Podcasts about ceramics

Hello voices from the bench community, John Wilson here and I wanted to share some news about the evolution of the Programill lineup. Most importantly, Ivoclar's new PrograMill 7. What stands out right away is the reduced air consumption this mill requires, but what you'll notice first is that impressive new touchscreen. For us, the biggest advantage has been increased spindle power. My laboratory's known for these larger cases with complex geometries, and I can tell you that extra power really makes a difference. Next time you see your Ivoclar representative, be sure to ask about the PrograMill 7 and tell them John Wilson sent you. Thank you. At exocad Insights in beautiful Mallorca, we finally caught up with Felix from Imagine USA—and the timing couldn't have been better. As an exocad dealer on the front lines of digital dentistry, Felix shared his excitement about the strong turnout, the familiar faces, and most importantly, the innovation coming from exocad. What stood out most? The new exocad Hub and its cloud-based capabilities, along with powerful AI-driven tools inside DentalDB designed for efficient batch processing. For Felix and the Imagine team, it's not just about seeing what's new—it's about putting it to the test. By running new features through their own production facility first, they ensure real-world performance before bringing solutions to their customers. Beyond the technology, Felix emphasized the value of being there in person—connecting face-to-face with partners, having meaningful conversations, and stepping back to see where the industry is headed. And of course, doing it all in Mallorca doesn't hurt either. This week Elvis and Barb are back at exocad Insights 2026 where the microphones captured two very different conversations that somehow landed on the exact same thing: passion still matters. First up, we sat down with longtime dental technicians and Oral Design International Foundation members Pinhas Adar and Javier Perez to talk about the legacy of the legendary Willi Geller and how one man helped elevate dental technicians from the shadows to respected members of the restorative team. From stories of learning under masters in Switzerland to building a worldwide family of 127 members across 34 countries, the conversation dives deep into friendship, mentorship, craftsmanship, and why face-to-face connection still matters in a digital world. They also share details about upcoming memorial and symposium events dedicated to carrying on Willi's philosophy of passion, respect, and sharing knowledge without ego. Then the crew caught up with returning guest Dora Rodrigues, who has gone from conversion queen to certified exocad trainer, full-arch educator, and lab owner running an increasingly digital workflow. Dora talks about finally bringing milling in-house, the terrifying learning curve that came with it, and how mastering workflows like split bars and partial CAD has completely changed the way she designs full-arch restorations. Between traveling internationally to lecture, teaching labs how to streamline their workflows, and still designing cases herself, Dora proves that digital dentistry still takes serious technical skill, problem-solving, and obsession with detail. It's an episode full of passion, legacy, technology, and the reminder that no matter how digital dentistry gets… the people behind it still make all the difference. Today's dental labs are under more pressure than ever — tighter turnaround times, staffing challenges, and nonstop production demands. That's why efficiency and reliability matter more than ever before. More laboratories continue turning to Roland DGA and the proven performance of the DGSHAPE DWX Series milling solutions to keep production moving smoothly. Reliable workflows help reduce downtime, minimize remakes, and allow technicians to focus on quality work instead of troubleshooting equipment. For labs exploring digital dentures, the Elevate Denture Solution offers a streamlined workflow with validated CAM strategies and Ivotion compatibility through hyperDENT software — helping labs adopt digital production without unnecessary complexity. Because labs don't need more stress. They need dependable systems that simply work.Special Guests: Dora Rodrigues, Javier Perez Lopez, and Pinhas Adar MDT, CDT.

Hello voices from the bench community, John Wilson here and I wanted to share some news about the evolution of the Programill lineup. Most importantly, Ivoclar's new PrograMill 7. What stands out right away is the reduced air consumption this mill requires, but what you'll notice first is that impressive new touchscreen. For us, the biggest advantage has been increased spindle power. My laboratory's known for these larger cases with complex geometries, and I can tell you that extra power really makes a difference. Next time you see your Ivoclar representative, be sure to ask about the PrograMill 7 and tell them John Wilson sent you. Thank you. At exocad Insights in beautiful Mallorca, we finally caught up with Felix from Imagine USA—and the timing couldn't have been better. As an exocad dealer on the front lines of digital dentistry, Felix shared his excitement about the strong turnout, the familiar faces, and most importantly, the innovation coming from exocad. What stood out most? The new exocad Hub and its cloud-based capabilities, along with powerful AI-driven tools inside DentalDB designed for efficient batch processing. For Felix and the Imagine team, it's not just about seeing what's new—it's about putting it to the test. By running new features through their own production facility first, they ensure real-world performance before bringing solutions to their customers. Beyond the technology, Felix emphasized the value of being there in person—connecting face-to-face with partners, having meaningful conversations, and stepping back to see where the industry is headed. And of course, doing it all in Mallorca doesn't hurt either. Mallorca, Spain. exocad Insights 2026 Three completely different conversations somehow all landed on the same theme: digital dentistry keeps getting smaller, smarter, and way more connected. First up, the crew catches back up with digital designer and educator Marjorie de Andrade, who went from Brazil to New Zealand chasing opportunity, only to end up building a global career through remote design, social media, and education. Marjorie talks about creating the Mastering exocad course, freelancing for dentists around the world, and why finding purpose through teaching became more important than simply designing crowns. She also shares thoughts on the newly announced exocad Hub, remote collaboration, and how digital dentistry is making communication between dentists and technicians easier than ever. Then the microphones turn to Dr. Dwight Pate for one of the most workflow-heavy conversations the podcast has ever had. From hand waxing cases the old-school Dawson and Pankey way to designing provisionals and controlling full-mouth rehabs completely through exocad, Dr. Pate breaks down how he combines analog principles with digital workflows. The discussion dives deep into occlusion, provisionals, articulators, guided workflows, AI design, and why he believes digital dentistry still has to prove itself back in the analog world before it ever reaches the patient's mouth. Finally, the crew reconnects with Dr. Eimear O'Connell to talk about why clinicians need to attend events like Insights just as much as technicians. Eimear shares how digital workflows are improving communication between doctors, labs, and patients while making implant planning, dentures, and aesthetic dentistry more predictable than ever. From digital dentures that fit with almost zero adjustment to helping patients emotionally reconnect with their smiles, the conversation reminds everyone that behind every scanner, workflow, and software update is still a real person whose life changes because of dentistry.Special Guests: Dr. Dwight Pate, Dr. Eimear O'Connell, and Marjorie de Andrade .

Send us Fan MailMany of us assume that when demand for our work finally arrives, we're supposed to rise to meet all of it — that suddenly the rules of supply and demand apply to us the same way they apply to everyone else. What if deliberately not scaling up isn't leaving opportunity on the table, but is actually the thing that makes the work worth wanting in the first place? In her conversation with Debi Stoliar of Curiosibee Ceramics,, we explore what it looks like to hold two seemingly contradictory truths at once: taking your craft seriously as a future business while protecting the joy that makes it worth making at all. The most powerful business decision you might ever make could simply be deciding not to grow beyond what you genuinely love doing.Check out Debi's work at: https://www.curiosibee.com/Love this podcast? Support an episode! Click here to learn more. Follow The Maker's Playbook on Instagram @themakersplaybookHave questions about the show or want to say Hi? Email us at: podcast (at) makers-playbook (dot) com

Natalie Wagner joins the podcast to share her efforts to revive and expand the ceramics program at the Peterson-McCormick Boys & Girls Club in Chicago. She discusses rebuilding the program after the original kiln failed, how community support helped fund its return, and her long-term vision for creating sustainable opportunities for students through ceramics education and apprenticeships.-----Find more about Natalie below-----Go Fund Me for Boys and Girls Club ChicagoInstagram - @big_feeling_ceramicsWebsite - https://www.bigfeelingceramics.com/

This week on aBlogtoWatch Weekly, Ariel, Rick, Ripley, and David dive headfirst into the chaos surrounding the Swatch x Audemars Piguet “Royal Pop” launch and ask the important question: Was this a clever collaboration or a full-blown PR disaster? From overnight lines and police involvement to flippers and frustrated collectors, the crew breaks down everything that went wrong with the Swatch x AP launch. They also debate who this release was really for and the strange reality of a pocket watch that nobody seems interested in actually using as a pocket watch.The team weighs in on the mint-green Hublot Big Bang Unico and why playful luxury watches deserve more love. They take a closer look at the engineering hiding beneath the ceramic case before discussing Citizen's new Promaster GMT as a surprisingly compelling, value-packed travel watch. Along the way, our crew debates fun versus practicality, collector psychology, and whether posting wrist shots should be banned forever in your watch-related group chats.To check out the ABTW Shop where you can see our products inspired by our love of Horology:- Shop ABTW - https://store.ablogtowatch.com/To keep updated with everything Superlative, aBlogtoWatch Weekly, and aBlogtoWatch, check us out on:- Instagram - https://www.instagram.com/ablogtowatch/- Website - https://www.ablogtowatch.com/- Facebook - https://www.facebook.com/aBlogtoWatch If you enjoy the show please Subscribe, Rate, and Review!

This episode addresses the control of bacterial contamination in ceramic processes, a factor that is often invisible yet crucial for the stability of compounds and the quality of the final product. In a production context characterized by the unavoidable presence of organic substances, bacteria can rapidly proliferate, altering rheological properties and causing application defects.The episode analyzes the main intervention strategies, distinguishing between sanitizers, biocides, and preservatives, and presents the role of the PREVENTOL range in controlling contamination throughout the entire process.

Host Janet Michael welcomes back Jill Savory, founder of The Typewriter Studio in Old Town Winchester, VA, for an update nearly a year after the studio's grand opening. They dive into how the business has grown and evolved, the surprising benefits of making art, and everything you need to know about summer camps and studio memberships. Topics Covered How The Typewriter Studio has changed since opening — from kids' art classes and watercolor to a ceramics-heavy focus What it's like teaching art to adults vs. kids (spoiler: adults are way more nervous) The science behind why making art is good for your brain — lower anxiety, reduced cortisol, and the power of getting into a "flow state" Current gallery artist: Monica James, ceramics professor at Laurel Ridge Community College Upcoming adult workshops in collaboration with Laurel Ridge Community College professors Monica James and Paul Zdevsky A Wall Street Journal article on craft retreats as the new burnout cure 2025 Summer Camps — themes, pricing, age groups, and how to register Partnership with the Discovery Museum for two camp weeks (late June & first week of July) Studio membership tiers and the math that makes them worth it Summer Camps at The Typewriter Studio Who: Rising 1st graders through rising 8th graders When: First week of June through first week of August Themes include: Nature exploration, outer space, critter camp, paper possibilities, cardboard sculpture, Art Through the Ages (STEAM), Messy Makers, fiber arts Format: AM and PM camps available; add lunch bunch to stay all day Friday Fun Days: Drop-in Fridays for families who can't commit to a full week — art walks, splash pad, and studio time Pricing: Starting at $180/week; sibling discounts, school discounts (including Orchard View), and membership discounts available Discovery Museum Partnership Camps (register at discoverymuseum.net): Last week of June: Art Through the Ages + Messy Makers First week of July: Nature + Fiber camps Museum members receive special pricing; lunch bunch option available Studio Memberships Membership Price Perks Household $100/year Discounts on classes, workshops, parties; early camp access Single $50/year Discounts on classes, workshops, and parties Clay $50/month Open studio access (Sun/Tue/Thu), shelf space, up to 3 pieces fired per week Book Mentioned Your Brain on Art — on the neuroscience of creativity and art-making Available at Winchester Book Gallery (https://winchesterbookgallery.com/book/9780593449240) Find The Typewriter Studio Website: typewriterstudio.org Address: 127 South Braddock Street, Old Town Winchester, VA Facebook: The Typewriter Studio Instagram: @typewriter_studio Open Studio Hours: Sundays 11am–2pm | Tuesdays & Thursdays 4–8pm Parking: Street parking; metered out front, free on Cork Street. Use the parking app!

This extended documentary-style bedtime story is a compilation of three different stories: History of Gold, History of Ceramics, and History of Textile. For each of them, I tell you about their evolution since Prehistory and the various types of objects, styles and techniques that were developed. This podcast is entirely scripted and recorded by real people, it includes no AI, and mid-roll ad breaks are turned off so that you can relax without interruption. #sleep #documentary #bedtimestory #asmr #sleepstory #history Welcome to Lights Out Library Join me for a sleepy adventure tonight. Sit back, relax, and fall asleep to documentary-style bedtime stories read in a calming ASMR voice. Learn something new while you enjoy a restful night of sleep. Listen ad free and get access to bonus content on our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/LightsOutLibrary621⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy my audiobook on Ancient Egyptian History, Myths & Mysteries: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/6mCqX5FoO6uCilrWCS8mB9?si=e1ecb983d2534d69⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Listen on Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@LightsOutLibraryov⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   ¿Quieres escuchar en Español? Echa un vistazo a La Biblioteca de los Sueños! En Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/1t522alsv5RxFsAf9AmYfg⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ En Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/la-biblioteca-de-los-sue%C3%B1os-documentarios-para-dormir/id1715193755⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ En Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@LaBibliotecadelosSuenosov⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Can a needle and thread mend more than fabric? Ceramic artist Leah Jensen joins Grant Gibson to discuss the radical pivot in her practice after a brain cancer diagnosis — and how stitching became a daily act of survival, documentation and repair.In this episode, we explore making as medicine and the quiet power of slow, analogue craft. We discuss:Renaissance Patterns: The unexpected art-historical roots of Leah's intricate, geometric ceramic surfaces.'Anti-Digital' Making: Why she rejects screens and software in favour of the hand, the eye, and the hour-long stitch.The Brain Tumour Book: How embroidery became a diary of diagnosis, surgery, radiotherapy and chemotherapy — exhibited this April at London's Fitzrovia Chapel with Cavaliero Finn.'Sewing is an act of emotional repair': Using thread — and her own hair — to process trauma, memory loss and identity.Return to Clay: Re-entering the ceramic studio after illness, and how the two mediums now speak to each other.Leah also reflects on collapsing behind a bar in the moment that changed everything, the role of her parents and partner in her recovery, and what making has taught her about being present.You can support The Brain Tumour Charity via the Brain Tumour Book fundraising page: https://www.crowdfunder.co.uk/p/braintumourbookcharityfundraisingexhibitionExplore more: Visit materialmatters.design for more on our fairs and conferences.Support the show

Hello voices from the bench community, John Wilson here and I wanted to share some news about the evolution of the Programill lineup. Most importantly, Ivoclar's new PrograMill 7. What stands out right away is the reduced air consumption this mill requires, but what you'll notice first is that impressive new touchscreen. For us, the biggest advantage has been increased spindle power. My laboratory's known for these larger cases with complex geometries, and I can tell you that extra power really makes a difference. Next time you see your Ivoclar representative, be sure to ask about the PrograMill 7 and tell them John Wilson sent you. Thank you. At exocad Insights in beautiful Mallorca, we finally caught up with Felix from Imagine USA—and the timing couldn't have been better. As an exocad dealer on the front lines of digital dentistry, Felix shared his excitement about the strong turnout, the familiar faces, and most importantly, the innovation coming from exocad. What stood out most? The new exocad Hub and its cloud-based capabilities, along with powerful AI-driven tools inside DentalDB designed for efficient batch processing. For Felix and the Imagine team, it's not just about seeing what's new—it's about putting it to the test. By running new features through their own production facility first, they ensure real-world performance before bringing solutions to their customers. Beyond the technology, Felix emphasized the value of being there in person—connecting face-to-face with partners, having meaningful conversations, and stepping back to see where the industry is headed. And of course, doing it all in Mallorca doesn't hurt either. This episode finally brings a long-awaited conversation to life with Kent Kohli, a name many in the industry recognize—but maybe don't fully know the story behind. From an unexpected entry into dentistry (thanks to marrying his orthodontist's daughter) to becoming a lifelong student of ceramics and education, Kent's journey is anything but typical. What starts as a pre-dental path quickly shifts once Kent discovers the lab side of dentistry—and more importantly, where his passion truly lives. From pouring models and grinding metal to studying under legends like John Archibald, Kent shares how mentorship, curiosity, and relentless work ethic shaped his career. Along the way, he opens up about the early struggles—working 100-hour weeks, barely making ends meet, and choosing quality over the “race to the bottom” that burned out many of his peers. Kent dives deep into the evolution of dental technology, from the early days of PFMs and Empress to today's digital workflows and liquid ceramics. But at the heart of it all is a consistent theme: education. Whether it's learning from the “giants” of the industry or now helping guide the next generation through his role at Ivoclar, Kent sees it as a responsibility to pass on what was given to him. He also shares insights into his current mission—bringing hands-on education back to the forefront, blending traditional techniques with modern materials, and helping technicians elevate their craft beyond just production. Rising costs, tighter deadlines, and greater demands are challenging labs everywhere. When efficiency matters, you need tools that deliver—every day. Roland DGShape milling solutions are reliable and easy to use. Just turn them on and let them run—no babysitting required. Fewer remakes and less wasted material mean your team can focus on getting cases out the door. With the Elevate Denture solution, step into digital dentures without disrupting your workflow. Validated CAM strategies and Ivoclar compatibility mean you're building on a system you already trust. Ready to boost efficiency? Explore DG Shape DWX Milling Solutions and the Elevate Dental Solution at RolandDental.com.Special Guest: Kent Kohli.

Hey Voices from the Bench community! Jessica Love here, sending a shoutout from Utah! If you're passionate about creating natural, beautiful smiles—but want to simplify your workflow without sacrificing aesthetics—this is for you. I'm honored to be part of Ivoclar's development team introducing a powerful new stain and glaze system featuring Structure Paste, IPS e.max Ceram Art. Create stunning depth and lifelike color in as little as one firing. Let's continue to innovate, simplify, and create meaningful change—one smile at a time. CAM has been a major topic lately, and a lot of that conversation keeps coming back to hyperDENT. But instead of just talking about the software itself, it's worth looking at real-world experience. Imagine USA has been using hyperDENT in their own lab for over 15 years. That kind of longevity says a lot—they're not just selling and supporting it, they're relying on it in their own production every single day. That's what really sets them apart. This week's episode brings it full circle as Elvis reconnects with one of the podcast's very first guests, Renata Bundy, now a longtime professor at New York City College of Technology. Along with her are two technicians who represent both sides of the journey—lab owner Roberto Rossi and workflow master Eugene Vega—creating a conversation that dives deep into education, mentorship, and what it really takes to succeed in today's dental lab world. Roberto shares his unlikely path from working sanitation in New York to building a thriving lab, Synergy Dental Studio, over nearly three decades. With a relentless focus on quality, constant improvement, and embracing digital (while still questioning it), he explains how his lab has grown into a tight-knit, high-level operation. Eugene adds perspective from inside the lab, describing his evolution from student to managing daily workflow, highlighting how important environment, mentorship, and work ethic are when transitioning from school to real-world production. Renata ties it all together from the educational side, reflecting on over 20 years of teaching and how the program has evolved alongside the industry—from analog fundamentals to digital workflows—while still preparing students for the realities they'll face after graduation. The group doesn't shy away from the tough truths either: low starting pay, steep learning curves, and the high dropout rate among new technicians. But the message is clear—stick with it, find the right lab, and the opportunity is there. It's a conversation about growth, grit, and the importance of surrounding yourself with the right people—whether that's in the classroom or the lab. And if nothing else, you'll learn that a little Italian lunch might just be the secret to building a loyal team.Special Guests: Eugene Vega, Renata Budny, CDT, TE, and Roberto Rossi.

There's a growing movement to make sure colleges offer ‘degrees of value,' meaning that offerings lead to higher-paying jobs for graduates than if they hadn't gone to college. Jeff and Michael talk to a key proponent of the idea, Harrison Keller, the president of the University of North Texas and former Commissioner of Higher Education in Texas. He talks about his experiments to redesign colleges to better match their offerings to the needs of the labor market. This episode is made with support from Ascendium Education Group. Relevant Links “Building a Talent Strong Texas,” strategic plan from Texas Higher Education Coordinating Board. “University launches regional partnership for Texas Talent Accelerator to meet industry demands,” in the North Texas Daily. “University of North Texas to cut more than 70 programs and minors to trim $45 million deficit,” in the Texas Tribune.“ Syracuse Drops 84 Majors Including Classics, Ceramics and Italian,” in The New York Times (gift link). Chapters 0:00 - Introduction 1:30 - A President Trying to Align Degrees to the Labor Market 3:43 - The Elevator Pitch for Ensuring ‘Credentials of Value' 5:50 - Creating a ‘Hub' to Analyze Fast-Changing Employment Landscape 9:04 - Is There a Danger of Training Students for Dying Jobs? 12:11 - What Programs at UNT Aren't Working? 14:14 - What About Majors With Social Value That Don't Pay Much? 17:21 - How Do State Funding Formulas Need to Change? 20:06 - How Do Universities Need to Change Their Structures? 23:32 - What Should Universities Do to Respond to AI? 28:07 - Sponsor Break 28:46 - Colleges Need to Do More to Connect Liberal Arts to Job Skills 33:14 - The Case for a More-Detailed Mapping of Liberal Arts Skills to Work 41:56 - A Move to Shorter Degree Offerings in Some Fields 45:33 - Eliminating Programs With Low Demand 50:40 - Lightning Round with Harrison Keller Connect with Michael Horn: Sign Up for the The Future of Education Newsletter Website LinkedIn X (Twitter) Threads   Connect with Jeff Selingo: Dream School: Finding the College That's Right for You Sign Up for the Next Newsletter Website X (Twitter) Threads LinkedIn Connect with Future U: Twitter YouTube Threads Instagram Facebook LinkedIn   Submit a question and if we answer it on air we'll send you Future U. swag! Sign up for Future U. emails to get special updates and behind-the-scenes content.

On April 18, Green-Wood Cemetery is opening Green-House, a new welcome and educational center that expands on the Weir Greenhouse, build in 1895. To mark the opening, the Cemetery commissioned Brooklyn artist Jean Shin to create two new installations: 'Offering,' an earthwork that will transform old cemetery trees into a meadow of flowers, and 'Celadon Landscape,' the debut exhibit at Green-House that features Shin's work with celadon ceramics. Jean Shin discusses her inspiration for the work ahead of the opening this weekend, which invites public participation for both pieces. Photo by Etienne Frossard

In this episode of Creative Guts, co-hosts Laura Harper Lake and Joe Acone sit down with Ned Roche, ceramicist and owner of Chases Garage.  As an old friend of Joe and newer friend of Laura, Ned brings creative thinking and humor to our delightful conversation. Ned shares about Chases Garage, an auto-shop turned artist community in York, Maine, that offers classes, workshops, and studio space. We also dive into how Ned's work, folded things, evolved; his latest endeavor: soft serve ice cream out of clay; and many silly side topics.  Find Ned's work at www.nedroche.com and follow him on Instagram at www.instagram.com/hiprandy. Check out Chases Garage at www.chasesgarage.com and on Instagram at www.instagram.com/chasesgarage/.  Listen to this episode wherever you listen to podcasts or on our website www.CreativeGutsPodcast.com. Connect with us on Instagram, Facebook, LinkedIn, and Discord. Subscribe to our Substack newsletter at creativegutspod.substack.com.  If you love listening, consider making a donation to Creative Guts! Our budget is tiny, so donations of any size make a big difference. Learn more about us and make a tax-deductible donation at www.CreativeGutsPodcast.com.  Thank you to Kennebunk Savings Bank for being an official sponsor of the podcast! Thank you to our friends at Art Up Front Street Studios and Gallery in Exeter, NH and the Rochester Museum of Fine Arts in Rochester, NH for their support of the show!  Any views or opinions expressed by our hosts or guests do not necessarily reflect the views or positions of Creative Guts.

Today – A Lexington senior turned a class picked for fun into a nationally recognized ceramics portfolio — and a gold medal that’s taking him to Carnegie Hall.Support the show: https://richlandsource.com/membersSee omnystudio.com/listener for privacy information.

Episode 523 / Chenlu Hou & Chiara NoBorn in Shandong, China in 1989, Chenlu Hou is currently based in Providence, RI. She earned her MFA in Ceramics from the Rhode Island School of Design in 2019. Since then, she has completed residencies at Museum of Arts and Design in New York, Penland School of Craft, Houston Center for Contemporary Craft, and Archie Bray Foundation. Her works have been included in exhibitions at Kristen Lorello, New York; YIRI Arts, Taipei City, Taiwan; the Houston Center for Contemporary Craft, Texas; and the Archie Bray Foundation, Helena, MT; among other venues. Hou is currently a resident artist at Harvard Ceramics and a Visiting Critic in Ceramics at the Rhode Island School of Design.Chiara No was born in 1981 in Key West, FL, and currently lives and works in Johnson, VT. She studied Art and Theory at the Glasgow School of Art in 2002-03 and received a BA in Art History from Towson University in 2005 and an MFA from the University of Pennsylvania in 2015. She has been on faculty at School of the Art Institute of Chicago and an instructor at University of Pennsylvania. She has shown at Spring Break New York, NY; MoCA Westport, Westport, CT; Field Projects and Bible, New York, NY; Vox Populi, Philadelphia, PA; EXILE, Vienna, Austria; Johalla Projects, Chicago, IL; and has participated Printed Matter's Art Book Fair in both New York and Los Angeles. Her works on paper are included in the Whitney Museum of American Art's Special Collection, the Walker Art Center's Library and Archives, the Art Institute of Chicago's Joan Flasch Artists' Book Library. Chenlu Hou and Chiara No: What the Hands Remember to Hear. A joint exhibition at the Aldrich Museum of two artists who use ceramic sculpture to explore storytelling and spirituality up through MAY 25, 2026. 

At the Tang Museum at Skidmore College, ‘Kathy Butterly: Assume Yes' surveys more than thirty years of work by one of the most inventive artists working in ceramics today. Butterly is known for small-scale sculptures that are technically daring, expressive, and often witty. At the Schick Art Gallery in Skidmore's art building, ‘Earthbound' brings together work by eleven contemporary ceramic artists. Their work ranges in techniques and aesthetic approaches from figurative to abstract, and from functional to fantastical.And opening Saturday at The Hyde Collection is ‘Toshiko Takaezu: Voices of Abstraction.' Takaezu was known for her ceramic forms and expressive glazes, and the exhibition places her work in dialogue with painters including Sam Gilliam, Adolph Gottlieb, and Lee Krasner.

In Episode 57 of BonsaiTime, guest host Angelica Ramirez takes the reins for a lively conversation with bonsai pottery artist Nick Hopes. They dive into Nick's path into ceramics, the evolution of his work, and the ideas that keep his creativity moving.It's a fun, easygoing episode packed with insight, personality, and a few laughs along the way. Whether you're into bonsai pottery or just enjoy hearing how artists think and grow, this one delivers something new to take with you.The video version is ⁠⁠⁠⁠⁠⁠⁠coming soon.Show notes, relevant pictures, and links are ⁠⁠⁠coming soon.See you in the next episode!Guest Info:Nick Hopes of Maidenhair Ceramics is in Frigiliana, Spain can be found on their Instagram, Facebook, and his profile on the European Potters Website.Sponsor Info: This episode is sponsored by our co-host via the Kevin Faris moving sale of bonsai pottery, tools, and trees. View these items at In Vivo Bonsai of Columbus, Ohio, USA in-person, or online (shipping available) at ⁠⁠⁠⁠⁠⁠⁠⁠⁠invivobonsai.etsy.com⁠⁠⁠⁠⁠⁠⁠⁠, or go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠www.InVivoBonsai.com⁠⁠⁠⁠⁠ and navigate to the consignment ⁠⁠⁠⁠⁠pottery⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠tree⁠⁠⁠⁠⁠ pages.Mailbag submissions/Community:⁠⁠⁠⁠⁠⁠⁠NEW BT DISCORD Chat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BT Facebook Group⁠⁠⁠⁠⁠⁠⁠Support the Pod:Anytime you listen, subscribe, rate us, or share us with friends, you help keep us motivated to keep making episodes for you all! If you want to take it to the next level, you can also help keep the podcast going by donating to us through Spotify or by sponsoring an episode (contact us directly for that). All donations go back into the podcast such as for our web hosting, recording gear expenses, etc.Podcast Info:The Bonsai Time Podcast is hosted, edited, & produced by Kevin Faris, Ryan Huston, & Kelly Lui. We expect to post new interviews and reflections monthly! Find us on ⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠, our ⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠, and our email BonsaiTimePodcast@gmail.com.Submit questions or pictures for future Bonsai Brainstorm episodes to our email, social media DMs, or ⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠.Audio editing of this episode and music are by MIDICANCER. Find more music by them on ⁠⁠⁠⁠⁠⁠⁠⁠SoundCloud⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠BandCamp⁠⁠⁠⁠⁠⁠⁠⁠.Host info:⁠⁠⁠⁠⁠⁠⁠⁠Ryan⁠⁠⁠⁠⁠⁠⁠⁠ is a former bonsai apprentice of Elandan Gardens and current operator of In Vivo Bonsai nursery and educational operation in Columbus, OH. ⁠⁠⁠⁠⁠⁠⁠⁠Kevin ⁠⁠⁠⁠⁠⁠⁠⁠is a bonsai practitioner/teacher now living in Massachusetts. ⁠⁠⁠⁠⁠⁠⁠⁠Kelly⁠⁠⁠⁠⁠⁠⁠⁠ is a newer bonsai artist volunteering and studying especially in the Los Angeles area.More Bonsai Projects by Ryan:Read more about bonsai on his blog and learn more about his educational services ⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠.Find Ryan's online-available bonsai products, seeds, tools, etc. ⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠. Each seed kit sold comes with my full 10-year bonsai-from-seed guide.Find Ryan on ⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠TikTok ⁠⁠⁠⁠⁠⁠⁠⁠as well if you need more bonsai in your feed.Also, check out some of my video editing work for the ⁠⁠⁠⁠⁠⁠⁠⁠Puget Sound Bonsai Association⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠Columbus Bonsai Society⁠⁠⁠⁠⁠⁠⁠⁠'s demonstration archives.

AGD Podcast host Dr. George Schmidt recently talked with David Hornbrook, DDS, FAACD, FACE, FASDA, AGD2026 featured speaker and one of the one of the most respected names in esthetic and restorative dentistry. They discuss the evolution of dental materials, particularly ceramics, over his 36-year career in private practice and how clinical success depends more on proper occlusion management than material strength alone. He described his approach to full-mouth rehabilitation cases, including his philosophy of restoring anterior teeth first while leaving molars out of occlusion to allow for proper muscle function. Dr. Hornbrook graduated from the University of California, Los Angeles, School of Dentistry and has been in private practice in San Diego, California, for the past 36 years. He is a pioneer in live-patient esthetic dental treatment programs and was the founder and director of LVI, PAC~live, the Hornbrook Group and Clinical Mastery. When you register for AGD2026 before the early bird deadline on April 30, you'll automatically unlock 7 FREE CE credits for Dr. Hornbrook's courses*. This is your chance to learn from a Diplomate of the American Board of Aesthetic Dentistry and a multiple-time lifetime achievement award recipient at no extra cost. Don't miss this rare opportunity! (Learn more at AGD2026.org.) Dr. Hornbrook has lectured internationally on all facets of dentistry, including porcelain veneers, implants, dental materials, occlusion and direct composites. He is the past editor of the American Academy of Cosmetic Dentistry's (AACD's) journal, the Journal of Cosmetic Dentistry, and is an accredited fellow of the AACD. He is also a fellow and diplomate of the American Society of Dental Aesthetics and a fellow of the Academy of Comprehensive Esthetics, and he was honored with lifetime achievement awards by the Crown Council and the Academy of Comprehensive Esthetics.

This week, Wes and Todd reconnect with their friend, multidisciplinary artist, Joey Kerlin. Joey discusses beauty, ceramics, the catalyst to getting back into teaching, critical thinking, teaching philosophy, writing & reading, art weirdos, the book “Art & Fear”, imposter syndrome, literacy, Catholic churches, transubstantiation, beholding, Marina Abramoić, how teaching informs his art practice, arts & education, bean pots, boredom, vulnerability & relationships, art & loneliness, titles, the “OFF-PRINSTE” exhibition, borders, birds & women, chairs, divergent vs. convergent thinking, the “Black Ink” fundraiser, this year's “Hearsay” exhibition and the piece he's submitting, and the challenges & virtues of being an Artist.Join us for a thought provoking conversation with Joey Kerlin!Follow Joey Kerlin on social media:Instagram - www.instagram.com/radiusstudios/ - @radiusstudios See Joey's work in person at these exhibitions; OFF-PRINSTE – March 3rd – April 26thThe People's Building9995 E. Colfax AvenueAurora, CO 80010Secondary Reception: April 3rd, 5pm - 8pm Black Ink – a fundraiser for Mo' Print – Month of Printmaking Colorado@moprintcoloradoSaturday, April 4th, 6pm – 11pmHigh Dive Denver7 S. BroadwayDenver, CO 80223All prints - $10  Hear/Say – Groundbreaking Art Exhibition Exploring the Effects of High-Concentration Cannabis May 29th - May31st, 2026Center for Creativity200 Matthews StreetFort Collins, CO 80524Opening reception – May 29th, 6pm – 8pm  June 5th – June 26th, 2026Cottonwood Center for the Arts427 E. Colorado AvenueColorado Springs, CO 80903Opening reception – June 5th, 6pm – 8pmSend us Fan MailFollow us on Instagram:@tenetpodcast - www.instagram.com/tenetpodcast/@wesbrn - www.instagram.com/wesbrn/@toddpiersonphotography - www.instagram.com/toddpiersonphotography/ Follow us on Facebook:www.facebook.com/TenetPodcast/Email us at todd@toddpierson.com If you enjoyed this episode or any of our previous episodes, please consider taking  a moment and leaving us a review on your favorite podcast platform.Thanks for listening! 

Fluent Fiction - Serbian: Tea, Trust, and Traditions: A Springtime Quest in Novi Sad Find the full episode transcript, vocabulary words, and more:fluentfiction.com/sr/episode/2026-03-24-07-38-19-sr Story Transcript:Sr: На сунчан пролећни дан, Нови Сад је био испуњен весељем и буђењем после дуге зиме.En: On a sunny spring day, Novi Sad was filled with joy and awakening after a long winter.Sr: Улице су биле препуне људи који су припремали све за Ускрс.En: The streets were packed with people preparing everything for Easter.Sr: Цвеће је красило сваки ћошак, а весеље се осећало у ваздуху.En: Flowers adorned every corner, and the atmosphere was merry.Sr: Александар је кренуо у потрагу за савршеним рођенданским поклоном за своју баку.En: Aleksandar set out to find the perfect birthday gift for his grandma.Sr: Она је волела чај и лепо израђену керамику, па је одлучио да ће посетити традиционалну чајџиницу у граду, где је његова сестра Весна увек препоручивала да одведе неког ко цени лепе ствари.En: She loved tea and beautifully crafted ceramics, so he decided to visit a traditional tea shop in the city, which his sister Vesna always recommended to anyone who appreciates beautiful things.Sr: Чајџиница коју држи Јована била је позната по својим необичним чајним сервисима.En: The tea shop owned by Jovana was known for its unique tea sets.Sr: Људи су волели да ту долазе и уживају у мирисима свеже осушених трава и цвећа.En: People loved to come there and enjoy the scents of freshly dried herbs and flowers.Sr: Чим је ушао, Александар је осетио топлину и спокој.En: As soon as he entered, Aleksandar felt warmth and peace.Sr: Просторија је била украшена полицијама пуним деликатних чајних сервиса.En: The room was decorated with shelves full of delicate tea sets.Sr: Свуда су се налазили весели пролећни призори, а звекет порцулана додавао је чаробну атмосферу.En: Cheerful spring scenes were everywhere, and the clinking of porcelain added a magical atmosphere.Sr: Александар је био опчињен, али и збуњен.En: Aleksandar was captivated, yet confused.Sr: Толико избора, а он није знао шта би било најбоље за баку.En: So many choices, and he didn't know what would be best for his grandma.Sr: Ходао је између полица, покушавајући да пронађе нешто посебно, али сваки сервис био је леп на свој начин.En: He walked among the shelves, trying to find something special, but each set was beautiful in its own way.Sr: Почела је да се јавља и несигурност; да ли ће ово бити довољно посебно?En: Uncertainty began to creep in; would this be special enough?Sr: У том тренутку му је пришао Јована, приметивши његову збуњеност.En: At that moment, Jovana approached him, noticing his confusion.Sr: Александар је удисавао дубоко и окупио храброст да јој се обрати.En: Aleksandar took a deep breath and mustered the courage to speak to her.Sr: Са осмехом, Јована га је саслушала, а затим му показала један специфичан сервис.En: With a smile, Jovana listened to him and then showed him a specific set.Sr: „Овај сервис је дизајниран за пролеће. Свакодневно приказује лепоту и живот који се буде у природи,“ рекла је Јована с љубављу према ономе што ради.En: "This set is designed for spring. It displays the everyday beauty and life that awakens in nature," she said with love for what she does.Sr: Александар је и сам осетио везу са тим чајним сервисом.En: Aleksandar himself felt a connection with that tea set.Sr: Приче које је Јована делила са њим нудиле су му нови поглед и одушевљење.En: The stories that Jovana shared with him offered him a new perspective and enthusiasm.Sr: Знао је да ће бака ценити значај иза поклона.En: He knew that his grandma would appreciate the significance behind the gift.Sr: С осмехом захвалио се Јовани и одлучио да купи тај посебан сет.En: With a smile, he thanked Jovana and decided to buy that special set.Sr: Док је излазио из чајџинице с лепо увијеним поклоном, осећао је нову сигурност и задовољство.En: As he left the tea shop with the beautifully wrapped gift, he felt a new confidence and satisfaction.Sr: Весна је чекала испред, видевши његов сјај у очима.En: Vesna was waiting outside, seeing the sparkle in his eyes.Sr: „Знао сам да ћеш наћи нешто савршено,“ рекала је срећно.En: "I knew you'd find something perfect," she said happily.Sr: Александар је из искуства у овој чајџиници научио да није проблем затражити помоћ и да се може ослонити на друге када је потребно.En: From his experience in this tea shop, Aleksandar learned that it's not a problem to ask for help and that he can rely on others when needed.Sr: Стекло је не само идеалан поклон већ и самопоуздање које ће га пратити у будућим одлукама.En: He gained not only the ideal gift but also a self-confidence that would accompany him in future decisions.Sr: Са задовољством је кренуо кући, сигуран да ће његова баба бити одушевљена.En: With satisfaction, he headed home, confident that his grandma would be delighted. Vocabulary Words:adorned: красилоatmosphere: атмосферуcrafted: израђенуceramics: керамикуtraditional: традиционалнуunique: необичнимporcelain: порцуланаclinking: звекетcaptivated: опчињенconfusion: збуњеностmustered: окупиоperspective: погледenthusiasm: одушевљењеconfidence: самопоуздањеsatisfaction: задовољствоdelicate: деликатнихscents: мирисимаwrapped: увијенимexperience: искустваaccompany: пратитиdelighted: одушевљенаspecific: специфичанsignificance: значајshelves: полицаapproached: пришаоconnected: везуcrafted: израђенуscene: призориawakening: буђењеelegant: лепо

Send a textMost of us assume that building a creative business takes years of groundwork before the work can speak for itself — but what happens when the work takes off before you've had time to figure out the business? Aaron Raymond of Redacted Ceramics went from renting a wheel for a week to running a full-time pottery business in under two years, and his story raises a quiet but important question: does the conventional wisdom about "paying your dues" actually hold up? As Aaron shares, a clear creative vision — one rooted in the Portuguese tile work he encountered while living abroad — combined with a willingness to use technology as a tool rather than a shortcut, allowed him to develop a style so distinctive that it found its audience almost before he was ready for it. The real lesson here may be that sustainability isn't about how long you've been at it, but about knowing your limits, protecting your hands, and resisting the pressure to scale past what the work can actually bear.Check out Aaron's work here: https://redactedceramics.com/Love this podcast? Support an episode! Click here to learn more. Follow The Maker's Playbook on Instagram @themakersplaybookHave questions about the show or want to say Hi? Email us at: podcast (at) makers-playbook (dot) com

Tracie Griffith Tso works in her studio at the Torpedo Factory Art Center in Alexandria, Virginia. Featured works include a hand-built koi pitcher with maple and bamboo painting on rice paper; a stoneware bamboo pomegranate platter with birds symbolizing longevity, resilience, and abundance, cone 6, electric-fired; and a brown stoneware giant panda teapot with bamboo blossom and sculpted detail, cone 6, electric-fired. https://ThePottersCast.com/1208

In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) tells the story of how traditional craft skills of the Islamic world, often thought to have died out with the advent of industrialization, were redirected toward a thriving new market in the colonial era: the fabrication and fictionalizing of antiquities, especially ceramics.In this stunning work of art history, Dr. Margaret Graves shakes the foundations of the discipline, challenging us to reconsider what is and is not art. She traces how sophisticated fabrications—as modern as they were believed to be medieval—moved within an international network of diggers, dealers, and collectors who took advantage of a largely unregulated marketplace to exchange and amass objects that were fabulous in every sense of the word. She looks at canonical artworks as well as many previously unpublished and rarely seen objects, shedding light on the astonishingly varied ways Islamic ceramics were altered and remade by highly skilled craftspeople to meet the demands of Western collectors. Shifting away from the moralizing stance of past studies on reconstructed Islamic ceramics, Dr. Graves shows how fabrication and forgery became a major site of participation in modern global capitalism and establishes an entirely new paradigm in the history of art.Drawing on a substantive new body of provenance research, archaeology, economic history, and laboratory analysis, Invisible Hands centers previously marginalized objects, reframing the practices of fabrication and forgery as crucial forms of invention and artistic skill worthy of study and admiration. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) tells the story of how traditional craft skills of the Islamic world, often thought to have died out with the advent of industrialization, were redirected toward a thriving new market in the colonial era: the fabrication and fictionalizing of antiquities, especially ceramics.In this stunning work of art history, Dr. Margaret Graves shakes the foundations of the discipline, challenging us to reconsider what is and is not art. She traces how sophisticated fabrications—as modern as they were believed to be medieval—moved within an international network of diggers, dealers, and collectors who took advantage of a largely unregulated marketplace to exchange and amass objects that were fabulous in every sense of the word. She looks at canonical artworks as well as many previously unpublished and rarely seen objects, shedding light on the astonishingly varied ways Islamic ceramics were altered and remade by highly skilled craftspeople to meet the demands of Western collectors. Shifting away from the moralizing stance of past studies on reconstructed Islamic ceramics, Dr. Graves shows how fabrication and forgery became a major site of participation in modern global capitalism and establishes an entirely new paradigm in the history of art.Drawing on a substantive new body of provenance research, archaeology, economic history, and laboratory analysis, Invisible Hands centers previously marginalized objects, reframing the practices of fabrication and forgery as crucial forms of invention and artistic skill worthy of study and admiration. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) tells the story of how traditional craft skills of the Islamic world, often thought to have died out with the advent of industrialization, were redirected toward a thriving new market in the colonial era: the fabrication and fictionalizing of antiquities, especially ceramics.In this stunning work of art history, Dr. Margaret Graves shakes the foundations of the discipline, challenging us to reconsider what is and is not art. She traces how sophisticated fabrications—as modern as they were believed to be medieval—moved within an international network of diggers, dealers, and collectors who took advantage of a largely unregulated marketplace to exchange and amass objects that were fabulous in every sense of the word. She looks at canonical artworks as well as many previously unpublished and rarely seen objects, shedding light on the astonishingly varied ways Islamic ceramics were altered and remade by highly skilled craftspeople to meet the demands of Western collectors. Shifting away from the moralizing stance of past studies on reconstructed Islamic ceramics, Dr. Graves shows how fabrication and forgery became a major site of participation in modern global capitalism and establishes an entirely new paradigm in the history of art.Drawing on a substantive new body of provenance research, archaeology, economic history, and laboratory analysis, Invisible Hands centers previously marginalized objects, reframing the practices of fabrication and forgery as crucial forms of invention and artistic skill worthy of study and admiration. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) tells the story of how traditional craft skills of the Islamic world, often thought to have died out with the advent of industrialization, were redirected toward a thriving new market in the colonial era: the fabrication and fictionalizing of antiquities, especially ceramics.In this stunning work of art history, Dr. Margaret Graves shakes the foundations of the discipline, challenging us to reconsider what is and is not art. She traces how sophisticated fabrications—as modern as they were believed to be medieval—moved within an international network of diggers, dealers, and collectors who took advantage of a largely unregulated marketplace to exchange and amass objects that were fabulous in every sense of the word. She looks at canonical artworks as well as many previously unpublished and rarely seen objects, shedding light on the astonishingly varied ways Islamic ceramics were altered and remade by highly skilled craftspeople to meet the demands of Western collectors. Shifting away from the moralizing stance of past studies on reconstructed Islamic ceramics, Dr. Graves shows how fabrication and forgery became a major site of participation in modern global capitalism and establishes an entirely new paradigm in the history of art.Drawing on a substantive new body of provenance research, archaeology, economic history, and laboratory analysis, Invisible Hands centers previously marginalized objects, reframing the practices of fabrication and forgery as crucial forms of invention and artistic skill worthy of study and admiration. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) tells the story of how traditional craft skills of the Islamic world, often thought to have died out with the advent of industrialization, were redirected toward a thriving new market in the colonial era: the fabrication and fictionalizing of antiquities, especially ceramics.In this stunning work of art history, Dr. Margaret Graves shakes the foundations of the discipline, challenging us to reconsider what is and is not art. She traces how sophisticated fabrications—as modern as they were believed to be medieval—moved within an international network of diggers, dealers, and collectors who took advantage of a largely unregulated marketplace to exchange and amass objects that were fabulous in every sense of the word. She looks at canonical artworks as well as many previously unpublished and rarely seen objects, shedding light on the astonishingly varied ways Islamic ceramics were altered and remade by highly skilled craftspeople to meet the demands of Western collectors. Shifting away from the moralizing stance of past studies on reconstructed Islamic ceramics, Dr. Graves shows how fabrication and forgery became a major site of participation in modern global capitalism and establishes an entirely new paradigm in the history of art.Drawing on a substantive new body of provenance research, archaeology, economic history, and laboratory analysis, Invisible Hands centers previously marginalized objects, reframing the practices of fabrication and forgery as crucial forms of invention and artistic skill worthy of study and admiration. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.

In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) tells the story of how traditional craft skills of the Islamic world, often thought to have died out with the advent of industrialization, were redirected toward a thriving new market in the colonial era: the fabrication and fictionalizing of antiquities, especially ceramics.In this stunning work of art history, Dr. Margaret Graves shakes the foundations of the discipline, challenging us to reconsider what is and is not art. She traces how sophisticated fabrications—as modern as they were believed to be medieval—moved within an international network of diggers, dealers, and collectors who took advantage of a largely unregulated marketplace to exchange and amass objects that were fabulous in every sense of the word. She looks at canonical artworks as well as many previously unpublished and rarely seen objects, shedding light on the astonishingly varied ways Islamic ceramics were altered and remade by highly skilled craftspeople to meet the demands of Western collectors. Shifting away from the moralizing stance of past studies on reconstructed Islamic ceramics, Dr. Graves shows how fabrication and forgery became a major site of participation in modern global capitalism and establishes an entirely new paradigm in the history of art.Drawing on a substantive new body of provenance research, archaeology, economic history, and laboratory analysis, Invisible Hands centers previously marginalized objects, reframing the practices of fabrication and forgery as crucial forms of invention and artistic skill worthy of study and admiration. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

When scientists finally learn how to make ceramics that can endure high temperatures and conduct electricity without resistance, they may have to thank the sea urchin for teaching them how to do it.While the ceramics that humans manufacture are fairly strong and resist forces that destroy other materials, they have their imperfections. They are not shatter-resistant. And it takes a lot of heat to create them. On the other hand, mollusks like the nautilus and sea urchin make shatterproof ceramics out of calcium carbonate—which is chalk—using no heat and a little water. And the mollusk‑created ceramics come in intricate shapes, often much more complex than those made by humans.Scientists are now studying how mollusks make their ceramics so that we can also make better ones. The processes they are learning will enable the manufacture of strong ceramic materials that conduct electricity without resistance. They will be cheap and easy to make, yet they will provide us with better building materials and even artificial bones.Scientists are learning that the secret to making superior ceramics uses cheap materials and a very complex series of chemical reactions carried out by special cells in ceramic‑making mollusks. It's definitely not a system that was worked out by no one at all through chance and accident. In effect, science is seeking to learn how the Creator made ceramics, so that we can do it too!Genesis 1:31"And God saw every thing that he had made, and, behold, it was very good. And the evening and the morning were the sixth day."Prayer: Father, I often forget that Your wisdom extends to very material things, things which I don't usually associate with the spiritual. Teach me not to separate the spiritual and material, but see them both as coming from Your Hand. Help me to glorify You in spiritual as well as material matters. In Jesus' Name. Amen.REF.: Amato, Ivan. Better ceramics through biology. Science News.  To support this ministry financially, visit: https://www.oneplace.com/donate/1232/29?v=20251111

In this soft-spoken sleep documentary, I tell you about ceramics: what pottery, earthenware, stoneware, terracotta, and porcelain are; how they appeared; and how significant they have been since prehistory around the world—in Ancient Egypt, Greece, the Americas, the Islamic world, Europe, and of course, China.This podcast is entirely scripted and recorded by real people, it includes no AI, and mid-roll ad breaks are turned off so that you can relax without interruption.   #sleep #bedtimestory #asmr #sleepstory #history Welcome to Lights Out Library Join me for a sleepy adventure tonight. Sit back, relax, and fall asleep to documentary-style bedtime stories read in a calming ASMR voice. Learn something new while you enjoy a restful night of sleep. Listen ad free and get access to bonus content on our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/LightsOutLibrary621⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy my audiobook on Ancient Egyptian History, Myths & Mysteries: ⁠⁠⁠⁠⁠https://open.spotify.com/show/6mCqX5FoO6uCilrWCS8mB9?si=e1ecb983d2534d69⁠⁠⁠⁠⁠ Listen on Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@LightsOutLibraryov⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   ¿Quieres escuchar en Español? Echa un vistazo a La Biblioteca de los Sueños! En Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/1t522alsv5RxFsAf9AmYfg⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ En Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/la-biblioteca-de-los-sue%C3%B1os-documentarios-para-dormir/id1715193755⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ En Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@LaBibliotecadelosSuenosov⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Artspeak Radio, Wednesday, February 18, 2026, 9am -10am CST, 90.1fm KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd talks with artists Linda Lighton and Jeff Conners. LINDA LIGHTON is an artist and activist living and working in Kansas City, Missouri. She is a passionate advocate for the arts both regionally, nationally and internationally, and she is committed to being creatively prolific and politically engaged on a daily basis. Lighton has had more than 80 solo shows and has participated in more than 230 group exhibitions at museums and galleries in the United States, Europe, the Middle East and Asia. Linda Lighton's work is in national and international collections in China, France, Germany, Hungary, Israel, Japan, Korea, Latvia, Lithuania, Spain, Switzerland, Taiwan and Turkey as well as The Nelson Atkins Museum of Art, Kansas City, MO; Kemper Museum of Contemporary Art, Kansas City, MO; Spencer Museum of Art, Lawrence, KS; Ariana Museum, Geneva, Switzerland; Fule International Ceramic Museum, Fuping, China, the Yingee Museum in Taiwan, and Icheon International Ceramic Museum, Icheon, Korea. Linda Lighton is a member of the International Academy of Ceramics. She is the founder and director of the Lighton International Artists Exchange Program, which has sent over 207 artists to 59 countries and the Arctic Circle. In 2008, she was chosen for the Missouri Arts Award, and in 2011 she received the Award for Excellence in the Visual Arts and Education from the Kansas City Art Institute, where she graduated with honors in 1989. In 2016, Lighton received the Outstanding Achievement Award from the National Council for the Education of the Ceramic Arts. She is a member of the International Academy of Ceramics. Recently, Lighton completed two large commissions. The first, a 1% for the Arts program, involved producing a twenty-foot-long mural titled "Ode to the Tallgrass Prairie" for the new Kansas City International Airport. The second was a large chandelier titled "Luminous," installed in the Grand Salon at the Kansas City Museum. Lighton is a fervent arts advocate and activist. She has worked on many boards in her community; helping to instigate the One Percent for Arts Program in Kansas City, and serving on numerous boards over the years: Young Audiences of Kansas City, Friends of Art, Nelson Atkins Museum, Review Magazine, Kansas City Ballet, and National Council for the Education of the Ceramic Arts, Kansas City Jewish Museum Board. She currently serves on the National Committee at the Kemper Museum of Contemporary Art, and administers the Lighton International Artists Exchange Program. On view now, Linda Lighton: Love & War, A Fifty-Year Survey, 1975-2025 On view Dec. 13, 2025 through May 3, 2026 December 13, 2025 - May 3, 2026 Nerman Museum of Contemporary Art, 12345 College Blvd Overland Park, KS Oppenheimer Thompson and Anonymous Galleries, First Floor Linda Lighton: Love and War: A Fifty Year Survey, 1975–2025 (Hardcover) available now www.lindalighton.com JEFF CONNERS is a California / San Francisco Bay Area native who has spend his life immersed in the arts. His creative journey spans painting, piano, music composition, stand up comedy and theatre. As a member of the comedy group “Bartalk” in the 80's and 90's he had to opportunity to work with such people as Robin Williams, Whoopi Goldberg, Dana Carvey, Bobcat Goldthwaite, Kevin Pollak, Mark Pitta and many others. Bartalk performed in famous comedy clubs such as The Punchline, The Boarding House, The Holy City Zoo, Cobbs Comedy Pub and Tommy T's. In theatre, Jeff has acted in and directed well over a 100 plays and musicals and in the 90's was artistic director and founder of the New Earth Theatre, the San Leandro Community Theatre (now San Leandro Players) and the San Leandro Shakespeare Festival in the San Francisco Bay Area. These theatre groups were used as a vehicle to raise money for the San Leandro Public Library foundation and through the years raised well off 100K dollars. Jeff's original show “The Angel of the Gutter” was performed off-Broadway in New York in 2000 at the Creative Place Theatre. He recently directed “Bullshot Crummond” at The Roaring 20 Gallery and Event space in Westport. Jeff is also an avid pianist and composer and has written the score to George Bernard Shaw's “Androcles and the Lion”. Now based in Kansas City, painting remains his deepest passion and has been a constant in his life since his youth. He is the Artist in Residence at the newly opened “Elevator” in North Kansas City. He is currently showing at 80 Santa Fe Gallery in Overland Park as part of their “Color” exhibit. “Color” runs through March 15, 2026. He will be featured at Mod Gallery in Kansas City in September and has a solo exhibition at Elevator, currently in the works slated for a May/June showing (dates haven't been finalized as of this writing). He works in oil, acrylic and watercolor and features slices of city and urban life, cityscapes, landscapes and people. jeffconners.art (website currently under construction) https://artskcgo.com/artist/jeff-conners/ Instagram - @jeffconnersartstudio Facebook – Jeff Conners Art

Benjamin grew up on the irrigation ditches on the 100th meridian.She received her Bachelors in Arts from Hastings College in 2001 and worked as a studio assistant for Jun Kaneko until 2006. In 2008, I received my M.F.A from Bowling Green State University, Ohio.Benjamin fuses water drought data with monumental, scaled ceramics, and her work has been featured  at the Joslyn Art Museum, Museum of Nebraska Art, the Great Plains Art Museum, and private galleries in the Midwest. In 2013, the Nebraska Arts Council awarded me an Individual Artist Fellowship Grant. My artwork has been published in Ceramics Monthly, Clay Times, NY Arts Magazine, Lark Crafts: The Best of 500 Ceramics, 500 Ceramic Sculptures, and in Sculpture Magazine.

Maya Buffett Davis is a sculptor currently pursuing an MFA in Ceramics at Colorado University Boulder. For the next couple of days you can view her show “Books are Machines” at the Bemis Public Library in Littleton, CO until February 14, 2026. We chat about the ideas behind the show including the relationship between the viewer and an interactive sculpture and inspiring attention. Learn more about Maya's work on Instagram and her web site mayabuffettdavis.xyz

In this episode of Creative Guts, co-hosts Laura Harper Lake and Becky Barsi chat with Jihye Han, a South Korean ceramic artist and educator, as well as the recipient of the 2025 Piscataqua Region Artist Advancement Grant by the New Hampshire Charitable Foundation. Jihye's work centers on cultural memory, identity, and human connection. Our conversation includes the inspiration behind her current moon jar series, the technical process of her ceramics, and how her multicultural background, teaching, and being a parent all inform her creative practice. We also cover what it was like applying to the Piscataqua Region Artist Advancement Grant, and her reaction to learning the news she was the recipient!View Jihye's art at https://www.jihyehanart.com/work. Follow her on Instagram at www.instagram.com/hjhalice.Learn about the New Hampshire Charitable Foundation Artist Advancement Grant Exhibit featuring Jihye's work at 3S Artspace at https://www.3sarts.org/aag-2026.Explore the 2026 Piscataqua Region Artist Advancement Grant at https://www.nhcf.org/how-can-we-help-you/apply-for-a-grant/artist-advancement-grant-program/.Listen to this episode wherever you listen to podcasts or on our website www.CreativeGutsPodcast.com. Connect with us on Instagram, Facebook, LinkedIn, and Discord. Subscribe to our Substack newsletter at creativegutspod.substack.com. If you love listening, consider making a donation to Creative Guts! Our budget is tiny, so donations of any size make a big difference. Learn more about us and make a tax-deductible donation at www.CreativeGutsPodcast.com. Thank you to our friends at Art Up Front Street Studios and Gallery in Exeter, NH and the Rochester Museum of Fine Arts in Rochester, NH for their support of the show! Any views or opinions expressed by our hosts or guests do not necessarily reflect the views or positions of Creative Guts.

In this episode of What's My Thesis?, ceramic sculptor and installation artist Liz Stringer joins the podcast for an in-depth conversation about sculpture, scale, and the body. Working primarily with ceramics, metal armatures, and welded structures, Stringer discusses how her practice emerged from a background shaped by medicine, illness, and early encounters with Roman, Gothic, and Baroque architecture. The conversation explores monumental ceramics, biopolitics, and public space, including Stringer's engagement with civic spectacle, parade structures, and collective ritual. Drawing on Enlightenment history, architecture, and lived experience, Stringer reflects on her recent MFA thesis work, which centers the viewer's body within installations addressing armor, metamorphosis, vulnerability, and systems of power.

We sit down with Dr. Tasneem Karassi of Wellness Family Dentistry to talk about her journey into dentistry, her decision to open a startup practice in Royal Oak, and her passion for patient-centered, whole-body dental care. We start by getting to know Dr. Karassi beyond dentistry, including her long-time love of ceramics and how working with her hands outside the office helps her unwind and stay grounded. That creative background naturally connects to dentistry, a profession that blends precision, artistry, and problem-solving.We explore how and why she chose Royal Oak as both her home and the location for her practice. After working in several offices across the region, Dr. Karassi knew she wanted to build something from scratch that reflected her own vision. With encouragement from fellow local business owners and the right opportunity opening up, Wellness Family Dentistry was born. She shares how the energy, community, and vibrancy of Royal Oak made it the perfect place to plant roots and grow a practice.A major focus of our conversation is dental anxiety. We talk about why so many patients feel nervous at the dentist and how trust, communication, and time are the most important tools in overcoming that fear. Dr. Karassi explains how her office prioritizes education, visual tools, and a calm, spa-like environment to remove the mystery from dental care. From aroma therapy to noise-canceling headphones, everything is designed to make patients feel safe, heard, and unrushed.We also dive into dental insurance and affordability, including options for patients without insurance. Dr. Karassi outlines her one-time new patient special and the Wellness Family Plan, a membership model that focuses on preventive care and transparency rather than insurance limitations.One of the most impactful parts of the conversation centers on airway dentistry and sleep apnea. We discuss how sleep apnea is often underdiagnosed, how it affects the entire body, and how dentists can play a key role in identifying and treating it. Dr. Karassi explains mandibular advancement devices as a non-invasive alternative to CPAP machines and shares real-life examples of how proper diagnosis can dramatically improve patients' quality of life.We wrap up by talking about pediatric dental care, the importance of starting children early, and how lifelong habits are formed. Dr. Karassi shares how her curiosity and conversations during a two-year gap period ultimately led her into dentistry, a profession she now uses to combine health, wellness, aesthetics, and community impact.Wellness Family Dentistry Website– https://wellnessfamilydentistry.co(00:00) Intro(00:20) Welcome to the ROCC Pod(00:49) Ceramics, Creativity, and Dentistry(01:53) Starting a Dental Practice from Scratch(04:24) Understanding and Treating Dental Anxiety(08:46) Dental Insurance, Membership Plans, and Costs(10:30) Airway Dentistry and Sleep Apnea(15:57) Pediatric Dental Care and Starting Kids Early(18:24) Finding Passion in Dentistry(20:33) Joining the Royal Oak Chamber(21:14) Fishbowl Question & Fun Wrap-Up(22:41) How to Contact Wellness Family Dentistry Learn more about the Royal Oak Chamber of Commerce: https://www.royaloakchamber.com/Connect with our hosts:Jon Gay from JAG in Detroit Podcasts - http://www.jagindetroit.com/Lisa Bibbee from Century 21 Northland - http://soldbylisab.com/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

How concerned do you truly need to be about vintage ceramicware leaching lead into your food? Learn about your ad choices: dovetail.prx.org/ad-choices

In this week's episode we spotlight a favorite of rainbow egg keepers - the Olive Egger! We also discuss three important signs of winter vitamin and mineral deficiency in your flock, share our recipe for delicious Blueberry Baked Donuts, and provide some retail therapy with Glazy Hen Ceramics.Grubbly Farms - click here for our affiliate link.https://www.anrdoezrs.net/click-100963304-15546963Pre and Probiotic and Vitamin and Electrolyte Powders!Bright and Early Coffee - use code CWTCL15 for 15% off of any bagged coffee. K Cups always ship free!https://brightandearlycoffee.com/Omlet Coops- Use Our Affiliate Link and COFFEE10 code for 10% off!https://tidd.ly/3Uwt8BfBreed Spotlight is sponsored by Murray McMurray Hatcheryhttps://www.mcmurrayhatchery.com/Metzer Farms Waterfowlhttps://www.metzerfarms.com/Eaton Pet and Pasture - Use code COFFEE for a discount on first-time purchases.Nestera UShttps://nestera.us/cwtclUse our affiliate link above for 5% off your purchaseBlueberry Baked Donuts - https://coffeewiththechickenladies.com/farm-fresh-egg-recipes/blueberry-baked-donuts/CWTCL Websitehttps://coffeewiththechickenladies.com/CWTCL Etsy Shophttps://www.etsy.com/shop/CoffeeWChickenLadiesAs Amazon Influencers, we may receive a small commission from the sale of some items at no additional cost to consumers.CWTCL Amazon Recommendationshttps://www.amazon.com/shop/coffeewiththechickenladiesSupport the show

Dr. Randie Schacter, MD - Ceramics Luxury Retreats and moreIn this episode, psychiatrist Dr. Schacter talks about incorporating the arts in healing her patients and clinicians. She fell in love with ceramics and shares her expertise in the healing arts. Dr. Schacter is a meditation and yoga instructor who designs luxury retreats for women professionals in places like Portugal and the Berkshires. You can find her information at https://www.Silverspaces.orgDr. Randie Schacter is the founder and owner of Silver Psychiatric Services, PC in Matthews, NC, where she specializes in treating women and children, with a particular dedication to supporting women physicians. She created Mindfulness Based Arts and Stress Reduction (MBASR), an innovative interactive program that blends mindfulness, meditation, yoga, cognitive behavioral therapy, art, and peer support—enhanced by farm-to-table gourmet meals—to help women professionals effectively manage stress and burnout. MBASR has made a significant impact in the Charlotte medical community, fostering well-being through creativity, care, and connection.Building on MBASR's success, Dr. Schacter expanded her transformative retreats to luxurious international destinations, with the next event scheduled for March 2026 in Olhão, Portugal. Future retreats are also planned along the North Carolina beaches and at a stunning villa in Jamaica for 2026/2027 with CME available to those physicians that are interested in receiving them.www.Silverspaces.org/portugal www.Silverpsychiatric.com

Send us a textIn this week's episode Lance and Jacklyn start the new year strong with a four- day weekend, touring their old haunts and soaking up all that Tampa and St. Pete have to offer.  Listen in for recommendations - where we are going, what we are doing, and what we are watching.  Wishing everyone a fulfilling, healthy, abundant, and happy new year!

Archaeologists trace the earliest clay containers to the Stone Age when people used crude stone tools to make clay pots for cooking and storage. Today's potters use special types of clay and sophisticated techniques to produce fine craft ceramics. Once crafted mostly by artists, pottery is now one of the hottest hobbies in the country. Ceramics classes are full to bursting, some kilns are running 24 hours a day and the British show, “The Great Pottery Throwdown” has millions of rabid fans. What kicked off this ceramics craze that shows no signs of slowing down?*This segment originally aired in December 2024*

HYUNUKO is the studio of ceramicist Henry Kim, blending function and fantasy through sculptural furniture, lighting, and vessels. Formerly Head of Ceramics at The Haas Brothers, Kim draws on themes of nature, sci-fi, and escapism to create narrative-driven works that blur the boundaries between fine art and design. https://ThePottersCast.com/1190

Synopsis:  Step into the studio of ceramicist Akinsanya Kambon, where ancient traditions meet revolutionary fervor: here, stunning works born from earthy materials recount tales of resistance, redemption, and hope across generations and geography.Make a tax deductible YEAR END DONATION and become a member go to LauraFlanders.org/donate. This show is made possible by you! Description [original release date September 2025]: With each glimmering piece he creates, artist Akinsanya Kambon brings suppressed histories of both colonization and liberation to life. His ceramic works depict struggle and survival across the African diaspora, and stepping into his studio is a spiritual experience, as Laura Flanders recently discovered. Kambon was a member of the Sacramento chapter of the Black Panther Party where he worked on the layout and illustration of the party's famous paper and became lieutenant for culture, illustrating among other things the party's ten point plan and works for young people. In 2023, he won the prestigious Mohn Award — the top prize given by the Hammer Museum for his participation in their biennial “Made in LA” show, titled Acts of Living. His one-man show opened in Beverly Hills at Marc Selwyn Fine Art in April 2025. An exhibition of his work will open at the New York Sculpture Center in May 2026. In this unique conversation, Flanders asks Kambon about his own survival stories, including his polio diagnosis, getting drafted into the Vietnam War, and his year on death row. Kambon was arrested in connection with the killing of a police officer and was later acquitted from that high-profile Oak Park Four case. Join Flanders and Kambon as they discuss how art keeps spirits alive, and catch Flanders' commentary on today's fight to control our nation's stories.“Art educates the masses of people. Not Black or white or Asian, this educates the masses of young people to our struggle, to how long they're struggling and how it's connected.” - Akinsanya Kambon“I thought of myself as an artist even when I was a child, because art was therapy for me . . . I used to always seem like I would always take the side of the underdog.” - Akinsanya KambonGuest:  Akinsanya Kambon, Artist, Former Marine, Black Panther & Art ProfessorSpecial thanks: Cynthia Wornham, Annie Philbin, Marc Selwyn Fine Art  Additional Credits:Additional Crew:  Marco Amador, Producciones Cimarrón Clips from the documentary short- "Akinsanya Kambon The Hero Avenges," Produced by The Hammer Museum;  Directed by Gabriel Noguez and Sean Rowry. Full Conversation Release: While our weekly shows are edited to time for broadcast on Public TV and community radio, we offer to our members and podcast subscribers the full uncut conversation. These audio exclusives are made possible thanks to our member supporters.Watch the special report on YouTube; PBS World Channel, and on over 300 public stations across the country (check your listings, or search here via zipcode). Listen: Episode airing on community radio  (check here to see if your station is airing the show) & available as a podcast.Full Episode Notes are located HERE. RESOURCES:Related Laura Flanders Show Episodes:•  Jacqueline Woodson & Catherine Gund: Breathing Through Chaos & the “Meanwhile”, Watch / Listen:  Episode Cut - Full Uncut Conversation•  Genesis Be & Rev. Dr. Jacqui Lewis: Building Collective Freedom with a Poet & Preacher, Watch / Listen:  Episode Cut   •  Ai Weiwei: How Do We Save Our Humanity?  Watch / Listen:  Episode Cut - Full Uncut Conversation  Related Articles and Resources:• Akinsanya Kambon exhibit for ‘Made in L.A. 2023: Acts of Living' the Hammer Museum's biennial exhibition highlighting the practices of artists working throughout the greater Los Angeles area• Akinsanya Kambon Receives $100,000 John Award, Made in L.A. Biennial's Top Prize Honors Artistic Excellence, by Victoria L. Walntine, December 12, 2023, Culture Type•  Akinsanya Kambon's exhibition April 17-May31, 2025 at Marc Selwyn Fine Art•. 10 Shows to see in Los Angeles May 2025, by Matt Stromberg, May 1, 2025 Hyperallergic• Upcoming Akinsanya Kambon Exhibitions: He will be featured in a solo exhibition represented by Ortuza Projects in collaboration with Marc Selwyn Fine Art during Frieze New York in May 2026, and concurrent with a solo exhibition at the New York Sculpture Center.  Art Media Agency Laura Flanders and Friends Crew: Laura Flanders-Executive Producer, Writer; Sabrina Artel-Supervising Producer; Jeremiah Cothren-Senior Producer; Veronica Delgado-Video Editor, Janet Hernandez-Communications Director; Jeannie Hopper-Audio Director, Podcast & Radio Producer, Audio Editor, Sound Design, Narrator; Sarah Miller-Development Director, Nat Needham-Editor, Graphic Design emeritus; David Neuman-Senior Video Editor, and Rory O'Conner-Senior Consulting Producer. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

In 2018, we named Slow Pottery one of our ten floral insights of the year, and the interest in combining locally-grown flowers with curated pottery and vase collections has only continued to gain momentum. The demand for American-made pottery first caught our attention in a 2015 New York Times article titled “The Budding Ceramics-to-Table Movement,” with the […] The post Episode 748: Flowers & Ceramics, creating a floral enterprise that combines one artist's passions, with Michelle Hartney appeared first on Slow Flowers Podcast with Debra Prinzing.

Originally from New Jersey, Marrianne Robilotta moved to Montana in 2015 to pursue pottery full-time. Although she received a degree in Ceramics, Marianne considers herself self-taught. Focusing on production, Marianne strives to produce large quantities of consistent pieces while retaining the craftsmanship and artistic expression of a studio potter. https://ThePottersCast.com/1185

Ryan and Becca recap Ryan's two-week “pottery vacation,” where he stepped away from his day job to experience what full-time pottery could feel like. They talk through the technical challenges he tackled, the shows he prepared for, and the sales strategies he experimented with. Ryan also reflects on managing his health, energy, and work-life balance during the break. They wrap up with how the experience shaped his outlook on future goals and how pottery fits alongside his career as a UX engineer.SponsorsL&L Kilns - The durable kiln that potters trust to fire evenly & consistently. Find your L&L kiln at hotkilns.comSoolla® - The brand-new Studio Pouch from Soolla is the perfect sidekick to your studio bag, designed to keep your favorite tools organized and close at hand. Available in eleven colors and durable, machine-washable canvas. Find your new studio bag at soolla.co and save 15% at checkout with coupon code "WHEELTALK" (exclusions may apply).Support the show on Patreon for as little as $3 per month: https://patreon.com/WheeltalkpodcastFollow us on Instagram:@wheeltalkpodcast@rdceramics@5linespotteryVisit our website:www.wheeltalkpotcast.comWheel Talk YouTube Channel

Marcello and Miki Massoni are the co-founders of Gaya Ceramic and Gaya Ceramic Arts Center in Ubud, Bali. Their work blends Italian sensibility with Balinese craft, creating refined tableware, installations, artworks, and sustainable design projects. Through studio production, education, and collaboration, they celebrate clay as a living, tactile language of beauty, culture, and community. https://ThePottersCast.com/1182

Over the past two decades, the artist Theaster Gates has poured himself into his multifaceted practice that spans pottery, painting, sculpture, urban development, performance, archival research, and arts administration. Along the way, he has risen to become one of the most widely celebrated figures in the world of art, transforming abandoned, dormant buildings in Chicago's Grand Crossing neighborhood, on the city's South Side, into dynamic third spaces for social, cultural, and spiritual communion; linking his hometown of Chicago with Japan, where in 2004 he trained with master potters in the coastal city of Tokoname and has maintained a deep connection ever since; and effectively rescuing, recontextualizing, and resuscitating culturally significant archives.On this episode of Time Sensitive, our latest “site-specific” recording, Gates sits down with Spencer inside his personal library in Chicago to talk about his current exhibition, “Unto Thee,” at the University of Chicago's Smart Museum of Art (on view through Feb. 22, 2026); his forward-looking vision for his latest project, The Land School, which he and his Rebuild Foundation have reshaped into an arts incubator; and the vast, alchemic impacts of music on his life and work.Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.Show notes: Theaster Gates[1:21] Dorchester Art and Housing Collaborative[5:07] The Land School (2025)[7:30] St. Laurence Elementary School[7:42] Solange Knowles[9:07] Stony Island Arts Bank[9:07] Rebuild Foundation[9:07] Black Cinema House[9:07] The Listening House[13:06] Jane Addams[13:06] Jane Jacobs[13:06] Jesse Jackson[13:23] Frederick Law Olmsted[13:23]  Huey P. Newton[13:31] Chicago Transit Authority[19:45] Cicero[23:24] Søren] Kierkegaard[23:24] Georg Wilhelm Friedrich Hegel [25:31] “Unto Thee” (2025)[29:12] Fred Moten[29:29] “Art Histories” (2020)[35:18] Tokoname[42:26] “The Listening House” (2022)[49:29] “Afro-Mingei" (2024)[49:29] Mingei[51:24] Black is Beautiful and Black Arts movements[1:07:02] Theaster Gates's record collections[1:15:07] Martin Puryear[1:17:00] László Moholy-Nagy[1:17:00] Josef Albers[1:17:00] Carrie Mae Weems

This week we have a special two-part interview with renowned artist and educator David MacDonald. His large functional vessels are carved with intricate patterns that highlight and celebrate African heritage. For part two of my interview with David we talk about finding an entry into African aesthetics, the formal aspects of his repeating patterns, and how the use of functional objects in daily rituals can imbue them with spirituality. MacDonald is a Professor Emeritus of Ceramics at Syracuse University where he taught from 1971 to 2008. www.davidmacdonaldpottery.com Today's episode is brought to you by the following sponsors: Monkey Stuff www.monkeystuff.com The Rosenfield Collection of Functional Ceramic Art www.Rosenfieldcollection.com Cornell Studio Supply www.cornellstudiosupply.com