Podcasts about Tokyo

We love love, and we love tiki. Recorded live from The DesiRay with an appearance from Matt G, let's write a love letter to tiki with our breezy voices. From our humble beginnings at Trader Sam's, to Trader Vic's in Tokyo, our Tiki adventures have been vast, but are only just beginning. We have favorite bars, favorite drinks, and even some ingredients we really look out for. And our special guest, Matt G, takes us through how he built his very own Tiki bar, The DesiRay, in his own home! Join Kirk & Rain as they take a sip of the island on a vibin' new episode of Trammin' - A Disneyland Podcast!Listen to full episodes every other Windsday and topic-only uploads on Big Thunder Thursdays!InstagramTrammin' - https://instagram.com/TramminPodcastChristian Rainwater - https://instagram.com/imrainwaterKirk - https://instagram.com/tramminkirkMusicLocal Forecast - Elevator Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/ Trammin' - The Disneylanders, Addy DaddyUsed with permission.Character Art & AnimationNadia Dar - https://nadsdardraws.carrd.co/Trammin.comTrammin' is written without the use of Artificial Intelligence.©Trammin' - A Disneyland Podcast

This week the Bad Dads take on Akira, Katsuhiro Otomo's 1988 anime classic: part cyberpunk biker movie, part psychic apocalypse, part body-horror nightmare, and still one of the most influential animated films ever made.What We CoveredThe motorcycle connection: Sidey picked Akira partly off the back of motorcycle week, with the famous “Akira slide” still instantly recognisable decades later.Neo-Tokyo and the set-up: The Dads discuss the opening destruction of Tokyo, the rebuilt dystopian city, biker gangs, riots, unemployment, militarised politics and general “not a happy place” energy.Kaneda, Tetsuo and the Capsules: Kaneda's iconic red bike, Tetsuo's resentment, the gang hierarchy, and the way their childhood friendship feeds the film's final emotional punch.The psychic test subjects: Takashi, the other child-like espers, the hospital experiments, telekinesis, hallucinations, and the film's blend of sci-fi plot with surreal nightmare imagery.Tetsuo's transformation: From headaches and glass-of-water Force powers to satellite lasers, a metal arm, body horror, and a final monstrous collapse into flesh, pain and chaos.Akira himself: The reveal that Akira is not really “the guy on the bike”, but a dissected psychic force preserved in jars under the Olympic Stadium.The animation: Reegs praises the film's restless visual movement; Dan says the craft makes you forget any resistance to animation; Sidey calls the full-mutant Tetsuo sequence incredible.Influence and legacy: The gang spot echoes and connections to The Matrix, Drive, Watchmen, 2001, Clockwork Orange, The Warriors, Godzilla destruction, and later anime/body-horror culture.Subtitles vs dubbing: Dan finds an English version in the “depths of the internet”, while others stick with Japanese and subtitles.Cris watch status: Cris did not get to the film because he could not find it properly and refused to watch it on a phone — fair, frankly.Key Quotes / Moments“There's very little ball content in Akira.”“The Akira slide… one of the most famous shots in animation.”“It's like the Force, but way more destructive.”“I'm in the revolution, mate. I'm busy.”“SOL Campbell” as the orbital laser gag. Obviously.“It wasn't quite Dogtanian.”VerdictA strong recommend from the Dads. Sidey calls it a great gateway into anime, Dan enjoys it more than expected and finds the animation absorbing, and Reegs loves the film's kinetic craft and cultural footprint. Cris remains technically unconverted, but tempted.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

Get 50% off Cardpointers+ - Track cards, automatically load Chase & Amex Offers + a lot more. Lock-in lifetime membership at half off. (affiliate) https://milestomemories.com/go/cardpointers/ Mark is back from Colombia, and this one's a full Cartagena trip report. He breaks down two nights at the Hyatt Regency Cartagena (a Category 3 gem on points) and three nights at the Dreams Karibana all-inclusive — including the food wins, the brutal heat, the black-sand "beachfront," island day clubs, a killer rooftop bar with a live saxophonist, and the $650 check-in mistake that has one Globalist swearing off Hyatt for good. Plus Shawn answers the Grand Hyatt Athens critics, American Airlines finally drops aircraft trading cards, and Choice Privileges quietly guts its Japan award chart (Tokyo and Osaka properties jumping from 8K to 20K+ points). Is Cartagena worth it? Watch and let us know in the comments. Episode Guide: 0:00 - Welcome to MTM Travel 0:25 - Grand Hyatt Athens: The Fallout 3:47 - American Airlines Trading Cards 5:30 - Choice Privileges Guts Japan 8:14 - CardPointers: 50% Off (Sponsor) 9:26 - Hyatt Regency Cartagena: Check-In & Rooms 11:06 - The Beach Reality & Island Day Trips 12:42 - Exploring the Walled City 13:44 - Umbrella Alleys & a Rooftop Bar with Live Sax 15:41 - Pools, Cheap Eats & Is Cartagena Worth It? 17:16 - Dreams Karibana All-Inclusive: The Food 18:31 - Friendly Staff & Entertainment 20:05 - A $650 Check-In Surprise 22:28 - Hyatt's Antiquated System & Did They Make It Right? 26:21 - Pro Tip: The Cancellation-Window Trick 27:57 - The VIP Lounge: Premium Booze & AC Escape 29:49 - Sharing Lounge Access + Italian Dress Code Drama 33:01 - Resort Condition: A Faded Old Conrad 35:31 - Final Verdict & Wrap-Up ✈️ Track your travel credit cards for free

Dana Miyoshi was born in Osaka, Japan and was adopted by his aunt and uncle who resided in Montana. He flew by himself on a plane from Tokyo to San Francisco when he was 2.5 years old to meet his new parents and grew up in Glendive, Montana. After graduating from high school, he spent one year at the University of Montana and then dropped out to join the U.S. Navy. He served for 11 years in the Navy and spent two whole tours and one partial tour in Japan, where he was able to reunite with his birth mother, grandmother, and various cousins. After the Navy, he worked in several roles around Los Angeles and finally finished his degree at UCLA. He continues to reside in Los Angeles where he works as the office manager for a civil engineering firm.Music by Corey Quinn

Lili Hellriegel is head of enterprise solutions at Cherry Servers, a Lithuania-based bare metal cloud provider that pitches itself as a sovereign, Web3-friendly alternative to the US hyperscalers. Before joining Cherry, Lili was head of infrastructure at staking firm Blockdaemon, where she built out data center partnerships, network architecture and the server specs behind validation workloads — work that left her unusually fluent in what crypto teams actually need from their infrastructure. Why you should listen The pitch for European infrastructure has rarely been louder, and Lili makes the case with the confidence of someone who has lived on both sides of it. Every major hyperscaler — AWS, Google Cloud, Azure, even Oracle — is a US company, and for a growing cohort of Web3 teams that is no longer a neutral fact. Cherry Servers sits under European jurisdiction, runs its own facility in Lithuania, and operates data centers across Sweden, the Netherlands, Germany, Chicago, Singapore and a newly opened site in Tokyo. Some of Cherry's customers come for hard compliance reasons; others, Lili says, come for ideological ones, wanting the chains they help secure to live beyond the reach of any single government. The conversation lands at a moment when data sovereignty and distrust of concentrated American cloud power have moved from fringe concern to boardroom agenda. The sharper argument is about economics, and here Lili thinks the industry is approaching an inflection point. She describes a shift from "cloud-first" to "workload-first" thinking: instead of defaulting to a hyperscaler and accepting whatever T-shirt-sized instance you're sold, teams running archival nodes, validators or other niche workloads are discovering they pay more and perform worse than they would on dedicated hardware tuned to the job. Cherry's answer is granular customization — choose your disks, your storage, your RAM, and pay only for what the workload demands — backed by account managers who architect the build rather than just sell a box, with human support that answers in well under a minute. For staking-heavy customers, the model is almost self-funding: a large share pay in crypto, drawing on staking rewards to cover their infrastructure across some thirty different chains. Her forecast for the next eighteen to twenty-four months is the part worth sitting with. Lili argues the era of free cloud credits is ending — she doubts AWS will keep handing startups six-figure credit grants for signing up to an accelerator — and that founders, newly disciplined about runway, will increasingly treat optimized bare metal as a way to extend it. In the closing hot-take round she plants her flag as a multi-chain "Solana maxi," names Bitcoin as the enduring store of value while backing the smaller chains' upside, and offers a builder's creed: the market ultimately rewards people who make useful things on-chain, not those treating tokens purely as speculation — which, she adds, is also why she thinks people should run nodes with smaller providers. The desert-island sci-fi pick, naturally, is Star Wars. https://www.cherryservers.com/

This episode is part 8 in our series with Joe McMoneagle.   Joe McMoneagle was a US Army intelligence veteran already before he was chosen to be a part of the psychic intelligence unit at Fort Meade, Maryland, in 1978. He became known as "Remote Viewer No. 1″ within Project Stargate. Project Stargate was the United States' first organized research into psychic phenomena via the Defense Intelligence Agency and contractor SRI International. He is an author and also founder of Intuitive Intelligence Applications Inc. Today, he also teaches Remote Viewing at The Monroe Institute, a leading center in exploring human consciousness.   Joe never disappoints. He starts us off with the Bahamas and his 1st tour in the 60s at age 19 in intelligence … caught in a category 5 storm and left for dead, a man-eating grouper, a strange UAP experience with splitting time, a cone of light, radiation burns and a navy medic throwing out his report. We talk the kidnapping and subsequent remote viewing rescue of General Dozier, the strange case of a Tokyo mayor, finding missing people in Japan, lobster-tail currency and a mysterious underwater creature.     See here other previous guests mentioned: Dean Radin (ep 122)      Previous episodes/discussions on Behind Greatness with Remote Viewers: ·       Russell Targ (ep 80) – Co-Founder, SRI Institute ·       Courtney Brown (ep 131) ·       Stephan A. Schwartz (ep 155, 156) ·       Lyn Buchanan (ep 163) ·       Nancy DuTertre (ep 167) ·       Paul H. Smith (ep 180)   Joe, ·       Books: (via Amazon) ·       Parapsychological Association: https://www.parapsych.org/users/jmcmoneagle/profile.aspx ·       Monroe Institute: https://www.monroeinstitute.org/pages/trainer-joe-mcmoneagle ·       IMDb: https://www.imdb.com/name/nm2140996/   The Kidnapping of General Dozier: https://www.airuniversity.af.edu/Portals/10/ASPJ/journals/Chronicles/phillips.pdf   To give to the Behind Greatness podcast, please visit here: https://behindgreatness.org . As a charity, tax receipts are issued to donor.

Au sommaire :Malgré l'annonce d'un accord de paix entre l'Iran et les États-Unis, le retour à la normale dans le détroit d'Ormuz risque de prendre plusieurs jours, voire plusieurs semaines, en raison de nombreuses incertitudes.Les marchés financiers ont salué l'accord, avec des progressions à la Bourse de Séoul, Tokyo et sur le Nasdaq aux États-Unis, mais l'impact économique réel du conflit reste à évaluer.La zone euro est jugée plus vulnérable que les États-Unis face à ce choc pétrolier, en raison d'une plus grande dépendance aux approvisionnements du Golfe Persique.L'accord commercial entre l'Union Européenne et les États-Unis devrait être définitivement adopté, malgré les tensions commerciales entre la France et les États-Unis sur la taxation des géants du numérique.L'industrie de défense ukrainienne a connu un essor important ces dernières années, avec de nombreuses innovations présentées au salon Eurosatory, tirant parti de l'expérience du terrain.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Last time we spoke about the Hubei-Henan Campaign of 1940-1941. In November 1940, a Central Hubei operation using multiple task forces aimed to exploit Chinese dispersal, achieving only local successes and no lasting territorial gains. The Japanese then tried again in late January 1941 with a major offensive into southern Henan. Despite concentrating a large force, the campaign failed strategically. After the Henan failure, Japan attempted to regain momentum in spring 1941 by attacking western Hubei around Yichang on the Yangtze. Despite an initial barrage and rapid early gains, Japanese forces became exposed in a narrow salient. The Chinese reorganized their river defenses and launched a converging counteroffensive, driving the invaders back and ending the engagement where it began, with the Japanese suffering heavy casualties and their westward push thwarted.   #206 The Battle of Shanggao Welcome to the Fall and Rise of China Podcast, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about the history of Asia? Kings and Generals have an assortment of episodes on history of asia and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel where I cover the history of China and Japan from the 19th century until the end of the Pacific War. The year 1940 had brought a particular humiliation. In August of that year, Communist General Peng Dehuai had launched the Hundred Regiments Offensive — a massive, coordinated assault across North China that shattered Japanese rail and supply lines, embarrassed Imperial General Headquarters, and demonstrated that the Chinese were far from finished. Japan's response had been brutal, the infamous "Three Alls" campaign of reprisals across the countryside. But the damage had been done, and the attention of Imperial General Headquarters shifted northward. The autumn of 1940 had also seen the First Battle of Changsha, where the Japanese 11th Army under General Sonobe Yahachirō pushed south into Hunan Province expecting to overwhelm the Chinese defenders and finally deal a decisive blow to Chiang Kai-shek's armies. Instead, General Xue Yue — the "Tiger of Changsha" — had allowed the Japanese to advance deep into his prepared killing ground before counterattacking from multiple directions. The Japanese had been forced to retreat in disorder, and the front in Hunan and Jiangxi settled once again into sullen stalemate. It was in this atmosphere of frustrated ambition and strategic inertia that the seeds of Shanggao were sown. By February 1941, Imperial General Headquarters had decided to redeploy the 33rd Division — then garrisoned in the town of Anyi, in northwestern Jiangxi — to North China. The transfer was scheduled to begin in early April, and it made strategic sense: the north required reinforcement, and the front in Jiangxi had been quiet enough that one division could be spared. The problem was that the 33rd Division's departure would leave a gap in Japanese dispositions, and no significant offensive operation had yet been conducted to weaken the Chinese forces that would be left facing a thinned-out Japanese line. Lieutenant General Ōga Shigeru, the energetic commander of the Japanese 34th Division, saw opportunity in the window that existed before the 33rd departed. His division was concentrated around Xishan and Wanshou Palace, astride the Xiang–Gan Highway — the main road running westward through Jiangxi — and across that highway lay the town of Shanggao and the Chinese forces defending it. Ōga proposed exploiting the presence of both divisions for a coordinated strike: a sharp, limited offensive to crush Chinese field forces around Nanchang and the Jiangxi interior before the 33rd Division's train north. The 11th Army headquarters, now commanded by General Marube, endorsed a cautious concept — a "quick strike" with limited objectives. But the 34th Division's staff, energized by Ōga's ambition, had already run well ahead of this guidance. Large-scale requisitioning of coolies for logistics was underway; training exercises aimed at the specific terrain around Shanggao had been conducted; planning had progressed in far more detail than a "limited" operation warranted. This eagerness would prove to be the Japanese undoing before the first shot was fired. Chinese intelligence networks, always attentive to the movement of porters and the telltale preparations that preceded a Japanese offensive, quickly detected the scale of these preparations and reported them to General Luo Zhuoying, commander of the Chinese 19th Army Group. By the time the Japanese columns were forming up to march, Luo had already hardened his defenses and laid the groundwork for a trap. General Luo Zhuoying was not a passive commander. He served simultaneously as commander of the 19th Army Group and as Deputy Commander of the 9th War Zone — the latter post placing him directly under General Xue Yue, the victor of Changsha. Luo had spent the lull after Changsha doing what Chinese commanders across the theater had learned was essential: reorganizing, retraining, and above all improving the defensive architecture of his sector. The plan Luo devised for meeting the anticipated Japanese offensive was elegant in its simplicity and demanding in its execution. Rather than contesting the Japanese advance at the frontier, he would allow the enemy to push westward, yielding ground through three successive defensive lines while bleeding the attackers at every step. The first and second lines would slow the Japanese, exact casualties, and stretch their logistics. The third line — anchored at Shanggao itself — would be the killing ground. There, the Chinese forces would hold fast while other formations swung around the Japanese flanks and rear to close the encirclement. The Japanese, having marched deep into Chinese-held territory with their supply lines thinning and their flanks exposed, would find themselves surrounded rather than victorious. For this plan to work, each Chinese formation had to perform its role with discipline. The 70th Corps, deployed in the north along the arc from Shitou Street through Fengxin to Jing'an, would have to conduct a controlled fighting retreat — yielding ground but making the Japanese pay for it, never breaking and running. The 49th Corps would hold the southern flank and create conditions for flanking action. And the 74th Corps — General Wang Yaowu's elite formation, comprising the 51st, 57th, and 58th Divisions — would hold the final line at Shanggao and serve as the anvil upon which the Japanese advance would shatter. The 74th Corps was by 1941 one of the most battle-hardened formations in the Nationalist Army. It had fought at Shanghai in 1937, at Wuhan in 1938, and in the hills and valleys of Jiangxi through the years since. Its men knew the terrain around Shanggao. They had prepared positions in depth, studied the approaches, and rehearsed the defensive plan Luo had designed. When the Japanese came, they would be ready. Against the Chinese 70,000 — distributed across eleven divisions in four corps, with additional provincial security forces for local coverage — the Japanese would throw roughly 20,000 men: three major formations advancing in coordinated columns. The disparity in numbers was stark, but the Japanese had the advantages of offensive initiative, air superiority, and the formidable fighting quality that the Imperial Army had demonstrated throughout the war in China. The question was whether those advantages would be enough to overcome a prepared defense wielded by a commander who had invited the attack. The operational plan devised by the Japanese 11th Army called for three columns to converge simultaneously on Shanggao from north, center, and south — a classic encirclement concept that, if executed with precision, would catch the Chinese defenders in a tightening vice. In the north, the main force of the 33rd Division under Lieutenant General Sakurai Shōzō would drive westward from its bases around Anyi and Ganzhoujie, descending the Liao River valley to threaten the Chinese right flank and prevent the 70th Corps from interfering with operations in the center.In the center, Ōga's 34th Division would advance along the Xiang–Gan Highway — the direct route from Nanchang toward Shanggao — capturing the town of Gao'an along the way and pressing relentlessly westward until it reached the main defensive positions. This was the principal striking force, the column designed to crack open the Chinese defenses and seize the objective.In the south, the Independent Mixed 20th Brigade under Major General Ikeda would cross the Jin River and advance along its south bank, eventually swinging north to link up with the 34th Division and complete the encirclement of whatever Chinese forces remained in the Shanggao area. The plan was coherent on paper. But it contained a structural flaw so serious that, in retrospect, it is difficult to understand how the 11th Army's staff allowed it to proceed uncorrected. The success of any converging operation depends on synchronization — on each column hitting its objectives on schedule and maintaining communication with the others so that each can react to developments on the other prongs. Yet the 11th Army headquarters made no recorded effort to coordinate the 33rd and 34th Divisions before the battle began. There was no forward command post established to oversee the operation. General Marube remained at Hankou, hundreds of miles to the north, throughout the battle — as remote from the fighting as a Tokyo bureaucrat. Operational decisions were left entirely to the individual divisions, with no mechanism to coordinate their actions if something went wrong. Something was going to go wrong. Luo Zhuoying had seen to that. On the morning of March 15, 1941, all three Japanese columns stepped off simultaneously, advancing into the misty hills and rice paddies of northwestern Jiangxi. In the north, Sakurai's 33rd Division moved briskly from Anyi toward Fengxin. The town fell by noon, and the division pressed westward in good order. The Japanese infantry moved confidently along the Liao River valley, experienced soldiers who had fought across China and had no particular reason to expect what was coming. The Chinese 70th Corps gave ground — as it had been ordered to — but did so on its own terms, occupying and then abandoning successive pieces of high ground along both banks of the river, making the Japanese advance uncomfortable and costly. Gradually, almost imperceptibly, the 33rd Division was being drawn forward into terrain that favored the defender. By March 18 and 19, the 33rd Division had pushed all the way to Guzhu'ao and Huamenlo — a considerable advance, but one that had taken the division far from its base at Anyi. And it was here, far from support and with flanks increasingly exposed, that the Chinese blocking forces closed in. Chinese infantry, who had been waiting in prepared positions in the high ground overlooking the river valley, launched coordinated counter-attacks that struck the 33rd Division from multiple directions. The fighting was fierce and costly. In two days of close combat, the division suffered more than 2,500 casualties — a grievous toll that represented a significant fraction of its effective strength. The northern column had been stopped dead. On March 19, Sakurai ordered the 33rd Division to reverse course. By March 23, after four days of painful withdrawal under pressure, it had pulled back to Anyi — the same place it had started. The northern prong of the Japanese offensive had accomplished nothing except the loss of thousands of men. In the south, the Independent Mixed 20th Brigade had a rougher start. Its initial attempt to cross the Gan-Jin river junction at noon on March 15 was repulsed by Chinese defenders, and it was only under cover of darkness that the brigade managed to force a crossing. Once across, it moved westward along the south bank of the Jin River, but progress was slow and contested. A detachment — the Gan River Detachment — ran into fierce resistance from the 26th Division of the Chinese 49th Corps on March 19. The brigade's main body meanwhile fought its way through the 51st Division of the 74th Corps, but the 107th Division and elements of the 51st managed to contain the advance at the Laichunling–Zhutoushan line. On the night of March 20, the main body of the 20th Brigade crossed the Jin River at Huifu to link up with the 34th Division — but a portion of its troops, cut off on the south bank, was destroyed by Chinese forces. The southern column was across the Jin River, but it had taken losses and was already engaged in ways its planners had not anticipated. In the center, the 34th Division fared best in the early going. Ōga's division moved westward from Xishan along the Xiang–Gan Highway on March 16, and by the 17th had captured Gao'an — a meaningful early success. The Chinese 74th Corps, executing Luo's plan faithfully, dispatched only screening forces east of the Tangpu River to slow the Japanese advance rather than contesting it decisively. The main body of the 74th Corps fell back to the third-line positions at Sixi, Guanqiao, and Tangpu, preparing the killing ground that Luo had designated. Simultaneously, the 26th Division and most of the 105th Division from the 49th Corps were shifted across the Gan River to operate south of the Jin River on the Japanese left flank, and the 72nd Corps was ordered to maneuver on a wide envelopment around Daxia and south of Ganfang. By March 20–21, the 34th Division had pressed forward to attack the Chinese positions at Sixi and Guanqiao. Ōga's men were confident — they had taken Gao'an, they were moving, and the objective of Shanggao lay within reach. But as the division pushed toward Shangjijia, it ran squarely into the 57th and 58th Divisions of the 74th Corps, fighting with a tenacity that told the Japanese plainly enough: this was where the Chinese intended to stand. The week of March 21–24 brought the battle to its crisis. The 34th Division hammered at the Chinese positions defending Shanggao itself, while on the flanks, the fighting took on a character that neither side had entirely anticipated. On March 21, General Wang Yaowu — commanding the 74th Corps from his headquarters in Shanggao — decided it was time to do more than absorb Japanese blows. He ordered General Li Tianxia to clear Japanese forces from the south bank of the Jin River and advance on Gao'an, with the aim of cutting the 34th Division's supply line and threatening its rear. It was an aggressive move, and if it had worked, it might have produced a decisive result earlier than history would record. It did not work — at least not immediately. That very evening, the Independent Mixed 20th Brigade, which had been reorganizing after the chaos of the river crossing, launched a powerful offensive at dawn on the 22nd. Li Tianxia's lead elements had barely set out from Shitou Street when they collided head-on with the main force of the 20th Brigade, which had crossed back from the north bank of the Jin River. The Japanese thrust was coordinated and aggressive: one column circled wide to attack Lazhu Mountain; another swung south of Hu Family west of Shitou Street to strike Li's division in the flank and rear; and nine aircraft with four artillery pieces bombarded the Chinese positions from north to south. Li's division could not hold against this convergent assault and fell back to the high ground southwest of Shitou Street. Wang Yaowu reacted quickly. He ordered Li's main body to wheel left to face the new threat and simultaneously dispatched the Army's Field Supplementary Regiment — held in reserve near Yintang — on a forced march to Huayang to block the Japanese westward drive. This regiment, racing down roads strafed by nine enemy aircraft, covered 15 li per hour and seized Huayang and the high ground to its northeast by around seven in the morning. By nine, the 20th Brigade arrived in strength and — supported by more than ten aircraft — launched a fierce assault on the regiment's positions. The regiment's officers and men held firm, taking heavy casualties but refusing to break. Frustrated at Huayang, the 20th Brigade shifted its effort to the Kuang Family area, linking up with over a thousand men who had crossed from Baichetou to the south bank and pushing along the river toward Xiongfang in an attempt to outflank the Chinese left wing. The Supplementary Regiment sent its 1st Battalion with a mortar company to meet this threat, and the two forces met in a fierce engagement. When the Japanese reinforced their assault and deployed incendiary bombs and poison gas, Xiongfang fell by early afternoon — but Li Tianxia immediately sent two regiments from his right flank to take it back, and by midnight the position was in Chinese hands again. Shitou Street and Jigong Ridge were simultaneously recaptured. The Independent Mixed 20th Brigade now found itself in an increasingly uncomfortable position, fighting with the Jin River at its back and the initiative slipping away. Meanwhile, the main event was being fought in the rubble and ridgelines around Shanggao itself. From March 22 to 25, the 34th Division and whatever remnants of the 20th Brigade could contribute threw themselves repeatedly at the defensive line anchored on Stone Arch Bridge, Xia Po Bridge, Xu Lou, Pan Family Bridge, Cloud Head Mountain, and Lei Family Mountain. This was not the fluid, mobile warfare that the Japanese had envisioned but brutal, grinding attritional combat for individual strongpoints and ridgelines, with positions changing hands multiple times in a single day. The Japanese air arm was deeply involved. Ōga's division had close air support that could operate even in poor weather, and Group 3 of the Japanese Air Force hammered the Chinese positions with sustained effort. On the morning of March 24, after the 34th Division fed in more than 3,000 additional troops transferred across the Jin River, the Air Force dispatched over seventy aircraft that dropped more than 1,700 bombs, largely destroying the defensive positions of Liao Lingqi's division. The Japanese exploited the resulting chaos and twice broke through gaps in the line — but were driven out each time by Chinese counterattacks. At noon, enemy aircraft bombarded in relays and Japanese infantry broke through at Xia Po Bridge. It was at this moment that Li Hanqing, commanding the Chinese infantry defense in that sector, did what officers throughout history have done when systems fail and only personal example can stem the tide: he personally led his officer cadre in repeated counter-attacks, hand-to-hand fighting in the rubble until the Japanese were finally expelled. By this point, the 34th Division's offensive capacity was nearly spent. At the same time — and this was the critical shift that would determine the battle's outcome — General Luo Zhuoying recognized that the moment to spring the trap had arrived. The northern column had already been broken and sent reeling back toward Anyi. The southern column was pinned against the Jin River with its back to the water. The central column was bled white against the defenses of Shanggao. Luo now ordered all his armies to close in from multiple directions. On the morning of March 22, he had already begun revising his orders; by noon on the 23rd, the forces of Liu Duoquan and Li Jue had occupied Shitou Street, Guanqiao Street, and Yanggong Market, pressing on Huifu and Gaoyao. The encirclement of the 34th Division was not yet complete, but its shape was unmistakably forming. By March 25, the 34th Division knew it was in mortal danger. Surrounded on three sides, its ammunition running low and its casualty lists growing by the hour, the division urgently appealed to the 11th Army for rescue. The message that arrived in Hankou was a shock. General Marube and his staff, who had remained at their distant headquarters throughout the battle without establishing a forward command post, had not properly grasped the scale of the disaster unfolding in Jiangxi. The lack of coordination between the 33rd and 34th Divisions — the structural flaw that had been built into the operation from its conception — had allowed Luo Zhuoying to defeat each column separately, and now the central column faced annihilation. The 11th Army responded in a scramble. Chief of Staff Kinoshita was dispatched by aircraft to Nanchang with Operations Staff Officer Lieutenant Colonel Yamaguchi and Captain Ōne to organize a relief operation. The 33rd Division — barely recovered from its own battering in the north — was ordered to sortie immediately and fight its way to the 34th Division's relief. Sakurai organized his battered 33rd Division into three rescue columns. Infantry Brigade Commander Araki Shōji took the right column, leading Infantry Regiment 215 with one mountain artillery battalion. Infantry Regiment 214 formed the left column. The divisional commander himself led the central column with the main divisional force. On March 24 and 25, all three columns sortied from strongpoints at Niuxing, Fengxin, and other positions, attacking across the Wuqiao River and through Cunqian Street toward Tangpu and Guanqiao. The relief operation brought the battle to its most complicated moment. On the morning of March 25, the 33rd Division launched a fierce assault on the forces that Luo Zhuoying had positioned to tighten the encirclement from the north — striking Zhang Yanchuan's division at Kengkou Leng, Jiezipo, and Nancha Luo. Zhang's division, struck simultaneously from the front and rear, withdrew at dusk to near Tu Di Wang Temple, where it linked up with Tang Boyin's division. What happened next became one of the most controversial decisions of the entire battle. Zhang Yanchuan was serving as deputy army commander in the absence of Li Jue from the front. Surveying the situation — his own division under heavy pressure, the 33rd Division's relief columns pushing aggressively — Zhang concluded that the position was untenable. On his own authority, without authorization from Luo Zhuoying or any superior commander, he withdrew both his own and Tang Boyin's divisions to Fenghuang Market and Zhuangfang. The consequence was immediate and severe. The withdrawal opened a corridor through which the 33rd Division entered Guanqiao and linked up with the encircled 34th Division. An encirclement that had taken days of blood and sacrifice to construct was torn open by a single unauthorized decision. Luo Zhuoying, when he received word of Zhang's withdrawal the following morning, was furious — but he could not change what had already happened. He could only adapt. The breakout itself was an ordeal. A portion of the 34th Division that attempted to escape to the east was intercepted near Huifu by a division of the 49th Corps and lost roughly half its strength before being compelled to turn back. The main body ultimately broke out on March 27, withdrawing in march order that told its own story of disaster: headquarters, baggage, artillery, casualties, field hospital, rear guard — all moving in what the records describe as "a wretched state." On the night of March 27, Japanese troops escorting the 34th Division's field hospital — a field artillery company of the 8th Battery — were completely annihilated in a Chinese night attack. When the division reached Longtuan Xu on March 28, the stretcher-bearer column carrying the wounded stretched some seven to eight kilometers along the road. That same day, the 33rd Division's Infantry Regiment 214 finally made contact with the 34th Division's headquarters, completing what amounted to a rescue of men who had already endured their defeat. The 33rd Division's mountain artillery batteries exhausted their entire ammunition supply covering the retreat and required emergency aerial resupply drops to continue. The 34th Division limped back to its original garrison on April 2. Despite the setback caused by Zhang Yanchuan's unauthorized withdrawal, Luo Zhuoying did not abandon his design. Assessing his situation on the morning of March 26, he found reason for cautious optimism: Wang Yaowu's army was still making progress at Shanggao; the Japanese south of the Jin River had largely been cleared; and Sichuan Army and Northeastern Army units that had been moving to reinforce the battle had now reached the field, meaning Chinese forces retained significant numerical superiority. He resolved to execute a second encirclement. At nine in the morning of March 26, Luo issued strict orders: Zhang Yanchuan's and Tang Boyin's divisions were to immediately comply with their original orders and block the enemy near Guanqiao; Yu Chengwan's division was to attack northward via Pan Family Bridge; Liao Lingqi's and Song Yingzhong's divisions were to press toward Guanqiao with full force; Wang Kejun's division was to strike the enemy's flank and rear east of Guanqiao; Fu Yi's division was to advance south of Jiang Family Isle; and Chen Liangji's division was to swing southeast via Changpu to complete the enemy's destruction. The second ring was being drawn. On March 28, as the 34th Division's battered column trudged eastward toward survival, Wang Kejun's division advancing from Yanggong Market moved to intercept it. The Chinese occupied high ground north and south of Yanggong Market and along Mozi Ridge, and what followed was a grinding all-day battle that fixed the Japanese column at the Xiama Bei–Huxing Ridge line. Part of the 20th Brigade, moving up from Gao'an to assist the withdrawing 34th Division, was blocked near Long Tu Market. Liao Lingqi's division pursued the enemy rear guard to the Changling–Manmei high ground, where the fighting erupted with renewed intensity. At noon, part of Li Tianxia's division arrived and deployed along the Shangluoxiang–Shanyuan–Fangtounao line to harass the Japanese right flank; part of Yu Chengwan's division reached Longxing Mountain and outflanked Guanqiao Street from the south. The surviving Japanese defenders in Guanqiao withdrew into the town for a last stand, and after Liao's division pressed the assault, street fighting raged until five in the afternoon, when over 600 defenders were annihilated. Over 2,000 troops of the Independent Mixed 20th Brigade conducted a fighting withdrawal from Long Tu Market and Yanggong Market, covered by Japanese aircraft bombing to shield the 34th Division's retreat. By noon on March 30, the Japanese had abandoned both strongpoints and scattered northeastward. One group of over 600 men fled directly into the main positions of Zhang Yanchuan's division — an ironic fate, given Zhang's earlier withdrawal — and were largely annihilated. The encircling forces had been essentially dispersed, and the two pursuit columns now pressed forward under the overall direction of General Xue Yue, who had assumed personal coordination of the chase. On March 27, Luo Zhuoying — confident that victory was secured — issued a general order for a final offensive and announced substantial cash rewards to his troops: prizes offered for the capture of Japanese officers, artillery pieces, regimental colors, and other materiel. The rewards were both a practical incentive and a mark of how far the battle had tipped. By midnight on March 31, Chen Hongshi's advance column had recovered Gao'an; Wang Tiehan's division had recovered Xiangfu Guan. On April 2, the divisions of Zhang Yanchuan and Song Yingzhong recovered Fengxin; that afternoon Wang Tiehan's division took back Xishan and Wanshou Palace — the very base from which the 34th Division had launched its offensive. By April 3, the pursuing armies had reached the vicinity of Dacheng and Ganzhoujie. On April 8 and 9, the 70th Corps recovered the outpost strongpoints around Anyi before halting operations. The Japanese had retreated into their original positions and were defending from prepared terrain. The pursuit was over. The Battle of Shanggao had lasted nineteen days and nights. No battle of the Second Sino-Japanese War was ever free of the fog of competing claims, and Shanggao was no exception. On March 29, before the pursuit had even concluded, Luo Zhuoying telegraphed Chiang Kai-shek with his accounting of the victory. His numbers were dramatic: Major General Iwanaga, the Japanese infantry commander, killed; regimental commander Colonel Hamada, killed; over 15,000 Japanese killed or wounded in total. Chinese losses, Luo reported, exceeded 20,000. Ten guns, over a thousand rifles, and numerous machine guns had been captured. His superior, General Xue Yue, was skeptical. In a telegram to Chiang Kai-shek on April 5, Xue reduced Luo's numbers by twenty percent, reporting 12,520 Japanese killed or wounded and 14 prisoners captured. The discrepancy between two Chinese commanders reporting on the same battle speaks to the difficulty of battlefield accounting in any era, and suggests something of the competitive pressures that shaped how Chinese commanders reported their victories to Chongqing. The official Chinese histories, compiled after the war in the History of the War of Resistance, reported approximately 15,000 Japanese killed or wounded, 17 prisoners taken, and significant quantities of captured materiel: 6 mountain guns, 1 mortar, 24 light machine guns, 408 rifles, 24 grenade launchers, and over 111,717 rounds of various ammunition. Chinese casualties, by the same records, were 17,119 killed or wounded and 2,814 missing. Japanese records for the battle do not survive — a consequence of the wholesale destruction of Imperial Army documentation at the war's end. Contemporary scholars, working from other sources, estimate actual Japanese combat losses at approximately 5,500 killed and wounded. This is substantially lower than the Chinese claims, as was nearly always the case in the war, but represents a significant defeat by any measure: roughly a quarter of the force committed, many of them veterans impossible to replace. Chiang Kai-shek subsequently awarded the victorious Chinese units a commendation prize of 150,000 yuan — a substantial sum that marked the battle's significance in Nationalist eyes. The outcome at Shanggao was not accidental. Several interlocking factors combined to produce a Chinese victory, and each deserves consideration. The most fundamental was Luo Zhuoying's defensive plan. The decision to trade space for time — to absorb the Japanese advance through three successive defensive lines rather than contest the frontier — required both tactical confidence and a willingness to accept initial setbacks that could easily be misread as defeat. Chinese forces had to give ground, and they did. They had to suffer through the early days of Japanese advance without breaking and running, drawing the enemy forward and allowing the encirclement to take shape. That they largely succeeded in executing this plan reflects the improving quality of the Nationalist Army by 1941: better trained, better led at the operational level, and — critically — equipped with a strategic design that matched the actual balance of forces. The defeat in detail of the Japanese columns was equally important. By neutralizing the 33rd Division in the north before it could contribute to the central effort, and by pinning the 20th Brigade against the Jin River with its back to the water, Luo's forces ensured that the 34th Division faced the third-line defenses essentially alone — outnumbered, overextended, and unsupported. The Japanese operational concept had been a three-pronged convergence; what actually materialized was a single exhausted division hammering at a prepared defense while two other columns were rendered ineffective. The absence of coordination within the Japanese 11th Army was a gift that kept giving throughout the battle. No forward command post. No mechanism for the divisions to adjust their operations in response to each other's situations. No ability to recognize, in real time, that the northern column was being destroyed and redirect resources accordingly. General Marube's decision to remain at Hankou while his men died in Jiangxi was not merely an administrative failure; it was an operational catastrophe. Japanese commanders acknowledged this failing explicitly after the battle, but the acknowledgment changed nothing for the dead. Zhang Yanchuan's unauthorized withdrawal — the single most consequential individual decision of the battle — ultimately prevented a complete annihilation of the 34th Division rather than affecting the battle's outcome. The 34th Division escaped; but it did so in a "wretched state," having lost enormous numbers of men and equipment. It broke out, not triumphed. The encirclement Luo had constructed was torn open, but the Japanese paid dearly for the breach. The consequences of Shanggao rippled outward in ways that shaped the subsequent course of the war in central China. The transfer of the 33rd Division to North China — the original logistical rationale for the entire operation — was delayed by the division's involvement and subsequent losses at Shanggao. When it finally arrived at the Battle of Central Plains  the following month, it did so on the eve of battle with no time for preparation or orientation, entering combat under severely disadvantaged conditions. The operation that was supposed to facilitate a smooth redeployment had instead damaged one of the two units involved and delayed the other. For the Chinese 74th Corps, Shanggao had an ironic consequence. The Japanese 11th Army, following the battle, formally designated the 74th Corps as a priority target — a "standing enemy" and directed its forces to seek out and destroy it in future operations. At the First Battle of Changsha that September, the 11th Army specifically oriented its forces against the 74th Corps, a testament to the lasting impression that corps's fierce resistance at Shanggao had made on its adversaries. The compliment of being specifically targeted by the enemy was one the 74th Corps had earned in blood at Shanggao's ridgelines and shattered bridges. More broadly, the battle was widely regarded at the time, and has been regarded since, as one of the most significant Chinese tactical victories of the first four years of the War of Resistance. Its significance lay not only in the casualties inflicted — those were contested and probably inflated in the Chinese records — but in what it demonstrated. The improving tactical and operational competence of the Nationalist Army was on display. The deliberate defense, the layered withdrawal, the coordinated encirclement — these were not the operations of an army that had been fighting desperately for survival since 1937 and had learned nothing. They were the operations of an army that had studied its defeats and adapted. Shanggao did not change the strategic situation in China. The front in Jiangxi remained where it had been; the Japanese still occupied Nanchang and the major cities; Chiang Kai-shek was still in Chongqing and the war was still far from over. But it demonstrated something important: that the Chinese Army, given capable commanders, a sound plan, and the discipline to execute it, could do more than survive Japanese offensives. It could reverse them, encircle them, and pursue them back to where they came from. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. In March–April 1940, Japanese forces attacked Shanggao with a limited, multi-pronged plan. Chinese troops used elastic defense and coordinated counter-moves, turning initial advantages into a trap. After intense fighting and air strikes, a coordinated encirclement and timely breakout routed the Japanese, forcing retreat despite their numbers in a costly battle.

LIVE from Tokyo, Japan. Subscribe to our Patreon for bonus episodes at https://www.patreon.com/joytactics

After a short break, Kelly and Taylor are back to talk more joshi!They start with discussing Tokyo Joshi's latest Korakuen Hall show, Stand Alone, before a report from Taylor's in-person experience at the latest Sukeban show!After that, they preview Stardom The Conversion and Ice Ribbon's upcoming 20th Anniversary show!Check it out!Please follow us on BlueSky: @jbombaudioYou can support this podcast at http://redcircle.com/jumping-bomb-audio/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Bartender: Glass of God Worth Watching - FAP-391Ryu's hunting the perfect drink in a hidden Tokyo bar, but whether Glass of God is worth your time depends entirely on how much you love a slow burn.Genres: Drama, Slice of Life, SeinenStudio: LiberSource: MangaJack's Score: 6/10Rick's Score: 8/10Verdict: Rick poured a weak eight and Jack left a six on the bar, slow by design and emotionally honest, but it's not going to hit for everyone.Timestamps:00:00 - Intro and Episode Setup02:48 - Show Synopsis and Setting the Scene03:44 - Glass of God vs. the 2006 Original07:03 - The Competition Arc and Ryu vs. Mr. Perfect13:34 - The Bar as a Sanctuary18:09 - Heavier Themes: Guilt, Loss, and Responsibility26:43 - Studio, Animation, and Final Critiques31:09 - Scores and Verdict33:32 - Next Week PreviewFor everything having to do with the anime and this episode go to - https://www.featuredanimepodcast.com/episodes/bartender-glass-of-god-anime-review/Next Week: Rooster FighterPatreon - https://www.patreon.com/featuredanimepodcast (ad-free + early access + voting)Merch - https://www.featuredanimepodcast.com/shopDiscord - https://discord.gg/DZRKTAN (suggest anime + hang with us)Rate us 5 stars if this one hit, drop your thoughts in Discord, and we'll see you next week!

Te la do io Tokyo - Trasmissione del 15/06/2026 - Tutte le notizie su www.marione.net

Many executives trying to find jobs in Japan rely on passive tactics—applying on LinkedIn, meeting recruiters, and polite networking, then get frustrated when nothing happens, despite market claims of talent shortages. David Sweet explains that most job-search advice is built for mid-management, while executive search firms and recruiters primarily serve client mandates, often resulting in “crickets” for candidates; LinkedIn applications also rarely reach decision-makers. Instead, executives should stop waiting to be rescued and run their search like B2B sales: build a strategy and target list of 40–50 companies (dream firms, PE-backed growth, APAC HQs, market entrants), research via chambers, trade shows and media, then reach out directly to presidents and senior leaders with a research-focused message. Use meetings to learn needs, competitors, and expand networks, staying patient given fewer senior roles.The 2026 FocusCore Salary Guide is here: 2026 Salary GuideIn this episode you will hear:Move beyond mid-management job search strategiesCraft a list of dream companies and take the direct approachUtilize resources like chambers and trade shows for in-depth researchEngage executives in meaningful dialogue, not just job requestsDavid Sweet Bio:​David Sweet is the Founder and CEO of FocusCore Japan, based in Tokyo. FocusCore provides a broad range of services from executive to talent management and leadership consulting. His particular focus is in Human Resources.Prior to establishing FocusCore Group, David was a Director with the Tokyo consultancy Wall Street Associates, leading operations, training, and recruitment in multiple sectors. He also worked for 10 years in the U.S. Treasury Department in labor relations and organizational development.He is the author of six books, including "Sweet Sales", "Sweet Success", and "Recruit!". He is also a Certified Executive Coach. David earned a MA in Communications from Regis University and a PhD in Leadership Development.Are you enjoying the FocusCore Podcast? Please take a few minutes and leave a rating and a review on Apple Podcasts! Scroll down the show page, select leave a rating, and tap ‘Write a review'.Connect with David Sweet:LinkedIn: https://www.linkedin.com/in/drdavidsweet/Twitter: https://twitter.com/focuscorejpFacebook: :https://www.facebook.com/focuscoreasiaInstagram: https://www.instagram.com/focuscorejp/Website: https://www.japan.focuscoregroup.com/This podcast was proudly produced by Lisa Yasuda.“Doin' the Uptown Lowdown,” used by permission of Christopher Davis-Shannon. To find out more, check out www.thetinman.co. Support independent musicians and artists.

Te la do io Tokyo - Trasmissione del 14/06/2026 - Tutte le notizie su www.marione.net

Welcome to the Art Life Faith Podcast, and I’m your host, Roger Lowther. We are recording live from the JCAMM conference in downtown Tokyo with the theme of “The Beauty of Japan・The Beauty of Heaven.” It’s a week-long conference from Friday, May 22 to Wednesday, May 27, 2026, where we are talking about the arts of Japan, the beauty of Japan, and how that helps us worship God. We’ve had so many amazing guests this week, and now I have the privilege of sitting down with one of our key presenters, a band like no other I’ve ever seen in the world called IziBongo. They sing not only in the various languages of the world, but they use the various instruments of the world and the various styles and genres of the world so people can see what it looks like for the nations to praise God and how that can lead us all in praise of God. So I wanted to sit down with them and have a conversation. I’ve also asked Akira Mori to sit down with us. He is our MC for the conference, and he’s a longtime friend and partner. We got to know each other very well through the 2011 earthquake, tsunami, and nuclear disaster. He’s the pastor of Global Mission Chapel in Iwaki, Japan, not too far south of the nuclear power plants in Fukushima. And his amazing church was one of the key centers for relief work for all of Tohoku. Through the years, we’ve gotten to know each other better, and I’ve so appreciated not just his encouragement and the way he leads especially movements of prayer in Japan but the way he’s encouraged me personally and for his friendship. And so I invited him to be the MC for this conference and also to be with us for this podcast episode. So thank you, all of you, for being here. Why don’t we start with a quick introduction? Please tell me who are you and where this name IziBongo came from. It’s kind of an interesting name. Cory Sure, Izibongo is a Zulu word which means praises intoned in honor of a person. It’s a kind of praise poetry. This is a second generation of the group itself, originally called the Wycliffe World Music Band, which came from Wycliffe Bible Translators. Roger Not as catchy… Cory Yeah…, which came from Wycliffe Bible Translators. Roger Okay, so what do you do? Why did you form IziBongo? Cory Originally, the Wycliffe World Music Band was meant to be an illustrative form of the music of the world and to promote Bible translation. That was one of the hopes for the people who organized it. We would go to Christian music festivals and perform there to show how the nations would worship or do their songs. Paul I might add that originally it was an ad hoc group of students in a particular class learning about some of these principles of music and worship around the world. The leader of that class was our mentor, Tom Avery. He would gather the students and throw instruments at them and say, “Sing this and let’s play this.” And so it was just to appreciate the worship around the world. This developed out of that educational starting point to more of a worship focus and whatever it is today. Cathy Another point that Tom would make when teaching us these songs was that music is not a universal language, it’s a universal phenomenon. But different peoples have different ways of singing. We think we might understand what they’re singing about. We might make a judgment if we hear another culture’s music and say, “That’s demonic,” or, “You could not praise God with that music.” But he was teaching us that we need to understand when we go into cultures their music systems. We can’t just go in and say, “No, you have to sing it this way.” Mary And to follow up on that is the focus of outsider-insider, an outsider trying to understand from the insiders, “What does this mean to you? What is the content?” because as outsiders, we can really miss it and not understand what’s actually being expressed. So we have terms. We say etic and emic, outsider/insider perspectives, that we talk about in our courses and our learning. Roger Help us to see what this looks like a little bit more concretely. What countries, what groups are you representing, and what kinds of instruments are you playing? Paul Well, I’m playing about 3 or 4 instruments here. One is a charango from Bolivia, which I bought on the River Walk in San Antonio from a real live player. I’m also playing a Moroccan oud, which we use for other instruments as well. We don’t carry 50 instruments, we carry about 10. And I’m playing a Greek bouzouki, but I’m using that to represent music from other parts of the world as well if the instrument sounds similar to the sounds. So again, we’re approximating all these. We’re never being exactly authentic. We are just Americans. We’re not trying to pretend that we’re something else. But we love the sounds of the world and the praises that they lift up. So we want to approximate those sounds so that you will learn to appreciate their music. As for the countries that we actually sing songs from, we could give a list if you’d like. Cory We do some from South America, so there’s Brazil, Venezuela, Bolivia…Ghana, Democratic Republic of Congo… Cathy Nigeria… Cory Egypt… Paul Tunisia, Papua New Guinea, Bhutan, South Korea…We don’t have a Japanese song yet. Roger Okay, well, we’ll have to fix that. Paul Exactly! We’re working on it. Roger So tell me more about why you do this. What is your purpose in singing these different styles—using different instruments, different languages, representing different countries? Paul Well, for myself, and I think for my wife as well, we were worship leaders in a local church and trying to find the most relevant ways to help people worship in our culture. It was mostly not a mixed culture. It was mostly just a normal American church in Texas, but still we had to wrestle with contemporary versus older styles and who was there and what kind of music they liked. In the South it’s a little more Baptist hymnal kind of songs, which I wasn’t that familiar with. So you always have to learn and find out from the congregation that you’re worshiping with, what helps them express their heart, because that’s really what a worship leader is trying to do, just help the people worship from their heart. So that was where we started, and when we ran into Tom and he was doing that in the jungles of Brazil, it sounded radically different, of course. So we learned from him how to approximate that sound so that we could present it. Cathy So the first time we performed this kind of music, we thought we were just going to give people an educational experience and say, this is what your brothers and sisters sound like over in Africa, or this is what they say to God in their songs. The people that heard us in Memphis, Tennessee, on that very first trip were crying. They said, “This is a kind of worship that we’ve never experienced before.” It wasn’t necessarily something they could participate in, but it was like when you look up at the stars and go, “Wow, God, that’s amazing.” And you get a glimpse of the worship that God is preparing for himself across the world. And it does increase your love for your brothers and sisters. So we wanted to give more people that kind of understanding and that kind of love for brothers and sisters that they’ve never met, maybe an experience that would have them want to pray for those brothers and sisters. And so when we go to a mission conference, we hope, too, that it opens people’s eyes to understand that we want to encourage authentic ethnic worship and not just press our Western songs onto others. Mary I was just going to say one word, beauty. Well, I’ll say a few more words than just that. We have a colleague who decades ago said, why would God have created birds that only sing one song? And so we think about the diversity of artistic communication and think about the beauty of how we can all be different and have different artistic expression, but that it can be unified in the worship of our Creator, and to learn to appreciate that, but also know that it’s perfectly great to have those styles and songs and ways that you can sing and worship that come really from a deep place in your heart. So, we want to get into what that is in each culture to lead people to that place of beauty. Paul It makes me think also the necessity that we feel of presenting things with authentic instrumentation as much as possible and with some costuming. It’s not like we’re not trying to appropriate someone else’s culture. We’re trying to represent so that you will have a deeper appreciation of those—the beauty, not just the sound, but the beauty of those cultures in their expression of worship. Roger I’m glad you all are talking about this because that was one of my next questions is like, why is this important? You know, when I first came to Japan, the first thing that people wanted me and my wife to do is, as musicians, help with worship. And there’s basically two choices you can do. Contemporary or you can do traditional. One or the other. If you play organ and piano, well that’s traditional. If you use the guitar, well then that’s going to be contemporary. Those are the only two choices, so choose. If you go back and forth between the two, then that’s blended, a little of both. So to hear what you all do is so far outside people’s expectations of what worship can be. And that message, I feel, is especially needed in Japan. I would love Mori-Sensei to comment on that. Have you heard anything like this in Japan, this group? Mori No. That’s it. Roger And is it important then for Japan? Mori Absolutely. Japanese people like to feel safe, I guess, and don’t want to be criticized. Therefore, they try to conform to whatever is the mainstream, whether it’s a small group of 3, 4, 5 or a bigger group of 50–100. But that’s what I sense, and that’s what I find in myself from the past. So, especially when you think about the Christian church. The gospel was brought by typically Caucasian Western missionaries, and I don’t think they had any other way than to just do what they were used to. And without being intentional, I believe a kind of very clear line between Christians and non-Christian Japanese was drawn. When I was a teenager and a church member, the pastor said secular songs shouldn’t be sung, not even for yourself when you’re alone. So there was a very clear line, and I think in every church it was the same. And if you dare to play jazz or, rock was not so much in Japan in those days, then you were looked at as unspiritual, not a good Christian. So naturally, for those reasons, the Japanese ethnic or original music was separated from the church. It is still very much the same, I think. Therefore, it’s very difficult to take different styles of music and even ethnic music into the church. We don’t have any group like IziBongo. I don’t know if any other countries do either, but it is great riches brought to the church. Roger You know, when I first came to Japan, I was in language school that first year. We made friends with a clarinetist, and she was feeling turmoil about being in the church because the church told her she couldn’t play. She was a professional clarinet player, but they would not allow her to play clarinet in church because that was not appropriate for Christian worship. But, they said, you can play the piano because we need someone to play the piano. She was like, but I’m not a keyboardist and don’t play the piano very well, and it was hard for her to worship while playing the piano. When we came in, they asked us as missionaries to come give a concert, and we invited her to join us. There were tears in her eyes because that was the first time anyone in the church had ever heard her play the clarinet, which was her heart language. And I was like, wow, well, maybe it’s just this church. Well, then we went and were helping to plant another church out in Chiba, where we met a pastor whose son played the saxophone. And it was the same story. He invited his son to play saxophone once in worship, and the church members got so upset. Saxophone is not appropriate for worship, they said. It sounds worldly. It sounds like jazz, you know. And we’ve come across stories like that over and over again. And I want to tell you one more. Sorry I’m talking so much! But there’s this other story when we met this koto player. She was featured in one of our videos during the conference. I think I’ve shared this in a past podcast episode, but we invited her to come and play koto in worship. That’s a traditional Japanese harp, and it was so beautiful. We loved it, but there were so many people upset afterwards. And there were so many meetings afterwards, not the kind of meetings that you really want to have happen, you know, like with the pastor and the elders. Okay, this person’s upset, and they felt like it was connecting to the non-Christian culture in Japan. They said, “You can’t use the koto in worship. You were distracting me from worship. I was not able to worship God because you had the koto there.” And, you know, the way—I’ve shared this with some of you before—the way that we were able to bring healing to that situation is when they realized how she was able to worship God through her heart language, through the koto, it drew them in and they were able to worship God by seeing how she was worshiping God. It wasn’t a gimmick, you know, it wasn’t like we’re trying to force something on the church, but that this is how she worshiped, and they were able to worship through her. It was that relational key that made all the difference. Mori Um, can I ask you a question? Roger Sure. Mori That was your experience in the beginning. Is that still very much the same in the Japanese churches? Roger I do sometimes continue to hear stories, yeah… Mori This is my subjective, biased opinion, but around 20 years ago, God raised a young man and gave him song after song. An authentic Japanese young man, producing Japanese praise songs, worship songs, and they did some gatherings using yukatas and guitars on the stage, dancing and singing. And those worship songs created by those people, they have quite rapidly spread all across Japan. Roger Oh, wow. I’d like to hear them. Mori Yes. Oh, you know him. Taka. His songs, I believe, have changed the atmosphere of Japanese churches. Nagasawa Takafumi wrote that famous song, “Sono Hi Zen Sekai Ga” (“On That Day”). He started out as a worship leader in his father’s church. Now, he’s the senior pastor. But he was invited as a worship leader to a church in a different place, totally different place, and the pastor, as the congregation sang that song, proudly said to Taka, “Don’t you think this is an awesome song?” He didn’t know that Taka wrote that song, and Taka did not tell him. But today, more instruments are naturally taken into church services. Different styles are tolerated. Not every church, but, by and large, so many churches are resembling Western American churches, worship band in front and leading songs with guitars and drums and bass guitars and keyboard. And it’s spreading. And I just think that change has been happening. But still though, not Japanese authentic instruments or styles. Roger Yeah, that's still pretty rare. Mori Yeah, because of the schism that happened, right in the beginning, the Christians somehow feel that those instruments are not theirs. And to me, that’s okay if Christians don’t play any koto or shakuhachi. Of course, they’re greatly considered by Christians to be a special genre of instrument. Roger Generally. Yeah, Cathy? Cathy That’s one thing that seems to happen when we play. We had an experience in Singapore. A Japanese gal came up and talked to me afterwards and said, “This makes me want to go home and find what is unique from my culture that I can offer to God. It makes me want to go home and find or make something unique from my culture. And so, I think that IziBongo sometimes has that effect when we show what other cultures are doing. Roger Yeah, I also wanted to ask you all, I know that like sometimes I hear this word “appropriation” in the States, because you are not from those cultures, because you are Americans doing that music. If someone was to come at you and say, “Hey, that’s not appropriate for you to be doing that,” how would you respond to them? Paul Well, it depends who it’s coming from, I think, is where we start. We have never had anyone come to us from those nations with a problem with us. In fact, all we’ve ever heard is appreciation that we at least attempted to sing in their language. And again, we don’t do it perfectly. We had one experience up at Prairie Bible College where we played a First Nations song, a Native American song, and there was one young gentleman there who was a young man from the First Nations, and he was so excited. He wanted to sing the song. It was very simple, so he wanted to lead it. It was so amazing to him that he could do that. And almost immediately, we got strong pushback from a missionary couple who’d been there for 30 years working with First Nations peoples who felt like that was very inappropriate for the church. So let me say it this way: What we do is not try to impose on the church what you should do. What we’re doing is saying praise is happening all over the world, not always on Sunday morning. In fact, most of this wouldn’t be in Sunday morning worship, but it’s worship. Some of it’s on the streets of Brazil, a samba. And it was a Christian song sung on the streets of Carnaval. I mean, that’s not Sunday morning. So again, what we’re presenting is just the various expressions of praise. Whether they fit on Sunday morning in the church, your pastor and your worship leaders need to work that out. And we shouldn’t be judging them. They’re the ones who are to guide and guard the flock. So pray for your pastors that they might have vision even when they have reservations. Cathy I would say it’s also not only praise, but Scripture memory songs, storytelling, telling of Bible stories, and historical things. So there are other ways to use the music. Cory And the use of the music that we do when we perform are based on relationships that we have with the communities themselves, either through a Bible translation project or actual one-on-one. So, we have gotten permission to do these songs according to the communities that we’ve come in contact with. Mary And I’ll say that coming back to the U.S. from West Africa and starting to hear this word appropriation, I was a little bit shocked because I was like, oh, what does that mean? You know, I had to say, what does that actually mean? Because to be in West Africa or in that particular culture, you dress with the cloth and you learn their songs and they are thrilled that you are learning their language and wearing their clothes. So appropriation is not about using these things for our own benefit, but it’s about lifting up and respecting that culture. Roger We are almost out of time, but I want to give Mori Sensei the last word. So, think about what you’re going to say. Let me just say that I’ve been moved by talking with all of you, you know, outside this interview, the stories you’ve told me about how people respond saying, wow, I had no idea I could worship God in that way through my culture, through my art, and how it’s encouraging them, empowering them really. You are empowering the nations to say, God has given you these gifts to worship him, and it’s just such an important message. Thank you so much for the time and money you’ve spent to come all the way to Japan to share this with us. We really appreciate it. Mori Sensei, do you have any final comments? Mori Well, thank you very much. I’m so honored. Change is happening in the Japanese churches. It’s not only negative. In one church, 45 minutes away from Tokyo, they started using enka. Enka is very secular, many love songs. They were the songs church members' husbands especially loved. So they invited the husbands and did a couples' night. They served beer and they sang enka. And the people loved it. Actually, the wives loved it too. So, some changes are happening. Also, Japanese instruments—koto, shakuhachi, shamisen—are not widely used in the churches. I think that’s because nowadays Japanese people have grown up without those instruments nearby. But those who have, they should be invited to the churches to perform and make them feel at home. Still, the Japanese churches are very much under the control of pastors. So these gatherings would be excellent for the Japanese pastors to know and come attend, listen to, hear the stories. That’s probably the challenge for the near future. Roger Thank you. Thank you so much, all of you. I really appreciate it. God bless you. You've been listening to the Art Life Faith Podcast. To watch the video of this podcast or many other videos from the conference, please go to our website: www.communityarts.jp. As we say in Japan, “Ja, mata ne.” We'll see you next time.

From Nairobi's Zero Project Tech Forum: Steven Scott and Shaun Preece meet innovators using AI robots to teach deaf students STEM, digital avatars to interpret sign language at scale, and 3D printing to put custom prosthetics within reach across Africa. Day two of Double Tap's coverage from the Zero Project Tech Forum in Nairobi centres on communication and care. Steven Scott and Shaun Preece speak with three innovators whose work shares a common thread: using off-the-shelf technology and African-built data sets to solve problems that mainstream assistive tech has repeatedly overlooked. Maxwell Kamau, Partnerships Lead at ZeroBionic, introduces a Kenyan startup building AI-powered humanoid robots as learning aids for blind, visually impaired, deaf, and hard of hearing students. Their first product is a 3D-printed prosthetic arm, made from recycled plastic, that translates documents and video into sign language, trained on African sign language data sets that automatically adapt to the student's country. Their second product is a Braille-tagged STEM robotics kit designed for blind learners. Every component, from motors to microcontrollers, carries a Braille label so students can identify and assemble the parts by touch. The kit supports coding by voice, sign language, text, or drag-and-drop, and is aimed at learners from age five upwards. ZeroBionic is now presenting its new Braille education hardware, and is seeking manufacturing and distribution partners to reach schools that cannot afford commercial robotics kits. Winnie Ongiri, Operations Manager at Signvrse, explains how her Nairobi-based company has built an AI-powered digital sign language interpreter that converts speech and text into signing via lifelike customisable avatars. Rather than a standalone app, Signvrse is designed as an API, a foundational accessibility layer that other platforms can plug into. Currently operating at a two to three second response time, the team is working toward 500 milliseconds for genuinely real-time interpretation. Motion capture data is collected directly from deaf community members, and quality assurance is built around ongoing community involvement at every stage. Winnie addresses the displacement question directly: the technology is designed for places human interpreters cannot reach, such as websites and online video, rather than to replace them. Dr Nick Were, co-founder of Prothea in Kenya, describes how his company is using iPhone LiDAR scanning, proprietary 3D modelling software, and desktop 3D printing to produce custom-fitted prosthetic sockets in under 24 hours. Traditional methods take a week or more, and public facilities can take a month. The sub-millimetre accuracy of the digital workflow produces a more comfortable fit than a plaster cast, and the hub-and-spoke model means prosthetists can travel to remote patients with just an iPhone, send the scan file back to base, and have a printed socket shipped out. Prothea has served more than 700 patients and holds close to 600 scan files that could be used to train AI modelling, a partnership the team is actively seeking. Prothea operates as an implementing partner of Ugani Prosthetics, whose workflow and software were developed through university research in Belgium and are now being deployed across Africa, Asia, South America, and Europe. The episode closes with news that the Zero Project Tech Forum will continue to Mumbai in September, Tokyo on October 9th, Singapore in November, and Santiago de Chile also in November. Relevant Links
Zero Project: https://www.zeroproject.org
ZeroBionic: https://zerobionicafrica.com
Signvrse: https://signvrse.com
Prothea / Ugani Prosthetics: https://ugani.org/en/ ----Follow on:YouTube: https://www.doubletaponair.com/youtubeX (formerly Twitter): https://www.doubletaponair.com/xInstagram: https://www.doubletaponair.com/instagramTikTok: https://www.doubletaponair.com/tiktokThreads: https://www.doubletaponair.com/threadsFacebook: https://www.doubletaponair.com/facebookLinkedIn: https://www.doubletaponair.com/linkedinSubscribe to the Podcast:Apple: https://www.doubletaponair.com/appleSpotify: https://www.doubletaponair.com/spotifyRSS: https://www.doubletaponair.com/podcastiHeadRadio: https://www.doubletaponair.com/iheartAbout Double TapHosted by the insightful duo, Steven Scott and Shaun Preece, Double Tap is a treasure trove of information for anyone who's blind or partially sighted and has a passion for tech. Steven and Shaun not only demystify tech, but they also regularly feature interviews and welcome guests from the community, fostering an interactive and engaging environment. Tune in every day of the week, and you'll discover how technology can seamlessly integrate into your life, enhancing daily tasks and experiences, even if your sight is limited."Double Tap" is a registered trademark of Double Tap Productions Inc. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Here is your Daily Disney News for Saturday, June 13th, 2026 - Walt Disney World: Tron Lightcycle Run opens today in Tomorrowland at Magic Kingdom, offering high-speed thrills inspired by the Tron films. - Tokyo Disney Resort: New parade "Dreaming Up!" celebrates the resort's anniversary with vibrant floats, music, and a unique Tokyo twist. - Disney Cruise Line: New ship Disney Imagination to set sail in 2027, featuring innovative dining, entertainment, and themed areas. - Disney+: "Tales of the Enchanted Forest" series debuts, showcasing magical stories and stunning animation for all ages. Have a magical day and tune in again tomorrow for more updates.

Fluent Fiction - Japanese: Finding the Stroke of Confidence in Tokyo's Museum Light Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2026-06-13-07-38-19-ja Story Transcript:Ja: 東京の美術館に春の光が降り注いでいた。En: Spring light was streaming into the Tokyo museum.Ja: 広いガラス窓からの光は、日本の書道の特別展を優しく照らしていた。En: The expansive glass windows cast a gentle light on the special exhibit of Japanese calligraphy.Ja: 足音は静かで、まるで空間全体が息をひそめているかのようだった。En: Footsteps were quiet, as if the entire space was holding its breath.Ja: 拓海は静かに歩いていた。En: Takumi was walking silently.Ja: 若いアーティストとしての道に疑問を抱いていた。En: As a young artist, he was questioning his path.Ja: 自身の作品に自信が持てず、どう進むべきかがわからなかった。En: He lacked confidence in his own work and didn't know how to proceed.Ja: 彼の横にいるのは姉のゆきこ。En: Beside him was his sister, Yukiko.Ja: 成功した美術史家である彼女は、拓海のことを心から心配していた。En: A successful art historian, she was genuinely worried about Takumi.Ja: だが、時にその心配は過度になり、拓海を苛立たせることもあった。En: Sometimes, however, her worries became excessive, which frustrated him.Ja: 「この作品を見てごらん」とゆきこが言った。En: “Look at this piece,” Yukiko said.Ja: 彼女の指さす先には、見事な筆遣いで書かれた一枚の書があった。En: She pointed to a calligraphy work with an impressive brushstroke.Ja: それは、力強くも繊細な筆跡で、観る者の心を捉えて離さない作品だった。En: It was a piece that captured the hearts of those who saw it, with its powerful yet delicate strokes.Ja: 「僕にはこんな作品、到底無理だよ」と拓海は呟いた。En: “I could never create a piece like this,” Takumi murmured.Ja: 彼の声には不安と焦りが混じっていた。En: His voice was a mix of anxiety and impatience.Ja: 「そんなことはないわ」とゆきこは優しく言ったが、拓海はうつむいたまま。En: “That's not true,” Yukiko replied gently, but he remained looking down.Ja: 彼は姉の成功を羨み、そして自分の未熟さを恥ずかしく思っていた。En: He envied his sister's success and felt embarrassed about his own inexperience.Ja: 展示室をさらに進んだ。En: They moved further into the exhibition room.Ja: ある瞬間、拓海は立ち止まり、ある作品の前でその場に棒立ちになった。En: At a certain moment, Takumi stopped and stood frozen before a particular piece.Ja: その書は、単純かつ力強い線が美しいバランスで並べられていた。En: The calligraphy had simple yet powerful lines arranged in beautiful balance.Ja: 視線が釘付けになり、心が揺さぶられた。En: His gaze was fixed, his heart stirred.Ja: 拓海の心から言葉が溢れ出し、「これは……素晴らしすぎて怖い」と声に出た。En: Words spilled from Takumi's heart, “This is... so amazing, it's scary.”Ja: この突然の感情の爆発に、ゆきこも驚いていた。En: This sudden outburst of emotion surprised Yukiko as well.Ja: 彼女はそっと弟の肩に手を置き、「そうやって感じ取れるのも才能よ」と静かに励ました。En: She gently placed a hand on her brother's shoulder and quietly encouraged him, “Being able to feel that way is its own talent.”Ja: 拓海はその場で初めて話した。自分の不安と疑問について、ゆきこに率直に打ち明けた。En: For the first time, Takumi spoke of his anxieties and doubts openly to Yukiko.Ja: 「僕はいつも姉さんと比べちゃうんだ。だけど、僕はどう進めばいいのかわからない」En: “I always compare myself to you, but I don't know how I should proceed.”Ja: ゆきこは弟の言葉を聞きながら、初めて彼に寄り添うように努めた。En: As she listened to her brother, Yukiko tried for the first time to truly be there for him.Ja: 「拓海、それでいいのよ。En: “That's okay, Takumi.Ja: 比べなくても。En: You don't need to compare.Ja: あなたはあなたの道を見つけるわ」En: You'll find your own path.”Ja: その言葉に拓海の心は少し軽くなった。En: Those words lightened Takumi's heart a bit.Ja: 彼はゆっくりと深呼吸をし、「ありがとう、姉さん」と感謝の言葉を口にした。En: He took a slow, deep breath and expressed his gratitude, “Thank you, Sister.”Ja: その後、二人は美術館の中を共に歩き続けた。En: After that, the two of them continued to walk through the museum together.Ja: 拓海は新たな視点を手に入れ、自分の道を進むための自信を少しだけ得ていた。En: Takumi gained a new perspective and a bit more confidence to pursue his path.Ja: ゆきこもまた、弟を自分の方法で支えることを学び始めていた。En: Yukiko also began learning how to support her brother in her own way.Ja: 春の光の中で、美術館の作品たちもまた、新しい物語を紡いでいた。En: Amidst the spring light, the museum's artworks were also weaving new stories.Ja: 拓海とゆきこは、その中で新たな一歩を踏み出していた。En: Takumi and Yukiko were taking new steps within them.Ja: 二人には新たなる理解が生まれ、それぞれの道を進むための力となった。En: A new understanding was born between the two, providing the strength to walk their own paths. Vocabulary Words:streaming: 降り注いでいたexpansive: 広いcast: 照らしていたexhibit: 特別展footsteps: 足音holding its breath: 息をひそめているquestioning: 疑問を抱いていたconfidence: 自信proceed: 進むsuccessful: 成功したart historian: 美術史家genuinely: 心からexcessive: 過度brushstroke: 筆遣いdelicate: 繊細なanxiety: 不安impatience: 焦りenvied: 羨みembarrassed: 恥ずかしくinexperience: 未熟さbalance: バランスgaze: 視線stirred: 揺さぶられたoutburst: 爆発encouraged: 励ましたanxieties: 不安gratitude: 感謝perspective: 視点pursue: 進むweaving: 紡いでいた

Te la do io Tokyo - Trasmissione del 13/06/2026 - Tutte le notizie su www.marione.net

オランダとベルギーを公式訪問するため、政府専用機で東京・羽田空港を出発される天皇、皇后両陛下、１３日午前天皇、皇后両陛下は１３日午前、国賓としてオランダとベルギーを公式訪問するため、政府専用機で東京・羽田空港を出発された。 Japan's Emperor Naruhito and Empress Masako departed for an official visit to the Netherlands and Belgium on Saturday morning aboard a government aircraft from Tokyo's Haneda Airport.

欧州歴訪への出発を前に記者団の取材に応じる高市早苗首相、１３日午後、首相公邸高市早苗首相は１３日午後、英国、イタリア、フランス歴訪のため、チャーター機で羽田空港を出発した。 Japanese Prime Minister Sanae Takaichi departed Tokyo's Haneda Airport on Saturday afternoon to attend a three-day summit of the Group of Seven major powers in Evian, eastern France, and also visit Britain and Italy.

CrowdScience listener Haruka has been making origami cranes out of paper since she was a child. Creating one out of a cloth napkin, however, was a next-level challenge. It gave her a new appreciation of paper's excellent foldability, and made her wonder: what is it about paper's structure that means it remembers its creases? We set out to unfold her question as we peer into paper's secrets. First stop: Frogmore, the world's first mechanised paper mill. Here, Dr Steven Mann is on hand to explain the papermaking process, the chemistry of paper, and why that makes for a foldable sheet. Host Caroline Steel tries to make a paper crane, assisted by both listener Haruka and origami teacher Toshiko Kurata, who also introduces us to an array of paper types. Each type folds differently, and, with the help of a trusty microscope, Professor Bill Sampson from the University of Manchester reveals why. Finally, we see just how complex paper folding can get, meeting Professor Tomohiro Tachi from the University of Tokyo, and his invention, The Origamizer. Presenter: Caroline Steel Producer: Cathy Edwards Editor: Ben Motley(Photo: Toshiko Kurata and Caroline Steel with origami creations - Credit:BBC)

On this week's Defense & Aerospace Report Washington Roundtable, Dr. Patrick Cronin of the Hudson Institute think tank, Michael Herson of American Defense International, former DoD Europe chief Jim Townsend of the Center for a New American Security, and former Pentagon Comptroller Dr. Dov Zakheim of the Center for Strategic and International Studies join Defense & Aerospace Report Editor Vago Muradian to discuss the Senate markup of its version of the National Defense Authorization Act as House appropriators unveil their $1.07 trillion defense spending measure; as lawmakers pass Reconciliation 2.0 that funds President Trump's immigration efforts, Sens. Mitch McConnell, R-Ky., and Susan Collins, R-Maine, see dim prospects for the $350 billion Reconciliation 3.0 plus up for the Pentagon; how the administration and lawmakers can pack $1.5 trillion in planned spending into a smaller funding package; the future of the Foreign Intelligence Surveillance Act; the president's decision to tap US attorney Jay Clayton as the next Director of National Intelligence; what's next for the Iran war as Trump declares a deal involving Tehran and Jerusalem is imminent, a stance Iran and Israel deny; as Russia escalates its provocations against Europe, Washington prepares deep cuts to US capabilities for NATO, including cuts to fighter, bomber, reconnaissance, and refueling aircraft as well as a missile sub and warships including an aircraft carrier as NATO's Supreme Allied Commander Gen. Alex “Grinch” Grynkewich tells a European audience that “Russia is not looking for a conflict;” British Defence Secretary John Healey and Armed Forces Minister Al Carns resigned to protest Prime Minister Sir Keir Starmer's unwillingness to increase defense spending to bolster the country's flagging military capabilities; Starmer visits Tokyo where officials express frustration that Britain is underfunding the Global Combat Air Program that includes Japan and Italy; Japan and South Korea work increasingly closely with Europe with the Takaichi to expand her tour of Europe during the upcoming G7 meeting; China continues to salami slice in South China Sea and arrests US citizen Min Zin, testing its detente with Washington; and Xi Jinping's visit to Pyongyang bolstered Kim Jong Un's nuclear hand.

His career spanned London's swinging '60s, the counter-culture of 1970s Los Angeles and the bucolic calm of springtime in Normandy. David Hockney was a master painter of portraits and landscapes, injecting riotous colour into canvases that hang in collections from New York to Tokyo. We take a look back at the career of the British artist following his death at 88 years old. 

Fluent Fiction - Japanese: Creative Sparks in the Tokyo Skytree: An Artistic Encounter Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2026-06-12-07-38-19-ja Story Transcript:Ja: 東京スカイツリーの展望台には、春の終わりの心地よい風が吹いていました。En: The observatory of the Tokyo Skytree was graced by a pleasant breeze at the end of spring.Ja: たくさんの観光客が訪れ、窓からの景色を楽しんでいます。En: Numerous tourists were visiting, enjoying the view from the windows.Ja: ユウトは今日、ここでインスピレーションを探しています。En: Yuto was there today, searching for inspiration.Ja: グラフィックデザイナーである彼は、東京のスカイラインを見ながら新しいデザインのアイデアを見つけたいと思っています。En: As a graphic designer, he hoped to find new design ideas while gazing at the skyline of Tokyo.Ja: 一方、カオリはカメラを片手に、色とりどりの東京を撮影しようとしています。En: Meanwhile, Kaori, with a camera in one hand, was aiming to capture the colorful city.Ja: 彼女は写真が趣味で、美しい夕日の写真を撮りたいと考えています。En: She had a hobby in photography and wanted to take beautiful pictures of the sunset.Ja: 「いい場所はどこだろう？」と、ユウトはスケッチブックを手に歩き回っています。En: "Where's the best spot?" Yuto wondered as he roamed around with a sketchbook in hand.Ja: 同じくカオリも最高の写真スポットを求めて動き回っています。En: Likewise, Kaori was moving around in search of the perfect photo spot.Ja: 気づかないうちに、二人はぶつかり、驚いた表情で顔を見合わせました。En: Before they realized it, they bumped into each other and exchanged surprised glances.Ja: 「あ、ごめんなさい！」ユウトは少し恥ずかしそうに言いました。「僕のせいで、あなたの写真が…」En: "Oh, sorry!" Yuto said, looking a bit embarrassed. "Because of me, your photos are..."Ja: カオリは笑顔で、「いえいえ、大丈夫ですよ。でも、意外とここは良い眺めですね」と言いました。En: Kaori smiled and said, "No, it's okay. But surprisingly, the view here is quite good."Ja: ユウトは少し考えてから、「もしよければ、一緒に最適な場所を探しませんか？」と提案しました。En: After thinking for a moment, Yuto suggested, "If you don't mind, how about we search for the best spot together?"Ja: 彼の申し出に、カオリは少し驚きつつも、面白そうと感じ、「いいですね。あなたのデザインも見せてくださいね」と答えました。En: Slightly taken aback but intrigued by his offer, Kaori replied, "Sounds good. Show me your designs too."Ja: 二人は一緒に展望台を歩き回り、夕日の色に包まれる東京の風景を探しました。En: The pair wandered around the observatory, searching for views of Tokyo bathed in the sunset's hues.Ja: やがて完璧な場所を見つけ、ユウトはスケッチを描き始め、カオリはカメラのレンズを調整しました。En: Eventually, they found the perfect spot, where Yuto began sketching, and Kaori adjusted her camera lens.Ja: 太陽がゆっくりと沈み、東京の街が美しく輝き始めました。En: As the sun slowly set, the city of Tokyo began to shine beautifully.Ja: ユウトのスケッチも、カオリの写真もそれぞれの作品になりました。En: Both Yuto's sketches and Kaori's photos turned into their respective artworks.Ja: 「お互いにすごく良い作品ができたね」と、カオリは感心しました。En: "We both created something really amazing," Kaori admired.Ja: 「あなたのおかげだよ」とユウトは言い、思い切って、「今度、僕のデザインを見に来ませんか？」と誘いました。En: "It's thanks to you," Yuto said, and enthusiastically invited, "Next time, would you like to come and see my designs?"Ja: カオリは笑顔で、「ぜひ！きっと面白いものが見られるはず」と答え、協力の可能性に胸を躍らせました。En: With a smile, Kaori responded, "Definitely! I'm sure there'll be interesting things to see," her heart racing with excitement at the possibility of collaboration.Ja: その日からユウトは少し自信を付け、これからはもっと積極的に行動しようと決意しました。En: From that day, Yuto gained a bit more confidence and resolved to act more proactively in the future.Ja: カオリもまた、一緒に作り上げることの喜びを知りました。En: Kaori also learned the joy of creating together.Ja: 東京の夜景は、二人の新しい関係を祝福しているように輝いていました。En: The nightscape of Tokyo sparkled as if celebrating their new relationship. Vocabulary Words:observatory: 展望台graced: 吹いていましたpleasant: 心地よいinspiration: インスピレーションgazing: 見ながらskyline: スカイラインaiming: 撮影しようcapture: 捉えたいsunset: 夕日roamed: 歩き回っていますsearch: 探していますbumped: ぶつかりexchanged: 顔を見合わせましたembarrassed: 恥ずかしそうsurprisingly: 意外とglances: 表情suggested: 提案しましたenthusiastically: 思い切ってwandering: 歩き回りadjusted: 調整しましたhues: 色に包まれsparkled: 輝いていましたcollaboration: 協力confidence: 自信proactively: 積極的にresolved: 決意しましたadmired: 感心しましたpossibility: 可能性artworks: 作品hobby: 趣味

Fluent Fiction - Japanese: Finding Courage at Tokyo Skytree: A Journey Begins Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2026-06-12-22-34-02-ja Story Transcript:Ja: 東京スカイツリーの根元で、はるととゆきは再会しました。En: At the base of Tokyo Skytree, Haruto and Yuki reunited.Ja: 東京の初夏、空が少し霞んでいる日でした。En: It was the early summer in Tokyo, and the sky was slightly hazy.Ja: スカイツリーの上からの景色は、変わらないものが何もないように思えました。En: The view from the top of the Skytree seemed to suggest that nothing remained unchanged.Ja: はるとは勤勉なサラリーマンです。En: Haruto is a diligent salaryman.Ja: 毎日、オフィスでの仕事に追われていました。En: Every day, he was swamped with office work.Ja: 生活には安定がありましたが、心には重い石があったのです。En: His life was stable, yet there was a heavy stone in his heart.Ja: それは、昔からの友人、ゆきのことを思い出すたびに重たくなるものでした。En: This stone became heavier whenever he thought about Yuki, an old friend.Ja: ゆきは自由なアーティストで、世界中を旅していました。En: Yuki is a free-spirited artist who traveled around the world.Ja: 彼女の独立した生き方は、時に輝く星のように見えるのです。En: Her independent lifestyle sometimes looked like a shining star.Ja: 二人は数年前、この東京スカイツリーを一緒に訪れたことがありました。En: Several years ago, the two had visited the Tokyo Skytree together.Ja: はるとは、そのときの思い出を抱えて、再びここへ来たのです。En: Carrying the memories from that time, Haruto came here once more.Ja: 少し緊張しながらも、ゆきへの再会に胸を弾ませていました。En: Even though he was a bit nervous, his heart was excited to see Yuki again.Ja: 「久しぶりだね、はると。」ゆきは笑顔で言いました。En: "It's been a while, Haruto," Yuki said with a smile.Ja: その笑顔に、はるとは少しだけ落ち着きを取り戻しました。En: That smile helped Haruto regain a bit of composure.Ja: 「久しぶり、ゆき。会えて嬉しいよ。」En: "It's been a while, Yuki. I'm glad to see you."Ja: はるとは深呼吸をして、言葉を続けます。「実は、少し悩みがあるんだ。」En: Haruto took a deep breath and continued, "Actually, I have something bothering me."Ja: 東京の街を見渡しながら、はるとは自分の気持ちを正直に話し始めました。En: As he gazed over the city of Tokyo, Haruto began to speak honestly about his feelings.Ja: 「僕は、日々のルーチンに少し疲れているんだ。En: "I'm a bit tired of the daily routine.Ja: 君はいつも自由に見える。」En: You always seem so free.Ja: 僕も、もっと冒険したい気がしているんだ。」En: I feel like I want to have more adventures too."Ja: ゆきは静かにうなずき、はるとの言葉をじっと聞きました。En: Yuki nodded quietly and listened intently to Haruto's words.Ja: 「変わることは難しいけど、勇気を持って踏み出す価値はあるんじゃないかな。」En: "Changing is difficult, but it's worth stepping forward with courage, don't you think?"Ja: はるとはその言葉に力をもらい、決心を固めました。En: Haruto drew strength from those words and made up his mind.Ja: 「ありがとう、ゆき。En: "Thank you, Yuki.Ja: 君の旅に声をかけてもらえる？」En: Can you invite me on your journey?"Ja: ゆきはにっこりと笑って答えました。「もちろん。En: Yuki replied with a beaming smile, "Of course.Ja: 今度の夏、アートツアーに参加しない？En: How about joining an art tour this summer?Ja: 色んな場所を一緒に巡ろう。」En: Let's explore various places together."Ja: その瞬間、はるとの心には、新しい希望の光が灯りました。En: At that moment, a new light of hope kindled in Haruto's heart.Ja: 変化する勇気を、ようやく掴み取ることができたのです。En: He finally grasped the courage to change.Ja: こうして、東京スカイツリーの下、はるとは新たな人生への一歩を踏み出しました。En: Thus, under the Tokyo Skytree, Haruto took the first step towards a new life.Ja: そして、ゆきの支えのもと、未知の世界へと旅立つことになりました。En: With Yuki's support, he set off on a journey into the unknown world.Ja: 静かな東京都の風が、彼の新しい未来を祝福するかのように吹いていました。En: The gentle wind in Tokyo blew as if to bless his new future. Vocabulary Words:reunited: 再会しましたslightly: 少しhazy: 霞んでいるdiligent: 勤勉なswamped: 追われていましたstable: 安定drew strength: 力をもらいcomposure: 落ち着きtired: 疲れているadventures: 冒険intently: じっとcourage: 勇気beaming: にっこりと笑ってexplore: 巡ろうkindled: 灯りましたgrasped: 掴み取るchange: 変化wind: 風bless: 祝福するunknown: 未知のsalaryman: サラリーマンroutine: ルーチンgazed: 見渡しfree-spirited: 自由なindependent: 独立したnervous: 緊張しhonestly: 正直にquietly: 静かにstepping forward: 踏み出すsupport: 支え

This episode is a wild ride around the world with one of the travel industry's most respected and well-travelled voices. Glenn Johnston has lived across continents, shaped how people explore the world and collected a lifetime of extraordinary travel experiences along the way.   Episode Highlights & Destination Gems: 1. Australia's Northern Territory - A Journey Back in Time Most people think of Australia and picture its cities. Glen takes us somewhere far more profound. • Home to the world's longest continuing culture, stretching back 40,000 years • Ancient rock art sitting open in nature, unchanged and accessible to anyone willing to make the journey • Landscapes that look exactly as they would have millennia ago, with no manmade developments as far as the eye can see • Katherine Gorge, Kakadu National Park and extraordinary wildlife including saltwater crocodiles in their natural habitat 2. California - The One Destination Everyone Must Visit Glen's pick for the single place every traveller must experience at least once in their lifetime. • Something for every kind of traveller, whether you seek luxury, adventure, food or nature • San Francisco's culinary scene and the extraordinary experience of riding through the city in a driverless car • Napa Valley for world class wineries and Michelin starred dining • The iconic Pacific Coast Highway drive from Half Moon Bay down through Monterey, Big Sur and Santa Barbara • Post Ranch Inn at Big Sur for breathtaking ocean views and a stay you will never forget - https://www.instagram.com/postranchinn/ • Newport Beach and Montecito for relaxed luxury   3. AlUla, Saudi Arabia - Where History Lives and Breathes • Breathtaking rock formations surrounding a lush oasis of date farms and greenery • Hegra, one of the most remarkable ancient sites in the world • A destination that is new and exciting even for many Saudis themselves • Accessible directly from Dubai and outstanding value, particularly during Ramadan and the summer months 4. The Faroe Islands - Where the World Feels Untouched Glen's personal bucket list destination and perhaps the most surprising gem of the entire episode. • Located between Scotland and Iceland, accessible via Copenhagen • Landscapes and nature that are genuinely out of this world • The most charming and characterful townships you will ever encounter • Weather that changes in moments, adding to the raw and dramatic atmosphere • Restaurant Raest, a wonderful culinary surprise in the heart of the tiny capital - https://www.instagram.com/raestrestaurant/ • A place that offers something rare in today's connected world, true isolation and the chance to be completely present 5. Malta - The Destination That Can Surprise You • A place layered with history • Maltese language rooted in Arabic • Centuries of influence from the Arabs, the French, the British and the Knights of Malta all layered one on top of the other • History built on layer upon layer that makes every corner of Malta feel significant 6. Trnava Region, Slovakia - Europe's Best Kept Wellness Secret Glen's most transformational wellness experience and a destination almost no one is talking about. • A town with roots going back to Roman times, drawn there by its natural healing waters • Piešťany, a small town within the region entirely dedicated to wellness • Natural mud treatments with a remarkable purification process that takes months and returns the mud to the river when its work is done • Outstanding value and a genuinely immersive wellness experience that goes far beyond a spa day 7. Kyrgyzstan - Nomadic, Raw and Completely Unforgettable One of the most underrated destinations on earth and one that can be surprising at every turn. • Soviet mosaics and brutalist architecture in the capital Bishkek for architecture lovers • A culinary scene that exceeded all expectations • Staying in a yurt in the mountains during summer with no electricity, no running water and no distractions • Horse and jeep trails through landscapes that have never seen a single manmade structure • A way of travelling that is inherently sustainable and deeply connected to the natural world 8. Japan - The Number One Foodie Destination in the World • Tokyo has more Michelin starred restaurants than any other city on earth • Japanese cuisine goes far beyond sushi and sashimi and rewards every curious eater • Exceptional value right now thanks to the yen and decades of stagflation keeping prices low • The Izu Peninsula seafood shacks south of Tokyo where you can taste fresh shellfish cooked over open fires for free • Quality that holds whether you are in a Michelin starred restaurant or a tiny ramen shop at a train station 9. Slovenia - Hidden Gem A small country with an enormous amount to offer and one that not nearly enough people have discovered. Ljubljana, a beautiful university city with a wonderful energy and a thriving café and restaurant scene Mountain landscapes sitting alongside a city that is small enough to cover completely in just a few days Slovenian wine that deserves far more recognition than it currently receives The extraordinary Postojna Cave where a little train takes you deep into one of the most spectacular natural wonders in Europe 10. Bhutan – Bucket List   Connect with Glen Johnston: https://www.instagram.com/glennjohnston88/ Thank you for tuning in to Travel Stories with Moush! If you loved this episode, please hit subscribe on your favorite podcast platform and leave us a rating or review - it truly helps us reach more travelers like you.   Drop a comment and tell us which destination from today's episode is going straight to your bucket list? Stay connected with me on https://www.instagram.com/moushtravels/ to find out who's joining me next week.   Explore all past episodes and destinations here: https://podcasts.apple.com/ae/podcast/travel-stories-with-moush/id1691525895 https://open.spotify.com/show/1pAUXiXuRLv1E9WFznWm7T?si=qA_E3Cf8RqKT97pUJcINxQ https://www.youtube.com/@travelstorieswithmoush Until next time…safe travels and keep adventuring. Connect with me on the following: Instagram @moushtravels Facebook @travelstorieswithmoush LinkedIn @Moushumi Bhuyan You Tube @travelstorieswithmoush "Want a spotlight on our show? Visit https://admanager.fm/client/podcasts/moushtravels and align your brand with our audience."Connect with me on the following:Instagram @moushtravelsFacebook @travelstorieswithmoushLinkedIn @Moushumi BhuyanYou Tube @travelstorieswithmoush Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Te la do io Tokyo - Trasmissione del 12/06/2026 - Tutte le notizie su www.marione.net

Born in Italy and now rooted in Berlin, DHÆÜR started his journey as a devoted digger, driven by an obsessive search for deep and rare sounds. Over the years, he has developed a strong and recognizable artistic voice - defined by precision, depth, and a restless push for sonic innovation that bridges the worlds of DJing and production. His productions have steadily earned international recognition, finding their way onto respected labels and resonating across some of the most uncompromising dance floors of recent years. On the decks, DHÆÜR operates with a clinical precision rooted in a deep understanding of psychoacoustic dynamics. His sets draw from an old school minimal techno vocabulary, recontextualised through a modern and unmistakably personal sonic identity - hypnotic sequences held in constant tension by precisely placed rhythmic breaks. It is a technical, almost austere approach, one that treats the acoustic space itself as an instrument. In 2024, DHÆÜR founded Consciousness, a community-driven project that merges documentary and party formats to shed light on the people and invisible forces that sustain club culture. At its core is a commitment to diversity, memory, and building something lasting in an ecosystem that too often forgets where it came from. As part of this research, he completed a six-week residency in Detroit - going deep into the movement's cultural roots and bringing that knowledge back into the project's vision. After a first event in Paris, Consciousness is now heading to Amsterdam, London, Dresden, and Tokyo. DHÆÜR's path moves with purpose and a clear, determined path through the music. Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

What can birding in a different city tell us about ourselves and the culture of perceiving nature in our community? We check in with Loyan Beausoleil about her recent trip to Japan where she observed Warbling White-eye and plentiful Brown-eared Bulbul among blooming cherry trees, listened to the song of the Japanese Bush Warbler who eluded her on Izu Island, and spotted Falcated Ducks when she least expected them, exploring the moat outside the Imperial Palace.Read Loyan's report on Avian Species Richness and Activity at the Naval Cemetery Landscape.Bird VocalizationsChimney Swift calls https://macaulaylibrary.org/asset/107413American Kestrel calls https://macaulaylibrary.org/asset/226931021Warbling White-eye song https://macaulaylibrary.org/asset/6059Brown-eared Bulbul calls https://macaulaylibrary.org/asset/170597841Japanese Bush Warbler song https://macaulaylibrary.org/asset/214569401Eurasian Sparrowhawk calls https://macaulaylibrary.org/asset/387888231 (Germany)Cooper's Hawk calls https://macaulaylibrary.org/asset/231229541Sharp-shinned Hawk calls https://macaulaylibrary.org/asset/4153Green-winged Teal https:/ /macaulaylibrary.org/asset/230140701Falcated Duck calls https://macaulaylibrary.org/asset/601476851Eurasian Sparrowhawk calls https://macaulaylibrary.org/asset/62269311 (Kyrgyzstan)About the podcastYour Bird Story is an initiative of Local Nature Lab. The podcast is hosted by Georgia Silvera Seamans on Lenapehoking, and produced by Pod to the People. Support Our WorkSubscribe, follow, like, or leave a comment. It costs $100 to produce each episode. Donate here.

A conversation with Nation of Language – three-member synth pop group transporting us back to the future via the sound of 80's new wave discussing - during the 2026 cherry blossom season in Tokyo - the power of music, the love of performing live, how to switch off 21st century distractions, recommended New York destinations and more.

M

Te la do io Tokyo - Trasmissione del 11/06/2026 - Tutte le notizie su www.marione.net

Outlouders, enjoy this free taster of Mia Freedman, Emily Vernem & Amelia Lester on our subscribers only episode. You can listen to the full conversation: 3 (Celebrity) Weddings And A Guest Drama Two big weddings happened over the weekend. One celebrity, one Royal. Plus there’s speculation about a third involving pop royalty, and Mia, Amelia and Em need to unpack all of them. SUBSCRIBE to Mamamia and get every single episode of Mamamia Out Loud & access to every story on Mamamia plus our exercise app, MOVE. First up, Dua Lipa married Callum Turner in a glorious three-day extravaganza in Palermo, Sicily. So why – like Jeff Bezos and Lauren Sánchez before them – were the locals not altogether happy While, deep in the Cotswolds, King Charles’ nephew Peter Phillips got married to Harriet Sperling in a tiny church, and some very notable family members didn't make the cut. And then there’s Taylor Swift. There are reports she’s about to marry Travis Kelce at Madison Square Garden on the 4th of July weekend and the guest list is stressing us out. From Blake Lively, to avoiding an awkward Harry Styles run-in, how exactly do you choose who's on the list? And, what about the ‘no ring, no bring’ theory? Oh, and Mia is back from Tokyo and we need to debrief. Subscribe to Mia's private email here. What To Listen To Next: Listen to our latest episode: What We Wish We'd Never Written on the Internet Listen: Don’t Go To Uni, Baby Doll Dresses & The World’s Coolest Wedding Hat Listen: Sorry Clare. There’s No Better Time To NOT Have A Baby Listen: Reading-Gap Relationships & The 'Daddy' Of It All Listen: A Woman Got Pregnant & ‘Betrayed Us All’ Listen: FREE SUBS TASTER: The One Big Lie Blown Up By The Kylie Doco Listen: Bed Shaming & A Terrible Excuse To Skip Your Son’s Wedding Connect your subscription to Apple Podcasts Got questions or things you'd like Mia to talk about? Email us at outloud@mamamia.com.au Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media You can now watch our show in full length video on the Apple Podcast app - make sure your phone is up to date and we can't wait for you to see Mamamia Out Loud on Apple What to read: Ariana Grande and Ethan Slater's controversial love story is over. This is what we know. 'My baby's death shouldn't make you uncomfortable. We need to talk about it.' 'I thought my partner was the one. Then I found his notes app I wasn't meant to read.' One scene in this hit Netflix show forced me to confront the most dangerous habit in my own relationship. Jeni Haynes created 2,681 personalities to survive her father. Her childhood toy brought him undone. THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Davi and Olly are back in studio for a proper catch-up episode covering everything from Vanta Jam to Olly's dream trip to Japan, Luca Shaw's first Downhill World Cup win, the Enhanced Games controversy, Japanese snacks, sumo wrestling, live commentary nerves and the future of MTB. Davi breaks down what really happened at Vanta Jam at BikePark Wales, including Rob Warner's last-minute car trouble, Dan Paley's commentary, Sam Pilgrim blowing minds, Harry Gascoigne's style, brutal weather, hailstorms and why live event commentary is WAY harder than it looks. Olly then shares more from his bucket list trip to Japan, riding e-bikes in search of perfect loam, travelling through Tokyo with bike bags, experiencing Japanese culture, discovering sumo wrestling, eating convenience store food and preparing for the premiere of the Japan MTB film. The boys also dive into the latest UCI Downhill World Cup action, including Luca Shaw finally taking his first World Cup win and discuss whether downhill racing is better when the riders are separated by huge margins or tiny fractions of a second. Plus, the lads discuss the controversial Enhanced Games, whether performance-enhancing drugs really unlock superhuman performances, Japanese Kit Kats, mochi balls, listener questions and whether mountain biking could one day become augmented reality. Episode Sponsors:- - WORX → 15% off with code THERIDECOMPANION at https://uk.worx.com - Feedback Sports: https://feedbacksports.com Get early access & ad-free episodes → https://www.patreon.com/theridecompanion You can also support our long term partners: Marin Bikes → marinbikes.com/gb Focus Bikes → focus-bikes.com SRAM: sram.com/en/sram adidas FiveTen: adidas.co.uk/five_ten invisiFrame: 15% off with code REFRESHANDRIDE at invisiframe.co.uk Troy Lee Designs → 10% off with code theridecompanion at saddleback.avln.me/c/OzduCWvjtcOr Manta Sleep → 10% off with code theridecompanion tinyurl.com/theridecompanion HUEL → 15% off with code RIDE: huel.com/ Mudhugger → Get 10% off with code ridecompanion10 at themudhugger.co.uk Compex → 20% off with code THERIDECOMPANION: compex.com/uk/ Igloo → igloocoolers.com/ Kecks → https://kecks.co.uk use code THERIDECOMPANION for 10% off Feedback Sports: feedbacksports.com WORX → 15% off with code THERIDECOMPANION at uk.worx.com HKT Products → 10% off with code PODCAST at hktproducts.co.uk Follow The Ride Companion Instagram @theridecompanion YouTube @TheRideCompanion Olly Wilkins Instagram @odub_23 YouTube @owilkins23 YouTube clips and BTS channel @moreridecompanion Get official Ride Companion merch, find old episodes and more theridecompanion.co.uk

She ran 1:57 in an Olympic final as an afterthought—then walked away, rebuilt everything, and came back faster.  Alex Bell isn't just reinventing herself; she's finally becoming who she was supposed to be.In this conversation, Alex takes Dominic through one of British running's most unlikely second acts. She opens about the moment she crossed the finish line in Tokyo and knew (lying on her back; a million feelings at once) that she would never run 1:57 again. She talks honestly about the mental health toll of years spent as an unfunded elite, working police shifts and retail while competing at Diamond League level–and why she needed to step away from the sport entirely before she could fall back in love with it. Now, under coach Andrew Henderson at Leeds Beckett, she's averaging 85 miles a week (double what she ran at the peak of her 800m career) and her body has never felt better. She breaks down the training shift in real terms: double threshold days, long canal runs with 20-plus athletes on Sunday mornings, and the kind of joy she says she never once felt standing on a track start line. She describes pacing the 2026 TCS London Marathon, watching the world record fall from the inside, and coming home the next day to hand in her notice. The marathon debut is coming in February. LA 2028 is the dream. And she is, by her own admission, just getting started.Tap into the Alex Bell Special.If you enjoy the podcast, please consider following us on Spotify and Apple Podcasts and giving us a five-star review! S H O W  N O T E S  -The Run Down By The Running Effect (our new newsletter!): https://tinyurl.com/mr36s9rs-Our Website: https://therunningeffect.run  -THE PODCAST ON YOUTUBE: https://www.youtube.com/channel/UClLcLIDAqmJBTHeyWJx_wFQ-My Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/therunningeffect/?hl=en⁠⁠⁠⁠⁠⁠-Take our podcast survey: https://tinyurl.com/3ua62ffzInstagram: @alexbell1992 

"The American firebombing of Tokyo was deadlier than the atomic bombs, not to mention the many other cities burned to the ground. Why did the U.S. do that? The answers go far beyond 'revenge' into some horrific options during total war." -- Ken► Script Sources and Notes: https://shorturl.at/5CdUbFOLLOW KEN:

St. Louis is officially entering swamp-ass season, and the gang is here to issue the only weather alert that really matters.This episode starts with a brutal heat wave rolling into the Midwest, bringing temperatures that feel like Mother Nature accidentally left the city inside a crockpot. The crew breaks down heat indexes, survival tips, football practices from the prehistoric era, and why today's kids apparently have it way too easy compared to drinking from a PVC pipe water fountain during August two-a-days.Then things take a sharp detour into one of the most important cultural discussions of our time: why does Southern Illinois pronounce perfectly normal words in completely insane ways? Cairo becomes "Caro." Vienna becomes "Vienna." Geography teachers everywhere are filing complaints. The gang relives high school rivalries, homecoming disasters, football memories, and the strange world of Little Egypt. If you've ever wondered how many towns can mispronounce themselves simultaneously, this episode has answers.But wait... it gets weirder.A listener asks for help settling a family feud after a Chicago relative claims the Windy City has a better food scene than St. Louis. That's when the gloves come off. The crew debates toasted ravioli, BBQ, hot salami, Balkan Treat Box, The Hill, farm-to-table restaurants, and whether any visitor has ever actually had a life-changing toasted ravioli experience. The result is a passionate defense of St. Louis food culture mixed with enough food recommendations to make you immediately abandon whatever salad you were planning to eat.Meanwhile, a local trampoline park's "67 Day" celebration turns into absolute mayhem after hundreds of unsupervised kids show up, fights break out, businesses shut down, and one 12-year-old arrives carrying a butcher knife because apparently social media has become a terrible life coach. The gang tries to make sense of the chaos while collectively wondering why nobody can have nice things anymore.Also in today's chaos:• The growing war against e-bikes in St. Louis suburbs• Why golf carts are secretly becoming suburban transportation devices• Childhood dirt bikes and mini-bike jealousy• Fish markets in Tokyo that permanently ruin seafood for everyone else• Survival knives, brass knuckles, and growing up in a very different era• National Earl Day and the tragic decline of the name Earl• The universal truth that every city thinks its food is better than yoursIt's another completely normal episode of your favorite daily comedy show, where weather forecasts become comedy bits, food debates become personal attacks, and local news somehow spirals into stories about fish, football, and survival gear.If you're looking for a daily comedy show packed with ridiculous conversations, local flavor, hilarious stories, and the kind of arguments only lifelong friends can have, welcome home.This daily comedy show proudly delivers another dose of chaos from St. Louis to wherever you're listening.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

St. Louis is officially entering swamp-ass season, and the gang is here to issue the only weather alert that really matters.This episode starts with a brutal heat wave rolling into the Midwest, bringing temperatures that feel like Mother Nature accidentally left the city inside a crockpot. The crew breaks down heat indexes, survival tips, football practices from the prehistoric era, and why today's kids apparently have it way too easy compared to drinking from a PVC pipe water fountain during August two-a-days.Then things take a sharp detour into one of the most important cultural discussions of our time: why does Southern Illinois pronounce perfectly normal words in completely insane ways? Cairo becomes "Caro." Vienna becomes "Vienna." Geography teachers everywhere are filing complaints. The gang relives high school rivalries, homecoming disasters, football memories, and the strange world of Little Egypt. If you've ever wondered how many towns can mispronounce themselves simultaneously, this episode has answers.But wait... it gets weirder.A listener asks for help settling a family feud after a Chicago relative claims the Windy City has a better food scene than St. Louis. That's when the gloves come off. The crew debates toasted ravioli, BBQ, hot salami, Balkan Treat Box, The Hill, farm-to-table restaurants, and whether any visitor has ever actually had a life-changing toasted ravioli experience. The result is a passionate defense of St. Louis food culture mixed with enough food recommendations to make you immediately abandon whatever salad you were planning to eat.Meanwhile, a local trampoline park's "67 Day" celebration turns into absolute mayhem after hundreds of unsupervised kids show up, fights break out, businesses shut down, and one 12-year-old arrives carrying a butcher knife because apparently social media has become a terrible life coach. The gang tries to make sense of the chaos while collectively wondering why nobody can have nice things anymore.Also in today's chaos:• The growing war against e-bikes in St. Louis suburbs• Why golf carts are secretly becoming suburban transportation devices• Childhood dirt bikes and mini-bike jealousy• Fish markets in Tokyo that permanently ruin seafood for everyone else• Survival knives, brass knuckles, and growing up in a very different era• National Earl Day and the tragic decline of the name Earl• The universal truth that every city thinks its food is better than yoursHell is officially for sale... and somehow that's not even the weirdest thing we talked about today.The gang dives headfirst into the surprisingly affordable listing for Hell, Michigan, where for less than the cost of some St. Louis starter homes, you can own an ice cream shop, a chapel, a mini tourist attraction, and the title of Devil-in-Charge. Naturally, everyone immediately starts spending money they don't have and debating how they'd transform the town into the ultimate roadside attraction.Then things take a hard left turn when former NFL superstar Ricky Williams enters the conversation. After walking away from football at the height of his career, he's now a professional astrologer helping people navigate life through birth charts and cosmic scouting reports. Rafe is fascinated. Lern is fully on board. Rizz remains approximately 97% skeptical. Somehow this leads to discussions about crystals, sweat lodges, life coaching, and whether astrology is just football strategy for people who own moon-shaped candles.Meanwhile, AI continues its quest to make everyone uncomfortable. A new study says musicians are using artificial intelligence more than ever, sparking debates about creativity, ownership, songwriting, and whether your next favorite hit was written by a computer that learned emotions from Reddit comments. Moon weighs in from the musician perspective while the crew wonders how much AI is already hiding behind the curtain.Elsewhere in today's chaos:• Sharon and Jack Osbourne explain their plans for an AI-powered Ozzy legacy project.• Bon Jovi wants fans to sing "Livin' on a Prayer" and possibly appear in a future show.• New music from Billy Idol and Anthrax gets the crew talking.• Bowen Yang reveals why he almost left SNL.• Romy and Michelle are making a comeback because apparently nostalgia is undefeated.• Celebrities who believe in aliens somehow become a full-blown conversation.• And yes, there are hot takes on Dippin' Dots, because no topic is too important or too ridiculous for this show.It's another beautifully unhinged installment of your favorite daily comedy show, packed with weird news, pop culture commentary, celebrity stories, conspiracy-adjacent nonsense, and the kind of conversations that somehow make perfect sense before 10 a.m.Whether you're here for funny stories, celebrity gossip, UFO believers, or the possibility of becoming the new ruler of Hell, Michigan, this daily comedy show delivers exactly the kind of chaos you've come to expect.Today's episode starts exactly how you'd expect from a group of professional broadcasters... by arguing over cartoon dwarves and immediately proving why the game is called Matchup With The Morons.The crew jumps into a surprisingly intense round of trivia featuring Moon, King Scott, Rafe, and Learn, where confidence levels are high and actual knowledge levels vary dramatically. One wrong dwarf answer sparks a chain reaction of chaos that somehow leads to discussions about Indiana Jones, giant lizards, world rivers, and whether anyone actually knows where French fries came from.Things get even stranger when the gang learns about a man who has eaten more than 34,000 Big Macs in his lifetime. That's not a typo. That's a lifestyle choice. The crew tries to guess the Guinness World Record total and discovers that some people collect baseball cards while others collect burger receipts for five decades.Meanwhile, Rafe and Learn square off in a battle that becomes unexpectedly competitive thanks to classic rock knowledge, superhero trivia, and one question about collective nouns that nearly sends everyone into a full-scale grammatical civil war. Is it a knot of toads? An army of toads? A conference of toads? Nobody leaves this episode feeling smarter.The music trivia alone is worth the ride. The crew debates Led Zeppelin, The Yardbirds, Paul McCartney, and enough rock history to make your dad text the family group chat. Add in random movie facts, Titanic budget discussions, and the usual barrage of sarcastic commentary, and you've got another perfectly ridiculous day with The Rizzuto Show.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO. 'Chaos': '6-7' event near St. Louis attracts hundreds of kids, sparking fights, arrests; minor caught with butcher knifeA flesh-eating cattle parasite spreads beyond Texas as new screwworm cases are foundCollege Football Legend Ricky Williams Now An AstrologerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode 814. This week on Got Faded Japan, Johnny dives headfirst into another tsunami of crime, chaos, and questionable life choices from across Japan.

In this episode of The Impostor Syndrome Files, we talk about the pressure high achievers put on themselves and the fears that often drive that pressure beneath the surface. My guest this week is Brendan Cournane, attorney, endurance athlete and author of Seeking Serenity.Brendan shares stories from his decades in law, including the decision to close a major deal on the same day his daughter was born because he feared being seen as unavailable or less committed. He reflects on how stress, expectations and the need to prove ourselves can shape the choices we make at work and in life.In our conversation, we explore the connection between fear and overachievement, why asking for help feels so difficult for many professionals and how self-awareness helps us respond more intentionally under pressure. Brendan also shares why he believes harmony is a more useful goal than balance. Finally, we discuss the role expectations play in impostor syndrome and why understanding our motives, fears and core values is essential to finding greater clarity, steadiness and fulfillment.About My GuestBrendan Cournane is a Certified Professional Coach (CPC) and world-class endurance coach with over 35 years of expertise. After finding his path to recovery in 1989 and discovering the transformative power of running through qualifying for the 100th Boston Marathon in 1995, Brendan learned that mindfulness practice and being true to oneself are integral to achieving happiness and success. He believes and practices the philosophy that “Happiness is a present attitude, not a future condition.”As Chairperson of the Chicago Bar Association Committee on Lawyer Well-Being and Mindfulness and Co-President of the Mindfulness in the Law Society, Illinois Chapter, Brendan specializes in helping professionals facing stress, transition, and burnout. He has been a training coach for charity marathon teams participating in races around the world, including Chicago, Marine Corps, Disney, Dublin, Rome, Paris, London, Stockholm, Berlin, Tokyo, and Antarctica.Through his professional development coaching practice, speaking engagements, and training programs, Brendan offers his lived experience, strength, and hope as a catalyst for others seeking to live healthy, fulfilling lives while maintaining balance in even the most challenging times.~Connect with Brendan:Website: https://www.coachbrendan.com/LinkedIn: https://www.linkedin.com/company/brendan-cournane-professional-development-coaching~Connect with Kim and The Impostor Syndrome Files:Join the free Impostor Syndrome Challenge:https://www.kimmeninger.com/challengeLearn more about the Leading Humans discussion group:https://www.kimmeninger.com/leadinghumansgroupJoin the Slack channel to learn from, connect with and support other professionals: https://forms.gle/Ts4Vg4Nx4HDnTVUC6Join the Facebook group:https://www.facebook.com/groups/leadinghumansSchedule time to speak with Kim Meninger directly about your questions/challenges: https://bookme.name/ExecCareer/strategy-sessionConnect on LinkedIn:https://www.linkedin.com/in/kimmeninger/Website:https://www.kimmeninger.com

Une ville au nord de Tokyo a dû fermer une centaine d'écoles et de collèges ces derniers jours; La cause ? Un ou des ours ont été aperçus dans plusieurs endroits de la commune.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Jim Hill and Len Testa are joined by veteran Imagineer Jim Shull for a globe-trotting look at how Toy Story became one of Disney's most reusable theme park ideas. First, they cover the latest from Walt Disney World, Disneyland, Universal Orlando, and Disney Cruise Line, including Magic of Disney Animation details, Villains Land rumors, Oogie Boogie Bash logistics, and possible Universal expansion plans. Then Jim Shull shares how Toy Story Playland, Toy Story Hotel, and multiple international Pixar projects moved from clever pitch to built reality. Along the way, there is Godzilla, synergy, Stanley cups, and at least one very laminated airline milestone. NEWS • Bluey's Wild World shifts to standby as opening-day crowds settle down. • Victoria & Albert's retains its Michelin star, while Kappa at Four Seasons does not. • Disney reveals new activity areas for The Magic of Disney Animation at Hollywood Studios. • Jim, Len, and Jim Shull discuss the latest Villains Land rumors, including Maleficent, Hades, and possible dark ride concepts. • Universal updates include Universal United Kingdom Resort, Lost Continent demolition, Back to the Future speculation, and Epic Universe expansion pads. FEATURE • Jim Shull recalls seeing the original Toy Story before release at a SIGGRAPH screening in Los Angeles. • The team traces how Pixar's growing relationship with Disney led to Toy Story Playland in Paris and later Toy Story Lands in Hong Kong and Shanghai. • Shull explains the “Andy's backyard” conceit and how guests were meant to feel toy-sized inside the land. • The discussion turns to Toy Story Hotel in Shanghai and Tokyo, including how Pixar collaboration changed the way Disney handled character design. For this episode's full show notes, click here. HOSTS • Jim Hill - X/Twitter: @JimHillMedia, Instagram: @JimHillMedia, Website: jimhillmedia.com • Len Testa - Bluesky: @lentesta.bsky.social, Instagram: @len.testa, Website: touringplans.com GUEST • Jim Shull - X/Twitter: @JimShull, YouTube: @jimhshull, Website: jimhshull.com FOLLOW • Jim Hill Media Podcast Network - Facebook: @JimHillMediaNews, YouTube: @jimhillmedia, TikTok: @jimhillmedia SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR The Disney Dish News is sponsored by UnlockedMagic.com, from our friends at DVCRentalStore.com. Visit UnlockedMagic.com for discounts that make your next Disney trip cheaper than ever. EXCLUSIVE NordVPN Deal ➼ ⁠https://nordvpn.com/DISNEYDISH⁠ Try it risk-free now with a 30-day money-back guarantee If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. https://www.jimhillmedia.com/sponsor/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim Hill and Len Testa are joined by veteran Imagineer Jim Shull for a globe-trotting look at how Toy Story became one of Disney's most reusable theme park ideas. First, they cover the latest from Walt Disney World, Disneyland, Universal Orlando, and Disney Cruise Line, including Magic of Disney Animation details, Villains Land rumors, Oogie Boogie Bash logistics, and possible Universal expansion plans. Then Jim Shull shares how Toy Story Playland, Toy Story Hotel, and multiple international Pixar projects moved from clever pitch to built reality. Along the way, there is Godzilla, synergy, Stanley cups, and at least one very laminated airline milestone. NEWS • Bluey's Wild World shifts to standby as opening-day crowds settle down. • Victoria & Albert's retains its Michelin star, while Kappa at Four Seasons does not. • Disney reveals new activity areas for The Magic of Disney Animation at Hollywood Studios. • Jim, Len, and Jim Shull discuss the latest Villains Land rumors, including Maleficent, Hades, and possible dark ride concepts. • Universal updates include Universal United Kingdom Resort, Lost Continent demolition, Back to the Future speculation, and Epic Universe expansion pads. FEATURE • Jim Shull recalls seeing the original Toy Story before release at a SIGGRAPH screening in Los Angeles. • The team traces how Pixar's growing relationship with Disney led to Toy Story Playland in Paris and later Toy Story Lands in Hong Kong and Shanghai. • Shull explains the “Andy's backyard” conceit and how guests were meant to feel toy-sized inside the land. • The discussion turns to Toy Story Hotel in Shanghai and Tokyo, including how Pixar collaboration changed the way Disney handled character design. For this episode's full show notes, click here. HOSTS • Jim Hill - X/Twitter: @JimHillMedia, Instagram: @JimHillMedia, Website: jimhillmedia.com • Len Testa - Bluesky: @lentesta.bsky.social, Instagram: @len.testa, Website: touringplans.com GUEST • Jim Shull - X/Twitter: @JimShull, YouTube: @jimhshull, Website: jimhshull.com FOLLOW • Jim Hill Media Podcast Network - Facebook: @JimHillMediaNews, YouTube: @jimhillmedia, TikTok: @jimhillmedia SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR The Disney Dish News is sponsored by UnlockedMagic.com, from our friends at DVCRentalStore.com. Visit UnlockedMagic.com for discounts that make your next Disney trip cheaper than ever. EXCLUSIVE NordVPN Deal ➼ ⁠https://nordvpn.com/DISNEYDISH⁠ Try it risk-free now with a 30-day money-back guarantee If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. https://www.jimhillmedia.com/sponsor/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Growing up in Tokyo, Hiroko Yoda  never thought of herself as religious, but after her mother died, she began exploring the spiritual traditions of her homeland.She was inspired by the Shinto idea that there are '8 million spiritual beings', animating everything we encounter.In the different practices of Shintoism, Buddhism, and Shugendo, Hiroko found practical means of emotional support, and also ways of making her everyday life more beautiful.Further informationHiroko Yoda's book is called Eight Million Ways to Happiness This episode explores Japan, spirituality, psychology, Shintoism, Buddhism, Shugendo, family, grief, healing, religion, walking, parents, death, Tokyo, emotional support.To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

It's all about animation and Tribeca Film Festival this week on BEHIND THE LENS! And not just any animation, but world premiere animation shorts – DEAR UPSTAIRS NEIGHBORS and ROAR, both animated gems led by filmmakers with a Pixar pedigree – animation editor SARAH AFFLECK and writer/director JESSE WEGLEIN, respectively. First up, we're gonna roar with writer/director/editor/dp/and songwriter JESSE WEGLEIN and his beautiful short ROAR! ROAR follows a neurodivergent young girl with selective mutism who, after being uprooted from Tokyo to San Francisco, must navigate a chaotic new culture and an isolating silence by transforming her internal K-Pop soundtrack into a vibrant visual language to find her place—and her new roar. Then, more animation goodness for you from animation editor SARAH AFFLECK and DEAR UPSTAIRS NEIGHBORS. DEAR UPSTAIRS NEIGHBORS is the fantastical and all-too-relatable story of one woman's epic battle against her noisy neighbors for a good night's sleep. As I told Sarah Affleck, this short from director Connie He could directly pertain to my condo neighbors, and I'm betting some of your neighbors, too! This is one high-energy, FUN, short film! http://eliasentertainmentnetwork.com

Send us Fan MailThis week on the podcast, we dive into Pokémon GO's latest event, Blanche's Quest for Knowledge, and discuss everything the event has to offer, from spawns and bonuses to our overall impressions.We also take a deep look at GO Fest Tokyo 2026, including the debut of the Mega Mewtwo Unity Raids, event spawns, and some of the biggest stories coming out of Japan. What do we think of the new raid format, and what could it mean for the future of Pokémon GO?Plus, we catch up on your WhatsApp messages, featuring a special review from Casual Coops, answer another community question in Ask the Intern, and put our Pokémon knowledge to the test with another GO Fest-themed Pub Quiz.All that, along with Shinies of the Week, event news, and a look ahead to GO Fest Chicago and Copenhagen!We'd like to say a massive thank you to all of our Patrons for your support, with credited Patrons from featured tiers below:#GOLDJB, Kerry & Zachary, Barside2, Mandy Croft, Dean DHL, DamonMac08, MissSummerOf69 & BigBoyBaz, Pnickerson13, 52047 & Allex.   #SILVERKLXVI, Dell Hazard, Spindiana, Lori Beck, Steve In Norway, CeeCeeismad, Saul Haberfield, Lizzie George, Sander Van Den Dreiesche, Neonnet, Ellen Rushton, James Alexander, Northern Soph, Tom Cattle, Charlie Todd, Robert Wilson, Malcolm Grinter, Jordi Castel, Thehotweasel, shinyikeamom, TonyOfPride, Joohno, Malcolm Burgess, mrj4ck4l, littlestsparkle, Matt Bonnett, Zontok, DJMeadyMead, HRHKayleigh & Mr. Mossom. Support the showFind us on Niantic Campfire: CLICK MESend us a voice message on WhatsApp:  +44 7592695696Email us: contact@incensedpodcast.comIf you'd like to buy merch, you can find us by clicking HERE for U.K. store, HERE for U.S. Oceana store or copy this link: https://incensedpodcast.myspreadshop.net/ for U.K. store or this link: https://incensed-podcast.myspreadshop.com/ for U.S. Oceana store!Hosted By: PoGoMiloUK, Ian Waterfall & Masterful 27. Produced & Edited By:  Ian Waterfall & PoGoMiloUK. Administrators: HermesNinja & IAMP1RU5.Pokémon is Copyright Gamefreak, Nintendo and The Pokémon Company 2001-2016All names owned and trademarked by Nintendo, Niantic, The Pokémon Company, and Gamefreak are property of their respective owners.

We're preparing for the big move, debating family trips, talking about what drives successful people, and going down a few DEEP rabbit holes along the way. From moving companies and Tokyo travel dreams to history, faith, and the stories we've always been told, nothing was off limits in this conversation. We rounded up some great deals from a few of our favorite brands for you: Stick with your wellness goals. Go to kachava.com and use code DANIAUSTIN for 15% off. Right now, Rythm is offering our listeners 15% off your first month and free shipping at Rythm.health/dani For a limited time, new Cash App customers can earn $10 if they use code FAMILY10 in their profile at sign up and send $5 to a friend within 14 days. Terms apply You belong at The Beach - Myrtle Beach, South Carolina. Plan the best trip ever at VisitMyrtleBeach.com. Cotton is The Fabric of Our Lives and make sure you're checking tags to ensure it's the fabric of your life too. Learn more at TheFabricOfOurLives.com Learn More at Starbucks.com/partners Subscribe to our official YouTube channel, @deinfluencedpodcast, and follow along on Spotify, Apple Podcasts, or wherever you get your De-Influenced fix. You can also find us on Instagram and TikTok at @deinfluencedpodcast. Thanks so much for listening and supporting the show! Produced by Dear Media Learn more about your ad choices. Visit megaphone.fm/adchoices

We begin in Japan, a place full of some of the best horror lore ever! Yotsuya Kaidan is the fictional, two centuries old story of a struggling samurai so desperate to escape the trappings of poverty that he horrifically betrays the one person who truly loves him. A person who refuses to stay gone when he gets rid of her. Then we have Kisaragi Station, a story that many have long believed isn't just a story, but a true account from 2004, when users on a Japanese message board watched in real time as a woman named Hasumi posted frantic updates after waking alone on a train platform that didn't exist on any map. What began as a simple missed stop slowly became one of Japan's most disturbing and enduring paranormal internet legends. Next up, a woman is in need of an outpatient surgery that goes sideways. Did she watch her own death? And resuscitation? A man who drive the same route every day finds a detour one morning on his way to work. Did he perhaps slip into another time line? Lastly, a woman who is no stranger to the spaces we think of being spoopy, the morgue. Something very peculiar about her day at work.  Wet Hot Bad Magic Summer Camp 2026: Have you heard?! We have some amazing friends joining us at camp! Astonishing Legends and True Crime Campfire will both be bringing their shows to the live stage this summer! If you want to see them and us, get your tickets at badmagicproductions.com  Do you want to get all of our episodes a WEEK early, ad free? Want to help us support amazing charities? Join us on Patreon! Want to be a Patron? Get episodes AD-FREE, listen and watch before they are released to anyone else, bonus episodes, a 20% merch discount, additional content, and more! Learn more by visiting: https://www.patreon.com/scaredtodeathpodcast. Send stories to mystory@scaredtodeathpodcast.com Send everything else to info@scaredtodeathpodcast.com Please rate, review, and subscribe anywhere you listen. Thank you for listening! Follow the show on social media: @scaredtodeathpodcast on Facebook and IG and TT Website: https://www.badmagicproductions.com/ Facebook: https://www.facebook.com/scaredtodeathpodcast Instagram: https://bit.ly/2miPLf5 Mailing Address: Scared to Death PO Box 3891 Coeur d'Alene, ID 83816 Opening Sumerian protection spell (adapted): "Whether thou art a ghost that hath come from the earth, or a phantom of night that hath no home… or one that lieth dead in the desert… or a ghost unburied… or a demon or a ghoul… Whatever thou be until thou art removed… thou shalt find here no water to drink… Thou shalt not stretch forth thy hand to our own… Into our house enter thou not. Through our fence, breakthrough thou not… we are protected though we may be frightened. Our life you may not steal, though we may feel SCARED TO DEATH." Subscribe to SiriusXM Podcasts+ to listen to new episodes of Scared to Death ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.