Slate Culture

Steve, Dana, and Julia gather once more—for almost the last time—to unpack the week's culture. This week, conversation has to include the cultural, cinematic juggernaut Steven Spielberg and his new film Disclosure Day. Starring Josh O'Connor and Emily Blunt, it's a sci-fi, action thriller about the longheld Spielbergian obsession: extraterrestrial life. Does it deliver that trademark Spielberg sense of wonder or tired cliches… or both?Next, they welcome longtime friend of the program Isaac Butler to discuss his new book The Perfect Moment: God, Sex, Art, and the Birth of America's Culture Wars and threats to free expression past, present, and future. Finally, and for the final time, beloved chartologist Chris Molanphy joins the show to remember Summer Struts past and curate the ultimate shortlist of shortlists. The panel shares their most adored songs from previous years and the tracks that never made the list but should have.Listen to the final, ultimate, best of Summer Strut shortlist here. And for even more struttin', you can listen to ten years of Summer Strut shortlists in one playlist here.For Slate Plus subscribers, our bonus episode includes even more propulsive, groovy tracks and reflective conversation about what was Summer Strut.EndorsementsDana: Slate's Spielberg Week and the 2023 conversation between the three philosophers John Vervaeke, Iain McGilchrist, and Daniel Schmachtenberger on "The Psychological Drivers of the Metacrisis."Chris: The 2025 music video, directed by Mike Mills and starring Saoirse Ronan, of the Talking Heads classic Psycho Killer.Julia: L.A. Material's upcoming Culinary Cup, a tournament of Los Angeles restaurants from the national diasporas represented in World Cup teams. Steve: Sports. (Latecomers and bandwagon fans welcome! Go Knicks!)And don't forget to preorder Isaac Butler's book The Perfect Moment: God, Sex, Art, and the Birth of America's Culture Wars.--Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

You know the Tootsie Shot. It's that image that pops up all the time in movies set in a dense city: a really busy midtown street, everyone going somewhere—and smack in the middle of it all is the protagonist. You can find it in Working Girl, Midnight Cowboy, Wall Street, Heartburn, Elf, Bridget Jones's Diary, The Devil Wears Prada, The Wolf of Wall Street, and so many more. But while it's one of the most recognizable camera shots in all of film, it only amounts to a short, transitional moment, often in the middle of a montage, and sometimes lasting for a couple seconds. It is, after all, just someone walking down a crowded street. So why is it so sticky?Some of the voices you'll hear in this episode include James Sanders, author of Celluloid Skyline: New York and the Movies; cinematographer Adam Holender; producer Anna Wenger; assistant director Joe Reidy, author Christopher Bonanos, media and entertainment lawyer Sam Bayard, and location manager Mara Alcaly. Also thanks to Jason Bailey, Sam Levy, Glenn Kenny, Carlo Mirabella-Davis, J.D. Amato, David Sims, Bill Parker, Doug Brody, Sean Fennessey, and Jody Rosen.This episode was produced by Willa Paskin and Benjamin Frisch. Decoder Ring is also produced by Max Freedman and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Slate staff writer Nitish Pawha to discuss his piece “Your TV Is Not Safe.” Apps like Instagram, Substack, and Spotify are making the leap from smart phones to smart TVs, as TVs attempt to compete against scrolling, and the nature of entertainment is changing. But giving over our TVs to these companies even further changes our relationships with technology, and even more, how we spend time with each other. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from A.C. Valdez. Hosted on Acast. See acast.com/privacy for more information.

Actor Peter Dinklage and playwright Erica Schmidt have been married for two decades, and even though they've collaborated on projects, it's rare for them to do an interview together. That's why we were so excited when they agreed to join Anna on stage at the Tribeca Festival to discuss how they balance privacy and family, why they wish interviewers would stop fixating on Game of Thrones, and how they met on a romantic evening when elephants walked through Manhattan. This episode was produced by Cameron Drews. Extra thanks to Alexandra Cohl and Katie Rayford, who helped with the live event, and Davy Gardner and Allyson Morgan, our talented friends at the Tribeca Festival. Get more Death, Sex & Money with Slate Plus! Join for exclusive bonus episodes of DSM and ad-free listening on all your favorite Slate podcasts. Subscribe from the Death, Sex & Money show page on Apple Podcasts or Spotify. Or, visit slate.com/dsmplus to get access wherever you listen.If you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay speaks with Rachel Barker, host of Girl on Film on YouTube. The internet has been rich with horror content for decades, but only recently have iconic creepy stories and their creators finally gone mainstream. With movies like Obsession and Backrooms breaking box office records, are YouTubers the next breakout stars for Hollywood? Get more of ICYMI with Slate Plus! Join for exclusive bonus episodes of ICYMI and ad-free listening on all your favorite Slate podcasts. Subscribe from the ICYMI show page on Apple Podcasts or Spotify. Or, visit slate.com/icymiplus for access wherever you listen.This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Editorial support from A.C. Valdez. Hosted on Acast. See acast.com/privacy for more information.

If you were watching cable TV around midday at the turn of the millennium, there's a good chance you saw a commercial for a compilation CD called Monster Ballads. It promised you more than two hours of musical cheese—some of the most over-the-top, cornball, leather-clad romantic jams ever to grace the charts, from “Heaven” to “High Enough,” “Carrie” to “Amanda.”There's another, more common term for these rockin' romancers: power ballads. And while this TV ad suggested the power ballad was perfected in the '80s—preferably sung by a dude in spandex, with long, flowing locks—its roots go back decades earlier. Acts as seemingly mild as Roy Orbison, Harry Nilsson and even the Carpenters were pivotal to the way these mega-devotionals evolved. R&B divas would turn power vocals into an athletic sport, alongside hair-metal howlers. Eventually, power ballads colonized the charts in the '80s, the '90s and beyond.Maybe they're cheesy, cringeworthy and melodramatic—but power ballads have proven remarkably enduring, with even 21st-century Zoomer stars like Olivia Rodrigo offering their own variations. So, join Chris Molanphy as he brings on the heartbreak, finds thorns on every rose, explores feelings we can't fight anymore and celebrates pop fans' greatest love of all: the power ballad.Podcast production by Kevin Bendis Hosted on Acast. See acast.com/privacy for more information.

As you may have heard in last week's episode, the Culture Gabfest is hanging up its microphones after 18 years of cultural commentary. But before our final episode, we've still got much to discuss!On this special guest-packed show, Steve, Dana, and Nadira Goffe have the power! That is the power to get into it with VSFOP Jamelle Bouie about Masters of the Universe, the latest attempt by Mattel to launch their own cinematic universe. They assess the state of IP-driven superhero movies and whether this newest entry—starring Nicholas Galitzine, as the buff, loin cloth-wearing He-Man, and Jared Leto, as the slightly lascivious Skeletor—is more than brand management.Next, they turn to the wild, surreal revenge thriller Is God Is, written and directed by Aleshea Harris based on her stageplay. They talk about how this tale of twin sisters seeking vengeance fits into the growing pantheon of Black horror as well as the ancient canon of revenge tragedies.Finally, and for the final time, it's time to talk about Taylor Swift. In the wake of her newest release, the song “I Knew It, I Knew You” for the Toy Story 5 soundtrack, the gang assembles one more time to take up the long-simmering Tay debate. Jody Rosen and Julia jump on the call/enter the Thunderdome for this, of course. In a bonus episode for Slate Plus subscribers, the panel pours one out for the recently shuttered Hampshire College and reflects on the changing landscape of the liberal arts.EndorsementsDana: The interactive, Jazz-playing, transit-obsessed, single purpose website Train Jazz. (Hat tip once more to Rusty Foster's Today in Tabs.)Nadira: The Black Film Archive which showcases Black films made from 1898 to 1999 currently streaming. Also, the year 2016 in music. Jody: For some Gabfest replacement therapy, watching academic lectures on YouTube such as the lectures of art historian John Walsh at Yale Art Galleries—including ones on Vincent Van Gogh and Dutch masters— and cultural historian Eric Lott on Racial Masquerade in America and Philippe Petit's legendary tightrope walk between the Twin Towers. Julia: Patrick Radden Keefe's new book London Falling and the song "Come Tomorrow" by Patti Scialfa.Steve: Following up on last week's endorsement, Steve can confirm that Disgrace by J.M. Coetzee is, in fact, good. Also recommended: Offshore by Penelope Fitzgerald. --Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Rachel Karten, a social media consultant and the writer of Link In Bio. Storytimes and other caught-on-camera content frequently goes viral on social media, but now companies have started manufacturing their own skits to secretly advertise themselves. Countless “ambassadors” are telling the same fake stories all over TikTok, with links to brands in their bios but not disclosing that they are trying to get viewers to buy products. Even worse, people keep falling for it. The more we earnestly engage with these made-up scenarios, the more we push the secretly-sponsored content into people's feeds. Will anyone stop them?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from A.C. Valdez. Hosted on Acast. See acast.com/privacy for more information.

Theo Baker was seventeen when he enrolled at Stanford and stumbled into one of the biggest stories on campus: academic misconduct allegations against the university's president. His reporting eventually forced the president out. In this episode, Theo talks about breaking that story, navigating backlash from classmates and faculty, and what he's learned about the ways Silicon Valley's culture of ambition and power shapes college life.Theo's book is How to Rule the World: An Education in Power at Stanford University Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus.And if you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by writer Stephanie McNeal to discuss the internet phenomenon of “boy moms.” As an internet culture expert, and recent mother of a boy herself, Stephanie helps break down the reaction to a recent viral post from actress Jenny Mollen, who has publicly compared her sons to “toxic exes” and is already mourning losing them to their eventual marriages. But she is far from the only example of this trope on social media, and the more mothers fall into this trap, the more they legitimize a problematic dynamic.This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

This week Steve, Dana, and Julia convene once again—this time with some big news. Also, they make a classic Gabfest episode. First up, it's the alienating fluorescent buzz, infinite carpeted sprawl, and liminal horror of Backrooms. The new release from A24 is directed by 20-year-old Kane Parsons based on his YouTube series which itself was inspired by deep internet lore and a viral piece of creepypasta. Does the uncanny maze of Backrooms go anywhere? They step into the labyrinth to find out. Next, they're joined by Gabfest fave Leon Neyfakh to get into another parallel dimension: the world of OnlyFans. They discuss Leon's new podcast about the ubiquitous platform OnlyFantasy—produced with comedian and OF creator Gracie Canaan.Finally, it's a conversation that's as lively as… well, that's the question. They take up a recent piece of data journalism in The Pudding analyzing the most common similes.In a bonus episode, Carl Wilson joins the call (as well as a special endorsement segment) to talk taste. Specifically, they get into how discussions of taste have changed since Carl wrote authoritatively on it 18 years ago in his book Let's Talk About Love: Why Other People Have Bad Taste.EndorsementsDana: The recent Zadie Smith essay in The New York Review of Books "Art for Our Sakes." Carl: The live album Happy Today by Jeff Parker and ETA IVtet as well as the anthology of poetry On Occasion: Poems for the People, with a special Canadian shoutout to the poem "Oh Americans" by Gary Barwin.Julia: The tranquil, koi fish-rich, and very SoCal Self-Realization Fellowship Lake Shrine. Also, L.A. listeners should join the folks of L.A Material, Punch List, and New York Review of Architecture on June 7 for the event LACMA Therapy Session to process all their complicated feelings about the new David Geffen Galleries.Steve: The band The Durutti Column as sampled in the Blood Orange song "The Field." Plus, Steve would love to know what listeners make of the author J.M. Coetzee, particularly his novel Disgrace.(Also, make sure to subscribe to Carl's fantastic newsletter Crritic!)--Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

In Australia, no wedding or school dance is complete without the Nutbush, Australia's unofficial national dance. The Nutbush – a simple line dance to the song “Nutbush City Limits,” by Ike and Tina Turner – has become as stereotypically Australian as kangaroos, boomerangs, and Vegemite.And yet, hardly anyone outside of Australia even knows the Nutbush exists. Here at Decoder Ring, we certainly didn't – until we started getting emails from Australians asking us to investigate its origins. How did an American song become the soundtrack for an Australian national tradition? Who invented the iconic steps, and why does every Australian know them?Our producer Max Freedman put on his dancing shoes to get some answers. The global, century-spanning story of the Nutbush involves Australia, Tennessee, Denmark, primary schools, gay discos, and demonstrates that even the goofiest cultural touchstones can go surprisingly deep.In this episode you'll hear from culture journalists David Mack and Angus Kidman; Nutbush researchers Panizza Allmark and Jon Stratton; dance historians Erica Okamura and Richard Powers; Dr. Fiona Chatteur, Jeremy Santolin, and Brian Kerr.This episode was written and produced by Max Freedman and edited by Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.Further ViewingHow to do ‘The Nutbush' - Australian Line Dance Dancin' the Madison on “The Buddy Deane Show” (1960)Alley Cat Tutorial — Spark Physical EducationThe Nutbush on Countdown (December 5, 1976)Tina Turner — Nutbush City Limits, The Midnight Special (1973)Tina Turner — Are You Breaking My Heart, Countdown (1980)Tina Turner: How “The Best” Became Rugby League's Anthem | ABC NewsTina Turner's Electrifying 1993 NRL Grand Final PerformanceSources for This EpisodeAllmark, Panizza, and Jon Stratton. “Doing the Nutbush: How Australia Got Its Very Own Line Dance.” Continuum: Journal of Media & Cultural Studies, vol. 39, no. 1, 2025, pp. 79–94.Allmark, Panizza, and Jon Stratton. “The Nutbush Dance Reframed: Further Analysis Related to ‘Doing the Nutbush.'” Continuum: Journal of Media & Cultural Studies, vol. 39, no. 1, 2025, pp. 95–103.Andrews, Shirley. Take Your Partners: Traditional Dancing in Australia. 3rd ed., Hyland House, 1979.Bloomfield, Anne. “Health or Art? The Case for Dance in the Curriculum of British State Schools 1909–1919.” History of Education, vol. 36, no. 6, 2007, pp. 681–696.Bloomfield, Anne. “The Quickening of the National Spirit: Cecil Sharp and the Pioneers of the Folk-Dance Revival in English State Schools (1900–26).” History of Education, vol. 30, no. 1, 2001, pp. 59–75.Gbogbo, Mawunyo. “Tina Turner and Her Australian Connections: How The Best Became Rugby League's Anthem and Why Is the Nutbush Mandatory at Gatherings?” ABC News, 24 May 2023.Jones, Benjamin T. “Australian Politics Explainer: The White Australia Policy.” The Conversation, 9 Apr. 2017.Kidman, Angus. “Tina Turner: How Australia Saved Her Career.” Angus Kidman, 13 Aug. 2023.Meiners, Jeff. So We Can Dance? In Pursuit of an Inclusive Dance Curriculum for the Primary School Years in Australia. 2017. University of South Australia, Doctor of Education thesis.Spencer, Eliza. “Australia and the Nutbush: The Quest for the Origin of a Cultural Phenomenon Goes On.” The Guardian, 5 May 2024.Ward, Mary. “The Mysterious Allure of the Nutbush and Why the Dance Is Uniquely Australian.” Sydney Morning Herald, 25 May 2023.Zhuang, Yan. “Australia Remembered Tina Turner with a Dance.” New York Times, 25 May 2023. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Angelina Mazza whose recent piece in The New York Times details how publishers are “modernizing” previously published books like Pretty Little Liars and Are You There God? It's Me, Margaret by replacing outdated references to pop culture and technology with artists like Billie Eilish and apps like TikTok. While publishers claim this is to keep younger readers engaged, others argue it's not just patronizing, but also disrespectful to the art of storytelling. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

Romy Holland is a Berkeley mom whose meet-cute happened at a raucous sex party. That night she had sex with dozens of men, one of which would become her husband. In this episode, Romy talks about the party in question, from the sexy aspects to the much more awkward ones. Plus she talks about what new motherhood does to desire, and the unexpected emotional toll of an abortion that didn't go as planned.Read Romy's essay “What Nobody Told Me About Abortion“And we first heard about Romy in the San Francisco Standard's story “When A Gang Bang Becomes a Love Story“ Podcast production by Zoe AzulayDeath, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus.And if you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Ed Zitron, host of the podcast Better Offline and a certified hater of AI. After yet another AI writing scandal, this time involving the 2026 Commonwealth Short Story prize, Kate and Ed take a closer look at tools like Pangram that claim to detect AI writing with 99% accuracy. But if we can't ever be sure, then no one knows what's true at all—and that's exactly how these institutions like it. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

In 1979, Sister Sledge changed the sound of wedding receptions forever with “We Are Family.” Believe it or not, the Chic-penned banger never made it to No. 1. Steely Dan helped invent Yacht Rock with 1977's jazzy bop “Peg.” (They would have loved it better if it had cracked the Top 10.) And in 1972, Elton John told a timeless tale of a blue-jean baby, a “Tiny Dancer.” Casey Kasem never counted it down.Today on Hit Parade: Chris Molanphy celebrates “near misses”—now-ubiquitous hits that missed the mark on the pop charts, stalling out at No. 2, No. 11, or No. 41. In this episode, Chris zooms in on near-misses from the 1970s, including songs from Paul McCartney, the Spinners, Jackson Browne, Cat Stevens, Diana Ross, and Michael Jackson. Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

This week, the OG three Steve, Dana, and Julia dig into the visually stuffed, Marxist smorgasbord that is Boots Riley's latest film I Love Boosters. Starring Keke Palmer and Demi Moore, the candy-colored agitprop is about exploitation, the fashion world, shoplifting as class warfare, and— as they discuss—perhaps more than one movie can handle. Next they turn from Marx to Freud and analyze the critically adored reality TV phenomenon Couples Therapy, now entering its fifth season. Is the office of Dr. Orna Guralnik a site of transcendent psychological revelation or panoptic exploitation? They unpack.Finally, they talk lingvo itself by way of a recent article in Harpers by Katie Thornton about the unlikely resurgence of interest in the artificial language Esperanto. In a bonus episode for Slate Plus subscribers, they answer a listener question about what long-running pieces of culture they've stuck with over years.Ĝuu!EndorsementsDana: The book The Artificial Language Movement by Andrew Large about the centuries-long history of utopic language projects.Julia: Lena Dunham's memoir Famesick and Dialed.gg, the internet's latest color perception test.Steve: The music of the indie shoegaze band Slowdive—particularly the album Souvlaki—and the solo efforts of its frontman Neil Halstead—particularly the song “Witless or Wise” and the album Palindrome Hunches; check out Steve's mega playlist for more.---Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

Earlier this year we debuted Decoder Rings Back, our new feature exclusively for Decoder Ring Plus subscribers. In each installment, Willa gets a listener on the phone and tries her best to answer their question about a cultural mystery. We have been having a blast making these episodes, and if you haven't heard them, we think you're missing out. So in the hopes of instilling some FOMO that motivates you to support the work we do here by becoming a Decoder Ring Plus subscriber, here's a sneak peek at the latest installment.This time, we hear from Julia Latino in Massachusetts who's been baffled for years by a strange sight: dozens of tiny rubber duckies riding on the dashboard of Jeeps. What started this craze, and why Jeeps of all cars?Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by New York Magazine features writer Lane Brown whose latest piece breaks down the “clipping economy,” which has become the backbone of the entire internet. Cheaper than traditional advertising, people and companies employ bots and users to generate fake hype for everything from music to TV shows to SNL performances. The internet has become so saturated with this content that now almost everyone has to do it to compete. But if you take away clipping, does any real internet remain? And if everything is marketing, is anything online real?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

Anna talks to Alexis, a parent whose 8 year old son has an anxiety disorder, about what it was like attending a therapy program designed for parents of anxious children. Plus, Anna talks to the founder of the program, Dr. Eli Lebowitz, Director of the Program for Anxiety Disorders at the Yale Child Study Center, and author of Breaking Free of Child Anxiety and OCD: A Scientifically Proven Program for Parents.Podcast production by Zoe AzulayDeath, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus.And if you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by writer Daysia Tolentino to discuss whether influencers serve us at all in 2026. James Charles faced backlash for publicly mocking a recently laid-off woman who DMed him for support. And in response, some users are questioning why they even support influencers. While some creators offer niche content or services, many in the A-list are now simply famous for being famous. Meanwhile, the average American is struggling with the rising cost of living. Which begs the question: can we any longer be entertained by watching privileged people doing privileged things? This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

This week, we've got an all-guest-host panel with Gabfest faves Isaac Butler, Sam Adams, and June Thomas guiding the discourse… straight to hell. In this case, hell is the romantic relationships depicted in the buzzy indie horror Obsession. This rom-com/horror mashup—marking Curry Barker's impressive feature directorial debut—deals with questions of codependency and consent. But the real question: is Obsession worth the online obsession? Next, they turn their gaze to the spooky titular island of Widow's Bay and discuss the new series starring Matthew Rhys in another horror/comedy genre experiment. Finally, they debate whether most kids' books are “crud?” Or really, is the recent online furor over comments in children's book creator Mac Barnett's new book Make Believe: On Telling Stories to Children merited?In a bonus episode for Slate Plus subscribers, the gang gather over the topic of book clubs.EndorsementsJune: Get In: The Inside Story of Labor Under Starmer by Patrick Maguire and Gabriel Pogrund, a detailed and readable analysis of Keir Starmer's unlikely rise to power.Sam: The latest film of indie, animated short auteur Don Hertzfeldt "Paper Trail." Isaac: The novel The Oppermanns, a family saga by Lion Feuchtwanger written in real time during Hitler's rise. (And, as a bonus peek into Feuchtwanger's post-war milieu, check out Salka Viertel's autobiography The Kindness of Strangers.)--Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

Like the palm tree, the Everglades, Disney World, and the “Florida Man,” the orange is a classic symbol of the Sunshine State. But maybe not for much longer. Production has declined to catastrophic levels, a decrease of more than 95% in less than 25 years. It's a produce murder mystery—and Decoder Ring is tagging along with reporter Alex Sammon to crack the case. The suspects include insects, hurricanes, mortgage-backed securities, and the American habit of not reckoning with enormous, load-bearing flaws until it's way too late.In this episode, you'll hear from Alex, a feature writer at Slate, who visited Florida to check on the orange and write about its demise. You'll also hear from Gary Mormino, Florida lover, expert, and professor emeritus of Florida Studies at the University of South Florida.This episode was produced by Katie Shepherd and Evan Chung, Decoder Ring's supervising producer. It was edited by Josh Levin. Decoder Ring is also produced by Willa Paskin and Max Freedman. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.Sources for This EpisodeHamilton, Alissa. Squeezed: What You Don't Know about Orange Juice, Yale University Press, 2010.Hussey, Scott D. “The Sunshine State's Golden Fruit: Florida And The Orange,1930-1960,” USF Tampa Graduate Theses and Dissertations, Apr. 2, 2010.McPhee, John. Oranges, Farrar, Straus and Giroux, 1967.Mormino, Gary. “The enduring but endangered symbol of Florida,” The Gainesville Sun, Apr. 3, 2016.Sammon, Alex. “Who Killed The Florida Orange?” Slate, Apr. 20, 2026.Walkey, Will and Amory Sivertson. “The fall of Florida citrus,” On Point, Aug. 19, 2025 Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by writer and comedian Matt Buechele to talk about how the etiquette around phones is shifting, with previously phone-free spaces now welcoming them into the room. In almost all cases, this makes the experience worse for everyone else, but rather than rebelling, people are starting to accept this as a fact of life. Enough! Let Kate watch Hokum in peace!This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

The actor and travel writer Andrew McCarthy used to be a member of one of pop culture's most famous friend groups: The Brat Pack. He starred in movies like Pretty in Pink and St. Elmo's Fire and palled around with actors like Rob Lowe and Emilio Estevez.Four decades later, in middle age, he found himself nearly friendless and set out on a cross-country road trip to reunite with the buddies he missed the most. This week on DSM, he tells Anna about the awkward conversations and tender moments that led to his new book Who Needs Friends: An Unscientific Examination of Male Friendship Across America. This episode was produced by Cameron Drews. Get more Death, Sex & Money with Slate Plus! Join for exclusive bonus episodes of DSM and ad-free listening on all your favorite Slate podcasts. Subscribe from the Death, Sex & Money show page on Apple Podcasts or Spotify. Or, visit slate.com/dsmplus to get access wherever you listen.If you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by writer of Garbage Day and host of Panic World, Ryan Broderick. Ryan has been tracking the metrics of prominent right-wing creators like Ben Shapiro and Tim Pool over the past year or so, and noticed a surprising trend: once lauded as an unbeatable force of political influence, these creators are struggling with both their views and finances. Is this a sign of the tide turning, or was the right wing media ecosystem never as powerful as we thought it was?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

The opening riff of “White Wedding” is instantly recognizable—a skittering, syncopated guitar line quickly swallowed by pummeling drums. But the song itself is a bit of an enigma. Is it rock? Pop? New wave? Rockabilly punk? Like much of Billy Idol's career, the song exists somewhere in between. Idol was a shape-shifter, blurring genre lines in pursuit of bigger hooks, bigger audiences and, eventually, pop stardom.Raised near London and running with the Sex Pistols' inner circle, Idol arrived with genuine punk bona fides. But with the rise of MTV and the explosion of new wave, he refashioned himself as the bleach-blond, leather-clad rock crooner who sneered his way to the top of the charts.Join Chris Molanphy as he traces the rise, reinvention and Rock Hall canonization of an original MTV icon.Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

In the 11th season of Slow Burn, host Susan Matthews traces the rise of Neil Gorsuch, from his formative years as a young conservative through his nomination to a “stolen seat” on the U.S. Supreme Court. Through interviews, legal analysis, and archival research, this mild-mannered Westerner emerges as the court's most unpredictable—and most important—sitting justice. Hosted on Acast. See acast.com/privacy for more information.

On this week's show, our panel of Dana, Steve, and Sam Adams are on the case. The case: is the movie Sheep Detectives a real movie and is it any good? The answer: it's a star-studded cozy murder mystery based on a best-selling book about ungulate sleuths… and yeah, it might just be the surprise word-of-mouth delight of the season. Next, they take up the proverbial conch shell to assess Lord of Flies, the new Netflix limited series adaptation of William Golding's classic novel from the creator of Adolescence.Finally, they're joined by longtime Slate book reviewer Laura Miller who understandably has some thoughts and feelings about the recent piece by New York Times book critic Dwight Garner “Where Have All the Book Reviews Gone?”In an exclusive bonus episode for Slate Plus subscribers, Laura sticks around to report back from her viewing of the strange mess that is the new Animal Farm adaptation.EndorsementsLaura: The new book by philosopher and polymath C. Thi Nguyen The Score: How To Stop Playing Somebody Else's Game. Steve: The music of the Brazilian recording artist Sessa and the chamber music piece Quartet for the End of Time by Olivier Messiaen.Sam: The Wager: A Tale of Shipwreck, Mutiny and Murder by David Grann.Dana: The audiobook Patrick Stewart Performs the Complete Sonnets of William Shakespeare. --Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by journalist and creator Princess Weekes to discuss the ethics of consuming leaks. Ten years ago, a fan with access to leaked material from their favorite artist or creator was considered elite. But now, fandoms like Avatar: The Last Airbender worry that watching the now-leaked most recent film is a slap in the face to the artists. But if the choice is between exploiting an artist's work, and being exploited by the streaming services and corporations that are making ethical consumption even more expensive, then does anyone win? This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

Tim Friede grew up in a strict, religious household with an obsession for science and a knack for breaking rules. He became fixated on a particular problem: roughly 120,000 people die from venomous snakebites every year worldwide.He developed a theory that if he could become immune to snakebites, then his blood could be used to develop a better antivenom. So, he got to work. Over nearly two decades, while working odd jobs in factories and as a window washer, he allowed himself to be bitten over 200 times by the world's deadliest snakes, which he kept in his basement. Many of the people closest to him thought he was crazy, until his scheme worked. Podcast production by Zoe Azulay. More episodes around risk and self-experimentation:Why Jeb Corliss Jumps Off CliffsHard: Little Pill, Big PharmaDeath, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus.And if you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Pitchfork news director Alex Suskind to talk about why musicians keep coming down with “blue dot fever.” Stars like Meghan Trainor and Post Malone are among many in recent months who have cancelled entire tours, seemingly due to a lack of ticket sales. Has social media changed what it means to be famous, or have things like Ticketmaster finally made concerts too expensive to attend? Or are we, the audience, to blame? This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

This week, Julia Turner and Dana Stevens are joined by Slate's own Rebecca Onion to discuss The Devil Wears Prada 2, BEEF season 2, and the NYT's best living songwriters package with Slate's music critic Carl Wilson. Twenty years on, we return to the world of The Devil Wears Prada. In the sequel, Andy, Anne Hathaway's character, must save Runway Magazine from the forces of capital, who are selling the Vogue-analogue for parts, as Meryl Streep's Miranda Priestly struggles to hang on to her own power. The movie has a lot to say about the state of journalism and media with plot lines seemingly ripped from the gossip pages, but does it all come together in the edit? We discuss. Then, the second season of A24's anthology series BEEF stars Oscar Isaac and Carey Mulligan as a volatile millennial couple who enter into a feud with a younger couple, played by Cailee Spaeny and Charles Melton. Set at a rich Californian golf resort and its environs, the show satirizes class and generational resentments as the characters scramble to claim the scraps of their betters at the expense of everyone else. The characters are mostly unlikeable, and the premise might be a little less original than the first season, but given BEEF's stacked cast and pedigree, does the show sizzle? Finally we're joined by Carl Wilson, Slate's music critic and author of the newsletter “Crritic!” to discuss the New York Times package: The 30 Greatest Living Songwriters. Carl submitted a ballot for the list, and the polished version isn't too far from his submission. He gets into his picks and discusses what the list is saying about the field of songwriting and the idea of a songwriter as it's been expanded to include non-traditional instrumentation and digital composition. But like all lists it has sparked debate about the inclusions (Carole King, Stevie Wonder) the exclusions (Randy Newman, Liz Phair, David Byrne) and whether Taylor Swift's inclusion was solely to get an interview. Together with Carl, we try and make sense of the list and talk about our favorites. As promised, here is Carl's full ballot (The asterisks indicate people who Carl voted for but who have since died):Willie NelsonSmokey Robinson Bobby Braddock *Brian WilsonBob DylanCarole KingRandy NewmanDolly PartonStevie Wonder*Sly StoneThe Flatlanders (Butch Hancock/Jimmie Dale Gilmore/*Joe Ely)Tom Waits & Kathleen BrennanNile RodgersDavid ByrneMark EitzelChuck D & the Bomb SquadJimmy Jam & Terry LewisStephin MerrittLiz PhairJohn Darnielle (The Mountain Goats)Missy Elliott & TimbalandThe Love Junkies (Hillary Lindsey/Lori McKenna/Liz Rose)Outkast (Big Boi/Andre 3000)Josh Osborne/Brandy Clark/Shane McAnallyPhoebe BridgersEndorsements: Julia: The SNL sketch featuring Teana Taylor, Grandpa At The Wedding.Rebecca: The new Lord Of The Flies adaptation on Netflix. Dana: The article in Vogue: Meryl Streep and Anna Wintour on Power, Fashion, and Acting the Part by Chloe Malle.Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

We are lucky to get fantastic questions from our listeners here at Decoder Ring, and in this episode, we're going to open up our mailbag to answer three of them. What are the origins of an eerie horror film string motif? Why do companies insist on telling callers to “listen closely” to menu options that could not possibly have changed? And when did we start using the indispensable eye roll?In this episode, you'll hear from historical musicologist Frank Hentschel, as well as Eli Spindel, artistic director of the String Orchestra of Brooklyn. We also speak with writer Nick Greene, Holdcom CEO Andrew Begnoché, and linguist Dr. Rebecca Clift.This episode was produced by Katie Shepherd and Evan Chung, our supervising producer. Decoder Ring is also produced by Max Freedman. Merritt Jacob is Senior Technical Director.Special thanks to Nicole Holliday, and to Leilehua Lanzilotti, whose website Shaken Not Stuttered is a fantastic resource about extended techniques for strings.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Andrea González-Ramírez, a senior writer at The Cut whose recent piece explores why so many people have stopped reading the news. Instead, we're “numbing out” after years of constant bad news on social media, to the point that even an assassination attempt on President Trump doesn't earn a mention in our group chats. But how do we draw the line between necessary self care and privileged ignorance? This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

Kara Swisher has built an impressive career reporting on–and forcefully critiquing–the world of tech, especially the ultra-wealthy power players increasingly calling the shots. Since Steve Job's death in 2011, she's noticed a sharp uptick amongst those Silicon Valley elite doing all sorts of “wacky shit” to try and defy aging, extend their lifespan, and possibly even stop death itself. On her new CNN series Kara Swisher Wants to Live Forever, Kara cracks jokes and tries out some of the buzziest longevity trends, but she takes very seriously the inequality of it all – how these unproven, but potentially ground-breaking treatments remain squarely out of reach for most of us, while proven medical care continues to get more expensive with worse outcomes. Listen to our 2024 interview with Kara at the Tribeca Festival here. Join us on June 10 for our 2026 Tribeca Festival live event with Peter Dinklage and Erica Schmidt. Get your tickets here. Podcast production by Andrew DunnDeath, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus.And if you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by author Leigh Stein, who landed her first book deal in the 2010s personal essay boom. With new memoirs from Lindy West and Lena Dunham, it feels like confessional writing is getting a 2020s rebirth. However, reactions to viral personal essays, like those in The Cut, prove social media has become a much different beast. Now, writing a personal essay is not only much more fraught, but can be downright dangerous. Did the personal essay change, or did we?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

This week, Dana, Steve, and Nadira Goffe assess if we as a culture can ever really escape Neverland— namely, the gigantic and fraught legacy of Michael Jackson. They unpack the biopic Michael. Directed by Antoine Fuqua, starring Jackson's own nephew Jaafar Jackson, and produced by much of the Jackson family, the film is chock full of musical numbers and light on the troubling aspects of the singer's life. Does it ever rise above King of Pop hagiography? They discuss.Next, they take up Half Man, the new limited series from Baby Reindeer creator Richard Gadd. It's a brutal look at a toxic male relationship. Is its unflinching eye too unflinching? Perhaps.Finally, how can one become cultured? What does that even mean!? Such are the questions raised by T Magazine's recent special issue “How to Be Cultured.” Our panel debates the package's various high brow listicles, takes their quiz, and Nadira even makes her own culture list as rebuttal! (See below.)In an exclusive bonus episode for Slate Plus subscribers, our hosts share which cultural figures they think would make for good biopic subjects.EndorsementsNadira: The new EP NAIL from Yves, particularly the title track, and Curtis Live! the live album by Curtis Mayfield, especially the song "The Makings of You."Steve: The poem "Like the Train's Beat" by Philip Larkin.Dana: The book On Michael Jackson by Margo Jefferson about Michael Jackson's complicated cultural place.Nadira's Culture List:(Editor's Note: Nadira added two things since our discussion — we're all still staying curious and expanding our cultural horizons!)“Throw Some Ds on It” — Rich Boy (Song; 2007)“Jealous Guy” — Donny Hathaway covering John Lennon live (Song; 1972)Any vlogger on YouTube, but particularly the work of Casey NeistatHappily Ever After: Fairy Tales for Every Child (TV Show; 1995)Fleabag (TV Show; 2016-2019)Monster (Anime Series, currently avail. on Netflix; 2004)Stop Making Sense (Movie; 1984)The Devil Wears Prada (Movie; 2006)Step Up 2: The Streets (Movie; 2008)Tampopo (Movie; 1985)Spider-Man: Into the Spider-Verse (Movie; 2018)Original Cast Album Company (Movie; 1970)Quo Vadis, Aida? (Movie; 2004)Playing in the Dark — Toni Morrison (Book; 1992)Tomorrow, and Tomorrow, and Tomorrow — Gabrielle Zevin (Book; 2022)Any painting by Kerry James Marshall, but particularly “School of Beauty, School of Culture” and “Portrait of the artist as a shadow of his former self”Fallingwater, Frank Lloyd Wright (Architecture; 1964)--Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by ex-Mormon content creator Alyssa Grenfell to discuss the new Secret Lives of Mormon Wives spinoff, Netflix's Trust Me, and the pop-culturification of Mormonism. While the internet has long been a place for Mormon creators to thrive, now that they've gone mainstream, our obsession with MomTok and dirty sodas risks softening, and even obscuring, the religion's conservative ideology. During a time in history when our conservative government feels more dangerous than ever, we can't let pop culture give racism and sexism a sugar-coated rebrand. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

When musician Chris Dowd was 19, shortly after graduating from high school, his band Fishbone got signed to Columbia Records. The group was made up of Black teenagers in Los Angeles, who combined several musical genres—funk, punk, ska, metal, reggae—into a new exciting sound in the late 70's. They influenced countless other bands but struggled to find lasting commercial success.This week on the show, Chris talks to Anna Sale about being a teenage rock pioneer who stepped away from the group in 1994. He also discusses his close friendship with the late Jeff Buckley, his trouble with alcoholism after Jeff's death, and what it's been like to rejoin Fishbone and go on tour. Fishbone songs featured in this episode:Skankin' to the BeatUglyAdolescent Regressive BehaviorParty at Ground Zero CubicleLove is LoveLast Call in America (feat. George Clinton) HouseworkWatch Fishbone's 1991 performance on SNL: https://www.dailymotion.com/video/xl7e88 This episode was produced by Cameron Drews and Daisy Rosario. Get more Death, Sex & Money with Slate Plus! Join for exclusive bonus episodes of DSM and ad-free listening on all your favorite Slate podcasts. Subscribe from the Death, Sex & Money show page on Apple Podcasts or Spotify. Or, visit slate.com/dsmplus to get access wherever you listen.If you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by culture writer Kat Tenbarge to discuss CNN's recent investigation into a global online “rape academy.” The reporters infiltrated a Telegram group of nearly 1000 men exchanging tactics to drug and sexually assault their partners, which they found through a specific pornography website. However, when CNN reported that this website received 62 million hits in a month, some readers conflated this number with the number of members in the Telegram group, resulting in viral misinformation. Those attempting to correct the record have been accused of minimizing these crimes. Why does the truth feel so controversial?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

Hit Parade is on a brief break, but if you need a daily dose of fascinating stories, check out History Daily. Host Lindsay Graham (the history guy! not the senator!) explores what happened "on this day in history," with a broad mix of politics, sports, technology, medicine, and much more. Chris recommends this episode about the genesis of MTV—including the forgotten role played by a former member of the Monkees. Find History Daily's huge archive of quick-hit history at: https://www.historydaily.com/ Hosted on Acast. See acast.com/privacy for more information.