Podcasts about Edo

Rob McKenna on a unanimous Supreme Court decision surrounding FBI raids // Ed O'Keefe on National Guard in Los Angeles // Seattle Mayoral Candidate Thaddeus Whalen on his vision for the city // Robert Berger in Jerusalem on the reaction in Israel to conflict with Iran // Tom Dempsey on the US reaction to conflict between Israel and Iran // Gee Scott on Amazon turning from human employees to AI

Edo discute l'investimento di Meta in Scale AI, analizzando il profilo di Alexander Wang, il fondatore della startup, e il mercato del labeling. Viene esplorato il significato dell'acquisizione, le strategie di Meta per competere nel settore dell'intelligenza artificiale e le implicazioni etiche legate al lavoro nel labeling. La conversazione si conclude con una riflessione sulle prospettive future per Meta e Scale AI.

This episode of Japan Station is a rebroadcast of Ichimon Japan episode 12. On this episode of Ichimon Japan we ask: Why are vegetables so unsulting in Japanese? On this episode we are honored to once again be joined by Kyle Broyles of the Tokyo Splosion podcast and Hard Officers YouTube channel. Topics Discussed Some funny Japanese vegetable-based insults and their (supposed) etymologies What the term daikon ashi means Why daikon ashi is so insulting and reserved only for use on women The usage of the term "dumpling legs" What the term daikon yakusha means Why daikon yakusha is considered an insult Why it's insulting to call someone a bean sprout (moyashi) in Japanese What it means to "stink of potatoes" (to be imokusai) What a "country milkboy" is What an "embankment pumpkin" is (dote kabocha) The most commonly cited story explaining the insulting meaning of the term dote kabocha A tip for training yourself to like vegetables Interesting Japanese slang involving the the Japanese word for eggplant (nasu) What the term bokenasu means Why it is insulting to be called a bokenasu What the heck an otankonasu is Two theories for where the "otanko" part of otankonasu derived from The most common etymologies of the term otankonasu The potential connection between otankonasu and Edo period pleasure districts Bubble era Japanese slang How pīman (green pepper) was used as an insult in Japan in the 1970s The difficulties localizers face when translating idioms from Japanese into English Whether the Japanese word for "vegetable" (yasai) totally overlaps in meaning with its English counterpart Why there seem to be more vegetable-related insults in Japanese than fruit-related insults And more! Note: All of the etymologies provided during this episode were found in Japanese language sources and are the most commonly cited. However, just because they are the most commonly cited etymologies that does not mean they are true, so please keep this in mind. Listen to Ichimon Japan on [btn btnlink="https://podcasts.apple.com/us/podcast/ichimon-japan-a-podcast-by-japankyo-com/id1492400997" btnsize="medium" bgcolor="#0568bf" txtcolor="#ffffff" btnnewt="1" nofollow="1"]Apple Podcasts[/btn] [btn btnlink="https://podcasts.google.com/?feed=aHR0cHM6Ly9pY2hpbW9uamFwYW4ubGlic3luLmNvbS9yc3M" btnsize="medium" bgcolor="#0568bf" txtcolor="#ffffff" btnnewt="1" nofollow="1"]Google Podcasts[/btn] [btn btnlink="https://www.stitcher.com/podcast/japankyocom/ichimon-japan-a-podcast-by-japankyocom" btnsize="medium" bgcolor="#0568bf" txtcolor="#ffffff" btnnewt="1" nofollow="1"]Stitcher[/btn] [btn btnlink="https://open.spotify.com/show/1ZVgnljVM8gcR1ar98eK0D" btnsize="medium" bgcolor="#0568bf" txtcolor="#ffffff" btnnewt="1" nofollow="1"]Spotify[/btn] [btn btnlink="https://www.podbean.com/podcast-detail/mv3zr-ad2df/Ichimon-Japan-A-Podcast-by-Japankyo.com" btnsize="medium" bgcolor="#0568bf" txtcolor="#ffffff" btnnewt="1" nofollow="1"]PodBean[/btn] [btn btnlink="https://ichimonjapan.libsyn.com/rss" btnsize="medium" bgcolor="#0568bf" txtcolor="#ffffff" btnnewt="1" nofollow="1"]RSS[/btn] Support on Patreon If you enjoy Ichimon Japan and want to ensure that we're able to produce more episodes, then please consider becoming a patron on Patreon.com. For a minimum pledge of $2 a month you'll get access to exclusive content and our eternal, profound, and undrying gratitude. Support on Patreon Kyle Broyles Links This episode features Kyle Broyles as a special guest. If you would like to follow him on Twitter, please use the link below. Kyle Broyles on Twitter Kyle is one of the hosts of the Tokyo Splosion podcast. If you would like to check his podcast out, you can look it up wherever you get your podcasts or use the links below. Tokyo Splosion on Libsyn Tokyo Splosion on Apple Podcasts Tokyo Splosion on Twitter The latest episode of Tokyo Splosion as of the time of this posting can be found below. Tokyo Splosion Quarterly: Spring 2020 Kyle also produces the YouTube series Hard Officers. Check out the channel via the link below. Hard Officers YouTube Channel Sources, Links, Videos, Etc. Here's a link to the previous episode Kyle Broyles was a guest on. What's life like in Japan during the coronavirus pandemic? (Uncovering the cute sneeze conspiracy | Ichimon Japan 13 Just to review, here's a list of all the insults that were covered on this episode, including how you write them in Japanese. Daikon ashi 大根足 : 大根足; 大根脚 【だいこんあし】 (n) thick legs; fat legs; cankle; cankles (literally: daikon radish legs) Daikon yakusha 大根役者 【だいこんやくしゃ】 (n) (yoji) ham actor; hack actor (literally: daikon radish actor) Moyashi もやし (n) bean sprouts (in certain contexts it can also be used to mean as an insult meaning lanky, gangly or frail) Moyashikko もやしっ子 【もやしっこ】 (n) weak child; frail child; gangly child Imokusai イモくさい 【いもくさい】 (n) country bumpkin; unsophisticated; hick (literally to stink of potatoes) Dote kabocha どてかぼちゃ (n) incompetent person; halfwit; blockhead; fool (literally: embankment pumpkin) Bokenasu ぼけなす (n) (1) faded, dull-colored eggplant; (2) (derog) slow-witted, abstracted person; halfwit Otankonasu おたんこなす (n) fool; twit; idiot; bird-brain Atama ga pīman (Note: This term was popular in the 1970s and is rarely, if ever, used today.) 頭がピーマン 【あたまがぴーまん】 stupid; dumb (literally: your head is a green pepper) Hanashi ga pīman 話がピーマン 【はなしがぴーまん】 what you are saying is stupid/pointless (literally: what you are saying/your story is a green pepper.) If you'd like to check out episode 38 of Japan Station, you can do so via the link below. Understanding Idols and the Success of AKB48 (Dr. Patrick W. Galbraith) | Japan Station 38 If you missed the Japanese study tips episode of Ichimon Japan, check out the article below. What are your Japanese studying tips? | Ichimon Japan 08 Japanese Vocabulary List Most episodes feature at least one or two interesting Japanese words or phrases. Here's some of the ones that came up on this episode. All information is from Jim Breen's WWWJDIC. Yasai 野菜 【やさい】 (n,adj-no) vegetable Kudamono 果物 : 果物(P); 菓物 【くだもの(P); かぶつ(果物)】 (n) fruit Oden おでん (n) (food) oden; dish of various ingredients, e.g. egg, daikon, potato, chikuwa, konnyaku, etc. stewed in soy-flavored dashi Shokuatari 食あたり : 食あたり; 食中り 【しょくあたり】 (n) food poisoning Shokubutsu 植物 【しょくぶつ】 (n) plant; vegetation Emoi エモい (adj-i) (1) (sl) emo; sad; melancholic; (2) (sl) (pun on エロい and キモい) (See エロい,キモい) erotic in a disgusting way Inakakusai 田舎臭い : 田舎臭い; 田舎くさい 【いなかくさい】 (adj-i) rustic; unsophisticated; provincial; hick; cornball Ume 梅 : 梅(P); 楳 【うめ(P); むめ(ok); ウメ】 (n) (1) Japanese apricot (Prunus mume); Japanese plum; ume; Chinese plum Tnkō 炭坑 : 炭鉱(P); 炭坑; 炭礦 【たんこう】 (n) coal mine; coal pit We Want Your Questions Is there something about Japan that confuses you? Is there something about Japanese culture that you would like to learn more about? Is there something in Japanese history that you would like us to explain? We're always looking for new questions about Japan to answer, so if you have one, please send it to ichimon@japankyo.com. Special Thanks Opening/Closing Theme: Produced by Apol (YouTube, Twitter, Facebook, Fiverr) Ichimon Japan cover art: Produced by Erik R. Follow Japankyo on Social Media Facebook (@JapankyoNews) Twitter (@JapankyoNews) Full Show Notes https:///japankyo.com/ichimonjapan  

國泰投信旗下市值型ETF「國泰台灣領袖50（00922）」最新規模來到324.28億元，根據Bloomberg資料指出，00922今年以來規模增加122.52億元，增加幅度高達6成，證交所資料顯示，00922自2023年3月27日掛牌以來，已是全台ETF定期定額交易戶數第13大。 00922精選50檔具市值代表性且獲利穩定的台灣領袖企業，產業配置多元，且單一成分股權重不超過30%，真正實踐ETF「一籃子股票」分散風險的精神，能有效降低單一股票波動對整體績效的影響，對風險承受度較低的投資人來說，是相對安心的選擇。 詳細資訊請點以下連結：https://www.cathaysite.com.tw/ETF/detail/EDO?tab=etf3 —— 以上廣告由九八新聞台製播 —— 主持人：阮慕驊 來賓：資深證券分析師 杜金龍 主題：年線上下震盪！何時現轉折？ 節目時間：週一至週五 5:00pm-7:00pm 本集播出日期：2025.06.13 此集影片YouTube連結 https://youtube.com/live/19NnXz4YYqA

In this podcast, Zachary Walker and Brody Fisher tackle Name, Image, and Likeness (NIL) deals in college sports. They are joined by Josh Katz, Nick Cox, and Hayes Patton. The boys talk about why Ed O'barron, and all athletes, should be compensated, how high school athletes should not be promised so much money, Carson Beck, social media influence, smaller schools being robbed of quality players, how athletes don't have time to prioritize academics, the fall of the underdog story, and the 20.5 million deal that happened on June 7th.

Are you a fan of Japanese traditional painting and tattooing?   In this episode I share my findings on the rigorous training methods of Japanese painters during the Edo and Meiji periods, emphasising how expertise was forged through discipline and observation, not just innate talent. It delves into the traditional apprenticeship system, with the Kano school exemplifying this systematic approach.   The discussion also highlights numi geiko, a proactive pursuit of knowledge beyond formal lessons, exemplified by Kyosai's intense  training and his broad integration of diverse influences.   The examples of these masters can help you integrate training methods in your own practice to improve and sharpen your skills.    stefbastian.com  

Immagina di vendere casa con una lotteria a 5 sterline a biglietto. Sembra folle? Eppure c'è chi l'ha fatto davvero. Il colpo di genio è che, alla fine, ha guadagnato più dalla vendita dei biglietti che da una vendita tradizionale! L'estate porta sempre aria di cambiamento: Edo si tuffa nel mondo della radio, Fede esplora nuovi orizzonti creativi con i corsi di Igor Sibaldi e quattro grandi amici di Hacking Creativity lanciano i loro nuovi libri. Ascolta la puntata per scoprire tutti gli altri LINK!▫️ Ti va di dare un'occhiata al nostro canale YouTube?

Por las fuertes presiones recibidas de dentro de la junta directiva de la Unión Musical Porteña, su presidenta Asunción Edo, tuvo que dimitir. Inmediatamente, el vicepresidente Sergio Paz, se autoproclamó como nuevo presidente de la sociedad. Saltándose todo el protocolo para elegir una nueva junta directiva. A continuación pueden escuchar la entrevista a Eva Mª García, portavoz del colectivo de músicos, donde nos detalla de todo lo acontecido.

Clint Nessmith shares examples of why it is so important to be proactive as a Chamber or EDO in 2025. Full show notes are at: chamberchatpodcast.com/episode333 Please support this podcast by supporting our sponsors. Bringing Local Back bringinglocalback.com Community Matters, Inc. chamberchatpodcast.com/podcast App My Community appmycommunity.com/chamberchat Resource Development Group rdgfundraising.com Swypit chamberchatpodcast.com/cc Izzy West, LLC theizzywest.com  

Anxious people want a quick fix. Non-anxious leaders know this is not the answer. Here's why, as well as how you can respond to challenge in a way that will make a difference.Show Notes:How to avoid the most seductive leadership mistake by Ed O'Malley and Julia Fabris McBrideBecome a Patron for as little as $5/month.Subscribe to my weekly ⁠Two for Tuesday⁠ email newsletter.

The Krewe is kicking off a 2-part series on Japanese soccer! In Part 1, journalist Dan Orlowitz joins the Krewe to break down Japan's domestic soccer scene — the J.League. From league structure and top teams to standout players making waves right now, this episode is your perfect deep dive into the beautiful game, Japan-style. Whether you're new to Japanese soccer or a longtime fan, you'll come away with fresh insights and maybe even a new favorite club! Don't miss Part 2, where we go global with Japan's national teams and international impact!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Sports-Related Episodes ------Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)The Life of a Sumotori ft. 3-Time Grand Champion Konishiki Yasokichi (S4E10)Talking Sumo ft. Andrew Freud (S1E8)------ About Langston Hill ------Dan's Socials & Writings------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Grazie a quei grandissimi appassionati del Rimidnight Club, Rosso ha conosciuto la Leggenda della Romagna, colui che i piloti del futuro li cresce a casa sua, il mitico ManuelEd ha quindi deciso, portandosi dietro tuta e casco insieme a Ganzo ed Edo, di partire alla volta di Forlì ed intervistarloIn questa intervista, che è un roller coaster di emozioni, prima di darvi come di consueto il buon ascolto ci teniamo a dire una cosaQuesta intervista è stata girata ormai tempo fa, prima che venisse a mancare Luca Salvadori. In questa puntata, nel capitolo denominato "influencer e Motori" parliamo anche di luiDedichiamo questo video, frutto del nostro duro lavoro e della voglia di condividere la nostra Passione, a lui e a tutte quelle persone con le quali siamo cresciuti, come Alberto Naska, Passione Motori, Spavald, Sinna, FIl, Gasi, Freccia Verde, Noisy e tanti altri, che si sono messe in gioco a loro volta per condividere la loro Passione.Non possiamo fare altro che ringraziarle per averci aiutato a nutrire la nostra, e ciò ci ha portato a fondare il Pistone Podcast.Ciao Luca, proteggi ogni nostra piegaBuon ascolto gente ❤

In questo episodio, Edo discute il principale problema di internet: il porno. Analizza la proposta di legge IODA negli Stati Uniti, che mira a ridefinire l'oscenità e a rimuovere gli standard comunitari dalla sua definizione. Viene anche affrontata la questione della verifica dell'età per l'accesso ai contenuti pornografici online, su cui PornHub è molto critica, e le implicazioni per la privacy. Infine, Edo conclude con riflessioni sulla necessità di investire nella cultura e nell'educazione piuttosto che limitare l'accesso ai contenuti.00:00 Il Problema Principale di Internet00:57 La Proposta di Legge IODA03:41 La Battaglia Contro la Pornografia Online06:45 Una battaglia per il libero accesso ai contenuti online11:44 Guadagnino e Builder.ai

Edo esplora l'impatto dell'intelligenza artificiale sul mondo del lavoro, con particolare attenzione alla situazione in Italia. Si discute dell'adozione crescente dell'AI, delle preoccupazioni riguardo alla disoccupazione, e della necessità di una maggiore consapevolezza e formazione per affrontare i cambiamenti imminenti. Viene evidenziato il ruolo delle normative e delle iniziative pubbliche nel guidare l'adozione dell'AI, e si conclude con una riflessione sull'importanza di prepararsi al cambiamento.00:00 L'impatto dell'Intelligenza Artificiale sul lavoro01:43 Preoccupazioni per il mercato del lavoro04:37 Consapevolezza e reazioni dei lavoratori05:15 Il settore informatico e l'AI08:01 Situazione dell'AI in Italia09:06 Interventi legislativi12:59 Prepararsi al futuro del lavoro con l'AI

@nigeriasbest and @phoenix_agenda were joined by @Dot_E_FreshThey discussed the following:Second anniversary of Tinubu's presidencyIghodalo loses Edo governorship election appealTinubu "snubs" Sanwo-Olu

This episode we look at time and direction and the influence of geomancy--theories of Yin and Yang and a little bit of how people viewed the world through that lens.  For more, check out the blog page:  https://sengokudaimyo.com/podcast/episode-127 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is episode 127: Time and Direction in Ancient Yamato   Officers of the court stood in the pavilion.  The soft trill of water could be heard trickling from one reservoir to the next.  They watched closely, as the figure of a court official, one hand out, pointing at a measuring stick, slowly rose along with the water.  Eventually, the figure's outstretched arm indicated a line with a single character next to it. On cue, one of the officials began to beat the large drum that was nearby.  The rhythm was slow, but deliberate, and the sound was loud, echoing out to the mountains and back, showering the nearby palaces in a layer of sound.  Across the palace, people briefly paused, took note of the number of strokes, and by that they knew the time of day.  Without giving it much more thought, they then went about their business.     This episode we find ourselves partway through the reign of Naka no Oe, aka Tenji Tennou—his formal reign started in 668, but he had been pretty much running things since the death of Takara Hime in 661 and, arguably, for much longer than that.  668, however, saw Naka no Oe ascend the throne in his new palace of Otsu no Miya, officially making him the sovereign.  And although 645 is the year Naka no Oe and others had started the Taika Reforms, it's not wrong to say that  that 668 and the start of Naka no Oe's official reign, brief as it would be, that he finally had the ability to bring it all together and set it into stone. We've talked about many of these reforms before on the podcast, but a lot of them were associated with the continued push to incorporate continental concepts into Yamato society, covering everything from court ranks to how to organize agricultural production.  Of course, there was also Buddhism, which we've covered numerous times, but there were other concepts coming across as well, including ideas about history and writing, as well as ancient STEM—Science, Technology, Engineering, and Mathematics.  This included architects, and new ways of constructing buildings.  And it also meant ways of seeing the world, including things like directions and time.  And this is what I want to focus on this episode, taking a break from the primary narrative to spend some time on what we might call Yamato concepts of science, especially how they thought about the structure of reality organization of time and the universe – their cosmology, as it were.  After all, to better understand the reasoning and motives of people, it is helpful to try and understand how they saw the world, not just for translation—understanding what it means when an entry says something like the “Hour of the Horse” on an “Elder Wood” day—but also for understanding how things actually worked in their eyes.  For instance, the idea of ”auspicious” and “inauspicious” times and directions is something that most listeners probably don't incorporate much into their daily lives, but the Chroniclers and the people of Yamato absolutely did, so understanding concepts like this can sometimes be the key to unlocking why historical people may have taken the actions that they did.  In particular, we'll talk about things like yin and yang, five elements, ten stems and twelve earthly branches, and what all this meant for the Yamato ideas of organizing time and space. A large part of Yamato cosmology is tied to something called Onmyoudou, literally the Way of Yin and Yang, which in the organization of the Ritsuryo state fell under a particular ministry, known as the Onmyo-ryo.  If you've heard of Onmyoudou before, you likely have heard about the “Onmyouji”, practitioners who studied the flow of yin and yang—and who could reportedly do miraculous things with that.  A 10th century Onmyoji, the famous Abe no Seimei, is perhaps the most well-known, with numerous stories about his exploits, which were then turned into a fantastical series of stories by the award-winning author, Baku Yumemakura.  Those were then turned into Manga, movies, and more.  Abe no Seimei is like Japan's Merlin, or Gandalf, at least in the stories. Back to the organization we mentioned, the Onmyou-ryou was responsible for Yin-Yang theory, or Onmyou-dou, which included divination, as well as astronomy, or Tenmon-dou, and calendar making, or reki-dou.  While some of this was based on straight up natural observances, a lot of it was explained through older concepts of Yin and Yang theory.  Today, you might encounter a lot of this in the theories around Feng Shui, and this can also be referred to as “geomancy”, or earth divination.   To give a broad overview of Onbmyoudou and its origins, it is part of a large corpus of concepts focused around a concept of energy known as qi or ki—which forms the basis for a lot of Chinese and Japanese cosmology, or their concept of how the world worked.  Much of this is tied up in concepts that are modernly broadly called “Daoist” or associated with so-called Daoist practices.  That term can be a bit misleading, as strictly speaking, Daoism refers to the teachings of the legendary philosopher Laozi, in his book, the Dao De Jing, as well as works attributed to later authors, like the Zhuangzi. There is some controversy as to when and to what extent this strict Daoism came to Japan.  However, in the broader sense, the category of “Daoist “ practices includes an entire panoply of various folk practices, including concepts of Yin and Yang – and in the archipelago, many of these concepts were imported with the various books that people had acquired on the mainland, even if they weren't strictly tied to Daoist religious practice.  For example, there were aspects that were borrowed by various Shinto shrines, and others formalized into ritual practices under the new government.  And of course many of these became linked to various Buddhist teachings and practices, as well.   But what did this actually look like in concept and practice for practitioners of Onmyoudo in Japan? Let's start with the idea of yin and yang.  One of the earliest references comes from the Zhou Yi, the Zhou Book of Changes, the core of what we also know as the Yijing, the Book of Changes.  Here we see the idea that the universe began with a single force that split into two, and those two forces make up all of creation in one way or another.  Yin and Yang, or In and You—or even Onmyou—refer to these forces, which are characterized as shadow and light, moon and sun, female and male, cold and hot, etc.  So these forces are opposites, but it should be noted that they are not necessarily good or evil.  After all, too cold is just as bad as too hot.  Likewise too much darkness is as blinding as too much light. As most people have seen, yin and yang are often depicted as a circle divided into two comma shapes, with a smaller circle in each.  One side is white with a black circle and the other is black with a white circle.  This is the “Tai Chi” diagram, but the diagram itself doesn't seem to have been depicted like this prior to the 11th century, at least that we are aware. But the concepts are much older.    Now if you've heard of the Yijing, where it came from is something of a mystery.  One theory is that it started as a written account of folk wisdom, and may have even given instructions for things like when to plant and when to harvest, based on changes in various heavenly phenomena.   But overall it is organized into 64 chapters, each associated with a particular hexagram.  Start with a line, that can either be a full line – representing yang – or a broken line representing yin.  Stack three of these on top of one another and you get a trigram.  If you chart out every single possible combination of yin and yang lines, you get 8 unique trigrams, sometimes referred to as the baqua.  Stack two trigrams atop one another and you get a hexagram, a combination of 6 lines that can have 8 by 8 or 64 unique variants.   It's theorized that the Yijing resulted from taking all of the collected sayings or aphorisms and bits of advice and cataloguing and dividing them into 64 chapters, each one associated with a given hexagram. Going further, each line of the hexagram is  associated with particular line in Yijing, and various meanings are ascribed to it and its association.  It's a complex and fascinating system and I don't have time to go into it fully, but I would note that this was used as a form of divination—yarrow stalks or other means of random lot drawing that gives you a binary outcome – zero or one, yin or yang – could be used to determine the six lines of any given hexagram.  This, in turn, would reference a chapter in the Yijing which was then interpreted as a sign as to how to read a given situation that you might find yourself in. What's really important to understanding the worldview of the time is this idea, represented by the hexagrams in the Yijing, that you can encompass everything about the universe by making and cataloging different amounts and arrangements of yin and yang. It's a science, as it were – a systematic approach to understanding the differences in the world by breaking it into component parts.    And if this seems preposterous, consider this:  today we understand that all things are made up of tiny atoms.  And these atoms are all made up of the same material—protons, neutrons, and electrons.  And yet, how those atomic particles combine create atoms with wildly different qualities.  And how those atoms then combine into molecules and so on and so forth describe how we explain everything around us.  So is it really so far-fetched? I'm not saying that we should suddenly start to figure out the measurements of yin and yang in everything, but if we want to understand how the people of the time saw their world, it may be helpful to hold an open mindand understand the assumptions that they were working from and where they came from.  As human beings, we naturally look for connections in the world around us, and this was no exception.  People would observe facts, know how that it worked, and often then would back into the reason for it.  This is a tale told across cultures, and we still see it, today.  At the same time, we've developed structured approaches to test out our theories, empirically. So for the moment, let's leave the trigrams and hexagrams, and talk about another idea that also gained traction as people were trying to figure out how the world worked.  This was the five elements theory also known as Wuxing, or Gogyou, in Japanese.  The five elements in this case are Fire, Water, Wood, Metal, and Earth.  Some may notice that these, along with the sun and the moon, are used in Japanese for the days of the week:  Nichi (sun), getsu (moon), ka (fire), sui (water), moku (wood), kin (metal), do (earth). Buddhists, by the way, also had an elemental system with only four elements,  Fire, Water, Air, and Earth, possibly connected with some Greek influence, and brought along with Buddhist practice.  For now, however, let's focus on the five elements. The idea in wuxing is similar to that of yin and yang in that everything in creation is made up of these five elements in some degree and configuration.  Furthermore, there are creation and destruction cycles.  So fire creates ash, or earth.  Earth gives birth to metal.  Metal creates water—look at a cold piece of metal in a warm environment and see how the water droplets form on it, and imagine what that looks like without understanding humidity and how there could be water vapor in the air.  And then water creates wood, or plants—any farmer could tell you that without water the plants die.  And wood is where we get fire from. Of course, the reverse cycle is the opposite.  Fire eats the wood.  Wood drinks up the water.  Water rusts metal.  Metal tools plough the earth. And Earth can be used to douse fire. Finally, there is another cycle of weakening. ,. Because fire heats and weakens metal, metal chops down wood, the trees roots break up rocks, the earth soaks up water, and water likewise puts out or weakens fire. So the theory went, if these elements make up all matter, these relationships continue on a more complex scale in everything.  So if something was thought to contain a lot of “fire” element, then it would be potentially helpful if you needed “Earth” but destructive or at least weakening to metal and wood.  Properly accounting for these elements was important to achieve the results you were looking for, whatever that may be.   These were the kinds of things that were incorporated into traditional medicine practices, but also applied to auguries or divination about things like where and how to build a building.  Even today, Shrines will sell calendars that help people know the prominence of certain elements, and some folk remedies may look to balance elements, much as medieval European medicine was often designed to balance the four humors that ancient physicians believed were present in the human body. The chart of these five elements and their relationships is something you may have seen.  It is a five pointed star, often inside of a circle.  Of course this is also similar to a western pentagram, though typically drawn with the point of the star up, but it has nothing to do with Christian values or Satan, or anything similar.  Rather, it is just a way to represent these five elements, and you'll see it frequently in reference to Onmyoudou. The elements were used to categorize many different areas into groupings of five.  This includes grouping the various directions into five directions.  Of course, you may be wondering about that, since most societies usually mark four cardinal directions, and in this case, they did the same, but added the fifth as “center”.  And so you get things like the north is water.  It is related to cool, or cold weather.  It is represented with the color black. To the south, opposite of the north, is fire.  It is hot, and the color is red.  Of course, this probably doesn't take a huge leap to see the connections they drew: since these civilizations are in the northern hemisphere, the farther north you go, the colder it gets, and the farther south you travel, the warmer it gets, generally speaking, at least until you reach the equator. Meanwhile, the west was related to metal, and the color white, while the east was related to woods and forests, and the color…. Blue.  Alright, that last one, in particular, probably doesn't make sense to a lot of us.  After all, we likely associate blue with water, and wood, or trees, would be associated with brown or, possibly, green.  Well, in this case, it goes beyond that.  The north is water, but it is also associated with darkness—shorter days in the winter, and things like that Sothe association of north with black makes sense, but many also look at the ocean and don't necessarily see it as “blue”, or dark or even black, like Homer's famous “wine-dark sea”. Furthermore, although they have a word for it (midori), “green” was not a primary color in Japan, instead  considered more of a shade of “aoi”, or blue.  Even today they refer to a “green” traffic light as an “aoi shingo, not “midori” shingo.  So if you asked someone in the Asuka period to describe the wooded hills and fields, they would have likely used “aoi”.  And of course, we are missing the fifth element.  In the center we have the element earth and the color yellow. A lot of these different concepts were brought together during the Han period, when they were trying to syncretize all of the various philosophies and attempts to describe the world and bring them all together into a single system.  This meant that the Yijing, the wuxing theory, and others were mixed together with various other philosophies and theories of how the world work.  Things like the Shanhaijing, the Classic of Mountain and Seas, along with stories about immortals, the Queen Mother of the West, and more were all rolled together, and basically assumed to be true.  This included various real-world observations.  Therefore, there were many attempts to try and reconcile these various theories together. One of the other concepts, which we've discussed before, was the system of ten heavenly stems and the twelve earthly branches.  We've mentioned this before regarding the sexagenary style of counting the years, but we'll recap here.  The ten heavenly stems and the twelve earthly branches are concepts that go back to at least the legendary Shang period, and even show up in various bronzes Andit wasn't until later that they would be associated with other ideas.  The ten heavenly stems were each associated with one of the five elements, with each element being represented by a greater and lesser, or elder and younger, stem.  And then each of the twelve earthly branches were associated with animals—what we often call the Chinese Zodiac. We talked about how this applied to the calendar, in that it was used to track years in 60 year cycles, but also it was used to track days of the year.  The twelve earthly branches were also used for earthly directions.  The first, the rat, was in the north, and the order continued clockwise to the east, the south, west and then back to the north.  Now this means that the four cardinal directions—north, south, east, and west—all match up nicely with one of the twelve earthly branches, but as for northeast, southeast, southwest, and northwest?  Those were all combinations of two branches.  So, for instance, the northeast was a combination of the ox and the tiger, or ushi-tora. Speaking of eight directions, where have we also heard the number eight come up recently? That's right: the eight trigrams, or bagua.  So each one of those trigrams, each representing a different concept, got associated with a direction as well.  This makes it easier to see where practices of geomancy came from.   You had a system with complex, overlapping associations between concepts and the physical world, and in the Tang dynasty, they used all of this  to understand not only  how things had happened, but also how the world would be in the future—in other words, they tried to use it to make predictions.  Hence the “mancy”. In the Yamato state, all of this became an official part of the government under the Onmyoryou: a branch of the government whose job is to make observations and figure things out from there, for the good of the state and the people.  They made observations of the heavens to figure out how the calendar should be aligned—which months should come at what time, and when there should be “leap months”, or intercalary months, to keep various astronomical phenomena in the correct seasons, which were also further divided up into 24 periods.  They also kept track of the movement of bodies like the various planets, because those planets were also assigned values, and thought to affect the flow of energy within this framework.  And so comets, storms, eclipses, and more were all important because of the theory that everything in the heavens impacted and were reflections of how things were happening on the earth.  Similarly, these various discussions of white animals and other omens were likely captured and catalogued by these officials as well, attempting to figure out what they meant. All of this also influenced things like how palaces, buildings, and even capitals, would be built and laid out.  For the palace, it was important the the sovereign be in the north, looking south.  In fact, many maps would have south at the top because that is how a sovereign would be viewing it, were it stretched out before them.  And one would need to consider various features, including mountains and streams, as all of those things carried various meanings, but it wasn't as simple as just finding the one thing that could affect a person.  As they observed differences they would also have to catalogue what happened and try to determine what the cause could be, based on their understanding of the world.  And in the archipelago this would also include an understanding of Buddhist and local kami-based wisdom and knowledge as well. One of the things in the Chronicles that inspired this episode was something I actually mentioned last time,  a record from 666  talking about Chiyu, a Buddhist priest of the Yamato no Aya family, who presented a south-pointing chariot to the sovereign, Naka no Oe.  this appears to be the same Chiyu from a similar record in 658, which also refers to him building a south pointing chariot.  So did it take him eight years, or is he just now presenting it to the sovereign?  And what, exactly, is a south-pointing chariot? Well, as the name implies, a south-pointing chariot is a two-wheeled chariot that always points south.  More appropriately stated, it is a wheeled device with a figure on top, much like a weather vane, which always points south.  This is usually described as the figure of a person or an official pointing in the appropriate direction.  This was a mechanical, rather than a magnetic compass. As the chariot, or carriage, is wheeled around, the two wheels spin.  The wheels themselves are independently connected to a series of gears.  If the wheels spin at the same rate, then their movement cancels each other out.  However, if one wheel turns more than the other, then it will cause the figure on the top to rotate.  Of course, as the chariot turns to the right, the left wheel, traveling along the outer diameter, will travel farther than the right.  This will cause the figure to turn counter-clockwise to the left, but from an outside observer's perspective, it will continue to point in the same direction, even as the chariot itself turns.  Turning to the left would cause the opposite effect. Though it may have been used earlier, there appears to be reliable written evidence of a South Pointing chariot starting from the third century.  The first one was based on much earlier stories of a similar device, but it is unclear if it was a chariot, some other device, or even just a legend that was told as historical fact.  From the third century on the design appears to have been continuously improved upon. I should point out that all we have is descriptions—we don't have any actual south pointing chariots, let alone diagrams showing how the mechanisms worked.  There is the possibility that it used a kind of differential gear to work automatically, but we don't have any actual evidence.  There are other theories that it may have required some kind of manual switch, so that it would attach to one wheel or the other as needed.  That would require that the chariot be moving in either a straight direction or turning in one particular direction, which seems rather unwieldy. I noted some of the problems with this, and even moreso in a place like Japan, where 70% of the terrain is mountains.  Up and down hills, along paths that are likely anything but the smooth, paved surface we have for roads today—and even those have plenty of irregularities and potholes that could throw off any such device. And if you want to use it for any real distance, then you have to factor in other things, including the curvature of the earth.  After all, with the earth being a sphere, any chariot traveling due west to east or east to west, other than at the equator, would have one wheel traveling farther than the other one.  Granted, at the scale we are talking about, it probably is all but negligible, and the rough terrain and simple slippage of what were most likely wooden gears probably entered a lot more variability than the earth's curvature. One of the other issues is that the chariot only points “south” if you set it up to do so.   And if you know that, well, why do you need a south-pointing chariot?  Ultimately, it seems that this is more of a novelty item, good for impressing crowds and demonstrating some engineering principles, rather than an actual, useful invention.  After all, it was forgotten about and recreated multiple times, often centuries apart.  Had it been a truly useful invention, it probably would have been kept in constant use.  Meanwhile, I suspect that there were a fair number of farmers and others who knew that you could more easily and reliably use the sun and stars, as long as the weather was clear. There is also some evidence of an understanding of magnetic compasses since at least the 2nd Century BCE.  Early Han sources suggest that a spoon made of naturally magnetized ore could be placed on top of a polished bronze surface, and it would align itself north to south.  We don't have any actual surviving examples, however—there are later versions that you can find, where the plate is divided up into various directions, and then a magnetized “spoon” is placed on top, but nothing has actually come from Han tombs.  Furthermore, this seems to mostly be for geomantic purposes.  A more practical compass, with a magnetized needle, seems to have been developed by the 11th century, which could then be used for actual navigation. By the way, the “spoon” as a compass pointer may be in reference to the “Big Dipper” constellation, which was envisioned as a spoon, or ladle, in shape.  The seven stars were often used in geomancy, likely because of their importance, at least in the northern hemisphere, of pointing to the north.  So there's some thought that the “needles” of these early compasses weren't litterally  spoon shaped, but symbolically representive of the Big Dipper or the Northern Ladle.  Quick astronomy lesson, here.  If you are in the northern hemisphere, particularly from the 35th parallel to the north pole, you can see the seven stars that make up the constellation or asterism we know as the Big Dipper.   In English we sometimes also refer to this as Ursa Major, though technically the familiar seven stars are just a part of that larger constellation.  In Japan, the same constellation is often referred to as Hokuto Shichisei, the Seven Stars of the Northern Ladle.  It can be seen further south, but parts of it may dip below the horizon during the autumn season. It is important for several reasons.  One is that it is made up of particularly bright stars, which you can generally see even when other stars may not be visible.  Second, its distinctive shape lends itself to being easy to find in the sky.  And finally, if you draw a line between two of the stars at the end of the “cup” of the ladle, you can follow that line to find Polaris or hokkyokusei, the north star, which means you know which direction is north- and once  you know that, you can use it to figure out any other direction.  And Polaris is less than a degree off of true north, making it even more accurate than most magnets, as the magnetic pole can be quite different, depending on its current position, and magnetic north changes over time as the magnetic field around the earth fluctuates. That said, this was not necessarily the case in ancient times.  Four thousand years ago, the star closest to true north would have been the star Thuban, in the constellation Draco, a star that most of us probably haven't heard of.  Polaris, in the constellation Ursa Minor (the Little Bear, also known as the Little Dipper) apparently took over as the north star around 500 CE.  However, even before then, the mouth of the dipper could still be used to indicate north.  In fact, if you draw a line between two of the stars in the back of the constellation, then you also end up finding Thuban.  So even if the north star itself wasn't accurate, finding the dipper would still help you orient yourself, especially if you can find true north during the day and then compare that with the constellation at night. Which helps to understand why astronomy, or Tenmondou, was so important in the Onmyouryou.  Though it wasn't just a study of stars, but of the way of the heavens in general.  And the changes in the heavens, brings us to another important concept—the flow of energy across the seasons.  From the bright days of summer, filled with sunshine and yang energy, to the dark yin energy of winter's long, cold nights. It wasn't enough to just know what happened, and where, but when was also important. Obviously you need to know when to sow seeds, flood the fields, and harvest the rice.  Beyond that, though, you have other concepts, such as how the the day and hour of an event could be symbolically important. And of course, all of these had their own associations with various concepts of the flow of yin and yang energy. Now knowing the year, the month, and even the day is largely just a matter of counting.  But let's talk about something a little more tricky:  How do you know the hour? This brings us to the vignette at the top of the episode, about the clepsydra, or water clock, that Naka no Oe is said to have built. Now we talked about some of the fountains and similar things that have been discovered in the Asuka region back in episode 118.  One thing that they believe they also found evidence of is something called a water clock, which is, as its name suggests, a clock powered by water.  It is typically depicted as a series of three or more boxes or reservoirs that each hold an amount of water.  Water is placed in the top reservoir, and then a hole towards the bottom is unplugged and it is allowed to drain into the box beneath.  The hole is of a particular size, and thus the water flows at a constant rate, filling up the container below, which has a similar hole, etc. all the way to a reservoir at the very bottom.  The multiple boxes mean that the water level in the intermediate boxes stays relatively constant, resulting in relatively consistent pressure and flow rate.  The last reservoir has a measuring stick on a float, so that as the last box is filled with water, the measuring stick raises up.  Since it is rising at a constant rate, one can use that to tell how much time has passed, regardless of anything else.  Thus you can keep time even at night. There is a record of Naka no Oe making one in the fifth month of 660, and he would have another one built in 671, which we will discuss later.  It is interesting that both of these inventions appear twice in the narrative—once during the reign of Naka no Oe, aka Tenchi Tenno, and once during the previous reign, that of Takara Hime, aka Saimei Tenno.  In this case it is said that 671 is the first time that the water clock, or roukoku, was actually used. From what I can tell, there is nothing that definitively indicates that the Mizuochi site in Asuka was definitely the site of Naka no Oe's water clock.  There isn't much in the Chronicles telling us what it was like or where, exactly, it was built, and there wasn't anything found at the site naming it as the location of the roukoku.  However, the site is in a prominent enough place, with channels for water and a pavilion of some sort.  They definitely found evidence of pipes, remnants of lacquered wood, and reservoirs for water, among other things, that suggest something to do with moving water happened in this area.  So it seems a very strong choice, as it all fits with theoretical archeological reconstructions. A water clock like this is excellent for keeping accurate time at all hours of the day.  However, it does have a slight problem in that anyone without a clock is still going to have to use the sun and similar heavenly cues to know what time it is.  So how do you let them know?  Well, it turns out that the continent had an answer for that as well, and instituted various systems of drums and bells to let people know the hour.  In fact, some of these practices continued, in one form or another, right up to the modern day—with or without a water clock.  After all, the key was to give the community some sense of the passing of time, but I doubt anyone was using it to time things more precisely than a general idea of an hour—though they did have the concept of their own minutes and seconds.  Which brings us to just how they saw time back then. The system of time that the Chronicles seems to use also came over from the continent, where there appear to have been several different methods for telling time prior to accurate clocks.  And while there was an idea of dividing the entire day into twelve segments, the time as it was announced was not always consistent with those twelve segments, or hours.  Rather, time was based around the key parts of the day.  So, for instance there was sunrise, noon, sunset, and midnight.  And while noon and midnight remain exactly twelve hours apart, sunrise and sunset change with the seasons.  So if you call out sunrise, and then divide the time between sunrise and noon into equal segments of time, the size of those time segments change with the seasons.  On top of that, because of the tilt of the earth and our slightly irregular orbit around the sun, the sun appears to “move” across the sky faster or slower throughout the year, with a difference of about 30 minutes total between the extremes.  This isn't going to affect most people's daily lives, but would have been noticeable to those taking accurate measurements. In ancient Han, this appears to have been common in cities and towns, with a watch that would call out as they progressed on their rounds at set points in the day and night, relying largely on heavenly cues—which I suspect did not lead to the most accurate timekeeping, but it was sufficient for what most people needed.  The telling of time in this manner was partly to help with keeping track of the time of day, but was just as much an announcement that the watch was on duty and a warning to would-be criminals. Now a water clock was an excellent device for keeping track of a standard, absolute time, such as it were, but it required constant maintenance.  If you already have a watch calling out the time, perhaps they can also keep the water clock properly set, but you did have to have someone constantly filling it up and draining it at known points of the day.  Plus there was the problem that you only knew the time if you could check it, and this wasn't like a clock tower or something similar. And so in 671 it appears that Nak no Oe instituted the continental idea of drums and bells to announce the time to the people—or at least to those at the court.  We don't have a record of exactly how they were, used, but we can infer from other sources on the continent, and what we do know that some tradition of announcing the time with drums and bells continued to be employed in Japan until the Meiji era, though perhaps not without interruption:  Temples and the like had bell or drum towers, and as the day progressed they would beat out the time.  It was not, however, telling time as we might think of it, with one stroke at the first hour, two on the second, etc..  In fact, in many ways they counted backwards, and they only counted 12 hours, not our modern 24.  By the Edo period it seems that it was common practice to toll the bells nine times at noon and at midnight.  From there, they would count down, with 8 bells at roughly 2 o'clock, 7 bells at 4 o'clock, and 6 bells at 6 o'clock.  That would be another issue.  From 6 o'clock, the number of bells that would be tolled continued to decrease, so that at 8 o'clock it would be 5 bells, then 4 bells at 10 o'clock.  It would then jump back up to 9 and start over again. Why these numbers were used for the different hours we are not entirely sure, and I have no idea if these numbers were the same ones used back in the 7th century—though it does seem to match similar continental traditions.  Even the hours themselves were known by the twelve signs that came to be associated with the zodiac:  the hour of the rat, the hour of the ox, the hour of the tiger, etc.  Midnight fell in the middle of the hour of the rat, and noon fell in the middle of the hour of the horse, with each hour being almost exactly 2 hours by modern reckoning. There were other systems in use as well.  One divided the entire day up by 100 and then each of those divisions by another 10.  The key was whether or not it was an absolute or relative measurement. Something like the roukoku would indicate an absolute measurement.  After all, the fall of water from one reservoir to another was not affected by the change in seasons—at least as long as the water didn't freeze.  The flow was constant, as was the measurement of time. For those using other forms of reckoning, such as celestial phenomena or even a sundial, things might be a bit less accurate.  This was especially true when using concepts like “sunrise” and “sunset”.  Still, through observing the changes over the year, people eventually figured out charts and rules to help reconcile absolute forms of measurement with solar time.  There were other methods for telling time, as well.  Perhaps one of the more pleasant was the use of incense sticks.  By the time of the Tang dynasty, incense in stick form was relatively common, and it had been noticed that sticks of incense could burn at a fixed rate.  This meant that you could use incense sticks like candles were used in Europe, counting down how far they had burned to tell what time it was.  If you were really fancy, you could make a single stick out of different types of incense, so that as it hit a new hour, the scent would change, alerting you to the time through your olfactory senses. Speaking of time, we are coming to the end of ours for this episode.  We do have some more information on this on our website, Sengokudaimyo.com, and we'll have links to those sections of the website accompanying our blog. Next episode we will focus more on the reign of Naka no Oe, aka Tenji Tennou, from his seat at Otsu no Miya. Until then, thank you once again for listening and for all of your support. If you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.  

On this episode of Japan Station, Dr. Eric C. Rath joins us to talk all about the history of what may be Japan's most famous cuisine: SUSHI! We discuss its origins, evolution and more!

Hugh lambasted the Court of International Trade on Fox News this morning and in his opening segment of his program this afternoon. Plus, Alan Dershowitz on his new book “The Preventive State,” and Ed O’Keefe, CEO of the Theodore Roosevelt Presidential Library Foundation.See omnystudio.com/listener for privacy information.

Ever wondered what it's like to study Japanese in Japan? This week, the Krewe sits down with Langston Hill — administrator at a Tokyo-based language school and Japanese language content creator — to dive into opportunities to learn in Japan via dedicated Japanese language schools. We explore the benefits of language schools, how they compare to traditional academic settings, and Langston's journey as a creator (plus his own textbook series!). Whether you're a beginner or a seasoned learner, this episode is packed with insight, inspiration, and a few laughs along the way.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Language Learning Episodes ------Japanese Self-Study Strategies ft. Walden Perry (S5E4)Learn the Kansai Dialect ft. Tyson of Nihongo Hongo (S4E14)Heisig Method ft. Dr. James Heisig (S4E5)Prepping for the JLPT ft. Loretta of KemushiCan (S3E16)Language Through Video Games ft. Matt of Game Gengo (S3E4)Pitch Accent (Part 2) ft. Dogen (S2E15)Pitch Accent (Part 1) ft. Dogen (S2E14)Language through Literature ft. Daniel Morales (S2E8)Immersion Learning ft. MattvsJapan (S1E10)Japanese Language Journeys ft. Saeko-Sensei (S1E4)------ About Langston Hill ------Langston aka @TheJapaneseGuy101 on IGThe Japanese Language Manual (2 Book Series - Kindle)The Japanese Language Manual Vol 1 (Paperback)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

En este episodio especial y completamente improvisado, Carlos Jonay Suárez se traslada al corazón del rural gallego para conversar, en directo desde Sende Coliving, con sus fundadores: María Rodríguez y Edo Sadikovic. Sende, pionero del coliving rural en España, es mucho más que un espacio de trabajo compartido: es una comunidad internacional, una casa abierta al mundo y un laboratorio de experimentación social y cultural.Durante la charla, María y Edo comparten cómo su espíritu viajero y su pasión por la educación y la transformación social les llevó a crear, hace ya más de 11 años, este proyecto en una pequeña aldea de Ourense. Nos cuentan cómo fue el salto de organizar eventos de derechos humanos en Serbia a restaurar casas abandonadas en Galicia, y cómo la curiosidad, la valentía y el deseo de construir comunidad han marcado cada paso de su camino.El episodio explora:El nacimiento de Sende: de mochileros y exploradores a anfitriones de una comunidad global.La magia de lo rural: cómo el contraste entre la vida sencilla del pueblo y la innovación digital atrae a profesionales de todo el mundo, desde Disney hasta Netflix.El verdadero impacto del coliving: integración con la comunidad local, cenas familiares, trabajo en la huerta y actividades culturales que devuelven vida y energía a la aldea.Reflexiones sobre el “boom” del coliving: diferencias entre lo rural y lo urbano, retos, oportunidades y cómo evitar que el término pierda su esencia.Inspiración para nuevos proyectos: consejos para quienes sueñan con abrir su propio espacio creativo en el rural y el potencial del coliving para combatir la despoblación y la crisis de vivienda.Nuevos horizontes: la expansión de Sende a Portugal, la creación de eventos culturales (como Bosquexo ó UPUPA), y el futuro de la convivencia con la llegada de su hijo Xam.¿Por qué escuchar este episodio?Porque es una conversación fresca, honesta y llena de anécdotas sobre cómo atreverse a “pulsar el botón” y crear algo diferente, apostando por la comunidad, la vida sencilla y la innovación social. Si alguna vez has soñado con cambiar de vida, emprender en el rural o formar parte de una comunidad creativa, la historia de Sende te inspirará —y te dará ganas de hacer la maleta.¿Te animas a descubrir qué hay detrás de las puertas de Sende y a pulsar tu propio botón?

Edo discute le recenti notizie riguardanti i browser web, in particolare la chiusura di Pocket da parte di Mozilla e la transizione da Arc a Dia da parte di The Browser Company. Viene analizzato il fallimento di Arc e le motivazioni dietro la creazione di Dia, un nuovo browser che integra l'intelligenza artificiale. Si esplorano anche le sfide di Arc, i feedback degli utenti e le decisioni riguardanti la sicurezza e l'open source. Infine, si riflette sul futuro del web e sulle nuove interfacce che potrebbero emergere.

[✐3. Moderato] Give more reponses! Back-channel feedback“Lucky you!”Hello, everyone.  Let's start right away. First, please answer with “Well, I don't know”.[00:15]1.  Is this smartphone John san's?→ Well, I don't know.2.  Do you know if John san will come to the drinking party tomorrow?→ Hmm, I don't know.[00:37]Next, it's about Japanese manners. Please answer with “Really?  I didn't know it.”[00:47]1. You shouldn't stick your chopsticks upright into your rice in Japan.→ Really?  I didn't know it.2. Do you know, you shouldn't lick your chopsticks.→ Really?  I didn't know it.[01:16]Well, did you see the difference between “Shirimasen“ and ”Shirimasen deshita“?[01:22]“Shirimasen deshita” implies; I didn't know it but I know it NOW because of the question. When you know it, off course, you say “shitteimasu” (not shirimasu).[01:35]It's bad that you pass food from one person to another using your chopsticks.→ That's right. I know.[01:46]There are other manners like this;Repeat after me[01:50]1.  Japanese people take off their shoes when they enter the house.2.  When eating ramen or soba, they(Japanese people) make slurping noises.3.  When eating rice and/or miso soup, you should pick up the bowl by hand.[02:44]Let's try!Give your own answer with “shitteimasu” or “shirimasendeshita”.[02:51]For example,Tokyo was once called Edo.(mukashi = long time ago, in the past)[Your answer]= I know it.  or  I didn't know it.Ready?=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=「よかったですね！」[00:07]みなさん、こんにちは。さっそくはじめます。まず、｢さぁ？ しりません｣で こたえてください。[00:15]1.  このスマホ、ジョーンさんのですよね。→ さぁ？しりません。2.  あしたののみかいに、ジョーンさんがくるか、しっていますか。→ さぁ？しりません。[00:37]つぎは、にほんのはしのマナーに ついてです。しつもんに、｢そうなんですか、しりませんでした｣と、こたえてください。[00:47]1.  にほんでは ごはんに はしを たてるのは いけないんですよ。→ そうなんですか、しりませんでした。2.  はしをなめては いけないって、しっていますか。→ そうなんですか。しりませんでした。[01:16]さて、みなさん、「しりません」と｢しりませんでした｣の ちがいが わかりましたか。[01:22]「しりませんでした」implies; I didn't know it but I know it now because of the question. When you know it, off course, you say ｢しっています [notしります]｣ですね。[01:35]はしとはしで、ほかのひとにたべものをわたすことは、いけないんですよ。→ そうですよね。しっています。[01:46]ほかには、こんなマナーがあります。Repeat after me[01:50]1.  にほんじんは いえに はいるとき、くつをぬぎます。2.  ラーメンやそばを たべるとき、ズルズル おとを たてます。(おとをたてる = make a noise)3.  ごはんや みそしるを たべるとき、おわんを てに もちます。[02:44]Let's try!では、｢しっています｣または「しりませんでした」でこたえましょう。[02:51]たとえば、とうきょうは、むかし えどと いわれていたんですよ。(むかし = long time ago, in the past)[Your answer]=しっていますI know it。または；= しりませんでした I didn't know it.いいですか。Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

In questo episodio, Edo discute vari temi legati alla tecnologia, partendo da una riflessione sulla sua esperienza con Mozilla e la chiusura del servizio Pocket. Prosegue analizzando le recenti novità presentate al Microsoft Build, incluse le proteste dei dipendenti e le innovazioni come Copilot. Infine, esplora le nuove funzionalità di Google e i progressi nell'AI, con un focus su come queste tecnologie stanno cambiando il panorama dello sviluppo software e della creazione di contenuti.00:00 Introduzione e Riflessioni sulla Puntata05:37 Microsoft Build: Proteste e Annunci Importanti11:09 Innovazioni di Microsoft: Copilot e AI15:09 Google: Nuove Funzionalità e Progetti AI21:23 Conclusioni e Riflessioni Finali

durée : 00:57:31 - Konpostagailu bat etxean edo baratzean, bai posible da ! - Hemengo Magazinan, udarako desafio handia proposatzen dizuegu : konpostagailua hartzea, hondakin organikoak berziklatzea, eta konposta sortzea ! Ez zarete konbentzituak ? Hasteko beldur zarete ? Lasai, Biltagarbi sindikatak laguntzen zaituzte !

durée : 00:57:31 - Konpostagailu bat etxean edo baratzean, bai posible da ! - Hemengo Magazinan, udarako desafio handia proposatzen dizuegu : konpostagailua hartzea, hondakin organikoak berziklatzea, eta konposta sortzea ! Ez zarete konbentzituak ? Hasteko beldur zarete ? Lasai, Biltagarbi sindikatak laguntzen zaituzte !

The Krewe gets an exclusive inside look at Expo 2025 Osaka with Sachiko Yoshimura, the Director General of Public Relations & Promotion! We dive into the massive planning behind the event, Japan's rich history with World Expos, what to expect at the event, best times to travel, & of course... the story behind the viral mascot, Myaku-Myaku! A must-listen for potential Expo-goers!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Travel Episodes ------Checking Out Miyagi ft. Ryotaro Sakurai (Guest Host, William Woods) (S5E5)Explore Matsue ft. Nicholas McCullough (S4E19)Travel Hiroshima ft. Joy Jarman-Walsh (S4E4)Travel Aomori ft. Kay Allen & Megan DeVille (S3E17)Hungry For Travel ft. Shinichi of TabiEats (S3E15)Henro SZN: Shikoku & the 88 Temple Pilgrimage ft. Todd Wassel (S3E12)Border Closures Couldn't Stop These Visas! ft. Rob Dyer & Allan Richarz (S3E11)Natsu Matsuri Mania: Summer Festivals in Japan (S3E3)Off the Beaten Path: Kansai ft. Rob Dyer [Part 2] (S2E12)Off the Beaten Path: Kansai ft. Rob Dyer [Part 1] (S2E11)Japan Travel Destination: Hokkaido ft. Kay Allen (S2E7)Japanese Theme Parks ft. Chris Nilghe of TDR Explorer (S2E4)Navigating Nippon: Where to Go in Japan? ft. Kay Allen of JNTO (S1E11)Matsue & New Orleans: Sister Cities ft. Dr. Samantha Perez (S1E2)------ About Expo 2025 ------Expo 2025 WebsiteExpo 2025 on IG------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

A conversation with Kyota Ko - best-selling author and YouTubing "story-yeller" who discovers fascinating and quirky moments and characters from Japanese history and shares them for an international 21st century audience with his cheeky humour. Kyota-san tells his story of escaping the salaryman grind and finding his own voice, the similarities between samurai Japan and salaryman Japan, what was the "sound" of Edo (old Tokyo) and more.

In the podcast episode featuring tattoo artist and painter Senju, a fascinating narrative unfolds about the interconnectedness of tattooing and painting, particularly within the context of Japanese art. Senju's journey illustrates how these two forms of expression can influence and inspire one another, creating a cyclical relationship that enriches the artist's work. Senju's story begins with his initial foray into tattooing, which he describes as a pivotal moment in his life. Growing up in the punk scene in Sweden, he was initially drawn to tattooing through friends who had tattoos. His first experience with a tattoo—a simple abstract eye—sparked a realization of the permanence and beauty of body art. This moment marked the beginning of his journey into the world of tattooing, which he pursued passionately for over three decades. Senju's journey from tattooing to painting and back again illustrates the interconnectedness of different art forms. His story highlights the importance of cultural exploration and the willingness to adapt and evolve as an artist. By embracing both tattooing and painting, and utilizing modern digital tools, Senju not only honors the rich traditions of Japanese art but also paves the way for future generations of artists to explore the boundaries of creativity. Tune in for an inspiring exploration of art, creativity, and the interconnectedness of different mediums. Chat Breakdown: 00:01:16 - Gods of Ink Convention 00:02:08 - Meeting Senju 00:03:11 - Tattooing in Sweden 00:05:18 - Early Tattoo Influences 00:07:22 - Apprenticeship and Learning 00:09:08 - Discovering Japanese Culture 00:10:22 - Transition to Painting 00:12:03 - Return to Tattooing 00:14:45 - Painting vs. Tattooing 00:17:06 - Shunga: Japanese Erotic Art 00:19:48 - Japanese Cultural Attitudes 00:22:47 - Kinbaku and Shibari 00:25:42 - Work-Life Balance 00:28:28 - Creative Process and Meditation 00:32:01 - Retirement and Lifelong Creativity 00:35:28 - Digital Art Techniques 00:40:16 - Analog vs. Digital Debate 00:44:51 - Acceptance of Digital Art in the Community Quotes: "I started to paint Shunga, which is like Edo period porn... I was painting porn but it looked nice, you know, beautiful." "Because they didn't have Christianity, there was no taboo around sexuality." "They adapted to a more Christian way of viewing sexuality in the human body, and this has kind of dragged on into the common, to now, you know, contemporary times." "Yes, this is more, maybe more, seems nicer than ordinary S&M." "You're 100% in the now. There is only right now happening." "We are the outliers. We are the outcasts, supposedly. We're the ones that were, I thought, saying to each other, do whatever you want. Live a happy life. And now we're turning on each other?"  "In our minds, change is a tiger coming, you know?" "Because all art forms are just different expressions of the same thing, you know." Stay Connected: Chats & Tatts: Website: http://www.chatsandtatts.com⁠ Tik Tok: https://www.tiktok.com/@chatsandtatts  IG: http://www.instagram.com/chatsandtatts Chats & Tatts YouTube: https://www.youtube.com/c/chatsandtatts Connect with Aaron:⁠   Aaron IG:⁠ http://www.instagram.com/aarondellavedova⁠ Guru Tattoo: http://www.Gurutattoo.com Connect with Senju: IG: https://www.instagram.com/senjushunga    

Shogunatet, som existerade från medeltiden till den industriella revolutionen, innebar att den militära ledaren shogunen hade all makt på kejsarens bekostnad. Ursprungligen var "shogun" en titel för militära befälhavare, men när centralmakten försvagades av rivalitet mellan kejsaren, ex-kejsare och Fujiwara-ätten, fick samurajerna ökad makt. På 1100-talet ledde detta till att en militärdiktator tog kontrollen.Shogunatet var anpassningsbart och kunde omforma sig över tid. Tokugawa-shogunatet (1603–1868) blev Japans mest stabila era, men dess fall markerade början på en ny tid. Under ytan på ett till synes stillastående samhälle pågick gradvisa förändringar. Japan var isolerat, styrt av ett strikt klassystem och reglerat enligt samurajernas kod.I podden Historia Nu samtalar programledaren Urban Lindstedt med Ingemar Ottosson, docent i historia vid Lunds universitet, aktuell med boken Shogun: Generalerna som ledde Japan (2025).Shogunatet – eller bakufu – har rötter i Japans tidiga historia. Redan under Yamato-riket på 300-talet formades centralmakt under kinesiskt inflytande. Men på 800-talet började kejsarens makt vackla, vilket öppnade för militära ledare. Titeln "shogun" användes först i krig mot emishi-folket, men dessa generaler styrde inget eget shogunat. Det förändrades 1192 då Minamoto no Yoritomo utnämndes till seii taishōgun och grundade ett verkligt parallellt maktcentrum.Det första shogunatet etablerades i Kamakura (1185–1333), där samurajerna fick en central roll. Makten förflyttades från hovet i Kyoto till krigarnas hierarki, med drag av europeisk feodalism. Alla tre shogunat följde mönstret av dynastisk uppgång och fall. Shogunerna varierade stort i duglighet – från marionetter till historiska gestalter som Yoritomo, Yoshimitsu och Ieyasu.Med tiden förändrades shogunrollen från krigsherre till civil ämbetsman. Den mest stabila perioden inleddes med Tokugawa Ieyasus seger vid Sekigahara 1600, vilket ledde till hans utnämning till shogun 1603. Tokugawa-styret, med säte i Edo, byggde ett samhälle präglat av militär, byråkrati och neokonfucianism. Kejsaren behöll en symbolisk roll, medan verklig makt låg hos shogunen.Samhället styrdes med strikt klassindelning: samurajer, bönder, hantverkare, köpmän. Länsherrar (daimyōer) kontrollerades genom sankin-kōtai – ett system som tvingade deras familjer att bo i Edo, vilket motverkade uppror. Landet isolerades genom sakoku-politiken: endast holländare fick bedriva handel via ön Dejima. Kristendom förbjöds, missionärer avrättades och utländska kontakter begränsades kraftigt.Paradoxalt nog blomstrade kulturen: kabuki, haiku och urban tillväxt i städer som Osaka och Edo. Trots det yttre lugnet började samhället långsamt förändras. Samurajerna, som en gång var krigare, förvandlades till byråkrater utan svärd. Köpmännen, trots sin låga formella status, blev ekonomiskt mäktiga.Bild: Porträtt av Tokugawa Ieyasu (1543–1616), grundare av Tokugawa-shogunatet. Målningen är utförd av konstnären Kanō Tan'yū och finns i huvudtornet på Osaka slott. Källa: Wikipedia Kanō Tan'yū, Public Domain.Musik: ”Japanese Hotchiku Flute” av Velimir Andreev (Psystein), Storyblocks Audio.Lyssna också på Samurajerna dominerade Japan under ett millenium.Klippare: Emanuel Lehtonen Vill du stödja podden och samtidigt höra ännu mer av Historia Nu? Gå med i vårt gille genom att klicka här: https://plus.acast.com/s/historianu-med-urban-lindstedt. Hosted on Acast. See acast.com/privacy for more information.

On this episode of Japan Station, we're talking about Japanese slang that traces its roots back to Edo and Meiji era street vendors. We're digging into the origins of words like deka, mappo, and even the infamous yabai.

Season 6 kicks off with laughter, tradition, and international flair! The Krewe sits down with Katsura Sunshine, a Canadian-born rakugo performer bringing Japan's 400-year-old comedic storytelling art to audiences around the world. In this episode, we explore what makes rakugo so unique, how Sunshine became one of the few non-Japanese rakugo-ka, and how this traditional form of entertainment is finding new life on the global stage. Plus, hear about the possibility of a rakugo event in New Orleans this fall!Whether you're a longtime fan of Japanese culture or just curious about this captivating performance style, this episode is the perfect way to kick off Season 6 of the Krewe of Japan Podcast!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Traditional / Historical Japan Episodes ------The Castles of Japan ft. William de Lange (S5E19)Foreign-Born Samurai: William Adams ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E17)Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)The Thunderous Sounds of Taiko ft. Takumi Kato (加藤 拓三), World Champion Taiko Drummer (S5E13)Yakuza: Past, Present, Future ft. Jake Adelstein, Author of Tokyo Vice (S5E12)The Real World of Geisha ft. Peter Macintosh (S5E7)Inside Japanese Homes & Architecture ft. Azby Brown (S5E6)Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)The Life of a Sumotori ft. 3-Time Grand Champion Konishiki Yasokichi (S4E10)The Intricate Culture of Kimono ft. Rin of Mainichi Kimono (S4E7)Shamisen: Musical Sounds of Traditional Japan ft. Norm Nakamura of Tokyo Lens (S4E1)Henro SZN: Shikoku & the 88 Temple Pilgrimage ft. Todd Wassel (S3E12)Natsu Matsuri Mania: Summer Festivals in Japan (S3E3)Exploring Enka ft. Jerome White Jr aka ジェロ / Jero (S3E1)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 2] (S2E18)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 1] (S2E17)Yokai: The Hauntings of Japan ft. Hiroko Yoda & Matt Alt (S2E5)The Age of Lady Samurai ft. Tomoko Kitagawa (S1E12)Talking Sumo ft. Andrew Freud (S1E8)------ About Katsura Sunshine ------Katsura Sunshine on IGRakugo.lol------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Full show: https://kNOwBETTERHIPHOP.com Artists Played: MoZaic, Skyzoo, Black Metaphor, conshus, EyeQ, Anton Corazza, Banda Maje, 14KT, C-Red, The Allergies, Buck 65, Brian Jackson, Masters At Work, Raheem DeVaughn, J. Ivy, Lords Of The Underground, Snowgoons, Footshooter, James Mollison, Jorok, Kristen Warren, Nolan The Tadpole Warren, Tali Rodriguez, FLUDUST, Jalen Ngonda, LS Camp, EDO. G, Knaladeus, WITCH, MxNxSTxR, DESTRUCTO, Thunder Cat, Channel Tres, Gnarly, Killer Mike, OutKast, GOODie MOb, IMAKEMADBEATS

Episode kali ini, kita kedatangan Edo dari Hungry Bird Coffee Roaster—coffee shop yang dikenal banyak orang sebagai House of the Champion. Di sini kita akan ngobrolin soal dunia kopi, perjalanan Hungry Bird membangun reputasinya di industri, serta pandangan Edo tentang perkembangan budaya ngopi di Bali. Tonton video selengkapnya di #RayJansonRadioOTP #20 LIKA-LIKU KOPI DI BALI WITH EDO | ONTHEPASEnjoy the show!Instagram:Edo: www.instagram.com/madeincangguDON'T FORGET TO LIKE AND SUBSCRIBE !On The Pas is available on:Spotify: https://spoti.fi/2lEDF01Apple Podcast: https://apple.co/2nhtizqGoogle Podcast: https://bit.ly/2laege8iAnchor App: https://anchor.fm/ray-janson-radioInstagran: https://www.instagram.com/onthepasbali/TikTok: https://www.tiktok.com/@onthepasLet's talk some more:https://www.instagram.com/renaldykhttps://www.instagram.com/backdraft_projecthttps://www.instagram.com/mariojreynaldi#OnThePasPodcast #BaliPodcast #RayJansonRadio #FnBPodcast #PodcastAfterService

LET THEM COOK! Over the last 5 months, the Krewe has been hard at work cooking up a massive Season 6 line-up. While the main course will begin being served on May 16, how about an appetizer? Just like the carb-loaded instant yakisoba, this preview is CHOU CHOU CHOU Gigamax packed with sneak peeks at what's to come in Season 6. Some snippets include:- Laughing & learning about the world of Rakugo with master storyteller Katsura Sunshine- Prepping for Expo 2025 with Sachiko Yoshimura, Director General of Public Relations & Promotion for Expo 2025- Studying Japanese via language schools with Nihongo enthusiast Langston Hill- Bridging New Orleans & Japan through music with Jazz Trombonist Haruka Kikuchi- Kicking off 2 episodes on Japan's soccer footprint domestically & worldwide with journalist Dan Orlowitz- Exploring vegan cuisine in Japan with Leonore Steffan of ItadakiHealthy- Diving into social media's role in establishing perceptions of Japan - Revisiting Matsue with Sister City Exchange participants Katherine Heller & Wade Trosclair- Brewing up some craft beer with Chris Madere of Baird Brewing & Chris Poel of Shiokaze BrewLab- Restoring some abandoned homes with Akiya enthusiast & YouTuber Anton Wormann of Anton in JapanThis is only HALF of what's to come this season... the 2nd half is top secret! So stay tuned for our season 6 premiere on May 16, 2025 and stick around for the rest of the season to find out what else we have in store on Season 6 of Krewe of Japan Podcast!!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

"Crime and Punishment" with Casey McNerthney from the King County Prosecutor's Office // Peter Van Zant on his new podcast "Trained to Kill: The Dog Trainer, TheHeiress, & The Bodyguard" // Ed O'Keefe on President Trump's comments on NBC's Meet the Press // Ian Sherr on the farewell of Skype // Jill Schlesinger on the upcoming Federal Reserve policy meeting // Gee Scott on Real ID beginning this week

Quest'anno YouTube compie 20 anni! E con l'occasione ecco il link visivo per eccellenza: il video più bello di YouTube degli ultimi almeno 5 anni, parola di Edo. Lo storytelling e la capacità di comunicare rientrano proprio tra le 7 "abilità faro" che secondo Sahil Bloom saranno essenziali per navigare nel caos, anche nell'era dell'IA. E da creativi ce n'è un'altra che è altrettanto fondamentale ma che spesso evitiamo (sbagliando), ovvero la capacità di vendere e venderci. In questa puntata LINK, testeremo anche una serie di esercizi creativi per liberare la mente, riscopriremo le piccole gioie quotidiane che ci ricordano il valore della semplicità, mentre celebriamo l'ingresso della nostra newsletter nella top 40 su Substack in Italia.▫️Vieni tra il pubblico alla prossima registrazione live di Idee da Incubo con Fjona Cakalli? Il 15 maggio, l'evento è gratuito! Prendi qui il tuo biglietto

In this episode of Supernatural Japan, we dive into the mysterious legend of the Hollow Ship of Hitachi, one of Japan's earliest recorded UFO sightings from 1803. Was it an alien encounter, a strange foreign vessel, or something even more mysterious? We explore the historical records, the strange details of the ship and its occupant, and how this bizarre event fits into both Edo-period folklore and modern UFO theories. Join us as we uncover the secrets behind one of Japan's most intriguing supernatural mysteries!

In the Edo period of Japan, there were four houses of Go. They were… the Four Houses of Go. And there were four of them. And they were houses. And they were of Go. Come on in for a short history lesson!Kendall's Pro Game Memorization App⁠Support Star Point⁠The Star Point Store

@nigeriasbest and @phoenix_agenda were joined by @SweeeguThey discussed:Edo tribunal outcome, US raises concern Tinubu in France for working visitUS tariff impact on NigeriaSupreme Court ruling on Labour Party leadership

Our D&D campaign, Blood of the Avatars, continues. The party deals with the loss of Edo, Avatar of Elandra. They learn more about the World Axis, and they get a look of some of what they're up against.Check Out my NEW PODCAST - Lex Out LoudCall the Game Master's Journey voice mail: 951-GMJ-LEX1 (951-465-5391).If you're a new listener, and you'd like to go back to the beginning, here's a link to Episode 1.If you're interested in worldbuilding and/or my D&D campaign setting of Primordia, check out the first worldbuilding episode. You can go to this page to see all the episodes that discuss worldbuilding.Check out my latest D&D supplement, Adventurers of Primordia.

Our D&D campaign, Blood of the Avatars, continues. The party deals with the loss of Edo, Avatar of Elandra. They learn more about the World Axis, and they get a look of some of what they're up against. This is part 2 of the session.Check Out my NEW PODCAST - Lex Out LoudCall the Game Master's Journey voice mail: 951-GMJ-LEX1 (951-465-5391).If you're a new listener, and you'd like to go back to the beginning, here's a link to Episode 1.If you're interested in worldbuilding and/or my D&D campaign setting of Primordia, check out the first worldbuilding episode. You can go to this page to see all the episodes that discuss worldbuilding.Check out my latest D&D supplement, Adventurers of Primordia.

Dr. Abbie Ross, PT, NCS and Dr. Danielle Tolman, PT are joined by Edo Zylstra, PT, DPT, OCS to discuss the the potential of Dry Needling in the treatment approach of patients with Vestibular Dysfunction and Migraine.About Edo Zylstra, PT, DPT, OCSDr. Zylstra has over 20 years of experience in orthopedics, pre-/post- surgical care, sports performance, wellness training, chronic pain treatment, and injury prevention. He works with patients of all ages and across all activity levels. He evaluates and treats from a whole-body approach. His treatment combines knowledge and understanding of anatomy and function within the context of full body structure, function, and movement patterns. He works to restore compromised mobility, strength, stability, and movement patterning. This is achieved through various manual techniques, active modalities, progressive exercise, and education. Outside of the clinic, Dr. Zylstra brings his knowledge and expertise to continuing education course, and educates clinicians on dry needling techniques.Where to find Edo:https://www.kcarephysio.com/Hosted by:

@nigeriasbest and @phoenix_agenda were joined by @Dot_E_FreshThey discussed:1. The killing of northern hunters in Edo state2. The ongoing crisis in Rivers state and former Head of Service's allegations3. The attempts to recall Senator Natasha Akpoti-Uduaghan4. EFCC investigation of Aisha Achimugu and the alleged Atiku/Obi connection to Governor Babajide Sanwoolu

It's time for some hidden history, dear one!! Did you know one of Japan's most famous artists had a secret weapon? And no, it wasn't just his paintbrush! In this episode, we uncover the fascinating, overlooked story of Katsushika Oi, the daughter (and possible secret collaborator) of the legendary Hokusai! Oi wasn't just any artist—she was a bold, brilliant painter who worked in the shadow of her famous father. Her work, including the stunning 'Night Scene in the Yoshiwara,' showcased her mastery of light and color. But was she merely an assistant, or did she play a far bigger role in Hokusai's masterpieces? Join us as we dive into her life, her art, and the reasons history nearly erased her. Spoiler: This is hidden women's history at its finest! What You'll Learn in This Episode:

On Today's Menu:The steakhouse burger crawl is getting intense — John is 9 deep, Sam's trying to catch up, & Ash is barely hanging onNo spoilers (yet), but Final Four talk is heating upICYMI, we're on video now & John's showing chest hair… viewer discretion advisedInfluencer food fraudsBar Boheme buzz growsRant alert: bacon jam, QR codes, tipping culture, speakerphones in public, & coffee shop rage… boomers bewareOff-strip restaurant must-visits – EDO, Anima, Raku, Esther's, & more get debatedBonus: we're going on the road –Tacos & Tamales at Desert Breeze TOMORROWFood News You Can Use:We'll be on site at Tacos & Tamales Festival @ Desert Breeze Event Center Saturday, March 29 from 3-5! Come say hello!Bar Boheme updatesVenetian is getting ANOTHER steakhouse…Nat Young's EAT closes after over a decade of being openWaldorf's new barRestaurant Rundown:1228Scotch 80DelmonicoHarloBavette's Some Hidden Sushi Gem of VegasWinnie & Ethel's 1228 MainIzakaya GoECHOBARRY'sOSCAR's CARVERSTEAK DELMONICO OCEAN PRIMERINCON DE BUENAS AIRESAda'sLe ClubYun NoodlePepper ClubQuestions, comments, hate mail? Email us at cheers@eattalkrepeat.com!Thanks for tuning into today's episode! If you enjoyed this episode, subscribe to the show, & make sure you leave us a 5-star review. Visit us at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Eating Las Vegas⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ &⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Eat. Talk. Repeat.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on social:Twitter/X:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠@EatTalkRepeat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠@EatingLasVegas⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, &⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠@AshTheAttorney⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠@EatTalkRepeatLV⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠@JohnCurtas⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ &⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠@AshTheAttorney

March 20, 1703. Today, almost fifty men, scattered around the city of Edo, Japan, are waiting to die. They're all former samurai who had served the same lord – and they all carried out a deadly revenge attack in his name. Their story will go down in history as the legend of the 47 Ronin. Why did these men decide that to be loyal samurai, they had to die? And how did this moment live on for centuries and become part of the national story of Japan? Thank you to our guest, Professor John Tucker, author of The Forty-Seven Ronin: The Vendetta in History and translator of Kumazawa Banzan: Governing the Realm and Bringing Peace to All Below Heaven. ** This episode originally aired Oct 15, 2021. To stay updated: historythisweekpodcast.com To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Mike welcomes Eric Hynes and Edo Choi, curators of First Look 2025 at the Museum of the Moving Image, running running March 12-16 in Astoria, New York. Now in its 14th year, the festival remains a vital showcase for bold, boundary-pushing cinema from around the world.This year's lineup includes 38 films—20 features and numerous shorts—spanning 21 countries, with three world premieres and 24 U.S. or North American premieres. Each evening culminates in a Showcase Screening at MoMI's Sumner Redstone Theater. The festival opens with the U.S. premiere of Durga Chew-Bose's Bonjour Tristesse, a contemporary take on the classic novel, and closes with Giovanni Tortorici's Diciannove, an intimate portrait of a young man's journey across Italy.Mike, Eric, and Edo dive into the festival's mission of discovery, its rigorous selection process, and the importance of in-person filmmaker appearances. They also highlight First Look's unique inclusion of work-in-progress screenings and discussions, offering a behind-the-scenes look at emerging cinematic voices. Whether you're attending or just love adventurous filmmaking, this episode provides an insightful preview of what makes First Look a can't-miss event for cinephiles.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Mike welcomes Eric Hynes and Edo Choi, curators of First Look 2025 at the Museum of the Moving Image, running running March 12-16 in Astoria, New York. Now in its 14th year, the festival remains a vital showcase for bold, boundary-pushing cinema from around the world.This year's lineup includes 38 films—20 features and numerous shorts—spanning 21 countries, with three world premieres and 24 U.S. or North American premieres. Each evening culminates in a Showcase Screening at MoMI's Sumner Redstone Theater. The festival opens with the U.S. premiere of Durga Chew-Bose's Bonjour Tristesse, a contemporary take on the classic novel, and closes with Giovanni Tortorici's Diciannove, an intimate portrait of a young man's journey across Italy.Mike, Eric, and Edo dive into the festival's mission of discovery, its rigorous selection process, and the importance of in-person filmmaker appearances. They also highlight First Look's unique inclusion of work-in-progress screenings and discussions, offering a behind-the-scenes look at emerging cinematic voices. Whether you're attending or just love adventurous filmmaking, this episode provides an insightful preview of what makes First Look a can't-miss event for cinephiles.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

This week: what do we know about women and the wrong end of the law during the Tokugawa Period? Given the male-dominated nature of the feudal social order and the historical written record, what can we figure out? And what are the limits of that knowledge? Show notes here.  

We look back at Fox's classic sitcom, Married... With Children. A full history of the groundbreaking TV show starring Ed O'Neil, Katey Sagal, Christina Applegate & David Faustino. FOR ALL THINGS BLIND MIKEhttp://blindmike.netFOR ALL THINGS CRAIGGERShttp://www.verygoodshow.orgFOR ALL THINGS HACKRIDEhttp://hackridethedemon.comFOR ALL THINGS DJ ELECTRA FRYhttp://djelectrafry.com