Podcasts about south asian

What happens when a venture capitalist steps out into the front office of a major sports franchise?   In this episode of TRUST ME I KNOW WHAT I'M DOING, I sit down with entrepreneur, VC, and the new co-owner and alternate governor of the Portland Trail Blazers, Sheel Tyle. We break down the massive shifts happening at the intersection of global technology, venture capital, and professional sports.  Sheel pulls back the curtain on why an NBA franchise is less like a legacy asset and more like a fast-scaling tech startup. He opens up about the reality of being a local team owner, the "external rate of return" that matters more than profit maximizing, and how a new generation of tech-forward owners are preparing for an AI revolution in basketball.  We also dive deep into what it means to be a first-generation Indian-American sports owner, challenging the traditional immigrant path toward stable careers to take massive risks that can shape a community.  Sheel shares insights on:• The Reality of Local Ownership: Navigating the public eye in Portland alongside his wife, Oregon's Secretary of Health.  • The True ROI of Sports: Why building a civic anchor matters far more than just looking at profit margins.  • The Tech Revolution in the NBA: Lessons learned from fellow owners like Steve Ballmer and Mark Lore on how AI will reshape player analytics and fan experiences.  • Redefining Risk for First-Gen South Asians: Honoring our immigrant parents' hard work by having the courage to make bold, unconventional bets.  • The Mindset of a Champion: Why contentment does not mean stasis, and lessons on the grind from Damian Lillard's 6:30 AM gym sessions.  Whether you're a sports fanatic, an aspiring entrepreneur, or someone navigating your own "quantum leaps" in life, Sheel's framework for mission-driven leadership offers a compelling blueprint.  If you enjoyed this deep dive, please hit that subscribe button, leave a comment, and share this video with someone looking to scale their own vision!   Chapters:00:00 Introduction03:28 Local Ownership in the Portland Community05:22 The True ROI: Purpose Over Profit Maximization07:41 Is the NBA a Startup? Global Expansion & Asia Markets12:53 The Tech-Forward Owner15:09 Solving Massive Challenges: Lessons from CelTel & NALA20:46 Sponsor Break: Travelopod22:24 Data vs. Emotion: Navigating the Noise of Fans and DMs25:19 Embracing Risk as a First-Gen Indian-American Leader32:54 Leadership, Parenting, and Damian Lillard's Work Ethic37:09 Why Contentment Does Not Mean Stasis#SheelTyle #PortlandTrailBlazers #VentureCapital#SouthAsianExcellence #TrustMeIKnowWhatImDoing #NBAShoutouts from this episode: - to the Spurs, the Knicks, and their fans for holding the space until my Lakers are ready to play June basketball again! - to Vaibhav Sooryavanshi for stepping up in the T20. - to Nithya Raman for closing the gap as those votes are still being counted.Support the Show: If you enjoyed this episode, please subscribe and leave a review on Apple or Spotify or wherever you podcast!TRUST ME I KNOW WHAT I'M DOING is proudly brought to you by TRAVELOPOD, with personalized travel support to help you explore the wonders of the world.  Start your next journey at vacation.travelopod.com

This episode is deeply personal to me.As the daughter of Indian immigrants, a breast surgeon, and a breast cancer survivor, I've seen firsthand how difficult it can be for our community to talk openly about health issues—especially breast cancer.Too often, conversations are delayed by fear, stigma, modesty, or the belief that we should simply "stay strong" and endure.But when it comes to breast cancer:

Rhea is an Indian-American teen who discovers her passion for creating DJ mixes that blend the rich textures of her South Asian culture and the world around her. Her life revolves around her eclectic group of friends, her after-school coding club, her family's Indian restaurant and her tightknit, multigenerational family. Everything changes when she falls for aspiring DJ Max, and her long-lost fervor for music is reignited. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of the Breast Cancer Now podcast, Jay shares her journey working in cancer research to receiving a diagnosis of breast cancer herself. Jay opens up about discovering a lump in 2018 at age 47, navigating a stage 3 diagnosis, and dealing with chemotherapy, surgery and radiotherapy. Drawing on her science background, she also explains how understanding the system helped her advocate for herself and regain some sense of control. She reflects on the emotional realities of cancer, and the role of family, culture and her community in her experience. Jay also speaks about the challenges within the South Asian community, where cancer is often a taboo subject, and highlights the urgent need for better awareness and representation. Jay is now a strong advocate for health literacy and inclusion, and tells Laura about her dedication to empowering women to listen to their bodies, ask questions, and speak up in healthcare settings.Breast Cancer Now support & information: https://breastcancernow.orgClinical trials database: https://clinicaltrials.govKey topics:01:11 Let's get to know Jay02:19 Jay's background working in clinical trials03:52 Jay is diagnosed with breast cancer08:59 The loneliness of a breast cancer diagnosis and treatment12:12 What Jay learned from her cancer diagnosis16:19 The importance of self advocacy and health literacy20:43 How Jay approached telling her parents about her cancer diagnosis26:53 Jay 8 years on from diagnosis28:38 Troubles with tamoxifen31:33 Ways Jay deals with life after cancer treatment34:45 Working towards better research representation in under-represented communities37:44 Jay's work educating people about breast cancer40:51 Cancer in the South Asian community42:59 Improving cancer outcomes in Black and South Asian populations

Amrita Chowdhury and Ujaan Ghosh bring into English for the first time a long-inaccessible masterpiece of South Asian literature Baidehisha Bilasa: The Amorous Plays of Sita's Husband (2025). Composed in the late seventeenth century by Upendra Bhanja — the Odia prince-poet hailed as Kavi Samrat, the Emperor of Poets — the work is a Ramayana that privileges shringara, the erotic sentiment, over martial heroism. Rama-the-lover overshadows Rama-the-warrior, and his conjugal life with Sita takes center stage in a poem dense with puns, classical ragas, and chitrapadya — word-arrangements that resolve into wheels, chariots, and arrows on the page. Famously, every verse begins with the letter ba, and the text has long been considered untranslatable. With a preface by Wendy Doniger, Chowdhury and Ghosh's decade-long translation preserves the strangeness and sensuality of the original while opening it to a new readership. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Amrita Chowdhury and Ujaan Ghosh bring into English for the first time a long-inaccessible masterpiece of South Asian literature Baidehisha Bilasa: The Amorous Plays of Sita's Husband (2025). Composed in the late seventeenth century by Upendra Bhanja — the Odia prince-poet hailed as Kavi Samrat, the Emperor of Poets — the work is a Ramayana that privileges shringara, the erotic sentiment, over martial heroism. Rama-the-lover overshadows Rama-the-warrior, and his conjugal life with Sita takes center stage in a poem dense with puns, classical ragas, and chitrapadya — word-arrangements that resolve into wheels, chariots, and arrows on the page. Famously, every verse begins with the letter ba, and the text has long been considered untranslatable. With a preface by Wendy Doniger, Chowdhury and Ghosh's decade-long translation preserves the strangeness and sensuality of the original while opening it to a new readership. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Amrita Chowdhury and Ujaan Ghosh bring into English for the first time a long-inaccessible masterpiece of South Asian literature Baidehisha Bilasa: The Amorous Plays of Sita's Husband (2025). Composed in the late seventeenth century by Upendra Bhanja — the Odia prince-poet hailed as Kavi Samrat, the Emperor of Poets — the work is a Ramayana that privileges shringara, the erotic sentiment, over martial heroism. Rama-the-lover overshadows Rama-the-warrior, and his conjugal life with Sita takes center stage in a poem dense with puns, classical ragas, and chitrapadya — word-arrangements that resolve into wheels, chariots, and arrows on the page. Famously, every verse begins with the letter ba, and the text has long been considered untranslatable. With a preface by Wendy Doniger, Chowdhury and Ghosh's decade-long translation preserves the strangeness and sensuality of the original while opening it to a new readership. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Technology isn't magic. But sometimes dropping your spoon in a bowl of soup during a pandemic leads you somewhere extraordinary.In this episode of HappyPorch Radio, Barry O'Kane speaks with Thierry Sanders, founder of Kolekt, a platform connecting waste collectors, buy-back centres, and recyclers across the Global South. Thierry's background spans fintech, microfinance, and living in developing countries from Ecuador to Pakistan to Indonesia, and Kolekt grew directly out of two weeks spent riding around Bali on a motorbike with informal waste collectors, learning how their world actually works.What makes Kolekt's story unusual is the order of operations. Thierry didn't arrive with a product looking for a market. He started with cigarettes, lunch, and genuine curiosity, and the technology followed the problems he discovered: collectors wasting half their time searching for materials that weren't there, workers without phones or bank accounts locked out of digital systems, and facial recognition tools that didn't work for the people who needed them most.The conversation is direct about the harder edges of this work: the fossil fuel industry flooding markets with cheap virgin plastic, governments demanding surveillance data on immigrant workers, and the gap between EPR policy and what actually reaches the people doing the collecting.✨ In this episode:Thierry tells the origin story of Kolekt, from a pandemic soup bowl in Jakarta to 14,000+ waste collector profiles across six countriesWe explore the practical technology challenges of serving users who have no phone, no bank account, and no reliable connectivityThierry explains how Kolekt discovered and worked around racist bias in open-source facial recognitionBarry and Thierry discuss the economics of informal waste collection and why recycled materials cost more than virgin plasticThierry shares his work advising South Asian governments on EPR legislation and the $100 billion opportunity it representsWe hear how Kolekt chose to lose contracts rather than hand over user data to governments targeting immigrant collectors

Amrita Chowdhury and Ujaan Ghosh bring into English for the first time a long-inaccessible masterpiece of South Asian literature Baidehisha Bilasa: The Amorous Plays of Sita's Husband (2025). Composed in the late seventeenth century by Upendra Bhanja — the Odia prince-poet hailed as Kavi Samrat, the Emperor of Poets — the work is a Ramayana that privileges shringara, the erotic sentiment, over martial heroism. Rama-the-lover overshadows Rama-the-warrior, and his conjugal life with Sita takes center stage in a poem dense with puns, classical ragas, and chitrapadya — word-arrangements that resolve into wheels, chariots, and arrows on the page. Famously, every verse begins with the letter ba, and the text has long been considered untranslatable. With a preface by Wendy Doniger, Chowdhury and Ghosh's decade-long translation preserves the strangeness and sensuality of the original while opening it to a new readership. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Amrita Chowdhury and Ujaan Ghosh bring into English for the first time a long-inaccessible masterpiece of South Asian literature Baidehisha Bilasa: The Amorous Plays of Sita's Husband (2025). Composed in the late seventeenth century by Upendra Bhanja — the Odia prince-poet hailed as Kavi Samrat, the Emperor of Poets — the work is a Ramayana that privileges shringara, the erotic sentiment, over martial heroism. Rama-the-lover overshadows Rama-the-warrior, and his conjugal life with Sita takes center stage in a poem dense with puns, classical ragas, and chitrapadya — word-arrangements that resolve into wheels, chariots, and arrows on the page. Famously, every verse begins with the letter ba, and the text has long been considered untranslatable. With a preface by Wendy Doniger, Chowdhury and Ghosh's decade-long translation preserves the strangeness and sensuality of the original while opening it to a new readership. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

Amrita Chowdhury and Ujaan Ghosh bring into English for the first time a long-inaccessible masterpiece of South Asian literature Baidehisha Bilasa: The Amorous Plays of Sita's Husband (2025). Composed in the late seventeenth century by Upendra Bhanja — the Odia prince-poet hailed as Kavi Samrat, the Emperor of Poets — the work is a Ramayana that privileges shringara, the erotic sentiment, over martial heroism. Rama-the-lover overshadows Rama-the-warrior, and his conjugal life with Sita takes center stage in a poem dense with puns, classical ragas, and chitrapadya — word-arrangements that resolve into wheels, chariots, and arrows on the page. Famously, every verse begins with the letter ba, and the text has long been considered untranslatable. With a preface by Wendy Doniger, Chowdhury and Ghosh's decade-long translation preserves the strangeness and sensuality of the original while opening it to a new readership. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Amrita Chowdhury and Ujaan Ghosh bring into English for the first time a long-inaccessible masterpiece of South Asian literature Baidehisha Bilasa: The Amorous Plays of Sita's Husband (2025). Composed in the late seventeenth century by Upendra Bhanja — the Odia prince-poet hailed as Kavi Samrat, the Emperor of Poets — the work is a Ramayana that privileges shringara, the erotic sentiment, over martial heroism. Rama-the-lover overshadows Rama-the-warrior, and his conjugal life with Sita takes center stage in a poem dense with puns, classical ragas, and chitrapadya — word-arrangements that resolve into wheels, chariots, and arrows on the page. Famously, every verse begins with the letter ba, and the text has long been considered untranslatable. With a preface by Wendy Doniger, Chowdhury and Ghosh's decade-long translation preserves the strangeness and sensuality of the original while opening it to a new readership. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

How do you handle an interfering mother-in-law without damaging your marriage?After asking our listeners to anonymously share their challenges, one story stood out because it's a something many people face but rarely talk about openly.A woman wrote to us explaining that her mother-in-law is heavily involved in her marriage. Their marriage problems often spill into family gatherings, her mother-in-law regularly shares opinions on their relationship, and when she visits their home, she even snoops around their personal space.For many people navigating difficult in-law relationships, this situation will feel all too familiar.In this episode, Bal and Taj explore both sides of the story. Is this simply an interfering mother-in-law crossing boundaries, or could there be deeper concerns driving her behaviour?We discuss South Asian family dynamics, marriage expectations, family boundaries, and the challenges that arise when parents struggle to step back after their children get married. We also explore how relationship advice and unsolicited opinions from family members can affect trust, communication, and emotional wellbeing within a marriage.Topics include:✨ Mother-in-law problems and family conflict✨ Setting healthy boundaries in marriage✨ Privacy and respect within your own home✨ Marriage advice for couples dealing with difficult in-laws✨ South Asian marriage expectations and family pressure✨ Daughter-in-law and mother-in-law relationships✨ How to manage family drama without damaging relationships✨ Understanding both perspectives before jumping to conclusionsWhether you've experienced toxic in-law behaviour, struggled with family boundaries, or found yourself caught between your spouse and your parents, this episode offers a balanced and honest discussion about one of the most common relationship dilemmas in South Asian families.

What happens when the career you've worked so hard to build no longer energizes you? In this episode of Wickedly Smart Women, host Anjel B. Hartwell welcomes Bela Shah, a former attorney and ICF-certified coach. Bela shares how feelings of disconnection, burnout, and a lack of alignment ultimately led her to leave a successful legal career and step into coaching. Drawing on her experiences as a first-generation South Asian immigrant, meditation practitioner, and leadership mentor, Bela offers a powerful perspective on self-trust, purpose, and navigating major life transitions.  This conversation is a reminder that leadership begins within and that sometimes the greatest act of courage is trusting yourself enough to create a new path.   What You Will Learn: How to recognize when your work is no longer energizing you. Why self-trust is the foundation of authentic leadership. The signs that may indicate it's time to leave a career that no longer aligns with your values. How small and big leaps of faith contribute to meaningful life transitions. Why rest, reflection, and pauses are essential for making aligned decisions. How meditation and mindfulness can support personal and professional growth. The connection between perfectionism, self-doubt, and the feeling of "not enough." Why community and support systems are critical during periods of change. How coaching helps individuals uncover their own wisdom and insights. The importance of moving from self-sacrifice to self-trust in leadership.   Connect with Bela Shah Wisdom Leadership https://www.wisdomleadership.com/ Connect with Wickedly Smart Women® Wickedly Smart Women Wickedly Smart Women on X Wickedly Smart Women on Instagram Wickedly Smart Women Facebook Community Wickedly Smart Women Store on TeePublic [5X Award-Winning Book] Wickedly Smart Women: Trusting Intuition, Taking Action, Transforming Worlds Email: listeners@wickedlysmartwomen.com  

KPFA Theatre Critic Richard Wolinsky reviews “The Lunchbox” at Berkeley Rep‘s Roda Theatre through July 5, 2026.             TEXT OF REVIEW The golden age of the Broadway musical died over a half century ago. The post-golden age of Sondheim and the rock opera faded before the new century. Since then, we've had corporate movie adaptations, jukebox junk and an increasing number of parody meta-musicals. But good and great shows do slip through the cracks. Hamilton, certainly, but also Fun Home, Next to Normal, Suffs and others. It's quite possible that another gem eventually to hit New York, is currently at Berkeley Rep's Roda Theatre through July 5th, and that's The Lunchbox, created by the team of Ritesh Batra and The Lazours.

Based on a 2013 film of the same name, The Lunchbox is about one of those one in a million chance meetings that change people and the direction of their lives. Mumbai, or Bombay as it was known, has a complex system in which business people's hot lunches are delivered from home to workplace in the middle of the day via a phalanx of what are known as dabbawallahs. Despite millions of people and a gigantic metropolis, this system is incredibly accurate with spectacular on-time deliveries.

But there are screwups. One day, a young wife, Ila, sends her lunch canister to her husband's office — the canisters have multiple smaller bowls — which never arrives. Somehow, it winds up on the desk of Sajaan, an older widower on the verge of retirement.He sends back a note. She responds. He's decades older, she's married with a daughter; romance may not be in the cards, but connection is. What makes The Lunch Box work so well is both its familiarity with musical theater tropes and its differences. You can hear a bit of Sondheim in the way music and lyrics meld to further the story, but there's also the very distinctive sound of South Asian melody, harmony, instruments and rhythm, punctuated by Bollywood style ensemble dances. The result is organic, it feels right. The Lunchbox unites the two art forms into one, with the spectacle never overwhelming the delicacy of the story, songs, or performances, all of which, by the way, are very, very good, as is the gorgeous set design. The show is kind of a miracle, code-switching in a way that feels wholly original, while maintaining the sensibility and sensitivity of its source material. A note of caution: The Lunch Box is a soufflé. Any attempt to fix it, to make it more big ticket-friendly, could kill it. The show is perfect as it is. The Lunchbox plays at Berkeley Rep's Roda Theatre through July 5th. For more information you can to go berkeleyrep.org. I'm Richard Wolinsky on Bay Area theatre for KPFA. The post Review: “The Lunchbox” at Berkeley Rep Roda Theatre appeared first on KPFA.

How do we move the needle from simple charity to true, lasting systems change?  Megha Desai, President of the Desai Foundation, joins the podcast to share how they have impacted over 12 million lives by treating dignity as a measurable currency. If you want to catch more deep dives into the global desi and diaspora experience, hit the Subscribe button to join our community!In this episode of TRUST ME I KNOW WHAT I'M DOING, host Dr. Abhay Dandekar sits down with Megha to explore the powerful intersection of big data and human-centered storytelling. From scaling a modest family ethos of abundance into a globally recognized public non-profit, Megha reveals what it takes to operate an impact organization like an entrepreneurial startup. We also dive deep into the global movement for menstrual equity, shifting the narrative from control to care, and what it truly means to build a sustainable infrastructure of dignity across rural India.In this episode, we cover:• Generational Shepherding: Scaling a family ethos of abundance.• The Startup Mindset: Approaching global philanthropy like a venture pitch• The Currency of Dignity: Bridging corporate investors and rural villages• Data vs. Storytelling: Why the story is the arrow tip but data is what pierces through• Menstrual Equity: Confronting global stigmas to drive health, literacy, and GDP-------------------------Chapters:00:00 Introductions and Identities04:00 Generational Shepherding: Scaling a Family Ethos of Abundance05:55 Moving from a Family Foundation to an Entrepreneurial Startup Model09:45 The Currency of Dignity: Bridging Corporate Donors and Rural Villages13:03 Active Listening in Boardrooms and Villages 17:49 Staying Loyal to Beneficiaries 21:26 Sponsor Break: Travelopod23:55 Collaborative Ecosystems and Sharing Information for Greater Impact  25:58 Menstrual Equity: Confronting Global Stigmas 29:46 Unlearning Assumptions, Cultivating Growth, Sustaining Empowerment35:08 Creating True Systemic Change and Finding Personal ConnectionConnect with Megha Desai & The Desai Foundation:• Website: https://thedesaifoundation.org/• Personal: https://meghadesai.com/Shout outs this week:• Spelling Bee Champ Shrey Parikh• Air conditioners everywhere• Primary voters across the US and especially in California#TheDesaiFoundation #MeghaDesai #MenstrualEquity #SystemicChange #WomenEmpowerment #TrustMeIKnowWhatImDoing #SouthAsianVoices #DiasporaStories #SocialImpact --------------------------Trust Me I Know What I'm Doing | Dr. Abhay DandekarA mirror and window for global Indians and South Asians through conversation.Every week, we share chats with artists, leaders, musicians, chefs, experts, change makers, and innovators from the home and diaspora - sharing their journeys and motivations.Support our sponsors: Start your journey with personalized travel support at https://vacation.travelopod.com/For enquiries

If you've ever felt stuck in a job that looks good on paper but doesn't feel right for you, this episode is for you. Today we are talking about career switching and how to actually change your career to a job that's more aligned to you. Growing up, I was told that you should pick a career and stick to it but the world of work has changed and so has the way we see our careers/jobs. I'm joined by Priya Raj, a fashion and lifestyle journalist who has written for Vogue India and worked at Business Insider and The Telegraph among other big global publications. Both me and Priya started our careers in Finance and in our 20s realised that it wasn't what we wanted to do for the rest of our lives so we decided to change. It wasn't easy to start a new career in our 20s, but in this episode we are going to share how we did it, what motivated us to take that leap, how we keep our imposter syndrome in check and whether or not we regret it. So if you are someone who's struggling with their career or having a little bit of a career crisis and don't know what to do- then this is the episode for you! In the episode: 00:00:00 Intro00:01:37 Why did we start working in Finance? 00:05:29 What made us want to change careers? 00:12:27 Mental Health at work 00:14:07 How have careers changed in 2026?00:15:23 The rise of portfolio careers00:16:14 How to change your career- practical steps00:17:41 Priya's journey to writing for Vogue India00:20:42 Balancing working in Finance and Fashion 00:21:37 Dealing with imposter syndrome 00:23:10 Career switching internally in tech 00:27:55 The importance of good co-workers00:30:38 Dealing with rejection00:31:12 How to build confidence in a new career00:34:24 Telling family about being a journalist 00:37:46 Priya's experience on BBC News 00:40:16 Corporate 9-5 to creative career 00:44:58 How to reach out to journalists to pitch your brand?00:48:40 What is a press release?Don't forget to follow or subscribe to It's Preeti Personal and leave a 5★ review as it helps other South Asian girls find the podcast and feel a little less alone

What would you do if a stranger on your morning commute told you she couldn't have children — and you offered to help? In this episode, I sit down with Gini Bhogal (@ginibhogal), a celebrity bridal hair and makeup artist and a household name in the Asian bridal scene. But behind the brushes and bridal chairs is a story she kept quiet for nearly 30 years... until now. Gini shares how a chance encounter on the London Underground led her to donate her eggs to a complete stranger, for free, against her husband's wishes, without telling her family, and with no idea how it would all unfold. 26 years later, the child she helped bring into the world reached out and found her. If you've ever felt pulled to do something that made no logical sense but felt completely right, this one is for you.

This week on the SheerLuxe Middle East Podcast, Tamara Jabi is joined by Talar and Hebah for a fun-filled catch-up from the stunning new Mandarin Oriental Downtown Dubai.The trio discuss everything from the latest fashion collaborations making headlines – including Zara x Galliano, Balenciaga x Manolo Blahnik and Hailey Bieber's new Mango campaign – to the standout brands currently on their radar, including Lirika Matoshi, Origin Studios and some exciting South Asian labels worth knowing about. They also share their latest fashion finds, summer wardrobe essentials and the beauty products they can't stop using, from Hourglass highlighters and Dior lip launches to the mascaras currently dominating their makeup bags.Finally, the team dive into the TV shows they're bingeing right now, including Netflix's ‘Million Dollar Secret', debate controversial fashion takes and chat about the wellness products, supplements and health trends everyone is talking about. Don't forget to like, comment and subscribe for more weekly episodes.PANELTamara Jabi | @tjabi | https://www.instagram.com/tjabi/ Lioness Horseshoe Jeans | https://lionessfashion.com/products/horseshoe-jean-snow-leopard Talar Nina | @talarnina | https://www.instagram.com/talarnina/Ganni Polo Shirt | https://www.ganni.com/en-gb/polo-shirt-in-spacedyed-knit-chalk-pink-A107007286802.htmlUniqlo Barrel Leg Jeans | https://www.uniqlo.com/uk/en/products/E479000-000/00?colorDisplayCode=67&sizeDisplayCode=024&pldDisplayCode=033Hebah Baker | @hebahbaker | https://www.instagram.com/hebahbaker/Origins Studios | https://origins-studios.com/THINGS WE LOVErhode Spotwear | https://www.rhodeskin.com/products/spotwear-daisy?_pos=1&_psq=spot&_ss=e&_v=1.0rhode Pocket Blush | https://www.rhodeskin.com/products/pocket-blush-piggyrhode Peptide Eye Prep | https://www.rhodeskin.com/products/peptide-eye-prep-rhode-logorhode Glazing Milk | rhodeskin.com/?srsltid=AfmBOooD2iCylppcO_praPnVYTHYfNLNMTkewtQO-qC_dHuPXXXXpUa-Refy Glow & Sculpt | https://www.sephora.me/ae-en/p/face-primer-glow-sculpt/P10063123Lirika Matoshi Gemstone Jeans | https://lirikamatoshi.com/products/cream-gemstone-jeans?_pos=2&_sid=49e3947bb&_ss=rHai Flora Jacket | https://www.homeofhai.com/product/flora-jacketCord Ivy Top | https://www.cordstudio.com/products/ivy-top-ss26-ivyt-loftNouria | https://nouriadesign.com/Bambah Sleepwear | https://bambah.com/collections/bambah-sleepwearH&M Broderie Anglaise Cotton Pyjamas | http://ae.hm.com/en/buy-broderie-anglaise-cotton-pyjamas-white-0It's 9pm x OCEANUS | https://its9pm.co.uk/collections/its-9pm-x-oceanusH&M Studio Sailor-collared Poplin Blouse | https://ae.hm.com/en/buy-sailor-collared-poplin-blouse-creamKosas Shiny Objects Highlighter | https://www.sephora.me/ae-en/p/shiny-objects-wet-glisten-highlighter-powder/P1000211772Hourglass Unreal Liquid Highlighter | https://www.sephora.me/ae-en/p/unreal-liquid-highlighter/P1000213630Mac Strobe Cream | https://www.maccosmetics.ae/product/strobe-creamDior Addict Glass Lipstick | https://www.sephora.me/ae-en/p/dior-addict-glass-lipstick-ultra-shine-and-hydrating-lip-gloss-stick/P1000214119Mac Lip Liner (Soar) | https://www.maccosmetics.ae/product/lip-pencil?shade=SoarBy Mina Al Sheikhly Layered Mascara | https://byminaalsheikhly.com/products/layered-mascaraLancome Mascara Melter | https://www.lancome.co.uk/makeup/eyes/mascara/mascara-melter/01267-LAC.html

Sealtest's six per cent milk has hit the dairy aisles in Ontario grocery stores. With nearly twice the fat found in whole milk, it's a staple in South Asian recipes. US President Donald Trump has promised to reintroduce whole milk in the United States' school lunch programs, but Health Canada advises lower-fat options for ages above 2-years-old. We speak with Anika Dhalla, a South Asian registered dietician, about the dairy aisle's new addition and the trend towards whole milk

Melbourne-based theatre artists from India and Pakistan have come together to champion South Asian theatre in Australia through their new production, The Triple Bill, which brings three stories to the stage. In this exclusive SBS Hindi podcast, Sonil Shanker from Pakistan and Anshu Adrekar from India share their journey of creating theatre for the local community. They also discuss how their upcoming collaboration came to life, how they navigated their different cultural backgrounds and how they discovered creative freedom within a shared “third space.”

Celeste Vee is an electric violinist who built V Entertainment — a multi-city agency placing trained violinists at South Asian weddings. In this episode, she shares how she went from solo gigging to coordinating 180+ gigs a year across New York, DC, Dallas, Atlanta, and beyond — and how she's training the next generation of Bollywood violinists.

Renowned singer Saleem Javed is one of Pakistan's most popular music artists, known for his distinctive voice and energetic blend of folk and pop music. Beloved by audiences in Pakistan and across the global South Asian community, he has also won the hearts of Australian fans with his captivating performances. Listen to Saleem Javed's conversation in this podcast. - معروف گلوکار سلیم جاوید پاکستان کی موسیقی کی دنیا کا ایک نمایاں نام ہیں، جنہوں نے اپنی منفرد آواز، دلکش انداز اور پُرجوش فوک اور پاپ کی رنگ برنگ گائیکی کے ذریعے بے شمار مداحوں کے دل جیتے۔ ان کے گائے ہوئے گیت نہ صرف پاکستان بلکہ دنیا بھر میں مقیم جنوبی ایشیائی کمیونٹی میں بے حد مقبول ہیں۔ سلیم جاوید کی پرفارمنس میں روایتی ، جدید موسیقی اور اسٹیج پر بھرپور توانائی کا حسین امتزاج دیکھنے کو ملتا ہے.وہ آسٹریلیا میں بھی اپنی شاندار گائیکی کے باعثوہ آسٹریلین شائقین کے دلوں پر بھی راج کر رہے ہیں۔ سلیم جاوید کی ایس بی ایس سے گفتگو سنئے اس پوڈ کاسٹ میں۔جانئے کس طرح ایس بی ایس اردو کے مرکزی صفحے کو بُک مارک کریں ہر بدھ اور جمعہ کا پورا پروگرام اس لنک پرسنئے, اردو پرگرام سننے کے دیگر طریقے, “SBS Audio”کےنام سےموجود ہماری موبائیل ایپ ایپیل (آئی فون) یااینڈرائیڈ , ڈیوائیسزپرانسٹال کیجئے۔ ہمیں فیس بُک اور انسٹا گرام پر فالو کیجئے۔

The role of women is growing in Ukraine's war effort, from military recruitment to frontline drone warfare. Anita Rani talks to 'Morva,' a female combat drone pilot who, aged 25, is fighting Russian forces on the front line and Olesia Horiainova, Deputy Director of the Ukrainian Security and Cooperation Centre - a think tank that works in military recruitment - about how women, and not just Ukrainian women, are getting involved in the fight to defend the country.Alan Milburn, the former Labour health secretary says there's a risk of a "lost generation" in the UK, unless urgent action is taken to ensure more young people are either earning or learning. He's the author of a government-commissioned interim report titled Young People and Work that's released today. To look at what this means for women Anita talks to Kate Nightingale, the campaigns director at Young Women's Trust which champions for young women on low or no pay. When the American Professor of Law, Kimberlé Crenshaw was five years old, at the time of the civil rights era in Ohio, USA, she was allowed to portray a witch but not a princess in a nursery play. Puzzled by her teacher's behaviour, Kimberlé spoke up and never stopped, firmly establishing herself as a Backtalker, the name of her new memoir. Kimberlé joins Anita to talk about becoming a pioneering scholar and writer on civil rights and her instinct to question power and challenge what others accept as fair.A new retrospective of the late Indian artist Mrinalini Mukherjee, a modernist sculptor, has opened at The Hepworth Wakefield in Yorkshire. Called Mrinalini Mukherjee: Unbound Forms - Women Sculptors of India and Bangladesh, it presents her art alongside that by other sculptors from India and Bangladesh, including her own mother, and explores the impact of South Asian women. Anita talks to the exhibition's curator Tarini Malik and the artist and close friend of Mrinalini's, Bharti Kher. Presenter: Anita Rani Producer: Rebecca Myatt

APEX Express is a weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. On this episode, host Miata Tan is joined by guests from the South Asian Coalition, an emergent national network committed to collective liberation and solidarity. Together they explore what it means to build South Asian political power in this moment—and how cross-movement solidarity can shape a more just, multiracial future. Learn more about the South Asian Coalition Website | Instagram | Policy Priorities   The South Asian Coalition was convened in October 2024 by: Manavi, Alliance of South Asians Taking Action, Muslims for Just Futures, and Raksha.   Transcript ​[00:00:00]  Miata Tan : Hello and welcome. You are tuning in to APEX Express, a weekly radio show uplifting the voices and stories of Asian Americans and Pacific Islanders. I'm your host, Miata Tan. Tonight, we're focusing on South Asian communities and the organizers working to build political power. South Asians are one of the fastest-growing racial groups in the United States, Over six million people [00:01:00] and roughly a quarter of the Asian American population. South Asian is used as a broad umbrella term for people with roots in countries such as India, Pakistan, Bangladesh, Nepal, Sri Lanka, and sometimes Afghanistan. Though exact definitions can vary across communities and organizations. And as we'll talk about tonight, within the South Asian diaspora who call the United States home, you have a mix of nationalities, religion, immigration status, and more. Tonight, I'm joined by four people working to address the issues impacting South Asian communities in the US and beyond. At a time when questions of belonging, safety, and political power continue to shape immigrant communities across the country, South Asian organizers are building new forms of solidarity while also grappling with the diversity and complexity within their own communities. The first voice you'll hear is Sabiha Basrai Sabiha is the daughter of Muslim Gujarati immigrants and has been [00:02:00] organizing with the Bay Area-based Alliance of South Asians Taking Action, or ASATA, since 2009. Here's Sabiha helping us to understand how South Asian political organizing has evolved in the United States, especially in the post 9/11 era Sabiha Basrai: Thanks for the opportunity to do some reflection this year marks the 25th anniversary of 9/11, which was a real a political flashpoint that absolutely changed my life because I was a 19-year-old college student trying to figure out a lot of things about how the world works and my place in it, and my own identity and the multiple identities I hold. Uh, and also where my responsibilities lied in solidarity, not just with other Muslims who were being targeted, but our broad immigrant diasporas and allies, uh, who have experienced discrimination in different forms from the state. So thinking about the ways in which- organizing happened in the, months and years after 9/11 to support immigrant [00:03:00] rights that was really a time in which new projects formed, um, or existing projects kind of found a new focus. ASATA as an organizing project, as a group of volunteers, has both done things like shown up to support folks being called up for the NCR's Special Registration Program and also participate in direct action protests in solidarity against the war, and has continued to be part of coalitional work regionally in the Bay Area. And, you know, more recently, uh, when we think about the ways in which our communities under, are under increased pressure with the Trump administration's immigrant policies, there have been also opportunities to build more relationships and make sure that as we advocate for our community's rights, we're doing so in formation with others, not just focusing on one particular bad piece of legislation, but connecting that to a larger story, to really build towards liberation for all of us. I'll [00:04:00] just add, too that those relationships that were kind of seeded and invested in in that moment of crisis and anxiety and fear have endured in many ways to now. The fact that that very ecosystem is actually growing in this moment is a testament to the relationships that were built in those days. Miata Tan : That was Sabiha Basrai grounding us in the history of South Asian political organizing in the US. As she mentioned, for many South Asians, 9/11 marked a particularly mobilizing moment, one that helped our communities organized and built solidarity. To help us better understand how that moment influenced the evolution of progressive South Asian activism, we now turn to Deepa Iyer, South Asian American writer, strategist, and lawyer. Deepa leads projects on solidarity and social movements at Building Movement Project and brings more than 25 years of experience in Asian American organizing and advocacy Deepa Iyer: I think that I would say that there [00:05:00] were, looking back, a couple of trends and themes that we can pull out from that time. one is that there was definitely a shift in the general consciousness of South Asian communities about our place in American society, our understanding of racism, Islamophobia, and also the role of the state. And so we had a situation where both hate violence and state violence were actually being endured by South Asian, Muslim, Arab communities. And so I think that there was a shift in the ways in which our communities began to think about ourselves in the United States. A second piece is the growth of a field, an ecosystem of South Asian organizations in the wake of the attacks and the global war on terror. So we began to see a lot of groups that were actually formed or becoming more staffed up in the weeks and months after 9/11. For example, the Sikh [00:06:00] Coalition was actually birthed the evening of the attacks, and an organization that I was close to, SALT, was also emerging and forming in the months after 9/11 as well. So we began to see that a, a field was growing. And the third, sort of theme I would point out that Sabihah alluded to is this sense of solidarity, that instead of sort of being siloed as, you know, South Asians working within just our communities and just talking about certain specific issues, there was real sense that we needed to collaborate and build bridges with Arab, Muslim, Sikh, and, Black communities in the United States to understand the trajectory of racism and xenophobia, and how they were all kind of coming together in the weeks after 9/11. Those three themes and trends are what, when I look back, I see coming up over and over again in our messaging and in our advocacy. Miata Tan : [00:07:00] That was Deepa Iyer, as you heard from Deepa, collaboration across movements was essential in helping South Asian communities to understand and respond to the waves of xenophobia in the wake of 9/11. Now we turn to Rajiv Narayan and Farah Mahesri, who lead national policy work at the Alliance of South Asians Taking Action, or ASATA together they launched and now co-lead ASATA's new political base building group, ASATA Power. Rajiv begins by reflecting on what South Asian communities are facing today and what has and hasn't changed since 9/11. Rajiv Narayan: I think unfortunately many of the challenges present in the early 2000s remain today. They take new form. Some have evolved and transformed, but they were ex- existed in, in much the same form following 9/11. One of the, the instances in which I, I learned about that is at the recent South Asian Coalition convening where we did this exercise in mapping a number of [00:08:00] historical and present day events, as well as a future vision of things that are important to our organizations and to our movements. And something that we reflected on together in the convening is that a number of these attacks on our communities have waxed and waned, uh, at different periods in time, dating back to the, the 1960s and truly at, even at the beginning of, you know, the 19th century and the late 18th century. And so, to answer your question specifically, in the early 2000s, like Deepa and Sabihah mentioned, we've dealt with, uh, an incredible expression of Islamophobia of, uh, anti-Brown and anti-Black racism and hate speech. There was a, in, in general a skepticism and unwelcoming of South Asian communities. And unfortunately with the current federal administration and political discourse in our country, uh, a number of those same themes are relevant today and take on similar forms, whether they're in [00:09:00] response to what the federal administration is doing in countries like Iran or previous administrations have done in Afghanistan or Pakistan. I think all of those events underscore all the more so that it's important for our organizations to, organize together, much as we did in the early 2000s, to address these harms, to remember what they look like at previous stages of history, and to fight to prevent them again from happening in the future. Miata Tan : Farah, perhaps you could speak a bit to the organizing. What did that look like, a few years ago, and what does that look like today? How has that changed? Farah Mahersi: Rajiv and I started ASATA Power a couple of years ago specifically to be able to look forward to practice radical imagination, and fight for not just protection of our communities, which we will always do. That is built into our DNAs. It's what we know. It's how we move. And also to fight for things that we want, to build the world that we want to live in so that we're not constantly caught in these cycles. And as we're doing [00:10:00] that, we are learning a lot about how organizing is happening today, the BLM movement, Black Lives Matter, and incredible street power, but also that movement's ability to change our national discourse and change what is baseline, what we should be demanding, and how we are visioning a future that is built on policies governance and hard material changes in our lives is profound. beyond that, also the Palestine solidarity movement over the last couple of years has rewritten every book about organizing. And so I think that it is an interesting moment of both a little bit of sadness, to be honest, that we are still fighting some of these same fights and we are still in some of these same dynamics that we have been for 25 years, and the profound opportunity that we have to build power and to look forward, and I think that is, more true in the Bay Area than it is almost everywhere else. Uh, because of what our workforce looks like, because of the sheer [00:11:00] amount of wealth that is accumulated in this little corner of our world, and also when you look around at the political power and people who hold political power or are running for political power and elected office around the Bay Area, you could really start to see not just how South Asians are increasingly politicized and increasingly looking to build electoral and political power, but also s- very specifically progressive political power. And so when you look to Congress now, The progressive caucus is full of South Asian progressives who are leading the charge, who are doing some of this critical work, that's part of our organizing strategy, is to be part of those conversations and to continue to push and to continue to, again, advocate for policies and changes at that big level to make the future we want possible. Miata Tan : I love that. Coming together to dream and really fight. Rajiv, you are leading this work at the Alliance of South Asians Taking Action. Can you speak more to why the Bay Area [00:12:00] is a, like, a distinct microcosm in this progressive South Asian movement? Rajiv Narayan: Of course. So Farah and I, we both work together at ASATA Power, and ASATA is sort of political power building project within the auspices of, uh, ASATA which has been operating in the Bay Area for more than 25 years now. I think what makes the Bay Area a microcosm of the South Asian diaspora is a tremendous amount of diversity and, uh, a set of interrelated intersectional challenges. So you have, uh, folks of South Asian descent with all different immigration histories. So I'm, for example, a person, um, who has birthright citizenship in the United States as I was born here. But there are folks who immigrated here, like my parents and had to attain their citizenship uh, through the, the US legal system, and folks beyond that who are refugees or asylees or are undocumented due to a variety of political and social and economic pressures. And so we all coexist in this same space across an economic gradient. So there are folks [00:13:00] who are very well compensated in the tech sectors and healthcare sectors sometimes, uh, characterized, uh, as part of a, a model minority myth, um, as representatives of the South Asian diaspora, um, within the San Francisco Bay Area and the United States broadly. And then there are whole variety of South Asians who are working in less well-compensated, often quite exploited industries. For example, in, care industries as people who are providing childcare or senior care services, people who are working in the restaurant industry folks who are lesser compensated within healthcare as well as in tech industries and other ways. Of course, those economic positions interact with the political and legal system. So for example, even if a person might be, um, well-compensated in a tech job in the Bay Area, um, which they attained by way of an H-1B visa that person might be subject to exploitative labor conditions based on the, uh, the legal configuration of how H-1B [00:14:00] visas are treated. For example, that you depend on your employer for your immigration status in this country, which changes the worker-employer relationship in a way that makes it very difficult to identify workplace abuses. beyond that, we also have a diverse range of South Asians across the age gradient. So we have folks who are quite young, who are in Gen Z, and are entering politics in a completely different way than somebody like myself or Deepa entered politics at, in earlier in, in our lives and experience it today, which provides an opportunity for us to learn from earlier generations and to also share lessons from our political experience. So like with many things, the Bay Area has it all, the good and the bad, and ASATA and ASATA Power work within that, that space to identify opportunities for solidarity. Miata Tan : That was Rajiv Narayan and Farah Mehestri. Through their work with the Alliance of South Asians Taking Action, or ASATA, Rajiv and Farah are helping to build South Asian political power here in the Bay Area and [00:15:00] nationwide. The ASATA team and all four of our guests tonight are connected through the South Asian Coalition, a network of local and national organizations focused on advancing policy issues affecting South Asian communities and building shared spaces for strategy and collaboration. To better understand this evolving movement of progressive South Asian action, let's return to Deepa Iyer, who shares how and why this coalition came together Deepa Iyer: Yeah. I really appreciate Rajiv bringing up, um, how- what is happening in the Bay Area is part of a larger movement. And what I would say about this ecosystem, this field that I talked about earlier, and I've been able to understand this through the course of the work I've done, but also a book I've written about post 9/11 America, is that so much happens on the coasts, and we often forget that there are organizations and are communities that are really [00:16:00] growing in other parts of the country, right? You know, I grew up in Kentucky, um, and there are places like Kentucky and Indiana where you are seeing, um, more South Asians settle and build their lives there. So one of the things that I think has been important in thinking about as we come up on this 25th anniversary of 9/11 is how our coalition of South Asian groups, how that field has grown with these additional organizations, in geographic areas that are different, as well as the ways in which folks are organizing. So now we've got, for example, groups that are working with Bhutanese refugees or Nepali-speaking community members, or groups that are organizing around the exploitation of community members based on caste. These are, um, really important movement interventions and organizations that are growing. one of the key aspects of network infrastructure is the ability to connect with each other, [00:17:00] not to flatten our experiences and say we're all the same, but to actually find some threads of commonality in our shared struggle and our experiences, and to also know that together as collectives, as Farah mentioned earlier, we can actually build the futures that we wanna see. One of the really, I think, inspiring pieces of coalition building that I've been fortunate to work with and support along with, um, everyone here is the South Asian Coalition, which is this emergent network of now 35 organizations around the country, and this coalition really seeks to build relationships and strengthen relationships, engage in peer learning and skills building, make it clear that there are certain policy issues that we need to uplift and to advocate around, and to create opportunities and pathways for solidarity with larger movements. This coalition and the infrastructure that it's been [00:18:00] creating is a way for us to look at our ecosystem of South Asian organizing in this moment, and to really see what happens when we galvanize our power collectively. Miata Tan : and Deepa, can you share a bit about the various co-conveners that make up the South Asian Coalition?  Deepa Iyer: So the South Asian Coalition, um, as we've mentioned, is this emergent network of groups that address various issues but are aligned around shared values. And the groups that really came together to co-convene it include Asad the Power, as well as Muslims for Just Futures, Raksha, which is an organization in the South, and Manavi, which is based in New Jersey. And these four organizations really had the vision to set up the structure for the coalition. the organization where I work at, Building Movement Project, supports the coalition through infrastructure, so providing facilitation, providing resources, policy analysis, and creating the container to support [00:19:00] movements in that way, which is so critical for coalitions. Miata Tan : That was Deepa Iyer a South Asian American writer, strategist, and lawyer. after the break, we'll hear more from organizers and advocates working to address issues shaping South Asian communities today. Stay with us  [00:20:00] [00:21:00] that was “Phenom” by Thao and the Get Down Stay Down. You are tuned into [00:22:00] APEX Express on 94.1 KPFA, a weekly radio show uplifting the voices and stories of Asian Americans and Pacific Islanders. I'm your host, Miada Tan. Tonight, I'm joined by four people who are working to address the issues impacting South Asian communities in the US and beyond. Back in March, organizers, advocates, and community leaders from across the country gathered in Washington, DC, for a national convening focused on the challenges and possibilities facing South Asian communities today. Here's Sabiha Basrai with the Alliance of South Asians Taking Action, or ASATA. She speaks about how this coalition of progressive South Asian groups formed and why this moment called for it. Sabiha Basrai: So this new emergent South Asian Coalition had its first convening in Washington, DC in March, and this was, the culmination of, a little over a year of monthly Zoom calls which started because [00:23:00] we knew we were on the verge of a Trump re-election. Uh, we knew that there was this ecosystem of South Asian activism and organizing across the country. Some of us knew each other from previous collaborations, but some of us didn't. New organizations were forming, and there was this recognition that we need each other in order to face what's coming, and we are stronger together. And we know that being South Asian is not a monolith, uh, that we deal with within our own communities based on labor exploitation, caste discrimination, anti-Muslim violence. And when we talk to each other, when we connect, we give ourselves the best chance at being able to move through those pieces of pain and build towards a future where we can all feel a sense of belonging, feel represented, and an agency in shaping that future together. So what started with a few conversations with a few folks, grew steadily [00:24:00] and, um, and through some intentional work to, to kind of invite each other in, which is of course an ongoing process, we were able to unite under this umbrella called the South Asian Coalition. Uh, we committed to some shared political points of unity and kind of community agreements to really set some expectations with one another on how we could move well in formation. And, made sure we had pathways to share information with each other so that someone like me working in Oakland could understand what, uh, someone working in Texas or in Georgia was facing, what local policy positions they were needing to, to navigate. And, uh, we could give each other advice, give each other moral support, and also sharpen our political understandings. So, uh, these kind of, uh, regular check-ins was one way of just understanding what we were all facing and feeling connected. But, actually being together in person was remarkable. I cannot overstate how much of a difference it makes to be able to share [00:25:00] space and see each other as whole people and not just representatives of a particular organization or a particular issue area, and, have those in-between moments where we actually build, build some friendships. One of the things that was also really important for me to understand when we met together was just how important that intergenerational work is. we had folks in the room who were, in their 50s and 60s who had been doing this work for decades. And we had folks in the room who were in their 20s for whom 9/11 was, something that happened in history. The conversations that were happening across generations informed the way that we think about ourselves as a coalition and helped me also to let go of some of the constraints that, kept my imagination small about what we were capable of. I was really grateful that so many people attended and chose to prioritize that work. It's hard, you know, to take a pause from The daily work to leave, fly to [00:26:00] DC take those risks as well because for many of us, uh, going through TSA is no small thing. There's a lot of harassment and racism that still permeate, you know, these institutions. So not to minimize just the effort that ta- it takes to convene and really make the most of our time together. One of the things that we did while we were in DC together was hold a congressional briefing to really, uh, amplify and share the issues that were coming up for our communities that folks were already working very hard on. Miata Tan : That was Sabiha Basrai with the Alliance of South Asians Taking Action, or ASATA. Now let's return to Rajiv Narayan, another member of the ASATA team and co-lead of their political action group, ASATA Power. Rajiv will take you inside the congressional briefing that Sabiha mentioned and how South Asian organizers from across the country shared the issues shaping their communities and what support is needed now Rajiv Narayan: We in ASATA Power worked in [00:27:00] collaboration with a number of the organizations in the South Asian coalition, to put together a congressional briefing on the issue of South Asians and immigration in the heart of Washington, DC, in the halls of Congress in Capitol Hill. And we were fortunate to do so in collaboration with Representatives Pramila Jayapal and Grace Meng. we had a number of, speakers representing, different perspectives and political struggles within the South Asian, uh, space in the United States, especially as it relates to immigration. So, for example, we had representatives from the Dalit Solidarity Forum talking about the plight of oppressed workers, caste-oppressed workers, in New Jersey working in a Hindu temple.  ​ Dr Roja Sunganthy-Singh – Dalit: I stand here as a Dalit, formerly known as an untouchable in India's caste system, speaking for over two hundred skilled Dalit artisans who were brought to the US from India to build the largest Hindu temple in New Jersey. In their words, ” We are the Indian stone workers of America, workers [00:28:00] rescued by the FBI in twenty twenty-one from forced labor conditions constructing the BAPS temple in New Jersey. we were brought to the US on R one visas and compelled to perform construction labor for over eighty-seven hours a week and paid just a dollar twenty an hour. Rajiv Narayan: We heard from, um, the executive director of the Sikh Coalition talking about Sikh truck drivers and religious workers and their experience under the federal regime's, uh, rule-making efforts. Harman Singh – Sikh Coalition: Uh, Punjabi Sikhs began entering the US trucking industry in large numbers during the nineteen eighties, and Sikh truck drivers and business owners have played a critical role in addressing driver shortages over the past several years. Unfortunately, Sikhs in this critical industry have become the subject of harmful rhetoric and policy from this current administration. These drivers are being excluded solely because of their specific immigration status and regardless of their driving histories, skills, knowledge, or English proficiency.  Rajiv Narayan: We heard from, the executive director of Asian Refugees United, who [00:29:00] spoke about the experience of Bhutanese refugees who have been rendered stateless by the current administration's, deportation efforts Robin Gurung – ARU: Because of the ethnic cleansing campaign of Bhutan government, more than hundred thousand Bhutanese citizens were forced to flee the country. For twenty years, I lived in a refugee camp in Nepal. In 2008, the government of this country came to rescue us. We were promised safety and security. But last year, that promise was broken. As of March 2025, over seventy of our community members are deported to Bhutan, the same country that persecuted us and made us refugees. These community members are kidnapped from their homes and jobs. They have been taken from their routine ICE check-ins. We know due process was not followed. Rajiv Narayan: We also heard from the executive director of Raksha, a domestic violence organization based in the Southern United States that has played an instrumental role in supporting South Asians who have been the victims [00:30:00] and who are now survivors of domestic and intimate partner violence, about the needs for supporting these kinds of organizations, with federal dollars and through the grant-making systems conditions. Aparna Bhattacharyya – Raksha: For thirty years, we have supported community members in navigating interpersonal violence, but also waves of racism and policy backlash.  South Asian and Indo-Caribbean survivors need safe places to turn, safe places that speak their language, understand their unique immigration and cultural needs. Raksha recently had $700,000 in OVC grants terminated by DOGE. additionally, we are still waiting for OVW sexual assault cultural funds for five months, where we have gotten no determination of whether we're getting that funding or not. Five months. Rajiv Narayan: We also heard from, the director of the South Asian American Justice Collaborative, which is currently, before the US Supreme Court in the birthright citizenship case, and [00:31:00] filed this foundational amicus brief detailing the story of South Asians in the United States going back to the 1600s. Klapana Peddibhotla – SAAJCO: Our brief pushes back against this notion that we are forever foreign.  South Asians actually arrived on these shores in the sixteen hundreds, and by the seventeen hundreds, South Asians were already asserting their rights here. In an Afghan immigrant actually fought in the Civil War in the Union Army. by the late nineteenth century, the largest farming group in Central California was formed by Punjabis. Today, South Asians are one of the largest immigrant populations in the US, but many families are caught in immigration backlogs that last for decades and make them vulnerable to the President's executive order restricting birthright citizenship. Rajiv Narayan: Across all of these speakers, you know, the, the, the message became very clear that we have so many different struggles, but they're all [00:32:00] united by a sense of solidarity for each other's political experiences under the same system of exploitation and oppression, and that there, there's so much that Congress can do in this moment to support the South Asian diaspora in the United States and, and even abroad in some cases. for ASATA Power's part, we, had the opportunity to put together over the course of the last year a policy brief on undocumented South Asians, and it was during the congressional briefing that we shared some pretty startling statistics that we, collected and collated from a number of public sources. And so what we were able to identify for the room is that there are about eight hundred thousand to nine hundred thousand undocumented South Asians in the United States, and because there are only six point five million South Asians in the US, both those who are undocumented and those who have birthright citizenship or are otherwise naturalized, refugees, asylees, and, and everyone in between. Of those six point five million South Asians One in eight of [00:33:00] them is undocumented, which is shocking and not something that somebody would understand at the outset given these problematic narratives like the model minority myth and whatever you see these days on X or Twitter about South Asian immigrants. So it's important for us not only to, to set the narrative straight and to identify both the diversity and opportunity for solidarity across our struggles, but to do so in the halls of power and to speak that truth to power directly. Miata Tan : That's Rajiv with ASATA Power reflecting on a recent congressional briefing in Washington, DC he helped to organize alongside other progressive South Asian leaders, organizers, and activists. Here's a snippet of Rajiv's opening remarks at the briefing Rajiv Narayan: I want to draw your attention to the slide behind me, they'll show a couple of images of South Asian community members who've been impacted recently by the horrific policies and practices of the federal administration. These members include Sheraz Fatehali Sachwani, a forty-eight-year-old citizen of Pakistan who died in ICE [00:34:00] detention last December. They include seventy-three-year-old Harjit Kaur, who was arrested during a routine ICE check-in, separated from her family, and deported to India without notice. I should say, I grew up seeing Harjit Kaur behind the counter at Sari Palace in Berkeley. She would help my mom try on saris. Her home was here. Her community was here. You know, these are just some of the names and stories of community members who have been affected by immigration policy as of late, and we hope that you will keep them in mind as you hear from our speakers today. There are many more we were not able to picture or name, but their stories are just as important. We'll be making many asks over the course of today's briefing. Some of those include the following: Congress should not increase funding for ICE or Border Patrol, including providing funds for detention facilities, especially in this funding moment. We have to remember that ICE is not a long-standing American institution. It was created in two thousand and two, recently, as part of the Homeland Security Act following nine [00:35:00] eleven. Miata Tan : That was Rajiv Narayan with ASATA Power speaking at a recent congressional briefing in Washington, DC. The briefing was part of a larger national convening organized by the South Asian Coalition, bringing together progressive South Asian groups from across the country. Now let's return to Deepa Iyer, who leads projects on solidarity and social movements at Building Movement Project here's Deepa reflecting on her takeaways from the congressional briefing Deepa Iyer: I think that there were so many pieces in that briefing that maybe people didn't know about that organizations are struggling with, and part of it is that, um, our communities, and Sabihah said this earlier, are not a monolith, right? And there are so many different ways in which we are experiencing what is happening right now in the United States, the fractures and the fissures that we're seeing. Rajiv spoke so well about the community needs and issues. One thing I'll lift up is actually the impact on nonprofit [00:36:00] organizations. Several of the groups that were, uh, speaking at the briefing noted how the attacks on nonprofits that are specifically working on issues like immigration in terms of losing federal funding and grants, being forced to certify that they are not addressing issues work that deal with undocumented immigrants, as well as the ways in which, um, nonprofit organizations are being, in some ways, seen as doing risky and un-American work. there is the, the exploitation of domestic terrorism as a frame that is being used right now to target certain nonprofit organizations. This is something that I think is not necessarily known to many people in terms of the ways in which national security, immigration issues are also affecting the nonprofit sector as a whole. And where I work at the Building Movement Project, we really look at the nonprofit sector and the health of the nonprofit sector, and we're [00:37:00] seeing that these types of external threats, the spotlight on organizations that are on the front lines, including South Asian groups, um, Muslim groups, Palestinian groups, that are working with, um, immigrant communities, queer and trans community members that are providing- Vital language access, service provision, community safety are really under threat right now, and this includes many of the organizations that were present at the, coalition's convening. So that's something that I also wanna lift up, that in addition to our communities who are facing the impact of the current moment in really acute ways, our nonprofit sector and our organizations are also dealing with a range of constraints and threats and difficulties. So that is one thing that came up over and over again. Miata Tan : That was Deepa Iyer with the Building Movement Project, highlighting the pressures facing the nonprofit sector right now, [00:38:00] especially as it relates to South Asian organizers, advocates, and communities. Let's return to Farah Mahesri with ASATA Pawa.  Farah Mahersi: One of the other things that I am very proud of for this congressional briefing that we did was that it was us telling our own stories and us presenting our own policy recommendations. There was no need to have, like, an expert come in and talk on behalf of our communities or try to represent our communities. We were the experts in the room, and we were really recognized and seen as that. As Rajiv mentioned, you know, there, the room was packed with Hill staffers and congressional staffers who were taking diligent notes as we spoke our truths Miata Tan : That was Farah Mahesri with ASATA Pawa reflecting on the recent congressional briefing she helped to organize, one that brought greater visibility to the experiences of South Asian immigrants. You'll hear more on how South Asian activists, organizers, and community groups [00:39:00] are mobilizing after this. Stay with us ​ Miata Tan : [00:40:00] [00:41:00] [00:42:00] That was Lion on the Hunt by Thao and the Get Down Stay Down. You are tuned into APEX Express on 94.1 KPFA, a weekly radio show uplifting the voices and stories of Asian Americans and Pacific Islanders. I'm your host, Miata Tan. Tonight, we're talking about South Asian organizing in the United States and how community leaders are responding to immigration challenges, political representation, and the shifting landscape of civil rights back in March, organizers and advocates from across the country gathered in Washington, DC for a national convening focused on the challenges and possibilities facing South Asian communities today. Here's Rajiv Narayan with the Alliance of [00:43:00] South Asians Taking Action, or ASATA, reflecting on the importance of honoring both the diversity of the South Asian diaspora and the shared struggle that connects these communities Rajiv Narayan: Something I appreciate about, your work, Miata, at APEX Express, is to highlight both that diversity of the South Asian diaspora and the many struggles and experiences that unite our political experiences and our commitment to social justice. It, it used to be, and in, in some places it still is the case, that folks will use an over-broad group to represent all of the South Asian diaspora. For example, talking about all Brown people as Indian or Desi or to, to collapse all the differences in our community. And part of the power of the congressional briefing is that we are able to show that what it means to be South Asian is at once an incredibly diverse expression and at the same time a collective expression of solidarity. We can do two of these things at the same time. We can recognize our differences and fight for each other. One of my [00:44:00] favorite takeaways that I, I heard from Deepa at the briefing is that there are some staffers that came up to her and said, “I've never heard my story, my experience, my political struggles represented in a panel in this building in front of other congressional staffers.” And that's something that we can do, and we should do more of. There are so many ways in which we can tell the stories and highlight the campaigns of folks from different parts of the South Asian diaspora who are all fighting for a better life for all of us. Miata Tan : That was Rajiv Narayan with ASATA, in the recent congressional briefing that Rajiv helped to organize through the South Asian Coalition, organizers also pointed toward the future of South Asian organizing in the United States and the role of a new generation shaping it. back to Deepa Iyer with Building Movement Project. Here, Deepa Iyer: Some of the young folks that are entering or working at nonprofits now, supporting South Asian nonprofits don't have a living memory of 9/11 and the global war on terror, [00:45:00] and they have been politicized in different ways, right, over the last eight years, for example, the pandemic global wars, et cetera. And so there are a couple of ways in which I've been thinking about how we can support South Asian young people. so for example, how can we share historical analysis and political analysis so that young people understand that they are part of a trajectory of South Asian activism that actually started well before 9/11, before the 1960s, right, and that continues to today, so they don't feel fragmented. So that's something I've been sitting with a lot. Another is around pathways into public service and community service and into the nonprofit sector. So how could we support young people in terms of building their skills, in having pathways open to them into our nonprofit organizations? And then finally, how do we support them, um, so that they, can do this work for the long run? You know, we all struggle with burnout, we all [00:46:00] struggle with sustainability. what are some lessons learned that we can pass on? What are some best practices? that's something that's been sitting with me quite a bit since the gathering that we had, and I hope that the coalition will really think about, supporting young people's leadership and finding different avenues and pathways to do that. Miata Tan : That was Deepa Iyer reflecting on how movements can better support the next generation of South Asian organizers. Within the South Asian coalition, that work also means building long-term infrastructure for better collaboration. Now back to Sabiha Basrai with ASATA. Sabiha Basrai: I'm also really appreciating that the South Asian Coalition is this model for creating a container for many, many organizations to unite as a group while maintaining regional focus and individual issue priorities. I also wanna name that the place where I first learned how to do national coalition work was as a member of the National South Asian Coalition that ASATA had been part of. [00:47:00] It was facilitated by a group called SALT which played such a critical role in the post 9/11 era and continued to then work on DACA, creating resources for undocumented South Asians, along with other issues facing our diverse diasporas. And SALT closed a few years ago. It was a decision that I don't understand and was- has really left me with a lot of sadness and confusion. but I al- I know that sometimes institutions do end, but that the work does not end and the relationships do not end. And the South Asian Coalition is this emergent space that, um, is not led by any one organization. it is a space that is being invested in collectively, and we're really moving at the speed of trust so that we can be really laying that strong foundation that supports the work ahead. I'm really sitting with the ways in which sometimes this labor of Building the container, creating the container, [00:48:00] investing in the network. It's sometimes invisible labor, but it is the most critical because without it we can have moments of mass mobilization, but then that wasn't actually building any power over the long term. And I'm really looking forward to all of the very good work ahead, because I trust the relationships and the containers that we're building. Miata Tan : That was Sabiha reflecting on the collaborative infrastructure that the South Asian Coalition is helping to build. Now let's return to Deepa Iyer. I asked Deepa what campaigns are on the horizon for the coalition, especially as this year marks 25 years since 9/11. Deepa Iyer: As Sabiha mentioned, the coalition is a space for invested leadership, and so there are lots of different campaigns that groups within the coalition are eyeing and taking on. One of them Rajiv mentioned already is the fight around birthright citizenship. And so there are groups like SACHCO and others that showed up with a South Asian [00:49:00] delegation at the Supreme Court on April 1st when that case was being heard, and it was really great to see so many South Asians out there in a delegation along with other communities, to raise their voices on this really vital, pivotal issue. And so that is a campaign that some of the groups within the coalition are going to continue to be lifting up as we get the results of that case and moving forward. Another one that you mentioned, is around the 25th anniversary of 9/11, and there are groups that are considering, along with others in other movement spaces what does narrative strategy look like as we go into this time period? How do we think about the fact that we're marking the 25th anniversary in the same year that we're marking the 250th anniversary of the United States, right? how do we use 9/11 and its anniversary as a lens through which we understand empire, through which we understand the ways in which domestic [00:50:00] policies are being recirculated against other communities? And also this piece around awareness and education. this is an opportunity to share some of the personal experiences that many of us have around that moment in time, but also the ways in which our communities have built up themselves as well as the solidarity with other communities. So I think there are lots of ways in which organizations are thinking about that anniversary and how they can, utilize that moment, to draw greater attention to our community's experiences. Miata Tan : Rajiv, Farah, would you like to add anything about upcoming campaigns and how you're thinking about the South Asian political power movement moving forwards?  Rajiv Narayan: Yeah, I'm happy to talk about one sort of continuing campaign, which is that, like I mentioned, we put together this policy brief on undocumented South Asians, and we had this great opportunity to circulate and talk about it on Capitol Hill in DC. But it's also important for us to bring that story home. And so part of [00:51:00] what we'll be doing, um, for the remainder of, of this year is identifying opportunities to do town halls both, with community members and potentially with elected officials to help educate, do political education about the nature of undocumented peoples in the South Asian community. A large part of what we did in that policy brief is to collate all these numbers to tell you, how many folks might be undocumented, what is the proportion of undocumented people in the South Asian community. But an important, equally important contribution of that report is the nature of undocumented experiences. Why do people become undocumented? What are the factors that put them in that position, and what does it mean for a person to become undocumented? How can we support them, not just in different policy prescriptions, but also the ways that we talk about undocumented people and the South Asian community as a whole? So that'll, that'll be, um, a focus that we have, uh, and a contribution that we hope to make both in the, the Bay Area and beyond.  Farah Mahersi: I'll add to that, that it is election year. It is [00:52:00] a… I feel like we say every election is a critical election, and I do believe that that is very true this year. And so ASATA Power, as a political organization, will be making endorsements and talking through not just that it is important to vote, but it is really important and critical for us in this moment to vote for progressive candidates who are part of our, what is often called like a build coalition, who are here to help us build this world that we are dreaming of, who are aligned on policy positions. The other thing that we are working on locally and nationally is around the war budget. So as a group that has been so directly impacted by the global war on terror 4.5 million Muslims around the world who have been killed by US war-making in that global war on terror, and just watching kind of what the United States foreign policy in particular over the last couple of years has been, we have a particular point of view and a particular interest on tracking and watching things like the [00:53:00] largest, request for a defense budget in US history. How are those dollars being spent, And how those dollars that are being spent abroad to do war-making are also having a boomerang effect and coming back to impact our communities at home. So the same technologies that were developed and used in war-making through the global war on terror that impacted, uh, so many of our communities around the world for 25 years, a lot of that is the same technology that ICE is now using to go after undocumented South Asians in the United States, right? And so that's another way in which we really see our struggles are interconnected, and that we are wanting to dismantle als- a lot of these systems of harm, and also, again, at that intersection between both hate violence and state oppression that's happening. Miata Tan : That was Farah Mahestri with ASATA and ASATA Power. As she shared, ASATA Power is focused on the midterm elections and how war spending and post 9/11 policies continue to affect South Asian communities today. [00:54:00] To close out, we return to another ASATA organizer, Sabiha Basrai. Sabiha Basrai: So I wanted to bring the conversation back locally to the Bay Area again, and just thinking about, the Alliance of South Asians Taking Action, which is, part of a network of AAPI and Asian organizing in the Bay Area as a space where South Asians progressive South Asians can actually build community, sharpen our political analysis, embrace our responsibilities here in the Bay Area in this political moment. And just also, lifting up that ASATA currently is working on things like the Oakland Arms Embargo or local community defense against ICE , environmental justice projects, and also looking for more ways to fight supremacist ideologies of Hindutva but in collaboration with anti-Zionist Jewish community activists. these are opportunities that we have here in the Bay Area. And also thinking about ways that we participate in mobilizations. Like, we show up for Reclaim MLK Day, [00:55:00] International Working Women's Day, May Day, the Trans March every year because we understand our responsibility to show up and to show up consistently. And so when I think about the South Asian Coalition and this moment of, okay, we've been trying to- we've built- been building towards this convening and this congressional briefing, and now we're on the other side of this moment, and we are kind of reflecting and coming back together around how we maintain this energy. Also wanted to highlight,  Some of the amazing work that many of our coalition members are, are already doing. One is Savaira, so Savaira United Against Supremacy is actually a coalition of work as well, they focused, their energy on addressing Hindu nationalism and and Hindutva ideology and the, and the many ways in which, the supremacist ideology is kind of insidiously part of institutions, policy even cultural work, uh, within our diaspora. they're so committed to both, like, [00:56:00] resisting the tides of hatred but also combating all forms of supremacist politics and the intersections between them. so their, their work has been a big part of my political education, and I'm really glad that they're part of this coalition. Every member of the coalition is bringing analysis and experience that cross-pollinates to the rest of us. So I'm looking forward to just more of that   also considering what ASATA's role is and how ASATA working in the Bay Area alongside so many other amazing organizing projects here can be strengthening those relationships nationally. Miata Tan : That was Sabiha Basrai with the Alliance of South Asians Taking Action, or ASATA.  This is APEX Express on 94.1 KPFA, a weekly radio show uplifting the voices and stories of Asian Americans and Pacific Islanders. APEX Express airs every Thursday evening at 7:00 PM. And with that, we're at the end of our time here [00:57:00] tonight. We really appreciate you for tuning in to listen, and a huge thank you to our wonderful guests. For a transcript of tonight's episode, please visit our website. That's kpfa.org/program/apex-express  We've also added links on the episode page for tonight's show so you can learn more about the South Asian Coalition, ASATA, and all of the organizations we've talked about tonight, along with their upcoming campaigns as well. APEX Express is produced by Ayame Keane-Lee, Anuj Vaidya, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by me, Miata Tan. Get some rest y'all. The post APEX Express – 5.28.26 – Building South Asian Power appeared first on KPFA.

This musical podcast explores how Melbourne's vibrant South Asian community continues to nurture the spirit of poetry and performance through shayari, ghazals, music, and storytelling in Hindi and Urdu. Featuring Sidra Surmed and Abhishek Tripathi, the artists share their poetry with us with a reflection on their upcoming show 'Woh Bhooli Dastaan' where storytelling shall revive forgotten narratives and bring them back to life. Further, they discuss how art remains a powerful expression of creativity and authenticity, highlighting the enduring strength of the human voice at the heart of performance.

South Asian influence in electronic music is undeniable, from underground club movements to global stages. Yet influence does not always equal ownership. The next chapter is about authorship and narrative. Who tells the stories? Who curates the spaces? And how can cultural impact translate into lasting leadership and a defining role in the future of electronic music? Recorded live from the International Music Summit (IMS) - one of the leading conferences for the electronic music industry, held annually in Ibiza. Founded by Pete Tong, it has become the defining forum where the global dance music community gathers to catalyse sustainable growth and inspire positive change from the boardroom to the dancefloor.Featuring Ahadadream, founder of Dialled In; Kunal Merchant, co-founder of Indo Warehouse; Meedy, founder of DESCENDANTS Records, and our host, Farah Nanji. Moderated by BBC broadcaster and artist Amber Haque."Indians and Pakistanis, supposed enemies, all dancing together. That's what the dancefloor does." - AhadadreamJoin us as we explore:✅ The real cost of being South Asian in the electronic music industry✅ Why creating Indo House as a genre is an economic argument, not just a cultural one ✅ Why the dancefloor has always solved what politics refuses to ✅ What it takes to back yourself when the industry doesn't believe in your vision✅ What the next generation of South Asian artists inherits, and what they still have to fight for➤ Follow us at:⁠Instagram:⁠⁠ @missionmakers⁠⁠Instagram:⁠⁠ @dj.n1nja⁠⁠TikTok:⁠⁠ @dj_n1nja⁠⁠Soundcloud:⁠⁠ @dj-ninja⁠➤ Credits:Music: Mission Makers - N1NJA (Unreleased)Producer: Farah Nanji⁠⁠⁠⁠⁠https://mission-makers.com/⁠⁠⁠⁠⁠⁠https://www.dj-ninja.com/⁠⁠

In this episode of Best in Fest, host Leslie LaPage sits down with Shalini Dutta, an accomplished actress with over three decades of experience across Bollywood, theater, television, and independent film to discuss her journey, career reinvention, and the evolving landscape for women and South Asian talent in the global film industry.From her early start in Indian cinema to stepping away for family life and returning years later to pursue meaningful storytelling, Shalini shares what it really takes to sustain a creative career across different life stages.

In this episode, Abhay sits down with dance artist Nikita Banawalikar — a Kathak exponent, choreographer, and scholar who seamlessly bridges the gap between ancient tradition and modern storytelling.Nikita shares why she views Kathak not just as a dance, but as her true "home". She discusses the rigorous journey of becoming a scholar of the arts and offers a fascinating look behind the scenes of choreographing for major films like Rocky Aur Rani Kii Prem Kahaani. From finding inspiration in the mundance to the challenge of "unlearning" technical precision for the camera, this conversation explores how to maintain artistic purity while embracing evolution.In this episode, Nikita shares insights on:• How to find inspiration for art in everyday life, architecture, and nature.• The reality of film choreography and making actors shine on screen.• The impact of digitalization on classical arts and the debate between social media reach vs. live experience.• Why "embracing innocence" is the key to staying authentic as an artist.-------------------------Connect with Nikita :https://www.instagram.com/nikkitakathak/#Kathak #NikitaBanawalikar #BollywoodChoreography #IndianClassicalDance #TrustMeIKnowWhatImDoing #DanceEducation #RockyAurRani #ArtisticJourneyCHAPTERS:00:00 – Introduction and Welcome03:13 – Living the Dream: When a Hobby Becomes a Profession05:07 – Finding Inspiration in Nature, People, and even Mumbai Traffic08:17 – The Integrated Life: Does an Artist Ever "Shut Off"?10:08 – The Process of Falling in Love with Kathak13:16 – Building Confidence16:11 – Learning and Growth with Kathak19:21 – Sponsor Break: Travelopod 20:26 – Digitalization: Teaching and Performing Post-COVID22:57 – Live Performance vs. Social Media: The Purist Debate26:46 – Film Choreography: Working on Rocky Aur Rani Kii Prem Kahaani29:53 – Unlearning for the Commercial Screen34:26 – The Future of Kathak: Evolution, Purity, and New Narratives40:09 – Discipline and Observation: How Dance Shapes the Person43:27 – Embracing Innocence and SensitivityShout out to my cousins Vaishali Potdar from Nupur Kathak Academy and Vedashri Mahajan in Australia and anyone else out there who is learning, teaching, and promoting this dance art!--------------------------Trust Me I Know What I'm Doing | Dr. Abhay DandekarA mirror and window for global Indians and South Asians through conversation.Every week, we share chats with artists, leaders, musicians, chefs, experts, change makers, and innovators from the home and diaspora - sharing their journeys and motivations.Support our sponsors: Start your journey with personalized travel support at https://vacation.travelopod.com/For enquiries

In this insightful episode, Simi Markar, a licensed Marriage and Family Therapist, joins our host, Nandini Ray, to explore the realities of couples counseling and partner relationships.What exactly is couples counseling, and when should couples consider seeking support? What are the early warningsigns of a toxic or unhealthy relationship? How do family interference, cultural expectations, and traditional gender roles shape couple relationships in the South Asian community — and how can couples navigate these pressureswithout harming their bond?Tune in for a thoughtful conversation filled with professional insights, practical guidance, and culturally grounded perspectives on building healthier relationships.About Simi Markar: Simi Markar, MFT, is a licensed Marriage and Family Therapist in the Bay Area. She has been in practice for the last 20 years and is the founder of Mindset Counseling Group. This is a group practice that has a diverse team of clinicians and serves clients all throughout California. Herwork has been focused on supporting the South Asian community on issues related to: marriage, parenting, divorce, and co-parenting. She is passionate about reducing the stigma around mental health and making counselingservices easy to access. More info can be found on the website: www.mindsetcounselinggroup.com 

Around 1.5 million pilgrims from around the world have gathered in Saudi Arabia for Hajj 2026 in Mecca, as the annual Islamic pilgrimage takes place under scorching temperatures reaching around 48°C. From Australia, a significant number of pilgrims also travel each year for Hajj, including many from the South Asian community.A large section of South Asian families continue to prefer travelling via their home countries such as India, Pakistan, and Bangladesh, a trend explored in this report. We look at how Hajj 2026 travel from Australia is being shaped by rising costs, strict quota systems, and global conditions, in conversation with Hajj travel provider Waqas Jamal. The report also examines challenges for families, increasing competition among travel agents, and options available for those who miss out on securing a place in the annual Hajj quota.

Pakistani-Australian actor and director Sonil Shanker is promoting South Asian theatre in Australia through his upcoming July production, a project that brings a fresh and contemporary concept to the stage. Joining him is Indian-origin producer Anshu Adrekar. In this exclusive SBS Urdu podcast, Sonil and Anshu share their journey of bringing the production to life, the struggles of independent theatre-making, and the challenges facing South Asian storytelling in Australia. - سنیل شنکر ایک پاکستانی نژاد آسٹریلین ہیں جو یہاں جنوب ایشیائی تھیٹر کے فروغ کے لئے کوشاں ہیں خود اداکری کے ساتھ ڈائریکشن بھی کرنے والے سنیل اس سال جولائی میں اپنا ایک نیا پروجیکٹ پیش کر رہے ہیں جس کا تصور قدرے مختلف ہے جبکہ ان ڈرامے کی پیش کار انشو ادھیکار بھارتی نژاد ہیں ان کی اپنے پروجیٹ جین زی کو تھیٹر تک لانے کی جدوجہد اور جنوب ایشائی تھیٹر کا درپیش چیلنجز اور راہ ہمورکرنے والے عوامل پر سنیل اور انشو ایس بی ایس اردو سے خصوصی گفتگو سنئے اس پوڈکاسٹ میںجانئے کس طرح ایس بی ایس اردو کے مرکزی صفحے کو بُک مارک کریں ہر بدھ اور جمعہ کا پورا پروگرام اس لنک پرسنئے, اردو پرگرام سننے کے دیگر طریقے “SBS Audio” کےنام سےموجود ہماری موبائیل ایپ ایپیل (آئی فون) یا اینڈرائیڈ ڈیوائیسزپرانسٹال کیجئے۔ ہمیں فیس بُک اور انسٹا گرام پر فالو کیجئے۔

In a bonus episode of the Wisden Women's Cricket Weekly podcast Katya explores the expansion of SACA (South Asian Cricket Academy) into the women's game, sitting down with broadcaster and Take Her Lead founder Isa Guha, SACA founder Dr Tom Brown & The Scoop's Regina Suddahazai. 1:23 Metro Bank: ECB's Champion of Women's and Girls' Cricket//1:52 Intro to SACA//4:12 Barriers for female south-Asian cricketers//9:27 SACA partnership with Take Her Lead//13:04 Regina's experiences & different ways of coaching//22:40 Men's set up vs women's//24:47 Grassroots barriers & future of SACA//30:55 Isa Guha on Take Her Lead, personal experiences in cricket & partnership with SACA//46:30 Outro The Metro Bank Girls in Cricket Fund in collaboration with the ECB aims to triple the number of girls' cricket teams by breaking down barriers and creating supportive and inclusive spaces. Help transform the game, head to https://www.metrobankonline.co.uk/cricket/ to champion the future of girls' cricket. Lord's tickets: https://tickets.lords.org/

A resumption of Iran war hostilities could jeopardise Pakistani mediation and turn the South Asian nation into a combatant as differences between Saudi Arabia and the United Arab Emirates shape Gulf relations with the sub-continent.

How does the intersection of science and spirituality unlock your inner healing? Monica Singhal joins the podcast to explain how to reconnect with yourself.In this episode of TRUST ME I KNOW WHAT I'M DOING, we are joined by Monica Singhal, the founder of Hari Om Smiles, to explore the powerful synergy between scientific understanding and spiritual wisdom.If you enjoy these deep dives into the global desi and diaspora experience, hit the Subscribe button to join our community.Monica shares her transformative philosophy that "magic" isn't something to be found outside of ourselves—it is a dormant energy within that we simply need to reconnect with. We discuss how to bridge the gap between our physical experiences and our spiritual identities to find true mental and physical vitality.In this episode, we cover:• The core philosophy of Hari Om Smiles: Blending science with pure spirituality.• Why we are "spiritual beings having a human experience."• How to cultivate trust in yourself to go from "existing" to "truly living."• Practical insights on ensuring the next generation is not "handicapped" by mental or physical blocks.• The "science" of reconnecting with the innate power already inside you.--------------------------Chapters00:00  Introduction 05:09  Daily beginnings and  The Journey to Inner Peace09:29  Bridging Science and Spirituality13:53  Transformative Stories of Healing18:10  The Role of Gratitude in Healing22:40  Sponsor Break - Travelopod23:14  Integrating Spirituality into Daily Life25:27  The Burden of Expectation28:11  Gratitude and the Flow of Life30:02  Transforming Fear into Gratitude32:30  The Journey of Unlearning35:03  Hinduism and Spirituality39:54  Engaging with Skepticism46:46  Trusting the Journey of Self-DiscoveryConnect with Monica:https://hariomsmiles.org/monica-singhal/Shout outs this week:• Aaron Rai (for Golf History at the PGA)• Anil Kochhar (for Generosity to NC State grads)• Netherlands-India cross-connectivity• Tasveer (for their Cannes Film Festival panel)Support the Show: If you enjoyed this episode, please subscribe and leave a review on Apple or Spotify or wherever you podcast!TRUST ME I KNOW WHAT I'M DOING is proudly brought to you by TRAVELOPOD, with personalized travel support to help you explore the wonders of the world.  Start your next journey at vacation.travelopod.com

Rare artifacts within the vast archives of the Library of Congress (LOC) represent a shift in how our region's history is fundamentally understood. Moving beyond traditional nationalist timelines, Arab World specialist in the African and Middle East division at the LOC, Dr. Muhannad Salhi, explores the transition of diverse items in the library's "Near East" collection, from 3000-year-old economic receipts to unique cultural fragments, into autonomous objects of study that define a global narrative. Reclaiming these stories serves as a resistance against regional erasure and the invisibility often felt in the global cultural landscape.   0:00 Introduction 1:52 The "Near East" Section: Geographic and Linguistic Scope 3:02 The Library's Path 4:46 Overview of the Arabic Collection 5:20 The Library's Oldest Items 7:06 Digitization Efforts and Copyright Restrictions 9:10 The Purpose of the Library of Congress 13:24 Regional Context and Cultural Insight 16:00 A Public Resource and Supporting Global Scholarship 18:36 Overseas Offices and Book Dealers 19:17 A Typical Week with Rare Materials and Scholarly Research 22:11 The Oldest Piece of Islamic object in the Americas 25:00 Calligraphy Styles: From Kufi to South Asian and Persian Aesthetics 27:03 The Chinese Quran: A Unique Intersection of Cultures 28:03 The Dalail al-Khayrat and Mantle of the Prophet 31:55 Manuscripts from Gambia 33:24 Arabic Translations of Greek Medicine 35:45 A Unique Work on Petroleum 36:54 Astronomy and Astrology 39:53 Mapping the Region 44:42 Archiving Historic Newspapers and Pop Culture 48:42 Early Arabic Printing 52:10 The Jefferson Quran: Myth vs. Reality in Pop Culture 57:00 Arab-American Literature: Ameen Rihani's The Book of Khalid 58:20 Iraq's Most Wanted Deck of Cards 01:00:22 A Lost Letter from West Africa 01:02:15 Photography Archives 01:03:33 The Items That Got Away 01:06:08 What Policymakers Should Understand About the Region   Muhannad Salhi is the Arab World Specialist in the African and Middle Eastern Division at the Library of Congress, where he covers the Arab world, North Africa, and Islam. He received his doctorate in history and his MAs in history and Middle Eastern Studies at the University of Chicago. He is the author of Palestine in the Evolution of Syrian Nationalism (1918-1920) as well as other book chapters, book reviews, and blogs. His interests include the Ancient Near East, Classical Islam, the Modern Middle East, and Islamic studies. Prior to coming to the Library of Congress, he taught courses on the Arab World and Islam at various colleges and universities in the Chicago area, including the University of Chicago and Governors State University.   Connect with Muhannad Salhi

Send us Fan MailThe Great Kulfi Cookie Conundrum

Dr. Nalini Saligram, Founder & CEO of Arogya World, joins us for an insightful conversation on the future of diabetes prevention, public health, and science driven healthcare innovation.In this episode, we explore the vision behind the Arogya World Scientific Symposium 2026 and discuss why prevention must become a global priority in the fight against chronic diseases. From evidence based nutrition and workplace wellness to collaboration between healthcare leaders, researchers, and innovators, Dr. Nalini shares how communities can move toward healthier and more sustainable lifestyles.With decades of global experience across healthcare, communications, and public health advocacy, Dr. Nalini also reflects on the importance of awareness, leadership, and collective action in shaping a healthier future for South Asian communities and beyond.Tune in for a powerful conversation on prevention, purpose, and creating lasting impact through health innovation.Guest: Nalini SaligramHost/ Producer: Archita PuranikSound: Mahesh R.Symposium agenda/invite  - https://arogyaworld.org/scientific-symposium-2026/Gala invite - https://arogyaworld.org/arogya-world-gala/

South Asian Animal Divination: A Critical Anthology (Brill, 2025) examines the history and practice of animal omen divination in South Asia, comparing it to similar traditions in Mesopotamia and classical antiquity. It provides critical editions and translations of relevant texts, focusing on the interpretation of bird calls and behaviour. The study incorporates ornithological and natural historical information to enhance the understanding of the omens and their regional origins. Furthermore, it explores the evolution of omen literature and the transmission of knowledge across cultures and time periods, highlighting the enduring significance of sound and direction in divination practices. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

South Asian Animal Divination: A Critical Anthology (Brill, 2025) examines the history and practice of animal omen divination in South Asia, comparing it to similar traditions in Mesopotamia and classical antiquity. It provides critical editions and translations of relevant texts, focusing on the interpretation of bird calls and behaviour. The study incorporates ornithological and natural historical information to enhance the understanding of the omens and their regional origins. Furthermore, it explores the evolution of omen literature and the transmission of knowledge across cultures and time periods, highlighting the enduring significance of sound and direction in divination practices. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Leslie Segraves joins Scott Klusendorf to reveal how the pro-life message transcends international borders, reaching from American high schools to South Asian communities where the vast majority of global abortions occur. She explains that while cultural expressions differ, the central conflict remains a choice between intrinsic human value based on what we are versus a performance-based view based on what we can do. Learn how to combat these assumptions with a practical method for using science, logic, and philosophy to defend the unborn against today's most common cultural objections on this episode of The Case for Life.Be sure to subscribe to The Case for Life Podcast on iTunes, Spotify, YouTube, or your favorite podcast app so you never miss a single episode.Follow Scott Klusendorf on Rumble, Youtube, Instagram, Facebook, and Twitter to be kept up to date on everything God is doing through my pro-life work.Sign up for Pro-Life 101: 7 Days to Confident Engagement: https://scottklusendorf.com/prolife101/Book me for an event or partner with Life Training Institute as a donor at https://prolifetraining.com.

What if your genes are not your destiny, but a set of clues your body has been giving you all along? In this episode, Dr. Taz sits down with Dr. Florence Comite, endocrinologist, clinician scientist, longevity expert, and author of Invincible: Defy Your Genetic Destiny to Live Better, Longer, to explore how biomarkers, genetics, hormones, sleep, metabolism, and family history shape the way we age.In this episode, Dr. Comite explains why longevity is not just about biohacking, supplements, peptides, or the latest wellness trend. Instead, she shares why true healthspan begins with understanding your own body, your own patterns, and your own family story. She explains how changes in blood sugar, fasting insulin, free testosterone, cholesterol risk ratio, sleep quality, muscle, and metabolism can reveal early signs of disease risk long before symptoms fully appear.Dr. Taz and Dr. Comite discuss why “normal” lab ranges are not always the same as optimal health, why some people begin showing signs of metabolic disease decades earlier than expected, and how family history can act as a powerful roadmap for prevention. They also explore how genetics, lifestyle, hormones, wearables, continuous glucose monitoring, sleep, movement, protein, and personalized medicine may help people change the trajectory of their future health.If you're listening to this and thinking, “I know something is off in my body, but I don't know where to start,” join the Circle here:

For the final ( for now ) episode in this hidden beings series, we're entering one of the strangest, most serious, and most misunderstood parts of the Islamic unseen: the djinn.Not just genies or horror-movie demons. Definitely not just folklore.In Islam, the djinn are hidden beings created from smokeless fire.They hear revelation. They believe and disbelieve. They are morally accountable. They appear in the Qur'an, in hadith, in family stories, in dreams, in fear, in thresholds, and sometimes in the strange feeling that the room is not as empty as it looks.This episode explores the djinn through Islamic tradition, Qur'anic cosmology, the qareen, pre-Islamic Arabian poetry, Pakistani and South Asian folklore, possession narratives, sleep paralysis, mental health, and the wider Idiot Mystic hidden beings series.Mothman was modern high strangeness.Fairies were the hidden people.Daimons were the strange inner companions.Shedim and demons brought us into Jewish and Christian spirit worlds.And now, the djinn bring us into the Islamic unseen.The question at the center of this episode is simple:What does it mean to live in a world where unseen intelligence is not an exception, but part of the structure of reality?Welcome to Idiot Mystic.Join the Idiot Mystic Discord:https://discord.gg/dXKjhZrZmMFollow Idiot Mystic:Instagram: https://www.instagram.com/idiotmysticTikTok: https://www.tiktok.com/@idiotmysticYouTube: https://www.youtube.com/@idiotmysticWebsite: https://idiotmystic.comListen on Spotify:https://open.spotify.com/show/idiotmystic

Between 1857 and 1947, over 28 million Indians left the subcontinent to live, work and study elsewhere. Today, India has the largest diaspora in the world, with approximately 18 million Indians living overseas. Though often absent from historical narratives, migrant children were instrumental during the time of the British Empire in the development not only of Indian national and diasporic identities, but of British identity too. These children were marginalised by their political status, their race and their age; yet they were fundamental to historical change, from the 1830s through to independence in 1947. Imperial Footprints: A History of South Asian Child Migrants in Britain (Hurst, 2026) by Dr. Sumita Mukherjee vividly charts this history of emigration from British India to the imperial heartland, through the eyes of its youngest participants. From pupils sent to English boarding schools and runaway servants, to sailor children and refugees of war or Partition, Sumita Mukherjee reveals that these child migrants were crucial players in founding Indian communities abroad. Drawing on archival records and firsthand accounts, she offers a portrait of migration to Britain that pre-dated the larger waves of arrivals post-war. Imperial Footprints challenges the assumptions of the historical voices we often foreground; reflects on post-colonial legacies; and offers a fascinating new perspective on migration and empire. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of the Brown Women Health Podcast, Sruti and Esha sit down with Chanchal Garg, speaker, executive coach, Stanford Graduate School of Business facilitator, and author of Unearthed: The Lies We Carry and the Truths They Bury.Together, they explore what it means for South Asian women to lead with authenticity while navigating cultural expectations, identity, ambition, and wellbeing. Chanchal shares her journey into executive coaching, her work in interpersonal dynamics, the role of mentorship and cultural background in shaping leadership, and the deeply personal process of writing her memoir.This conversation reflects on how young South Asian women can redefine success on their own terms, build meaningful professional and personal connections, and create space for both high-impact careers and holistic health. Tune in for an inspiring discussion on self-inquiry, empowerment, and leading while honoring every part of who you are.

Send us Fan MailIn this episode of Skin Anarchy, Dr. Ekta Yadav sits down with Aditya Madiraju for a conversation that moves far beyond beauty tutorials and social media trends. What unfolds is a thoughtful discussion about identity, representation, creativity, and the realities of building a public career in an algorithm-driven world. Before becoming one of the most recognizable voices in beauty content creation, Aditya spent years working in microbiology, finance, and risk management—an unconventional path that reflects one of the episode's central themes: the tension between stability and fulfillment. Growing up in a South Asian household where traditional careers were often prioritized, choosing beauty and content creation felt radical. Yet rather than framing that tension with resentment, Aditya approaches it with empathy, recognizing the sacrifices that allowed his generation the freedom to pursue creative work. The conversation also explores the emotional weight of visibility online. Aditya reflects candidly on navigating the internet as a South Asian creator, from stereotypes and racism to the pressure of constantly representing more than just himself. His perspective on humor, resilience, and composure adds nuance to larger conversations around race, beauty, and digital culture. At the same time, the episode celebrates the role of beauty as joy and self-expression. For Aditya, makeup is deeply technical—but it's also personal, cultural, and meant to be enjoyed without justification. Throughout the conversation, he returns to a larger idea: visibility matters because it expands what feels possible for the next generation. Listen to the full episode to hear Aditya Madiraju discuss beauty, identity, representation, and what it really means to build authenticity online.Learn more about Aditya MadirajuDon't forget to subscribe to Skin Anarchy on Apple Podcasts, Spotify, or your preferred platform.Reach out to us through email with any questions.Sign up for our newsletter!Shop all our episodes and products mentioned through our ShopMy Shelf!Support the show

In the latest controversy for OpenAI, Canada's privacy commissioner says the company broke the law by training ChatGPT on "vast amounts" of users' personal data. A former colleague remembers Ted Turner, the irascible billionaire who changed the world — and the world of news — by founding CNN, the first 24-hour cable news channel in the U.S. A new study reveals the troubling treatment suffered by South Asian women working on farms in B.C. and one researcher tells us the exploitation they face is often built into the system. A Pulitzer Prize-winning reporter explains how her reporting prompted real change for Californians who survived wildfires, only to battle for payouts from insurance companies that systematically under-estimated rebuilding costs. For the first time since the classic sitcom "WKRP in Cincinnati" hit the airwaves, an actual radio station in that city has now acquired those call letters.Airbus and the federal government celebrate a huge new order for Quebec-built planes. But an aviation expert says the company has its work cut out for it — given that it's already struggling to fill existing orders. At NYU, some students are putting their phones away, to see what happens when you actually have to talk to the person in front of you. One sophomore tells us about the exhilaration and the challenges involved.Two people are suing a New Jersey company for "tomato fraud" — claiming it sold them canned San Marzanos that turned out to really be some tasteless, commonplace substitute. As It Happens, the Wednesday Edition. Radio that supposes the tomatoes were whole, but the customers were crushed.

So who boycotted and who just didn’t get invited? Yes, we’re rounding out the Met Gala gossip with a rundown of protests (SJP?), basic-b*tch heartbreak (Hugh & Sutton) and bathroom selfies (alllll the hot ones). VOTE FOR US: Help Out Loud win the People’s Choice category of the Australian Audio Awards. Find the link to vote RIGHT HERE. Plus, who actually won in the finally-finished court battle of Lively vs Baldoni vs Lively? And what James Valentine’s Year Of Living Gratefully taught us about living (and dying) well. And, Cameron Diaz is a mum again at 53 and no-one is calling it a 'miracle!' Have we turned a page on older parents’ double standards? Don’t forget that if you SUBSCRIBE to Mamamia, you get access to extra Out Loud segments, every single one of our podcasts, and every MM story ever written. https://www.mamamia.com.au/subscribe/ SUBSCRIBE here: Support independent women's media What To Listen To Next: Listen to our latest episode: Fake Nips & Wandering Hands: Mia’s Met Gala Verdict Listen: We Do Not Agree On The Taxi Cab Theory Listen: She Opened The Fridge. What She Found Ended Her Friendship. Listen: The Real Reason You Resent Your Friends Listen: The One Minute Of Live TV That Undid A Noughties Icon Listen: Scurrilous Gossip: An Engagement, An Affair & A Royal F-You Listen: The Family Ritual That Has Us Divided Listen: The Most Honest Dating Questionnaire We've Ever Seen Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media You can now watch our show in full length video on the Apple Podcast app - make sure your phone is up to date and we can't wait for you to see Mamamia Out Loud on Apple What to read: Blake Lively just got the last laugh at the Met Gala. Blake Lively and Justin Baldoni have just settled their lawsuit. The timing says everything. Cameron Diaz quit Hollywood for 10 years. When she returned, she noticed one major difference. 'As a fashion editor, I urgently need to discuss these 9 Met Gala looks in excruciating detail.' THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land on which we have recorded this podcast. - - - - - - - - - - - - - - - - -AUTO GENERATED TRANSCRIPT: Speaker 1: Hello and welcome to Mamma Mia out Loud. It's what women are actually talking about on Wednesday, sixth of May. I'm Holly Wainwright and the first thing I'm going to do, the first order of business, very simple out louder is if you love your show, please vote for us in the upcoming Australian Audio Awards as a People's Choice category. It's really straightforward. We're going to put a link in the show notes, We're probably going to put it on social We're going to put it everywhere. We would love your support to help us get there. That is the end of my manifesto for the day. Speaker 2: Okay, Well, I just would like to say as a lazy girl that there are all these things to fill out. Speaker 3: You only have to fill us out. Speaker 1: Yeah, you don't have to do everything is just tick Mama Mia out Loud. Speaker 3: So important for the lazy girls out there, and as as a bossy girl, I just concur with Holly. I know you can make that ask of people, and I think that's a great step towards greet our self assertive. Speaker 1: I'm growing, I'm growing, Amelia Growing. I'm Amelia Lester and I'm Claire Stephen and here's what's made our agenda for today. So now that it's all over and many damning text messages scatter the ruins of what was the biggest celebrity story for a couple of years, Just who did win in the whole? Blake Lively and Justin Baldoni court case drama. Speaker 3: Plus Cameron Diaz is a mother again at fifty three, and Holly has some thoughts. Speaker 2: And veteran broadcaster James Valentine filmed the last year of his life for the ABC, and between a living wake and his openness around voluntary assisted dying, he's opened a conversation around what it means to die a good death. Speaker 1: But first, Amelia Lester, the Mecgala. Speaker 3: Did it feel different this year? A lot of people said that it did. Amy Odell, a fashion writer, wrote in her background newsletter that the Metgala was all money, no soul, and she wasn't alone in this criticism. Basically, people are saying that because Jeff Bezos and his wife Lauren Sanchez Bezos sponsored the event, it just started to feel a little craven, a little gross, and less fun than it used to be. So there were a lot of protests in New York. In the lead up to the event, they were all centered around Amazon's labor practices, its environmental damage. And then there are those who say, no, that's not true. The mech color's always been about rich people giving their money towards a good cause, which is the Metropolitan Museum's Costume Institute. And look, they did raise a lot of money on Monday night. The Bezos has bought the event for about ten million dollars, but then the event itself raised about forty one million. This is US dollars, which is a lot for this event. It's apparently kind of record breaking. So are we just complaining about nothing, Holly? Do you feel like celebrities stayed away? Did they agree that this was a sort of off event this year? Speaker 1: So I'm going to give you a list of the celebrities who people say boycotted, because none of the people so far who everyone is saying has boycott had actually verbalized that they were boycott. Speaker 3: Well, we are boycotted, which we just had to take a stand because. Speaker 1: I do feel a little bit like what soul when you said it's all money those salt like, I do feel a bit that I don't think this is the first year. It has been pointed out in the culture, particularly since trump Ism and all those things, that this feels very hunger games. Yes, yes, and I know although there's a more direct link here, you know, with the Bezos is buying it. I do feel like Jeff sort of bought it for Lauren as a gift, which is a nice gift. Nice, but it feels more avert. So anyway, let's look at this because when I was watching it on Tuesday and then I did a subscriber episode with me as straight afterwards, I was like, well, all the celebrities are there, like Beyonce's there. All the famous people I was expecting to be there were there. Speaker 2: Well, actually a lot of famous feom we didn't expect to be there were there. Speaker 1: Yeah. And then it was pointed out to me who was not Billie Eilish. Now that tracks because she doesn't like billionaires, and she remembers she gave a speech a while ago where she said, you lot give more of your money away. So I don't think she would have been either welcome or willing to go, because Jeff might have worried that she was going to shake him down in the bathroom to share more of his money. Zoe Saldana, she is somebody who is usually there. She was not there. She is almost as rich as the billionaires. She is an unbelievably well paid actress because of her Marvel and Avatar connections. So Zoe's at home count of dollars. Olivia Rodrigo that tracks too. She is political, That would not be surprising. She's in the middle of an album promo, so you might have usually expected her to be there. Lady Gaga an interesting one because she could have been expected to be there because she's in The Devil Wears prior of Too and the rest of the Well. Meryl wasn't there, but Meryl never goes, so that's not surprising. But Anne Hath the way Emily Blunt Stanley Tucci were all there. Speaker 2: Stanley Tucci with Emily blount sister, it's always fun. Speaker 1: So maybe Gaga, but also she's kind of said lately that she's going to focus on promoting things she wants to promote rather than just being around. Lewis Hamilton come on, like he's literally dating Kim Kardashian, who's extremely bezos adjacent. I don't think that was a political. Speaker 3: Let's get to the big guns. Some were missing, right, some who we might have realized. Sarah Jessica Parker. Speaker 1: Yeah, so, Sarah Jessica I reckon. That is probably I would say that's almost definitely a boycott. But she went to support Anna at a dinner, but she didn't. Speaker 3: Go to the There was a dinner on the weekend before the gala. It probably would have been more fun. Speaker 1: Anyways, she said anything, No, she hasn't, but she I think she was in support of the New New York mayor. Right, And obviously he didn't go, but then I wouldn't have expected him to go, and he did post about it. They posted a series of let's sell a the real heroes of fashion and you know, celebrated workers behind the scenes and particular designers and things. So yes, so Sarah Jessica Parker I reckon could be a boycott. But then they're saying, you know, j Lo, I don't think Jalo was boycotting. I just think she's tired. Speaker 3: Harry Styles. Speaker 1: Harry Styles is in the middle of record of rehearsing for his tour. He's in a studio in bethnal Green running through it. Not that I've been stalking him. Justin Bieber, he's just done Coachella. Boy needs to lie down. Miley Taylor Swift, she never goes, and I don't think she's so. I think that some of the boycott cots are not boy I. Speaker 3: Think that's right. But it's interesting that some of the tech billionaires it clearly got to them a little bit. So it's interesting that Jeff did not walk the red carpet with Lauren. That's very unusual. They do everything together. We've learned this from various pieces about them and Lauren's dress being very boring. Do we think that was intentional. Speaker 1: A little bit understated for Lauren, Yeah, but I think it was had a very specific art reference. It was the same dress as someone called Madame X and it's like scandalous women. Speaker 3: Yep. It's interesting though, because Jeff did walk the carpet in twenty thirteen when Amazon sponsored the event. There was no outrage back then when Amazon sponsored the event and he walked with Mackenzie then Mackenzie Bezos his wife at the time. Mark Zuckerberg also made his Met Gala debut with his wife, Priscilla Chan, and they also didn't walk the red carpet, which I thought was interesting because it's kind of like, well, you want to be at the glamorous event, but you don't want the attention of being there. Speaker 1: Do you think they might have been encouraged not to. Speaker 3: I don't think anyone encourages Mark Zuckerberg and Jeff Bezos to do anything would have worked exactly. But there were some tech willionaires who did walk the carpet. Google founder Sergei Brinn. He showed up on the red carpet with his girlfriend. Her name is Gaylyn Gilbert Soto. The New York Times describes her as a con conservative gut health influencer. Speaker 1: That is one of the six job title Claire. Speaker 3: Do you think that there's something inherently conservative about gut health? Speaker 2: Yeah, because gut health is very don't take antibiotics and don't take antibiotics is very That's what it's. Speaker 1: Yeah, yeah, yeah, yeah, which used to be a sort of crunchy hippie vibe, but these days has come back around it. Speaker 3: I thought it was just you know, drink your com your chart, but no, it means it can. Speaker 2: Be very I feel like there's it's a short road from like gut health gut health to to anti vacs. Don't ever give your children antibiotics with my sour crow. Speaker 3: And of course I'm AROUNDA was there. I just have to add she was there with Snapchat founder Evanstein on the carpet, of course. Speaker 1: Possibly the biggest gun that I haven't mentioned though, is Zendaya. She does always go. Usually she didn't go, and that read like a boycott. And some people are saying, if your boycotting, say you're boycotting. I don't think so necessarily. You don't want to necessarily make everything about your politics. But I just have one question. I think that big charity galas of all types have always been, have always reflected the moment therein and they've always been a path to accessing status in a particular society. Watch the Gilded Age, It's all about that. Speaker 3: And Nixon notably said that she thought it was great that the mayor didn't go. Speaker 1: Yes, but like you know, you're reflecting the time. So you're going a big gala ball is the way you get all the fancy people together. This being a tech bro billionaire ball is very reflective of the moment we're living in, right, So is it surprising in any way in the nineteen eighties New York society. It was all about glitz and flash and Donald Trump, and now we're like again, I don't know. I kind of feel like, what did we expect to happen? Speaker 3: No, that's right, But I think that the group that people are most angry at it's not the people who went in their pretty dresses. It's not the people who didn't go and stay quiet about it. It's the people who went but then tried to have their cake and eat it too. See. Speaker 2: I'm not as frustrated about this because Sarah Paulson is getting a hole at a crap because she wore a dress that then and then had a blindfold that was a dollar bill, and it was people like it's making a statement about about like eating the rich. Speaker 3: Well, she herself said that it was a statement about the one. Speaker 2: Besides yes, and and I thought that was like a far swing. But the dress is actually called like the one percent by the artist, the designer who designed it, and the mask was called blinded by Money, and it was a statement on greed and corruption that comes with extreme power. I think it's a little bit unfair to look at her and say, well, you've got a net worth of twelve million dollars at which how does anyone calculate anyone's net worth on the internet? But you have a net worth of that you're at this event, how dare you then make a protest when it's like, well, isn't that exactly how how you do it? Speaker 3: Don't you go in? And well, people do have a history of using that platform. So Alexandra Ocazio Cortez, who is a Democratic congresswoman from New York, famously wore a dress on the Megala red carpet a couple of years ago which said tax the rich. But people actually have the same criticism for her. To your point, Holly, the met Gala in some corners has always been seen as a kind of repulsive show of excess and decadence, and she got a lot of aoc got a lot of flak for even attending the event back then, reading the canapasey while saying. Speaker 1: You guys are discussing while Charlie free directions. Speaker 2: But if you're not there, you don't have a microphone to say anything about the event, do you know? Well, I guess you do. I guess like Vende could opposed to something on Instagram. Speaker 3: If you want Zendaya not going definitely took the air out of the room when that announcement came out, And I guess it wasn't an announcement so much as a news update. Everyone kind of went, that's big. When Zendeia's not there, it's big. Speaker 2: Because she's always one of the coolest on the carpet. Does something really original, remember that, like bloody light up dress and she. Speaker 3: Oh, but there was a bathroom selfie. Some things always stay the same, right, and you saw this by Yes, it's always an iconic bathroom selfie. It's always the thing you want to look for. And there was an amazing one that had you know, the Margo Robbie all the people in it. But one of the things that was most striking about that And so I saw that in the wild last night and I was like, why is there an exceptionally beautiful woman in the middle of that who is wearing a quarter zip sweatshirt? I was like, was she at that party? Speaker 1: And then it's having a lot of headlines today because she is actually a very famous model. Speaker 3: Yeah, I actually love the story behind this. Her name is Bavitha Mandava and she that what she wore was a quarterzip jumper essentially and what looked like jeans. It turns out they weren't just any jeans. The jeans were made with silk muslin and had a blue denim effect. My jeans today have a blue denim effect. And it's a very important iconic look because she opened Chanell's show in December, which was on the New York City Subway, wearing essentially that outfit, and the fashion world lost their mind. That show was like considered extremely groundbreaking, and she was the first Indian model to open a Chanel show and she is now the first South Asian ambassador for Chanel. And incidentally, did you notice that Margot Robbie, who was also Chanel ambassador, It was right next to her in that photo. So Chanell must have been just so happy about the whole thing. Speaker 1: I know, but it just she just looked so out of place. Speaker 3: But that's what made it so good. Speaker 1: Yeah, but I was like wandered into the shop. But she also read all about it and I was amazing. Yet she didn't have to have a bubble machine boobs. Speaker 3: And then that look that she wore on the Chanel catwalk was actually a nod in turn to how she was discovered. I love this so much. She was a grad student m YU and she was discovered on the New York City subway waiting for a train. One would imagine probably wearing a similar outfit to the one she is now wearing in a much more fabulous incarnation at the metgala. Speaker 1: But you were obsessed with another red carpet walk. Speaker 2: Yes, because I am a basic bitch. If, like I swear, if there was like a thermometer for like, what's what does the basic bitch think about anything that's happening in the world right now? It comes over me and it's like bing bing bing bing bing because I saw the red carpet photos of Hugh Jackman in Suton Foster and I think I was sitting opposite you and Holly and I. Speaker 3: Said, oh oh, was like I don't and I'm like, howm my. Speaker 1: Here has it been? Speaker 3: Now? Not that many at least well he was. Speaker 2: Hugh Jackman was on the Red carpet with Debory Furnace in twenty twenty three. Speaker 3: My group chats are very divided on this. Some love the two of them together and some are talking about deb Prowley. Speaker 1: Do you have to not debut your relationship after a divorce five years, ten years? What do we want? Speaker 2: There are no rules, but I am allowed to go oh poor deb Oh, no, I hate that I am allowed. And then the tabloids, because again I'm a basic bitch. The tabloids were like, hey, basic bitches, We've made up a story for you. So there are sources in Inverata commas who say that Debrale Furnace was a huge fan of the event and the decision to bring Sutton Foster was a final blow to deb And what I didn't realize when I went really deep on this was some Foster's wearing a ring, like they think that you proposed in January and they think they're going to have some trend in your wedding. Speaker 1: And is that all are not allowed? He's not allowed to marry again, not ever, not ever. Speaker 3: I I don't know about that. Speaker 1: How do you know that, Deborah Lee Furness. This is what I don't like about this narrative is it victimizes a woman who maybe is totally done with that, you know what I mean. She obviously she made up some statements that made it clear she was not happy when that relationship broke down, But again three years ago, so now she might be living her absolute best life. Thank god I don't have to go to the met gala with that guy. Speaker 3: She disagrees politically too. We don't know anything about it, like she was kind of famously a conservative political voice because he is the godparent of Rupert Murdock and Wendy Dang's children. Also, he's very close with Avanka Trump. So no one was surprised to see Hugh at the slightly maga codd metgala. Speaker 1: Oh wow, he's unfair, And I know no one's crying for the celebrities, but I think it's unfair to brand everybody who was at that red carpet as maga. Speaker 3: Co Oh no, no, no, I did too, But I just I'm saying that he's not exactly Alexandra Orcasio Cortez. No one would be expecting him to make a big political statement about the taxing the rich. No, he's very like to promote. Speaker 1: In a moment, what the heck was all that Baldoni Lively business about? If we've both basically ended with nobody winning and no money changing hands. So moments before one Blake Lively swept onto the met gala carpet looking a bit like Cinderella, very trademark minus the bluebird. She didn't happen. She always said exactly body, She's pretty good all that stuff. But moments before that, a statement dropped into the inboxes of major press outlets, including People, New York Times and so on, and it read the end product the movie. It ends with Us is a source of pride to all of us who worked to bring it to life. And with no context, Everyone's like, why are we reading this? Raising awareness and making a meaningful impact in the lives of domestic violence survivors and all survivors is a goal that we stand behind. It becomes clear this is a joint statement from Blake Lively's team and Justin Baldoni's team about the court case we've all been obsessed about for years. We acknowledge the process, presented challenges, did it. Speaker 3: Recollections and recognized concerns raised by mes Lively deserved to be heard. Speaker 1: We remain firmly committed to workplaces free of improprieties and unproductive environments. This is one of those statements that so many lawyers were involved in drafting that it. Speaker 3: I hate an unproductive environment and I'm with that. Speaker 1: That's fair. It is our sincere hope that this statement brings closure and allows all involved to move forward constructively and in peace, including a respectful environment online. And in the hope of moving forward constructively and in peace, Blake goes to the met gal Yeah, yep. Now we'll get to whether or not they got their respectful environment online, But just a very quick catch up, because we would be here for a year if we went into all the ins and outs of what's been going on here. But it all started when Blake Lively. Do I need to explain who she is? Significant star actress, possessor of wonderful hair, one half of a very powerful Hollywood power couple, made a movie called It Ends with Us, based on one of the best selling books in the past decade by Colleen Hoover. Speaker 2: And you guys are weird about it because I said this morning that it's objectively one of the worst movies I've ever seen. And you guys, it's fine. You guys were so mad well. I didn't stop you so mad well. Speaker 1: I'm gonna get to that in a minute. The thing is is that making a movie based on one of the best selling books of the decade is smart business and lots of people wanted to do it. But the man who owned the rights was Justin Baldoni, who's a lesser known dude. He's an actor, producer, self proclaimed feminist. Done. Some Ted talks about it. Speaker 3: Everything I know about this man I've learned against my will exactly done. Speaker 1: Some Ted talks about it podcast with Liz Plank something something something. Anyway, the movie itself is about domestic balance. That is not a mystery or a surprise at his front and center in the plot. The movie got made, and the movie was a huge hit, proving Claire Stephens wrong. Speaker 3: All I need to say. Speaker 1: Against the modest production budget of twenty five million, it grossed around three hundred and fifty one million dollars. Huge movie, right, But before the hit part happened, obviously, it was obvious that things were for apart. Behind the scenes, everything had gone very very wrong. We're not going to take you through because again I know Klas Stevens has a PowerPoint on this somewhere. You It went very deep at the time. You were a great source of it. Speaker 3: It was great. A lot of this was going down. Speaker 2: I think maybe just as I submitted my books, and my reward to myself was finish your book and you can read all the legal poculars. Speaker 1: Yes, and there was this press tour that was like separate red carpets and warring factions and all this stuff. And then in December twenty twenty four, Lively sued Baldoni, accusing him of harassment, sexual misconduct, and a smear campaign on the set of their movie. She claimed that Baldoni conspired with publicists to preemptively destroy her reputation, hence the dodgy press tour after she privately accused him of sexually harassing her on the movie set. There were a lot of damning texts released, all hell broke loose. Then Baldoni countersued. He basically alleged that Lively and her husband Ryan Reynolds always wanted to take over this movie, the control of the script, to the edit, all the things that they had it in for him, and they used their very famous friends to intimidate and harass him. Speaker 3: I'll never forget the email that when unanswered, that she sent to Matt Damon. Speaker 1: Oh, I know. There were a lot of damning texts revealed. Speaker 2: Again, sorry, the one to Ben Affleck where she like, oh, she just made an awkward joke about how she had sent the email to Matt Damon and how great Matt Damon was, and I was like, honey, that's like Ben Affleck's biggest point of in security is comparing himself to Matt Damon and you don't know the idiots and your correspondence with Ben. Speaker 1: And so here we are suddenly, just weeks before this mess was all going to go to court, all these cases have been it. Speaker 3: Hadn't even gone to court. Speaker 1: No, some things had been dropped dropped. So first of all, Baldoni's case against Lively got dropped, and some elements of Lively's case against him got like so there was all that was stuff, but it was it was meant to go to court I think on May eighteen, so soon. Wow, And days before it's been disappeared. Lawyers have made millions, reputations have been trashed and nobody apparently no money exchanged hands between the two parties, and no one, as you as evidenced by that really confusing press release, nobody is saying that they've won or not. Claire does the fact that Blake Lively stepped onto the met Gala carpet the minute that happened signaled that she sees this as victory or that she'd liked to pretend the whole thing didn't happen, And how the hell does she move forward? Speaker 3: Yeah, Claire, what does that mean that she shot up at the Metgala? Speaker 1: One? Speaker 2: I think it's genius. I always think that the best publicity in response to this stuff is to be around and change the narrative, like changing a different direction. Celebrities are so clever that it is no coincidence that this statement came out when it did and that then she was on a red carpet, because you just you know that there's so much going on in the world. People are going to be all the celebrity reporters are going to be distracted, just like the zones. Speaker 3: Yes, yes, And. Speaker 2: It's the same reason it always happens. When I was editor in chief, the local Australian celebrities would always announce their breakup at like five pm on a Friday, and it's like, you know. Speaker 3: The journals have gone to drinks or boxing day. Speaker 2: Yeah, yeah, you know, we've gone to drinks, you know that West Skeleton stuff on the weekends. Speaker 3: We're not going to go as hard on this story. Speaker 2: So I think it was smart that it was released when it was, and it was smart that she turned up at the met gala and that she reminded everyone I look really good in address. Speaker 1: You to figure but disagree because what immediately happened the minute she opened her mouth. Speaker 2: Well, this is what's interesting that depending on your algorithm, and depending on what side of the Internet you're on, there are two very different stories. So on certain apps, the story I'm saying is this was a win for Blake Lively that, for example, the line at the end of that statement including a respectful environment online, that that was very much acknowledging what had happened to her, which was all the allegations about manufactur orchestrated campaign. Speaker 1: Because that is the thing that I will take away from this mess the most, is that seeing the messages between Baldoni's press people and him about ways that you can use and manipulate social media to dent somebody's reputation is not just like when you see suddenly start seeing everywhere lots of tiktoks around of like, look at this interview with this person, doesn't she come across a bit like this but there can be a lot more behind it. And this is also things that we pointed out about amber Hood joining the amber Hood Johnny deppcayse that there can be a really orchestrated dark arts going on there, and certainly the examples that were pinging back and forward between Justin Baldoni and his reps suggested that I knew that. Speaker 2: Yeah, And so there's there's a lot of arguments that that line in particular is about what she went through, because she really has been torn apart on the internet. However, I couldn't believe that she turns up at the met Gala. She there's she clearly you could actually tell from her speaking when she was interviewed that she was nervous, that she was trying, like, I can't put my foot in it. Speaker 3: I can't like that. Speaker 2: There have been viral interviews of her for a couple of years now all over the Internet of her just saying slightly the wrong thing in an interview, and it becomes that she's an awful person. Blake Lively did an interview on the met Gala red carpet and it has been analyzed to death, and people think she was rude to the interviewer in this instance, well, you look gorgeous. Speaker 4: I am wearing Jackson weederhot gorgeous, thank you beautiful hair. She yeah, you look studying. And this is archival versace, but they met a fid it by adding a big beautiful train. So it's a piece from two thousand and six. And it was just such an honor to be able to wear this gorgeous, gorgeous gown. It looks like a sunrise and a sunset and watercolor and gorgeous range shworts, jewelry. But this this, but these, this is a Judith leberbag. And we were trying to find a piece of famous iconic art to put on and make it look like it was in a frame. And then I said, would you actually, if you're gonna make it custom, would you do my kid's art? So my kids each painted a painting, a watercolor painting. So each of my four kids did this. Speaker 1: That is so spoo especial. Speaker 4: So I have them with me. Speaker 2: And that has been interpreted as her being a bit, as her being dismissive, as her being self scentered. The other thing that's been I think we want to know what this is. Speaker 1: So here's my challenge to your strategy, be public, give them things to talk about, because she can't get away from this narrative now for some time, it's been years of her lit like every time she opens her mouth. There's a lot of people invested in you're a terrible person, as you say, so they're just going to find ways to say that over and over again. In the way that the Internet is now very invested in hating Blake Lively a certain so, just in the way that the internet's very invested in hating Megan Markele. It doesn't matter what she does, what she says, where she goes. You can't win that game. Speaker 2: One of the great arguments was it costs one hundred k for a plate at the Met gala, and part of her claim was the financial stress caused by Baldoni smear campaign. And it's like she's not paying for that one hundred k plate, neither is anyone people being like I thought you were arguing you were locked out of Hollywood. Speaker 3: Doesn't look like you're locked out of Hollywood. Speaker 2: And she had a bag where her interpretation of the art theme was that she got her four kids to draw a picture on each side of the back no self centered, made it about you. Speaker 3: You wanted to. Speaker 2: Claim authorship over this event, So there are people. Speaker 1: This is why I think her best strategy is to go away for a few years. Speaker 2: Yeah, because I think the weird thing is I think if Justin Baldoni had turned up, I think there's something, there's an anonymity that we give men that we just don't give women like I just don't think he is going to be plagued in the same way. And I think it's Marina Hyde who says he'll probably do some low budget it. Speaker 1: Will definitely have dented his possibilities of becoming a big name. I think that because, as Marina Hyde says in that story in The Guardian, she wrote a column about this, saying that the overarching lesson of this whole thing is never ever go to court, never ever ever. And they didn't actually end up in court, but still is that for the rest of time. Their names are now linked, every interview, every pro file, every project they do. This will always be part of the story in a way that it wouldn't if it hadn't entered the courts. But when I say I think go away free, I don't mean disappear like I don't mean silencing women. I mean work on projects, work on producer projects, hustle behind the scenes, do all your hollywoody stuff until you can come back to address this with more nuanced Look at Lena Dunnan. We've been talking about that a lot lately. Famously one of the most hated women on the internet for a period of time, couldn't put a foot right, couldn't do anything right, opened her mouth, everybody jumped on her. We know how the culture treats women who speak out about all kinds of things. There are local examples of this too. In a way. You've got to like let the air out of it and then come back when there's some nuance and distance. Speaker 3: You know what I mean That her while best friend Taylor Swift would have told her that too, because Taylor, of course also famously disappeared and was getting around in large boxes for a while just to stay out of the public eye. That comment of Marina Hides about never go to court is interesting because a few years ago, someone in a professional context did something to me that made me want to take them to court, and so I went to talk to a lawyer about it, who have been recommended to me, and the lawyer heard me out. I was very grateful for the advice she gave me. She said, look, I think you have a strong case, but if you did this, everyone in your field would say that you were a nightmare, no matter what happened in the court case, no matter how right you are, and I do think you're right, it would affect you professionally and it would follow you professionally for the rest of your life. And I think getting that advice from someone who had kind of a monetary gain to taking the case on was something I really appreciated. And I just wonder if Blake Lively's legal advice turned out to be deeply misguided. Speaker 1: I know. The sad thing about this argument I've never taken to court is, of course, that women putting up with sexual harassment at work are just always this guy from ever doing anywhere with it, because you're going to get your character smeared. And it might be on the scale of a Blake Lively, or it might be just the local gossip at the football club, like whatever it is, and that it's like we've seen this play out in massive letters across the sky that watch out, women will get you one way or another, and whether or not Blake Lively is particularly likable, is always nice to everybody? Blah blah blah, isn't the point? Speaker 2: Yeah, it is quite scary for women knowing that if you pursue, which is what an element of what Blake Lively was pursuing, a sexual harassment claim, that all your texts will be looked over and mocked and made fun of. Like, that's a really scary cost to pay. After the break James Valentine and why everyone's talking about the concept of a living wake. On the twenty second of April of this year, cast out musician and author James Valentine died age sixty four, leaving behind his son, his daughter, and his wife. The ABC veteran had terminal cancer, and he was widely loved by his audience, who had been listening to him for three decades. He had been transparent over the last two and a half years about his health. He was a very talented saxophone player and anyone who grew up in the eighties in Australia probably knows him as part of the band The Models and their iconic songs Barbados and Out of Mind, Out of Sight, and he was a Sydney radio presenter. Emilia and Holly, what was your connection to James Valentine as a radio personality? Speaker 3: He was a really important figure in my childhood. He hosted a thing called the Afternoon Show on ABC when back when there were forty TV channels in this country. I remember those days, and he would host and it was cartoons, it was variety. And I never really listened to him on the radio, but I have such you know, in the way that those childhood figures loom large for you. I've always held such fondness and affection for him. And how about you, Hollie. Speaker 1: He's clearly just an incredibly skilled communicator. I mean, I would be lying if I said I listened to that show. But anyone who knows how radio works, how the ABC works, so many people I know who know him. He was just clearly exceptionally good at what he did and very loved. Speaker 2: It's a reminder I think that parasocial relationships have existed long before the Internet. The fact that when the news of his death came out there was a widespread kind of public grieving and a lot of listeners who called in the next day, and his wife and his kids were kind of saying how much that meant to have people remember their dad through sense of humor and his energy. So two and a half years ago he was diagnosed with esophagal cancer and he was given two different treatment options, and he chose the one that was a bit less invasive and would preserve the things he loved in life, which were presenting radio, playing saxophone and enjoying food. Then in January of this year, he's given a terminal diagnosis and his response to that diagnosis and what he planned to do next was documented in Monday's episode of Australian Story, presented by Lee Sales, and it started a huge conversation about the concept of a living wake, which he very fittingly held on Valentine's Day of this year. Here's what he said on the show stage. Speaker 5: Four, terminal, inoperable, uncurable. I don't want to hear any of those words, let alone in the one sentence. So a friend suggested Tommy, maybe you should do a living wake, and oh, that sounds like fun. I will know the time and the day and so it'll be the last weekend. What do you do on that last weekend's dinner? Before? What do you think is that the last meal, I will probably know exactly when I'm going. Speaker 1: That's so moving. So seeing the footage of his reference at the end there was due to the fact that he ultimately chose the time he was going to die, right. Speaker 2: Yeah, he chose voluntary assisted dying and was very transparent around how he made that decision and what that decision entailed. For context, voluntary assisted dying is legal in all states in Australia and the Act except the Northern Territory, and obviously it's an incredibly complex and incredible, incredibly personal decision that has sparked. It's sparking more and more conversation the more we have and aging population and the more people are getting certain diagnoses that may keep them alive for a very long time, but the quality of that life may be poor, and him kind of taking people through that decision was a huge part of the Australian story. But it meant that he got to plan this living wake and there's footage of it, and he's got his family and friends there and there are so many familiar ABC faces and he's really good friends with Norman Swan, who he had on radio to discuss his diagnosis, like what all the different parts of the body were and what they did. And there was something so moving about seeing him on stage with a microphone at his own wake, basically saying, please come up to me and tell me stories and memories about us, because they are what's going to carry me through the next few weeks. And I guess I thought it must be such a relief for his family that then when you do a funeral, he's heard all the beautiful things that you're then going to say about him. I think this is really something we should we should all be looking at. Speaker 1: If it's possible, this episode of Australian Story is really recommended viewing. I think, whether you know who James Valentine is or not, in a world where we hate to talk about death, and yet it touches everybody obviously, I mean that's a ridiculous thing to say, but it does touch everybody. I'd lost a friend to this same cancer when he was only forty six. It's like all cancers. It's a it's it's cruel and the idea that we're also we don't like talking about illness, we don't like talking about death, and seeing somebody such a skilled communicator like James Valentine in this episode talking about why he wanted to do the things he did, and they document the year so very like him talking about how very much clarified for him that he loved his work, so he didn't want to stop working. He loved playing his saxophone, so he wanted to try and avoid procedures that were going to stop him from doing that. That he really wanted to work, play and be with his family, and those are the things he wanted to spend his last year doing. It's just it's very powerful, it's very clarifying. And then to see him at his living way and he says, you know, it wakes People always say, oh, he would have loved me there, and he says, so I wanted to be there, And I just think it's very refreshing. I think, you know, I, as I said, I didn't have a direct listenership with Joe's Valentine, but people who do, and people I know who've worked with him said he brought joy all the time. And it feels like a gift to give be so honest and so open and so clear eyed in talking about this thing that nobody wants to talk about. Is like the last incredible gift that a great communicator could give, and his family is so amazing in it. I really recommend watching the show. Speaker 2: There's a great quote in one of the ABC articles about his kind of decision making towards towards the end, where I think, as a psychologist says, dying people are not the actual act of dying is not the thing they're most scared of. They're scared of the invisibility and the absence of conversation around it. They're scared of people turning away and not wanting to be around them because of how confronting it is. And this was just such a reminder to look it straight in the eye and have the existential conversations with the people around you. The way that he spoke to his kids, and his kids were able to say, what do you think is going to happen afterwards? Speaker 3: And I bet that that's so much harder to do than even it looks. It doesn't look easy, but I bet it's even harder to actually enact these principles that we can all agree are worthwhile. Speaker 1: I love that his kids say that this was perfect for him in particular, this living weight, because he loved being center of attention. He loved a party, He loved being told I'm brad he was. I love the way they you know that families are really kind of I mean, I'm sure no families are perfect, but they're really healthy and loving when they can just call out that stuff about you and be like, he would love this because he just loves everybody tell him how great he is. Speaker 3: So good. Speaker 2: Yeah, And I loved that it wasn't a sanitized version because I think something I always bristle at is when you hear of somebody getting a terminal diagnosis or of you know, knowing that they're going to die. I bristle at the narrative of I guess almost toxic positivity that they're just like, well, I'm completely grateful and joyful. And then I feel for the people who don't have that response, which is completely bloody normal. But I loved there was a lot of light and shade in this. They talked about they went on a holiday, a family holiday to Bali, just before he was meant to get the surgery for his esophagus, and that the whole family's like, oh so bloody terrible holiday. Everyone was sick, everyone had covid Dad. Speaker 3: Had BALI belly like. It's sort of I like that. Speaker 2: In documenting this time, they've been able to show the highs and lows of what happened. But the nort Yeah, how normal it is. But the fact that he was able to do it his way, and that those conversations around what you want, what you don't want, they give so much empowerment in those in those final months and final days. Speaker 1: Something completely different. There was celebrity baby news this week that I must mark because it was interesting. Cameron Diaz and Benji Madden just welcomed their third child. And it's interesting because Cameron is fifty three. Now. When I say that, I don't mean it's interesting in that way of like, oh, miracle baby, how did she do that? Why did you do that? Cameron Diaz. They announced that their little boy had come. They announced what his name was. His name is Nortous and he joins Raddix and Cardinal, which are all just the most rock star names of all time. They announced it. They didn't give any more details than that. It is safe to assume just because Cam's been on a press tour lately, she's been quite visible on a tour for a movie called Outcome, So she's been very visible, and it's safe to assume possibly that she wasn't heavily pregnant during that time, so likely that a surrogate was involved, but none of our business. But the thing that I found really interesting and refreshing that I wanted to unpack a little bit here is I wrote an essay a while ago when Sienna Miller was on the Red Carpet with her beautiful baby bump at I think forty three, and saying how we're entering a bit of an era of agelessness because perhaps of fertility technology, because of the different options that are open to us now, because of Hollywood and the wellness world's obsession with longevity, that we're in a different era now when it comes to age and women and kids. And I think nothing illustrates that more clearly than the fact that there haven't been a whole waterfall of stories about like, oh my god, a mom at fifty three and how could she and why would she? And da da da da. Is that now we're much more kind of like in the way that we might be about a man becoming a father at fifty three, because if you remove the biological complication from the advance for chility technology and all those things. It isn't really any different than the guy who's been doing that forever. Yeah, am I right? Yeah? Speaker 2: No, I think so too. The interesting thing is, as well, when I've looked at this story, how old Benji Madam? Well, nobody ever, as I don't know, I don't know, why didn't I. Speaker 1: Google similar age? I think, well, let's find it happen. Speaker 2: Yeah, because you're seven, so being a little bit younger Benji's forty seven, bloody spring chicken. But I it's interesting because whenever I see pregnancy baby news, it's obviously the life stage. Speaker 3: I'man, I always google. Speaker 1: How old is how? Speaker 3: How old is that? Speaker 1: Money is she? Speaker 2: And you're right that we don't when we wouldn't blink an eye at a man having a child at fifty three. And obviously, if you want to think about any of the things that make rearing children. Speaker 3: Difficult, the older you get. Speaker 2: I mean, Amaran Diaz looks like a bloody pillar of health. She's gonna live forever, She's gonna live till she's undred. Speaker 3: Well, I think what's interesting is that you said no one will blink, and I about a man. I wonder if, now, because women are also having babies older, all of a sudden, we're starting to blink her eyes at men having babies older. Men were allowed to do it for all of human history, but now that women are starting to do it, we're starting to revisit the whole idea of older parents because. Speaker 2: We are interested, and there is actually more and more scientific research going into the health impacts of older because you know how, I'm called geriatric. Just for the record, I'm a geriatric mother. What age, I'm thirty five years old. No, they don't. They call it advanced material. Speaker 3: They definitely call it just it's kind of coolrophistic. Speaker 1: They definitely did call it geriatric though, when I had my second child at forty, I that's interesting. Speaker 2: But if they call Brent geriatric, no, but they should have done it because he's elderly, I think. Speaker 1: I think that's interesting. But then that also assumes. Speaker 3: Like the judgments creeping in for both sexes now, is what I'm saying. Speaker 1: Yes, and that assumes the idea about like we're becoming aware of the risks of older parents assumes assumes a lot about what might be going on here biologically. Yes, exactly, whereas if Cameron Diaz and Benji Madden and whoever else may be in their cohort are having are assessing all the risks, I'm sure they are. We know how health obsessed Hollywood is and making those choices, and there I think. I don't know that's interesting though, Amelia, where you say that that maybe the judgment, instead of fading away, just attaches itself to both genders. Speaker 3: Well, because I don't think it is just about biology. I think it would be we need to put on the table to not be disingenuous. That a lot of people listening to this may have a reaction of if you have a baby at a more advanced age, shall we say, in your fifties, you automatically do a bit of maths, and you think, well, when that child in school, Cameron Diaz will be sixty three. I don't know how old Benji Madden will because I'm not that good at maths, but he'll be also kind of old. And so I think that's one of the concerns that people are now voicing a little bit more when no one ever used to say, well, Mick Jagger is going to be so old when his kids graduate but now we are starting to say that or feeling perhaps feeling more comfortable to say that. Speaker 1: I think that's really interesting. But then I think in this privileged bubble that we're talking about, longevity is an obsession. So I think that that is also changing. This right is that people are thinking rightly, wrongly whatever that with all the right advances and all the right supplements and all the right that they're imagining themselves at seventy three, at this kid's twenty first, like leaping around, I'm doing yoga and pilate, particularly if they. Speaker 2: And Brian Johnson says he's got what is it the sperm of a twenty old? Think about that, man, Yeah, So I'm sure Cameron and Benji are having the same conversation. Speaker 3: So Cameron has remember she literally wrote a book about sort of how to be healthy as you get older, so she's this is clearly on her radar that she's sort of anticipating she will be living a long time. Speaker 1: That's always got time for on this Wednesday. Speaker 3: At births, deaths, any marriages, No. Speaker 1: There weren't any couples at the met gala, were they? They all went. Speaker 2: Solo boycotting, boycotting marriage on the metal, or. Speaker 1: Maybe it was like, unless that engagement wing comes from Amazon, we don't sink, perhaps in her body, her head and she did anyway. Thank you for being with us. Thank you for to our amazing team for helping us put the show together. We're going to be back in your ears on Friday, of course, and for subscribers with some scorelous gossip with Mia tomorrow. That's all. Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

What happens when a musical pioneer finds himself and his artistic voice after a period of disillutionment? In this episode of TRUST ME I KNOW WHAT I'M DOING, I sit down with musician, composer, and producer Karsh Kale to discuss his latest album, DUST, and the 'silent war' of staying creative in a world driven by algorithms. Karsh opens up about feeling lost after the pandemic and shares what he had to 'unlearn' to find his way back to music—not through a studio, but through a canvas and a paintbrushWe dive deep into:  • The Creative Reset: Why Karsh started painting for "no one" to rediscover his childish curiosity.  • The 10-Year-Old Rule: How he stopped chasing trends and decided to make a record specifically for his younger self.  • Lessons from a Legend: What he learned about "permission" and identity while performing alongside Zakir Hussain.  • The Anatomy of Dust: The symbolism of the end of an era and the rebirth that follows.  Whether you're an artist feeling the weight of the "dopamine cycle" or just someone looking to find more joy in your work, Karsh's journey back to his "honest truth" is a blueprint for us all.  If you enjoyed this deep dive, please subscribe and share it with someone who may need  a creative spark.--------------------------Chapters00:00 Introduction 03:16 The Evolution of Artistic Expression05:55 Finding Personal Meaning in Music08:37 The Symbolism of 'Dust' and Rebirth11:19 Creating a Mirror for Listeners14:13 Letting Go 15:46 Sponsor Break: Travelopod17:28 The Importance of Authenticity in Art20:21 The Lost Art of the Full Album Experience24:23 Translating Moods into Live Performances27:20 Optimism in the Independent Music Industry29:49 Sponsor Break: Timberdog Ruffrest30:59 The Role of Mentorship and Legacy35:34 Knowing When a Song is Finished36:59 The Intersection of Art and Music38:14 Music as an Escape and a Place to Be FoundLearn more about Karsh Kale:https://www.instagram.com/karshkale/Big shout outs to Yashraj Akashi for connecting and building trust through Tedx and EDGE, and to 7-year-old Ishank Singh for becoming the youngest and fastest to ever swim the Palk straight between Sri Lanka and India. Support the Show: If you enjoyed this episode, please subscribe and leave a review on Spotify, Apple, or Amazon or wherever you podcast!TRUST ME I KNOW WHAT I'M DOING is proudly brought to you by TRAVELOPOD, with personalized travel support to help you explore the wonders of the world.  Start your next journey at vacation.travelopod.comThis episode is brought to you by RuffRest by Timberdog.  Learn more at https://timberdog.com/