Podcast appearances and mentions of rina banerjee

Host Ray McManus and Producer Drew take a nostalgic journey through the past five years of CMA programming, revisiting standout moments. From the Mona Lisa to video games inspired by M.C. Escher, this lively clip show highlights a diverse range of fascinating topics.Featured Programs:Interior Lives Lecture with Curator Michael Neumeister: https://youtu.be/_123uORVr_A?si=fL4Ri3W_I1Ft3dpECatawba Law and Indigenous Sovereignty: https://youtu.be/JDF_zzwyNYM?si=pcnQQ0vmyVY90Lby"A World Seeing More Than Human Culture" with Rina Banerjee: https://youtu.be/w89nPIrIoiY?si=IznzCQwTjUExjfeiDonatello, Leonardo, Michaelangelo, Raphael: The Italian Renaissance in America: https://youtu.be/_0ErgsUHnDw?si=lTZCpScPkB96dcXdThe Secret Lives of Great Artists with Alyssa Velazquez: https://youtu.be/dxyrDG1-960?si=kUd-vF38yRz5dT9aEscher and the Virtual Realm: https://youtu.be/ZxLL_1aZRbI?si=Ce6Vmfcs3lN4IRkc(Un)Settled: Opening Performance: https://youtu.be/BF5prkLD-mg?si=SkZJ1MOQ8o-H_cyv

This is a compressed version of the following Indian Female Artist taking Art to a next level! listen in to their journey and if you want to read about them just click on the following link to my blog ! This episode consists of renowned Artist naming Shilpa Gupta, Bharti Kher, Zarina Hashmi, Rina Banerjee & Dayanita Singh! links to my other social media pages @Gopaltenzin | Linktree paypal.me/tenzingopal Help the ©FünkBlüe community grow, support us with your donations, participations and love!!! --- Send in a voice message: https://anchor.fm/tenzingopal/message

Episode 55 features Courtney J. Martin. In 2019, she became the sixth director of the Yale Center for British Art. Previously, she was the deputy director and chief curator at the Dia Art Foundation; an assistant professor in the History of Art and Architecture department at Brown University; an assistant professor in the History of Art department at Vanderbilt University; a chancellor’s postdoctoral fellow in the History of Art at the University of California, Berkeley; a fellow at the Getty Research Institute; and a Henry Moore Institute research fellow. She also worked in the media, arts, and culture unit of the Ford Foundation in New York. In 2015, she received an Andy Warhol Foundation Arts Writers Grant. In 2012, Martin curated the exhibition Drop, Roll, Slide, Drip . . . Frank Bowling’s Poured Paintings 1973–1978 at Tate Britain. In 2014, she co-curated the group show Minimal Baroque: Post-Minimalism and Contemporary Art at Rønnebæksholm in Denmark. From 2008 to 2015, she co-led a research project on the Anglo-American art critic Lawrence Alloway at the Getty Research Institute and was co-editor of Lawrence Alloway: Critic and Curator (Getty Publications, 2015, winner of the 2016 Historians of British Art Book Award). In 2015, she curated an exhibition at the Dia Art Foundation focusing on the American painter Robert Ryman. At Dia, she also oversaw exhibitions of works by Dan Flavin, Sam Gilliam, Blinky Palermo, Dorothea Rockburne, Keith Sonnier, and Andy Warhol. She was editor of the book Four Generations: The Joyner Giuffrida Collection of Abstract Art (Gregory R. Miller & Co., 2016), surveying an important collection of modern and contemporary work by artists of African descent. As a graduate student in 2007, Martin contributed to the Center’s exhibition and publication Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds. She received a doctorate from Yale University for her research on twentieth-century British art and is the author of essays on Rasheed Araeen, Kader Attia, Rina Banerjee, Frank Bowling, Lara Favaretto, Leslie Hewitt, Asger Jorn, Wangechi Mutu, Ed Ruscha, and Yinka Shonibare CBE (RA). Yale News April 2019 https://news.yale.edu/2019/04/10/courtney-j-martin-09-phd-named-director-ycba The Art Newspaper September 2020 https://www.theartnewspaper.com/interview/yale-center-for-british-art-embraces-a-global-framework ARTnews April 2019 https://www.artnews.com/art-news/news/yale-center-british-art-courtney-martin-director-12328/ culture type June 2019 https://www.culturetype.com/2019/06/20/courtney-j-martin-appointed-director-of-yale-center-for-british-art-an-opportunity-the-yale-alum-called-too-good-to-pass-up/ Dia Art February 2017 https://diaart.org/about/press/courtney-j-martin-to-join-dias-curatorial-department-as-deputy-director-and-chief-curator/type/text Courtney Martin image credit Angelis Apolinario

Je suis très heureuse de vous retrouver pour cette nouvelle saison de Femmes d’art. J’espère que vous avez passé un bel été et que vous êtes bien reposé.e.s. Si vous écoutez Femmes d’art pour la première fois, sachez qu’il vous reste 20 épisodes à rattraper. Si vous êtes un.e habitué.e du podcast, et que vous aimez ces entretiens, n’hésitez pas à me le dire, en ajoutant cinq étoiles sur votre plateforme d’écoute préférée, ou en me laissant un commentaire. Vous pouvez aussi me suivre sur Instagram : @femmesdart_ (ou via le lien en bas de cette note). Cette semaine pour le premier épisode de la saison 2, je vous emmène à la rencontre d’une femme au parcours et à la carrière impressionnants. On dit d’elle qu’elle est une business woman, qu’elle est passionnée et qu’elle a un véritable flair… Nathalie Obadia sait où elle va, elle sait aussi ce qu’elle veut. Très jeune, ses parents, collectionneurs, l’embarquent dans les foires, dans les galeries, une enfance qui lui inspire sa future carrière professionnelle : Nathalie sera galeriste. Une voie qu’elle suit aujourd’hui depuis 27 ans. Et avant de se lancer dans les études de droit et Sciences-Po, Nathalie Obadia a une conviction chevillée au corps : elle ouvrira sa propre galerie, avant ses trente ans. Moins de cinq ans après ses débuts aux côtés du galeriste Daniel Templon, elle ouvre effectivement son propre espace, et représente des artistes en lesquels elle croit, fait ses choix, quand bien même ceux-ci iraient à l’encontre des canons du marché de l’art de l’époque. Aujourd’hui, Nathalie Obadia représente des artistes de renom, qu’elle suit pour la plupart depuis des années… parmi lesquels de nombreuses femmes : Laure Prouvost, Fiona Rey, Rina Banerjee, Carole Benzaken ou encore Shirley Jaffe. Sa voix est énergique, son débit, rapide… Et ses convictions artistiques contagieuses. Vous verrez, c’est passionnant ! Je ne vous en dis pas plus, le reste est dans l’épisode. Bonne écoute ! • Pour en savoir plus sur la galerie et sur Nathalie Obadia : https://www.nathalieobadia.com/ Et pour être informé.e.s des prochaines expositions : https://www.nathalieobadia.com/exhibitions.php • Crédits : Femmes d’art est un podcast produit et réalisé par Marie-Stéphanie Servos Musique libre de droits www.femmes-dart.com www.instagram.com/femmesdart_ Contact : femmesdart@gmail.com

"The April edition of What’s Happening New Haven may be short on calendar, but not on noteworthy inspiration. Tune in for two edifying talks: internationally exhibited, mixed media artist Rina Banerjee discusses her artistic process and methods. TBA: she’ll present a talk at Yale Center of British Art to open the Women From The Center series when groups are given the green light to gather once again. In our second half, we visit with multi instrumental singer songwriter Rachel Sumner in the Boston area. Starting out at the Berklee School of Music she became involved in the rich tradition of Bluegrass applying her own fresh spin and original interpretation. Stay cozed-out and have a visit with two mesmeric contributors."

The story of “Doug,” the Nickelodeon cartoon from the ’90s that used a minimalist approach but had a profound impact on young viewers. Kurt Andersen talks with Rina Banerjee, who makes enchanting installations and who is the subject of a retrospective show at just 55. And the breathtaking backstory and staging for “The Jungle,” the play that replicates an Afghan restaurant in a migrant camp. This episode is brought to you by Doctors Without Borders. Donate today at doctorswithoutborders.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of “Doug,” the Nickelodeon cartoon from the ’90s that used a minimalist approach but had a profound impact on young viewers. Kurt Andersen talks with Rina Banerjee, who makes enchanting installations and who is the subject of a retrospective show at just 55. And the breathtaking backstory and staging for “The Jungle,” the play that replicates an Afghan restaurant in a migrant camp. This episode is brought to you by Doctors Without Borders. Donate today at doctorswithoutborders.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pennsylvania Academy of the Fine Arts presents, "Rina Banerjee: Make Me A Summary of the World", now through March 31st. KYW Newsradio's RJ McKay spoke with curator Jodi Throckmorten.    

The Indian born, New York City based artist Rina Banerjee has a love of materials, heritage textiles, fashion, colonial objects and furnishings, and historical architecture, due to their ability to disguise, animate, and locate their inherent meanings in her art work. She has said that her work explores "specific colonial moments that reinvent place and identity as complex diasporic experiences." Her preoccupation with the role of culture, mythology, fairy tales, anthropology, and ethnography fold into trajectories of race, exotic capital, and the forces of our migration-mobility, tourism, and global commerce. The tensions and desires created out of our individual, increased travel, and our access to information technologies, have perforated traditional boundaries, creating a malleability that reflects a globalized sense of space and a diminished experience of dominant culture paradigm. www.TheSanDiegoMuseumofArt.org Video produced by The Balboa Park Online Collaborative