Podcast appearances and mentions of morgan pitelka

The Japanese provincial city of Ichijōdani was destroyed in the civil wars of the late sixteenth century but never rebuilt. Archaeological excavations have since uncovered the most detailed late medieval urban site in the country. Drawing on analysis of specific excavated objects and decades of archaeological evidence to study daily life in Ichijōdani, Reading Medieval Ruins: Urban Life and Destruction in Sixteenth-Century Japan (Cambridge UP, 2022) illuminates the city's layout, the possessions and houses of its residents, its politics and experience of war, and religious and cultural networks. Morgan Pitelka demonstrates how provincial centers could be dynamic and vibrant nodes of industrial, cultural, economic, and political entrepreneurship and sophistication. In this study a new and vital understanding of late medieval society is revealed, one in which Ichijôdani played a central role in the vibrant age of Japan's sixteenth century. Morgan Pitelka is Bernard L. Herman Distinguished Professor of Japanese History at the University of North Carolina at Chapel Hill. Samee Siddiqui is a PhD Candidate at the Department of History, University of North Carolina at Chapel Hill. His dissertation explores discussions relating to religion, race, and empire between South Asian and Japanese figures in Tokyo from 1905 until 1945. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Japanese provincial city of Ichijōdani was destroyed in the civil wars of the late sixteenth century but never rebuilt. Archaeological excavations have since uncovered the most detailed late medieval urban site in the country. Drawing on analysis of specific excavated objects and decades of archaeological evidence to study daily life in Ichijōdani, Reading Medieval Ruins: Urban Life and Destruction in Sixteenth-Century Japan (Cambridge UP, 2022) illuminates the city's layout, the possessions and houses of its residents, its politics and experience of war, and religious and cultural networks. Morgan Pitelka demonstrates how provincial centers could be dynamic and vibrant nodes of industrial, cultural, economic, and political entrepreneurship and sophistication. In this study a new and vital understanding of late medieval society is revealed, one in which Ichijôdani played a central role in the vibrant age of Japan's sixteenth century. Morgan Pitelka is Bernard L. Herman Distinguished Professor of Japanese History at the University of North Carolina at Chapel Hill. Samee Siddiqui is a PhD Candidate at the Department of History, University of North Carolina at Chapel Hill. His dissertation explores discussions relating to religion, race, and empire between South Asian and Japanese figures in Tokyo from 1905 until 1945. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Japanese provincial city of Ichijōdani was destroyed in the civil wars of the late sixteenth century but never rebuilt. Archaeological excavations have since uncovered the most detailed late medieval urban site in the country. Drawing on analysis of specific excavated objects and decades of archaeological evidence to study daily life in Ichijōdani, Reading Medieval Ruins: Urban Life and Destruction in Sixteenth-Century Japan (Cambridge UP, 2022) illuminates the city's layout, the possessions and houses of its residents, its politics and experience of war, and religious and cultural networks. Morgan Pitelka demonstrates how provincial centers could be dynamic and vibrant nodes of industrial, cultural, economic, and political entrepreneurship and sophistication. In this study a new and vital understanding of late medieval society is revealed, one in which Ichijôdani played a central role in the vibrant age of Japan's sixteenth century. Morgan Pitelka is Bernard L. Herman Distinguished Professor of Japanese History at the University of North Carolina at Chapel Hill. Samee Siddiqui is a PhD Candidate at the Department of History, University of North Carolina at Chapel Hill. His dissertation explores discussions relating to religion, race, and empire between South Asian and Japanese figures in Tokyo from 1905 until 1945. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The Japanese provincial city of Ichijōdani was destroyed in the civil wars of the late sixteenth century but never rebuilt. Archaeological excavations have since uncovered the most detailed late medieval urban site in the country. Drawing on analysis of specific excavated objects and decades of archaeological evidence to study daily life in Ichijōdani, Reading Medieval Ruins: Urban Life and Destruction in Sixteenth-Century Japan (Cambridge UP, 2022) illuminates the city's layout, the possessions and houses of its residents, its politics and experience of war, and religious and cultural networks. Morgan Pitelka demonstrates how provincial centers could be dynamic and vibrant nodes of industrial, cultural, economic, and political entrepreneurship and sophistication. In this study a new and vital understanding of late medieval society is revealed, one in which Ichijôdani played a central role in the vibrant age of Japan's sixteenth century. Morgan Pitelka is Bernard L. Herman Distinguished Professor of Japanese History at the University of North Carolina at Chapel Hill. Samee Siddiqui is a PhD Candidate at the Department of History, University of North Carolina at Chapel Hill. His dissertation explores discussions relating to religion, race, and empire between South Asian and Japanese figures in Tokyo from 1905 until 1945. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

The Japanese provincial city of Ichijōdani was destroyed in the civil wars of the late sixteenth century but never rebuilt. Archaeological excavations have since uncovered the most detailed late medieval urban site in the country. Drawing on analysis of specific excavated objects and decades of archaeological evidence to study daily life in Ichijōdani, Reading Medieval Ruins: Urban Life and Destruction in Sixteenth-Century Japan (Cambridge UP, 2022) illuminates the city's layout, the possessions and houses of its residents, its politics and experience of war, and religious and cultural networks. Morgan Pitelka demonstrates how provincial centers could be dynamic and vibrant nodes of industrial, cultural, economic, and political entrepreneurship and sophistication. In this study a new and vital understanding of late medieval society is revealed, one in which Ichijôdani played a central role in the vibrant age of Japan's sixteenth century. Morgan Pitelka is Bernard L. Herman Distinguished Professor of Japanese History at the University of North Carolina at Chapel Hill. Samee Siddiqui is a PhD Candidate at the Department of History, University of North Carolina at Chapel Hill. His dissertation explores discussions relating to religion, race, and empire between South Asian and Japanese figures in Tokyo from 1905 until 1945. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Japanese provincial city of Ichijōdani was destroyed in the civil wars of the late sixteenth century but never rebuilt. Archaeological excavations have since uncovered the most detailed late medieval urban site in the country. Drawing on analysis of specific excavated objects and decades of archaeological evidence to study daily life in Ichijōdani, Reading Medieval Ruins: Urban Life and Destruction in Sixteenth-Century Japan (Cambridge UP, 2022) illuminates the city's layout, the possessions and houses of its residents, its politics and experience of war, and religious and cultural networks. Morgan Pitelka demonstrates how provincial centers could be dynamic and vibrant nodes of industrial, cultural, economic, and political entrepreneurship and sophistication. In this study a new and vital understanding of late medieval society is revealed, one in which Ichijôdani played a central role in the vibrant age of Japan's sixteenth century. Morgan Pitelka is Bernard L. Herman Distinguished Professor of Japanese History at the University of North Carolina at Chapel Hill. Samee Siddiqui is a PhD Candidate at the Department of History, University of North Carolina at Chapel Hill. His dissertation explores discussions relating to religion, race, and empire between South Asian and Japanese figures in Tokyo from 1905 until 1945. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Japanese provincial city of Ichijōdani was destroyed in the civil wars of the late sixteenth century but never rebuilt. Archaeological excavations have since uncovered the most detailed late medieval urban site in the country. Drawing on analysis of specific excavated objects and decades of archaeological evidence to study daily life in Ichijōdani, Reading Medieval Ruins: Urban Life and Destruction in Sixteenth-Century Japan (Cambridge UP, 2022) illuminates the city's layout, the possessions and houses of its residents, its politics and experience of war, and religious and cultural networks. Morgan Pitelka demonstrates how provincial centers could be dynamic and vibrant nodes of industrial, cultural, economic, and political entrepreneurship and sophistication. In this study a new and vital understanding of late medieval society is revealed, one in which Ichijôdani played a central role in the vibrant age of Japan's sixteenth century. Morgan Pitelka is Bernard L. Herman Distinguished Professor of Japanese History at the University of North Carolina at Chapel Hill. Samee Siddiqui is a PhD Candidate at the Department of History, University of North Carolina at Chapel Hill. His dissertation explores discussions relating to religion, race, and empire between South Asian and Japanese figures in Tokyo from 1905 until 1945. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Cultural historians Morgan Pitelka and Reiko Tanimura partner with one of Japan's premier experts in calligraphy and letter writing, Takashi Masuda, to translate and annotate twenty-three unique letters alongside images of the hand-brushed originals. Each letter is presented first in its original format as a brushed piece of calligraphy. The authors provide a transcription of the letter into Japanese, followed by an English translation. Next is a commentary with the biography of the letter's author and in some cases the addressee, the context for its writing, and brief descriptions of relevant locations, individuals, and historical events mentioned therein. Letters from Japan's Sixteenth and Seventeenth Centuries (IEAS, 2021) offers readers rare access in English to the voices of renowned historical figures from Japan's Age of Unification and early Edo period. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Cultural historians Morgan Pitelka and Reiko Tanimura partner with one of Japan's premier experts in calligraphy and letter writing, Takashi Masuda, to translate and annotate twenty-three unique letters alongside images of the hand-brushed originals. Each letter is presented first in its original format as a brushed piece of calligraphy. The authors provide a transcription of the letter into Japanese, followed by an English translation. Next is a commentary with the biography of the letter's author and in some cases the addressee, the context for its writing, and brief descriptions of relevant locations, individuals, and historical events mentioned therein. Letters from Japan's Sixteenth and Seventeenth Centuries (IEAS, 2021) offers readers rare access in English to the voices of renowned historical figures from Japan's Age of Unification and early Edo period. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Cultural historians Morgan Pitelka and Reiko Tanimura partner with one of Japan's premier experts in calligraphy and letter writing, Takashi Masuda, to translate and annotate twenty-three unique letters alongside images of the hand-brushed originals. Each letter is presented first in its original format as a brushed piece of calligraphy. The authors provide a transcription of the letter into Japanese, followed by an English translation. Next is a commentary with the biography of the letter's author and in some cases the addressee, the context for its writing, and brief descriptions of relevant locations, individuals, and historical events mentioned therein. Letters from Japan's Sixteenth and Seventeenth Centuries (IEAS, 2021) offers readers rare access in English to the voices of renowned historical figures from Japan's Age of Unification and early Edo period. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Cultural historians Morgan Pitelka and Reiko Tanimura partner with one of Japan's premier experts in calligraphy and letter writing, Takashi Masuda, to translate and annotate twenty-three unique letters alongside images of the hand-brushed originals. Each letter is presented first in its original format as a brushed piece of calligraphy. The authors provide a transcription of the letter into Japanese, followed by an English translation. Next is a commentary with the biography of the letter's author and in some cases the addressee, the context for its writing, and brief descriptions of relevant locations, individuals, and historical events mentioned therein. Letters from Japan's Sixteenth and Seventeenth Centuries (IEAS, 2021) offers readers rare access in English to the voices of renowned historical figures from Japan's Age of Unification and early Edo period. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Cultural historians Morgan Pitelka and Reiko Tanimura partner with one of Japan's premier experts in calligraphy and letter writing, Takashi Masuda, to translate and annotate twenty-three unique letters alongside images of the hand-brushed originals. Each letter is presented first in its original format as a brushed piece of calligraphy. The authors provide a transcription of the letter into Japanese, followed by an English translation. Next is a commentary with the biography of the letter's author and in some cases the addressee, the context for its writing, and brief descriptions of relevant locations, individuals, and historical events mentioned therein. Letters from Japan's Sixteenth and Seventeenth Centuries (IEAS, 2021) offers readers rare access in English to the voices of renowned historical figures from Japan's Age of Unification and early Edo period. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cultural historians Morgan Pitelka and Reiko Tanimura partner with one of Japan's premier experts in calligraphy and letter writing, Takashi Masuda, to translate and annotate twenty-three unique letters alongside images of the hand-brushed originals. Each letter is presented first in its original format as a brushed piece of calligraphy. The authors provide a transcription of the letter into Japanese, followed by an English translation. Next is a commentary with the biography of the letter's author and in some cases the addressee, the context for its writing, and brief descriptions of relevant locations, individuals, and historical events mentioned therein. Letters from Japan's Sixteenth and Seventeenth Centuries (IEAS, 2021) offers readers rare access in English to the voices of renowned historical figures from Japan's Age of Unification and early Edo period. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

In this episode, Allison Alexy talks with Prof. Morgan Pitelka, whose research examines late medieval and early modern Japan, with a focus on the samurai, tea culture, ceramics, cities, and material culture. The conversation centers on a new book he is writing centered on Ichijōdani, the headquarters of the Asakura warlord family. Topics of discussion include: the Sengoku or Warring States period; the destruction of Ichijōdani; material culture and political history; kawarake, simple pinched bowls; collaboration and archaeology and history; ceramics and everyday culture; lacuna surrounding violence in Japanese history; students' interests in Japanese Studies; and popular culture and video games about history. Content warning: This episode includes a brief, general description of sexual violence at minute 33 of the recording.If you're interested in learning more about this work, please watch his presentation at the Center for Japanese Studies.Dr. Pitelka is professor of History and Asian Studies at the University of North Carolina. He is the chair of the Department of Asian and Middle Eastern Studies and co-editor of the Journal of Japanese Studies. You can find him on twitter @mpitelka. Michigan Talks Japan is produced by Robin Griffin, Justin Schell, and Allison Alexy and is supported by the Center for Japanese Studies at the University of Michigan. 

Professor Morgan Pitelka discusses his current book project and his recommendation for novices of the films of Akira Kurosawa.

Morgan Pitelka's new book looks closely at the material culture of the Three Unifiers of the late sixteenth century in Japan– Oda Nobunaga, Toyotomi Hideyoshi, and Tokugawa Ieyasu–in order to foreground the politics of culture in an age of civil war. The chapters of Spectacular Accumulation: Material Culture, Tokugawa Ieyasu,... Learn more about your ad choices. Visit megaphone.fm/adchoices

Morgan Pitelka’s new book looks closely at the material culture of the Three Unifiers of the late sixteenth century in Japan– Oda Nobunaga, Toyotomi Hideyoshi, and Tokugawa Ieyasu–in order to foreground the politics of culture in an age of civil war. The chapters of Spectacular Accumulation: Material Culture, Tokugawa Ieyasu, and Samurai Sociability (University of Hawaii Press, 2016), a beautifully illustrated volume that integrates its images centrally within the narrative, do this by examining the role of sociability in the interactions between warlords and other powerful figures, focusing on cultural practices and rituals like tea ceremony and gift exchange. Pitelka’s book aims to relink war and culture in the historiography of early modern Japan. It accomplishes this goal by helping us see commonalities in unusual places: by pointing to the resonance between the acquisition and exchange of art objects and hostages, between tea caddies and skulls and swords and severed heads, between the ambassadorial powers of people and objects. The epilogue of the book continues the story into an analysis of the politics of museum display in postwar Japan, exploring the ways that some modern exhibitions are imbricated in a modern form of spectacular accumulation and considering the implications for how we understand the importance and role of violence in the history of materials and material culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Morgan Pitelka’s new book looks closely at the material culture of the Three Unifiers of the late sixteenth century in Japan– Oda Nobunaga, Toyotomi Hideyoshi, and Tokugawa Ieyasu–in order to foreground the politics of culture in an age of civil war. The chapters of Spectacular Accumulation: Material Culture, Tokugawa Ieyasu, and Samurai Sociability (University of Hawaii Press, 2016), a beautifully illustrated volume that integrates its images centrally within the narrative, do this by examining the role of sociability in the interactions between warlords and other powerful figures, focusing on cultural practices and rituals like tea ceremony and gift exchange. Pitelka’s book aims to relink war and culture in the historiography of early modern Japan. It accomplishes this goal by helping us see commonalities in unusual places: by pointing to the resonance between the acquisition and exchange of art objects and hostages, between tea caddies and skulls and swords and severed heads, between the ambassadorial powers of people and objects. The epilogue of the book continues the story into an analysis of the politics of museum display in postwar Japan, exploring the ways that some modern exhibitions are imbricated in a modern form of spectacular accumulation and considering the implications for how we understand the importance and role of violence in the history of materials and material culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Morgan Pitelka’s new book looks closely at the material culture of the Three Unifiers of the late sixteenth century in Japan– Oda Nobunaga, Toyotomi Hideyoshi, and Tokugawa Ieyasu–in order to foreground the politics of culture in an age of civil war. The chapters of Spectacular Accumulation: Material Culture, Tokugawa Ieyasu, and Samurai Sociability (University of Hawaii Press, 2016), a beautifully illustrated volume that integrates its images centrally within the narrative, do this by examining the role of sociability in the interactions between warlords and other powerful figures, focusing on cultural practices and rituals like tea ceremony and gift exchange. Pitelka’s book aims to relink war and culture in the historiography of early modern Japan. It accomplishes this goal by helping us see commonalities in unusual places: by pointing to the resonance between the acquisition and exchange of art objects and hostages, between tea caddies and skulls and swords and severed heads, between the ambassadorial powers of people and objects. The epilogue of the book continues the story into an analysis of the politics of museum display in postwar Japan, exploring the ways that some modern exhibitions are imbricated in a modern form of spectacular accumulation and considering the implications for how we understand the importance and role of violence in the history of materials and material culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Morgan Pitelka’s new book looks closely at the material culture of the Three Unifiers of the late sixteenth century in Japan– Oda Nobunaga, Toyotomi Hideyoshi, and Tokugawa Ieyasu–in order to foreground the politics of culture in an age of civil war. The chapters of Spectacular Accumulation: Material Culture, Tokugawa Ieyasu,... Learn more about your ad choices. Visit megaphone.fm/adchoices

Morgan Pitelka’s new book looks closely at the material culture of the Three Unifiers of the late sixteenth century in Japan– Oda Nobunaga, Toyotomi Hideyoshi, and Tokugawa Ieyasu–in order to foreground the politics of culture in an age of civil war. The chapters of Spectacular Accumulation: Material Culture, Tokugawa Ieyasu, and Samurai Sociability (University of Hawaii Press, 2016), a beautifully illustrated volume that integrates its images centrally within the narrative, do this by examining the role of sociability in the interactions between warlords and other powerful figures, focusing on cultural practices and rituals like tea ceremony and gift exchange. Pitelka’s book aims to relink war and culture in the historiography of early modern Japan. It accomplishes this goal by helping us see commonalities in unusual places: by pointing to the resonance between the acquisition and exchange of art objects and hostages, between tea caddies and skulls and swords and severed heads, between the ambassadorial powers of people and objects. The epilogue of the book continues the story into an analysis of the politics of museum display in postwar Japan, exploring the ways that some modern exhibitions are imbricated in a modern form of spectacular accumulation and considering the implications for how we understand the importance and role of violence in the history of materials and material culture. Learn more about your ad choices. Visit megaphone.fm/adchoices