Slate Culture

The app-ification of dating has made meeting people even more difficult. But no one ever talks about what comes after: when you are in a relationship with someone, and have brand new digital etiquette to decipher. When do you hard launch? How much should you post each other? And is it really that bad if they're still liking other people's thirst traps? On today's episode, host Kate Lindsay is joined by Slate senior editor Tony Ho Tran, whose long-term relationship took place mainly online before the pair could live in the same place. While there are still plenty of digital minefields out there, could the thing that ruined dating actually be responsible for making relationships…better?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with production assistance from Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.

In the mid-1970's, a small college radio station created an evening program catering to a new socioeconomic group referred to as the “new Black middle class.” The show was called “The Quiet Storm” and it grew so popular that an entire genre of music would spring up alongside it. Artists like Anita Baker, Luther Vandross, and many more would find massive success in the genre, performing smooth and sexy songs you could turn on after a long day. Audio producer Christopher Johnson made a piece about The Quiet Storm for the legendary podcast about design 99% Invisible and he joins Anna to talk about why Quiet Storm music will always feel like home to him.You can listen to The Quiet Storm playlist from 99% Invisible here: https://open.spotify.com/playlist/0cuU6j4C77EEuQDRWEEKFb?si=a2u3yKzLTwqz7cvycywmUw This episode was produced for DSM by Andrew Dunn. Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus.And if you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Hosted on Acast. See acast.com/privacy for more information.

***GET TICKETS TO OUR LIVE SHOW HERE!!!!***An uncomfortable amount of the internet has been influenced by Barstool Sports. Many prominent online figures, particularly women, hail from the website, and the media company has planted its flag in everything from internet culture to crypto. Upon reading founder Dave Portnoy's memoir, however, all Scaachi Koul found was an angry man made up of grudges. In this episode, host Kate Lindsay is joined by Koul to talk about Barstool's legacy, its secret influence on the internet, and why, despite this, Dave Portnoy is so bitter about it all.This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

Pink Floyd's The Dark Side of the Moon is one of the most played, purchased and praised albums of all time. Yet its enduring legacy might be its supernatural chart longevity. Officially, the 1973 long-player has spent nearly a thousand weeks on the Billboard album chart. But that number probably understates its past performance, not to mention its future potential, with new generations of teenagers discovering Dark Side every yearJoin Chris Molanphy as he explores Pink Floyd's deathless totem and traces the band's evolution from '60s psychedelic curios to dorm-room poster icons. Will Dark Side be able to hold onto the all-time Billboard record into the 2030s?Podcast production by Kevin Bendis.Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Most of us use GPS—the Global Positioning System—on a daily basis: to find our location when we're driving, running, shopping, dating, and so much more. But GPS is even more important, and more vulnerable, than you think.In the last few years, GPS interference has been reported all over the world, from war zones to shipping routes to public squares. What was once the fanciful plot of a Bond movie—bad guy manipulates GPS to start World War III—is increasingly plausible. How did the world come to rely so heavily on such an unreliable system?In this episode of Decoder Ring, host Willa Paskin talks to journalist Katherine Dunn, author of the new book Little Blue Dot: How GPS Shaped the Modern World. You'll learn how GPS works, why it was created, how it became so ubiquitous, and why it's now under attack. You'll also hear from Dr. Todd Humphreys, an aerospace engineer who manipulated GPS to trick an $85 million superyacht into following his direction—for science, of course.This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director. Our intern is Phoebe Mulder.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.Sources for This Episode Burgess, Matt. “When a tanker vanishes, all the evidence points to Russia,” WIRED, Sep. 21, 2017.Dunn, Katherine. Little Blue Dot: How GPS Shaped the Modern World, Bloomsbury Publishing, 2026.Dunn, Katherine. “How to Hack a Superyacht,” The Walrus, Jun. 13, 2026.Hopper, Nate. “The Thorny Problem of Keeping the Internet's Time,” The New Yorker, Sep. 30, 2022.Hopper, Nate. “The Timekeeper of Ukraine,” The Atlantic, Sep. 21, 2024. Hosted on Acast. See acast.com/privacy for more information.

Platforms like Kalshi and Polymarket have expanded from letting people bet on just sports to everything from political events to reality TV, and even the weather. But by injecting financial incentives into things like disease outbreaks, we're even more susceptible to bad actors and manipulation. On today's episode, host Kate Lindsay is joined by creator Austin Evans to talk about the spread of prediction markets, and how a tool once believed to help us make sense of society ended up making everything even more chaotic. ***GET TICKETS TO OUR LIVE SHOW HERE!!!!***This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

Jim Tierney, pet tracker, has worked on more than 250 lost pet cases around New York City. Jim says once a dog is lost, their behavior changes. “They become less like your pet, and more like a wild animal.” In this episode Jim talks with Zoe Azulay about his tracking method, what it's like to work with distressed pet owners, and why he didn't become an animal lover until after his divorce.Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus.And if you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Hosted on Acast. See acast.com/privacy for more information.

GET TICKETS TO OUR LIVE SHOW HERE!!!!As even more countries adopt social media bans for under-sixteen-year-olds, not only does one recent survey confirm they're not even effective, but they also risk ruining the best parts of the internet. In today's episode, host Kate Lindsay is joined again by internet culture and tech writer Tatum Hunter to discuss how kids have been responsible for defining so many of the memes and apps we enjoy online. Without them, our entire online experience will be worse, and without properly addressing the root cause of the internet's harm, kids won't be better off, either. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.

Kylie Jenner and Mark Zuckerberg are trying to rebrand Meta Glasses as some kind of girlboss fashion accessory, even though women are the ones most likely to be the victims of their invasive technology. While Meta plows forward with this new collaboration, the glasses continue to be abused by users taking advantage of its covert filming capabilities, often by filming women without their knowledge and posting it online. On today's episode, host Kate Lindsay is joined by A Bit Fruity host Matt Bernstein to discuss why sinister companies keep giving themselves girlboss makeovers—but also why it's not working. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay.Get tickets to our live show here! Hosted on Acast. See acast.com/privacy for more information.

This week, listeners share what it's like to plan a dream wedding when money and family relationships lead to conflict and compromise. We hear from couples with vastly different ideas of what they wanted to spend, about opinionated parents and in-laws, and tips from people who managed to spend less. This episode first ran in 2023 and includes new updates from some of the happy couples. Podcast production by Zoe Azulay with help from Cameron Drews.Get more Death, Sex & Money with Slate Plus! Join for exclusive bonus episodes of DSM and ad-free listening on all your favorite Slate podcasts. Subscribe from the Death, Sex & Money show page on Apple Podcasts or Spotify. Or, visit slate.com/dsmplus to get access wherever you listen.If you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Hosted on Acast. See acast.com/privacy for more information.

As sex becomes more online, not only does it become more solitary, but also more surveilled. For instance: Back in December, OpenAI announced that they'd allow adult users to have erotic conversations with ChatGPT. On today's encore episode, host Kate Lindsay is joined by porn historian Noelle Perdue, author of the Porn World newsletter. While advances in AI and sex surveillance are intended to divide us, Noelle is confident that AI's attempted sex-takeover will fail. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help today from Kevin Bendis. Get tickets to our live show here! Hosted on Acast. See acast.com/privacy for more information.

A eulogistic weepfest? A “valediction forbidding mourning”? A conscious unthroupling? All of the above?Believe it or not, the time has come for Steve, Dana, and Julia to convene the Culture Gabfest panel for the very last time. Before saying goodbye, they look back at the very first piece of culture they ever gabbed about on their inaugural episode in February 2008: the film Juno. Does the indie darling written by Diablo Cody, directed by Jason Reitman, and starring Elliot Page as a sardonic, pregnant teenager hold up after 18 years? And, what does rewatching it in 2026 reveal about how culture has changed? They discuss.Next, the panel welcomes on the grand poobah of SFOPs June Thomas to counsel them through the inevitable change in one's cultural habits that comes after a big life transition. They get into why June stopped watching TV and the truly wild mix of things in her YouTube algorithm. Finally, we hear from you our dear, dear listeners. Steve, Dana, and Julia respond to some of your many beautiful emails and voice memos. In our bonus episode for Slate Plus subscribers, past Gabfest producers spill the beans on what it was like to make this show over the years.And, as always, thank you so much for being a listener.EndorsementsDana: The forthcoming book about translating ancient texts by beloved past Gabfest guest Emily Wilson, Crossing the Wine-Dark Sea: Journeys Through Ancient Literature.June: The podcast Drafting the Past hosted by Kate Carpenter about the craft of writing history.Julia: Manhattan Beach's indie bookstore Pages and On the Calculation of Volume (Book 1) by Solvej Balle (definitely the first 30 pages and maybe the whole five book series).Steve: In addition to the music of Red Garland, I Capture the Castle by Dodie Smith, and the poem “The Writer” by Richard Wilbur, Sparrowbush Bakery, a tiny, rustic bakery in Livingston, New York that is only open Fridays and Saturdays and serves the best bread made from fresh stoneground flour from locally grown grains you'll ever taste.Where in the World to Find the Culture GabfestDana: Writing film reviews on Slate.com and kicking around a book idea that is still in the early stages. You can find updates and commentary on Bluesky. Steve: In the wind, to the sands... and also working on a new book about, among many other things, the 1980s.Julia: Editing L.A. Material and soon appearing weekly on L.A. Material's about-to-launch podcast L.A. World. Also, on Twitter/X, Instagram, and Bluesky.June: At her newsletter Where Are All the Emails?For the time being, listeners can also still reach the panel by emailing culturefest@slate.com. And to keep tabs on the Gabfesters, subscribe to their brand-new newsletter, the Culture Gabletter, to receive occasional updates, endorsements and more. --Podcast production by the immensely talented Benjamin Frisch. Production assistance by the brilliant Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Kyle Raymond Fitzpatrick, creator of The Trend Report, to talk about how so many of our favorite influencers have started to retire. Glitter and Lazers deleted her entire digital footprint, and longtime vlogger Zoella has not posted since January, and parasocial fans are having to reckon with the fact that anyone they love online could just disappear. What do these creators owe their fans, if anything? And how can we prepare for this to keep happening?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.

It seems like the only time you hear about new statues these days is when something goes horribly wrong. Unfortunate bronze renditions of Lucille Ball, Cristiano Ronaldo, Dwayne Wade, and many others are always going viral, becoming a fixture of late-night shows and mocking comment sections. Is the internet too harsh a critic? Or is American statuary a total bust?In this episode of Decoder Ring, host Willa Paskin talks to artist Atalanta Arden-Miller about what's happened to one of the oldest artistic traditions in the world—why so many contemporary statues turn out off-center, off-kilter, and off-putting. The answer takes us from ancient Greece to Nazi Germany to North Korea.This episode was written by Willa Paskin. It was produced by Max Freedman. It was edited by Josh Levin and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director. Our intern is Phoebe Mulder.Special thanks to the Works in Progress Podcast, where we first heard Atalanta talk about the dismal state of statuary today.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

A lot has happened in Jeff Hiller's life since he was last on the show in 2024. Last year he won an Emmy for his role on the HBO show Somebody Somewhere and then went viral for his sincere and funny acceptance speech. He's had featured roles in the AppleTV hits Pluribus and Widow's Bay and joined the revolving cast of the Broadway show Celebrity Autobiography. And his memoir Actress of a Certain Age is out in paperback.This week, Jeff returns to tell Anna about all the ways his life has changed – and hasn't – since that surprise awards win, including the internet's curiosity about his body, facing the financial realities of a changing Hollywood, and how we can all remember to seek joy by avoiding the fate of Margaret Atwood's rooster.Podcast production by Cameron Drews and Andrew DunnGet more Death, Sex & Money with Slate Plus! Join for exclusive bonus episodes of DSM and ad-free listening on all your favorite Slate podcasts. Subscribe from the Death, Sex & Money show page on Apple Podcasts or Spotify. Or, visit slate.com/dsmplus to get access wherever you listen.If you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Hosted on Acast. See acast.com/privacy for more information.

We're all familiar with the concept of a one-hit wonder, but what about artists who hit it big a second time—and never again? This week on Hit Parade, Chris Molanphy lays out the ground rules for one of pop's most misunderstood chart distinctions and sorts through the roster of this ultra-exclusive club, which counts Gloria Gaynor, Hozier, the Clash, and Dead or Alive among its members. Then, Chris counts down his favorite fluky examples of two-hit wonders.Podcast production by Kevin Bendis.Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Will Oremus, tech writer at The Atlantic and author of “The Feel-Good Story of the World Cup Is Too Good to Be True.” While our social media feeds have been flooded with thousands of viral and wholesome moments from the World Cup, Will discovered that a number of accounts behind some of the biggest posts aren't what they seem. Some are using AI to write exaggerated stories, and others have become so mysteriously popular so mysteriously quickly that users are becoming suspicious. Is a Japanese tourist really writing odes to chips and salsa on X? And who is Freddy? Please say Merlin the duck is really a duck!This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

The Gabfest's end is nigh but we've still got a few bits of culture to gab upon. This week, Steve and Dana are joined by longtime Gabfest star pinch hitter Dan Kois. First up for consideration: Pixar's Toy Story 5. In this fifth installment of the computer animation studio's flagship franchise, the threat to the vital bond between toy and child are computers themselves. Will Pixar, of all entities, save us from the threat of screentime? Maybe not. Is it nice to be back with Woody, Buzz, Jesse and the gang of plushies, dolls, and various transitional objects? Maybe so.Next, the panel drops into the indie comedy ecosystem of the streaming service Dropout TV and talks about its chaotic cult hit game show Game Changer, now in its eighth season. Does the goofy hijinks therein offer a framework for the future of TV? They discuss. Finally, supreme, very special friend of the program (SVSFOP) Wesley Morris joins to talk about the New York Times' package on the six sentences that define America and his essay in it about Nina Simone's “Mississippi Goddam.”In our bonus episode, Wesley sticks around to theorize with Steve, Dana, and Julia about the point of even having podcasts about culture.EndorsementsDana: "What Steven Spielberg Taught Me About Fear, Catharsis, and Being Human" by Wesley Morris in The New York Times as well as, maybe for the first time ever for Dana in Gabfest history, a piece of technology: the MacBook Neo.Julia: The ongoing career—after composing the Gabfest theme—of the composer Nicholas Britell including his work for the NBA and particularly the composition "Agape" on the film score of If Beale Street Could Talk. Wesley: The potato salad recipe in Pearl Bailey's cookbook Pearl's Kitchen: An Extraordinary Cookbook.Dan: Writing fan mail to authors whose work you love. Also, the music of the recently departed South African jazz pianist Abdullah Ibrahim, particularly the album Mindif.Steve: The semi-fictionalized documentary about David Hockney A Bigger Splash and Philip French's review of it for BFI. Also, David Denby's 1990 New York Review of Books essay "The Real Thing" about the documentarian Frederick Wiseman. --Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, in collaboration with No Such Thing, host Kate Lindsay is joined by Manny Fidel, Noah Friedman, and Devan Joseph to talk about payment apps, and how they've changed the way we think about money. Plus, Kate reveals her own payment app predicament, and, with the help of the boys and a handful of experts, brings an unspoken, decade-long Venmo feud to a close. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from No Such Thing. Hosted on Acast. See acast.com/privacy for more information.

Growing up, whenever Anna Konkle's parents fought–which was frequently–she usually sided with her dad. As she got older, she started to see those memories differently. Was her dad actually the bad guy? This week on Death, Sex & Money, Konkle talks about her new memoir, The Sane One, and the challenges of unpacking morally ambiguous memories. She also narrows in on her relationship with her dad, their estrangement, and their reconciliation shortly before his death. Konkle is an actor and writer who was the co-creator and star of PEN15, the tween comedy series where she starred as a middle schooler and reenacted many of these confusing scenes from growing up. She appeared most recently in the final season of HBO's Hacks. Podcast production by Cameron Drews. Get more Death, Sex & Money with Slate Plus! Join for exclusive bonus episodes of DSM and ad-free listening on all your favorite Slate podcasts. Subscribe from the Death, Sex & Money show page on Apple Podcasts or Spotify. Or, visit slate.com/dsmplus to get access wherever you listen.If you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Bridget Read, a features writer at New York Magazine whose recent piece “What If It All Came Out?” reports on the hackers who are weaponizing our extensive digital footprints against us. While public figures have long dealt with embarrassing leaks and exposed group chats, regular people have started grappling with the same problems thanks to the trove of information our devices have amassed without our knowledge. As scams get more sophisticated, and the risk of exposure grows, we'll have to change everything about how we behave online. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

Steve, Dana, and Julia gather once more—for almost the last time—to unpack the week's culture. This week, conversation has to include the cultural, cinematic juggernaut Steven Spielberg and his new film Disclosure Day. Starring Josh O'Connor and Emily Blunt, it's a sci-fi, action thriller about the longheld Spielbergian obsession: extraterrestrial life. Does it deliver that trademark Spielberg sense of wonder or tired cliches… or both?Next, they welcome longtime friend of the program Isaac Butler to discuss his new book The Perfect Moment: God, Sex, Art, and the Birth of America's Culture Wars and threats to free expression past, present, and future. Finally, and for the final time, beloved chartologist Chris Molanphy joins the show to remember Summer Struts past and curate the ultimate shortlist of shortlists. The panel shares their most adored songs from previous years and the tracks that never made the list but should have.Listen to the final, ultimate, best of Summer Strut shortlist here. And for even more struttin', you can listen to ten years of Summer Strut shortlists in one playlist here.For Slate Plus subscribers, our bonus episode includes even more propulsive, groovy tracks and reflective conversation about what was Summer Strut.EndorsementsDana: Slate's Spielberg Week and the 2023 conversation between the three philosophers John Vervaeke, Iain McGilchrist, and Daniel Schmachtenberger on "The Psychological Drivers of the Metacrisis."Chris: The 2025 music video, directed by Mike Mills and starring Saoirse Ronan, of the Talking Heads classic Psycho Killer.Julia: L.A. Material's upcoming Culinary Cup, a tournament of Los Angeles restaurants from the national diasporas represented in World Cup teams. Steve: Sports. (Latecomers and bandwagon fans welcome! Go Knicks!)And don't forget to preorder Isaac Butler's book The Perfect Moment: God, Sex, Art, and the Birth of America's Culture Wars.--Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

You know the Tootsie Shot. It's that image that pops up all the time in movies set in a dense city: a really busy midtown street, everyone going somewhere—and smack in the middle of it all is the protagonist. You can find it in Working Girl, Midnight Cowboy, Wall Street, Heartburn, Elf, Bridget Jones's Diary, The Devil Wears Prada, The Wolf of Wall Street, and so many more. But while it's one of the most recognizable camera shots in all of film, it only amounts to a short, transitional moment, often in the middle of a montage, and sometimes lasting for a couple seconds. It is, after all, just someone walking down a crowded street. So why is it so sticky?Some of the voices you'll hear in this episode include James Sanders, author of Celluloid Skyline: New York and the Movies; cinematographer Adam Holender; producer Anna Wenger; assistant director Joe Reidy, author Christopher Bonanos, media and entertainment lawyer Sam Bayard, and location manager Mara Alcaly. Also thanks to Jason Bailey, Sam Levy, Glenn Kenny, Carlo Mirabella-Davis, J.D. Amato, David Sims, Bill Parker, Doug Brody, Sean Fennessey, and Jody Rosen.This episode was produced by Willa Paskin and Benjamin Frisch. Decoder Ring is also produced by Max Freedman and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Slate staff writer Nitish Pawha to discuss his piece “Your TV Is Not Safe.” Apps like Instagram, Substack, and Spotify are making the leap from smart phones to smart TVs, as TVs attempt to compete against scrolling, and the nature of entertainment is changing. But giving over our TVs to these companies even further changes our relationships with technology, and even more, how we spend time with each other. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from A.C. Valdez. Hosted on Acast. See acast.com/privacy for more information.

Actor Peter Dinklage and playwright Erica Schmidt have been married for two decades, and even though they've collaborated on projects, it's rare for them to do an interview together. That's why we were so excited when they agreed to join Anna on stage at the Tribeca Festival to discuss how they balance privacy and family, why they wish interviewers would stop fixating on Game of Thrones, and how they met on a romantic evening when elephants walked through Manhattan. This episode was produced by Cameron Drews. Extra thanks to Alexandra Cohl and Katie Rayford, who helped with the live event, and Davy Gardner and Allyson Morgan, our talented friends at the Tribeca Festival. Get more Death, Sex & Money with Slate Plus! Join for exclusive bonus episodes of DSM and ad-free listening on all your favorite Slate podcasts. Subscribe from the Death, Sex & Money show page on Apple Podcasts or Spotify. Or, visit slate.com/dsmplus to get access wherever you listen.If you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay speaks with Rachel Barker, host of Girl on Film on YouTube. The internet has been rich with horror content for decades, but only recently have iconic creepy stories and their creators finally gone mainstream. With movies like Obsession and Backrooms breaking box office records, are YouTubers the next breakout stars for Hollywood? Get more of ICYMI with Slate Plus! Join for exclusive bonus episodes of ICYMI and ad-free listening on all your favorite Slate podcasts. Subscribe from the ICYMI show page on Apple Podcasts or Spotify. Or, visit slate.com/icymiplus for access wherever you listen.This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Editorial support from A.C. Valdez. Hosted on Acast. See acast.com/privacy for more information.

If you were watching cable TV around midday at the turn of the millennium, there's a good chance you saw a commercial for a compilation CD called Monster Ballads. It promised you more than two hours of musical cheese—some of the most over-the-top, cornball, leather-clad romantic jams ever to grace the charts, from “Heaven” to “High Enough,” “Carrie” to “Amanda.”There's another, more common term for these rockin' romancers: power ballads. And while this TV ad suggested the power ballad was perfected in the '80s—preferably sung by a dude in spandex, with long, flowing locks—its roots go back decades earlier. Acts as seemingly mild as Roy Orbison, Harry Nilsson and even the Carpenters were pivotal to the way these mega-devotionals evolved. R&B divas would turn power vocals into an athletic sport, alongside hair-metal howlers. Eventually, power ballads colonized the charts in the '80s, the '90s and beyond.Maybe they're cheesy, cringeworthy and melodramatic—but power ballads have proven remarkably enduring, with even 21st-century Zoomer stars like Olivia Rodrigo offering their own variations. So, join Chris Molanphy as he brings on the heartbreak, finds thorns on every rose, explores feelings we can't fight anymore and celebrates pop fans' greatest love of all: the power ballad.Podcast production by Kevin Bendis Hosted on Acast. See acast.com/privacy for more information.

As you may have heard in last week's episode, the Culture Gabfest is hanging up its microphones after 18 years of cultural commentary. But before our final episode, we've still got much to discuss!On this special guest-packed show, Steve, Dana, and Nadira Goffe have the power! That is the power to get into it with VSFOP Jamelle Bouie about Masters of the Universe, the latest attempt by Mattel to launch their own cinematic universe. They assess the state of IP-driven superhero movies and whether this newest entry—starring Nicholas Galitzine, as the buff, loin cloth-wearing He-Man, and Jared Leto, as the slightly lascivious Skeletor—is more than brand management.Next, they turn to the wild, surreal revenge thriller Is God Is, written and directed by Aleshea Harris based on her stageplay. They talk about how this tale of twin sisters seeking vengeance fits into the growing pantheon of Black horror as well as the ancient canon of revenge tragedies.Finally, and for the final time, it's time to talk about Taylor Swift. In the wake of her newest release, the song “I Knew It, I Knew You” for the Toy Story 5 soundtrack, the gang assembles one more time to take up the long-simmering Tay debate. Jody Rosen and Julia jump on the call/enter the Thunderdome for this, of course. In a bonus episode for Slate Plus subscribers, the panel pours one out for the recently shuttered Hampshire College and reflects on the changing landscape of the liberal arts.EndorsementsDana: The interactive, Jazz-playing, transit-obsessed, single purpose website Train Jazz. (Hat tip once more to Rusty Foster's Today in Tabs.)Nadira: The Black Film Archive which showcases Black films made from 1898 to 1999 currently streaming. Also, the year 2016 in music. Jody: For some Gabfest replacement therapy, watching academic lectures on YouTube such as the lectures of art historian John Walsh at Yale Art Galleries—including ones on Vincent Van Gogh and Dutch masters— and cultural historian Eric Lott on Racial Masquerade in America and Philippe Petit's legendary tightrope walk between the Twin Towers. Julia: Patrick Radden Keefe's new book London Falling and the song "Come Tomorrow" by Patti Scialfa.Steve: Following up on last week's endorsement, Steve can confirm that Disgrace by J.M. Coetzee is, in fact, good. Also recommended: Offshore by Penelope Fitzgerald. --Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Rachel Karten, a social media consultant and the writer of Link In Bio. Storytimes and other caught-on-camera content frequently goes viral on social media, but now companies have started manufacturing their own skits to secretly advertise themselves. Countless “ambassadors” are telling the same fake stories all over TikTok, with links to brands in their bios but not disclosing that they are trying to get viewers to buy products. Even worse, people keep falling for it. The more we earnestly engage with these made-up scenarios, the more we push the secretly-sponsored content into people's feeds. Will anyone stop them?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from A.C. Valdez. Hosted on Acast. See acast.com/privacy for more information.

Theo Baker was seventeen when he enrolled at Stanford and stumbled into one of the biggest stories on campus: academic misconduct allegations against the university's president. His reporting eventually forced the president out. In this episode, Theo talks about breaking that story, navigating backlash from classmates and faculty, and what he's learned about the ways Silicon Valley's culture of ambition and power shapes college life.Theo's book is How to Rule the World: An Education in Power at Stanford University Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus.And if you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by writer Stephanie McNeal to discuss the internet phenomenon of “boy moms.” As an internet culture expert, and recent mother of a boy herself, Stephanie helps break down the reaction to a recent viral post from actress Jenny Mollen, who has publicly compared her sons to “toxic exes” and is already mourning losing them to their eventual marriages. But she is far from the only example of this trope on social media, and the more mothers fall into this trap, the more they legitimize a problematic dynamic.This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

This week Steve, Dana, and Julia convene once again—this time with some big news. Also, they make a classic Gabfest episode. First up, it's the alienating fluorescent buzz, infinite carpeted sprawl, and liminal horror of Backrooms. The new release from A24 is directed by 20-year-old Kane Parsons based on his YouTube series which itself was inspired by deep internet lore and a viral piece of creepypasta. Does the uncanny maze of Backrooms go anywhere? They step into the labyrinth to find out. Next, they're joined by Gabfest fave Leon Neyfakh to get into another parallel dimension: the world of OnlyFans. They discuss Leon's new podcast about the ubiquitous platform OnlyFantasy—produced with comedian and OF creator Gracie Canaan.Finally, it's a conversation that's as lively as… well, that's the question. They take up a recent piece of data journalism in The Pudding analyzing the most common similes.In a bonus episode, Carl Wilson joins the call (as well as a special endorsement segment) to talk taste. Specifically, they get into how discussions of taste have changed since Carl wrote authoritatively on it 18 years ago in his book Let's Talk About Love: Why Other People Have Bad Taste.EndorsementsDana: The recent Zadie Smith essay in The New York Review of Books "Art for Our Sakes." Carl: The live album Happy Today by Jeff Parker and ETA IVtet as well as the anthology of poetry On Occasion: Poems for the People, with a special Canadian shoutout to the poem "Oh Americans" by Gary Barwin.Julia: The tranquil, koi fish-rich, and very SoCal Self-Realization Fellowship Lake Shrine. Also, L.A. listeners should join the folks of L.A Material, Punch List, and New York Review of Architecture on June 7 for the event LACMA Therapy Session to process all their complicated feelings about the new David Geffen Galleries.Steve: The band The Durutti Column as sampled in the Blood Orange song "The Field." Plus, Steve would love to know what listeners make of the author J.M. Coetzee, particularly his novel Disgrace.(Also, make sure to subscribe to Carl's fantastic newsletter Crritic!)--Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

In Australia, no wedding or school dance is complete without the Nutbush, Australia's unofficial national dance. The Nutbush – a simple line dance to the song “Nutbush City Limits,” by Ike and Tina Turner – has become as stereotypically Australian as kangaroos, boomerangs, and Vegemite.And yet, hardly anyone outside of Australia even knows the Nutbush exists. Here at Decoder Ring, we certainly didn't – until we started getting emails from Australians asking us to investigate its origins. How did an American song become the soundtrack for an Australian national tradition? Who invented the iconic steps, and why does every Australian know them?Our producer Max Freedman put on his dancing shoes to get some answers. The global, century-spanning story of the Nutbush involves Australia, Tennessee, Denmark, primary schools, gay discos, and demonstrates that even the goofiest cultural touchstones can go surprisingly deep.In this episode you'll hear from culture journalists David Mack and Angus Kidman; Nutbush researchers Panizza Allmark and Jon Stratton; dance historians Erica Okamura and Richard Powers; Dr. Fiona Chatteur, Jeremy Santolin, and Brian Kerr.This episode was written and produced by Max Freedman and edited by Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.Further ViewingHow to do ‘The Nutbush' - Australian Line Dance Dancin' the Madison on “The Buddy Deane Show” (1960)Alley Cat Tutorial — Spark Physical EducationThe Nutbush on Countdown (December 5, 1976)Tina Turner — Nutbush City Limits, The Midnight Special (1973)Tina Turner — Are You Breaking My Heart, Countdown (1980)Tina Turner: How “The Best” Became Rugby League's Anthem | ABC NewsTina Turner's Electrifying 1993 NRL Grand Final PerformanceSources for This EpisodeAllmark, Panizza, and Jon Stratton. “Doing the Nutbush: How Australia Got Its Very Own Line Dance.” Continuum: Journal of Media & Cultural Studies, vol. 39, no. 1, 2025, pp. 79–94.Allmark, Panizza, and Jon Stratton. “The Nutbush Dance Reframed: Further Analysis Related to ‘Doing the Nutbush.'” Continuum: Journal of Media & Cultural Studies, vol. 39, no. 1, 2025, pp. 95–103.Andrews, Shirley. Take Your Partners: Traditional Dancing in Australia. 3rd ed., Hyland House, 1979.Bloomfield, Anne. “Health or Art? The Case for Dance in the Curriculum of British State Schools 1909–1919.” History of Education, vol. 36, no. 6, 2007, pp. 681–696.Bloomfield, Anne. “The Quickening of the National Spirit: Cecil Sharp and the Pioneers of the Folk-Dance Revival in English State Schools (1900–26).” History of Education, vol. 30, no. 1, 2001, pp. 59–75.Gbogbo, Mawunyo. “Tina Turner and Her Australian Connections: How The Best Became Rugby League's Anthem and Why Is the Nutbush Mandatory at Gatherings?” ABC News, 24 May 2023.Jones, Benjamin T. “Australian Politics Explainer: The White Australia Policy.” The Conversation, 9 Apr. 2017.Kidman, Angus. “Tina Turner: How Australia Saved Her Career.” Angus Kidman, 13 Aug. 2023.Meiners, Jeff. So We Can Dance? In Pursuit of an Inclusive Dance Curriculum for the Primary School Years in Australia. 2017. University of South Australia, Doctor of Education thesis.Spencer, Eliza. “Australia and the Nutbush: The Quest for the Origin of a Cultural Phenomenon Goes On.” The Guardian, 5 May 2024.Ward, Mary. “The Mysterious Allure of the Nutbush and Why the Dance Is Uniquely Australian.” Sydney Morning Herald, 25 May 2023.Zhuang, Yan. “Australia Remembered Tina Turner with a Dance.” New York Times, 25 May 2023. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Angelina Mazza whose recent piece in The New York Times details how publishers are “modernizing” previously published books like Pretty Little Liars and Are You There God? It's Me, Margaret by replacing outdated references to pop culture and technology with artists like Billie Eilish and apps like TikTok. While publishers claim this is to keep younger readers engaged, others argue it's not just patronizing, but also disrespectful to the art of storytelling. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

Romy Holland is a Berkeley mom whose meet-cute happened at a raucous sex party. That night she had sex with dozens of men, one of which would become her husband. In this episode, Romy talks about the party in question, from the sexy aspects to the much more awkward ones. Plus she talks about what new motherhood does to desire, and the unexpected emotional toll of an abortion that didn't go as planned.Read Romy's essay “What Nobody Told Me About Abortion“And we first heard about Romy in the San Francisco Standard's story “When A Gang Bang Becomes a Love Story“ Podcast production by Zoe AzulayDeath, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus.And if you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Ed Zitron, host of the podcast Better Offline and a certified hater of AI. After yet another AI writing scandal, this time involving the 2026 Commonwealth Short Story prize, Kate and Ed take a closer look at tools like Pangram that claim to detect AI writing with 99% accuracy. But if we can't ever be sure, then no one knows what's true at all—and that's exactly how these institutions like it. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

In 1979, Sister Sledge changed the sound of wedding receptions forever with “We Are Family.” Believe it or not, the Chic-penned banger never made it to No. 1. Steely Dan helped invent Yacht Rock with 1977's jazzy bop “Peg.” (They would have loved it better if it had cracked the Top 10.) And in 1972, Elton John told a timeless tale of a blue-jean baby, a “Tiny Dancer.” Casey Kasem never counted it down.Today on Hit Parade: Chris Molanphy celebrates “near misses”—now-ubiquitous hits that missed the mark on the pop charts, stalling out at No. 2, No. 11, or No. 41. In this episode, Chris zooms in on near-misses from the 1970s, including songs from Paul McCartney, the Spinners, Jackson Browne, Cat Stevens, Diana Ross, and Michael Jackson. Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

This week, the OG three Steve, Dana, and Julia dig into the visually stuffed, Marxist smorgasbord that is Boots Riley's latest film I Love Boosters. Starring Keke Palmer and Demi Moore, the candy-colored agitprop is about exploitation, the fashion world, shoplifting as class warfare, and— as they discuss—perhaps more than one movie can handle. Next they turn from Marx to Freud and analyze the critically adored reality TV phenomenon Couples Therapy, now entering its fifth season. Is the office of Dr. Orna Guralnik a site of transcendent psychological revelation or panoptic exploitation? They unpack.Finally, they talk lingvo itself by way of a recent article in Harpers by Katie Thornton about the unlikely resurgence of interest in the artificial language Esperanto. In a bonus episode for Slate Plus subscribers, they answer a listener question about what long-running pieces of culture they've stuck with over years.Ĝuu!EndorsementsDana: The book The Artificial Language Movement by Andrew Large about the centuries-long history of utopic language projects.Julia: Lena Dunham's memoir Famesick and Dialed.gg, the internet's latest color perception test.Steve: The music of the indie shoegaze band Slowdive—particularly the album Souvlaki—and the solo efforts of its frontman Neil Halstead—particularly the song “Witless or Wise” and the album Palindrome Hunches; check out Steve's mega playlist for more.---Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

Earlier this year we debuted Decoder Rings Back, our new feature exclusively for Decoder Ring Plus subscribers. In each installment, Willa gets a listener on the phone and tries her best to answer their question about a cultural mystery. We have been having a blast making these episodes, and if you haven't heard them, we think you're missing out. So in the hopes of instilling some FOMO that motivates you to support the work we do here by becoming a Decoder Ring Plus subscriber, here's a sneak peek at the latest installment.This time, we hear from Julia Latino in Massachusetts who's been baffled for years by a strange sight: dozens of tiny rubber duckies riding on the dashboard of Jeeps. What started this craze, and why Jeeps of all cars?Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by New York Magazine features writer Lane Brown whose latest piece breaks down the “clipping economy,” which has become the backbone of the entire internet. Cheaper than traditional advertising, people and companies employ bots and users to generate fake hype for everything from music to TV shows to SNL performances. The internet has become so saturated with this content that now almost everyone has to do it to compete. But if you take away clipping, does any real internet remain? And if everything is marketing, is anything online real?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

Anna talks to Alexis, a parent whose 8 year old son has an anxiety disorder, about what it was like attending a therapy program designed for parents of anxious children. Plus, Anna talks to the founder of the program, Dr. Eli Lebowitz, Director of the Program for Anxiety Disorders at the Yale Child Study Center, and author of Breaking Free of Child Anxiety and OCD: A Scientifically Proven Program for Parents.Podcast production by Zoe AzulayDeath, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus.And if you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by writer Daysia Tolentino to discuss whether influencers serve us at all in 2026. James Charles faced backlash for publicly mocking a recently laid-off woman who DMed him for support. And in response, some users are questioning why they even support influencers. While some creators offer niche content or services, many in the A-list are now simply famous for being famous. Meanwhile, the average American is struggling with the rising cost of living. Which begs the question: can we any longer be entertained by watching privileged people doing privileged things? This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.