00:15:00] what is, you know, so that’s a tool that if people can use then, you know, I would love to hear how their life transforms. Gissele: Hmm. Yeah. it’s definitely something that I use myself and what I realized was that the more love I had in my heart for myself, the more it overflowed to other people. Like I didn’t need them to be different. I didn’t need them to change ’cause I didn’t need them to give me anything. Gissele: I really resonated with what you’re talking about, resistance. I noticed that one thing about myself is when I encountered the most resistance to what was happening, my inability to accept and surrender, had to do with my belief that if I surrendered, I was giving up. Gissele: That was accepting. What is that? it’s like saying that there was no hope or no chance Rashi: Mm-hmm. Gissele: I didn’t realize that the deeper thinking behind my resistance had to do with that. This has power over me, so if I give into it, it’ll take me, it’ll do what it wants to do. Correct. And so when I let go of that story [00:16:00] and allowed myself to surrender, there was a level of peace, but it was hard to get there. Gissele: I just wanna acknowledge what you’re talking about is so brilliant, but it can feel really challenging. And it doesn’t have to, but it can. Because I remember when I would ask for guidance from my higher self God source universe, the guidance that I always got was Love it. Choose it. Gissele: And I’m like, well, I don’t wanna choose this. I don’t wanna accept this. And so, but I would lie to myself thinking that I was not in resistance, but I was in resistance. ’cause my body was so tight. Rashi: Yeah. Gissele: And so, it can feel difficult to let go of that resistance. And we are. Gissele: Not really taught to surrender. we’re doers. Rashi: I just gotta keep grinding it out and eventually this is gonna come through. Gissele: how is that counterintuitive to allow love? Rashi: I love that question because I was exactly what you’re describing. For 11 years of my life, I was a [00:17:00] serial entrepreneur. I’ve scaled my own businesses to seven figures plus. And I learned it from my dad. Rashi: You know, it’s a learned behavior. You keep pushing through, you just keep doing, you know, and that’s discipline. Yeah. And consistency. Like those words feel really good. Discipline, consistency and but it didn’t feel good to my body. Gissele: Oh, Rashi: right. It does. It feels like, oh, it, it felt like I’m choking, but I still kept pushing through and I burned out very much. Rashi: So that’s why, you know, I no longer do what I used to do for 11 years and it just didn’t feel aligned anymore. I wanted to open my heart. I wanted to lead from the heart. So, to answer your question, Gissele, when you say that you are the doer, I wanna take you into this is again, a constructed and identity. Gissele: Yeah. Rashi: Right. This is, again, something that we have [00:18:00] adopted from our environment and from our parents, maybe from our teachers, someone we really admired because they had this habit of keep going and it felt really inspiring, right? Because they accomplished so much and the narrative that we. Play in our head is if we keep doing that means, you know, we’re bring, we’re service. Rashi: This is service to humanity and we’re serving, we’re adding value. All of that feels really good, right? Gissele: Mm-hmm. Rashi: And it feels like we’re in service. But the highest service, and I haven’t come to that point myself, but I get glimpses of that, is surrender. And I’ll tell you why. The highest service is surrender is because when we are surrendered, we are now the channel for God will to flow through us what God wants us. Rashi: And that is the path of least resistance. The [00:19:00] path of least resistance is when we are, it’s not my will, it’s God’s will. The problem. The problem, we don’t have a problem. The brain has a problem. And this is, now, let’s go back to scientifically, understanding the scientifically how this works is the brain wants to solve problems because our brain is from the ancestors we lived. Rashi: Our brain is coming from survival. You know, it, it doesn’t know how to thrive. It knows how to survive, right? And survival means keep pushing through. It means keep solving problems because there could be a line behind us and if we don’t solve problems, we are gonna die. So the brain is used to solving problems. Rashi: So it’s not necessarily you that wants to do, it’s your brain that wants to fix the problem. Gissele: Mm-hmm. Rashi: So Rashi: once you understand who you are, then you don’t relate to your brain as yourself. That, and that’s what we do, is we relate to our brain’s [00:20:00] mechanism or our mind’s workings as ourselves. We identify that that’s who I am, but that’s not who we are. Rashi: when we realize who we are, then we are free. Then we can see the workings of the mind as the workings of the mind. And we’re like, ah, that’s what the mind wants us to do right now. But what do I wanna do? Which means I, the, which I’m gonna take you to let you experience that for yourself. So we can do that whenever you’re ready. Gissele: Yeah, of course. I just wanted to mention a couple more things. in my life surrender has been so fundamental. Mm-hmm. It’s led to some magical things happening. But what I noticed was that on the things that mattered the most to me, or had the most limiting beliefs about surrendering is really difficult. Gissele: Mm-hmm. I could surrender, like small things or things that I believed could happen, but the things that were bigger, that bigger than I thought I could hold in my container, I [00:21:00] had a hard time really releasing or surrendering. Rashi: Mm-hmm. Gissele: And so for me, the, the whole concept of surrendering has been a minute by minute step by step by step. Gissele: I’m surrendering a little bit more. ’cause people think, well, I just surrender and then it’s. But if you have limiting beliefs around it, surrender can feel really dangerous. It can feel, it can feel unsafe. And that was one of the things that, the word that came up for me every time I tried to surrender about the different things I was surrendering about is like, this feels unsafe. Gissele: This feels unsafe. So like you said, being able to soothe your mind in, in your emotions and saying, you’re safe. You know, we got this. Mm-hmm. we’re just taking a baby step. That, for me, has gone a long way, Gissele: I continue to surrender more and more every single day and it feels so good to not feel like you have to carry the whole world with you. That you have God, Source, Universe helping you. And usually things turn out way better than I even anticipated. but here’s how stubborn I am [00:22:00] or this ego person is. Gissele: That should have been enough. Like how many times does the universe have to show me, like these magical things. And I’m like, well, but not in this case. Gissele: I wanted to ask you a couple more questions. The first one is talking about who we are. I’ve heard many people that say that we are God because everything is God source energy. We are God, we are made from that. from the same source and that God’s will is our will and our will is God’s will. And I had to kind of grapple with that. Gissele: And the reason being is because it’s not that I think it’s like blasphemous or anything like that, is that I kind of fell into a pitfall where I thought I could force my will. Rashi: Yeah. Gissele: Rather than being like, what’s my genuine will? what’s my genuine identity? and if I truly believed it, I wouldn’t be resistant to anything. Gissele: If I truly believed I was a creator of my life, of my thoughts and emotions and [00:23:00] God was working through me and I’m made up of the same juice as everything else, and I wouldn’t resist anything in my life. I would just choose something else. Gissele: Just curious as to your thoughts about that. Rashi: Wow. Again, this is amazing because yes, we are God, but yes, we are also humans, you know? Gissele: Mm-hmm. Rashi: God gave us this body, very limited body, right? I mean, where I come from, the Hindu culture, in our religion, we have flying gods. Rashi: You know, there’s a monkey, God called Hanman. I don’t know if you’ve heard of him. He used to fly, right? And so he has completely crossed the gravity, right? He is broken all the laws. So neem, KLI, Baba, he was apparently the avatar of Numan because he could be in three different places at the same time. So people in Delhi were like Baba’s with us, but in people in Aaba, they, but Baba’s with us has that possible. Rashi: And then there’s people in Bombay, they’re like, but Baba’s with us. How is that possible? So he completely nullified [00:24:00] the, the laws of the universe, which is laws of gravity. And he was a, people used to say that he was God, and so he had commanded or he had done a lot of, or sadana, which is a lot of the yogic practices to come to that. Rashi: But we don’t do that. You know, we’re mothers and we live in a household, so obviously we don’t have that luxury to, you know, meditate first since morning until night. We can’t do that. Yeah. So, right. So we have to address, we have to understand that we are limited in the body sense, but we are also unlimited with our mindsets that what we can think we can create. Rashi: So in that sense, yes, we are God, but yes, we are also a human being. So the ego in itself is not a problem. That’s what I wanted to say is ego in itself is not a problem as long as we can witness. Stay as the witness and we can witness the ego play [00:25:00] out. Gissele: Yeah. Rashi: Ego, meaning the constructed self. And also if we talk about the brain, the brain has a certain neurological pathway, a neural pathway that has been established and the non-dualistic teachings, the avea, they call it the spider web. Rashi: or the veil. the Christians call it the veil, and it’s the neural pathway in the brain that has been established as our identity, our beliefs, our thoughts, our perceptions. Mm-hmm. All of who we think we are, the constructed self or the ego. We are getting away from that, you know, and I, at least I have 39 years of that to get away from that. Rashi: To collapse that completely and to come to higher states of consciousness, which is completely a new neural pathway. Establishing that is a muscle, it’s almost like lifting weights in the gym. It takes practice. So this is a practice, and like you said, the [00:26:00] surrender is not a one, one thing. I mean, Gissele: yeah. Rashi: I think Ekhart Tolle he’s written about this, that the surrender just happened and he just disappeared. Right. And he became enlightened just like that, which I thought I had experienced before. But there are some beings that have experienced that, and they stayed in that bliss and that joy, I don’t know what that is to feel like for me it’s a practice and I don’t have a problem with that. Rashi: I’ll tell you why. Because I’m able to see the constructed self and the neurosis that come with the constructed self itself for sad. You know? Gissele: Mm-hmm. Rashi: I wanna see it like that. I want this to unfold as it is unfolding, because then the suffering, the ego is a portal. It becomes an invitation to come back to myself every single day. Rashi: Every single day. Now, I’m a conscious creator. I’m consciously choosing to [00:27:00] return to my original state, which is peace, which is love, which is joy, which is compassion. there’s a part of me, the ego, and I can still hear the voice be like, are you kidding? You? You not wanna be enlightened? Rashi: Like, forget about all of this. I’m no longer chasing it. For 11 years, I did chase the enlightenment. It becomes the shiny object, right? As we are chasing the seven figures, we wanna be a millionaire. It’s the same thing with spiritual money, which is enlightenment. Rashi: Everyone wants that. But what’s the problem with us right now? What if there is no problem with us as we are? That’s, you know what if the way you’re surrendering is the way you’re surrendering is the way you’re being, is the way you’re healing is the way you’re healing is exactly how it’s supposed to be. Rashi: It makes you whole and complete. It’s how the creator wants to experience herself through you with all the mess. It feels very [00:28:00] messy. Yeah, but what if that’s how it is supposed to be? And that is what is like if you’re not resist surrendering, that’s perfect. No, no problem with that. So. We can have a spiritual identity as well. Rashi: You know, spiritual people are high, right? That’s all of the identity They’re not supposed to resist, they’re supposed to surrender. That could be a contracted self as well. So what the invitation here is to just live as yourself completely and to love yourself and meet yourself for where you are. Rashi: And I think you’re doing a great Rashi: job at that Gissele.. Gissele: Thank you. you mentioned, spiritual people. I feel like what I chose to come here to learn was really to learn about love. Mm-hmm. Like true unconditional love and compassion. And Gissele: I understand it. I can say to you, we must love all including those who we deem as our enemies . In fact, some of our enemies are our [00:29:00] best friends because they are helping us remember who we are. Rashi: Okay. Gissele: And yet there is a small part of me that still believes that some people that behave in negative ways, that are very hurtful, that they should be fought or that we should fight injustice and fight oppression. Gissele: Even though to me that’s just another level of resistance. Right? But there’s like this little me, this little kid because of her family dynamics that still see somebody as like somebody needing that saving and other people needing to be less, selfish, And so, and that’s what I’m grappling with. Gissele: To create a true, loving, equitable, compassionate world for all. I have to emphasize the all, it has to include those who are most hurtful. It has to include people Yeah. Who are hurting other people And so I think that’s the thing I grapple with. On the one hand, [00:30:00] I can understand that we’re not really this reality, that this is just sort of like a play. Gissele: Right? And yet at the same time, it’s hard for me to witness the suffering of people who are, don’t believe that or are not experiencing that. And to see people suffer on a daily basis Rashi: Yeah, exactly. Rashi: Exactly. Very, very powerful what you just said. And I wanna ask you a question here. You said there’s a part of me. That still doesn’t really like that, you know? Gissele: Hmm. Rashi: There’s a part of me that doesn’t really, that’s resisting my invitation is what would happen if you really fell in love with this part of yourself that’s not loving? Gissele: Mm-hmm. Rashi: because then there’s freedom to really be, we include all dualities within us. We do, we are the saint and we are the [00:31:00] sinner. Because the seed of whatever the other sinner is doing is within us as well. Rashi: It’s just, we’re not choosing to act on it. That’s all we’re doing, but the seed is there. I mean, we still get negative thoughts. I remember I used to get thoughts like hate hating other people. I would get jealous of other women or like all of that. Rashi: Right? So apparently less than wholly less than saintly. Right. That’s who I am. What’s the problem with that? that’s the thing. If I can accept and love the parts of me that don’t feel so holy, that don’t feel so loving, then what would happen? Then I’m free. Gissele: Hmm. Rashi: Right. So that’s the invitation, because the thing is who you are, Gissele everything is it? Rashi: It apparently looks like the world is happening outside of us. It looks like that. Like we have a body and the world like me. I’m happening outside of you in the Zoom room, but [00:32:00] actually I’m Happening within you. Because you are awareness who we are. We are pure awareness. let me take you back to when we are babies. Rashi: Right? So when the baby’s born fresh out of the mother’s womb, it never says I am Rashi. No. Right? It never says I’m a girl or a boy. It doesn’t say I’m zero years old. Nothing. Right? But what it, what? It’s in a state. It’s in pure being state. Pure being, which means aware or I am. Gissele: Hmm. Rashi: Just this.. I’m not this or that. Rashi: I am. And when we say this to ourself, and I would, I want to invite you, Gissele, to say this to yourself when you can even close your eyes because I really want you to experience this firsthand and even the listeners. Yeah, of course. Rashi: Okay, so, alright, so just close your [00:33:00] eyes. Okay, so now go back to when you were a baby, and I don’t want you to go back and track your memory because you might not have a memory of being a baby, but I want you to have this as an experience, like a direct experience and directly experience yourself as just being born Rashi: fresh. Rashi: No thoughts, no emotions, particularly no judgements, no perceptions. It’s just this pure state of I am Rashi: or I am aware. Rashi: Pure awareness, pure presence, pure being.[00:34:00] Rashi: See yourself, have a direct experience of yourself without any name, without form, without any identity. Just pure nothingness. And Rashi: let me know when you’re there. Gissele: Okay? Gissele: I’m there. Rashi: Okay. So stay as you are. This is your original nature, original state of being. Stay as you are. If any thought arrives or comes to your awareness, you can just ask it to wait outside. We’ll ask it to wait outside the zoom room for a bit and we can [00:35:00] take our thoughts later on. We can pick up our identity later on. Rashi: You can pick up your name, beliefs, everything later on. But for now, just stay as you are. I am. Rashi: And now I’m gonna ask you some questions about your true nature. So as you are just the state of I amness, just pure awareness, are you inherently peaceful or your inherently disturbed? Rashi: Mm-hmm. Yes. Okay. So as you are. I am. The other question is, are you open or you’re closed.[00:36:00] Gissele: Open. Rashi: Mm-hmm. Open right now. Stay as you are. Just empty, empty, empty. Stay as the awareness that you are Rashi: now as you are. The next question is, do you have an age? Gissele: No. Rashi: No? Okay. Hmm. Okay. Stay as you are. So if you don’t have an age, were you ever born? Rashi: Yes. Rashi: I want you to even bring your memories out. Take your memories outside the zoom room, keep them out, and just stay as you are. Come back to just pure awareness. [00:37:00] And the invitation here is to have a direct experience of who you are. So as you are, who doesn’t have an age, were you ever born? No. Mm. So if you were never born, will you ever die? Rashi: No. Yes, exactly. And stay as you are. We’re going to go deeper. Rashi: When you stay as you are direct experience, Rashi: are you finite? Which means can you be put into a box like a body, or you are infinite and the body is also within you. Just see this, see this very clearly, and I want you to have a direct experience. Your mind might tell you something else, but that’s [00:38:00] just a thought. So I want you to have a direct experience of this. Rashi: Stay as you are. Are you finite or you’re infinite? Rashi: Are there any boundaries Rashi: between you and the experience Rashi: as you are? Rashi: No. No. Right. Rashi: Hmm. Rashi: Are you naturally accepting as you are or you are naturally in resistance, Gissele: naturally accepting? Rashi: Hmm, yes. Rashi: As you are? [00:39:00] Is there a problem? Gissele: No. There are no problems. Rashi: There are no problems. So as you are, are you whole and complete Rashi: or do you need anything to complete you? Gissele: No. Rashi: Hmm. Okay. So whatever you just said, and I have coached so many people around this, I have taken so many people into this experience. Everyone had the same answer as you. So who we are is this infinite being that is inherently peaceful, that is inherently [00:40:00] infinite eternal, which means doesn’t die, was never born, and has no problems, is naturally accepting, doesn’t need anyone to complete her. Rashi: This whole is peaceful, accepting, loving. That’s a natural state of being, Rashi: and that makes us one, Rashi: that’s who the other person is as well. Rashi: And if you stay as you are, there’s a last question I wanna ask you come back to. I am. Do you even need God to fulfill you here as you are? [00:41:00] Gissele: No Rashi: Mm. So you need no one to complete you because in itself you are inherently complete. Rashi: So just now we’re gonna come out of the experience and you can just take your time just. Maybe rub your hands and slowly, when you’re ready, you can open your eyes. Gissele: Hmm. It’s interesting ’cause when I was in this class, I had an experience where I went into meditation and went into that same void and it was like nothing I’d ever experienced. I don’t think I’ve ever shared this in this podcast. It was like, I wasn’t my body. I wasn’t anybody. and I had pretty bad anxiety in those times. Gissele: And I didn’t have anything. I didn’t have anxiety, I didn’t have anything. But I didn’t wanna return. And so I guess whoever was leading the class had to kind of bring me back and [00:42:00] then and that was really skeptical in those moments. And so I thought, well, maybe this is my imagination until I got home. Gissele: And, and the babysitter kept saying that my daughter was hysterical. ’cause she kept saying, mommy isn’t coming back. She isn’t coming back. Rashi: Oh. Gissele: And Gissele: so, yeah. So that, that was interesting. And so I thought to myself, well, I don’t ever wanna go that deeply into anything so that I don’t like the choice not to come back. Gissele: But and so I’ve been trying to go to that void. But it was surprisingly easy I think what helped me was really, like you said, keep your thoughts at the door, And that was helpful. It was surprising how much I could just not think of something. Mm-hmm. And then when I observed myself thinking something, I could just say, no, go back to the door. Gissele: But I was also at one point wanting to not even like, listen to your questions either. I was just gonna be like, okay, I wonder if I should keep everything at the door. Rashi: Yeah. Gissele: But then when I let your questions in sometimes, then I would move to something else. Then I would go to a thought, which [00:43:00] means I had to go back and go, Nope, you gotta go back to the door. Gissele: Yeah. But I was great and, and it’s so surprisingly simple to remember. I just find that sometimes like to go back and hold onto those identities of like, oh, this is hard, or I’m getting stuck in anxiety. Yeah, Rashi: sure. Rashi: Yeah, Gissele: so, I have to be really conscious of Gissele: A story I’m telling myself about myself, right? Like, how much of a story am I telling about what identity I hold or what I think should be? And so the more I create a distance between the stories of who I think I am and who other people are, the more than I find I open myself to seeing their divinity in myself and and other people. Gissele: But it took me a long time to figure out that the loving all wasn’t just myself and people. It was everything. Rashi: Mm-hmm. Gissele: It Gissele: was, it was those things that we struggle with, all of it. Yeah. and there’s certain parts of the journey that I’m learning to love [00:44:00] more. Gissele: like what I was talking about, seeing children suffer it’s hard to bear as a human, quote unquote. Rashi: Yeah. Gissele: And yet I have to remind myself that that doesn’t mean I don’t do the things that I came here to do. This is why my mission is not just to learn the love for myself, but also to share that with others, whether it be helpful for them or not, not from a place of I need you to change, but from a place of like, this could be helpful to you. Gissele: Yeah. But it’s an interesting journey, isn’t it? Rashi: It is. And you know, it’s hard to bear witness to the suffering of other people. That’s because we love so much. Yeah. Gissele: Mm-hmm. Rashi: Right? And it is hard. But the thing is that. Sometimes we get into the trap that, you know, we are supposed to be loving people, so we should be loving everyone, right? Gissele: Mm-hmm. Rashi: And when someone is doing less than loving things, we are like, oh, but I’m supposed to be loving person. I mean, I have this [00:45:00] podcast called Love and Compassion. I’m like, right, yeah. But those parts of us require the most loving, you know, there are times where, and it, this has been the hardest for me because my husband, like I said, is my biggest frenemy, right? Rashi: And he really triggers me. He shows me where I’m not free yet. So he says something and I’m not loving him in that moment, for sure. Rashi: Yeah. Rashi: Because he is pushing too many buttons, and I’m like, outta it. And the thing is, I have learned to love myself. Even when I’m not loving him now. There’s no resistance. Rashi: You know? Now I can see the neurosis of him and me, and there’s no problem. So he says something and then, you know, it’s so interesting what happens recently it started happening is when I’m like, you know, alright, I love you. Even if you’re not loving towards him in that moment, there’s a shift, there’s a very subtle shift. Rashi: It’s very [00:46:00] subtle. And now it, I’m not taking him so seriously, you know, all of this, the thing. And then he sees that I’m not taking it serious. And it’s very much in the heat of the moment, right? And he sees that, he sees presence, that I’m just quiet and I’m pouring love on myself right now. And somehow because I, the lens at which I, I’m seeing myself is changing the lens at what, how I’m seeing him as changing at the same time. Rashi: And now his lens at how he sees me and himself changes in that moment. And then he would laugh out of nowhere and, you know, and the whole serious thing becomes a funny thing now. And that’s the interesting part, is what the highest service we can do to humanity is to love all parts of ourselves, the non holy Rashi: parts, Rashi: the non loving parts. Rashi: If we can love those parts in which we like, I shouldn’t be like that. Oh, [00:47:00] actually, you know what, what? What if you love the part of you that’s being like that? Because who you are is inherently peaceful. It’s inherently loving, it’s inherently accepting. So in that moment, whatever is not accepting is the ego. Rashi: So the invitation here is to love the ego, the constructed self. Only then we can be free. Only then we can be free to be who we are, because the ego dissolves in that. When it’s seen with the light of awareness, shines on it seen and the constructed self is. Gone in that moment and then the construct itself comes again. Rashi: So this is a practice. Yeah. And at some point we’re like, you know, the Buddha used to say, we are like Bodhi, you know, we’re walking people home. That’s why we are here in this world is we’re not the Buddha yet. We’re not in like, because then we’re away from the Maya or the illusion, but we are part of the illusion so [00:48:00] that we can take people home together. Rashi: We’re walking each other home. That’s what Ram does used Rashi: to say. And yeah. I love Gissele: that. I love that. Mm-hmm. I’m doing something called Kriya yoga. Have you heard of it? Rashi: Kriya yoga? Gissele: Yeah. Rashi: With Yogananda Gissele: with yoga, yes. Yogananda. Yeah, that’s right. Rashi: Right. Gissele: I just started, yeah, Rashi: I’ve heard of it, but I’ve never done it. Rashi: So how is that going? Gissele: Fabulous. I just started But it’s interesting. Sometimes even very short practices have a big impact. Mm-hmm. it’s really interesting ’cause you don’t think like you’re doing anything. And to be honest, I came into it a little bit skeptical in terms of like, I’m used to meditating for two, three hours and I think you’re supposed to be doing like an ongoing, because I’m just learning it, I’m just starting with little practices. Gissele: But the little practices have been really powerful. Rashi: It’s the little ones that are more powerful, you know, the loving, the act of loving oneself and seeing parts [00:49:00] of us, it requires a very high level of self-awareness. You know, it’s just like we’re catching ourselves just before the ego has started to take control. Rashi: And that practice, I feel, if we can do it in action, because we live in such a busy life, right? Gissele: Yeah. Rashi: It’s a luxury to even sit in meditation for so long. You know? It’s so, I mean, it’s a privilege almost like these days, I wish, sometimes I wish I could go to these 10 day, the pasta meditation retreats and just like, yeah, Gissele: me too. Gissele: I wanna go to India. Rashi: Oh my God. Like, yeah. Rashi: If we can do meditation in action, I feel that that’s more effective then, you know, going uphill or sitting in a cave and you know, because then we come in the world anyway. Rashi: And I remember Ram Dass again used to say, if you think you’re enlightened, go and live with your family for the weekend and then come back and tell me how enlightened you are. Gissele: I don’t wanna say it’s was easier, but you can go to a cave somewhere and I think that’s what needed to happen with certain [00:50:00] yogis in terms of helping us lift the consciousness. Gissele: Sure. So that was what happened then. Exactly. But it is a lot harder, and I think I was reading this in Yogananda’s book, the, the path of the householder is much more difficult. ’cause you, you talked about the war within ourselves, there’s so many families that are in, like, they’re not talking to one another. Gissele: There’s so much conflict within Of course we have wars, the world, we’re in conflict with ourselves. And even with the people closest to us, we can’t even get to that point. How do we expect there to be no wars in the Gissele: world? right, exactly. it’s so hard to look at ourselves. At least it can feel that way, but. Being willing for me is like the beginning point. Okay. I just have to be willing. And for me, I’ve had to prioritize my time, even just to do a quick meditation, Gissele: it’s just as important as that email I gotta send orthat lecture I gotta put together. Rashi: and non I negotiative Rashi: practice. Yes, exactly. Yeah. And that’s the stage, that’s the season you’re [00:51:00] in. And I mean, I really wish I could get that time to just sit in meditation, be like, you know. Rashi: Yeah. And sometimes we just don’t get it. So. Gissele: Yeah. And that’s okay. I Rashi: mean, Gissele: it’s like you said, Gissele: the practice, the, the power of practicing in the moment I think is. Rashi: Very powerful. Gissele: Equally. Yeah, very powerful. Yeah. Rashi: Yeah. Gissele: Wow. So we’re reaching the end. I just wanted you to share where can people work with you? Gissele: Where can people find you? Anything you wanna share with the audience? Rashi: sure. So I, my website is called www.rashinayarwellness.com. And there’s an app that I have for people over there. It’s a free app. They can get download, it helps them return to who they are. And there’s a series of questions that can take them to just pause and reflect on. Rashi: And then the answer comes before there’s guidance and then there’s a specific meditation. So if people can find time to access that. And then there’s different options, you know, ways people can work with me. But I really wanna get this [00:52:00] app in as many hands as possible. I’m also writing my first book, which is called Living From Your Highest Frequency, which is, you know, love, right? Rashi: And it really talks about these lower states of. Everything that we talked about today. Yeah. And there’s tools that people can use, you know, in daily life when they don’t have time to meditate. When they don’t get that peaceful moment to themselves is to retreat within themselves on a moment to moment basis. Gissele: Mm. I love that. Rashi: Yeah. So go back to that piece because we are peace as we explored right now. So it’s the moment to moment returning back to who we are is what really can free us, can liberate us, and can really help us take bigger actions in this world. You know, without otherwise, some people can freeze and stay in anxiety for years and nothing’s happening. Rashi: So if we can live with those lower states of consciousness, but have no [00:53:00] resistance to them Gissele: mm-hmm. Then Rashi: automatically we’re in higher states of consciousness. That acceptance in itself takes us to higher places. From there, we are doing service. We are making an impact in the world without really judging ourselves because we are our biggest inner critic. Rashi: You know? So yeah. Gissele: What a perfect Gissele: way to end, because I think what you said is so, so critical, which is the minute we stop resisting something and go to acceptance, we’ve automatically shifted to something higher. Thank you so much, Rashi. You had such a great time. Gissele: Thank you for helping me remember who I really am and helping our audience as well. Please work with Rashi. Go check out her app and check out her book when it’s available. And thank you for joining us for another episode of The Love and Compassion Podcast with Gissele

In this episode, Shunali and Kiran engage in a lively discussion about Shunali's recent travels to promote his book across India, focusing on his nostalgic return to Delhi. They compare Delhi to Bombay, discussing the cultural, financial, and social contrasts between the two cities. Shunali shares her experiences shopping in Delhi's extravagant malls, the charming winter season, and the city's exquisite bookstores. They also touch upon stark differences in women's safety, traffic woes, and the vibrant yet challenging lifestyle in Delhi and Bombay. Through humorous anecdotes and thoughtful reflections, they paint a vivid picture of India's contrasting metropolitan centers. Chapters: 00:00 Reunion and Book Promotion 00:15 Delhi vs. Bombay: A Tale of Two Cities 00:44 Delhi's Winter Charm and Shopping Extravaganza 04:02 The High Cost of Fashion 06:32 Floral Adventures and Birthday Celebrations 11:29 Bookstores and Reading Culture 16:45 Safety Concerns and Cultural Differences 20:19 Delhi's Unique Conversations and Observations 22:23 Final Thoughts on Delhi and Bombay About Us:

In this episode of the Finish Big Podcast, Host Mark Dorman sits down with serial entrepreneur Dee Vaidya. Born in Bombay and raised in Pune, Dee's journey spans continents, industries, and decades — from rubber and plastics to electronics, Dell manufacturing, geospatial intelligence, and building a $50M+ government contractor before a successful exit. From starting with just $5,000 and a dream in Mary's family home, to winning a $200M global geospatial intelligence contract for the U.S. government, Dee's story is a masterclass in resilience, reinvention, and long-term thinking. This is a powerful conversation about immigration, entrepreneurship, family, culture, federal contracting, scaling, and giving back. Mark and Dee discuss: Early Roots & Education – Growing up in India, IIT Bombay, and following his father's entrepreneurial path. Family & Partnership – Building businesses with Mary and raising three children through multiple relocations. Reinvention – Moving from rubber & plastics into electronics, then into digital mapping and defence work. The Dell Years – Building PCs for Michael Dell in the early days of Dell Computer. Technographics Growth – From a small acquisition to a $50M+ company and 400+ employees. Geospatial Intelligence – Mapping the world for defence, navigation, and national security. Advisors & Mentors – The impact of Don Noble and building a world-class advisory team. The Exit – Selling Technographics to CACI and navigating a complex data room process. Giving Back – Launching the Wayne County Economic Forum to bring world-class speakers to Wooster. Life After Exit – Golf, table tennis, community leadership, and staying active. Connect with Mark Dorman: Succession Plus US LinkedIn: Mark Dorman LinkedIn: Succession Plus Facebook: Succession Plus (330)-416-9271 mdorman@succession.plus About the Guest: Dee Vaidya is a serial entrepreneur who has built, scaled, and sold multiple businesses across manufacturing, electronics, and geospatial intelligence. Born in India and educated at IIT Bombay, the University of Akron, and Purdue University, Dee moved to the U.S. to pursue entrepreneurship and the free-market system. He is best known for founding and growing Technographics, a geospatial intelligence company that won a $200M global contract and grew to over 400 employees before being sold to CACI. Dee is also the founder of the Wayne County Economic Forum and a recipient of the Wooster Chamber of Commerce Board of Directors Award for his contributions to the community.  

‘You can only be spiritual when you destroy the social structure of your being, which is, the world in which you live, the world of ambition, greed, envy and seeking power.' This episode on The Structure of Society has two sections. The first extract (2:51) is from Krishnamurti's first talk in Bombay 1962, and is titled: The Nature of Society. The second and final extract in this episode (39:05) is from the first talk in London 1962, and is titled: Destroying the Psychological Structure of Society. The Krishnamurti Podcast features carefully selected extracts from Krishnamurti's recorded talks. Each episode highlights his different approaches to universal and timeless themes that affect our everyday lives, the state of the world and the future of humanity. This episode's theme is The Structure of Society. Upcoming themes are Discovery, Suffering and Communication. This is a podcast from Krishnamurti Foundation Trust. Please visit our website at kfoundation.org, where you can find a popular collection of quotes, a variety of featured articles, along with a wide selection of curated material in the Index of Topics. This Index allows easy access to book, audio and video extracts. Our online store stocks the best of Krishnamurti's books and ships worldwide. We also offer free downloads, including a selection of booklets. You can also find our regular Krishnamurti quotes and videos on Instagram, TikTok and Facebook at Krishnamurti Foundation Trust. If you enjoy the podcast, please leave a review or rating on your podcast app.

Watch as a full video interview on YouTubeVaseem Khan is the author of two award-winning crime series set in India and the bestselling Quantum of Menace, the first in a series featuring Q from the James Bond franchise. His debut, The Unexpected Inheritance of Inspector Chopra, was selected by the Sunday Times as one of the 40 best crime novels published 2015-2020. In 2021, Midnight at Malabar House, the first in the Malabar House novels set in 1950s Bombay, won the CWA Historical Dagger. Vaseem was born in England, but spent a decade working in India. Vaseem is a former Chair of the UK Crime Writers Association. His latest book in the Malabar House series, The Edge of Darkness, is out now.It was great fun having Vas back on the podcast, hearing about what he has been up to writing-wise in the past few years. He tells us about how he landed the job writing the James Bond Q book, Quantum of Menace, and why he loves going back to his Malabar House books. We also chat about films, and hear about five books that influenced him as an author.Links:Buy The Edge of Darkness and Vaseem's other books nowFollow Vaseem on InstagramVisit Vaseem's websiteSupport us on Patreon and get great benefits!: https://www.patreon.com/ukpageonePage One Extra and Page One - The Writer's Podcast are brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on ThreadsPage One Extra is part of STET Podcasts - the one stop shop for all your writing and publishing podcast needs! Follow STET Podcasts on Instagram and Bluesky Hosted on Acast. See acast.com/privacy for more information.

ndia volvió a ser protagonista en la sección viajera del programa gracias al testimonio de Lucas Blanco, fotógrafo y viajero de la comarca de Ferrolterra, que compartió nuevas vivencias de un país que marcó un antes y un después en su vida. En esta ocasión, relató una impactante anécdota ocurrida en su llegada a Bombay, cuando se disponía a tomar un tren de más de veinte horas rumbo a Amritapuri, en el sur del país. Un gesto solidario hacia una niña con un bebé desencadenó una situación de acoso que requirió la intervención de las fuerzas de seguridad, reflejo de las duras realidades sociales que conviven en las grandes ciudades indias. Lejos de esa experiencia, Lucas también recordó su etapa en un Ashram, donde realizó labores comunitarias y vivió un episodio de sanación emocional y física junto a una doctora ayurvédica, que reforzó su visión de India como un lugar de profundo aprendizaje interior. Historias de contraste, humanidad y transformación que seguirán teniendo continuidad en próximas entregas.

Bli med inn i turnébussen til bandet Leprous før konsert i Antwerpen og møt vokalist og soloartist Einar Solberg. Bandet hans er, etter mange år med hardt arbeid, i ferd med å få et skikkelig gjennombrudd i "utlandet" og hjemme i Norge. Men hvor startet det?Hør mer om oppveksten i Notodden, musikkinteressen, Rage Against the Machine, Dr Bombay (!), søsterens innsats for musikkmiljøet i byen sammen med Emperor-frontmann Ihsahn, bakgrunnen for de mørke tekstene, familietragedien, de mentale sårene og oppturen... Einar er for tiden på Europaturné med Leprous og blir i april aktuell med soloalbumet Vox Occulta.

PREVIEW FOR LATER TODAY: INDIA'S STALLED REFORMS Guest: Sadanand Dhume (Wall Street Journal) Dhume discusses disappointment with Prime Minister Modi's cautious third term, noting India's growth remains hindered by socialist-era labor laws. Although Modi raised worker thresholds, the textile industry lost competitiveness to Bangladesh and Vietnam. The political challenge of enacting business-friendly reforms without electoral consequences remains unsolved.1930 BOMBAY

Degens Andy S and Brandon Bombay ask if you're watching closely before misdirecting you with stories while discussing 'The Prestige.' Bombay opens the episode with a story about drunkenly being confused at a party and trying to kiss the wrong person. Then the guys discuss a film that is often overlooked in Christopher Nolan's oeuvre, a movie that is personal for the director as it's a thinly veiled metaphor for movie making/storytelling. The boys talk about the best magic trick the film pulls off which was stunt casting David Bowie as Nikola Tesla. Bowie may be the most majestic creature on the screen, but Scarlett Johansson is a close second, and it's no wonder the twin brothers decided to share lives when they were romantically involved with ScarJo and Rebecca Hall. Dazzling performances, and period piece set design work as misdirection into a dizzyingly satisfying final act that is loaded with reveals and catharsis. Which is similar to the end of the episode, so make sure you stick around for all three acts of this magical podcast. 

Lucas Blanco, ferrolano viajero y fotógrafo, comparte en Radio Voz cómo la India cambió su vida. Desde su primer viaje en 2012, impulsado por un documental que vio a los 12 años, Lucas se dejó atravesar por la espiritualidad, los contrastes y la gente del país. Durante 27 días en lugares como Bombay y el pueblo sagrado de Amritapuri, vivió experiencias que transformaron su percepción del tiempo, la rutina y la vida. Desde el caos de los taxis y los olores intensos hasta la serenidad de los rezos matutinos y el chai compartido, Lucas aprendió a vivir cada momento con todos los sentidos. La India, dice, no se recorre, se siente. Su historia demuestra que viajar puede cambiar profundamente a quien se atreve a abrirse al mundo y a sus diferencias. Un viaje que deja huella, física y espiritual.

Degens Andy S and Brandon Bombay are all-in on telling wild stories as they talk about a movie that set off a poker boom, 'Rounders.' Bombay is the first one in the pot, as he recalls how going on an epic poker run helped get him out of serious money troubles in his youth. Then the boys discuss the classic sports movie disguised as a gambling movie. Featuring a memorable villain portrayed by John Malkovich, who decided to make some of the most gonzo acting choices imaginable, and we love him for it. Along with a rising Matt Damon, the film also stars Edward Norton as Worm, the type of friend you can't leave alone for more than two minutes. That character reminds Andy of when he picked up a buddy from jail, and the lessons he learned. On top of the top tier acting, John Dahl also showed off his noir-sensibilities behind the camera, as the movie is not only filled with specific poker detail, but also flourishes of late '90s New York. It not only taught a generation how to play Texas Hold 'Em, but also taught that in the game of life, women are the rake. 

The Space Show Presents JATAN MEHTA, Friday, Jan. 2, 2026Quick Summary:Our conversation with our guest from India focused heavily on India's space program, including its current capabilities, future plans, and comparisons with other countries' space programs, particularly regarding lunar exploration and human spaceflight initiatives. The conversation ended with discussions about potential new content initiatives and program updates, including plans for future space coverage and the need for financial support to maintain operations.Detailed Summary:I welcomed Jatan to the meeting and also AJ who would act as co-host for today's one hour program. We began with casual conversation about travel and the history of Mumbai's name change from Bombay, which was explained as part of a nationwide effort to revert to indigenous names. Bill joined the call and mentioned not receiving Jatan's newsletter for a few weeks, which Jatan confirmed was being sent but might be ending up in spam folders. David introduced plans to discuss Jatan's newsletter and work, as well as questions about the Indian space program.Jatan Mehta, a space writer and journalist, discussed his work covering moon missions and India's space activities. He explained the origins and goals of his newsletter Moon Monday, which archives moon mission developments, and his Indian Space newsletter, which provides a holistic view of India's space activities. Jatan also mentioned his poetry on space exploration, which he recently published to celebrate milestones in his career.Jatan explained his focus on the Moon rather than Mars, citing existing extensive coverage of Mars and his goal to provide unique value through his independent writing. He discussed his passive approach to educational outreach, including speaking to students across various age groups in India about space exploration. Jatan also shared his experience writing poetry sporadically and expressed his inability to teach poetry due to lack of formal training. David, on behalf of John Jossy who was not with us today, inquired about India's space program, asking if Jatan believed it would be driven primarily by the private sector or government.Jatan explained that while the private sector in India's space industry is growing, ISRO will remain the dominant player for the foreseeable future, similar to NASA's role in the US space program. He noted that the 2023 National Space Policy emphasizes ISRO's role in cutting-edge R&D for space exploration, while private players focus on production. Regarding India's human spaceflight program, Jatan reported that while the original 2025 target was missed, the program is making progress with the LVM3 launch vehicle now human-rated, and three uncrewed tests are planned before human missions begin, with a target launch date of late 2027.The discussion focused on India's space program, particularly the Gagan Yan (Sky Craft) program for astronauts, where Jatan explained that the initial capsule will carry two Gaganyatris (sky-farers) for the first few missions, with plans to expand to three astronauts later. Jatan clarified that while Gagan Yan refers to spacecraft, the upcoming space station will be called The Bharatiya Antariksh Station(BAS). When asked about India's progress compared to China, Jatan acknowledged that China has surpassed both India and the US in recent moon missions, though India's program remains significant with plans for a space station by 2035.Jatan mentioned that India's space program, noting that while India and China were neck and neck in space capabilities in the 1990s and early 2000s, China has since surpassed both India and the US in certain areas due to a larger budget. He explained that India's space budget of approximately $1.5 billion USD over the past five years is less than a tenth of NASA's budget, limiting its ability to catch up in all areas. However, Jatan emphasized that India is prioritizing certain key areas, such as the Moon, with plans for a sample return mission in 2028. He also highlighted the importance of political support and policy excitement in driving progress in India's space program.India's space program aims to achieve several key milestones over the next 5-10 years, including the Chandrayaan 4 and 5 missions, collaboration with Japan for a lunar rover, and the development of a human spaceflight program with a space station module by the end of the decade. The country is also working on upgrading its LVM3 rocket to a semi-cryogenic engine and developing the Next Generation Launch Vehicle (NGLV) for heavy-lift capabilities by 2032-2034. Long-term goals include expanding India's regional NAVIC navigation constellation, conducting a Venus orbiter mission in 2028, and sending an Indian astronaut to the moon by 2040.The discussion focused on India's space program and its development of reusable rockets. Jatan explained that while India has received some technology assistance from Russia, it doesn't have the same level of partnership as China's with Russia. He noted that India's current rockets are not designed for reusability, but the upcoming NGLV rocket will have a reusable booster stage. The group discussed India's decision not to pursue a super-heavy lift rocket, instead opting to develop a heavy upper stage that can be launched multiple times and docked in orbit. Jatan emphasized that while reusable rockets would be beneficial, India's focus has been on addressing a backlog of existing missions and developing new launch capabilities.Jatan discussed his top lunar coverage stories from 2025, highlighting three key pieces: covering lunar sample science updates from China's Chang'e 5 and 6 missions, his year-end summary on Moon Monday that reviewed both successes and failures in lunar exploration, and an analysis piece on the current orbital capabilities of various countries, particularly focusing on the US's lack of modern lunar orbiters and the importance of understanding lunar water ice for future human missions.Jatan explained that Indian space mission budgets are allocated on a year-by-year basis, unlike NASA's multi-year planning, and described how infrastructure costs are incorporated into mission budgets differently between the two countries. He outlined his plans for 2026, including covering moon missions weekly, publishing additional space-related booklets, and tracking developments in India's Gaganyaan program and semi-cryogenic engine upgrade for LVM3. Jatan emphasized his commitment to keeping his space coverage and publications free to access through sponsorships and expressed excitement about upcoming missions including Chang'e 7 and Intuitive Machines' third lunar landing mission.This part of the program primarily focused on a discussion about potentially establishing a “Mars Tuesday” to complement “Moon Monday,” though Jatan noted this would be more feasible in the future, possibly during the Moon-to-Mars transition. Jatan shared his background in astrophysics and his shift to space communication, emphasizing his interest in bridging the gap between researchers and the public. David made announcements about upcoming programs, guest suggestions, and the need for donations to support the space show's operations, while also inviting major donors to join the advisory board. The conversation ended with plans for Ajay to share updates about his talks in India on the next Sunday's show.Special thanks to our sponsors: American Institute of Aeronautics and Astronautics, Helix Space in Luxembourg, Celestis Memorial Spaceflights, Astrox Corporation, Dr. Haym Benaroya of Rutgers University, The Space Settlement Progress Blog by John Jossy, The Atlantis Project, and Artless EntertainmentOur Toll Free Line for Live Broadcasts: 1-866-687-7223 (Not in service at this time)For real time program participation, email Dr. Space at: drspace@thespaceshow.com for instructions and access.The Space Show is a non-profit 501C3 through its parent, One Giant Leap Foundation, Inc. To donate via Pay Pal, use:To donate with Zelle, use the email address: david@onegiantleapfoundation.org.If you prefer donating with a check, please make the check payable to One Giant Leap Foundation and mail to:One Giant Leap Foundation, 11035 Lavender Hill Drive Ste. 160-306 Las Vegas, NV 89135Upcoming Programs:Broadcast 4482: Zoom: Open Lines to kick of 2026 | Sunday 04 Jan 2026 1200PM PTGuests: Dr. David LivingstonZoom: Open Lines to start the New Year Get full access to The Space Show-One Giant Leap Foundation at doctorspace.substack.com/subscribe

Vi får blant annet høre om cricket-legenden Dr. Bombay og det peruvianske partiet Machu Pikachu når gutta legger sine spådommer for 2026. Hosted on Acast. See acast.com/privacy for more information.

Sir Salman Rushdie is a writer who has written over 20 books, seven of which have been nominated for the Booker Prize. In 1981 he won with his novel Midnight's Children which also topped the polls for the 25th and 40th anniversaries of the prize, making it the most lauded novel in Booker history.He was born in Bombay in 1947 and educated at Rugby School in Warwickshire. After studying history at the University of Cambridge he worked as a copywriter at various advertising agencies before publishing his first novel Grimus in 1975. His breakthrough came with Midnight's Children and he was one of 20 writers named on Granta magazine's inaugural list of Best Young British novelists alongside writers including Martin Amis and AN Wilson.He attracted considerable controversy with his fourth novel the Satanic Verses which won the Whitbread Award and was shortlisted for the Booker. Some Muslims considered the subject matter blasphemous and Iran's Supreme Leader Ayatollah Khomeini issued a fatwa calling for the death of Salman and the publishers of the book. Salman spent the following decade in hiding under police protection.In 2022 he was stabbed multiple times while on stage at the Chautauqua Institution in upstate New York. He had been invited there to talk about keeping writers safe from harm. He survived devasting injuries – including the loss of his right eye – and wrote about the attack and its aftermath in his memoir Knife.That same year he was awarded a Companion of Honour for services to literature.Salman is married to the poet and novelist Rachel Eliza Griffiths and they live in New York. He has two grown up sons and two grandchildren.DISC ONE: Walk on the Wild Side - Lou Reed DISC TWO: Yeh Hai Bombay Meri Jaan - Mohammed Rafi and Geeta Dutt DISC THREE: Blowin' in the Wind - Bob Dylan DISC FOUR: (I Can't Get No) Satisfaction - The Rolling Stones DISC FIVE: I Wanna Dance with Somebody (Who Loves Me) - Whitney Houston DISC SIX: Me and Julio Down by the Schoolyard - Paul Simon DISC SEVEN: Isn't She Lovely – Stevie Wonder DISC EIGHT: For the Love of You, Pts. 1 & 2 - The Isley Brothers BOOK CHOICE: Homer's Odyssey (Translated by Emily Wilson) LUXURY ITEM: A bed with a mosquito net CASTAWAY'S FAVOURITE: For the Love of You, Pts. 1 & 2 - The Isley Brothers Presenter Lauren Laverne Producer Paula McGinley

The writer-director joins Seth to share tales of the making of this gritty and entrancing tale of life in the slums of India. Learn more about your ad choices. Visit megaphone.fm/adchoices

Legendary director Mira Nair and Cannes-winner Ritesh Batra made two very different hit films about very different sides of India's fabled food delivery system. Batra tells Rico about the romance of dabbawallas, while Nair remembers the mean streets of Mumbai's chaiwallas (and what she serves her son Zohran Mamdani at home).Just in time for holiday eat-a-thons, the award-winning MUBI Podcast is back and celebrating its tenth season with a four-course serving of stories about food on film. Titled "A Feast For The Eyes," the season digs into the ways filmmakers use food to provoke hunger, thought, nausea, political action...and sometimes all the above.Joining host Rico Gagliano is a sampler platter of luminaries from the film and culinary world, including directors Brad Bird (RATATOUILLE), Mira Nair (MONSOON WEDDING), and David Gelb (JIRO DREAMS OF SUSHI), former New York Times food writer Alison Roman, and more. Gluttons for great cinema stories can start chowing down on episodes weekly, starting Thanksgiving Day.Let's Eat! Food and Film collection is now streaming on MUBI globally.THE LUNCHBOX is now streaming on MUBI in the UK, Ireland, Australia, Latin America and Netherlands. To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

Degens Andy S and Brandon Bombay continue their XXXmas celebrations by putting all their money on frozen orange juice futures as they discuss 'Trading Places.' Bombay opens up the episode by recalling the time a car pulled over in the cold to offer him a ride, and how it all unraveled into an insane night.Then the boys discuss a classic comedy that isn't mentioned enough for its Christmas charm. It opens with wonderfully gritty location shots of Philadelphia, and features a Snobs vs. Slobs storyline with racial undertones. Director John Landis does the right thing and lets young rising phenom, Eddie Murphy, absolutely cook, but Dan Aykroyd pulls out one of his most memorable film performances as an unhinged destitute Santa. Peppered with memorable moments throughout, it's the closing act hijinks on the train which pushes the boundaries of absurdity, and features many of the film's funniest moments. This episode will have you wishing you spent the holidays shacked up with a savvy hooker with a heart of gold. 

Would you keep writing if your agent told you "not yet" for ten straight years?In this episode of Books & Beyond, Tara sits down with NYT bestselling author Alka Joshi to discuss her latest novel, Six Days in Bombay.Alka reveals the incredible decade-long journey behind her debut, The Henna Artist, from a relentless agent who kept saying the book wasn't ready, through years of tireless revisions, to the "perfect timing" that landed her in Reese Witherspoon's Book Club.But for Alka, the story started much earlier. She shares her personal journey of navigating prejudice as an Indian in America; an experience that once forced her to leave her heritage behind, until she finally chose to embrace it all to tell her mother's story.She also takes us behind the scenes of her new book; how she purposefully traveled to cities like Prague, Paris, and Florence to "live" the world of her novels before meticulously reconstructing the 1937 world portrayed in Six Days in Bombay.Tara and Alka also dive into their shared love for historical fiction, their top book recommendations, and the real-life incredible women who inspired her most beloved characters.Tune in now to hear firsthand about Alka Joshi's fascinating road to publishing and her life as a storyteller!Books Mentioned in the Episode:The Joy Luck Club by Amy TanA Fine Balance by Rohinton MistryRed Azalea by Anchee MinPachinko by Min Jin LeeStories from TagoreThe Color Purple by Alice WalkerThe Inheritance of Loss by Kiran DesaiAll the Light We Cannot See by Anthony DoerrThe Covenant of Water by Abraham VergheseRailsong by Rahul BhattacharyaSmall Things Like These by Claire Keegan‘Books and Beyond with Bound' is the podcast where Tara Khandelwal and Michelle D'costa uncover how their books reflect the realities of our lives and society today. Find out what drives India's finest authors: from personal experiences to jugaad research methods, insecurities to publishing journeys. Created by Bound, a storytelling company that helps you grow through stories. Follow us @boundindia on all social media platforms.

In 1972, Śrīla Prabhupāda made a down payment on the land in Juhu beach, Bombay, intending to build Śrī Śrī Rādhā-Kṛṣṇa, a beautiful temple there. Even though Śrīla Prabhupāda had made a down payment on the land, the owner, who had a past history of shady dealings, had not yet handed over the land deed to ISKCON as he had promised he would do. Śrīla Prabhupāda saw indications that the owner might change his mind and decide not to sell the land, or worse, he may try to cheat the devotees and keep the down payment. In India, when one installs deities on a piece of land legally, it secures one's hold on the land, as the deities become the proprietors, and no one else will dare to move them. Therefore, to secure the Juhu land, Śrīla Prabhupāda moved the Deities Śrī Śrī Rādhā Rāsa-Bihārī there as quickly as possible after giving the down payment. Just after doing this, he also performed a ceremony to lay the cornerstone for the temple he intended to build there, another act that legally solidifies one's right to keep and stay on the piece of land. At first, due to a lack of facility, the devotees had to worship Rādhā-Kṛṣṇa in a tent. After some years of intense struggle, Śrīla Prabhupāda and his followers developed the land, relocating the previous renters, and established a beautiful temple there that today hosts millions of people every year. As humans, we have the chance to build such a temple in our hearts. Our bodies are like that Juhu land. Just as Śrīla Prabhupāda quickly installed the deities on the Juhu land, we should also install Kṛṣṇa in our hearts as soon as possible, before death comes and cheats us, taking away our opportunity. By making a firm vow to chant the holy names a fixed number of times each day, we lay the cornerstone for a temple in our hearts where we can properly worship Kṛṣṇa. As Śrīla Prabhupāda pushed forward to secure the Juhu land, we must also push forward against all odds to ready our hearts for Kṛṣṇa's worship. ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

El delantero del Inter Miami y de la selección argentina se encuentra en la India realizando su "GOAT tour", con eventos en Calcuta, Hyderabad, Bombay y Delhi.

Dr. Ralf Jeutter discusses the foundational principles of Hahnemannian homeopathy. He emphasizes the importance of observing patients' unique experiences and symptoms, rather than categorizing diseases or personalities, highlighting Hahnemann's focus on phenomenology. Dr. Jeutter also explores common misconceptions in interpreting the Organon, particularly around mental and emotional symptoms, and stresses that remedies should be understood through careful study of provings and original texts. He cautions against oversimplifying remedies into psychological types, which can obscure the depth of each patient's experience. Throughout the conversation, he encourages a return to the core principles of homeopathy, combining attentive clinical observation with a thorough understanding of the remedies. Episode Highlights: 03:56 - Ralf's Journey into Homeopathy 09:45 - Accessing German Texts and the Organon 11:17 - Misconceptions in Interpreting the Organon 18:00 - What are we supposed to do in a homeopathic consultation 19:33 - Understanding the Altered State in Homeopathy 24:06 - Differences Between Hahnemannian and Kentian Homeopathy 28:59 - The Role of Mental Symptoms 30:17 - The Balance Between Psychological and Physical Symptoms 33:34 - What Truly Never Changed in Hahnemann's Homeopathy 41:43 - A Radical Shift in How We Understand Disease 49:57 - Re-examining the Syphilis Model 57:12 - When Everything Is Called Homeopathy 01:02:59 - Why Studying Hahnemann Still Matters 01:08:22 - Where Did Succussion Really Come From About my Guests: Dr. Ralf Jeutter has been involved in homeopathy for over 20 years and is an international teacher and practitioner. He qualified in homeopathy in 2000 from the North-West College of Homeopathy in the UK and continued his medical and homeopathic training at the Institute of Clinical Research in Bombay and Pune, India. He is medically trained in Podiatric Medicine and holds a Ph.D. in Literature and Philosophy. Dr. Jeutter is a former Director of the Society of Homeopaths, the largest homeopathic membership organisation in the UK. Dr. Jeutter is Head of Academic Affairs and Head of Philosophy at the Centre for Homeopathic Education (CHE) in New York and teaches homeopathy internationally, including in London, Budapest, and New York. For over 10 years, he has been involved in the Materia Medica Pura Project initiated and led by Dr. André Saine. His professional focus is on Hahnemannian homeopathy, comparative materia medica, repertory work, and a solid understanding of the foundations and philosophy of Hahnemann and his followers. To learn more about his masterclass on male health issues https://www.cheonline.co.uk/male-health-issues To learn more of his provings https://hpathy.com/ If you would like to support the Homeopathy Hangout Podcast, please consider making a donation by visiting www.EugenieKruger.com and click the DONATE button at the top of the site. Every donation about $10 will receive a shout-out on a future episode. Join my Homeopathy Hangout Podcast Facebook community here: https://www.facebook.com/groups/HelloHomies Follow me on Instagram https://www.instagram.com/eugeniekrugerhomeopathy/ Here is the link to my free 30-minute Homeopathy@Home online course: https://www.youtube.com/watch?v=vqBUpxO4pZQ&t=438s Upon completion of the course - and if you live in Australia - you can join my Facebook group for free acute advice (you'll need to answer a couple of questions about the course upon request to join): www.facebook.com/groups/eughom

Prof. Gautam R. Desiraju (born 21 August 1952) is an Indian structural chemist and Honorary Professor at the Indian Institute of Science, Bengaluru. A pioneer of crystal engineering, he helped establish the importance of weak hydrogen bonds and introduced the “supramolecular synthon” concept.He served as President of the International Union of Crystallography (2011–2014). Educated at St. Xavier's College (University of Bombay) and the University of Illinois at Urbana–Champaign (PhD, 1976), he has authored/edited several influential books.He remains one of India's most cited chemists and a leading voice on the future of chemistry and science in the country.

This episode of The Mohua Show is a generational punch to the heart.Author Aarti Narayan, a former MNC executive, tells the story behind her debut novel, The Lives She Carried, inspired by her grandmother, a woman frompre-Independence Kerala who turned pain into power and raised nine children against impossible odds.A conversation about what women are taught to endure and what they choose to become.What this episode is REALLY aboutNot perfection.Not heroism.Not feminist slogans.It's about:Generations of women trained to tolerate and give awayThe male genius vs misogyny paradox of old IndiaA daughter who ran away to save herselfThe real cost of ambition: when moving to Bombay means no way backSurvival after losing everythingReinventing life with humour, rage and lemon riceWhy every child should inherit books, not traumaIf you've ever asked, “How did our mothers survive so much?” this episode has answers.Support the Podcast If this conversation moved you, share it with someone who needs to hear it today. Subscribe for more voices that rewrite the rules with **truth, heart and courage**.✅ Subscribe To Our Channel: / themohuashow Stay updated!

Raj Sisodia has spent his life asking one question: Can business make people's lives better instead of draining them? He holds a PhD in Marketing and Business Policy from Columbia University, co-founded Conscious Capitalism with John Mackey, the founder of Whole Foods Market, and has advised global companies from Tata Group to AT&T. But his path started in a factory in Bombay, earning a hundred dollars a month, before he built one of the most influential ideas in modern business thinking. "I didn't like biology, so I became an engineer. I didn't like finance, so I became a marketing professor. But business turned out to be about head and wallet — nothing about heart or spirit." That realization led him to study companies that people love working for and trust buying from. The result became Conscious Capitalism — a way of running a business that joins purpose, profit, and care. "Profit is the oxygen that keeps you alive. But no human lives just to make red blood cells. In the same way, no company should live just to make profit." Raj's research showed that companies built on four simple pillars — Purpose, Stakeholders, Conscious Leadership, and Caring Culture — outperformed the S&P 500 by nine to one over a decade. They made more money precisely because they cared more. When he met Bob Chapman, a manufacturing CEO from Missouri, Raj saw these ideas come alive. Chapman bought a failing plant, promised no layoffs, and told workers they would figure it out together. Men who had once been laid off without warning wept as they told Raj their lives had changed. "I had sixty dollars in the bank and a new baby. That job saved my family." From that came the book Everybody Matters. Chapman told him, "Leadership is the stewardship of the lives entrusted to us." Raj calls such companies healing organizations — places that reduce suffering and bring more joy into the world. Now, with artificial intelligence reshaping work, Raj argues that AI will amplify our intentions: "A knife in a surgeon's hand saves lives. The same knife in another hand can end one. AI is the same — it depends on who we are when we use it." He believes the leaders who thrive will be those who bring consciousness to technology, not fear.

Degens Andy S and Brandon Bombay hit the studio and show they got the touch while talking about a certifiable Degen classic, 'Boogie Nights.' Bombay opens it up by talking about how much he envies Dirk Diggler's ability to control his manhood on demand, as he was not able to replicate that performance when the pressure was on. Then the boys discuss this time capsule, which is littered with incredible detail that would become the calling card of Paul Thomas Anderson films, and an ensemble cast that was well on their way to being some of the great actors of their generation. The guys talk about how consuming adult entertainment has changed not only from the '70s, but from the '90s when the film was released. Naturally, they have to talk about the film's star, Mark Wahlberg's prosthetic, and the hilarious number of countless reaction shots to characters getting a load of it in person. Similar to the movie, the episode is filled with comedy, but the human elements are the backbone(r). 

Natasha's insomnia journey began during the long grind of the pandemic. Life was full, intense, and stretched thin. She and her husband were working and their young son needed to take school classes online. When their nanny suddenly stopped coming, Natasha brushed it off at first. But that first sleepless night turned into another… and then another. Before she knew it, she was caught in a spiral she couldn't make sense of. Like many people who've always slept well, she didn't expect sleep to suddenly feel impossible. She tried going to bed earlier. She tried teas, essential oils, supplements, white noise, antidepressants, anti-anxiety medication — anything she could find and all the things the internet tells you “should” help. Each attempt only made her more aware of how badly she wanted sleep and how far away it felt. Her nights became long stretches of alertness mixed with exhaustion — awake while everyone else slept — and her days were filled with worry about the next night. Over time, insomnia started to shape her choices. She avoided travel. She canceled early meetings. She relied on her husband sharing a bed with her for sleep to have any chance of happening. Insomnia slowly became the center of her days. The turning point didn't come from a pill or a hack. It came when every one of her “solutions” stopped working — and she realized she couldn't keep building her life around avoiding insomnia. That moment of exhaustion and honesty pushed her to look for a different approach. When we started working together, Natasha began noticing something important: even after a bad night, the next day could go better than she expected. And sometimes, after a good night, the day didn't feel great at all. That simple observation helped loosen the grip insomnia had on her. She also began changing her actions in small, meaningful ways — not to fix sleep, but to take her life back. She scheduled breakfast meetings again. She made evening plans without checking the clock. She traveled. She stopped organizing her days around sleep anxiety. And she created a calmer routine at night by watching shows she enjoyed instead of lying in bed trying to force sleep. Today, Natasha has her life back. Sleep isn't a project. Nights aren't battles. Insomnia no longer runs her life. Natasha runs her own life and sleep takes care of itself. Click here for a full transcript of this episode. Transcript Martin: Welcome to the Insomnia Coach Podcast. My name is Martin Reed. I believe that by changing how we respond to insomnia and all the difficult thoughts and feelings that come with it, we can move away from struggling with insomnia and toward living the life we want to live. Martin: The content of this podcast is provided for informational and educational purposes only. It is not medical advice and is not intended to diagnose, treat, cure, or prevent any disease, disorder, or medical condition. It should never replace any advice given to you by your physician or any other licensed healthcare provider. Insomnia Coach LLC offers coaching services only and does not provide therapy, counseling, medical advice, or medical treatment. The statements and opinions expressed by guests are their own and are not necessarily endorsed by Insomnia Coach LLC. All content is provided “as is” and without warranties, either express or implied. Martin: Okay. Natasha, thank you so much for taking the time out of your day to come onto the podcast. Natasha: You are welcome, Martin. Thanks for having me. Martin: It’s great to have you on. Let’s start right at the very beginning. When did your sleep problems first begin and what do you feel caused those initial issues with sleep? Natasha: I think it was 2022 and we were still very much within the pandemic. And so there was of course like bad news all around, but I wasn’t necessarily stressed by that. All our children were outta school in the sense that all the schools were shut down. Natasha: At that point, my like 5-year-old or 6-year-old son, he was having to do his online classes and the day was just relentless, right? Because me, my husband, we were both working, we didn’t have any help at home. And then he had these online classes. So I had found this sort of nanny person who could help out during the day so that we could get our work done. Natasha: And I think she basically just called in sick. And I think like now, and this is all in hindsight, but I think it was some sort of like anxiety from that. And she wasn’t being very specific about whether she was, she had COVID or whether she was just, she said, I’ve hurt my foot. And, I think it was basically the fact that there was a lot of uncertainty about when she would be back and whether she would be back. Natasha: And I couldn’t sleep that night when she said, I’m not coming tomorrow. And, I think that was fine because the next day rolled around, but then the day after that, again, I sort of couldn’t fall back to sleep. And you know what happens when you haven’t slept one night and you feel like you have this huge day to get through the next day you try to overcompensate. Natasha: So I think I probably try to get into bed really early and I couldn’t fall asleep. And then I think I probably still just got out and read a book and got on with it. Natasha: So the days had been quite difficult to get through with a small child and work. I think by the third day I started noticing, I suddenly noticed the fact that I hadn’t slept very well and that I wasn’t being able to fall asleep. Natasha: And so the third night, I just really couldn’t sleep at all because I’d become very attentive to the fact that I was having this difficulty and that I had to. And so I think that’s what set it off. I don’t think there was anything more than that. Once it got started it just became this kind of vicious spiral of crashing pretty much after two or three days of sleeping very badly. Natasha: And then feeling slightly recovered the next day only to not be able to go back to sleep that night. And yeah, I think I started paying so much attention to the fact that I was having difficulty sleeping, that it was just getting harder and I think it, it turned into a huge full-blown problem. Martin: I’m gonna guess that there’s been other times in your life where you might have got a little bit less sleep or a lot less sleep than normal. And then things figured themselves out and sleep got back on track. What do you think was different this time around? Natasha: So I think a few things might have been different. Natasha: One was of course, that I think the pressure in the pandemic was very high on productivity and just somehow getting through the day. So not just, you had a lot of things to do at work. You had very little help and I had a child and I think also because there was this idea that there was some degree of latitude with your partners. Natasha: If for some reason you are sick, then he can pick up the slack more than what he’s normally doing. But I think he was completely slammed as well. As a family I think we’d become very aware of just how we were stretched beyond like capability. Natasha: So I think maybe that was one like predisposing condition that it, it made the need for rest so much higher. And therefore I think there was some kind of a, psychological reaction to the fact that when you thought that you really needed to rest, you weren’t being able to. I also do think, I do think it maybe had something to do with COVID because I did get COVID early 2022. Natasha: And I think I got, ever since then I’ve had COVID twice. And every time I’ve had COVID I’ve had a little bit of difficulty with sleep and a little bit of hyper arousal. So I, I think maybe it was a combination of these two things. But normally now if that happens, it just resolves itself because I don’t sit and, I don’t get too upset about it. Natasha: But at that time, perhaps, maybe some sort of like the physiological part was there, and then there was this huge psychological reality. Martin: Would you say that because it was such a stressful period it felt like maybe the stakes were higher than they were in the past. So as a result, you put more pressure on yourself to get sleep back on track. Martin: There was more trying, more effort, more pressure. Natasha: Yeah. I think there’s also one of the things I have realized and listening to your podcast, it’s something that I’ve observed. There are a lot of people who say that they develop insomnia. Many of them say that they were excellent sleepers. Natasha: They were brilliant sleepers before and they could sleep anywhere, anytime. And that was me as well. I could sleep anywhere, anytime. But the other thing is also that I think there are people who say that, I can’t function without sleep. I need my sleep. I love my sleep. Natasha: And there are others who are like, yeah, I can get on with it. It’s fine. I think you and I feel like if you’re the type who has told themselves for years that, oh, I can’t function without sleep, which is what I used to tell myself, and that’s why I used to sleep very adequately because I’d be like, oh, I need my nine hours and I need like my naps in between. Natasha: I feel like if you’ve spent years telling yourself that you can’t function without sleep and then a stressful situation comes that requires you to compromise with sleep or where your sleep gets affected, perhaps you are more susceptible to then developing anxiety around it, right? Because you’ve told yourself that you don’t know how to kind of function without it. Natasha: So maybe it’s also personality or like prior mindsets. Martin: It’s like the more important we deem something in our lives, quite naturally, the more we’re gonna focus on it. And if it deviates from whatever we want it to be doing that’s gonna immediately generate a lot of concern. Martin: And where we get trapped with insomnia and sleep is really, it’s beyond our direct and permanent control. So it, it kind of backfires, that additional effort. We might not be able to control the thoughts, we might not be able to change the fact that we see it as something important. Martin: It’s okay to see it as something important, but it’s our actions around that. The more we try to make sleep happen the more we can end up struggling with it. Natasha: Yeah, and I think a lot of this has to do with the fact that now there is so much literature and all the things you can do to improve your sleep, right? Natasha: So there is this perpetuation of this illusion that somehow sleep is something you can entirely control and engineer. And I think I was doing so much of that as well. Natasha: You go through this strange, five stages of grief or something through that period of night where, you just, at some point you’re very angry. At some point you’re very depressed with your situation because it’s also this, it is a strange experience of being wide awake when the whole world is sleeping. Natasha: It’s different from being a night owl and it’s different from someone who’s, voluntarily working or relaxing or gaming or whatever. Natasha: You are alert and exhausted. So because you’re alert, you can’t go to sleep and because you’re exhausted, you can’t actually do anything productive. So you’re literally just sitting awake and not being able to do anything and not being able to relax. Natasha: And I think that in that whole process you do end up, of course you start googling feverishly and I’ve done everything right. I think over the last two years, before, before I met you, I think I’ve done everything I must have done. Like the primrose oil, the lavender, the magnesium, the chamomile tea, the Yeah, like I think the white noise and I’ve done, I think you try everything and the more things you’re throwing at it, the worse it’s getting. Natasha: And I think every failure after you’ve tried something and that failure is even harder to reconcile. But some of that comes from the fact that you’re reaching out for answers into Google and Google is giving you some solutions. It’s not telling you that, the way to, to get to sleep is just to let it go. Natasha: It’s not telling you that, it’s actually telling you, do this, and then you start doing it. Martin: The information out there tends to be about doing more, it’s, if there’s a problem, do this. And with sleep, it’s all about doing less. If anyone has a recollection in their own experience of a time when sleep wasn’t an issue or a concern, what did you do to experience sleep in that way? Martin: And it was nothing. It was going to bed. It was getting out of bed, living your life, and it just took care of itself. But then we just exposed to this proliferation of advice and information and hacks and gadgets and gizmos and this and this. And when we are feeling stuck it’s completely understandable that we are gonna be looking for a solution. Martin: And almost everything in life, the solution is do this or do more, put more effort in. Try harder. That sleep is one of those outliers. And we can so easily through no fault of our own, get tangled up in that quick sound, so the more we fight it. The more we struggle with it, the more we try and escape that quick sound, the deeper we find ourselves sinking. Natasha: Yeah. You said this and I think I, this is printed in my brain because I remember in one of our first sessions you said exactly this, you said that most things in life respond well to effort, but sleep doesn’t, sleep does not respond well to effort. And because we all have such a bias for action and effort, you think that if there’s something I can do. Natasha: What happened to me was like one night I didn’t, I think again, my husband, I woke him up at 4:00 AM because I was like, I think I’m having a heart attack. Natasha: Because, ’cause you are just palpitating now obviously your body’s completely dysfunctioning because you’re exhausted and you haven’t slept. And so I was sweating and I was feeling this like pinch in my heart and he got really worried. Natasha: So I said, okay, let me just go and buy sleeping pills. And I didn’t know what that was. So I went to this pharmacy and I was like do you have sleeping pills? And they were like you need a prescription for that. Because in India you don’t need a prescription for a lot of things. A lot of things you get over the counter, but hang on, this one is one that we do need a prescription for. Natasha: So then I started texting you can only get prescriptions from, obviously a licensed doctor or a psychiatrist. And I didn’t know any, so I texted one, a friend saying, do you know? And then she said yes. And so she connected me with somebody. But they said that you have to, you have to have a session with a therapist. Natasha: For her to for them to evaluate you. And I was desperate, right? Because I hadn’t slept all night. And I said, listen, I just, I need something to knock me out and I don’t need therapy. I don’t need a therapist. I’m fine. Literally the only problem in my life right now is that for some reason I’ve developed this mysterious inability to sleep. Natasha: And, but they of course, had the responsible practice was that I should talk to a therapist. So I did. And of course, at the end of the hour she was very sweet and she said it does seem you are fairly self-aware and your relationship with your partner is very good and everything is fine and maybe you just need medication. Natasha: And I was almost like, yes, I told you so then she put me through a psychiatrist. And that person, but that was the interesting thing, right? When I went to the psychiatrist and it was, she spoke to me literally for 10 minutes, and this was on Zoom because we were still in the pandemic. Natasha: And yeah, she was like okay, are you anxious about something? And you, you mentioned one or two things because if you are living life and if you’re adulting, of course you’re anxious about a few things. So I said a few things and she was like, okay, great. And here’s an antidepressant, which kind of surprised me because I’d never taken antidepressants before. Natasha: And I have studied psychology, so I do understand SSRIs. So I asked her, I said, oh, why are you giving me an antidepressant? She was like basically this is, it’s just going to relax you. So I said, fine. Natasha: So I took that, but I wasn’t happy about it because I wasn’t happy taking it. And I think what also what happened was I started taking the antidepressant for a couple of weeks. And predictably. So I slept okay on the first couple of times because it was a sort of a placebo, right? You had this like safety feeling that I’m taking a pill and I’m fine. Natasha: And then I think I was traveling to Delhi for work and it, I had my pill and it didn’t work. And I was up all night and I had to work the entire day. And then the same thing happened the next day. I came back to the hotel, I was exhausted and I was like, I’m going to just absolutely crash. Natasha: I think I fell asleep in the cab on the way to the hotel, but I popped my pill. I got into bed and I couldn’t sleep. And then I was like, okay, this medicine is not working. So I remember being, that, that makes you really worried because you see, I went to a doctor gave me something and now this is not working. Natasha: So then I came back and then I tried different things. When I got back home, I remember that night I went to bed and my husband Suraj was sitting next to me, and that was very comforting. So then began this whole era of me saying, okay, I need you to sleep in the bed with me, right? Natasha: You have to be in bed with me. So whether you are reading or whatever you’re doing, you need to be in bed. Because I wasn’t sure the medication was working. And so I stopped taking that, but then I didn’t have any other crutch, so I said, okay, you have to be in bed with me. And so he would have to get into bed and sometimes he likes to sleep a bit later and I get tired sooner. Natasha: It was adding these layers of something is wrong with me to my sense of self, right? Because you’re like, first you can’t sleep, then you, now you need your husband to come and lie with you. And you’re affecting his life as a result. Natasha: And then I became very averse to traveling as a result. So I said, I don’t want to, I don’t wanna go anywhere because I I don’t know, I, I don’t wanna sleep alone, so I don’t wanna go on business trips and I don’t want to go, but more than business trips, because those couldn’t be avoided. Natasha: I was almost like, I don’t wanna go on personal instead of holidays with my girlfriends, and I just don’t wanna go on a holiday with somebody where if I’m not sure where I would have to sleep alone by myself. So I was supposed to go for this hike and we would go, we were gonna sleep in a dorm. And I was so terrified of the idea of being like, absolutely wide awake at 3:00 AM in a dormitory full of girls, I don’t know, which was not me at all. Natasha: ’cause that, that I was not that type of person ever. So I opted out of that. I said, no, I’m not gonna do that. And it just started adding up right where I stopped making evening plans because I said, oh, if it’s too late, and then I get home late and then it I won’t have enough time to wind down and get to bed. Natasha: So I think all of this was happening and even when I was traveling. In 2022, I remember we went for this, I had this huge event in September or so. And it had been like eight months since my issues with sleep. But I had to go to Bombay for this event for a whole week. And my plan was that I’m basically going to night cap it through I’m going to have a drink every night and then I’m going to somehow knock myself out and just get through the entire week. Natasha: And that’s exactly what I did. Which, in hindsight, that’s, it’s just such a terrible strategy. But there was no other way to imagine being able to do things like this. So I feel like this was carrying on and I had sort of, because I’d already been to a psychiatrist, one I once, I didn’t consider going back to anyone because what I was very aware of was that I really wasn’t struggling with anything in my life in a big way other than sleep, so I. And that was the other thing. ’cause again, anytime you ever told anyone or even hinted to somebody that you find it hard to sleep, the first question they’re like, oh, are you stressed out about something? Or or and that can almost start grating you. ’cause you’re like, no, I’m not stressed about anything. Natasha: I’m not stressed, I’m not per se stressed and I, but this thing that, you’re losing sleep because there must be some something underlying and something subconscious and you’re like, no. The only thing that’s conscious, subconscious and all pervasive is sleep anxiety. And I think the fact that sleep anxiety, again, is its own category of anxiety, of, it’s a type of anxiety that perhaps happens. Natasha: And there are no other underlying hidden, Freudian reasons for why you’re not being able to sleep. You’re really, you’re just having some, you’ve developed a strange relationship with sleep and your bed. So you are passing out on your couch and then the minute you hit the bed you are like wide awake, so I think this thing was something that I have only processed a little bit in hindsight and through, conversations with you and understanding this whole situation. But like throughout 2022, it was just, it was some, it was a hack, just hacking my way through it. And because things were working out really well with having my partner in bed with me I was like, okay, fine, this is fine. Natasha: How bad is it? And even through 23, I think like 23 actually was very stable because like I said, whenever I was traveling, I had become that person where I said, okay, I’m not gonna sleep when I travel. But even then, I think there was. There was a, I remember again, I went for a team retreat and I was up the entire night, like the sun came up and I just got outta bed and we all had, and this was this big strategy retreat, which you had to talk a lot of strategy. Natasha: And that was the, and I was confused about whether I should tell my teammates that I didn’t sleep all night. And so I, but I decided to, ’cause I said I can’t, I’d come to that point where I was like, this is just who I am. This is going to be forever. So I have to start telling people that I find it hard and I’m, I have lovely colleagues and they’re all wonderful people. Natasha: So I said, maybe I can trust them and I could just tell them that I couldn’t sleep all night, because, if I’m spacing out in the middle of the dates, it’s only fair that they know. And I did tell them and and they were very kind about it, but I think I was so tired. Natasha: At the end of that day, I remember, and I was so terrified, Martin, that I was not gonna be able to sleep again. And so I actually asked my one of my teammates who I’m really close with, and I really like her. And I told her, I said, and this is gonna sound very strange ’cause we were all living in a house. Natasha: So it was nice. It was like a large, huge villa. And I said, is it okay if I sleep with you? And she was like, yeah, sure. And she was very sweet about it. And so I actually had went and I slept in her room with her. And I think that there were parts of me that was so embarrassed by this, but also so helpless about it and feeling like what is happening. Natasha: Whenever you tell people they, I mean they are sympathetic, but either they don’t understand or it’s the sort of you’re stressed. Natasha: And again, I think I was talking to someone and they recommended the psychiatrist and this therapist to me. So then I went to her and she prescribed me a whole other set of SSRIs and anti-anxiety medication. And again, I took it for a while and it does make you feel slightly different. So I think I started feeling a little bit. Not okay on some of that medication. Natasha: Especially, I think the worst experience which I’ve had is taking medication, going to bed, not being able to sleep, and then you are waking up with half, slept with this half digested medicine in your brain and you’re just getting through the next day because you know you, ’cause you have to. Natasha: All of us end up going through all these rabbit holes because there is no direction and the experts are actually giving you wrong advice and Google is definitely leading you in the wrong direction. And then you’re just stuck with all of the, this sense of helplessness and this huge sense of the fact that something is broken inside you. Natasha: And it’s funny, because I do actually work in the mental health field and there is a lot that’s said about the stigma associated with depression, with anxiety because even though there has been so much awareness building and conversation still, if your team members or someone in your organization is going through depression and they’re not able to perform, very few people can actually come and say, this is what’s happening to me when it’s happening. Natasha: They can talk about it once they have figured it out and gotten over it. And in a strange way, like insomnia is like that because if I hadn’t slept all night and if I slept at 4:00 AM and I woke up at seven and I had a call at nine 30 in the morning and I had to cancel it, or I had a call at seven in the morning, which I had to cancel. Natasha: I couldn’t be like, I’m sorry, I have to cancel this call because I couldn’t sleep all night. I would say I’m sick, or something else. But it sounded absurd to see, it almost sounds like you’re not a, you’re not a capable functioning adult if you say oh, I couldn’t sleep. And I think that sense that something that everybody else is just doing so effortlessly and everybody else is just doing without thinking and you’re just not able to do. Natasha: And it’s so basic. It’s, I would look at my son he’d just pass out. It feels so basic. I think that was the hardest part, like now in hindsight, right? It was of course the tiredness and all of the other things. But this, the psychological experience of going through insomnia, I think is very difficult. Martin: I completely agree with you. Just the way you were describing it there, you could tell how insomnia or sleep just started to become more of your identity. It was almost like taking over more of who you are. And in a way you were just losing this independence, this independence, this sense of agency that you have over your own life, because so many of your actions became geared towards protecting sleep, avoiding insomnia compensating for difficult nights, all of which is completely understandable. Martin: And when all of that stuff just doesn’t feel like it’s proving to be a long-term solution, it can then feel really mysterious, right? Martin: It can feel like there’s something uniquely wrong. There’s something going on here that is different to what other people might be experiencing, and then we can get all of that kind of self-judgment and maybe some shame and some embarrassment and the negative self-talk, and we can be really harden ourselves that just piles it on and makes things even more difficult. Natasha: Yeah. I don’t wanna start like blaming, Google and blaming the sort of sleep culture, but I think the thing is that scientists the people who are closest to the science are the most humble about the conclusions. But the health industry is the exact opposite, right? There are just lots of claims and there’s lots of stuff. Natasha: And now the algorithms just push it to you because for sure at some point my algorithm figured out that I had, and probably very quickly that I was anxious about this. Natasha: So everything that I was being prompted. Was just like this about sleep and that about sleep and women in sleep and something and constantly actually the reverse, which was the extreme benefits. And so everything from like longevity to dementia to osteoporosis, every single thing is linked to sleep. Natasha: And of course it is, in the sense that, but it’s also linked to diet and it’s also linked to happiness and it’s also linked to genetics. And it’s linked to a hundred thousand things. Natasha: Once the algorithm finds you and finds your weakness, it starts then. And then I actually actively stopped looking at any of that content. ’cause I very quickly realized what it would do to me, right? In the sense that it would just make you feel even worse about where you were. And I think that, that’s one big part of sleep anxiety as well, because you are convinced that you are like hurting yourself. Natasha: You’re convinced that you’re becoming very unhealthy and that you’re going to die, because because you’re not being able to sleep well and that, your brain is going to deteriorate very quickly and everything is just gonna deteriorate. Natasha: I do know people who sleep badly and they run marathons and they just it doesn’t matter, like they just live their lives despite the fact that they sleep badly and they continue to sleep badly and they continue to live their lives. But I do think that there are others. And then me especially I was not being able to reconcile these two things, that I would not sleep well, but I would just get on with my life. I think the, the sense of the control and the pop science was also hurting quite a bit. Martin: When we have a problem, we wanna look for a solution, right? And there’s just so much out there. And I think there is also a lot of misinformation and misleading information out there because that’s what gets the attention. If someone writes an article that just said Sleep, it’s important, you can’t control it. Martin: No one’s gonna read that, right? But if someone comes up with a headline that says 12 Sleep Hacks that guarantee eight hours of sleep, or 12 things you can do tonight to prevent cancer ever showing up in your life, loads of people are gonna read that. Natasha: Over those two years I did lots, I accomplished lots. A huge part of life was continuing. Natasha: But the point was that I was not entirely myself and that’s the bit that I was missing. It had become a new mutation on my identity, the sleep thing, right? So 99% of my identity was still the same, but there was this new 1% that had just emerged from somewhere. Natasha: You’re not accepting your situation. You’re quite distressed by it. That’s another thing that comes with insomnia. Martin: It becomes more powerful the more we try to resist it. You can find yourself acting in ways that don’t really reflect who you are or who you want to be. Natasha: Actions are a powerful way to signal to your brain what, where your attitude lies, so I think that sometimes you can’t just intellectualize your way out of a problem. Natasha: Like sometimes you have to change the way you’re behaving. In that sense, this kind of almost subterranean signal to your brain that your attitude towards something has changed because now your body’s doing different things than what it was doing. Martin: You’d already tried so many things. You had a strategy, a roadmap that you were following with kind of mixed success. Martin: What made you think it would be productive or there would be an opportunity here for you to get something from us working together? Natasha: What happened in 2024, which is when we met, was that everything just started failing. And I don’t know why necessarily. I think we went on this holiday for New Years in 20 23 we went to this holiday. Natasha: And at that holiday, our entire day routine was starting very late. And we were not sleeping before 12 or 1230 every single night as a family. And I think because we’d lived that kind of routine for about two weeks, when we got back home early 24 I think I was like, I have to go to work, so I should get to bed at night. Natasha: And obviously your body was in attuned to sleeping at nine. And and then that, and this time I went to bed. My husband and I went to bed. He promptly fell asleep. I don’t know his bo his body can sleep as much anytime. I dunno, it just doesn’t seem to bother him. But I couldn’t. And then there was that like, oh shit moment, right? Natasha: That, oh my God, my last standing hack has stopped working. And there was all this legacy of failure as well in the past. And so then I think basically I went through a couple of weeks where I, it was exactly as bad as your peak struggles where you’re just not sleeping before you had figured out your placebo or your hack or your safety behavior before any of that, ’cause once I figured some of those out in 22 and 23, then there was a whole period of stability. But again, I was back in this tumult and we had to go for, to celebrate a function for the same sweet teammate of mine who had shared her hotel bed with me. And she, her sister was getting married and we went and we flew to another town for this. Natasha: And again, basically all of us landed. We got to the hotel really late. Everyone’s exhausted, husband and child pass out. I don’t sleep at all. At 5:00 AM I think he woke up to get a glass of water. And he saw, and I was reading and he said, oh, why are you up? And I said, I haven’t slept all night. And so I think for him, he was like, oh my God. Natasha: What is, this is bad. Because, I think he could really empathize saying You must be exhausted. And I was tired and I was just, I was so upset because I’d come for this wedding and I’d been really looking forward to it. And I didn’t feel like participating in anything because like literally my body, my brain, everything was hurting. Natasha: So he then said we should go to, he found some sleep clinic and we went there when we got back. When we got back home again, it was the same, it was the same thing. So again, I went to the sleep clinic, the doctor prescribed me some other, like tricylic or some other cocktail of drugs. And even as the doctor was talking, and this was like a neurologist who literally told me, and I have no issues saying that, this is what he said to me. Natasha: He was like, oh, that’s really strange. Oh, you should be able to sleep, but if you’re not, here are some pills. And if these don’t work then you’re going to be on sleeping pills your whole life. There’s no other solution. He said that. He was like, oh, come back to me in a month because if this doesn’t work, then, and he literally shook his head and said, oh, then there’s no hope. Natasha: And then you’re just gonna have to be having sleeping pills for the rest of your life. And even as he was seeing it, I think something in me just got really pissed off. I was like, this is ridiculous. He didn’t even listen to my story. Natasha: It was just like, oh, you have sleep problems? Okay, here you go, here’s some drugs. So as soon as we got home, I told Suraj, I was like I don’t think he, he doesn’t know what he is talking about at all. I have actually had this situation for the last two years and I don’t think he knows what he’s saying. Natasha: And Suraj of course, trying to be the very like, supportive person. He said no, you should not. Don’t reject the doctor’s thing, just take the medication. You will be fine. And sure as hell, it didn’t work. Like after three, four days it stopped working. Natasha: And then basically I think I, in one of my, fever dreams at 2:00 AM 3:00 AM like as I was awake I was just typing into Spotify ’cause I was listening to different podcasts to to keep myself entertained at night. Natasha: And I was like, oh, there must be some podcast. Somebody must have talked about insomnia. And I typed that into Spotify, and then I found your podcast, and then I started listening to it. And Martin, for me, I was so desperate by then, I was so tired and so desperate that I said that I won’t even bother listening to all these episodes. Natasha: And, piecing together the wisdom. I said, I’m just going to write to this person and I’m just gonna directly reach out to him. Because at that point, I was very sure that I really needed like somebody to work with me, somebody to talk to. I couldn’t do some sort of self-paced, self-help. I really had to feel like I had shared my side of the story with somebody and then they understood and then they were going to kinda help me. Natasha: So that’s how I actually, I found you. And that’s what brought me. So in some sense, it was the ultimate failure of everything that got me here. Martin: When we started working together what kinda concepts did we explore or what kind of changes did you make that were different, that you feel helped you move forward and start emerging from this struggle? Natasha: One of the things that I really appreciated was that you actually asked me to list out my own strengths, right? And I think when you did that, one of the things that you noted was the fact that I do actually lead with intellect to some extent. And so for me, being able to understand like psychologically and cognitively understand things. Natasha: And once I see them in a new light, I think that’s very powerful. So that was the first thing where I think I still, this was like, I still remember our first conversation right where you said that sleep doesn’t respond to effort. And that line, it just almost like immediately, I think I just completely changed my behavior almost immediately in response to that. Natasha: I remember you mentioned in the early days itself was the fact that you can sleep really badly so you can have a bad night, but you could have a good day and you can have a good night and you can have a bad day. And so I started attending to that. Natasha: And I actually started noticing that was true. Like I could have had a very bad night, but the next day many things went well. Many things went my way, and the day was pretty effortless, even if I was slightly tired and whatever. Natasha: And then there were other times where I’d slept perfectly well and I was like, whatever, restless or fidgety or the day had gone badly. And so this dissociation of sleep is this thing that, produces this perfect day for you the next day, and you are just like this perfect person the next day. Natasha: I think for me the dissociation of those two things was also very important from, again, a kind of intellectual lens. Natasha: And then of course there was the whole bit around how do you change your actions, right? What will you do differently? And why I mentioned these two reframing sort of points is that I think they help you take those actions because sometimes you can’t take an action without conviction. Natasha: If you’re not convinced or if you don’t understand why you’re taking the action may not yield very much, but if you do understand why you’re taking that action, it helps. Natasha: I was always so conscious about like setting up breakfast meetings. I would never set up breakfast meetings. I had stopped doing that ’cause I was like no. I don’t know. Natasha: I started setting up breakfast meetings. I started like setting up dinners. I said, that’s fine. I’ll deal with it like however it goes. Calendaring your life the way you would if you did not have any issues with sleep. There was perhaps something powerful about that. Martin: It sounds like in terms of that perspective, really when we were working together, it was just a process of teasing out what you already knew, what was already inside you. This idea that sleep doesn’t need or want or require all of these kind of efforts or attention or rules or rituals or accommodations, it just wants to take care of itself. Martin: And as we explored that, you were able to reflect on your own experience and you realized, huh, yeah, that is the case. Like my experience has been telling me that, but because I’ve, my superpower of problem solving is the dominant force right now that has almost been clouded in a way. And you got this pressure to continue trying to problem solve, continue putting effort in, even though the experience says that might not be useful for you. Martin: And then the second approach was the actions you started to chip away at that power and the influence that sleep was having by focusing more on actions that served you rather than serving insomnia. And as you did that it kinda lost some of its power and influence over you. Martin: So maybe in turn you might have been less inclined to put that effort in, and so it becomes a cycle again, but maybe a more positive cycle compared to before. Natasha: Yeah, very true. I also of course, owe a debt of gratitude to K-Dramas because I one of the things that we discussed and we talked about was also like, I think nighttime awakening is a very unpleasant experience, right? Natasha: And that’s the other thing that people who struggle with insomnia will talk about that. Just the experience of being awake at night is for some reason really unpleasant. But if you flip that and if you start looking at it as some sort of invitation to binge watch K-Dramas, and for me it was fine because you the day is very busy and you’re, you’ve got children, you’ve got work, and so you can’t exactly just watch silly television all the time. Natasha: So for me, I tried to, I started thinking that so I actually intentionally found certain series and. I said, okay, I’m gonna watch these at night and I’m not gonna watch them through the day or at any on the weekends. I’m not going to and I’m gonna watch this at night. And I, and the other thing I told myself was also this idea of, a little bit of like sleep consolidation, I think. Natasha: Which did help with the hyper arousal part because I think that’s so physiological. It had to be trained out. Was this fact that no matter what, I’m not gonna sleep before 1130 or 12 even, so I’d start watching like my TV at, nine 30 and then I almost used to feel, I was almost looking forward to the TV time. Natasha: ’cause I said I have two and a half hours to watch tv. I have so much like time, actually, I don’t have to turn it off. I could just watch the next episode and the next episode. Because, I’d get up and I’d make myself a beverage and I’d come back, I’d make myself a snack, so it became this I have this whole day, which is relentless, and then I have these three hours that are just mine. Natasha: So looking at it from that point of view did help because once I told myself that I’m not gonna try to sleep before 12 I think it helped because then, yeah, by the time it was 12, I was quite tired and I hadn’t spent two or three hours in bed trying to sleep, working myself up, on the kind of arousal lad because when you’re tossing and turning, you get kinda worked up in a way that’s very different from when you’re just watching like Korean tv and then you’re genuinely tired. Natasha: And then by 12, 12 30, I was so there were many nights where I started successfully falling asleep at the time that, I decided to fall asleep at, which was 12 or 1230. And I think that also helped quite a bit because this idea that your relationship, like I was saying, that relationship with your bed literally and your body’s own cues that, when it lies down, it starts to feel like this. Natasha: I think it suddenly started changing because of accepting the night. I am accepting the fact that the night is going to be long, and so why don’t you make it nice? Martin: Your relationship to being awake at night had changed through your actions. So even if sleep was exactly the same, in other words, you never fell asleep before, let’s say three o’clock in the morning. Martin: The difference is one time you might have been in bed tossing and turning, really struggling, battling away until three o’clock in the morning. This alternative approach involved watching some TV shows that you like doing stuff that’s more pleasant, setting aside time for yourself making it a more useful way to spend that time awake and that in turn. Martin: Although there’s obviously no guarantee that’s gonna make sleep happen because it’s out of your control. It just makes that time awake more pleasant. It doesn’t get you so exhausted and tangled up in that struggle. And it can also help train your brain that maybe being awake at night isn’t such a threat that we need to be on action stations to try and protect you against. Natasha: Exactly that. Martin: What would you say if someone is listening to this, and we’re talking about making being awake more pleasant, we’re talking about accepting that sleep might be out of your control, that the difficult thoughts and feelings might be out of your control. But someone’s listening to this and they’re thinking, I’m not interested in any of that. Martin: I just want to sleep. I don’t want to. Read a book or watch tv, I need to get rid of these thoughts and these feelings. I don’t wanna learn how to deal with them. I just wanna sleep. How do you respond to that? Natasha: I would say that’s a perfectly understandable reaction. So the first thing is that, that’s a completely understandable thing to feel when you’re going through this. Natasha: And I felt exactly that. I think I also had this, you have to go through your arc because you do go through this like resistance and anger and you feel very, yeah, you feel resentful at the fact that you’re being asked to accept something that you don’t like at all. Natasha: But, I think there is, again I think humans are very resilient in the way that at some point I think you realize that there is no choice. There is no option but to accept because not accepting this is not serving you very well. And so that was the other thing that I think this feeling that you should not be having negative emotions about insomnia. Natasha: That’s not true at all. Like of course you’re going to feel bad. Recovering from insomnia requires you to not think that sleep is important? No, it’s none of that. Because of course you, you’re not gonna think sleep is not important or you’re not gonna value sleep. Natasha: You do value it and it is important. And it is. It’s perfectly fine to exist in that contradiction of, knowing that this is important, wanting it, desiring it, but not becoming completely agitated. I think because that’s the really important part. How do you find routines and rituals, and how do you find maybe just the first level of acceptance. Natasha: That’ll help you feel a little less agitated. And then I think that, these are positively reinforcing loops because when you experience that slight, like release from not feeling very agitated, from that first level of acceptance, you accept a little further, and then you practice acceptance and it gets better and better. Natasha: And the funny thing is, it is true. There are times of course, and I am sure that many of your other like people might have said the same thing, but when you start sleeping better again, there’s a part of you that’s I should not be noticing this. I should not be noticing that I’m sleeping better, that this is working because I don’t wanna notice it. Natasha: A part of you is noticing the fact that, okay, I’m relaxing and I’m, I’ve let go. I’ve just let go now. So I’m gonna watch TV and I’m just gonna stay awake and I’m gonna embrace whatever this is. And then you’re like, and it tends to work. And the more you do that, the more it works, so I think it’s a com. It’s this whole like positive loop. Martin: All thoughts and all feelings are okay. So much of our struggle can come from this belief that we shouldn’t have certain thoughts or we shouldn’t have certain feelings, and that can just set us up for a struggle. Martin: The alternative way forward is to acknowledge all of our thoughts and our feelings as normal valid human. That as human beings we experience the full range. Some make us feel good, some don’t. Some are useful, some aren’t. Some are true, some maybe not. We have the power to decide how we choose to respond to them, and I think that’s really what you’ve encapsulated so well because it’s when we respond with resistance, which is completely understandable, it feeds into it and it gives that stuff more power and more influence, and it just gets as tangled up. Martin: If we’re feeling stuck, if things feel mysterious, perhaps there’s an opportunity here to respond in a different way with a little bit more acknowledgement, acceptance, and letting go, as you said, not holding this all so tightly just opening up to it a little bit more. Martin: If nothing else, perhaps that would just free up a little bit of energy and attention that otherwise would’ve been consumed by battle for you to do more of the stuff that really matters to you. Natasha: Yeah, and if anyone’s listening to this, I think they’re already halfway there in the sense that they have at least found something that’s giving them, that’s helping them square their own experience with some amount of knowledge. And at least, like I said, for me it was really helpful. Like the hardest part was all the misinformation, like when you are being, when you are consuming something that’s not actually helpful for insomnia and then, and so it’s either lack of information or it’s misinformation. Natasha: But I think once you get the right information, even if there’s resistance initially, resistance gets spent, eventually you are spent, right? Because how much are you gonna struggle? Because you will resist, and you will resist. And then eventually, if it’s not working, you will be tired and you will let your guard down. Natasha: And at that point, at least you’ve got the right information and you are ready to receive it. The problem is when there’s just no information and then you just continue in these loops of confusion. So I think for me, awareness generation is really important. Martin: I remember when we were working together, you had this concern about acceptance. How do we achieve acceptance without it feel like you are in a position of helplessness and you’re giving up, versus how do I achieve acceptance with a sense of power of individual empowerment? Martin: And that can be a bit difficult to wrap your head around, right? Natasha: It is. I remember writing to you and saying that I’m not feeling like I’m choosing acceptance. I’m being forced to accept, in which case it’s not acceptance, it’s just something that’s forced on you. Natasha: But the thing is, like I said, I think that resistance and that friction was required for me to get over the hump as well. And there are people who may perhaps come to acceptance easily and there are others who may not. And I think both reactions or like a whole spectrum of reactions is perfectly natural. Natasha: What I do feel is from my own journey also, is that eventually, like acceptance is inevitable because, the friction doesn’t yield anything that’s helpful in this situation. And so the only thing is that, like I said, having somebody to talk through on when you’re going through this, having someone to talk through with is important because, some of the words and the reframing and the perspectives, they’re there at least. Natasha: And it’s like when your acceptance portal finally opens. It’s available for that information to go inside. If there was nothing there, then you may accept it, but from a place of helplessness or sorrow or just, I don’t know. And then you would have to work a lot harder perhaps to generate solutions and kind of perspectives for yourself. Natasha: But if there is some perspective, initially the door is closed and it’s not going in, but that’s okay because at some point the door will open and then all of that stuff that’s waiting to be heard and understood will go inside. Martin: Yeah. There’s value in every part of the experience, even when it feels like we’re really struggling, there’s always something to be learned from that, and it might not feel like it’s useful at that time, but at some point in the future, we will serve some kind of value as a learning experience or something we can pick and choose from to help us move forward in a different way or to keep us moving forward in the way we want to be moving. Natasha: Yeah. Yeah, that’s true. Martin: What did progress look like for you on this journey? Did you find that as you were starting to get this sense of independence back, sleep just suddenly magically transformed and you were having great nights of sleep and every single night was better than the last? Natasha: I wish I could say that. There is no such thing as perfect sleep. And no one is sleeping perfectly. I mean, you may have less sleep for multiple reasons, right? You’re traveling and then there’s other disruptions and someone is sick and so on, so forth. Natasha: So I think, I think the important, the huge tangible change, I think and it’s not a change that, let’s say that if you just looked at the surface of my life in terms of like, how productive is she and how active is she? And how creative is she? I think a lot of that is probably looks the same because you are still doing things. Natasha: But I think what did change, one of the things that did change Yes, is that I think this idea of traveling definitely came back for me. Traveling for leisure. Not just work, but traveling for leisure. And so I did actually travel last year a couple of times for leisure. And so that was one small change. Natasha: Yeah, like having late nights and it’s totally fine having early mornings and it’s totally fine. And just so that sense of like release with your own. Calendar and not having anxiety about it, so I think for me, there are, of course, even today, there are several times where, you will get, six hours or five hours, because maybe you’re traveling. Natasha: But I’ve noticed that not only I don’t talk about it, like that’s the other thing, right? I don’t, I’m not talking about it with like my husband or my sister or anybody that, gosh, like I wouldn’t see that talk about it at all because I’m yeah, it’s fine, I’ll go to bed tonight and tomorrow or whatever. Natasha: And even if I’m, even if I’m like, I’ve got three straight like events and for some reason the three straight nights I’m going to be pulling like late nights, I’m okay. I’m not very stressed about that. So I think basically there’s a certain sense of relaxation and I will say that, look, this journey is not linear, right? Natasha: And I suppose like the longer you’ve struggled with it or the harder you’ve struggled with it, and the more intensely you have felt about it, like it is gonna take you some time to feel like this isn’t a theme in your life at all. And like for me, for instance, even like this showing up here to talk about it and to have it recorded, there was for a long time I thought that I wanted to write about it actually for last year, early last year, I started wanting to, when I experienced a lot of these benefits, I said I should write a whole piece. Natasha: And then I just couldn’t because I said that, I don’t want to jinx it. And so there were these lingering feelings, right? Saying that if I talk about it, if I, and if I go out and announce that I’m fine and I had this problem and I no longer have it I don’t wanna say that. But then, over time it just faded away. Natasha: Even that, even holding onto that kind of goes away. Time actions, consistency and of course this underlying reframing is the journey. It happens in fits and starts, but I think eventually you do get to a point where. Your relationship, like you said, the relationship with sleep changes. Natasha: One of the things I do appreciate about this journey has been that I have actually learned a lot about sleep. There is no perfect, there is no eight hour, eight and a half, seven or whatever. There is no, you have to find your rhythm and the more you dissociate with the sleep dogma that has become a culture I think the better off everyone is. Martin: In terms of the timeline here, how long would you say that it took you to get to a point where you felt like you’d left the struggle behind? Natasha: I think there was this whole period of, there, there was also like micro progress and then there was like a little bit of a slide back and there was frustrations. Like I said, it was non-linear. So I would say that it was probably only by the summer, so about maybe four months or so, four or five months. Natasha: And I did actually start scheduling like work trips and travel and so on so forth. And the more I did that, I think by the time summer rolled around, I was starting to feel like I could plan my days and plan my weeks and plan my time the way I wanted to. And yeah, and it’s been like a steady stabilization from that point all the way, till now. Natasha: I do wanna again stress that when somebody says that they no longer struggle with insomnia, it doesn’t mean that they sleep like nine hours or eight hours every single night consistently all the time. That is not the, that’s not what resolution looks like. Natasha: Resolution is you’re not controlled by it. Martin: It’s very rare that someone tells me that they’re able to change everything and transform their lives in a few days or a few weeks. And it often requires ongoing practice too, right? There’s ups and downs. Martin: We’re always gonna get pulled back into a struggle, whether it’s with sleep or insomnia or anything else that goes on in our lives. It’s just that awareness when that’s happening and being able to change course to refocus on actions that matter to us and to live our lives and allow sleep, the opportunity to take care of itself rather than trying to fix sleep so that we can live our lives. Martin: If we can just flip that around, it can just be such a transformative way of approaching this. Natasha: Yeah, I agree. Martin: Your whole learning experience, your whole journey maybe comes down to this realization through action that you have the ultimate power over your life. And as you reinforce that, sleep just becomes a thing. It doesn’t just, it doesn’t become the most important thing in your life when you are not resisting it so much when you’re just accepting sleep is gonna turn up and do whatever it wants or insomnia’s gonna turn up, do whatever it wants. Natasha: And you do start sleeping much better. I think the listeners especially need to hear that if they’re going through it right now, they don’t want to, feel like the takeaway of this is that, oh, you’re just gonna reach some radical acceptance, but your sleep is not gonna change. Natasha: The truth is that the sleep does change and you do feel rested and you do sleep more and you get back to sleeping normally. The idea is to just not expect that. That every, you’re going to be in some sleep paradise all the time because that’s just, that’s not even normal life, and I think by the time, if you’re going through a lot of insomnia, what you want is that you want sleep paradise. Natasha: You just want something where every day you’re just knocked out cold beautifully because you develop that kind of a, sensitivity to sleep. But once you get over it, you realize that most of the times you’re sleeping well, sometimes you’re not. And irrespective, it’s just not on your mind anymore. Martin: Natasha, I want to thank you for all the time you’ve taken to share your experience with us. I do have one last question for you. If someone is listening and they just feel like they cannot end the struggle with insomnia, that there’s nothing they can do, what would you say to them? Natasha: The first thing I would really say is that it’s understandable to feel that. And it’s hard. It’s very hard feeling that, it’s a really hard place to be in when you are feeling like that. But I would say that there are many people now who have figured out how to come out of this. Natasha: It’s not a pharmacological technical solution, it’s something that’s inside you, everybody has it. Your sleep is not broken. Your brain is not broken. Like nothing about you is broken. It’s a phase and I think like everything this will pass and some of just a little bit of intentionality and just to some amount of, perhaps, hopefully perspective and reframing and then just changing your actions a little bit and a combination of all of that and patience will get you through it, so I think that’s probably what I’d like, anybody listening who’s struggling to take away. Martin: Thank you so much again for coming on. Natasha: Yeah. Martin, thank you so much. Thank you for what you do. Martin: Thanks for listening to the Insomnia Coach Podcast. If you're ready to get your life back from insomnia, I would love to help. You can learn more about the sleep coaching programs I offer at Insomnia Coach — and, if you have any questions, you can email me. Martin: I hope you enjoyed this episode of the Insomnia Coach Podcast. I'm Martin Reed, and as always, I'd like to leave you with this important reminder — you are not alone and you can sleep. I want you to be the next insomnia success story I share! If you're ready to stop struggling with sleep and get your life back from insomnia, you can start my insomnia coaching course at insomniacoach.com. Please share this episode!

Degens Andy S and Brandon Bombay are kind of a big deal as they sit at their news desks to discuss one of the most oft-quoted comedies of all-time, 'Anchorman.' Bombay escalates the episode quickly by telling an opening story involving hooking up with a coworker he most definitely should've stayed away from. Then the boys find themselves trapped in a glass box of emotion while talking about a film that basically shaped the comedic stylings for a generation of moviegoers and frat bros alike. Highly improvised, and somehow maintaining a PG-13 rating, this Adam McKay classic is bolstered by a never-better Will Ferrell, who is flanked by comedic acting geniuses such as Paul Rudd and Steve Carell. Among those titans, Christina Applegate's straight man performance as Veronica Corningstone is the jazz flute solo that brings the whole piece together. It's ludicrous, over the top, and the sort of thing that sticks with you well after it's over — both the movie and our episode. Make sure you check it out till the end cause 60% of the time it's great, all the time. 

The BanterThe Guys discuss cultural differences in the best way to leave a party. Expeditious or rude?The ConversationThe Restaurant Guys speak to Procera Gin founders Alan Murungi and Guy Brennan from Kenya. Alan and Guy had a vision to create gin from fresh (not dried) juniper berries that are hand foraged at great heights in the juniper forests of Kenya. They distill locally and use hand-crafted glass bottles for their exceptional libation which is a favorite of Mark and FrancisThe Inside TrackThe Guys heard about Procera gin and wanted to hate it, but it was too tremendous! They got acquainted with Alan & Guy and fully appreciated their motives.“Alan and I were in the backyard drinking a Bombay sapphire gin and tonic, and Alan looked at the bottle and said, 'This is absolute bullshit. Why do we make gin in England with African botanicals that they send to us and we drink every weekend in Kenya? Let's make a gin company.' It was a sort of an FU to people using African stuff and selling it to us,” Guy Brennan on The Restaurant Guys Podcast 2025Bio Procera was founded with a vision to share the best of Africa with the world. Distilled in Nairobi, Kenya, their gins are the first to showcase African Juniper. The berries are handpicked from wild forests growing at altitudes above 2,000 metres, across many distinct regions of Kenya. The fresh juniper and other regionally-grown botanicals create a distinctive gin that is among the first distilled in Africa. InfoProcera Ginhttps://www.proceragin.com/Join legendary Dale DeGroff at our Procera Gin Party on Friday, Nov 21 in New Brunswick, NJhttps://www.stageleft.com/event/112125-nj-introduces-procera-gin-w-dale-degroff/Restaurant Guys' Regulars get a discount so sign up today!https://www.buzzsprout.com/2401692/subscribe Become a Restaurant Guys' Regular!https://www.buzzsprout.com/2401692/subscribeMagyar Bankhttps://www.magbank.com/Withum Accounting https://www.withum.com/restaurantOur Places Stage Left Steakhttps://www.stageleft.com/ Catherine Lombardi Restauranthttps://www.catherinelombardi.com/ Stage Left Wineshophttps://www.stageleftwineshop.com/ To hear more about food, wine and the finer things in life:https://www.instagram.com/restaurantguyspodcast/https://www.facebook.com/restaurantguysReach Out to The Guys!TheGuys@restaurantguyspodcast.com**Become a Restaurant Guys Regular and get two bonus episodes per month, bonus content and Regulars Only events.**Click Below!https://www.buzzsprout.com/2401692/subscribe

This #coachbetter episode is another in our series of coaching case studies, with one of Kim's amazing clients, Angela Mee Lee, Early Years Performing Arts teacher at UNIS Hanoi, Vietnam. At the time of recording Angela had just graduated from The Coach Certificate and Mentorship Program. These case study episodes are designed to share the story of a coach, and the development of their coaching program and practice in their unique setting.  We are excited to share this episode with Angela with you because Angela has been on a year and a half journey to coaching with Kim and she has grown so much! She started in the course Getting Started as an Instructional Coach and discovered that coaching is so aligned with her educational values, so she wanted to dig even deeper, and then she joined The Coach Certificate and Mentorship Program. Angela is already applying so much of her learning in her current role (at the time of recording) and in her future role in a brand-new startup school in India. In this conversation Angela and Kim talk about... How Angela started her journey to instructional coaching What makes coaching valuable to Angela as a classroom teacher - and her early experiences with coaching with The Coach Mentor, Maggie Hos-McGrane when they both worked at the American School of Bombay! The surprises she uncovered about coaching as she was learning more What Angela was able to accomplish in just one academic year in The Coach Certificate and Mentorship Program How Angela is applying her learning in multiple contexts What she wishes she knew before she started coaching This episode highlights the ongoing journey that we take when we begin learning about coaching. Find the show notes for this episode here. Let's Connect: Our website: coachbetter.tv EduroLearning on LinkedIn EduroLearning on Instagram EduroLearning on YouTube Subscribe to our weekly newsletter Join our #coachbetter Facebook group Learn with Kim Explore our courses for coaches Watch a FREE workshop Read more from Kim: Finding Your Path as a Woman in School Leadership (book) Fostering a Culture of Growth and Belonging: The Multi-Faceted Impact of Instructional Coaching in International Schools (chapter) The Landscape of Instructional Coaching in International Schools (chapter)  

Monsoon Voyagers follows the voyage of a single dhow (sailing vessel), the Crooked, along with its captain and crew, from Kuwait to port cities around the Persian Gulf and Western Indian Ocean, from 1924 to 1925. Through his account of the voyage, Fahad Ahmad Bishara unpacks a much broader history of circulation and exchange across the Arabian Sea in the time of empire. From their offices in India, Arabia, and East Africa, Gulf merchants utilized the technologies of colonial capitalism — banks, steamships, railroads, telegraphs, and more — to transform their own regional bazaar economy. In the process, they remade the Gulf itself. Drawing on the Crooked's first-person logbooks, along with letters, notes, and business accounts from a range of port cities, Monsoon Voyagers narrates the still-untold connected histories of the Gulf and Indian Ocean. The Gulf's past, it suggests, played out across the sea as much as it did the land. Monsoon Voyagers doesn't just tell a vivid, imaginative narrative—it teaches. Each port-of-call chapter can work as a stand-alone module. And the brief “Inscription” interludes double as turn-key primary-source labs—perfect for document analysis, quick mapping, and mini-quant work with weights, measures, and credit instruments. It invites undergraduates into a connected oceanic world and the big questions of world history, while graduate students get a method—how to read vernacular archives across scales and languages to design their own transregional, archive-driven projects. A quick heads-up: Traditional local musical interludes (see below for credits and links) will punctuate our voyage as chapter markers you can use to pause and reflect—as we sail from Kuwait to the Shatt al-Arab, then out across the Gulf to Oman, Karachi, Gujarat, Bombay, and the Malabar coast. We'll return via Muscat and Bahrain, dropping anchor once more in Kuwait. Music Credits and Links: Prologue: The Logbook1. KuwaitInscription: Debts2. The Shatt Al-ʿArabInscription: Freightage3. The GulfInscription: Passage4. The Sea of OmanInscription: Guides5. Karachi to KathiawarInscription: Letters6. BombayInscription: Transfers7. MalabarInscription: Conversions8. CrossingsInscription: Maps9. MuscatInscription: Poems10. BahrainInscription: Accounts11. ReturnsEpilogue: Triumph and Loss Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Monsoon Voyagers follows the voyage of a single dhow (sailing vessel), the Crooked, along with its captain and crew, from Kuwait to port cities around the Persian Gulf and Western Indian Ocean, from 1924 to 1925. Through his account of the voyage, Fahad Ahmad Bishara unpacks a much broader history of circulation and exchange across the Arabian Sea in the time of empire. From their offices in India, Arabia, and East Africa, Gulf merchants utilized the technologies of colonial capitalism — banks, steamships, railroads, telegraphs, and more — to transform their own regional bazaar economy. In the process, they remade the Gulf itself. Drawing on the Crooked's first-person logbooks, along with letters, notes, and business accounts from a range of port cities, Monsoon Voyagers narrates the still-untold connected histories of the Gulf and Indian Ocean. The Gulf's past, it suggests, played out across the sea as much as it did the land. Monsoon Voyagers doesn't just tell a vivid, imaginative narrative—it teaches. Each port-of-call chapter can work as a stand-alone module. And the brief “Inscription” interludes double as turn-key primary-source labs—perfect for document analysis, quick mapping, and mini-quant work with weights, measures, and credit instruments. It invites undergraduates into a connected oceanic world and the big questions of world history, while graduate students get a method—how to read vernacular archives across scales and languages to design their own transregional, archive-driven projects. A quick heads-up: Traditional local musical interludes (see below for credits and links) will punctuate our voyage as chapter markers you can use to pause and reflect—as we sail from Kuwait to the Shatt al-Arab, then out across the Gulf to Oman, Karachi, Gujarat, Bombay, and the Malabar coast. We'll return via Muscat and Bahrain, dropping anchor once more in Kuwait. Music Credits and Links: Prologue: The Logbook1. KuwaitInscription: Debts2. The Shatt Al-ʿArabInscription: Freightage3. The GulfInscription: Passage4. The Sea of OmanInscription: Guides5. Karachi to KathiawarInscription: Letters6. BombayInscription: Transfers7. MalabarInscription: Conversions8. CrossingsInscription: Maps9. MuscatInscription: Poems10. BahrainInscription: Accounts11. ReturnsEpilogue: Triumph and Loss Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Monsoon Voyagers follows the voyage of a single dhow (sailing vessel), the Crooked, along with its captain and crew, from Kuwait to port cities around the Persian Gulf and Western Indian Ocean, from 1924 to 1925. Through his account of the voyage, Fahad Ahmad Bishara unpacks a much broader history of circulation and exchange across the Arabian Sea in the time of empire. From their offices in India, Arabia, and East Africa, Gulf merchants utilized the technologies of colonial capitalism — banks, steamships, railroads, telegraphs, and more — to transform their own regional bazaar economy. In the process, they remade the Gulf itself. Drawing on the Crooked's first-person logbooks, along with letters, notes, and business accounts from a range of port cities, Monsoon Voyagers narrates the still-untold connected histories of the Gulf and Indian Ocean. The Gulf's past, it suggests, played out across the sea as much as it did the land. Monsoon Voyagers doesn't just tell a vivid, imaginative narrative—it teaches. Each port-of-call chapter can work as a stand-alone module. And the brief “Inscription” interludes double as turn-key primary-source labs—perfect for document analysis, quick mapping, and mini-quant work with weights, measures, and credit instruments. It invites undergraduates into a connected oceanic world and the big questions of world history, while graduate students get a method—how to read vernacular archives across scales and languages to design their own transregional, archive-driven projects. A quick heads-up: Traditional local musical interludes (see below for credits and links) will punctuate our voyage as chapter markers you can use to pause and reflect—as we sail from Kuwait to the Shatt al-Arab, then out across the Gulf to Oman, Karachi, Gujarat, Bombay, and the Malabar coast. We'll return via Muscat and Bahrain, dropping anchor once more in Kuwait. Music Credits and Links: Prologue: The Logbook1. KuwaitInscription: Debts2. The Shatt Al-ʿArabInscription: Freightage3. The GulfInscription: Passage4. The Sea of OmanInscription: Guides5. Karachi to KathiawarInscription: Letters6. BombayInscription: Transfers7. MalabarInscription: Conversions8. CrossingsInscription: Maps9. MuscatInscription: Poems10. BahrainInscription: Accounts11. ReturnsEpilogue: Triumph and Loss Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Send us a text We visit Delhi, Agra, and Mumbai with linguist and educator Dr. Jilani Warsi.Old Delhi draws us into the Red Fort's vast red sandstone walls, the bustle of Jama Masjid, and the color and flavors of Chandni Chowk where chai, sweets, and silks leave their mark. We balance that with New Delhi's calm and the Lotus Temple's open welcome to all faiths, then look upward at Qutub Minar's 12th-century tower, a vertical timeline of early rule and artistry. Along the way, we share on-the-ground advice: why to skip driving yourself, how to group sites to save time, and where an evening light-and-sound show still brings the past to life.Agra reframes the journey around love and power. The Taj Mahal becomes more than a postcard as dawn light turns marble rosy and the close-in inlay work reveals delicate stone flowers. Across the Yamuna River, Agra Fort holds Shah Jahan's final vantage point, a story you can feel when a small mirror catches the mausoleum's glow. A short hop leads to Fatehpur Sikri, where Hindu and Islamic design blend into one living compound, proof that style can be a bridge across belief.Mumbai changes the tempo again: Marine Drive's night shimmer, the Bandra-Worli Sea Link stretching like a lit ribbon, and the gravitational pull of Bollywood's studios and theaters. We leave the skyline by boat for Elephanta Island, where ancient cave temples to Shiva offer a cool breath and timeless stonework. Between stops, we chase flavor—kebabs, biryani, and samosas, and share simple ways to eat well and safely where the locals line up.Whether you're planning your first India itinerary, refining a return, or just enjoying armchair travel, follow the show, share it with a friend, and leave a quick review so others can find it too._____Dr. Jilani Warsi, born a two-hour drive from Mahabodhi Temple in Gaya where Buddha reached Nirvana, grew up in a multilingual environment and teaches at Queensborough Community College in New York. He curates English language lessons for native and non-native speakers under the moniker of DrEnglish, on YouTube, @DrAmericanEnglish. He is also a shutterbug and a student of life._____Podcast host Lea Lane has traveled to over 100 countries, and has written nine books, including the award-winning Places I Remember  (Kirkus Reviews star rating, and  'one of the top 100 Indie books of  the year'). She has contributed to dozens of guidebooks and has written thousands of travel articles. Contact her at placesirememberlealane.com_____Our award-winning travel podcast, Places I Remember with Lea Lane, has produced over 120 travel episodes! New episodes drop on the first Tuesday of the month, on Apple, Spotify, and wherever you listen to podcasts. _____Travel vlogs of featured  podcasts-- with video and graphics -- now also drop on YouTube.  Please subscribe, like, and comment. 

Sir Bartle Frere had sailed into South Africa in March 1877 - lauded as a great British administrator in India. He arrived just in time to witness Sir Theophilus Shepstone seize, sorry, annex the Transvaal under the noses of the incredulous and in equal amounts, contemptuous Boers. Frere was another of Carnarvon's boys, determined to enforce confederation onto south Africa. He was regarded as one of the most effective English civil servants in India, keeping the vital province of Sind quiet during the recent Indian Mutiny, and as Governor of Bombay, now Mumbai, he had been instrumental in upgrading the vast city's infrastructure. He was by accounts, a man of integrity and quiet, diffident even as Frank Walsh puts it. The British Royal Family were friends, he was a member of the Privy Council and was showered with honours. India was compared to South Africa, it was diverse, more populous yes, but in India he dealt with sophisticated Indian Rulers and merchants. Carnarvon regarded Sir Bartle Frere as the ideal man to settle the quarrelsome and individualistic South African communities. But he was Indian in his experience, and not African. By contrast to the sophisticated Indian Rulers, South Africans were and are uncomplicated and pugnacious. All its people were the same then as we are now. Whatever our backgrounds, we remain pugnacious Africans, English, Afrikaners, Blacks, Coloureds, Indians and tick whatever box suits you on form XYZ. It would take only a few years trying to govern the ungovernable before he disintegrated in delusion, self-deception, irrationality and apparent senility. Frere had barely settled into his governor's armchair to read Shepstone's report into the latest challenges in the Transvaal — when the Ninth Frontier War burst into flame in the Eastern Cape.The amaMfengu had taken rapidly to the opportunities afforded by being part of the Cape Colony, and were also taking to urban trade in a revolutionary way. The Gcaleka resented the success of the amaMfengu, as well as their relationship with settlers. The Gcaleka were suffering the effects of the last war, the longest Frontier War and also the most vicious. Across the Kei, alcoholism was spreading, and poverty seeped through every household — made far worse by the actions of Nongqawuse's cattle killing episode. What pushed everyone over the edge was mother nature, a series of devastating droughts across the Transkei destabilised the situation further. As Historian De Kiewiet says, in South Africa the heat of drought easily becomes the fever of war. What was supposed to be a wedding celebration in September 1877 turned into a bar fight when the tensions emerged after Gcaleka harassed the amMfengu in attendance. Things got a lot worse later that day when some Gcaleka men attacked a Cape Colony police outpost manned by amaMfengu in the main. Just a bit of trival violence said local officials, moving along, let the local police handle the matter. But back in Cape Town, Sir Bartle Frere sensed his moment partly because of his belief that Great Britain was spreading civilisation and eradicating barbarians, extending black rule over blacks, you know old chap, guiding them up the ladder of evolution and improving their standards of living through good administration and economic prosperity. Chief Mgolombane Sarhili kaHintsa of the amaGcaleka royal line was summoned by Frere but he had seen his ancestors summoned only to be thrown onto Robin Island. He ignored the summons so Sir Bartle promptly declared war on the amaXhosa. This was totally against the advice of the locals. All that Frere's warning did is prompt the warriors among his people to gather and mobilise. Cape Prime Minister, John Molteno refused to sanction any invasion of the Transkei when he heard that Frere had declared war on Sarhili. At a meeting between Molteno and Frere, the British Governor promised that imperial troops would stay put and not cross into Gcalekaland.

‘Maturity comes not with age or having a degree. That is not maturity. Maturity is a state of mind and heart.' This episode on Maturity has five sections. The first extract (2:41) is from Krishnamurti's sixth talk in Bombay 1962, and is titled: What is Maturity? The second extract (21:42) is from the fourth talk at Rishi Valley in 1965, and is titled: The Slowly Maturing Mind. The third extract (37:18) is from the second discussion with staff at Brockwood Park in 1974, and is titled: Maturing Endlessly. The fourth extract (45:16) is from Krishnamurti's sixth public talk in Saanen 1962, and is titled: Immediate Maturity. The final extract in this episode (1:03:28) is from the second talk at Rajghat in 1965, and is titled: Maturity Means Every Act Is Complete. The Krishnamurti Podcast features selected extracts from Krishnamurti's recorded talks. Each episode highlights his different approaches to universal and timeless themes that affect our everyday lives, the state of the world and the future of humanity. This episode's theme is Maturity. Upcoming themes are Drugs and Goodness & Generosity, and Civilisation. This is a podcast from Krishnamurti Foundation Trust. Please visit our website at kfoundation.org, where you can find a popular collection of quotes, a variety of featured articles, along with a wide selection of curated material in the Index of Topics. This Index allows easy access to book, audio and video extracts. Our online store stocks the best of Krishnamurti's books and ships worldwide. We also offer free downloads, including a selection of booklets. You can also find our regular Krishnamurti quotes and videos on Instagram, TikTok and Facebook at Krishnamurti Foundation Trust. If you enjoy the podcast, please leave a review or rating on your podcast app.

Charles II marries Catherine of Braganza, and the Portuguese Princess brings her new husband the city of Tangiers and the islands of Bombay. One of these will become a stronghold of the British Empire. The other will not. Alice Hunt, Republic, 2024. Michael Braddick (ed.), The Oxford Handbook of the English Revolution, 2015. Jonathan Healey, The Blazing World, 2023. Anna Keay, The Restless Republic, 2022. Rebecca Rideal, 1666: Plague, War, and Hellfire, 2016. Charles Wilson, England's Apprenticeship: 1603-1763, 1975. David Veevers, The Origins of the British Empire in Asia, 1600-1750, 2020. John Childs, General Percy Kirke and the Later Stuart Army, 2014. Philip Stern, The Company-State: Corporate Sovereignty and the Early Modern Foundations of the British Empire in India, 2011. Learn more about your ad choices. Visit megaphone.fm/adchoices

PREVIEW: GUEST NAME: Sadanand Dhume SUMMARY: John Batchelor and Sadanand Dhume discuss the "false narrative" of an India-China coalition. Dhumeattributes this to "Chinese agitprop" and, significantly, "Russian agitprop." He emphasizes that Russia, leveraging its Soviet superpower past, remains the most sophisticated player in propaganda across the developing world, including South Asia, even surpassing China. 1900 BOMBAY

PREVIEW: MODI AND XI: Colleague Sadanand Dhume of AEI and WSJ comments on the long standing distrust between India and China -- unlikely to be solved by photos of Modi with Xi and Putin. More. 1922 BOMBAY