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Hey there Voices of the Bench community, this is Trish Jones with Ivoclar. If you've been curious about fast-firing zirconia to improve efficiency but aren't convinced it can deliver predictable, high-quality results, I'd encourage you to connect with us. Our new IPS Emax Zirconia offers multiple fast-fire protocols designed to help save you valuable production time while maintaining consistent results. Time is money in every lab. Don't wait. Reach out to your local Ivoclar rep today and discover how IPS Emax Zirconia can help streamline your workflow. As full-arch dentistry continues to grow, so do the demands on today's dental laboratories. That's why Knight Dental recently launched SimplyARCH Studio, a dedicated production environment built exclusively for full-arch restorations. To support this specialized workflow, Knight invested in an XTCERA milling system and carefully evaluated multiple CAM software solutions before choosing hyperDENT. The decision came down to exceptional milling quality, minimal hand finishing, and impressive production efficiency. But what truly set hyperDENT apart was the implementation process. From the very beginning, the team provided more than software training—they shared the knowledge and experience needed to build an optimized workflow for complex full-arch cases. With proven expertise in advanced milling strategies and laboratory production, hyperDENT helped ensure SimplyARCH Studio was designed for long-term success from day one.Matt Everatt joins Elvis and Barb for a fascinating conversation that takes a deep dive into his journey through the dental laboratory industry and the story behind his book, The Invisible Profession. From discovering dental technology at 16 and specializing in maxillofacial prosthetics and orthodontics to working in hospitals, developing early sleep-apnea appliances, and nearly leaving the profession altogether, Matt's career has taken some seriously interesting turns. Eventually, he helped co-found S4S, building a successful business around sleep-apnea appliances, occlusal splints, orthodontics, and more before eventually stepping away from ownership. From polishing hearing-aid earpieces to becoming the first female clinical dental technician to qualify in the UK, Caroline Kirkpatrick has taken a pretty incredible—and definitely unconventional—path through dental technology. Caroline joins Barb and Elvis to talk about how a broken denture repair sign outside a dental laboratory sparked her interest in the industry, her early years learning crown and bridge, orthodontics, and working in a dental hospital, and how her curiosity pushed her to learn every side of the profession. Eventually, that curiosity led Caroline to become one of the first four technicians accepted into the UK's pioneering clinical dental technology program in 2010. But Caroline's story doesn't stop at the bench. She built her own laboratory, taught dental technology, treated patients clinically, raised a family, and continued pushing herself into digital dentistry. She shares how she experimented with early digital workflows, 3D printing, digital dentures, and eventually exocad—and why she believes the best digital workflow isn't necessarily the fanciest one, but the one that actually works in the real world. Caroline also talks about working with her sister and daughter in the family lab, the importance of exposing young technicians to different laboratories and workflows, and why sharing the mistakes you've made can sometimes be one of the best ways to help someone else learn. From Scotland to the world of digital dentures, this is a great conversation about curiosity, adaptability, education, and never being afraid to learn something new. You know what's expensive in a dental lab? Most people would say the mill, but the real cost is downtime. When production stops, everything backs up—cases get delayed, technicians get frustrated, and customers start asking questions. That's why reliable equipment matters. Roland DGA's DGSHAPE DWX milling solutions are built for dependable production, helping labs stay on schedule and keep work moving day after day. Less downtime means fewer surprises and more time doing what your lab does best. And when your equipment is reliable, your customers notice the difference. Reliability isn't just a feature—it's the foundation of a successful lab. Visit rolanddental.com to learn more about Roland's DGSHAPE DWX milling solutions.Special Guest: Caroline Kirkpatrick.
Imagine pouring your heart into a massive sculpture, only to watch it crash to the floor. What if that disaster was exactly what your practice needed? In this episode of The Create! Podcast, host Ekaterina Popova talks with multimedia visual artist, curator, and educator Rebecca Casement. Based in Michigan, Rebecca creates affective, abstract sculptures and installations using ceramics, mixed media, sound, and textiles. This conversation explores her practice of pushing materials to their breaking point and why building instability into artwork mirrors life's unpredictability. Episode Highlights: The Beauty of Instability — why Rebecca intentionally builds heavy, precarious clay sculpture with a high likelihood of breaking in the kiln A Shift in Perspective — the story of a shattered personal sculpture that changed her entire artistic mindset Art as a Lifestyle — how to ditch the burned-out artist trope, protect your physical energy, and bring joy back into a daily studio practice Carried Together — inside her new collaborative project featuring 14 women artists exploring community and care About Rebecca Casement: Rebecca Casement is a multimedia visual artist, curator, and educator who creates affective abstract sculptures and installations. Raised in rural Michigan, she developed a habit of creative experimentation with materials that carries into her studio practice today. Focused on material language and history, her work is both emotive and honest. Rebecca holds an MFA in Studio Art and a Certification in College Teaching from Michigan State University. Connect with Rebecca: https://www.rebeccacasement.com/ Community & Opportunities: Join our Substack for fresh articles, longer-form insights, and community conversation. Submit your work to our current open call, The Artist's World, juried by Marina Press Granger, at createmagazine.com/call-for-art.
Hey there Voices of the Bench community, this is Trish Jones with Ivoclar. If you've been curious about fast-firing zirconia to improve efficiency but aren't convinced it can deliver predictable, high-quality results, I'd encourage you to connect with us. Our new IPS Emax Zirconia offers multiple fast-fire protocols designed to help save you valuable production time while maintaining consistent results. Time is money in every lab. Don't wait. Reach out to your local Ivoclar rep today and discover how IPS Emax Zirconia can help streamline your workflow. As full-arch dentistry continues to grow, so do the demands on today's dental laboratories. That's why Knight Dental recently launched SimplyARCH Studio, a dedicated production environment built exclusively for full-arch restorations. To support this specialized workflow, Knight invested in an XTCERA milling system and carefully evaluated multiple CAM software solutions before choosing hyperDENT. The decision came down to exceptional milling quality, minimal hand finishing, and impressive production efficiency. But what truly set hyperDENT apart was the implementation process. From the very beginning, the team provided more than software training—they shared the knowledge and experience needed to build an optimized workflow for complex full-arch cases. With proven expertise in advanced milling strategies and laboratory production, hyperDENT helped ensure SimplyARCH Studio was designed for long-term success from day one.Matt Everatt joins Elvis and Barb for a fascinating conversation that takes a deep dive into his journey through the dental laboratory industry and the story behind his book, The Invisible Profession. From discovering dental technology at 16 and specializing in maxillofacial prosthetics and orthodontics to working in hospitals, developing early sleep-apnea appliances, and nearly leaving the profession altogether, Matt's career has taken some seriously interesting turns. Eventually, he helped co-found S4S, building a successful business around sleep-apnea appliances, occlusal splints, orthodontics, and more before eventually stepping away from ownership. This week on Voices From the Bench, we finally sit down with someone we've been wanting to have on the show for a LONG time—Philip Gold! Philip grew up in the dental laboratory, quite literally pulling teeth out of formaldehyde bottles in his father Raymond Gold's lab in Atlanta. His father started the laboratory in 1946, and Philip eventually found himself following in those footsteps, although not without first taking a seven-year detour working for Williams Gold. That experience gave him the opportunity to visit laboratories all over the country, learn from some of the best in the industry, and see firsthand how different labs operated. Philip eventually returned to the family laboratory in 1980 and began the process of taking over from his father. What followed was a career built around learning, adapting, building teams, and—most importantly—relationships. Philip shares what it was like stepping into a leadership role at a young age, earning the respect of experienced technicians, and learning that being a leader isn't about knowing everything yourself, but understanding the work well enough to help the people around you succeed. He also talks about selling the laboratory to National Dentex with the goal of giving the business and its people an opportunity to continue growing, only to eventually find his way back into the laboratory world with By Design Dental Studio alongside his daughter Katie and Denise. And if you know Philip, you know he's never stopped learning. He currently holds six CDT certifications, including ceramics, crown and bridge, partials, implants, dentures, and digital. His story about preparing for the digital practical exam is a perfect example of his determination—his first practice run took seven and a half hours for an exam designed to be completed in just over five. So he reorganized, practiced again, changed his workflow, and eventually got it down to under five hours. And of course, Philip isn't pursuing certifications just for himself. He wants to set an example, motivate the next generation of technicians, and encourage more people in the laboratory to continue learning. We also get into the importance of customer service, why relationships are at the heart of this industry, and why sometimes the best thing a laboratory can do is simply pick up the phone and help. Philip shares his philosophy that when something goes wrong, you drop everything and make it right. We talk about giving back to the industry, the people who helped shape Philip's career, and how the dental laboratory community has always been willing to share knowledge when you're willing to ask. And yes… somewhere along the way we also hear the greatest “okey-doke” story in dental laboratory history. Special Guest: Phillip Gold.
Hello, Voices of the Bench community. This is Casey Baldwin with Ivoclar. If you've been curious about fast-firing zirconia to improve efficiency but aren't convinced it can deliver predictable, high-quality results, I'd encourage you to connect with us. Our new IPS emax Zirconia, offers multiple fast-fire protocols designed to help you save valuable production time while maintaining consistent outcomes. Time is money in every lab. Don't wait. Reach out today and discover how IPS emax Zirconia can help streamline your workflow. As full-arch dentistry continues to grow, so do the demands on today's dental laboratories. That's why Knight Dental recently launched SimplyARCH Studio, a dedicated production environment built exclusively for full-arch restorations. To support this specialized workflow, Knight invested in an XTCERA milling system and carefully evaluated multiple CAM software solutions before choosing hyperDENT. The decision came down to exceptional milling quality, minimal hand finishing, and impressive production efficiency. But what truly set hyperDENT apart was the implementation process. From the very beginning, the team provided more than software training—they shared the knowledge and experience needed to build an optimized workflow for complex full-arch cases. With proven expertise in advanced milling strategies and laboratory production, hyperDENT helped ensure SimplyARCH Studio was designed for long-term success from day one. Join us at the Race For the Future 12 to raise money for the Foundation For Dental Laborary Technology. September 27th in Valley View, Texas! https://dentallabfoundation.org/news-events/race-for-the-future/ This week, Elvis sits down with Martin Schmid and Alyse Hifko from Ivoclar to talk about the launch of the new Ivoclar Academy and why education is still one of the most valuable investments a laboratory can make. Martin shares his journey from apprenticing in Germany to teaching technicians around the world, while Alyse explains how a passion for digital dentistry and troubleshooting CAD/CAM software led her to Ivoclar. Together they discuss how today's technicians can learn faster, work more efficiently, and gain confidence through hands-on training instead of trying to figure everything out on their own. The conversation dives into Ivoclar's growing catalog of Academy courses, from Ceram Art stain and glaze techniques to advanced ProgramMill CAM training that goes far beyond the initial installation. Martin explains how simple workflows and the right materials can help technicians create highly esthetic restorations, while Alyse reveals the hidden capabilities built into the CAM software that many users never realize they already have. Whether you're looking to improve your ceramics, maximize your milling workflow, or simply stay ahead as digital dentistry continues to evolve, this episode is packed with practical ideas you can bring back to the lab. Plus, learn why even technicians who don't own an Ivoclar mill are showing up to these courses—and leaving convinced they need one.Special Guests: Alyse Hifko and Martin Schmid.
Emie Mirasol is Founder of ESM Manufacturing Integrated. ESM Manufacturing is a technology-based enterprise that produces specialized coating formulations used for finishing and enhancing the surface properties of materials such as ceramics or related products. The technology focuses on improving product durability, aesthetics, and functionality through a thin-layer coating process. The enterprise aims to support local manufacturing and product development through innovative material technologies. This episode is recorded at Mariano Marcos State University - Technology Business Incubator in Batac, Ilocos Norte.In this episode:00:00 Introduction01:42 Ano ang ESM Manufacturing Integrated?11:36 What is the startup solving? 21:25 What are stories behind the startup? 40.23 How can listeners find more information?MMSU TBIFacebook: https://facebook.com/bannuartbiTHIS EPISODE IS CO-PRODUCED BY:Symph: https://symph.coOneCFO: https://onecfoph.coYspaces: https://knowyourspaceph.comKredit Hero: https://kredithero.comTwala: https://www.twala.ioGigGenius: https://gig-genius.ioSkoolTek by Edfolio: https://skooltek.coRed Circle Global: https://www.redcircleglobal.comCHECK OUT OUR PARTNERS:Ask Lex PH Academy: https://asklexph.com (5% discount on e-learning courses! Code: ALPHAXSUP)Pahatid PH: https://pahatid.phDigital Workforce Group: https://digitalworkforce.comNascent Batteries: https://nascentbatteries.comLevel Up Talent Solutions: https://lvluptalentsolutions.comAgile Data Solutions (Hustle PH): https://agiledatasolutions.techCloudCFO: https://cloudcfo.ph (Free financial assessment, process onboarding, and 6-month QuickBooks subscription! Mention: Start Up Podcast PH)ArkoTech: https://arkotechspacesolutions.comDVCode Technologies Inc: https://dvcode.techArgum AI: http://argum.aiPIXEL by Eplayment: https://pixel.eplayment.co/auth/sign-up?r=PIXELXSUP1 (Sign up using Code: PIXELXSUP1)School of Profits: https://schoolofprofits.academyFounders Launchpad: https://founderslaunchpad.vcHier Business Solutions: https://hierpayroll.comSmile Checks: https://getsmilechecks.comWunderbrand: https://wunderbrand.comUplift Code Camp: https://upliftcodecamp.com (5% discount on bootcamps and courses! Code: UPLIFTSTARTUPPH)START UP PODCAST PHYouTube: https://youtube.com/startuppodcastphSpotify | Apple PodcastsFacebook: https://facebook.com/startuppodcastphPatreon: https://patreon.com/StartUpPodcastPHPIXEL: https://pixel.eplayment.co/dl/startuppodcastphWebsite: https://startupnetwork.phThis episode is edited by the team at: https://tasharivera.com
How should clinicians choose between titanium and ceramic implants when treating a patient who expects their implant to last for decades? In this episode, SDS host Katja Busse is joined by Dr. Hashim and Dr. Cionca from the University of Geneva to explore the current evidence, clinical experience, and unanswered questions surrounding both materials. Together, they discuss: • Long-term predictability and current limitations of the available data • Soft tissue integration and plaque accumulation • Clinical protocols and treatment planning considerations • Which patients may benefit most from ceramic implants • Why titanium remains the preferred choice in many situations still An open and balanced discussion about what we know, what we don't know, and where implant dentistry may be headed next.
Alan welcomes back CAD-Ray's Damien Bonner to demystify the rapidly evolving world of chairside 3D printing and digital restorative workflows. The two kick off the conversation with a lighthearted look at phishing scams targeting clinicians before diving into CAD-Ray's scanner lineup, including the Shining 3D Elf and Elite. Damien breaks down the new Shining 3D Ceramix Nano restorative printer, comparing its compact footprint, built-in curing, and $6,000 price tag to existing systems like the SprintRay Midas. They also tackle the major shifts in software licensing—highlighting Exocad's new accessible monthly subscription model and cloud-based AI design tools—and discuss how printed resins compare to milled ceramics for long-term clinical success, inlays, onlays, and provisionals. Some links from the show: CAD-Ray Exocad subscriptions at CAD-Ray Shining 3D Elf and Elite Shining 3D Ceramix Nano Sprint Ray Midas Join the Very Dental Facebook Group using one of these passwords: Timmerman, Paul, Bioclear, Hornbrook, Gary, McWethy, Papa Randy, Frank or Lipscomb! The Very Dental Podcast network is and will remain free to download. If you'd like to support the shows you love at Very Dental then show a little love to the people that support us! We're proud to be supported by the folks at Net32! I'm a big fan of the Bioclear Method! I think you should give it a try and I've got a great offer to help you get on board! Use the exclusive Very Dental Podcast code VERYDENTAL8TON for 15% OFF your total Bioclear purchase, including Core Anterior and Posterior Four day courses, Black Triangle Certification, and all Bioclear products. Crazy Dental has everything you need from cotton rolls to equipment and everything in between and the best prices you'll find anywhere! If you head over to verydentalpodcast.com/crazy and use coupon code "VERYSHIP" you'll get free shipping on your order! Go save yourself some money and support the show all at the same time! The Wonderist Agency is basically a one stop shop for marketing your practice and your brand. From logo redesign to a full service marketing plan, the folks at Wonderist have you covered! Go check them out at verydentalpodcast.com/wonderist! Enova Illumination makes the very best in loupes and headlights, including their new ergonomic angled prism loupes! They also distribute loupe mounted cameras and even the amazing line of Zumax microscopes! If you want to help out the podcast while upping your magnification and headlight game, you need to head over to verydentalpodcast.com/enova to see their whole line of products! CAD-Ray offers the best service on a wide variety of digital scanners, printers, mills and even their very own browser based design software, Clinux! CAD-Ray has been a huge supporter of the Very Dental Podcast Network and I can tell you that you'll get no better service on everything digital dentistry than the folks from CAD-Ray. Go check them out at verydentalpodcast.com/CADRay!
Most EDI contracts never get shopped, and legacy providers price like they know it. Grace Sharkey walks through what that actually looks like on an invoice: a few thousand a month for the service, then a separate managed fee to make sure the service does not break. Orderful just raised $35 million to go after that second line item.We also cover what eight freight tech vendors are really building with AI, why nobody has this figured out yet, and how a Japanese toilet maker ended up inside the AI chip supply chain.In this episode:Why eight freight tech vendors are all pointing AI at boring, repetitive workflows instead of agent demosThe question every buyer now asks before a purchase: did you try building this yourself firstWhat Grace learned building her own lead follow-up droid, including the data mistake that broke itWhy hourly billing breaks down when execution gets cheap and judgment becomes the productHow legacy EDI pricing works: per transaction fees, managed service fees, and chargebacksInside Orderful's $35 million round and the product built to attack the managed services lineThe Every Man Jack migration: 57 trading partners in six monthsHow a Japanese toilet maker became a critical supplier in AI chip manufacturingSeven shipping containers lost when an Antarctic ice shelf calved into the seaSri Lanka's tea and cinnamon trade, and why most of its port activity is transshipmentTime Stamps: 02:33 Presented by SPI Logistics04:52 The CargoRex AI use cases guide, and what eight vendors are actually building51:40 Orderful raises $35 million, and how EDI pricing really works01:16:04 Hidden supply chain: a Japanese toilet maker inside the AI chip trade01:50:49 Favorite freight marketing: 250th anniversary fleet wraps and tall ships02:03:30 Source to Porch: containers lost off an Antarctic ice shelf, then Sri LankaLinks and resources:Connect with Grace on LinkedinGrace's work at OrderfulCargoRex AI Use Cases in Logistics GuideSolo EiL episode with Blythe's opinion on AI in Logistics‘The Two Clocks' article Grace mentionedOrderful's Every Man Jack case studyJapan's ceramic companies critical in AI supply chainMack Trucks' America250 DesignDOT Grand Canyon RailBNSF America250 WrapNorfolk Southern's Liberty Bell wrapTall Ships tour for America250Tall Ships in a storm that looks like the oil paintingsAntarctica station where containers floated awayCATA - Ceylon Artisanal Tea AssociationDonate to Sisters of Sri Lanka via Maersk's Head of Trade and Customs, Janet Labuda, by sending a check to Janet's address at: 6060 Trotters Point Ln. Gainesville, VA 20155 Watch this episode on YouTube -----------------------------------------THANK YOU TO OUR SPONSORS!SPI Logistics has been a Day 1 supporter of this podcast which is why we're proud to promote them in every episode. During that time, we've gotten to know the team and their agents to confidently say they are the best home for freight agents in North America for 40 years and counting. Listen to past episodes to hear why.CargoRex is the search engine for the logistics industry—connecting LSPs with the right tools, services, events, and creators to explore, discover, and evolve.Digital Dispatch maximizes and manages your #1 sales tool with a website that establishes trust and builds rock-solid relationships with your leads and customers.
Hello, Voices of the Bench community. This is Casey Baldwin with Ivoclar. If you've been curious about fast-firing zirconia to improve efficiency but aren't convinced it can deliver predictable, high-quality results, I'd encourage you to connect with us. Our new IPS emax Zirconia, offers multiple fast-fire protocols designed to help you save valuable production time while maintaining consistent outcomes. Time is money in every lab. Don't wait. Reach out today and discover how IPS emax Zirconia can help streamline your workflow. As full-arch dentistry continues to grow, so do the demands on today's dental laboratories. That's why Knight Dental recently launched SimplyARCH Studio, a dedicated production environment built exclusively for full-arch restorations. To support this specialized workflow, Knight invested in an XTCERA milling system and carefully evaluated multiple CAM software solutions before choosing hyperDENT. The decision came down to exceptional milling quality, minimal hand finishing, and impressive production efficiency. But what truly set hyperDENT apart was the implementation process. From the very beginning, the team provided more than software training—they shared the knowledge and experience needed to build an optimized workflow for complex full-arch cases. With proven expertise in advanced milling strategies and laboratory production, hyperDENT helped ensure SimplyARCH Studio was designed for long-term success from day one. This week, Elvis and Barb are coming to you from the FDLA Symposium at the GPS Digital RPD booth with two conversations that prove one thing: dental technology never stops evolving. First up, Chris Bradley from SmileLine USA returns to the podcast alongside technician, educator, and lab owner Richard Wodzinski, with Dawn Roniger from GC America joining the discussion. What starts as a conversation about "sexy brushes" quickly turns into a deep dive into one of the most intriguing shade-matching workflows you'll hear about. Richard explains how the OptiShade camera and Matisse software work together to create incredibly accurate shade recipes for everything from monolithic zirconia to layered ceramics and even gingiva. They also discuss the latest Creation Magic Color system, hands-on education, custom shade appointments, and why reducing remakes isn't just good for labs—it's better for doctors and patients too. Add in some FDLA leadership talk and a shared passion for education, and you've got a conversation packed with practical ideas and plenty of laughs. Then Elvis and Barb sit down with Kaveh Shams, Branch Manager for Zirkonzahn Canada, whose journey into digital dentistry spans London, Italy, and Canada. Kaveh shares how his admiration for Enrico Steger and Zirkonzahn eventually led to his dream job, while also offering a fascinating look into the company's history, philosophy, and commitment to education. From the origins of Exocad and custom CAM strategies to modular milling systems, open architecture, and Zirkonzahn's incredible Military School program that trains the next generation of technicians, this conversation is full of insight into what makes one of dentistry's most respected digital companies tick. It's an inspiring story of passion, persistence, and why great technology always starts with great technicians.Special Guests: Chris Bradley, Dawn Roniger , Kaveh Shams, and Rich Wodzinski.
Ceramics has granted Madison Smith the unwavering power to transform a simple pile of dirt into an external force of her subconscious. Madison creates sculptures to connect to her disorderly childhood and construct wares to spread joy. Madison's overall themes include the magic of childlike wonder and the undeniable reality of the life she has been forced to reckon with. https://ThePottersCast.com/1246
Harry and Simon reveal what's really driving the ceramics and collectibles market right now, from Crown Derby to Martin Brothers. If you collect, sell, or invest, this episode uncovers the trends, psychology, and timing that can make all the difference.CONTACTthegavelandthegabble@gmail.comLinktreeYouTube www.youtube.com/@thegavelandthegabbleInstagram @thegavelandthegabbleTwitter @GavelandGabble TikTok @laughingauctioneerwww.windsorauctions.co.ukwww.lymebayauctions.co.ukABOUT THE PODCAST The Gavel and The Gabble is a podcast hosted by Harry and Simon who, together, are lucky enough to run two provincial Auction Houses in Windsor, Berkshire and Seaton, Devon.Now we know there are lots of TV shows about buying and selling antiques and collectables but we thought followers of this podcast would like to hear about what goes on behind the scenes of an actual working auction house as we go about our daily business, the characters we meet, the things we find, and the things we wished we had never found.Famed for our slightly different auctioneering style, constant chatting on the rostrum, awful jokes. Stick with us as we bunk off to record anecdotes, interview others in the industry and basically gabble on. If you enjoy the podcast, please leave us a rating. Music from LemonmusicstudioProduction by David Burd Hosted on Acast. See acast.com/privacy for more information.
Hey there Voices of the Bench community, this is Trish Jones with Ivoclar. If you've been curious about fast-firing zirconia to improve efficiency but aren't convinced it can deliver predictable, high-quality results, I'd encourage you to connect with us. Our new IPS Emax Zirconia offers multiple fast-fire protocols designed to help save you valuable production time while maintaining consistent results. Time is money in every lab. Don't wait. Reach out to your local Ivoclar rep today and discover how IPS Emax Zirconia can help streamline your workflow. As full-arch dentistry continues to grow, so do the demands on today's dental laboratories. That's why Knight Dental recently launched SimplyARCH Studio, a dedicated production environment built exclusively for full-arch restorations. To support this specialized workflow, Knight invested in an XTCERA milling system and carefully evaluated multiple CAM software solutions before choosing hyperDENT. The decision came down to exceptional milling quality, minimal hand finishing, and impressive production efficiency. But what truly set hyperDENT apart was the implementation process. From the very beginning, the team provided more than software training—they shared the knowledge and experience needed to build an optimized workflow for complex full-arch cases. With proven expertise in advanced milling strategies and laboratory production, hyperDENT helped ensure SimplyARCH Studio was designed for long-term success from day one. The Voices From the Bench microphones head to the FDLA Symposium for three conversations that perfectly capture what makes this industry so special. Thanks to the wonderful people at GPS Digital RPD, Elvis and Barb got to sit down with longtime friend Morris Fucarino to celebrate an incredible milestone—50 years as a CDT. Morris shares how he found his way into dental technology, what earning certification has meant throughout his career, and why he believes every technician should strive to be the best they can be. From belt-driven handpieces and gold crowns to running a successful one-man laboratory with just three loyal doctors, Morris proves that passion, relationships, and knowledge never go out of style. His stories are a reminder that while technology continues to change, craftsmanship and pride in your work remain timeless. Next, the conversation shifts to Enja Dorjchuluun from Sakr Dental Arts, who talks about helping lead one of Florida's fastest-growing laboratories while serving on the FDLA Board of Directors. She discusses the challenges of managing a lab spread across multiple buildings, the excitement of moving into a brand-new facility, and why giving back through organized dentistry has become such an important part of her career. From developing future technicians to creating educational opportunities and strengthening state associations, Enja shares why investing in people is every bit as important as investing in technology. To wrap things up, Elvis and Barb meet Joseph Núñez Reyes from GPS Digital Dental Lab, whose journey from Puerto Rico to Orlando is fueled by determination, curiosity, and a love for digital dentistry. After leaving biomedical engineering behind, Joseph found his passion in the dental laboratory, worked his way from the model room to supervising a modern CAM department, and now showcases laboratory workflows through social media to inspire the next generation of technicians. With dreams of one day returning to Puerto Rico to build a state-of-the-art laboratory, Joseph reminds us that the future of dental technology is in very capable hands. Ever notice the busiest labs aren't always the ones working the longest hours? They're usually the ones with a workflow that keeps moving—even after everyone heads home. Real productivity isn't about asking your team to do more; it's about having the right tools doing more for your team. That's where Roland's DGSHAPE DWX milling solutions really shine. Built to keep production moving whether you're milling a single case or running overnight, they free your technicians to focus on finishing cases, serving customers, and growing the business instead of babysitting equipment. That's what real productivity looks like: more output, fewer interruptions, and less time spent chasing problems. Because every hour your mill is producing is another hour your lab is creating value. If you're ready to get more from every production day, discover what Roland's DGSHAPE DWX milling solutions can do for your lab at rolanddental.com.Special Guests: Enja Dorjchuluun, Joseph Núñez Reyes, and Morris Fucarino CDT.
Producing digital inks, glues and ink effects for ceramic decoration is a highly sophisticated process that relies on the careful integration of multiple formulation components. Achieving consistent performance, long-term stability and reliable production quality requires the use of a range of specialized additives, each playing a critical role in ensuring proper product functionality and processability.In this episode, we revisit the concept behind the DECOFLUX DP range: a modular additive platform developed to support ink manufacturers and ceramic companies that produce their own digital inks and glues in-house. From pigment grinding to final dilution, we explore how each element of the platform — from pre-optimized grinding media and universal dispersants to viscosity modifiers and stabilizing agents — has been designed to address the practical and evolving requirements of the formulation
In "Kathy Butterly: Assume Yes," a practice spanning for over three decades showcases artist Kathy Butterly's striking and distinctive ceramic sculptures. Butterly and curator Ian Berry sit down to discuss the formation of the exhibit, which is currently open at the Tang Teaching Museum as part of the museum's 25th anniversary program. Installation photo by Mindy McDaniel: 'Kathy Butterly: Assume Yes,' Tang Museum, Skidmore College, 2026 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Karyn Gabriel is a San Francisco Bay Area artist with a BFA from the University of Michigan and post-baccalaureate studies in ceramics at Oregon College of Art and Craft. Grounded in pattern as a visual language, Karyn's sculptures are inspired by structural references from architecture to textile construction. Pared down, elemental forms expose a slightly brutal beauty while emphasizing the interplay between surface and structure. https://ThePottersCast.com/1239
In this podcast episode, MRS Bulletin's Sophia Chen interviews Matt Dickerson of the Air Force Research Laboratory about his research group's development of 3D- printed nanofibrous ceramics. By blending together block copolymers and pre-ceramic polymers, then burning away the block polymer, the pre-ceramic material transforms into ceramic. Dickerson believes this technique will make large-scale ceramic components easier to make. This work was published in a recent issue of npj Advanced Manufacturing.
What if the iconic blue-and-white pottery sitting on your grandmother's mantle was actually the key to an art history mystery? In this episode of *Now I've Heard Everything*, host Bill Thompson sits down with decorative art advisor, author, and former *Antiques Roadshow* expert Genevieve Wheeler Brown to discuss her new book, *Beyond Blue and White*. Genevieve shares the serendipitous story of stepping into a quiet New York City townhouse and discovering a rare cache of 17th- and 18th-century Dutch Delftware. What unfolded was an incredible "who-done-it" that revealed the hidden, powerful history of women in the arts and financial history. From female pottery owners who grew up down the street from Vermeer to the Gilded Age wives who bypassed sexist museum boards to found their own institutions, this episode explores how decorative arts served as a gateway to independence for women throughout history.Get your copy of Beyond Blue And White by Genevieve Wheeler BrownAs an Amazon Associate, Now I've Heard Everything may earn a commission from qualifying purchases.Chapters:01:16 – Porcelain vs. Earthenware: The 9th-Century Imitation Game 02:02 – From *Antiques Roadshow* to a New York City Mystery 03:41 – The Secret Women Entrepreneurs of the Dutch Golden Age 05:14 – Craft vs. Art: From Everyday Tables to Royal Commissions 07:03 – Financial Literacy and Equal Rights in the 17th Century 08:12 – The Golden Age of Archiving and Connecting the Dots 09:14 – Gilded Age Rebels: How Women Built Their Own Museums 10:48 – A 5-Year Writing Journey Born Out of a Zoom Lecture 14:00 – Getting Lost in the Smithsonian: Childhood Inspirations 16:38 – The Centennial Exposition of 1876 and the Women's Pavilion 18:11 – Ceramics as a Gateway to Women's Suffrage and Independence 20:02 – The Science of Cobalt Blue: Technology Thinner Than Porcelain 21:46 – Is There Valuable Delftware Hiding in Your Attic? 22:51 – Wrap-up & Where to Find *Beyond Blue and White*Guest InformationGenevieve Wheeler BrownWebsiteSocial:Facebook Instagram 1988 interview with Alex HaleyEasier, more confident everyday conversation: "The Everyday What To Say"For more intriguing and engaging interviews each week, subscribe now on:Spotify Apple Podcasts YouTube
Tales of a Red Clay Rambler: A pottery and ceramic art podcast
Paul Greenhalgh and Stephanie Rozene join me today to talk about their new podcast The History of Ceramics. We discuss Adelaide Alsop Robineau's life and her masterwork the Scarab Vase, along with how her generation helped create the studio pottery movement in the United States. The podcast is available from your favorite podcast player, but I recommend watching on YouTube or Heni Talks, where you will see images of the works discussed in the episodes. Have you checked out the Tales from the Vault podcast feed? Become a supporter on Patreon to gain access to dozens of episodes that are no longer available on major podcast apps. To make your donation go to patreon.com/redclayrambler. Today's episode is brought to you by the following sponsors: The Rosenfield Collection of Functional Ceramic Art www.Rosenfieldcollection.com Cornell Studio Supply www.cornellstudiosupply.com Kiln Fire kilnfire.com
Hello voices from the bench community, John Wilson here and I wanted to share some news about the evolution of the Programill lineup. Most importantly, Ivoclar's new PrograMill 7. What stands out right away is the reduced air consumption this mill requires, but what you'll notice first is that impressive new touchscreen. For us, the biggest advantage has been increased spindle power. Next time you see your Ivoclar representative, be sure to ask about the PrograMill 7 and tell them John Wilson sent you. Thank you. At exocad Insights in beautiful Mallorca, we finally caught up with Felix from Imagine USA—and the timing couldn't have been better. As an exocad dealer on the front lines of digital dentistry, Felix shared his excitement about the strong turnout, the familiar faces, and most importantly, the innovation coming from exocad. What stood out most? The new exocad Hub and its cloud-based capabilities, along with powerful AI-driven tools inside DentalDB designed for efficient batch processing. For Felix and the Imagine team, it's not just about seeing what's new—it's about putting it to the test. By running new features through their own production facility first, they ensure real-world performance before bringing solutions to their customers. Fresh off the beaches and lectures of the beautiful island of Mallorca at the exocad Insights 2026 , Elvis and Barb sat down with three incredible women proving that digital dentistry is global, creative, and fueled by passion. First up is Andreea Bordea, a ceramist and lab owner originally from Romania who found her way into dental technology after narrowly missing acceptance into dental school. From analog waxing and staining zirconia with a single A2 shade to opening her own lab in Spain and building a digital workflow around exocad, Andreea shares the journey of learning everything the hard way. She talks about teaching herself digital dentistry, building a team, and how social media unexpectedly became her outlet while working alone in her lab. The conversation also dives into Ivoclar materials, zirconia, and the excitement around new products launched at Insights. Then the microphones turn to Denisse Ramos from for one of the most energetic conversations of the event. Denisse talks about her journey from Enterprise Rent-A-Car and Coca-Cola into the dental industry, eventually becoming a major force in digital workflows, 3D printing, and equipment sales. From Dentsply to Desktop Health and now leading sales at New Stetic USA, Denisse shares stories about mentorship, industry evolution, women in dentistry, and why labs need to charge for their expertise. We all talk about the rise of digital dentistry, treatment planning frustrations, social media, the future of dentures, and the importance of giving back through organizations like Ladies of the Mill and the NADL. Finally, Elvis met Daniela Torres, better known online as “Danny Designer,” a digital designer from Chile whose Instagram portfolio turned into a thriving business. Daniela explains how she taught herself exocad through YouTube before traveling to Madrid for advanced training, eventually working at the MOD Institute in South Carolina before returning to Chile to build her own remote design business. From designing full arch restorations and dentures to handling dozens of cases a day entirely through email and WhatsApp, Daniela proves how powerful digital dentistry and social media have become for technicians worldwide. The conversation wraps with excitement around exocad's newest updates, the exocad Hub, and what it means to be recognized as an exocad Hero.Special Guests: Andreea Bordea, Daniela Torres, and Denisse Lasso Ramos.
Hello voices from the bench community, John Wilson here and I wanted to share some news about the evolution of the Programill lineup. Most importantly, Ivoclar's new PrograMill 7. What stands out right away is the reduced air consumption this mill requires, but what you'll notice first is that impressive new touchscreen. For us, the biggest advantage has been increased spindle power. My laboratory's known for these larger cases with complex geometries, and I can tell you that extra power really makes a difference. Next time you see your Ivoclar representative, be sure to ask about the PrograMill 7 and tell them John Wilson sent you. Thank you. At exocad Insights in beautiful Mallorca, we finally caught up with Felix from Imagine USA—and the timing couldn't have been better. As an exocad dealer on the front lines of digital dentistry, Felix shared his excitement about the strong turnout, the familiar faces, and most importantly, the innovation coming from exocad. What stood out most? The new exocad Hub and its cloud-based capabilities, along with powerful AI-driven tools inside DentalDB designed for efficient batch processing. For Felix and the Imagine team, it's not just about seeing what's new—it's about putting it to the test. By running new features through their own production facility first, they ensure real-world performance before bringing solutions to their customers. Beyond the technology, Felix emphasized the value of being there in person—connecting face-to-face with partners, having meaningful conversations, and stepping back to see where the industry is headed. And of course, doing it all in Mallorca doesn't hurt either. This week Elvis and Barb are back at exocad Insights 2026 where the microphones captured two very different conversations that somehow landed on the exact same thing: passion still matters. First up, we sat down with longtime dental technicians and Oral Design International Foundation members Pinhas Adar and Javier Perez to talk about the legacy of the legendary Willi Geller and how one man helped elevate dental technicians from the shadows to respected members of the restorative team. From stories of learning under masters in Switzerland to building a worldwide family of 127 members across 34 countries, the conversation dives deep into friendship, mentorship, craftsmanship, and why face-to-face connection still matters in a digital world. They also share details about upcoming memorial and symposium events dedicated to carrying on Willi's philosophy of passion, respect, and sharing knowledge without ego. Then the crew caught up with returning guest Dora Rodrigues, who has gone from conversion queen to certified exocad trainer, full-arch educator, and lab owner running an increasingly digital workflow. Dora talks about finally bringing milling in-house, the terrifying learning curve that came with it, and how mastering workflows like split bars and partial CAD has completely changed the way she designs full-arch restorations. Between traveling internationally to lecture, teaching labs how to streamline their workflows, and still designing cases herself, Dora proves that digital dentistry still takes serious technical skill, problem-solving, and obsession with detail. It's an episode full of passion, legacy, technology, and the reminder that no matter how digital dentistry gets… the people behind it still make all the difference. Today's dental labs are under more pressure than ever — tighter turnaround times, staffing challenges, and nonstop production demands. That's why efficiency and reliability matter more than ever before. More laboratories continue turning to Roland DGA and the proven performance of the DGSHAPE DWX Series milling solutions to keep production moving smoothly. Reliable workflows help reduce downtime, minimize remakes, and allow technicians to focus on quality work instead of troubleshooting equipment. For labs exploring digital dentures, the Elevate Denture Solution offers a streamlined workflow with validated CAM strategies and Ivotion compatibility through hyperDENT software — helping labs adopt digital production without unnecessary complexity. Because labs don't need more stress. They need dependable systems that simply work.Special Guests: Dora Rodrigues, Javier Perez Lopez, and Pinhas Adar MDT, CDT.
Hello voices from the bench community, John Wilson here and I wanted to share some news about the evolution of the Programill lineup. Most importantly, Ivoclar's new PrograMill 7. What stands out right away is the reduced air consumption this mill requires, but what you'll notice first is that impressive new touchscreen. For us, the biggest advantage has been increased spindle power. My laboratory's known for these larger cases with complex geometries, and I can tell you that extra power really makes a difference. Next time you see your Ivoclar representative, be sure to ask about the PrograMill 7 and tell them John Wilson sent you. Thank you. At exocad Insights in beautiful Mallorca, we finally caught up with Felix from Imagine USA—and the timing couldn't have been better. As an exocad dealer on the front lines of digital dentistry, Felix shared his excitement about the strong turnout, the familiar faces, and most importantly, the innovation coming from exocad. What stood out most? The new exocad Hub and its cloud-based capabilities, along with powerful AI-driven tools inside DentalDB designed for efficient batch processing. For Felix and the Imagine team, it's not just about seeing what's new—it's about putting it to the test. By running new features through their own production facility first, they ensure real-world performance before bringing solutions to their customers. Beyond the technology, Felix emphasized the value of being there in person—connecting face-to-face with partners, having meaningful conversations, and stepping back to see where the industry is headed. And of course, doing it all in Mallorca doesn't hurt either. Mallorca, Spain. exocad Insights 2026 Three completely different conversations somehow all landed on the same theme: digital dentistry keeps getting smaller, smarter, and way more connected. First up, the crew catches back up with digital designer and educator Marjorie de Andrade, who went from Brazil to New Zealand chasing opportunity, only to end up building a global career through remote design, social media, and education. Marjorie talks about creating the Mastering exocad course, freelancing for dentists around the world, and why finding purpose through teaching became more important than simply designing crowns. She also shares thoughts on the newly announced exocad Hub, remote collaboration, and how digital dentistry is making communication between dentists and technicians easier than ever. Then the microphones turn to Dr. Dwight Pate for one of the most workflow-heavy conversations the podcast has ever had. From hand waxing cases the old-school Dawson and Pankey way to designing provisionals and controlling full-mouth rehabs completely through exocad, Dr. Pate breaks down how he combines analog principles with digital workflows. The discussion dives deep into occlusion, provisionals, articulators, guided workflows, AI design, and why he believes digital dentistry still has to prove itself back in the analog world before it ever reaches the patient's mouth. Finally, the crew reconnects with Dr. Eimear O'Connell to talk about why clinicians need to attend events like Insights just as much as technicians. Eimear shares how digital workflows are improving communication between doctors, labs, and patients while making implant planning, dentures, and aesthetic dentistry more predictable than ever. From digital dentures that fit with almost zero adjustment to helping patients emotionally reconnect with their smiles, the conversation reminds everyone that behind every scanner, workflow, and software update is still a real person whose life changes because of dentistry.Special Guests: Dr. Dwight Pate, Dr. Eimear O'Connell, and Marjorie de Andrade .
Send us Fan MailMany of us assume that when demand for our work finally arrives, we're supposed to rise to meet all of it — that suddenly the rules of supply and demand apply to us the same way they apply to everyone else. What if deliberately not scaling up isn't leaving opportunity on the table, but is actually the thing that makes the work worth wanting in the first place? In her conversation with Debi Stoliar of Curiosibee Ceramics,, we explore what it looks like to hold two seemingly contradictory truths at once: taking your craft seriously as a future business while protecting the joy that makes it worth making at all. The most powerful business decision you might ever make could simply be deciding not to grow beyond what you genuinely love doing.Check out Debi's work at: https://www.curiosibee.com/Love this podcast? Support an episode! Click here to learn more. Follow The Maker's Playbook on Instagram @themakersplaybookHave questions about the show or want to say Hi? Email us at: podcast (at) makers-playbook (dot) com
Natalie Wagner joins the podcast to share her efforts to revive and expand the ceramics program at the Peterson-McCormick Boys & Girls Club in Chicago. She discusses rebuilding the program after the original kiln failed, how community support helped fund its return, and her long-term vision for creating sustainable opportunities for students through ceramics education and apprenticeships.-----Find more about Natalie below-----Go Fund Me for Boys and Girls Club ChicagoInstagram - @big_feeling_ceramicsWebsite - https://www.bigfeelingceramics.com/
This week on aBlogtoWatch Weekly, Ariel, Rick, Ripley, and David dive headfirst into the chaos surrounding the Swatch x Audemars Piguet “Royal Pop” launch and ask the important question: Was this a clever collaboration or a full-blown PR disaster? From overnight lines and police involvement to flippers and frustrated collectors, the crew breaks down everything that went wrong with the Swatch x AP launch. They also debate who this release was really for and the strange reality of a pocket watch that nobody seems interested in actually using as a pocket watch.The team weighs in on the mint-green Hublot Big Bang Unico and why playful luxury watches deserve more love. They take a closer look at the engineering hiding beneath the ceramic case before discussing Citizen's new Promaster GMT as a surprisingly compelling, value-packed travel watch. Along the way, our crew debates fun versus practicality, collector psychology, and whether posting wrist shots should be banned forever in your watch-related group chats.To check out the ABTW Shop where you can see our products inspired by our love of Horology:- Shop ABTW - https://store.ablogtowatch.com/To keep updated with everything Superlative, aBlogtoWatch Weekly, and aBlogtoWatch, check us out on:- Instagram - https://www.instagram.com/ablogtowatch/- Website - https://www.ablogtowatch.com/- Facebook - https://www.facebook.com/aBlogtoWatch If you enjoy the show please Subscribe, Rate, and Review!
Host Janet Michael welcomes back Jill Savory, founder of The Typewriter Studio in Old Town Winchester, VA, for an update nearly a year after the studio's grand opening. They dive into how the business has grown and evolved, the surprising benefits of making art, and everything you need to know about summer camps and studio memberships. Topics Covered How The Typewriter Studio has changed since opening — from kids' art classes and watercolor to a ceramics-heavy focus What it's like teaching art to adults vs. kids (spoiler: adults are way more nervous) The science behind why making art is good for your brain — lower anxiety, reduced cortisol, and the power of getting into a "flow state" Current gallery artist: Monica James, ceramics professor at Laurel Ridge Community College Upcoming adult workshops in collaboration with Laurel Ridge Community College professors Monica James and Paul Zdevsky A Wall Street Journal article on craft retreats as the new burnout cure 2025 Summer Camps — themes, pricing, age groups, and how to register Partnership with the Discovery Museum for two camp weeks (late June & first week of July) Studio membership tiers and the math that makes them worth it Summer Camps at The Typewriter Studio Who: Rising 1st graders through rising 8th graders When: First week of June through first week of August Themes include: Nature exploration, outer space, critter camp, paper possibilities, cardboard sculpture, Art Through the Ages (STEAM), Messy Makers, fiber arts Format: AM and PM camps available; add lunch bunch to stay all day Friday Fun Days: Drop-in Fridays for families who can't commit to a full week — art walks, splash pad, and studio time Pricing: Starting at $180/week; sibling discounts, school discounts (including Orchard View), and membership discounts available Discovery Museum Partnership Camps (register at discoverymuseum.net): Last week of June: Art Through the Ages + Messy Makers First week of July: Nature + Fiber camps Museum members receive special pricing; lunch bunch option available Studio Memberships Membership Price Perks Household $100/year Discounts on classes, workshops, parties; early camp access Single $50/year Discounts on classes, workshops, and parties Clay $50/month Open studio access (Sun/Tue/Thu), shelf space, up to 3 pieces fired per week Book Mentioned Your Brain on Art — on the neuroscience of creativity and art-making Available at Winchester Book Gallery (https://winchesterbookgallery.com/book/9780593449240) Find The Typewriter Studio Website: typewriterstudio.org Address: 127 South Braddock Street, Old Town Winchester, VA Facebook: The Typewriter Studio Instagram: @typewriter_studio Open Studio Hours: Sundays 11am–2pm | Tuesdays & Thursdays 4–8pm Parking: Street parking; metered out front, free on Cork Street. Use the parking app!
This extended documentary-style bedtime story is a compilation of three different stories: History of Gold, History of Ceramics, and History of Textile. For each of them, I tell you about their evolution since Prehistory and the various types of objects, styles and techniques that were developed. This podcast is entirely scripted and recorded by real people, it includes no AI, and mid-roll ad breaks are turned off so that you can relax without interruption. #sleep #documentary #bedtimestory #asmr #sleepstory #history Welcome to Lights Out Library Join me for a sleepy adventure tonight. Sit back, relax, and fall asleep to documentary-style bedtime stories read in a calming ASMR voice. Learn something new while you enjoy a restful night of sleep. Listen ad free and get access to bonus content on our Patreon: https://www.patreon.com/LightsOutLibrary621 Enjoy my audiobook on Ancient Egyptian History, Myths & Mysteries: https://open.spotify.com/show/6mCqX5FoO6uCilrWCS8mB9?si=e1ecb983d2534d69 Listen on Youtube: https://www.youtube.com/@LightsOutLibraryov ¿Quieres escuchar en Español? Echa un vistazo a La Biblioteca de los Sueños! En Spotify: https://open.spotify.com/show/1t522alsv5RxFsAf9AmYfg En Apple Podcasts: https://podcasts.apple.com/us/podcast/la-biblioteca-de-los-sue%C3%B1os-documentarios-para-dormir/id1715193755 En Youtube: https://www.youtube.com/@LaBibliotecadelosSuenosov Learn more about your ad choices. Visit megaphone.fm/adchoices
Can a needle and thread mend more than fabric? Ceramic artist Leah Jensen joins Grant Gibson to discuss the radical pivot in her practice after a brain cancer diagnosis — and how stitching became a daily act of survival, documentation and repair.In this episode, we explore making as medicine and the quiet power of slow, analogue craft. We discuss:Renaissance Patterns: The unexpected art-historical roots of Leah's intricate, geometric ceramic surfaces.'Anti-Digital' Making: Why she rejects screens and software in favour of the hand, the eye, and the hour-long stitch.The Brain Tumour Book: How embroidery became a diary of diagnosis, surgery, radiotherapy and chemotherapy — exhibited this April at London's Fitzrovia Chapel with Cavaliero Finn.'Sewing is an act of emotional repair': Using thread — and her own hair — to process trauma, memory loss and identity.Return to Clay: Re-entering the ceramic studio after illness, and how the two mediums now speak to each other.Leah also reflects on collapsing behind a bar in the moment that changed everything, the role of her parents and partner in her recovery, and what making has taught her about being present.You can support The Brain Tumour Charity via the Brain Tumour Book fundraising page: https://www.crowdfunder.co.uk/p/braintumourbookcharityfundraisingexhibitionExplore more: Visit materialmatters.design for more on our fairs and conferences.Support the show
Hello voices from the bench community, John Wilson here and I wanted to share some news about the evolution of the Programill lineup. Most importantly, Ivoclar's new PrograMill 7. What stands out right away is the reduced air consumption this mill requires, but what you'll notice first is that impressive new touchscreen. For us, the biggest advantage has been increased spindle power. My laboratory's known for these larger cases with complex geometries, and I can tell you that extra power really makes a difference. Next time you see your Ivoclar representative, be sure to ask about the PrograMill 7 and tell them John Wilson sent you. Thank you. At exocad Insights in beautiful Mallorca, we finally caught up with Felix from Imagine USA—and the timing couldn't have been better. As an exocad dealer on the front lines of digital dentistry, Felix shared his excitement about the strong turnout, the familiar faces, and most importantly, the innovation coming from exocad. What stood out most? The new exocad Hub and its cloud-based capabilities, along with powerful AI-driven tools inside DentalDB designed for efficient batch processing. For Felix and the Imagine team, it's not just about seeing what's new—it's about putting it to the test. By running new features through their own production facility first, they ensure real-world performance before bringing solutions to their customers. Beyond the technology, Felix emphasized the value of being there in person—connecting face-to-face with partners, having meaningful conversations, and stepping back to see where the industry is headed. And of course, doing it all in Mallorca doesn't hurt either. This episode finally brings a long-awaited conversation to life with Kent Kohli, a name many in the industry recognize—but maybe don't fully know the story behind. From an unexpected entry into dentistry (thanks to marrying his orthodontist's daughter) to becoming a lifelong student of ceramics and education, Kent's journey is anything but typical. What starts as a pre-dental path quickly shifts once Kent discovers the lab side of dentistry—and more importantly, where his passion truly lives. From pouring models and grinding metal to studying under legends like John Archibald, Kent shares how mentorship, curiosity, and relentless work ethic shaped his career. Along the way, he opens up about the early struggles—working 100-hour weeks, barely making ends meet, and choosing quality over the “race to the bottom” that burned out many of his peers. Kent dives deep into the evolution of dental technology, from the early days of PFMs and Empress to today's digital workflows and liquid ceramics. But at the heart of it all is a consistent theme: education. Whether it's learning from the “giants” of the industry or now helping guide the next generation through his role at Ivoclar, Kent sees it as a responsibility to pass on what was given to him. He also shares insights into his current mission—bringing hands-on education back to the forefront, blending traditional techniques with modern materials, and helping technicians elevate their craft beyond just production. Rising costs, tighter deadlines, and greater demands are challenging labs everywhere. When efficiency matters, you need tools that deliver—every day. Roland DGShape milling solutions are reliable and easy to use. Just turn them on and let them run—no babysitting required. Fewer remakes and less wasted material mean your team can focus on getting cases out the door. With the Elevate Denture solution, step into digital dentures without disrupting your workflow. Validated CAM strategies and Ivoclar compatibility mean you're building on a system you already trust. Ready to boost efficiency? Explore DG Shape DWX Milling Solutions and the Elevate Dental Solution at RolandDental.com.Special Guest: Kent Kohli.
Hey Voices from the Bench community! Jessica Love here, sending a shoutout from Utah! If you're passionate about creating natural, beautiful smiles—but want to simplify your workflow without sacrificing aesthetics—this is for you. I'm honored to be part of Ivoclar's development team introducing a powerful new stain and glaze system featuring Structure Paste, IPS e.max Ceram Art. Create stunning depth and lifelike color in as little as one firing. Let's continue to innovate, simplify, and create meaningful change—one smile at a time. CAM has been a major topic lately, and a lot of that conversation keeps coming back to hyperDENT. But instead of just talking about the software itself, it's worth looking at real-world experience. Imagine USA has been using hyperDENT in their own lab for over 15 years. That kind of longevity says a lot—they're not just selling and supporting it, they're relying on it in their own production every single day. That's what really sets them apart. This week's episode brings it full circle as Elvis reconnects with one of the podcast's very first guests, Renata Bundy, now a longtime professor at New York City College of Technology. Along with her are two technicians who represent both sides of the journey—lab owner Roberto Rossi and workflow master Eugene Vega—creating a conversation that dives deep into education, mentorship, and what it really takes to succeed in today's dental lab world. Roberto shares his unlikely path from working sanitation in New York to building a thriving lab, Synergy Dental Studio, over nearly three decades. With a relentless focus on quality, constant improvement, and embracing digital (while still questioning it), he explains how his lab has grown into a tight-knit, high-level operation. Eugene adds perspective from inside the lab, describing his evolution from student to managing daily workflow, highlighting how important environment, mentorship, and work ethic are when transitioning from school to real-world production. Renata ties it all together from the educational side, reflecting on over 20 years of teaching and how the program has evolved alongside the industry—from analog fundamentals to digital workflows—while still preparing students for the realities they'll face after graduation. The group doesn't shy away from the tough truths either: low starting pay, steep learning curves, and the high dropout rate among new technicians. But the message is clear—stick with it, find the right lab, and the opportunity is there. It's a conversation about growth, grit, and the importance of surrounding yourself with the right people—whether that's in the classroom or the lab. And if nothing else, you'll learn that a little Italian lunch might just be the secret to building a loyal team.Special Guests: Eugene Vega, Renata Budny, CDT, TE, and Roberto Rossi.
There's a growing movement to make sure colleges offer ‘degrees of value,' meaning that offerings lead to higher-paying jobs for graduates than if they hadn't gone to college. Jeff and Michael talk to a key proponent of the idea, Harrison Keller, the president of the University of North Texas and former Commissioner of Higher Education in Texas. He talks about his experiments to redesign colleges to better match their offerings to the needs of the labor market. This episode is made with support from Ascendium Education Group. Relevant Links “Building a Talent Strong Texas,” strategic plan from Texas Higher Education Coordinating Board. “University launches regional partnership for Texas Talent Accelerator to meet industry demands,” in the North Texas Daily. “University of North Texas to cut more than 70 programs and minors to trim $45 million deficit,” in the Texas Tribune.“ Syracuse Drops 84 Majors Including Classics, Ceramics and Italian,” in The New York Times (gift link). Chapters 0:00 - Introduction 1:30 - A President Trying to Align Degrees to the Labor Market 3:43 - The Elevator Pitch for Ensuring ‘Credentials of Value' 5:50 - Creating a ‘Hub' to Analyze Fast-Changing Employment Landscape 9:04 - Is There a Danger of Training Students for Dying Jobs? 12:11 - What Programs at UNT Aren't Working? 14:14 - What About Majors With Social Value That Don't Pay Much? 17:21 - How Do State Funding Formulas Need to Change? 20:06 - How Do Universities Need to Change Their Structures? 23:32 - What Should Universities Do to Respond to AI? 28:07 - Sponsor Break 28:46 - Colleges Need to Do More to Connect Liberal Arts to Job Skills 33:14 - The Case for a More-Detailed Mapping of Liberal Arts Skills to Work 41:56 - A Move to Shorter Degree Offerings in Some Fields 45:33 - Eliminating Programs With Low Demand 50:40 - Lightning Round with Harrison Keller Connect with Michael Horn: Sign Up for the The Future of Education Newsletter Website LinkedIn X (Twitter) Threads Connect with Jeff Selingo: Dream School: Finding the College That's Right for You Sign Up for the Next Newsletter Website X (Twitter) Threads LinkedIn Connect with Future U: Twitter YouTube Threads Instagram Facebook LinkedIn Submit a question and if we answer it on air we'll send you Future U. swag! Sign up for Future U. emails to get special updates and behind-the-scenes content.
On April 18, Green-Wood Cemetery is opening Green-House, a new welcome and educational center that expands on the Weir Greenhouse, build in 1895. To mark the opening, the Cemetery commissioned Brooklyn artist Jean Shin to create two new installations: 'Offering,' an earthwork that will transform old cemetery trees into a meadow of flowers, and 'Celadon Landscape,' the debut exhibit at Green-House that features Shin's work with celadon ceramics. Jean Shin discusses her inspiration for the work ahead of the opening this weekend, which invites public participation for both pieces. Photo by Etienne Frossard
In this episode of Creative Guts, co-hosts Laura Harper Lake and Joe Acone sit down with Ned Roche, ceramicist and owner of Chases Garage. As an old friend of Joe and newer friend of Laura, Ned brings creative thinking and humor to our delightful conversation. Ned shares about Chases Garage, an auto-shop turned artist community in York, Maine, that offers classes, workshops, and studio space. We also dive into how Ned's work, folded things, evolved; his latest endeavor: soft serve ice cream out of clay; and many silly side topics. Find Ned's work at www.nedroche.com and follow him on Instagram at www.instagram.com/hiprandy. Check out Chases Garage at www.chasesgarage.com and on Instagram at www.instagram.com/chasesgarage/. Listen to this episode wherever you listen to podcasts or on our website www.CreativeGutsPodcast.com. Connect with us on Instagram, Facebook, LinkedIn, and Discord. Subscribe to our Substack newsletter at creativegutspod.substack.com. If you love listening, consider making a donation to Creative Guts! Our budget is tiny, so donations of any size make a big difference. Learn more about us and make a tax-deductible donation at www.CreativeGutsPodcast.com. Thank you to Kennebunk Savings Bank for being an official sponsor of the podcast! Thank you to our friends at Art Up Front Street Studios and Gallery in Exeter, NH and the Rochester Museum of Fine Arts in Rochester, NH for their support of the show! Any views or opinions expressed by our hosts or guests do not necessarily reflect the views or positions of Creative Guts.
Today – A Lexington senior turned a class picked for fun into a nationally recognized ceramics portfolio — and a gold medal that’s taking him to Carnegie Hall.Support the show: https://richlandsource.com/membersSee omnystudio.com/listener for privacy information.
Episode 523 / Chenlu Hou & Chiara NoBorn in Shandong, China in 1989, Chenlu Hou is currently based in Providence, RI. She earned her MFA in Ceramics from the Rhode Island School of Design in 2019. Since then, she has completed residencies at Museum of Arts and Design in New York, Penland School of Craft, Houston Center for Contemporary Craft, and Archie Bray Foundation. Her works have been included in exhibitions at Kristen Lorello, New York; YIRI Arts, Taipei City, Taiwan; the Houston Center for Contemporary Craft, Texas; and the Archie Bray Foundation, Helena, MT; among other venues. Hou is currently a resident artist at Harvard Ceramics and a Visiting Critic in Ceramics at the Rhode Island School of Design.Chiara No was born in 1981 in Key West, FL, and currently lives and works in Johnson, VT. She studied Art and Theory at the Glasgow School of Art in 2002-03 and received a BA in Art History from Towson University in 2005 and an MFA from the University of Pennsylvania in 2015. She has been on faculty at School of the Art Institute of Chicago and an instructor at University of Pennsylvania. She has shown at Spring Break New York, NY; MoCA Westport, Westport, CT; Field Projects and Bible, New York, NY; Vox Populi, Philadelphia, PA; EXILE, Vienna, Austria; Johalla Projects, Chicago, IL; and has participated Printed Matter's Art Book Fair in both New York and Los Angeles. Her works on paper are included in the Whitney Museum of American Art's Special Collection, the Walker Art Center's Library and Archives, the Art Institute of Chicago's Joan Flasch Artists' Book Library. Chenlu Hou and Chiara No: What the Hands Remember to Hear. A joint exhibition at the Aldrich Museum of two artists who use ceramic sculpture to explore storytelling and spirituality up through MAY 25, 2026.
At the Tang Museum at Skidmore College, ‘Kathy Butterly: Assume Yes' surveys more than thirty years of work by one of the most inventive artists working in ceramics today. Butterly is known for small-scale sculptures that are technically daring, expressive, and often witty. At the Schick Art Gallery in Skidmore's art building, ‘Earthbound' brings together work by eleven contemporary ceramic artists. Their work ranges in techniques and aesthetic approaches from figurative to abstract, and from functional to fantastical.And opening Saturday at The Hyde Collection is ‘Toshiko Takaezu: Voices of Abstraction.' Takaezu was known for her ceramic forms and expressive glazes, and the exhibition places her work in dialogue with painters including Sam Gilliam, Adolph Gottlieb, and Lee Krasner.
In Episode 57 of BonsaiTime, guest host Angelica Ramirez takes the reins for a lively conversation with bonsai pottery artist Nick Hopes. They dive into Nick's path into ceramics, the evolution of his work, and the ideas that keep his creativity moving.It's a fun, easygoing episode packed with insight, personality, and a few laughs along the way. Whether you're into bonsai pottery or just enjoy hearing how artists think and grow, this one delivers something new to take with you.The video version is coming soon.Show notes, relevant pictures, and links are coming soon.See you in the next episode!Guest Info:Nick Hopes of Maidenhair Ceramics is in Frigiliana, Spain can be found on their Instagram, Facebook, and his profile on the European Potters Website.Sponsor Info: This episode is sponsored by our co-host via the Kevin Faris moving sale of bonsai pottery, tools, and trees. View these items at In Vivo Bonsai of Columbus, Ohio, USA in-person, or online (shipping available) at invivobonsai.etsy.com, or go to www.InVivoBonsai.com and navigate to the consignment pottery and tree pages.Mailbag submissions/Community:NEW BT DISCORD ChatBT Facebook GroupSupport the Pod:Anytime you listen, subscribe, rate us, or share us with friends, you help keep us motivated to keep making episodes for you all! If you want to take it to the next level, you can also help keep the podcast going by donating to us through Spotify or by sponsoring an episode (contact us directly for that). All donations go back into the podcast such as for our web hosting, recording gear expenses, etc.Podcast Info:The Bonsai Time Podcast is hosted, edited, & produced by Kevin Faris, Ryan Huston, & Kelly Lui. We expect to post new interviews and reflections monthly! Find us on YouTube, Facebook, Instagram, TikTok, our website, and our email BonsaiTimePodcast@gmail.com.Submit questions or pictures for future Bonsai Brainstorm episodes to our email, social media DMs, or here.Audio editing of this episode and music are by MIDICANCER. Find more music by them on SoundCloud and BandCamp.Host info:Ryan is a former bonsai apprentice of Elandan Gardens and current operator of In Vivo Bonsai nursery and educational operation in Columbus, OH. Kevin is a bonsai practitioner/teacher now living in Massachusetts. Kelly is a newer bonsai artist volunteering and studying especially in the Los Angeles area.More Bonsai Projects by Ryan:Read more about bonsai on his blog and learn more about his educational services here.Find Ryan's online-available bonsai products, seeds, tools, etc. here. Each seed kit sold comes with my full 10-year bonsai-from-seed guide.Find Ryan on Facebook, Instagram, YouTube, and TikTok as well if you need more bonsai in your feed.Also, check out some of my video editing work for the Puget Sound Bonsai Association and Columbus Bonsai Society's demonstration archives.
AGD Podcast host Dr. George Schmidt recently talked with David Hornbrook, DDS, FAACD, FACE, FASDA, AGD2026 featured speaker and one of the one of the most respected names in esthetic and restorative dentistry. They discuss the evolution of dental materials, particularly ceramics, over his 36-year career in private practice and how clinical success depends more on proper occlusion management than material strength alone. He described his approach to full-mouth rehabilitation cases, including his philosophy of restoring anterior teeth first while leaving molars out of occlusion to allow for proper muscle function. Dr. Hornbrook graduated from the University of California, Los Angeles, School of Dentistry and has been in private practice in San Diego, California, for the past 36 years. He is a pioneer in live-patient esthetic dental treatment programs and was the founder and director of LVI, PAC~live, the Hornbrook Group and Clinical Mastery. When you register for AGD2026 before the early bird deadline on April 30, you'll automatically unlock 7 FREE CE credits for Dr. Hornbrook's courses*. This is your chance to learn from a Diplomate of the American Board of Aesthetic Dentistry and a multiple-time lifetime achievement award recipient at no extra cost. Don't miss this rare opportunity! (Learn more at AGD2026.org.) Dr. Hornbrook has lectured internationally on all facets of dentistry, including porcelain veneers, implants, dental materials, occlusion and direct composites. He is the past editor of the American Academy of Cosmetic Dentistry's (AACD's) journal, the Journal of Cosmetic Dentistry, and is an accredited fellow of the AACD. He is also a fellow and diplomate of the American Society of Dental Aesthetics and a fellow of the Academy of Comprehensive Esthetics, and he was honored with lifetime achievement awards by the Crown Council and the Academy of Comprehensive Esthetics.
This week, Wes and Todd reconnect with their friend, multidisciplinary artist, Joey Kerlin. Joey discusses beauty, ceramics, the catalyst to getting back into teaching, critical thinking, teaching philosophy, writing & reading, art weirdos, the book “Art & Fear”, imposter syndrome, literacy, Catholic churches, transubstantiation, beholding, Marina Abramoić, how teaching informs his art practice, arts & education, bean pots, boredom, vulnerability & relationships, art & loneliness, titles, the “OFF-PRINSTE” exhibition, borders, birds & women, chairs, divergent vs. convergent thinking, the “Black Ink” fundraiser, this year's “Hearsay” exhibition and the piece he's submitting, and the challenges & virtues of being an Artist.Join us for a thought provoking conversation with Joey Kerlin!Follow Joey Kerlin on social media:Instagram - www.instagram.com/radiusstudios/ - @radiusstudios See Joey's work in person at these exhibitions; OFF-PRINSTE – March 3rd – April 26thThe People's Building9995 E. Colfax AvenueAurora, CO 80010Secondary Reception: April 3rd, 5pm - 8pm Black Ink – a fundraiser for Mo' Print – Month of Printmaking Colorado@moprintcoloradoSaturday, April 4th, 6pm – 11pmHigh Dive Denver7 S. BroadwayDenver, CO 80223All prints - $10 Hear/Say – Groundbreaking Art Exhibition Exploring the Effects of High-Concentration Cannabis May 29th - May31st, 2026Center for Creativity200 Matthews StreetFort Collins, CO 80524Opening reception – May 29th, 6pm – 8pm June 5th – June 26th, 2026Cottonwood Center for the Arts427 E. Colorado AvenueColorado Springs, CO 80903Opening reception – June 5th, 6pm – 8pmSend us Fan MailFollow us on Instagram:@tenetpodcast - www.instagram.com/tenetpodcast/@wesbrn - www.instagram.com/wesbrn/@toddpiersonphotography - www.instagram.com/toddpiersonphotography/ Follow us on Facebook:www.facebook.com/TenetPodcast/Email us at todd@toddpierson.com If you enjoyed this episode or any of our previous episodes, please consider taking a moment and leaving us a review on your favorite podcast platform.Thanks for listening!
Send a textMost of us assume that building a creative business takes years of groundwork before the work can speak for itself — but what happens when the work takes off before you've had time to figure out the business? Aaron Raymond of Redacted Ceramics went from renting a wheel for a week to running a full-time pottery business in under two years, and his story raises a quiet but important question: does the conventional wisdom about "paying your dues" actually hold up? As Aaron shares, a clear creative vision — one rooted in the Portuguese tile work he encountered while living abroad — combined with a willingness to use technology as a tool rather than a shortcut, allowed him to develop a style so distinctive that it found its audience almost before he was ready for it. The real lesson here may be that sustainability isn't about how long you've been at it, but about knowing your limits, protecting your hands, and resisting the pressure to scale past what the work can actually bear.Check out Aaron's work here: https://redactedceramics.com/Love this podcast? Support an episode! Click here to learn more. Follow The Maker's Playbook on Instagram @themakersplaybookHave questions about the show or want to say Hi? Email us at: podcast (at) makers-playbook (dot) com
Tracie Griffith Tso works in her studio at the Torpedo Factory Art Center in Alexandria, Virginia. Featured works include a hand-built koi pitcher with maple and bamboo painting on rice paper; a stoneware bamboo pomegranate platter with birds symbolizing longevity, resilience, and abundance, cone 6, electric-fired; and a brown stoneware giant panda teapot with bamboo blossom and sculpted detail, cone 6, electric-fired. https://ThePottersCast.com/1208
In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) tells the story of how traditional craft skills of the Islamic world, often thought to have died out with the advent of industrialization, were redirected toward a thriving new market in the colonial era: the fabrication and fictionalizing of antiquities, especially ceramics.In this stunning work of art history, Dr. Margaret Graves shakes the foundations of the discipline, challenging us to reconsider what is and is not art. She traces how sophisticated fabrications—as modern as they were believed to be medieval—moved within an international network of diggers, dealers, and collectors who took advantage of a largely unregulated marketplace to exchange and amass objects that were fabulous in every sense of the word. She looks at canonical artworks as well as many previously unpublished and rarely seen objects, shedding light on the astonishingly varied ways Islamic ceramics were altered and remade by highly skilled craftspeople to meet the demands of Western collectors. Shifting away from the moralizing stance of past studies on reconstructed Islamic ceramics, Dr. Graves shows how fabrication and forgery became a major site of participation in modern global capitalism and establishes an entirely new paradigm in the history of art.Drawing on a substantive new body of provenance research, archaeology, economic history, and laboratory analysis, Invisible Hands centers previously marginalized objects, reframing the practices of fabrication and forgery as crucial forms of invention and artistic skill worthy of study and admiration. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) tells the story of how traditional craft skills of the Islamic world, often thought to have died out with the advent of industrialization, were redirected toward a thriving new market in the colonial era: the fabrication and fictionalizing of antiquities, especially ceramics.In this stunning work of art history, Dr. Margaret Graves shakes the foundations of the discipline, challenging us to reconsider what is and is not art. She traces how sophisticated fabrications—as modern as they were believed to be medieval—moved within an international network of diggers, dealers, and collectors who took advantage of a largely unregulated marketplace to exchange and amass objects that were fabulous in every sense of the word. She looks at canonical artworks as well as many previously unpublished and rarely seen objects, shedding light on the astonishingly varied ways Islamic ceramics were altered and remade by highly skilled craftspeople to meet the demands of Western collectors. Shifting away from the moralizing stance of past studies on reconstructed Islamic ceramics, Dr. Graves shows how fabrication and forgery became a major site of participation in modern global capitalism and establishes an entirely new paradigm in the history of art.Drawing on a substantive new body of provenance research, archaeology, economic history, and laboratory analysis, Invisible Hands centers previously marginalized objects, reframing the practices of fabrication and forgery as crucial forms of invention and artistic skill worthy of study and admiration. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies
In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) tells the story of how traditional craft skills of the Islamic world, often thought to have died out with the advent of industrialization, were redirected toward a thriving new market in the colonial era: the fabrication and fictionalizing of antiquities, especially ceramics.In this stunning work of art history, Dr. Margaret Graves shakes the foundations of the discipline, challenging us to reconsider what is and is not art. She traces how sophisticated fabrications—as modern as they were believed to be medieval—moved within an international network of diggers, dealers, and collectors who took advantage of a largely unregulated marketplace to exchange and amass objects that were fabulous in every sense of the word. She looks at canonical artworks as well as many previously unpublished and rarely seen objects, shedding light on the astonishingly varied ways Islamic ceramics were altered and remade by highly skilled craftspeople to meet the demands of Western collectors. Shifting away from the moralizing stance of past studies on reconstructed Islamic ceramics, Dr. Graves shows how fabrication and forgery became a major site of participation in modern global capitalism and establishes an entirely new paradigm in the history of art.Drawing on a substantive new body of provenance research, archaeology, economic history, and laboratory analysis, Invisible Hands centers previously marginalized objects, reframing the practices of fabrication and forgery as crucial forms of invention and artistic skill worthy of study and admiration. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology
When scientists finally learn how to make ceramics that can endure high temperatures and conduct electricity without resistance, they may have to thank the sea urchin for teaching them how to do it.While the ceramics that humans manufacture are fairly strong and resist forces that destroy other materials, they have their imperfections. They are not shatter-resistant. And it takes a lot of heat to create them. On the other hand, mollusks like the nautilus and sea urchin make shatterproof ceramics out of calcium carbonate—which is chalk—using no heat and a little water. And the mollusk‑created ceramics come in intricate shapes, often much more complex than those made by humans.Scientists are now studying how mollusks make their ceramics so that we can also make better ones. The processes they are learning will enable the manufacture of strong ceramic materials that conduct electricity without resistance. They will be cheap and easy to make, yet they will provide us with better building materials and even artificial bones.Scientists are learning that the secret to making superior ceramics uses cheap materials and a very complex series of chemical reactions carried out by special cells in ceramic‑making mollusks. It's definitely not a system that was worked out by no one at all through chance and accident. In effect, science is seeking to learn how the Creator made ceramics, so that we can do it too!Genesis 1:31"And God saw every thing that he had made, and, behold, it was very good. And the evening and the morning were the sixth day."Prayer: Father, I often forget that Your wisdom extends to very material things, things which I don't usually associate with the spiritual. Teach me not to separate the spiritual and material, but see them both as coming from Your Hand. Help me to glorify You in spiritual as well as material matters. In Jesus' Name. Amen.REF.: Amato, Ivan. Better ceramics through biology. Science News. To support this ministry financially, visit: https://www.oneplace.com/donate/1232/29?v=20251111
In this soft-spoken sleep documentary, I tell you about ceramics: what pottery, earthenware, stoneware, terracotta, and porcelain are; how they appeared; and how significant they have been since prehistory around the world—in Ancient Egypt, Greece, the Americas, the Islamic world, Europe, and of course, China.This podcast is entirely scripted and recorded by real people, it includes no AI, and mid-roll ad breaks are turned off so that you can relax without interruption. #sleep #bedtimestory #asmr #sleepstory #history Welcome to Lights Out Library Join me for a sleepy adventure tonight. Sit back, relax, and fall asleep to documentary-style bedtime stories read in a calming ASMR voice. Learn something new while you enjoy a restful night of sleep. Listen ad free and get access to bonus content on our Patreon: https://www.patreon.com/LightsOutLibrary621 Enjoy my audiobook on Ancient Egyptian History, Myths & Mysteries: https://open.spotify.com/show/6mCqX5FoO6uCilrWCS8mB9?si=e1ecb983d2534d69 Listen on Youtube: https://www.youtube.com/@LightsOutLibraryov ¿Quieres escuchar en Español? Echa un vistazo a La Biblioteca de los Sueños! En Spotify: https://open.spotify.com/show/1t522alsv5RxFsAf9AmYfg En Apple Podcasts: https://podcasts.apple.com/us/podcast/la-biblioteca-de-los-sue%C3%B1os-documentarios-para-dormir/id1715193755 En Youtube: https://www.youtube.com/@LaBibliotecadelosSuenosov Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of What's My Thesis?, ceramic sculptor and installation artist Liz Stringer joins the podcast for an in-depth conversation about sculpture, scale, and the body. Working primarily with ceramics, metal armatures, and welded structures, Stringer discusses how her practice emerged from a background shaped by medicine, illness, and early encounters with Roman, Gothic, and Baroque architecture. The conversation explores monumental ceramics, biopolitics, and public space, including Stringer's engagement with civic spectacle, parade structures, and collective ritual. Drawing on Enlightenment history, architecture, and lived experience, Stringer reflects on her recent MFA thesis work, which centers the viewer's body within installations addressing armor, metamorphosis, vulnerability, and systems of power.
How concerned do you truly need to be about vintage ceramicware leaching lead into your food? Learn about your ad choices: dovetail.prx.org/ad-choices
In this week's episode we spotlight a favorite of rainbow egg keepers - the Olive Egger! We also discuss three important signs of winter vitamin and mineral deficiency in your flock, share our recipe for delicious Blueberry Baked Donuts, and provide some retail therapy with Glazy Hen Ceramics.Grubbly Farms - click here for our affiliate link.https://www.anrdoezrs.net/click-100963304-15546963Pre and Probiotic and Vitamin and Electrolyte Powders!Bright and Early Coffee - use code CWTCL15 for 15% off of any bagged coffee. K Cups always ship free!https://brightandearlycoffee.com/Omlet Coops- Use Our Affiliate Link and COFFEE10 code for 10% off!https://tidd.ly/3Uwt8BfBreed Spotlight is sponsored by Murray McMurray Hatcheryhttps://www.mcmurrayhatchery.com/Metzer Farms Waterfowlhttps://www.metzerfarms.com/Eaton Pet and Pasture - Use code COFFEE for a discount on first-time purchases.Nestera UShttps://nestera.us/cwtclUse our affiliate link above for 5% off your purchaseBlueberry Baked Donuts - https://coffeewiththechickenladies.com/farm-fresh-egg-recipes/blueberry-baked-donuts/CWTCL Websitehttps://coffeewiththechickenladies.com/CWTCL Etsy Shophttps://www.etsy.com/shop/CoffeeWChickenLadiesAs Amazon Influencers, we may receive a small commission from the sale of some items at no additional cost to consumers.CWTCL Amazon Recommendationshttps://www.amazon.com/shop/coffeewiththechickenladiesSupport the show
HYUNUKO is the studio of ceramicist Henry Kim, blending function and fantasy through sculptural furniture, lighting, and vessels. Formerly Head of Ceramics at The Haas Brothers, Kim draws on themes of nature, sci-fi, and escapism to create narrative-driven works that blur the boundaries between fine art and design. https://ThePottersCast.com/1190
Originally from New Jersey, Marrianne Robilotta moved to Montana in 2015 to pursue pottery full-time. Although she received a degree in Ceramics, Marianne considers herself self-taught. Focusing on production, Marianne strives to produce large quantities of consistent pieces while retaining the craftsmanship and artistic expression of a studio potter. https://ThePottersCast.com/1185