Podcasts about bombay

‘To communicate, you and I must be not only intense but meet at the same level, with the same intensity, at the same moment. Otherwise communication ceases.' This episode on Communication has four sections. The first extract (2:46) is from Krishnamurti's first talk in Saanen 1965, and is titled ‘Communication Is a Two-way Process'. The second extract (13:48) is from the second talk at Rajghat in 1964, and is titled ‘Communication and Communion'. The third extract (37:34) is from Krishnamurti's sixth talk in Bombay 1965, and is titled ‘Communication Requires Sensitivity'. The final extract in this episode (54:34) is from the first talk in Bombay 1969, and is titled ‘Communication Is to Create Together'. The Krishnamurti Podcast features carefully selected extracts from Krishnamurti's recorded talks. Each episode highlights his different approaches to universal and timeless themes that affect our everyday lives, the state of the world and the future of humanity. This episode's theme is Communication. Upcoming themes are Flowering, Behaviour and Art. This is a podcast from Krishnamurti Foundation Trust, based at Brockwood Park in the UK, which is also home to the Krishnamurti Retreat Centre. Situated in the beautiful countryside of the South Downs National Park, The Krishnamurti Centre offers retreats individually and in groups. The focus is on inquiry in light of Krishnamurti's teachings. Please visit krishnamurticentre.org.uk for more information, including our volunteer programme. You can also find our regular Krishnamurti quotes and videos on Instagram, TikTok and Facebook at Krishnamurti Foundation Trust. If you enjoy the podcast, please leave a review or rating on your podcast app.  

Degens Andy S and Brandon Bombay cut off early from work so they can get high and watch "Flash Gordon" on repeat before talking about "Ted." Bombay starts things off by recalling the night he saw this during its theatrical run, where he snuck in booze and wound up getting too wasted. Then the boys discuss a comedy that was a juggernaut at the box office, and has become unsung among the stoner comedy pantheon. A film that is preposterous on paper, but somehow works with a slacker weed smoker and his best friend talking teddy bear. Even though he had shown flourishes, this is Mark Wahlberg flashing his comedic chops that includes his rapid fire trailer trash name scene, and an unforgettable fight scene with his stuffed buddy. The ever reliable Mila Kunis provides the straight roll, while a cast of characters fill out the co-stars including a very smarmy Joel McHale, and an overly-committed turn from Giovanni Ribisi — who would later become instrumental in the world of cinema for his behind the camera work. Grab your favorite stuffed animal, pack a huge bowl, and toss the episode on. 

What happens when a celebrated Indian artist, Amrita Sher-Gil, known at home but hidden from the world, sparks a journey that unravels secrets across continents and within ourselves? Tune in for an inspiring conversation with bestselling author Alka Joshi as she shares how uncovering one artist's legacy led to a story of identity, art, and self-discovery. Moments with Marianne Radio Show airs in the Southern California area on KMET1490AM & 98.1 FM, an ABC Talk News Radio Affiliate!  https://www.kmet1490am.comBorn in India and raised in the U.S. since the age of nine, Alka Joshi has a BA from Stanford University and an MFA from California College of Arts. Joshi's debut novel, The Henna Artist, immediately became a NYT bestseller, a Reese Witherspoon Book Club pick, was Long-listed for the Center for Fiction First Novel Prize, and has been translated into 30 languages. The Secret Keeper of Jaipur (2021) and The Perfumist of Paris (2023) completed the Jaipur Trilogy. She is currently working on her fifth novel. In 2024, Joshi was selected for the Forbes 50 over 50 List, celebrating women who are shattering age and gender norms across all sectors of the American economy and culture. https://www.alkajoshi.comTo learn more about the show and interview opportunities contact us at: https://www.mariannepestana.com 

1er septembre 1973, nous sommes au cœur de l'Afrique, au Nigeria, un pays étonnant dont les incroyables ressources en pétrole, gaz, fer et charbon ont produit une société à deux vitesses. Sa capitale, Lagos, est une ville étonnante, grouillante de population, polluée sous un climat tropical, et ceinturée de forêts luxuriantes.Alors qu'est-ce que vient y faire Paul McCartney, ancien leader des Beatles qui n'ont jamais vendu autant de disques avec les rééditions de tous les 45 Tours et des deux doubles 33 Tours, rouge et bleu ? Pas y fêter son premier succès mondial, Live and Let Die… Un triomphe, comme le film d'ailleurs, qui impose un nouvel acteur dans les habits de James Bond.Et bien figurez-vous que c'est encore une de ses idées à lui pour tirer le meilleur de sa créativité. Maintenant qu'il est bien rôdé avec un nouveau groupe, il compte y retrouver les grandes heures qui lui ont permis d'enregistrer des disques novateurs comme Sgt Pepper Lonely Hearts Club Band, tellement génial que quelques jours après sa sortie, Jimi Hendrix, en faisait déjà un cover sur scène, Paul avait éprouvé un indicible frisson en assistant au concert.Et donc, il demande à EMI, la multinationale qui le distribue, où ils possédent des studios. Un peu partout dans le Commonwealth. Los Angeles, Paris, Berlin, Tokyo, Athènes. Oui, euh, vous n'avez rien de plus … exotique ? Exotique ? Attendez … Johannesbourg, Bombay, Hong Kong, Lagos … Lagos, c'est où ? Au Nigeria.Paul se voyait en touriste la journée avec son band, au boulot le soir et la nuit, ce n'est pas exactement ça qui se produit. Déjà, juste avant le grand départ, il perd son bassiste et son batteur qui n'ont pas envie de risquer leur vie dans ce coupe-gorge. On leur en a parlé de Lagos !Et donc, les Wings sont réduit à trois quand, sortis de l'aéroport, ils découvrent des rues encombrées et des trottoirs débordant de miséreux, de malades, errant devant des maisons délabrées … et un studio entouré de hauts murs protégés par des bouquets de fils barbelés. Ambiance. Un studio … pas exactement comme celui d'Abbey Road. Un matériel très ancien, des micros qui ont souffert, des pièces mal insonorisées où il règne une chaleur humide insupportable. Et si ce n'était que ça. Rentrant un soir avec Linda, Paul subit un vol à main armée, entendez-moi, les mecs ont des armes de guerre, et perd ainsi les cassettes démos de tous ses titres. Il est aussi dérangé par Ginger Baker, l'ancien batteur du groupe Cream et partenaire d'Eric Clapton, expatrié là-bas, et franchement menacé par Fela, pape du jazz africain, et surtout chef tribal, qui n'entend pas non plus qu'un ex-Beatle enregistre à Lagos sans son autorisation.Mais rien n'y fait, on n'arrête pas un passionné, Paul arrondit les angles, sympathise avec tout le monde et enregistre un album aux sonorités franchement nouvelles, la pochette d'ailleurs, fallait oser. Le disque fait un triomphe montrant que, contre toute attente, non seulement, il peut y avoir un “après Beatles” mais surtout qu'il en était la machine débridée à entraîner la création. Et un musicien de scène qui n'a depuis jamais perdu l'enthousiasme de se retrouver face à un public …

Share a commentEver chased a good plan that kept slipping away? We explore the ache and the gift of divine redirection through three intertwined journeys: Paul's long road to Rome and dream of Spain, Jonah's sprint toward Tarshish, and Dr. Charles McCoy's stunning decision to sell everything at seventy-two and fly to Bombay on a one-way ticket. What begins as a study in delay turns into a portrait of grace that doesn't rubber-stamp our maps but reshapes our hearts.We walk through Paul's confession in Romans 15—years of longing, constant hindrance, and a vision for the “ends of the earth.” Spain symbolized the horizon of the Great Commission, yet Paul reached Rome in chains, not triumph. Side by side with Jonah, the contrast is sharp: one runs from calling, the other runs to it—and God says no to both. Not to punish, but to redeem and redirect. Along the way, we confront our assumptions about “approved” plans, learning that God doesn't make last-minute adjustments; he unfolds eternal purposes that invite surrender over certainty.Then we meet Dr. McCoy, forced into retirement yet unwilling to retire his calling. With lost luggage and a scrap of an address, he knocks on the door of Bombay's mayor and finds a room full of leaders waiting to hear his story. That moment sparks sixteen years of open doors across India and beyond, proving that age, scarcity, and setback don't disqualify a life on mission. The thread through it all is simple and searching: when the ship to Spain never sails, will we still sail with the Savior? Listen for perspective that blends Scripture, history, and lived courage—designed to help you hold your plans loosely, your purpose firmly, and your faith steadily. If this resonates, subscribe, share with a friend, and leave a review to help more listeners find the show._____Stephen's latest book, Legacies of Light, Volume 2, is our gift for your special donation to our ministry. Follow this link for information or to donate:https://www.wisdomonline.org/mp/legaciesSupport the show

Share a commentEver chased a good plan that kept slipping away? We explore the ache and the gift of divine redirection through three intertwined journeys: Paul's long road to Rome and dream of Spain, Jonah's sprint toward Tarshish, and Dr. Charles McCoy's stunning decision to sell everything at seventy-two and fly to Bombay on a one-way ticket. What begins as a study in delay turns into a portrait of grace that doesn't rubber-stamp our maps but reshapes our hearts.We walk through Paul's confession in Romans 15—years of longing, constant hindrance, and a vision for the “ends of the earth.” Spain symbolized the horizon of the Great Commission, yet Paul reached Rome in chains, not triumph. Side by side with Jonah, the contrast is sharp: one runs from calling, the other runs to it—and God says no to both. Not to punish, but to redeem and redirect. Along the way, we confront our assumptions about “approved” plans, learning that God doesn't make last-minute adjustments; he unfolds eternal purposes that invite surrender over certainty.Then we meet Dr. McCoy, forced into retirement yet unwilling to retire his calling. With lost luggage and a scrap of an address, he knocks on the door of Bombay's mayor and finds a room full of leaders waiting to hear his story. That moment sparks sixteen years of open doors across India and beyond, proving that age, scarcity, and setback don't disqualify a life on mission. The thread through it all is simple and searching: when the ship to Spain never sails, will we still sail with the Savior? Listen for perspective that blends Scripture, history, and lived courage—designed to help you hold your plans loosely, your purpose firmly, and your faith steadily. If this resonates, subscribe, share with a friend, and leave a review to help more listeners find the show._____Stephen's latest book, Legacies of Light, Volume 2, is our gift for your special donation to our ministry. Follow this link for information or to donate:https://www.wisdomonline.org/mp/legaciesSupport the show

Ahana grew up in Bharatpur, a small town in India where many believed girls shouldn't always have the same opportunities. But her mother believed otherwise and pushed her to dream bigger.That belief eventually took her to Indian Institute of Technology, Bombay and later to Harvard Business School. But this story isn't about degrees or credentials. It's about resilience, grit, and the relentless pursuit of building something meaningful.From taking bold bets to navigating failures, Ahana's journey eventually led to building Open Secret - one of India's most well-known healthy snacking brands today.This conversation dives into the real founder journey behind the brand: the risks, the setbacks, and the determination it took to keep going.But this isn't just a success story, in this episode, Ahana openly shares about failed experiments, her mother's contribution to her life and why she's passionate about unjunking India. If you're building a startup, thinking about entrepreneurship, or navigating early-stage chaos - this conversation will give you clarity on what truly matters.Chapters00:00  Introduction: Growing up in Bharatpur & breaking glass ceilings06:40  IIT, Harvard and Open Secret16:12 Q1 - Leaving behind a job in US to startup18:00 Q2 - How does Ahana deal with failures23:17 Q3 - How does one maintain funding until profitable27:30 From -47% EBITDA to profitable growth39:00 Women-led manufacturing and leadership43:30 Losing her mother during COVID and finding strengthAbout Open SecretOpen Secret is a better-for-you snacking brand focused on removing maida, trans fat and artificial preservatives from everyday Indian packaged foods. With strong repeat rates and rapid quick commerce penetration, it is one of India's fastest-scaling health-focused FMCG startups.Unstarted is built for 1 to 1 founders — people thinking about starting, or just getting started.Real questions. Real answers. Real founders. Have a question you want answered by top founders? Submit it here: https://z47.com/unstarted/askFollow Z47Website - https://www.z47.com/Instagram -    / z47.vc  LinkedIn -   / z47-vc  

Son disque " Solaire " permet de redécouvrir la voix de Yael Naim au milieu de textures plus électroniques que jamais, autant inspirée par Sampha que Laurie Anderson. Un nouvel univers sonore à lʹimage du monde dans lequel il se diffuse, de Bombay à lʹAmérique du Sud, avec des rythmes susceptibles de faire bouger tout autour du monde.

Send a textAs our Winter Olympics 2026 month comes to a close, Shawn and Colin welcome back guest Marissa Dingle to help us close out a trilogy when we watch 'D3: The Mighty Ducks". We discuss all those important things such as angsty teenagers, a Bombay-light adventure, stakes of the big game, players who have not developed their skills, a whole new coach and very much more. How does this stack up against the others in the series? What did we think? Tune in to find out!5 Star reviews help drive us up the charts. Please take a minute and review us.If you would like to contact or donate to us: iusedtolikethisone@gmail.comwww.patreon.com/iusedtolikethisoneWebsite: www.iusedtolikethisone.comInstagram: @iusedtolikethisoneTwitter: @iused2likethis1Facebook: I Used To Like This OneBluesky: @iusedtolikethisone.bsky.socialSpecial guest: Marissa Dingle Mentioned: 'Into The Woods'- Stage Eaters TheatreCreated/Produced/Hosted by: Shawn Wells and Colin StewartEdited by: Shawn WellsOriginal Music by: Lindon Carter (look for his band 'Carter & the Capitals' on all music streaming platforms)Official Substitute Co-hosts: Aaron Knowles (@ShortBoxHero), Chris Goffredo. Special Guest: Marissa DingleSponsorship Corner sponsored by movieposters.com *****With over 100,000 titles to choose from, movieposters.com is the #1 destination for posters from your favorite films + stars. Use LIKETHISONE at checkout for 15% off your purchase. *****Special Thanks To: Tracy Sheremeta, Lindon Carter, David Son, Aaron Knowles, Chris Goffredo, Kris Wells and Graham Wells for their contributions to the show.Hear more content from Shawn with his other podcast 'In Front Of The Yellow Line'.Buy friend and sometimes co-host Aaron's Book! 'The Algorithmic Frontier: Exploring the Power of AI in Social Media and Content Creation'   https://a.co/d/1gIpsgQ©️2026 And Sometimes Why? Productions.

In this episode of the Special Culinary Series, I'm joined by Chef Neha Mishra - the visionary behind Kinoya in Dubai and the woman many first knew as the “Ramen Girl” hosting intimate supper clubs before building one of the city's most celebrated restaurants. On this episode, Neha takes us across continents through flavor, philosophy and deeply personal food memories - from Tokyo's ramen counters to the Himalayas at 16,000 feet. Destination Highlights & Culinary Insights: 1. Japan - The art of perfection.   Japan, for Neha, represents devotion - to craft, to ingredients and to doing one thing exceptionally well. • Ramen culture and why simplicity equals mastery. • How to explore Japan on a budget - eating where locals eat. • Traditional Japanese breakfasts and bento spreads. • Public transport in Japan makes exploration seamless. • “Memory Lane” (Omoide Yokocho-style alleyways) for affordable eats.           https://en.shinjuku-omoide.com/ 2. India – Where food is a ‘love language'. Neha talks about the diversity of India and how every region there is its own eco system with distinct culinary identities. A trip to India is a reminder that food isn't about complexity, it's about connection. • The architecture and soul of South Bombay(South Mumbai). • South Indian cuisine as one of the most underrated global food cultures. • A transformative trip to Spiti Valley near Ladakh and mindful meals at 16,000 feet in the Himalayas. • Single-ingredient cooking. 3. Italy – Slow living and Sacred tables. • Produce-driven cooking: olives, olive oil, tomatoes. • Landscape and longevity and how environment shapes cuisine. 4. Georgia – Unexpected beauty. Beyond the food, it is the landscape and culture that linger. This is a destination where hospitality and history intertwine and is definitely a place that deserves far more global attention than it receives. 5. Vietnam, Thailand and Southeast Asia - The street food masters. Southeast Asia is where street food becomes storytelling. 6. Brazil – Best street food. • Sunday markets and neighborhood food culture. • Street discoveries that rival fine dining. 7. Mexico – Culinary immersion. This special Culinary Series is brought to you by Emirates NBD Voyager Credit Cards. Connect with Neha at: https://www.instagram.com/astoryoffood/ Thank you all for tuning in today! If you enjoyed this episode, please hit that subscribe button here, or on your favorite podcast platform. I'd love to hear from you! What destinations or journeys should we feature next? Drop a comment, leave a rating, or write a review - it truly makes a difference. Stay connected with me on Instagram @moushtravels to find out who's joining me next week. You can also explore all past episodes and destinations mentioned by our guests on www.moushtravels.com or in the episode show notes. Thanks for listening! Until next time, safe travels and keep adventuring.       "Want a spotlight on our show? Visit https://admanager.fm/client/podcasts/moushtravels and align your brand with our audience."Connect with me on the following:Instagram @moushtravelsFacebook @travelstorieswithmoushLinkedIn @Moushumi BhuyanYou Tube @travelstorieswithmoush Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Although Buddhism is widely considered a peaceful tradition, some of its monks incite hatred and slaughter. Sonia Faleiro explores this trend in her latest book The Robe and the Sword: How Buddhist Extremism is Shaping Modern Asia.Drawing on reporting from Sri Lanka, Myanmar and Thailand, she unflinchingly shows how extremists target minorities, highlights alliances between ethnic nationalists who demonise Muslims, and reflects on resistance to militant Buddhism.Together, we look at the roots of these disturbing developments, from traumatic impacts of British colonialism to political rivalries and economic grievances. In the process, we talk about the legacy of Aung San Suu Kyi, monastic misconduct in Thailand and self-immolation, among many other topics.Sonia is also the author of The Good Girls – documenting the killing of two Indian teenagers – and Beautiful Thing, about Bombay's dance bars. She has co-edited a collection of testimonies from Gaza and is the founder of South Asia Speaks, a mentorship programme for emerging writers.--

Degen style Oscar Season continues as the fellas grab their harmonicas and guitars to talk about Ryan Coogler's genre mashup box office sensation, 'Sinners.' Bombay starts it off by channeling the oral-based loving seen throughout the film, and recalls a few drunken cuninlingis tales of his own. Then the guys head on down to the juke and discuss one of the horniest studio films ever made, a movie that became a cultural revelation out of seemingly nowhere. Powered by the delta blues, this horror mishmash borrows tropes from some of your favorite flicks, but is undeniably singular. Besides the wonderful music — including a befuddling enchanting mid-movie musical number — 'Sinners' features incredible performances across the board including the always indelible Delroy Lindo whose alcoholic bluesman Delta Slim is the backbone of the film. Michael B. Jordan lends two servings of star power, but the rest of the cast holds the band together, which includes an unrecognizable turn from Jack O'Connell. Make sure you play this episode from dusk till' dawn and be sure to stick around for the post credits sequence.

L'émission 28 minutes du 24/02/2026 "The last ship " : Sting transforme ses origines ouvrières en comédie musicale Des millions d'albums vendus, des tournées historiques en solo et avec son ancien groupe The Police, Sting est une icône de la musique. Mais avant de connaître la gloire, le chanteur britannique a eu plusieurs vies : conducteur de bus, ouvrier, instituteur, entraîneur de football, ou encore livreur. En 2015, il a créé la comédie musicale, "The Last Ship", en hommage aux ouvriers de son pays. Jusqu'au 8 mars 2026, à la Seine Musicale de Boulogne-Billancourt, il revisite son spectacle en y incarnant le contremaître d'un chantier naval qui s'apprête à fermer. Droits de douane américains : grand flou et chaos tarifaire mondial ? Les nouveaux droits de douanes de 10 %, appliqués sur les produits importés aux États-Unis, sont entrés en vigueur le 24 février sur décision de Donald Trump. Pour les 150 jours prochains, cette surtaxe devrait rester à ce niveau, bien que le président américain souhaite déjà les augmenter à 15 %. Le 20 février, la Cour suprême américaine a déclaré que les droits de douanes dits "réciproques", imposés par Donald Trump depuis avril 2025 à plusieurs pays, sont illégaux. Pour contourner la Cour suprême, le chef d'État américain s'est appuyé sur une loi de 1974, le Trade Act, une surtaxe mise en place en cas d'urgence liée à un déficit de la balance des paiements. Mais, elle ne s'applique pas à certains secteurs, comme celui du cuivre ou de l'automobile, dont les taxes restent inchangées. Les produits canadiens et mexicains importés aux États-Unis ne sont également pas concernés. On en débat avec Joséphine Staron, directrice des études et des relations internationales du think tank Synopia, Lauric Henneton, maître de conférences à l'Université Versailles-Saint-Quentin, spécialiste des États-Unis, et Isabelle This Saint-Jean, économiste, professeure à l'Université Sorbonne Paris Nord. Au Mexique, le cartel de Jalisco sème le chaos après l'élimination de son chef, "El Mencho". Théophile Cossa nous explique le fonctionnement de ce cartel. Marie Bonnisseau s'intéresse à la première route musicale indienne, construite à Bombay, qui engendre la colère des riverains. 28 minutes est le magazine d'actualité d'ARTE, présenté par Élisabeth Quin du lundi au jeudi à 20h05. Renaud Dély est aux commandes de l'émission le vendredi et le samedi. Ce podcast est coproduit par KM et ARTE Radio. Enregistrement 24 février 2026 Présentation Renaud Dély Production KM, ARTE Radio

Fraudsters are increasingly using deepfake videos of CEOs and other company executives to trick firms out of millions of dollars. And with the evolution of AI, these videos are becoming ever-more sophisticated and convincing. We speak to two CEOs who have been deepfaked: the head of the Bombay stock exchange and the boss of password security company LastPass. And we hear how criminals used deepfake videos to trick British engineering firm Arup into handing over $25 million. How easy is it to make these videos? Ed Butler visits a cybersecurity company which shows him how it can be done, using readily available software. Ed's hosts make a deepfake of him and we compare the real Ed to the fake Ed. We also put figures on the size of this problem and explain how much it's costing businesses.If you'd like to get in touch with the team, our email address is businessdaily@bbc.co.ukPresenter: Ed Butler Producer: Gideon Long Sound Mix: Toby JamesBusiness Daily is the home of in-depth audio journalism devoted to the world of money and work. From small startup stories to big corporate takeovers, global economic shifts to trends in technology, we look at the key figures, ideas and events shaping business.Each episode is a 17-minute deep dive into a single topic, featuring expert analysis and the people at the heart of the story.Recent episodes explore the weight-loss drug revolution, the growth in AI, the cost of living, why bond markets are so powerful, China's property bubble, and Gen Z's experience of the current job market.We also feature in-depth interviews with company founders and some of the world's most prominent CEOs. These include Google's Sundar Pichai, Wikipedia founder Jimmy Wales, and the CEO of Starbucks, Brian Niccol.(Picture: An image of a man in a cap being deepfaked. Credit: Getty Images)

Using public storytelling as a driving force, Moral Storytelling in 1920s New York, Odessa, and Bombay: Sex, Crime, Violence, and Nightlife in the Modern City (Bloomsbury, 2026) by Dr. Mark D. Steinberg explores everyday social moralities relating to stories of sex, crime, violence, and nightlife in the 1920s city space. Focusing on capitalist New York, communist Odessa, and colonial Bombay, Dr. Steinberg taps into the global dimension of complex everyday moral anxiety that was prevalent in a vital and troubled decade.Moral Storytelling in 1920s New York, Odessa, and Bombay compares and connects stories of the street in three compelling cosmopolitan port cities. It offers novel insights into significant and varied areas of study, including city life, sex, prostitution, jazz, dancing, gangsters, criminal undergrounds, cinema, ethnic and racial experiences and conflicts, prohibition and drinking, street violence, 'hooliganism' and other forms of 'deviance' in the contexts of capitalism, colonialism, communism, and nationalism.The book tells the stories of moralizers: empowered and insistent critics of deviance driven to investigate, interpret, and interfere with how people lived and played. Beside them, not always comfortably, were the policemen and journalists who enforced and documented these efforts. It also reveals the histories of women and men, mostly working class and young, who were observed and categorized: those judged to be wayward, disreputable, disorderly, debauched, and wild. Dr. Steinberg explores this global culture war and the everyday moral improvisations-shaped by experiences of class, generation, gender, ethnicity, and race-that came with it. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Using public storytelling as a driving force, Moral Storytelling in 1920s New York, Odessa, and Bombay: Sex, Crime, Violence, and Nightlife in the Modern City (Bloomsbury, 2026) by Dr. Mark D. Steinberg explores everyday social moralities relating to stories of sex, crime, violence, and nightlife in the 1920s city space. Focusing on capitalist New York, communist Odessa, and colonial Bombay, Dr. Steinberg taps into the global dimension of complex everyday moral anxiety that was prevalent in a vital and troubled decade.Moral Storytelling in 1920s New York, Odessa, and Bombay compares and connects stories of the street in three compelling cosmopolitan port cities. It offers novel insights into significant and varied areas of study, including city life, sex, prostitution, jazz, dancing, gangsters, criminal undergrounds, cinema, ethnic and racial experiences and conflicts, prohibition and drinking, street violence, 'hooliganism' and other forms of 'deviance' in the contexts of capitalism, colonialism, communism, and nationalism.The book tells the stories of moralizers: empowered and insistent critics of deviance driven to investigate, interpret, and interfere with how people lived and played. Beside them, not always comfortably, were the policemen and journalists who enforced and documented these efforts. It also reveals the histories of women and men, mostly working class and young, who were observed and categorized: those judged to be wayward, disreputable, disorderly, debauched, and wild. Dr. Steinberg explores this global culture war and the everyday moral improvisations-shaped by experiences of class, generation, gender, ethnicity, and race-that came with it. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Using public storytelling as a driving force, Moral Storytelling in 1920s New York, Odessa, and Bombay: Sex, Crime, Violence, and Nightlife in the Modern City (Bloomsbury, 2026) by Dr. Mark D. Steinberg explores everyday social moralities relating to stories of sex, crime, violence, and nightlife in the 1920s city space. Focusing on capitalist New York, communist Odessa, and colonial Bombay, Dr. Steinberg taps into the global dimension of complex everyday moral anxiety that was prevalent in a vital and troubled decade.Moral Storytelling in 1920s New York, Odessa, and Bombay compares and connects stories of the street in three compelling cosmopolitan port cities. It offers novel insights into significant and varied areas of study, including city life, sex, prostitution, jazz, dancing, gangsters, criminal undergrounds, cinema, ethnic and racial experiences and conflicts, prohibition and drinking, street violence, 'hooliganism' and other forms of 'deviance' in the contexts of capitalism, colonialism, communism, and nationalism.The book tells the stories of moralizers: empowered and insistent critics of deviance driven to investigate, interpret, and interfere with how people lived and played. Beside them, not always comfortably, were the policemen and journalists who enforced and documented these efforts. It also reveals the histories of women and men, mostly working class and young, who were observed and categorized: those judged to be wayward, disreputable, disorderly, debauched, and wild. Dr. Steinberg explores this global culture war and the everyday moral improvisations-shaped by experiences of class, generation, gender, ethnicity, and race-that came with it. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Using public storytelling as a driving force, Moral Storytelling in 1920s New York, Odessa, and Bombay: Sex, Crime, Violence, and Nightlife in the Modern City (Bloomsbury, 2026) by Dr. Mark D. Steinberg explores everyday social moralities relating to stories of sex, crime, violence, and nightlife in the 1920s city space. Focusing on capitalist New York, communist Odessa, and colonial Bombay, Dr. Steinberg taps into the global dimension of complex everyday moral anxiety that was prevalent in a vital and troubled decade.Moral Storytelling in 1920s New York, Odessa, and Bombay compares and connects stories of the street in three compelling cosmopolitan port cities. It offers novel insights into significant and varied areas of study, including city life, sex, prostitution, jazz, dancing, gangsters, criminal undergrounds, cinema, ethnic and racial experiences and conflicts, prohibition and drinking, street violence, 'hooliganism' and other forms of 'deviance' in the contexts of capitalism, colonialism, communism, and nationalism.The book tells the stories of moralizers: empowered and insistent critics of deviance driven to investigate, interpret, and interfere with how people lived and played. Beside them, not always comfortably, were the policemen and journalists who enforced and documented these efforts. It also reveals the histories of women and men, mostly working class and young, who were observed and categorized: those judged to be wayward, disreputable, disorderly, debauched, and wild. Dr. Steinberg explores this global culture war and the everyday moral improvisations-shaped by experiences of class, generation, gender, ethnicity, and race-that came with it. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Using public storytelling as a driving force, Moral Storytelling in 1920s New York, Odessa, and Bombay: Sex, Crime, Violence, and Nightlife in the Modern City (Bloomsbury, 2026) by Dr. Mark D. Steinberg explores everyday social moralities relating to stories of sex, crime, violence, and nightlife in the 1920s city space. Focusing on capitalist New York, communist Odessa, and colonial Bombay, Dr. Steinberg taps into the global dimension of complex everyday moral anxiety that was prevalent in a vital and troubled decade.Moral Storytelling in 1920s New York, Odessa, and Bombay compares and connects stories of the street in three compelling cosmopolitan port cities. It offers novel insights into significant and varied areas of study, including city life, sex, prostitution, jazz, dancing, gangsters, criminal undergrounds, cinema, ethnic and racial experiences and conflicts, prohibition and drinking, street violence, 'hooliganism' and other forms of 'deviance' in the contexts of capitalism, colonialism, communism, and nationalism.The book tells the stories of moralizers: empowered and insistent critics of deviance driven to investigate, interpret, and interfere with how people lived and played. Beside them, not always comfortably, were the policemen and journalists who enforced and documented these efforts. It also reveals the histories of women and men, mostly working class and young, who were observed and categorized: those judged to be wayward, disreputable, disorderly, debauched, and wild. Dr. Steinberg explores this global culture war and the everyday moral improvisations-shaped by experiences of class, generation, gender, ethnicity, and race-that came with it. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Using public storytelling as a driving force, Moral Storytelling in 1920s New York, Odessa, and Bombay: Sex, Crime, Violence, and Nightlife in the Modern City (Bloomsbury, 2026) by Dr. Mark D. Steinberg explores everyday social moralities relating to stories of sex, crime, violence, and nightlife in the 1920s city space. Focusing on capitalist New York, communist Odessa, and colonial Bombay, Dr. Steinberg taps into the global dimension of complex everyday moral anxiety that was prevalent in a vital and troubled decade.Moral Storytelling in 1920s New York, Odessa, and Bombay compares and connects stories of the street in three compelling cosmopolitan port cities. It offers novel insights into significant and varied areas of study, including city life, sex, prostitution, jazz, dancing, gangsters, criminal undergrounds, cinema, ethnic and racial experiences and conflicts, prohibition and drinking, street violence, 'hooliganism' and other forms of 'deviance' in the contexts of capitalism, colonialism, communism, and nationalism.The book tells the stories of moralizers: empowered and insistent critics of deviance driven to investigate, interpret, and interfere with how people lived and played. Beside them, not always comfortably, were the policemen and journalists who enforced and documented these efforts. It also reveals the histories of women and men, mostly working class and young, who were observed and categorized: those judged to be wayward, disreputable, disorderly, debauched, and wild. Dr. Steinberg explores this global culture war and the everyday moral improvisations-shaped by experiences of class, generation, gender, ethnicity, and race-that came with it. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Using public storytelling as a driving force, Moral Storytelling in 1920s New York, Odessa, and Bombay: Sex, Crime, Violence, and Nightlife in the Modern City (Bloomsbury, 2026) by Dr. Mark D. Steinberg explores everyday social moralities relating to stories of sex, crime, violence, and nightlife in the 1920s city space. Focusing on capitalist New York, communist Odessa, and colonial Bombay, Dr. Steinberg taps into the global dimension of complex everyday moral anxiety that was prevalent in a vital and troubled decade.Moral Storytelling in 1920s New York, Odessa, and Bombay compares and connects stories of the street in three compelling cosmopolitan port cities. It offers novel insights into significant and varied areas of study, including city life, sex, prostitution, jazz, dancing, gangsters, criminal undergrounds, cinema, ethnic and racial experiences and conflicts, prohibition and drinking, street violence, 'hooliganism' and other forms of 'deviance' in the contexts of capitalism, colonialism, communism, and nationalism.The book tells the stories of moralizers: empowered and insistent critics of deviance driven to investigate, interpret, and interfere with how people lived and played. Beside them, not always comfortably, were the policemen and journalists who enforced and documented these efforts. It also reveals the histories of women and men, mostly working class and young, who were observed and categorized: those judged to be wayward, disreputable, disorderly, debauched, and wild. Dr. Steinberg explores this global culture war and the everyday moral improvisations-shaped by experiences of class, generation, gender, ethnicity, and race-that came with it. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

This echoes of war podcast, hosted by Craig Watson and Gaurav explores the Third Carnatic War (1756–1763) as the Indian theater of the Seven Years' War. It details the decline of the Mughal Empire after Aurangzeb's death in 1707, leading to fragmented provinces like Bengal and the rise of the Maratha Empire as a dominant power. European influences are highlighted: the British East India Company with bases in Bombay, Madras, and Calcutta, and the French with strongholds like Pondicherry. The narrative focuses on key events starting with the Black Hole of Calcutta in 1756, where Nawab Siraj ud-Daulah imprisoned British captives in horrific conditions, prompting retaliation. Robert Clive's victory at the Battle of Plassey in 1757, aided by betrayal from Mir Jafar, secured British control over wealthy Bengal (20-25% of India's GDP). The episode covers the Siege of Madras (1758–1759), where French forces under Comte de Lally failed due to supply issues and British reinforcements. The decisive Battle of Wandiwash in 1760 saw British General Eyre Coote defeat the French, leading to the Siege of Pondicherry (1760–1761), which ended French influence. Britain's naval superiority, alliances, and strategies established dominance, marking 1759 as the "Annus Mirabilis." The podcast emphasizes colonial expansion parallels with North America, using maps and portraits for a documentary feel. It concludes with the Treaty of Paris, where France regained possessions but without fortifications, ensuring British ascendancy in India. Don't forget I have a Youtube Membership: https://www.youtube.com/channel/UCbp8JMZizR4zak9wpM3Fvrw/ join or my Patreon: https://www.patreon.com/pacificwarchannel where you can get exclusive content like "What if Japan invaded the USSR during WW2?"

CADENA 100 ofrece la mejor variedad musical. Desde Ankara, Turquía, llega la inspiradora iniciativa de empleados de limpieza que crean una biblioteca pública con libros recuperados de la basura. Un locutor comenta su lectura actual de "Reliquia" de Paul Was. Se celebra un récord Guinness: Joshua Sanders da 146 besos en la mejilla en 30 segundos. Ed Sheeran, que cumple 35 años, destaca la creación de su fundación para jóvenes talentos musicales. En 'Mateo & Andrea', Sonia de Villarreal gana un altavoz al identificar canciones de Imagine Dragons, Bombay y Pink. Jesús Ors arranca el jueves con música de David Guetta y Justin Timberlake. Finalmente, se aborda un documental de Take That, explorando la relación entre Gary Barlow y Robbie Williams y la posibilidad de una futura reunión.

In this episode of Best in Fest, host Leslie LaPage sits down with Sandhya Hermon — an award-winning screenwriter and former research psychologist — to explore how a second career in storytelling can emerge from lived experience, global identity, and persistence.Sandhya shares her journey from earning a doctorate in psychology to pursuing an MFA in screenwriting at UT Austin, and how her scripts have gone on to place at top competitions including Austin Film Festival, PAGE Awards, BlueCat, Nichols Fellowship, and more.In this episode, we explore:

In this second episode of the Culinary Travel series, we go around the world through some very exotic flavors with Chef Kelvin Cheung of Jun's in Dubai. Kelvin has eaten his way across the globe, traveling through continents and cities exploring cultures, cuisines, heritage and so much more. On this episode Kelvin gives us a glimpse of his journeys and takes us on a super delicious ride.Destination Highlights and Culinary Insights:1. Thailand - Fireworks of flavor.Kelvin calls Thailand one of the most dynamic food destinations in the world.• Exploring small towns and villages beyond Bangkok.• Best street food in the world.https://www.instagram.com/cheftonn/?hl=en – All of Chef Ton's restaurants come highly recommended.https://www.instagram.com/restaurant.potong/?hl=en – Highly recommended.2. China - A Culinary awakening.• Regional diversity across South, East and Northwest China.• Border cuisines blending Chinese, Thai, and Lao influences3. Japan - The benchmark of excellence.4. Singapore - Nostalgia on a plate5. Jordan - A delicious surprise.https://www.instagram.com/qaismalhas/?hl=en – highly recommended.6. Vietnam - The ingredient revelation - a ‘rice paddy herb'.7. India – A culinary renaissance.Highly recommended - https://www.instagram.com/veronicasbombay/?hl=en                                    https://www.instagram.com/masquerestaurant/?hl=en                                    https://www.instagram.com/restaurantnaar/?hl=enThis special Culinary Series is brought to you by Emirates NBD Voyager Credit Cards.Connect with Kelvin at:https://www.instagram.com/chefkelvincheung/Thank you all for tuning in today!If you enjoyed this episode, please hit that subscribe button here, or on your favorite podcast platform. I'd love to hear from you! What destinations or journeys should we feature next? Drop a comment, leave a rating, or write a review - it truly makes a difference.Stay connected with me on Instagram @moushtravels to find out who's joining me next week. You can also explore all past episodes and destinations mentioned by our guests on www.moushtravels.com or in the episode show notes.Thanks for listening! Until next time, safe travels and keep adventuring.     "Want a spotlight on our show? Visit https://admanager.fm/client/podcasts/moushtravels and align your brand with our audience."Connect with me on the following:Instagram @moushtravelsFacebook @travelstorieswithmoushLinkedIn @Moushumi BhuyanYou Tube @travelstorieswithmoush Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Is Mumbai still a city for everyone, or just for those who can afford it?In this episode of Books & Beyond, Tara sits down with veteran journalist and author Sidharth Bhatia to discuss his latest book, Mumbai: A Million Islands. The book is not about the history of Marine Lines or the Gateway of India, but the thing that actually builds this city... PEOPLE!Tara and Sidharth explore the bubonic plague of 1896, the transformation of Parel's textile mills into high-end malls, and what it's like for 28 families to build a rooftop community, hauling groceries, furniture, and even dead bodies up by rope. They discuss displacement of both slum and middle-class communities, the stories of activist Gauri Sawant and Kanthibai of Kamathipura, and how walking across the city reveals the hidden lives and stories that often go unnoticed.Whether you're a lifelong Mumbaikar or a curious outsider, this episode is a love letter and a critique that will make you question what it truly means to belong in Mumbai today.Books and Documentaries mentioned in the episode:Bachelor Girls by Shikha Makan (2016)Manto: Selected Short Stories by Saadat Hasan MantoNight in Bombay by Louis Bromfield Imagine spending five days of uninterrupted creativity in a serene, century-old Indo-Portuguese villa. Join an exclusive group of twelve writers for a transformative writing retreat. 5 seats left, apply now!Learn more: https://boundindia.com/retreats/annual-writers-retreatApply now: https://tinyurl.com/46rhn7hz‘Books and Beyond with Bound' is the podcast where Tara Khandelwal and Michelle D'costa uncover how their books reflect the realities of our lives and society today. Find out what drives India's finest authors: from personal experiences to jugaad research methods, insecurities to publishing journeys. Created by Bound, a storytelling company that helps you grow through stories. Follow us @boundindia on all social media platforms.

Schon gewusst? 5 spannende Fakten aus der Wikipedia! Dieser Podcast wird durch Werbung finanziert. Weitere Podcasts, Infos und Angebote unserer Werbepartner: https://linktr.ee/WikiPods Quellen: https://en.wikipedia.org/wiki/Mecki https://en.wikipedia.org/wiki/Shark_fin_soup https://en.wikipedia.org/wiki/four_sea_delicacies https://en.wikipedia.org/wiki/Bombay_sandwich https://en.wikipedia.org/wiki/Julio_Vargas_Garayar https://en.wikipedia.org/wiki/Cyclone_Dana Dieser Inhalt wurde mithilfe künstlicher Intelligenz erstellt oder bearbeitet. CC BY-SA 4.0 (https://creativecommons.org/licenses/by-sa/4.0/)

Guest: Grant Newsham. Newsham discusses the PLA purge of leadership, analyzing the implications of Xi Jinping'sremoval of top military officials and what it signals about internal instability within China's armed forces. Guest: Grant Newsham. Newsham critiques the weaknesses of national security studies that expect Chinese attack only at Taiwan, arguing this narrow focus leaves the U.S. vulnerable to broader PRC strategic threats. Guest: John Cochrane. Cochrane analyzes the inadequacy of tariffs as an economic tool, explaining why they fail to achieve their intended goals and often harm domestic consumers and businesses. Guest: John Cochrane. Cochrane discusses the demand for foreign investment, examining how capital flows impact the U.S. economy and the complexities of managing trade imbalances. Guest: Rebecca Grant. Grant compares U.S. carrier capabilities into the future against China's naval expansion plans, assessing the shifting balance of power in the Pacific. Guest: Rick Fisher. Fisher details China's century-long plan for space supremacy, warning that Beijing's strategic investments in space technology pose a significant threat to American dominance. Guest: Steve Yates. Yates examines how allies Australia, Canada, and the UK are seeking favorable trade deals with China, raising concerns about alliance cohesion amid PRC economic pressure. Guest: Steve Yates. Yates discusses strategies for dealing with the PRC as an adversary seeking supremacy, emphasizing the need for coordinated Western responses to Chinese ambitions. Guest: Sinan Ciddi. Ciddi analyzes Erdogan succession prospects in Turkey, examining potential successors and the implications for Turkish domestic and foreign policy. Guest: Sinan Ciddi. Ciddi assesses the possibility of democracy in Turkey, discussing the structural obstacles and political dynamics that shape the country's democratic trajectory. Guest: Sadanand Dhume. Dhume reports on the India-EU trade deal after 21 years of negotiation, analyzing the significance of this agreement for both economies and regional geopolitics. Guest: Michael Bernstam. Bernstam examines Russia's budget gap widening with the sinking price of oil, detailing the fiscal pressures facing Moscow as energy revenues decline. Guest: Simon Constable. Constable reports from France with a resident European pine marten, offering observations on rural life and wildlife in the French countryside. Guest: Simon Constable. Constable discusses the Labour scandal with the Epstein revelations, analyzing the political fallout affecting Britain's governing party. Guest: Bob Zimmerman. Zimmerman reports on Artemis plans for a launch in March, detailing NASA's progress toward returning American astronauts to the Moon. Guest: Bob Zimmerman. Zimmerman analyzes the failing Roscosmos, describing Russia's declining space program and its inability to compete with American and Chinese advancements.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Envisioning Hopeful Futures Host Miko Lee speaks with two Bay Area artists, activists, and social change makers: Tara Dorabji and Cece Carpio. Both of these powerful people have been kicking it up in the bay for a minute. They worked in arts administration as community organizers and as artist activists.   LINKS TO OUR GUESTS WORK Tara Dorabji Author's website New book Call Her Freedom Find more information about what is happening in Kashmir Stand With Kashmir Cece Carpio  Tabi Tabi Po running at Somarts   SHOW Transcript Opening Music: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express. Miko Lee: Good evening. I'm your host Miko Lee, and tonight I have the pleasure of speaking with two Bay Area local artists, activists, and social change makers, Tara Dorabji and Cece Carpio. Both of these powerful people have been kicking it up in the bay for a minute. They worked in arts administration as community organizers and as artist activists. I so love aligning with these multi hyphenated women whose works you can catch right now. First up, I talk with my longtime colleague, Tara Dorabji Tara is an award-winning writer whose first book Call Her Freedom just came out in paperback. And I just wanna give a little background that over a decade ago I met Tara at a workshop with the Great Marshall Gantz, and we were both asked to share our stories with the crowd. During a break, Tara came up to me and said, Hey, are you interested in joining our radio show, Apex Express? And that began my time with Apex and the broader Asian Americans for Civil Rights and Equality community. So if you hear a tinge of familiarity and warmth in the interview, that's because it's real and the book is so great. Please check it out and go to a local bookstore and listen next to my chat with Tara. Welcome Tara Dorabji to Apex Express.  Tara Dorabji: Thank you so much for having me. It's wonderful to be with you, Miko. Miko Lee: And you're actually the person who pulled me into Apex Express many a moon ago, and so now times have changed and I'm here interviewing you about your book Call Her Freedom, which just was released in paperback, right? Tara Dorabji: Yep. It's the one year book-anniversary. Miko Lee: Happy book anniversary. Let's go back and start with a little bit for our audience. They may have heard you, if they've been a long time Apex listener, but you as an artist, as a creator, as a change maker tell me who are your people and what legacy do you carry with you? Tara Dorabji: Who are my people? My people I would say are those who really align with truth. Truth in the heart. That's like at the very core of it. And I'm from the Bay Area. I've been organizing in the Bay a long time. I started out organizing around contaminated sites from nuclear weapons. I've moved into organizing with young people and supporting storytelling. So arts and culture has been a huge part of it. Of course, KPFA has been a big part of my journey, amplifying stories that have been silenced, and I think in terms of legacy, I've been thinking about this more and more. I think it goes into two categories for me. One are the relationships and who remembers you and and those deep heart connections. So that's one part. And then for my artistry, it's the artists that come and can create. On the work that I've done and from that create things that I couldn't even imagine. And so I really think that's the deepest gift is not the art that you're able to make, but what you create so that others can continue to create. Miko Lee: Thank you so much for sharing the deep kind of legacy and sense of collaboration that you've had with all these different artists that you've worked with and it's, your work is very powerful. I read it a year ago when it first came out, and I love that it's out in paper back now. Can you tell our audience what inspired Call her Freedom. Tara Dorabji: Call Her Freedom is very much inspired by the independence movement in Indian occupied Kashmir. And for me it was during the summer uprisings when, and this was way back in, In 2010-2009, after the Arab Spring and for the entire summer, Kashmir would be striking. It would shut down from mothers, grandmothers, women, children in the street. This huge nonviolent uprising, and I was really drawn to how it's both one of the most militarized zones on earth. And how there was this huge nonviolent uprising happening and questions about what it could look like, even like liberation beyond the nation state. And so I was really drawn to that. My dad's from Bombay, from Mumbai, that's the occupying side of it, and ethnically we're Parsi. So from Persia a thousand years ago. And so I think for me, at a personal level, there's this question of, okay, my people have been welcomed and assimilated for generations, and yet you have indigenous folks to the region that are under a complete seizure and occupation as part of the post-colonial legacy. And so I went and when I went to Kashmir for the first time was in 2011, and I was there. Right when the state was verifying mass graves and was able to meet with human rights workers and defenders, and there was a woman whose husband had disappeared and she talked to me about going to the graves and she told me, she said I wanted to crawl in and hug those bones. Those are the lost and stolen brothers, sons, uncles, those are our people. And another woman I spoke to talked about how it gave her hope for the stories to carry beyond the region and for other people to hear them. And so that became a real core part of my work and really what call her freedom is born from. Miko Lee: Thank you for sharing and I know that you did a film series and I wonder if you could about Kashmir and about what's going on, and I think that's great because so many times we in American media don't really hear what's going on in these occupied lands. Can you talk a little bit about how the interconnectedness of your film series and the book and was that part of your research? Was it woven together? How did you utilize those two art forms?  Tara Dorabji: I think we're both accidental filmmakers. That might be another way that our cross, our paths cross. In terms of medium. So for me, I was actually working with Youth Speaks the Brave New Voices Network at that time and doing a lot of short form. So video content, three minutes, 10 minutes, six minutes. And it was playing really well and what I was seeing coming outta kir by local filmmakers was beautiful, gorgeous, highly repressed work generally, longer form, and not always immediately accessible to an audience that didn't have context, that hadn't been, didn't understand. And my thinking was this was a gap I could fill. I had experience, not as a filmmaker, but like overseeing film teams doing the work, right? And then here are some of the most silent stories of our time. So when I went back to do book research in 2018, I was like, Hey, why don't I make some short form films now? I didn't even know what I was getting into. And also I think. When you go in as a novelist, you're absorbing your hearing and it takes time. There's no clock. It was, it's been the hardest project to get from start to finish. And I couldn't be like, okay, Miko, like I've done it once. Now this is how you do it. And when people trust you with their story, there's an urgency. So throughout the whole project, I was always seeking form. So my first trip went straight to KPFA radio. Took the stories, project sensor, took the stories, and so I wanted to build on that. And so the documentary films provided a more some are, I'm still working on, but there was some immediacy that I could release, at least the first film and the second film, and also I could talk about how can this work dovetail with campaigns happening on the ground and how can my work accelerate what human rights defenders are doing? So the first film here still was released with the first comprehensive report on torture from the region. And so it gave that report a whole different dimension in terms of conversation and accessibility. It was a difficult film but necessary, and because I had to spend so much time with. It was a difficult film but necessary, and because I had to spend so much time with transcribing, watching the footage over and over again, it really did inform my research from the B-roll to sitting and hearing the content and also for what people were willing to share. I think people shared in a different way during video interviews than when I was there for novel research. So it worked really well. And what I am, I think most proud of is that the work was able to serve what people were doing in a really good way, even though it's really difficult work.  Miko Lee: It built on the communication strategies of those issues like the torture report and others that you're working on.  Tara Dorabji: Exactly. And in that way I wasn't just coming and taking stories, I was applying storytelling to the legal advocacy strategies that were underway. And, you make mistakes, so it's not like there weren't difficulties in the production and all of that. And then also being able to work with creatives on the ground and at times it just. You, it became increasingly difficult, like any type of money going out was too heavily scrutinized. But for a time you could work with creatives as part of the projects in the region and then that's also super exciting.    [00:11:18] Miko Lee: Yeah. Can you talk a little bit more, I heard you say something about how the, when people are telling your story for the novel versus telling the story for the video that the cadence changes. Can you share a little bit more about what you mean by that?    Tara Dorabji: Yeah, I think when I'm doing novel research, it's very expansive, so I'm dealing with these really big questions like, what is freedom? How do you live in it? How do you, how do you choose freedom when your rights are being eroded? And so that conversation, you could take me in so many different directions, but if I am focused on a very specific, okay, I'm doing a short documentary film around torture, we're gonna go into those narratives. Or if I'm coming with a film medium, like people just see it differently and they'll speak and tell their stories differently than with a novel. It's gonna be fictionalized. Some of it might get in there or not. And also with a novel, I don't ever, I don't take people and apply them to fiction. I have characters that like, I guess come to me and then they're threaded through with reality. So one character may hold anecdotes from like dozens of different people and are threaded through. And so in that way you're just taking like bits and pieces become part of it, but. You don't get to see yourself in the same way that you do with the film. So in some ways. It can be safer when the security environment is as extreme as is as it is right now. But there's also this real important part of documentary film where it's people are expressing themselves in their own words, and I'm just curating the container.  Miko Lee: Was there an issue like getting film out during the time that you were doing the documentary work? Because I've heard from other folks that were in Kashmir that were talking about smuggling film, trying to upload it and finding different, did you have to deal with any of that, or was that before the hardest crackdown? Tara Dorabji: I mean there were, there's been series, so 2019 was abrogation where there was a six month media blockade. And so just your ability to upload and download. And so that was after I had been there. The environment was there was challenges to the environment. I was there for a short time and you just come and you go. You just do what you're gonna do and you be discreet. Miko Lee: And what is going on in Kashmir now?  Tara Dorabji: The situation is really difficult. One of the lead leads of the report on torture and coordinator from the human rights group that put, that helped put out that report has been incarcerated for four years Koran Perve. Miko Lee: Based on what?  Tara Dorabji: His human rights work. So they've just been detaining him and the United Nations keeps calling for his release.  Miko Lee: And what do they give a reason even?  Tara Dorabji: They, it's yeah, they give all kinds of trumped up charges about the state and terrorism and this and that. And also. One of the journalists and storyteller and artists in the first film that I released, Iran Raj, he's been incarcerated for two years. He was taken shortly after he was married, the press, the media has been dismantled. So there was, prolific local press. Now it's very few and it's all Indian State sponsored narrative propaganda coming through. ] Miko Lee: How are concerned folks here in the US able to get any news about what's happening in Kashmere, what's really going down?  ara Dorabji: It's really hard. Stand with cashmere is a really good source. That's one. There's cashmere awareness. There's a few different outlets that cover what happens, but it's very difficult to be getting the information and there's a huge amount of repression. So I definitely think the more instagram orgs, like the organizations that go straight to the ground and then are having reels and short information and stories on Instagram is some of the most accurate information because the longer form journalism. It is just not happening right now. In that way people are being locked up and the press is being dismantled and people running, the papers are being charged. It's just horrendous. Entire archives are being pulled and destroyed. So hard. Really hard. So those, Stand With Kashmir is my go-to source, and then I see where else they're looking.  Miko Lee: So your book Call Her Freedom is a fictionalized version, but it's based around the real situation of what's been going on in Kashmir. Can you share a little bit more about your book, about what people should expect and about what you want them to walk away with understanding.  Tara Dorabji: It's a mother daughter story. It's a love story. It's about love and loss and families, how you find home when it's taken. And the mom is no Johan. She's a healer. She's a midwife. She has a complex relationship with her daughter and she haunts the book. So the story told from multiple points of view, we never get and ignore the mom's head, but. She comes back as she has a lot to say. And I think it's interesting too because in this village that's largely run by men, you have these two women living by themselves and really determining their own fate. And a lot of it has to do with both nors ability to look at ancient healing practices, but also a commitment that her daughter gets educated. And so she really like positions her daughter in between the worlds and all the while you have increasing militarization. And Aisha starts as a young girl just starting school. And then at the end of the story, she's a grandmother. We get to see her relationships evolve, her relationship with love evolve, and a lot of the imperfections in it. And one of the things in writing this is when you're dealing. Living in occupation, there's still the day-to-day challenges that so many of us endure. And you have these other layers that are horrific.  Miko Lee: Yeah. And I'm wondering how much of yourself as a mother you embedded into the book as a mother, as an activist, as a mother of daughters, how much of yourself do you feel like you put into the book?  Tara Dorabji: A ton. It's my heart and spirit in there. And there were some really, there's this scene where the mom does die, and I actually wrote that before my mom passed away. And I do remember like after my mom died, going through and editing that part. And it was just like. It was really, it was super intense and yeah, I mean it definitely made me cry and it was also like the emotion was already there, which was interesting for me to have written it before but then have it come back and a full circle, I think.  Miko Lee: So did you change it after you experienced your own mom dying?  Tara Dorabji: It was soft edits. In my second novel, there's a scene and it, that one completely changed 'cause I didn't hit the emotion. Emotional tenor, right? It's funny, but in this one it was pretty good. I was like, I did pretty good on that one. But yeah, so it was just like tinkering with it a little. I think also my daughters were about four when I started.  Miko Lee: Oh, wow.  Tara Dorabji: And it came out as, when they're 18. So the other part was I was able to use their age references constantly throughout it because. I could just map to what it's like being a mom of a kid that age. So I did ob yeah, definitely used my own. So it's an amalgam and also it's fictionalized. So in the book, it's not Kashmir, it's Poshkarbal there's right a village. And so trying to take people out of something that they can identify as reality, but then at the same time, you can see the threads of reality and create a new experience. Miko Lee: So since you brought that up, tell us about the next book that you're working on right now.  Tara Dorabji: Yes, it's still very much in a draft form, but takes place here in the Bay Area. Similar themes around militarization, family secret love, lineage loss, and part of it's in Livermore Home to one of the world's nuclear weapons lab. Mm-hmm. Part of it's in San Francisco, so exploring into the future tech, AI, and. There's an underpinning around humans' relationship to technology, and I think at this point. We know that technology isn't gonna solve the crisis of technology. And so also looking at our relationship to land and culture and lineage. So there's, it's about, now I'm looking at about a hundred year span in it.  Miko Lee: Wow. Really?  Tara Dorabji: Yeah. Contained with the geography of the Bay Area  Miko Lee: Toward the future. Toward the past? Tara Dorabji: both past and future Miko Lee: Whoa. Interesting.  Tara Dorabji: Yeah.  Miko Lee: I'm reading Empire of AI right now. I don't know if you're familiar with that, but, oh, the AI stuff is so deeply disturbing about humanity. You're really thinking about where we're going, so I'm curious to find out your fictionalized versions of the impact.  Tara Dorabji: It's a major change we're going through. Yeah, and you and I grew up in a time when we didn't have cell phones and we used maps, and Yeah. If I was gonna meet you, I had to be there and we'd have to make a plan in advance and yeah. It's just shifting so rapidly. So we went  Miko Lee: through that. Even how to read a, how to read a clock like my girls, I had to show them as adults how to read a clock. Wow, I didn't realize these things. Our world is so digitized that even the most basic, that concepts ha how are shifting and even fine motor skills. Like most young people do not have good, fine motor skills.  Tara Dorabji: Yeah.  Miko Lee: Because they're just used to being on their phone all the time.  Tara Dorabji: Yes, and the, and I would give it is during the rain over the holidays, there is just always a family out with a small child in their yellow rain boots. And the kid like reaching into the tree, grabbing, smelling it dad or mom holding them. And so there are these anchors.  Miko Lee: Yeah.  Tara Dorabji: And even though humanity is accelerating in this one way, that's very scary and digitize. It's like the anchor of the earth in our community and our relationships still is holding us. Some of, you know, there's still that pull. And so I think that how people form their communities in the future and the way that. The choices that are gonna be made are just gonna become increasingly difficult. We faced it in our generation, parenting around cell phones, social media. We're seeing that impact of the suicidality, all of those things coming up. And that's gonna accelerate. So I do think it's, definitely a major change in transition some dark times, but also some really beautiful possibilities still rooting in our communities and in the world.  Miko Lee: And because we both work in movement spaces, I'm really curious I heard you talk a lot about connection and land and I'm just curious in your book. I got this vibe and I know a lot of the work that we do in the community. I'm wondering if you could speak a little bit on the land back movement internationally. In so many of those spaces, women are at the forefront of that. I wonder if you could talk a little bit about that.  Tara Dorabji: That's one of the most exciting things happening right now is the land back movement. In my younger days when I was studying what determines a woman's quality of life internationally at a scale, it's, it was really came down to land ownership. So in societies where land ownership went to women, they were able, and it was like. Outpaced by far, education and those other things is like that access to the land and the resource in that way. And land back is an acceleration of that, and I think particularly when we're looking at a lot of questions around philanthropy, spun downs, how it's done. When you transition an asset back into the community as land and land stewardship, right? Because then there's like the ownership for the stewardship and yeah, the different ways that it's done. But that is a lasting impact for that community. And so often when you're investing in women. Then it goes not just in terms of their quality of life, but the children, right? And the whole community tends to benefit from that. And I think even looking at Kir in the, one of the things that always has fascinated me is Kashmir during, it was independence was a carve up by the British, so that's a post-colonial strategy to keep people fighting. That has been very successful in the subcontinent. Kashmir had  Miko Lee: all over the world.  Tara Dorabji: Exactly. And Kashmir had a semi-autonomous status. That's what was really stripped in 2019, was that article from the Constitution. And so in the very early days when their autonomy was stronger, they started some pretty revolutionary land reforms. And so there was actually clauses where the people that were working the land could have it. And people Kashmiris were transferring land. To two other cashmeres. And so it was this radical re resource redistribution and you have a really strong legacy of feminism and women protesting and leading in Kashmir and I think that part from my perspective is that was a threat. This fear of redistribution of resources, land distribution other areas started to follow suit and the nation state didn't want that to happen. They wanted a certain type of concentration of wealth. And so I think that was one of the factors that. There were many, but I do think that was one that contributed to it. So I do think this idea of land backed land reform is extraordinarily important, and particularly looking at our own relationship with it. How do we steward it? How do we stop stripping the land? Of its resources and start realigning our relationship to it where humans are supposed to be the caretakers. Not the ones taking from.  Miko Lee: Thank you for sharing. I was thinking so much about your book, but also about the movement that we live in and the more positive visions of the future. Because right now it's devastating all the things that are happening in our communities. So I'm trying to be a bit hopeful and honestly just to keep through it make sure that we get through each day. Given so many of our brothers and sisters are at risk right now I'm wondering what gives you hope these days?  Tara Dorabji: Yeah, a lot of things do, I think like when I do try to take the breaths for the grief and the devastation because that loss of life is deep and it's heavy and it's real and it's mounting. So one, not to shy away from feeling it. Obviously not, it's hard. You don't want to 24 7, but when it comes in to let it come in and move through. And for me it's also this idea of not. It's just like living in hope. How do you live each moment and hope? And so a big part of it for me is natural beauty, like just noticing the beauty around me and filling myself up in it because that can never be taken away. And I think also in some of the most violent acts that are being committed right now, the way people are meeting them with a pure heart.  Miko Lee: Yeah.  Tara Dorabji: It's like you can't stop, like that's unstoppable is like that beauty and that purity and that love. And so to try to live in love, to try to ground in hope and to try to really take in the beauty. And then also like how do we treat each other day to day, and really take the time to be kind to one another. To slow it down and connect. So there are, these are tremendously difficult times. I think that reality of instability, political violence, assassination, disappearances, paramilitary have come visibly. They've been in the country, but at a, in the US at a more quiet pace, and now it's so visible and visceral  Miko Lee: And blatant. Yeah. It's just out there. There's no, they're not hiding about it. They're just out there saying out there, roaming the streets of Minnesota right now and other states to come. It's pretty wild.  Tara Dorabji: Yeah. And I think that the practice is not to move in fear. The grief is there, the rage and outrage can be there. But the love and the beauty exists in our communities and and in the young people. Miko Lee: Yeah.  Tara Dorabji: And our elders too. There's so much wisdom in our, in the elders. So really soaking up those lessons as much as possible.  Miko Lee: Thank you so much for chatting with me and I hope everybody that checks out your book call Her Freedom, which has gotten some acclaim, won some awards, been out there, people can have access to it in Paper Book. We'll put a link in our show notes so people can have access to buy it from an independent bookstore.  Tara Dorabji: Thank you so much. Wonderful to catch up and thank you for all your work on Apex as well.  Miko Lee: Thank you. Next up, take a listen to “Live It Up” by Bay Area's Power Struggle.    MUSIC “Live It Up” by Bay Area's Power Struggle.  Next up I chat with Visual artist, cultural strategist and Dream Weaver, Cece Carpio about her solo exhibition that is up and running right now at SOMArts through March. Welcome, Cece Carpio to Apex Express.   [00:33:37] Cece Carpio: Thank you for having me here.   [00:33:39] Miko Lee: I am so excited to talk with you, and I wanna start with my very first question that I ask all of my guests, which is, who are your people and what legacy do you carry with you? [00:33:52] Cece Carpio: That's a packed question and something I love. just in terms of where I come from, I was born and raised in the Philippines, small little farming village town, and migrated as my first so ground in the United States here in San Francisco. So my peoples consists of many different beings in all track of. The world whom I met, who I've loved and fought with, and, relate with and connect with and vision the world with. So that includes my family, both blood and extended, and the people who are here claiming the streets and claiming. Claiming our nation and claiming our world to make sure that we live in the world, that we wanna envision, that we are visioning, that we are creating. I track along indigenous immigrant folks in diaspora. black, indigenous people of color, community, queer folks, and those are folks that resonate in, identify and relate, and live, and pray and play and create art with.  [00:35:11] Miko Lee: Thank you so much. And do you wanna talk, chat a little bit about the legacy that you carry with you? [00:35:16] Cece Carpio: I carry a legacy of. Lovers and fighters, who are moving and shaking things, who are creating things, who are the healers, the teachers, the artists and it's a lot of load to carry in some extent, but something I'm very proud of, and those are the folks I'm also rocking with right now. I think we're still continuing and we're still making that legacy. And those are the people that are constantly breathing on my neck to make sure that I'm doing and walking the path. And it's a responsibility I don't take lightly, but it's also a responsibility I take proudly. [00:35:58] Miko Lee: Thank you for sharing. We are talking today because you have an exhibit that's at SOMArts Space, your first solo exhibit, and it's running all the way through March 29th, and it's called Tabi Tabi Po: Come Out With the Spirits! You Are Welcome Here First, tell me about the title and what that evokes for you. [00:36:18] Cece Carpio: Yes, so Tabi Tabi Po is a saying from the Philippines that essentially. Acknowledge, like it's most often used when you walk in the forest. And I think collectively acknowledge that there are other beings and spirits there beyond ourselves. So it's asking for permission. It's almost kind of like, excuse me, we're walking your territory right now. And, acknowledging that they're there and acknowledging that we're here or present and that, we're about to. Coexist in that space for that moment. So can we please come through? I think this is also not just like my open idea and choosing this title is not that we're only just coming through, but we're actually coming out to hang out for a little while and see what's happening here and kick it. Opening up space and welcoming folks who wants to come out and play with us and who wants to come and share the space.  [00:37:15] Miko Lee: Ooh. I really love that. I feel that when I walk in the forest to this ancestors that are with us. That's beautiful. This is your first solo exhibit, so I'm wondering what that feels like. You have been a cultural bearer for a really long time, and also an arts administrator. So what does it feel like to have your first solo exhibit and see so much of all of your work all around?  [00:37:36] Cece Carpio: Well, I'm a public artist. Most of the stuff that I've been doing the last decade has been out in public, creating murals and installations and activations, in different public spaces, and went somewhere. Specifically Carolina, who is the curator at SOMA have asked me to do this. To be honest, I was a little bit hesitant because I'm like, oh, it's a big space. I don't know. 'cause I've done group exhibitions in different parts of the years, but most of the stuff I do are affordable housing to like public activations to support the movement. Then I kind of retracted back and it's like, maybe this is the next step that I wanna explore. And it was a beautiful and amazing decision to work alongside so Mars and Carolina to make this happen 'cause I don't think it would've happened the way we did it in any other space, and it was amazing. Stressful that moments because I was still doing other projects and as I tried to conceive of a 2000 square footage gallery and so my district in San Francisco. But it was also the perfect opportunity. 'cause my community, my folks are here and. We are saying that it's a solo exhibition, but it really did take the village to make it all happen, and, which was one of my favorite part because I've been tracking this stem for so long and he is like folks on my back and I wanted to tell both my stories and our stories together. It was very opening, very humbling. Very vulnerable and exciting. All at the same time, I was able to talk or explore other mediums within the show. I've never really put out my writing out into public and is a big part and component of the exhibition as well as creating installations in the space. Alongside, what I do, which is painting mostly. But to be honest, the painting part is probably just half of the show. So it was beautiful to play and explore those different parts of me that was also playing with the notion of private and public, like sharing some of my own stories is something as I'm still trying to find ease and comfort in. Because as a public artist, I'm mostly translating our collective stories out, to be a visual language for folks to see. So this time around I was challenged a little bit to be like, what is it that you wanna share? What is it that you wanna tell? And that part was both scary and exciting. And, and he was, it was wonderful. It was great. I thought he was received well. And also, it was actually very relieving to share parts and pieces of me out with my community who have known for a long time. There were still different parts of that there were just now still learning. [00:40:39] Miko Lee: What did you discover about yourself as you're kind of grappling with this public versus private presentation? [00:40:45] Cece Carpio: What I learned about myself through this process is I can actually pretty shy. I mean, I might be, you know, um, contrary to like popular belief, but it was definitely, I'm like, Ooh, I don't know. I don't know. My folks who had been standing close with me, just like, this is dope. And also just in the whole notion that, the more personal it is, the more universal it becomes and learning that, being able to share those part of me in a way of just for the pure sake of sharing, actually allows more people to resonate and relate, and connect, which at this moment in time is I thing very necessary for all of us to know who our peoples are when this tyranny, trying to go and divide us and trying to go and separate us and trying to go and erase us. So I think there's something really beautiful in being able to find those connections with folks and spaces and places that otherwise wouldn't have opened up if you weren't sharing parts and pieces of each other.   [00:42:00] Miko Lee: That's so interesting. The more personal, kind of vulnerable you make yourself, the more it resonates with folks around the world. I think that's such a powerful sentiment because the, even just having a gallery, any piece of artwork is like a piece of yourself. So opening up a huge space like Somar, it's, that's like, come on in people. Thank you for sharing with us. To your point about the shocking, horrible, challenging, awful times that we live in. As we talk right now, which is Saturday, January 31st, there protests going on all around the country. I'm wondering if you can talk a little bit about what it means to be a visual artist, a cultural bearer in a time of fascism and in a time of struggle. [00:42:43] Cece Carpio: Well, if you go and see the exhibition, that's actually very much intertwined. My practice has always been intertwined with, creating a vision in solidarity with our communities who are believing and fighting for another world that's possible. My practice of this work has been embedded and rooted with the movement and with organizations and people who have the same goals and dreams to, bring in presence and existence of just us regular, everyday people who are still fighting to just be here to exist. So just to your question of, but what it means to do this work at this time. I think it is the imagination. It is the creativity that allow us to imagine something different. It is the imagination, it is the dreams that allow us to create that. Other world that we wanna envision when, everything else around us is telling us another way that's not really the best for ourselves and for our peoples and for the future generations that's gonna be carrying this load for us. And with this. In so many ways, a lot of my. my creating process, my making process has always carried that, and even myself, immigrating to this place that was once foreign is figuring out where I can belong. My art practice has not only been a way in which I express myself, but it has been the way in which I navigate the world. That's how I relate to people. That's how I am able to be part of different groups and community. And it's also how I communicate. , And that's always been, and still is a very big portion of my own practice.   [00:44:37] Miko Lee: Can you share a little bit more about your arts practice, especially when we're living in times where, people are trying to get a paycheck and then go to the rally, and then maybe phone banking and organizing and there's so many outside pressures for us to just continue to move on and be in community and be in movement work. I'm wondering how do you do it? Do you carve out times? Is it in your dreams? Where and how do you put yourself in your arts practice. [00:45:04] Cece Carpio: I don't think there is a wrong or right way of doing this. I think being an artist, it is not only about being creative on what, a paint on the walls, it is about being creative on how you live your life. I don't know if there's a formula and it's also been something that, to be honest, it's a real conversation. I mean, most of us artists. We're asking each other that, you know, like You do it. How do you figure out, like how do you add hours in your day? How do you continue doing what it is that you love and still fall in love with it when we're under capitalism trying to survive, all these different things. Everyone has a different answer and everyone has different ways of doing it. I'm just kind of figuring it out as I go, you know? I'm an independent artist. It is the center of the work that I do, both as a livelihood and as a creative practice, as a spiritual practice, as a connective practice. This is what I do. For me it is just like finding my peoples who wants to come and trek along. Finding folks who wants to support and make it happen. Beyond painting on walls, I'm also an educator. I've taught and pretty much most of the different levels of, what this nation's education system is like and still do that in practice, in both workshops, , sometimes classrooms, community group workshops and folks who wants to learn stern, both technical and also like conceptual skills. I consider myself also a cultural strategist, within a lot of my public activation and how I can support the movement is not just, creating banners or like little cards, but actually how to strategize how we utilize art. To speak of those things unspoken. But to gather folks together in order to create gateways for, other everyday folks who might not be as involved with, doesn't have time or availability or access to be involved to make our revolution irresistible. Many different cultural strategist comes together and we produce public art activations to make it both irresistible, but also to provide access, to folks who otherwise probably would just walk by and have to go to their everyday grind to just make it on this work. As long as I see it aligned within kind of divisions that we have together to consistently rise up and get our stories known and become. Both a visual translator but also a visual communicator in spaces and places sometimes, you know, unexpected, like for example, within the protest when protest is over, like what are left behind within those spaces where we can create memories. And not just like a moment in time, but actually how do we mark. The space and places we share and that we learn from and that we do actions with. We can make a mark and let it be seen.   [00:48:05] Miko Lee: Thank you for that. I'm wondering, as you're talking about your profound work, and how you move through the world, I'm wondering who are some of the artists that inspire you right now?  [00:48:17] Cece Carpio: So many, so many folks. Artists at this moment have been becoming vital because of the intensity of our political climate that's happening. There's so many artists right now who are. doing a lot of amazing, amazing things. I definitely always have to give shout out to my mama, Esra, which is one Alicia, who's just consistently and prolifically still creating things. And she, I've been doing and collaborating with her for many, many years. What I think I really love and enjoy is that she's continuously doing it and like it gives us more hunger to like, all right, we gotta catch up. it's amazing and  [00:48:58] Miko Lee: beautiful. Amazing work.  [00:49:00] Cece Carpio: Yes, and I've been very fortunate and been very lucky to be part of an artist Has been such an inspiration , and a collaborator and in the many process of the different works that we do. So some of the crew members definitely shout out to my brother Miguel to, folks like Frankie and Sean Sacramento. Then we have span over in New York, like we've, we're now spreading like Voltron. ‘ve been very lucky to have some amazing people around me that love doing the same things who are my family. We're continuing to do that. So many more. It's really countless. I feel like I definitely have learned my craft and this trait by. Both being out there and making happen and then meeting folks along the way who actually are in the same path. And it's such a beautiful meeting and connection when that happens. Not only just in path of creating work, but, and path of we down to do something together. There's so many, there's so many. It's so nameless.  [00:50:05] Miko Lee: Thank you for sharing some of them, some of the artists that helped to feed you, and I'm sure you feed them. You just have finished up an artist in residence with the Ohlone people. I'm wondering if you could talk a little bit about what that experience was like being an artist in residence there. [00:50:21] Cece Carpio: It has been an amazing, and the relationship continues. Karina actually gave the spirit plate on the opening, which is such a big honor because I consider her, both a mentor and a comrade and, and  [00:50:34] Miko Lee: Karina Gold, the Chair of the Ohlone tribe.  [00:50:38] Cece Carpio: Yes. And who I have such admiration for, because if. Both integrity and also the knowledge that she carries and the work that she's doing and how she opens it up for different folks. How she walks is such a big part of how that collaboration started in the first place. As an indigenous immigrant that's been consistent. Like what does even mean to be indigenous in the land that's not yours, you know? Just the notion of what is our responsibility as stewards of this land to live on stolen land? I had this specific skill that I wanted to share, and they were more than willing, and open to dream together of what that could look like and was able to do. Many different projects and different sites , of land that's been returned to indigenous hands. It was such an honor to be part of that. Creating visual markers and visual acknowledgement in spaces that, you know, kind of telling the autobiographical stories of those spaces and how it was returned, what our divisions, and to work alongside the young people, the various different communities she believes and wanted to take part of the movement. I learned as much or if not more. I share my knowledge of like how to paint a mural or all the different skills. So it was very much a reciprocal relationship and it's still a continuous relationship that we're building. It's gonna be an ongoing fight, an ongoing resistance, but an ongoing victory. They've already have shared and won and have shown and shared with us the experiences of that. It's been very rejuvenating, regenerating, revitalizing, and in all those different ways, being able to bear witness to that, but taking small part in pieces, and certain projects to uplift and support that and also just to learn from the many different folks, and people from both Sego and the communities that they've able to like. Create and build through the time, I mean through the young time actually that they've been here, but definitely still growing.  [00:52:46] Miko Lee: Thank you. Your show is up until the end of March. What do you want folks to feel after they go see Tabi Tabi Po  [00:52:55] Cece Carpio: Mostly are gonna feel whatever they wanna feel. I'm kind of curious to know actually, what is it that people are feeling and thinking, but I think Enchantment, I wanna recapture that feeling of Enchantment in a time and moment where. It can be very frustrating. It can be very, depressing. Seeing the series of event in this nation and just uncaring, and like the pickable violence that's imposed to our peoples. I wanna be able to give folks a little bit of glimpse of like, why we are fighting and why we were doing this for and even see the magic in the fight. I think that's a big part of the story that's being told and that the, knowing that we're still writing a story as we go. Within this exhibition, there's a lot of spaces of me sharing parts of my story, but a big part of that is also spaces for folks to share theirs. That exchange of magic is something that we can use as ammunitions, we can use as tools to keep us going in times that is very, very trying.  [00:53:59] Miko Lee: The magical exchange to make the revolution irresistible.  [00:54:03] Cece Carpio: Let's do it. Let's go.  [00:54:05] Miko Lee: Sounds great. We're gonna put links to the show at SoMarts we'll put them on our Apex Express, um, page, and I'm wondering what's next for you? [00:54:14] Cece Carpio: We will also have programs that coincides alongside the various stories that we're telling with this exhibition to welcome for other community members, other artists, other cultural bearers, other fighters to come and join us, and be part of it and tell stories, heal time. Imagine a magical future to celebrate the victories and wins as big and small as they come. So that is gonna be happening. What's nice for me is, actually it's going simultaneously is I'm still painting. I'm going to be in support of painting a new space opening for a Palestinian owned bakery. They're opening up a new space back in their hometown right here in Oakland. And Reem is a close friend, but also a very frontline fighter. 'cause you know, genocide is still happening right now. I wanna be able to support that and also support her. Another public art installation is actually gonna be unveiling within next month over at soma. In the district of Soma Filipino with the Jean Friend Recreation Center. I'm actually trying to carve out more time to write. I'm still exploring, definitely like in the infants stages of exploring it, but falling in love with it. At some point in time within this show, . Wanna be able to actually get it published, in a written form where both the images can accompany some of the written work , and wanna see like its duration last beyond the exhibition show. There's always the streets to come and protest to happen and contributing to that work that we do to reclaim what is ours, the world that is ours.  [00:55:53] Miko Lee: Thank you so much. You're doing so many things so powerfully, so beautifully, so articulately and I guess the best way for folks to follow up is on your Instagram. [00:56:04] Cece Carpio: Yeah, I'm still actually operating in myself.  [00:56:06] Miko Lee: Okay. Okay. Well thank you so much for your work, everything that you do in the community, so powerful, and thanks so much for speaking with us today. Thank you. Thanks so much for listening to our show tonight. Please go check out Cece's exhibition Tabi Tabi Po at SoMarts and go to a local bookstore to get the paperback version of Tara's Call Her Freedom. Support artists who are paving the way towards a vision for a new future. They are working to make the revolution irresistible. Join us. [00:56:41] Closing Music: Please check out our website, kpfa.org/program/apex Express to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane- Lee. Have a great night.     The post APEX Express – 2.5.26-Envisioning Hopeful Futures appeared first on KPFA.

Degens Andy S and Brandon Bombay decide to let off some steam and talk about a classic that epitomized '80s action, 'Commando.' Bombay starts it off by recalling how his parents introduced him to adult movies when he was 7 years old by renting this banger. Then the boys talk about multiple ludicrous elements of this film that was seemingly only made as a way to showcase Arnold Schwarzenegger's bulging body. Naturally, his John Matrix is matched up against Vernon Wells' chainmail vest-wearing Bennett, who is more obsessed with Arnie than director Mark Lester. The movie is loaded with iconic one-liners, and wildly illogical decision making. After jumping out of a plane, Schwarzenegger teams up with the adorable Rae Dawn Chong, who coincidentally happens to be getting her pilot's license. After taking out about 40 security guards/mall cops, Schwarzenegger flies out to Val Verde to face off against Dan Hedaya — who was inexplicably cast as a Central American dictator — and his army of goons. In order to save his daughter, Matrix must kill every last one of them, and in the most brutal ways possible. Will you have a bad time listening to this gonzo episode? No chance! 

TRANSCRIPT Gissele: Hello, and welcome to the Love and Compassion Podcast with Gissele. We believe that love and compassion have the power to heal our lives and our world. Don’t forget to like and subscribe for more amazing content. Today we’re talking with Rashi Nayar, and she’s on a mission to shift humanity from lower states of consciousness to higher states of consciousness. Gissele: I’m so, so excited to talk to her today. We’re gonna have a great conversation and she’s gonna do a practice with me. Maybe you can tag along as well. So welcome Rashi. Hi Gissele: Rashi. Rashi: Hi Gissele. Rashi: I’m so honored to be here with you. Gissele: Oh, thank you so much for being on the show. I’m really looking forward to it. Gissele: What led you to be on this mission to increase the consciousness of humanity? Rashi: My own path to increasing my own consciousness, you know, to operate from higher states of consciousness, which is peace, joy, and love. You know, these are actually who we are and we explore that more as we go along. Rashi: But I was very depressed for 18 years of my life, you know, since [00:01:00] 2007 when I lost my dog and in a car accident. And that was the first time I had experienced unconditional love that way, you know, someone loved me for who I am, not for, I had to prove myself or I had to perform. I had to be someone. Rashi: I could just be whatever. And he loved me that way, right? And it’s very beautiful to get that type of love from someone in that way. And when I lost him, he was only two years old and he met with a car accident and he died in my arms. But that was like it was like an opening. And it was like my heart broke for the very first time. Rashi: I had never experienced something like that before and I was grieving, but that was the first time I started asking questions like, who am I? Why am I here? What’s our true purpose? What is God? What is enlightenment? You know, all of that. Because what my soul was longing for was to connect back to that unconditional love that I had experienced from him. Rashi: But I didn’t know, [00:02:00] I was always looking outside, you know, outside myself. And I entered toxic relationships because I thought that other people were gonna give that to me. I was very disappointed and I was very depressed. I wasn’t chronically depressed. I was depressed, but I was also living in a low, low grade anxiety for a very, like, very long time until 2025. Rashi: This year when I lost another family member, I lost my aunt to ms. So that episode really shook me to the core and it forced me to sit in stillness with just with myself. Like no more reading books, no more going outwards, right? Because that’s what I always did. I would go to a spiritual retreat. Rashi: I would, you know, go outwards, read books, do therapies, you know, do coaching. I did a lot of work, technically a lot of healing work, and maybe that was required, but. Nothing really significantly changed. You know, I was still the same. I was [00:03:00] still living with low grade anxiety and I was still the same. And but this time I went inwards and I connected with the part of myself that is infinite, that is peaceful, that is love. Rashi: And I realized that everything that I thought about myself or the identity that was caring was actually not who I truly was or not, or not who I am. The identities or the masks that I was wearing, you know, the mom, the entrepreneur, and the aunt and the friend, all of those were really masks and identities that I was carrying. Rashi: But who I truly am, my most authentic self is actually free already. She’s already free. And it’s not even a, she, I wouldn’t even, we cannot really label, right? It’s, it’s. The vast infinite being that we are is inherently peaceful. Is [00:04:00] inherently open. Infinitely joyful. Infinitely blissful and loving. Rashi: Compassionate. That peaceful, that’s who we are inherently. And I, stayed in that high, right? Let’s just say I was in those higher states of consciousness for three days straight and I was floating. Gissele: Mm-hmm. Rashi: Yeah. I was so high. But then came the day I went down, the anxiety was back again, and I was like, wait, I thought I was enlightened. Gissele: I did it. What happened? Rashi: But that is what what’s supposed to happen, because now. I could see the contrast, right? I had experienced something so profound, and now there’s the contrast or the lower states of consciousness, which is fear, anxiety, lack. I was back, I was back in the fully humanness, you know, the human part of me, but [00:05:00] now my aunts, so she passed away and three days later she, she was in my head, she kept telling me, Rashi, love yourself. Rashi: Rashi, love yourself rash. It’s like, it was constant. And I realized that I didn’t love the parts of me that were so-called dark or negative. I was trying to get rid of anxiety. I was trying to get rid of the darkness, right? I was trying to resist whatever I was experiencing in the moment, and that was profound because now my only job is to love myself unconditionally. Rashi: In all parts of myself, the shadows they call it in the psychology. But I realized that the parts that I’m trying to get rid of, the anxiety, the so-called depression, the low level depression that I was constantly feeling the numbness or the sometimes of sometimes just sadness, [00:06:00] like it would just come up. Rashi: What if I fell in love with those parts of myself? Then what would happen? And that became the journey that became the practice. And when I did that, I no longer resisted those. So it was just the experience and me in love with whatever what is right, whatever the experience is. And now I’m whole, now I’m not broken, you know, there’s some, nothing’s wrong with me. Rashi: You know, and that was the narrative that I lived with for 18 years. If something is wrong with me, I need to be fixed. I need the healing, I need the therapy. But really there is nothing inherently is wrong with me. We all experienced this human side of things and what if I fell in love with the humanness, Rashi: And that’s why the being that I experienced, so in those three days when I experienced the so-called enlightenment or the awakening, it was when I touched my being. And our being is inherently free. We who we are, our [00:07:00] authenticity, we are inherently free. We are peaceful. And yet the human side of things or you know, how we grow up, our conditioning, our identity, our beliefs that we carry, all of that is there. Rashi: And that is the conditioning. So the constructed itself or the human is still there, but we cannot try to get rid of it. It’s like, you know, the snake leaves its skin. By its own. We cannot force the skin. We cannot rip the skin out of the snake, you know? So it’s going to happen only when we fully and completely fall in love with who we are in the humanness. Rashi: And that brings me back to that connection, to that love, to that peace that resides within all of us. So that’s in a nutshell, that that’s the story. That’s why I do what I do. Gissele: beautifully said. First I wanna go back to the, the loss of your dog as a person who had a dog. Gissele: Never wanted a dog to be honest, but we got one for a family and felt completely in love with the dog. And after [00:08:00] 13 years to have lost him. And I realize now that he had to go the way that he did. But he did teach me about unconditional love and patience and forgiveness and joy. And so the grief that you experience after having that can feel very overwhelming. And so where I was going with this question is, the human experience can feel so real, I have sat with some really difficult emotions it’s almost as if your mind tells you that something’s gonna happen something bad or you’re gonna die. Gissele: What do you say to people that say, you know, This is all we are because this is what we can concretely see and touch and experience. How do you go from that to understanding and embodying the fact that we are more than this reality? Rashi: Yes. Oh, that’s such an important question. Something that I live with almost every day. Rashi: You know, there’s this low grade anxiety that I still experience on a daily basis. [00:09:00] The only thing that’s different is I’m no longer resisting it. Gissele: Hmm. Rashi: So, you know, and we human beings, we are either, we’re only living in two A states at all time. We’re either to attach to the state that we want, which has happiness, joy, love, bliss, or we are resisting the lower states of consciousness, which is anxiety. Rashi: We’re really in, in these two states or all times. So it’s like when we get that love from the dog or the baby, you know, I have two babies, two little girls. And I’m like, I want it all the time. Right. So now there’s attachment, because if she says something like, I have a 4-year-old, which is a, she’s a very mischievous toddler. Rashi: Right. When you say something that can feel like hurtful. I mean, I don’t take her things seriously because I know better, but Gissele: yeah, Rashi: for someone else it could feel like, what, what would just happen? Like we were in love and now, or the, the spouse says something, right? Like, I have my husband who really triggers me, so he’s, he’s like my [00:10:00] best enemy, right? Rashi: Like he’s my favorite person, so mm-hmm. He says some things that can feel hurtful, and in the beginning it really used to bother me because I would resist those things. I would resist the experience of whatever’s happening in the moment, right? But now I lean into it, and that’s the difference when we are getting this anxiety or when we are getting something and the experience doesn’t feel pleasant. Rashi: The mind itself because the mind is like that. Mind wants to go navigate towards pleasure and it wants to avoid pain. That’s how the mind is, right? Gissele: Mm-hmm. Rashi: But we are not the mind though. So in the moment, if we can witness the mind’s neuros, whatever it does is like trying to resist. What we do is we say, first I love you mind. Rashi: Because the thing is the mind in itself is what it’s doing. It’s movement what it’s supposed to be doing. [00:11:00] And the second thing is, I love you, anxiety and that love it. It’s the experience that feels heavy, that feels not good, right? And that experience now is infused with love. So there’s no longer a problem with what is, with the experience itself. Rashi: And there’s a beautiful book written by Byron Kitty and her, the name of the book is Loving What Is, and apparently, you know, she’s enlightened, you know, every like, so she’s the enlightened being, right? We can talk in that way. I’m not enlightened for sure, but that’s what she meant. I didn’t understand it back then. Rashi: But this is what she means is whatever our experience is, if we are not attaching ourself to it, which means we are not craving more of that, or we are not resisting that, [00:12:00] then we have no problem with the experience. So the experience in itself is not a problem, Gissele. It’s our relationship with the experience that’s the problem. Rashi: So the anxiety in itself is not a problem. It’s how I relate to anxiety, how I see it. That in itself is the issue here. So if we’re like, okay, anxiety is here, can I love it? Can I lean into it? And when I do, and it can feel scary because some people might think that if I lean into that, that means it’s gonna expand, it’s gonna grow more. Rashi: Right? That’s sometimes where the belief is, and I definitely have that, but it’s actually what happens is the other way that anxiety or that bubble becomes love. And you know, there’s a great saint in India, I really, really respect him. He’s no longer in body and that’s, I always keep this picture over here. Rashi: Mm-hmm. [00:13:00] His name is named Carol Baba, and he was apparently he’s the same behind Apple. You know, Steve Jobs went to his temple. Rashi: I love him. I’ve never met him, but somehow I love him. Rashi: And, you know, love has no logic. Gissele: And it has no boundary either. It doesn’t, it doesn’t mean that you can’t love somebody who’s passing. And I think that’s the difficulty perception about, we think that when somebody crosses over that the love ends. I still love my dog bear and I still think about him. Gissele: I think about caressing him. I think about, I talk to him. But anyways, go on. Rashi: Yes, you’re right. Exactly. So, because love is unconditional and love is who we are. Mm-hmm. Which I’m going to take you back to so you can experience it yourself. But he used to say that suffering brings us closer to God. Rashi: Mm. And God is love. And so suffering, meaning anxiety, pain, whatever, chronic pain. I mean, people who are his devotees and people who have written books about him, they [00:14:00] said that, I’m so glad that there’s this pain in my life because it helps me take back to him love or God. And that’s exactly what we’re doing here, is we are saying, whatever comes to our experience, I love you. Rashi: Anxiety, I love you. Guilt, depression, grief, It can feel really hard in that moment, but that is the portal, the bridge between the lower states of consciousness, which is anxiety, fear, all of that to higher states of consciousness, which is love, peace, joy, abundance, that love and saying it mentally in the beginning it could feel like a mental repetition. Rashi: Everything is like, and then you’re like, I love you. I honor you. Even if you’re here, I love myself and I love, I mean, that’s loving kindness. The practice of loving kindness meta in Buddhism is loving ourselves and then loving people in our lives and loving [00:15:00] what is, you know, so that’s a tool that if people can use then, you know, I would love to hear how their life transforms. Gissele: Hmm. Yeah. it’s definitely something that I use myself and what I realized was that the more love I had in my heart for myself, the more it overflowed to other people. Like I didn’t need them to be different. I didn’t need them to change ’cause I didn’t need them to give me anything. Gissele: I really resonated with what you’re talking about, resistance. I noticed that one thing about myself is when I encountered the most resistance to what was happening, my inability to accept and surrender, had to do with my belief that if I surrendered, I was giving up. Gissele: That was accepting. What is that? it’s like saying that there was no hope or no chance Rashi: Mm-hmm. Gissele: I didn’t realize that the deeper thinking behind my resistance had to do with that. This has power over me, so if I give into it, it’ll take me, it’ll do what it wants to do. Correct. And so when I let go of that story [00:16:00] and allowed myself to surrender, there was a level of peace, but it was hard to get there. Gissele: I just wanna acknowledge what you’re talking about is so brilliant, but it can feel really challenging. And it doesn’t have to, but it can. Because I remember when I would ask for guidance from my higher self God source universe, the guidance that I always got was Love it. Choose it. Gissele: And I’m like, well, I don’t wanna choose this. I don’t wanna accept this. And so, but I would lie to myself thinking that I was not in resistance, but I was in resistance. ’cause my body was so tight. Rashi: Yeah. Gissele: And so, it can feel difficult to let go of that resistance. And we are. Gissele: Not really taught to surrender. we’re doers. Rashi: I just gotta keep grinding it out and eventually this is gonna come through. Gissele: how is that counterintuitive to allow love? Rashi: I love that question because I was exactly what you’re describing. For 11 years of my life, I was a [00:17:00] serial entrepreneur. I’ve scaled my own businesses to seven figures plus. And I learned it from my dad. Rashi: You know, it’s a learned behavior. You keep pushing through, you just keep doing, you know, and that’s discipline. Yeah. And consistency. Like those words feel really good. Discipline, consistency and but it didn’t feel good to my body. Gissele: Oh, Rashi: right. It does. It feels like, oh, it, it felt like I’m choking, but I still kept pushing through and I burned out very much. Rashi: So that’s why, you know, I no longer do what I used to do for 11 years and it just didn’t feel aligned anymore. I wanted to open my heart. I wanted to lead from the heart. So, to answer your question, Gissele, when you say that you are the doer, I wanna take you into this is again, a constructed and identity. Gissele: Yeah. Rashi: Right. This is, again, something that we have [00:18:00] adopted from our environment and from our parents, maybe from our teachers, someone we really admired because they had this habit of keep going and it felt really inspiring, right? Because they accomplished so much and the narrative that we. Play in our head is if we keep doing that means, you know, we’re bring, we’re service. Rashi: This is service to humanity and we’re serving, we’re adding value. All of that feels really good, right? Gissele: Mm-hmm. Rashi: And it feels like we’re in service. But the highest service, and I haven’t come to that point myself, but I get glimpses of that, is surrender. And I’ll tell you why. The highest service is surrender is because when we are surrendered, we are now the channel for God will to flow through us what God wants us. Rashi: And that is the path of least resistance. The [00:19:00] path of least resistance is when we are, it’s not my will, it’s God’s will. The problem. The problem, we don’t have a problem. The brain has a problem. And this is, now, let’s go back to scientifically, understanding the scientifically how this works is the brain wants to solve problems because our brain is from the ancestors we lived. Rashi: Our brain is coming from survival. You know, it, it doesn’t know how to thrive. It knows how to survive, right? And survival means keep pushing through. It means keep solving problems because there could be a line behind us and if we don’t solve problems, we are gonna die. So the brain is used to solving problems. Rashi: So it’s not necessarily you that wants to do, it’s your brain that wants to fix the problem. Gissele: Mm-hmm. Rashi: So Rashi: once you understand who you are, then you don’t relate to your brain as yourself. That, and that’s what we do, is we relate to our brain’s [00:20:00] mechanism or our mind’s workings as ourselves. We identify that that’s who I am, but that’s not who we are. Rashi: when we realize who we are, then we are free. Then we can see the workings of the mind as the workings of the mind. And we’re like, ah, that’s what the mind wants us to do right now. But what do I wanna do? Which means I, the, which I’m gonna take you to let you experience that for yourself. So we can do that whenever you’re ready. Gissele: Yeah, of course. I just wanted to mention a couple more things. in my life surrender has been so fundamental. Mm-hmm. It’s led to some magical things happening. But what I noticed was that on the things that mattered the most to me, or had the most limiting beliefs about surrendering is really difficult. Gissele: Mm-hmm. I could surrender, like small things or things that I believed could happen, but the things that were bigger, that bigger than I thought I could hold in my container, I [00:21:00] had a hard time really releasing or surrendering. Rashi: Mm-hmm. Gissele: And so for me, the, the whole concept of surrendering has been a minute by minute step by step by step. Gissele: I’m surrendering a little bit more. ’cause people think, well, I just surrender and then it’s. But if you have limiting beliefs around it, surrender can feel really dangerous. It can feel, it can feel unsafe. And that was one of the things that, the word that came up for me every time I tried to surrender about the different things I was surrendering about is like, this feels unsafe. Gissele: This feels unsafe. So like you said, being able to soothe your mind in, in your emotions and saying, you’re safe. You know, we got this. Mm-hmm. we’re just taking a baby step. That, for me, has gone a long way, Gissele: I continue to surrender more and more every single day and it feels so good to not feel like you have to carry the whole world with you. That you have God, Source, Universe helping you. And usually things turn out way better than I even anticipated. but here’s how stubborn I am [00:22:00] or this ego person is. Gissele: That should have been enough. Like how many times does the universe have to show me, like these magical things. And I’m like, well, but not in this case. Gissele: I wanted to ask you a couple more questions. The first one is talking about who we are. I’ve heard many people that say that we are God because everything is God source energy. We are God, we are made from that. from the same source and that God’s will is our will and our will is God’s will. And I had to kind of grapple with that. Gissele: And the reason being is because it’s not that I think it’s like blasphemous or anything like that, is that I kind of fell into a pitfall where I thought I could force my will. Rashi: Yeah. Gissele: Rather than being like, what’s my genuine will? what’s my genuine identity? and if I truly believed it, I wouldn’t be resistant to anything. Gissele: If I truly believed I was a creator of my life, of my thoughts and emotions and [00:23:00] God was working through me and I’m made up of the same juice as everything else, and I wouldn’t resist anything in my life. I would just choose something else. Gissele: Just curious as to your thoughts about that. Rashi: Wow. Again, this is amazing because yes, we are God, but yes, we are also humans, you know? Gissele: Mm-hmm. Rashi: God gave us this body, very limited body, right? I mean, where I come from, the Hindu culture, in our religion, we have flying gods. Rashi: You know, there’s a monkey, God called Hanman. I don’t know if you’ve heard of him. He used to fly, right? And so he has completely crossed the gravity, right? He is broken all the laws. So neem, KLI, Baba, he was apparently the avatar of Numan because he could be in three different places at the same time. So people in Delhi were like Baba’s with us, but in people in Aaba, they, but Baba’s with us has that possible. Rashi: And then there’s people in Bombay, they’re like, but Baba’s with us. How is that possible? So he completely nullified [00:24:00] the, the laws of the universe, which is laws of gravity. And he was a, people used to say that he was God, and so he had commanded or he had done a lot of, or sadana, which is a lot of the yogic practices to come to that. Rashi: But we don’t do that. You know, we’re mothers and we live in a household, so obviously we don’t have that luxury to, you know, meditate first since morning until night. We can’t do that. Yeah. So, right. So we have to address, we have to understand that we are limited in the body sense, but we are also unlimited with our mindsets that what we can think we can create. Rashi: So in that sense, yes, we are God, but yes, we are also a human being. So the ego in itself is not a problem. That’s what I wanted to say is ego in itself is not a problem as long as we can witness. Stay as the witness and we can witness the ego play [00:25:00] out. Gissele: Yeah. Rashi: Ego, meaning the constructed self. And also if we talk about the brain, the brain has a certain neurological pathway, a neural pathway that has been established and the non-dualistic teachings, the avea, they call it the spider web. Rashi: or the veil. the Christians call it the veil, and it’s the neural pathway in the brain that has been established as our identity, our beliefs, our thoughts, our perceptions. Mm-hmm. All of who we think we are, the constructed self or the ego. We are getting away from that, you know, and I, at least I have 39 years of that to get away from that. Rashi: To collapse that completely and to come to higher states of consciousness, which is completely a new neural pathway. Establishing that is a muscle, it’s almost like lifting weights in the gym. It takes practice. So this is a practice, and like you said, the [00:26:00] surrender is not a one, one thing. I mean, Gissele: yeah. Rashi: I think Ekhart Tolle he’s written about this, that the surrender just happened and he just disappeared. Right. And he became enlightened just like that, which I thought I had experienced before. But there are some beings that have experienced that, and they stayed in that bliss and that joy, I don’t know what that is to feel like for me it’s a practice and I don’t have a problem with that. Rashi: I’ll tell you why. Because I’m able to see the constructed self and the neurosis that come with the constructed self itself for sad. You know? Gissele: Mm-hmm. Rashi: I wanna see it like that. I want this to unfold as it is unfolding, because then the suffering, the ego is a portal. It becomes an invitation to come back to myself every single day. Rashi: Every single day. Now, I’m a conscious creator. I’m consciously choosing to [00:27:00] return to my original state, which is peace, which is love, which is joy, which is compassion. there’s a part of me, the ego, and I can still hear the voice be like, are you kidding? You? You not wanna be enlightened? Rashi: Like, forget about all of this. I’m no longer chasing it. For 11 years, I did chase the enlightenment. It becomes the shiny object, right? As we are chasing the seven figures, we wanna be a millionaire. It’s the same thing with spiritual money, which is enlightenment. Rashi: Everyone wants that. But what’s the problem with us right now? What if there is no problem with us as we are? That’s, you know what if the way you’re surrendering is the way you’re surrendering is the way you’re being, is the way you’re healing is the way you’re healing is exactly how it’s supposed to be. Rashi: It makes you whole and complete. It’s how the creator wants to experience herself through you with all the mess. It feels very [00:28:00] messy. Yeah, but what if that’s how it is supposed to be? And that is what is like if you’re not resist surrendering, that’s perfect. No, no problem with that. So. We can have a spiritual identity as well. Rashi: You know, spiritual people are high, right? That’s all of the identity They’re not supposed to resist, they’re supposed to surrender. That could be a contracted self as well. So what the invitation here is to just live as yourself completely and to love yourself and meet yourself for where you are. Rashi: And I think you’re doing a great Rashi: job at that Gissele.. Gissele: Thank you. you mentioned, spiritual people. I feel like what I chose to come here to learn was really to learn about love. Mm-hmm. Like true unconditional love and compassion. And Gissele: I understand it. I can say to you, we must love all including those who we deem as our enemies . In fact, some of our enemies are our [00:29:00] best friends because they are helping us remember who we are. Rashi: Okay. Gissele: And yet there is a small part of me that still believes that some people that behave in negative ways, that are very hurtful, that they should be fought or that we should fight injustice and fight oppression. Gissele: Even though to me that’s just another level of resistance. Right? But there’s like this little me, this little kid because of her family dynamics that still see somebody as like somebody needing that saving and other people needing to be less, selfish, And so, and that’s what I’m grappling with. Gissele: To create a true, loving, equitable, compassionate world for all. I have to emphasize the all, it has to include those who are most hurtful. It has to include people Yeah. Who are hurting other people And so I think that’s the thing I grapple with. On the one hand, [00:30:00] I can understand that we’re not really this reality, that this is just sort of like a play. Gissele: Right? And yet at the same time, it’s hard for me to witness the suffering of people who are, don’t believe that or are not experiencing that. And to see people suffer on a daily basis Rashi: Yeah, exactly. Rashi: Exactly. Very, very powerful what you just said. And I wanna ask you a question here. You said there’s a part of me. That still doesn’t really like that, you know? Gissele: Hmm. Rashi: There’s a part of me that doesn’t really, that’s resisting my invitation is what would happen if you really fell in love with this part of yourself that’s not loving? Gissele: Mm-hmm. Rashi: because then there’s freedom to really be, we include all dualities within us. We do, we are the saint and we are the [00:31:00] sinner. Because the seed of whatever the other sinner is doing is within us as well. Rashi: It’s just, we’re not choosing to act on it. That’s all we’re doing, but the seed is there. I mean, we still get negative thoughts. I remember I used to get thoughts like hate hating other people. I would get jealous of other women or like all of that. Rashi: Right? So apparently less than wholly less than saintly. Right. That’s who I am. What’s the problem with that? that’s the thing. If I can accept and love the parts of me that don’t feel so holy, that don’t feel so loving, then what would happen? Then I’m free. Gissele: Hmm. Rashi: Right. So that’s the invitation, because the thing is who you are, Gissele everything is it? Rashi: It apparently looks like the world is happening outside of us. It looks like that. Like we have a body and the world like me. I’m happening outside of you in the Zoom room, but [00:32:00] actually I’m Happening within you. Because you are awareness who we are. We are pure awareness. let me take you back to when we are babies. Rashi: Right? So when the baby’s born fresh out of the mother’s womb, it never says I am Rashi. No. Right? It never says I’m a girl or a boy. It doesn’t say I’m zero years old. Nothing. Right? But what it, what? It’s in a state. It’s in pure being state. Pure being, which means aware or I am. Gissele: Hmm. Rashi: Just this.. I’m not this or that. Rashi: I am. And when we say this to ourself, and I would, I want to invite you, Gissele, to say this to yourself when you can even close your eyes because I really want you to experience this firsthand and even the listeners. Yeah, of course. Rashi: Okay, so, alright, so just close your [00:33:00] eyes. Okay, so now go back to when you were a baby, and I don’t want you to go back and track your memory because you might not have a memory of being a baby, but I want you to have this as an experience, like a direct experience and directly experience yourself as just being born Rashi: fresh. Rashi: No thoughts, no emotions, particularly no judgements, no perceptions. It’s just this pure state of I am Rashi: or I am aware. Rashi: Pure awareness, pure presence, pure being.[00:34:00] Rashi: See yourself, have a direct experience of yourself without any name, without form, without any identity. Just pure nothingness. And Rashi: let me know when you’re there. Gissele: Okay? Gissele: I’m there. Rashi: Okay. So stay as you are. This is your original nature, original state of being. Stay as you are. If any thought arrives or comes to your awareness, you can just ask it to wait outside. We’ll ask it to wait outside the zoom room for a bit and we can [00:35:00] take our thoughts later on. We can pick up our identity later on. Rashi: You can pick up your name, beliefs, everything later on. But for now, just stay as you are. I am. Rashi: And now I’m gonna ask you some questions about your true nature. So as you are just the state of I amness, just pure awareness, are you inherently peaceful or your inherently disturbed? Rashi: Mm-hmm. Yes. Okay. So as you are. I am. The other question is, are you open or you’re closed.[00:36:00] Gissele: Open. Rashi: Mm-hmm. Open right now. Stay as you are. Just empty, empty, empty. Stay as the awareness that you are Rashi: now as you are. The next question is, do you have an age? Gissele: No. Rashi: No? Okay. Hmm. Okay. Stay as you are. So if you don’t have an age, were you ever born? Rashi: Yes. Rashi: I want you to even bring your memories out. Take your memories outside the zoom room, keep them out, and just stay as you are. Come back to just pure awareness. [00:37:00] And the invitation here is to have a direct experience of who you are. So as you are, who doesn’t have an age, were you ever born? No. Mm. So if you were never born, will you ever die? Rashi: No. Yes, exactly. And stay as you are. We’re going to go deeper. Rashi: When you stay as you are direct experience, Rashi: are you finite? Which means can you be put into a box like a body, or you are infinite and the body is also within you. Just see this, see this very clearly, and I want you to have a direct experience. Your mind might tell you something else, but that’s [00:38:00] just a thought. So I want you to have a direct experience of this. Rashi: Stay as you are. Are you finite or you’re infinite? Rashi: Are there any boundaries Rashi: between you and the experience Rashi: as you are? Rashi: No. No. Right. Rashi: Hmm. Rashi: Are you naturally accepting as you are or you are naturally in resistance, Gissele: naturally accepting? Rashi: Hmm, yes. Rashi: As you are? [00:39:00] Is there a problem? Gissele: No. There are no problems. Rashi: There are no problems. So as you are, are you whole and complete Rashi: or do you need anything to complete you? Gissele: No. Rashi: Hmm. Okay. So whatever you just said, and I have coached so many people around this, I have taken so many people into this experience. Everyone had the same answer as you. So who we are is this infinite being that is inherently peaceful, that is inherently [00:40:00] infinite eternal, which means doesn’t die, was never born, and has no problems, is naturally accepting, doesn’t need anyone to complete her. Rashi: This whole is peaceful, accepting, loving. That’s a natural state of being, Rashi: and that makes us one, Rashi: that’s who the other person is as well. Rashi: And if you stay as you are, there’s a last question I wanna ask you come back to. I am. Do you even need God to fulfill you here as you are? [00:41:00] Gissele: No Rashi: Mm. So you need no one to complete you because in itself you are inherently complete. Rashi: So just now we’re gonna come out of the experience and you can just take your time just. Maybe rub your hands and slowly, when you’re ready, you can open your eyes. Gissele: Hmm. It’s interesting ’cause when I was in this class, I had an experience where I went into meditation and went into that same void and it was like nothing I’d ever experienced. I don’t think I’ve ever shared this in this podcast. It was like, I wasn’t my body. I wasn’t anybody. and I had pretty bad anxiety in those times. Gissele: And I didn’t have anything. I didn’t have anxiety, I didn’t have anything. But I didn’t wanna return. And so I guess whoever was leading the class had to kind of bring me back and [00:42:00] then and that was really skeptical in those moments. And so I thought, well, maybe this is my imagination until I got home. Gissele: And, and the babysitter kept saying that my daughter was hysterical. ’cause she kept saying, mommy isn’t coming back. She isn’t coming back. Rashi: Oh. Gissele: And Gissele: so, yeah. So that, that was interesting. And so I thought to myself, well, I don’t ever wanna go that deeply into anything so that I don’t like the choice not to come back. Gissele: But and so I’ve been trying to go to that void. But it was surprisingly easy I think what helped me was really, like you said, keep your thoughts at the door, And that was helpful. It was surprising how much I could just not think of something. Mm-hmm. And then when I observed myself thinking something, I could just say, no, go back to the door. Gissele: But I was also at one point wanting to not even like, listen to your questions either. I was just gonna be like, okay, I wonder if I should keep everything at the door. Rashi: Yeah. Gissele: But then when I let your questions in sometimes, then I would move to something else. Then I would go to a thought, which [00:43:00] means I had to go back and go, Nope, you gotta go back to the door. Gissele: Yeah. But I was great and, and it’s so surprisingly simple to remember. I just find that sometimes like to go back and hold onto those identities of like, oh, this is hard, or I’m getting stuck in anxiety. Yeah, Rashi: sure. Rashi: Yeah, Gissele: so, I have to be really conscious of Gissele: A story I’m telling myself about myself, right? Like, how much of a story am I telling about what identity I hold or what I think should be? And so the more I create a distance between the stories of who I think I am and who other people are, the more than I find I open myself to seeing their divinity in myself and and other people. Gissele: But it took me a long time to figure out that the loving all wasn’t just myself and people. It was everything. Rashi: Mm-hmm. Gissele: It Gissele: was, it was those things that we struggle with, all of it. Yeah. and there’s certain parts of the journey that I’m learning to love [00:44:00] more. Gissele: like what I was talking about, seeing children suffer it’s hard to bear as a human, quote unquote. Rashi: Yeah. Gissele: And yet I have to remind myself that that doesn’t mean I don’t do the things that I came here to do. This is why my mission is not just to learn the love for myself, but also to share that with others, whether it be helpful for them or not, not from a place of I need you to change, but from a place of like, this could be helpful to you. Gissele: Yeah. But it’s an interesting journey, isn’t it? Rashi: It is. And you know, it’s hard to bear witness to the suffering of other people. That’s because we love so much. Yeah. Gissele: Mm-hmm. Rashi: Right? And it is hard. But the thing is that. Sometimes we get into the trap that, you know, we are supposed to be loving people, so we should be loving everyone, right? Gissele: Mm-hmm. Rashi: And when someone is doing less than loving things, we are like, oh, but I’m supposed to be loving person. I mean, I have this [00:45:00] podcast called Love and Compassion. I’m like, right, yeah. But those parts of us require the most loving, you know, there are times where, and it, this has been the hardest for me because my husband, like I said, is my biggest frenemy, right? Rashi: And he really triggers me. He shows me where I’m not free yet. So he says something and I’m not loving him in that moment, for sure. Rashi: Yeah. Rashi: Because he is pushing too many buttons, and I’m like, outta it. And the thing is, I have learned to love myself. Even when I’m not loving him now. There’s no resistance. Rashi: You know? Now I can see the neurosis of him and me, and there’s no problem. So he says something and then, you know, it’s so interesting what happens recently it started happening is when I’m like, you know, alright, I love you. Even if you’re not loving towards him in that moment, there’s a shift, there’s a very subtle shift. Rashi: It’s very [00:46:00] subtle. And now it, I’m not taking him so seriously, you know, all of this, the thing. And then he sees that I’m not taking it serious. And it’s very much in the heat of the moment, right? And he sees that, he sees presence, that I’m just quiet and I’m pouring love on myself right now. And somehow because I, the lens at which I, I’m seeing myself is changing the lens at what, how I’m seeing him as changing at the same time. Rashi: And now his lens at how he sees me and himself changes in that moment. And then he would laugh out of nowhere and, you know, and the whole serious thing becomes a funny thing now. And that’s the interesting part, is what the highest service we can do to humanity is to love all parts of ourselves, the non holy Rashi: parts, Rashi: the non loving parts. Rashi: If we can love those parts in which we like, I shouldn’t be like that. Oh, [00:47:00] actually, you know what, what? What if you love the part of you that’s being like that? Because who you are is inherently peaceful. It’s inherently loving, it’s inherently accepting. So in that moment, whatever is not accepting is the ego. Rashi: So the invitation here is to love the ego, the constructed self. Only then we can be free. Only then we can be free to be who we are, because the ego dissolves in that. When it’s seen with the light of awareness, shines on it seen and the constructed self is. Gone in that moment and then the construct itself comes again. Rashi: So this is a practice. Yeah. And at some point we’re like, you know, the Buddha used to say, we are like Bodhi, you know, we’re walking people home. That’s why we are here in this world is we’re not the Buddha yet. We’re not in like, because then we’re away from the Maya or the illusion, but we are part of the illusion so [00:48:00] that we can take people home together. Rashi: We’re walking each other home. That’s what Ram does used Rashi: to say. And yeah. I love Gissele: that. I love that. Mm-hmm. I’m doing something called Kriya yoga. Have you heard of it? Rashi: Kriya yoga? Gissele: Yeah. Rashi: With Yogananda Gissele: with yoga, yes. Yogananda. Yeah, that’s right. Rashi: Right. Gissele: I just started, yeah, Rashi: I’ve heard of it, but I’ve never done it. Rashi: So how is that going? Gissele: Fabulous. I just started But it’s interesting. Sometimes even very short practices have a big impact. Mm-hmm. it’s really interesting ’cause you don’t think like you’re doing anything. And to be honest, I came into it a little bit skeptical in terms of like, I’m used to meditating for two, three hours and I think you’re supposed to be doing like an ongoing, because I’m just learning it, I’m just starting with little practices. Gissele: But the little practices have been really powerful. Rashi: It’s the little ones that are more powerful, you know, the loving, the act of loving oneself and seeing parts [00:49:00] of us, it requires a very high level of self-awareness. You know, it’s just like we’re catching ourselves just before the ego has started to take control. Rashi: And that practice, I feel, if we can do it in action, because we live in such a busy life, right? Gissele: Yeah. Rashi: It’s a luxury to even sit in meditation for so long. You know? It’s so, I mean, it’s a privilege almost like these days, I wish, sometimes I wish I could go to these 10 day, the pasta meditation retreats and just like, yeah, Gissele: me too. Gissele: I wanna go to India. Rashi: Oh my God. Like, yeah. Rashi: If we can do meditation in action, I feel that that’s more effective then, you know, going uphill or sitting in a cave and you know, because then we come in the world anyway. Rashi: And I remember Ram Dass again used to say, if you think you’re enlightened, go and live with your family for the weekend and then come back and tell me how enlightened you are. Gissele: I don’t wanna say it’s was easier, but you can go to a cave somewhere and I think that’s what needed to happen with certain [00:50:00] yogis in terms of helping us lift the consciousness. Gissele: Sure. So that was what happened then. Exactly. But it is a lot harder, and I think I was reading this in Yogananda’s book, the, the path of the householder is much more difficult. ’cause you, you talked about the war within ourselves, there’s so many families that are in, like, they’re not talking to one another. Gissele: There’s so much conflict within Of course we have wars, the world, we’re in conflict with ourselves. And even with the people closest to us, we can’t even get to that point. How do we expect there to be no wars in the Gissele: world? right, exactly. it’s so hard to look at ourselves. At least it can feel that way, but. Being willing for me is like the beginning point. Okay. I just have to be willing. And for me, I’ve had to prioritize my time, even just to do a quick meditation, Gissele: it’s just as important as that email I gotta send orthat lecture I gotta put together. Rashi: and non I negotiative Rashi: practice. Yes, exactly. Yeah. And that’s the stage, that’s the season you’re [00:51:00] in. And I mean, I really wish I could get that time to just sit in meditation, be like, you know. Rashi: Yeah. And sometimes we just don’t get it. So. Gissele: Yeah. And that’s okay. I Rashi: mean, Gissele: it’s like you said, Gissele: the practice, the, the power of practicing in the moment I think is. Rashi: Very powerful. Gissele: Equally. Yeah, very powerful. Yeah. Rashi: Yeah. Gissele: Wow. So we’re reaching the end. I just wanted you to share where can people work with you? Gissele: Where can people find you? Anything you wanna share with the audience? Rashi: sure. So I, my website is called www.rashinayarwellness.com. And there’s an app that I have for people over there. It’s a free app. They can get download, it helps them return to who they are. And there’s a series of questions that can take them to just pause and reflect on. Rashi: And then the answer comes before there’s guidance and then there’s a specific meditation. So if people can find time to access that. And then there’s different options, you know, ways people can work with me. But I really wanna get this [00:52:00] app in as many hands as possible. I’m also writing my first book, which is called Living From Your Highest Frequency, which is, you know, love, right? Rashi: And it really talks about these lower states of. Everything that we talked about today. Yeah. And there’s tools that people can use, you know, in daily life when they don’t have time to meditate. When they don’t get that peaceful moment to themselves is to retreat within themselves on a moment to moment basis. Gissele: Mm. I love that. Rashi: Yeah. So go back to that piece because we are peace as we explored right now. So it’s the moment to moment returning back to who we are is what really can free us, can liberate us, and can really help us take bigger actions in this world. You know, without otherwise, some people can freeze and stay in anxiety for years and nothing’s happening. Rashi: So if we can live with those lower states of consciousness, but have no [00:53:00] resistance to them Gissele: mm-hmm. Then Rashi: automatically we’re in higher states of consciousness. That acceptance in itself takes us to higher places. From there, we are doing service. We are making an impact in the world without really judging ourselves because we are our biggest inner critic. Rashi: You know? So yeah. Gissele: What a perfect Gissele: way to end, because I think what you said is so, so critical, which is the minute we stop resisting something and go to acceptance, we’ve automatically shifted to something higher. Thank you so much, Rashi. You had such a great time. Gissele: Thank you for helping me remember who I really am and helping our audience as well. Please work with Rashi. Go check out her app and check out her book when it’s available. And thank you for joining us for another episode of The Love and Compassion Podcast with Gissele

In this episode of the Finish Big Podcast, Host Mark Dorman sits down with serial entrepreneur Dee Vaidya. Born in Bombay and raised in Pune, Dee's journey spans continents, industries, and decades — from rubber and plastics to electronics, Dell manufacturing, geospatial intelligence, and building a $50M+ government contractor before a successful exit. From starting with just $5,000 and a dream in Mary's family home, to winning a $200M global geospatial intelligence contract for the U.S. government, Dee's story is a masterclass in resilience, reinvention, and long-term thinking. This is a powerful conversation about immigration, entrepreneurship, family, culture, federal contracting, scaling, and giving back. Mark and Dee discuss: Early Roots & Education – Growing up in India, IIT Bombay, and following his father's entrepreneurial path. Family & Partnership – Building businesses with Mary and raising three children through multiple relocations. Reinvention – Moving from rubber & plastics into electronics, then into digital mapping and defence work. The Dell Years – Building PCs for Michael Dell in the early days of Dell Computer. Technographics Growth – From a small acquisition to a $50M+ company and 400+ employees. Geospatial Intelligence – Mapping the world for defence, navigation, and national security. Advisors & Mentors – The impact of Don Noble and building a world-class advisory team. The Exit – Selling Technographics to CACI and navigating a complex data room process. Giving Back – Launching the Wayne County Economic Forum to bring world-class speakers to Wooster. Life After Exit – Golf, table tennis, community leadership, and staying active. Connect with Mark Dorman: Succession Plus US LinkedIn: Mark Dorman LinkedIn: Succession Plus Facebook: Succession Plus (330)-416-9271 mdorman@succession.plus About the Guest: Dee Vaidya is a serial entrepreneur who has built, scaled, and sold multiple businesses across manufacturing, electronics, and geospatial intelligence. Born in India and educated at IIT Bombay, the University of Akron, and Purdue University, Dee moved to the U.S. to pursue entrepreneurship and the free-market system. He is best known for founding and growing Technographics, a geospatial intelligence company that won a $200M global contract and grew to over 400 employees before being sold to CACI. Dee is also the founder of the Wayne County Economic Forum and a recipient of the Wooster Chamber of Commerce Board of Directors Award for his contributions to the community.  

‘You can only be spiritual when you destroy the social structure of your being, which is, the world in which you live, the world of ambition, greed, envy and seeking power.' This episode on The Structure of Society has two sections. The first extract (2:51) is from Krishnamurti's first talk in Bombay 1962, and is titled: The Nature of Society. The second and final extract in this episode (39:05) is from the first talk in London 1962, and is titled: Destroying the Psychological Structure of Society. The Krishnamurti Podcast features carefully selected extracts from Krishnamurti's recorded talks. Each episode highlights his different approaches to universal and timeless themes that affect our everyday lives, the state of the world and the future of humanity. This episode's theme is The Structure of Society. Upcoming themes are Discovery, Suffering and Communication. This is a podcast from Krishnamurti Foundation Trust. Please visit our website at kfoundation.org, where you can find a popular collection of quotes, a variety of featured articles, along with a wide selection of curated material in the Index of Topics. This Index allows easy access to book, audio and video extracts. Our online store stocks the best of Krishnamurti's books and ships worldwide. We also offer free downloads, including a selection of booklets. You can also find our regular Krishnamurti quotes and videos on Instagram, TikTok and Facebook at Krishnamurti Foundation Trust. If you enjoy the podcast, please leave a review or rating on your podcast app.

Watch as a full video interview on YouTubeVaseem Khan is the author of two award-winning crime series set in India and the bestselling Quantum of Menace, the first in a series featuring Q from the James Bond franchise. His debut, The Unexpected Inheritance of Inspector Chopra, was selected by the Sunday Times as one of the 40 best crime novels published 2015-2020. In 2021, Midnight at Malabar House, the first in the Malabar House novels set in 1950s Bombay, won the CWA Historical Dagger. Vaseem was born in England, but spent a decade working in India. Vaseem is a former Chair of the UK Crime Writers Association. His latest book in the Malabar House series, The Edge of Darkness, is out now.It was great fun having Vas back on the podcast, hearing about what he has been up to writing-wise in the past few years. He tells us about how he landed the job writing the James Bond Q book, Quantum of Menace, and why he loves going back to his Malabar House books. We also chat about films, and hear about five books that influenced him as an author.Links:Buy The Edge of Darkness and Vaseem's other books nowFollow Vaseem on InstagramVisit Vaseem's websiteSupport us on Patreon and get great benefits!: https://www.patreon.com/ukpageonePage One Extra and Page One - The Writer's Podcast are brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on ThreadsPage One Extra is part of STET Podcasts - the one stop shop for all your writing and publishing podcast needs! Follow STET Podcasts on Instagram and Bluesky Hosted on Acast. See acast.com/privacy for more information.

PREVIEW FOR LATER TODAY: INDIA'S STALLED REFORMS Guest: Sadanand Dhume (Wall Street Journal) Dhume discusses disappointment with Prime Minister Modi's cautious third term, noting India's growth remains hindered by socialist-era labor laws. Although Modi raised worker thresholds, the textile industry lost competitiveness to Bangladesh and Vietnam. The political challenge of enacting business-friendly reforms without electoral consequences remains unsolved.1930 BOMBAY

Degens Andy S and Brandon Bombay ask if you're watching closely before misdirecting you with stories while discussing 'The Prestige.' Bombay opens the episode with a story about drunkenly being confused at a party and trying to kiss the wrong person. Then the guys discuss a film that is often overlooked in Christopher Nolan's oeuvre, a movie that is personal for the director as it's a thinly veiled metaphor for movie making/storytelling. The boys talk about the best magic trick the film pulls off which was stunt casting David Bowie as Nikola Tesla. Bowie may be the most majestic creature on the screen, but Scarlett Johansson is a close second, and it's no wonder the twin brothers decided to share lives when they were romantically involved with ScarJo and Rebecca Hall. Dazzling performances, and period piece set design work as misdirection into a dizzyingly satisfying final act that is loaded with reveals and catharsis. Which is similar to the end of the episode, so make sure you stick around for all three acts of this magical podcast. 

Degens Andy S and Brandon Bombay are all-in on telling wild stories as they talk about a movie that set off a poker boom, 'Rounders.' Bombay is the first one in the pot, as he recalls how going on an epic poker run helped get him out of serious money troubles in his youth. Then the boys discuss the classic sports movie disguised as a gambling movie. Featuring a memorable villain portrayed by John Malkovich, who decided to make some of the most gonzo acting choices imaginable, and we love him for it. Along with a rising Matt Damon, the film also stars Edward Norton as Worm, the type of friend you can't leave alone for more than two minutes. That character reminds Andy of when he picked up a buddy from jail, and the lessons he learned. On top of the top tier acting, John Dahl also showed off his noir-sensibilities behind the camera, as the movie is not only filled with specific poker detail, but also flourishes of late '90s New York. It not only taught a generation how to play Texas Hold 'Em, but also taught that in the game of life, women are the rake. 

The Space Show Presents JATAN MEHTA, Friday, Jan. 2, 2026Quick Summary:Our conversation with our guest from India focused heavily on India's space program, including its current capabilities, future plans, and comparisons with other countries' space programs, particularly regarding lunar exploration and human spaceflight initiatives. The conversation ended with discussions about potential new content initiatives and program updates, including plans for future space coverage and the need for financial support to maintain operations.Detailed Summary:I welcomed Jatan to the meeting and also AJ who would act as co-host for today's one hour program. We began with casual conversation about travel and the history of Mumbai's name change from Bombay, which was explained as part of a nationwide effort to revert to indigenous names. Bill joined the call and mentioned not receiving Jatan's newsletter for a few weeks, which Jatan confirmed was being sent but might be ending up in spam folders. David introduced plans to discuss Jatan's newsletter and work, as well as questions about the Indian space program.Jatan Mehta, a space writer and journalist, discussed his work covering moon missions and India's space activities. He explained the origins and goals of his newsletter Moon Monday, which archives moon mission developments, and his Indian Space newsletter, which provides a holistic view of India's space activities. Jatan also mentioned his poetry on space exploration, which he recently published to celebrate milestones in his career.Jatan explained his focus on the Moon rather than Mars, citing existing extensive coverage of Mars and his goal to provide unique value through his independent writing. He discussed his passive approach to educational outreach, including speaking to students across various age groups in India about space exploration. Jatan also shared his experience writing poetry sporadically and expressed his inability to teach poetry due to lack of formal training. David, on behalf of John Jossy who was not with us today, inquired about India's space program, asking if Jatan believed it would be driven primarily by the private sector or government.Jatan explained that while the private sector in India's space industry is growing, ISRO will remain the dominant player for the foreseeable future, similar to NASA's role in the US space program. He noted that the 2023 National Space Policy emphasizes ISRO's role in cutting-edge R&D for space exploration, while private players focus on production. Regarding India's human spaceflight program, Jatan reported that while the original 2025 target was missed, the program is making progress with the LVM3 launch vehicle now human-rated, and three uncrewed tests are planned before human missions begin, with a target launch date of late 2027.The discussion focused on India's space program, particularly the Gagan Yan (Sky Craft) program for astronauts, where Jatan explained that the initial capsule will carry two Gaganyatris (sky-farers) for the first few missions, with plans to expand to three astronauts later. Jatan clarified that while Gagan Yan refers to spacecraft, the upcoming space station will be called The Bharatiya Antariksh Station(BAS). When asked about India's progress compared to China, Jatan acknowledged that China has surpassed both India and the US in recent moon missions, though India's program remains significant with plans for a space station by 2035.Jatan mentioned that India's space program, noting that while India and China were neck and neck in space capabilities in the 1990s and early 2000s, China has since surpassed both India and the US in certain areas due to a larger budget. He explained that India's space budget of approximately $1.5 billion USD over the past five years is less than a tenth of NASA's budget, limiting its ability to catch up in all areas. However, Jatan emphasized that India is prioritizing certain key areas, such as the Moon, with plans for a sample return mission in 2028. He also highlighted the importance of political support and policy excitement in driving progress in India's space program.India's space program aims to achieve several key milestones over the next 5-10 years, including the Chandrayaan 4 and 5 missions, collaboration with Japan for a lunar rover, and the development of a human spaceflight program with a space station module by the end of the decade. The country is also working on upgrading its LVM3 rocket to a semi-cryogenic engine and developing the Next Generation Launch Vehicle (NGLV) for heavy-lift capabilities by 2032-2034. Long-term goals include expanding India's regional NAVIC navigation constellation, conducting a Venus orbiter mission in 2028, and sending an Indian astronaut to the moon by 2040.The discussion focused on India's space program and its development of reusable rockets. Jatan explained that while India has received some technology assistance from Russia, it doesn't have the same level of partnership as China's with Russia. He noted that India's current rockets are not designed for reusability, but the upcoming NGLV rocket will have a reusable booster stage. The group discussed India's decision not to pursue a super-heavy lift rocket, instead opting to develop a heavy upper stage that can be launched multiple times and docked in orbit. Jatan emphasized that while reusable rockets would be beneficial, India's focus has been on addressing a backlog of existing missions and developing new launch capabilities.Jatan discussed his top lunar coverage stories from 2025, highlighting three key pieces: covering lunar sample science updates from China's Chang'e 5 and 6 missions, his year-end summary on Moon Monday that reviewed both successes and failures in lunar exploration, and an analysis piece on the current orbital capabilities of various countries, particularly focusing on the US's lack of modern lunar orbiters and the importance of understanding lunar water ice for future human missions.Jatan explained that Indian space mission budgets are allocated on a year-by-year basis, unlike NASA's multi-year planning, and described how infrastructure costs are incorporated into mission budgets differently between the two countries. He outlined his plans for 2026, including covering moon missions weekly, publishing additional space-related booklets, and tracking developments in India's Gaganyaan program and semi-cryogenic engine upgrade for LVM3. Jatan emphasized his commitment to keeping his space coverage and publications free to access through sponsorships and expressed excitement about upcoming missions including Chang'e 7 and Intuitive Machines' third lunar landing mission.This part of the program primarily focused on a discussion about potentially establishing a “Mars Tuesday” to complement “Moon Monday,” though Jatan noted this would be more feasible in the future, possibly during the Moon-to-Mars transition. Jatan shared his background in astrophysics and his shift to space communication, emphasizing his interest in bridging the gap between researchers and the public. David made announcements about upcoming programs, guest suggestions, and the need for donations to support the space show's operations, while also inviting major donors to join the advisory board. The conversation ended with plans for Ajay to share updates about his talks in India on the next Sunday's show.Special thanks to our sponsors: American Institute of Aeronautics and Astronautics, Helix Space in Luxembourg, Celestis Memorial Spaceflights, Astrox Corporation, Dr. Haym Benaroya of Rutgers University, The Space Settlement Progress Blog by John Jossy, The Atlantis Project, and Artless EntertainmentOur Toll Free Line for Live Broadcasts: 1-866-687-7223 (Not in service at this time)For real time program participation, email Dr. Space at: drspace@thespaceshow.com for instructions and access.The Space Show is a non-profit 501C3 through its parent, One Giant Leap Foundation, Inc. To donate via Pay Pal, use:To donate with Zelle, use the email address: david@onegiantleapfoundation.org.If you prefer donating with a check, please make the check payable to One Giant Leap Foundation and mail to:One Giant Leap Foundation, 11035 Lavender Hill Drive Ste. 160-306 Las Vegas, NV 89135Upcoming Programs:Broadcast 4482: Zoom: Open Lines to kick of 2026 | Sunday 04 Jan 2026 1200PM PTGuests: Dr. David LivingstonZoom: Open Lines to start the New Year Get full access to The Space Show-One Giant Leap Foundation at doctorspace.substack.com/subscribe

Vi får blant annet høre om cricket-legenden Dr. Bombay og det peruvianske partiet Machu Pikachu når gutta legger sine spådommer for 2026. Hosted on Acast. See acast.com/privacy for more information.

Sir Salman Rushdie is a writer who has written over 20 books, seven of which have been nominated for the Booker Prize. In 1981 he won with his novel Midnight's Children which also topped the polls for the 25th and 40th anniversaries of the prize, making it the most lauded novel in Booker history.He was born in Bombay in 1947 and educated at Rugby School in Warwickshire. After studying history at the University of Cambridge he worked as a copywriter at various advertising agencies before publishing his first novel Grimus in 1975. His breakthrough came with Midnight's Children and he was one of 20 writers named on Granta magazine's inaugural list of Best Young British novelists alongside writers including Martin Amis and AN Wilson.He attracted considerable controversy with his fourth novel the Satanic Verses which won the Whitbread Award and was shortlisted for the Booker. Some Muslims considered the subject matter blasphemous and Iran's Supreme Leader Ayatollah Khomeini issued a fatwa calling for the death of Salman and the publishers of the book. Salman spent the following decade in hiding under police protection.In 2022 he was stabbed multiple times while on stage at the Chautauqua Institution in upstate New York. He had been invited there to talk about keeping writers safe from harm. He survived devasting injuries – including the loss of his right eye – and wrote about the attack and its aftermath in his memoir Knife.That same year he was awarded a Companion of Honour for services to literature.Salman is married to the poet and novelist Rachel Eliza Griffiths and they live in New York. He has two grown up sons and two grandchildren.DISC ONE: Walk on the Wild Side - Lou Reed DISC TWO: Yeh Hai Bombay Meri Jaan - Mohammed Rafi and Geeta Dutt DISC THREE: Blowin' in the Wind - Bob Dylan DISC FOUR: (I Can't Get No) Satisfaction - The Rolling Stones DISC FIVE: I Wanna Dance with Somebody (Who Loves Me) - Whitney Houston DISC SIX: Me and Julio Down by the Schoolyard - Paul Simon DISC SEVEN: Isn't She Lovely – Stevie Wonder DISC EIGHT: For the Love of You, Pts. 1 & 2 - The Isley Brothers BOOK CHOICE: Homer's Odyssey (Translated by Emily Wilson) LUXURY ITEM: A bed with a mosquito net CASTAWAY'S FAVOURITE: For the Love of You, Pts. 1 & 2 - The Isley Brothers Presenter Lauren Laverne Producer Paula McGinley

The writer-director joins Seth to share tales of the making of this gritty and entrancing tale of life in the slums of India. Learn more about your ad choices. Visit megaphone.fm/adchoices

Legendary director Mira Nair and Cannes-winner Ritesh Batra made two very different hit films about very different sides of India's fabled food delivery system. Batra tells Rico about the romance of dabbawallas, while Nair remembers the mean streets of Mumbai's chaiwallas (and what she serves her son Zohran Mamdani at home).Just in time for holiday eat-a-thons, the award-winning MUBI Podcast is back and celebrating its tenth season with a four-course serving of stories about food on film. Titled "A Feast For The Eyes," the season digs into the ways filmmakers use food to provoke hunger, thought, nausea, political action...and sometimes all the above.Joining host Rico Gagliano is a sampler platter of luminaries from the film and culinary world, including directors Brad Bird (RATATOUILLE), Mira Nair (MONSOON WEDDING), and David Gelb (JIRO DREAMS OF SUSHI), former New York Times food writer Alison Roman, and more. Gluttons for great cinema stories can start chowing down on episodes weekly, starting Thanksgiving Day.Let's Eat! Food and Film collection is now streaming on MUBI globally.THE LUNCHBOX is now streaming on MUBI in the UK, Ireland, Australia, Latin America and Netherlands. To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

Degens Andy S and Brandon Bombay continue their XXXmas celebrations by putting all their money on frozen orange juice futures as they discuss 'Trading Places.' Bombay opens up the episode by recalling the time a car pulled over in the cold to offer him a ride, and how it all unraveled into an insane night.Then the boys discuss a classic comedy that isn't mentioned enough for its Christmas charm. It opens with wonderfully gritty location shots of Philadelphia, and features a Snobs vs. Slobs storyline with racial undertones. Director John Landis does the right thing and lets young rising phenom, Eddie Murphy, absolutely cook, but Dan Aykroyd pulls out one of his most memorable film performances as an unhinged destitute Santa. Peppered with memorable moments throughout, it's the closing act hijinks on the train which pushes the boundaries of absurdity, and features many of the film's funniest moments. This episode will have you wishing you spent the holidays shacked up with a savvy hooker with a heart of gold. 

Would you keep writing if your agent told you "not yet" for ten straight years?In this episode of Books & Beyond, Tara sits down with NYT bestselling author Alka Joshi to discuss her latest novel, Six Days in Bombay.Alka reveals the incredible decade-long journey behind her debut, The Henna Artist, from a relentless agent who kept saying the book wasn't ready, through years of tireless revisions, to the "perfect timing" that landed her in Reese Witherspoon's Book Club.But for Alka, the story started much earlier. She shares her personal journey of navigating prejudice as an Indian in America; an experience that once forced her to leave her heritage behind, until she finally chose to embrace it all to tell her mother's story.She also takes us behind the scenes of her new book; how she purposefully traveled to cities like Prague, Paris, and Florence to "live" the world of her novels before meticulously reconstructing the 1937 world portrayed in Six Days in Bombay.Tara and Alka also dive into their shared love for historical fiction, their top book recommendations, and the real-life incredible women who inspired her most beloved characters.Tune in now to hear firsthand about Alka Joshi's fascinating road to publishing and her life as a storyteller!Books Mentioned in the Episode:The Joy Luck Club by Amy TanA Fine Balance by Rohinton MistryRed Azalea by Anchee MinPachinko by Min Jin LeeStories from TagoreThe Color Purple by Alice WalkerThe Inheritance of Loss by Kiran DesaiAll the Light We Cannot See by Anthony DoerrThe Covenant of Water by Abraham VergheseRailsong by Rahul BhattacharyaSmall Things Like These by Claire Keegan‘Books and Beyond with Bound' is the podcast where Tara Khandelwal and Michelle D'costa uncover how their books reflect the realities of our lives and society today. Find out what drives India's finest authors: from personal experiences to jugaad research methods, insecurities to publishing journeys. Created by Bound, a storytelling company that helps you grow through stories. Follow us @boundindia on all social media platforms.

In 1972, Śrīla Prabhupāda made a down payment on the land in Juhu beach, Bombay, intending to build Śrī Śrī Rādhā-Kṛṣṇa, a beautiful temple there. Even though Śrīla Prabhupāda had made a down payment on the land, the owner, who had a past history of shady dealings, had not yet handed over the land deed to ISKCON as he had promised he would do. Śrīla Prabhupāda saw indications that the owner might change his mind and decide not to sell the land, or worse, he may try to cheat the devotees and keep the down payment. In India, when one installs deities on a piece of land legally, it secures one's hold on the land, as the deities become the proprietors, and no one else will dare to move them. Therefore, to secure the Juhu land, Śrīla Prabhupāda moved the Deities Śrī Śrī Rādhā Rāsa-Bihārī there as quickly as possible after giving the down payment. Just after doing this, he also performed a ceremony to lay the cornerstone for the temple he intended to build there, another act that legally solidifies one's right to keep and stay on the piece of land. At first, due to a lack of facility, the devotees had to worship Rādhā-Kṛṣṇa in a tent. After some years of intense struggle, Śrīla Prabhupāda and his followers developed the land, relocating the previous renters, and established a beautiful temple there that today hosts millions of people every year. As humans, we have the chance to build such a temple in our hearts. Our bodies are like that Juhu land. Just as Śrīla Prabhupāda quickly installed the deities on the Juhu land, we should also install Kṛṣṇa in our hearts as soon as possible, before death comes and cheats us, taking away our opportunity. By making a firm vow to chant the holy names a fixed number of times each day, we lay the cornerstone for a temple in our hearts where we can properly worship Kṛṣṇa. As Śrīla Prabhupāda pushed forward to secure the Juhu land, we must also push forward against all odds to ready our hearts for Kṛṣṇa's worship. ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Dr. Ralf Jeutter discusses the foundational principles of Hahnemannian homeopathy. He emphasizes the importance of observing patients' unique experiences and symptoms, rather than categorizing diseases or personalities, highlighting Hahnemann's focus on phenomenology. Dr. Jeutter also explores common misconceptions in interpreting the Organon, particularly around mental and emotional symptoms, and stresses that remedies should be understood through careful study of provings and original texts. He cautions against oversimplifying remedies into psychological types, which can obscure the depth of each patient's experience. Throughout the conversation, he encourages a return to the core principles of homeopathy, combining attentive clinical observation with a thorough understanding of the remedies. Episode Highlights: 03:56 - Ralf's Journey into Homeopathy 09:45 - Accessing German Texts and the Organon 11:17 - Misconceptions in Interpreting the Organon 18:00 - What are we supposed to do in a homeopathic consultation 19:33 - Understanding the Altered State in Homeopathy 24:06 - Differences Between Hahnemannian and Kentian Homeopathy 28:59 - The Role of Mental Symptoms 30:17 - The Balance Between Psychological and Physical Symptoms 33:34 - What Truly Never Changed in Hahnemann's Homeopathy 41:43 - A Radical Shift in How We Understand Disease 49:57 - Re-examining the Syphilis Model 57:12 - When Everything Is Called Homeopathy 01:02:59 - Why Studying Hahnemann Still Matters 01:08:22 - Where Did Succussion Really Come From About my Guests: Dr. Ralf Jeutter has been involved in homeopathy for over 20 years and is an international teacher and practitioner. He qualified in homeopathy in 2000 from the North-West College of Homeopathy in the UK and continued his medical and homeopathic training at the Institute of Clinical Research in Bombay and Pune, India. He is medically trained in Podiatric Medicine and holds a Ph.D. in Literature and Philosophy. Dr. Jeutter is a former Director of the Society of Homeopaths, the largest homeopathic membership organisation in the UK. Dr. Jeutter is Head of Academic Affairs and Head of Philosophy at the Centre for Homeopathic Education (CHE) in New York and teaches homeopathy internationally, including in London, Budapest, and New York. For over 10 years, he has been involved in the Materia Medica Pura Project initiated and led by Dr. André Saine. His professional focus is on Hahnemannian homeopathy, comparative materia medica, repertory work, and a solid understanding of the foundations and philosophy of Hahnemann and his followers. To learn more about his masterclass on male health issues https://www.cheonline.co.uk/male-health-issues To learn more of his provings https://hpathy.com/ If you would like to support the Homeopathy Hangout Podcast, please consider making a donation by visiting www.EugenieKruger.com and click the DONATE button at the top of the site. Every donation about $10 will receive a shout-out on a future episode. Join my Homeopathy Hangout Podcast Facebook community here: https://www.facebook.com/groups/HelloHomies Follow me on Instagram https://www.instagram.com/eugeniekrugerhomeopathy/ Here is the link to my free 30-minute Homeopathy@Home online course: https://www.youtube.com/watch?v=vqBUpxO4pZQ&t=438s Upon completion of the course - and if you live in Australia - you can join my Facebook group for free acute advice (you'll need to answer a couple of questions about the course upon request to join): www.facebook.com/groups/eughom

Prof. Gautam R. Desiraju (born 21 August 1952) is an Indian structural chemist and Honorary Professor at the Indian Institute of Science, Bengaluru. A pioneer of crystal engineering, he helped establish the importance of weak hydrogen bonds and introduced the “supramolecular synthon” concept.He served as President of the International Union of Crystallography (2011–2014). Educated at St. Xavier's College (University of Bombay) and the University of Illinois at Urbana–Champaign (PhD, 1976), he has authored/edited several influential books.He remains one of India's most cited chemists and a leading voice on the future of chemistry and science in the country.

Raj Sisodia has spent his life asking one question: Can business make people's lives better instead of draining them? He holds a PhD in Marketing and Business Policy from Columbia University, co-founded Conscious Capitalism with John Mackey, the founder of Whole Foods Market, and has advised global companies from Tata Group to AT&T. But his path started in a factory in Bombay, earning a hundred dollars a month, before he built one of the most influential ideas in modern business thinking. "I didn't like biology, so I became an engineer. I didn't like finance, so I became a marketing professor. But business turned out to be about head and wallet — nothing about heart or spirit." That realization led him to study companies that people love working for and trust buying from. The result became Conscious Capitalism — a way of running a business that joins purpose, profit, and care. "Profit is the oxygen that keeps you alive. But no human lives just to make red blood cells. In the same way, no company should live just to make profit." Raj's research showed that companies built on four simple pillars — Purpose, Stakeholders, Conscious Leadership, and Caring Culture — outperformed the S&P 500 by nine to one over a decade. They made more money precisely because they cared more. When he met Bob Chapman, a manufacturing CEO from Missouri, Raj saw these ideas come alive. Chapman bought a failing plant, promised no layoffs, and told workers they would figure it out together. Men who had once been laid off without warning wept as they told Raj their lives had changed. "I had sixty dollars in the bank and a new baby. That job saved my family." From that came the book Everybody Matters. Chapman told him, "Leadership is the stewardship of the lives entrusted to us." Raj calls such companies healing organizations — places that reduce suffering and bring more joy into the world. Now, with artificial intelligence reshaping work, Raj argues that AI will amplify our intentions: "A knife in a surgeon's hand saves lives. The same knife in another hand can end one. AI is the same — it depends on who we are when we use it." He believes the leaders who thrive will be those who bring consciousness to technology, not fear.

The BanterThe Guys discuss cultural differences in the best way to leave a party. Expeditious or rude?The ConversationThe Restaurant Guys speak to Procera Gin founders Alan Murungi and Guy Brennan from Kenya. Alan and Guy had a vision to create gin from fresh (not dried) juniper berries that are hand foraged at great heights in the juniper forests of Kenya. They distill locally and use hand-crafted glass bottles for their exceptional libation which is a favorite of Mark and FrancisThe Inside TrackThe Guys heard about Procera gin and wanted to hate it, but it was too tremendous! They got acquainted with Alan & Guy and fully appreciated their motives.“Alan and I were in the backyard drinking a Bombay sapphire gin and tonic, and Alan looked at the bottle and said, 'This is absolute bullshit. Why do we make gin in England with African botanicals that they send to us and we drink every weekend in Kenya? Let's make a gin company.' It was a sort of an FU to people using African stuff and selling it to us,” Guy Brennan on The Restaurant Guys Podcast 2025Bio Procera was founded with a vision to share the best of Africa with the world. Distilled in Nairobi, Kenya, their gins are the first to showcase African Juniper. The berries are handpicked from wild forests growing at altitudes above 2,000 metres, across many distinct regions of Kenya. The fresh juniper and other regionally-grown botanicals create a distinctive gin that is among the first distilled in Africa. InfoProcera Ginhttps://www.proceragin.com/Join legendary Dale DeGroff at our Procera Gin Party on Friday, Nov 21 in New Brunswick, NJhttps://www.stageleft.com/event/112125-nj-introduces-procera-gin-w-dale-degroff/Restaurant Guys' Regulars get a discount so sign up today!https://www.buzzsprout.com/2401692/subscribe Become a Restaurant Guys' Regular!https://www.buzzsprout.com/2401692/subscribeMagyar Bankhttps://www.magbank.com/Withum Accounting https://www.withum.com/restaurantOur Places Stage Left Steakhttps://www.stageleft.com/ Catherine Lombardi Restauranthttps://www.catherinelombardi.com/ Stage Left Wineshophttps://www.stageleftwineshop.com/ To hear more about food, wine and the finer things in life:https://www.instagram.com/restaurantguyspodcast/https://www.facebook.com/restaurantguysReach Out to The Guys!TheGuys@restaurantguyspodcast.com**Become a Restaurant Guys Regular and get two bonus episodes per month, bonus content and Regulars Only events.**Click Below!https://www.buzzsprout.com/2401692/subscribe