Podcasts about Asian

Legacies in Modern Asia: China's Judge and Japan's Shrine Controversy Professor Gary Bass Chinese Judge May Ruo centered the suffering of Asian peoples but chose to return to Mainland China, making him vulnerable as a "bourgeois" intellectual. Modern tensions persist regarding the Yasukuni Shrine, which has enshrined 14 Class A war criminals. Former PM Shinzo Abe's visits were fueled by resentment inherited from his grandfather, who was held as a suspected Class A criminal but was never indicted.

A.M. Edition for Nov. 21. Asian semiconductor stocks tumbled, a day after Nvidia's gains were erased on U.S. markets as investors continue to question AI valuations. Plus, JPMorgan Chase, Bank of America, and Citigroup pull out of a planned $20 billion bailout to Argentina that was pushed by the Trump administration. And WSJ chief China correspondent Lingling Wei details how China is ramping up a new pressure campaign on Taiwan. Kate Bullivant hosts.Sign up for the WSJ's free What's News newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Get Jeff's book: https://www.amazon.com/Water-Mirror-Echo.../dp/0358726476   Water Mirror Echo—a title inspired by Bruce Lee's own way of moving, being and responding to the world—is a page-turning and powerful reminder. At the helm is Jeff Chang, the award-winning author of Can't Stop Won't Stop, whose writing on culture, politics, the arts and music have made him one of the most acclaimed and distinctive voices of our time. In his hands, Bruce Lee's story brims with authenticity.   Now, based on in-depth interviews with Lee's closest intimates, thousands of newly available personal documents, and featuring dozens of gorgeous photographs from the family's archive, Chang achieves the nearly impossible. He reveals the man behind the enduring iconography and stirringly shows Lee's growing fame ushering in something that's turned out to be even more enduring: the creation of Asian America.   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Substack: https://substack.com/@jmylesoftir   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/ Read Jason in Unaligned here: https://substack.com Read, "We're All Sellouts Now" here: https://benburgis.substack.com/.../all-we-ever-wanted-wa

US equity futures point to a firmer open. Asian markets traded sharply lower, while Europe opened weaker as risk-off sentiment continued. US markets extended their rotation out of Big Tech and AI-linked names as Nvidia surrendered its post-earnings gains amid renewed concerns around stretched valuations, circularity, capex monetization, and broader AI bubble skepticism; Labor-market softness moved into focus after a mixed jobs report showing cooler wage growth, upward pressure on unemployment, multi-year highs in continuing claims; Furthermore, momentum unwind corresponding with doubts about prospect of Fed rate cut in December after delayed September nonfarm payrolls report was mixed and ongoing Fed policymaker divide left markets pricing in ~40% chance of a reduction.Companies Mentioned: GE HealthCare Technologies, Enviri, Blackstone

On today's podcast:1) Global stocks are poised for their worst week in seven months as concerns over lofty valuations and whether massive investments in artificial intelligence will pay off prompt investors to retreat from riskier assets. The MSCI All Country World Index has slumped 3.1% this week, putting it on track for its sharpest weekly drop since April 4, when President Trump’s tariffs rattled markets. Bitcoin fell below $84,000, extending its drop from an all-time high less than seven weeks ago to more than 30%. European and Asian shares were also set for their biggest weekly decline since April after Wall Street’s Thursday selloff. Sentiment remained fragile for US assets, with S&P 500 futures fluctuating after the benchmark slipped to its weakest level since September.2) Philadelphia Fed President Anna Paulson said she’s approaching next month’s rate-setting meeting with caution, though she remains more concerned about weaknesses in the job market. “Each rate cut brings us closer to the level where policy flips from restraining activity a bit to the place where it is providing a boost. So, I am approaching the December FOMC cautiously,” Paulson said Thursday, referring to next month’s gathering of the Federal Open Market Committee. “Each rate cut raises the bar for the next cut.” Deep divisions have emerged among policymakers after they lowered rates at two consecutive meetings. Some remain concerned more by weakness in the labor market while others have expressed growing worry over inflation. The lack of official data during the long government shutdown has also blurred policymakers’ view of the economy.3) President Trump and New York City Mayor-elect Zohran Mamdani are set to meet at the White House on Friday, the president said in a social media post. The meeting marks the first time the two leaders will come together to discuss how they can work with each other since the election earlier this month. Mamdani was elected as mayor of New York City after campaigning on a progressive platform that includes freezing the rent on more than 1 million stabilized apartments, providing universal child care, funding free buses and operating city-owned grocery stores. Mamdani, a democratic socialist, is seeking higher taxes on corporations and the wealthy to pay for his agenda.See omnystudio.com/listener for privacy information.

We return to the Studio Red Walls once again, to discuss the stories we encountered from the news headlines gathered from the week. We talk about our fragile global internet infrastructure, the sad case of Asian countries siding with the West to no avail, and will Nicki Minaj please shut the fuck up for once? Join us as we give all of our irreverent takes on the stupidest timeline!

Dive deep into the shifting dynamics of world affairs in this compelling episode of The Brand Called You, featuring eminent diplomat and scholar Kishore Mahbubani, Distinguished Fellow at the Asia Research Institute, National University of Singapore. Hosted by Ashutosh Garg, this wide-ranging conversation explores five decades of public service, the rise of Asia, the intricate geopolitics between China, India, and the West, and the future of global power structures.Kishore Mahbubani shares extraordinary insights from his storied career: from working closely with Singapore's founding fathers, shaping the country's diplomatic footprint, founding the Lee Kuan Yew School of Public Policy, to authoring groundbreaking books. Learn why he argues the Asian Century is inevitable, the major misconceptions of the West, how Asian nations can successfully narrate their own stories, and the critical importance of embracing cultural diversity.

This episode kicks off with big news about the legendary Red Light Ramen, which returns for a special one-night-only pop-up on Nov. 28. Find out what's on the menu, including Tonkatsu ramen, Japanese curry and those famous boozy slushies.Next, we celebrate TrueMan McGee of Funky Fresh Spring Rolls! After pausing a national roll-out, McGee pivoted to the Funky Fresh Virtual Kitchen, now offering weekly online ordering for pickup, meal kits like Tuscan salmon, and exciting pizzas (hello, jalapeño elote!).We also cover the latest dining news, including the new Soban Korean Eatery, billed as Milwaukee's first fast-casual Korean restaurant, with plans for a downtown location. Plus, the Curry Cat MKE food truck is setting up a permanent spot outside Red Maple, serving Asian-inspired comfort food like golden curry and beef bogey walking tacos.Ann also shares her long-awaited review of 1033 Omakase, the intimate 10-seat spot with a Japanese prix fixe tasting menu. Without spoiling the whole thing, there were 14 courses and a heavy serving of '90s rap. Finally, we discuss the importance of "third spaces" such as Haven Cafe and Serenity Lounge that transition from coffee houses to late-night bars, helping the community connect.#####This Bites is sponsored by Whiskey Brown Whiskey-Spiked Cookies.

What is the difference between Type 1 and Type 2 diabetes? Diabetes affects more than 300,000 people in New Zealand and costs the country $2.1 billion a year in health costs (0.67% of GDP!). It occurs when the pancreas does not produce enough insulin to control blood sugar. Type 1: Usually begins in younger people; an autoimmune reaction destroys the pancreas so it can't make insulin. Type 2: More common with age; the pancreas wears out over time and doesn't produce enough insulin. What is happening with Type 2 diabetes in New Zealand? Over 250,000 New Zealanders have Type 2 diabetes, previously seen mostly in people over 50. Over the past 25 years, it is increasingly occurring in younger people – even those in their early teens and children. It's particularly effecting Māori, Pasifika, and Asian young people; this pattern was not seen 30 years ago. This is a new and concerning trend. Why is this occurring? The exact cause is unclear, but it is seen worldwide, especially in Indigenous populations. It is complex – caused by more than just lifestyle. Likely involves genetics, strong family history, maternal diabetes in pregnancy, and some lifestyle factors. More research is needed. Why should we be worried? Early-onset Type 2 diabetes seems to have a more aggressive course. Complications such as kidney disease, heart disease, and strokes occur earlier. It's a significant cost to the health system, and an even greater cost to patients, whānau, and communities. What can we do about it? Improve awareness and education. Provide strong wrap-around support for young people with diabetes. Know the symptoms and see your GP – weight loss, tiredness, frequent urination, and excessive thirst. Remember: diabetes can occur at any age. LISTEN ABOVE See omnystudio.com/listener for privacy information.

The Good Pop Culture Club is back at full strength this week! Hanh is back from her Asian vacation and not a moment too soon as we dive into Guillermo Del Toro's take on Mary Shelley's classic (and some may say the OG) science fiction gothic novel, Frankenstein! We were all excited when we learned that GDT, the master of beautifully unsettling visuals and sexy monsters, was taking a stab at this classic tale of man's hubris. Does it live up to the hype?What's Popping? - Korean Live Music, Physical Asia, WhiskerwoodFollow our hosts:Marvin Yueh - @marvinyuehJess Ju - @jessjutweetsHanh Nguyen - @hanhonymousFollow the show and engage with us at @goodpopclubPart of the Potluck Podcast CollectiveProduced by HappyEcstatic Media

The ASX 200 dropped another 136 points to finish at 8417, bring total losses for November to 5% so far – placing it on track for the worst month since September 2022. Resources were pummelled, BHP fell 3.2% on Chinese ore embargoes with RIO off 3.2% and FMG tumbling 5.5%. Gold miners were also hit hard despite bullion holding up, NEM down 6.1% and EVN off 4.5%. Lithium stocks saw selling back in aggressively, LTR down 8.4% and PLS off 6.9%. Base metal stocks and rare earths in trouble too, ELV down 11.8% and ILU down 11.6%. Energy stocks also under pressure, WDS down  2.7% and STO falling 3.0%. Industrials were less affected, TCL down 1.4% and GMG off 3.6% with WES down 1.4% and retail falling after LOV down 13.8% on guidance and AX1 crashing 15.4% on similar negative guidance. Banks saw selling, CBA held firm, the other three off, the Big Bank Basket down to $265.65 (%). Other financial slid, HUB down 3.3% and NWL off 4.5%. Tech was mixed, WTC gained 2.4% on reaffirming guidance at the AGM. The All-Tech index falling 0.8%.In corporate news, MYX saw its shares halted after a big fall and the Treasurer knocking back the bid. KGN rose slightly on an update, REH better despite a 18% fall in EBIT. WJL got BGH to pay 91c in the takeover battle. In economic news, nothing locally, Japanese inflation came in stronger than expected.  Asian markets weaker with Japan down 2.5%, China down 1.9% and HK down 2.1%.European markets set to open weaker again.Want to invest with Marcus Today? Our MT20 portfolio is designed for investors seeking exposure to our strategy while we do the hard work for you.If you're looking for personal financial advice, our friends at Clime Investment Management can help. Their team of licensed advisers operates across most states, offering tailored financial planning services.  Why not sign up for a free trial? Gain access to expert insights, research, and analysis to become a better investor.

Chinese Sprinter Su Bingtian, 100m Asian Record Holder, Announces Retirement

Wicked: For Good movie is in theaters this week, so please enjoy this wonderful conversation from the AOK library with the film's director Jon M. Chu. He and Robert Peterpaul to discuss being a kind leader on set, acts of kindness from Ariana Grande and Cynthia Erivo, his spellbinding memoir Viewfinder and more. Rejoicify - this is a thought-provoking chat filled with STAR-studded surprise guests! We're OBSESSULATED! Jon M. Chu is known for his visually stunning blockbuster films, as well as his kinetic work across various genres from groundbreaking series to commercials and films. Additionally, his unique storytelling ability has earned him the honor of inclusion on the Hollywood Reporter's Power 100 list as well as Variety's New Hollywood Leaders. Most recently, Chu directed Universal Pictures' critically acclaimed WICKED 1 & 2, starring Oscar-nominees Cynthia Erivo and Ariana Grande. Part 1 of the feature-film adaptation of the record-breaking musical phenomenon released in theaters on November 22 and quickly became a box-office hit, becoming the highest-grossing Broadway adaption in domestic box office history in its second week earning over $350 million globally. His memoir, Viewfinder, is his journey from growing up in the Silicon Valley to transitioning to Hollywood and helming major studio projects, released Summer 2024. The book is an uplifting tale of belonging, creativity and learning to see who you truly are. His other projects include the critically acclaimed adaptation of Lin-Manuel Miranda's Tony Award-winning musical IN THE HEIGHTS for Warner Bros. Studios as well as the worldwide phenomenon CRAZY RICH ASIANS, which was nominated for numerous awards, including a SAG Award, a Golden Globe and PGA Award. It is one of the top 10 highest grossing romantic comedies of all time and the highest in a decade. It was also the first contemporary studio picture in more than 25 years to feature an all-Asian cast and opened a new chapter in Asian-American representation in Hollywood. Chu is attached to direct the highly anticipated biopic for Britney Spears based on her memoir, The Woman in Me, with Universal. He is also in development on Dr. Seuss' OH, THE PLACES YOU'LL GO! with Warner Bros and JJ Abrams' Bad Robot, which will be his first animated film. His previous films include GI. JOE: RETALIATION, NOW YOU SEE ME 2, JUSTIN BIEBER'S NEVER SAY NEVER and many more representing over 1.3 billion dollars in the worldwide box office. Thank you to Ariana Grande, Cynthia Erivo, Ethan Slater, Michelle Yeoh and Simon Hayes for the special surprise, and to Welcome to Times Square for supporting our Big Apple dreams. Follow Jon: @jonmchu Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Let us be glad. Let us be grateful. Learn more about your ad choices. Visit megaphone.fm/adchoices

US equity futures point to a strong open, with S&P 500 futures up about 1.2%. Asian markets traded mostly higher, and European equities also opened firmer. Nvidia delivered another beat-and-raise and reiterated expectations for more than $500B in Blackwell and Rubin revenue through 2026, with guidance assuming no China contribution due to ongoing restrictions; Furthermore, the October FOMC minutes showed “many” participants supported keeping rates unchanged for the rest of the year, reinforcing a divided policy outlook and keeping attention on December cut odds; In addition, geopolitical attention rose after reports that US and Russian officials drafted a new plan to end the Ukraine war that includes territorial concessions and a rental-fee framework, adding another layer of uncertainty to global risk sentiment.Companies Mentioned: Palo Alto Networks, Warner Bros. Discovery, Netflix, Dominion Energy

This week, I sat down with Patrick Coyne, founder and chief executive of Laoban Dumplings, for a conversation that reminds you why some brands just hit differently. From teaching English in China to running dumpling shops in D.C. to building one of the most exciting frozen food brands in the country, Patrick's journey is proof that authenticity travels, even into the freezer aisle.We get into how Laoban went from brick and mortar to CPG during the pandemic, with Patrick and his team hand-packing dumplings and delivering them to local stores, often with the brand's mascot, Rollie the Chief Dough Officer, riding shotgun and controlling the music.Patrick breaks down his philosophy on hospitality and why frozen food deserves the same level of care as a restaurant experience. From packaging and cooking instructions to emotional branding and clarity of communication, every detail is intentional. He also shares how the team uses kids' reactions to Rollie, retailer feedback, and product testing to shape the future of the brand.We talked about the whitespace in frozen Asian food, why the category has not evolved in decades, and how Laoban plans to change that with items like scallion pancakes, Taiwanese popcorn chicken, bao, and of course dumplings. Patrick also opens up about hard decisions, like pulling a product launch from Whole Foods until it met their standards — a choice that led to an even stronger partnership and their successful bao rollout.If you love brand building, hospitality, food culture, or founder stories that do not take themselves too seriously, this episode is full of heart, honesty, and plenty of Rollie energy.

BT & Sal ignite a debate over the latest ESPN farm system rankings, which shockingly place the Mets at #1 and the Yankees dramatically lower at #15 for 2025. They question if the Yankees' lack of development is due to constantly trading prospects for big-name acquisitions or rushing players like Volpe and Dominguez to the majors. The discussion pivots to a caller asking if the Yankees should pursue Fernando Tatis Jr. from the Padres, leading to a breakdown of his $292 million "albatross" contract and past PED issues. Finally, a mixed-race Mets fan calls in with a hot take on culture, arguing the Mets failed to land Japanese stars like Yamamoto because the organization is not "culturally intelligent" enough to make Queens appealing, despite the borough's high Asian population. They debate whether Steve Cohen did enough to honor Asian traditions during the recruiting process.

EPISODE 631 - Tia Lashay - Question of Affection, A heartfelt journey of vulnerability, courage and love Book: Question of Affection - Ian is a self-reliant pharmacist in her late 30s, navigating the labyrinth of love and loss. With a past marred by heartbreak, Ian has been searching for the missing piece to complete her life. Her journey turns unexpectedly when she meets Wyatt at a speed-dating event, sparking a glimmer of hope that true love might be within reach. However, life throws her a curveball when she finds herself drawn to her enigmatic female neighbor, challenging her perceptions and stirring up emotions she's never faced before.As Ian delicately balances these newfound relationships, she embarks on a path of self-discovery, exploring the multifaceted nature of her heart. Delve into Ian's world, where love knows no bounds, and learn how embracing one's true self can lead to the most profound connections. Will Ian find the courage to embrace her desires and redefine her understanding of love? Join her on this heartfelt journey of vulnerability, courage, and the beautiful complexities of sexuality and growth.https://www.winsbookspublishing.com/store/p/question-of-affection?fbclid=PAZXh0bgNhZW0CMTEAAae38prEvOv1c6-Xn9t39qOMh2g0CSzt7ICOnBjVlVXduA_jgQod0fXd2biHhQ_aem_N3xCZCVH6H2oToQ45MnFqQSupport the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Powerleegirl hosts, the mother daughter team of Miko Lee, Jalena & Ayame Keane-Lee speak with artists about their craft and the works that you can catch in the Bay Area. Featured are filmmaker Yuriko Gamo Romer, playwright Jessica Huang and photographer Joyce Xi.   More info about their work here: Diamond Diplomacy Yuriko Gamo Romer Jessica Huang's Mother of Exiles at Berkeley Rep Joyce Xi's Our Language Our Story at Galeria de la Raza     Show Transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.    Ayame Keane-Lee: [00:00:46] Thank you for joining us on Apex Express Tonight. Join the PowerLeeGirls as we talk with some powerful Asian American women artists. My mom and sister speak with filmmaker Yuriko Gamo Romer, playwright Jessica Huang, and photographer Joyce Xi. Each of these artists have works that you can enjoy right now in the Bay Area. First up, let's listen in to my mom Miko Lee chat with Yuriko Gamo Romer about her film Diamond Diplomacy.    Miko Lee: [00:01:19] Welcome, Yuriko Gamo Romer to Apex Express, amazing filmmaker, award-winning director and producer. Welcome to Apex Express.   Yuriko Gamo Romer: [00:01:29] Thank you for having me.    Miko Lee: [00:01:31] It's so great to see your work after this many years. We were just chatting that we knew each other maybe 30 years ago and have not reconnected. So it's lovely to see your work. I'm gonna start with asking you a question. I ask all of my Apex guests, which is, who are your people and what legacy do you carry with you?    Yuriko Gamo Romer: [00:01:49] Oh, who are my people? That's a hard one. I guess I'm Japanese American. I'm Asian American, but I'm also Japanese. I still have a lot of people in Japan. That's not everything. Creative people, artists, filmmakers, all the people that I work with, which I love. And I don't know, I can't pare it down to one narrow sentence or phrase. And I don't know what my legacy is. My legacy is that I was born in Japan, but I have grown up in the United States and so I carry with me all that is, technically I'm an immigrant, so I have little bits and pieces of that and, but I'm also very much grew up in the United States and from that perspective, I'm an American. So too many words.    Miko Lee: [00:02:44] Thank you so much for sharing. Your latest film was called Diamond Diplomacy. Can you tell us what inspired this film?   Yuriko Gamo Romer: [00:02:52] I have a friend named Dave Dempsey and his father, Con Dempsey, was a pitcher for the San Francisco Seals. And the Seals were the minor league team that was in the West Coast was called the Pacific Coast League They were here before the Major League teams came to the West Coast. So the seals were San Francisco's team, and Con Dempsey was their pitcher. And it so happened that he was part of the 1949 tour when General MacArthur sent the San Francisco Seals to Allied occupied Japan after World War II. And. It was a story that I had never heard. There was a museum exhibit south of Market in San Francisco, and I was completely wowed and awed because here's this lovely story about baseball playing a role in diplomacy and in reuniting a friendship between two countries. And I had never heard of it before and I'm pretty sure most people don't know the story. Con Dempsey had a movie camera with him when he went to Japan I saw the home movies playing on a little TV set in the corner at the museum, and I thought, oh, this has to be a film. I was in the middle of finishing Mrs. Judo, so I, it was something I had to tuck into the back of my mind Several years later, I dug it up again and I made Dave go into his mother's garage and dig out the actual films. And that was the beginning. But then I started opening history books and doing research, and suddenly it was a much bigger, much deeper, much longer story.   Miko Lee: [00:04:32] So you fell in, it was like synchronicity that you have this friend that had this footage, and then you just fell into the research. What stood out to you?    Yuriko Gamo Romer: [00:04:41] It was completely amazing to me that baseball had been in Japan since 1872. I had no idea. And most people,   Miko Lee: [00:04:49] Yeah, I learned that too, from your film. That was so fascinating.    Yuriko Gamo Romer: [00:04:53] So that was the first kind of. Wow. And then I started to pick up little bits and pieces like in 1934, there was an American All Star team that went to Japan. And Babe Ruth was the headliner on that team. And he was a big star. People just loved him in Japan. And then I started to read the history and understanding that. Not that a baseball team or even Babe Ruth can go to Japan and prevent the war from happening. But there was a warming moment when the people of Japan were so enamored of this baseball team coming and so excited about it that maybe there was a moment where it felt like. Things had thawed out a little bit. So there were other points in history where I started to see this trend where baseball had a moment or had an influence in something, and I just thought, wow, this is really a fascinating history that goes back a long way and is surprising. And then of course today we have all these Japanese faces in Major League baseball.   Miko Lee: [00:06:01] So have you always been a baseball fan?   Yuriko Gamo Romer: [00:06:04] I think I really became a fan of Major League Baseball when I was living in New York. Before that, I knew what it was. I played softball, I had a small connection to it, but I really became a fan when I was living in New York and then my son started to play baseball and he would come home from the games and he would start to give us the play by play and I started to learn more about it. And it is a fascinating game 'cause it's much more complex than I think some people don't like it 'cause it's complex.    Miko Lee: [00:06:33] I must confess, I have not been a big baseball fan. I'm also thinking, oh, a film about baseball. But I actually found it so fascinating with especially in the world that we live in right now, where there's so much strife that there was this way to speak a different language. And many times we do that through art or music and I thought it was so great how your film really showcased how baseball was used as a tool for political repair and change. I'm wondering how you think this film applies to the time that we live in now where there's such an incredible division, and not necessarily with Japan, but just with everything in the world.   Yuriko Gamo Romer: [00:07:13] I think when it comes down to it, if we actually get to know people. We learn that we're all human beings and that we probably have more in common than we give ourselves credit for. And if we can find a space that is common ground, whether it's a baseball field or the kitchen, or an art studio, or a music studio, I think it gives us a different place where we can exist and acknowledge That we're human beings and that we maybe have more in common than we're willing to give ourselves credit for. So I like to see things where people can have a moment where you step outside of yourself and go, oh wait, I do have something in common with that person over there. And maybe it doesn't solve the problem. But once you have that awakening, I think there's something. that happens, it opens you up. And I think sports is one of those things that has a little bit of that magical power. And every time I watch the Olympics, I'm just completely in awe.    Miko Lee: [00:08:18] Yeah, I absolutely agree with you. And speaking of that kind of repair and that aspect that sports can have, you ended up making a short film called Baseball Behind Barbed Wire, about the incarcerated Japanese Americans and baseball. And I wondered where in the filmmaking process did you decide, oh, I gotta pull this out of the bigger film and make it its own thing?    Yuriko Gamo Romer: [00:08:41] I had been working with Carrie Yonakegawa. From Fresno and he's really the keeper of the history of Japanese American baseball and especially of the story of the World War II Japanese American incarceration through the baseball stories. And he was one of my scholars and consultants on the longer film. And I have been working on diamond diplomacy for 11 years. So I got to know a lot of my experts quite well. I knew. All along that there was more to that part of the story that sort of deserved its own story, and I was very fortunate to get a grant from the National Parks Foundation, and I got that grant right when the pandemic started. It was a good thing. I had a chunk of money and I was able to do historical research, which can be done on a computer. Nobody was doing any production at that beginning of the COVID time. And then it's a short film, so it was a little more contained and I was able to release that one in 2023.   Miko Lee: [00:09:45] Oh, so you actually made the short before Diamond Diplomacy.   Yuriko Gamo Romer: [00:09:49] Yeah. The funny thing is that I finished it before diamond diplomacy, it's always been intrinsically part of the longer film and you'll see the longer film and you'll understand that part of baseball behind Barbed Wire becomes a part of telling that part of the story in Diamond Diplomacy.   Miko Lee: [00:10:08] Yeah, I appreciate it. So you almost use it like research, background research for the longer film, is that right?    Yuriko Gamo Romer: [00:10:15] I had been doing the research about the World War II, Japanese American incarceration because it was part of the story of the 150 years between Japan and the United States and Japanese people in the United States and American people that went to Japan. So it was always a part of that longer story, and I think it just evolved that there was a much bigger story that needed to be told separately and especially 'cause I had access to the interview footage of the two guys that had been there, and I knew Carrie so well. So that was part of it, was that I learned so much about that history from him.   Miko Lee: [00:10:58] Thanks. I appreciated actually watching both films to be able to see more in depth about what happened during the incarceration, so that was really powerful. I'm wondering if you can talk a little bit about the style of actually both films, which combine vintage Japanese postcards, animation and archival footage, and how you decided to blend the films in this way.   Yuriko Gamo Romer: [00:11:19] Anytime you're making a film about history, there's that challenge of. How am I going to show this story? How am I gonna get the audience to understand and feel what was happening then? And of course you can't suddenly go out and go, okay, I'm gonna go film Babe Ruth over there. 'cause he's not around anymore. So you know, you start digging up photographs. If we're in the era of you have photographs, you have home movies, you have 16 millimeter, you have all kinds of film, then great. You can find that stuff if you can find it and use it. But if you go back further, when before people had cameras and before motion picture, then you have to do something else. I've always been very much enamored of Japanese woodblock prints. I think they're beautiful and they're very documentary in that they tell stories about the people and the times and what was going on, and so I was able to find some that sort of helped evoke the stories of that period of time. And then in doing that, I became interested in the style and maybe can I co-opt that style? Can we take some of the images that we have that are photographs? And I had a couple of young artists work on this stuff and it started to work and I was very excited. So then we were doing things like, okay, now we can create a transition between the print style illustration and the actual footage that we're moving into, or the photograph that we're dissolving into. And the same thing with baseball behind barbed wire. It became a challenge to show what was actually happening in the camps. In the beginning, people were not allowed to have cameras at all, and even later on it wasn't like it was common thing for people to have cameras, especially movie cameras. Latter part of the war, there was a little bit more in terms of photos and movies, but in terms of getting the more personal stories. I found an exhibit of illustrations and it really was drawings and paintings that were visual diaries. People kept these visual diaries, they drew and they painted, and I think part of it was. Something to do, but I think the other part of it was a way to show and express what was going on. So one of the most dramatic moments in there is a drawing of a little boy sitting on a toilet with his hands covering his face, and no one would ever have a photograph. Of a little boy sitting on a toilet being embarrassed because there are no partitions around the toilet. But this was a very dramatic and telling moment that was drawn. And there were some other things like that. There was one illustration in baseball behind barbed wire that shows a family huddled up and there's this incredible wind blowing, and it's not. Home movie footage, but you feel the wind and what they had to live through. I appreciate art in general, so it was very fun for me to be able to use various different kinds of art and find ways to make it work and make it edit together with the other, with the photographs and the footage.    Miko Lee: [00:14:56] It's really beautiful and it tells the story really well. I'm wondering about a response to the film from folks that were in it because you got many elders to share their stories about what it was like being either folks that were incarcerated or folks that were playing in such an unusual time. Have you screened the film for folks that were in it? And if so what has their response been?    Yuriko Gamo Romer: [00:15:20] Both the men that were in baseball behind barbed wire are not living anymore, so they have not seen it. With diamond diplomacy, some of the historians have been asked to review cuts of the film along the way. But the two baseball players that play the biggest role in the film, I've given them links to look at stuff, but I don't think they've seen it. So Moi's gonna see it for the first time, I'm pretty sure, on Friday night, and it'll be interesting to see what his reaction to it is. And of course. His main language is not English. So I think some of it's gonna be a little tough for him to understand. But I am very curious 'cause I've known him for a long time and I know his stories and I feel like when we were putting the film together, it was really important for me to be able to tell the stories in the way that I felt like. He lived them and he tells them, I feel like I've heard these stories over and over again. I've gotten to know him and I understand some of his feelings of joy and of regret and all these other things that happen, so I will be very interested to see what his reaction is to it.   Miko Lee: [00:16:40] Can you share for our audience who you're talking about.   Yuriko Gamo Romer: [00:16:43] Well, Sanhi is a nickname, his name is Masa Nouri. Murakami. He picked up that nickname because none of the ball players could pronounce his name.   Miko Lee: [00:16:53] I did think that was horrifically funny when they said they started calling him macaroni 'cause they could not pronounce his name. So many of us have had those experiences.   Yuriko Gamo Romer: [00:17:02] Yeah, especially if your name is Masanori Murakami. That's a long, complicated one. So he, Masanori Murakami is the first Japanese player that came and played for the major leagues. And it was an inadvertent playing because he was a kid, he was 19 years old. He was playing on a professional team in Japan and they had some, they had a time period where it made sense to send a couple of these kids over to the United States. They had a relationship with Kapi Harada, who was a Japanese American who had been in the Army and he was in Japan during. The occupation and somehow he had, he'd also been a big baseball person, so I think he developed all these relationships and he arranged for these three kids to come to the United States and to, as Mahi says, to study baseball. And they were sent to the lowest level minor league, the single A camps, and they played baseball. They learned the American ways to play baseball, and they got to play with low level professional baseball players. Marcy was a very talented left handed pitcher. And so when September 1st comes around and the postseason starts, they expand the roster and they add more players to the team. And the scouts had been watching him and the Giants needed a left-handed pitcher, so they decided to take a chance on him, and they brought him up and he was suddenly going to Shea Stadium when. The Giants were playing the Mets and he was suddenly pitching in a giant stadium of 40,000 people.    Miko Lee: [00:18:58] Can you share a little bit about his experience when he first came to America? I just think it shows such a difference in time to now.    Yuriko Gamo Romer: [00:19:07] Yeah, no kidding. Because today they're the players that come from Japan are coddled and they have interpreters wherever they go and they travel and chartered planes and special limousines and whatever else they get. So Marcie. He's, I think he was 20 by the time he was brought up so young. Mahi at 20 years old, the manager comes in and says, Hey, you're going to New York tomorrow and hands him plane tickets and he has to negotiate his way. Get on this plane, get on that plane, figure out how to. Get from the airport to the hotel, and he's barely speaking English at this point. He jokes that he used to carry around an English Japanese dictionary in one pocket and a Japanese English dictionary in the other pocket. So that's how he ended up getting to Shea Stadium was in this like very precarious, like they didn't even send an escort.   Miko Lee: [00:20:12] He had to ask the pilot how to get to the hotel. Yeah, I think that's wild. So I love this like history and what's happened and then I'm thinking now as I said at the beginning, I'm not a big baseball sports fan, but I love love watching Shohei Ohtani. I just think he's amazing. And I'm just wondering, when you look at that trajectory of where Mahi was back then and now, Shohei Ohtani now, how do you reflect on that historically? And I'm wondering if you've connected with any of the kind of modern Japanese players, if they've seen this film.   Yuriko Gamo Romer: [00:20:48] I have never met Shohei Ohtani. I have tried to get some interviews, but I haven't gotten any. I have met Ichi. I did meet Nori Aoki when he was playing for the Giants, and I met Kenta Maya when he was first pitching for the Dodgers. They're all, I think they're all really, they seem to be really excited to be here and play. I don't know what it's like to be Ohtani. I saw something the other day in social media that was comparing him to Taylor Swift because the two of them are this like other level of famous and it must just be crazy. Probably can't walk down the street anymore. But it is funny 'cause I've been editing all this footage of mahi when he was 19, 20 years old and they have a very similar face. And it just makes me laugh that, once upon a time this young Japanese kid was here and. He was worried about how to make ends meet at the end of the month, and then you got the other one who's like a multi multimillionaire.    Miko Lee: [00:21:56] But you're right, I thought that too. They look similar, like the tall, the face, they're like the vibe that they put out there. Have they met each other?    Yuriko Gamo Romer: [00:22:05] They have actually met, I don't think they know each other well, but they've definitely met.   Miko Lee: [00:22:09] Mm, It was really a delight. I am wondering what you would like audiences to walk away with after seeing your film.   Yuriko Gamo Romer: [00:22:17] Hopefully they will have a little bit of appreciation for baseball and international baseball, but more than anything else. I wonder if they can pick up on that sense of when you find common ground, it's a very special space and it's an ability to have this people to people diplomacy. You get to experience people, you get to know them a little bit. Even if you've never met Ohtani, you now know a little bit about him and his life and. Probably what he eats and all that kind of stuff. So it gives you a chance to see into another culture. And I think that makes for a different kind of understanding. And certainly for the players. They sit on the bench together and they practice together and they sweat together and they, everything that they do together, these guys know each other. They learn about each other's languages and each other's food and each other's culture. And I think Mahi went back to Japan with almost as much Spanish as they did English. So I think there's some magical thing about people to people diplomacy, and I hope that people can get a sense of that.    Miko Lee: [00:23:42] Thank you so much for sharing. Can you tell our audience how they could find out more about your film Diamond diplomacy and also about you as an artist?    Yuriko Gamo Romer: [00:23:50] the website is diamonddiplomacy.com. We're on Instagram @diamonddiplomacy. We're also on Facebook Diamond Diplomacy. So those are all the places that you can find stuff, those places will give you a sense of who I am as a filmmaker and an artist too.    Miko Lee: [00:24:14] Thank you so much for joining us today, Yuriko. Gamo. Romo. So great to speak with you and I hope the film does really well.    Yuriko Gamo Romer: [00:24:22] Thank you, Miko. This was a lovely opportunity to chat with you.   Ayame Keane-Lee: [00:24:26] Next up, my sister Jalena Keane-Lee speaks with playwright Jessica Huang, whose new play Mother of Exiles just had its world premiere at Berkeley Rep is open until December 21st.    Jalena Keane-Lee: [00:24:39] All right. Jessica Huang, thank you so much for being here with us on Apex Express and you are the writer of the new play Mother of Exiles, which is playing at Berkeley Rep from November 14th to December 21st. Thank you so much for being here.   Jessica Huang: [00:24:55] Yeah, thank you so much for having me. It's such a pleasure.   Jalena Keane-Lee: [00:24:59] I'm so curious about this project. The synopsis was so interesting. I was wondering if you could just tell us a little bit about it and how you came to this work.   Jessica Huang: [00:25:08] When people ask me what mother of Exiles is, I always say it's an American family story that spans 160 plus years, and is told in three acts. In 90 minutes. So just to get the sort of sense of the propulsion of the show and the form, the formal experiment of it. The first part takes place in 1898, when the sort of matriarch of the family is being deported from Angel Island. The second part takes place in 1999, so a hundred years later where her great grandson is. Now working for the Miami, marine interdiction unit. So he's a border cop. The third movement takes place in 2063 out on the ocean after Miami has sunk beneath the water. And their descendants are figuring out what they're gonna do to survive. It was a strange sort of conception for the show because I had been wanting to write a play. I'd been wanting to write a triptych about America and the way that interracial love has shaped. This country and it shaped my family in particular. I also wanted to tell a story that had to do with this, the land itself in some way. I had been sort of carrying an idea for the play around for a while, knowing that it had to do with cross-cultural border crossing immigration themes. This sort of epic love story that each, in each chapter there's a different love story. It wasn't until I went on a trip to Singapore and to China and got to meet some family members that I hadn't met before that the rest of it sort of fell into place. The rest of it being that there's a, the presence of, ancestors and the way that the living sort of interacts with those who have come before throughout the play.   Jalena Keane-Lee: [00:27:13] I noticed that ancestors, and ghosts and spirits are a theme throughout your work. I was wondering if you could talk a little bit about your own ancestry and how that informs your writing and creative practice.   Jessica Huang: [00:27:25] Yeah, I mean, I'm in a fourth generation interracial marriage. So, I come from a long line of people who have loved people who were different from them, who spoke different languages, who came from different countries. That's my story. My brother his partner is German. He lives in Berlin. We have a history in our family of traveling and of loving people who are different from us. To me that's like the story of this country and is also the stuff I like to write about. The thing that I feel like I have to share with the world are, is just stories from that experience.   Jalena Keane-Lee: [00:28:03] That's really awesome. I guess I haven't really thought about it that way, but I'm third generation of like interracial as well. 'cause I'm Chinese, Japanese, and Irish. And then at a certain point when you're mixed, it's like, okay, well. The odds of me being with someone that's my exact same ethnic breakdown feel pretty low. So it's probably gonna be an interracial relationship in one way or the other.   Jessica Huang: [00:28:26] Totally. Yeah. And, and, and I don't, you know, it sounds, and it sounds like in your family and in mine too, like we just. Kept sort of adding culture to our family. So my grandfather's from Shanghai, my grandmother, you know, is, it was a very, like upper crust white family on the east coast. Then they had my dad. My dad married my mom whose people are from the Ukraine. And then my husband's Puerto Rican. We just keep like broadening the definition of family and the definition of community and I think that's again, like I said, like the story of this country.   Jalena Keane-Lee: [00:29:00] That's so beautiful. I'm curious about the role of place in this project in particular, mother of exiles, angel Island, obviously being in the Bay Area, and then the rest of it taking place, in Miami or in the future. The last act is also like Miami or Miami adjacent. What was the inspiration behind the place and how did place and location and setting inform the writing.   Jessica Huang: [00:29:22] It's a good question. Angel Island is a place that has loomed large in my work. Just being sort of known as the Ellis Island of the West, but actually being a place with a much more difficult history. I've always been really inspired by the stories that come out of Angel Island, the poetry that's come out of Angel Island and, just the history of Asian immigration. It felt like it made sense to set the first part of the play here, in the Bay. Especially because Eddie, our protagonist, spent some time working on a farm. So there's also like this great history of agriculture and migrant workers here too. It just felt like a natural place to set it. And then why did we move to Miami? There are so many moments in American history where immigration has been a real, center point of the sort of conversation, the national conversation. And moving forward to the nineties, the wet foot, dry foot Cuban immigration story felt like really potent and a great place to tell the next piece of this tale. Then looking toward the future Miami is definitely, or you know, according to the science that I have read one of the cities that is really in danger of flooding as sea levels rise.   Jalena Keane-Lee: [00:30:50] Okay. The Cuban immigration. That totally makes sense. That leads perfectly into my next question, which was gonna be about how did you choose the time the moments in time? I think that one you said was in the nineties and curious about the choice to have it be in the nineties and not present day. And then how did you choose how far in the future you wanted to have the last part?   Jessica Huang: [00:31:09] Some of it was really just based on the needs of the characters. So the how far into the future I wanted us to be following a character that we met as a baby in the previous act. So it just, you know, made sense. I couldn't push it too far into the future. It made sense to set it in the 2060s. In terms of the nineties and, why not present day? Immigration in the nineties , was so different in it was still, like I said, it was still, it's always been a important national conversation, but it wasn't. There was a, it felt like a little bit more, I don't know if gentle is the word, but there just was more nuance to the conversation. And still there was a broad effort to prevent Cuban and refugees from coming ashore. I think I was fascinated by how complicated, I mean, what foot, dry foot, the idea of it is that , if a refugee is caught on water, they're sent back to Cuba. But if they're caught on land, then they can stay in the us And just the idea of that is so. The way that, people's lives are affected by just where they are caught , in their crossing. I just found that to be a bit ridiculous and in terms of a national policy. It made sense then to set the second part, which moves into a bit of a farce at a time when immigration also kind of felt like a farce.   Jalena Keane-Lee: [00:32:46] That totally makes sense. It feels very dire right now, obviously. But it's interesting to be able to kind of go back in time and see when things were handled so differently and also how I think throughout history and also touching many different racial groups. We've talked a lot on this show about the Chinese Exclusion Act and different immigration policies towards Chinese and other Asian Americans. But they've always been pretty arbitrary and kind of farcical as you put it. Yeah.   Jessica Huang: [00:33:17] Yeah. And that's not to make light of like the ways that people's lives were really impacted by all of this policy . But I think the arbitrariness of it, like you said, is just really something that bears examining. I also think it's really helpful to look at where we are now through the lens of the past or the future. Mm-hmm. Just gives just a little bit of distance and a little bit of perspective. Maybe just a little bit of context to how we got to where we got to.   Jalena Keane-Lee: [00:33:50] That totally makes sense. What has your experience been like of seeing the play be put up? It's my understanding, this is the first this is like the premier of the play at Berkeley Rep.   Jessica Huang: [00:34:00] Yes. Yeah. It's the world premier. It's it incredible. Jackie Bradley is our director and she's phenomenal. It's just sort of mesmerizing what is happening with this play? It's so beautiful and like I've alluded to, it shifts tone between the first movement being sort of a historical drama on Angel Island to, it moves into a bit of a farce in part two, and then it, by the third movement, we're living in sort of a dystopic, almost sci-fi future. The way that Jackie's just deftly moved an audience through each of those experiences while holding onto the important threads of this family and, the themes that we're unpacking and this like incredible design team, all of these beautiful visuals sounds, it's just really so magical to see it come to life in this way. And our cast is incredible. I believe there are 18 named roles in the play, and there are a few surprises and all of them are played by six actors. who are just. Unbelievable. Like all of them have the ability to play against type. They just transform and transform again and can navigate like, the deepest tragedies and the like, highest moments of comedy and just hold on to this beautiful humanity. Each and every one of them is just really spectacular. So I'm just, you know. I don't know. I just feel so lucky to be honest with you. This production is going to be so incredible. It's gonna be, it feels like what I imagine in my mind, but, you know, plus,    Jalena Keane-Lee: [00:35:45] well, I really can't wait to see it. What are you hoping that audiences walk away with after seeing the show?   Jessica Huang: [00:35:54] That's a great question. I want audiences to feel connected to their ancestors and feel part of this community of this country and, and grateful and acknowledge the sacrifices that somebody along the line made so that they could be here with, with each other watching the show. I hope, people feel like they enjoyed themselves and got to experience something that they haven't experienced before. I think that there are definitely, nuances to the political conversation that we're having right now, about who has the right to immigrate into this country and who has the right to be a refugee, who has the right to claim asylum. I hope to add something to that conversation with this play, however small.   Jalena Keane-Lee:[00:36:43]  Do you know where the play is going next?   Jessica Huang: [00:36:45] No. No. I dunno where it's going next. Um, exciting. Yeah, but we'll, time will   Jalena Keane-Lee: [00:36:51] and previews start just in a few days, right?   Jessica Huang: [00:36:54] Yeah. Yeah. We have our first preview, we have our first audience on Friday. So yeah, very looking forward to seeing how all of this work that we've been doing lands on folks.   Jalena Keane-Lee: [00:37:03] Wow, that's so exciting. Do you have any other projects that you're working on? Or any upcoming projects that you'd like to share about?   Jessica Huang: [00:37:10] Yeah, yeah, I do. I'm part of the writing team for the 10 Things I Hate About You Musical, which is in development with an Eye Toward Broadway. I'm working with Lena Dunham and Carly Rae Jepsen and Ethan Ska to make that musical. I also have a fun project in Chicago that will soon be announced.   Jalena Keane-Lee: [00:37:31] And what is keeping you inspired and keeping your, you know, creative energies flowing in these times?   Jessica Huang: [00:37:37] Well first of all, I think, you know, my collaborators on this show are incredibly inspiring. The nice thing about theater is that you just get to go and be inspired by people all the time. 'cause it's this big collaboration, you don't have to do it all by yourself. So that would be the first thing I would say. I haven't seen a lot of theater since I've been out here in the bay, but right before I left New York, I saw MEUs . Which is by Brian Keda, Nigel Robinson. And it's this sort of two-hander musical, but they do live looping and they sort of create the music live. Wow. And it's another, it's another show about an untold history and about solidarity and about folks coming together from different backgrounds and about ancestors, so there's a lot of themes that really resonate. And also the show is just so great. It's just really incredible. So , that was the last thing I saw that I loved. I'm always so inspired by theater that I get to see.   Jalena Keane-Lee: [00:38:36] That sounds wonderful. Is there anything else that you'd like to share?   Jessica Huang: [00:38:40] No, I don't think so. I just thanks so much for having me and come check out the show. I think you'll enjoy it. There's something for everyone.   Jalena Keane-Lee: [00:38:48] Yeah. I'm so excited to see the show. Is there like a Chinese Cuban love story with the Miami portion? Oh, that's so awesome. This is an aside, but I'm a filmmaker and I've been working on a documentary about, Chinese people in Cuba and there's like this whole history of Chinese Cubans in Cuba too.   Jessica Huang: [00:39:07] Oh, that's wonderful. In this story, it's a person who's a descendant of, a love story between a Chinese person and a Mexican man, a Chinese woman and a Mexican man, and oh, their descendant. Then also, there's a love story between him and a Cuban woman.   Jalena Keane-Lee: [00:39:25] That's awesome. Wow. I'm very excited to see it in all the different intergenerational layers and tonal shifts. I can't wait to see how it all comes together.   Ayame Keane-Lee: [00:39:34] Next up we are back with Miko Lee, who is now speaking with photographer Joyce Xi about her latest exhibition entitled Our Language, our Story Running Through January in San Francisco at Galleria de Raza.    Miko Lee: [00:39:48] Welcome, Joyce Xi to Apex Express.    Joyce Xi: [00:39:52] Thanks for having me.    Miko Lee: [00:39:53] Yes. I'm, I wanna start by asking you a question I ask most of my guests, and this is based on the great poet Shaka Hodges. It's an adaptation of her question, which is, who are your people and what legacy do you carry with you?   Joyce Xi: [00:40:09] My people are artists, free spirits, people who wanna see a more free and just, and beautiful world. I'm Chinese American. A lot of my work has been in the Asian American community with all kinds of different people who dreaming of something better and trying to make the world a better place and doing so with creativity and with positive and good energy.   Miko Lee: [00:40:39] I love it. And what legacy do you carry with you?   Joyce Xi: [00:40:43] I am a fighter. I feel like just people who have been fighting for a better world. Photography wise, like definitely thinking about Corky Lee who is an Asian American photographer and activist. There's been people who have done it before me. There will be people who do it after me, but I wanna do my version of it here.   Miko Lee: [00:41:03] Thank you so much and for lifting up the great Corky Lee who has been such a big influence on all of us. I'm wondering in that vein, can you talk a little bit about how you use photography as a tool for social change?   Joyce Xi: [00:41:17] Yeah. Photography I feel is a very powerful tool for social change. Photography is one of those mediums where it's emotional, it's raw, it's real. It's a way to see and show and feel like important moments, important stories, important emotions. I try to use it as a way to share. Truths and stories about issues that are important, things that people experience, whether it's, advocating for environmental justice or language justice or just like some of them, just to highlight some of the struggles and challenges people experience as well as the joys and the celebrations and just the nuance of people's lives. I feel like photography is a really powerful medium to show that. And I love photography in particular because it's really like a frozen moment. I think what's so great about photography is that. It's that moment, it's that one feeling, that one expression, and it's kind of like frozen in time. So you can really, sit there and ponder about what's in this person's eyes or what's this person trying to say? Or. What does this person's struggle like? You can just see it through their expressions and their emotions and also it's a great way to document. There's so many things that we all do as advocates, as activists, whether it's protesting or whether it's just supporting people who are dealing with something. You have that moment recorded. Can really help us remember those fights and those moments. You can show people what happened. Photography is endlessly powerful. I really believe in it as a tool and a medium for influencing the world in positive ways.   Miko Lee: [00:43:08] I'd love us to shift and talk about your latest work, Our language, Our story.” Can you tell us a little bit about where this came from?   Joyce Xi: [00:43:15] Sure. I was in conversation with Nikita Kumar, who was at the Asian Law Caucus at the time. We were just chatting about art and activism and how photography could be a powerful medium to use to advocate or tell stories about different things. Nikita was talking to me about how a lot of language access work that's being done by organizations that work in immigrant communities can often be a topic that is very jargon filled or very kind of like niche or wonky policy, legal and maybe at times isn't the thing that people really get in the streets about or get really emotionally energized around. It's one of those issues that's so important to everything. Especially since in many immigrant communities, people do not speak English and every single day, every single issue. All these issues that these organizations advocate around. Like housing rights, workers' rights, voting rights, immigration, et cetera, without language, those rights and resources are very hard to understand and even hard to access at all. So, Nik and I were talking about language is so important, it's one of those issues too remind people about the core importance of it. What does it feel like when you don't have access to your language? What does it feel like and look like when you do, when you can celebrate with your community and communicate freely and live your life just as who you are versus when you can't even figure out how to say what you wanna say because there's a language barrier.    Miko Lee: [00:44:55] Joyce can you just for our audience, break down what language access means? What does it mean to you and why is it important for everybody?   Joyce Xi: [00:45:05] Language access is about being able to navigate the world in your language, in the way that you understand and communicate in your life. In advocacy spaces, what it can look like is, we need to have resources and we need to have interpretation in different languages so that people can understand what's being talked about or understand what resources are available or understand what's on the ballot. So they can really experience their life to the fullest. Each of us has our languages that we're comfortable with and it's really our way of expressing everything that's important to us and understanding everything that's important to us. When that language is not available, it's very hard to navigate the world. On the policy front, there's so many ways just having resources in different languages, having interpretation in different spaces, making sure that everybody who is involved in this society can do what they need to do and can understand the decisions that are being made. That affects them and also that they can affect the decisions that affect them.   Miko Lee: [00:46:19] I think a lot of immigrant kids just grow up being like the de facto translator for their parents. Which can be things like medical terminology and legal terms, which they might not be familiar with. And so language asks about providing opportunities for everybody to have equal understanding of what's going on. And so can you talk a little bit about your gallery show? So you and Nikita dreamed up this vision for making language access more accessible and more story based, and then what happened?   Joyce Xi: [00:46:50] We decided to express this through a series of photo stories. Focusing on individual stories from a variety of different language backgrounds and immigration backgrounds and just different communities all across the Bay Area. And really just have people share from the heart, what does language mean to them? What does it affect in their lives? Both when one has access to the language, like for example, in their own community, when they can speak freely and understand and just share everything that's on their heart. And what does it look like when that's not available? When maybe you're out in the streets and you're trying to like talk to the bus driver and you can't even communicate with each other. How does that feel? What does that look like? So we collected all these stories from many different community members across different languages and asked them a series of questions and took photos of them in their day-to-day lives, in family gatherings, at community meetings, at rallies, at home, in the streets, all over the place, wherever people were like Halloween or Ramadan or graduations, or just day-to-day life. Through the quotes that we got from the interviews, as well as the photos that I took to illustrate their stories, we put them together as photo stories for each person. Those are now on display at Galleria Deza in San Francisco. We have over 20 different stories in over 10 different languages. The people in the project spoke like over 15 different languages. Some people used multiple languages and some spoke English, many did not. We had folks who had immigrated recently, folks who had immigrated a while ago. We had children of immigrants talking about their experiences being that bridge as you talked about, navigating translating for their parents and being in this tough spot of growing up really quickly, we just have this kind of tapestry of different stories and, definitely encourage folks to check out the photos but also to read through each person's stories. Everybody has a story that's very special and that is from the heart   Miko Lee: [00:49:00] sounds fun. I can't wait to see it in person. Can you share a little bit about how you selected the participants?    Joyce Xi: [00:49:07] Yeah, selecting the participants was an organic process. I'm a photographer who's trying to honor relationships and not like parachute in. We wanted to build relationships and work with people who felt comfortable sharing their stories, who really wanted to be a part of it, and who are connected in some kind of a way where it didn't feel like completely out of context. So what that meant was that myself and also the Asian Law Caucus we have connections in the community to different organizations who work in different immigrant communities. So we reached out to people that we knew who were doing good work and just say Hey, do you have any community members who would be interested in participating in this project who could share their stories. Then through following these threads we were able to connect with many different organizations who brought either members or community folks who they're connected with to the project. Some of them came through like friends. Another one was like, oh, I've worked with these people before, maybe you can talk to them. One of them I met through a World Refugee Day event. It came through a lot of different relationships and reaching out. We really wanted folks who wanted to share a piece of their life. A lot of folks who really felt like language access and language barriers were a big challenge in their life, and they wanted to talk about it. We were able to gather a really great group together.    Miko Lee: [00:50:33] Can you share how opening night went? How did you navigate showcasing and highlighting the diversity of the languages in one space?    Joyce Xi: [00:50:43] The opening of the exhibit was a really special event. We invited everybody who was part of the project as well as their communities, and we also invited like friends, community and different organizations to come. We really wanted to create a space where we could feel and see what language access and some of the challenges of language access can be all in one space. We had about 10 different languages at least going on at the same time. Some of them we had interpretation through headsets. Some of them we just, it was like fewer people. So people huddled together and just interpreted for the community members. A lot of these organizations that we partnered with, they brought their folks out. So their members, their community members, their friends and then. It was really special because a lot of the people whose photos are on the walls were there, so they invited their friends and family. It was really fun for them to see their photos on the wall. And also I think for all of our different communities, like we can end up really siloed or just like with who we're comfortable with most of the time, especially if we can't communicate very well with each other with language barriers. For everybody to be in the same space and to hear so many languages being used in the same space and for people to be around people maybe that they're not used to being around every day. And yet through everybody's stories, they share a lot of common experiences. Like so many of the stories were related to each other. People talked about being parents, people talked about going to the doctor or taking the bus, like having challenges at the workplace or just what it's like to celebrate your own culture and heritage and language and what the importance of preserving languages. There are so many common threads and. Maybe a lot of people are not used to seeing each other or communicating with each other on a daily basis. So just to have everyone in one space was so special. We had performances, we had food, we had elders, children. There was a huge different range of people and it was just like, it was just cool to see everyone in the same space. It was special.    Miko Lee: [00:52:51] And finally, for folks that get to go to Galleria de la Raza in San Francisco and see the exhibit, what do you want them to walk away with?   Joyce Xi: [00:53:00] I would love for people to walk away just like in a reflective state. You know how to really think about how. Language is so important to everything that we do and through all these stories to really see how so many different immigrant and refugee community members are making it work. And also deal with different barriers and how it affects them, how it affects just really simple human things in life that maybe some of us take for granted, on a daily basis. And just to have more compassion, more understanding. Ultimately, we wanna see our city, our bay area, our country really respecting people and their language and their dignity through language access and through just supporting and uplifting our immigrant communities in general. It's a such a tough time right now. There's so many attacks on our immigrant communities and people are scared and there's a lot of dehumanizing actions and narratives out there. This is, hopefully something completely different than that. Something that uplifts celebrates, honors and really sees our immigrant communities and hopefully people can just feel that feeling of like, oh, okay, we can do better. Everybody has a story. Everybody deserves to be treated with dignity and all the people in these stories are really amazing human beings. It was just an honor for me to even be a part of their story. I hope people can feel some piece of that.    Miko Lee: [00:54:50] Thank you so much, Joyce, for sharing your vision with us, and I hope everybody gets a chance to go out and see your work.    Joyce Xi: [00:54:57] Thank you.   Ayame Keane-Lee: [00:55:00] Thanks so much for tuning in to Apex Express. Please check out our website at kpfa.org/program/apexexpress to find out more about the guests tonight and find out how you can take direct action.   Apex Express is a proud member of Asian Americans for civil rights and equality. Find out more at aacre.org. That's AACRE.org.   We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world. Your voices are important.    Apex Express is produced by  Miko Lee, Jalena Keene-Lee, Ayame Keene-Lee, Preeti Mangala Shekar, Anuj Vaida, Cheryl Truong, Isabel Li, Nina Phillips & Swati Rayasam. Thank you so much to the team at KPFA for their support and have a good night.       The post APEX Express – 11.20.25 – Artist to Artist appeared first on KPFA.

Michelle Yeoh has created a legendary body of work that defies easy categorisation. You'll know her from cult classic Kung Fu Cinema, Everything Everywhere, All At Once - the film that made her the first Asian woman to be given the Academy Award for Best Actress at the time. She was cast as a Bond girl in Tomorrow Never Dies, then starred in the global box office hit Crouching Tiger Hidden Dragon and the brilliantly chilling future mother-in-law in Crazy Rich Asians. This month sees her returning to the role in Wicked, as Madame Morrible. In person she is warm and engaging, with a fascinating story to tell. We talk about why mistakes help us grow, why she felt like a ‘failure' for not having children (something we have in common), stage fright - and how she almost quit after a life-threatening stunt injury. Plus: racism, typecasting and why her mother is the REAL diva. ✨ IN THIS EPISODE: 01:16 The Journey to Hollywood 02:36 The Role of Family 03:52 On Playing Iconic Roles 08:10 Facing Personal Challenges 24:20 Think Wider: Breaking Family Expectations 25:38 Pursuing Dreams: From Ballet to Acting 27:16 The Hong Kong Film Industry: Early Challenges 27:33 Breaking Stereotypes: Women in Action Films 34:25 Hollywood's Limitations: Typecasting and Minority Roles 37:30 Facing Racism: The Ongoing Struggle 39:22 Stunt Accident: A Turning Point 47:57 Resilience and Reflection: Lessons Learned

This week Lia, Megan and Amy get into The Bechdel Test in Korean dramas. How does a piece of media pass The Bechdel Test? It has to meet three criteria: it must feature at least two women, the two women must have a conversation with each other, and the conversation must not be about a man. This should not be a high bar...and yet? And...yet.K-Pop Rec of the Week: Spaghetti by La Sserafim (featuring J-Hope of BTS)Ready to download your first audiobook? Don't forget to click HERE for your free Audible trial.*Audible is a sponsor of Afternoona Delight Podcast*Are your family and friends sick of you talking about K-drama? We get it...and have an answer. Join our AfterNoona Delight Patreon and find community among folks who get your obsession. And check out www.afternoonadelight.com for more episodes, book recs and social media goodness. And don't forget about the newest member of our network: Afternoona Asks where diaspora Asians living in the West find ways to reconnect to Asian culture via Asian/KDramas.Last but CERTAINLY not least....love BTS? Or curious what all the fuss is about? Check out our sister pod Afternoona Army for "thinky, thirsty and over thirty" takes on Bangtan life. ★ Support this podcast on Patreon ★

Today we talk about things we do at work outside of our typical job scope - including attending happy hours, helping to plan events or socials, and taking classes or optional programs to expand our expertise! We chat about ways to make work life feel more dynamic and catered to our personal interests and goals.Support the showFollow us on social media @eatyourcrustpod

  Welcome back, Career Unicorns! This week, we are honored to host the incredible Dr. Grace Poon Ghaffari: a motherscholar practitioner, proud daughter of Chinese immigrants, and embodied healer. Grace is an Assistant Professor at San Jose State University, where she focuses on healing and harm among student survivors of sexual and relationship violence, examining how these experiences are intertwined with broader systems of oppression. In this deep and vital conversation, we discuss why the traditional justice system often fails to be a source of healing, the critical importance of naming violence as it truly is (especially anti-Asian women hate), and how to move toward decolonizing our own healing experiences. Grace shares her wisdom on tuning into ancestral knowledge, recognizing the validity of traditional wisdom, and finding sustainable ways to resist the exhausting cycles of systemic harm and microaggressions. Key Takeaways:  The Healing Gap: Why victims often don't find the justice system to be a source of healing, and the importance of acknowledging harm. Revictimization: The harmful experience of unhelpful police and the dismissal of non-stereotypical victims of violence. The Fight To Name Harm: Connecting the Atlanta spa shootings, anti-Asian women hate, and the necessity of uplifting marginalized narratives that are often wildly dismissed  Internalized Dismissal: How Asian women's experiences of violence are often minimized ("that just happens to Asian women"), and the role of purity culture in the Asian cultural context. Decolonizing Healing: Recognizing the positives of Western medicine alongside the profound knowledge and wisdom of our ancestors, and how our relationship to the body and land are part of the healing ecosystem. Ancestors As Researchers: Tuning into your own lineage and recognizing that your parents and community have been doing research all along, even if it wasn't recognized by traditional science. The Tiring Nature of Resistance: The layers of trauma, microaggressions, and the importance of finding ways to be sustainable and be in the resistance for the long haul. Connect with us: Learn more about our guest, Dr. Grace Poon on LinkedIn at https://www.linkedin.com/in/gpoonghaffari/.  Follow our host, Samorn Selim, on LinkedIn at https://www.linkedin.com/in/samornselim/. Get a copy of Samorn's book, Career Unicorns™ 90-Day 5-Minute Gratitude Journal: An Easy & Proven Way To Cultivate Mindfulness, Beat Burnout & Find Career Joy, at https://tinyurl.com/49xdxrz8.  Ready for a career change?  Schedule a free 30-minute build your dream career consult by sending a message at www.careerunicorns.com. 

S&P futures are pointing to a flat open today. Investors are awaiting NVIDIA's earnings after the close, with the company expected to post another big beat on the back of surging AI demand. However, concerns over valuations remain a key talking point. Asian equities finished a choppy Wednesday session with most markets traded lower. European stocks are slightly weaker, following Tuesday's sharp declines.Companies Mentioned: NVIDIA, Warner Bros. Discovery, Onity Group

Award-winning Vietnamese-Canadian filmmaker Janet-Rose Nguyen is set to premiere her new short film Do You See Her? at the Blood in the Snow Film Festival (BITS),running November 17–22, 2025, in Toronto at the Isabel Bader Theatre. The unsettling psychological horror follows Katie (Ivy Miller), a woman who questions her sanity as she's stalked by a terrifying entity; one she can only see when her glasses are off. Inspired by the visually impaired, Janet-Rose's film is both an ode to the fragility of perception and a meditation on fear. A rising voice in Canada's genre film landscape, Janet-Rose Nguyen is an award-winning writer and director whose work explores the intersections of horror, queerness, modern society, and the Asian diaspora. A Top 10 Finalist in the Screencraft Horror Competition for her feature Cedar Falls Bay, Janet-Rose has also been selected for Rising Voices Canada, Tribeca Film Festival's Creators Market, Stowe Story Labs, Reelworld's Emerging 20 Program and the Canadian Film Centre's CBC Actors Conservatory.  Janet-Rose Nguyen  is currently in post-production on her debut feature, Welcome to Kurosawa House, starring Jean Yoon (Kim's Convenience). As a queer Vietnamese-Canadian storyteller, she is deeply committed to bringing underrepresented voices to the screen, crafting stories that challenge, unsettle, and expand the boundaries of genre. Through her distinctive blend of horror and humanity, Janet-Rose is redefining what Canadian cinema can look like, using fear as a lens to reflect identity, belonging, and resilience.    Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Grab your favorite drink and join us as we float into the dreamy world of Love in the Clouds. This week, I'm joined by the wonderful Moe to chat through all the romance, charm, and unexpected emotional beats that make this C-drama 5 Tea Cupper in our eyes.We talk chemistry, characters, and the moments that made us grin, swoon, or pause for a little extra thought. If you're curious whether Love in the Clouds deserves a spot on your drama list—or you simply want to relive the warm, whimsical feels—this episode is the perfect place to curl up and listen.If you like the episode and would behind the scenes, deleted content and further reviews join Patreon - patreon.com/user?u=82789007 To join a safe, Asian drama chatter community there's Discord  - https://discord.com/invite/8CEPFjnaRY Socials Liliana (Tea and Soju)Instagram: teaandsojupod - https://instagram.com/teaandsojupod?igshid=OGQ5ZDc2ODk2ZA== Tiktok - teaandsojupod- https://www.tiktok.com/@teaandsojupod?_t=8gXFJT3Q6Ov&_r=1 Email - teaandsojupodcast@gmail.com  Moe - Off By the Purple Heart Socials:YouTube - https://www.youtube.com/channel/UC8d0b0U4MxOFxR2UjVUWkYQ/videos Instagram - https://www.instagram.com/offbypurpleheart?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== 

For more of my latest content, subscribe to my YouTube channel, Dark Asia with Megan and join our awesome community. Your support means everything, and I can't wait to share more Asian cases with you! On Other Platforms: • TikTok: https://www.tiktok.com/@darkasiawithmegan • Instagram: https://www.instagram.com/darkasiawithmegan • Facebook: https://www.facebook.com/darkasiameganlee Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Five songs. Five distinct moods. One immersive listen that moves from hazy warmth to triumphant return to a heart-tugging plea that won't leave you alone. We spin through new and notable band singles from the Philippines, South Korea, and Japan, comparing notes on production, emotional arcs, and those tiny moments—drops, claps, whispers—that flip a good track into a great one.We start with Over October's 'Dahan', where soft rock and a psychedelic sheen create a slow-burn glow. The vocal sits rich and husky while the guitar shimmers, and a late-song drop brings a goosebump whisper that seals the mood. From there, macico's 'puppet' layers lounge, J-pop, and R&B, all breathy and conspiratorial, hinting at power, distance, and the loneliness between the lines. CNBLUE's 'Curtain call' turns the energy up without losing finesse: bright piano, brass accents, and a propulsive groove that feels like walking back onstage to cheers—grateful, charged, alive. Sakurashimeji's 'who!' brings youthful drive with a smart stereo intro, handclap lift, and a mid-song funk wink that keeps the ride playful and tight. We close on SURL's 'Please stay', where the guitar weeps and the vocal folds into the arrangement like another instrument. It's melancholic, intoxicating, and beautifully produced, the kind of track that asks for one more midnight replay.Throughout, we talk arrangement choices, vocal textures, sonic influences—psychedelic touches, jazz inflections, R&B undercurrents—and how personal context shapes what we hear. If you love discovering Asian indie, pop rock, and cross-genre band sounds, this one's packed with gems and ear-candy details worth your time.Your notes help others find the music, and your favorites might make our next playlist—what track hit you hardest?Over October: Instagram X YouTube Dahanmacico: Instagram X YouTube puppetCNBLUE: Instagram X YouTube Curtain callSakura Shimeji: Instagram X YouTube who!SURL: Instagram YouTube Please staySupport the showPlease help Music Elixir by rating, reviewing, and sharing the episode. We appreciate your support!Follow us on:TwitterInstagram BlueskyIf have questions, comments, or requests click on our form:Music Elixir FormDJ Panic Blog:OK ASIA

Film critic Emma Jones joins Eve Jackson to unpack Ariana Grande and Cynthia Erivo's show-stopping return to Oz in Jon M. Chu's "Wicked: For Good", the blockbuster sequel landing with sky-high expectations, brand-new music and even a headline-grabbing incident at its Asian premiere. But this week's arts24 film show has far more than pink bubbles and green glamour.

Ian Krietzberg joins Peter to discuss the newest frontier in American campaign politics: the deep-pocketed, scorched-earth war against politicians who dare to regulate artificial intelligence. As Ian explains, Silicon Valley giants—from OpenAI to Andreessen Horowitz—are ponying up millions to kneecap Democrats pushing for oversight of these fast-growing, opaque, and increasingly powerful companies. See all the ways bp is investing in America at ⁠⁠⁠⁠⁠⁠⁠⁠bp.com/InvestingInAmerica⁠⁠⁠⁠⁠⁠⁠ . To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

SHOW 11-17-25 CBS EYE ON THE WORLD WITH JOHN BATCHELOR 1899 UKRAINE THE SHOW BEGINS IN THE DOUBTS ABOUT POTUS... FIRST HOUR 9-915 Pakistan's Military Dominance: Field Marshal Munir's Power and US Relations Guest: Ambassador Husain Haqqani Ambassador Husain Haqqani detailed the institutional dominance of Pakistan's military, noting that Parliament recently granted Field Marshal Asim Munir legal immunity for life and expanded his power by designating him Chief of Defense Forces, giving him control over the entire military, as Munir aims for presidential privileges without directly taking power, backed by a national narrative that Pakistan is perpetually under threat from India, and gained significant political and psychological advantage through two meetings and praise from President Trump, despite no new US aid or weapons, while Trump, who favors strongmen, may also be using this praise to leverage concessions from Indian Prime Minister Modi, as Munir is taking risks by adopting a firmer stance regarding violence on the Northwest frontier with the Taliban, an approach not well received by the Afghans, with Pakistani politicians historically conceding ground to the military to secure a shared portion of power. 915-930 CONTINUED Pakistan's Military Dominance: Field Marshal Munir's Power and US Relations Guest: Ambassador Husain Haqqani Ambassador Husain Haqqani detailed the institutional dominance of Pakistan's military, noting that Parliament recently granted Field Marshal Asim Munir legal immunity for life and expanded his power 930-945 China's Economic Slump: Export Decline, Policy Failures, and Property Market Stagnation Guests: Anne Stevenson-Yang and Gordon Chang Anne Stevenson-Yang and Gordon Chang discussed the unprecedented slump in China's economic activity, noting cooled investment and slowing industrial output, with exports falling 25% to the US, attributing this long-term decline to the government's 2008 decision to pull back economic reforms and the current 15th Five-Year Plan lacking viable solutions or bailouts for hurting localities, while consumption remains dangerously low (around 38% of GDP) and is expected to shrink further as the government prioritizes technological development and factory production, with the property market collapsing as capital investment, land sales, and unit prices decline, forcing people to hold onto decaying apartments and risking stagnation for decades similar to Japan post-1989, a problem largely self-created due to overcapacity, although other countries like Brazil are also restricting Chinese imports. 945-1000 China's Role in Global Drug Epidemics: Meth Precursors and Weaponizing Chemicals. Guests: Kelly Curry and Gordon Chang. Kelly Curry and Gordon Chang detailed China's crucial role in the global drug trade, asserting that China's chemical exports are fueling a "tsunami of meth" across Asia. Chinese manufacturers supply meth precursor chemicals to warlords, notably the Chinese-aligned, US-sanctioned United Wa State Army in Myanmar. This production (Yaba/ice) is believed to have been diverted from China's domestic market in the 1990s. Both guests confirmed this activity is impossible without the explicit knowledge and support of the Central Committee, noting China grants export subsidies, tax rebates, and uses state banks for money laundering associated with the drug trade. China benefits financially and strategically by weakening US-backed allies like Thailand and South Korea who are flooded with the drugs. This structure mirrors the fentanyl crisis in North America, and experts predict increasing co-production and sharing of chemical methods between Asian drug groups and Mexican cartels. SECOND HOUR 10-1015 Syria's Complex Geopolitics: Air Bases, Sanctions, Accountability, and Great Power Mediation Guest: Ahmad Sharawi Ahmad Sharawi discussed the non-transparent situation in Syria, focusing on reports of potential US air bases (Mezzeh and Dumayr), with denials from the Syrian government suggesting they won't possess the bases but might allow US use for counter-ISIS missions or potentially a security agreement requested by Israel for deconfliction, noting a recent US C-130 spotted landing at the Mezzeh air base near Damascus, while during a reported White House visit, Syrian requests included the removal of Caesar sanctions (partially waived by President Trump) and an Israeli withdrawal from the southern border buffer zone, with domestic movement towards accountability for the Suwayda province massacre and government security forces being arrested, as a Russian military delegation visited Damascus and southern Syria, potentially acting as a deconfliction mechanism between Syria and Israeli forces, with Russia's goal appearing to be balancing regional interests while maintaining its bases in western Syria. 1015-1030 CONTINUED Syria's Complex Geopolitics: Air Bases, Sanctions, Accountability, and Great Power Mediation Guest: Ahmad Sharawi Ahmad Sharawi discussed the non-transparent situation in Syria, focusing on reports of potential US air bases (Mezzeh and Dumayr), with denials from the Syrian government... 1030-1045 Venezuela Crisis: Potential Maduro Exit and Shifting Political Tides in Latin America Guests: Ernesto Araújo and Alejandro Peña Esclusa Alejandro Peña Esclusa and Ernesto Araújo discussed the crisis in Venezuela, noting a powerful US fleet gathered nearby, with Maduro fearing military intervention and reportedly wanting to discuss surrender conditions with President Trump, though his exit is complicated by his ally Diosdado Cabello, who heads operations for the Cartel of the Suns and has no path for redemption, while Maduro's potential fall would deliver a severe blow to the organized crime and drug trafficking networks that permeate South America's political structures, with the opposition, led by María Corina Machado, having transition plans, and Brazilian President Lula neutralized from strongly opposing US actions due to ongoing tariff negotiations with Trump, as the conversation highlighted a new conservative political wave in Latin America, with optimism reported in Argentina following elections that strengthened Javier Milei, and in Chile, where conservative José Antonio Kast is strongly positioned, representing a blend of economic freedom, anti-organized crime platforms, and conservative values. 1045-1100 CONTINUED Venezuela Crisis: Potential Maduro Exit and Shifting Political Tides in Latin America Guests: Ernesto Araújo and Alejandro Peña Esclusa Alejandro Peña Esclusa and Ernesto Araújo discussed the crisis in Venezuela, noting a powerful US fleet gathered nearby, with Maduro fearing military intervention and... THIRD HOUR 1100-1115 1/4 Jews Versus Rome: Two Centuries of Rebellion and the Cost of Diaspora Revolts Professor Barry Strauss of Cornell University, Professor Emeritus and Senior Fellow at the Hoover Institution, discusses the history of Jewish resistance against the Roman Empire as detailed in his book Jews versus Rome. Following the destruction of the Temple and Jerusalem, rebellion continued among Jewish communities scattered across the Roman world. 1115-1130 CONTINUED 2/4 During Emperor Trajan's campaign against the Parthian Empire, a widespread and coordinated "diaspora revolt" erupted in 115–117 AD, beginning in Libya and spreading to Egypt, Cyprus, and Mesopotamia. This was a major challenge, forcing Trajan to divert a legion, as Egypt was the empire's strategic breadbasket. The revolt was spurred by the insulting Jewish tax, the fiscus Judaicus, paid to Jupiter, and the frustrated expectation that the Temple would be rebuilt within 70 years. The Jewish community in Alexandria, possibly the largest Jewish city in the ancient world, was wiped out during the suppression, a disaster for diaspora Judaism. 1130-1145 CONTINUED 3/4 srajan's successor, Hadrian, revered the war against Parthia but recognized the Jews' disloyalty. Starting in 117 AD, Hadrian planned to rebuild Jerusalem as a pagan city named Aelia Capitolina to demonstrate that the Temple would never be restored and to discourage collusion between Jews and Parthians. This provoked the Bar Kokhba Revolt in 132 AD. The leader, Simon Bar Kosa, took the messianic title Bar Kokhba, meaning "Son of the Star," and was accepted as the Messiah by some leading rabbis, including Rabbi Akiva. 1145-1200 CONTINUED The rebels utilized successful asymmetrical warfare, operating from underground tunnel systems and ambushing Roman forces. The conflict was so severe that Hadrian deployed reinforcements from across the empire, including Britain, and the Roman army was badly mauled. The revolt ended bloodily at the stronghold of Betar. As lasting punishment for centuries of trouble and rebellion, the Romans renamed the province from Judea to Syria Palestina. Pockets of resistance continued, notably the Gallus Revolt in 351–352 AD. Guest: Professor Barry Strauss. FOURTH HOUR 12-1215 Iran's Multi-Faceted Crises: Water Scarcity, Pollution, and Transnational Repression Guest: Jonathan Sayah Jonathan Sayah discussed the multi-faceted crises plaguing Iran, reflecting poor management and ecological decline, with Tehran overwhelmed by severe water scarcity as dams dry up and crippling air pollution with CO2 levels 10 times the WHO standard, while the water crisis is worsened by the regime, especially IRGC-affiliated contractors, who prioritize their support base through unregulated mega-projects, leading to rivers and lakes drying up, a deliberate deprivation of clean water that constitutes a human rights violation, as environmental disasters have driven widespread internal migration into Tehran, taxing infrastructure and leading to issues like land subsidence, with the population considered "prime for unrest," while separately, Iran continues its policy of transnational repression, highlighted by the recent foiled plot to assassinate Israel's ambassador in Mexico, as Iran targets both Israeli/American officials and relies on criminal networks to repress Iranian dissidents abroad, while consistently holding American dual citizens hostage as political leverage. 1215-1230 CONTINUED 1230-1245 Ukraine Conflict: French Arms Deal, Sabotage, and the Perilous Battle for Pokrovsk. Guest: John Hardy. John Hardy reported that Ukraine signed a letter of intent with France to obtain 100 Rafale warplanes over 10 years, along with air defense systems. While this partnership is encouraging, Hardy expressed concern that Ukraine is excessively over-diversifying its future air fleet (including F-16, Grippen, Mirage, and Rafale) which complicates long-term sustainment and maintenance. Simultaneously, alarming reports surfaced that sabotage was blamed for an explosion on a major railway line in Poland used to supply Ukraine, fitting a pattern of suspected Russian covert operations against European infrastructure. On the battlefield, fighting continues in Pokrovsk (Picro). Hardy warned that if Ukrainian forces prioritize a politically motivated hold, they risk the encirclement and destruction of troops in nearby areas. Poor weather, such as fog, plays a significant role in the conflict, as Russians often time assaults during these conditions to impede Ukrainian aerial reconnaissance and FPV drones 1245-100 AM raq Elections and Yemen's Houthi Crackdown Guest: Bridget Toomey Bridget Toomey discussed recent developments in Iraq and Yemen, noting that Iraqi parliamentary elections saw a higher-than-expected 56% voter turnout, with preliminary results suggesting Shiite parties close to Tehran performed well and might secure enough seats to form the next government, despite internal infighting and votes remaining largely sectarian, while Prime Minister Mohammed Shia al-Sudani received credit for stability and his party performed strongly, though many Iraqis doubt the elections affect real change, believing critical decisions are made via elite backroom deals, and turning to Yemen, the Houthis announced the arrest of a purported Saudi-American-Israeli spy ring, a paranoid crackdown following Israel's successful targeting of Houthi government and military leaders in August, with arrests including 59 UN workers and prosecutors requesting the death sentence for 21, aiming to intimidate domestic dissent and signal resolve to Western and regional adversaries, especially in sensitive Houthi locations in Sana'a.

China's Role in Global Drug Epidemics: Meth Precursors and Weaponizing Chemicals. Guests: Kelly Currie and Gordon Chang. Kelly Curry and Gordon Chang detailed China's crucial role in the global drug trade, asserting that China's chemical exports are fueling a "tsunami of meth" across Asia. Chinese manufacturers supply meth precursor chemicals to warlords, notably the Chinese-aligned, US-sanctioned United Wa State Army in Myanmar. This production (Yaba/ice) is believed to have been diverted from China's domestic market in the 1990s. Both guests confirmed this activity is impossible without the explicit knowledge and support of the Central Committee, noting China grants export subsidies, tax rebates, and uses state banks for money laundering associated with the drug trade. China benefits financially and strategically by weakening US-backed allies like Thailand and South Korea who are flooded with the drugs. This structure mirrors the fentanyl crisis in North America, and experts predict increasing co-production and sharing of chemical methods between Asian drug groups and Mexican cartels. 1922 burma

This week Frank celebrates his birthday in the studio with Jon, keeps the vibes relaxed, and still manages to pack in a full slate of geek news and debates. The two kick things off with updates on Shogun Season 2, breaking down the ten year time jump, the politics of feudal Japan, and how Western audiences connect with Asian history and tropes on screen. From there they pivot to Valve's newly announced Steam Machine concept and what it means for the future of consoles, PC gaming, and cloud streaming. Then it is trailer time. Frank and John react to the new Fallout Season 2 trailer and its New Vegas setting, the Super Mario Galaxy movie trailer from Illumination, and the first official images from the live action Legend of Zelda movie. They also dig into Disney's Moana live action remake and use it as a springboard to talk about when fans want faithful recreations and when they actually want a fresh take. In the second half, Frank launches a new recurring bit called Shallow Dives, a timed debate game where one host takes a position and the other plays devil's advocate. Topics this round include whether physical media is really coming back, if critic and audience scores should be hidden for a movie's first week, and how central cosplay is to modern fandom. The episode wraps with recommendations for Welcome to Derry and a timely revisit of V for Vendetta. Timestamps and Topics 00:00 – Birthday intro, in person recording, and why this episode is more relaxed 01:00 – Shogun Season 2 news, ten year time jump, and how the show handles Japanese history and European trade politics 05:30 – Valve's new Steam Machine concept, console vs PC, and why price point might decide its fate 11:20 – Fallout Season 2 trailer reaction, New Vegas connections, Elvis ghoul Kings, and Macaulay Culkin's role 15:40 – Super Mario Galaxy movie trailer, Bowser in a jar, Bowser Jr, Rosalina, and Illumination's animation style and music 18:20 – First look at the live action Legend of Zelda movie and a deeper talk about faithful adaptations vs reinterpretations 24:00 – Moana live action trailer, shot for shot remakes, green screen fatigue, and who these remakes are really for 28:15 – Introducing Shallow Dives, the 5 minute debate game and how it might work at conventions 29:30 – Shallow Dive 1: Is physical media actually making a comeback or is streaming still king 35:00 – Shallow Dive 2: Should critic and audience scores be hidden for the first week of release 41:00 – Shallow Dive 3: Is cosplay a core part of fandom or its own parallel hobby 46:20 – Weekly recommendations: Welcome to Derry and why V for Vendetta still matters 48:10 – Wrap up and sign off Key Takeaways Shogun Season 2 will jump ten years into the Edo era, exploring what it means for Toranaga to not just conquer Japan but govern it while foreign powers like Portugal and Britain push for control. For Western viewers, Shogun can be a gateway into Asian history and storytelling, with Frank and John comparing it to Game of Thrones style politics filtered through a real world lens. Valve's new Steam Machine raises real questions about timing and audience, but John argues that if the device hits the right price and lives in the living room it could appeal to younger PC focused players and convention setups. The Fallout Season 2 trailer leans hard into New Vegas iconography, from Elvis themed ghoul factions to Roman inspired forces, while doubling down on the tension between Lucy's idealism and the brutal wasteland reality. The Super Mario Galaxy movie and the Zelda live action first look both seem to be chasing a very faithful visual style, keeping game aesthetics intact while polishing them for film, especially through music and world design. Moana's live action remake sparks a bigger conversation about when fans want a nearly shot for shot remake and when they want a reinterpretation, with both hosts skeptical about the flat, overly digital look of some recent remakes. In the Shallow Dives segment, the physical media debate lands on a nuanced middle ground: streaming is convenient, but physical and local digital collections still matter for ownership, longevity, and curation. The discussion about scores leads Frank to explain why Geek Freaks removed numeric ratings from posts, preferring to describe how a story feels instead of flattening it to a single number. On cosplay, both hosts agree that it might be its own fandom as much as a subset of any one property, but it absolutely boosts the sense of community and safety at cons by signaling "you are with your people." Memorable Quotes "I would rather put out a relaxed episode than no episode." "Each vault in Fallout is just a wild experiment, and that weirdness is the charm of the show." "Physical media might not be for everyone anymore, but owning a copy means nobody can pull it off your shelf overnight." "Reviews should tell you how a story makes you feel, not just slap a number on it." "Cosplay is like an instant signal that you are in a safe place to be as nerdy as you want." Call To Action If you enjoyed this episode, make sure to subscribe to Geek Freaks on your favorite podcast app, leave a rating and review on Apple Podcasts, and share the show with a friend who loves Fallout, Zelda, or Disney animation. Spread the word using the hashtag #GeekFreaksPodcast so we can see what you think of the new Shallow Dives segment. Links and Resources All the news and stories we discuss come from our coverage at: GeekFreaksPodcast.com Follow Us Stay connected with Geek Freaks across the web: Facebook: https://www.facebook.com/thegeekfreakspodcast Twitter: https://twitter.com/geekfreakspod Instagram: https://www.instagram.com/geekfreakspodcast/ Threads: https://www.threads.net/@geekfreakspodcast Patreon: https://www.patreon.com/GeekFreakspodcast Listener Questions Have a question, hot take, or Shallow Dive topic you want us to debate next time Send your thoughts and prompts to us on social media or through GeekFreaksPodcast.com and we might feature your idea in a future episode. Apple Podcasts Tags Geek Freaks, TV and Film, Entertainment News, Pop Culture, Shogun Season 2, Fallout TV Series, Fallout Season 2, Super Mario Galaxy Movie, Legend of Zelda Movie, Moana Live Action, Video Games, Cosplay, Physical Media, Movie Reviews, Streaming Services, Stephen King, Welcome to Derry, V for Vendetta, Alan Moore

Notes and Links to Kaila Yu's Work       Kaila Yu is a singer, songwriter, former model, and freelance journalist for Rolling Stone, CNN, Glamour, and more.    She was formerly the lead singer for the all-Asian-American, female rock band Nylon Pink. Yu is also one of the founders of the jewelry/fashion line "Hello Drama" which is affiliated with the Nylon Pink band and style. Buy Fetishized: A Reckoning With Yellow Fever, Feminism, and Beauty   Kaila's Instagram   Review of Fetishized for The New York Times   At about 1:10, Kaila responds to Pete's questions about feedback she has gotten on the book, and how she sees the book now, post-publication  At about 3:15, Pete asks Kaila to share background information on her reading and language life At about 4:45, Kaila talks about how writing as a profession developed and shouts out Minor Feelings by Cathy Park Hong and Melissa Febos and Roxane Gay's greatness At about 7:05, Kaila talks about the catalysts for her writing her book, largely around the beginning of the Covid pandemic At about 10:20, Kaila talks about distinctions, or lack thereof, between “fetish” and preference  At about 11:45, Kaila and Pete discuss the book's opening and hurtful and harmful comments towards Kaila, some in recent years  At about 13:20, Kaila reflects on “mainstreamed objectification” and an observation from the book that “objectification was better than invisibility” At about 16:35, the two discuss halting attempts at Asian representation in the 90s and early 2000s At about 18:10, Kaila discusses the evolution of Asian and Asian-American stars and their ability to “make their own lane” At about 19:05, Kaila talks about ideas of personal “diminish[ment]” growing up in comparison to media portrayals  At about 20:30, Kaila responds to Pete's questions about the effects of Memoirs of a Geisha and perpetuation of harmful tropes At about 22:30, more examples of problematic representation of Asian women in pop culture and in Kaila's schooling are discussed At about 23:00, Kaila talks about the evolution of “ABGs” At about 25:30, Kaila talks about the “groundbreaking” Joy Luck Club and also ways that it could have been better in minimizing stereotypes At about 26:30, Kaila gives background on the start of her pinup model, as well as how rife the industry is with sexualization and sexual crimes At about 27:45, Kaila gives background on a contemporary San Diego “modeling gig” agency that led to sexual crimes, showing how her experience was sadly not unique  At about 30:05, Kaila responds to Pete's question about online and in-person hateful and misogynistic comments and how she and bandmates  At about 31:50, Kaila talks about she didn't connect at the time, but does now, about how she dealt with traumas  At about 33:00, Shoutout to Allen Carr and his anti-smoking books At about 33:45, Pete asks Kaila about the pitfalls of fame, and her ceaseless battle to remove a defamatory video At about 35:35, Kaila talks about ideas of a "separation" and the impetus for her name change At about 36:40, The two discuss ideas of interchangeability and the history of blepharoplasty At about 38:50, Afong Moy and other exoticism and inhumane conditions for Asian women are discussed, and how this led to a sexualization of these women  At about 41:15, Kaila and Pete discuss some acting and entertainment highlights and struggles; included is some reminiscing about MySpace! At about 43:50, Kaila responds to Pete's questions about the end of her music career and performing in multiple ways At about 45:15, Kaila talks about recent iterations of KPop and patriarchal and feminism in more current music  At about 46:55, Kaila reflects on positive feedback and the legacy involving Nylon Pink At about 47:10, Kaila talks Guns n Roses and “classic” songs and concerts At about 49:15, Kaila forecasts what she will be writing about in the future       You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 310 with Stephanie Elizondo Griest, a globetrotting author from the Texas/Mexico borderlands. Her six books include Around the Bloc: My Life in Moscow, Beijing, and Havana; Mexican Enough; All the Agents and Saints; and Art Above Everything: One Woman's Global Exploration of the Joys and Torments of a Creative Life. The latter will be the main conversation piece. This episode airs on November 20. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.  

S&P futures are down (0.3%) and pointing to a slightly lower open today. Asian equities ended Tuesday trading broadly lower, with the Nikkei leading the declines, down over (3%), followed by the Greater China markets. Markets saw steep losses in large-cap tech and semiconductors ahead of NVIDIA's earnings on Wednesday. Concerns are mounting over high valuations in AI-related stocks, a key driver of this year's market rally. European markets are also sliding now, with the STOXX 600 down (1.2%). Companies Mentioned: NVIDIA, Axalta Coating Systems, Databricks

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The culinary expedition wraps up its American journey as hosts Marcos and Josue venture into the diverse and delectable Pacific Coast and Western time zones, exploring unique Thanksgiving traditions stretching from the cool Pacific Northwest all the way down to sunny California and out to exotic Hawaii. They discuss the use of hyper-local ingredients—from fresh seafood like Dungeness crab to wild Alaskan game and luau-inspired Hawaiian twists—highlighting the significant Asian and Latin cultural influences that redefine the traditional holiday plate. This conversation celebrates the ultimate food fusion, proving that the Thanksgiving table is a true reflection of American diversity, and concludes with a look ahead to the next episode's journey to the East Coast heritage. #westcoastfood #thanksgivingfeast #regionalrecipesGot a Thanksgiving recipe or a meal so good it deserves a holiday? Share YOUR culinary creations with us! Tag your delicious dishes using our special hashtag: #LTSmeals-------------------------------------------------- IG: ⁠⁠https://bit.ly/IG-LTS -------------------------------------------------- ⁠⁠LTS on X: ⁠⁠https://bit.ly/LTSTweets -------------------------------------------------- ⁠⁠Buy Me Coffee: ⁠⁠https://www.buymeacoffee.com/LTS2020

European and Asian equities traded lower this Tuesday, following in the footsteps of Wall Street, as doubts rise as to whether the tech sector's huge investments in artificial intelligence will pay off. Also in this edition: Donald Trump tries to convince American voters he is working to make life more affordable for them. Plus the company behind the 2016 mega-hit "Baby Shark", Pinkfong, debuts on Seoul's stock market.

China's Foreign Ministry has confirmed that Premier Li Qiang will not meet one-on-one with Japanese Prime Minister Sanae Takaichi on the sidelines of the upcoming G20 Summit, as the political atmosphere between the two countries has suffered a great impact from Tokyo's persistence in not withdrawing Takaichi's provocative comments regarding Taiwan.中国外交部证实，李强总理不会在即将举行的二十国集团（G20）峰会期间与日本首相高市早苗举行单独会晤。由于东京方面坚持不收回高市早苗关于台湾问题的挑衅言论，两国政治氛围受到严重影响。"A meeting with the Japanese leader is not on Premier Li Qiang's agenda," Chinese Foreign Ministry spokeswoman Mao Ning said on Monday in Beijing at a daily news briefing.中国外交部发言人毛宁周一在北京的例行记者会上表示：“李强总理的行程中没有安排与日本领导人的会晤。”Takaichi infuriated China after she publicly suggested on Nov 7 Japan's possible military intervention in Taiwan Strait affairs, making her the first incumbent Japanese prime minister to say so in the country's parliament.高市早苗11月7日公开暗示日本可能军事干预台湾海峡事务，此举激怒中国，使她成为日本首位在国会发表此类言论的现任首相。Media outlets in Japan said that Japan-China ties are worsening rapidly and that great attention is being paid to whether there will be a Li-Takaichi meeting at the G20 Summit in South Africa to help break the impasse.日本媒体称中日关系正急剧恶化，各方高度关注李强与高市早苗是否会在南非二十国集团峰会上会晤以打破僵局。"Li's not meeting with Takaichi is a solemn, righteous response to her hazardous remarks that have crossed the line about the Taiwan question and have damaged the political foundation of China-Japan ties," said Wang Peng, a research fellow at Huazhong University of Science and Technology's Institute of State Governance.华中科技大学国家治理研究院研究员王鹏表示：“李强总理不与高市早苗会面，是对其在台湾问题上越界发表危险言论、损害中日关系政治基础的严肃而正义的回应。”While Takaichi's remarks have raised criticism in Japan, some Japanese politicians claimed that China has "overreacted" to her comments.尽管高市早苗的言论在日本引发批评，但部分日本政界人士声称中国对她的言论“反应过度”。Japanese Chief Cabinet Secretary Minoru Kihara defended Takaichi's remarks by saying that the Japanese government's position on the Taiwan question "remains unchanged" and aligns with the China-Japan Joint Statement in 1972, one of the four landmark political documents that have underpinned the bilateral ties.日本内阁官房长官木原稔为高市早苗的言论辩护，称日本政府对台湾问题的立场“始终如一”，并符合1972年《中日联合声明》——该声明是支撑两国关系的四大里程碑式政治文件之一。In response, Mao, the Foreign Ministry spokeswoman, said on Monday that Takaichi's remarks "seriously contradict the spirit of the four political documents between China and Japan".对此，外交部发言人毛宁周一表示，高市早苗的言论“严重违背中日四份政治文件的精神”。The clear provisions on the Taiwan question in the four political documents "constitute solemn commitments made by the Japanese government, which has a legal effect under international law and leaves no room for ambiguity or misinterpretation", Mao said.毛宁指出，四项政治文件中关于台湾问题的明确规定“构成日本政府作出的庄严承诺，具有国际法效力，不容含糊其辞或曲解”。"Whichever political party or person is in power in Japan, they must always abide by the commitment of the Japanese government on the Taiwan question," she said.毛宁表示：“无论日本哪个政党或人物执政，都必须始终遵守日本政府在台湾问题上的承诺。”She once again urged Japan to approach history and relations with China in a responsible way, stop crossing the line and playing with fire, retract the wrongful remarks and act seriously to honor Japan's commitments to China.她再次敦促日本以负责任的态度对待历史和中日关系，停止越界和玩火行为，收回不当言论，切实履行对中国的承诺。Su Xiaohui, an associate research fellow at the China Institute of International Studies, said the strong protests made so far and countermeasures taken by Beijing should prompt Takaichi "to start reconsidering what she has done".中国国际问题研究院副研究员苏晓辉表示，迄今为止强烈的抗议以及北京采取的反制措施，应当促使高市早苗“开始重新考虑自己的所作所为”。The Japanese officials' responses so far show that Tokyo "does feel the pressure from Beijing although it has not made a fundamental change in its stance", Su said.苏晓辉表示，日本官员迄今的回应表明，东京方面“确实感受到来自北京的压力，尽管其立场尚未发生根本性转变”。Also on Monday, Masaaki Kanai, head of the Japanese Foreign Ministry's Asian and Oceanian Affairs Bureau, arrived in Beijing for a visit.同样在周一，日本外务省亚洲大洋洲局局长金井正彰抵达北京进行访问。Unnamed Japanese government sources told Japanese media, including Kyodo News Agency, that Kanai planned to meet with the Chinese side on Tuesday.日本政府匿名消息人士向共同社等日本媒体透露，金井正彰计划于周二与中国方面会晤。Lyu Chao, dean of Liaoning University's Institute of America and East Asia Studies, noted that Kanai is "an influential China hand at the Japanese Foreign Ministry".辽宁大学美国与东亚研究所所长吕超指出，金井正彰是“日本外务省一位颇具影响力的中国问题专家”。"Tokyo has downplayed the serious impact of Takaichi's remarks, and there is no way Japan can gloss it over at the Tuesday talks," Lyu said.吕超表示：“东京方面淡化了高市早苗言论的严重影响，但日本在周二的会谈中绝无可能对此轻描淡写。”As the announcement of the results of a China-Japan joint opinion poll and the Beijing-Tokyo Forum have been postponed at the request of China, Mao, the Foreign Ministry spokeswoman, said that Takaichi's remarks have seriously eroded the political foundation of China-Japan relations and poisoned public opinion.由于中日联合民调结果及北京-东京论坛的发布应中方要求推迟，外交部发言人毛宁表示，高市早苗的言论严重侵蚀中日关系的政治基础，毒化了舆论环境。"The environment and conditions for the joint opinion poll have changed enormously, so how much the results reflect reality and the timing of the announcement need to be reconsidered," Mao said.毛宁表示：“联合民调的环境和条件已发生巨大变化，因此其结果反映现实的程度以及公布时机都需要重新考虑。”The responsibility lies completely in the wrong remarks of the Japanese leader, she added.她补充道，责任完全在于日本领导人的不当言论。

PresenterドクターDイングリッシュ発音ディレクター Dr. D・英語を「声」から変える発音専門スクール・１万人以上の発音を変えた実績・週３で淡路島に出没します突然ですが、"Vision" (ビジョン) と "Pigeon" (ピジョン)。 これら2つの単語、英語で発音するとき、同じ「ジ」の音になっていませんか？日本語のカタカナではどちらも「ジ」と表記されますが、実は英語では全く違う音として区別されています。「え、そうなの？」と思った方、多いかもしれません。 細かな違いなので、これまであまり意識してこなかったのではないでしょうか。でも大丈夫。この記事を読めば、その違いがハッキリとわかり、自信を持って発音できるようになります。 ヒントは日本語の「ジ」と「ヂ」の違い…と言いたいところですが、音声学的に言うと、もっと明確な違いがあります。それでは、いってみましょう！そもそも /ʒ/ と /dʒ/ は何が違う？まず、発音記号で見てみましょう。"Vision" の「ジ」は $/ʒ/$"Pigeon" の「ジ」は $/dʒ/$「D（/d/）が入ってるかどうか」が大きな違いですね。 これが具体的にどういうことかと言うと、**「音の出し方」**が根本的に違います。1. "Vision" の /ʒ/ は「摩擦音」/ʒ/ は摩擦音です。 これは、舌を口の中のどこにも当てずに、舌と上あご（口蓋）の間を狭めて、そこに息を通して「ザー」という摩擦を起こす音です。試しに「ジーーーーー」と、息が続く限り音を伸ばしてみてください。 これが /ʒ/ です。2. "Pigeon" の /dʒ/ は「破裂音」一方、/dʒ/ は破裂音（正確には破擦音）です。 こちらは、一度 /d/ の位置（舌先を上の歯茎のすぐ裏あたり）に舌をピタッと当てて息を止め、それを一気に「ヂッ！」と破裂させて出す音です。/ʒ/ のように「ジーーー」と伸ばし続けることはできず、「ジッ、ジッ、ジッ」と区切れてしまいます。日本語の「ジ」は、多くの場合こちらの /dʒ/ に近い音で発音されています。だからこそ、/ʒ/ の方が私たち日本人にとっては少し厄介なのです。まとめ:/ʒ/ (Vision): 舌を当てない。摩擦し続ける「ジー」。/dʒ/ (Pigeon): 舌を一度当てる。破裂させる「ヂッ」。見分け方は「スペル」にあり！では、いつ /ʒ/ になり、いつ /dʒ/ になるのでしょうか？ これには非常に分かりやすい「スペルの法則」があります。摩擦音 /ʒ/ (舌が当たらない) → "S"単語の中にある s のスペルが「ジ」の音になる場合、ほとんどがこの /ʒ/ になります。visionusualpleasuremeasurecasual破裂音 /dʒ/ (舌が当たる) → "G", "J"一方で、g や j のスペルが「ジ」の音になる場合は、/dʒ/ になります。pigeonangellargejeansjudgeこれで、どちらの音で発音すべきか、かなり判別しやすくなったはずです。【発音のコツ】/sh/ と /ch/ から練習しよう違いはわかったけれど、どうやって発音し分ければいいの？ という方のために、簡単な練習法をお教えします。それは、**無声音（声帯が震えない音）**のペアから練習することです。/ʒ/ (zh) は /ʃ/ (sh) の「有声音」 /ʃ/ (sh) は、「シーッ」と静かにするときに出す「シ」の音です。このとき、舌はどこにも当たっていませんよね。 この /ʃ/ (sh) の口の形・舌の位置のまま、声帯だけを震わせると、/ʒ/ (zh) の音になります。 「シー」→「ジー」（/ʃ/ → /ʒ/）/dʒ/ (j) は /tʃ/ (ch) の「有声音」 /tʃ/ (ch) は、「チッ」と舌打ちするときや、「チーズ」の「チ」の音です。このとき、舌はしっかり上あごに当たって破裂しています。 この /tʃ/ (ch) の動きのまま、声帯だけを震わせると、/dʒ/ (j) の音になります。 「チー」→「ヂー」（/tʃ/ → /dʒ/）この「無声音＋有声音」のセットで覚えるのが、発音習得の近道です。実践！単語ペアで練習ドリルそれでは、無声音と有声音のペアで、実際に単語を発音してみましょう。 （※発音表記は Dr. D スクール独自の読みやすい表記を使っています）1. 舌を当てない練習 (/ʃ/ → /ʒ/)/ʃ/ (sh): vicious /vi shus/ (悪意のある)/ʒ/ (zh): vision /vi zhun/ (ビジョン)/ʃ/ (sh): Patient /pei shunt/ (患者)/ʒ/ (zh): Asian /ei jun/ (アジアの) ※/ʒən/ が一般的ですが、/ʃən/ との対比として/ʃ/ (sh): Prosciutto /pruh shoo tow/ (プロシュート)/ʒ/ (zh): Garage /guh raazh/ (ガレージ) ※米語発音2. 舌を当てる練習 (/tʃ/ → /dʒ/)/tʃ/ (ch): cheese /cheez/ (チーズ)/dʒ/ (j): jeans /jeenz/ (ジーンズ)/tʃ/ (ch): Catch /kach/ (捕まえる)/dʒ/ (j): Edge /ej/ (端)/tʃ/ (ch): Kitchen /ki chin/ (キッチン)/dʒ/ (j): Engine /en jin/ (エンジン)どうですか？ 舌を「当てる・当てない」の意識が、音の明らかな違いを生むことを体感できたでしょうか。フレーズで仕上げる発音エクササイズ最後に、フレーズの中で2つの音を意識して練習してみましょう。ミニマルペア対決似た音の単語を対比させて練習します。(舌を当てない /ʒ/) Vision / Vision / Vision(舌を当てる /dʒ/) Region / Region / Region (地域)(舌を当てない /ʒ/) Pleasure / Pleasure / Pleasure (喜び)(舌を当てる /dʒ/) Major / Major / Major (専攻、主要な)(舌を当てない /ʒ/) Leisure / Leisure / Leisure (余暇)(舌を当てる /dʒ/) Ledger / Ledger / Ledger (台帳)センテンス練習ターゲットの音を強調して読んでみましょう。【/ʒ/ 練習 (舌を当てない)】It's my pleasure.I usually watch television.【/dʒ/ 練習 (舌を当てる)】He is a major.I read the journal generally.【混合練習 (意識して使い分ける！)】The angel (/dʒ/) had a usual (/ʒ/) message (/dʒ/). (その天使は、いつもの (/ʒ/) メッセージ (/dʒ/) を持っていた)まとめいかがだったでしょうか？ "Vision" /ʒ/ と "Pigeon" /dʒ/ の違い、そしてスペルのパターンとの関係性、伝わりましたでしょうか。/ʒ/ は「S」 → 舌を当てない摩擦音/dʒ/ は「G」や「J」 → 舌を当てて破裂させる音正直に言うと、この2つの音を間違えたからといって、会話が全く通じなくなることは稀です。文脈で伝わることがほとんどでしょう。 しかし、この違いを**「知っている」そして「意識できる」**ようになると、あなたの英語のリスニング力、そして発音の解像度は格段に上がります。「ネイティブはこの2つの音を無意識に使い分けているんだ」と知ることが、上達への第一歩です。

In this episode, Galit sits down with creator and educator Jason Pickett for a real conversation about the shifts happening in today's dance world. Jason shares his path from Utah's freestyle community to building a career outside the traditional LA route, and the mindset behind choosing what actually feels right. They dig into the responsibilities of teachers and influencers online, the short-sightedness that's causing dance studios and conventions business, and a shift in what dancers want to do professionally. Jason and Galit also explore whether competitions are watering down dance, how COVID changed the mentality of young dancers, and why the best teachers don't rely on the “combo.” This episode pulls back the curtain on connecting the generations, talent development, and what it really means to create good dancers - not just good perfectionists. Follow Galit: Instagram - https://www.instagram.com/gogalit Website - https://www.gogalit.com/ On-Demand Fitness Courses - https://galit-s-school-0397.thinkific.com/collections Follow Jason Pickett: Instagram - https://www.instagram.com/heyitspickett/ Jason's Website - https://nsadance.com/

Welcome to Season 5, Episode 46! Many of our guests are multi-hyphenates when it comes to their impact in the world, and today's guest can definitely be described that way. Satsuki Ina is a Trauma Therapist, Activist, Filmmaker, Educator, and the Author of the Memoir The Poet and the Silk Girl which was released on September 9, 2025.  Satsuki is a survivor of the Japanese incarceration during World War II. She was born in the camps and spent her first few years there, both experiencing the trauma in her early years as well as through her parents. In her memoir, The Poet and the Silk Girl, Satsuki tells the story of how her parents, brother, and she survived and resisted their incarceration in U.S. concentration camps. One of the things that makes this memoir even more personal is that she was able to draw from diary entries, emotional haiku, censored letters, government documents, and clandestine messages that her parents Shizuko and Itaru Ina shared with each other. Satsuki further adds to the relevance and personalization by connecting her family's experience to the race and immigration stories unfolding today as well—from rising anti-Asian hate crimes to the militarization of immigration enforcement. At 81, Satsuki continues to be at the forefront of Asian American activism. She's a co-founder of Tsuru for Solidarity, a nonviolent, direct-action project of Japanese American social justice advocates. To learn more about Satsuki Ina, you can visit her website, follow her Instagram @satsukiina, support Tsuru for Solidarity, watch her recent addresses at the 56th Annual Manzanar Pilgrimage and the Snow Country Prison Japanese American Memorial, and you can of course get your own copy of The Poet and the Silk Girl.  If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

Research from Asian geckos generally suggests that sticky pads are used for smooth surfaces, while claws help grip onto rougher surfaces like wood and rocks. But a new study using Australian geckos is has turned that paradigm upside-down. Then we talk about a brand new species of frog described from the mountains of central China. Become a Patreon: https://www.patreon.com/herphighlights Merch: https://www.redbubble.com/people/herphighlights/shop Full reference list available here: http://www.herphighlights.podbean.com Main Paper References: Pillai RR, Riedel J, Wirth W, Allen-Ankins S, Nordberg E, Edwards W, Schwarzkopf L. 2025. What's the point? The functional role of claws in pad-bearing taxa (Gekkota: Diplodactylidae). Proceedings of the Royal Society B: Biological Sciences 292:20251362. DOI: 10.1098/rspb.2025.1362. Species of the Bi-Week: Li S, Shi S, Liu J, Zhao J, Gao S, Wang B. 2025. A new species of the Boulenophrys (Anura, Megophryidae) from Hubei, China. Zoosystematics and Evolution 101:1213–1226. DOI: 10.3897/zse.101.155859. Other Mentioned Papers/Studies: GEORGALIS, G. L., & JONES, M. E. (2025). A new peculiar early diverging caenophidian snake (Serpentes) from the late Eocene of Hordle Cliff, England. Comptes Rendus Palevol, 24(25), 505-530. Editing and Music: Intro/outro – Treehouse by Ed Nelson Species Bi-week theme – Michael Timothy Other Music – The Passion HiFi, https://www.thepassionhifi.com

Rick Allen was raised in an Irish-Catholic family, but he made his profession of faith some time after graduating college. From there, his journey of faith and his career path progressed side-by-side. Over time, Rick went from volunteering at church to pastoring a church plant, and from software salesman to CEO of a development company. Then with his ministry experience and leadership skills, Rick transitioned to become president and CEO of MedSend, an organization that has mobilized over 750 Christ-following, disciple-making healthcare professionals into 103 nations.   MedSend doesn't just send doctors overseas, it helps train native physicians to care and witness within their own communities. Under Rick's leadership, MedSend's National Scholars Pathway is equipping African, Asian, and Middle Eastern doctors with advanced medical and biblical training so that they can heal physically and introduce people to Jesus right where they live. Rick is passionate about seeing nations transformed with the love of God through well-equipped, Christ-following medical professionals. Millions of lives have already been touched, and MedSend has a vision to reach millions more with fully equipped Christ-centered hospital systems and networks. If you want to learn how faith, medicine, and missions can fuse in sustainable ways, this episode is for you.   Major Topics Include: Learning to trust God when you can't see what's ahead The desperate need for well-trained health care professionals globally Raising up medical professionals to minister to their own people ROI of investing in a national missionary physician Training medical professionals to share the gospel and disciple others Extending impact through partnership Helping medical missionaries care for themselves through the longevity program MedSend's long-term goal to transform nations through hospital systems and networks QUOTES TO REMEMBER “And I knew immediately that I wasn't trusting God.” “What does it look like for a Christ-following man to trust and surrender?” “I got to see God at work across the table and across the world, and it transformed my understanding of who God is.” “If you approach God with an open mind and and open heart and say, ‘if you're real, show me,' God will show up every time.” “These individuals are taking the love of Christ and a vision for compassionate care into their own healthcare systems and transforming them in the love of Christ.” “We anticipate that an individual physician will touch about 100,000 lives during their career. So we're training up people that will bless and share the knowledge of Christ with 100,000 people in a lifetime. That level of investment pays off over decades.”  “This is not about building healthcare capacity. This is about building Christ-followers who see healthcare as a means to share the love of Jesus Christ.” LINKS FROM THE SHOW MedSend Institute of Global Healthcare Missions Christian Medical & Dental Associations Samaritan's Purse ROI Ministry (see our interview with founder, Tim Barker) The Finish Line Community Facebook Group The Finish Line Community LinkedIn Group WE WANT TO HEAR FROM YOU! If you have a thought about something you heard, or a story to share, please reach out! You can find us on Instagram, Facebook, and LinkedIn. You can also contact us directly from our contact page. If you want to engage with the Finish Line Community, check out our groups on Facebookand LinkedIn.

Asian equities were mixed, while European equity markets are weaker. US equity futures are firmer with S&P up 0.5%. Bonds are firmer. US 10-year yield down 2 bps at 4.1%. Dollar firmer versus euro, Japanese yen and Aussie. Sterling little changed. Oil down, gold lower. Industrial metals weaker. Sentiment is still somewhat negative in Europe after Friday's selloff on rising uncertainty in AI complex and rotation out of high-multiple equities. In addition, hawkish Fedspeak keeping December rate cut at 50/50 odds. Markets have also been assessing rising friction between Japan and China over PM Takaichi's comments on Taiwan. Beijing urged citizens to avoid travel and study in Japan. China's Coast Guard also sent armed ships through disputed waters near Senkaku Islands. Companies Mentioned: Goldman Sachs, Affinity Equity Partners, Airbus SE, Pratt & Whitney, Flydubai, Grindr

On our second to last mid-month book news episode in 2025, we highlight some of the latest Asian American publishing announcements, and catch up on the latest book news for November 2025!Upcoming books mentioned in our publishing news:Overrated by Gene Luen Yang & Jacob PerezInk & Blood: Poetry and Power in the Lives of Emperor Li Yu and Chairman Mao by Chun Yu; illust. Sungyoon ChoiThe Peacock Throne by Zeba Shahnaz Forest Freaks by Nat IwataMei Mei the Bunny by Laufey; Illusy. Lauren O'HaraAunties by Pooja Makhijani; illust. Ruchi MhasaneThe Girl, the Village, and the Terrible Thunder by Aimee Yealim Lee; illust. Hyewon YumJade vs. the Claw Machine by Margaret Chiu Greanias; illust. Heather Brockman LeeSun's Eid by Natasha Khan KaziThe Echo of Empires by Shameen Abubakaruntitled picture book biography of Katherine Sui-Fun Cheung by Cheryl Kim; illust. Nicole Wong. Mongoose's Holi Party by Darshana Khiani; illust. Abhilasha KhatriThe Gods Will Sing Our Song by Autumn KrauseEchoes Across the Water by Livia BlackburneWhat's for Iftar?! by Razeena Omar Gutta; illust. Esraa HederyBook news mentioned on this episode:2025 Goodreads Choice Awards begins (Asian authors nominated for awards listed below)Readers' Favorite FictionThe Emperor of Gladness by Ocean VuongA Guardian and Thief by Megha MajumdarThe Loneliness of Sonia and Sunny by Kiran DesaiFavorite Historical FictionHomeseeking by Karissa ChanFavorite Mystery & ThrillerVera Wong's Guide to Snooping (On a Dead Man) by Jesse Q. SutantoFavorite RomanceKing of Envy by Ana HuangFavorite RomantasyA Witch's Guide to Magical Innkeeping by Sangu MandannaAlchemised by SenLinYu Immortal by Sue Lynn TanFavorite FantasyRed City by Marie LuKatabasis by R.F. KuangWater Moon by Samantha Sotto YambaoFavorite Science-FictionHammajang Luck by Makana YamamotoSaltcrop by Yume KitaseThese Memories Don't Belong to Us by Yiming MaLuminous by Silvia ParkLocal Heavens by K.M. FajardoFavorite HorrorWhat Hunger by Catherine DangBat Eater and Other Words for Cora Zeng by Kylie Lee BakerImmaculate Conception by Ling Ling HuangFavorite DebutHomeseeking...

Rob runs with comedian Jenny Collier in Brockwell Park, where they are repeatedly distracted. Featuring Jenny's introduction to chatty running, tots and dogs, locked up bogs, her incoming Asian adventure, 'jump-rope' and other training techniques, Jenny's burping journey, Half Marathon highs and lows, Brockwell parkrun, and a failed quest to find an unflattering picture.This episode is just a little bit sweary and has some, shall we say, biological content.Thanks so much Jenny! Good luck in Vietnam. SUBSCRIBE at ⁠https://runcompod.supercast.com/⁠ for more from Jenny, early access, other bonus episodes, ad-free listening and more...BUY OUR BOOKS; you can get Rob's book Running Tracks here - ⁠https://www.waterstones.com/book/running-tracks/rob-deering/9781800180444⁠ - and you can get Paul's book 26.2 Miles to Happiness here: ⁠https://www.waterstones.com/book/26-2-miles-to-happiness/paul-tonkinson/9781472975270⁠Thanks for listening, supporting, and sharing your adventures with us. Happy running. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode 48 of The Slanted Attic Experience features guests James and Mackenzie in an insightful and engaging conversation exploring self-sufficiency, clean living, global systems, and the realities of rural lifestyles. Blending practical experience with curiosity and grounded humor, this episode offers a thoughtful look into how environment, culture, and personal choices shape the way we live.Meet the Guests:James: Raised in the backwoods of northern Minnesota, James spent his early life immersed in sports, outdoor exploration, and fishing. Now living in Montana with his wife and son, he balances a demanding schedule working on oil rigs while running a landscaping business. As he and his family look to settle permanently in Montana, James brings a straightforward, lived-in perspective on land, labor, and living simply.Mackenzie: A Canada native and devoted beekeeping advocate, Mackenzie approaches the world with genuine enthusiasm for nature and environmental stewardship. His passion for pollinators and clean, sustainable living adds depth and perspective to the discussion.Topics Covered (in chronological order):• Intro• Natural vs. processed meat and living off the land• Bird flu, chicken ownership, and their broader importance• Living off the grid and pursuing self-sufficiency• James' experience becoming a state national• Fishing and outdoor life• The Asian and Indian populations in Richmond, BC• Secondary education costs, job placement, and skilled labor opportunities• Truck driving and the path to obtaining a CDL• Construction materials and rising industry costs• Meat quality in commercial production versus natural environments• Types of cows and a return to examining commercial warehouse conditions• U.S. education system gaps and reading comprehension challenges• Global healthcare systems and the rise of GLP-1 medications• Vaccines, controlled trials, and reflections on COVID-19• Supplements and consumer considerations• Mackenzie's beekeeping journey• Clean foods, plant and animal byproducts, and their benefits• Regulations surrounding organic classifications• OutroThis episode delivers a balanced, informative look at modern self-sufficiency, food quality, environmental awareness, and the systems that influence everyday life.New episodes release bi-weekly at 10:30 AM EST, along with occasional special releases. Stay connected with The Slanted Attic Experience through our Linktree: linktr.ee/slantedattic.

In this episode of Current Account, Clay is joined by Ashok Bhundia, IIF Deputy Chief Economist and Head of Asia Macroeconomic Research, to discuss Asia's global economic and geopolitical trends. The conversation focuses on how Asian economies are responding to evolving U.S.–China trade negotiations and strategic competition. Clay and Ashok explore the increasing importance of digital finance in shaping regional priorities, as well as the surge in investment and innovation in artificial intelligence and stablecoins. They also consider which countries are best positioned to benefit from the AI boom amid intensifying technology rivalry. The episode addresses currency trends and whether Asian currencies could appreciate against the U.S. dollar as part of broader efforts to rebalance trade. Finally, Clay and Ashok discuss whether Asia will lead global growth and innovation or face pressure to choose sides between the United States and China. This IIF Podcast was hosted by Clay Lowery, Executive Vice President, Research and Policy, with production and research contributions from Christian Klein, Digital Graphics and Production Associate and Miranda Silverman, Senior Program Assistant.

Hey, everybody! Sid, Tim, and Kristen are back this week to discuss this week's State of Play Japan, which focuses on the Japanese and Asian markets, the thrill of going topside in Arc Raiders, and all the games the team has been playing and looking forward to.