Podcasts about Asian

PEARL HARBOR AND LINDBERGH'S BLOCKED MILITARY SERVICE Colleague H.W. Brands. H.W. Brandsrecounts the immediate aftermath of the Pearl Harbor attack. The Japanese strike and Hitler's subsequent declaration of war united the European and Asian theaters, resolving FDR's political dilemmas. Lindbergh attempted to volunteer for the Army Air Corps but was blocked by the Roosevelt administration due to his pre-war criticism. Consequently, he served as a civilian consultant, eventually flying unauthorized combat missions against the Japanese in the Pacific. NUMBER 8

It's the first episode of the new year, and Jim Hill and Lauren Hersey ring in 2026 by digging into the annual Disney merch reset. From the surprisingly nostalgic look of next year's dated park souvenirs to a brand-new Star Wars droid collector program, there's a lot changing on shelves just as holiday decorations disappear overnight. Plus, Jim takes a deep dive into one of Disney's most baffling merch success stories and why it still doesn't quite translate stateside. NEWS • A first look at Disney's 2026 dated park merchandise, including a color palette that feels straight out of vintage Walt Disney World road signage • Disney confirms Droid Factory Fridays, a new monthly Star Wars collector program kicking off January 2 • How Disney is using timed drops and bonus build incentives to keep Star Wars fans buying all year long • Valentine's Day arrives overnight, with Sweethearts' Nite at Disneyland and new couples-focused merch leading the charge FEATURE • Why Stitch dominated 2025 with billions in merch sales following the live-action film • The strange history of Duffy the Disney Bear, from U.S. failure to massive success in Asia • Disney's new slow-and-steady strategy to finally make Duffy stick with American audiences • How Asian parks are going all-in on Duffy with restaurants, parades, shows, and anniversary celebrations HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Lauren Hersey - IG: @lauren_hersey_ | X: @laurenhersey2 FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by Unlocked Magic, the same trusted team behind the DVC Rental Store and the DVC Resale Market. If a trip to Disney or Universal is in your future, visit UnlockedMagic.com to score great ticket deals from people who truly know Disney travel. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

TV Round-Up 2025: The Year That Television Lost the Plot — with Paul Critoph

Meet the dynamic Kim Thanh Le ! Many thanks to my producer, Bright Su ,for introducing us. We had such fun getting to know each other and learning about her improv journey! She was born and raised in Hanoi and loves her city. She is a Hanoi-based improviser/writer. She is the founder and director of The Improv Hub, Vietnam's first community space dedicated to improv, and the Vietnam Improv Festival. Thanh has been building the improv community across Vietnam, bringing this special art form to audiences who are mostly experiencing it for the first time. A lot of the shows and classes she has produced in her country are bilingual, to treasure both local cultures and international bonds. She has also taught and performed in Australia, China, the Netherlands, the Philippines, Singapore, Taiwan, and Thailand. With an academic background in education and business, she also applies improv to design training and facilitation programs on collaboration and development for organizations. This past year she taught at the Oslo Impro Festival and taught "Culturally Proud" and "Generational Bridges" which she describes on our podcast. When not doing improv, she gets nerdy and writes case studies about Asian businesses, or takes her motorbike and wanders around Vietnam. You can learn more about her at: The Improv Hub https://www.improv.vn or any of the social media handles for The Improv Hub (FB/IG) and Vietnam Improv Festival (FB/IG).

Metal window grilles were meant to keep households safe from burglars but they have been fingered as eyesores Synopsis: Every first Friday of the month, The Straits Times catches up with its foreign correspondents about life and trends in the countries they're based in. One of Taiwan’s names is "Formosa" - given by Portuguese sailors who sighted the island in the 16th century and called it “Beautiful Island” given its natural wonders such as mountains, forests and hot springs. In more recent times though, Taiwanese officials and designers have complained about a man-made blight across its cities: ubiquitous, often rusty, metal grilles criss-crossing windows. They surface a larger discussion about the pace of urban renewal in Taiwan - a challenge that many Asian cities face, given the competing imperatives between urban renewal, heritage conservation and the rights of homeowners. Highlights (click/tap above): 01:00 The ugly truth about Taipei's buildings 02:06 Taiwan's window bars mystery 04:53 The beauty behind the rust 07:42 Challenges in urban redevelopment 12:12 Cycling and pedestrian safety in Taiwan Read Yip Wai Yee’s article here: https://str.sg/7U6y Read Li Xueying’s articles: https://str.sg/iqmR Follow Li Xueying on LinkedIn: https://str.sg/ip4x Sign up for ST’s weekly Asian Insider newsletter: https://str.sg/sfpz Host: Li Xueying (xueying@sph.com.sg) Edited by: Fa’izah Sani Executive producer: Ernest Luis Follow Asian Insider on Fridays here: Channel: https://str.sg/JWa7 Apple Podcasts: https://str.sg/JWa8 Spotify: https://str.sg/JWaX Feedback to: podcast@sph.com.sg SPH Awedio app: https://www.awedio.sg --- Follow more ST podcast channels: All-in-one ST Podcasts channel: https://str.sg/wvz7 Get more updates: http://str.sg/stpodcasts The Usual Place Podcast YouTube: https://str.sg/4Vwsa --- Get The Straits Times app, which has a dedicated podcast player section: The App Store: https://str.sg/icyB Google Play: https://str.sg/icyX --- #STAsianInsiderSee omnystudio.com/listener for privacy information.

Metal window grilles were meant to keep households safe from burglars but they have been fingered as eyesores Synopsis: Every first Friday of the month, The Straits Times catches up with its foreign correspondents about life and trends in the countries they're based in. One of Taiwan’s names is "Formosa" - given by Portuguese sailors who sighted the island in the 16th century and called it “Beautiful Island” given its natural wonders such as mountains, forests and hot springs. In more recent times though, Taiwanese officials and designers have complained about a man-made blight across its cities: ubiquitous, often rusty, metal grilles criss-crossing windows. They surface a larger discussion about the pace of urban renewal in Taiwan - a challenge that many Asian cities face, given the competing imperatives between urban renewal, heritage conservation and the rights of homeowners. Highlights (click/tap above): 01:00 The ugly truth about Taipei's buildings 02:06 Taiwan's window bars mystery 04:53 The beauty behind the rust 07:42 Challenges in urban redevelopment 12:12 Cycling and pedestrian safety in Taiwan Read Yip Wai Yee’s article here: https://str.sg/7U6y Read Li Xueying’s articles: https://str.sg/iqmR Follow Li Xueying on LinkedIn: https://str.sg/ip4x Sign up for ST’s weekly Asian Insider newsletter: https://str.sg/sfpz Host: Li Xueying (xueying@sph.com.sg) Edited by: Fa’izah Sani Executive producer: Ernest Luis Follow Asian Insider on Fridays here: Channel: https://str.sg/JWa7 Apple Podcasts: https://str.sg/JWa8 Spotify: https://str.sg/JWaX Feedback to: podcast@sph.com.sg SPH Awedio app: https://www.awedio.sg --- Follow more ST podcast channels: All-in-one ST Podcasts channel: https://str.sg/wvz7 Get more updates: http://str.sg/stpodcasts The Usual Place Podcast YouTube: https://str.sg/4Vwsa --- Get The Straits Times app, which has a dedicated podcast player section: The App Store: https://str.sg/icyB Google Play: https://str.sg/icyX --- #STAsianInsiderSee omnystudio.com/listener for privacy information.

What does good welfare really look like for bears and other non-human animals living in zoos—and how can we measure it in meaningful, practical ways?In this episode, we're joined by Dr. Anna Fourage, animal welfare expert, to explore the development of welfare assessment tools for captive bears, with a special focus on zoos across Asia and Thailand. She co-founded People or Pets in China, holds an MSc in International Animal Welfare, Ethics, and Law from the University of Edinburgh, and just finished her PhD in anthropology researching the role of zoos in Thailand. Anna shares key insights from recent research on creating a composite welfare assessment tool for hibernatory bears, unpacking its major findings, strengths, and current limitations.We dive into the reliability of keeper ratings as welfare indicators across different institutions, discussing the real challenges of intra- and inter-rater consistency. Together, we explore which behavioural, physiological, and environmental indicators are currently the most valid for assessing bear welfare.Beyond the science, this conversation tackles the practical and ethical realities of zoo welfare. How can welfare tools be designed to be both scientifically robust and realistically usable, especially in resource-limited settings? What are the biggest barriers facing Thai zoos in improving welfare standards?We also broaden the lens to the global ethical challenges of keeping large mammals in captivity, discussing the evolving mission of modern zoos—balancing conservation, education, and animal welfare—and how visitors can be meaningfully engaged in that mission.An essential listen for anyone interested in animal welfare science, zoo ethics, conservation, andthe future of captive wildlife care.Dive deeper...Environmental Parameters as Indicators of Bear Welfare (Fourage et al. 2025)-  https://doi.org/10.1002/zoo.70010High Prevalence of Dysfunctional Animal–Visitor Interactions in 225 Southeast Asian Zoos and Aquariums (Fourage et al., 2024)-  https://doi.org/10.3390/ani14223167Increase in the number of captive lions in Thailand suggests ineffective legislation (Fourage et al., 2025)  https://doi.org/10.1007/s44353-025-00040-4If you have any comments, suggestions or questions, please email: podcast.daretocare@gmail.com.We are always happy about feedback!FOLLOW US ON SOCIALS - Instagram: @daretocare_podcast

Protect Your Retirement with a PHYSICAL Gold and/or Silver IRA https://www.sgtreportgold.com/ CALL( 877) 646-5347 - You Can Trust Noble Gold The gulf between the Shanghai silver market and the fraudulent US paper market has never been wider or more obvious. And while China and India wisely hoard PHYSICAL precious metals, the criminal bankers continue dumping mountains of PAPER silver because you can't build jack sh#t with it BUT you CAN suppress prices with it! The jig is almost up. GOT PHYSICAL? Bix Weir joins me to discuss the "Asian guy" silver videos, the true silver supply-demand story and much more. Thanks for tuning in.   BIX'S WEBSITE: Road to Roota https://www.roadtoroota.com/ https://old.bitchute.com/video/18bo9M3V25uz/

Get in Babes, We're Going to the Cottage. Amy, Lia, and Megan take a departure from Seoul and dive headfirst in Canada to talk about our new obsession, the queer hockey romance TV series, Heated Rivalry, based on the Game Changers book series by Rachel Reid. This isn't a deep dive, and instead we discuss all the ways that the show's creator Jacob Tierney nails the romance novel conventions and gives us the best romance adaptation we have ever seen. Also, we learn rivalry is a hard word to say out loud repeatedly.Books mentioned:Hamartia by Scarlett DrakeShow Me Wonders by Riley NashThe Gentleman's Guide to Vice and Virtue by Mackenzi LeeReady to download your first audiobook? Don't forget to click HERE for your free Audible trial.*Audible is a sponsor of Afternoona Delight Podcast*Are your family and friends sick of you talking about K-drama? We get it...and have an answer. Join our AfterNoona Delight Patreon and find community among folks who get your obsession. And check out www.afternoonadelight.com for more episodes, book recs and social media goodness. And don't forget about the newest member of our network: Afternoona Asks where diaspora Asians living in the West find ways to reconnect to Asian culture via Asian/KDramas.Last but CERTAINLY not least....love BTS? Or curious what all the fuss is about? Check out our sister pod Afternoona Army for "thinky, thirsty and over thirty" takes on Bangtan life. ★ Support this podcast on Patreon ★

Synopsis:  From his early days as an illustrator for the Black Panther Party to winning the prestigious Mohn Award in 2023, artist Akinsanya Kambon has been using art to amplify marginalized voices and tell stories of resilience.Make a tax deductible YEAR END DONATION and become a member go to LauraFlanders.org/donate. This show is made possible by you! Description: With each glimmering piece he creates, artist Akinsanya Kambon brings suppressed histories of both colonization and liberation to life. His ceramic works depict struggle and survival across the African diaspora, and stepping into his studio is a spiritual experience, as Laura Flanders recently discovered. Kambon was a member of the Sacramento chapter of the Black Panther Party where he worked on the layout and illustration of the party's famous paper and became lieutenant for culture, illustrating among other things the party's ten point plan and works for young people. In 2023, he won the prestigious Mohn Award — the top prize given by the Hammer Museum for his participation in their biennial “Made in LA” show, titled Acts of Living. His one-man show opened in Beverly Hills at Marc Selwyn Fine Art in April 2025. An exhibition of his work will open at the New York Sculpture Center in May 2026. In this unique conversation, Flanders asks Kambon about his own survival stories, including his polio diagnosis, getting drafted into the Vietnam War, and his year on death row. Kambon was arrested in connection with the killing of a police officer and was later acquitted from that high-profile Oak Park Four case. Join Flanders and Kambon as they discuss how art keeps spirits alive, and catch Flanders' commentary on today's fight to control our nation's stories.“Art educates the masses of people. Not Black or white or Asian, this educates the masses of young people to our struggle, to how long they're struggling and how it's connected.” - Akinsanya Kambon“I thought of myself as an artist even when I was a child, because art was therapy for me . . . I used to always seem like I would always take the side of the underdog.” - Akinsanya KambonGuest:  Akinsanya Kambon, Artist, Former Marine, Black Panther & Art Professor Additional Credits:Additional Crew:  Marco Amador, Producciones Cimarrón Clips from the documentary short- "Akinsanya Kambon The Hero Avenges," Produced by The Hammer Museum;  Directed by Gabriel Noguez and Sean Rowry.Special thanks: Cynthia Wornham, Annie Philbin, Marc Selwyn Fine Art  Full Conversation Release: While our weekly shows are edited to time for broadcast on Public TV and community radio, we offer to our members and podcast subscribers the full uncut conversation. These audio exclusives are made possible thanks to our member supporters.Watch the special report on YouTube; PBS World Channel September 5th, and on over 300 public stations across the country (check your listings, or search here via zipcode). Listen: Episode airing on community radio September 10th  (check here to see if your station is airing the show) & available as a podcast.Full Episode Notes are located HERE.-Related Podcast:  Uncut Conversation with Akinsanya Kambon, Artist, Former Marine, Black Panther & Art Professor RESOURCES:Related Laura Flanders Show Episodes:•  Jacqueline Woodson & Catherine Gund: Breathing Through Chaos & the “Meanwhile”, Watch / Listen:  Episode Cut - Full Uncut Conversation•  Genesis Be & Rev. Dr. Jacqui Lewis: Building Collective Freedom with a Poet & Preacher, Watch / Listen:  Episode Cut   •  Ai Weiwei: How Do We Save Our Humanity?  Watch / Listen:  Episode Cut - Full Uncut Conversation  Related Articles and Resources:• Akinsanya Kambon exhibit for ‘Made in L.A. 2023: Acts of Living' the Hammer Museum's biennial exhibition highlighting the practices of artists working throughout the greater Los Angeles area• Akinsanya Kambon Receives $100,000 John Award, Made in L.A. Biennial's Top Prize Honors Artistic Excellence, by Victoria L. Walntine, December 12, 2023, Culture Type•  Akinsanya Kambon's exhibition April 17-May31, 2025 at Marc Selwyn Fine Art•. 10 Shows to see in Los Angeles May 2025, by Matt Stromberg, May 1, 2025 Hyperallergic• Upcoming Akinsanya Kambon Exhibitions: He will be featured in a solo exhibition represented by Ortuza Projects in collaboration with Marc Selwyn Fine Art during Frieze New York in May 2026, and concurrent with a solo exhibition at the New York Sculpture Center.  Art Media Agency Laura Flanders and Friends Crew: Laura Flanders-Executive Producer, Writer; Sabrina Artel-Supervising Producer; Jeremiah Cothren-Senior Producer; Veronica Delgado-Video Editor, Janet Hernandez-Communications Director; Jeannie Hopper-Audio Director, Podcast & Radio Producer, Audio Editor, Sound Design, Narrator; Sarah Miller-Development Director, Nat Needham-Editor, Graphic Design emeritus; David Neuman-Senior Video Editor, and Rory O'Conner-Senior Consulting Producer. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

Friends in Bangtan...Well, we've made it. Half the world is already in 2026, and your hosts today (Lia and Megan) are almost there. 2026 = BTS Year. For many ARMY, it will be our first big OT7 comeback. It's time to start adjusting eyes and blinking around at this new purple-hued world. Join us for a quick recap on the most famous cat reveal in history (3 cats hard launched this month), and a round up on member news. Also, it's been noted Namjoon can't stop/won't stop referencing Ddaeng. Is our spoiler king coming through with a new year treat? Get in the clown car, baby. Time to ride.Are your family and friends sick of you talking about K-drama? We get it...and have an answer. Check out our sister pod www.afternoonadelight.com for more episodes, book recs and social media goodness. And don't forget about the newest members of our network: Afternoona Asks where diaspora Asians living in the West find ways to reconnect to Asian culture via Asian/KDramas.Want to find more great BTS content? Head over to Afternoona Army for more takes on Bangtan life and links to our social media.

Today on the virtual bench we visit with longtime thermal enthusiast, friend, and SaunaTimes contributor Kev who takes us through the public bathhouses in and around Chicago for this Sauna Circuit. As you'll hear in this episode, Kev is no stranger to the saunas, banyas, and bathhouses in his hometown. What's cool about Chicago is that the banya culture is well developed.. and also quite historic thanks to aptly entitled Chicago Bathhouse, a traditional bathhouse at 1914 W. Division Street in the Wicker Park neighborhood of Chicago, Illinois, which has operated since 1906. Formerly Red Square, this Russian-style bathhouse has been in operation since 1906. Featured in a 2016 SaunaTimes blog post here. And layered on top of that, you'll hear about the Asian inspired King Spa, the deep heavy heat offered at Chicago Sweatlodge, the new Kiln floating sauna – a dream come true right there floating on Lake Michigan at Navy Pier, and a Kev fan favorite the Sauna Club, where its affirmed that "we can solve for heat, but sometimes solving for the cold is more of a challenge." And in this case, the time to leave the hot room is when the idea of a fresh cold lake plunge in Lake Michigan, just steps away, is about the best idea you've ever heard. And each Sauna Circuit includes a few gems and "adjacencies." These are special places shared with you by Kev, the Chicago Sauna Scout. These adjacencies are in the spirit of "people like us do things like this." For example, the Navy Pier and Lakefront Path give Chicago visitors a real flavor of the city, and also a chance to get some exercise before round one. And there's some extra special restaurants to check out – each conveniently adjacent to a Chicago bathhouse, like Smoke Daddy BBQ, Lou Malnattis Pizza, and SuperDawg Drive-In, just to name a few. So, whether you live in Chicago, or thinking of heading to Chicago for a vacation, or on the march to the Windy City for work or a trade show, this Sauna Circuit is right here for you. To access, simply go to SaunaTimes.com, click on the Sauna Circuit map, and then the Chicago Sauna Circuit.. and from there, you're well on your way. Let's visit with Kev, and bring you along to the Chicago Sauna Circuit.

This week on Tea and Soju, the Drama Trio is settling in to roll the highlight reel on our year in dramas and podcasting in The Drama Trio's 2025 Highlight Reel. We're chatting about the shows that defined our watching year, the moments that surprised us most, and the dramas that stayed with us long after the final episode.We're also taking a moment to reflect on our podcasting journey this year — the growth, the laughs, the learning curves, and everything in between. Expect cozy vibes, honest reflections, and a whole lot of appreciation as we look back on what 2025 has meant for us behind the mic.Grab your drink of the day, get comfy, and join us for a warm, heartfelt year-end catch-up with the Drama Trio.If you like the episode and would behind the scenes, deleted content and further reviews join Patreon - patreon.com/user?u=82789007 To join a safe, Asian drama chatter community there's Discord  - https://discord.com/invite/8CEPFjnaRY Social Liliana (Tea and Soju)Instagram: teaandsojupod - https://instagram.com/teaandsojupod?igshid=OGQ5ZDc2ODk2ZA== Tiktok - teaandsojupod- https://www.tiktok.com/@teaandsojupod?_t=8gXFJT3Q6Ov&_r=1 Email - teaandsojupodcast@gmail.com  Jess Instagram- daebakpod - https://instagram.com/daebakpod?igshid=OGQ5ZDc2ODk2ZA== TikTok - daebakpod - https://www.tiktok.com/@daebakpod?_t=8gXFSIxnLMG&_r=1 CaitlinBlog - NoSleep4Dramas - https://www.nosleep4dramas.com/my-blogInstagram - nosleep4dramas - https://instagram.com/nosleep4dramas?igshid=OGQ5ZDc2ODk2ZA== TikTok - nosleep4dramas -  https://www.tiktok.com/@nosleep4dramas?_t=8gXFc8RgiTB&_r=1

Your morning briefing, the business news you need in just 15 minutes.On today's podcast:(1) The MSCI All Country World Index — one of the broadest measures of the equity market — has still risen 21% this year, supported by Federal Reserve interest-rate cuts and enthusiasm over artificial intelligence. Silver outperformed most assets, surging over 140%. Asian equities are primed for their best year since 2017.(2) President Xi Jinping declared China is set to meet its economic targets for 2025, with growth expected to reach “about 5%,” providing an upbeat backdrop to data showing a recovery in the nation’s manufacturing sector.(3) Rail services between London and continental Europe have resumed after a power issue in the Channel Tunnel led to mass cancellations yesterday. Some Eurostar passenger trains did manage to leave London but ground to a halt before entering the tunnel, forcing hundreds of passengers to spend the night stranded on board.(4) Thieves have stolen valuables worth millions of euros from safety deposit boxes inside a German bank vault. Images released by police show a large hole drilled through a wall and the vault left ransacked. According to Sparkasse bank, around 2,700 customers were affected by the theft in the city of Gelsenkirchen (5) Warner Bros Discovery plans to once again reject a takeover bid from Paramount Skydance Corp. after the rival media company amended the terms of its offer, according to people familiar with the company’s thinking.Podcast Conversation: How Wine Will Change in 2026, From Climate Impacts to Gen ZSee omnystudio.com/listener for privacy information.

Please note that this episode was recorded prior to Kenya's passing.In our final podcast of 2025, we start by clearing up last episode's “acre-gate” and confirming the size of the expanded female Asian habitat: once completed, our elephants will have approximately 280 acres to roam.There is still time to support our year-end fundraiser for this major expansion. With a USD 75k match in place, every dollar you give is doubled.We look back on a year filled with both heartbreak and hope — from Argentina becoming elephant-free to the milestones, losses, and moments that shaped life at Elephant Sanctuary Brazil. Kat and Scott share their personal highlights of 2025, and we close with a look ahead to 2026, including early plans and possibilities for the year to come.Links:Donate here for the expansion of the female Asian habitat: https://globalelephants.org/room-to-roam-fundraiser-last-chance-to-give/Watch our Vision for Sanctuary: Follow us on Facebook, Instagram, X, Threads & YouTube. 

Let me start with a disclaimer—this isn't a political editorial. It's a conversation about ideas. Lessons from business, design, culture, and philosophy that might help us grow—individually and collectively. And if you disagree, email me at ConvoByDesign@Outlook.com. I welcome the debate. As this year closes, I'm feeling a mix of frustration and optimism. This moment feels chaotic—as does most of life lately—which is why I often end the show with, “rise above the chaos.” We can't eliminate it, but we can manage what's within our control. The Stoics told us that long ago: focus on what you can control, release what you can't, act with virtue, and let obstacles sharpen resilience. This essay is about taking back even a small amount of control through the work we do and the spaces we shape. The Problem with Trend-Driven Design This year, phrases and hashtags flew faster than ever—Quiet Luxury, Brat Green, Fridgescaping, Millennial Grey. Much like the “big, beautiful bill” language we've all heard tossed around in political discourse, design's buzzwords can distract from what actually matters. They generate attention, not meaning. They look good on social media, not necessarily in the lived experience of a home, workplace, or public square. So instead of centering our design conversations around fleeting edits, let's pivot toward the global innovations that are transforming the built world in ways that truly matter. Designer Resources Pacific Sales Kitchen and Home. Where excellence meets expertise. Design Hardware – A stunning and vast collection of jewelry for the home! TimberTech – Real wood beauty without the upkeep Real Innovation Worth Talking About Across the globe, designers, architects, and researchers are developing ideas that transcend buzz. These are the concepts with longevity—the ones shaping smart, resilient, human-centered spaces: Biophilic Design, rooted in the work of Edward O. Wilson, Erich Fromm, and Japanese shinrin-yoku, continues to reframe our relationship with nature. Net-Zero Architecture, pioneered in Canada, Germany, and Australia, redefines building performance through projects like Seattle's Bullitt Center and Colorado's RMI Innovation Center. Smart Homes and Invisible Tech, building on early Asian innovation, hiding circuitry and functionality behind seamless design powered by Apple, Google, and Amazon ecosystems. Prefab and Modular Construction, originally exemplified by structures like the Crystal Palace and the Sydney Opera House, now reimagined by firms such as Plant Prefab. Passive House Design, born in Germany but rapidly shaping U.S. projects in California, New York, and the Pacific Northwest. And the list goes on: Self-Healing Concrete by Hendrik Marius Jonkers Guggenheim Abu Dhabi by Frank Gehry Bët-bi Museum in Senegal by Mariam Issoufou Powerhouse Parramatta in Australia Pujiang Viewing Platform in China by MVRDV Landscape and biophilic approaches—Wabi-Sabi gardening, edimental gardens, climate-adaptive landscapes, and indoor biophilia—are redefining how we engage with natural systems in daily life. Even infrastructure has become a site of innovation: CopenHill/Amager Bakke, Denmark's waste-to-energy plant with a ski slope Urban Sequoias by SOM—skyscrapers designed as carbon sinks 3D-printed timber in Germany, Finland, and France This is the work that deserves our attention—not the color of the week on TikTok. Rethinking the Shelter Space For years I described architecture as a language, design as a dialect, and landscape as the narrative. Mies van der Rohe famously introduced the concept of architecture as language. It caught on, and then the bandwagon effect took over. But today, the metaphor feels insufficient—especially for the shelter space, where people spend their lives, raise families, work, heal, and age. The shelter space isn't like a retail store or restaurant, where design is often intended for those who pass through briefly while the people who labor there navigate the leftover space. The shelter space must serve those who inhabit it deeply and continuously. And that shifts the conversation. Design begins with the usual questions—purpose, function, users, goals, budget. But these questions don't define design. They only outline it. There is no universal purpose of architecture or design, no single philosophy, no singular “right” answer. The shelter space varies as widely as the people living within it. So instead of treating architecture and design as technical processes, we should approach them philosophically. A Philosophical Framework for Design Stoicism offers clarity: Accept that budget overruns and changes will occur. Respect the expertise of the designer you hired. Invest in authenticity rather than dupes. Create environments that support health—clean air, clean water, noise reduction, resilience. Utilitarianism reminds us that choices have consequences. If the design decisions you make are based on influencer content instead of expertise, the result is no surprise. And now, a new framework is emerging that could transform our shared spaces entirely. Sensorial Urbanism: Designing the City We Actually Feel One of the most compelling movements emerging globally is Sensorial Urbanism—a shift from focusing on how the city looks to how it feels. It's neuroscience, phenomenology, and inclusive design rolled into a multi-sensory toolkit. Five Key Sensory Principles Soundscaping Water features masking traffic. Acoustic pavilions. Designed sound gardens. Paris' Le Cylindre Sonore. Soundscape parks in Barcelona and Berlin. Smellscaping Native flowers, herbs, and aromatic trees restoring identity—especially critical after disasters like wildfires. Kate McLean's smellwalks map a city's olfactory signature. Tactile Design Materials that invite touch and respond to temperature—stone, wood, water—connecting inhabitants to place. Visual Quietness Reducing signage and visual clutter, as seen in Drachten, Netherlands, creates calmer, more intuitive environments. Multisensory Inclusivity Design that accommodates neurodiversity, PTSD, aging, and accessibility through tactile paving, sound buffers, and scent markers. Why It Matters Because cities didn't always feel this overwhelming. Because design wasn't always rushed. Because quality of life shouldn't be compromised for aesthetics. Sensorial Urbanism reconnects us with spaces that are restorative, intuitive, and emotionally resonant. A city is not just a picture—it is an experience. The Takeaway for 2026 Rising Above the Chaos: Lessons from 2025 for a Smarter 2026 HED (3-sentence summary): As 2025 closes, the design and architecture world has experienced unprecedented chaos and rapid trend cycles. In this episode, Soundman reflects on lessons from business, culture, and global innovation, emphasizing resilience, purposeful design, and human-centered spaces. From Stoic philosophy to sensorial urbanism, this conversation offers guidance for navigating the next year with clarity and intentionality. DEK (Expanded description): Twenty twenty-five tested the design industry's patience, creativity, and adaptability. In this reflective episode, we explore the pitfalls of trend-driven design, the enduring value of service, and the innovations shaping architecture globally — from net-zero buildings to multisensory urbanism. With examples ranging from TimberTech decking to Pacific Sales' trade programs, we examine how designers can reclaim control, prioritize meaningful work, and create spaces that heal, inspire, and endure. A philosophical lens, practical insights, and actionable guidance make this a must-listen for professionals and enthusiasts alike. Outline of Show Topics: Introduction & Context Reflection on the chaotic year of 2025 in design and architecture. Disclaimer: this is a philosophical conversation, not a political editorial. Invitation for audience engagement via email. Trends vs. Meaningful Design Critique of buzzwords like “quiet luxury” and “millennial gray bookshelf wealth.” Emphasis on global innovation over social media-driven trends. The gap between American design influence and international innovation. Global Innovations in Architecture & Design Biophilic design and its philosophical roots. Net-zero buildings: Bullitt Center (Seattle), RMI Innovation Center (Colorado). Smart homes, modular construction, and passive house adoption in the U.S. vs. abroad. Focus on Service & Professional Support Pacific Sales Kitchen & Home: Pro Rewards program and exceptional service. TimberTech: innovation in sustainable synthetic decking. Importance of performance, durability, and client-focused solutions. Philosophical Approach to Design Architecture as experience, not just a visual language. Stoicism, utilitarianism, and mindfulness applied to design. Sensorial urbanism: engaging all five senses in public and private spaces. Emerging Global Examples of Innovation Self-healing concrete (Henrik Marius Junkers), Copenhill (Denmark). 3D printed timber in Germany, Finland, France. Climate-adaptive landscapes, Wabi-sabi gardening, inclusive urban design. Moving Beyond Social Media Trends Rejecting influencer-driven design priorities. Returning to performance, resilience, and quality of life. Practical guidance for designers in all regions, including overlooked U.S. markets. Closing Reflections & New Year Outlook Encouragement to rise above chaos and focus on what can be controlled. Goals for 2026: intentional, human-centered, and innovative design. Call to action: share, subscribe, and engage with Convo by Design. Sponsor Mentions & Callouts Pacific Sales Kitchen & Home TimberTech Design Hardware If you enjoyed this long-form essay, share it with a friend. Subscribe to Convo By Design, follow @convoxdesign on Instagram, and send your thoughts to ConvoByDesign@Outlook.com. Thank you to TimberTech, The AZEK Company, Pacific Sales, Best Buy, and Design Hardware for supporting over 650 episodes and making Convo By Design the longest running podcast of it's kind!

Make Morality Mainstream Again The adultification of teen fiction has intentionally Frankensteined books for teens into cesspools of ideological normalization. A while ago, I met a mother and her daughter, the latter of whom I hadn't seen in several years. On the cusp of turning twelve, she'd obviously grown in the time since, and, her mother proudly informed me, had become quite the reader. Indeed, the girl held quite a thick book in her hand. Which was it? The girl showed me the cover. I turned to the mother. “Do you know what your daughter is reading?” She'd figured telling her eleven-year-old she could read whatever was marked 14+ was a safe enough guardrail for appropriate content. As reading is an experience between book and reader, the mother wouldn't have seen what her daughter was taking in. She couldn't either know that her daughter's book was familiar not because it was something I'd read but because it was something I wouldn't. Worse, she thought she could trust the institution. THE READING DILEMMA Parents want kids to read, but as most can't keep up with their reading habits, they don't fully realize what's being allowed, even promoted, in books for young readers. As with other once vaunted institutions, the publishing world has morphed in ways many aren't fully aware of. Over a decade ago, I signed my first contract for Young Adult (YA) fiction. Before and since, I've watched the genre boom through the stages of audience demographic to viable business. Throughout, YA has expanded from books for teens to a genre unto itself, attracting talented writers, lucrative contracts, and the golden goose of Hollywood adaptations. YA is officially for readers 14-18 years (and up). However, as it's after Middle Grade (8-12 years), tweens are frequent readers, plus many eleven-year-olds reading up. There is “lower” and “upper” YA, but they're unofficial categories for libraries or writers specific about their target audience. Most retailers and publishers categorize all teen books under the general YA umbrella. NA, New Adult, mainly written for college-aged readers into their early twenties, is often sheltered under the YA umbrella too. Alongside the wider publishing industry, YA has changed significantly over the years, reflecting broader shifts in society. What follows isn't an analysis on talent or quality but content, as something about words in a book makes what's written more real, valid, romantic, admirable, aspirational. Thus, the intent is to shed light on some of the many topic and imagery that are included in books for young readers. At risk that this won't earn me any friends in publishing (at best), here's some of what I've seen: DEVOLUTION OF YA FICTION Growth of the YA audience/genre is an objective benefit, logical as it is to increase methods for targeting potential customers. As YA has increased in business and position, its morphing into genre unto itself has attracted many adults readers. As a YA author, I read mainly within my market and see the appeal for adult readers considering how well the genre's developed. The migration of older readers to YA is certainly one of the many reasons it's been so adultified. Other factors include the poisonous stranglehold ideological tentacles have on many aspects of culture, entertainment, and education. The shifts adults have finally caught onto in adult fiction and film have infected literature for younger audiences, picture books through YA. A quick example, originally, romantic comedies centered on a man and woman who clashed at the outset, then eventually found their way to each other at the end. The story would build to some romantic declaration, then a kiss. Anyone who's been watching knows that there's now a whole lot of touching that happens before any romantic declaration occurs. Longer, more frequent kisses are only second to scenes of the pair sleeping together before deciding how they really feel about each other. All this is becoming commonplace in YA. What was once cutesy stories about a high school girl chasing a crush has now become stories featuring a whole lot of other firsts, even seconds, and then some. The devolution of YA is a result of purposeful normalization and reshaping of societal norms through manipulatively emotional appeals by writers, agents, and editors. On average, books from larger publishing houses take roughly eighteen months to two years to evolve from contract to product on the shelf. To say, story trends are set in motion well before their rise in popularity. Whatever the view on agents as gatekeepers to the larger houses, publishers only publish so many books in a year, an amount significantly less than all the people who want to be published. Hence, agents act as preliminary filters for editors, whittling down potential authors to relatively more manageable numbers. An agent must really believe in a writer and project to nab one of those few spots. Like most creative fields, writing is highly subjective, so in addition to general quality, each agent and editor has preferences for stories they want to work with. They're also usually pretty clear about what they're looking for, so part of the progression of change can be traced back to what's being requested. CHARACTER INCLUSION CHECKLISTS When I first entered the “querying trenches,” wish lists from agents mainly specified genres and their various offshoots. Although ideologies make a home in all genres, most were subtler, more akin to a light sprinkling than the deluge of today. Within a few short years, wish lists changed. Unofficial “checklists” appeared in the now familiar cancerous categories of equity, representation, marginalization, and other socialist pseudonyms. Nonfiction for teens is dominated by activism, coming out, and adaptations of left-wing figures' biographies. Rather than prioritize quality, potential, uniqueness, the new gatekeeping is often focused on the inclusion of certain ideologies. For the first while, emphasis was on strong female characters, an odd request considering the YA market is dominated by female writers and readers. Previous character portrayal thus had little to do with some imagined patriarchal oppression. Now, female characters are “fierce”, projections of feminist fantasies celebrating girl bosses who are objectively pushy, uncooperative, obnoxious, self-righteous, and/or highly unrealistic. Somehow, they capture the most desirable love interest, a magical combination of masculinity and emotional vulnerability, who is inexplicably un-neutered by support of her domineering principles. Frequently, the girl makes the first move. Worse than overbearing feminism is unrealistic portrayals of a girl's physical abilities accompanied by most unsavory rage and wrath and anger. Supposedly, these traits aren't anathema to the gorgeous guys (when it is a guy) these girls miraculously attract. Unless there's a moth to flame metaphor here, it's a lie to pretend wrath is a healthy attraction. This well reflects the move away from what's become so-last-century stories featuring underdogs who searched deep for courage and heart to overcome challenges, raising up others alongside themselves. A time when character development focused on, well, character. More wholesome stories have been replaced with a self-proclaimed oppressed burning with self-righteous rage and violence. Such characters have seeped into fantasy for adults as well, most notably in armies featuring female combat soldiers and warriors without special powers, who somehow go toe-to-toe if not best male counterparts. Often this sort of matchup is shown as some cunning of smallness, agility, and destruction of arrogant male condescension. Never mind that such fighting is highly unrealistic, and any male is rightly confident if paired against a woman in physical combat. No amount of small body darting or ingenuity will save a girl from the full force of one landed male punch. The unquestioned portrayal of women able to best men in physical combat is worrying considering the real possibility of a reader confusing fact with fiction. Besides, a country which sends its women to war will no longer exist, as it's a country with males but not men. The current not-so-secret of major houses is that a book doesn't have a high chance of getting published if it doesn't check certain markers, especially for midlist and debut authors, though A-listers are not immune. A Caucasian is hardly allowed to write a story featuring a so-called BIPOC, but a straight author must somehow include the ever-expanding gay-bcs, and it must be in a positive light. Some authors were always writing these characters, which at least reflects acting of their own volition. For the rest, many didn't start until required. Because of the careful wording around these ideologies, many don't speak out against these practices so as not to appear hateful and bigoted. The mandated appearance of so-called marginalized and under-represented in stories lest the author risk erasing…someone, somehow also operates along these lines. Although, apparently, only very specific groups are at risk of disappearing. These standards are ridiculous in their least damaging iterations. How many so-anointed BIPOC were consulted over their standard portrayals? How can every individual of every minority be consulted for approval, and who chooses which faction decides? How many Latinos, speakers of gendered language, agreed to Latinx and Latine? Christian characters in mainstream publishing are rarely portrayed as steadfast believers or even rebels rediscovering faith. Jewish stories usually feature a character who's “lived experience” is assimilation, so the character is of a religion but doesn't represent it. A real portrayal of the true beliefs these characters come from would not align with the world mainstream publishing wants to shape. Even more ludicrous is that “disabled” and “neurodivergent” are considered identities, as if a physical or medical condition is cause for new labeling. The approach used to be that you are still you, worthy of respect and consideration, despite these conditions. In the glorified world of the self-hyphenate, the world of we-are-our-self-declared-identity, it's the foremost feature mentioned, with accompanying expectation of praise and exaltation, regardless of an individual's character or behavior. Don't confuse the argument against the labeling with the individuals, because they are separable. Worse than the tokenism is the reduction of individuals to secondary characteristics. Is this really the first thing you have to say about yourself, the most essential thing to know? When did it become norm to turn skin color or medical condition or physical ability into a character trait, the very notion of which says that anyone in this group must be viewed primarily through this lens, as if each is exactly the same? How myopic. How belittling. Following the cue set by movies, books for teens also morphed from cutesy rom-coms to ideological showcases. Unsurprisingly, there's been the introduction of the stereotypical gay best friend. Then storylines focusing on coming out or discovering someone close was gay, with accompanying template for writing them. The one coming out is always the strong one, the resilient one, though much language must be banned lest they be offended or erased, so their strength is dependent upon a carefully constructed bubble. Not only is inclusion necessary but happiness is the only possible, deliberately portrayed reaction. Never mind if some or all of it runs counter to a writer's religious beliefs. Moreover, “I'm not sure how I feel about this, but I'll still treat you with respect” was never an acceptable response. And it is an acceptable response in all manner of situations, unless you exorcise it in efforts to forcibly shape a particular worldview. Additionally, the attitude is that since you can't tell me who to love, and loving this person makes me happy, you must not only ally but champion me. Why is it offensive to present different acceptable, respectful reactions to teens? Who exactly is erased if this character isn't presented at all? As before, don't confuse the argument against mandate with the individuals. The contention isn't about love, but about religion protecting the sanctity of romantic relationships and marriage, a religious practice since the dawn of time, as seen across centuries and civilizations. Marriage is described as sanctified and holy, because it's Divine in nature, and thereby under the domain of the religious. If it's just a contract, then of course any government can regulate it. It’s disingenuous to deny that such enforcement clashes with the very nature of what writing is about. It shuts down discussion, then subverts it entirely by pretending there's nothing to debate. That shouldn't be a source of pride for publishing, but deepest shame. In their efforts to supposedly widen the window of story matter, they've narrowed the frames and tinted the panes to exclude suddenly unacceptable voices entirely. PORNOGRAPHY AND CONSENT Compounded upon all this, most books are no longer relatively clean romances building to a single kiss, as every stage of the relationship has become more explicit. Some scenes are akin to manuals, containing the sort of imagery once the sole province of steamy romances. When efforts are rightly made to remove these books from shelves, screeches of censorship! erasure! representation! resound. We wouldn't, and shouldn't, tolerate any adult approaching a kid on the street and telling stories with such description, nor should we allow it from close friends or family. Authors do not hold special status in this, no matter what the screechers screech. Taking such books off shelves isn't an indication of bigotry, intolerance, hatred, or erasure, but moral obligation. The counterargument from writers, agents, and editors is that explicit detail is necessary because of something to do with “lived experiences” and consent. First, if kids are doing it anyway, then adults definitely needn't assist. Second, consent is not quite the magical word society would have us believe. Third, “everyone has different experiences” is not a reason for writing graphic content, and the replacement of “intimacy” with “experience” is largely responsible for why relationships are in the gutter and leaving people unfulfilled. Intimacy is something private between two individuals; experience is a vague euphemism to pass off what should matter as transitory, despite irrevocable effects. It's difficult to imagine in an age when phones, cameras, and microphones track a person everywhere, but there was once an ideal called privacy, and the intimate was part of it. Pushback also leads to defenses of “sexuality,” another way of saying adults want to teach kids all kinds of ways to pursue these “experiences”. Changing the wording doesn't alter the nature but does allow immoral actors to force celebration of their fantasies and fetishes. The wrongness is incontestable, though not surprising from those who promote polyamory for teens and romantic relationships between humans and demons or other ungodly creatures. The feeble argument for writing scenes of teens sleeping together is they must see what consent looks like. Again, authors do not hold special status or exemption. There is no strong enough argument for writing scenes for teens in which one character undresses another and verbally asks permission every step of the way. Especially because the new trend seems to be the girl not only “consenting”, but also a burning I want this. If she wants, this wording implies, then she must have, abandoning all reason and morality. Consent has become an excuse for all sorts of undesirable, immoral, even illegal behavior, but mutual agreement is supposed to make it okay. This isn't the behavior we should be promoting for teens; we should be giving them better things, bigger ideas to think about. Worst of all, why is any adult writing about two sixteen-year-olds sleeping together? A teenager, no matter how mature, is still developing and while smart and clever not really old enough to fully understand what she's “consenting” to, and is probably being taken advantage of. We treat eighteen with the same magical power as consent, as if any age should be sleeping around, even if legalese only extends so far. Teen pregnancy, abortion overall, would hardly be an issue if everyone stopped sleeping with people they shouldn't. Any adherent to morality knows this, though morality is just another thing scuttled from teen fiction. G-dless ideology is the new morality; immoral, manmade gods have replaced G-d; lust is the new love; sexuality excuse for pornography; perceived racism and misogyny validation for violence and rage. Many are we who did not consent to this. These scenes are in teen films as well, though how many parents know this in an age of individual devices? Adults pretending to be teens take each other's clothes off before a camera for real tweens, teens, and/or adults to watch. Please explain in clear and simple language why this is not a form of pornography. What absolutely vital role does this scene have in advancing the story? Consent is not enough. Wanting is not enough. We're encouraging teens to turn their bodies into used cars, dented, scraped, scarred, and baggage laden, for what? Why is this hollowing out of self and morality good? This serves no benefit for teens and the overall state of relationships. Consent has become an excuse for all sorts of undesirable, immoral, even illegal behavior, but we're supposed to think that everyone agreeing makes whatever they agree to okay. It's incredibly obvious that feminism and the sexual revolution didn't free women, but chain them in a prison of animalistic, unsatisfying desire, dooming them to jadedness, frustration, and loneliness. But they're so responsible! So mature! By such logic, a responsible sixteen-year-old should be able to buy guns, alcohol, and drugs. But identity! No, identity doesn't mandate a book with graphic imagery, nor is it “sexuality” or “feeling seen” or any other term you hide behind. Witness the tattered remains of social morality that writers do not balk at writing this for teens. They should balk at writing this for anyone. Once we recognized that betterment came through battling temptations. It is not difficult to see how the enforced normalization of all this was also an effective ridding of undesirable shame. Not only have we banished feeling bad, we've enforced celebration of what shame once kept in line. But they'll never be prepared! How did any of us get here if none of this existed for millennia? But look at the sales! Many people also bought rock pets. Deviants and defenders will attempt to claim that (a) this sort of stuff always existed, which isn't really a reason for its continuance, and (b) previous generations were undoubtedly stifled in their inability to express their true selves. Perhaps. And yet, previous generations built civilization, with significantly less medical prescriptions too. Previous generations were better at family and community, meaning and purpose. We have “experiences.” But this is what married people do! Some writers introduce a faux or rushed marriage into the plot, perhaps because their weakening moral compass prevents writing an explicit scene between unmarried characters. Marrying the characters and making them eighteen doesn't magically okay writing this for teens. Everyone does it—indeed there are many common bodily functions which shouldn't be demonstrated in public—isn't either reason enough. Pressures to include these scenes is evidenced by authors long regarded as “clean” storytellers, authors who won't swear or indulge in graphic or gratuitous content, authors who clearly express Christian beliefs in their acknowledgements, writing them too. Would they give this book to their priest? To a young church member? Would they read the scene aloud for family or friends or the very teens they write for? If even the professed religious authors do not have the fortitude to oppose this, if even they can be convinced of the supposed validity, then gone is the bulwark protecting children from the psychological and moral damage resulting from these scenes. But inclusivity! We must reflect the world around them! Considering what's in these books, all should pray teens aren't seeing this around them. Either way, that doesn't excuse writing about it. Moreover, cries for inclusivity from those shutting down differing opinions are inherently without substance. True inclusivity is achieved when stories focus on universal truths and laudatory values shared by all. The fundamental argument is that “could” is not “should”, and the only reliable arbiter between the two is Divinely-based morality. Current permissiveness is only possible in a society which worked for decades to expunge religion from its vital foundational position and influence. The demonization piled atop its degradation was simple insurance that the moral truths of religion wouldn't interfere with the newly established secular order. We can still be good people, they claimed. Witness the tattered remains. Allowing, championing, this sort of writing has not made us better, and instead of listening to concerns, activists and proponents double down. Need you any proof of the separation between ethics and morality and elitism and academia, scroll through an article or two in defense of these scenes. The more “educated” the individual, the twisted the pretzel of rationalization. Rational lies, all of them. These lies are prominently center of the new crusade against so-called “book banning,” although the books are still available at retailers and publishers. Fueled by self-righteous hysteria, activists take great pride in influencing state legislatures to enact decrees against book bans in protection of “lived experiences,” representation, and the like. If a teen doesn't see two boys or girls or more sleeping together, so the thinking goes, then they face imminent, unspecified harm, never mind that their sacred voice has been quashed. They claim BIPOC and queer authors are specifically targeted, failing to mention it's the content not the author rejected. Somehow the bigots are the ones who don't want kids reduced to “sexuality”, while the tolerant are the ones who do. Need anyone ask if these protections extend to writers who don't align or even disagree with their worldview? I'd say these books are better suited for adults, but adults are despairing of the unreadability of books in their categories too. And that aside from the targeted “decolonization” of books and authors that adults, especially men, enjoyed reading. From the myriad of books extant, no plot was ever turned, no story ever dependent upon an explicit scene, in the bedroom or elsewhere. Neither does such render the work art or literature, but rather indecent and abhorrent. Parents struggle to encourage their kids to read when such are the books available. ELIMINATING THE WEST For some time, agents have specifically requested non-western narratives, histories, and legends. Atop the deteriorating state of the current education system, teens aren't being presented with a fictionalized character in history, which may thereby spark interest and curiosity in real history. No wonder they know so little of the past when they're not offered history at all. What does make it in represents very select time periods. Other permitted historical fiction is alternative histories where the past is magicked or reimagined, almost always in some gender swapped way. While alternative histories can be creative, the lack of regular historical fiction seems to indicate the only permitted history is a remade one. Otherwise, most of western history isn't on shelves because no one wants to represent it. Which means no one's fighting for it to be published. Which means young readers aren't given glimpses into the past that made this present and will highly influence the future. And this from those who claim large swaths of the population don't properly teach history. The same who pushed the fabricated and widely debunked lie that slavery was unique to the west, the only culture who actively sought to end it. The same who have yet to consider the absolute necessity of mandating schools to teach the true horrors of communism done right. The same who have a monochrome view of colonization and chameleon approach to the faux oppressed-oppressor narrative. A rather high volume of Asian-based stories, histories, and mythologies fill the market instead. The proliferation of Asian and other eastern fiction isn't objectively concerning, but it's deliberate increase alongside western stories' deliberate decrease is. It's less an expansion of viewpoints and more a supplanting of anything west. I grew up reading historical fiction, but there's a dearth on shelves for teen readers, who must see where we come from through the eyes of characters resembling our ancestors. Instead of walking through time in their shoes and understanding their struggles in the context of when they lived, we project modern ideologies upon the one protagonist somehow vastly ahead of her time. It's deliberately false and disconnects readers from the world that created the one we live in. Whatever your opinion of our world, it was formed in those histories, and we cannot appreciate the present without understanding the world that made it. MENTAL HEALTH Another major trend in teen fiction is the focus on the broad category of mental health, its emergence unsurprising considering the uptick in modern society. Whatever the viewpoint on diagnoses, the truth is that the ones calling for greater awareness have much to do with having caused the issues. Teens living in the most prosperous, free society that ever was should not have such measures of mental health struggles, yet they do. Skim the messaging of the last several decades and it's no wonder why. Teens are raised on a bombardment of lies and damaging viewpoints resulting in a precarious Jenga structure at their foundation. For decades they've been told they can sleep around without lasting consequence, negating the need to build deep, lasting, exclusive relationships. Families, a fundamental source of meaning and grounding, have been shoved aside for the faux glory of sleeping with whomever, whenever, and the new solution of “found family”. Just because a pill supposedly prevents biological consequences doesn't mean a different sort of toll hasn't been exacted. And that follows the perpetual degradation of dress, reducing the entirety of an individual to a form as valued or devalued as any other physical object. Added to the disrespect of the body is the incessant, unfounded claim that “climate change” is going to destroy the planet by…well, soon. Never mind that we're doing better than before, and all predictions have been proven wrong. Imagine what continual doom and gloom does to the mental state of a teenager already grappling with ping-ponging hormones, who should be presented with optimism for the future they're about old enough to create. Well, we have a pill for that too. Teens have been told the American dream is gone by those who set out to destroy it, that American greatness isn't worth dreaming about by those who recolored it a nightmare. Hobbies and collected skills, the work of their own hands, have been shunted for social media trends and unfettered internet access. Phones are given to younger and younger kids, so they don't grow up in the tangible, real world but an algorithmic, digital one. Inevitably, the worst of that world affects them. They're told that they're hated, feared for the way they were born. They're told they're not even who they've been since birth, basic facts purposely turned into issues and doubts to shake the foundation of self. Those most adamant about the contrived need for teens to discover identity are the most diligent at axing their very roots. The response to the mental health crisis, the jadedness, the internal turmoil they've helped facilitate by destroying the enduring, reliable fabric of society is to encourage more of the same empty, hollowing behaviors. Atop all this is never-ending rage, rage, rage. At the base is the deliberate removal of religion. No matter an individual's choice of observance, religion undeniably provides what liberal society and decadence cannot; meaning. Eternal, enduring meaning. The knowing that you're more than a clump of cells passing through this timespan, because you are an integral link in a chain reaching back millennia. Your ancestors didn't endure hardships or fight to build civilization so you could be the end of the line, but so you could gratefully take your place in it. You and your actions matter. Not because you're a political vote or celebrated community, but because you were made in the image of G-d Who woke you today as there's something only you can do in His world. What effect would the proliferation of this messaging in literature have on the mental state of the youth? And for those pontificating about diversity and inclusion, who in truth only want different skin colors espousing the same beliefs, there is no greater unifier than religion. Belief in a higher power unites individuals of different backgrounds, colors, and, most valuably, opinions, in ways no mandate or ideology ever can. While lengthy, the above in no way encompasses all the changes, reasons, and effects pertaining to the devolution of teen fiction. And, as the focus is not on talent but content, it can be shifted as easily as it was before. You may disagree with everything I've written. You may accuse me of jealousy, hatred, bigotry, racism, misogyny, xenophobia, erasure, et al. I only encourage you to look for yourself. Peruse bookstore aisles; click through new releases; check who's getting awards. What do your eyes see?

Pulitzer Prize-winning author Viet Thanh Nguyen (The Sympathizer) gives a talk about belonging at a live performance at the Litquake Festival. San Francisco State University's Dr. Russell Jeung speaks about founding Stop AAPI Hate and Asian identity and belonging. He describes how the pandemic seems to have revived and strengthened longstanding hate towards Asian Americans, and explains his term for collective action against this, “flocking.” Thao Nguyen (of the Get Down Stay Down) plays a new song called “Keep It Moving.”Chapters:00:04:58Viet Thanh Nguyen speaks about belonging at a live event during in San Francisco.00:27:05Dr. Russell Jeung speaks about his research on belonging, collective action, and the founding of Stop AAPI Hate.00:40:20Thao Nguyen introduces her new song.SongWriterPodcast.comInstagram.com/SongWriterPodcastFacebook.com/SongWriterPodcastTikTok.com/@SongWriterPodcastYouTube.com/@SongwriterPodcastSongWriter is a music and songwriting podcast that turns stories into songs. Host Ben Arthur invites writers, poets, and musicians to share a story or poem, then pairs it with an original song written in response. Along the way, the show explores the creative process through intimate conversations and performances. Guests have included Questlove, Susan Orlean, David Gilmour, David Sedaris, George Saunders, and many more. Distributed by PRX, SongWriter also appears on the syndicated radio program Acoustic Café and in Paste Magazine. Learn more at SongWriterPodcast.com. Season seven is made possible by a grant from Templeton World Charity Foundation

BUFFALO, NY — December 30, 2025 — A new #research paper was #published in Volume 17, Issue 11 of Aging-US on November 26, 2025, titled “Epigenetic aging signatures and age prediction in human skeletal muscle.” In this study, first author Soo-Bin Yang and corresponding author Hwan Young Lee from Seoul National University College of Medicine investigated how DNA methylation patterns in skeletal muscle change with age. Their findings offer a new and highly accurate method for estimating a person's age, with potential applications in forensic science and aging research. Skeletal muscle is essential for movement, energy balance, and physical strength, functions that become more important to monitor as people age. This study improves our understanding of how muscle tissue changes over time at the molecular level. Unlike previous research, which mainly analyzed living individuals of European descent, this study used postmortem samples from an Asian population. “We analyzed DNA methylation profiles from 103 pectoralis major muscle samples from autopsies of South Korean individuals (18–85 years) using the Infinium EPIC array.” The researchers analyzed DNA from over 100 pectoralis major muscle samples taken from individuals aged 18 to 85. They identified 20 DNA methylation sites, called CpGs, that were strongly associated with age. These CpGs were found in genes involved in muscle function, stress response, metabolism, and age-related diseases. Using these markers, the team built two machine learning models to predict age: one using Next-Generation Sequencing (NGS) and another using Single Base Extension (SBE). Both models were highly accurate, with average prediction errors between 3.8 and 5.5 years. The new “epigenetic clocks” outperformed existing age-prediction models designed for other tissue types. However, when applied to cardiac and uterine muscle, these models showed much lower accuracy, reinforcing the need for tissue-specific approaches in molecular age estimation. Beyond predicting age, the study also provides insight into how DNA methylation may affect muscle aging. Several of the identified CpGs were located in regions that regulate gene expression, being associated with a reduction of it in older muscle samples. Some of the affected genes are associated with sarcopenia, an age-related loss of muscle mass and strength. Overall, this study introduces two reliable and cost-effective methods to estimate age from skeletal muscle, even when the DNA is partially degraded, making it especially useful in forensic settings. It also offers a path forward for developing future therapies that may slow age-related muscle decline and highlights how skeletal muscle aging can differ depending on population, tissue type, and anatomical location. DOI - https://doi.org/10.18632/aging.206341 Corresponding author - Hwan Young Lee - hylee192@snu.ac.kr Abstract video - https://www.youtube.com/watch?v=1i6Ua0cceMU Sign up for free Altmetric alerts about this article - https://aging.altmetric.com/details/email_updates?id=10.18632%2Faging.206341 Subscribe for free publication alerts from Aging - https://www.aging-us.com/subscribe-to-toc-alerts Keywords - aging, skeletal muscle, age, DNA methylation, next generation sequencing, single base extension To learn more about the journal, please visit https://www.Aging-US.com​​ and connect with us on social media at: Bluesky - https://bsky.app/profile/aging-us.bsky.social ResearchGate - https://www.researchgate.net/journal/Aging-1945-4589 Facebook - https://www.facebook.com/AgingUS/ X - https://twitter.com/AgingJrnl Instagram - https://www.instagram.com/agingjrnl/ LinkedIn - https://www.linkedin.com/company/aging/ Reddit - https://www.reddit.com/user/AgingUS/ Pinterest - https://www.pinterest.com/AgingUS/ YouTube - https://www.youtube.com/@Aging-US Spotify - https://open.spotify.com/show/1X4HQQgegjReaf6Mozn6Mc MEDIA@IMPACTJOURNALS.COM

Ann Vanino is a career and new directions coach and author whose passion is collaborating with her clients to create the life they want to live. Prior to coaching, Ann enjoyed a 21-year career in the environmental, health, and safety field, including running New York City's 24-hour chemical emergency response team, responding to over 600 emergencies a year. Ann authors a weekly blog, Opening, and a monthly newsletter, Working Happy, guiding readers to work that leaves them happy at the end of the day.In today's episode of Smashing the Plateau, you will learn what it takes to reinvent yourself when the path forward isn't clear and how vulnerability builds true resilience.Ann and I discuss:Ann's non-linear career journey from Asian history to environmental studies [02:05]How she became the leader of NYC's chemical emergency response team [04:14]Navigating male-dominated environments as a young woman [06:17]Leading without formal authority when people don't listen [08:29]What triggered her transition to entrepreneurship [10:14]Hitting the glass ceiling and recognizing it wasn't her fault [11:31]Starting Williams and Vanino environmental consulting firm [12:36]The rainmaker and operator business partnership dynamic [13:33]Taking the leap from security-conscious family to coaching [16:48]Joining the founding board of International Coach Federation in LA [20:20]Her husband's illness and passing in 2022 [20:35]Navigating life alone on two acres in wildfire country [21:56]The dramatic wildfire evacuation during her home sale [25:00]The connection between vulnerability, community, and resilience [29:13]Getting comfortable with change as a key to a fulfilling life [32:34]Ann authors a weekly blog and a monthly newsletter called Working Happy, guiding readers to work that leaves them happy at the end of the day.Learn more about Ann at: https://annvanino.com, https://annvaninoauthor.com, and https://www.linkedin.com/in/annvanino/__________________________________________________________About Smashing the PlateauSmashing the Plateau shares stories and strategies from corporate refugees: mid-career professionals who've left corporate life to build something of their own.Each episode features a candid conversation with someone who has walked this path or supports those who do. Guests offer real strategies to help you build a sustainable, fulfilling...

Ваш любимый канал «ВОТ ЭТО английский» — теперь в аудиоформате!Попробуйте и научитесь понимать английский на слух с удовольствием

For more of my latest content, subscribe to my YouTube channel, Dark Asia with Megan and join our awesome community. Your support means everything, and I can't wait to share more Asian cases with you! On Other Platforms: • TikTok: https://www.tiktok.com/@darkasiawithmegan • Instagram: https://www.instagram.com/darkasiawithmegan • Facebook: https://www.facebook.com/darkasiameganlee Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this mini-episode of The Afterlight Podcast with Lauren Grace, Pamela Chen talks about why cleansing and clearing your energy every single day is essential. She explains how we pick up layers of energy from people, places, and even the media, and what can happen if we don't release them. Pamela also shares simple practices you can use to clear and protect your energy so you can stay aligned and grounded. This is an excerpt from our full-length episode: Magic, money and manifestation with Pamela Chen listen here or where you get your podcasts. https://www.podbean.com/eas/pb-thwdg-1961be4 ----more---- Welcome to The Afterlight Podcast with Lauren Grace, a spiritual podcast full of stories and conversations that prove we're never alone. Lauren Grace, host of The Afterlight Podcast, is a high-impact coach and medium dedicated to helping professionals deepen their connection to their soul so they can experience more freedom, fulfillment, and purpose. The Afterlight Podcast with Lauren Grace aims to inspire and educate. Remember, you are the authority on your own life. While we encourage you to take what resonates, we also urge you to do your own research and consult with qualified professionals for advice on your personal situation. The opinions shared by guests are their own, and any advice by our guests or Lauren Grace is not a substitute for professional guidance. The Afterlight Podcast: The Afterlight Podcast on Social: @theafterlightpodcast To be a guest, apply here: theafterlightpodcast.com Sign up for our newsletter: laurengraceinspirations.com/contact Connect with Lauren Grace, Lauren Grace Inspirations: Lauren on Social: @LaurenGraceInspirations Website: laurengraceinspirations.com Free Offers: laurengraceinspirations.com/freeoffers Disclaimer: Lauren Grace, Lauren Grace Inspirations, and The Afterlight Podcast are not licensed counselors, medical professionals, or financial advisors. Any information or advice provided during the Podcast is for informational purposes only and should not be considered a substitute for professional medical, legal, financial, or psychiatric advice. Always seek the advice of qualified professionals regarding any specific questions or concerns you may have. Meet Pamela Pamela Chen is an Akashic Records teacher, magical business mentor, and manifestation coach. She is the co-founder of a mystery school with her business partner, Alexandra Hanly. Together, they train the next generation of spiritual leaders and mystics to become powerful healers and energetic masters. Their mission is to empower humanity, raise the consciousness of the planet, and activate the New Earth timeline. Pamela is also an author and tarot and oracle deck creator with major publishers, including Llewellyn Worldwide, Hay House, and U.S. Games Systems. Her teachings blend quantum manifestation, energy alchemy, and soul-level magic to help others unlock their purpose and abundance. When she's not guiding clients or writing mystical books, you can find Pamela cuddling her chickens, watching Asian dramas, or indulging in her favorite snack, spicy Cheeto puffs with avocado. She believes in living magically, manifesting boldly, and helping others awaken their most aligned, abundant lives. Connect with Pamela here: https://www.instagram.com/pamelaunicorn

Synopsis:  Step into the studio of ceramicist Akinsanya Kambon, where ancient traditions meet revolutionary fervor: here, stunning works born from earthy materials recount tales of resistance, redemption, and hope across generations and geography.Make a tax deductible YEAR END DONATION and become a member go to LauraFlanders.org/donate. This show is made possible by you! Description [original release date September 2025]: With each glimmering piece he creates, artist Akinsanya Kambon brings suppressed histories of both colonization and liberation to life. His ceramic works depict struggle and survival across the African diaspora, and stepping into his studio is a spiritual experience, as Laura Flanders recently discovered. Kambon was a member of the Sacramento chapter of the Black Panther Party where he worked on the layout and illustration of the party's famous paper and became lieutenant for culture, illustrating among other things the party's ten point plan and works for young people. In 2023, he won the prestigious Mohn Award — the top prize given by the Hammer Museum for his participation in their biennial “Made in LA” show, titled Acts of Living. His one-man show opened in Beverly Hills at Marc Selwyn Fine Art in April 2025. An exhibition of his work will open at the New York Sculpture Center in May 2026. In this unique conversation, Flanders asks Kambon about his own survival stories, including his polio diagnosis, getting drafted into the Vietnam War, and his year on death row. Kambon was arrested in connection with the killing of a police officer and was later acquitted from that high-profile Oak Park Four case. Join Flanders and Kambon as they discuss how art keeps spirits alive, and catch Flanders' commentary on today's fight to control our nation's stories.“Art educates the masses of people. Not Black or white or Asian, this educates the masses of young people to our struggle, to how long they're struggling and how it's connected.” - Akinsanya Kambon“I thought of myself as an artist even when I was a child, because art was therapy for me . . . I used to always seem like I would always take the side of the underdog.” - Akinsanya KambonGuest:  Akinsanya Kambon, Artist, Former Marine, Black Panther & Art ProfessorSpecial thanks: Cynthia Wornham, Annie Philbin, Marc Selwyn Fine Art  Additional Credits:Additional Crew:  Marco Amador, Producciones Cimarrón Clips from the documentary short- "Akinsanya Kambon The Hero Avenges," Produced by The Hammer Museum;  Directed by Gabriel Noguez and Sean Rowry. Full Conversation Release: While our weekly shows are edited to time for broadcast on Public TV and community radio, we offer to our members and podcast subscribers the full uncut conversation. These audio exclusives are made possible thanks to our member supporters.Watch the special report on YouTube; PBS World Channel, and on over 300 public stations across the country (check your listings, or search here via zipcode). Listen: Episode airing on community radio  (check here to see if your station is airing the show) & available as a podcast.Full Episode Notes are located HERE. RESOURCES:Related Laura Flanders Show Episodes:•  Jacqueline Woodson & Catherine Gund: Breathing Through Chaos & the “Meanwhile”, Watch / Listen:  Episode Cut - Full Uncut Conversation•  Genesis Be & Rev. Dr. Jacqui Lewis: Building Collective Freedom with a Poet & Preacher, Watch / Listen:  Episode Cut   •  Ai Weiwei: How Do We Save Our Humanity?  Watch / Listen:  Episode Cut - Full Uncut Conversation  Related Articles and Resources:• Akinsanya Kambon exhibit for ‘Made in L.A. 2023: Acts of Living' the Hammer Museum's biennial exhibition highlighting the practices of artists working throughout the greater Los Angeles area• Akinsanya Kambon Receives $100,000 John Award, Made in L.A. Biennial's Top Prize Honors Artistic Excellence, by Victoria L. Walntine, December 12, 2023, Culture Type•  Akinsanya Kambon's exhibition April 17-May31, 2025 at Marc Selwyn Fine Art•. 10 Shows to see in Los Angeles May 2025, by Matt Stromberg, May 1, 2025 Hyperallergic• Upcoming Akinsanya Kambon Exhibitions: He will be featured in a solo exhibition represented by Ortuza Projects in collaboration with Marc Selwyn Fine Art during Frieze New York in May 2026, and concurrent with a solo exhibition at the New York Sculpture Center.  Art Media Agency Laura Flanders and Friends Crew: Laura Flanders-Executive Producer, Writer; Sabrina Artel-Supervising Producer; Jeremiah Cothren-Senior Producer; Veronica Delgado-Video Editor, Janet Hernandez-Communications Director; Jeannie Hopper-Audio Director, Podcast & Radio Producer, Audio Editor, Sound Design, Narrator; Sarah Miller-Development Director, Nat Needham-Editor, Graphic Design emeritus; David Neuman-Senior Video Editor, and Rory O'Conner-Senior Consulting Producer. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

Bloomberg Daybreak Weekend with Host Nathan Hager take a look at some of the stories we'll be tracking in the coming week. John Authers, Bloomberg Opinion Columnist, discusses the five forces that broke Capitalism Tim Craighead, Bloomberg Intelligence Bloomberg Intelligence Global Chief Content Officer, describes the European stocks to watch in 2026 John Lee, Bloomberg Intelligence APAC content manager, looks at what we can expect from Asian stocks in 2026 See omnystudio.com/listener for privacy information.

Bloomberg Daybreak Weekend with Host Nathan Hager take a look at some of the stories we'll be tracking in the coming week. John Authers, Bloomberg Opinion Columnist, discusses the five forces that broke Capitalism Tim Craighead, Bloomberg Intelligence Bloomberg Intelligence Global Chief Content Officer, describes the European stocks to watch in 2026 John Lee, Bloomberg Intelligence APAC content manager, looks at what we can expect from Asian stocks in 2026 See omnystudio.com/listener for privacy information.

Hecate started as the ruling goddess of the Asian region of Caria, and got taken over by the Greeks as the only one able to operate in every realm of the cosmos. This then gave her special responsibility for travellers, doorways and restless ghosts. That slowly darkened her image, so that she became associated with the night, the moon, and magicians. By the Roman period, she was the goddess of sorcery par excellence, invoked for all sorts of enchantments, good or bad. In the late ancient worlds this also turned her into a saviour figure, enabling humans directly to contact the divine. This lecture traces that colourful journey.This lecture was recorded by Robin May on the 26th of November 2025 at Bernard's Inn Hall, LondonProfessor Hutton is Professor of History at the University of Bristol. He took degrees at Cambridge and then Oxford Universities, and was a fellow of Magdalen College, Oxford. He is now a Fellow of the British Academy, the Royal Historical Society, the Society of Antiquaries and the Learned Society of Wales, and has won awards for teaching and research.He has lectured all over the world, authored twenty books and ninety-six essays, appeared in or presented scores of television and radio programmes, and sits on the editorial boards of six journals concerned with the history of religion and magic.He is currently working on the third volume of his biography of Oliver Cromwell. The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/goddess-hecateGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today Website:  https://gresham.ac.ukX: https://x.com/GreshamCollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeBluesky: https://bsky.app/profile/greshamcollege.bsky.social TikTok: https://www.tiktok.com/@greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

On this episode of the Scouting For Growth podcast, Sabine VdL talks to Sangha Penesetti, founder and CEO of goZeal, who didn't just break the glass ceiling—she installed a flexible skylight. Today we'll dive into the economics of equity, why flexible work is not a perk but a performance driver, and how insurers can win by rethinking who gets a seat at the table—and how that table is set. KEY TAKEAWAYS In my early career, every client meeting I walked into was a room full of men. I was the only woman of colour. When I became a mother in 2010 I felt first-hang how unforgiving the industry was, there was no real flexibility, no empathy around new mums (though that may have just been the company I worked for then), and certainly no system that was designed for working mums. During Covid I found my own community: Brilliant, highly educated women, especially Indian and Asian mums, step out of the workforce to raise kids and never return. Not because they lacked ambition, but because the system simply wasn't build for them. That's the moment I realised it wasn't an individual struggle but a systemic design flaw, that's when goZeal was born. We talk about empowerment a lot, but what is empowerment? It‘s the financial empowerment, the capacity for women to have the money to spend on whatever they want be that a Gucci bag or feeding their kids. The data is clear: When women (and especially women of colour) advance, companies become more innovative and perform better financially.  BEST MOMENTS  ‘My experience taught me that being included isn't the same as being empowered.'  ‘Radical inclusion flips the dynamic. It's not about representation, it's about access to meaningful work decision-making authority and economic mobility.' ‘Remote work is not “flexibility.” Flexibility means flexibility of time. I wanted to hire women directly to give them the autonomy of time. Direct impact comes when you are the employer.' ‘True flexibility allows for peak productivity not proximity. When people work at their best insurers benefit from higher quality work, lower burnout, less attrition, stronger retention, all of that good stuff.' ABOUT THE GUEST Sangha Penesetti is the powerhouse founder and CEO of goZeal, a company rewriting the rules of work by directly hiring skilled women, especially women of colour, for high-impact, flexible roles in insurance and tech. With 18 years of experience in finance and insurance, she's lived the challenges of being the only woman at the table—and decided to build her own. Under her leadership, goZeal is more than a talent platform—it's a movement. One that's tackling systemic inequity, modernizing legacy operations, and showing insurers that flexible work is not a perk but a strategic edge. She's here to talk about the real economics of inclusion, why hybrid isn't enough, and how insurers can close talent gaps while building a future-ready workforce. ABOUT THE HOST Sabine is a corporate strategist turned entrepreneur. She is the CEO and Managing Partner of Alchemy Crew a venture lab that accelerates the curation, validation, & commercialization of new tech business models. Sabine is renowned within the insurance sector for building some of the most renowned tech startup accelerators around the world working with over 30 corporate insurers, accelerated over 100 startup ventures. Sabine is the co-editor of the bestseller The INSURTECH Book, a top 50 Women in Tech, a FinTech and InsurTech Influencer, an investor & multi-award winner. ⁠Twitter⁠⁠ ⁠⁠LinkedIn⁠⁠ ⁠⁠Instagram⁠⁠ ⁠⁠Email⁠ ⁠Website⁠ This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

For more of my latest content, subscribe to my YouTube channel, Dark Asia with Megan and join our awesome community. Your support means everything, and I can't wait to share more Asian cases with you! On Other Platforms: • TikTok: https://www.tiktok.com/@darkasiawithmegan • Instagram: https://www.instagram.com/darkasiawithmegan • Facebook: https://www.facebook.com/darkasiameganlee Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We went all-in on GGE snacks this past week and put our taste buds to WORK

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. APEX Express and Lavender Phoenix are both members of AACRE, Asian Americans for Civil Rights and Equality. AACRE focuses on long-term movement building, capacity infrastructure, and leadership support for Asian Americans and Pacific Islanders committed to social justice.   To learn more about Lavender Phoenix, please visit their website. You can also listen to a previous APEX Express episode honoring Lavender Phoenix's name change.    Miata Tan: ​[00:00:00] Hello and welcome. You are tuning in to APEX Express, a weekly radio show uplifting the voices and stories of Asian Americans. I am your host, Miata Tan. And before we get started, I wanted to let you know that this show was recorded on December 16th, 2025. Things may have changed by the time you hear this. I also wanted to take a moment to acknowledge [00:01:00] some recent gun violence tragedies, not only in the US but globally. As you might be able to tell from my accent, I'm Australian.  Over the weekend, 15 people were killed in Sydney, on Bondi Beach in a mass shooting. The likes not seen in 30 years. . Australia's gun control laws are different to the US in a number of ways that I won't get into right now, but this massacre is one of the few we've seen since the nineties. In the US we've also seen the shooting at Brown University where two of their students were killed by a still active shooter. It's strange. Guns and weapons are horrific. Tools used to take the life of people every day globally. An everyday occurrence now brings a degree of complacency. Although you personally might not have been [00:02:00] impacted by these recent shootings, the wars going on abroad, or government attacks on immigrant communities, and ICE deportation cases taking place here in America, the impact of horrific acts of violence have ripple effects that spread across this country and world. Careless violence motivated by hate for another be that racially charged conflicting ideologies. It's all awful. And I, and I guess I wanted to acknowledge that here at the top of this episode. Profound hatred and judgment toward others is not only incredibly sad, it's self-defeating. And I don't mean to sound all preachy and I understand it's December 25th and perhaps you're sick of the sound of my voice and you're about to change the station. In all honesty, I, I would've by [00:03:00] now. It's easy to tune out suffering. It's easy to tune out violence, but if you're still listening. Today, as many of us are gathering for the holiday ,season, whether or not you believe in a higher power or acknowledge that big guy in a red suit that brings kids presents, I invite you to sit with some of these thoughts. To acknowledge and reflect on the violence that exists around us, the hatred and dehumanization. We as humans are capable of feeling toward one another. Let's just sit here for a moment with that uncomfortability. Now. Think, what can I do today to make another's life [00:04:00] just that tiny bit brighter? Okay. Now to reintroduce myself and this show, my name is Miata Tan and this is APEX Express. A show that honors Asian American communities far and wide, uplifting the voices of artists, activists, organizers, and more. We have two incredible guests today from Lavender Phoenix, a Bay Area based organization supporting queer and trans Asian and Pacific Islander youth. I really enjoyed my conversation with these two, and I'm sure you will as well. And a quick note throughout both of these conversations, you'll hear us referring to the organization as both Lavender Phoenix and it's very cute nickname Lav Nix. Without further ado, here's [00:05:00] my conversation with Yuan Wang, the outgoing director at Lavender Phoenix.   Miata Tan: Yuan, thank you so much for joining us today. Would you be able to share a little bit about yourself with our listeners to get started?  Yuan Wang: Yeah. I'm so excited to be here. , My name is Yuan. My pronouns are she, and they, and I'm actually the outgoing executive director of Lavender Phoenix. You're catching me on my second to last week in this role after about four years as the executive director, and more years on our staff team as an organizer and also as a part of our youth summer organizer program. So this is a really exciting and special time and I'm really excited to reflect about it with you.  Miata Tan: Yay. I'm so excited. I'd love for you to give us an overview of Lavender Phoenix and the work that y'all do, what communities you support,  Yuan Wang: Lavender Phoenix was founded about 21 years ago, and we are based in the Bay [00:06:00] Area. We're a grassroots organization that builds the power of transgender non-binary and queer Asian and Pacific Islander communities right here in the Bay. Right now our work focuses on three major Areas. The first is around fighting for true community safety. There are so, so many ways that queer, trans, and more broadly, uh, working class communities in the San Francisco Bay Area. Are needing ways to keep ourselves and each other safe, that don't rely on things like policing, that don't rely on things like incarceration that are actually taking people out of our communities and making us less safe. The second big pillar of our work is around healing justice. We know that a lot of folks in our community. Struggle with violence, struggle with trauma, struggle with isolation, and that a lot of the systems that exist aren't actually really designed for queer and trans API people, to thrive and feel connected. And [00:07:00] so, we've been leading programs and campaigns around healing justice. And the last thing is we're trying to build a really principled, high integrity leaderful movement. So we do a ton of base building work, which just means that, everyday queer and trans API people in our community can come to Lavender Phoenix, who want to be involved in organizing and political work. And we train folks to become organizers. Miata Tan: And you yourself came into Lavender Phoenix through one of those programs, is that right?  Yuan Wang: Yeah. Um, that is so true. I came into Lavender Phoenix about seven or eight years ago through the Summer organizer program, which is kind of our flagship youth organizing fellowship. And I was super lucky to be a part of that.  Miata Tan: How has that felt coming into Lavender Phoenix? Like as a participant of one of those programs? Yeah. And now, uh, over the past few years, being able to [00:08:00] lead the organization?  Yuan Wang: Yeah. It feels like the most incredible gift. I share this a lot, but you know, when I had come into Lavender Phoenix through the summer organizer program, I had already had some experience, doing organizing work, you know, doing door knocking, working on campaigns. but I really wanted to be in a space where I felt like I could be all of myself, and that included being trans, you know, that included. Being in a really vulnerable part of my gender transition journey and wanting to feel like I was around people all the time who maybe were in a similar journey or could understand that in a really intimate way. I really found that at Lavender Phoenix. It was pretty unbelievable, to be honest. I remember, uh, the first day that I walked in. There were members and volunteers leading a two hour long political education that was just about the histories of trans and non-binary people in different Asian and Pacific Islander communities. So just being in a room [00:09:00] full of people who shared my identities and where, where we were prioritizing these histories was really, really exciting. I think for the years it's just been so amazing to see Lavender Phoenix grow. The time when I joined, we had a totally different name. It was API equality, Northern California, or we called ourselves a pink and we were really focused on projects like the Dragon Fruit Project, which was a, a series of more than a hundred oral histories that we did with elders and other members members of our community. Things like the Trans Justice Initiative, which were our first efforts at really building a community that was trans centered and that was, was building trans leaders. And now those things are so deeply integrated into our work that they've allowed us to be focused on some more, I think what we call like issue based work, and that that is that community safety, healing justice work. That I mentioned earlier. So, it's just been amazing to witness multiple generations of the organization that has shaped [00:10:00] me so much as a person.  Miata Tan: That's really nice. Seven, eight years that, that whole  Yuan Wang: Yeah, I joined in 2018 in June, so you can maybe do, I think that's about seven and a half years. Yeah. I'm bad at math though.  Miata Tan: Me too. So you've been executive director since late 2021 then? This, these few years since then we've seen a lot of shifts and changes in our I guess global political culture and the way conversations around racial solidarity issues mm-hmm. as you've navigated being executive director, what, what has changed in your approach maybe from 2021 till this year? 2025?  Yuan Wang: Wow, that's such an interesting question. You're so right to say that. I think for anyone who's listening, I, I imagine this resonates that the last four years have [00:11:00] been. Really a period of extraordinary violence and brutality and grief in our world. And that's definitely true for a lot of folks in Lavender Phoenix. You mentioned that we've been living through, you know, continued pandemic that our government is providing so little support and recognition for. We've seen multiple uprisings, uh, in the movement for black lives to defend, you know, and, and bring dignity to the lives of people who were killed and are police. And obviously we're still facing this immense genocide in Gaza and Palestine bombings that continue. So I think if there's, if there's anything that I could say to your question about how my approach has changed. I would say that we as a whole, as an organization have had to continue to grow stronger and stronger in balancing our long-term vision. Intensifying urgent needs of right now and [00:12:00] balancing doing the work that it takes to defend our people and try to change institutions with the incredible and at times overwhelming grief of living in this moment. Yeah, you know, in this past year, um. Have been members of our community and, and our larger community who have passed away. Uh, I'm sure there are some listeners who know, Alice Wong, Patty by architects of the disability justice movement that Lavender Phoenix has learned so much from who have passed away. And we've had to balance, you know. Like one week there's threats that the National Guard and that ICE will be deployed and even higher numbers to San Francisco and, and across the Bay Area. And oh my gosh, so many of us are sitting with an incredible personal grief that we're trying to hold too. So, I think that's been one of the biggest challenges of the last few years is, is finding that balance. Yeah. I can say that some of the things that I feel proudest of are, [00:13:00] you know, just as an example, in our healing justice work, over the past four years, our members have been architecting a, a trans, API peer counseling program. And, through that program they've been able to provide, first of all, train up. So many trans API, people as skilled, as attentive, as loving peer counselors who are then able to provide that. Free, uh, accessible peer mental health support to other people who need it. So I think that's just one example. Something that gives me a lot of hope is seeing the way that our members are still finding ways to defend and love and support each other even in a time of really immense grief.  Miata Tan: That's really beautiful and it's important that you are listening to your community members at this time. How do you, this is kind of specific, but how do you all gather together? Yeah, Yuan Wang: yeah. You know, I feel really lucky 'cause I think for the last 10 years we, Lavender Phoenix as a whole, even before I was a part of it, has been [00:14:00] building towards a model of really collective governance. Um, and, and I don't wanna make it sound like it. You know, it's perfect. It's very challenging. It's very hard. But I think like our comrades at Movement generation often say, if we're not prepared to govern, then we're not prepared to win. And we try to take that, that practice really seriously here. So, you know, I think that, that getting together. That making decisions with each other, that making sure that members and staff are both included. That happens at like a really high strategic level. You know, the three pillars of our theory of change that I mentioned earlier, those were all set through a year of strategy retreats between our staff, but also a. 10 to 15 of our most experienced and most involved members who are at that decision making. The same comes for our name, uh, Lavender Phoenix. You know, it was, it was really our core committee, our, our member leaders who helped decide on that name. And then we invited some of our elders to speak about what it meant for them, for us to choose Lavender Phoenix, because it was an homage to the work [00:15:00] so many of our elders did in the eighties and nineties. It also looks like the day-to-day, because a lot of our work happens through specific committees, whether it's our community safety committee or healing justice committee. Um, and those are all committees where there's one staff person, but it's really a room of 5, 10, 15 members who are leading community safety trainings. The peer counseling program, training new members through our rise up onboarding, um, and setting new goals, new strategic targets every single year. So, it's always in progress. We're in fact right now working on some challenges and getting better at it, but we're really trying to practice what governing and self-determination together looks like right in our own organization. Miata Tan: And a lot of these people are volunteers too.  Yuan Wang: yeah, so when I joined the organization there were two staff, two mighty staff people at the time. We've grown to nine full-time staff people, but most of our organization is volunteers. [00:16:00] Yeah. And we call those folks members, you know, committed volunteers who are participants in one of our committees or projects. Um, and I believe right now there's about 80 members in Lavender Phoenix.  Miata Tan: Wow. It's wonderful to hear so much growth has happened in, um, this period that you've been with Lavender Phoenix. The idea of empowering youth, I think is core to a lot of Lavender Phoenix's work. What has that looked like specifically in the last few years, especially this year? Yuan Wang: Yeah, the  Miata Tan: challenges.  Yuan Wang: That's a great question. I think, um, you know, one of those ways is, is really specifically targeted towards young people, right? It's the summer organizer program, which I went through many years ago, and our previous executive director was also an alumnus of the summer organizer program, but that's, you know, an eight to 10 week fellowship. It's paid, it's designed specifically for young trans and queer API people who are working class, who grew up in the [00:17:00] Bay to organize with us and, and really. Hopefully be empowered with tools that they'll use for the next decade or for the rest of their life. But I'll also say, you know, you mentioned that Lavender Phoenix has grown so much in the last few years, and that is such a credit to folks who were here 10 years ago, even 15 years ago, you know, because, the intergenerational parts of our work started years before I was involved. You know, I mentioned earlier the Dragon Fruit Project where we were able to connect so, so many elders in our community with a lot of younger folks in our community who were craving relationships and conversations and like, what happened in the eighties? What happened in the nineties, what did it feel like? Why are you still organizing? Why does this matter to you? And we're actually able to have those conversations with folks in, in our community who. Have lived and fought and organized for decades already. So I think that was like one early way we started to establish that like intergenerational in our work.[00:18:00]  And a lot of those folks have stayed on as volunteers, as supporters, some as members, and as donors or advisors. So I feel really lucky that we're still benefiting in terms of building the leadership of young people, but also intergenerational reality overall because of work that folks did 10 years ago. Miata Tan: That's really important. Having those, those ties that go back. Queer history is so rich, especially in the, in the Bay Area. And there's a lot to honor.  With the intersection between queer and immigrant histories here, I wonder if you have anything that comes to mind. Yuan Wang: I think that queer and immigrant histories intersect in the lives of so many of our, our members and, and the people who are inspiration too. You know, I'm not sure that. I think a lot of listeners may not know that Lavender Phoenix is as a name. It's an homage to Lavender, Godzilla, [00:19:00] and Phoenix Rising, which were two of the first publications. They were newsletters launched back in the eighties by groups of. Uh, trans and queer API, folks who are now elders and who were looking around, you know, learning from the Black Power movement, learning from solidarity movements in the Bay Area, and saying we really need to create spaces where. Trans and queer Asian Pacific Islanders can talk about our journeys of migration, our family's journeys as refugees, our experiences with war, and then also about love and joy and finding friendship and putting out advertisements so that people could get together for potlucks. So yeah, I think, um, there's so much about the intersection of immigrant and queer and trans journeys that have been. Just even at the root of how we name ourselves and how we think of ourselves as an or as an organization today.  Miata Tan: I think today, more than ever all of these [00:20:00] communities feel a little more than a little under threat,  Yuan Wang: we could say so much about that. I think one thing that we're really paying attention to is, uh, we're seeing in different communities across the country, the ways in which the right wing is. Uh, kind of wielding the idea of trans people, uh,  the perceived threat that trans people pose. As a wedge issue to try to build more more power, more influence, more connections in immigrant communities and in the process like really invisiblizing or really amplifying the harm that immigrant, trans and queer. People experience every single day. So I think something that we're thinking about on the horizon, you know, whether it's, uh, partnering with organizations in California or in the Bay Area or across the country who are doing that really critical base building work, power building work in immigrant communities is trying to ask, you know. How do we actually proactively as [00:21:00] progressives, as people on the left, how do we proactively have conversations with immigrant communities about trans and queer issues, about the, uh, incredibly overlapping needs that trans and queer people in all people who are marginalized right now have in these political conditions? Um, how can we be proactive about those combinations and making those connections so that, we can kind of inoculate folks against the way that the right wing is targeting trans people, is fear mongering about trans people and trying to make inroads in immigrant communities. Yeah. That's one thing on our radar for the future. Miata Tan: That's so important. Kind of, breaking down those, those stereotypes Yuan Wang: totally breaking down stereotypes, breaking down misinformation. And yeah, it reminds me of a few years ago Lavender Phoenix held a few conversations with a partner organization of ours where there were some younger folks from our organization who are talking to some older immigrant members of that organization and we're just [00:22:00] connecting about, the sacred importance of, parenting trans and queer kids right now of, you know, and, and just having conversations that actually humanize all of us rather than buying into narratives and stories that that dehumanize and, and that flatten us. Yeah. Um, so that we can defend ourselves from the way that the right wing is trying to hurt immigrant communities and trans and queer communities. Miata Tan: the youth that you work directly with each week. Is there anything as you reflect back on your, your time with Laxs that really stand out, things that folks have said or led conversations in?  Yuan Wang: Oh my gosh. Yeah. I mean, I, I could, I could celebrate things that I've witnessed every single year. You know, we the young people in the summer organizer program experience so, so much in, in many ways it's kind of like the faucets, like all the way on, you know, like there's, [00:23:00] they're learning so much about skills and values and projects and, you know, just as some examples this last summer, we had a team of summer organizers who helped lead an event that was about COVID safety and disability justice, where people actually got together to build DIY air filters that could hopefully, you know, make them feel safer in their own homes. And, um, in previous years we've had summer organizers work on the peer counseling program. There's so much that folks have done. I think what I actually hear year after year is oftentimes the thing that sticks out the most, it isn't necessarily just the project, it isn't necessarily like the hard skill training. It's people saying every single week during our team check-ins, someone shared an affirmation with me. I felt more seen. It's people saying, you know, I didn't expect that we were gonna do a three hour training. That was just about why it's so important [00:24:00] to ask for help and why that can be so, so difficult for, um, for queer and trans young folks. It's folks saying, you know, even speaking for myself actually. I remember being a summer organizer and one of, uh, my close friends now one of our elders, Vince spoke on a panel for us and, talked about what it was like to be young during the height of the hiv aids crisis, you know, when the government was neglecting to care for folks and so many members of our community were dying without care, were, were passing away without support. And all of the lessons that Vince took from that time holds now, decades later that still make him feel more hopeful, more committed, more full as a person. Um, that meant so much to me to hear when I was 21 and, still feeling really scared and really lonely, about the future. So I think it's those, I, I wouldn't even call them like softer skills, but the [00:25:00] incredible st. Sturdiness and resilience that building long-term relationships creates that seeing people who show you a potential path, if it's been hard to imagine the future. And that building the skills that make relationships more resilient. I feel like it's those things that always stand out the most to a lot of our young people. And then to me, I see them grow in it and be challenged by those things every single year. I feel really good. 'cause I know that at the end of the summer organizer program, there's a group of young, queer and trans API rising leaders who are gonna bring that level of rigorous kindness, attentive attentiveness to emotions, um, of vulnerability that creates more honesty and interdependence. They're gonna be taking that to an another organization, to another environment, to another year in our movement. That makes me feel really happy and hopeful.  Miata Tan: Yes. Community.  Yuan Wang: Yeah.  Miata Tan: . [00:26:00] Looking towards that bright future that you, you shared just now Tina Shelf is coming on as the executive director. What are your hopes for 2026 Yuan Wang: yeah. You know, I'm, I'm so excited that we're welcoming Tina and we're really lucky because Tina joined us in August of this year. So we've had a good, like five months to overlap with each other and to really, um, for all of us, not just me, but our staff, our members, to really welcome and support Tina in onboarding to the role. I feel incredibly excited for Lavender Phoenix's future. I think that in this next year, on one hand, our Care Knock Cops campaign, which has been a huge focus of the organization where uh, we've been rallying other organizations and people across San Francisco to fight to direct funding from policing to. To protect funding that's being threatened every year for housing, for healthcare, for human services that people really [00:27:00] need. I think we're gonna see that campaign grow and there are so many members and staff who are rigorously working on that every single day. And on the other hand, I think that this is a time for Lavender Phoenix to really sturdy itself. We are in we're approaching, the next stage of an authoritarian era that we've been getting ready for many years and is in other ways as so many folks are saying new and unprecedented. So I think, um, a lot of our work in this next year is actually making sure that our members' relationships to each other are stronger, making sure that, responsibility, is shared in, in, in greater ways that encourage more and more leadership and growth throughout our membership so that we are more resilient and less res reliant on smaller and smaller groups of people. I think you're gonna see our program and campaign work continue to be impactful. And I'm really hopeful that when we talk again, maybe in two years, three years, five years, we're gonna be [00:28:00] looking at an organization that's even more resilient and even more connected internally.  Miata Tan: It's really important that y'all are thinking so long term, I guess, and have been preparing for this moment in many ways. On a personal note, as you are coming to an end as executive director, what's what's next for you? I'd love to know.  Yuan Wang: Yeah, that's such a sweet question. I'm going to, I'm gonna rest for a little bit. Yeah. I haven't taken a sustained break from organizing since I was 18 or so. So it's been a while and I'm really looking forward to some rest and reflection. I think from there. I'm gonna figure out, what makes sense for me in terms of being involved with movement and I'm, I'm certain that one of those things will be staying involved. Lavender Phoenix as a member. Really excited to keep supporting our campaign work. Really excited to keep supporting the organization as a whole just from a role that I've never had as a volunteer member. So, I'm just psyched for that and I can't [00:29:00] wait to be a part of Lavender Phoenix's future in this different way.  Miata Tan: Have fun. You'll be like on the other side almost. Yeah,  Yuan Wang: totally. Totally. And, and getting to see and support our incredible staff team just in a different way.  Miata Tan: One final question As you are sort of moving into this next stage, and this idea of community and base building being so incredibly important to your work and time with Lavender Phoenix, is there anything you'd like to say, I guess for someone who might be considering. Joining in some way or Yeah. Where they could get involved, but they're not, not quite sure. Yuan Wang: Yeah, absolutely. Um, I think that if you are a queer and trans, API person who is looking for community, um, looking to channel what you care about into action, looking to be with other people who care about you Lavender Phoenix is here. [00:30:00] And I think that there is no more critical time. Than the one we're in to get activated and to try to organize. ‘Cause our world really needs us right now. The world needs all of us and it also really needs the wisdom, the experience, and the love of queer and trans people. So, I will be rejoining our membership at some point and I'd really like to meet you and I hope that we get to, to grow in this work and to, um, to fight for our freedom together. Miata Tan: Thank you so much. We, this was a really lovely conversation.  Yuan Wang: Yeah, thank you so much And also welcome Tina. Good luck. [00:31:00] [00:32:00] [00:33:00]  Miata Tan: That was the Love by Jason Chu, featuring Fuzzy. If you're just joining us, you are tuned into APEX Express on 94.1 KPFA, 89.3 KPFB in Berkeley, 88.1 KFCF in Fresno and [00:34:00] online@kpfa.org. I am your host, Miata Tan, and today we are joined by the Lavender Phoenix team at a transitional point in the organization's story. Our next guest is Tina Shauf-Bajar, the incoming director of this local organization, supporting queer and trans Asian and Pacific Islander Youth. As a reminder throughout this conversation, you'll hear us referring to the org as both Lavender, Phoenix and Lani.     Miata Tan: Hi Tina. Tina Shauf-Bajar: Hi Miata.  Miata Tan: How you going today? Tina Shauf-Bajar: I'm doing well, thank you. How are you? Miata Tan: Yeah, not so bad. Just excited to speak with you. tell me more about yourself what's bringing you into Lavender Phoenix. Tina Shauf-Bajar: Sure, sure. Well I am the incoming executive director of Lavender Phoenix. Prior to this, I was working at the California Domestic Workers Coalition [00:35:00] and had also worked at the Filipino Community Center and, um, have done some grassroots organizing, building, working class power, um, over the last 20 years, of my time in the Bay Area. And I've been alongside Lavender Phoenix as an organization that I've admired for a long time. Um, and now at the beginning of this year, I was I had the opportunity to apply for this executive director position and talked with un, um, had a series of conversations with UN about, um, what this role looks like and I got really excited about being a part of this organization. Miata Tan: That's super cool. So you, you, you weren't quite in the space with Lavender Phoenix, but moving alongside them through your work, like what were what were the organizations that you were part of when you were, were working in tandem, I guess. Tina Shauf-Bajar: Well the organization that I feel like is most, most closely, relates with Lavender. Phoenix is, [00:36:00] um, Gabriela, which is a Filipino organization. It's a Filipino organization that's a part of a national democratic movement of the Philippines. And we advance national democracy in the Philippines. And, liberation for our people and our homeland. Sovereignty for our homeland. And Gabriela here in the US does organizing with other multi-sectoral organizations, including like migrant organizations, like Ante and youth organizations like Naan and we organize in diaspora. And the reason for that is because many of our families actually leave the Philippines due to, um, corrupt government governance, um, also like foreign domination and exploitation and plunder of our resources. And so many of us actually have to leave our countries to, to survive. And so we're still very connected. Gabriela is still very connected to, [00:37:00] um, the movement in the Philippines. And yeah, so we're advancing liberation for our people and have been alongside Lavender Phoenix for many years. And here we are. Miata Tan: That's beautiful. I love hearing about, all of these partnerships and, and colLavoration works that happen in the San Francisco Bay Area and, and beyond as well. it sounds like you're speaking from a personal place when you talk about, um, a lot of these immigrant communities. Could you speak more to your family background and what brings you into this? Tina Shauf-Bajar: The, the fight for immigrant justice? So I was born in the Philippines and um, I spent my childhood and adolescent since the, in the South Bay of LA and then came here to the Bay Area in the year 2000. Flashing back to when my parents immigrated here, my dad's family first came to the US um, by way of the Bay Area in the late sixties and [00:38:00] early seventies. My dad actually was a few years after he had arrived, was uh, drafted into the military so that they can send him to Vietnam, but instead of going to Vietnam, he took the test to go into the Air Force and traveled everywhere in the Air Force and ended up in the Philippines and met my, met my mom there. And so. That became like they got married and they had me, I was born in the Philippines. I have a younger sibling. And, um, and I think, um, growing up in, in a working class immigrant neighborhood black and brown neighborhood, um, it was always important to me to like find solidarity between. Between communities. I actually grew up in a neighborhood that didn't have a lot of Filipinos in it, but I, I felt that solidarity knowing that we were an immigrant family, immigrant, working class family. And when I was in [00:39:00] college, when I went to college up in, in Berkeley, um, that was the time when the war on Iraq was waged by the US. I got really I got really curious and interested in understanding why war happens and during that time I, I feel like I, I studied a lot in like ethnic studies classes, Asian American studies classes and also, got involved in like off campus organizing and um, during that time it was with the Filipinos for Global Justice Not War Coalition. I would mobilize in the streets, in the anti-war movement during that time. Um, and from there I met a lot of the folks in the national democratic movement of the Philippines and eventually joined an organization which is now known as Gabriela. And so. That was my first political home that allowed me to understand my family's experience as [00:40:00] immigrants and why it's important to, to advance our rights and defend our, defend our people. And also with what's happening now with the escalated violence on our communities it. It's our duty to help people understand that immigrants are not criminals and our people work really hard to, to provide for our families and that it's our human right to be able to work and live in dignity, uh, just like anyone else. Miata Tan: You are speaking to something really powerful there. The different communities that you've been involved with, within the Filipino diaspora, but who are some other immigrant folks that you feel like have really helped shape your political awakening and, and coming into this space, and also how that leads into your work with Lav Nix today?  Tina Shauf-Bajar: When I was working at the Filipino [00:41:00] community center that gave me a, gave me a chance to learn to work with other organizations that were also advancing, like workers' rights and immigrant rights. Many centers in San Francisco that, um, work with immigrant workers who. Wouldn't typically like fall into the category of union unionized workers. They were like workers who are work in the domestic work industry who are caregivers, house cleaners and also we worked with organizations that also have organized restaurant workers, hotel workers. In like non-union, in a non-union setting. And so to me I in integrating in community like that, it helped me really understand that there were many workers who were experiencing exploitation at really high levels. And that reregulate like regulation of, um, Lavor laws and things like that, it's like really. [00:42:00] Unregulated industries that really set up immigrant workers in, in really poor working conditions. Sometimes abusive conditions and also experiencing wage theft. And for me, that really moved me and in my work with Gabriela and the community and the Filipino Community Center, we were able to work with, um. Teachers who actually were trafficked from the Philippines. These teachers actually, they did everything right to try to get to the, the US to get teaching jobs. And then they ended up really paying exorbitant amount of, of money to like just get processed and make it to the us. To only find themselves in no teaching jobs and then also working domestic work jobs just to like survive. And so during that time, it really like raised my consciousness to understand that there was something bigger that wa that was happening. The, [00:43:00] the export of our people and exploitation of our people was happening, not just at a small scale, but I learned over time that. Thousands of Filipinos actually leave the Philippines every day just to find work and send money back to their families. And to me that just was like throughout my time being an activist and organizer it was important to me to like continue to, to like advance poor, working class power. And that I see that as a through line between many communities. And I know that like with my work in Lav Nix that the folks who experience it the most and who are most impacted by right-wing attacks and authoritarianism are people who are at the fringes. And born working class trans and queer people. Within our [00:44:00] sector. So yeah. Being rooted in this, in this principle of advancing foreign working class power is really core to my to my values in any work that I do. Miata Tan: What are some other key issue Areas you see that are facing this community and especially queer folks within Asian American communities today? Tina Shauf-Bajar: The administration that we're under right now works really hard to drive wedges between. All of us and, um, sewing division is one of the t tactics to continue to hoard power. And with Lavender Phoenix being a trans and queer API organization that's building power, it's important for us to understand that solidarity is a thing that that's gonna strengthen us. That that trans and queer folks are used as wedges in, in [00:45:00] conservative thinking. I'm not saying that like it's just conservatives, but there's conservative thinking in many of our cultures to think that trans and queer folks are not, are not human, and that we deserve less and we don't deserve to be recognized as. As fully human and deserve to live dignified lives in our full selves. I also know that locally in San Francisco, the API community is used as a wedge to be pitted against other communities. Let's say the black commun the black community. And, um, it's important for us as an organization to recognize that that we, we can position ourselves to like wield more solidarity and be in solidarity with, with communities that are experiencing the impacts of a system that continues to exploit our people and [00:46:00] continues to view our people as not fully deserving. Not fully human and that our people deserve to be detained, abducted, and deported. That our people deserve to not be taken care of and resourced and not have our basic needs like housing and food and healthcare and it impacts all of us. And so, I see our responsibility as Lavender Phoenix, and, and in the other organizing spaces that I'm a part of that it, it is our responsibility to expose that we are not each other's enemies. Hmm. And that we are stronger in fighting for our needs and our dignity together. Miata Tan: Community. [00:47:00] Community and strength. I'm thinking about what you said in terms of this, the API solidarity alongside queer folks, alongside black and brown folks. Do you have a, perhaps like a nice memory of that, that coming together? Tina Shauf-Bajar: So one of the most consistent, things that I would go to, that's, that Lavender Phoenix would, would lead year after year in the last 10 years is Trans March. And my partner and I always make sure that we mobilize out there and be with Laxs. And it's important to us to be out there. in more recent trans marches. Just with a lot of the escalation of violence in Gaza and ongoing genocide and also just the escalated attacks on on immigrants and increased right and increased ice raids. [00:48:00] And and also the, we can't forget the police, the Police killings of black people. And I feel like at Trans March with Lavender Phoenix, it's also a way for us to come together and you know, put those messages out there and show that we are standing with all these different communities that are fighting, repression, And it's always so joyful at Trans March too. We're like chanting and we're holding up our signs. We're also out there with or you know, people, individuals, and organizations that might not be politically aligned with us, but that's also a chance for us to be in community and, and show demonstrate this solidarity between communities. Miata Tan: It's so beautiful to see. It's, it's just like what a colorful event in so many ways. Uh, as you now step into the director role at Lav [00:49:00] Nix, Lavender Phoenix, what are you most excited about? What is 2026 gonna look like for you? Tina Shauf-Bajar: I am most excited about integrating into this organization fully as the executive director and I feel so grateful that this organization is trusting me to lead alongside them. I've had the chance to have conversations with lots of conversations since, since my time onboarding in August through our meetings and also like strategy sessions where I've been able to connect with staff and members and understand what they care about, how they're thinking about. Our our strategy, how we can make our strategy sharper and more coordinated, um, so that we can show up in, in a more unified way, um, not just as an organization, but, but as a part of a larger movement ecosystem that we're a part of [00:50:00] and that we're in solidarity with other organizations in. So I am looking forward to like really embodying that.  it takes a lot of trust for an organization to be like, look, you, you weren't one of our members. You weren't a part of our staff prior to this, but we are trusting you because we've been in community and relationship with you and we have seen you. And so I just feel really grateful for that. Miata Tan: For an organization like Lav Nix, which with such a rich history in, in the Bay Area is there anything from. That history that you are now taking into 2026 with you? Tina Shauf-Bajar: Yeah, I mean, I think in seeing how Lavender Phoenix has transformed over the last 10 years is really not being afraid to transform. Not being afraid to step even more fully into [00:51:00] our power. The organization is really well positioned to yeah, well positioned to build power in, in a larger community. And so I, I feel like I've seen that transformation and I get to also, I get to also continue that legacy after UN and also the previous leaders before that and previous members and staff, um, we stand on the, on their shoulders. I stand on their shoulders. it's so beautiful, like such a nice image. Everyone together, yeah, no, totally. I mean, just in the last few weeks, I, I've connected with the three executive directors before me. And so when I say. I stand on their shoulders and like I'm a part of this lineage I still have access to. And then I've also been able to connect with, you know with a movement elder just last week where I was like, wow, you know, I get [00:52:00] to be a part of this because I'm now the executive director of this organization. Like, I also get to inherit. Those connections and I get to inherit the work that has been done up to this point. And I feel really grateful and fortunate to be inheriting that and now being asked to take care of it so. and I know I'm not alone. I think that's what people keep saying. It's like, you're not, you know, you're not alone. Right. I'm like, yeah. I keep telling myself that. It's true. It's true, it's true. Miata Tan: Latinx has a strong core team and a whole range of volunteers that also aid in, in, in your work, and I'm sure everyone will, everyone will be there to make sure that you don't like the, the, the shoulders are stable that you're standing on. Tina Shauf-Bajar: Totally, totally. I mean, even the conversations that I've been a part of, I'm like, I'm the newest one here. Like, I wanna hear from you, [00:53:00] like, what, how are you thinking about this? There is so much desire to see change and be a part of it. And also so much brilliance like and experience to being a part of this organization. So yeah, absolutely. I'm not alone. Miata Tan: One final question as with youth really being at the center of, of Lav Nix's work. Is there something about that that you're excited just, just to get into next year and, and thinking about those, those young people today that are you know, maybe not quite sure what's going on, the world looks a little scary. Like what, what can, what are you excited about in terms of helping those, those folks? Tina Shauf-Bajar: Well, for a long time I, I worked with youth years ago before I before I found myself in like workers justice and workers' rights building working class power. I also worked with working class [00:54:00] youth at one point, and I, I was one of those youth like 20 years ago. And so, I know what my energy was like during that time. I also know how I also remember how idealistic I was and I remember how bright-eyed it was. And like really just there wasn't openness to learn and understand how I could also be an agent of change and that I didn't have to do that alone. That I could be a part of something bigger than myself. And so so yeah, I think that like wielding the power of the youth in our communities and the different sectors is I think in a lot of ways they're the ones leaving us, they know, they know what issues speak to, to them. This is also the world they're inheriting. they have the energy to be able to like and lived experience to be able to like, see through change in their lifetime. And you know, I'm, [00:55:00] I'm older than them. I'm older than a lot of them, but, I also can remember, like I, I can look back to that time and I know, I know that I had the energy to be able to like, you know, organize and build movement and, and really see myself as, as a, as someone who could be a part of that. My first week here in, in August I actually was able to, to meet the, the, um, summer organizer, the summer organizers from our program. And I was, it just warms my heart because I remember being that young and I remember, remember being that like determined to like figure out like, what is my place in, in organizing spaces. So they were the ones who really like, radically welcomed me at first. You know, like I came into the office and like we were co-working and they were the ones who radically welcomed me and like showed me how they show up in, in, um, [00:56:00] Lav Nix Spaces. I learned from them how to fundraise, like how Lavender Phoenix does it, how we fundraise. And um, one of them fundraised me and I was like, I was like, how can I say no? Like they yeah. That we need that type of energy to keep it fresh. Miata Tan: something about that that, um. It is exciting to think about when thinking about the future. Thank you so much for joining us, Tina. This was such a beautiful conversation. I'm so excited for all of your work. Tina Shauf-Bajar: Thank you so much.  Miata Tan: That was Tina Shauf-Bajar, the incoming executive director at Lavender Phoenix. You can learn more about the organization and their fantastic work at LavenderPhoenix.org. We thank all of you listeners out there, and in the words of Keiko Fukuda, a Japanese American judoka and Bay Area legend, “be strong, be [00:57:00] gentle, be beautiful”. A little reminder for these trying times. For show notes, please check our website at kpfa.org/program/APEX-express. APEX Express is a collective of activists that includes Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Jalena Keane-Lee, Miko Lee, Miata Tan, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by me, Miata Tan. Get some rest y'all. Good night. The post APEX Express – 12.25.25 -A Conversation with Lavender Phoenix: The Next Chapter appeared first on KPFA.

Ever gotten a scarlet, hot face after drinking alcohol or know someone who has? Many people felt it as they celebrate the holidays with loved ones, sipping mulled wine, cocktails or champagne. That's because this condition, commonly called "Asian flush" or "Asian glow," affects an estimated half a billion people, who can't break down aldehyde toxins that build up in their bodies. But what if there's a benefit to having Asian glow? Katie Wu, a staff writer for The Atlantic, has looked into the research as to why the condition might have been a powerful tool for some of our ancestors to survive disease. (encore episode)Questions about other potential tradeoffs for our genetics? Email us at shortwave@npr.org. We've love to hear from you and we might cover it in a future episode!Read Katie's article to learn more.Questions about other potential tradeoffs for our genetics? Email us at shortwave@npr.org. We've love to hear from you and we might cover it in a future episode!Listen to every episode of Short Wave sponsor-free and support our work at NPR by signing up for Short Wave+ at plus.npr.org/shortwave.This episode was produced by Rebecca Ramirez, edited by Berly McCoy and fact-checked by Brit Hanson. Gilly Moon was the audio engineer.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

What makes us fall in love with a character in the first five minutes? Amy, Megan, and Lia explain "Save the Cat" moments—the scenes that instantly make us root for someone before we even know their story. From unexpected acts of kindness to revealing vulnerabilities, they dissect how the best dramas hook us emotionally and why some characters stay with us. Whether you're a casual viewer or a storytelling obsessive, this conversation will change how you watch your favorite shows.K-Pop Rec of the Week: Not Cute Any More by IllitSave the Cat: The Language of StorytellingReady to download your first audiobook? Don't forget to click HERE for your free Audible trial.*Audible is a sponsor of Afternoona Delight Podcast*Are your family and friends sick of you talking about K-drama? We get it...and have an answer. Join our AfterNoona Delight Patreon and find community among folks who get your obsession. And check out www.afternoonadelight.com for more episodes, book recs and social media goodness. And don't forget about the newest member of our network: Afternoona Asks where diaspora Asians living in the West find ways to reconnect to Asian culture via Asian/KDramas.Last but CERTAINLY not least....love BTS? Or curious what all the fuss is about? Check out our sister pod Afternoona Army for "thinky, thirsty" takes on Bangtan life. ★ Support this podcast on Patreon ★

The US Department of Justice released another batch of documents related to the late financier and sex offender Jeffrey Epstein. Many of the pages are heavily redacted and represent only a fraction of the number held by the FBI. Marina Lacerda met Epstein when she was 14 years old in New York around 2002 and was abused by him. She gave her reaction to the last Friday's release of documents. South Asian women have long been underrepresented in the DJ scene - largely due to a combination of cultural expectations and gender stereotypes but that's starting to change. Every Saturday, Asian Network's DJ Kizzi bring us a House Party show. This Saturday - the final one of 2025 - she's ending the year in style with a special House Party featuring five South Asian female DJs in back-to-back sets. They will be representing the different diasporas and Asian cultures, from Punjabi and Pakistani to Bengali and Tamil. DJ Kizzi and DJ Manara join Krupa to talk about what it means to be a female South Asian DJ in a male-dominated industry and why they're passionate about championing female DJ talent.‘Fly girls love planes' - that's the motto of Gloria Amponsem, founder of a plane spotting group for women. After her videos went viral on social media, The Plane Spotting Club has organised group socials and built an online community with hundreds of women. Founder Gloria and member of the club Michelle Fradgley join Krupa to discuss why they love plane spotting and how their group is challenging stereotypes.Brahmacharini Shripriya Chaitanya, a spiritual leader at Chinmaya Mission London, shares the wisdom of Advaita Vedanta, the Hindu philosophy of non-duality that teaches all existence is one interconnected reality. After studying in India, she returned to the UK and has spent seven years guiding her community through talks, writings, and her podcast, as well as appearing on BBC Radio 4's Prayer for the Day. This festive season, her message is simple - pause, practise mindfulness and gratitude, and reconnect with the stillness within to find calm and light amid the celebrations.As Noel Coward's funny, shocking play Fallen Angels is revived one hundred years after it was first performed, actress and singer Janie Dee joins Krupa to talk about how the play almost didn't make it past the censors, and Noel Coward cabaret night, plus she performs a Noel Coward song live in the studio. Presenter: Krupa Padhy Producer: Dianne McGregor

What if the secret to conquering self-doubt and negotiating your worth at work begins with lowering your tolerance for compromise in your most intimate relationships?In this episode of Glass Ceilings and Sticky Floors, Erica Rooney sits down with Jingjin Liu, serial entrepreneur, investor, and global advocate. Jingjin is the founder of the Elevate Group and the co-founder of Zazu, Asia's first sexual wellness company for women. She proves a radical truth: confidence in the bedroom leads to confidence in the boardroom.Jingjin shares her fascinating journey from a "weird girl" in Beijing to the youngest Global Marketing Director in a male-dominated industry, revealing how deep-seated societal conditioning and a high tolerance for small compromises at home are the sticky floors keeping women stuck in their careers.Inside the Episode:The Bedroom to Boardroom Link: Jingjin breaks down how women's tendency to make compromises in the bedroom (e.g., accommodating a partner's sleep or TV habits, or silence about sexual desire) builds a pattern of accommodating behavior that is carried directly into the workplace.The Snoring Analogy: A powerful and relatable example of the high tolerance for "bullshit" women build at home—from sleeping poorly due to a partner's snoring to not asking for dishes to be washed—and why lowering that tolerance is the first step toward self-assertion.The LIE of Self-Worth: How making small, repeated compromises at home leads to the deep, intrinsic belief that "I am not worth it," making it impossible to ask for a bigger budget or better salary at work.The Twin Sticky Floors: The two most common traps for high-achieving women in corporate settings: The Likability Trap & PerfectionismFighting for the Whole Cookie: How to move past the "tall poppy syndrome" and scarcity mindset that pits women against each other. Jing Jin argues that women are often distracted by fighting for the crumbs instead of demanding the whole damn cookie for everyone.The Global Sisterhood: Jingjin shares the exciting evolution of the Elevate Group's mission, shifting from focusing only on Asian women to impacting 5 million women in business globally, recognizing that gender discrimination and self-doubt are universal challenges.If you are ready to reclaim your power, fight back against sexism, and elevate your ambition by dismantling the inner conditioning that holds you back, this episode is a courageous call to action.

This week on Tea and Soju, it's a cozy episode as I sit down to look back on my C-drama year in My 2025 C-drama Highlight Reel – Listener Edition. I'm chatting through all my favorite shows from 2025, including the dramas that fully earned a spot in my eras category and left a lasting impression long after the final episode.To wrap things up, I'm sharing listener write-ins about your favorite Asian dramas of the year — the shows that made you laugh, cry, scream, and immediately hit “replay.” It's reflective, heartfelt, and very much a love letter to another unforgettable year of C-dramas.So grab your drink of the day, get comfy, and join me for a warm end-of-year chat celebrating the stories we loved in 2025.If you like the episode and would behind the scenes, deleted content and further reviews join Patreon - patreon.com/user?u=82789007 To join a safe, Asian drama chatter community there's Discord  - https://discord.com/invite/8CEPFjnaRY Social Liliana (Tea and Soju)Instagram: teaandsojupod - https://instagram.com/teaandsojupod?igshid=OGQ5ZDc2ODk2ZA== Tiktok - teaandsojupod- https://www.tiktok.com/@teaandsojupod?_t=8gXFJT3Q6Ov&_r=1 Email - teaandsojupodcast@gmail.com  

For more of my latest content, subscribe to my YouTube channel, Dark Asia with Megan and join our awesome community. Your support means everything, and I can't wait to share more Asian cases with you! On Other Platforms: • TikTok: https://www.tiktok.com/@darkasiawithmegan • Instagram: https://www.instagram.com/darkasiawithmegan • Facebook: https://www.facebook.com/darkasiameganlee Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Dream couple Carter Oosterhouse and Amy Smart are now mine and LeeAnn's best friends! They come by the kitchen so we can talk all about how it happened – from the old Discovery days to our time in Michigan at Fully Loaded… and now over Asian-inspired steak sandwiches. We also hit on Amy's love of the jump scare, if you need to ask your spouse before you buy a car, and who's a better actor – me or Amy. Also make sure to check out The Great Christmas Light Fight on ABC – season finale this week! Follow Amy: https://www.instagram.com/smarthouse26 Carter: https://www.instagram.com/carterooster SUBSCRIBE so you never miss a video https://bit.ly/3DC1ICg Stream LUCKY on Netflix https://www.netflix.com/title/81713944 PERMISSION TO PARTY WORLD TOUR is on sale now: http://www.bertbertbert.com/tour For all things BERTY BOY PRODUCTIONS: https://bertyboyproductions.com For MERCH: https://store.bertbertbert.com/ Follow Me! Facebook: http://www.Facebook.com/BertKreischer Instagram: http://www.Instagram.com/bertkreischer YouTube: http://www.YouTube.com/user/Akreischer TikTok: http://www.TikTok.com/@bertkreischer Threads: https://www.threads.net/@bertkreischer X: http://www.Twitter.com/bertkreischer Text Me: https://my.community.com/bertkreischer Learn more about your ad choices. Visit megaphone.fm/adchoices

In Ukraine, the Christmas season is being observed even amid war. We hear one story from a Christian ministry leader and Kyiv resident. Also, the Trump Administration has recalled nearly 30 ambassadors and senior embassy officials, serving mostly in African and Asian countries, from their posts. And, a $500 million AI factory is set to open in Armenia. Plus, members of Parliament grant full clearance for Santa Claus to use Ireland's airspace to deliver toys to the country's children. Learn about your ad choices: dovetail.prx.org/ad-choices

Double Tap Episode 441 This episode of Double Tap is brought to you by: Blue Alpha, Midwest Industries, Gideon Optics, Primary Arms, Die Free Co., and Mitchell Defense   Welcome to Double Tap, episode 441! Your hosts tonight are Jeremy Pozderac, Aaron Krieger, Nick Lynch, and me Shawn Herrin, welcome to the show! Text Dear WLS or Reviews +1 743 500 2171 - Dear WLS ThreeRaccoons InnaTrenchCoat - What programs do Shawn, Nick and Savage use for 3D modeling? Are they subscription based or free? I would like to dive into 3D modeling but don't really want to pay a subscription. A one-time fee would be okay i suppose. Tuul Steele - "I was thinking Hard the other day about that long, cylindrical reciprocating part of an Assault Railer - 15 and it got me curious (bi-curious) about steel selection for a BCG. YES, I know all steel is not created equally Jeremy, but in the case of the BCG which does the cast recommend and which is just more expensive for no reason. Not talking coatings, although you can add that to the pot, I am mainly referring to the materials; Carpenter 158 aka "The Thing", 9310 aka "The Beverly Hills BCG", or S7 Tool Steel aka "The Audi Tool". Love the show and the cast. You guys are keeping me topside on long days. Keep up the good work. Also just buy Aaron a huffy with a baseball card in the spokes and call it a day. Toss in a bottle of Malort for the basket on the handle bars. #WLSisLife #shootstraight" Plow Guy Dave - What do you think will be the cool, new trend at SHOT Show this year? Do you think that there will be an influx of NFA stuff like SBR's, SBS's and suppressors since the One Big Beautiful Bill will be active? I know you guys don't go to SHOT anymore, but what would you like to see come out? John B - So I was listening to the AR-15 podcast and Dauly keeps saying you need to buy mags in “generational wealth” volume. What is it that you guys think is the appropriate number of mags to have for your rifle and pistol? Do I really need to have 10 mags minimum? Gus Gus - Hello people and Aaron, What one thing do you each think we do or use or teach in the firearms space that we will one day look back on and say “wow, I can't believe we let that happen” (besides letting Aaron speak). Could be anything from gear to training to lawfare practices. For myself, I think open emitter red dots on concealed carry guns will be looked at as weird and genX level fuddery and anyone who uses one will always feel like explaining it away like Jeremy does with iron sights. Thanks guys and Aaron Unfit for Human Consumption - What software would you recommend for tracking a gun collection? I have (only) a few dozen guns, and have been using "NMCollector" since about 2005, and it meets my needs. It is now $15/year which is very reasonable, and a "lifetime" activation is less than 85-bucks. A quick search on the interwebs for alternatives reveals "ArmoryBook" which is $200/yr for up to 50 records, and "GunTrack" which is $100/yr for up to 100 records; both are way over budget for my needs. Are there other softwares I'm not aware of that you'd recommend? I don't keep pictures generally, and all I really need to track is make, model, caliber, description, year & country of manufacture, source, cost, appraised value, etc for insurance records and for my wife to cash in on this "401(G)uns" fund when I'm gone (hopefully not for several decades). Or should I just create an Excel spreadsheet? Sunshine Shooter - Forced Reset triggers seem to be a commercially available thing now, but I'm having trouble keeping track of what is out there. What forced reset triggers/super safeties do you recommend I look into getting for a poor man's MP5 I'm planning on putting together? Matthew P - Just bought a 5 inch VFM-9 from Foxtrot Mike. What accessories would you add to this if you are going to keep it as a backpack gun? Suppressor? Flip up sights and/or red dot/prism? sling? anything else?   The winner of this week's swag pack is Gus Gus! To win your own, go to welikeshooting.com/dashboard and submit a question!   Gun Industry News Cops Pick New Echelon Guns Henderson PD picked Springfield Armory's Echelon 9mm pistols (full-size 4.5F and compact 4.0C) as new duty guns after tough tests. Special modular grips fit all hand sizes, ambidextrous controls, optics-ready, 20-round mags. Every officer passed quals first try—first time ever. Boosts gun community's cred for civilian carry. Available now. New S&W .360 Buckhammer Rifle Out Now Smith & Wesson Model 1854 lever-action rifle now in .360 Buckhammer caliber for straight-wall hunting states. Mixes classic lever feel with modern Picatinny rail, M-LOK slots, 20-inch barrel. Hits medium/large game with low recoil. MSRP $1399. Available now. POF-USA Wins Big Rifle Deal for Asia POF-USA wins contract to supply Renegade rifles in .300 Blackout with 8-inch barrels to Asian client. Special: E² dual-extraction, roller cam pin, heat sink nut for reliability and heat control in suppressed ops. Boosts POF's global sales. Not for civilian sale. Germany Picks CZ P-10 C as New Gun Germany's army picked the CZ P-10C OR FDE pistol as its new P13 service gun, replacing the old HK USP from 1994. It's a 9mm striker-fired model with 15-round mag, 4-inch barrel, 26 oz weight, optic-ready slide in flat dark earth finish—beats Glock and Arex in competition. Huge win boosts CZ's rep; big order expected from Czech plant. Not yet in production for delivery. Colt Wins M4A1 and Suppressor Deal Colt got a $12.93M contract for M4A1 carbines, suppressors, and flash hiders for Israel via US Foreign Military Sales. Special: Includes suppressors, now common for stealth. Boosts Colt's gun community rep as key military supplier. Product not available now. Ruger Wins Patent for Double Stack .22LR Magazines Ruger patented a double-stack .22LR magazine for 22/45 pistols. It uses single-feed that splits to two columns, rotating rims sideways to center bullets—special for rimfire without bulky design. Fits current frames as aftermarket, no background check needed. Boosts gun community with higher capacity. Broader for .22 WMR, .30-30, 7.62x54R. Not available yet. New HK VP9A1 X: Perfect Size and Power Heckler & Koch launched VP9A1 X pistol, blending compact 4-inch slide from K model with full-size F frame for 17-round capacity. Fills gap between compact and full-size with A1 upgrades like better grip and trigger. MSRP $1,049 or $1,399 optics-ready. Available now. Gun fans get factory crossover size matching original VP9 but improved.   Before we let you go - Join Gun Owners of America   Tell your friends about the show and get backstage access by joining the Gun Cult at theguncult.com.   No matter how tough your battle is today, we want you here fight with us tomorrow. Don't struggle in silence, you can contact the suicide prevention line by dialing 988 from your phone. Remember - Always prefer Dangerous Freedom over peaceful slavery. We'll see you next time!   Nick - @busbuiltsystems | Bus Built Systems Jeremy - @ret_actual | Rivers Edge Tactical Aaron - @machinegun_moses Savage - @savage1r Shawn - @dangerousfreedomyt | @camorado.cam | Camorado

This week on Comics and Chronic we discuss Dark Horse's Helen of Wyndhorn by Tom King & art by Bilquis Evely & colors by Matheus Lopes. “Following the tragic death of her late father C.K. Cole, the esteemed pulp writer and creator of the popular warrior character Othan, Helen Cole is called back to her Grandfather's enormous and Illustrious estate, Wyndhorn House. Scarred by Cole's untimely passing and lost in a new, strange world, Helen wreaks drunken havoc upon her arrival. However, her chaotic ways begin to soften as she discovers a lifetime of secrets hiding within the myriad rooms and hallways of the expansive manor. For outside its walls, within the woods, dwell the legendary adventures that once were locked away within her father's stories.” But first, Cody gets into his onesie to prepare for the cold.  Jake wants to see people struggle.  Are we planning to cover Batman No Man's Land for Bat-March 2026.  Little Women is a great comfort movie. Was the new Wicked a major step down? Cody confuses his Asian actresses; Jake doesn't fair much better.  Does the story being told from a character's POV who wasn't involved in the adventures take away from it? How does this compare to Supergirl: Woman of Tomrorow? Who would we cast in a live-action version of this comic? Does this book show how fairy tales come to be passed on from word of mouth?  Also RIP to Cary-Hiroyuki Tagawa. Are Comics and Chronic going to start their own Black Label episodes?  Do we want to see a sequel to this book?  Is the art a perfect 6 but the story lacks?  Listen now to find out!Check out the Kickstarter pre-launch page for Superguy issue #2 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.kickstarter.com/projects/mrtonynacho/superguy-2-my-date-with-the-presidents-daughter?ref=creator_tab⁠⁠⁠⁠⁠⁠⁠⁠New episodes every THURSDAYFollow us on social media! Bluesky // Instagram // Twitter // TikTok :⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@comicsnchronic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/channel/UC45vP6pBHZk9rZi_2X3VkzQ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠E-mail: comicsnchronicpodcast@gmail.comCodyInstagram // Bluesky:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@codycannoncomedy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: @Cody_CannonTikTok: @codywalakacannonJakeInstagram // Bluesky:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@jakefhaha⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AnthonyBluesky // Instagram // Threads // Twitter // TikTok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@mrtonynacho⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Today we're honored to welcome Stan Lai, one of the world's most celebrated playwrights and theatre directors. He has been called by one critic ‘the major contemporary Asian playwright of his time, perhaps of all time' and by the BBC ‘the best Chinese-language playwright and director in the world'. Stan's Website @Stanlai99 on Instagram Stan on YouTube Born in the U.S. and raised in both America and Taiwan, Stan earned his PhD from UC Berkeley before launching a groundbreaking career in Taiwan that now spans over 40 acclaimed plays, including masterpieces like A Dream Like a Dream and Secret Love in Peach Blossom Land. He's also the co-founder of the Wuzhen Theatre Festival and Huichang Theatre Village in China, and his Shanghai venue, Theatre Above, is dedicated entirely to his work.Stan joins us today to discuss his new book, CreativitRy: Asia's Iconic Playwright Reveals the Art of Creativity, coming in November 2025 from Anthem Press — a transformative guide that blends memoir, Buddhist philosophy, and practical methods for unlocking the creative potential that lives within each of us. https://a.co/d/56PRqeG5 QuestionsThe Source of CreativityStan, you've said that CreativitRy explores “where creativity lives — within each and every one of us.” How did your own creative process as a playwright and director lead you to this realization, and what inspired you to put these ideas into book form?From Stage to Page — Translating Art into InsightYour plays are known for their emotional depth and philosophical reach. How was writing about creativity — in prose rather than in performance — a different kind of creative act for you?Buddhist Wisdom and Creative FlowYou describe the book as rooted in Buddhist thought, guiding readers to unlock creativity through introspection rather than productivity hacks. How do mindfulness and spiritual awareness shape your own approach to artistic creation?Creativity as Education — A New FrontierCreativitRy is being adopted as the foundational text for a new Department of Creative Studies at major Chinese universities. How did that initiative come about, and what does it say about the growing importance of creativity in education and society today?The Universality of the Creative JourneyYou've been praised by artists like Ang Lee and Jack Ma for bridging the arts, business, and human growth. What do you hope readers — whether they're artists, entrepreneurs, or students — will take away from CreativitRy about living a truly creative life?Stan, as we close, what's one piece of advice you'd offer to someone who feels disconnected from their creativity — someone who wants to rediscover that creative energy in everyday life?Thanks to our sponsor, White Cloud Coffee — fueling creative conversations everywhere. Listeners, enjoy 10% off your first order at whitecloudcoffee.com.And be sure to download your free e-book of Your World of Creativity when you visit

‘Being born in America, feeling American, but having people treat me like I'm not.'Chi Chi Izundu speaks to Korean American actor Arden Cho, star of the hit Netflix film KPop Demon Hunters, about her life and career. Cho is the voice of Rumi, a leading character who must come to terms with her own identity as part-human, part-demon.It's a duality that resonated powerfully with her, as the daughter of Korean immigrants who struggled for acceptance, and faced racism while growing up in America.Now, Korean culture is increasingly popular worldwide, and she has become a leading role model for Asian American children, the kind she says she lacked when she was young.And despite KPop Demon Hunters being crowned as Netflix's most-watched film ever, Cho warns that Asian-led film projects are still seen as a risk. The Interview brings you conversations with people shaping our world, from all over the world. The best interviews from the BBC. You can listen on the BBC World Service on Mondays, Wednesdays and Fridays at 0800 GMT. Or you can listen to The Interview as a podcast, out three times a week on BBC Sounds or wherever you get your podcasts.Presenter: Chi Chi Izundu Producers: Lucy Sheppard, Clare Williamson and Rebecca Thorn Editor: Nick HollandGet in touch with us on email TheInterview@bbc.co.uk and use the hashtag #TheInterviewBBC on social media.(Image: Arden Cho. Credit: Jerod Harris/Getty Images)

Miss Finland 2025 has been stripped of her title after a photo was posted of her pulling her eyes and smiling with the caption “Eating with a Chinese." But the controversy grew even bigger when several members of the Finnish Parliament recreated their own, exceptionally racist photos and posted them online in solidarity with Miss Finland. The Prime Minister has apologized to Asian nations, but now there is talk of a tourism boycott and an even larger conversation about racism in this world. See omnystudio.com/listener for privacy information.

On today's episode, host Kate Lindsay is joined by comedian and writer Youngmi Mayer to talk about a controversy that's divided TikTok: How should Asian people feel about white people in Asian grocery stores? That's the question creator Madeline Qi didn't even mean to ask when she posted her now-viral video, which resulted in call-outs, doxxing, and, ultimately, a conversation too nuanced for TikTok. Youngmi's attempts to make sense of the discourse on her Substack ended up going viral on Instagram, so she came on the show to share what people misunderstand about the controversy, and how her own experience being mixed white and Asian contributes to her perspective. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from AC Valdez. Learn more about your ad choices. Visit megaphone.fm/adchoices

Miss Finland 2025 has been stripped of her title after a photo was posted of her pulling her eyes and smiling with the caption “Eating with a Chinese." But the controversy grew even bigger when several members of the Finnish Parliament recreated their own, exceptionally racist photos and posted them online in solidarity with Miss Finland. The Prime Minister has apologized to Asian nations, but now there is talk of a tourism boycott and an even larger conversation about racism in this world. See omnystudio.com/listener for privacy information.

On today's episode, host Kate Lindsay is joined by comedian and writer Youngmi Mayer to talk about a controversy that's divided TikTok: How should Asian people feel about white people in Asian grocery stores? That's the question creator Madeline Qi didn't even mean to ask when she posted her now-viral video, which resulted in call-outs, doxxing, and, ultimately, a conversation too nuanced for TikTok. Youngmi's attempts to make sense of the discourse on her Substack ended up going viral on Instagram, so she came on the show to share what people misunderstand about the controversy, and how her own experience being mixed white and Asian contributes to her perspective. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from AC Valdez. Learn more about your ad choices. Visit megaphone.fm/adchoices

Robach and Holmes cover the latest news headlines and entertainment updates and give perspective on current events in their daily “Morning Run.”See omnystudio.com/listener for privacy information.