Podcast appearances and mentions of nora atkinson

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Craft curator Nora Atkinson takes us on a trip to Nevada's Black Rock Desert to see the beautifully designed and participatory art of Burning Man, revealing how she discovered there what's often missing from museums: curiosity and engagement. "What is art for in our contemporary world if not this?" she asks.

공예품 큐레이터 노라 아킨슨은 우리를 네바다 블랙록 사막으로 데려가 버닝맨 행사의 아름다운 참여 예술을 보여주고 박물관에는 주로 없는 호기심과 참여를 버닝맨에서 어떻게 발견했는지 보여줍니다. 그녀는 묻습니다. "이게 아니면 뭐가 현시대의 예술인가요?"

A curadora de obras de arte Nora Atkinson nos leva em uma viagem ao deserto de Black Rock em Nevada para vermos a obra participativa e lindamente projetada do Burning Man, revelando como ela descobriu lá aquilo que geralmente falta aos museus: curiosidade e engajamento. "Para que serve a arte no nosso mundo contemporâneo se não for para isso?" ela pergunta.

La conservatrice Nora Atkinson nous emmène en voyage jusque dans le désert de Black Rock, dans le Nevada, pour voir l'art remarquable et participatif de Burning Man, révélant comment elle a découvert ce qu'il nous manque souvent dans les musées : la curiosité et l'implication. Elle demande : « A quoi sert l'art dans notre monde contemporain si ce n'est à cela ? »

La curadora de arte Nora Atkinson nos lleva de viaje al desierto de Black Rock en Nevada para ver el arte maravillosamente diseñado y participativo de Burning Man, y revela cómo descubrió allí lo que a menudo falta en los museos: la curiosidad y la participación. "¿Para qué es el arte en nuestro mundo contemporáneo si no es esto?", pregunta.

Curator Nora Atkinson has brought a sense of that annual hotbed of artistic ingenuity in Nevada’s Black Rock desert with the daring and successful “No Spectators: The Art of Burning Man.” It’s the hottest exhibit in DC appealing to all ages. The exhibit at Renwick Gallery often has lines around the block—and for good reason. It is dazzling; focusing on massive installations that fill rooms with sight and sound. But please don’t just look. Participate and play with the interactive installations; leave a remembrance behind at the temple, lie down on pillows and watch the ceiling shift and pulsate with light. The exhibit fills the museum and spills out into the streets of Washington DC. In this week’s podcast, Nora Atkinson talks about the practical and visionary aspects of bringing this very particular desert art to Washington DC.

Curator Nora Atkinson has brought a sense of that annual hotbed of artistic ingenuity in Nevada’s Black Rock desert with the daring and successful “No Spectators: The Art of Burning Man.” It’s the hottest exhibit in DC appealing to all ages. The exhibit at Renwick Gallery often has lines around the block—and for good reason. It is dazzling; focusing on massive installations that fill rooms with sight and sound. But please don’t just look. Participate and play with the interactive installations; leave a remembrance behind at the temple, lie down on pillows and watch the ceiling shift and pulsate with light. The exhibit fills the museum and spills out into the streets of Washington DC. In this week’s podcast, Nora Atkinson talks about the practical and visionary aspects of bringing this very particular desert art to Washington DC.

Curator Nora Atkinson has brought a sense of that annual hotbed of artistic ingenuity in Nevada's Black Rock desert with the daring and successful “No Spectators: The Art of Burning Man.” It's the hottest exhibit in DC appealing to all ages. The exhibit at Renwick Gallery often has lines around the block—and for good reason. It is dazzling; focusing on massive installations that fill rooms with sight and sound. But please don't just look. Participate and play with the interactive installations; leave a remembrance behind at the temple, lie down on pillows and watch the ceiling shift and pulsate with light. The exhibit fills the museum and spills out into the streets of Washington DC. In this week's podcast, Nora Atkinson talks about the practical and visionary aspects of bringing this very particular desert art to Washington DC.

Against the backdrop of the Bellevue Arts Museum's "Making Mends" exhibition, we'll explore the therapeutic benefit of art and the sense of hope and perseverance that artists find as they come to terms with traumatic experiences through the act of creation. Our guest is the "Making Mends" curator, Nora Atkinson.