Podcasts about la times

LA Times staff may soon walk off the job. We give you the latest on the case against the man accused of starting the Palisades fire. Some foods will soon be banned from being served at California schools. Plus, more from Evening Edition. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.comThis LAist podcast is supported by Amazon Autos. Buying a car used to be a whole day affair. Now, at Amazon Autos, you can shop for a new, used, or certified pre-owned car whenever, wherever. You can browse hundreds of vehicles from top local dealers, all in one place. Amazon.com/autosVisit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency! Support the show: https://laist.com

Megyn Kelly is joined by Buck Sexton, co-host of "The Clay and Buck Show," to talk about Trump's massive Middle East deal between Israel and Hamas, Trump's legacy and skills as a dealmaker, how even the left and media are being forced to give him credit now, what happens next in the Middle East, the truth about Hamas and the false equivalency some make with Israel, and more. Then Dr. Patrick Soon-Shiong, CEO of Los Angeles Times Media Group, joins to talk about why he stopped his paper from publishing their Kamala Harris endorsement, his reaction to the fallout, his decision to take the LA Times public and give power to the audience, Bari Weiss taking over as head of CBS News, the future of the media, his work in trying to find a cure for cancer, his challenge trying to get the FDA to approve this new procedure, the effectiveness of his method, why he thinks President Trump could be the person to implement this massive scientific breakthrough, and more. Soon-Shiong- https://x.com/drpatsoonshiongSexton- https://www.youtube.com/@BuckSexton Unplugged: Switching is simple, Visit https://Unplugged.comand order your UP phone today!Masa Chips: Get 25% off your first order | Use code MK at https://MASAChips.com/MKVandy Crisps: Get 25% off your first order | Use code MK at https://vandycrisps.com/MKGeviti: Go to https://gogeviti.com/megynand get 20% off with code MEGYN.  Follow The Megyn Kelly Show on all social platforms:YouTube: https://www.youtube.com/MegynKellyTwitter: http://Twitter.com/MegynKellyShowInstagram: http://Instagram.com/MegynKellyShowFacebook: http://Facebook.com/MegynKellyShow Find out more information at:https://www.devilmaycaremedia.com/megynkellyshow Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Gary and Shannon break down Representative Katie Porter's disastrous CBS interview that nearly ended in a walkout, and what it could mean for her California gubernatorial campaign. Plus, KFI's Michael Monks reports live from the Palisades fire press conference, and the LA Times details a controversial plan to shoot Catalina deer from the ground instead of by helicopter.

Gary and Shannon kick off Hour 2 breaking down the LA Times investigation into how LA County failed during the January fires, and why the same mistakes have played out for years despite repeated warnings. Then they cover a shocking story out of South Lake Tahoe, where the city's mayor admitted to embezzling church funds following a suicide attempt.The chaos doesn't stop there though: a near miss from an asteroid that came within 265 miles of Earth sparks debate about planetary defense and pure luck. Gary and Shannon also unpack the bizarre case of a former LA Deputy Mayor sentenced to probation after calling in a fake bomb threat.Finally, they wrap with #PourSomeGaSOn…Sports, recapping Monday Night Football, the Dodgers' latest outing, and the NFLPA investigation into the Arizona Cardinals coach. 

Guest: Lanier Isom, journalist and author of Grace and Grit: How I Won My Fight at Goodyear and Beyond - the life story of Lilly Ledbetter Film: Lilly - based on the book, now available on Amazon. Key Lilly Ledbetter Quotes: On Pay Negotiation and Career Planning "Your first job is very important because even though you're not even thinking about retirement, how much you pay is gonna determine, you know, the health of your retirement. So you have to be able to negotiate pay." Key Messages About Lilly Ledbetter's Story •Lilly Ledbetter is an Alabama native from Possum Trot, Alabama, who became the namesake of President Obama's first piece of legislation: The Lilly Ledbetter Fair Pay Restoration Act •The film Lilly had its world premiere at the 2024 Hamptons International Film Festival •Blue Harbor Entertainment released Lilly exclusively in theaters in May 2025 •The story represents an important fight for equal pay and fair treatment in the workplace About Lanier Isom's Journey as a Writer •Lanier grew up in Birmingham with parents who loved books, art, and surrounded themselves with creative people •She graduated from Sophie Newcomb (women's college within Tulane University) in 1987 with an English degree •After struggling to find work with her degree, she sold children's shoes before getting her master's at UAB in English •She taught for over 11 years at Altamont School and Mountain Brook High School •Transitioned through PR work, magazine editing at Birmingham Home and Garden Magazine, and eventually freelance writing •Key insight: "Every job I've ever had, I had no idea. I was not trained to do it... I knew how to learn. A humanities education taught me how to learn. So I just learned on the job." How Lanier Met Lilly •In 2009, when President Obama signed the Lilly Ledbetter Fair Pay Restoration Act, Lanier's husband suggested the story •When Lanier first called Lilly, she was overwhelmed with media attention and said: "I'm up to my knees in alligators" and hung up •Lanier gathered her courage, called back, and interviewed Lilly for a magazine article •This became the beginning of their relationship and eventually the book •Lanier's belief: "As writers, as artists... the universe, I could not have planned that." On Women's Issues and Generational Context •Lanier was exposed to women's studies at Tulane, which was very important to her development •She was raised by a second-wave feminist mother who struggled as a newly divorced woman in the 1970s trying to find work and support her children •Generational challenge: Women of their generation (born in the 1960s) were not taught about business, negotiating salaries, or thinking about pay and money •"Money talk was not something very comfortable for me" •This lack of education about financial negotiation directly connects to Lilly's message about the importance of advocating for fair pay On the Power of Writing and Art •Writing as transformation: "Writing is so powerful and the arts are so powerful that that's the first thing people want to shut down when there's fascism on the horizon." •Writing creates change: "Art and writing can literally shift people's consciousness, their awareness. It can create a sense of humanity, of empathy, of understanding, of connection that is threatening to people who don't want a world like that." •Political power: "It can shift, it can become a political shift." •Writing can be empowering whether it's journaling, book writing, articles, or copywriting On the Creative Process •Lanier emphasizes the importance of being in flow and alignment while creating •"The best part is when you are in the flow and you are aligned and you know that something good, not necessarily important, but good and important is coming through." •The value is in the process: "You had that moment in alignment that is far more important than the outcome." •"It is very hard not to live in the outcomes. I mean, we're just human." •Balance needed: As artists, the creative meditation is valuable, but if it's your livelihood, you also need to consider practical outcomes •Writing and art are forms of meditation and ways to get out of the daily grind while serving a purpose On Being a Writer •Shared quote: "A writer is someone who basically must be left alone to write, but wants a cult following." •"You gotta get out and do the dog and pony show if you get a cult following." •"I need a lot of time to myself, but if it's only for myself, what good is it?" Suggestions for Listeners For Aspiring Writers 1.Learn on the job - A humanities education teaches you how to learn; apply that skill to whatever work you pursue 2.Start writing - Take a breath, center your energy, and let it flow through you 3.Keep the spirit of play - Try new techniques and approaches without pressure 4.Value the creative process - The moment of alignment and flow is more important than the outcome 5.Balance solitude and sharing - Writers need alone time to create, but must also share their work with the world For Women and Career Development 1.Learn to negotiate pay early - Your first job's salary impacts your entire career and retirement 2.Don't be afraid to talk about money - Overcome the discomfort around discussing compensation 3.Advocate for yourself - Lilly's story shows the importance of standing up for fair treatment 4.Share stories - Especially share Lilly Ledbetter's story with other women who need to know how her perseverance is still helping everyone today   For Personal Growth 1.Trust your gut instincts - When you know something is important, pursue it 2.Gather your courage - Even when someone hangs up on you (literally or figuratively), call back 3.Stay open to the universe - Sometimes the best opportunities come in unexpected ways 4.Use creativity as empowerment - Whether through journaling, writing, or any form of expression, creativity can shift consciousness   For Supporting the Arts 1.Recognize the power of art - The arts can create empathy, understanding, and connection 2.Support artists and writers - Their work is essential for maintaining a vibrant, empathetic society 3.Understand why arts are threatened - When fascism is on the horizon, art and writing are the first things shut down because they threaten oppressive systems Where to Find Lanier Isom •Website: lanierisam.com (see all her work and articles) •Instagram: @LanerIso •Substack: "A Little Bit of This and That" -  •Other work: Al Jazeera, LA Times, Huffington Post, Salvation South, The Bitter Southerner, and frequent contributor to Inside Climate News Awards and Recognition •Alabama Library Association Nonfiction Award •2023 Fellowship from the Alabama State Council on the Arts •Awards from Alabama Media Professionals and the National Federation of Press Women Call to Action •Watch the film Lilly (available on Amazon) •Read Grace and Grit by Lanier Isom •Share Lilly Ledbetter's story with other women •Follow Lanier on Substack for more insights on writing, social justice, and Alabama stories •Support the arts and recognize their power to create social change   Schedule a Spiritual Upgrade Breakthrough Call and let's talk about your Soul's purpose.  "The world needs your creativity." - Terri Ann Heiman  

In this special episode of Unstoppable Mindset, I had the privilege of sitting down with the remarkable Ivan Cury—a man whose career has taken him from the golden days of radio to groundbreaking television and, ultimately, the classroom.   Ivan began acting at just four and a half years old, with a chance encounter at a movie theater igniting a lifelong passion for storytelling. By age eleven, he had already starred in a radio adaptation of Jack and the Beanstalk and went on to perform in classic programs like Let's Pretend and FBI in Peace and War. His talent for voices and dialects made him a favorite on the air.   Television brought new opportunities. Ivan started out as a makeup artist before climbing the ranks to director, working on culturally significant programs like Soul and Woman, and directing Men's Wearhouse commercials for nearly three decades. Ivan also made his mark in academia, teaching at Hunter College, Cal State LA, and UCLA. He's written textbooks and is now working on a book of short stories and reflections from his extraordinary life.   Our conversation touched on the importance of detail, adaptability, and collaboration—even with those we might not agree with. Ivan also shared his view that while hard work is crucial, luck plays a bigger role than most of us admit.   This episode is packed with insights, humor, and wisdom from a man who has lived a rich and varied life in media and education. Ivan's stories—whether about James Dean or old-time radio—are unforgettable.     About the Guest:   Ivan Cury began acting on Let's Pretend at the age of 11. Soon he was appearing on Cavalcade of America, Theatre Guild on the Air,  The Jack Benny Program, and many others.  Best known as Portia's son on Portia Faces Life and Bobby on Bobby Benson and The B-Bar-B Riders.    BFA: Carnegie Tech, MFA:Boston University.   Producer-director at NET & CBS.  Camera Three's 25th Anniversary of the Julliard String Quartet, The Harkness Ballet, Actor's Choice and Soul! as well as_, _The Doctors and The Young and the Restless. Numerous television commercials, notably for The Men's Wearhouse.   Taught at Hunter, Adelphi, and UCLA.  Tenured at Cal State University, Los Angeles.  Author of two books on Television Production, one of which is in its 5th edition.    Ways to connect with Ivan:       About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:16 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi everyone, and welcome to another episode of unstoppable mindset where inclusion, diversity and the unexpected meet. And the fun thing is, most everything really deals with the unexpected. That is anything that doesn't have anything to do with diversity or inclusion. And our guest today, Ivan Cury, is certainly a person who's got lots of unexpected things, I am sure, and not a lot necessarily, dealing with the whole issue of disabilities, inclusion and diversity, necessarily, but we'll see. I want to tell you a little bit about Ivan, not a lot, because I want him to tell but as many of you know who listen to unstoppable mindset on a regular basis. I collect and have had as a hobby for many years old radio shows. And did a radio program for seven years, almost at UC Irvine when I was there on kuci, where every Sunday night we played old radio shows. And as it turns out, Ivan was in a number of those shows, such as, let's pretend, which is mostly a children's show. But I got to tell you, some of us adults listened and listened to it as well, as well as other programs. And we'll get into talking about some of those things. Ivan has a really great career. He's done a variety of different things, in acting. He's been in television commercials and and he is taught. He's done a lot of things that I think will be fun to talk about. So we'll get right to it. Ivan, I want to thank you for being here and welcome you to unstoppable mindset. Thanks. Thanks. Good to be here. Well, tell us a little bit about kind of the early Ivan growing up, if you will. Let's start with that. It's always good to start at the beginning, as it were,   Ivan Cury ** 03:04 well, it's sorry, it's a great, yes, it's a good place to start. About the time I was four and a half, that's a good time to start. I walked past the RKO 81st, street theater in New York, which is where we lived, and there was a princess in a in a castle kept in the front of this wonderful building that photographs all over the place. Later on, I was to realize that that Princess was really the cashier, but at the time, it was a princess in a small castle, and I loved the building and everything was in it. And thought at that time, that's what I'm going to do when I grow up. And the only thing that's kind of sad is it's Here I am, and I'm still liking that same thing all these years later, that's that's what I liked. And I do one thing or another, I wound up entertaining whenever there was a chance, which really meant just either singing a song or shaking myself around and pretending it was a dance or thinking it was a dance. And finally, wound up meeting someone who suggested I do a general audition at CBS long ago, when you could do those kinds of things I did and they I started reading when I was very young, because I really, because I want to read comics, you know, no big thing about that. And so when I could finally read comics, I wound up being able to read and doing it well. And did a general audition of CBS. They liked me. I had a different kind of voice from the other kids that were around at the time. And and so I began working and the most in my career, this was once, once you once they found a kid who had a different voice than the others, then you could always be the kid brother or the other brother. But it was clear that I wasn't a kid with a voice. I was the kid with the Butch boy. So who? Was who, and so I began to work. And I worked a lot in radio, and did lots and lots of shows, hundreds, 1000s,   Michael Hingson ** 05:07 you mentioned the comics. I remember when we moved to California, I was five, and I was tuning across the dial one Sunday morning and found KFI, which is, of course, a state a longtime station out here was a clear channel station. It was one of the few that was the only channel or only station on that frequency, and on Sunday morning, I was tuning across and I heard what sounded like somebody reading comics. But they weren't just reading the comics. They were dramatized. And it turns out it was a guy named David Starling who did other shows and when. So I got his name. But on that show, he was the funny paper man, and they read the LA Times comics, and every week they acted them out. So I was a devoted fan for many years, because I got to hear all of the comics from the times. And we actually subscribed to a different newspaper, so I got two sets of comics my brother or father read me the others. But it was fun reading and listening to the comics. And as I said, they dramatize them all, which was really cool.   Ivan Cury ** 06:14 Yeah, no doubt I was one day when I was in the studio, I was doing FBI and peace and war. I used to do that all the time, several it was a sponsored show. So it meant, I think you got $36 as opposed to $24 which was okay in those days. And my line was, gee, Dad, where's the lava soap. And I said that every week, gee, Dad, where's the lava soap. And I remember walking in the studio once and hearing the guy saying, Ah, this television ain't never gonna work. You can't use your imagination. And, yeah,   Michael Hingson ** 06:52 well, except you really don't use your imagination near especially now I find that everything is way too spelled out, so you don't get to use your imagination.   Ivan Cury ** 07:03 Radio required you to use your radio required you to use it. Yeah, and, and if you had a crayon book at the time, well, and you were 12 or No, no, much younger than that, then it was and that was what you did, and it was fun.   Michael Hingson ** 07:17 So what was the first radio program that you were   Ivan Cury ** 07:20 it was very peculiar, is it New Year's Eve, 19 four? No, I don't know. I'm not sure. Now, it was 47 or 48 I think it was 48 Yeah, I was 11, and it was New Year's Eve, and it was with Hank Severn, Ted Cott, and I did a Jack and the Beanstalk. It was recording for caravan records. It became the number one kids record. You know, I didn't, there was no he didn't get residuals or anything like that. And the next day I did, let's pretend. And then I didn't work for three months. And I think I cried myself to sleep every night after that, because I absolutely loved it. And, you know, there was nothing my parents could do about this, but I wanted, I wanted in. And about three months later, I finally got to do another show. Peculiarly. The next show I did was lead opposite Helen Hayes in a play called no room for Peter Pan. And I just looked it up. It was May. I looked it up and I lost it already. I think, I think I may know what it is. Stay tuned. No, now, nope, nope, nope, ah, so that's it was not. This was May 1949, wow. What was it? Well, yeah, and it was, it was a the director was a man named Lester O'Keefe, and I loved Barry Fitzgerald, and I find even at a very early age, I could do an Irish accent. And I've been in Ireland since then. I do did this, just sometimes with the people knowing that I was doing it and I was it was fine. Sometimes they didn't, and I could get it is, it is pretty Irish, I think, at any rate, he asked me father, who was born in Russia, if we spoke Gaelic at home, we didn't. And so I did the show, and it was fine. Then I did a lot of shows after that, because here was this 11 year old kid who could do all this kind of   Michael Hingson ** 09:24 stuff. So what was no room for Peter Pan about,   Ivan Cury ** 09:27 oh, it was about a midget, a midget who is a young man, a young boy who never grows up, and there's a mind. He becomes a circus performer, and he becomes a great star, and he comes back to his town, to his mother, and there's a mine disaster, and the only one who can save them is this little person, and the kid doesn't want to do it, and it's and there's a moment where Helen Hayes, who played the lead, explained about how important it is the to give up your image and be and be. Man, be a real man, and do the thing, right thing to do. And so that was the   Michael Hingson ** 10:04 story. What show was it on? What series?   Ivan Cury ** 10:07 Electric Theater, Electric Theater, Electric Theater with Ellen Hayes, okay,   Michael Hingson ** 10:10 I don't think I've heard that, but I'm going to find it.   Ivan Cury ** 10:14 Well, yes, there's that one. And almost very soon afterwards, I did another important part with Walter Hughes, Walter Hamden. And that was on cavalcade of America, Ah, okay. And that was called Footlights on the frontier. And it was about, Tom about Joseph Jefferson, and the theater of the time, where the young kid me meets Abraham Lincoln, Walter Houston, and he saves the company. Well, those are the first, first shows. Was downhill from there. Oh, I don't   Michael Hingson ** 10:50 know, but, but you you enjoyed it, and, of course, I loved it, yes, why?   Ivan Cury ** 11:00 I was very friendly with Richard lamparsky. I don't even remember him, but he wrote whatever became of series of books. Whatever became of him was did a lot, and we were chatting, and he said that one of the things he noticed is that people in theater, people in motion pictures, they all had a lot of nightmare stories to tell about people they'd work with. And radio actors did not have so much of that. And I believe that you came in, you got your script, you work with people you like, mostly, if you didn't, you'd see you'd lose, you know, you wouldn't see them again for another Yeah, you only had to deal with them for three or four hours, and that was in the studio. And after that, goodbye.   Michael Hingson ** 11:39 Yeah, what was your favorite show that you ever did?   Ivan Cury ** 11:42 And it seems to me, it's kind of almost impossible. Yeah, I don't know,   Michael Hingson ** 11:51 a lot of fun ones.   Ivan Cury ** 11:54 I'll tell you the thing about that that I found and I wrote about it, there are only five, four reasons really, for having a job. One of them is money, one of them is prestige. One of them is learning something, and the other is having fun. And if they don't have at least two, you ought to get out of it. And I just had a lot of fun. I really like doing it. I think that's one of the things that's that keeps you going now, so many of these old time radio conventions, which are part of my life now, at least Tom sometimes has to do with with working with some of the actors. It's like tennis. It's like a good tennis game. You you send out a line, and you don't know how it's going to come back and what they're going to do with it. And that's kind of fun.   Michael Hingson ** 12:43 Well, so while you were doing radio, and I understand you weren't necessarily doing it every day, but almost, well, almost. But you were also going to school. How did all that work out   Ivan Cury ** 12:53 there is, I went to Professional Children's School. I went to a lot of schools. I went to law schools only because mostly I would, I would fail geometry or algebra, and I'd have to take summer session, and I go to summer session and I'd get a film, and so I'd leave that that session of summer session and do the film and come back and then go to another one. So in all, I wound up to being in about seven or eight high schools. But the last two years was at Professional Children's School. Professional Children's School has been set up. It's one of a number of schools that are set up for professional children, particularly on the East Coast. Here, they usually bring somebody on the set. Their folks brought on set for it. Their professional school started really by Milton Berle, kids that go on the road, and they were doing terribly. Now in order to work as a child Lacher in New York and probably out here, you have to get permission from the mayor's office and permission from the American Society of Prevention of Cruelty to Children. And you needed permits to do it, and those both organizations required the schools to show to give good grades you were doing in school, so you had to keep up your grades, or they wouldn't give you a permit, and then you couldn't work. PCs did that by having correspondence. So if a kid was on the road doing a show out of town in Philadelphia or wherever, they were responsible for whatever that week's work was, and we were all we knew ahead of time what the work was going to be, what projects had to be sent into the school and they would be graded when I went, I went to Carnegie, and my first year of English, I went only, I think, three days a week, instead of five, because Tuesdays and Thursdays Were remedial. We wrote We were responsible for a term paper. Actually, every week, you we learned how to write. And it was, they were really very serious about it. They were good schools   Michael Hingson ** 14:52 well, and you, you clearly enjoyed it. And I know you also got very involved and interested in poetry as you went along. Too do. Yes, I did well, yeah, yeah. And who's your favorite poet?   Ivan Cury ** 15:07 Ah, my favorite poets. If that is hard to say, who my favorite is, but certainly they are more than one is Langston, Hughes, Mary, Oliver, wh Jordan, my favorite, one of my favorite poems is by Langston Hughes. I'll do it for you now. It's real easy. Burton is hard, and dying is mean. So get yourself some love, and in between, there you go. Yes, I love that. And Mary Oliver, Mary Oliver's memory, if I hope I do, I go down to the shore, and depending upon the hour, the waves are coming in and going out. And I said, Oh, I am so miserable. Watch. What should I do? And the sea, in its lovely voice, says, Excuse me, I have work to do.   Michael Hingson ** 15:56 Ooh. That puts it in perspective, doesn't   Ivan Cury ** 16:00 it? Yes, it certainly does.   Michael Hingson ** 16:03 So So you, you went to school and obviously had good enough grades that you were able to continue to to act and be in radio, yes, which was cool. And then television, because it was a television Lacher, yeah, yeah. It's beginning of television as well. So I know one of the shows that you were on was the Jack Benny show. What did you do for Jack? Oh, well,   Ivan Cury ** 16:28 I'm really stuffy. Singer is the guy who really did a lot of Jack Benny things. But what happened is that when Jack would come to New York, if there was a kid they needed, that was me, and so I did the Benny show, I don't know, two or three times when he was in New York. I, I did the Jack Benny show two or three times. But I was not so you were, you were nice, man. It came in. We did the show. I went   Michael Hingson ** 16:51 home. You were a part time Beaver, huh?   Ivan Cury ** 16:54 I don't know. I really don't know, but I was beaver or what? I don't remember anything other than I had been listening to the Jack Benny show as a kid. I knew he was a star and that he was a nice man, and when he came into the studio, he was just a nice man who who read Jack Benny's lines, and who was Jack Benny, and he said his lines, and I said my lines, and we had a nice time together. And there wasn't any, there wasn't any real interplay between us, other than what would be normal between any two human beings and and that was that. So I did the show, but I can't talk very much about Jack Benny.   Michael Hingson ** 17:32 Did you? Did you primarily read your scripts, or did you memorize them at all?   Ivan Cury ** 17:37 Oh, no, no, radio. That was the thing about radio. Radio that was sort of the joy you read. It was all about reading. It's all about reading, yeah. And one of the things about that, that that was just that I feel lucky about, is that I can pretty well look at a script and read it. Usually read it pretty well with before the first time I've ever seen it, and that's cold reading, and I was pretty good at that, and still am.   Michael Hingson ** 18:06 Did you find that as you were doing scripts and so on, though, and reading them, that that changed much when you went in into television and started doing television?   Ivan Cury ** 18:22 I don't know what you mean by change.   Michael Hingson ** 18:24 Did you you still read scripts and   Ivan Cury ** 18:26 yeah, no, no, the way. I mean the way intelligent show usually goes as an actor. Well, when I directed television, I used to direct a lot of soap operas, not a lot, but I directed soap operas, but there'd be a week's rehearsal for a show, danger, I'm syndicated, or anything, and so there'd be a week's rehearsal. The first thing you do is, we have a sit down read, so you don't read the script, and then you holding the script in your hand walk through the scenes. Sometimes the director would have, would have blocking that they knew you were going to they were going to do, and they say, here's what you do. You walk in the door, etc. Sometimes they say, Well, go ahead, just show me what you'd like, what you what it feels like. And from that blocking is derived. And then you go home and you try to memorize the lines, and you feel perfectly comfortable that as you go, when you leave and you come back the next day and discover you got the first line down. But from there on, it's dreadful. But after a while, you get into the thing and you know your lines. You do it. Soap opera. Do that.   Michael Hingson ** 19:38 The interesting thing about doing radio, was everything, pretty much, was live. Was that something that caused a lot of pressure for you?   Ivan Cury ** 19:51 In some ways, yes, and in some ways it's lovely. The pressure is, yes, you want to get it right, but if you got to get it but if you get it wrong, give it up, because it's all over. Uh, and that's something that's that isn't so if you've recorded it, then you start figuring, well, what can I do? How can I fix this? You know, live, you do it and it's done. That's, that's what it is, moving right along. And this, this comment, gets to be kind of comfortable, you know, that you're going to, there may be some mistakes. You do the best you can with it, and go on one of the things that's really the news that that happens, the news, you know, every night, and with all the other shows that are live every day,   Michael Hingson ** 20:26 one of the things that I've noticed in a number of radio shows, there are times that it's fairly obvious that somebody made a flub of some sort, but they integrated it in, and they were able to adapt and react, and it just became part of the show. And sometimes it became a funny thing, but a lot of times they just worked it in, because people knew how to do that. And I'm not sure that that is so much the case certainly today on television, because in reality, you get to do it over and over, and they'll edit films and all that. And so you don't have that, that same sort of thing, but some of those challenges and flubs that did occur on radio were really like in the Jack Benny shows and burns and Allen and Phil Harris and so on. They were, they just became integrated in and they they became classic events, even though they weren't necessarily originally part of the plan.   Ivan Cury ** 21:25 Absolutely, some of some of them, I suspect some of them, were planned and planned to sound as if they would just happen. But certainly mistakes. Gosh, good mistakes are wonderful. Yeah, in all kinds of I used to do a lot of live television, and even if we weren't live television, when we would just do something and we were going to tape it and do it later, I remember once the camera kind of going wrong, video going wrong. I went, Wait a minute. That's great. Let's keep it wrong like that, you know. And it was so is just lovely that that's part of the art of improvisation, with how   Michael Hingson ** 22:06 and and I think there was a lot more of that, certainly in radio, than there is on television today, because very few things are really live in the same   Ivan Cury ** 22:17 sense. No, there. There are some kinds of having written, there are some type formats that are live. The news is live, the news is live. There's no, you know, there are. There used to be, and there may still be some of the afternoon shows, the kind of morning and afternoon shows where Show and Tell Dr whatever his name is, Dr Phil, yeah, it may be live, or it's shot as live, and they don't, they don't really have a budget to edit, so it's got to be real bad before they edit. Yeah. So do a show like that called Woman of CBS. So there are shows that are live, like that, sport events are live. A lot of from Kennedy Center is live. There are, there are lots of programs that are live, concerts, that are that you are a lot of them. America's Got Talent might as well be live. So there's a lot of that. And certainly things go wrong in the ad lib, and that's the way, because, in fact, there's some lovely things that happen out of that, but mostly, you're absolutely right. Mostly you do show it's recorded. You intend to edit it, you plan it to be edited, and you do it. It's also different when you shoot multiple camera, as opposed to single camera, yeah, single camera being as you say, again and again and again, multiple camera, not so much, although I used to direct the young and the restless, and now there is a line cut which is almost never used. It's it's the intention, but every shot is isolated and then cleaned up so that it's whatever is, whatever is possibly wrong with it gets clean.   Michael Hingson ** 24:03 Yeah, it's, it's a sign of the changing times and how things, everything   Ivan Cury ** 24:09 is bad. It's just, it's different. In fact, that's a kind of question I'm really puzzled with right now for the fun of it. And that is about AI, is it good or bad?   Michael Hingson ** 24:20 Well, and it's like anything else, of course, it depends. One of the one of my, my favorite, one of my favorite things about AI is a few years, a couple of years ago, I was at a Christmas party when there was somebody there who was complaining about the fact that kids were writing their papers using AI,   Ivan Cury ** 24:43 and that's bad   Michael Hingson ** 24:44 and and although people have worked on trying to be able to detect AI, the reality is that this person was complaining that the kids were even doing it. And I didn't think about it until later, but I realized. Is one of the greatest blessings of AI is let the students create their papers using AI. What the teachers need to do is to get more creative. And by that I mean All right, so when children turn in and students turn in their papers, then take a day and let every student take about a minute and come up and defend the paper they wrote. You're going to find out really quickly who really knew the subject and who just let ai do it and didn't have any interaction with it. But what a great way to learn. You're going to find out very quickly. And kids are going to figure out very quickly that they need to really know the subject, because they're going to have to defend their   Ivan Cury ** 25:41 papers. Yeah, no, I think that's fine. I I don't like the amount of electricity that it requires and what it's doing to our to our needs for water, because it has to be cooled down. So there's some physical things that I don't like about AI, and I think it's like when you used to have to go into a test with a slide rule, and they you couldn't use your calculator. When I use a calculator, it's out of the bag. You can't put it back anymore. It's a part of our life, and how to use it is the question. And I think you're absolutely right. I don't even need to know whether. I'm not even sure you need to check the kids if they it. How will you use? How will we get to use? Ai, it is with us.   Michael Hingson ** 26:30 Well, but I think there's a the value of of checking and testing. Why I'm with you. I don't think it's wrong. I think, no, no, but I think the value is that it's going to make them really learn the subject. I've written articles, and I've used AI to write articles, and I will look at them. I'll actually have a create, like, eight or nine different versions, and I will decide what I like out of each of them, and then I will add my part to it, because I have to make it me, and I've always realized that. So I know anything that I write, I can absolutely defend, because I'm very integrally involved in what I do with it, although AI has come up with some very clever ideas. Yeah, I hadn't thought of but I still add value to it, and I think that's what's really important.   Ivan Cury ** 27:19 I did a I've been writing stuff for a while, and one of the things I did, I wrote this. I wrote a little piece. And I thought, well, what? What would ai do if they took the same piece? How would they do it? So I put it in and said, rewrite it. They did. It was kind of bland. They'd taken all the life out of it. It wasn't very Yeah. So then I said, Well, wait a minute, do the same thing, write it as if it were written by Damon Runyon. And so they took it and they did that, and it was way over the top and really ugly, but it I kind of had fun with what, what the potential was, and how you might want to use it. I mean, I think the way you using it is exactly right. Yeah, it's how you use it, when, when you when, I'm just as curious, when you do that, when you said, you write something, and you ask them to do it four or five times or many times. How do you how do you require them to do it differently.   Michael Hingson ** 28:23 Well, there are a couple different ways. One is, there are several different models that can use to generate the solution. But even leaving aside such as, Oh, let's see, one is, you go out and do more web research before you actually do the do the writing. And so that's one thing and another. I'm trying to remember there were, like, six models that I found on one thing that I did yesterday, and but, but the other part about it is that with AI, yeah, the other thing about AI is that you can just tell it you don't like the response that you   Ivan Cury ** 29:09 got. Aha, okay, all right, yep,   Michael Hingson ** 29:13 I got it. And when you do that, it will create a different response, which is one of the things that you want. So, so so that works out pretty well. And what I did on something, I wanted to write a letter yesterday, and I actually had it write it. I actually had it do it several times. And one time I told it to look at the web to help generate more information, which was pretty cool, but, but the reality is that, again, I also think that I need to be a part of the the solution. So I had to put my my comments into it as well, and, and that worked out pretty well. Okay, right? Yeah, so I mean, it's cool, and it worked. Right? And so the bottom line is we we got a solution, but I think that AI is a tool that we can use, and if we use it right, it will enhance us. And it's something that we all have to choose how we're going to do. There's no no come, yeah, no question about that. So tell me you were successful as a young actor. So what kind of what what advice or what kind of thoughts do you have about youth success, and what's your takeaway from that?   Ivan Cury ** 30:36 The Good, yeah, I There are a lot of things being wanting to do it, and I really love doing it, I certainly didn't want to. I wanted to do it as the best way I could Well, I didn't want to lose it up, is what it really comes down to. And that meant figuring out what it is that required. And one of the things that required was a sense of responsibility. You had to be there on time, you had to be on stage, and you may want to fidget, but that takes to distract from what's going on, so sit still. So there's a kind of kind of responsibility that that you learn, that I learned, I think early on, that was, that's very useful. Yeah, that's, that's really, I think that's, I wrote some things that I had, I figured, some of these questions that might be around. So there, there's some I took notes about it. Well, oh, attention to details. Yeah, to be care to be watch out for details. And a lot of the things can be carried on into later life, things about detailed, things about date. Put a date on, on papers. When, when did, when was this? No, when was this note? What? When did this happen? Just keeping track of things. I still am sort of astonished at how, how little things add up, how we just just noted every day. And at the end of a year, you've made 365 notes,   Michael Hingson ** 32:14 yeah, well, and then when you go back and read them, which is also part of the issue, is that you got to go back and look at them to to see what   Ivan Cury ** 32:23 right or to just know that they're there so that you can refer to them. When did that happen?   Michael Hingson ** 32:28 Oh, right. And what did you say? You know, that's the point. Is that when I started writing thunder dog, my first book was suggested that I should start it, and I started writing it, what I started doing was creating notes. I actually had something like 1.2 megabytes of notes by the time we actually got around to doing the book. And it was actually eight years after I started doing some, well, seven years after I started doing writing on it. But the point is that I had the information, and I constantly referred back to it, and I even today, when I deliver a speech, I like to if there's a possibility of having it recorded, I like to go back and listen, because I want to make sure that I'm not changing things I shouldn't change and or I want to make sure that I'm really communicating with the audience, because I believe that my job is to talk with an audience, not to an audience.   Ivan Cury ** 33:24 Yeah, yeah. I we say that I'm reading. There are three books I'm reading right now, one of them, one of them, the two of them are very well, it doesn't matter. One is called who ate the oyster? Who ate the first oyster? And it's a it's really about paleon. Paleological. I'm saying the word wrong, and I'm paleontological. Paleontological, yeah, study of a lot of firsts, and it's a lovely but the other one is called shady characters by Keith Houston, and it's a secret life of punctuation symbols and other typographical marks, and I am astonished at the number of of notes that go along with it. Probably 100 100 pages of footnotes to all of the things that that are a part of how these words came to be. And they're all, I'm not looking at the footnotes, because there's just too many, but it's kind of terrific to check out. To be that clear about where did this idea come from, where did this statement come from? I'm pleased about that. I asked my wife recently if you could be anything you want other than what you are. What would you want to be? What other what other job or would you want to have? The first one that came to mind for me, which I was surprised that was a librarian. I just like the detail. I think that's   Michael Hingson ** 34:56 doesn't go anywhere. There you go. Well, but there's so. There's a lot of detail, and you get to be involved with so many different kinds of subjects, and you never know what people are going to ask you on any given day. So there's a lot of challenge and fun to that.   Ivan Cury ** 35:11 Well, to me also just putting things in order, I was so surprised to discover that in the Dewey Decimal System, the theater is 812 and right next to it, the thing that's right next to it is poetry. I was surprised. It's interesting, yeah, the library and play that out.   Michael Hingson ** 35:29 Well, you were talking about punctuation. Immediately I thought of EE Cummings. I'll bet he didn't pay much attention to punctuation at all. I love him. He's great, yeah, isn't he? Yeah, it's a lot of fun. An interesting character by any standard. So, so you, you progressed into television, if, I guess it's progressing well, like, if we answer to Fred Allen, it's not, but that's okay.   Ivan Cury ** 35:54 Well, what happens? You know, after, after, I became 18, and is an interesting moment in my life, where they were going to do film with Jimmy Dean, James Dean, James Dean. And it came down and he was going to have a sidekick, a kid sidekick. And it came down to me and Sal Mineo. And Sal got it, by the way. Case you didn't know, but one of the things was I was asked I remember at Columbia what I wanted to do, and I said I wanted to go to college, and my there was a kind of like, oh, yeah, right. Well, then you're not going to go to this thing, because we don't. We want you to be in Hollywood doing the things. And yes, and I did go to college, which is kind of great. So what happened was, after, when I became 18, I went to Carnegie tech and studied theater arts. Then I after that, I studied at Boston University and got a master's there, so that I had an academic, an academic part of my life as well, right? Which ran out well, because in my later years, I became a professor and wrote some   Michael Hingson ** 36:56 books, and that was your USC, right? No, Cal State, Lacher State, LA and UCLA. And UCLA, not USC. Oh, shame on me. But that's my wife. Was a USC graduate, so I've always had loyalty. There you go. But I went to UC Irvine, so you know, okay, both systems, whatever.   Ivan Cury ** 37:16 Well, you know, they're both UC system, and that's different, yeah, the research institutes, as opposed to the Cal State, which   Michael Hingson ** 37:23 are more teaching oriented, yeah,   Ivan Cury ** 37:26 wow, yeah, that's, that's what it says there in the paper.   Michael Hingson ** 37:30 Yes, that's what it says. But you know, so you went into television. So what did you mainly do in the in the TV world?   Ivan Cury ** 37:44 Well, when I got out of when I got through school, I got through the army, I came back to New York, and I, oh, I got a job versus the Girl Scouts, doing public relations. I I taught at Hunter College for a year. Taught speech. One of the required courses at Carnegie is voice and diction, and it's a really good course. So I taught speech at Hunter College, and a friend of mine was the second alternate maker man at Channel 13 in New York. He had opera tickets, so he said, Look standard for me, it's easy, men seven and women five, and telling women to put on their own lipstick. So I did. I did that, and I became then he couldn't do it anymore, so I became the second alternate make a man. Then it didn't matter. Within within six months, I was in charge of makeup for any t which I could do, and I was able to kind of get away with it. And I did some pretty good stuff, some prosthetic pieces, and it was okay, but I really didn't want to do that. I wanted to direct, if I could. And so then I they, they knew that, and I they knew that I was going to leave if, if, because I wasn't going to be a makeup I didn't. So I became a stage manager, and then an associate director, and then a director at Channel 13 in New York. And I directed a lot of actors, choice the biggest show I did there, or the one that Well, I did a lot of I also worked with a great guy named Kirk Browning, who did the a lot of the NBC operas, and who did all of the opera stuff in for any t and then I wound up doing a show called Soul, which was a black variety show. But when I say black variety show, it was with James Baldwin and but by the OJS and the unifics and the delphonics and Maya Angelou and, you know, so it was a black culture show, and I was the only white guy except the camera crew there. But had a really terrific time. Left there and went and directed for CBS. I did camera three. So I did things like the 25th anniversary of the Juilliard stringer check. Quartet. But I was also directing a show called woman, which was one of the earliest feminist programs, where I was the only male and an all female show. And actually I left and became the only gringo on an all Latino show called aqui I ahora. So I had a strange career in television as a director, and then did a lot of commercials for about 27 years, I directed or worked on the Men's Warehouse commercials. Those are the facts. I guarantee it.   Michael Hingson ** 40:31 Did you get to meet George Zimmer? Oh, very, very, very often, 27 years worth, I would figure, yeah.   Ivan Cury ** 40:39 I mean, what? I'm enemies. When I met him, he's a boy, a mere boy.   Michael Hingson ** 40:45 Did you act during any of this time? Or were you no no behind the camera once?   Ivan Cury ** 40:50 Well, the only, the only acting I did was occasionally. I would go now in a store near you, got it, and I had this voice that they decided, Ivan, we don't want you to do it anymore. It just sounds too much like we want, let George do this, please.   Michael Hingson ** 41:04 So, so you didn't get to do much, saying of things like, But wait, there's more, right?   Ivan Cury ** 41:10 No, not at all. Okay, okay. Oh, but you do that very well. Let's try.   Michael Hingson ** 41:13 Wait, there's more, okay. Well, that's cool. Well, that was,   Ivan Cury ** 41:18 it was kind of fun, and it was kind of fun, but they had to, it was kind of fun to figure out things. I remember we did. We had a thing where some of those commercial we did some commercials, and this is the thing, I sort of figured out customers would call in. So we recorded their, their call ins, and I they, we said, with calls being recorded. We took the call ins and I had them sent to it a typist who typed up what they wrote that was sent to New York to an advertising agency would extract, would extract questions or remarks that people had made about the stuff, the remarks, the tapes would be then sent to who did that? I think we edited the tapes to make it into a commercial, but the tags needed to be done by an announcer who said, in a store near you were opening sooner, right? Wyoming, and so those the announcer for the Men's Warehouse was a guy in in Houston. So we'd send, we'd send that thing to him, and he'd send us back a digital package with the with the tags. And the fun of it was that was, it was from, the calls are from all over the world. The the edits on paper were done in New York, the physical work was done in San Francisco. The announcer was in Houston. And, you know? And it's just kind of fun to be able to do that, that to see, particularly having come from, having come from 1949 Yeah, where that would have been unheard of to kind of have that access to all that was just fun, kind   Michael Hingson ** 42:56 of fun. But think about it now, of course, where we have so much with the internet and so on, it'd be so much easier, in a lot of ways, to just have everyone meet on the same network and   Ivan Cury ** 43:09 do now it's now, it's nothing. I mean, now it's just, that's the way it is. Come on.   Michael Hingson ** 43:13 Yeah, exactly. So. So you know, one of the things that I've been thinking about is that, yes, we've gone from radio to television and a whole new media and so on. But at the same time, I'm seeing a fairly decent resurgence of people becoming fascinated with radio and old radio and listening to the old programs. Do you see that?   Ivan Cury ** 43:41 Well, I, I wish I did. I don't my, my take on it. It comes strictly from that such, so anecdotal. It's like, in my grandkids, I have these shows that I've done, and it's, you know, it's grandpa, and here it is, and there it's the bobby Benson show, or it's calculator America, whatever, 30 seconds. That's what they give me. Yeah, then it's like, Thanks, grandpa. Whoopie. I don't know. I think maybe there may there may be something, but I would, I'd want some statistical evidence about well, but   Michael Hingson ** 44:19 one of the things I'm thinking of when I talk about the resurgence, is that we're now starting to see places like radio enthusiasts to Puget Sound reps doing recreations of, oh yes, Carl Omari has done the Twilight Zone radio shows. You know, there are some things that are happening, but reps among others, and spurred back to some degree, yeah, spurred back is, is the Society for the Prevention, oh, gosh,   Ivan Cury ** 44:46 not cruelty children, although enrichment   Michael Hingson ** 44:49 of radio   Ivan Cury ** 44:50 drama and comedy, right? Society, right? Yeah, and reps is regional enthusiasts of Puget Sound, Puget   Michael Hingson ** 44:58 Sound and. Reps does several recreations a year. In fact, there's one coming up in September. Are you going to   Ivan Cury ** 45:04 that? Yes, I am. I'm supposed to be. Yes, I think I Yes. I am.   Michael Hingson ** 45:08 Who you're going to play? I have no idea. Oh, you don't know yet.   Ivan Cury ** 45:12 Oh, no, no, that's fun. You get there, I think they're going to have me do a Sam Spade. There is another organization up there called the American radio theater, right? And I like something. I love those people. And so they did a lot of Sam Spade. And so I expect I'm going to be doing a Sam Spade, which I look forward to.   Michael Hingson ** 45:32 I was originally going to it to a reps event. I'm not going to be able to this time because somebody has hired me to come and speak and what I was going to do, and we've postponed it until I can, can be the one to do it is Richard diamond private detective, which is about my most favorite radio show. So I'm actually going to play, able to play Richard diamond. Oh, how great. Oh, that'll be a lot of fun. Yeah. So it'll probably be next year at this point now, but it but it will happen.   Ivan Cury ** 45:59 I think this may, yeah, go ahead. This may be my last, my last show I'm getting it's getting tough to travel.   Michael Hingson ** 46:07 Yeah, yeah, I don't know. Let's see. Let's see what happens. But, but it is fun, and I've met several people through their Carolyn Grimes, of course, who played Zuzu on It's A Wonderful Life. And in fact, we're going to have her on unstoppable mindset in the not too distant future, which is great, but I've met her and and other people, which I   Ivan Cury ** 46:34 think that's part of the for me. That really is part of the fun. Yeah, you become for me now it has become almost a sec, a family, in the same way that when you do show, if you do a show regularly, it is, it really becomes a family. And when the show is over, it's that was, I mean, one of the first things as a kid that was, that was really kind of tough for every day, or every other day I would meet the folks of Bobby Benson and the B Barbie writers. And then I stopped doing the show, and I didn't see them and didn't see them again. You know, I Don Knotts took me to I had the first shrimp of my life. Don Knotts took me to take tough and Eddie's in New York. Then I did another show called paciolini, which was a kind of Italian version of The Goldbergs. And that was, I was part of that family, and then that kind of went away. I was Porsche son on Porsche faces life, and then that way, so the you have these families and they and then you lose them, but, but by going to these old events, there is that sense of family, and there are also, what is just astonishing to me is all those people who know who knows stuff. One day I mentioned Frank Milano. Now, nobody who knows Frank Milano. These guys knew them. Oh, Frank, yeah, he did. Frank Milano was a sound. Was did animal sounds. There were two guys who did animal sounds particularly well. One was Donald Baines, who I worked with on the first day I ever did anything. He played the cow on Jack and the Beanstalk and and Frank, Don had, Don had a wonderful bar room bet, and that was that he could do the sound effects of a fish. Wow. And what is the sound effect of a fish? So now you gotta be required. Here's the sound effect of a fish. This was what he went $5 bets with you. Ready? Here we go.   Michael Hingson ** 48:41 Good job. Yeah, good job. Yeah. It's like, what was it on? Was it Jack Benny? They had a kangaroo, and I think it was Mel Blanc was asked to do the kangaroo, which is, of course, another one where they're not really a sound, but you have to come up with a sound to do it on radio, right?   Ivan Cury ** 49:06 Yes. Oh my god, there were people who want I could do dialects, I could do lots of German film, and I could do the harness. Was very easy for me to do, yeah, so I did love and I got to lots of jobs because I was a kid and I could do all these accents. There was a woman named Brianna Rayburn. And I used to do a lot of shows in National Association of churches of Christ in the United States. And the guy who was the director, John Gunn, we got to know each other. He was talking about, we talked with dialects. He said Briana Rayburn had come in. She was to play a Chinese woman. And she really asked him, seriously, what part of China Do you want her to come from? Oh, wow. I thought that was just super. And she was serious. She difference, which is studied, studied dialects in in. In college not long after, I could do them, and discovered that there were many, many English accents. I knew two or three cockney I could do, but there were lots of them that could be done. And we had the most fun. We had a German scholar from Germany, from Germany, and we asked him if he was doing speaking German, but doing playing the part of an American what would it sound like speaking German with an American accent? You know, it was really weird.   Michael Hingson ** 50:31 I had a history teacher, yes, who was from the Bronx, who spoke German, yeah, and he fought in World War Two. And in fact, he was on guard duty one night, and somebody took a shot at him, and so he yelled back at them in German. The accent was, you know, I took German, so I don't understand it all that well, but, but listening to him with with a New York accent, speaking German was really quite a treat. The accent spilled through, but, but they didn't shoot at him anymore. So I think he said something, what are you shooting at me for? Knock it off. But it was so funny, yeah, but they didn't shoot at him anymore because he spoke, yeah, yeah. It was kind of cool. Well, so with all that you've learned, what kind of career events have have sort of filtered over into what you do today?   Ivan Cury ** 51:28 Oh, I don't know. We, you know. But one of the things I wanted to say, it was one of the things that I learned along the way, which is not really answering your question until I get back to it, was, I think one of those best things I learned was that, however important it is that that you like someone, or you're with somebody and everything is really terrific. One of the significant things that I wish I'd learned earlier, and I think is really important, is how do you get along when you don't agree? And I think that's really very important.   Michael Hingson ** 52:01 Oh, it's so important. And we, in today's society, it's especially important because no one can tolerate anyone anymore if they disagree with them, they're you're wrong, and that's all there is to it. And that just is so unfortunate. There's no There's no really looking at alternatives, and that is so scary   Ivan Cury ** 52:20 that may not be an alternative. It may not be,   Michael Hingson ** 52:23 but if somebody thinks there is, you should at least respect the opinion,   Ivan Cury ** 52:28 whatever it is, how do you get along with the people you don't   Michael Hingson ** 52:32 agree with? Right?   Ivan Cury ** 52:35 And you should one that you love that you don't agree with, right? This may sound strange, but my wife and I do not agree about everything all the time, right?   Michael Hingson ** 52:43 What a concept. My wife and I didn't agree about everything all the time. Really, that's amazing, and it's okay, you know? And in fact, we both one of the the neat things, I would say, is we both learned so much from each other when we disagreed, but would talk about it, and we did a lot of talking and communicating, which I always felt was one of the most important things about our marriage. So we did, we learned a lot, and we knew how to get along, and we knew that if we disagreed, it was okay, because even if we didn't change each other's opinion, we didn't need to try to change each other's opinion, but if we work together and learn to respect the other opinion, that's what really mattered, and you learn more about the individual that way,   Ivan Cury ** 53:30 yeah, and also you have you learn about giving up. Okay, I think you're wrong, but if that's really what you want exactly, I'll do it. We'll do it your way?   Michael Hingson ** 53:42 Yeah, well, exactly. And I think it's so important that we really put some of that into perspective, and it's so crucial to do that, but there's so much disagreement today, and nobody wants to talk to anybody. You're wrong. I'm right. That's all there is to it. Forget it, and that's just not the way the world should be.   Ivan Cury ** 53:59 No, no. I wanted to go on to something that you had asked about, what I think you asked about, what's now I have been writing. I have been writing to a friend who I've been writing a lot of very short pieces, to a friend who had a stroke and who doesn't we can't meet as much as we use. We can't meet at all right now. And but I wanted to just go on, I'm and I said that I've done something really every week, and I'd like to put some of these things together into a book. And what I've been doing, looking for really is someone to work with. And so I keep writing the things, the thing that I wrote just today, this recent one, had to do with I was thinking about this podcast. Is what made me think of it. I thought about the stars that I had worked with, you know, me and the stars, because I had lots. Stories with with people who are considered stars, Charles Lawton, Don Knotts, Gene crane, Maya, Angelou, Robert Kennedy, the one I wrote about today. I wrote about two people. I thought it'd be fun to put them together, James Dean and Jimmy Dean. James Dean, just going to tell you the stories about them, because it's the kind of thing I'm writing about now. James Dean, we worked together on a show called Crime syndicated. He had just become really hot in New York, and we did this show where there were a bunch of probably every teenage actor in New York was doing this show. We were playing two gangs, and Jimmy had an extraordinary amount of lines. And we said, What the hell are you going to do, Jim? If you, you know, if you lose lines, he's, this is live. And he said, No problem. And then what he said is, all I do is I start talking, and then I just move my mouth like I'm walking talking, and everybody will think the audio went out. Oh, and that's, that's what he was planning on doing. I don't know if he really is going to do it. He was perfect. You know, he's just wonderful. He did his show. The show was great. We were all astonished to be working with some not astonished, but really glad to just watch him work, because he was just so very good. And we had a job. And then stories with Jimmy Dean. There were a couple of stories with Jimmy Dean, the singer and the guy of sausage, right? The last one to make it as fast, the last one was, we were in Nashville, at the Grand Ole Opry Opperman hotel. I was doing a show with him, and I was sitting in the bar, the producer and someone other people, and there was a regular Graceland has a regular kind of bar. It's a small bar of chatter, cash register, husband, wife, team on the stage singing. And suddenly, as we were talking, it started to get very quiet. And what had happened is Jimmy Dean had come into the room. He had got taken the guitar, and he started to sing, and suddenly it just got quiet, very quiet in the room. The Register didn't ring. He sang one song and he sang another song. His applause. He said, Thank you. Gave the guitar back to the couple. Walked off the stage. It was quiet while a couple started to sing again. They were good. He started to sing. People began to chatter again. The cash register rang, and I, I certainly have no idea how he managed to command that room to have everybody shut up while he sang and listened to him. He didn't do anything. There was nothing, you know, no announcement. It wasn't like, oh, look, there's Jimmy. It was just his, his performance. It was great, and I was really glad to be working with him the next day well.   Michael Hingson ** 57:56 And I think that having that kind of command and also being unassuming about it is pretty important if you've got an ego and you think you're the greatest thing, and that's all there is to it. That shows too, yeah?   Ivan Cury ** 58:08 Well, some people live on it, on that ego, yeah, and I'm successful on it, I don't think that was what. It certainly   Michael Hingson ** 58:17 wasn't, no, no, no, and I'm not saying that. I'm sure it wasn't that's my point. Yeah, no, because I think that the ultimate best people are the ones who don't do it with ego or or really project that ego. I think that's so important, as I said earlier, for me, when I go to speak, my belief is I'm going to to do what I can to help whatever event I'm at, it isn't about me at all. It's more about the audience. It's more about what can I inspire this audience with? What can I tell the audience and talk with the audience about, and how can I relate to them so that I'm saying something that they want to hear, and that's what I have to do. So if you had the opportunity to go back and talk to a younger Ivan, what would you tell him?   Ivan Cury ** 59:08 Cut velvet? No, there you go. No, what? I don't. I really don't. I don't know.   Michael Hingson ** 59:18 Talk Like a fish. More often   Ivan Cury ** 59:20 talk like a fish. More on there. Maybe. No, I really don't know. I don't know. I think about that sometimes, what it always seems to be a question, what? Really it's a question, What mistakes did you make in life that you wish you hadn't done? What door you wish Yeah, you would open that you didn't? Yeah, and I really don't, I don't know. I can't think of anything that I would do differently and maybe and that I think there's a weakness, because surely there must be things like that. I think a lot of things that happen to one in life anyway have to do with luck. That's not, sort of not original. But I was surprised to hear one day there was a. It. Obama was being interviewed by who was by one of the guys, I've forgotten his name that. And he was talking about his career, and he said he felt that part of his success had been a question of luck. And I very surprised to hear him say that. But even with, within with my career, I think a lot of it had to do with luck I happen to meet somebody that right time. I didn't meet somebody at the right time. I think, I think if I were to do so, if you would, you did ask the question, and I'd be out more, I would be pitching more. I think I've been lazy in that sense, if I wanted to do more that. And I've come to the West Coast quicker, but I was doing a lot of was in New York and having a good time   Michael Hingson ** 1:00:50 Well, and that's important too, yeah. So I don't know that I changed, I Yeah, and I don't know that I would find anything major to change. I think if somebody asked me that question, I'd say, tell my younger self that life is an adventure, enjoy it to the fullest and have fun.   Ivan Cury ** 1:01:12 Oh, well, that's yes. That was the I always believe that, yeah, yeah. It's not a question for me, and in fact, it's one of the things I told my kids that you Abraham Lincoln, you know, said that really in it, in a way a long time ago. He said that you choose you a lot of what you way you see your life has to do with the way the choices you make about how to see it, right? Yeah, which is so cool, right? And one of the ways you might see it says, have fun,   Michael Hingson ** 1:01:39 absolutely well, Ivan, this has been absolutely fun. We've been doing it for an hour, believe it or not, and I want to thank you for being here. And I also want to thank everyone who is listening for being with us today. I hope you've enjoyed this conversation, and I'd love to hear what your thoughts are. Please feel free to email me. I'd love to hear your thoughts about this. Email me at Michael h i at accessibe, A, C, C, E, S, S, i, b, e.com, so Ivan, if people want to reach out to you, how do they do that?   Ivan Cury ** 1:02:10 Oh, dear. Oh, wait a minute, here we go. Gotta stop this. I curyo@gmail.com I C, u, r, y, o@gmail.com There you go. Cury 1r and an O at the end of it, not a zero. I curyo@gmail.com Yeah.   Michael Hingson ** 1:02:30 Well, great. Well, thank you again, and all of you wherever you're listening, I hope that you'll give us a great review wherever you're listening. Please give us a five star review. We appreciate it, and Ivan, for you and for everyone else listening. If you know anyone else who ought to be a guest on our podcast, love to hear from you. Love an introduction to whoever you might have as a person who ought to come on the podcast, because I think everyone has stories to tell, and I want to give people the opportunity to do it. So once again, I want to thank you, Ivan, for being here. We really appreciate it. Thanks for coming on and being with us today. Thank you.   1:03:10 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

In June, President Trump deployed thousands of National Guard members and hundreds of active duty Marines to Los Angeles to respond to largely peaceful protests over the administration’s immigration sweeps. A judge recently ruled that the use of federal troops in LA was illegal since they performed law enforcement duties the military are constitutionally prohibited from doing.   Now, Trump has mobilized 200 National Guard troops to Portland, saying they’re necessary to protect federal officials and property. Oregon Attorney General Dan Rayfield has sued to block the deployment. Rebecca Ellis covers Los Angeles county government as a staff writer for the LA Times. She previously covered Portland city government for OPB. She joins us to talk about how Angelenos responded to the deployment in their city and what could be in store for Portland.

A 12 x 8.5cm ‘Correspondenzkarte', the earliest progenitor of the modern-day postcard, was created by the Austrian Post on 1st October, 1869. Cheaper and more practical than sending long-form letters, the new medium was an instant sensation with the public - with three million postcards being sent in the first three months. But cultural conservatives felt it would lead to poor grammar, a capitulation of individuality, and a brash new form of self-expression... In this episode, Arion, Olly and Rebecca reveal the indomitability of the Isle of Man's postcard censorship committee; revisit the career of the ‘King of the Saucy Seaside', Donald McGill; and  unearth the frustrated adventures of ‘the wronged true inventor of the postcard', Dr. Heinrich Von Stephan. Further Reading: • ‘The Story of the Postcard' (Postimuseo Finland, 2020): https://www.youtube.com/watch?v=xjFTxJi66e8 • ‘Tweeting by mail: The postcard's stormy birth'(LA Times, 2013): https://www.latimes.com/opinion/la-xpm-2013-jun-22-la-oe-cure-postcards-twitter-20130623-story.html • ‘History of the Saucy Postcard' (Donald McGill Museum, 2020): https://saucyseasidepostcards.com/?page_id=89 This episode first aired in 2021 Love the show? Support us!  Join 

Tim and the LA Times' Dylan Hernandez discuss the Dodgers' series against the Reds and the bullpen questions throughout the postseason. Also, will the Giants turn to Bruce Bochy? And what will Jonathan Kuminga's season be like now that he's signed? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

We are joined by LA Times columnist Dylan Hernandez live from Dodger Stadium as the Dodgers get set for Game 2 of their wildcard series against the Reds. The Angels fired Ron Washington and rumors are swirling that they could be looking at Albert Pujols as his replacement.

This week we welcome Melissa Febos back to Memoir Nation to discuss her latest book, The Dry Season. Melissa is a fountain of inspiration and information and this episode covers topics as diverse as how to cultivate discernment in our reading to why memoir is the opposite of self-indulgent. We drill down into solitude as a creatively regenerative space, and get into some memoir craft, too. Hard to resist when we have a writing professor on the show. Melissa never disappoints, and this interview is one you'll come back to when you need to fill your creative well. Melissa Febos is the author of five books, including the national bestselling essay collection, Girlhood; the craft book, Body Work (2022), which was also a national bestseller and an LA Times bestseller. Her new memoir, The Dry Season, was published in June 2025. She holds an MFA from Sarah Lawrence College and is the Roy J. Carver Professor at the University of Iowa, where she teaches in the Nonfiction Writing Program.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Richard Mack, the former Sheriff of Graham County, Arizona, served in law enforcement for 20 years. In 1988 he was elected to the office of Sheriff in his hometown and served as such for eight years. In 1991 he graduated from the FBI Academy. Sheriff Mack is the Founder and President of the Constitutional Sheriffs & Peace Officers Association- This organization that brings citizens, law enforcement, sheriffs, and elected officials together. He has provided hundreds of training seminars to Sheriffs, Police, and Public Officials in all 50 states and in several other countries across the world.  He has also appeared on CNN, FOX, MSNBC,CBS, ABC, Newsmax, NYTimes, LA Times, USA Today, and over 1,000 networks worldwide

Breaking into Hollywood isn't what it used to be. Two former LA Times editors who have covered the entertainment industry for years offer a road map on how to make it in a business being reshaped by AI, streaming and social media. Ada Tseng and Jon Healey spoke with hundreds of showbiz professionals – from actors and producers, to agents and gaffers – getting honest advice about how to get started (hint: think twice before becoming a personal assistant). Their book is “Breaking Into New Hollywood: A Career Guide to a Changing Industry.” If you're in the entertainment industry, what's the most valuable advice you received? Guests: Ada Tseng, writer and editor; co-host, "Saturday School" - an Asian American pop culture history podcast Jon Healey, former reporter and editor for The Los Angeles Times Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of How Not to Suck at Divorce, Andrea Rappaport and Morgan Stogsdill get into the often-overlooked connection between divorce and grief. Divorce can intensify feelings of loss, loneliness, and emotional pain, making it crucial to find healthy coping mechanisms, community support, and tools for personal growth.The hosts explore why grief isn't just about the death of a loved one—it's also a natural and valid response to the end of a marriage or relationship. They break down common misconceptions about grief, the importance of mental health support, and how to create grief-informed workplaces that help employees heal. You'll also hear actionable strategies for emotional healing, including creative outlets and building supportive communities.If you're navigating the complex emotions of divorce and grief this conversation offers both compassion and practical guidance.What you'll learn:Divorce is grief: Ending a marriage is a major life loss that requires emotional healing.Holidays amplify emotions: Loneliness and sadness often increase during seasonal gatherings.Grief is not linear: It may show up as anger, sadness, guilt, or even relief.Misconceptions hurt healing: Ignoring or minimizing grief can slow down recovery.Community matters: Leaning on support groups, friends, and family can ease the burden.No set timeline: Everyone's grieving process looks different.Workplace awareness: Grief-informed policies benefit both employees and employers.Creative outlets help: Journaling, art, and other self-expressive activities can be powerful coping tools.Validation is healing: Recognizing all forms of grief encourages healthier mental health.You're not alone: Many people share similar struggles and experiences.Rebecca Feinglos (pronounced fine-gloss) is a certified grief support specialist and founder of Grieve Leave. Rebecca founded Grieve Leave in 2021 as a way to document her experience on a year-long grief sabbatical, as a way to process her own grief and loss— she lost her mother in her teens, her father in 2020, and her marriage in a drawn-out divorce. Grieve Leave has grown into a community of 25,000 that provides tangible takeaways, resources, and a healthy dose of humor, creating an entire movement around taking intentional time to grieve. Rebecca has been featured in LA Times, Fortune, TIME,

Hendrika de Vries is the author of the award-winning memoir When a Toy Dog Became a Wolf and the Moon Broke Curfew, a historical memoir about her childhood in Nazi-occupied Amsterdam during WWII that tells a gripping story of resistance, resilience and female strength in the face of brutality and oppression. Her current memoir, Open Turns: From Dutch Girl to New Australian — a Memoir (She Writes Press, Sept. 2, 2025 ), is its coming-of-age sequel. Henny was just a little girl when she experienced brutal violence and hunger in WWII Amsterdam. But she is now a teenage immigrant swimmer in 1950s Australia. She is smart, she swims fast and she has definite opinions about thekind of woman she intends to be––all of which serves her well in her new home, where she must learn to turn challenges into success.Her parents' wisdom continues to guide her. “Intentions are like prayers; you send them out into the universe and if you pay attention they come back as destiny,” her mother says. And when she walks in the bush with her father, hisreverence for the mysteries of nature helps Henny hear the timeless Australian Land speak and see the Southern Cross as a beacon.She enjoys swimming fame and championship victories, but throughout her coming-of-age years, she is also faced with memories, fears and dashed hopes and dreams. Time and again, she dives into the pool to find her own strength and sense of belonging––until, finally, she begins to see more clearly her unique path ahead.Hendrika's life experiences have infused her work as a therapist, teacher and writer. After surviving the trauma of WWII, she and her family emigrated to Australia when she was thirteen years old. As a migrant girl in 1950s Australia, with a fierce determination to succeed and a desire to belong, she faced and overcame unforeseen challenges. She earned her place as a South Australian state swimming champion, worked as a secretary to the Chief of Staff of a major newspaper's Editorial Department, married the paper's editorial cartoonist and became a young wife and mother.She moved to America in the nineteen sixties, where her husband won the Pulitzer Prize for his biting political cartoons while she gave birth to their third child and embarked on a course of studies that would lead to her interest in Jungian psychology, master's degrees in theology and counseling psychology and a career as a therapist.A depth-oriented marriage and family therapist for over thirty years, she used memories, intuitive imagination and dreams to heal trauma, empower women and address life transitions. As a graduate schoolteacher she helped students explore the archetypal patterns in their life narratives.Hendrika holds a BA with Phi Beta Kappa from the University of Colorado, an MTS in theological studies from Virginia Theological Seminary, and an MA in counseling psychology from Pacifica Graduate Institute in Santa Barbara. Her writing has appeared in The New York Times and the LA Times. She currently lives in Santa Barbara, California.Learn more:https://agirlfromamsterdam.com/https://www.linkedin.com/in/hendrika-devries-finishline/https://www.facebook.com/HendrikadeVriesAuthor/https://x.com/HENDRIKADEVRIE3https://www.instagram.com/hendrika.devries.92/

This week Donald Trump told pregnant women to 'fight like hell' to not take Tylenol, or what we call paracetamol.The US President linked the drug to autism, even though the science doesn't back that up. Today, Corinne Purtill, science and health reporter at the LA Times, on the ripple effect Trump's misinformation is having around the world. Featured: Corinne Purtill,  LA Times science and health reporter

Main Topic:  “Intentionality in Writing: Hendrika de Vries on Resistance, Feminism, and Telling the Truth” PATREON: Thank you to our existing patrons for believing in our work offline and here in the podcast.  Become a patron of the arts at Patreon.com/valerieihsan for books, writing instruction, coaching, and planning. Also, the Planner Plays and Monthly Reflections are always free for all members on my Patreon page. But I don't list them as Public", so click correct tier for updated links, dates, and cancellations.  Go to Patreon.com/strangeairstories for short stories in the paranormal mystery genre.   Magic Mind Mental Performance Shot and Sleep Shot. Up to 48% off your first subscription or 20% off one time purchases with code VALERIE20 at checkout You can claim it at: https://magicmind.com/VALERIE20 ***  Free masterclass: The Alchemy of Memory — Writing the Hybrid Memoir (Wed, Oct 8, 2025). Learn to braid personal narrative with research, family history, and big ideas—plus structures, privacy choices, and momentum tools. Includes a short meditation + oracle card pull. Save your seat → valerieihsan.com/hybrid   ***   Segment 1 (Announcements/Author Updates): (Valerie): prepping for yard sale; planning my free masterclass on hybrid memoir writing for October 8th. (Erick): Southwest Writers Conference speaking gig last weekend, working on new conference pitches; (What can I create new for them?); new Google ads running right now for ghostwriting and editing (Henrika): Santa Barbara writing community; Chicago Lit Festival (met with other She Writes Press writers)  What are you reading? Valerie:  Unstuck (Rachael Herron) (need recommendations for audio books) Just finished:    Creative Act (Rick Rubin)  (Not ready to give up on them, but struggling to finish them:) Four Thousand Weeks: Time Management for Mortals by Oliver Burkeman;  Erick: Voice of the Fire (Alan Moore) Lost in the Dark (Brad Weismann) Gettysburg: The Last Invasion (Hendrika): Swimming Pretty (history of aquatic swimming by Vicki Valosik); Why We Swim (Bonnie Tsui) (how we lose our differences); Black Cake (Charmaine Wilkerson)(protagonist is a swimmer) Segment 2 (Resources/Tips/Tidbits): Tidbit #1:  Tidbit #2:    Segment 3 (Main Topic):   Notes:   Hendrika is a retired family therapist, a teacher, and a writer, chronicling her life experiences with oppression and resistance in Nazi-occupied Amsterdam, migration, competitive swimming, and misogyny in 1950s Australia. A fierce feminist and activist, de Vries infuses her writing with historical depth and personal perspective on challenges facing women and anyone deemed other. She is the author of When a Toy Dog Became a Wolf and the Moon Broke Curfew, award-winning memoir of her WWII childhood. Her writing has also appeared in The New York Times and the LA Times. She lives in Santa Barbara, CA. Find out more about her at www.agirlfromamsterdam.com. 2019 Mary Sarton Women's Book Award winner 2019 Nautilus Award for Memoir and Personal Journey winner Non-fiction Author Association Gold 2020 Eric Hoffer First Horizon and Culture award winner 2020 Next Generation Indie Book Awards Finalist - Memoirs  2021 NYC Big Book Awards winner - Memoir and Young Adult Non-fiction    Intentionality in Writing: Hendrika de Vries on Resistance, Feminism, and Telling the Truth   Valerie's notes: They aren't just our stories. How have other people done this? How our story relates to the human story. Allowed the little girl to have a voice. How to structure to allow the reader relate to inner experience. intuitive writer, start with notes, jot down memories, voice arrives (I was walking; I was unhappy, how does this relate); authentic voice is how it starts, gradually themes show up. Layers.  Differences between essay and memoir (angry vs what is the story here) learn life-saving: look at the risks, sometimes when you try to save someone, they'll try to drown you. face life as an athlete, commitment and dedication, couldn't translate to writing process (haha), grab time, 11-2 magic time to write, set aside time a few times a week to write (let the story come); think about it while swimming and walking;  risk life to follow values but measuring the risk;  "truth-telling is activist resistance" (Bruce Lipton); The Year of Living Kindly (Donna Cameron) my childhood experiences were psychological examples of resistance: how do we move through difficult times; is memoir self-indulgent? 2017 saw Neo-nazis walking in Virginia then knew others needed to hear about my story because I didn't think this could ever happen again; themes/resistance/loss/what sustains us? How do we create these turning points? How do these define us? Focus on the human resistance (victimhood wasn't allowed); find the good moments; pacing in the story (and our lives) mixing the trauma with tenderness and humor. Find the light in the moments. Don't do it alone. Writers conferences and being with other writers. Share stories and being in community, stimulates our writing, not being afraid to share. Find your community.  Robert Jay Lifton:  "Surviving Our Catastrophes"    Henrik's first memoir: When a Toy Dog Became a Wolf and the Moon Broke Curfew (also available in audio now) “Open Turns: From Dutch Girl to New Australian” Hendrika de Vries | September 2, 2025 | She Writes Press | Memoir  Paperback | 978-1647429508 | $17.99  Ebook | 978-1647429515 | $12.99      And don't forget: Free masterclass: The Alchemy of Memory — Writing the Hybrid Memoir (Wed, Oct 8, 2025). Learn to braid personal narrative with research, family history, and big ideas—plus structures, privacy choices, and momentum tools. Includes a short meditation + oracle card pull. Save your seat → valerieihsan.com/hybrid   Go to valerieihsan.com to schedule a free consultation to see if Aligned Author is right for you.   Get 48% off the Magic Mind : https://magicmind.com/VALERIE20 and use Valerie20 at checkout. #magicmind #mentalwealth #mentalperformance   Find Us:   Valerie's Linktree: https://linktr.ee/valerieihsan (Find Passion Planner discount codes here.) Erick's Linktree link: https://linktr.ee/erickmertzauthor Patreons:  https://patreon.com/valerieihsan    https://patreon.com/strangeairmysteries Tools: ProWriting Aid: https://prowritingaid.com/?afid=9378 (affiliate link)

Today I talk with poet Maya Salameh about her poetry collection, How to Make an Algorithm in the Microwave, which won the prestigious Etal Adnan Poetry Prize in 2022. The judges remarked, “Maya Salameh's poetry stood out for its inventiveness in cracking the code of life ‘between system and culture'…The turns and swerves the poems make are astonishing; the expectations they upend are remarkable… It's a testament to the aesthetic boundaries and intellectual revolt poets of Arab heritage are pushing, breaking, and reinventing.” We talk about what led her to both technology and poetry, language and story-telling, and the challenges and joys of representing life in the diaspora. In a time of war and genocide, Salameh's poetry shows how patterns of life and reproduction and desire persist. In her readings and discussions of three poems, we find a new lexicon and a new grammar.Maya Salameh is the author of Mermaid Theory (Haymarket Books, 2026), How to Make an Algorithm in the Microwave (University of Arkansas Press, 2022), winner of the Etel Adnan Poetry Prize, and the chapbook rooh (Paper Nautilus Press, 2020). She has received fellowships from the National Endowment for the Arts, Sewanee Writers' Conference, Bread Loaf Environmental Writers' Conference, and the President's Committee for the Arts and Humanities, and served as a National Student Poet, America's highest honor for youth poets. Her work has appeared in The Offing, Poetry, Gulf Coast, The Rumpus, AGNI, Mizna, and the LA Times, among others. She can be found @mayaslmh or mayasalameh.com.  

Tim and the LA Times' Dylan Hernandez break down the Dodgers' fragile pitching situation going into the playoffs and the 49ers' highs (three tough wins) and lows (losing Nick Bosa) so far. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Stephanie Mitton sits down with Selena Rezvani, leadership speaker and author, to explore what it really takes to build lasting confidence. Selena shares insights from her career in executive coaching, workplace culture consulting, and content creation, emphasizing why self-advocacy and speaking up matter. She introduces practical confidence-boosting strategies, like the “dog principle” for starting conversations and using pointed questions to push through doubt. Selena also highlights how leaders can play a role in fostering confidence by amplifying others' ideas and making supportive introductions. Her latest book, Quick Confidence, offers everyday tools to help listeners step into their power with clarity and courage.Our Patreon: https://www.patreon.com/womendontdothatRecommend guests: https://www.womendontdothat.com/How to find WOMENdontDOthat:Patreonhttps://www.patreon.com/womendontdothatInstagram - http://www.instagram.com/womendontdothat/TikTok- http://www.tiktok.com/@womendontdothatBlog- https://www.womendontdothat.com/blogPodcast- https://www.womendontdothat.com/podcastNewsletter- https://www.beaconnorthstrategies.com/contactwww.womendontdothat.comYouTube - http://www.youtube.com/@WOMENdontDOthatHow to find Stephanie Mitton:Twitter/X- https://twitter.com/StephanieMittonLinkedIn - https://www.linkedin.com/in/stephaniemitton/beaconnorthstrategies.comTikTok- https://www.tiktok.com/@stephmittonInstagram- https://www.instagram.com/stephaniemitton/Interested in sponsorship? Contact us at hello@womendontdothat.comOur Latest Blog: https://www.womendontdothat.com/post/back-to-school-advice-for-my-daughter-and-every-girl-starting-high-schoolSelena Rezvani is an internationally known leadership speaker and 3X author, TEDx-er, and an award-winning journalist. Forbes recently named her “the premier expert on self-advocacy and standing up for yourself at work.”She trains some of the brightest minds on leadership development at places like The World Bank, Microsoft, Under Armour, Pfizer, and Nestlé – helping emerging leaders enhance their presence and self-confidence. Selena's advice has been featured in Harvard Business Review, Oprah.com, Today, The LA Times, and ABC and NBC television. Selena's latest book, Quick Confidence, a Wall Street Journal bestseller, is the culmination of a viral newsletter she started on LinkedIn, where she shares bite-sized, everyday tips on boosting confidence. Her forthcoming book, Quick Leadership, comes out on November 10, 2025.Selena creates daily video content on leadership that reaches a wide audience across social media. Having amassed a following of over 500k followers and subscribers across platforms, she was honored as a Fast Company Top Content Creator in 2021. In addition to coaching and consulting emerging leaders, Selena offers workshops to teams and conferences including her sought-after “How to be a Fierce Self-Advocate” and “Quick Confidence: Own Your Power” workshops. Today, she writes a column for MSNBC's Know Your Value on the most pressing leadership and career issues.Selena has a BS and MSW from New York University and an MBA from Johns Hopkins University. To learn more about Selena and to book her for your next event, visit SelenaRezvani.com.Books Mentioned:"Quick Confidence" by Selena Rezvani"Rest is Resistance" by Tricia Hersey Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A hunt for the secrets of ghostly technology uncovers a chilling recording of the Men in Black! In part three of our “Voices From Beyond” series, we twist the knobs on Instrumental Transcommunication, revealing the spooky origins of a real-life Telephone to the Dead. Plus, we meet a psychic ventriloquist, Konstantin Raudive reaches out from beyond the grave, and Greg stumbles onto an otherworldly secret hiding in some old ghost box schematics. Tix to Haunted Objects: Live: https://www.newkirktour.com/ Join the museum: https://tinyurl.com/42csr5x7Get HOP merch: https://planetweird.store/Visit our website: https://hauntedobjectspodcast.comSubscribe on Spotify: https://tinyurl.com/42xxbaw7Follow Us on Instagram: https://tinyurl.com/y4rnpup9 SHOW NOTES: The Secret History of the Franks Box: https://tinyurl.com/y93dmwk2 Our “Ghostman #2” Box: https://tinyurl.com/5ek3z9r7 More on Seidl, Jurgenson, and Raudive:  https://tinyurl.com/3r97tn93 “Flying Saucers and the Three Three Men” by Bender: https://tinyurl.com/38hb5nhr The Spiricom press conference: https://tinyurl.com/mus3vspc Witness: Voices of the Dead: https://tinyurl.com/3xh9be54 Thomas Edison's Ghost Telephone: https://tinyurl.com/ysev67tb Mark Macy's voicemails from beyond: https://tinyurl.com/43s56623 “Calling Earth” feat. Mark Macy: https://tinyurl.com/ycxdu3fk “Miracles in the Storm” by Mark Macy:https://tinyurl.com/4xchfups Timestream covered by the LA Times: https://tinyurl.com/3a2tusz9 Oct. 1995 Popular Electronics; “Ghost Voices”: https://tinyurl.com/52b43wkm Comprehensive list of Frank Boxes: https://tinyurl.com/3de5h5ac The EVP Maker: https://tinyurl.com/us8yszmx Schematics from Frank: https://tinyurl.com/4fhfm53x MIB Clip from Frank Sumption and Bill Murphy: https://tinyurl.com/n8peuwhb Frank's site via the Wayback Machine: https://tinyurl.com/4kx6ztvu “Talking to the Dead” by Noory and Guiley: https://tinyurl.com/33mh5eyv “Thinking Outside the Box”, written by Franks' friends: https://tinyurl.com/34evh32x Part of the Spectrevision Radio NetworkCopyright 2025 Planet Weird Hosted by Greg and Dana NewkirkProduced by Connor J RandallPhotography / Editing by Karl PfeifferAdditional Research by Keelin MathewsArt by Dustin WilliamsProduction Assistance by Michelle RandallTheme by Adam Hayman"The Disembodied Voice" by Chuck Fresh  Learn more about your ad choices. Visit megaphone.fm/adchoices

A hunt for the secrets of ghostly technology uncovers a chilling recording of the Men in Black! In part three of our “Voices From Beyond” series, we twist the knobs on Instrumental Transcommunication, revealing the spooky origins of a real-life Telephone to the Dead. Plus, we meet a psychic ventriloquist, Konstantin Raudive reaches out from beyond the grave, and Greg stumbles onto an otherworldly secret hiding in some old ghost box schematics. Tix to Haunted Objects: Live: https://www.newkirktour.com/ Join the museum: https://tinyurl.com/42csr5x7Get HOP merch: https://planetweird.store/Visit our website: https://hauntedobjectspodcast.comSubscribe on Spotify: https://tinyurl.com/42xxbaw7Follow Us on Instagram: https://tinyurl.com/y4rnpup9 SHOW NOTES: The Secret History of the Franks Box: https://tinyurl.com/y93dmwk2 Our “Ghostman #2” Box: https://tinyurl.com/5ek3z9r7 More on Seidl, Jurgenson, and Raudive:  https://tinyurl.com/3r97tn93 “Flying Saucers and the Three Three Men” by Bender: https://tinyurl.com/38hb5nhr The Spiricom press conference: https://tinyurl.com/mus3vspc Witness: Voices of the Dead: https://tinyurl.com/3xh9be54 Thomas Edison's Ghost Telephone: https://tinyurl.com/ysev67tb Mark Macy's voicemails from beyond: https://tinyurl.com/43s56623 “Calling Earth” feat. Mark Macy: https://tinyurl.com/ycxdu3fk “Miracles in the Storm” by Mark Macy:https://tinyurl.com/4xchfups Timestream covered by the LA Times: https://tinyurl.com/3a2tusz9 Oct. 1995 Popular Electronics; “Ghost Voices”: https://tinyurl.com/52b43wkm Comprehensive list of Frank Boxes: https://tinyurl.com/3de5h5ac The EVP Maker: https://tinyurl.com/us8yszmx Schematics from Frank: https://tinyurl.com/4fhfm53x MIB Clip from Frank Sumption and Bill Murphy: https://tinyurl.com/n8peuwhb Frank's site via the Wayback Machine: https://tinyurl.com/4kx6ztvu “Talking to the Dead” by Noory and Guiley: https://tinyurl.com/33mh5eyv “Thinking Outside the Box”, written by Franks' friends: https://tinyurl.com/34evh32x Part of the Spectrevision Radio NetworkCopyright 2025 Planet Weird Hosted by Greg and Dana NewkirkProduced by Connor J RandallPhotography / Editing by Karl PfeifferAdditional Research by Keelin MathewsArt by Dustin WilliamsProduction Assistance by Michelle RandallTheme by Adam Hayman"The Disembodied Voice" by Chuck Fresh  Learn more about your ad choices. Visit megaphone.fm/adchoices

“Poetry is like one of the great loves of my life, and I think it's probably the longest relationship I'll ever have. I read a lot of poetry. I also wrote these short stories even when I was pretty young, like in second grade, and the stories kept getting shorter and shorter. My family used to go to Damascus in Syria and Lebanon every summer for three months until 2011, when the Civil War broke out in Syria. In 2015, we made our first return after that gap, and my father and I went to Lebanon for two weeks. It's the first time I felt that I belong. To the extent that was true or not, I'm obviously irrevocably American. I speak broken Arabic. I don't think I could ever live in Lebanon or Syria. But for what it was worth at 15 years old, it was a life-changing trip. I wrote my first official poem on the plane back to San Diego from that trip, and I feel that was a formative moment for me. I felt that I had a story to tell and wanted to put it to paper in the form of poetry.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with poet Maya Salameh about her poetry collection, How to Make an Algorithm in the Microwave, which won the prestigious Etel Adnan Poetry Prize in 2022. The judges remarked, “Maya Salameh's poetry stood out for its inventiveness in cracking the code of life ‘between system and culture'…The turns and swerves the poems make are astonishing; the expectations they upend are remarkable… It's a testament to the aesthetic boundaries and intellectual revolt poets of Arab heritage are pushing, breaking, and reinventing.” We talk about what led her to both technology and poetry, language and story-telling, and the challenges and joys of representing life in the diaspora. In a time of war and genocide, Salameh's poetry shows how patterns of life and reproduction and desire persist. In her readings and discussions of three poems, we find a new lexicon and a new grammar.Maya Salameh is the author of MERMAID THEORY (Haymarket Books, 2026), HOW TO MAKE AN ALGORITHM IN THE MICROWAVE (University of Arkansas Press, 2022), winner of the Etel Adnan Poetry Prize, and the chapbook rooh (Paper Nautilus Press, 2020). She has received fellowships from the National Endowment for the Arts, Sewanee Writers' Conference, Bread Loaf Environmental Writers' Conference, and the President's Committee for the Arts and Humanities, and served as a National Student Poet, America's highest honor for youth poets. Her work has appeared in The Offing, Poetry, Gulf Coast, The Rumpus, AGNI, Mizna, and the LA Times, among others. @mayaslmhhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“Poetry is like one of the great loves of my life, and I think it's probably the longest relationship I'll ever have. I read a lot of poetry. I also wrote these short stories even when I was pretty young, like in second grade, and the stories kept getting shorter and shorter. My family used to go to Damascus in Syria and Lebanon every summer for three months until 2011, when the Civil War broke out in Syria. In 2015, we made our first return after that gap, and my father and I went to Lebanon for two weeks. It's the first time I felt that I belong. To the extent that was true or not, I'm obviously irrevocably American. I speak broken Arabic. I don't think I could ever live in Lebanon or Syria. But for what it was worth at 15 years old, it was a life-changing trip. I wrote my first official poem on the plane back to San Diego from that trip, and I feel that was a formative moment for me. I felt that I had a story to tell and wanted to put it to paper in the form of poetry.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with poet Maya Salameh about her poetry collection, How to Make an Algorithm in the Microwave, which won the prestigious Etel Adnan Poetry Prize in 2022. The judges remarked, “Maya Salameh's poetry stood out for its inventiveness in cracking the code of life ‘between system and culture'…The turns and swerves the poems make are astonishing; the expectations they upend are remarkable… It's a testament to the aesthetic boundaries and intellectual revolt poets of Arab heritage are pushing, breaking, and reinventing.” We talk about what led her to both technology and poetry, language and story-telling, and the challenges and joys of representing life in the diaspora. In a time of war and genocide, Salameh's poetry shows how patterns of life and reproduction and desire persist. In her readings and discussions of three poems, we find a new lexicon and a new grammar.Maya Salameh is the author of MERMAID THEORY (Haymarket Books, 2026), HOW TO MAKE AN ALGORITHM IN THE MICROWAVE (University of Arkansas Press, 2022), winner of the Etel Adnan Poetry Prize, and the chapbook rooh (Paper Nautilus Press, 2020). She has received fellowships from the National Endowment for the Arts, Sewanee Writers' Conference, Bread Loaf Environmental Writers' Conference, and the President's Committee for the Arts and Humanities, and served as a National Student Poet, America's highest honor for youth poets. Her work has appeared in The Offing, Poetry, Gulf Coast, The Rumpus, AGNI, Mizna, and the LA Times, among others. @mayaslmhhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“Poetry is like one of the great loves of my life, and I think it's probably the longest relationship I'll ever have. I read a lot of poetry. I also wrote these short stories even when I was pretty young, like in second grade, and the stories kept getting shorter and shorter. My family used to go to Damascus in Syria and Lebanon every summer for three months until 2011, when the Civil War broke out in Syria. In 2015, we made our first return after that gap, and my father and I went to Lebanon for two weeks. It's the first time I felt that I belong. To the extent that was true or not, I'm obviously irrevocably American. I speak broken Arabic. I don't think I could ever live in Lebanon or Syria. But for what it was worth at 15 years old, it was a life-changing trip. I wrote my first official poem on the plane back to San Diego from that trip, and I feel that was a formative moment for me. I felt that I had a story to tell and wanted to put it to paper in the form of poetry.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with poet Maya Salameh about her poetry collection, How to Make an Algorithm in the Microwave, which won the prestigious Etel Adnan Poetry Prize in 2022. The judges remarked, “Maya Salameh's poetry stood out for its inventiveness in cracking the code of life ‘between system and culture'…The turns and swerves the poems make are astonishing; the expectations they upend are remarkable… It's a testament to the aesthetic boundaries and intellectual revolt poets of Arab heritage are pushing, breaking, and reinventing.” We talk about what led her to both technology and poetry, language and story-telling, and the challenges and joys of representing life in the diaspora. In a time of war and genocide, Salameh's poetry shows how patterns of life and reproduction and desire persist. In her readings and discussions of three poems, we find a new lexicon and a new grammar.Maya Salameh is the author of MERMAID THEORY (Haymarket Books, 2026), HOW TO MAKE AN ALGORITHM IN THE MICROWAVE (University of Arkansas Press, 2022), winner of the Etel Adnan Poetry Prize, and the chapbook rooh (Paper Nautilus Press, 2020). She has received fellowships from the National Endowment for the Arts, Sewanee Writers' Conference, Bread Loaf Environmental Writers' Conference, and the President's Committee for the Arts and Humanities, and served as a National Student Poet, America's highest honor for youth poets. Her work has appeared in The Offing, Poetry, Gulf Coast, The Rumpus, AGNI, Mizna, and the LA Times, among others. @mayaslmhhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“Poetry is like one of the great loves of my life, and I think it's probably the longest relationship I'll ever have. I read a lot of poetry. I also wrote these short stories even when I was pretty young, like in second grade, and the stories kept getting shorter and shorter. My family used to go to Damascus in Syria and Lebanon every summer for three months until 2011, when the Civil War broke out in Syria. In 2015, we made our first return after that gap, and my father and I went to Lebanon for two weeks. It's the first time I felt that I belong. To the extent that was true or not, I'm obviously irrevocably American. I speak broken Arabic. I don't think I could ever live in Lebanon or Syria. But for what it was worth at 15 years old, it was a life-changing trip. I wrote my first official poem on the plane back to San Diego from that trip, and I feel that was a formative moment for me. I felt that I had a story to tell and wanted to put it to paper in the form of poetry.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with poet Maya Salameh about her poetry collection, How to Make an Algorithm in the Microwave, which won the prestigious Etel Adnan Poetry Prize in 2022. The judges remarked, “Maya Salameh's poetry stood out for its inventiveness in cracking the code of life ‘between system and culture'…The turns and swerves the poems make are astonishing; the expectations they upend are remarkable… It's a testament to the aesthetic boundaries and intellectual revolt poets of Arab heritage are pushing, breaking, and reinventing.” We talk about what led her to both technology and poetry, language and story-telling, and the challenges and joys of representing life in the diaspora. In a time of war and genocide, Salameh's poetry shows how patterns of life and reproduction and desire persist. In her readings and discussions of three poems, we find a new lexicon and a new grammar.Maya Salameh is the author of MERMAID THEORY (Haymarket Books, 2026), HOW TO MAKE AN ALGORITHM IN THE MICROWAVE (University of Arkansas Press, 2022), winner of the Etel Adnan Poetry Prize, and the chapbook rooh (Paper Nautilus Press, 2020). She has received fellowships from the National Endowment for the Arts, Sewanee Writers' Conference, Bread Loaf Environmental Writers' Conference, and the President's Committee for the Arts and Humanities, and served as a National Student Poet, America's highest honor for youth poets. Her work has appeared in The Offing, Poetry, Gulf Coast, The Rumpus, AGNI, Mizna, and the LA Times, among others. @mayaslmhhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“Poetry is like one of the great loves of my life, and I think it's probably the longest relationship I'll ever have. I read a lot of poetry. I also wrote these short stories even when I was pretty young, like in second grade, and the stories kept getting shorter and shorter. My family used to go to Damascus in Syria and Lebanon every summer for three months until 2011, when the Civil War broke out in Syria. In 2015, we made our first return after that gap, and my father and I went to Lebanon for two weeks. It's the first time I felt that I belong. To the extent that was true or not, I'm obviously irrevocably American. I speak broken Arabic. I don't think I could ever live in Lebanon or Syria. But for what it was worth at 15 years old, it was a life-changing trip. I wrote my first official poem on the plane back to San Diego from that trip, and I feel that was a formative moment for me. I felt that I had a story to tell and wanted to put it to paper in the form of poetry.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with poet Maya Salameh about her poetry collection, How to Make an Algorithm in the Microwave, which won the prestigious Etel Adnan Poetry Prize in 2022. The judges remarked, “Maya Salameh's poetry stood out for its inventiveness in cracking the code of life ‘between system and culture'…The turns and swerves the poems make are astonishing; the expectations they upend are remarkable… It's a testament to the aesthetic boundaries and intellectual revolt poets of Arab heritage are pushing, breaking, and reinventing.” We talk about what led her to both technology and poetry, language and story-telling, and the challenges and joys of representing life in the diaspora. In a time of war and genocide, Salameh's poetry shows how patterns of life and reproduction and desire persist. In her readings and discussions of three poems, we find a new lexicon and a new grammar.Maya Salameh is the author of MERMAID THEORY (Haymarket Books, 2026), HOW TO MAKE AN ALGORITHM IN THE MICROWAVE (University of Arkansas Press, 2022), winner of the Etel Adnan Poetry Prize, and the chapbook rooh (Paper Nautilus Press, 2020). She has received fellowships from the National Endowment for the Arts, Sewanee Writers' Conference, Bread Loaf Environmental Writers' Conference, and the President's Committee for the Arts and Humanities, and served as a National Student Poet, America's highest honor for youth poets. Her work has appeared in The Offing, Poetry, Gulf Coast, The Rumpus, AGNI, Mizna, and the LA Times, among others. @mayaslmhhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“Poetry is like one of the great loves of my life, and I think it's probably the longest relationship I'll ever have. I read a lot of poetry. I also wrote these short stories even when I was pretty young, like in second grade, and the stories kept getting shorter and shorter. My family used to go to Damascus in Syria and Lebanon every summer for three months until 2011, when the Civil War broke out in Syria. In 2015, we made our first return after that gap, and my father and I went to Lebanon for two weeks. It's the first time I felt that I belong. To the extent that was true or not, I'm obviously irrevocably American. I speak broken Arabic. I don't think I could ever live in Lebanon or Syria. But for what it was worth at 15 years old, it was a life-changing trip. I wrote my first official poem on the plane back to San Diego from that trip, and I feel that was a formative moment for me. I felt that I had a story to tell and wanted to put it to paper in the form of poetry.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with poet Maya Salameh about her poetry collection, How to Make an Algorithm in the Microwave, which won the prestigious Etel Adnan Poetry Prize in 2022. The judges remarked, “Maya Salameh's poetry stood out for its inventiveness in cracking the code of life ‘between system and culture'…The turns and swerves the poems make are astonishing; the expectations they upend are remarkable… It's a testament to the aesthetic boundaries and intellectual revolt poets of Arab heritage are pushing, breaking, and reinventing.” We talk about what led her to both technology and poetry, language and story-telling, and the challenges and joys of representing life in the diaspora. In a time of war and genocide, Salameh's poetry shows how patterns of life and reproduction and desire persist. In her readings and discussions of three poems, we find a new lexicon and a new grammar.Maya Salameh is the author of MERMAID THEORY (Haymarket Books, 2026), HOW TO MAKE AN ALGORITHM IN THE MICROWAVE (University of Arkansas Press, 2022), winner of the Etel Adnan Poetry Prize, and the chapbook rooh (Paper Nautilus Press, 2020). She has received fellowships from the National Endowment for the Arts, Sewanee Writers' Conference, Bread Loaf Environmental Writers' Conference, and the President's Committee for the Arts and Humanities, and served as a National Student Poet, America's highest honor for youth poets. Her work has appeared in The Offing, Poetry, Gulf Coast, The Rumpus, AGNI, Mizna, and the LA Times, among others. @mayaslmhhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

Jack Harris from the LA Times hops on to talk about Clayton Kershaw's legacy as he gets set for his final regular season start at Dodger Stadium. Jaxson Dart misinterprets a message from Eli Manning.

Ethereal Encounters welcomes the Return of PReston Dennett September 18th, 2025 Topic: The Real X- Files - Close Encounters Unveiled - Inside Humanoids and High Strangeness About Preston Preston Dennett began investigating UFOs and the paranormal in 1986 when he discovered that his family, friends and co-workers were having dramatic unexplained encounters. Since then, he has interviewed hundreds of witnesses and investigated a wide variety of paranormal phenomena. He is a field investigator for the Mutual UFO Network (MUFON), a ghost hunter, a paranormal researcher, and the author of 26 books and more than 100 articles on UFOs and the paranormal. Several of his books have been Amazon UFO bestsellers. His articles have appeared in numerous magazines including Fate, Atlantis Rising, MUFON UFO Journal, Nexus, Paranormal Magazine, UFO Magazine, Phenomena Magazine, Mysteries Magazine, Ufologist and others. His writing has been translated into several different languages including German, French, Portuguese, Russian, and Icelandic. He has appeared on numerous radio and television programs, including Midnight in the Desert with Art Bell, Coast-to-Coast and also the History Channel's Deep Sea UFOs and UFO Hunters. His research has been presented in the LA Times, the LA Daily News, the Dallas Morning News and other newspapers. He has taught classes on various paranormal subjects and lectures across the United States.He currently resides in southern California. Links: www.prestondennett.weebly.com You-Tube:https://www.youtube.com/channel/UCOntTQrEbD94Gjfc0UXC46A Facebook: https://www.facebook.com/preston.dennett/ Twitter: @PrestonEDennett Preston E Dennett (@PrestonEDennett) / Twitter Preston E Dennett (@PrestonEDennett) / Twitter Instagram: https://www.instagram.com/prestonedennett/

Dylan Hernandez of the LA Times joins us to talk about the Dodgers who have lost the first 2 games of this 3 game series against the Phillies. We get more into the Dodgers' decision to take Ohtani out while he was pitching a no-hitter. Adam Silver has taken some flak for saying the NBA is a highlight based sport when he was asked about the new tv contract and its various media partners.

We opened with a conversation with LA Times USC beat writer Ryan Kartje on USC football and Michigan State's matchup with the Trojans on Saturday night (8:00). Then we answered your questions on MSU football, the Tigers and more (35:00). Followed by our picks and best bets for this week's college football and NFL games (1:33:00). Plus, leftover listener takes from Monday (1:44:00).

9-15-25 Ben Bolch from the L.A. Times joins TEAM Talk after the Lobos defeat UCLA & the Bruins fire Deshaun Foster

What happens when loss cracks you wide open and shows you who you’ve been all along? Britt Michaelian had built a beautiful, full life. She was raising her daughters, creating art, and moving forward. But when her mother passed away suddenly, Britt paused everything. Then, just as life began to settle, her sister was diagnosed with cancer. That second heartbreak brought a deeper reckoning. In this conversation, Britt shares how she found clarity and purpose through pain, and how her grief helped her return to herself through healing, intuition, and a new form of creative expression. She stepped back from a thriving career and asked what really mattered Her sister’s cancer journey became a spiritual turning point that awakened her intuitive gifts She returned to art in a new way, creating frequency paintings rooted in energy, intention, and love Britt’s story reminds us that healing asks us to slow down, listen deeply, and honor the quiet wisdom that lives inside us. Britt Michaelian is a visionary artist, Reiki master, and quantum healer whose work blends creativity with profound personal transformation. With a BFA from the School of the Art Institute of Chicago and master’s degrees in Marriage and Family Therapy and Art Therapy, Britt brings over two decades of healing experience. She has worked as an expressive arts therapist in pediatric, oncology, and heart transplant units. Now a healing arts pioneer, Britt creates mixed-media frequency paintings that transcend the canvas, offering emotional renewal and spiritual depth. Her work has been exhibited in museums like the Museum of Contemporary Art Santa Barbara and collected around the world. She also hosts Healing House, an annual art and wellness event featured in the LA Times, and shares monthly remote Reiki and free healing resources through her site and podcast, The Daily Healing. Learn more at brittmichaelian.art and follow @BrittMichaelian on Instagram, X, and Pinterest. Explore More from The Life Shift Podcast

Tim and the LA Times' Dylan Hernandez come up with their plans to fix UCLA football -- Bob Myers as GM? Also, thoughts on Bob Melvin's Giants future and the Chargers' 2-0 start. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In the aftermath of the killing of conservative activist Charlie Kirk in Utah on Wednesday, the US President and his advisors have escalated their attacks on left wing opponents, even before a suspect was identified. Doyle McManus, a contributing writer with the LA Times, reported on the assassination's aftershocks.

Royal watchers are buzzing after Tom Sykes suggested King Charles' health disclosure has shifted power toward Prince William, putting pressure on Prince Harry to reconcile while there's still time. Meanwhile, a new survey shows public support for the monarchy has dropped to its lowest in 40 years. Meghan Markle faces criticism on two fronts — royal experts say she was never prepared for the sacrifices of royal motherhood, and her Netflix series has failed to boost sales of her As Ever brand. The LA Times even wonders if Meghan should ditch lifestyle projects and return to acting. Plus, Channel 5 names Princess Anne to the Royal Rich List with a fortune of £12 million.

The LA Times and Bill Addsion finally published an actual critical food review, and Jordan and Max have thoughts, which leads the fellas into a Chinese restaurant episode, dissecting 88 Club, Firstborn, Henry's, Ji Rong, and Jordan's favorite New York style bites, all while teasing a recent disastrous meal by a celebrity chef.  

Tim and the LA Times' Dylan Hernandez discuss all the emergencies that continue to hit the 49ers and why it's all pointing to a Week 5 game against the Rams. Also, why the Dodgers' bullpen is their great vulnerability and why Bob Melvin is the right manager for the Giants. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Today's guest is Blair Imani - a historian, educator, and the brilliant mind behind the viral web series Smarter In Seconds. She's also an LA Times bestselling author of Read This to Get Smarter, and if you've ever seen her content, you know she has a one-of-a-kind way of breaking down big, complex ideas with clarity, color, and compassion. The New York Times called her delivery “perky” and “quirky,” but her scholarship runs deep, covering everything from race and gender studies to intersectionality and U.S. history.In this episode, Blair opens up about:Embracing her bisexual identity and the beauty of self-discoveryNavigating faith as a proud Muslim womanHow intersectionality shapes the way we live, learn, and connectReshaping education and activism through storytellingLiving with purpose and impact while staying true to who you areFollow Blair Imani:Instagram: https://www.instagram.com/blairimani/Tiktok: https://www.tiktok.com/@blairimani Youtube: https://www.youtube.com/@blairimani Follow She Comes With Baggage Podcast: Instagram: https://www.instagram.com/shecomeswithbaggage__Tiktok: https://www.tiktok.com/@shecomeswithbaggage__Youtube: https://www.youtube.com/@KirstiePike

Happy Days: "Hollywood, Part 3" You've heard the phrase "jump the shark." But what about the episode that created it? We're talking the hugely popular 1970s sitcom about the 1950s -- Happy Days, and the Hollywood beach vacation three-parter and pseudo-Jaws riff that led to Henry Winkler's Fonzie waterskiing over a shark... and defining "TV shows going downhill" for the ages. Does the episode deserve the infamy? How much evil has Ron Howard inflicted on the world? And should you, in fact, sit on it?A proud part of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tip us on Ko-Fi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Gimmicks Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gimmickspodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠ ⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠ ⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠Theme song:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"Disco Tears" by Raven⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Creative Commons Attribution 3.0⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sources: ⁠First Person: In defense of “Happy Days” Jump the Shark episode by Fred Fox Jr. for the LA Times (2010)Hein Interview in Michigan Today: “He's a Maniac” by Alan Glenn (2016)“Happy Days became one of the biggest hits on TV by selling its soul” by Emily St. James for The AV Club (2012)Interview with Tom Bosley on his careerInterview with Pat Morita who played ARNOLD, a requirement to be seen for season 3 to be picked up

On this episode, Payton and Garrett dive into the case of Forrest Hayes, a former Google executive who was living the dream, until one decision turned into his worst nightmare. Links: Patreon: https://www.patreon.com/murderwithmyhusband NEW MERCH LINK: https://mwmhshop.com Discount Codes: https://mailchi.mp/c6f48670aeac/oh-no-media-discount-codes Twitch: https://www.twitch.tv/themwmh Instagram: https://www.instagram.com/murderwithmyhusband/ Watch on Youtube: https://www.youtube.com/@murderwithmyhusband Listen on Apple: https://podcasts.apple.com/us/podcast/into-the-dark/id1662304327 Listen on spotify: https://open.spotify.com/show/36SDVKB2MEWpFGVs9kRgQ7?si=f5224c9fd99542a7 Case Sources: KSBW.com - https://www.ksbw.com/article/alix-tichelman-reveals-her-story-after-google-executives-death/21756704 ABC7Chicago.com - https://abc7chicago.com/post/high-tech-mogul-murdered-by-prostitute-in-santa-cruz/172076/ LATimes.com - https://www.latimes.com/local/lanow/la-me-ln-google-exec-heroin-overdose-memorialized-20140709-story.html NYPost.com - https://nypost.com/2018/06/27/prostitute-convicted-in-google-execs-overdose-death-charged/ USAToday.com - https://www.usatoday.com/story/tech/2014/07/09/google-exec-hayes-killed-by-call-girl/12422797/ ABC30.com - https://abc30.com/post/prostitute-who-gave-google-exec-fatal-drug-shot-is-deported/1847902/ ABC7News.com - https://abc7news.com/post/prostitute-in-google-execs-death-may-be-deported/1839477/ CNN.com - https://www.cnn.com/2014/07/10/us/alix-catherine-tichelman NBCNews.com - https://www.nbcnews.com/news/us-news/google-exec-model-silicon-valley-after-dark-n153241 The Sacramento Bee - https://www.sacbee.com/news/local/crime/article213916554.html TheGuardian.com - https://www.theguardian.com/us-news/2015/may/19/california-woman-jailed-google-executive-overdose-death ABCNews.go.com- https://abcnews.go.com/Technology/call-girl-accused-death-google-exec-wrote-facebook/story?id=24490129 CBSNews.com - https://www.cbsnews.com/news/48-hours-forrest-hayes-case-kiss-of-death-and-the-google-exec/ HuffPost.com - https://www.huffpost.com/entry/timothy-hayes-death-heroin_b_5627673 Oxygen.com - https://www.oxygen.com/crime-time/call-girl-killer-Alix-Tichelman-faces-extradition-from-canada-to-face-new-murder-charge Learn more about your ad choices. Visit podcastchoices.com/adchoices

ICE agents just got a lot more powerful. The Supreme Court ruled today that agents can stop and detain anyone they think may be is in the U.S. illegally, according to the LA Times, “based on little more than working at a car wash, speaking Spanish or having brown skin.” We welcome iHeart TV and radio political analyst Gary Dietrich to talk about this and more.Mark has a conversation with Jamie Mustard. He'll talk about growing up in the church of Scientology and what happened when he tried to leave it.The Mark Thompson Show 9/8/25Patreon subscribers are the backbone of the show! If you'd like to help, here's our Patreon Link:https://www.patreon.com/themarkthompsonshowMaybe you're more into PayPal.  https://www.paypal.com/donate/?hosted_button_id=PVBS3R7KJXV24And you'll find everything on our website: https://www.themarkthompsonshow.com

The Menendez Brothers just faced their most high-stakes parole hearing yet, and only one reporter was allowed inside. In this episode, Tom Zenner and Kato Kaelin sit down with Los Angeles Times crime & courts reporter James Queally, the only journalist given access to Eric and Lyle Menendez's parole hearings.James shares what really happened behind closed doors, from the board's focus on cell phone violations to the emotional pleas of elderly relatives who fear they'll never see the brothers free again. He also explains how the brothers' contrasting prison records shaped the board's tone, the uproar over leaked audio, and what role DA George Gascón's policies may play in their future.Beyond the courtroom, James reflects on the cultural significance of the Menendez case, from its origins in Beverly Hills to its portrayal in Netflix documentaries and TikTok revivals. He draws comparisons to O.J. Simpson and Weinstein, offering a rare journalist's lens on crime, culture, and justice.

Jordan and Max are back to answer audience questions, and it's all new L.A. restaurants on the horizon, monk milk, Bub & Grandma's pizza, wines by the glass, Montecito dinners, Disfrutar vs. Somni, how to gain 100 pounds, LA Times vs. NY Times food coverage, the bottled & filtered water thing, a new rating system, all sorts of shrimp cocktail talk, the schelp meter, Max working for Michelin full-time, bagels, Jordan's new coffee dilemma, orange wine, Post Ranch Inn pricing, Paso Robles, Bavel no longer respects the neck, and rest in peace Dan Tana.

New episodes are back! Blair Glaser joins me to talk about how leadership roles, yes, the ones from the boardroom, can help you become a better partner, communicator, and even co-parent during and after divorce. What it comes down to, quite simply, is using leadership for love. Blair shares how her four-part leadership model applies directly to relationships in transition, including divorce and co-parenting. You'll hear how clarifying roles reduces tension, why creating a shared vision anchors you during conflict, and how to shift dynamics when relationships change. Whether you're navigating the emotional upheaval of divorce, stepping into a new co-parenting landscape, or preparing for healthier love in the future, this conversation offers practical tools you can start using right now. Podcast episodes are now available in two formats - audio and video! If you'd like to watch the video version of this episode, you can find it here. What you'll hear about in this episode: How leadership principles can change the way you date, partner, and co-parent (2:38) Why traditional models of relationships no longer work (13:46) How to use roles intentionally to reduce conflict and anxiety in relationships (15:34) What it means to fight well, and how to turn conflict into constructive negotiation (19:36) The four-part model Blair designed for co-leadership in intimate relationships (21:02) Why creating a shared vision matters most when co-parenting after divorce (23:36) Learn more about Blair Glaser: Blair Glaser is a (recovering) psychotherapist, executive leadership coach, and organizational development consultant. In an increasingly technological world, she is committed to promoting HI (Human Intelligence), offering people tips and tools to master effective communication, relationships, and making an impact. Over the course of 30 years, she has guided women, couples, veterans, urban youth, and executives and teams (in nonprofits and Fortune 500 companies alike) to lives of greater freedom and enjoyment. She's been quoted in the New York Times, LA Times, Spirituality and Health, and other publications, and ran workshops nationwide at institutions like NYU and Omega retreat centers. She is also a writer with a memoir about living in an ashram coming out in February 2026. She lives in Los Angeles with her husband and dog-ter, Vanna White. Resources & Links: ALL NEW: The Divorce Survival Guide Podcast Episodes are Now Available on YouTube! Focused Strategy Sessions with Kate The Divorce Survival Guide Resource BundlePhoenix Rising: A Divorce Empowerment CollectiveKate on InstagramKate on FacebookKate's Substack Newsletter: Divorce Coaching Dispatch Learn to Lead in Love: Introductory call with Blair, Just for The Divorce Survival Guide Listeners Blair on Facebook Blair on LinkedIn Blair on InstagramBlair's Substack Newsletter Episode 317: Burned Haystack Dating Method with Jennie Young =================== DISCLAIMER:  THE COMMENTARY AND OPINIONS AVAILABLE ON THIS PODCAST ARE FOR INFORMATIONAL AND ENTERTAINMENT PURPOSES ONLY AND NOT FOR THE PURPOSE OF PROVIDING LEGAL OR PSYCHOLOGICAL ADVICE.  YOU SHOULD CONTACT AN ATTORNEY, COACH, OR THERAPIST IN YOUR STATE TO OBTAIN ADVICE WITH RESPECT TO ANY PARTICULAR ISSUE OR PROBLEM.

The Mammals (Ruth Ungar and Mike Merenda, who also have a project called Mike & Ruthy) are a band from the Woodstock area with deep roots in the folk scene and traditions of the area, have worked with Arlo Guthrie, and Pete Seeger (amongst others), are critically acclaimed by LA Times, No Depression, NPR, PopMatters, and run the roots music festival called The Hoot. We talk with them about gratitude for the ability to create art and music, having faith in the low moments, being links in the (musical) chain, square dancing, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:The MammalsThe HootThe Ashokan CenterArlo GuthrieUtah PhillipsAni DifrancoWoody GuthrieEric WardWestern State CenterKen Burns Civil WarJay UngarDaniel QuinnClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

In 2019, Dr. Drew went on TV to warn California if it didn't get homeless camps and rat infestations under control, a bubonic plague outbreak was imminent. “I want to give you a prediction here. There will be a major infectious disease epidemic this summer in Los Angeles,” Dr. Drew told Fox News in 2019. But California didn't listen. On August 21, 2025, the LA Times reported the plague “aka the Black Death, made a reappearance in California.” Chef Andrew Gruel, a food entrepreneur and Huntington Beach City Council member, slams Bill Gates' fake butter for lacking key nutrients like C-15. Art Kleinschmidt, SAMHSA Acting Director, addresses mental health and substance abuse in homeless populations. Anthony Brown, once homeless and now founder of Brown Manor, shares his mission to provide shelter and recovery services. Chef Andrew Gruel is a food entrepreneur, Huntington Beach City Councilor, and founder of American Gravy Restaurant Group. He hosts American Gravy on Rumble. Follow at https://x.com/ChefGruel⠀Art Kleinschmidt, Ph.D., MBA, is a licensed mental health professional and addiction counselor, trained at Hazelden Betty Ford. As SAMHSA's Acting Director, he leads mental health and substance use disorder treatment and prevention. Learn more at https://www.samhsa.gov⠀Anthony Brown, formerly homeless, founded Brown Manor and C.A.R.E. in Anaheim, CA. With a B.S. in Nursing, he provides treatment for mental illness and substance use disorders. He is the author of “From Park Bench To Park Ave.” Learn more at https://anthonyhowardbrown.com and support his work at https://gofundme.com/f/brown-manor-hope-for-the-homeless 「 SUPPORT OUR SPONSORS 」 Find out more about the brands that make this show possible and get special discounts on Dr. Drew's favorite products at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://drdrew.com/sponsors⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• FATTY15 – The future of essential fatty acids is here! Strengthen your cells against age-related breakdown with Fatty15. Get 15% off a 90-day Starter Kit Subscription at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://drdrew.com/fatty15⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • PALEOVALLEY - "Paleovalley has a wide variety of extraordinary products that are both healthful and delicious,” says Dr. Drew. "I am a huge fan of this brand and know you'll love it too!” Get 15% off your first order at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://drdrew.com/paleovalley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • VSHREDMD – Formulated by Dr. Drew: The Science of Cellular Health + World-Class Training Programs, Premium Content, and 1-1 Training with Certified V Shred Coaches! More at https://drdrew.com/vshredmd • THE WELLNESS COMPANY - Counteract harmful spike proteins with TWC's Signature Series Spike Support Formula containing nattokinase and selenium. Learn more about TWC's supplements at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twc.health/drew⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 「 MEDICAL NOTE 」 Portions of this program may examine countervailing views on important medical issues. Always consult your physician before making any decisions about your health. 「 ABOUT THE SHOW 」 Ask Dr. Drew is produced by Kaleb Nation (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://kalebnation.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Susan Pinsky (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/firstladyoflov⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠e⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠). This show is for entertainment and/or informational purposes only, and is not a substitute for medical advice, diagnosis, or treatment. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep 271: Reconsidered: 25 - Colleen Wood Original Airdate: 09/01/20 52-year-old Colleen Wood was planning to embark on her dream trip, sailing around the world with her newfound love, John Paul. But after a while, John Paul resurfaced without Colleen, and her family is shocked when they discover that Colleen's traveling companion was hiding some very big secrets... Women & Crime: Reconsidered is where we revisit our episode catalog and bring new insights, behind the scenes or updates. Sources for Today's Episode: Disappeared www.chalicepaul.com The LA Times aetv.com The New York Times And of course, Colleen Wood's family Credits: Written and Hosted by Amy Shlosberg and Meghan Sacks Produced by James Varga Music by Dessert Media Help is Available: If you or someone you know is in a crisis situation, or a victim of domestic, or other violence, there are many organizations that can offer support or help you in your specific situation. For direct links to these organizations please visit https://womenandcrimepodcast.com/resources/ Learn more about your ad choices. Visit megaphone.fm/adchoices

                                          Listen in as Erin and Alice discuss: How Alice went from wine exporting to running a private equity fund and coaching entrepreneurs on AI. What most solopreneurs misunderstand about passive investing—and how it can transform your lifestyle. The real reason AI isn't optional anymore (and what to do if you're overwhelmed). How Alice uses ChatGPT and custom tools to replace entire teams and scale her business with fewer headaches. The mindset shift that changed everything: “Your input creates your output—so make it count.”                                                 About Alice is an experienced founder and investor with a M&A and securities law legal background. As an entrepreneur, she has built, operated and exited multiple businesses in the past 15 years. She is a BIV Top 40 Under 40 alumnus and has been featured by the Globe and Mail, Wall Street Journal, LA Times, Success, Maxim and Forbes. As a decade-long professional and personal investor, she has been a GP of a number of private equity and real estate funds in the past decade and has invested her own capital as a LP across different asset categories. She is currently a GP of a real estate private equity fund focused on land development in the U.S. Over the years Alice has seen both successes and pitfalls in private equity fund investments and will share in this masterclass the fundamentals of fund structure and due diligence process as well as the investment thesis of land development. How to Connect With Alice Website: www.alicechencompanies.com LinkedIn: https://www.linkedin.com/in/aliceychen/ Instagram: https://www.instagram.com/absolutelyalice