Podcasts about Tokugawa Ieyasu

Shogunatet, som existerade från medeltiden till den industriella revolutionen, innebar att den militära ledaren shogunen hade all makt på kejsarens bekostnad. Ursprungligen var "shogun" en titel för militära befälhavare, men när centralmakten försvagades av rivalitet mellan kejsaren, ex-kejsare och Fujiwara-ätten, fick samurajerna ökad makt. På 1100-talet ledde detta till att en militärdiktator tog kontrollen.Shogunatet var anpassningsbart och kunde omforma sig över tid. Tokugawa-shogunatet (1603–1868) blev Japans mest stabila era, men dess fall markerade början på en ny tid. Under ytan på ett till synes stillastående samhälle pågick gradvisa förändringar. Japan var isolerat, styrt av ett strikt klassystem och reglerat enligt samurajernas kod.I podden Historia Nu samtalar programledaren Urban Lindstedt med Ingemar Ottosson, docent i historia vid Lunds universitet, aktuell med boken Shogun: Generalerna som ledde Japan (2025).Shogunatet – eller bakufu – har rötter i Japans tidiga historia. Redan under Yamato-riket på 300-talet formades centralmakt under kinesiskt inflytande. Men på 800-talet började kejsarens makt vackla, vilket öppnade för militära ledare. Titeln "shogun" användes först i krig mot emishi-folket, men dessa generaler styrde inget eget shogunat. Det förändrades 1192 då Minamoto no Yoritomo utnämndes till seii taishōgun och grundade ett verkligt parallellt maktcentrum.Det första shogunatet etablerades i Kamakura (1185–1333), där samurajerna fick en central roll. Makten förflyttades från hovet i Kyoto till krigarnas hierarki, med drag av europeisk feodalism. Alla tre shogunat följde mönstret av dynastisk uppgång och fall. Shogunerna varierade stort i duglighet – från marionetter till historiska gestalter som Yoritomo, Yoshimitsu och Ieyasu.Med tiden förändrades shogunrollen från krigsherre till civil ämbetsman. Den mest stabila perioden inleddes med Tokugawa Ieyasus seger vid Sekigahara 1600, vilket ledde till hans utnämning till shogun 1603. Tokugawa-styret, med säte i Edo, byggde ett samhälle präglat av militär, byråkrati och neokonfucianism. Kejsaren behöll en symbolisk roll, medan verklig makt låg hos shogunen.Samhället styrdes med strikt klassindelning: samurajer, bönder, hantverkare, köpmän. Länsherrar (daimyōer) kontrollerades genom sankin-kōtai – ett system som tvingade deras familjer att bo i Edo, vilket motverkade uppror. Landet isolerades genom sakoku-politiken: endast holländare fick bedriva handel via ön Dejima. Kristendom förbjöds, missionärer avrättades och utländska kontakter begränsades kraftigt.Paradoxalt nog blomstrade kulturen: kabuki, haiku och urban tillväxt i städer som Osaka och Edo. Trots det yttre lugnet började samhället långsamt förändras. Samurajerna, som en gång var krigare, förvandlades till byråkrater utan svärd. Köpmännen, trots sin låga formella status, blev ekonomiskt mäktiga.Bild: Porträtt av Tokugawa Ieyasu (1543–1616), grundare av Tokugawa-shogunatet. Målningen är utförd av konstnären Kanō Tan'yū och finns i huvudtornet på Osaka slott. Källa: Wikipedia Kanō Tan'yū, Public Domain.Musik: ”Japanese Hotchiku Flute” av Velimir Andreev (Psystein), Storyblocks Audio.Lyssna också på Samurajerna dominerade Japan under ett millenium.Klippare: Emanuel Lehtonen Vill du stödja podden och samtidigt höra ännu mer av Historia Nu? Gå med i vårt gille genom att klicka här: https://plus.acast.com/s/historianu-med-urban-lindstedt. Hosted on Acast. See acast.com/privacy for more information.

English mariner William Adams continues to rise in prominence in the court of the new Shogun, Tokugawa Ieyasu. He will be so successful, he will become the first European to ever be granted the title of Hatamoto - or bannerman Check out History Dispatches at www.HistoryDispatches.com Sponsor: Go to www.amazfit.com/EXPLORERS to save 10%. The Explorers Podcast is part of the Airwave Media Network: www.airwavemedia.com Interested in advertising on the Explorers Podcast? Email us at advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

English pilot William Adams has led his ship to Japan. But in this episode, he and his men - wracked by starvation and scurvy - must now negotiate the various powers of this exotic land. There are the Japanese warlords, the Portuguese, and the Jesuits, who all would like nothing more than to see Adams and his comrades executed. But there are other elements who have interest in the strangers - including the land's most powerful lord - Tokugawa Ieyasu. It will fall on Adams to find a way out of the dangerous situation he and his fellow crewmen face. And if that means going to war - so be it. Check out History Dispatches at HistoryDispatches.com Sponsor: Go to www.amazfit.com/EXPLORERS to save 10%. The Explorers Podcast is part of the Airwave Media Network: www.airwavemedia.com Interested in advertising on the Explorers Podcast? Email us at advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

2024 was a special year for Carnival and the Japan-New Orleans connection! Lafcadio Hearn's life & works inspired the theme for Rex Parade 2024: "The Two Worlds of Lafcadio Hearn - New Orleans & Japan". But why Hearn? What went into the float design? What other ways has Hearn left a lasting impact on both New Orleans & Japan? Find out today with a super-sized special Mardi Gras bonus episode, featuring insights from Rex historian/archivist Will French & historian/archivist emeritus Dr. Stephen Hales, Royal Artists float designer/artistic director Caroline Thomas, Lafcadio Hearn's great grandson Bon Koizumi,  legendary chef John Folse, Captain of the Krewe of Lafcadio John Kelly, JSNO's resident Lafcadio Hearn expert Matthew Smith, and even the Mayor of Matsue Akihito Uesada! Get ready for Mardi Gras 2025 by reflecting on this unique connection between New Orleans & Japan!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Music Credits ------Background music provided by: Royalty Free Music by Giorgio Di Campo for Free Sound Music http://freesoundmusic.eu FreeSoundMusic on Youtube  Link to Original Sound Clip------ Audio Clip Credits ------Thanks to Dominic Massa & everyone at WYES for allowing us to use some of the audio from the below Rex Clips:Segment about Royal Artist & Float DesignFull 2024 Rex Ball Coverage (Krewe of Lafcadio/Nicholls State segment)Thanks to Matsue City Hall & Mayor Akihito Uesada for their video message below:Message from Matsue Mayor Akihito Uesada------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Hearn/Matsue/History Episodes ------Foreign-Born Samurai: William Adams ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E17)Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)Explore Matsue ft. Nicholas McCullough (S4E19)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)The Life & Legacy of Lafcadio Hearn ft. Bon & Shoko Koizumi (S1E9)Matsue & New Orleans: Sister Cities ft. Dr. Samantha Perez (S1E2)------ Links about Rex ------2024 Rex Parade/Float PDF with Full DesignsCaroline Thomas's Website------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

A reading and commentary on Dr. Edwin Vieira's By Tyranny Out of Necessity: The Bastardy of Martial Law, Chapter 4, Section 3. The discussion revolves around the themes of liberty and security, drawing on historical and contemporary contexts. The episode begins with a Samurai maxim, "After the victory, tighten your helmet strap," attributed to Toyotomi Hideyoshi, a Sengoku Jidai warlord who rose from peasant roots to become a de facto leader before Tokugawa Ieyasu's victory at Sekigahara. Hideyoshi's philosophy of preparing for future challenges even after victories is emphasized, highlighting the nature of change and impermanence. The episode then transitions to contemporary political changes, noting favorable shifts towards liberty in December 2024 but also recognizing opposing forces, such as attacks on private property and ongoing global conflicts. The speakers stress the importance of warriors expecting the unexpected and practicing mindfulness, sensory clarity, and equanimity. A significant portion of the episode is dedicated to discussing Dr. Edwin Vieira's book, "By Tyranny Out of Necessity, the Bastardy of Martial Law," which explores the concept of martial law and its implications. The speakers outline the plans and policies for martial law, emphasizing the constitutional remedies available and the role of the Second Amendment in supporting a well-regulated militia. They argue that decentralized, localized execution of law prevents tyranny and highlight tools of liberty like jury nullification, secession, and revolution. The episode delves into the theory of martial governance, where military deployment imposes law and order, potentially leading to the suppression of legitimate governments by rogue officials. The speakers discuss the authority of the occupant in occupied territories, the potential for martial governance to override constitutional protections, and the imposition of censorship, control of communication, and restriction of movement. The speakers also address the potential for a national paramilitary police state, justified by emergencies and war powers, and call for refutation of legal arguments for martial law and governance. They emphasize the importance of martial arts training, armed self-defense, and the need for the public to be organized, armed, and disciplined to maintain constitutional order. Stay in touch: Link.EverydaySamurai.Life Book: https://go.everydaysamurai.life/EoGCS 00:00 Mindfulness skills to combat technocracy and tyranny. 00:36 - Samurai Maxim and Political Changes 03:21 - Martial Law and Government Authority 05:39 Military occupation replaces legitimate government's authority. 06:43 - Military Occupation and Governance Rules 07:25 War could lead to military governance overriding laws. 11:01 - Control Over Occupied Territories 11:25 Occupier may suspend or corrupt local courts. 14:47 - Martial Law Regulations 15:49 General rule: aid enemy, tried by military. 18:42 - Authority and Requisition Rights 20:36 Loss of communication, freedom, and forced labor. 22:25 - Occupation Law and Governance 22:42 Occupiers exploit immunities, fostering lawless institutional culture. 26:19 - Legal Rationalizations of Martial Governance 29:49 - Analysis of Police State Apparatus 29:31 Constitution opposes martial governance; skepticism warranted. 33:22 - Role of Martial Governance 34:52 Martial arts: truth, discernment, governance, freedom. 35:45 Discernment, books, training: securing a free state.

This season was a long one! The Krewe re-groups to reflect on Season 5 as a whole, and everything that went into it...  with a SPECIAL GUEST! Join us for one last audio journey in Season 5 as we discuss all the milestones, top moments, challenges, & fun anecdotes, in addition to a look ahead to Season 6 & listener feedback! Let's GO!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

How many original castles does Japan ACTUALLY have standing? Where is Japan's oldest castle located? When counting castles in Japan, do castle ruins factor in? The Krewe is joined by William de Lange, the author of An Encyclopedia of Japanese Castles & many other Japan-related publications, to get the answer to these questions and so many more!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Architecture & History Episodes ------Foreign-Born Samurai: William Adams ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E17)Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)Change in Urban & Rural Japanese Communities ft. Azby Brown (S5E15)KOJ Podcast S5E6 - Inside Japanese Homes & Architecture ft. Azby Brown (S5E6)Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 2] (S2E18)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 1] (S2E17)The Age of Lady Samurai ft. Tomoko Kitagawa (S1E12)------ Links about William de Lange ------An Encyclopedia of Japanese Castles (Amazon)Japan Then & Now (Amazon, Released June 2024)Walking the Edo Sanpu (Amazon, Released August 2024)William's Website------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

In this episode, Greg Jenner is joined in seventeenth-century Japan by Dr Satona Suzuki and comedian Ahir Shah to learn all about the Edo period and the Tokugawa shogunate. When he came to power in 1603, Tokugawa Ieyasu became the first shogun to rule over all Japan. He made Edo – later renamed Tokyo – his power base, and over the 250 years of Tokugawa rule, this small town became one of the largest cities in the world. This episode charts the rise and fall of the shogunate, and explores what life was like for people living in Japan at this time. From politics to theatre, and taking in foreign relations, the class system, art and literature, Greg and his guests get to grips with all aspects of life in the Edo period.This is a radio edit of the original podcast episode. For the full-length version, please look further back in the feed.Hosted by: Greg Jenner Research by: Annabel Storr Written by: Annabel Storr, Emmie Rose Price-Goodfellow, Emma Nagouse, and Greg Jenner Produced by: Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Ben Hollands Senior Producer: Emma Nagouse Executive Editor: James Cook

The Battle of Sekigahara, on 21st October, 1600, was the largest in Japanese feudal history, with over 160,000 troops involved. And stakes were high: the victor, Tokugawa Ieyasu, became the Shōgun of Japan, initiating the Edo period; whilst the leader of the losing Western army, Ishida Mitsunari, was beheaded. The battle itself was chaotic, partly due to defections, with several commanders secretly switching sides, leading to confusion and collapse. But, despite the battle's inclusion of modern firearms introduced by the Portuguese, the aftermath saw a return to the cult of the sword!  In this episode, Arion, Rebecca, and Olly discover how the morning fog caused a clumsy start to the fighting; explain how Toyotomi Hideyoshi's succession struggles lead to a powerful power vacuum; and reveal how Ieyasu matched his superiority in battle with some seriously savvy backstairs politicking… Further Reading: • 'Shōgun: The Incredible True Story of the Battle of Sekigahara' (Esquire, 2024): https://www.esquire.com/entertainment/tv/a60382366/shogun-battle-of-sekigahara-true-story/ • ‘Battle of Sekigahara - Gettysburg National Military Park' (U.S. National Park Service, 2022): https://www.nps.gov/gett/learn/historyculture/battle-of-sekigahara.htm • ‘Masterpiece: Lord Toranaga Fights And Wins The Battle Of Sekigahara Against Ishido And Becomes Shogun' (NBC, 1980): https://www.youtube.com/watch?v=IGYI6NVtzAg Love the show? Support us!  Join 

Hablemos del que es el reloj mecánico más famoso del Japón y que, como no podría ser de otra forma pues hoy es día de "Cuando los españoles molabamos", es de origen español. Este podcast está asociaco a la red de Sospechosos Habituales donde podréis encontrar otros muchos podcast de diferentes temáticas.

Hablemos del que es el reloj mecánico más famoso del Japón y que, como no podría ser de otra forma pues hoy es día de "Cuando los españoles molabamos", es de origen español. Este podcast está asociaco a la red de Sospechosos Habituales donde podréis encontrar otros muchos podcast de diferentes temáticas.

This one goes out to all the ladies out there... well, and the fellas too if you're interested! The Krewe sits down with avid shojo enthusiast Taryn of Manga Lela Instagram/TikTok fame to talk all things shojo. Together they explore the variety of shojo genres, some challenges faced in the shojo industry, & what makes shojo different from those rambunctious shonen titles! Don't miss out!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Anime/Manga/Pop Culture Episodes ------The Japanese Pop Music Scene ft. Patrick St. Michel (S5E10)Akira Toriyama: Legacy of a Legend ft. Matt Alt (S5E3)The History & Evolution of Godzilla ft. Dr. William (Bill) Tsutsui (S5E1)Thoughts on Godzilla Minus One ft. Dr. William (Bill) Tsutsui (S4Bonus)The History of Nintendo ft. Matt Alt (S4E18)Visiting Themed Cafes in Japan ft. Chris Nilghe of TDR Explorer (S4E15)Japanese Mascot Mania ft. Chris Carlier of Mondo Mascots (S4E8)Tokusatsu Talk with a Super Sentai ft. Sotaro Yasuda aka GekiChopper (S4E6)The Evolution of PokéMania ft Daniel Dockery [Part 2] (S4E3)The Evolution of PokéMania ft Daniel Dockery [Part 1] (S4E2)Japanese Independent Film Industry ft. Award Winning Director Eiji Uchida (S3E18)City Pop & Yu ft. Yu Hayami (S3E14)How Marvel Comics Changed Tokusatsu & Japan Forever ft Gene & Ted Pelc (Guest Host, Matt Alt) (S3E13)Talking Shonen Anime Series ft. Kyle Hebert (S3E10)Japanese Pro Wrestling ft. Baliyan Akki (Part 2) (S3E6)Japanese Pro Wrestling ft. Baliyan Akki (Part 1) (S3E5)Exploring Enka ft. Jerome White Jr aka ジェロ / Jero (S3E1)Japanese Arcades (S2E16)How to Watch Anime: Subbed vs. Dubbed ft. Dan Woren (S2E9)Japanese Theme Parks ft. TDR Explorer (S2E4)Manga: Literature & An Art Form ft. Danica Davidson (S2E3)The Fantastical World of Studio Ghibli ft. Steve Alpert (S2E1)The Greatest Anime of All Time Pt. 3: Modern Day Anime  (2010's-Present) (S1E18)The Greatest Anime of All Time Pt. 2: The Golden Age  (1990's-2010's) (S1E16)The Greatest Anime of All Time Pt. 1: Nostalgia (60's-80's) (S1E5)We Love Pokemon: Celebrating 25 Years (S1E3)Why Japan ft. Matt Alt (S1E1)------ Links about Taryn/Manga Lela------Taryn's LinksTaryn on TikTokTaryn on InstagramTaryn on Twitter/X------ JSNO Upcoming Events ------JSNO Event CalendarJapan Fest Sign-UpJSNO Annual Meeting RegistrationJoin JSNO Today!

Historians Nathan Ledbetter & Dr. Samantha Perez rejoin the Krewe to continue our conversation on foreign-born samurai, this time highlighting the life of William Adams! In this episode, we explore his relationships with both Japanese & non-Japanese while in Japan, the similarities between William Adams's story & House of the Dragon (what?!), how he was a big inspiration for James Clavell's classic novel (and the adaptations) Shogun... AND SO MUCH MORE!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ History Episodes ------Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)How Marvel Comics Changed Tokusatsu & Japan Forever ft Gene & Ted Pelc (Guest Host, Matt Alt) (S3E13)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 2] (S2E18)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 1] (S2E17)The Age of Lady Samurai ft. Tomoko Kitagawa (S1E12)The Life & Legacy of Lafcadio Hearn ft. Bon & Shoko Koizumi (S1E9)------ Links about Nate ------Ubisoft's Echoes of History "Japan's First Unifier: Oda Nobunaga"Ubisoft's Echoes of History "Samurai vs Shinobi: The Tensho Iga War"Nate on BlueSky------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Most business speeches are very definitive.  We did this, and it worked for us and you could do the same and also get similar results. Usually, we are asked to speak because we have had good results and have rich experience in our industry. The hosts believe that others will be interested in hearing what we did, so that they can take lessons from it and they will be able to pull a crowd.  The problem is today we are in the Age Of Distraction and the Era of Cynicism. If what we are offering doesn't sound valuable or sounds dubious, then the audience loses interest immediately and lunge for their phones to hit the internet and escape from us.  Once upon a time, listeners would sit there politely and absorb what we were saying and wait to reach judgement.  Now we have to win them over from the very start. They are also more sceptical than in times past and are constantly on the prowl for fake news. No wonder though, given the barrage of scams and fake information hammering us every day.  I constantly get fake emails trying to get me to click on something that will allow them to take over my computer and clean out my bank account.  The fakes have become more and more sophisticated and sometimes I have trouble telling if they are real or not.  I have had to ring my bank or my credit card company to check that what I have received is legit or not. They are now that realistic. Little surprise people are on guard. This combination of short attention spans and cynicism about what we are telling them makes it very much harder to advance our arguments when we are speaking.  One approach is to use a couple of simple tools.  One is the rule of three and the other is recency.  Basically, audiences cannot take in more than three points and remember them, so to prove our arguement, we should assemble the strongest three points we can come up with.  The way to use these three points, though, is not to just list them and explain what they mean.  This Age of Cynicism demands that we offer more balance.  We should list the pros and cons associated with each point we are making.  So as we go through them, we offer the pluses and minuses for each point.  I remember when I was an undergraduate student doing Modern Asian Studies at Griffith University in Brisbane, we had a guest lecturer come in to talk about the causes of the Battle Of Sekigahara.  Tokugawa Ieyasu won that battle and set up a dynasty which lasted for hundreds of years and it was a major turning point in Japanese history.  He started by going through a long list of the usual explanations for the events leading to the battle, and it was all very convincing. I was sitting there in the front row busily making notes.  He then proceeded to pull down each of these standard arguments and replace them with his own interpretation of events. It was a powerful intellectual example of providing balance and therefore becoming much more convincing than if he had just rattled off what he thought explained the situation. We should do the same with the points we are making in our talk and provide balance. This invites the audience to observe that we are not being dogmatic and that we are considered and looking for fairness in our argument.  It is very disarming. We don't present a static target to be attacked because we are demonstrating our intellectual flexibility. Additionally, the recency phenomena is a key contributor to being believed.  We all tend to remember best what we heard last.  So, of the three points, the strongest recommendation should come last.  We do the same thing with the pros and cons for each point. Finally, we offer the last point as our strongest recommendation for the audience.  They heard this last, so it has the impact of being the most memorable argument and therefore more likely to be accepted. Is running it last cheating?  No, we are just adapting our order to best suit human psychology to have the best shot at convincing the listeners of our argument.  We have shown balance by going through the pluses and minuses and we just order the points in a way which is the most convincing and effective. So next time you give a talk, consider how you can introduce more balance in the argument you are making. If you do, the chances are much higher that you will be believed and well regarded as an expert in your field.  This will advance your professional and personal brands.  

In this episode, Greg Jenner is joined in seventeenth-century Japan by Dr Satona Suzuki and comedian Ahir Shah to learn all about the Edo period and the Tokugawa shogunate. When he came to power in 1603, Tokugawa Ieyasu became the first shogun to rule over all Japan. He made Edo – later renamed Tokyo – his power base, and over the 250 years of Tokugawa rule, this small town became one of the largest cities in the world. This episode charts the rise and fall of the shogunate, and explores what life was like for people living in Japan at this time. From politics to theatre, and taking in foreign relations, the class system, art and literature, Greg and his guests get to grips with all aspects of life in the Edo period. Hosted by: Greg Jenner Research by: Annabel Storr Written by: Annabel Storr, Emmie Rose Price-Goodfellow, Emma Nagouse, and Greg Jenner Produced by: Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Ben Hollands Senior Producer: Emma Nagouse Executive Editor: James Cook

Moving on with our third part of the Gishiwajinden Tour, we head to the old area of Matsuro, which, for us, means modern Karatsu.  Here we have some of the oldest rice paddies in all of Japan, but Karatsu is so much more.  It was part of Matsura, where the Matsura family (aka league, factions, or pirates, depending on how you saw it) arose.  It is also a short hop from Nagoya, which briefly became the capital of Japan; Nagaoka-kyo gets a mention in the histories, but Nagoya rarely merits it, since it was just the Taiko and every actually important person minus the Tenno. For more photos and others such things, check out: https://www.sengokudaimyo.com/podcast/matsuro-koku/   Rough Transcript: Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is Gishiwajinden Tour, Part Four:  Matsuro-koku So far on this tour through the locations listed in the Weizhi's Wa Record, the Gishiwajinden, following the route to Queen Himiko of Wa, we've hit the area of Gaya, or Gara; Tsushima—or Tuma-koku; Iki, aka Iki-koku; and now we are arriving at Karatsu, thought to be the location of Maturo-koku. Now before we go any further, let's talk about the name.  After all, up to this point in the account, the names haven't been too far off.  Well, Tsushima was recorded as something like Tuma in the Chinese record, which seems reasonable, and “Iki” was actually recorded as something like “I-dai”, though we are pretty sure that was a transcription error based on other evidence. But Karatsu and Maturo, really don't seem related.  Also, didn't we earlier equate Matsuro with Matsuura, Matsura?  But if you look for Matsuura on a map it is quite some distance away from Karatsu—in fact, it is in modern Nagasaki prefecture as opposed to Karatsu, which is in modern Saga prefecture. First off, Karatsu is a later name for the city, not the area.  It literally means “Tang Port”, and that name seems to appear in the 15th century in the form of Karatsu Jinja, or Karatsu Shrine.  So no, the names Karatsu and Matsuro are not related.  Prior to being called Karatsu, though, it was part of a larger area called Matsura.  It sits at the head of the Matsura River, which spills out into what is now called Karatsu Bay.  In ancient times this seems to have been the heart of the area known as Matsura or Matsuro.  Over time it was incorporated into the larger area known as Hi no Kuni, and when Hi no Kuni was divided up by the Ritsuryo state into Hizen and Higo, we see the Matsura district, or Matsura-gun, is a part, along the coast.  The fact that it is spelled as “Matsu” and “Ura”, meaning “pine beach”, might hint at the original name of the place or could be a false etymology, imposed by the need to record the location in kanji, the Sinitic characters used at the time.  Fun fact time:  Hizen refers to the area of the land of Hi that was closer to Yamato, while Higo refers to the area of the land of Hi that was further away.  If you look at a modern map of where these two ancient provinces were, however, you'll notice that by a slight technicality, Higo is actually closer, as the crow flies.  But remember, people are not crows, at least not in this life, and in all likelihood, most of the travel to and from Yamato would have been via sea routes.  So Hizen is closer to Yamato from that perspective, as you would have to sail from Higo, around Hizen, or take the long way south around Kagoshima. But where were we? So Matsura district in Hizen started at Matsura-gawa and the area around Karatsu bay, and included modern areas of Hirado all the way out to the Goto islands.  That was a pretty large area.  It later got further subdivided into East, West, North, and South Matsura subdistricts, with Karatsu in the Eastern subdistrict, and some portion of the west.  Eventually, Karatsu city became its own administrative district, in modern Saga prefecture, and so did Hirado city, in what was the old Northern Matsura sub-district, joining Nagasaki prefecture.  The western sub-district went to Karatsu or incorporated as Imari, known for their Imari-ware pottery.  And that left a small portion of the northern sub-district. The incorporated villages and islands eventually came together as Matsuura city, in Nagasaki prefecture, which is what you'll see, today.  And that is why, looking at a modern map, “Matsura” and modern “Matsuura” are not precisely in the same place. That history also helps demonstrate the historical connections between Karatsu, Hirado, Iki, and Tsushima—as well as the Goto islands.  This region was where the Matsura clan arose, which controlled at least out to Iki, Hirado, and the Goto archipelago, and it was known for its strong navy, among other things. For our trip, heading to Karatsu was originally borne out of convenience:  Our goal was to take the ferry so that we could travel along the ocean routes.  We had traveled the route from Izuhara, on Tsushima, to Ashibe port, on Iki island.  During that trip it was interesting to watch as Tsushima disappeared and then eventually Iki appeared on the horizon, but it wasn't immediate, and I suspect you would have wanted an experienced crew who knew the route and knew what to look for.  Conversely, from Indoji port, on Iki, to Karatsu I felt like we were constantly in sight of one island or another, or at least could see the mountains of Kyushu to get our bearings.  There wasn't really a time that felt like we were that far out from land.  Even so, it would still have been a treacherous crossing back in the day. Coming in to Karatsu from the ferry, the first thing you will notice is the castle.  Karatsu castle, also known as Maizuru Castle, is a reconstructed castle, but it really does provide a clear view of what one would have seen.  The original was abandoned in the Meiji period and sold off in 1871.  The main keep was later demolished and made into a park.  In 1966 they built a new, 5-storey keep on the original base, and from 1989 onward have continued to make improvements to various parts of the castle moats and walls.  You can still see the layout of the Ninomaru and honmaru sections of the castle, encompassing the old samurai districts of the jokamachi, or castle town, of Karatsu during the Edo period. Our primary goal in Karatsu, however, was not castle focused.  We wanted to go back to an earlier time – the Yayoi period, to be precise - and Karatsu and the Matsuro-kan did not disappoint.  While not quite as extensive as the reconstruction at other Yayoi sites like Harunotsuji or Yoshinogari, the site at the Matsuro-kan is still impressive in its own right. What is the Matsuro-kan, you might ask?  It is the building and grounds of what is also known as the Nabatake site.  In 1980, construction workers were excavating for a road through the Nabatake section of Karatsu when they noticed they were pulling up artifacts.  An investigation between 1980 to 1981 determined that the artifacts were from the late Jomon to middle Yayoi period.  Further investigation discovered the presence of old rice paddies.  In 1983 the site was designated as a national historic site, further excavations were carried out, and the Matsurokan was built to house the artifacts and also provide some reconstructions of what the rice paddies would have looked like.  For context these are some of the oldest rice paddies found in Japan, along with the nearby Itazuke rice paddies, in neighboring Fukuoka prefecture, and are key for giving us insights into what we know about early rice field cultivation. Here I should point out that these fields were in use through the middle Yayoi period, while the mission to Yamato—or Yamatai—recorded in the Weizhi would have been in the late Yayoi or early Kofun period, so likely several hundred years later.  There are other Yayoi settlement remains found up and around the peninsula, and there are Kofun in the area, especially along the banks of the Matsura river.  Given how built up much of the area is, it is possible that any large scale settlement may have been destroyed by subsequent settlements, or is somewhere that there just hasn't been a good reason for a full excavation.  Still, who knows what we might eventually find.    The Matsurokan appears to stick with the dating of the Yayoi period from about 300 BCE.  This is based largely on assumptions regarding the development of different pottery styles.  Recent research has suggested that this should be pushed back to about 800 or even 1000 BCE, suggesting a more gradual development.  For our purposes, it is enough to note that this site appears to cover from the final Jomon era in Kyushu to the coming of wet rice agriculture with the advancing Yayoi culture. Based on what was found at the site, the wet rice paddies were created in what at least one scholar has suggested as a “primitive” wet rice paddy.  The paddies themselves appear to have been placed in a naturally swampy area, irrigated by a natural stream.  This would have made flooding the fields relatively simple, without the large ponds or waterworks required to cover a more extensive area.  This may have sufficed for a small village, possibly only a handful of families living together and working the land. Besides the impressions of the paddies themselves, various tools, pottery, and more were also found at the site.  Stone harvesting knives were plentiful—a semicircular stone knife that was held in the fingers of one hand, allowing a harvester to grasp the stalks and cut them quickly.  This was the standard method of harvesting prior to the arrival of the sickle, or kama, and is still in use in some parts of China and Southeast Asia.  It is more labor intensive than the sickle, but provides some benefits in the consistency and lack of waste product. The Matsurokan demonstrates how a lot of the Yayoi tools are, in fact, still in use in one form or another in different cultures that also absorbed rice cultivation, showing how widespread it became. In addition, there are artifacts such as shards of pottery showing what looks to be the imprint of a woven fabric, and various equipment for weaving and sewing.  We have some beams and posts from buildings, which give us something at least try to guess at how things were put together. There are bones of various animals as well as stone arrowheads.  There are also fish and even dugong bones, suggesting they also made a living from the nearby sea.  And there are various bits of jewelry, including magatama, and what appears to be a shark's tooth with holes drilled in so it could be worn on a cord.    There are also carbonized rice grains found at the site, likely grown there. We don't have any ancient strains of rice that can be proven to come from these fields, but in their reconstruction, outside the museum, they have rebuilt some of the rice fields and grow old rice variants in them.  This is used, in part, to teach local schoolchildren about rice cultivation – in fact, local schools are allocated individual paddies each growing season. Besides the rice paddies, the Matsurokan also boasts several reconstructed dwellings.  These are similar to ones you might find elsewhere depicting what life was like back in the Yayoi period. As the Yayoi period gave way to the kofun, we do see some mounded tombs in the area, though not quite as many as in others.  Matsura appears to be rather rural. Around the Heian period, we see the rise of a local group that comes to be known as the Matsura group, or Matsura-tou, which eventually consolidated into the Matsura family.  There are several lineages claiming that the Matsura family descended from the Minamoto or Abe clans or through branch families thereof.  Matsura-to itself is sometimes called the 48 factions of Matsura.  It wasn't as much a family as an alliance of local warriors, each with their own base of operations.  I can't quite tell if the lineage of the later Matsura clan, as they were known, were meant to represent a single lineage or the various lineages that came together.  For all we know, they may have married into official families or otherwise concocted lineages to help legitimize them as much as anything else—this far out from the center, in the 11th century, there wasn't necessarily as much oversight. Early in the 11th century they also had a chance to prove themselves with the Toi invasion – that was the Jurchen invasion we mentioned last couple episodes.  After the Toi invaders attacked Tsushima and Iki, they set their sites on Hakata Bay, which was the closest landing to the Dazaifu, the Yamato government in Kyushu.  They were chased off and headed down the coast.  Minamoto Tomo is said to have led the forces that repelled the Toi invaders, who finally departed altogether, striking one more time on Tsushima before heading back to wherever they came from. Minamoto Tomo is said, at least in some stories, to have been the founder of the Matsura clan, or at least the leader of the 48 factions, which then coalesced into the Matsura clan, which eventually would run the Hirado domain. Over two hundred and fifty years after the Toi Invasion would come the Mongols.  If the Toi were bad, the Mongols were much worse.  The Toi were a band of marauders, who caused a lot of havoc, but do not appear to have had state backing.  The Mongols were perhaps more appropriately the Yuan empire, who had already conquered the Yellow river valley and were working on the Song dynasty along the Yangzi.  While the Toi had brought with them Goryeo warriors as well—who may or may not have joined up willingly—the Mongols had huge armies from all over that they could throw at a problem. As we talked about in the past two episodes, the Mongols swept through Tsushima and Iki and then headed straight for Hakata, the closest landing zone to the Dazaifu, the government outpost in Kyushu.  Even during the height of the Kamakura shogunate, this was still an important administrative center, and would have given the Mongols a huge advantage on holding territory and eventually sweeping up the archipelago. Fortunately, they were stopped.  Whether it was the gumption, skill, and downright stubbornness of their samurai foes or the divine wind that swept up from the ocean, the Mongols were turned back, twice. During each of these invasions, the Matsura clan and others rushed to the defense of the nation, but unlike with the Toi invasions, there do not appear to have been any serious battles along the Matsuura coastline—not that I can make out, anyway. After the Mongol invasion, Kyushu was not left out of the troubles that would follow, including the downfall of the Hojo, the rise of the Ashikaga, and the eventual breakdown of the shogunal system into the period known as the Warring States period.  Through it all the Matsura continued to ply the seas and encourage the trade from which they and others, like the Sou of Tsushima, came to depend on.  They also allied with other entrepreneurial seafarers, known to others as pirates, and they started trading with a group of weird looking people with hairy beards and pale skin, who came to be known as the Nanban, the southern barbarians—known to us, primarily, as the Portuguese. One faction of the Matsura were the Hata—no relation to the Hata that set up in what would become the Kyoto region in the early periods of Yamato state formation.  The Hata ruled the area that would become Karatsu, but eventually they were taken over by the Ryuzoji, who were allied with Toyotomi Hideyoshi. Hideyoshi's interest in the Karatsu and Matsura area had to do with its easy access to the continent.  And so Hideyoshi began to pay attention to Nagoya, at the end of the peninsula down from Karatsu.  And no, not *that* Nagoya.  If you hear Nagoya, today, you are probably talking about the bustling metropolis in Aichi, which was where Toyotomi himself got his start, growing up and going to work for the local warlord, named Oda Nobunaga.  Due to a quirk of Japanese names and how they read particular characters, this is a different Nagoya. The Kyushu Nagoya had been one of the Matsura trading posts, run by a sub-branch of the Hata family, who had built a castle on the site.  Hideyoshi had much grander plans for the area.  In 1591 he began work on a massive castle and associated castle town.  This castle was to be his new headquarters, and he moved his entire retinue there from Osaka, with an expectation that all of the daimyo would follow him.  Sure enough, they showed up with their own vassals, setting up camps around the peninsula and in the new city-to-be. The castle was the base of operations from which Hideyoshi coordinated the invasions of Korea.  It was a massive undertaking, and extremely impressive.  The city itself sprung up, and although the wood was still new, and the buildings somewhat hastily put together, it was soon a bustling metropolis and briefly became the center of art and culture in the entire archipelago. Hideyoshi himself had a teahouse built within the confines of the castle, where he apparently spent most of his days, even when receiving reports on how things were going across the sea on the archipelago.  The city had a Noh theater, as well.  It must have been a sight to see. As for the castle itself, based on the remains, it was massive.  It appears to use the contours of the hill upon which it sits.  It seems there was a previous castle there of some kind, and it is unclear how much this was merely expanded, but Hideyoshi's new castle was truly monumental, with a labyrinth of gates to get in -- similar  to Himeji Castle, for anyone who has been there, but with a serious vertical incline as well.  Nagoya Castle was second only to Osaka castle, and yet it was erected quickly—only 8 months.  I guess that's what you can do when you can mobilize all of the daimyo across Japan.  Even today, ruined as it is, the walls tower over you, and you can spend hours wandering the grounds. For all that it was impressive, the good times at Nagoya Castle lasted only for a brief seven years—when Hideyoshi passed away, the council of regents moved back to Osaka, and Nagoya castle was deliberately destroyed, stones removed from the walls such that it could never survive a true siege. This was a sign to the Korean peninsula – the Joseon court - that, with the death of the taiko, Japan had given up any pretext of conquering the peninsula. Today, only the stones and earthworks remain of the briefly thriving city, but on the grounds is a wonderful museum that catalogs this particular slice of Medieval life.  The Nagoya Castle Museum of Saga prefecture is off the beaten path—there is no train, so you'll need to take a bus or private car to get there—but it is well worth it. The museum itself is dedicated to Japanese and Korean cross-strait relations, which feels a bit like atonement given that the castle was built with conquest in mind. Of course, the centerpiece of the Museum is the castle, but it also does a good job telling the story of relations between the peninsula and the archipelago.  It starts in the ancient times, talking about how, even during the Jomon period, there were commonalities in fishhooks and similar equipment found from Kyushu up through the Korean peninsula.  From there, of course, trade continued, as we've seen in our journey through the Chronicles.  It talks about some of the shared cultural items found from the Yayoi through the Kofun, and also demonstrates how some of the earliest Buddhist statues have clear similarities to those found in Silla.  It goes over the various missions back and forth, and even gives a map of the Toi Invasion that we talked about hitting Tsushima and Iki. The Mongol invasion is also heavily talked about, but not nearly so much as the invasion of Korea.  There is another reproduction of the letter of King Sejeong, with the faked seal from the Sou clan in Tsushima.  This of course, was the period when they built Nagoya-jo into a castle and city of at least 100,000 people, almost overnight.  Even the Nanban were there, trading in the city while supplies from across the country were gathered and shipped off to keep troops fed on the invasion of Korea. There are plenty of images from this time—from a Ming envoy to Nagoya castle to images of the invasion from the Korean perspective, with Koreanized samurai manning the walls of the castles they had taken.  They don't exactly lionize the samurai, but they don't accentuate some of the more horrific things, either, like the piles of ears taken from those killed because taking their heads, as was standard practice in older days, was too cumbersome. There is also some discussion of relations afterwards—of the Joseon embassies, though those went through Hakata, Nagoya-jo having long been abandoned at that point.  For reasons one can probably understand, it doesn't go into the post-Edo relations, as that is much more modern history. After the destruction of Nagoya castle, the area was largely abandoned, but the city of Karatsu proper really thrived during the Edo period.  Karatsu was also a castle town, as we've mentioned, but a bit out of the way.  As sailing ships were now more sturdy and able to handle longer sea crossings, it was now often Hakata, in Fukuoka, that received much of the trade, and the Dutch traders who had replaced the Portuguese, were limited to Dejima, in Nagasaki. When Hideyoshi swept through, the Hata were not exactly considered trustworthy, and were placed under the Nabeshima, a branch of their rivals, the Ryuzouji.  During the invasion of Korea, the Hata rebelled, and were destroyed for it in 1593.  Their territory was given to Terazawa Hirotaka, who had been put in charge of the construction of Nagoya castle and later put in charge of the logistics for the invasion effort from the Kyushu side.  As a result, he was granted the lands formerly controlled by the Hata, including Karatsu, and what would become the Karatsu domain. Hirotaka could see which way the wind blew—in more ways than one.  After Hideyoshi's death, he supported Tokugawa Ieyasu, allowing him to keep and even expand his fief.  He redirected the Matsura river—then known as the Hata river—to its present course, and he built a pine grove along the northern beach that is the third largest such grove in all of Japan.  Known as the “Niji no Matsubara”, or the ”Rainbow Pine Forest” for its shape, it was erected as a windbreak to protect the precious farmland just on the other side.  It is still there today, still managed, and quite famous.  You can drive through the pine trees or stop and walk through them, even out to the beach.   And there is even a fantastic burger truck that parks along the main road through the pine grove, so you can enjoy a lovely picnic among the trees. The Terazawa would not remain in place for very long.  During the Shimabara rebellion of the early 17th century—a rebellion based on either taxes or Christianity, depending on whom you ask—the Terazawa line was extinguished.  Terazawa Katataka, then ruler of the Karatsu domain, was held liable for mismanagement of the domain and loss of a castle to the rebels.  He had land confiscated and he felt publicly humiliated, and so he took his own life while he was in Edo.  As he had no heir, the Terazawa line died out. Karatsu domain went through a variety of hands after that.  Its value fluctuated, but it is generally thought that the real value of the domain, thanks to the ability to trade, was well beyond what it was assessed to produce.  As such it was a lucrative position, and also held sway as a check against Nagasaki, watching the trade there with the Dutch merchants.  Because of all of this, the lord of Karatsu was also banned from holding certain government positions, so as not to distract from their duties, making the position something of a blessing and a curse. Through the years, Karatsu thrived.  They were and are still known for a type of traditional pottery, known as Karatsumono, or Karatsuware, and they maintain elaborate festivals.  One of the festivals, the Karatsu Kunchi, is considered a UNESCO Intangible Cultural Heritage.The Karatsu Kunchi is an annual parade where neighborhood associations carry giant floats through the city from Karatsu Shrine down to the shore.  It was inspired, in the early 19th century, by the famous Gion Matsuri of Kyoto—a wealthy merchant saw that and donated the first lion-head float to Karatsu Shrine.  Later, others would create their own floats. These floats, known as “Hikiyama” or “pulled mountains” can be five or six meters high and weigh anywhere from two to five tons.  There appear to be 14 hikiyama, currently, though there used to be 15—a black lion is currently missing.  The floats have gone through a few iterations, but are largely the same, and often have some relationship to the neighborhoods sponsoring them. From Matsura, aka Matsuro-koku, we went north along the coast of Kyushu to Itoshima, thought to the be old country of Ito-koku, and beyond that, the Na-koku of Fukuoka.  We'll cover both of those in our next and final installment of our Gishiwajinden tour. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to us at our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

This is Part 3 of our Gishiwajinden Tour--following the route of the Wei embassy through the land of Wa and looking at the various locations along the way.  So far we've looked at the old land of Gaya, as represented at Gimhae, the site of the old Geumgwan Gaya, and the island of Tsushima, on the border.  This episode we look at the next island:  Iki. It might be easy to overlook Iki--it was neither the center nor exactly the periphery.  From the point of view of those in the court or those outside it was rather "mid", in a literal sense.  However, it was certainly at the center of its own vibrant history, which was certainly important to everyone there, and hosted a thriving community. It is also a great place to visit in the modern day: something of a hidden gem for anyone looking for a slightly more out of the way place to visit, with a slower pace than cities like Tokyo. For more, see our blog page:  https://www.sengokudaimyo.com/podcast/iki-koku Rough Translation: Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is Gishiwajinden Tour Part 3: Iki-koku. As regular listeners know, we are currently taking a break from the Chronicles.  With the Isshi Incident of 645—see Episode 107—we are about to get into the time known as “Taika” or “Great Change”.  Spoiler alert: This is the rise of Naka no Oe, aka Tenji Tennou; Nakatomi Kamako, aka Nakatomi Kamatari, the progenitor of the Fujiwara family; and more.  It is the beginning of what is known as the Ritsuryo System, the idea of a state governed by laws and punishments similar to what we see on the continent, based largely on Confucian principles, but mixed with a healthy dose of local tradition.  There is a lot there, and I want to do it justice.  And so for now I have a little bonus content for you. Earlier this year, Ellen and I took a trip based on the account in the Gishiwajinden, the Wa section of the Weizhi, the section in the Wei Chronicles regarding the trip to visit Queen Himiko of Wa.  In Part 1 we talked about our trip to Gimhae, formerly known as Geumgwan Gaya, a part of the old Gaya—or Kara—confederacy, with close ties to the archipelago.  Part 2 we talked about our next stop, the island of Tsushima.  But we didn't just talk about it in the 3rd century, because if you visit there is so much more to see from an historical perspective. This episode we are talking about the island of Iki, aka Ikijima, though in the Weizhi it is known as its own country:  Iki-koku. Relative to Tsushima, Iki island is much smaller—about one fifth the overall landmass.  However, it is much flatter as well—the highest point is only 212 meters above sea level, compared to Tsushima, which rises to about 649 meters at Mt. Yatate.  This makes Iki an island with a lot of flat land or rolling hills—perfect for the kind of wet rice paddy agriculture that created the population boom in the Yayoi period, which we will talk about here in a minute.  However, I will note that even today the population of Iki is similar to that of Tsushima despite having much less space. The flora and fauna of the island is much closer to that of the rest of the archipelago—in fact, it is nearly identical to what you would find in southwest Kyushu.  This is not surprising given how close it is.  For reference, Hitakatsu, on Tsushima is under 50km from Busan, Korea, and about 147 km to Hakata port in Fukuoka, or 138 km if you depart from Izuhara port instead.  Comparatively, it is about 76 km from Hakata to Iki, and even less—just about 42km—from Iki to Karatsu, south of Fukuoka, and these routes are dotted with islands along the way.  At its closest point, Iki is probably only 20km from Kyushu, but the ferries only stop at certain ports.  Tsushima to Iki, on the other hand, is around 68 km, from Izuhara to Iki.  Iki is about as close to Karatsu as Tsushima is to Pusan, and they are both further away from each other than from their respective larger landmasses.  That makes this leg – Tsushima to Iki - the longest leg in the trip, realistically. Today, both Iki and Tsushima, along with the Goto islands to the south, are all part of Nagasaki prefecture, despite the fact that they are both closer to Saga and Fukuoka prefectures.  This is in part because Iki came under the jurisdiction of the Hirado domain, which also was heavily involved with foreign trade through Nagasaki. Today, Iki is broken up into roughly four areas.  This includes Katsumoto, Ashibe, Indoji, and Gonoura, based around the four main port towns on the island.  Three of these ports, Ashibe, Indoji, and Gonoura, have ferries that regularly travel to either Tsushima or Kyushu. And all of them have various boats to take people out the islands around Iki, one of the major draws for many people coming to the island being to see the natural beauty of its coastline and surrounding waters.  There is also a small airport. Although Iki is small—you can drive from one end to the other in 40 minutes or less—I highly recommend renting a car, much like Tsushima.  This will be helpful to get to various sites, although be aware that while the main roads are well cared for, there are plenty of roads where it is better to go on foot rather than get stopped by fallen trees and branches in a less well maintained area.  Taxis can be had, but aren't always convenient, and that adds cost and time.  A car will give you much more freedom to get around. Iki is a popular tourist destination, with more people coming during the summer months.  We were there in the off-season, which was somewhat nice, but also meant that many restaurants and the like were closed.  Also, similar to Tsushima, there isn't a konbini—a convenience store—on every street corner.  You can certainly find them, but just be aware.  That said, we never really had a problem finding what we needed. Iki is known for several things.  One, perhaps unsurprisingly, is the squid, and you can see the squid boats in the harbor or out at night.  They have arrays of lights set up, to help draw the squid to the surface, a common technique around the world that makes squid fishing quite distinctive. In addition, Iki island is quite proud of its beef, a much more recent addition.  The flat land allows them to raise cattle, and the Iki raised wagyu cattle, known as Iki-gyu, is highly prized.  You can find several yakiniku restaurants around the island, that particular Japanese style of Korean barbecue where you grill up thinly sliced beef on a hot skillet or even an open grill at your table. An older product is the barley shochu.  Iki island is said to be the birthplace of barley shochu, developing it in the 17th century.  Back then, taxes from the island had to be paid in rice, and there wasn't enough left to make much alcohol, such as traditional sake.  As such, the local farmers started using barley and koji, instead, to make the base alcohol that they then distilled into shochu.  Shochu itself goes back to at least the 16th century, as distilling techniques reached southern Japan via either the Ryukyu kingdom or via the Korean peninsula—records are unclear, as these techniques reached both places before Japan, and Kyushu had connections to each.  That said, early shochu was made with rice, and later it would be made with cheaper ingredients, such as barley, in the case of Iki, or sweet potato, in Satsuma, modern Kagoshima.  These methods spread to other parts of Japan. There are plenty of other food options available on the island as well, and I don't think we had a bad meal anywhere we went. And so we left Izuhara port, on Tsushima, early in the morning and arrived at Ashibe port around lunchtime.  We had arranged a car to meet us at the port, and after grabbing a bite at a locally renowned yakinikuya, we decided to start getting our historical bearings on the island.   Our main objective on Iki island was to see the Yayoi site of Harunotsuji and the Iki-koku Museum, the museum of the country of Iki. Quick note for anyone looking this up:  The “Haru” in “Harunotsuji” is typically pronounced “Hara” outside of Kyushu and Okinawa.  This affects a lot of placenames in Kyushu, including Iki, and likely comes from remnants of an old dialect of Japanese spoken in this area.  Whatever the reason, if you look up the site in Japanese you may want to type “Hara-no-tsuji” to help find the right kanji. Harunotsuji site is an incredible find in regards to the Yayoi period.  It was a large settlement built on flat land in the interior of the island.  Today it is surrounded by rice fields, and fortunately nobody else seems to have built up on the raised hills where the settlement once stood, allowing the site to remain for us to find years later.  This is one of the better preserved sites from the Yayoi period, and is often touted as the likely center of activity in Iki during that period.  Of course, as with other sites, like Yoshinogari, we can only see those sites  that were preserved—those that were built upon in later generations may not have left any trace.  However, in this case there's clear evidence that there was a thriving community here.  And because of that, and the tremendous effort they've put into reconstructing the site, as well as the excellent museum, we wanted to make sure that we gave Iki a visit. There aren't many museums on Iki island, but the Iki-koku museum ranks up there with some of the best we've visited.  The building itself is built to blend into the landscape, and from the observation tower you can look out over the Harunotsuji site.  The museum provides an automated introduction to the area, with a small film depicting what they believe life was probably like back in the Yayoi period.  From there you travel down a hallway that takes you through the history of Iki, but eventually deposits you in a room focused on the Yayoi period.  Here they show a reconstructed boat, as well as a large diorama of the Harunotsuji site. One of the major finds at Harunotsuji is what appears to be a dock, reinforced with rocks, similar to what they find on the continent.  This dock was at a small stream that was once larger, and was likely used to ferry goods and people from Harunotsuji to a settlement or outpost on the shore.  It gives greater insight into what trade and life looked like. Speaking of which, props to the museum for their excellent use of often comical figures in their diorama, which is clearly made to appeal to young and old alike.  They help humanize the figures, and each part of the layout that they created of the site tells a story about what was going on. In addition to the diorama of the site, and what it may have looked like, there were also actual Yayoi era pots that were there which you could pick up and handle yourself.  I have to admit that I did this with some trepidation, even knowing that these were not particularly special, and that there are many pots and shards that are found at sites like these.  Still, it was something to actually handle a pot that was made back in that time—something that was made by an actual person living back then and used for whatever purpose before it was discarded or lost, only to be found centuries later.  Besides the room on the site, there is another side to the museum in that it is a working archaeological center.  You can see the lab where people are working, and they also have a room where you can see the stacks—the giant shelves with all of the historical and archaeological bits and bobs that weren't on display for one reason or another.  That is something that many people don't always appreciate:  For many museums, only a portion of their collection is actually on display.  It was really great to see all of that out in the open. The museum also has a café and some function rooms, as well as a giant observation tower, from which it feels like you can see the entire island, and beyond.  You could definitely look down and see the site, but you could also see some of the more distant islands as well. From the museum we went down to see the actual Harunotsuji site.  There is another museum there, which was a little less impressive but still quite informative, and it was where you park and then walk over to the site itself.  And here I admit that it was getting late, so we came back to it another day, but it doesn't really take that long to see the site itself. Most of the site sits on a rise of land that sits just a little higher than the surrounding fields, with a gentle slope to it.  It is oddly shaped, likely because they used the natural contours of the land rather than explicitly building up a terrace.  There is another rise towards one end of the settlement, with what may have been a fence around the area, indicating that the buildings in that area were set aside as special.  There are also ditches that appear to have been purposefully dug to separate a part of the rise from the area of the settlement, as buildings were apparently found on one side but not the other.  What was found was a small area surrounded by a moat, generally thought to have been used for some kind of ritual. At the site today are reconstructed buildings of multiple kinds, based on the archeological findings.  There are pit buildings, buildings sitting flush on the ground, as well as raised buildings, all based likely on the arrangements and size of post-holes and the like.  There also appears to have been some kind of gate or barrier structure, also based on postholes, which they have physically reconstructed. It is always tricky to interpret what a building looked like other than guessing at its general shape and size.  Extremely large post-holes likely held larger posts, which would make particular sense if they were for a tall structure, like a watchtower, but exact architectural features such as doorways, roof structure, etc. are derived based on other examples as well as Shinto shrine architecture, which seems to originate from some of the early Yayoi buildings. There were also some finds in the surrounding areas, including what appears to have been a stone-lined dock for boats to pull up, some kind of guard post to inspect people entering or leaving the settlement, and moats, which likely surrounded the settlement as well. Harunotsuji is not the only Yayoi site that has been excavated on Iki island, but nothing else is quite so large.  Put in context with other archaeological sites from the same time period, Harunotsuji is thought to have been the most powerful, and therefore where the ruler, or the quote-unquote “King”, of Iki would have lived. Here I'd note that the interpretation of Harunotsuji as a kingly capital is quite prevalent in the local literature, but what exactly was a “king” in this sense isn't fully explored.  As we talked about two episodes back with Gimhae and the quote-unquote “Kingdom” of Gaya, Iki-koku probably better fits the English term of a large chiefdom, rather than a kingdom.  However, that would also likely apply to Queen Himiko, as well—even if her chiefdom dwarfed Iki-koku by comparison. That said, there certainly appears to be a social stratification of some kind going on at the site, especially with a special area clearly set aside at one end of the settlement.  Was that where a shaman-king—or queen—similar to Himiko carried out private, arcane rites on behalf of the entire settlement?  Perhaps the entire island?  Or is it something else? Unfortunately, we can't really know, at least not right now.  However, we do know that it was an important part of the trade routes from the continent out to the archipelago.  This isn't just because of the Weizhi, or the common sense that this is the clearest route between the two, but also because of artifacts found at the site, which include abundant goods from the continent.  In addition we found evidence of dogs, armor, shields, and various pots. One thing I didn't see evidence of was a large funkyubo, like at Yoshinogari, where they buried people in pots on a large, communal cemetery mound.  Here the highest elevations appear to have been used for living structures.  There were graves discovered, and some of these were the pot-style burials found at Yoshinogari and the continent, and others were rectangular, stone-lined coffins, similar to those used on the Tsushima kofun:  they are lined with large, flat slabs that define a rectangle, into which the body is placed, and then flat slabs of stone are used to cover it back up. Harunotsuji shows signs of habitation from the start of the Yayoi period to the beginning of the Kofun period.  After that, though, the trail grows a bit cold. We do know, however, that people were still living on Iki through the Kofun period—we assume they didn't just pack up their bags and leave—and that is thanks to the many kofun found across the island.  There are some 280 kofun preserved today, and Edo period accounts had that number at more like 340.  Indeed, Iki has one of the largest and best preserved collection of kofun of all of Kyushu.   Many are smaller kofun, but there are plenty of groups of large kingly kofun.  A group of the larger kingly kofun can be found in the border area between Katsumoto-cho and Ashibe-cho, due west of Ashibe port.  This includes the large Soroku Kofun, Oni-no-iwaya Kofun, the Sasazuka Kofun, as well as the Kakegi kofun and the Yurihata Kofun-gun.  Soroku kofun, a large, keyhole shaped tomb, boasts a length of 91 meters, making it not only the largest on the island, but the largest in all of Nagasaki prefecture.   Kofun culture on the island differed slightly from elsewhere.  For instance, there is evidence of multiple burials in the same tomb, suggesting that they were viewed more like family mausoleums than  simply a single tomb structure. The earliest kofun found on Iki so far can be dated to about the latter half of the 5th century, with most of them being built in the 6th to 7th centuries.  Many are stone chambers with a horizontal entryway, which in the case of the Kakegi and Sasazuka kofun, are open to those who want to get in and explore.  Be aware, though, as many signs tell you, various local residents have also made these tombs their homes, including bats, centipedes, snakes, and more.  Most of them are relatively harmless, but it is always good to know what you are getting into. With the earliest kofun on the island dating to about the 5th century, this does pose a slight question yet to be answered by the archaeological record:  Where were people living in the century between the end of Harunotsuji and the start of the kofun building period?  Heck, where were people living on the island at all?  We certainly know where the dead were buried. Looking at a map, one probably assumes that many of the kingly kofun would have been built somewhat near a population center.  After all, you don't build giant burial mounds just to hide them—these would have likely been visible to people in some way, shape, or form.  I would note that modern roads, likely built on earlier pathways, wind in between the kofun, even today. Personally, I can't help but notice that the Iki Kokubunji temple, the Provincial temple built in the 8th century, was quite close to some of the kingly kofun in Katsumoto.  It is said that this temple was originally built as the family temple of the Iki clan.  As one might guess from the name, the Iki were the traditional rulers of Iki, officially appointed by Yamato as the “Agata-nushi” or district lord, and later as “Shima no Miyatsuko”—the island equivalent of a “Kuni no Miyatsuko”.  Various biographies trace the Iki back to various lineages close to or intertwined with the Nakatomi.  However, this is not without some debate, and it is entirely possible that any such ties were fabricated to give the Iki clan greater clout and stature.  It is possible, and even likely, that the Iki clan grew out of the ruling elite on Iki island. In addition, we have the old Tsukiyomi Jinja, said to be the oldest on the island, and the Kunikatanushi shrine built right next to the Kokubunji site.  The Tsukiyomi shrine is dedicated to the moon god, who is said to be the god of navigation, among other things, and this is the clan shrine of the Iki clan. It is unclear, but seems plausible that the center of the Iki polity may have shifted north, to the modern Kokubun area.  If so, and if this continued to be the area of the regional government headquarters through the Nara period and beyond, then it is possible that any earlier settlements would have simply been covered up and even erased by later buildings and structures.  I don't think we'll ever truly know, though, unless something significant is uncovered. We do have some historical records of later Iki, quite understandable as it was where many of the envoys and expeditions to and from the mainland would have stopped. In the 11th century, Iki, along with Tsushima, was attacked by pirates from the mainland, thought to be of Jurchen descent, in an event called the Toi Invasion, which caused quite a bit of destruction.  After that we see the rise of the Matsura clan.  They arose in the Matsura area of Hizen province, just a little ways over from Karatsu.  That name may be related to “Matsuro”, but we'll talk more about that when we get to Karatsu. The Matsura largely came to power thanks to their navy—which was a navy to some and pirates to others.  They ended up gaining a foothold in Iki island. Whatever plans they had, however, met with a giant setback in 1274.  As we discussed last episode, that was when the first Mongol invasion hit Japan, and after steamrolling through Tsushima they began a bloody conquest of Iki.  The video game, Ghosts of Tsushima, which we talked about fairly extensively last episode for, well, obvious reasons, actually has an expanded Iki island area for those who want to try fighting off this invasion for themselves.  There are numerous reminders across the island of the invasions, both in 1274 and 1281.  The death toll was catastrophic, and even today parents will often tell their children that if they don't behave the Mongols will come back and take them away. In 1338, soon afer the Ashikaga shogun came to power, Ashikaga Takauji and his brother, Tadayoshi, directed the erection of temples in all 66 provinces, including Iki, to pray for the repose of those who died in battle during turbulent times, including the Mongol invasions and the later civil war.  That temple is still there, just a little ways north from the Harunotsuji site. The temple building itself only dates from the Edo period, as it burned down multiple times, but it is still said that it is the oldest extant temple building on the island.  There is a large cedar tree thought to be over a thousand years old, which may have even been there during the Toi and Mongol invasions.  There are also signs of Christian activity in some of the artwork, if you know what to look for. When Europeans arrived in Japan in the 16th century, they brought not only guns, but also a new religion:  Christianity.  Priests were given permission to set up churches and convert people.  Some daimyo converted—whether out of true faith or simply to get more lucrative trading deals with Europeans—and they often made their entire fief convert as well.  When Christianity was eventually outlawed, many Christian communities went underground, becoming known as “Hidden Christians.”  A lot of these communities continued, especially in the Iki and Goto islands, which were a little further away from shogunal authority.  They continued despite the lack of priests and Bibles, often using iconography that could be plausibly passed off as Buddhist or Shinto in nature.  Many remained in hiding throughout the Edo period, only revealing themselves after the Meiji government came in and issued a law protecting the freedom of religion, including Christianity.  Around Iki you will occasionally find little hints of such communities' existence. The 16th century saw more than just European traders and new religions.  The Matsura clan retained control over the island from their base in Hirado, even during the tumultuous era of Warring States.  Last episode we talked about how Toyotomi Hideyoshi, the new Taiko, came out of that time and declared war on the Joseon court, in Korea. To start with he built Nagoya castle on Kyushu and moved himself and all of his retainers out to it.  And before you ask, no, this probably isn't the Nagoya castle you are thinking of.  Similar name, but different kanji characters Anyway, from Nagoya on the coast of Kyushu, supply lines were run out to Tsushima, and then across to Busan.  To defend against a counterattack by Joseon forces, they built castles along the way as well.  In Iki, this meant building several, including Katsumoto-jo, at the northern end of the island, under the command of Matsura Shigenobu. Later, Tokugawa Ieyasu, eager to restore good will with the peninsula, would have the castles intentionally ruined, often by removing key stones so that they could no longer be considered defensible.  Today you can climb up to the Katsumoto-jo castle site and see the stones of the main gate and get a tremendous view from the observation platform. Katsumoto Castle isn't the only thing in Katsumoto that still remains from that time.  There is a local shrine, the Shomogu Shrine, which has a gate donated by Kato Kiyomasa, one of the generals who led troops on the invasion of Korea.  They also hold a cup that he is said to have donated. This shrine is certainly interesting and worth a visit.  Traditionally, they say that it was built on the site where Jingu Tennou departed from Iki during her legendary conquest of the Korean peninsula.  According to at least one source, at that time she called the place Kazamoto, the place where the wind comes from, and when she returned she changed it to Katsumoto, the place where her victory came from.  Of course, as we know, that whole narrative is rather suspect.  It is possible that the area was known as Kazamoto and that changed to Katsumoto. It also doesn't help that this is also where the Mongol army came ashore back in the 13th century, and I suspect that not much remained from before.  Still, there is a stone that is said to have the print of Jingu's horse's foot as she left, and it was at least connected to the ocean, given its location. There is a contention that this shrine may have once been known as “Nakatsu” shrine, literally “Middle port” shrine, one of the shrines listed in the Engi Shiki.  However, there is another Nakatsu shrine that also claims this distinction, also in Katsumoto-cho.  The Shomogu shrine theory holds that this was a branch shrine of Shomogu shrine, then known as Nakatsu.  This makes some sense as the current Nakatsu shrine is more inland, not exactly lending itself to being the “Middle Port” Shrine.  Then again, it would have referred to “Nakatsumiya”, meaning the “middle shrine” or “middle palace”, which puts us back at square one. More important than the actual history of this shrine, at least in the 16th century, is the fact that those generals heading off to conquer the Korean peninsula definitely would have appreciated praying to the spirit of Jingu Tennou before heading off to try it a second time.  Shomogu Shrine clearly had a link with her by then. By the way, slight side note, the “Shomo” of “Shomogu” literally means “Holy Mother”.  In this case it is referencing the “Holy Mother” Jingu Tenno, who was pregnant when she left Japan and didn't give birth until she came back—not quite a virgin birth.  “Shomo” was also the term that Christians, particularly hidden Christians, used to reference the Virgin Mary.  While I cannot find any evidence that Shomogu Shrine was connected with Christianity—its existence and worship there predates that religion coming to the archipelago by some time—it is still one of those things that the Hidden Christians could have used to their advantage, hiding their worship of the Virgin Mary and her holy child behind the name for Jingu Tenno. Now the town of Katsumoto, although only briefly a castle town, was still quite important through the Edo period, and the main street certainly recalls a time long past.  We stayed in a ryokan there that was over 100 years old, and there is both a sake brewery, and a craft beer brewery inside an old sake brewery, just down the street.  It isn't a big town, but it has character. In the Edo period, many of the Joseon envoys stopped in Katsumoto on their way to or from the archipelago.  These envoys typically had around 400 to 450 of their own people from Korea, but by the time they reached Iki they were joined by about 800 quote-unquote “guides” from Tsushima who were there to help them with whatever they needed.  Technically it was up to the Matsura daimyo, in Hirado, to provide for their needs, but it seems that more often than not that role more immediately fell to the wealthiest family on the island, the Toi family. The Toi family—not to be confused with the Toi invasion—made their money from capturing whales; a lucrative but dangerous enterprise, especially given the state of the boats at the time.  The stone wall of their mansion can still be seen in Katsumoto, though it is now wedged in between other buildings, as the mansion itself is otherwise long gone.  They may not have been daimyo, but they were apparently the rough equivalent for the people of Iki, and certainly Katsumoto. The envoys ended up calling at Katsumoto about 19 times between 1607 and 1811—11 times on the outbound trip and 8 times going the other direction.  For one mission, in the 18th century, we are even provided the amount of food that they required, which included 1500 sweet potatoes, 15,000 eggs, 7 and a half tons of abalone, 3 tons of squid, 7 and a half tons of rice, and 15 koku of sake, equaling about 1500 standard bottles, today.  A drawing of the 1748 envoy showed parts of Katsumoto that you can still visit, today, including the old boat launch, the Shomogu shrine and nearby streets, Shigayama, and what is today “Itsukushima Shrine”, related to the worship of Susano'o's three daughters, as are the Munakata shrines and the Itsukushima shrine on Miyajima with the famous torii in the water. Besides the historical sites, Iki island offers a plethora of other activities and attractions.  The famous monkey rock, or Saruiwa, is a famed natural feature, as are many others.  There are also beaches that people appear to enjoy—though we were there in the winter, so not great—or just getting out in a boat and seeing the natural beauty of the island.  There are also many more shrines and temples to visit; Iki has its own 88 temple pilgrimage based on the 88 temple pilgrimage of places like Shikoku.  You can also do a pilgrimage of the many Shinto shrines, some of which are mentioned in historical documents like the Engi Shiki and others that are more modern.  While many of the buildings are often newer, and things have of course changed over the centuries, these sites often still contain connections to history, and may even have historical treasures in their storehouses or on the grounds. We only had a limited time, so tried to keep our trip focused on more of the Yayoi and Kofun era stuff.  We both agreed we would gladly go back again in a heartbeat. Next up, we caught the ferry from Indoji on Iki over to Karatsu port on Kyushu, what is thought to be the site of the old Matsuro kingdom.  While others might point to the modern Matsuura city area, this region is may be more likely, and we'll talk about that next episode.  In addition, we'll talk about Karatsu, which literally means “Chinese port”, and about the nearby castle ruins of Nagoya castle—an area that was, for about seven brief years, in the late 16th century the de facto capital of Japan. But that will be next time. Until then, thank you for listening and for all of your support. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to us at our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

Un Shōgun es un Comandante de los ejércitos japoneses. Recientemente hemos podido ver una serie de nombre Shōgun y me ha parecido interesante sumergirnos en la historia de Japón para ampliar los conocimientos de aquellas épocas de aquél país. Bien para profundizar en la serie o ampliar los conceptos que en la serie se nos dan, o bien para, simplemente conocer la sociedad oriental de aquellos míticos años. El Shōgun en la Historia de Japón El término "shōgun" tiene sus raíces en la historia japonesa y se refiere a un título que era otorgado al comandante militar supremo del país. El shōgun era el líder del gobierno militar y ejercía un poder considerable, a menudo superior al del propio emperador, quien se mantenía como una figura simbólica y religiosa. Este sistema de gobierno, conocido como shogunato, se mantuvo durante varios siglos y fue un pilar fundamental en la estructura feudal de Japón. El origen del shogunato se remonta al siglo XII, con Minamoto no Yoritomo estableciendo el primer shogunato Kamakura en 1192. Este evento marcó el comienzo de un sistema feudal en el que el shōgun no solo era el líder militar sino también el gobernante de facto del país. Durante este tiempo, el emperador delegaba la autoridad civil, militar, diplomática y judicial al shōgun, quien gobernaba en su nombre. A lo largo de la historia de Japón, existieron tres shogunatos principales: el shogunato Kamakura, el shogunato Ashikaga y el shogunato Tokugawa. El shogunato Tokugawa, establecido por Tokugawa Ieyasu en 1603, fue el más duradero y marcó el final del período medieval japonés. Este período se caracterizó por un gobierno centralizado y políticas de aislamiento respecto al resto del mundo, con el shōgun controlando el país mediante la lealtad de los daimyō (señores feudales) y un ejército propio. La posición del shōgun estaba en la cúspide de la jerarquía social y política, ejerciendo un control absoluto sobre el país. A cambio de su lealtad y servicio militar, los vasallos recibían tierras y privilegios, creando una relación feudal entre señor y vasallo que era la base del poder del shōgun. La Restauración Meiji en 1868 fue un punto de inflexión en la historia japonesa, donde el emperador Meiji retomó su papel protagonista en la política del país y la figura del shōgun fue abolida. Este cambio transformó a Japón de un estado feudal a una nación moderna, dejando un legado significativo que aún hoy se puede apreciar en la cultura y sociedad japonesas. El shogunato en Japón fue, por tanto, más que un simple título o una figura militar; fue un sistema de gobierno que definió la estructura política, social y cultural de Japón durante siglos. Su influencia se extendió más allá de las fronteras del país, y su legado continúa siendo un tema de estudio e interés para historiadores y entusiastas de la cultura japonesa. Otros temas en el programa: 34:17 Las gotas de Dios 59:42 Errores del estudio del Universo 1:23:10 Reseña de Fallout No soy el Señor Monstruo - Capítulo 6 Puedes leer más y comentar en mi web, en el enlace directo: https://luisbermejo.com/shogun-zz-podcast-05x38/ Puedes encontrarme y comentar o enviar tu mensaje o preguntar en: WhatsApp: +34 613031122 Paypal: https://paypal.me/Bermejo Bizum: +34613031122 Web: https://luisbermejo.com Facebook: https://www.facebook.com/ZZPodcast/ X (twitters): https://x.com/LuisBermejo y https://x.com/zz_podcast Instagrams: https://www.instagram.com/luisbermejo/ y https://www.instagram.com/zz_podcast/ Canal Telegram: https://t.me/ZZ_Podcast Canal WhatsApp: https://whatsapp.com/channel/0029Va89ttE6buMPHIIure1H Grupo Signal: https://signal.group/#CjQKIHTVyCK430A0dRu_O55cdjRQzmE1qIk36tCdsHHXgYveEhCuPeJhP3PoAqEpKurq_mAc Grupo Whatsapp: https://chat.whatsapp.com/FQadHkgRn00BzSbZzhNviThttps://chat.whatsapp.com/BNHYlv0p0XX7K4YOrOLei0

Avsnitt 237 är från 2019 och här hamnar vi i 1600-talets början, där den brittiske sjömannen William Adams kommer till Japan. Snart fick han bra kontakt med rikets styresman och förste Shogun, Tokugawa Ieyasu, vilket blev intressant på många sätt. Här blir det kulturkrockar och kulturell påverkan om vartannat. Lyssna på våra avsnitt fritt från reklam: https://plus.acast.com/s/historiepodden. Hosted on Acast. See acast.com/privacy for more information.

Japan is a big small place.  It is about the same size as the UK, but is covered in mountains, the latter making up 70% of the land area.  We have very few of those horizon stretching field vistas like they have in England.  This mountainous aspect has led to quite strong sub-regional differences here, especially reflected in language, customs and cuisine.  England has these too, but I think Japan is more pronounced in this regard.  These differences pop up when you are selling here as well.  The following are my experiences having sold in all of these cites and having lived in Kobe/Osaka, Nagoya and Tokyo and having made sale's calls in other provincial centers. If we go from south to north and start in Kyushu in Fukuoka, there is a local dialect and basically everyone went to school there and graduated from the local colleges and universities.  Foreigners are not calling on companies all that often down there, so there is still something of a rarity factor at play here.  Back in the good old days, when companies had generous entertainment budgets, the local staff were really glad to meet you.  This was a grand occasion to use you as the excuse to have a big night out on the town on the firm's dime.  My ego took a bruising when I finally worked out it wasn't the Story charm, that was generating this great enthusiasm for a night out on the town.  That big spending night out culture has gone by the wayside, but the rarity interest factor is still at play. Language is an issue though, because the English speaking capability is still underdeveloped in most of Japan.  The local burghers are quite cautious and conservative too.  It will take a lot of patience to do business here, but it can be done.  It just normally requires a lot more time than your company's leaders or shareholders are prepared to give you. Kobe was opened as an international port on April 1st, 1868, so it is one of the most open minded towns in Japan regarding international business.  They have had foreigners living in their midst for a very long time, so there is nothing special about us from a uniqueness point of view.  Trade has meant dealing with the outside world and being flexible about it in the process.  The denizens of Kobe often have a better level of English than other parts of Japan and they enjoy being seen as one of the most international cities in the country.  I always found people there open to discussing business. Osaka is an ancient merchant town with a merchant mentality.  It was the center of the great commodity markets in Japan for salt, rice and soy beans.  One of the great things I like about this city is they will give you a “yes” or a “no”. Often, the reluctance to tell you “no” in Japan, leaves the whole decision piece dangling, without any clear idea of where we are going with this.  Not in Osaka.  If they like it, they will explore if there is a deal to be done and some money to be made.  They are proud of their local dialect and this is a big divider between insiders and outsiders.  As a foreigner, we are so completely outside of all consideration, that in a way, we are probably better accepted than their despised rivals from Tokyo. Kyoto I always found very closed.  The aristocratic capital of Japan for centuries, it features a defined smallish city area hemmed in by mountains.  The interconnectivity of the local people is pronounced.  Their families have lived here for centuries, they know each other and they know who is a “blow in” and who isn't.   Even for other Japanese salespeople from out of town, Kyoto is a hard market.  If you are from the outside, you are “out” for the most part. The area around Nagoya has produced the three most famous warrior leaders in Japanese history, Toyotomi Hideyoshi, Oda Nobunaga and Tokugawa Ieyasu. The Tokugawa family Shoguns, closed the country off from the rest of the world. When I say “closed”, this was upon pain of death for entry or exit.  This went on for hundreds of years.  In my experience, Nagoya is still relatively back there in a time warp – still closed off.  I didn't find the local mentality particularly open to foreign business and there wasn't much English going on around there either.  I said that in Osaka you get a “yes” or a “no” and that this knowing where you stood was attractive.  In Nagoya, they do the same thing and the answer is usually “no".  The pride of businesspeople in Nagoya is to have an exceptionally humble looking headquarters, with lousy office furniture, stained, aging carpets and everything very much down at heel, but to also have a huge pile of cash sitting in the bank.  I found they were extremely tight with their money too.  It is the only place I have seen, where when a new shop opens and they put those decorative flower arrangements out front on the street, that passersby will shamelessly take handfuls of the flowers away with them.  They justify this on the basis that it is a waste to see them die and it is much better to have them home at their place.  It is a rough and tough market.  In a word to the wise, they have one little commercial idiosyncrasy that will kill you.  You meet, negotiate, agree the price and sometime later the agreed goods turn up at the seaport or the airport.  This is when they like to renegotiate the price with you!!  “Character building” is how I would describe doing business in Nagoya.  The locals are very aware of who they are and don't open up to “foreign” Japanese from distant places like Tokyo.  So, in one sense, they are very fair and they are closed minded to everyone, not just foreigners from overseas. Tokyo is a really a first class international city and so different to when I got here over forty years ago.  The tallest structure here when I arrived was Tokyo Tower, which seems incredible today, when you take in the ever accumulating city skyline.  English is widespread, people are sophisticated, very international and everything works well.  Getting a decision though can be seriously painful. Because Tokyo is often the headquarters for companies, the scale of businesses being here is large.  As a consequence, there are many, many people who have to be consulted.  Getting them to agree can take an age. Sendai and Sapporo are a bit like Fukuoka to me, in the sense that they are not often visited by foreigners, seeking to do international business.  The capacity to speak English is sparse and the local businesspeople are rather conservative.  Sapporo at least, is an international destination during the ski season, so there are pockets of more international business there.  Expect to have to keep coming back many times to build the trust.  Things will move slowly and in small test increments. When I first lived here in Japan in the suburbs in Kunitachi, in the late 1970s and early 1980s, I always imagined that the rest of Japan was like Tokyo.  It was only when I travelled around Japan selling in the late 1980s and then later lived in Nagoya in 1992 and in Kobe in 1996, that I realised that Tokyo was not Japan.  The regional differences are so important.  Of course, we can do business anywhere in Japan, and ultimately I did have success in regional centers.  The key success factor though is to know what is different locally and to have a defined, different strategy for each major center.  Did I mention you need a lot of patience?  

In the year 1600, a bedraggled English sailor and his sick and dying crewmates anchored off the coast of Kyushu, Japan. His name was William Adams, and over the next two decades, he would rise through the ranks of Japanese society to become the first Western samurai. As a close advisor to the revered shogun Tokugawa Ieyasu, Adams was a first-hand witness to a defining period in Japanese history.To hear about Adams' remarkable life, Dan is joined by Frederik Cryns, author of In the Service of the Shogun: The Real Story of William Adams and historical advisor for the Disney+ series, Shōgun.Produced by James Hickmann and edited by Dougal Patmore.Enjoy unlimited access to award-winning original documentaries that are released weekly and AD-FREE podcasts. Get a subscription for £1 per month for 3 months with code DANSNOW sign up at https://historyhit/subscription/.We'd love to hear from you- what do you want to hear an episode on? You can email the podcast at ds.hh@historyhit.com.You can take part in our listener survey here.

This week on the Revised Introduction to Japanese History: Hideyoshi may have brought peace, but Tokugawa Ieyasu would be the one to make it lasting. How did Ieyasu seize power from Hideyoshi, and what did he do to secure it? Show notes here. 

William Adams, un marinero del s. XVI, se convirtió en el primer inglés en Japón. Fue asesor del shogun Tokugawa Ieyasu y marcó un hito en las relaciones anglo-japonesas gracias a su conocimiento naval. Su historia quedó marcada por un naufragio, su tiempo como prisionero, su papel fundamental como catalizador del comercio entre Japón, Inglaterra y Holanda, y su conversión a samurái. Te contamos su historia. Y descubre más sobre los shogunes en la serie de 10 episodios, “SHOGUN”, una adaptación de la novela bestseller de James Clavell, ambientada en el Japón de 1600. Centrada en los albores de una guerra civil que definió todo un siglo. Ya disponible en exclusiva, en Disney+.

All three of Japan's unifiers attempted to merge secular strength with spiritual authority, with varying degrees of success. After his death, however, Tokugawa Ieyasu would continue to be venerated by future shoguns as a shining avatar of Buddha watching over the nation from the heavens.Support the show

The Warring States period brought Japan to its knees. It was a time of turbulence and treachery, with rival warlords fighting bitterly for control of the land. But by the dawn of the 17th century, one of Japan's 'Great Unifiers' had emerged victorious - Tokugawa Ieyasu, the first ruler of the Tokugawa Shogunate.On this episode Dan is joined by Christopher Harding, a cultural historian of India and Japan and author of The Light of Asia. Chris explains how this military government worked to restore order and stability to Japan, and why it eventually came to an end.Produced by James Hickmann and edited by Ella Blaxill.Discover the past with exclusive history documentaries and ad-free podcasts presented by world-renowned historians from History Hit. Watch them on your smart TV or on the go with your mobile device. Get 50% off your first 3 months with code DANSNOW sign up now for your 14-day free trial.We'd love to hear from you! You can email the podcast at ds.hh@historyhit.com.You can take part in our listener survey here.

Thời Chiến Quốc là một thời đại loạn lạc bậc nhất trong lịch sử Nhật Bản. Các daimyo (đại danh - hay như ta thường gọi là lãnh chúa cho quen thuộc) nổi lên cát cứ khắp nơi để thâu tóm quyền lực. Quyền lực của Mạc phủ Ashikaga và Thiên hoàng xuống thấp đến mức không ai coi trọng, hữu danh vô thực. Suốt hơn một thế kỷ dài đằng đẵng, các lãnh chúa gây chiến, triệt hạ, thâu tóm lẫn nhau để mong thâu tóm cả thiên hạ trong tay. Thế cục biến đổi theo nhiều cách không ai có thể đoán định được. Trong số hằng hà sa số cái tên xuất hiện trong thời đại này, nổi bật nhất vẫn là ba cái tên: Oda Nobunaga, Hashiba Hideyoshi (sau này là Toyotomi Hideyoshi) và Tokugawa Ieyasu. Câu chuyện về cách ba người họ kết thúc thời Chiến Quốc chắc khá nhiều người đã biết rồi: Nobunaga quét sạch thiên hạ, Hideyoshi tiếp bước công việc ấy và cuối cùng Ieyasu hoàn thành nó. Đó là nói một cách vắn tắt, còn thực sự chuyện chẳng hề đơn giản hay "hòa bình" như thế. Thiên hạ về tay Tokugawa, phải trải qua bao biến cố, mà lớn nhất chính là một trận đại chiến được coi là "trận chiến lớn nhất Nhật Bản". Đó là trận đại chiến diễn ra tại cánh đồng Sekigahara tháng 10 năm 1600. Trận đại chiến phân chia thiên hạ, cuộc quyết đấu đẫm máu giữa Toyotomi và Tokugawa. __ Tủ sách hoành tráng của Spiderum: https://shope.ee/2q3x7O0fxv Các đầu sách bạn có thể quan tâm: - Người trong muôn nghề - Định hướng nghề nghiệp toàn diện: https://shope.ee/AURO9YQc3A - Người trong muôn nghề: Ngành IT có gì?: https://shope.ee/9pBhMKT9Oy - Người trong muôn nghề: Ngành Kinh tế có gì? - Tập 1: https://shope.ee/9UYqxiUQ4w - Người trong muôn nghề: Ngành Kinh tế có gì? - Tập 2: https://shope.ee/9KFQlPV3Pv - Người trong muôn nghề: Ngành Sáng tạo - Nghệ thuật có gì?: https://shope.ee/9zV7YdSW47 - Người trong muôn nghề: Ngành Xã hội - Nhân văn có gì?: https://shope.ee/5pfYayiNWK - Mùi mẹ - Món quà dành tặng người phụ nữ yêu thương: https://shope.ee/6AIOzah6qU - DevUP - Phát triển toàn diện sự nghiệp lập trình viên: https://shope.ee/9esHA1Tmjx - Seneca: Những Bức Thư Đạo Đức – Chủ Nghĩa Khắc Kỷ Trong Đời Sống - Tập 1: https://shope.ee/6zrW08ngb2 - Seneca: Những Bức Thư Đạo Đức – Chủ Nghĩa Khắc Kỷ Trong Đời Sống - Tập 2: https://shope.ee/A9oXkwRsj8 - Mở khóa thương mại điện tử Việt Nam: https://shope.ee/5V2iCMjeCI - Doing good better - Làm việc thiện đúng cách: https://shope.ee/6KbpBtgTVV - Động lực nội tại - Làm sao để yêu công việc và đạt đến thành công: https://shope.ee/6UvFOCfqAW - Bước ra thế giới: Cẩm nang du học và săn học bổng: https://shope.ee/5fM8Ofj0rJ - Chuyện người chuyện ngỗng (Vũ Hoàng Long): https://shope.ee/4AXKcUjKAQ __ Hóng các cuộc hội thoại thú vị, nhiều kiến thức bổ ích trên kênh Talk Sâu: https://b.link/talksau Lắng nghe những câu chuyện về thế giới nghề nghiệp cùng podcast Người Trong Muôn Nghề: https://b.link/NTMN-Podcast ______________ Bài viết: Sekigahara - Trận chiến phân chia thiên hạ Được viết bởi: Hải Stark Link bài viết: https://spiderum.com/bai-dang/Sekigah... ______________ Giọng đọc: Nguyễn Lê Minh Thi Editor: Hikari ______________ Bản quyền video: Spiderum Bản quyền nhạc: Youtube Audio Library, Epidemic Sound ______________ --- Send in a voice message: https://podcasters.spotify.com/pod/show/spiderum/message Support this podcast: https://podcasters.spotify.com/pod/show/spiderum/support

Warlords Oda Nobunaga, Toyotomi Hideyoshi and Tokugawa Ieyasu worked both together and at odds to forge a nation from a feudal war zone.

When conflict erupted at last between Toyotomi Hideyori and Tokugawa Ieyasu, the resulting battles would decide the political future of Japan for hundreds of years to come. However, in spite of the reduction they had experienced at the Shogun's hands, the Toyotomi Clan was still able to raise significant numbers of troops.Support the show

Mes chers camarades, bien le bonjour, et bienvenue dans ce nouvel entretien historique ! J'ai eu le plaisir d'y recevoir Julien Peltier, un spécialiste de l'histoire japonaise médiévale, et plus particulièrement de la figure du guerrier japonais, ainsi que de la période Sengoku. Cela a été l'occasion de parler de la période des royaumes combattants et de l'unification du Japon. Si Oda Nobunaga, Toyotomi Hideyoshi, et Tokugawa Ieyasu en sont des personnages incontournables, au final, qui sont-ils réellement ? À quoi ressemblait le Japon de l'époque, quel était son système politique, et comment a-t-il été unifié ? Quelle est la différence entre Empereur et Shogun ? Qui sont les Samouraïs, et qu'est-ce qu'un Daimyo ? C'est ce que je vous propose de découvrir de suite, alors bonne écoute sur Nota Bene ! Become a member at https://plus.acast.com/s/notabenemovies. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Shortly after the foundation of the new shogunate, Tokugawa Ieyasu gradually makes his fortified city Edo into the new unofficial political capital of Japan. He needed to proceed carefully, however, to avoid offending the powerful daimyo who still supported young Toyotomi Hideyori.Support the show

After the Battle of Sekigahara, Tokugawa Ieyasu continued carefully and gradually accumulating his own power and was named Seii-tai-shogun in 1603. This episode also features the adventures of William Adams, the first Englishman to come to Japan.Support the show

Ishida Mitsunari gathered the various factions that composed his Western Army, hoping to face off against Tokugawa Ieyasu in Mikawa Province. Ieyasu had other plans, however, and confronted Mitsunari in Mino Province instead. The battle that ensued was legendary, and the winner would gain control over the entire nation.Support the show

À la fin du XVIe siècle, dans un Japon convulsé par la guerre civile, Tokugawa Ieyasu parvient à assujettir tous les seigneurs féodaux de l'archipel, au prix de l'instauration d'un régime militaire héréditaire, fondé sur la répression. Cet épisode est adapté d'un article d'Antonio Miguez, paru dans Histoire & Civilisations de février 2023, « Tokugawa, le plus puissant shogun du Japon ». Abonnez-vous au magazine Histoire & Civilisations à partir de 1 euro par mois sur www.histoire-et-civilisations.com Facebook : https://www.facebook.com/HistoireEtCivilisationsMag Instagram : https://www.instagram.com/histoireetcivilisations/ Twitter : https://twitter.com/Storiavoce Le jingle est extrait de l'œuvre de Keys of Moon – The Epic Hero ; Licence Creative Commons. Un texte lu par Christophe Mory.

Hashiba Hideyoshi and Tokugawa Ieyasu face off in Owari Province with massive armies to determine who would be the official protector of Nobunaga's rightful heir. Although it appeared that a massive, dramatic battle was imminent, the months-long standoff turned into a stalemate in which neither side could gain a significant advantage.Support the show

Oda Nobunaga and Tokugawa Ieyasu team up against their mutual enemy the Takeda Clan and Nobunaga wins one of the most decisive victories of his entire career. When facing off against the Uesugi Clan two years later, however,  Nobunaga surprisingly lost a battle against a smaller army.Support the show

The Sengoku Period, or Warring States Era, of Japan began in 1467 with the Onin War. Feudal Japan was characterized by violence between warring states, where kinsmen cut each other down in bids for territorial superiority. Independent warlords among the domains unleashed their samurai and fighting men on each other in anarchic attempts to gain dominance. Rivalries ebbed and flowed. Alliances formed and were shattered. Allegiance among warlords was only to self, cooperation existed only when it benefitted the warlords. For the peasant class life was hell, which resulted in regular instances of ikki, or peasant class uprisings. Power began to consolidate in the mid-16th century when a group of warlords had singled themselves out as primary dominators in their regions, having bested their rivals. These “great power” warlords boasted superior militant groups, greater territorial expansion, and grew their base through the exploitation of their weaker neighbors. But when great powers exist, great conflict arises. From the conflicts of these superior warlords came the unification campaigns of Sengoku Japan. Oda Nobunaga, Toyotomi Hideyoshi, and Tokugawa Ieyasu were the three great warlords at the center of Japan's unification. Nobunaga died in 1582 before Japan could be truly unified and the rogue warlords brought to heel. His successor Hideyoshi accomplished unification in 1590, though resistance had not been entirely eradicated. It was Tokugawa Ieyasu, after Hideyoshi's death in 1598, that made Japan whole in 1600 after the Battle of Sekigahara. A battle which brought about Japan's final Shogunate, and in which this episode's subject participated at the age of only sixteen. Miyamoto Musashi, born Miyamoto Bennosuke, met with difficulty at a young age and some details of the legendary swordsman remain unclear. However, one defining theme is evident even in his earliest years: that Miyamoto's life was to be one characterized by violence. The Book of Five Rings: Link You can find the Hardtack socials, website, and Patreon via ⁠linktree⁠. If you have any feedback on Hardtack episodes or suggestions for future episodes, please send an email to hardtackpod@gmail.com Don't forget to rate and subscribe! Make your Own Hardtack! Hardtack Recipe (Survival Bread) - ⁠Bread Dad  Sources: BRINKLEY, Frank, and Dairoku KIKUCHI. A History of the Japanese People from the Earliest Times to the End of the Meiji Era ... By Capt. F. Brinkley ... with the Collaboration of Baron Kikuchi ... With 150 Illustrations ... and Maps. New York & London, 1915. Miyamoto, Musashi, and William Scott Wilson. The Book of Five Rings. Boston: Shambhala Publications, 2012. Miyamoto, Musashi, Lawrence A. Kane, and Kris Wilder. Musashis Dokkodo (The Way of Walking Alone): Half Crazy, Half Genius, Finding Modern Meaning in the Sword Saints Last Words. Burien, WA: Stickman Publications, 2015. TC 2-91.4 Intelligence Support to Urban Operations, TC 2-91.4 Intelligence Support to Urban Operations § (2015). https://armypubs.army.mil/epubs/DR_pubs/DR_a/pdf/web/tc2_91x4 FINAL.pdf. Wilson, William Scott. The Lone Samurai: the Life of Miyamoto Musashi. Boston: Shambhala, 2013. Yoshikawa, Eiji, Charles S. Terry, Edwin O. Reischauer, and Eiji Yoshikawa. Musashi. New York: Kodansha, 2012. --- Send in a voice message: https://podcasters.spotify.com/pod/show/hardtackpod/message Support this podcast: https://podcasters.spotify.com/pod/show/hardtackpod/support

A lot of people say dentistry lost its street cred when it started happening in "Offices" with "Sterile Instruments" and "Windows that close," and at one point the Street Dentist who legally changed his first name to Painless to avoid a lawsuit would have agreed with you. Today we learn about this ... guy ... in the history of dentistry. Plus, a look at Tokugawa Ieyasu, the actual guy at the center of James Clavell's incredibly lengthy but surprisingly pretty good historical novel "Shogun."PROGRAMMING NOTE: The guy Amanda couldn't remember in this episode was Charles Bronson.

In this episode of Half-Arsed History, listen to the conclusion of the story of Japan's great unifiers, with the tale of Tokugawa Ieyasu, who forged the mighty Tokugawa Shogunate.

Si vous êtes un grand lecteur, les textes un peu longs ne vous font pas peur. Pourtant, certains contiennent tant de mots qu'ils peuvent décourageur l'amateur de livres le plus endurant. Genre littéraire toujours très apprécié, le roman peut s'allonger sur des milliers de pages. Mais quel est celui qui détient le record en la matière ? Il semble que le titre appartienne à un roman publié en 1649 par Mlle de Scudéry et son frère, Georges de Scudéry. Il s'agit d'"Artamène ou le Grand Cyrus", un roman à clefs, s'appuyant sur des faits historiques survenus durant la Fronde. Ce texte fleuve comprend en effet plus de 13.000 pages et 2,1 millions de mots. De son côté, l'œuvre célèbre de %Marcel Proust, "À la recherche du temps perdu", publiée en sept volumes entre 1913 et 1927, comprend environ 1,5 million de mots. Parmi les ouvrages écrits à partir d'autres alphabets, on peut citer le roman historique "Tokugawa Ieyasu", que le romancier Sohachi Yamaoka consacre au célèbre shogun du XVIIE siècle. Cet ouvrage monumental, paru entre 1950 et 1967, comprend pas moins de 10 millions de caractères japonais. Un poème qui n'en finit pas Mais certains des plus longs textes jamais écrits sont aussi des poèmes. Ainsi, le plus long de tous serait le "Mahabharata". C'est, aujourd'hui encore, un des textes sacrés de l'hindouisme. Il s'agit d'une vaste épopée, écrite en sanskrit, qui relate des prouesses guerrières, survenues 1.000 ou 2.000 ans avant notre ère, et opposant les fils de deux rois légendaires. Cet immense poème est composé de 25.000 vers, divisés en couplets de deux vers chacun. À titre de comparaison, l'Iliade, le poème épique d'Homère, n'a qu'un peu plus de 15.300 vers. On peut également citer, à titre de curiosité, le très long poème écrit par l'écrivain Patrick Huet à partir du texte de la Déclaration des droits de l'Homme. Chacune des lettres qui le compose est le point de départ d'un vers. Ce poème d'un kilomètre de long forme en plus un acrostiche, le texte de la Déclaration pouvant aussi se lire de haut en bas. Learn more about your ad choices. Visit megaphone.fm/adchoices

Si vous êtes un grand lecteur, les textes un peu longs ne vous font pas peur. Pourtant, certains contiennent tant de mots qu'ils peuvent décourageur l'amateur de livres le plus endurant.Genre littéraire toujours très apprécié, le roman peut s'allonger sur des milliers de pages. Mais quel est celui qui détient le record en la matière ? Il semble que le titre appartienne à un roman publié en 1649 par Mlle de Scudéry et son frère, Georges de Scudéry.Il s'agit d'"Artamène ou le Grand Cyrus", un roman à clefs, s'appuyant sur des faits historiques survenus durant la Fronde. Ce texte fleuve comprend en effet plus de 13.000 pages et 2,1 millions de mots.De son côté, l'œuvre célèbre de %Marcel Proust, "À la recherche du temps perdu", publiée en sept volumes entre 1913 et 1927, comprend environ 1,5 million de mots.Parmi les ouvrages écrits à partir d'autres alphabets, on peut citer le roman historique "Tokugawa Ieyasu", que le romancier Sohachi Yamaoka consacre au célèbre shogun du XVIIE siècle.Cet ouvrage monumental, paru entre 1950 et 1967, comprend pas moins de 10 millions de caractères japonais.Un poème qui n'en finit pasMais certains des plus longs textes jamais écrits sont aussi des poèmes. Ainsi, le plus long de tous serait le "Mahabharata". C'est, aujourd'hui encore, un des textes sacrés de l'hindouisme.Il s'agit d'une vaste épopée, écrite en sanskrit, qui relate des prouesses guerrières, survenues 1.000 ou 2.000 ans avant notre ère, et opposant les fils de deux rois légendaires.Cet immense poème est composé de 25.000 vers, divisés en couplets de deux vers chacun. À titre de comparaison, l'Iliade, le poème épique d'Homère, n'a qu'un peu plus de 15.300 vers.On peut également citer, à titre de curiosité, le très long poème écrit par l'écrivain Patrick Huet à partir du texte de la Déclaration des droits de l'Homme. Chacune des lettres qui le compose est le point de départ d'un vers. Ce poème d'un kilomètre de long forme en plus un acrostiche, le texte de la Déclaration pouvant aussi se lire de haut en bas. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

こんにちは。 ジェニのピカピカ日本語へようこそ。 今日は10月15日、16日の二日間に行われる名古屋祭りについてお伝えいたします。 パンデミックによって過去2年間中止されていたので3年ぶりの開催になります。 日本の戦国時代に尾張、三河の地盤から日本を統一して行った、日本の歴史で最も有名な織田信長・豊臣秀吉・徳川家康の三英傑が約600人を従えて行進する郷土英傑行列がハイライトのお祭りです。 どのようなお祭りか、Podcastでご確認ください。 Hello. Welcome to Jenni's Pika Pika Japanese. Today I would like to tell you about the Nagoya Festival that will be held on October 15 and 16. This will be the first time in 3 years since it was cancelled for the past 2 years due to a pandemic. The highlight of the festival is the local heroes' procession in which about 600 people march with the three most famous heroes in Japanese history, Nobunaga Oda, Hideyoshi Toyotomi, and Ieyasu Tokugawa, who unified Japan from the ground of Owari and Mikawa in the Warring States Period. Please check out the podcast to find out what kind of festival it is. Hola. Bienvenido a Jenni's Pika Pika Japanese. Hoy me gustaría hablarles del Festival de Nagoya, que se celebrará durante dos días, el 15 y el 16 de octubre. Será la primera vez en tres años que se celebre el festival, ya que los dos últimos años se canceló debido a una pandemia. El punto culminante del festival es la procesión de los héroes locales, en la que unas 600 personas desfilan con los tres héroes más famosos de la historia japonesa, Oda Nobunaga, Toyotomi Hideyoshi y Tokugawa Ieyasu, que unificaron Japón desde el terreno de Owari y Mikawa en el periodo de los Estados en Guerra. Descubra cómo es el festival en nuestro podcast.

Oda Nobunaga, fresh from his victories in the east was ready for the final battle that would determine the fate of Japan. All that remained in his way was the Mori clan, beaten and battered, located around the western tip of Honshu, Japan's largest Island. Nobunaga summoned his forces to meet Toyotomi Hideyoshi, who had conquered deep into Mori territory, this army would consist of his son and heir Oda Nobutada, one of his oldest and most trusted generals Akechi Mitsuhide and Oda Nobunaga himself, leading the army.   Before meeting his army, Nobunaga and Nobutada rested in Honnō-ji temple in Kyoto. What happened next was the Honnō-ji incident which would shape the fate of Japan until the present day.TOPICS COVEREDThe Death of Tokugawa Ieyasu's Son and WifeThe Siege of TakamatsuThe Honnō-ji IncidentTokugawa Ieyasu Smuggled Out of Kyoto by NinjasThe Reasons Behind Mitsuhide's betrayalThe Legacy of Oda NobunagaSupport the show

We conclude our coverage on the Sengoku Jidai this week by covering the Battle of Sekigahara, which concluded the warring states period and sent Japan into multiple centuries of isolationism. The battle could have gone either way, but Tokugawa Ieyasu eventually comes out on top at the third ruler, following Oda Nobunaga and Toyotomi Hideyoshi. Follow us on Twitter (@gems_history), Instagram (@gems_of_history_podcast), and TikTok (@gemsofhistorypod)! Also join the conversation on Facebook in The Agora - Gems of History Discussion group!

April Vollmer is one of the most important mokuhanga printmakers and authors working today. Her book, Japanese Woodblock Print Workshop, is a must have for any person interested in mokuhanga. its process, history, and the artists making it.  On this epsiode of The Unfinished Print, I speak with April Vollmer about her travels throughout the mokuhanga landscape. Her time at Nagasawa Art Park, and then onto MI Lab. How she got into becoming an author, writing Japanese Woodblock Print Workshop, her influences and her process.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com  Artists works follow after the note about them. Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. April Vollmer -website, Instagram, Facebook. April was recently a part of the mokuhanga exhibition at the Kentler International Drawing Space, in Red Hook, Brooklyn, New York. This show was curated by the Mokuhanga Sisters collective and is called Between Worlds from, June 17 - July 31st, 2022. Rochester, New York - is a city located in Upstate New York. It was originally inhabited by the Seneca peoples. Shaped by the Genesee River, Rochester was once a flour making city as well as a city famous for its horticulture. More information can be found, here. Hunter College - Is a public college located in Manhattan, New York, and was founded in 1870 as a college for women. More info, here.  abstract art - is an art type which moved away from a 19th Century artistic idea of perspective.  Abstract art was a rebellion of colour, shape, and experience, for both the viewer and the maker. It corresponds to the modernism of the industrial world, with science, technology, and architecture. More info can be found, here.  colour field - is a term in painting associated with the abstract painters of the 1950's and 1960's using large swaths of flat colour. Mark Rothko (1903-1970) is one such painter associated with colour field. More info, here.  Vincent Longo (1923-2017) -  was a painter, printmaker and teacher based in New York City. He was a part of the New York School of artist's of the 1950's and 1960's. His work was based in geometry. You can find more information about Vinnie, here. 4 Blocks (1985) Bill Paden (1930-2004) - was a woodblock printmaker and artist who studied under the American expat Clifton Karhu (1927-2007) in Kyoto. More info, here. Beppu Beach Water Bay Mountain (ca. 1970's) hanmoto system - is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen, by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer. Tetsuya Noda (b 1940) - is a contemporary print artist, photographer and professor emeritus at Tokyo University of the Arts (Tōkyō Geidai).  His process uses photographs through a mimeograph machine, then woodblock and silk screen. Considered one of Japan's most famous living artists, Noda's work is a wonderful representation of what can be done with the print medium. More info, with video, can be found, here.  The LeRoy Neiman Center for Print Studies - is a not for profit centre at the Columbia University School of the Arts, which provides an atmosphere of print education for students and invited guests.  Tōkyō v Kyōto (Ōsaka) school of mokuhanga - Tōkyō and Kyōto have, historically, been culturally different throughout Japanese history. Even today, especially with foreign expats, which side of the border you pledge allegiance to can make or break a pleasant conversation. Regarding woodblock printing, it was the moving of the capital to Edo from Kyōto by Tokugawa Ieyasu (1542-1616), officially in 1603, which centred the world for an entire nation. Edo became the business, and cultural district in which most people found themselves. The sankin kōtai system, where daimyō from the entire country, were obligated to spend alternating years in the capital, allowed the merchant classes to grow prosperous, spending their time and money on entertainments such as ukiyo-e, kabuki, and sumo.  This didn't mean that Kyōto and Ōsaka didn't have ukiyo-e, it simply meant that it was overshadowed by Edo. This is because many publishers and artists lived and worked in Edo's environs. Kabuki from Edo and kabuki from Kyōto thrived, therefore there were many prints published for the plays performed in both cities. Stylistically the prints are different, with Ōsaka ukiyo-e being called Kamigata-e, the region where Ōsaka, and Kyōto are situated. For instance, the work of Ōsaka artist, and painter Shunkōsai Hokushū (active 1802-1832) is famous in Ōsaka for his kabuki prints, but is relatively unknown today, as compared to Katsushika Hokusai (1760-1849) who lived and worked around the same time in Edo. Comparing the two is perhaps comparing Brad Pitt (b. 1963), with Steve Buscemi (b. 1957), but I feel that it shows what both artists, successful in their fields, can accomplish for the genre. More information on Ōsaka ukiyo-e, can be found, here.  Keiko Kadota (1942-2017) - was the director of Nagasawa Art Park at Awaji City from 1997-2011, and then of MI Lab at Lake Kawaguchi from 2011 until her passing. Minimalism - is an art movement based on simplicity and geometry. Generally connected to 1960's New York City. More info, here. Yoonmi Nam (b. 1974) - is a contemporary mokuhanga printmaker, lithographer, sculptor, and teacher, based in Lawrence, Kansas. Her work can be found, here. Her interview with The Unfinished Print can be found, here. Yakult  (2018) Katie Baldwin -  is a contemporary mokuhanga printmaker, illustrator, book maker, and artist based in Huntsville, Alabama.  Her work can be found, here. The Dance (2015) Mariko Jesse - is an illustrator, and mokuhanga printmaker based in Tōkyō, London, and California.  Her work can be found, here. Mariko, Katie, and Yoonmi are also a part of the collective, wood+paper+box, which can be found, here.  Summer Flowers (2021) Daniel Heyman (b. 1963) - is a painter and printmaker based in Rhode Island at the Rhode Island School of Design, where he is Assistant Professor. His work can be found, here. Janus (2019/2020) IMPACT Conference - started by The Center for Print Research, IMPACT stands for "International Multi-discipinary Printmaking, Artists, Concepts and Techniques'. Based in Europe, it is an academic conference discussing printmaking and how it fits into this world. More info about the most recent conference can be found, here.  Kari Laitinen (b. 1952) - is a Finnish artist and printmaker based in Finland. His works explore colour and dimension. More information can be found, here. He helped write, with Tuula Moilanen, the book Woodblock Printmaking with Oil-based Inks and the Japanese Watercolour Woodcut. It was published in 1999. Secret Space II (2014) Tuula Moilanen - is a Finnish mokuhanga printmaker and painter based in Finland. She lived and studied in Kyōto from 1989-2012,  where she learned her printmaking at Kyōto Seika University and from printmaker Akira Kurosaki (1937-2019). Her work can be found, here. Clear Day Fuji (2014) Arches - is a brand of Western watercolour paper that is acid-free. BFK - also knowns as Rives BFK, is a Western printmaking paper, made in France. Like Arches, it is 100% cotton. Lower East Side Print Shop - founded in 1968, and is a not-for- profit printmaking studio located in New York City. More information can be found, here.  Jennifer Mack-Watkins -  is a contemporary mokuhanga printmaker, and serigrapher based in New York City and New Jersey. Her work explores American culture through a personal lens. Her work has been featured  in Vogue and the New York Times. More information can be found, here.  What To Do (2013) Andrew Stone - is based in Florence, Italy. Andrew is a wine maker and former full-time doctor who has been making mokuhanga and baren, for years. His blog can be found, here. his interview with The Unfinished Print can be found, here.  Mons Veneris (2016) Frogman's Print Workshop - is a print space, opened in 1979,  in South Dakota. In 2016 the space moved to the University of Nebraska. More info can be found, here.  The Adachi Institute of Woodblock Prints - is a print studio located in Tōkyō. Established in 1994 in order to promote and preserve the colour woodblock print of Japan. More information, in English and in Japanese.  bokashi -  is a Japanese term associated with the gradation of water into ink. There are several types of bokashi. For more information regarding these types of bokashi please check out Professor Claire Cuccio's lecture called “A Story in Layers,” for the Library of Congress, and the book Japanese Printmaking by Tōshi Yoshida, and Rei Yuki. Below are the following types of bokashi. This is from the Yoshida book: ichimonji bokashi - straight line gradation ichimonji mura bokashi - straight line gradation with an uneven edg. Ō-bokashi - a gradual shading over a wide area atenashi bokashi - gradation without definition futairo bokashi - two tone gradation Ansei Uchima (1921-2000) - was a mokuhanga printmaker in the sōsaku hanga style of Japanese printmaking. He was the translator for Japanologist Oliver Statler (1915-2002). In Memoriam (1958) Keiji Shinohara (b. 1955) - is a Japanese mokuhanga printmaker who apprenticed under Uesugi Keiichiro in Ōsaka. He is the artist-in-residence at Wesleyan University in Connecticut. More info about Keiji can be found here, and here. Twilight (2012) Ursula Schneider - is a painter, woodblock printmaker and teacher at Sarah Lawrence College in Yonkers, New York. More info about her work can be found, here. Leaf and Wood (2018) Jackie Battenfield - is a painter, printmaker, collagist, author, and motivational speaker. April alludes to Jackie's  book, “The Artist's Guide: How to Make a Living Doing What You Love,” (2009). More information about Jackie's work can be found, here. Soundings (1999) International Mokuhanga Conference - is a bi-yearly conference dedicated to mokuhanga which started in 2011 by the International Mokuhanga Association. Each conference is themed. The latest conference was in 2021, delayed a year because of the pandemic. More information can be found, here.  Tōhoku Earthquake and Tsunami 2011 - (東北地方太平洋沖地震) was a massive earthquake and subsequent tsunami which struck the coast of North East Japan on March, 11, 2011. The earthquake was 9.0 - 9.1 on the Richter scale. Watson-Guptill - is an American publishing house, starting business in 1937. It is now a part of Ten Speed Press.  Mina Takahashi - is the editor of Hand Papermaking magazine dedicated to the production and preservation of handmade paper. Was the editor of Dieu Donné in New York City from 1990-2004. She is also a curator. Printmaking Today - is a magazine published by Cello Press in England, and is published quarterly. The magazine focuses on printmaking themes and artists. More info, here. Mid-America Print Council - promotes the art of printmaking of all types. It was started in 1990 in Des Moines, Iowa. It publishes an annual journal with essays and articles about printmaking. More information can be found, here. Edvard Munch (1863-1944) - was a Norwegian artist, who at the time of his death in 1944 had amassed thousands of his own works, including 15,391 prints of all types. Munch loved printmaking, using various mediums. The National Gallery of Art in Washington D.C. has an excellent exploration of his prints, here.  Mokuhanga books in English -  Here is a list of books for those interested in studying and understanding mokuhanga, that I am aware of. This list is by no means exhaustive, so if you believe I've missed one please message me. If the book is in print (or even out of print and there are PDF's) you will see the authors name hyper-linked so you can get the books : April Vollmer - Japanese Woodblock Printshop: A Modern Guide to the Ancient Art of Mokuhanga. (2015) Watson-Guptill Publications Tuula Moilanen, Kari Laitinen, and Antti Tanttu - The Art and Craft of Woodblock Printmaking. (2013) Aalto Books Laura Boswell - Making Japanese Woodblock Prints. (2020) The Crowood Press. Hiroshi Yoshida - Japanese Woodblock Printing. (1939) Sanseido Company, Ltd. Walter J. Phillips -  The Technique of the Colour Woodcut. (1926) Brown-Robertson, New York. Rebecca Salter - Japanese Woodblock Printing. (2001) A&C Black. Tōshi Yoshida & Rei Yuki - Japanese Print Making: A Handbook of Traditional and Modern Techniques. (1966) Tuttle Publishing. Marilyn Chesterton and Rod Nelson - Making Woodblock Prints. (2015) Crowood Press  Terry McKenna - Terry has written two excellent woodblock primers for the beginner and the intermediate practitioner. The first is Mokuhanga Fundamentals: Core Skills... & the second book is, Creative Print. Both can be purchased directly from here, and other fine establishments in e-book or physical form. Self Published.  Fabiola Gil Alares - her book, Mokuhanga: Manual Ilustrado de Xilografía Japonesa, is one of the finest books on the subject of mokuhanga. This book is in Spanish. Her interview with The Unfinished Print can be found, here.  Keiko Hara (b.1942) - is a painter, printmaker in mokuhanga, lithograph, and stencil. She is also a sculptor, and collagist. More info can be found, here. Verse R - Black and White (2017) floating kentō - is a removable registration system attached to the block when printing. As the kentō isn't affixed to the block; blotting, and very clean borders are one of the positives of using this method of registration. It is an "L" shape.  baren - is a Japanese word to describe the flat, round shaped disc which is predominantly used in the creation of Japanese woodblock prints. It is traditionally made of cord of various types, and a bamboo sheath, although baren come in many variations.  Guerra & Paint Pigment Corp. - is a brick and mortar store located in Brooklyn, New York that sells artists pigments. More info, here.  Endi Poskovich - is a printmaker and artist who focuses on symbols, and language for his work. More info about his work can be found, here.  Two (Hälftberg) (2004-2017) Holbein - is a pigment company with offices in Japan, Canada, and the United States. More info, here Benjamin Selby - is an artist who works in mokuhanga, as well as touching on serigraphy and installations. More information about Benjamin's work can be found, here.  Turbulent Waters (2020) Auto Mach Reciprocating Wood Carver -  is an automatic chisel that is made in Japan. It is plugged into an outlet. It comes with a variety of bits for carving. It makes carving large areas of hard wood a breeze. More information can be found, here.  acetate - is a plant based, non-petroleum product. It is made from wood pulp and cotton. It is bendable, and stiff enough to use for getting into your kentō registration if you decide to use it for key block transfer. Yoshida Family of Artists - The Yoshida's are one of the most famous family of artists from Japan. Started with painter Yoshida Kasaburō (1861-1894), and made famous by Yoshida Hiroshi (1876-1950) and his work with the shin-hanga movement and woodblock printing. The Yoshida family has helped shape many artists around the world. More info from the Mount Holyoke College Art Museum, here. Generation by April Vollmer (2002) © Popular Wheat Productions opening and closing credit - Anyone Can Have a Good Time by OWLS (2001). From their self-titled album, and released on Jade Tree.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

Una de las mejores excursiones de día que puedes hacer desde Tokio es Nikko. Un lugar con santuarios y templos con mucha historia pero también con una naturaleza espectacular Nikko es una gran excursión de día desde Tokio, porque cuenta con lugares de gran historia, dedicados a Tokugawa Ieyasu, pero además está en un enclave de una belleza natural sin igual. Por eso, en este episodio de Japón a fondo te hablamos de todo lo que puedes hacer en Nikko en una visita de día (aunque al final te contamos de forma resumida otros lugares que hay en la zona por si te decides a pasar una noche en algún ryokan, como el lago Chuzenji, por ejemplo): El santuario Toshogu, donde está el mausoleo de Tokugawa Ieyasu. El santuario Futarasan y el puente Shinkyo, que aunque está lejos, pertenece a este santuario. El mausoleo Taiyuinbyo, del nieto de Ieyasu, Tokugawa Ietsuna. El templo Rinnoji. Otros lugares en el Parque Nacional de Nikko. Te contamos cómo llegar (tanto con JR Pass como sin él) Y te damos la idea de comer gyozas a la vuelta, en Utsunomiya. Una mezcla genial. Luego, en Japonismo mini hablamos del curso de especialización de estudios japoneses en el que somos profesores y que acaba de terminar en su primera edición (pero tranquilos, que habrá segunda, en septiembre, y se puede hacer presencial en Barcelona o también online). Y mencionamos el comienzo de la temporada de subida al monte Fuji (aunque, para no sorprendernos, los japoneses toman la temperatura a los que suben, con el mismo protocolo que hace un año a pesar de lo mucho que han cambiado las cosas). Tras los comentarios de nuestros oyentes (muchos sacados del Discord de Japonismo, que es totalmente gratis), hablamos de la palabra japonesa. En este caso, Norikae, que tiene importancia si vas a Nikko vía Utsunomiya. Escucha el episodio para saber qué significa ;) ¡Nos escuchamos la semana que viene! ¿Quieres colaborar con el programa? Colabora en Patreon Únete a la Comunidad Japonismo Reserva hoteles en Japón (y en todo el mundo) Consigue seguro de viajes (¡no sólo para Japón!) Busca los mejores vuelos Lleva Internet (pocket wifi o SIM) JR Pass para viajes ilimitados en tren ---- Continúa la conversación en: Web: https://japonismo.com Discord: https://discord.gg/hZrSa57 Facebook: https://facebook.com/japonismo Twitter: https://twitter.com/japonismo Instagram: https://instagram.com/japonismo Pinterest: https://pinterest.com/japonismo Newsletter semanal: http://eepurl.com/di60Xn

Die Edo-Zeit, auch Tokugawa-Zeit genannt, beinhaltet die längste Friedenszeit in der japanischen Geschichte und brachte viele künstlerische und kulturelle Erzeugnisse hervor. Beispielsweise war sie geprägt von Farbholzschnitten. Der wahrscheinlich bekannteste Farbholzschnitt ist „Die große Welle der Kanagawa“. Die Edo-Zeit gilt als Höhepunkt der japanischen Kultur und prägte viel, was der Westen als „typisch japanisch“ sieht. Eine historische Persönlichkeit aus der japanischen Geschichte ist Tokugawa Ieyasu. Er war einer der drei Reichseiniger, der diese Ära begründete. Tokugawa gelang es, sich gegen die anderen beiden Reichseiniger durchzusetzen und schaffte es, eine Dynastie zu gründen.In dieser Podcastfolge erfahrt ihr Dinge über die japanische Geschichte, die ihr garantiert noch nicht kanntet!Auf Instagram und TikTok bekommt ihr außerdem #30SekundenGeschichte kurz und knapp für unterwegs! ;)

Tokugawa Ieyasu may be known as one of the great unifiers of Japan. However, there is one thing that he fears the most. --- Support the Podcast: https://ko-fi.com/storiesofsaniwa Follow my social media: https://twitter.com/storiesofsaniwa

In this newly revised and updated 2nd edition of Voices of Early Modern Japan: Contemporary Accounts of Daily Life During the Age of the Shoguns (Routledge, 2020), Constantine Nomikos Vaporis offers an accessible collection of annotated historical documents of an extraordinary period in Japanese history, ranging from the unification of warring states under Tokugawa Ieyasu in the early 17th century to the overthrow of the shogunate just after the opening of Japan by the West in the mid-19th century. Through close examination of primary sources from "The Great Peace", this fascinating textbook offers fresh insights into the Tokugawa era: its political institutions, rigid class hierarchy, artistic and material culture, religious life, and more, demonstrating what historians can uncover from the words of ordinary people. New features include: An expanded section on religion, morality and ethics A new selection of maps and visual documents Sources from government documents and household records to diaries and personal correspondence, translated and examined in light of the latest scholarship Updated references for student projects and research assignments The first edition of Voices of Early Modern Japan was the winner of the 2013 Franklin R. Buchanan Prize for Curricular Materials. This fully revised textbook will prove a comprehensive resource for teachers and students of East Asian studies, history, culture, and anthropology. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices

¡Segunda parte de la vida de William Adams! Mejor conocido en Japón como Anjin-sama, era un inglés que viajó a Japón con una mano atrás y otra delante. Terminó siendo uno de los únicos samuráis occidentales. Su historia inspiró libros, series y hasta un videojuego. La última vez que lo vimos, estaba yendo rumbo a Edo a visitar al Daimio local, nada menos que Tokugawa Ieyasu. Es un prisionero. Los portugueses piden que lo ejecuten por pirata. Adams ni siquiera habla el idioma y solo depende de su ingenio para superar el entuerto. Su fortuna está en el aire. Cualquier cosa puede pasar y el futuro es incierto. Pero Adams tendrá la habilidad necesaria para navegar las peligrosas aguas del Japón feudal y forjar su propia leyenda. Imagen: Samurái occidental inspirado en Adams, por Caravantes. Fuentes / Textos - BOXER, C. R. (1993) The Christian Century in Japan, 1549-1650. Carcanet Press Ltd. ISBN: 1857540352 - COOPER, Michael (1995) They Came to Japan, An Anthology of European Reports on Japan 1543-1640. U of M Center For Japanese Studies. ISBN: 0939512734 - CORR, William (1995) Adams the Pilot. Routledge. ISBN: 1873410441 - MILTON, Giles (2003) Samurai William: the Englishman who opened Japan. Farrar, Straus and Giroux. ISBN: 0374253854 - ROGERS, Hiromi T. (2018) Anjin - The Life and Times of William Adams: As Seen Through Japanese Eyes. Renaissance Books Ltd. ISBN: 1898823855 Fuentes / Sitios Web - samurai-archives.com Música: El tema de la Tortulia es una versión de Caravan por Kanirasta. El tema original es de Duke Ellington. El tema de Rumbo a la Cancha es una versión de Espiral por Kanirasta. La versión original es de Dunne. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals